1
00:00:01,724 --> 00:00:07,137
LOVE,
LUST, AND A DISCLAIMER.

2
00:00:07,172 --> 00:00:10,551
PREVIOUSLY ON "LOVE ISLAND," WE
SAID GOOD-BYE TO MALLORY AND

3
00:00:10,586 --> 00:00:13,724
ALANA.

4
00:00:13,758 --> 00:00:17,827
>> YOU HAVE 30 MINUTES TO PACK
YOUR SUITCASES AND SAY YOUR

5
00:00:17,862 --> 00:00:18,758
GOOD-BYES.

6
00:00:18,793 --> 00:00:20,137
>> Announcer: AND HELLO TO NEW
BOY WINSTON.

7
00:00:20,172 --> 00:00:24,068
>> AMAZING.

8
00:00:24,103 --> 00:00:26,517
>> Announcer: WHO WASTED NO
TIME GETTING TO KNOW THE GIRLS.

9
00:00:26,551 --> 00:00:33,827
>> HE'S ONE OF THOSE GUYS THAT'S
SO WELL PUT TOGETHER.

10
00:00:33,862 --> 00:00:38,655
>> OPPOSITES ATTRACT.

11
00:00:38,689 --> 00:00:42,172
>> Announcer: TONIGHT CRACKS
START TO FORM.

12
00:00:42,206 --> 00:00:46,275
>> HE JUST DOES SOMETHING WHERE
I JUST SEE HIM MORE AS A FRIEND.

13
00:00:46,310 --> 00:00:54,965
>> Announcer: A GAME GETS
MESSY.

14
00:00:55,000 --> 00:00:59,896
AND ARIELLE ARIELLE PAYS THE ISL
SURPRISE VISIT WITH THE RESULT

15
00:00:59,931 --> 00:01:04,448
OF YOUR VOTES.

16
00:01:04,482 --> 00:01:05,965
>> Arielle: HI, ISLANDERS.

17
00:01:06,000 --> 00:01:16,034
SORRY TO DROP IN UNANNOUNCED.

18
00:01:16,068 --> 00:01:21,206
SORRY TO DROP IN UNANNOUNCED.

19
00:01:25,931 --> 00:01:29,931
>> Announcer: LAST NIGHT THE
ISLANDERS' HEART RATES

20
00:01:29,965 --> 00:01:32,586
SKYROCKETED WHEN THEY PERFORMED
RAUNCHY DANCES FOR THE OPPOSITE

21
00:01:32,620 --> 00:01:42,206
SEX TO TEST THEIR COMPATIBILITY
WITH SOME INTERESTING RESULTS.

22
00:01:42,241 --> 00:01:50,827
ELIZABETH CAME OUT OF HER SHELL
AND THEN SET THE SHELL ON FIRE.

23
00:01:50,862 --> 00:01:54,517
>> WHO HAS BEEN A BAD, BAD, BAD,
BOY.

24
00:01:54,551 --> 00:01:59,034
AND CARO TOOK FIRST PLACE WITH
THE OLD BAD COP-BAD COP ROUTINE.

25
00:01:59,068 --> 00:02:04,068
>> HAVE YOU BEEN A BAD, BAD BOY?

26
00:02:04,103 --> 00:02:07,965
>> WINSTON, DYLAN, THE GIRLS WHO
RAISE YOUR HEART RATE THE MOST

27
00:02:08,000 --> 00:02:09,931
WAS CARO.

28
00:02:09,965 --> 00:02:14,448
>> Announcer: BUT THE WEINER
OF CORMAC'S HEART WAS ALEXANDRA,

29
00:02:14,482 --> 00:02:16,724
DRESSED AS A HOT DOG.

30
00:02:16,758 --> 00:02:18,344
HE LIKES WHAT HE LIKES.

31
00:02:18,379 --> 00:02:24,103
>> CORMAC, THE GIRL WHO RAISED
YOUR HEART RATE THE MOST WAS

32
00:02:24,137 --> 00:02:24,413
ALEXANDRA.

33
00:02:24,448 --> 00:02:26,586
>> WHAT!

34
00:02:26,620 --> 00:02:31,379
>> Announcer: IN THE
AFTERMATH, CARO WAS INTERESTED

35
00:02:31,413 --> 00:02:34,758
IN WHETHER CORMAC'S INTEREST
LIES IN ALEXANDRA OR HOT DOGS.

36
00:02:34,793 --> 00:02:37,620
>> HELLO.

37
00:02:37,655 --> 00:02:40,172
ALEXANDRA MAKES YOUR HEART RATE
RISE.

38
00:02:40,206 --> 00:02:41,517
>> IT DOESN'T MAKE ANY SENSE.

39
00:02:41,551 --> 00:02:43,137
>> I THINK YOU SCARED PEOPLE.

40
00:02:43,172 --> 00:02:44,551
>> WAS I SCARY?

41
00:02:44,586 --> 00:02:49,862
>> NO.

42
00:02:49,896 --> 00:02:51,206
>> ARE YOU SURE?

43
00:02:51,241 --> 00:02:56,724
I WAS TALKING TO THE GIRLS, AND
I'M STARTING TO REALLY LIKE YOU.

44
00:02:56,758 --> 00:02:57,620
>> OKAY.

45
00:02:57,655 --> 00:02:59,034
THAT'S GOOD.

46
00:02:59,068 --> 00:02:59,793
I'M NOT JOKING.

47
00:02:59,827 --> 00:03:00,620
THIS IS NOT A JOKE.

48
00:03:00,655 --> 00:03:02,862
>> I KNOW IT'S NOT A JOKE.

49
00:03:02,896 --> 00:03:03,758
I'M NOT HERE FOR A JOKE.

50
00:03:03,793 --> 00:03:06,137
>> MY FEELINGS IS NOT A JOKE.

51
00:03:06,172 --> 00:03:07,517
LIKE I'M STARTING TO LIKE YOU.

52
00:03:07,551 --> 00:03:09,758
NOW IT'S LIKE, OH, MY GOD, I
CARE.

53
00:03:09,793 --> 00:03:13,206
LY CARE IF YOU DO ANYTHING.

54
00:03:13,241 --> 00:03:16,241
YOU KNOW, I WILL GET UPSET.

55
00:03:29,896 --> 00:03:32,413
♪ CAN'T WE JUST TALK.

56
00:03:32,448 --> 00:03:36,931
CAN'T WE JUST TALK ♪
LIKE THIS FOR ME IS A REALLY BIG

57
00:03:36,965 --> 00:03:39,206
DEAL, AND YOU'RE TAKING IT AS IF
IT'S IN THE A BIG DEAL.

58
00:03:39,241 --> 00:03:40,482
>> IT IS.

59
00:03:40,517 --> 00:03:43,724
>> I JUST OPENED UP TO YOU, AND
YOU'RE ACTING LIKE, EXPECT IT.

60
00:03:43,758 --> 00:03:45,482
LIKE WHAT THE HELL?

61
00:03:45,517 --> 00:03:52,689
>> Announcer: DOES HE STILL
HAVE TO PEE?

62
00:03:52,724 --> 00:03:54,931
>> I'M IN THIS PLACE WHERE I
LIKE CORMAC.

63
00:03:54,965 --> 00:03:58,241
I WANT TO INVEST MY ENERGY AND
TIME AND PURSUE THINGS WITH HIM.

64
00:03:58,275 --> 00:03:59,551
I DON'T KNOW.

65
00:03:59,586 --> 00:04:02,862
I DON'T FEEL LIKE HE'S READY TO
INVEST ALL HIS ENERGY IN GETTING

66
00:04:02,896 --> 00:04:06,310
TO KNOW ME, BUT THAT COULD BE
OUT OF MY OWN INSECURITIES THAT

67
00:04:06,344 --> 00:04:09,000
I'M JUST THINKING THAT.

68
00:04:09,034 --> 00:04:15,206
♪ NEVER FELT LIKE THIS BEFORE
>> WHAT'S UP, BRO?

69
00:04:15,241 --> 00:04:19,413
WHAT WAS UP WITH YOU AND CARO?

70
00:04:19,448 --> 00:04:31,172
>> LIKE SHE SAID SHE'S OH, YEAH,
I REALLY LIKE YOU.

71
00:04:31,206 --> 00:04:34,310
I HAVE FEELINGS FOR YOU.

72
00:04:34,344 --> 00:04:38,896
I SAID, ALL RIGHT.

73
00:05:03,241 --> 00:05:04,724
>> I REALLY DON'T KNOW.

74
00:05:04,758 --> 00:05:06,103
I THOUGHT I WAS GOOD AT.

75
00:05:06,137 --> 00:05:09,275
THIS BUT THE FACT THAT CARO
TELLS ME SHE REALLY LIKES ME

76
00:05:09,310 --> 00:05:13,965
NOW, IT'S LIKE, OH, I DON'T
KNOW.

77
00:05:14,000 --> 00:05:15,275
IT'S HARD.

78
00:05:15,310 --> 00:05:19,241
I'M IN TWO MINDS HERE, LIKE I'M
HAVING FUN WITH HER, BUT I AT

79
00:05:19,275 --> 00:05:21,517
THE END OF THE DAY, I DON'T
THINK SHE'S THE GIRL THAT I'M

80
00:05:21,551 --> 00:05:21,965
LOOKING FOR.

81
00:05:22,000 --> 00:05:22,551
>> OKAY.

82
00:05:22,586 --> 00:05:23,931
THIS WHAT I'M USED.

83
00:05:23,965 --> 00:05:28,689
TO I'M USED TO GUYS LIKING ME
AND MAKING ME WANT TO LIKE THEM.

84
00:05:28,724 --> 00:05:33,137
I LIKE THAT SAFETY FEELING, LIKE
WHEN YOU KNOW A GUY IS ALL INTO

85
00:05:33,172 --> 00:05:35,034
YOU AND HE'S REALLY INVESTED.

86
00:05:35,068 --> 00:05:37,931
THAT'S WHEN I ALLOW MYSELF TO
OPEN UP.

87
00:05:37,965 --> 00:05:41,482
ONCE I FEEL THAT, MY INTUITION
IS TELLING ME HE'S NOT REALLY

88
00:05:41,517 --> 00:05:45,448
INVESTED IN ME AND DOESN'T
REALLY LIKE ME LIKE I LIKE HIM.

89
00:05:45,482 --> 00:05:46,034
>> WHY?

90
00:05:46,068 --> 00:05:47,448
>> I DON'T KNOW.

91
00:05:47,482 --> 00:05:49,206
SHOULD I BACK AWAY BEFORE HE
HURTS ME.

92
00:05:49,241 --> 00:05:52,241
>> I WOULDN'T BACK AWAY, BUT IF
YOU'RE NOT A PLACE WHERE HE'S

93
00:05:52,275 --> 00:05:54,965
THE ONE, MAYBE BE OPEN TO
CONVERSATIONS WITH WINSTON.

94
00:05:55,000 --> 00:05:58,344
WHO KNOWS, MAYBE CORMAC WILL BE
LIKE, OH, CORMAC IS JUST A

95
00:05:58,379 --> 00:06:01,655
LITTLE TOO COMFORTABLE, BECAUSE
YOU'RE POURING OUT YOUR HEART,

96
00:06:01,689 --> 00:06:05,241
HE COULD BE TRUEó2t WHEN HE'S
SAYING I FEEL THIS WAY, BUT HE'S

97
00:06:05,275 --> 00:06:08,206
NOT MAKING YOU FEEL THAT HE REAL
LIE LIKES YOU

98
00:06:08,241 --> 00:06:09,551
HE SHOULD BE PULLING YOU ASIDE.

99
00:06:09,586 --> 00:06:13,206
SO MAYBE GIVING ATTENTION TO
WINSTON AND HIM SEEING, OH, IT

100
00:06:13,241 --> 00:06:15,689
SHOULDN'T BE SO COMFORTABLE.

101
00:06:15,724 --> 00:06:18,551
I SHOULD SHOW HER I TRULY LIKE
HER AND NEED TO GO FOR IT.

102
00:06:18,586 --> 00:06:21,103
AND IF HE DOESN'T, THAT'S A
SIGN, TOO.

103
00:06:21,137 --> 00:06:25,931
>> Announcer: WHILE CARO CON
FINDS IN HER CHAMBER MAIDS,

104
00:06:25,965 --> 00:06:29,034
INSIDE ZAC IS STILL SURPRISED
THAT ELIZABETH, THE SHY GIRL WHO

105
00:06:29,068 --> 00:06:32,862
AGREED TO BE ON A REALITY SHOW,
IS MORE OUTGOING THAN HE

106
00:06:32,896 --> 00:06:34,551
EXPECTED.

107
00:06:34,586 --> 00:06:38,344
>> SO WHAT DID YOU THINK ABOUT
THE GAME?

108
00:06:38,379 --> 00:06:40,034
>> IT WAS FUN.

109
00:06:40,068 --> 00:06:41,000
>> YEAH.

110
00:06:41,034 --> 00:06:42,275
>> YEAH.

111
00:06:42,310 --> 00:06:46,344
I DIDN'T WANT TO BE TOO RAUNCHY,
BUT I WANTED TO STILL BE LIKE

112
00:06:46,379 --> 00:06:46,862
FUN.

113
00:06:46,896 --> 00:06:51,310
>> UH-HUH.

114
00:06:51,344 --> 00:06:53,068
I WAS NOT EXPECTING THAT FROM
YOU?

115
00:06:53,103 --> 00:06:54,620
>> ARE YOU MAD THAT I DID THAT?

116
00:06:54,655 --> 00:06:56,206
>> NO.

117
00:06:56,241 --> 00:06:58,793
NO.

118
00:06:58,827 --> 00:07:00,241
>> IT'S JUST FOR FUN.

119
00:07:00,275 --> 00:07:02,758
>> FUN
>> DID I SURPRISE YOU?

120
00:07:02,793 --> 00:07:07,275
>> YEAH.

121
00:07:07,310 --> 00:07:09,620
>> YOU DIDN'T THINK I WOULD DO
THAT?

122
00:07:09,655 --> 00:07:10,620
>> UH-UH.

123
00:07:10,655 --> 00:07:13,034
NO, I DID NOT
>> I THINK ZAC DIED WHEN HE SAW

124
00:07:13,068 --> 00:07:14,034
THAT I DID THAT.

125
00:07:14,068 --> 00:07:16,655
I DON'T THINK HE THOUGHT I HAD
THAT IN ME.

126
00:07:16,689 --> 00:07:21,034
>> I FEEL LIKE EACH AND EVERY
DAY I JUST GET MORE AND MORE

127
00:07:21,068 --> 00:07:22,275
FROM YOU.

128
00:07:22,310 --> 00:07:27,034
>> I DEFINITELY FEEL LIKE I'M
LETTING YOU IN MORE AND MORE.

129
00:07:27,068 --> 00:07:32,206
UH-HUH.

130
00:07:32,241 --> 00:07:36,000
>> IN MY SIDE THERE WAS A LITTLE
THOUGHT PROCESS GOING ON LIKE,

131
00:07:36,034 --> 00:07:37,793
LET'S SPEND THE DAY ABOUT YOU.

132
00:07:37,827 --> 00:07:39,103
>> COOL.

133
00:07:39,137 --> 00:07:42,310
>> YOU KNOW, JUST TO TRY TO GET
TO KNOW YOU AND ALL THAT STUFF.

134
00:07:42,344 --> 00:07:43,862
>> I APPRECIATE IT.

135
00:07:43,896 --> 00:07:47,517
SO I FEEL LIKE MAYBE THAT'S FUN,
LIKE WHEN YOU WERE DANCING,

136
00:07:47,551 --> 00:07:49,000
THERE WAS A LITTLE TENSION.

137
00:07:49,034 --> 00:07:51,275
SHOULD I LOOK AT HIM OR SHOULD I
NOT LOOK AT HIM.

138
00:07:51,310 --> 00:07:53,413
>> I TRIED TO MAKE EYE CONTACT
WITH YOU.

139
00:07:53,448 --> 00:07:57,000
>> I THINK WE DID SOMETHING --
>> I KNEW YOU WOULD PROBABLY

140
00:07:57,034 --> 00:07:57,965
LAUGH, BUT YOU DIDN'T.

141
00:07:58,000 --> 00:08:06,862
>> OKAY, CAMERAMAN TOM, ZOOM IN
ON THE NEON.

142
00:08:06,896 --> 00:08:11,655
♪ ALL MY LIFE
I PRAY FOR SOMEONE LIKE YOU

143
00:08:11,689 --> 00:08:20,310
♪ YES, I PRAY THAT YOU DO LOVE
ME TOO

144
00:08:20,344 --> 00:08:29,241
♪ ALL MY LIFE
I PRAY FOR SOMEONE LIKE YOU ♪

145
00:08:29,275 --> 00:08:33,551
>> THERE YOU GO.

146
00:08:33,586 --> 00:08:34,793
>> WHY IS IT WEIRD.

147
00:08:34,827 --> 00:08:35,482
>> OKAY.

148
00:08:35,517 --> 00:08:35,758
OKAY.

149
00:08:35,793 --> 00:08:39,241
OKAY.

150
00:08:39,275 --> 00:08:39,862
BETTER?

151
00:08:39,896 --> 00:08:42,068
A LITTLE MAKE-UP SESSION.

152
00:08:42,103 --> 00:08:43,827
WE'RE BOTH ON THE EXACT SAME
WAVELENGTH.

153
00:08:43,862 --> 00:08:45,103
>> AWKWARD KISS.

154
00:08:45,137 --> 00:08:46,827
>> WAS IT NOT GOOD?

155
00:08:46,862 --> 00:08:48,413
>> UH-UH.

156
00:09:00,793 --> 00:09:07,724
>> Announcer: YOU KNOW, THIS
IS ACTUALLY STOCK FOOTAGE.

157
00:09:07,758 --> 00:09:11,448
NOW, BACK TO OUR VILLA IN FIJI.

158
00:09:11,482 --> 00:09:22,551
♪ DON'T BE AFRAID TO CATCH ME
>> Announcer: YES, WELCOME

159
00:09:22,586 --> 00:09:28,724
BACK TO "LOVE ISLAND," WHERE
YAMEN PULLED UP A FLORAL PRINT

160
00:09:28,758 --> 00:09:31,586
BEANBAG AND IS TELLING THE BOYS
HOW THINGS BETWEEN HIM AND

161
00:09:31,620 --> 00:09:35,482
CHRISTEN ARE GOING SMOOTHLY.

162
00:09:35,517 --> 00:09:40,931
>> LAST NIGHT CHRISTEN AND I HAD
A LITTLE INTIMATE MAKEOUT

163
00:09:40,965 --> 00:09:47,275
SESSION, WHICH WAS PRETTY TASTY.

164
00:09:47,310 --> 00:09:49,620
>> Announcer: CHRISTEN, THE
FLOOR IS YOURS.

165
00:09:49,655 --> 00:09:57,275
>> AND I NEED TO TALK TO YAMEN
ABOUT OUR AWKWARD KISS.

166
00:09:57,310 --> 00:09:58,413
>> AWKWARD KISS?

167
00:09:58,448 --> 00:10:00,896
>> WHEN WAS THE AWKWARD KISS
>> LAST NIGHT.

168
00:10:00,931 --> 00:10:04,689
>> OH, NEW YORK WAS IT NOT GOOD?

169
00:10:04,724 --> 00:10:08,172
>> WAIT, WHAT WAS AWKWARD?

170
00:10:08,206 --> 00:10:09,931
>> IN BED?

171
00:10:09,965 --> 00:10:11,275
>> JUST KIDDING.

172
00:10:11,310 --> 00:10:12,586
>> IT WAS FINE.

173
00:10:12,620 --> 00:10:23,724
WE'RE CRACKING UP ABOUT WHEN WE
WERE KIDS AND THEN LIKE, WHAT?

174
00:10:23,758 --> 00:10:31,068
HE JUST GOES IN FOR IT, AND YOU
KNOW YOU'RE TRYING TO GET IN THE

175
00:10:31,103 --> 00:10:36,517
RHYTHM, BUT I WAS LIKE ARE YOU
UP HERE, ARE YOU DOWN HERE.

176
00:10:36,551 --> 00:10:38,862
AND THEN I PULLED AWAY.

177
00:10:38,896 --> 00:10:40,448
>> OH, NO.

178
00:10:40,482 --> 00:10:44,448
>> LIKE I FEEL LIKE A LOT OF
PEOPLE NOTICE A BIG DIFFERENCE

179
00:10:44,482 --> 00:10:46,137
IN HOW YOU'RE JUST WALKING
AROUND.

180
00:10:46,172 --> 00:10:52,482
SO I GUESS THAT REALLY SHOWS I'M
LIKE HELLA HAPPY WITH HER 100%.

181
00:10:52,517 --> 00:10:54,931
I'M HAVING A BLAST.

182
00:10:54,965 --> 00:10:57,482
IF I WENT IN, THIS IS NICE.

183
00:10:57,517 --> 00:11:00,896
>> AS EACH DAY GOES BY, I
DEFINITELY FEEL LIKE I'M AT THE

184
00:11:00,931 --> 00:11:03,724
POINT WHERE I JUST WANT TO FOCUS
ON CHRISTEN.

185
00:11:03,758 --> 00:11:06,862
WE'RE BOTH LIKE ON THE EXACT
SAME WAVELENGTH, AND THAT'S

186
00:11:06,896 --> 00:11:08,862
AMAZING.

187
00:11:08,896 --> 00:11:14,413
>> Announcer: THANKS, DANNY
ZUCKO, BUT IT MAY NOT BE THE

188
00:11:14,448 --> 00:11:15,620
SUMMER LOVING YOU THINK IT IS.

189
00:11:15,655 --> 00:11:18,551
>> I WANTED TO BE LIKE, HOLD ON.

190
00:11:18,586 --> 00:11:19,724
WE'RE GOING TO DO THIS.

191
00:11:19,758 --> 00:11:21,793
>> REWIND.

192
00:11:21,827 --> 00:11:24,068
>> I THINK I MADE IT AWKWARD.

193
00:11:24,103 --> 00:11:27,931
AND THEN HE'S LIKE, Y'ALL NEED
TO RELAX, BECAUSE IT WAS LIKE...

194
00:11:27,965 --> 00:11:30,965
I DON'T KNOW.

195
00:11:31,000 --> 00:11:32,413
I DON'T KNOW WHAT TO DO WITH
THAT.

196
00:11:32,448 --> 00:11:38,517
>> HE CHOSE A LIP EACH TIME.

197
00:11:38,551 --> 00:11:40,310
HE WENT DOWN HERE AND THEN HE
WENT UP HERE.

198
00:11:40,344 --> 00:11:42,551
>> THAT'S SUPPOSED TO BE IN THE
RHYTHM.

199
00:11:42,586 --> 00:11:43,241
>> YEAH.

200
00:11:43,275 --> 00:11:45,275
I WAS TRYING TO FIGURE IT OUT.

201
00:11:45,310 --> 00:11:46,620
DO I GO THIS WAY?

202
00:11:46,655 --> 00:11:50,241
IT WAS A VERY PREMATURE KISS.

203
00:11:50,275 --> 00:11:51,275
BUT WE TRIED IT.

204
00:11:51,310 --> 00:11:55,620
I THINK I'M GOING TO HAVE TO
TEACH HIM A LITTLE.

205
00:11:55,655 --> 00:11:58,758
>> DO YOU THINK HE KNOWS YOU
FELT A LITTLE AWKWARD.

206
00:11:58,793 --> 00:12:00,862
>> I MEAN, I COULD NOT HIDE IT.

207
00:12:00,896 --> 00:12:05,103
I WAS LIKE, SO THIS IS SO CRAZY.

208
00:12:05,137 --> 00:12:08,862
>> Announcer: MEANWHILE, BACK
WITH THE HAT, HAT, AND BANDANNA

209
00:12:08,896 --> 00:12:10,172
BOYS.

210
00:12:10,206 --> 00:12:16,517
>> OBVIOUSLY YOU GUYS KNOW THAT
I TOTALLY FEEL... I'M WAY ABOUT

211
00:12:16,551 --> 00:12:17,724
IT.

212
00:12:17,758 --> 00:12:21,827
BUT THE PACING DIFFERENCE IS NOT
NECESSARILY GETTING TO ME.

213
00:12:21,862 --> 00:12:27,448
IT'S JUST LIKE I'M LIKE, I'M
STARTING TO THINK ABOUT IT MORE.

214
00:12:27,482 --> 00:12:30,620
LIKE I WANT A GIRL WHO WILL TELL
ME EVERYTHING AND FEEL

215
00:12:30,655 --> 00:12:31,827
COMFORTABLE LIKE THAT.

216
00:12:31,862 --> 00:12:36,448
LIKE WE ARE AS GOOD AS FRIENDS
AS WE ARE ROMANTIC PARTNERS.

217
00:12:36,482 --> 00:12:38,586
THAT'S WHAT I WANT.

218
00:12:38,620 --> 00:12:39,172
100%.

219
00:12:39,206 --> 00:12:45,551
THAT'S ALL I WANT.

220
00:12:45,586 --> 00:12:49,758
>> I THINK MY FEELINGS JUST KEEP
GROWING STRONGER AND STRONGER.

221
00:12:49,793 --> 00:12:51,103
I REALLY LIKE ELIZABETH.

222
00:12:51,137 --> 00:12:55,517
I COULD HONESTLY SEE HER BEING
MY GIRLFRIEND, DUDE.

223
00:12:55,551 --> 00:12:56,310
TO BE HONEST.

224
00:12:56,344 --> 00:12:57,068
>> DAMN.

225
00:12:57,103 --> 00:13:00,137
>> THE "G" WORD.

226
00:13:00,172 --> 00:13:02,034
>> THE "G" WORD.

227
00:13:02,068 --> 00:13:04,000
>> THAT'S DOPE, DUDE.

228
00:13:04,034 --> 00:13:05,482
>> HOW WOULD YOU DO IT?

229
00:13:05,517 --> 00:13:06,724
WOULD YOU GET ON ONE KNEE?

230
00:13:06,758 --> 00:13:09,413
>> HA, HA, WILL YOU BE MY
GIRLFRIEND?

231
00:13:09,448 --> 00:13:10,758
>> I CAN SEE ZAC DOING THAT.

232
00:13:10,793 --> 00:13:14,172
>> I DON'T REMEMBER THE LAST
TIME I ASKED A GIRL TO BE MY

233
00:13:14,206 --> 00:13:15,379
GIRLFRIEND.

234
00:13:15,413 --> 00:13:17,034
>> I DON'T THINK I EVER ASKED A
GIRL TO BE MY GIRLFRIEND.

235
00:13:17,068 --> 00:13:18,275
>> I LOVE THAT QUESTION.

236
00:13:18,310 --> 00:13:19,931
IT'S CUTE, DOG.

237
00:13:19,965 --> 00:13:20,793
THEY LOVE IT.

238
00:13:20,827 --> 00:13:23,793
HEY, DO YOU WANT TO BE MY
GIRLFRIEND.

239
00:13:23,827 --> 00:13:33,862
>> I FEEL LIKE A LOT OF PEOPLE
DON'T SAY THAT ANYMORE.

240
00:13:33,896 --> 00:13:42,758
>> I FEEL LIKE A LOT OF PEOPLE
DON'T SAY THAT ANYMORE.

241
00:13:42,793 --> 00:13:44,275
>> WHERE IS YOUR HEAD AT?

242
00:13:44,310 --> 00:13:46,448
>> WHAT?

243
00:13:46,482 --> 00:13:50,517
>> BEING IN A COUPLE WITH ME?

244
00:13:50,551 --> 00:13:52,034
>> I FEEL STUCK.

245
00:13:52,068 --> 00:13:55,206
THERE'S NOBODY ELSE I CAN MAKE A
CONNECTION WITH...

246
00:13:55,241 --> 00:13:56,137
>> SHUT UP.

247
00:13:56,172 --> 00:13:56,620
THAT'S MEAN.

248
00:13:56,655 --> 00:13:57,275
STOP IT.

249
00:13:57,310 --> 00:13:59,068
>> I DON'T KNOW WHAT TO DO.

250
00:13:59,103 --> 00:14:01,448
YOU KNOW, I'VE SPENT EVERY DAY
WITH ELIZABETH.

251
00:14:01,482 --> 00:14:03,034
WE'VE GOTTEN TO KNOW EACH OTHER.

252
00:14:03,068 --> 00:14:08,172
I JUST FIGURED OUT THE OTHER DAY
THAT I LIKE REALLY LIKE

253
00:14:08,206 --> 00:14:11,931
ELIZABETH, AND I WANT HER TO BE
LIKE MY BY MY SIDE ALL THE TIME.

254
00:14:11,965 --> 00:14:14,793
>> I'M REALLY HAPPY TO BE IN A
COUPLE WITH YOU.

255
00:14:14,827 --> 00:14:18,310
>> HOW DO YOU FEEL LIKE ABOUT
NEW PEOPLE COMING IN HERE?

256
00:14:18,344 --> 00:14:19,448
>> LIKE NEW GIRLS?

257
00:14:19,482 --> 00:14:22,068
>> GIRLS OR GUYS, YEAH?

258
00:14:22,103 --> 00:14:24,068
>> IT'S NOT GOING TO AFFECT ME
ANY.

259
00:14:24,103 --> 00:14:24,758
>> YEAH.

260
00:14:24,793 --> 00:14:26,034
SAME.

261
00:14:26,068 --> 00:14:30,379
>> WHEN I'M WITH A GIRL, I LIKE
HER, THEN I'M LIKE COMMITTED TO

262
00:14:30,413 --> 00:14:30,896
HER, YOU KNOW?

263
00:14:30,931 --> 00:14:32,137
>> YEAH.

264
00:14:32,172 --> 00:14:34,551
>> I FEEL LIKE ME AND YOU HAVE
BUILT A PRETTY GOOD CONNECTION

265
00:14:34,586 --> 00:14:35,793
NOW.

266
00:14:35,827 --> 00:14:39,965
SO, YOU KNOW, LIKE, I WOULD
NEVER JUST LIKE THROW THAT AWAY.

267
00:14:40,000 --> 00:14:40,551
>> YEAH.

268
00:14:40,586 --> 00:14:47,758
>> IT WOULDN'T BE GOOD.

269
00:14:47,793 --> 00:14:48,620
I LIKE YOU A LOT.

270
00:14:48,655 --> 00:14:50,241
>> I LIKE YOU A LOT, TOO.

271
00:14:50,275 --> 00:14:54,827
>> I MIGHT HAVE TO STEP THINGS
UP

272
00:14:54,862 --> 00:14:59,655
>> OH.

273
00:14:59,689 --> 00:15:04,896
>> I COULD REALLY SEE YOU BEING
MY GIRLFRIEND.

274
00:15:04,931 --> 00:15:06,034
YEAH.

275
00:15:06,068 --> 00:15:09,068
>> HE SAID TODAY I COULD SEE YOU
BEING MY GIRLFRIEND.

276
00:15:09,103 --> 00:15:14,517
I'M LIKE, OKAY, SO WHAT DOES
THAT MEAN?

277
00:15:14,551 --> 00:15:16,310
I DON'T WANT THE POKE AT HIM.

278
00:15:16,344 --> 00:15:20,034
I'M JUST GOING TO LET HIM BE.

279
00:15:20,068 --> 00:15:22,586
HE'S NOT SOMEONE THRUSHES
ANYTHING.

280
00:15:22,620 --> 00:15:25,241
I DON'T WANT HIM TO.

281
00:15:25,275 --> 00:15:31,034
I WAS GOING TO ASK YOU IF YOU
HAD LIKE A RANDOM THING THAT I

282
00:15:31,068 --> 00:15:32,551
DIDN'T KNOW ABOUT YOU YET.

283
00:15:32,586 --> 00:15:35,758
>> A RANDOM THING?

284
00:15:35,793 --> 00:15:37,758
>> YEAH, LIKE A FUN THING.

285
00:15:37,793 --> 00:15:39,758
>> I'M A BIG PROCRASTINATOR.

286
00:15:39,793 --> 00:15:40,655
>> YOU ARE?

287
00:15:40,689 --> 00:15:42,034
>> YEAH, REALLY BAD.

288
00:15:42,068 --> 00:15:43,931
>> I FEEL LIKE YOU WOULD NOT BE.

289
00:15:43,965 --> 00:15:45,068
>> NEW YORK I'M TERRIBLE.

290
00:15:45,103 --> 00:15:47,068
>> I'M NOT A PROCRASTINATOR.

291
00:15:47,103 --> 00:15:49,620
>> I'M A LAST-MINUTE GUY.

292
00:15:49,655 --> 00:15:52,103
>> REALLY?

293
00:15:52,137 --> 00:15:54,275
>> UH-HUH.

294
00:15:54,310 --> 00:15:57,551
>> IS THAT WHAT HAPPENED WITH
THE KISS?

295
00:15:57,586 --> 00:16:01,517
>> WHAT?

296
00:16:01,551 --> 00:16:14,413
YEAH, THE KISS, I PROCRASTINATED
THAT.

297
00:16:14,448 --> 00:16:16,862
>> Announcer: I'M A
PROCRASTINATOR, TOO, ZAC.

298
00:16:16,896 --> 00:16:23,517
I PUT OFF WRITING THIS WHOLE
TRANSITION, BUT I DID GET AROUND

299
00:16:23,551 --> 00:16:24,000
TO SEND.

300
00:16:24,034 --> 00:16:25,862
>> I DON'T KNOW.

301
00:16:25,896 --> 00:16:28,379
I'VE GOT A TEXT.

302
00:16:28,413 --> 00:16:30,724
[SCREAMING]
>> OH, MY GOD, YAY.

303
00:16:30,758 --> 00:16:32,758
>> ALL RIGHT.

304
00:16:32,793 --> 00:16:34,793
>> GIRL, WHAT DOES YOUR TEXT
SAY?

305
00:16:34,827 --> 00:16:36,689
>> IS EVERYONE HERE?

306
00:16:36,724 --> 00:16:39,551
>> ISLANDERS, IT'S TIME FOR A
LITTLE LUNCH ON THE GO.

307
00:16:39,586 --> 00:16:50,793
TODAY'S GAME, FAST FOOD,
#MOUTHTOMOUTH, #MEALSONWHEELS.

308
00:16:50,827 --> 00:16:55,724
I AM NOT... YOU ARE NOT SPITTING
ANYTHING INTO MY MOUTH.

309
00:16:55,758 --> 00:16:59,448
>> THE AMOUNT OF FOOD WE EAT,
THIS SOUNDS RIGHT ON PAR.

310
00:16:59,482 --> 00:17:02,034
>> WE'LL BE TERRIBLE AT THIS.

311
00:17:02,068 --> 00:17:03,896
>> WE'LL SEE HOW IT GOES.

312
00:17:03,931 --> 00:17:08,137
MAYBE WE'LL GET REAL CLOSE AND
JUST KIND OF -- I HAVE A BIG

313
00:17:08,172 --> 00:17:08,689
MOUTH.

314
00:17:08,724 --> 00:17:11,137
THAT'S A LOT OF FOOD.

315
00:17:11,172 --> 00:17:13,793
>> I CAN CARRY A LOT.

316
00:17:13,827 --> 00:17:15,862
>> Announcer: COMING UP...

317
00:17:35,206 --> 00:17:38,172
>> Announcer: NO, IT'S NOT A
CHAPSTICK COMMERCIAL.

318
00:17:38,206 --> 00:17:42,448
IT'S THE ISLANDERS RUNNING TO
OUR NEWEST GAME.

319
00:17:42,482 --> 00:17:48,551
TODAY'S GAME IS CALLED "FAST
FOOD."

320
00:17:48,586 --> 00:17:52,586
THESE FINE SPECIMENS WILL ENJOY
A DELICIOUS FIVE-COURSE MEAL OF

321
00:17:52,620 --> 00:17:57,896
THE FOOD THE REST OF US CONSUME
ON DAILY BASIS -- FRENCH FRY, A

322
00:17:57,931 --> 00:18:02,482
FULLY LOADED HOT DOG, A CREAMY
STRAWBERRY MILKSHAKE, A SLICE OF

323
00:18:02,517 --> 00:18:06,517
APPLE PIE, AND A BANANA SPLIT
FOR TWO.

324
00:18:06,551 --> 00:18:10,931
IT'S THE CHERRY ON TOP,
LITERALLY, AS COUPLES THE

325
00:18:10,965 --> 00:18:13,827
ISLANDERS HAVE THE MOVE ALL
THEIR FOOD FROM ONE END OF THE

326
00:18:13,862 --> 00:18:18,620
COURSE TO THE OTHER USING ONLY
THEIR MOUTHS.

327
00:18:18,655 --> 00:18:19,896
>> WHY?

328
00:18:19,931 --> 00:18:23,379
>> Announcer: THE COUPLE THAT
TRANSFERS THE MOST FOOD FASTEST

329
00:18:23,413 --> 00:18:25,344
WILL WIN.

330
00:18:25,379 --> 00:18:29,965
AND THIS JUST IN, WESTON'S A
LITTLE UNDER THE WEATHER SO

331
00:18:30,000 --> 00:18:31,896
WON'T BE PLAYING THE GAME.

332
00:18:31,931 --> 00:18:40,482
INSTEAD SINGLE BOY WINSTON WILL
BE KATRINA'S PARTNER FOR TODAY.

333
00:18:40,517 --> 00:18:43,275
LIKE A LOVING MOTHER BIRD
FEEDING HER YOUNG, THE ISLANDERS

334
00:18:43,310 --> 00:18:46,896
WILL KINDLY TRANSFER MOUTHFULS
TO EACH OTHER STARTING WITH THE

335
00:18:46,931 --> 00:18:53,068
FIRST COURSE OF FRENCH -- FIJIAN
FRIES.

336
00:18:53,103 --> 00:18:56,517
>> I'VE NEVER HAD SOMEONE SPIT
FOOD INTO MY MOUTH BEFORE.

337
00:18:56,551 --> 00:18:58,068
>> I'M HAPPY TO BE THE FIRST.

338
00:18:58,103 --> 00:19:00,241
>> THE KETCHUP IS SO DISGUSTING.

339
00:19:00,275 --> 00:19:01,137
IT IS MUSHY.

340
00:19:01,172 --> 00:19:06,379
IT WAS IN HIS MOUTH.

341
00:19:06,413 --> 00:19:12,586
>>
>> Announcer: WE'RE ONLY JUST

342
00:19:12,620 --> 00:19:13,241
GETTING STARTED.

343
00:19:13,275 --> 00:19:16,068
NEXT UP, HOT DOGS.

344
00:19:16,103 --> 00:19:19,379
>>
>> HE'S GOT BEER HANGING OUT OF

345
00:19:19,413 --> 00:19:20,689
HIS MOUTH.

346
00:19:20,724 --> 00:19:23,000
>> THEN I WAS TRYING TO TELL HER
TO JUST TAKE THE WHOLE THING AND

347
00:19:23,034 --> 00:19:27,206
TRANSFER IT, BUT SHE WAS TAKING
BITES OUT OF IT AS IT WAS

348
00:19:27,241 --> 00:19:28,586
HANGING OUT OF MY MOUTH.

349
00:19:28,620 --> 00:19:38,206
>> IT WAS SO GROSS.

350
00:19:38,241 --> 00:19:41,517
>> I DIDN'T KNOW I SIGNED UP FOR
STUFF LIKE THIS.

351
00:19:41,551 --> 00:19:43,758
I THOUGHT I WAS COMING IN HERE,
"LOVE ISLAND."

352
00:19:43,793 --> 00:19:47,344
I DIDN'T THINK WE WOULD TEST MY
FEARS OF CONTINUE MINTS.

353
00:19:47,379 --> 00:19:49,310
IT WAS A NIGHTMARE THAT CAME
TRUE

354
00:19:49,344 --> 00:19:55,551
>> Announcer: NOW WASH THOSE
HOT DOGS DOWN.

355
00:19:55,586 --> 00:19:58,172
QUEUE MY SECOND FAVORITE
MILKSHAKE-THEMED SONG.

356
00:19:58,206 --> 00:20:00,655
♪ MY MILKSHAKE BRINGS ALL THE
BOYS TO THE YARD ♪

357
00:20:00,689 --> 00:20:02,034
>> OH, HELL NO.

358
00:20:02,068 --> 00:20:05,517
>> WE WERE FIRST PLACE UNTIL I
WANTED TO TRANSFER THE MILKSHAKE

359
00:20:05,551 --> 00:20:11,000
INTO HER MOUTH.

360
00:20:11,034 --> 00:20:13,241
>> I'M SORRY.

361
00:20:13,275 --> 00:20:14,413
THAT'S DISGUSTING.

362
00:20:14,448 --> 00:20:15,586
I COULD PUKE RIGHT NOW.

363
00:20:15,620 --> 00:20:20,448
THAT WAS SO DISGUSTING.C
I'M SORRY.

364
00:20:20,482 --> 00:20:23,379
I CAN'T.

365
00:20:23,413 --> 00:20:28,310
>> Announcer: I MISS INNOCENT
GAMES WITH PAINTBALLS AND

366
00:20:28,344 --> 00:20:31,310
STRIPPING.

367
00:20:31,344 --> 00:20:34,379
>> SO I HAVE MILKSHAKE IN MY
BUTT RIGHT NOW.

368
00:20:34,413 --> 00:20:39,586
>> LETTING IT OUT OF MY MOUTH
INTO HER MOUTH WAS REALLY

369
00:20:39,620 --> 00:20:40,344
DISGUSTING.

370
00:20:40,379 --> 00:20:43,379
IT FELT LIKE A WARM LUGIE.

371
00:20:43,413 --> 00:20:47,413
>> WE DIDN'T KNOW EACH OTHER
THAT WELL PRIOR TO THIS.

372
00:20:47,448 --> 00:20:48,379
>> WE DO NOW.

373
00:20:48,413 --> 00:20:51,655
>> I GUESS SOME
>> Announcer: NOW A SLICE OF

374
00:20:51,689 --> 00:20:55,551
APPLE PIE JUST LIKE MAMA USED TO
MAKE, AND SHE FED IT TO ME THE

375
00:20:55,586 --> 00:20:56,275
SAME WAY.

376
00:20:56,310 --> 00:20:57,586
>> I DON'T KNOW HOW TO DO THIS.

377
00:20:57,620 --> 00:20:59,724
>> PUT IT IN YOUR MOUTH, GO.

378
00:20:59,758 --> 00:21:01,068
>> I'M RIDE OR DO.

379
00:21:01,103 --> 00:21:04,862
I'M GOING TO DO IT, GO FULL
FORCE ALL DAY EVERY DAY.

380
00:21:04,896 --> 00:21:07,724
BUT WILL I HAVE NIGHTMARES
TONIGHT, YES.

381
00:21:07,758 --> 00:21:12,241
>> Announcer: AND TO FINISH IT
OFF, A BANANA SPIT -- I MEAN

382
00:21:12,275 --> 00:21:13,379
SPLIT.

383
00:21:13,413 --> 00:21:16,896
EMMY VOTERS, YOU'RE WELCOME.

384
00:21:16,931 --> 00:21:20,931
>> I SCOOPED THE ICE CREAM
SUNDAE AND PUT IT IN MY MOUTH,

385
00:21:20,965 --> 00:21:33,482
AND THE BANANAS JUST WENT ALL
THE WAY DOWN MY THROAT.

386
00:21:33,517 --> 00:21:37,551
>> WHEN I GOT THE BANANA SPLIT,
IT WASN'T COLD.

387
00:21:37,586 --> 00:21:42,275
IT WAS WARM.

388
00:21:42,310 --> 00:21:45,344
>> THAT WAS THE MOST DISGUSTING
THING I'VE EVER DONE IN MY LIFE.

389
00:21:45,379 --> 00:21:49,310
I HAVE NEVER HATED ANYTHING
MORE.

390
00:21:49,344 --> 00:21:53,000
>> YOU JUST LIKE THE WAY I LOOK.

391
00:21:53,034 --> 00:21:54,724
JUST LOVE ME.

392
00:21:54,758 --> 00:21:56,034
>> IT WAS SO BAD.

393
00:21:56,068 --> 00:21:57,931
>> JUST EMBRACE IT.

394
00:21:57,965 --> 00:22:02,034
>> Announcer: TIME TO FIND OUT
WHO WON -- I MEAN, WHO REGRETTED

395
00:22:02,068 --> 00:22:03,413
THIS THE LEAST.

396
00:22:03,448 --> 00:22:07,448
>> THE COUPLE THAT TRANSFERRED
THE MOST FOOD THE FAST ESWAS

397
00:22:07,482 --> 00:22:13,379
CASHEL AND KYRA.

398
00:22:13,413 --> 00:22:14,379
>> NUMBER ONE.

399
00:22:14,413 --> 00:22:16,172
>> NUMBER ONE, BABY!

400
00:22:16,206 --> 00:22:17,448
>> NUMBER ONE.

401
00:22:17,482 --> 00:22:20,965
>> Announcer: CONGRATULATION,
CASHEL AND KYRA, AND I CAN TELL

402
00:22:21,000 --> 00:22:24,034
YOU THE LEFTOVERS WERE
DELICIOUS.

403
00:22:24,068 --> 00:22:28,103
♪ DREAM ON
>> THE TASTE OF SWEET VICTORY.

404
00:22:28,137 --> 00:22:31,620
GOOD JOB, KYRA!

405
00:22:31,655 --> 00:22:36,758
>> YOU KNOW, I HAD A GOOD TALK
WITH KYRA LAST NIGHT.

406
00:22:36,793 --> 00:22:39,965
BECAUSE EVERYONE IS COUPLED UP
IS HAPPY.

407
00:22:40,000 --> 00:22:41,482
KYRA IS NOT.

408
00:22:41,517 --> 00:22:43,068
BUT EVERYONE ELSE SEEMS HAPPY.

409
00:22:43,103 --> 00:22:44,931
HERE'S THE DEAL.

410
00:22:44,965 --> 00:22:50,344
TODAY WESTON HAS BEEN GONE,
KATRINA IS AWESOME.

411
00:22:50,379 --> 00:22:52,000
SHE'S REALLY COOL.

412
00:22:52,034 --> 00:22:53,793
OBVIOUSLY I'M WAY MORE INTO
KATRINA.

413
00:22:53,827 --> 00:22:55,724
>> REALLY?

414
00:22:55,758 --> 00:22:59,137
YOU SHOULD GO UP THERE AND BE
LIKE, HELP ME PICK OUT A SHIRT

415
00:22:59,172 --> 00:22:59,931
FOR TONIGHT.

416
00:22:59,965 --> 00:23:01,551
>> ELIZABETH BECAME MY WING
WOMAN.

417
00:23:01,586 --> 00:23:04,379
SHE'S LIKE, YOU NEED TO SPEND
SOME TIME WITH KATRINA, GO TALK

418
00:23:04,413 --> 00:23:09,655
TO HER.

419
00:23:09,689 --> 00:23:12,241
>> TRIPPY SITUATION.

420
00:23:12,275 --> 00:23:13,586
>> I KNOW.

421
00:23:13,620 --> 00:23:15,965
>> SUPER TRIPPY.

422
00:23:16,000 --> 00:23:17,827
LIKE CAN I JOIN YOU GUYS?

423
00:23:17,862 --> 00:23:18,586
EVERYBODY IS SLEEPING.

424
00:23:18,620 --> 00:23:20,137
>> HOP IN HERE, DOG.

425
00:23:20,172 --> 00:23:22,620
>> YOU CLEANING UP SHAKES?

426
00:23:22,655 --> 00:23:24,482
YOU MUST BE REAL BORED, BRO.

427
00:23:24,517 --> 00:23:27,103
>> JUST PASSING THE TIME, BRO.

428
00:23:27,137 --> 00:23:30,896
>> CASHEL IS CLEANING SUNGLASSES
FOR AN HOUR AND A HALF AND ALL I

429
00:23:30,931 --> 00:23:35,724
WANT TO DO IS JUST GET SOME
ONE-ON-ONE TIME.

430
00:23:35,758 --> 00:23:38,241
>> I'M GOING TO GO DOWN AND GET
SOME MORE SUN.

431
00:23:38,275 --> 00:23:41,793
I DON'T KNOW WHEN IT'S GOING TO
COME BACK OUT AGAIN.

432
00:23:41,827 --> 00:23:44,724
SECOND ATTEMPT, THANKFULLY SHE
TAKES A LOT OF TIME TO GET

433
00:23:44,758 --> 00:23:45,275
READY.

434
00:23:45,310 --> 00:23:47,655
SO I HAD ANOTHER SHOT.

435
00:23:47,689 --> 00:23:51,379
>> WHAT'S GOING ON?

436
00:23:51,413 --> 00:23:53,103
>> CHRISTEN IS IN THERE NOW.

437
00:23:53,137 --> 00:23:55,620
NOW I HAVE TO ACT LIKE I WAS
USING THE BATHROOM OR SOMETHING

438
00:23:55,655 --> 00:24:01,586
OR EATING A YOGURT.

439
00:24:01,620 --> 00:24:02,241
SHE DIDN'T CARE.

440
00:24:02,275 --> 00:24:02,793
IT'S COOL.

441
00:24:02,827 --> 00:24:04,034
NO BIG DEAL.

442
00:24:04,068 --> 00:24:05,034
KATRINA, LET'S GO CHAT.

443
00:24:05,068 --> 00:24:07,827
>> WHAT?

444
00:24:07,862 --> 00:24:08,862
CHAT?

445
00:24:08,896 --> 00:24:09,413
OH, OKAY.

446
00:24:09,448 --> 00:24:10,689
WHERE.

447
00:24:10,724 --> 00:24:12,965
>> I FINALLY GET THE CHANCE TO
SIT DOWN AND TALK TO KATRINA ONE

448
00:24:13,000 --> 00:24:13,862
ON ONE.

449
00:24:13,896 --> 00:24:17,000
♪ I'M A BAD GUY
SO HOW DO YOU FEEL?

450
00:24:17,034 --> 00:24:17,413
HOW'S THINGS?

451
00:24:17,448 --> 00:24:19,275
>> I'M TIRED.

452
00:24:19,310 --> 00:24:23,586
>> DO YOU FEEL WEIRD AFTER ME
HAVING SPIT IN YOUR MOUTH ALL

453
00:24:23,620 --> 00:24:24,310
AFTERNOON?

454
00:24:24,344 --> 00:24:26,172
>> I MEAN, I WANT TO SAY WEIRD.

455
00:24:26,206 --> 00:24:28,448
BECAUSE IT WAS A GAME, YOU KNOW.

456
00:24:28,482 --> 00:24:29,965
FOR ME IT WAS ALL FUN.

457
00:24:30,000 --> 00:24:33,931
FOR ME IT WAS HELLA FUN.

458
00:24:33,965 --> 00:24:34,793
HOW DO YOU FEEL?

459
00:24:34,827 --> 00:24:36,517
>> IT'S WEIRD BECAUSE I'M ODD
MAN OUT.

460
00:24:36,551 --> 00:24:37,241
I DON'T KNOW.

461
00:24:37,275 --> 00:24:38,482
WITH WESTON GONE TODAY.

462
00:24:38,517 --> 00:24:40,862
IT WAS KIND OF LIKE... WHERE IS
YOUR HEAD AT.

463
00:24:40,896 --> 00:24:43,965
>> I DON'T KNOW HIM TOTALLY YET.

464
00:24:44,000 --> 00:24:45,827
IT'S LITERALLY BEEN TWO DAYS.

465
00:24:45,862 --> 00:24:46,931
I'M JUST GOING WITH IT.

466
00:24:46,965 --> 00:24:48,000
I'M NOT GOING THE LIE.

467
00:24:48,034 --> 00:24:50,000
I FEEL LIKE I DON'T MISS THE
KID.

468
00:24:50,034 --> 00:24:51,862
>> I WANT YOU TO BE HONEST.

469
00:24:51,896 --> 00:24:53,172
>> FOR SURE, I WILL.

470
00:24:53,206 --> 00:24:55,068
>> I RESPECT THAT.

471
00:24:55,103 --> 00:24:56,586
BUT IT WAS FUN DOING THAT WITH
YOU.

472
00:24:56,620 --> 00:24:58,034
>> IT WAS PAST.

473
00:24:58,068 --> 00:24:59,310
IT WAS FUN.

474
00:24:59,344 --> 00:25:03,862
>> I FEEL LIKE EVEN THOUGH IT
WAS A CONVERSATION THING TO GET

475
00:25:03,896 --> 00:25:05,275
CLOSER,ER FEEL MORE COMFORTABLE
WITH YOU.

476
00:25:05,310 --> 00:25:06,034
>> FOR SURE.

477
00:25:06,068 --> 00:25:07,068
>> BECAUSE WE DID THAT.

478
00:25:07,103 --> 00:25:12,000
>> THERE'S NO GOING BACK.

479
00:25:12,034 --> 00:25:15,482
>> SO IT FEELS GOOD THAT I GOT
TO KNOW YOU MORE.

480
00:25:15,517 --> 00:25:18,551
>> FOR SURE.

481
00:25:18,586 --> 00:25:20,655
>> I WOULD TELL YOU WHAT TO DO,
BUT I DON'T KNOW.

482
00:25:20,689 --> 00:25:23,586
>> GREAT TIMING FOR THAT, MAN.

483
00:25:23,620 --> 00:25:29,586
>> Announcer: NOW KYRA OPENS
UP ABOUT HER CASH PROBLEM.

484
00:25:29,620 --> 00:25:31,586
>> THERE ARE MOMENTS LIKE LAST
NIGHT, I WAS LITERALLY SO TURNED

485
00:25:31,620 --> 00:25:34,586
ON AND SO INTO IT AND HERE FOR
IT, AND I COULDN'T WAIT TO

486
00:25:34,620 --> 00:25:38,586
CUDDLE UP TO HIM IN BED, AND
THEN HE JUST DOES SOMETHING

487
00:25:38,620 --> 00:25:42,931
WHERE I JUST SEE HIM MORE AS A
FRIEND SOMETIMES, AND IT'S LIKE,

488
00:25:42,965 --> 00:25:46,758
EVEN TODAY IN THE CHALLENGE,
THERE WAS A CERTAIN THING WHERE

489
00:25:46,793 --> 00:25:50,586
IT'S THAT KID IN CLASS WHERE, I
WANT THE LAUGH WITH HIM, HE'S SO

490
00:25:50,620 --> 00:25:52,137
FUNNY, BUT IT'S MORE LIKE A
FRIEND.

491
00:25:52,172 --> 00:25:55,586
LIKE I DON'T WANT TO JUMP ON YOU
RIGHT NOW.

492
00:25:55,620 --> 00:25:59,310
I DON'T WANT TO SAY T
CASH, BECAUSE HE'S CASH.

493
00:25:59,344 --> 00:26:00,310
HE'S SO SWEET.

494
00:26:00,344 --> 00:26:02,620
AND I WISH IT WAS SOMETHING...

495
00:26:02,655 --> 00:26:06,068
LIKE I WISH HE WAS DOING
SOMETHING BAD, BUT HE'S JUST

496
00:26:06,103 --> 00:26:09,103
BEING HIMSELF, AND IT'S JUST
MESSED UP THAT HIM BEING HIMSELF

497
00:26:09,137 --> 00:26:12,275
AND ME BEING MYSELF MAYBE ISN'T
WORKING OUT.

498
00:26:12,310 --> 00:26:16,379
I'M IN A LITTLE BIT OF A
SITUATION WHERE LIKE CASH WHERE

499
00:26:16,413 --> 00:26:17,310
I DON'T KNOW.

500
00:26:17,344 --> 00:26:19,517
>> YOU DON'T KNOW IF HE'S THE
ONE FOR YOU.

501
00:26:19,551 --> 00:26:22,068
>> ALL HE TALKS ABOUT IS US IN
THE OUTSIDE WORLD.

502
00:26:22,103 --> 00:26:23,724
>> YOU DON'T LIKE THAT?

503
00:26:23,758 --> 00:26:27,655
>> THAT'S AN ISSUE I DON'T
NECESSARILY LIKE.

504
00:26:27,689 --> 00:26:30,448
IT'S FRUSTRATING BECAUSE I WISH
HE WAS DOING SOMETHING THAT WAS

505
00:26:30,482 --> 00:26:31,724
ACTUALLY BAD.

506
00:26:31,758 --> 00:26:34,068
IT'S FINE THAT HE'S A FREE DUDE
AND LIKES TO LIVE A VERY CHILL

507
00:26:34,103 --> 00:26:34,793
LIFE.

508
00:26:34,827 --> 00:26:36,448
I NEED MORE OF THAT IN MY LIFE.

509
00:26:36,482 --> 00:26:39,724
BUT IT'S JUST LIKE -- IT JUST
STRESSES ME OUT SOMETIMES

510
00:26:39,758 --> 00:26:41,034
BECAUSE OF MY PAST.

511
00:26:41,068 --> 00:26:45,241
GROWING UP AS A KID, MY PARENTS
WERE LIKE HIPPIES, THE SAME VIBE

512
00:26:45,275 --> 00:26:46,620
AS CASH AT THE END OF THE DAY.

513
00:26:46,655 --> 00:26:50,172
YOU DO WHAT YOU WANT AND YOU DO
WHAT YOU FEEL AND YOU DON'T

514
00:26:50,206 --> 00:26:51,896
THINK ABOUT THE CONSEQUENCES.

515
00:26:51,931 --> 00:26:57,137
>> BUT I SHOULD TELL YOU ONE
CONFESSION, AND I DON'T WANT TO

516
00:26:57,172 --> 00:27:01,310
TALK ABOUT THAT, BUT THERE IS A
PERSON I DO HAVE A CRUSH ON

517
00:27:01,344 --> 00:27:01,896
HERE.

518
00:27:01,931 --> 00:27:02,448
WINSTON.

519
00:27:02,482 --> 00:27:04,413
I HAVE A CRUSH ON HIM.

520
00:27:04,448 --> 00:27:07,689
BUT I'M NOT -- I DIDN'T TELL
ANYONE THIS BECAUSE IT'S LIKE,

521
00:27:07,724 --> 00:27:09,000
WHAT'S THE POINT.

522
00:27:09,034 --> 00:27:09,758
WHAT'S THE POINT?

523
00:27:09,793 --> 00:27:10,931
HE'S MY BUDDY.

524
00:27:10,965 --> 00:27:11,689
>> YEAH.

525
00:27:11,724 --> 00:27:12,689
DO YOU KNOW WHAT'S SO WEIRD?

526
00:27:12,724 --> 00:27:14,724
I'VE GONE THERE TOO SOMETIMES.

527
00:27:14,758 --> 00:27:16,034
>> I KNOW, I HAVE TOO.

528
00:27:16,068 --> 00:27:17,931
>> OH, MY GOD, WHAT?

529
00:27:17,965 --> 00:27:20,689
>> BECAUSE HE'S SO FUNNY.

530
00:27:20,724 --> 00:27:24,655
>> THERE IS SOMETHING ABOUT HIM
WHERE I HAVE GONE THE DEEPEST

531
00:27:24,689 --> 00:27:25,655
WITH ANYONE IN THIS HOUSE.

532
00:27:25,689 --> 00:27:27,034
>> REALLY?

533
00:27:27,068 --> 00:27:30,379
>> HE'S JUST SO COMFORTABLING.

534
00:27:30,413 --> 00:27:34,034
>> THAT'S WHY WHEN SHE CAME IN
HERE, KATRINA, I WAS THE MOST

535
00:27:34,068 --> 00:27:38,000
NOT WHATEVER, BUT LIKE I HOPE
YOU KNOW THAT HE'S A GREAT GUY

536
00:27:38,034 --> 00:27:39,586
AND THAT I'LL COME FOR YOU.

537
00:27:39,620 --> 00:27:43,206
>> YEAH, WE WERE ALL LIKE -- I
FEEL SO PROTECTIVE OVER HIM

538
00:27:43,241 --> 00:27:47,827
BECAUSE HE'S SUCH A CATCH.

539
00:27:48,758 --> 00:27:51,724
>> ELIZABETH SPIT THE FOOD
EVERYWHERE BUT BACK ON THE

540
00:27:51,758 --> 00:27:54,689
PLATE.

541
00:27:54,724 --> 00:27:56,689
YO, IT WAS DISGUSTING.

542
00:27:56,724 --> 00:27:57,758
>> IT WAS SO GROSS.

543
00:27:57,793 --> 00:28:00,689
>> I FEEL LIKE BUT FOR THE GUYS
IT WASN'T AS BAD.

544
00:28:00,724 --> 00:28:04,862
>> Announcer: AND THERE'S MORE
BAD NEWS ON THE WAY.

545
00:28:04,896 --> 00:28:09,275
>> YOU HAD TO SPIT MILKSHAKE
INTO SOMEONE'S MOUTH.

546
00:28:09,310 --> 00:28:11,724
♪ GLADIATOR
GLADIATOR

547
00:28:11,758 --> 00:28:17,137
♪ GLADIATOR
GIANT SLAYER

548
00:28:17,172 --> 00:28:26,068
♪ BONE SHAKER
DOMINATOR ♪

549
00:28:26,103 --> 00:28:30,724
>> THEY PUT A JOLT.

550
00:28:30,758 --> 00:28:32,103
>> Arielle: HI, ISLANDERS.

551
00:28:32,137 --> 00:28:33,896
>> HI, WHAT'S UP?

552
00:28:33,931 --> 00:28:36,068
>> Arielle: SORRY TO DROP IN
UNANNOUNCED.

553
00:28:36,103 --> 00:28:38,103
♪ GLADIATOR
GLADIATOR ♪

554
00:28:50,793 --> 00:28:53,482
>> Announcer: WE'RE BACK ON
"LOVE ISLAND," AND IT'S TENSE IN

555
00:28:53,517 --> 00:28:57,448
THE VILLA AS ARIELLE HAS JUST
ARRIVED.

556
00:28:57,482 --> 00:28:59,896
>> Arielle: SO THE PUBLIC HAVE
BEEN WATCHING YOU, AND LAST

557
00:28:59,931 --> 00:29:05,896
NIGHT THEY VOTED FOR WHO THEY
THINK IS THE MOST COMPATIBLE

558
00:29:05,931 --> 00:29:14,034
COUPLES.

559
00:29:14,068 --> 00:29:16,655
THE BOTTOM TWO COUPLES RISK
BEING DUMPED FROM THE ISLAND

560
00:29:16,689 --> 00:29:22,482
NOW.

561
00:29:22,517 --> 00:29:24,034
>> OH, GOD.

562
00:29:24,068 --> 00:29:33,586
YOU NEVER KNOW WHICH WAY IT'S
GOING TO GO.

563
00:29:33,620 --> 00:29:36,034
WINSTON, AS YOU'RE NOT IN A
COUPLE, YOU'RE IMMUNE FROM THIS

564
00:29:36,068 --> 00:29:38,758
VOTE.

565
00:29:38,793 --> 00:29:43,655
[APPLAUSE]
>> THANK YOU.

566
00:29:43,689 --> 00:29:46,413
>> Arielle: CAN I HAVE YOU ALL
STAND UP, PLEASE.

567
00:29:46,448 --> 00:29:47,620
WINSTON, YOU CAN ACTUALLY STAY.

568
00:29:47,655 --> 00:29:49,827
>> THIS IS SO STRESSFUL.

569
00:29:49,862 --> 00:29:58,758
>> I'M SO NERVOUS.

570
00:29:58,793 --> 00:30:02,000
>> Arielle: SOILY NOW REVEAL
THE TOP FOUR COUPLES WHO WERE

571
00:30:02,034 --> 00:30:05,103
VOTED MOST COMPATIBLE AND WHO
ARE SAFE AND WILL STAY ON THE

572
00:30:05,137 --> 00:30:13,724
ISLAND.

573
00:30:13,758 --> 00:30:26,827
SO IN NO PARTICULAR ORDER, THE
FIRST COUPLE SAFE IS ALEXANDRA

574
00:30:26,862 --> 00:30:30,655
AND DYLAN.

575
00:30:30,689 --> 00:30:40,344
[APPLAUSE]
PLEASE TAKE A SEAT.

576
00:30:40,379 --> 00:30:49,275
THE NEXT COUPLE STAYING IS
KATRINA AND WESTON.

577
00:30:49,310 --> 00:30:52,655
[APPLAUSE]
YOU GUYS CAN TAKE A SEAT.

578
00:30:52,689 --> 00:30:56,068
CONGRATULATIONS.

579
00:30:56,103 --> 00:31:06,103
AND THE THIRD COUPLE SAFE IS
ELIZABETH AND ZAC.

580
00:31:06,137 --> 00:31:11,275
AND THE THIRD COUPLE SAFE IS
ELIZABETH AND ZAC.

581
00:31:11,310 --> 00:31:14,000
[APPLAUSE]
CONGRATULATIONS.

582
00:31:14,034 --> 00:31:18,310
YOU CAN TAKE A SEAT.

583
00:31:18,344 --> 00:31:25,482
>> CONDITION -- CONGRATS, GUYS.

584
00:31:25,517 --> 00:31:31,379
>> Arielle: SO CHRISTEN AND
YAMEN, KYRA AND CASHEL, CARO AND

585
00:31:31,413 --> 00:31:36,103
CORMAC, ONLY ONE MORE COUPLE IS
SAFE.

586
00:31:36,137 --> 00:31:50,310
THE FOURTH AND FINAL COUPLE SAFE
AND REMAINING ON THE ISLAND IS

587
00:31:50,344 --> 00:31:51,931
KYRA AND CASHEL.

588
00:31:51,965 --> 00:32:02,034
[APPLAUSE]
YOU GUYS CAN TAKE A SEAT.

589
00:32:02,068 --> 00:32:10,034
[APPLAUSE]
YOU GUYS CAN TAKE A SEAT.

590
00:32:10,068 --> 00:32:13,206
CHRISTEN AND YAMEN, CARO AND
CORMAC, THE PUBLIC THINK THAT

591
00:32:13,241 --> 00:32:19,275
YOU ARE THE LEAST COMPATIBLE
COUPLES.

592
00:32:19,310 --> 00:32:22,034
AND YOU ARE NOW VULNERABLE.

593
00:32:22,068 --> 00:32:30,206
PLEASE COME AND JOIN ME.

594
00:32:30,241 --> 00:32:33,413
THE PUBLIC AREN'T FEELING YOU
GUYS AS COUPLES.

595
00:32:33,448 --> 00:32:40,275
SO TWO OF YOU WILL BE LEAVING
THE ISLAND NOW.

596
00:32:40,310 --> 00:32:43,034
BUT THAT DECISION ISN'T DOWN TO
THE PUBLIC.

597
00:32:43,068 --> 00:32:51,034
THAT DECISION IS DOWN TO YOUR
FELLOW ISLANDERS.

598
00:32:51,068 --> 00:32:57,620
YEP.

599
00:32:57,655 --> 00:33:01,655
I KNOW THIS IS REALLY HARD, BUT
YOU WILL NOW DECIDE WHICH PERSON

600
00:33:01,689 --> 00:33:10,827
FROM EACH COUPLE GETS TO STAY ON
CHANCE TO FIND LOVE WITH

601
00:33:10,862 --> 00:33:12,344
SOMEBODY ELSE.

602
00:33:12,379 --> 00:33:15,793
THE PERSON YOU DON'T CHOOSE WILL
BE DUMPED FROM THE ISLAND

603
00:33:15,827 --> 00:33:17,000
IMMEDIATELY.

604
00:33:17,034 --> 00:33:19,620
IN A MOMENT, I'M GOING TO ASK
YOU WHICH PERSON YOU WANT TO

605
00:33:19,655 --> 00:33:24,034
SAVE FROM EACH COUPLE AND
EXPLAIN THE REASON FOR YOUR

606
00:33:24,068 --> 00:33:30,482
CHOICE.

607
00:33:30,517 --> 00:33:35,827
SO CARO AND CORMAC, CHRISTEN AND
YAMEN, PLEASE HEAD TO THE

608
00:33:35,862 --> 00:33:43,758
KITCHEN.

609
00:33:43,793 --> 00:33:52,448
I'M GOING TO GIVE YOU A MOMENT
TO TALK THIS OVER AS A GROUP.

610
00:33:52,482 --> 00:33:53,827
>> I'M GOING TO THROW UP.

611
00:33:53,862 --> 00:33:54,827
>> IT'S OKAY.

612
00:33:54,862 --> 00:33:55,655
IT'S OKAY.

613
00:33:55,689 --> 00:33:56,172
IT'S OKAY.

614
00:33:56,206 --> 00:33:56,827
IT'S OKAY.

615
00:33:56,862 --> 00:33:57,379
RELAX.

616
00:33:57,413 --> 00:33:59,068
RELAX.

617
00:33:59,103 --> 00:34:02,689
CONSISTENT IS A SWEETHEART, BUT
I FEEL LIKE GRAHAMMEN IS IN HERE

618
00:34:02,724 --> 00:34:04,344
FOR THE RIGHT REASONS.

619
00:34:04,379 --> 00:34:06,965
>> CARO HAS PUT HER HEART ON THE
LINE.

620
00:34:07,000 --> 00:34:09,206
SHE'S PUT HERSELF IN A POSITION
WHERE SHE WANTS TO FIND

621
00:34:09,241 --> 00:34:10,517
SOMETHING.

622
00:34:10,551 --> 00:34:13,000
>> I COULDN'T DISAGREE, BECAUSE
I FEEL LIKE CARO HAS BEEN FLIRTY

623
00:34:13,034 --> 00:34:15,517
WITH EVERYONE IN HERE.

624
00:34:15,551 --> 00:34:17,103
>> HI.

625
00:34:17,137 --> 00:34:19,000
>> I CRIED.

626
00:34:19,034 --> 00:34:20,517
>> SHE'S FLIRTING AROUND.

627
00:34:20,551 --> 00:34:21,586
SHE CAN'T DECIDE.

628
00:34:21,620 --> 00:34:24,068
>> THEY HAVE TO CHOOSE.

629
00:34:24,103 --> 00:34:25,172
>> I KNOW.

630
00:34:25,206 --> 00:34:29,517
RELAX.

631
00:34:29,551 --> 00:34:35,310
>> I THINK THAT YAMEN, I THINK
THAT WAS A VERY GAME THING.

632
00:34:35,344 --> 00:34:37,482
I THINK HE NEVER WAS INTERESTED
IN ALANA.

633
00:34:37,517 --> 00:34:38,931
IT WAS MORE OF A GAME FOR HIM.

634
00:34:38,965 --> 00:34:39,965
>> THIS SUCKS.

635
00:34:40,000 --> 00:34:41,206
I'M NOT GOING TO LIE.

636
00:34:41,241 --> 00:34:42,448
I REALLY LIKE YOU TWO.

637
00:34:42,482 --> 00:34:46,620
>> YAMEN WAS ONLY FOCUSED ON
ALANA UNTIL CHRISTEN SHOWED HIM

638
00:34:46,655 --> 00:34:47,793
ATTENTION.

639
00:34:47,827 --> 00:34:50,275
IF CHRISTEN DIDN'T SHOW HIM
ATTENTION, HE WOULD NOT HAVE

640
00:34:50,310 --> 00:34:51,517
DONE THAT.

641
00:34:51,551 --> 00:34:55,172
>> I DON'T THINK CORMAC OR CARO
WILL FIND LOVE IN HERE, SO I

642
00:34:55,206 --> 00:34:58,310
DON'T CARE WHO YOU PICK.

643
00:34:58,344 --> 00:35:01,517
>> ALL RIGHT, GUYS.

644
00:35:01,551 --> 00:35:02,413
TIME IS UP.

645
00:35:02,448 --> 00:35:03,931
HAVE YOU GUYS MADE YOUR
DECISION?

646
00:35:03,965 --> 00:35:07,620
>> YES.

647
00:35:07,655 --> 00:35:09,689
>> Arielle: ALL RIGHT, GUYS.

648
00:35:09,724 --> 00:35:19,586
CARO, CORMAC, CHRISTEN, YAMEN,
YOU CAN COME BACK OVER.

649
00:35:19,620 --> 00:35:22,620
BETWEEN CARO AND CORMAC, PLEASE
TELL ME WHO YOU ARE SAVING AND

650
00:35:22,655 --> 00:35:25,793
GIVING ANOTHER CHANCE FOR LOVE.

651
00:35:25,827 --> 00:35:32,068
>> WE WANT TO SAVE THIS PERSON
BECAUSE THE SECOND THAT THEY'VE

652
00:35:32,103 --> 00:35:35,034
GOTTEN TO THIS ISLAND, THEY HAVE
TRULY BEEN THEMSELVES.

653
00:35:35,068 --> 00:35:39,344
THEY HAVE PUT THEMSELVES FULLY
OUT THERE, AND WE ALL GENUINELY

654
00:35:39,379 --> 00:35:42,896
BELIEVE THAT THEY HAVE COME HERE
FOR LOVE AND REALLY WANT TO FIND

655
00:35:42,931 --> 00:35:51,034
THAT.

656
00:35:51,068 --> 00:35:54,068
THE PERSON THAT WE WANT TO SAVE
IS...

657
00:35:54,103 --> 00:35:57,620
♪ HAVE YOU GOT THE GOODS

658
00:36:16,137 --> 00:36:19,068
>> Arielle: BETWEEN CARO AND
CORMAC, PLEASE TELL ME WHO YOU

659
00:36:19,103 --> 00:36:22,379
ARE SAVING AND GIVING ANOTHER
CHANCE FOR LOVE.

660
00:36:22,413 --> 00:36:26,586
>> WE WANT THE SAVE THIS PERSON
BECAUSE THE SECOND THAT THEY'VE

661
00:36:26,620 --> 00:36:30,241
GOT ON THE THIS ISLAND, THEY
HAVE TRULY BEEN THEMSELVES.

662
00:36:30,275 --> 00:36:34,344
THEY HAVE PUT THEMSELVES FULLY
OUT THERE, AND WE ALL GENUINELY

663
00:36:34,379 --> 00:36:38,586
BELIEVE THAT THEY HAVE COME HERE
FOR LOVE AND REALLY WANT TO FIND

664
00:36:38,620 --> 00:36:45,931
THAT.

665
00:36:45,965 --> 00:36:50,896
THE PERSON THAT WE WANT TO SAVE
IS...

666
00:36:50,931 --> 00:36:59,034
♪ SO HAVE YOU GOT THE GOODS
BEEN WONDERING IF YOU'RE HEART

667
00:36:59,068 --> 00:37:03,379
♪ IS STILL OPEN
AND IF SO I WANT TO KNOW

668
00:37:03,413 --> 00:37:07,241
♪ WHAT TIME IT SHUTS
>> CARO, BABY.

669
00:37:07,275 --> 00:37:10,103
>> THANK YOU SO MUCH, GUYS.

670
00:37:10,137 --> 00:37:10,896
THANK YOU SO MUCH.

671
00:37:10,931 --> 00:37:11,448
THANK YOU.

672
00:37:11,482 --> 00:37:12,482
THANK YOU.

673
00:37:12,517 --> 00:37:13,689
>> OKAY.

674
00:37:13,724 --> 00:37:16,206
>> Arielle: OKAY, CARO, YOU'VE
BEEN GIVEN ANOTHER CHANCE AT

675
00:37:16,241 --> 00:37:16,724
LOVE.

676
00:37:16,758 --> 00:37:18,241
>> THANK YOU, GUYS.

677
00:37:18,275 --> 00:37:19,413
I'M JUST SPEECHLESS.

678
00:37:19,448 --> 00:37:20,482
THANK YOU SO MUCH.

679
00:37:20,517 --> 00:37:24,172
I APPRECIATE IT SO MUCH.

680
00:37:24,206 --> 00:37:25,827
>> Arielle: CORMAC, I'M SO
SORRY.

681
00:37:25,862 --> 00:37:32,586
>> THAT'S OKAY.

682
00:37:32,620 --> 00:37:35,655
>> Arielle: SO OUT OF CHRISTEN
AND YAMEN, WHO WILL YOU BE

683
00:37:35,689 --> 00:37:43,310
SAVING AND GIVING ANOTHER CHANCE
AT LOVE?

684
00:37:43,344 --> 00:37:50,827
>> WE WANT TO SAVE THIS PERSON
BECAUSE WE FEEL THAT THIS PERSON

685
00:37:50,862 --> 00:37:56,896
HAS SHOWN PATIENCE AND
PERSEVERANCE IN THEIR

686
00:37:56,931 --> 00:37:58,793
RELATIONSHIPS ON THIS ISLAND.

687
00:37:58,827 --> 00:38:01,827
WE WANT TO GIVE THIS PERSON THE
CHANCE TO FIND LOVE, BECAUSE WE

688
00:38:01,862 --> 00:38:06,965
KNOW THAT THEY ARE HERE FOR THAT
EXACT REASON.

689
00:38:07,000 --> 00:38:17,000
SO THE PERSON WE WANT TO0@
YAMEN.

690
00:38:17,034 --> 00:38:22,034
SO THE PERSON WE WANT TO0@
YAMEN.

691
00:38:22,068 --> 00:38:30,655
>> Arielle: WELL THEN,
GRAHAMMEN, YOU CAN TAKE A SEAT.

692
00:38:30,689 --> 00:38:42,310
I'M SORRY, CHRISTEN.

693
00:38:42,344 --> 00:38:49,655
>> THANK, GUYS.

694
00:38:49,689 --> 00:39:01,931
>> WE FEEL PRETTY HEARTBROKEN
ABOUT THAT.

695
00:39:01,965 --> 00:39:08,724
>> Arielle: SO CARO AND YAMEN,
YOU ARE NOW BOTH SINGLE.

696
00:39:08,758 --> 00:39:17,379
CHRISTEN AND CORMAC, YOUR TIME
ON "LOVE ISLAND" IS NOW OVER.

697
00:39:17,413 --> 00:39:21,103
YOU HAVE 30 MINUTES TO PACK YOUR
BAGS AND SAY YOUR GOOD-BYES.

698
00:39:21,137 --> 00:39:24,275
I'M SO SORRY.

699
00:39:24,310 --> 00:39:31,620
>> THAT'S OKAY.

700
00:39:31,655 --> 00:39:33,310
>> I'M READY TO GO.

701
00:39:33,344 --> 00:39:34,827
>> I LOVE YOU GUYS.

702
00:39:34,862 --> 00:39:47,586
>> IT'S NOT FAIR.

703
00:39:52,517 --> 00:39:59,758
>> YOU MADE A GOOD DECISION.

704
00:39:59,793 --> 00:40:06,758
>> I FEEL LIKE WE DIDN'T GET A
CHANCE RALLY.

705
00:40:06,793 --> 00:40:10,448
>> I'M SAD TO LEAVE YOU, BUT I
THINK YOU DESERVE THIS MORE THAN

706
00:40:10,482 --> 00:40:11,034
ME.

707
00:40:11,068 --> 00:40:12,586
YOU KNOW WHAT YOU WANT.

708
00:40:12,620 --> 00:40:14,586
I'M STILL TRYING TO FIGURE THAT
OUT.

709
00:40:14,620 --> 00:40:16,413
>> OKAY.

710
00:40:16,448 --> 00:40:29,931
>> IT'S NOT LIT.

711
00:40:32,689 --> 00:40:36,275
>> HONESTLY, I REALLY DO LIKE
YOU A LOT.

712
00:40:36,310 --> 00:40:37,482
I REALLY DO.

713
00:40:37,517 --> 00:40:41,068
I HAVEN'T LIKED SOMEONE THAT
MUCH THAT FAST IN I DON'T KNOW

714
00:40:41,103 --> 00:40:43,034
HOW LONG.

715
00:40:43,068 --> 00:40:50,172
AND, I MEAN, WE CAN EXPLORE THIS
AND STILL TRY TO GET TO KNOW YOU

716
00:40:50,206 --> 00:40:50,827
MORE.

717
00:40:50,862 --> 00:40:52,310
>> I WAS NOT EXPECTING THAT.

718
00:40:52,344 --> 00:40:55,413
I FELL LIKE I WAS SO LOOKING
FORWARD TO SPENDING MORE TIME

719
00:40:55,448 --> 00:41:04,344
WITH YOU AND... I'M MAD THAT I
CAME HERE TO FIND A REAL

720
00:41:04,379 --> 00:41:08,827
CONNECTION AND I THOUGHT WE WERE
HAVING A GOOD CHANCE AT THAT.

721
00:41:08,862 --> 00:41:10,862
>> THIS SUCKS.

722
00:41:35,413 --> 00:41:44,413
♪ FEELING MY WAY THROUGH THE
DARKNESS ♪

723
00:41:44,448 --> 00:41:46,241
>> CORMAC IS HILARIOUS.

724
00:41:46,275 --> 00:41:47,275
LOVE THE GUY.

725
00:41:47,310 --> 00:41:49,379
I CAN'T WAIT THE SEE HIM WHEN I
GET OUT OF HERE.

726
00:41:49,413 --> 00:41:54,448
AND HE'S JUST A CHARACTER THAT
I'VE NEVER MET BEFORE.

727
00:41:54,482 --> 00:41:57,827
>> I FINALLY FOUND THAT
CONNECTION HERE, YOU KNOW, THIS

728
00:41:57,862 --> 00:42:01,241
IS AMAZING, AND THEN, BOOM, OUT
OF NOWHERE, IT'S GOING TO END AT

729
00:42:01,275 --> 00:42:04,034
THAT MOMENT.

730
00:42:04,068 --> 00:42:08,551
♪ WAKE ME UP WHEN THINGS ARE
OVER

731
00:42:08,586 --> 00:42:14,586
♪ WHEN I'M WISER AND I'M OLDER
♪

732
00:42:14,620 --> 00:42:21,241
>> LOVE YOU GUYS.

733
00:42:21,275 --> 00:42:24,482
>> YAMEN HAD A GREAT CONNECTION,
SO IT'S HARD.

734
00:42:24,517 --> 00:42:27,034
BECAUSE YOU COME IN HERE HOPING
TO FIND, THAT AND I DEFINITELY

735
00:42:27,068 --> 00:42:28,620
THINK I DID.

736
00:42:28,655 --> 00:42:29,827
THAT'S ALL THAT MATTERS.

737
00:42:29,862 --> 00:42:32,620
>> I'M LEAVING WITH GREAT
FRIENDSHIPS AND JUST ONE OF THE

738
00:42:32,655 --> 00:42:36,482
BEST EXPERIENCES OF MY LIFE.

739
00:42:36,517 --> 00:42:39,103
>> Announcer: COMING UP, I'LL
TELL YOU ABOUT THE EVENT THAT

740
00:42:39,137 --> 00:42:42,103
ROCKS THE VILLA NEXT WEEK.

741
00:42:50,482 --> 00:42:54,413
>> Announcer: NEXT WEEK, THE
LOVE LINER WILL BE CRUISING INTO

742
00:42:54,448 --> 00:42:55,793
"LOVE ISLAND."

743
00:42:55,827 --> 00:43:00,206
ON MONDAY A BUNCH OF HOT NEW
SINGLES WILL BE COMING ASHORE

744
00:43:00,241 --> 00:43:04,551
WHO WILL SHIP IN AND WHO WILL
SHIP OUT?

745
00:43:04,586 --> 00:43:06,586
YOU DON'T WANT TO MISS THIS
SHIP.

746
00:43:08,379 --> 00:43:09,344
Captioning funded by CBS
Captioned by

747
00:43:09,379 --> 00:43:10,310
Media Access Group at WGBH
access.wgbh.org