1 00:00:03,000 --> 00:00:06,970 >> Narrator: PREVIOUSLY ON LOVE ISLAND... 2 00:00:07,000 --> 00:00:08,970 >> I'M ON FIRE. 3 00:00:09,000 --> 00:00:09,930 >> Narrator: FIVE GORGEOUS GIRLS BEGAN THEIR 4 00:00:09,966 --> 00:00:10,866 SEARCH FOR LOVE. 5 00:00:10,900 --> 00:00:13,970 >> ARE YOU READY TO GET THIS PARTY STARTED? 6 00:00:14,000 --> 00:00:14,930 >> YES! 7 00:00:14,966 --> 00:00:18,166 >> Narrator: CLOSELY FOLLOWED BY FIVE HANDSOME 8 00:00:18,200 --> 00:00:19,100 GUYS. 9 00:00:19,133 --> 00:00:20,033 [YELLING] >> Narrator: THEY 10 00:00:20,066 --> 00:00:24,466 COUPLED UP, BUT THERE WERE SURPRISES APLENTY. 11 00:00:24,500 --> 00:00:31,970 >> JOHNNY WILL BE COUPLING UP WITH ONE OF YOUR GIRLS. 12 00:00:32,000 --> 00:00:32,970 >> THE GIRL I WOULD LIKE TO COUPLE UP WITH 13 00:00:33,000 --> 00:00:38,970 IS...CELY. 14 00:00:39,000 --> 00:00:41,970 >> Narrator: TONIGHT...WE DOUBLE DOWN 15 00:00:42,000 --> 00:00:43,700 WITH TWO NEW GIRLS. 16 00:00:43,733 --> 00:00:45,803 >> I'M SINGLE AND READY TO MINGLE. 17 00:00:45,833 --> 00:00:47,973 >> I'M NOT HERE TO, LIKE, WASTE TIME. 18 00:00:48,000 --> 00:00:48,870 >> Narrator: AND THEN... 19 00:00:48,900 --> 00:00:51,970 >> I SAW YOU ON SPAM, INSTANT ATTRACTION. 20 00:00:52,000 --> 00:00:55,970 >> Narrator: ...THEY STIR THINGS UP. 21 00:00:56,000 --> 00:00:58,430 >> NEW BEGINNINGS. 22 00:00:58,466 --> 00:01:02,966 THERE IS NO CRIME IN LOVE. 23 00:01:03,000 --> 00:01:05,000 I'M LOOKING FORWARD TO SEEING WHERE IT GOES. 24 00:01:08,533 --> 00:01:11,403 ♪♪♪ ♪♪♪ 25 00:01:17,466 --> 00:01:18,966 >> Narrator: LAST NIGHT'S EVENTS 26 00:01:19,000 --> 00:01:21,970 UNSURPRISINGLY PROVED EVENTFUL. 27 00:01:22,000 --> 00:01:26,500 >> THE GIRL I WOULD LIKE TO COUPLE UP WITH 28 00:01:26,533 --> 00:01:31,973 IS...CELY. 29 00:01:32,000 --> 00:01:33,970 >> Narrator: JOHNNY STOLE CELY FROM TRE. 30 00:01:34,000 --> 00:01:36,970 I HAD MY CELY STOLEN ONCE, TWO, A FLIP PHONE IN 1978, 31 00:01:37,000 --> 00:01:39,470 IT STILL HURTS. 32 00:01:39,500 --> 00:01:45,970 NOW OUR COUPLES ARE CELY AND JOHNNY. 33 00:01:46,000 --> 00:01:47,800 SMITTEN MOIRA AND JAMES. 34 00:01:47,833 --> 00:01:50,973 YOU CAN TELL THEY SMELL GREAT, CONNOR AND 35 00:01:51,000 --> 00:01:53,970 MACKENZIE, FRIEND ZONING JASON AND JUSTINE AND 36 00:01:54,000 --> 00:01:54,970 JEREMIAH. 37 00:01:55,000 --> 00:01:57,000 AND THE STRUGGLE IS REAL FOR KAITLYN. 38 00:02:04,000 --> 00:02:06,170 >> WE'RE JUST FRIENDS, AND THAT'S FINE WITH ME. 39 00:02:06,200 --> 00:02:07,200 NOT EVERYONE IS MEANT TO B. 40 00:02:07,233 --> 00:02:09,003 >> Narrator: NOW YOU'RE CAUGHT UP, AND WE CAN ALL 41 00:02:09,033 --> 00:02:11,973 HANG OUT AT THE PRETTY PEOPLE PARTY WITHOUT 42 00:02:12,000 --> 00:02:14,170 HAVING TO HANG OUT ON THE SIDEWALK. 43 00:02:14,200 --> 00:02:17,970 >> TRE SPACED. 44 00:02:18,000 --> 00:02:19,970 >> I'M WATCHING THAT ALL UNFOLD. 45 00:02:20,000 --> 00:02:22,330 >> I LITERALLY ‐‐ A LITTLE PART OF ME DIED. 46 00:02:22,366 --> 00:02:24,226 >> THAT MOMENT WAS SO INTENSE. 47 00:02:24,266 --> 00:02:27,296 >> I ALREADY KNEW SHE WAS GETTING PICKED. 48 00:02:27,333 --> 00:02:28,373 >> HOW DO YOU KNOW? 49 00:02:28,400 --> 00:02:30,530 >> HE AND I HAD A DISCUSSION. 50 00:02:30,566 --> 00:02:34,126 AND I WAS, LIKE, I LIKE YOU BUT I DON'T KNOW IF I 51 00:02:34,166 --> 00:02:35,166 LIKE YOU, LIKE YOU. 52 00:02:35,200 --> 00:02:39,430 >> THE THING IS I CAME TO MAKE A CONNECTION, BUT I 53 00:02:39,466 --> 00:02:40,526 CAN'T WITH ANYONE. 54 00:02:40,566 --> 00:02:42,466 SO I'M, LIKE, WHERE IS IT. 55 00:02:42,500 --> 00:02:46,400 >> I GOT A TEXT! 56 00:02:46,433 --> 00:02:47,333 >> C'MON! 57 00:02:47,366 --> 00:02:49,966 >> YEAH, I'M COMING. 58 00:02:50,000 --> 00:02:52,900 JEREMIAH, YOU ARE GOING ON A DATE. 59 00:02:52,933 --> 00:03:02,203 PLEASE JOIN NEW GIRL RACHEL UPSTAIRS. 60 00:03:02,233 --> 00:03:02,973 [CHEERING] [APPLAUSE AND CHEERING] 61 00:03:03,000 --> 00:03:06,070 >> OH, MY GOSH. 62 00:03:06,100 --> 00:03:09,170 HASHTAG W WATER WORK. 63 00:03:09,200 --> 00:03:14,600 HASHTAG, I'M DRESSED TO IMPRESS. 64 00:03:14,633 --> 00:03:16,603 >> I CANNOT STOP SHAKING MY HEAD. 65 00:03:16,633 --> 00:03:18,933 IS THIS REAL LIFE RIGHT NOW? 66 00:03:18,966 --> 00:03:22,126 I WAS EXPECTING JEREMIAH TO GO ON A FEW DATES. 67 00:03:22,166 --> 00:03:26,996 HEARING HE GOT A TEXT, I WAS, LIKE, MY HEART JUST 68 00:03:27,033 --> 00:03:27,933 STOPPED FOR A SECOND. 69 00:03:27,966 --> 00:03:34,296 I JUST DIDN'T THINK IT WOULD BE THIS SOON. 70 00:03:34,333 --> 00:03:36,933 [Simultaneous talking] >> OKAY. 71 00:03:36,966 --> 00:03:38,026 THANK YOU. 72 00:03:38,066 --> 00:03:38,826 >> WHAT? 73 00:03:38,866 --> 00:03:42,926 DID YOU NOT SEE WHAT JUST HAPPENED? 74 00:03:42,966 --> 00:03:45,396 >> YO, YO, YO, YO, WAIT, WAIT. 75 00:03:45,433 --> 00:03:47,933 >> I GOT A TEXT! 76 00:03:47,966 --> 00:03:51,026 >> OKAY, WHAT'S THIS? 77 00:03:51,066 --> 00:03:56,066 >> CARRINGTON, GET YOUR SWIM TRUNKS ON, YOU'RE 78 00:03:56,100 --> 00:04:01,270 GOING ON A DATE WITH KIRSTIN IN THE SECRET 79 00:04:01,300 --> 00:04:01,930 JACUZZI. 80 00:04:01,966 --> 00:04:06,626 WET AND WILD, HASHTAG COZY. 81 00:04:06,666 --> 00:04:08,526 >> OH, MY GOSH. 82 00:04:08,566 --> 00:04:11,496 >> WE'RE GOING ON A DATE. 83 00:04:11,533 --> 00:04:13,333 [YELLING] >> LET'S GO. 84 00:04:13,366 --> 00:04:13,826 LET'S GO. 85 00:04:13,866 --> 00:04:15,466 >> WE ARE DESERVING. 86 00:04:15,500 --> 00:04:16,900 WE ARE FUNNY. 87 00:04:16,933 --> 00:04:18,903 WE ARE HANDSOME AND WE'RE GOOD GUYS. 88 00:04:18,933 --> 00:04:22,873 WE'VE BEEN NEEDING THIS, AND THESE GIRLS ‐‐ WE'RE 89 00:04:22,900 --> 00:04:25,100 GOING TO WOW. 90 00:04:25,133 --> 00:04:30,533 >> I'M KIND OF A LITTLE MORE RESERVED, WHICH IS 91 00:04:30,566 --> 00:04:33,166 HOW I ACT ‐‐ >> ALL WE'RE DOING IS JUST 92 00:04:33,200 --> 00:04:33,930 BONDING. 93 00:04:33,966 --> 00:04:39,666 >> ALL THIS WEEK, WHAT Y'ALL DOING? 94 00:04:39,700 --> 00:04:41,200 WE'RE ALL HAPPY. 95 00:04:41,233 --> 00:04:45,133 >> I WAS REALLY HAPPY FOR HIM. 96 00:04:45,166 --> 00:04:47,866 HONESTLY, WHEN CARRINGTON GOT THE TEXT, I WAS 97 00:04:47,900 --> 00:04:49,370 DEFINITELY EXCITED FOR HIM. 98 00:04:49,400 --> 00:04:52,500 WAS I NERVOUS FOR ME, ALSO, OF COURSE. 99 00:04:52,533 --> 00:04:54,303 BUT I DO WANT THE BEST FOR HIM, FOR SURE. 100 00:04:54,333 --> 00:04:58,833 >> I WOULD BE UPSET BECAUSE I FINALLY MEET YOU 101 00:04:58,866 --> 00:04:59,796 GUYS. 102 00:04:59,833 --> 00:05:01,733 I TOOK A LOT OF GUT PUNCHES, AND I WAS, LIKE, 103 00:05:01,766 --> 00:05:03,566 I'M GOING TO FRIEND ZONE HIM. 104 00:05:03,600 --> 00:05:08,130 AND WE HAD SUCH A GOOD CONNECTION, AND I SAW HIM, 105 00:05:08,166 --> 00:05:12,526 AND NOW I'M, LIKE, IF I HAD LEFT IT IN THE FRIEND 106 00:05:12,566 --> 00:05:15,866 ZONE, I PROBABLY WOULD STILL HAVE FELT HIS HEAVY, 107 00:05:15,900 --> 00:05:18,070 BUT IT WOULDN'T BE PUBLIC LIKE THIS. 108 00:05:18,100 --> 00:05:19,870 >> THIS COULDN'T HAVE CAME AT A BETTER TIME. 109 00:05:19,900 --> 00:05:23,370 >> WE MIGHT NEVER LEAVE THE HOT TUB. 110 00:05:23,400 --> 00:05:24,300 >> ALL NIGHT, MAN. 111 00:05:24,333 --> 00:05:27,873 >> ALL NIGHT. 112 00:05:27,900 --> 00:05:30,170 ♪♪♪ ♪ IT IS WARFARE ♪ 113 00:05:30,200 --> 00:05:35,370 >> MY NAME IS RACHEL, I'M 21, I'M FROM MINNESOTA, 114 00:05:35,400 --> 00:05:36,430 MINNESOTA. 115 00:05:36,466 --> 00:05:39,796 I KNOW WHAT I WANT AND I'M NOT REALLY HERE TO, LIKE, 116 00:05:39,833 --> 00:05:40,603 WASTE TIME. 117 00:05:40,633 --> 00:05:43,803 ♪YOU CAN RUN, BUT YOU CAN'T HIDE ♪ 118 00:05:43,833 --> 00:05:51,073 >> BRING ON THE MEN. 119 00:05:51,100 --> 00:05:55,870 >> HEY Y'ALL, MY NAME IS KIRSTIN, I'M 21YEARS OLD, 120 00:05:55,900 --> 00:06:00,900 AND I'M FROM AUSTIN, TEXAS, AND I'M A 121 00:06:00,933 --> 00:06:01,703 BARTENDER. 122 00:06:01,733 --> 00:06:07,233 YOU CAN LOOK, BUT DON'T TOUCH, YES. 123 00:06:07,266 --> 00:06:09,366 I'M SINGLE, READY TO MINGLE, AND I'M READY FOR 124 00:06:09,400 --> 00:06:12,330 YOU BOYS, SO YOU BETTER BE READY FOR ME. 125 00:06:12,366 --> 00:06:18,566 ♪ THIS IS WARFARE ♪ >> OOH. 126 00:06:18,600 --> 00:06:19,800 HOW Y'ALL DOING? 127 00:06:19,833 --> 00:06:20,733 >> HI. 128 00:06:20,766 --> 00:06:22,766 >> I'M GOOD, HOW ARE YOU? 129 00:06:22,800 --> 00:06:27,730 >> I'M GOOD, I'M GOOD, AND NOW I'M EVEN BETTER. 130 00:06:27,766 --> 00:06:29,726 >> I'M KIRSTIN? 131 00:06:29,766 --> 00:06:31,166 >> I'M CARRINGTON. 132 00:06:31,200 --> 00:06:34,100 >> NICE TO MEET YOU. 133 00:06:34,133 --> 00:06:36,903 >> WE'LL DO A LITTLE CHEER. 134 00:06:36,933 --> 00:06:38,403 IT IS LIKE WE MET BEFORE. 135 00:06:38,433 --> 00:06:41,233 >> I KNOW, IT IS CRAZY. 136 00:06:41,266 --> 00:06:41,666 >> RACHEL? 137 00:06:41,700 --> 00:06:42,700 >> YES. 138 00:06:42,733 --> 00:06:46,703 I'M RACHEL, AND YOU ARE ‐‐ >> OH, MY GOSH, YOUR KIN 139 00:06:46,733 --> 00:06:47,733 IS BEAUTIFUL? 140 00:06:47,766 --> 00:06:49,266 >> THANK YOU. 141 00:06:49,300 --> 00:06:59,300 YOURS IS VERY NICE, TOO. 142 00:06:59,333 --> 00:07:02,373 >> MAYBE WE SHOULD GET ONE OF THESE? 143 00:07:02,400 --> 00:07:04,970 >> MAYBE I SHOULD FEED YOU THESE? 144 00:07:05,000 --> 00:07:06,430 >> OKAY. 145 00:07:06,466 --> 00:07:10,896 JEREMIAH AND RACHEL HAVE A MAGICAL MYSTERY TOUR ‐‐ 146 00:07:10,933 --> 00:07:12,073 OH, THAT DIDN'T WORK. 147 00:07:12,100 --> 00:07:16,970 NOW AFTER BEING SINGLE FOR A WHOLE 48 S 48 SECONDS, TRE IS 148 00:07:17,000 --> 00:07:19,970 TRYING AGAIN WITH KIRSTIN ONLY AFTER THE CAMERAMAN 149 00:07:20,000 --> 00:07:25,970 REFOCUSES ON THE SIGN. 150 00:07:26,000 --> 00:07:27,970 >> WHAT ALL OF THIS HAPPENED FOR A REASON? 151 00:07:28,000 --> 00:07:30,630 WHAT IF THINGS WASN'T SUPPOSED TO WORK OUT WITH 152 00:07:30,666 --> 00:07:33,496 WHO I PICKED AND THINGS DIDN'T WORK OUT WITH WHO 153 00:07:33,533 --> 00:07:35,973 YOU PICKED? 154 00:07:36,000 --> 00:07:37,030 I'M OPEN BOOK. 155 00:07:37,066 --> 00:07:38,796 I KIND OF RULED YOU OUT FIRST. 156 00:07:38,833 --> 00:07:42,973 AND I'M SURE YOU PROBABLY DID THE SAME THING FOR ME. 157 00:07:43,000 --> 00:07:45,500 EVERYBODY ALWAYS THINKS I'M A PLAYER. 158 00:07:45,533 --> 00:07:46,033 YEAH, I WAS. 159 00:07:46,066 --> 00:07:46,666 I'M NOT GOING TO LIE. 160 00:07:46,700 --> 00:07:47,900 I'M NOT PERFECT. 161 00:07:47,933 --> 00:07:51,703 I'VE GOT A PAST, BUT DON'T WE ALL? 162 00:07:51,733 --> 00:07:54,173 BUT RIGHT UP, I'M STRAIGHT UP. 163 00:07:54,200 --> 00:07:58,030 YOU'RE A BEAUTIFUL GIRL, AND I'M ATTRACTED TO YOU, 164 00:07:58,066 --> 00:08:01,896 AND I WANT TO GET TO KNOW YOU, BUT I'M NOT GOING TO 165 00:08:01,933 --> 00:08:04,573 SAY I'M NOT GOING TO GET TO KNOW OTHER PEOPLE. 166 00:08:04,600 --> 00:08:07,530 I KNOW YOU'VE GOT YOUR THING FOR JEREMIAH, AND 167 00:08:07,566 --> 00:08:10,966 Y'ALL ARE SHARING A BED, AND MAYBE WE CAN SEE WHERE 168 00:08:11,000 --> 00:08:11,830 THINGS GO. 169 00:08:11,866 --> 00:08:13,966 >> YOU KNOW ME, I'M A VERY HONEST PERSON. 170 00:08:14,000 --> 00:08:15,970 >> I HAVE A QUESTION FOR YOU: HAVE YOU AND JEREMIAH 171 00:08:16,000 --> 00:08:16,400 KSSED YET? 172 00:08:16,433 --> 00:08:17,433 >> NO. 173 00:08:17,466 --> 00:08:19,766 >> WOULD YOU BE OPEN TO TRY AND FEEL WHAT IT WOULD 174 00:08:19,800 --> 00:08:20,530 BE LIKE? 175 00:08:20,566 --> 00:08:23,526 >> I MEAN, IF THE MOMENT IS RIGHT. 176 00:08:23,566 --> 00:08:27,966 I FEEL LIKE TRE TRIES SO HARD, BUT WITH ME WE DON'T 177 00:08:28,000 --> 00:08:28,930 HAVE TO DO THAT. 178 00:08:28,966 --> 00:08:31,696 WHERE HAVE THAT INITIAL GENUINE CONNECTION, WE 179 00:08:31,733 --> 00:08:35,973 HAVE THAT BACK SUPPORT, THERE IS NO WEIRD L LULLS IN 180 00:08:36,000 --> 00:08:37,770 CONVERSATION. 181 00:08:37,800 --> 00:08:39,670 BUT SOMETIMES I DON'T KNOW IF I CAN BELIEVE 182 00:08:39,700 --> 00:08:42,900 EVERYTHING THAT TRE HAPPENS. 183 00:08:42,933 --> 00:08:47,503 EVERYTHING IS SO ‐‐ I DON'T KNOW HOW I FEEL, 184 00:08:47,533 --> 00:08:48,203 TRE, JEREMIAH. 185 00:08:48,233 --> 00:08:50,533 I DON'T KNOW WHAT IS GOING ON. 186 00:08:50,566 --> 00:08:51,966 >> GO AHEAD. 187 00:08:52,000 --> 00:09:03,970 GO AHEAD. 188 00:09:04,000 --> 00:09:04,970 >> (indescernable) YOU GET A LITTLE R RECKLESS ON 189 00:09:05,000 --> 00:09:05,970 ME? 190 00:09:06,000 --> 00:09:09,970 >> YOU THINK I'M GOING TO GET A LITTLE RECKLESS. 191 00:09:10,000 --> 00:09:11,970 >> NOW JOHNNY WANTS TO KEEP KAITLYN ON HIS GOOD 192 00:09:12,000 --> 00:09:14,970 SIDE AFTER NOT CHOOSING HER FOR HIS RIDE OR DIE. 193 00:09:15,000 --> 00:09:16,070 >> CAN WE TALK? 194 00:09:16,100 --> 00:09:22,970 >> WHAT'S UP? 195 00:09:23,000 --> 00:09:24,970 >> I WANT TO MAINTAIN A GOOD RELATIONSHIP WITH 196 00:09:25,000 --> 00:09:26,170 YOU, LIKE WE SAID. 197 00:09:26,200 --> 00:09:29,130 I WANT TO MAKE SURE IT IS STILL THE SAME? 198 00:09:29,166 --> 00:09:30,026 >> OF COURSE IT DOES. 199 00:09:30,066 --> 00:09:32,296 >> THERE WAS SO MUCH PRESSURE AROUND ME AND 200 00:09:32,333 --> 00:09:34,973 HER. 201 00:09:35,000 --> 00:09:38,030 AND I FEEL AS THOUGH YOUR DECISION WAS ALREADY MADE. 202 00:09:38,066 --> 00:09:40,066 >> WHEN I TALKED TO YOU, I DID NOT KNOW. 203 00:09:40,100 --> 00:09:42,970 >> THIS IS THE THING: I 100% STAND BY YOUR 204 00:09:43,000 --> 00:09:43,830 DECISION AND I SUPPORT YOU. 205 00:09:43,866 --> 00:09:46,696 >> IT WAS UP IN THE AIR FOR A LONG TIME. 206 00:09:46,733 --> 00:09:50,973 >> EVERY SINGLE PERSON I TALKED TO, THOUGH, SAYS 207 00:09:51,000 --> 00:09:52,630 THAT THEY KNEW WHAT DECISION YOU WERE MAKING. 208 00:09:52,666 --> 00:09:54,466 >> I DON'T KNOW HOW THAT IS POSSIBLE BECAUSE I 209 00:09:54,500 --> 00:09:55,370 NEVER TOLD ANYBODY. 210 00:09:55,400 --> 00:09:57,400 >> I KNEW YOU WERE GOING TO PICK HER. 211 00:09:57,433 --> 00:10:00,173 >> IT WASN'T YOUR FAULT AND IT WASN'T MY FAULT. 212 00:10:00,200 --> 00:10:03,370 IT IS JUST THE WAY THE CONVERSATION WENT. 213 00:10:03,400 --> 00:10:12,170 I GOT TO KNOW HER GIGGLY, FLIRTY SIDE ‐‐ 214 00:10:12,200 --> 00:10:14,400 >> SHE LAUGHS A LOT. 215 00:10:14,433 --> 00:10:17,733 OBVIOUSLY YOU WANT TO BE THE CHOSEN ONE BECAUSE 216 00:10:17,766 --> 00:10:20,896 DOESN'T EVERYONE WANT TO BE THE CHOSEN ONE? 217 00:10:20,933 --> 00:10:22,933 BUT AT THE END OF THE DAY, I'M HAPPY FOR THE BOTH OF 218 00:10:22,966 --> 00:10:25,826 THEM BECAUSE IF THAT IS A GENUINE CONNECTION, THEN 219 00:10:25,866 --> 00:10:27,996 EVERYBODY SHOULD BE MAKING THAT DECISION, OBVIOUSLY. 220 00:10:28,033 --> 00:10:30,373 >> BUT ARE WE GOOD? 221 00:10:30,400 --> 00:10:31,830 >> WE'RE GOOD. 222 00:10:31,866 --> 00:10:34,366 YOU NEED TO COUPLE UP WITH THE PERSON YOU FEEL THE 223 00:10:34,400 --> 00:10:37,100 MOST GENUINE CONNECTION WITH, BECAUSE THEN THAT 224 00:10:37,133 --> 00:10:39,603 ALSO LEAVES HE TO DO THAT AS WELL. 225 00:10:39,633 --> 00:10:42,233 I DIDN'T GET PICKED, BUT I'M NOT GIVING UP ON LOVE. 226 00:10:42,266 --> 00:10:45,326 >> I'VE JUST BEEN A BITCH FOR THE LAST THREE HOURS. 227 00:10:45,366 --> 00:10:48,626 >> I NEEDED TO HUG YOU EARLIER. 228 00:10:48,666 --> 00:10:51,126 >> UH‐HUH. 229 00:10:51,166 --> 00:10:57,396 >> SO I HEARD YOU'RE COUPLED UP WITH SOMEONE. 230 00:10:57,433 --> 00:10:59,573 HOW IS THAT GOING? 231 00:10:59,600 --> 00:11:00,470 >> IT IS. 232 00:11:00,500 --> 00:11:02,400 WE HAD A GOOD DAY YESTERDAY, BUT THE FIRST 233 00:11:02,433 --> 00:11:06,373 DAY, I DON'T LOVE THE GIRL, WE'RE JUST COUPLED 234 00:11:06,400 --> 00:11:07,070 UP. 235 00:11:07,100 --> 00:11:08,900 TODAY, HOWEVER, I'M JUST NOT ‐‐ 236 00:11:08,933 --> 00:11:12,973 >> YOU'RE NOT FEELING IT? 237 00:11:13,000 --> 00:11:13,970 >> YOU WERE A BLESSING FROM THE SKY BECAUSE TODAY 238 00:11:14,000 --> 00:11:16,430 WE TALKED AND WE WERE, LIKE, I THINK WE SHOULD 239 00:11:16,466 --> 00:11:18,126 JUST BE FRIENDS. 240 00:11:18,166 --> 00:11:20,966 >> THAT'S REALLY GOOD TO HEAR. 241 00:11:21,000 --> 00:11:23,900 >> I'M FEELING YOU AND I HAVE NOTHING IN MY WAY. 242 00:11:23,933 --> 00:11:26,973 >> DON'T PULL A KATE KAITLYN ON ME. 243 00:11:27,000 --> 00:11:27,600 >> CHEERS. 244 00:11:27,633 --> 00:11:28,203 >> CHEERS. 245 00:11:28,233 --> 00:11:34,973 >> WHAT MADE YOU PICK ME? 246 00:11:35,000 --> 00:11:38,330 >> YOU DEFINITELY LOOKED THE TALLEST, AND YOU'RE 247 00:11:38,366 --> 00:11:40,966 ALSO THE MOST ATTRACTIVE. 248 00:11:41,000 --> 00:11:43,800 I JUST, LIKE, HAD TO GO IN. 249 00:11:43,833 --> 00:11:45,933 A LITTLE BIT OF AN EGO. 250 00:11:45,966 --> 00:11:49,526 SO TELL ME WHAT HAS BEEN GOING ON IN THE VILLA? 251 00:11:49,566 --> 00:11:55,296 >> RIGHT NOW I WAS COUPLED UP WITH JUSTINE. 252 00:11:55,333 --> 00:11:56,603 >> DO YOU LIKE HER? 253 00:11:56,633 --> 00:12:00,273 >> WE GET ALONG REALLY WELL, BUT IT IS KIND OF 254 00:12:00,300 --> 00:12:01,370 LIKE IN FRIEND STATION. 255 00:12:01,400 --> 00:12:03,730 WE MAKE SURE WE COMMUNICATE. 256 00:12:03,766 --> 00:12:04,566 >> YEAH. 257 00:12:04,600 --> 00:12:07,600 >> WITH THIS ENVIRONMENT ‐‐ I LOVE YOUR 258 00:12:07,633 --> 00:12:09,473 VIBES AND YOUR PERSONALITY. 259 00:12:09,500 --> 00:12:10,470 >> THANK YOU. 260 00:12:10,500 --> 00:12:11,370 >> I'M LOOKING FORWARD TO SEEING WHERE IT GOES. 261 00:12:11,400 --> 00:12:12,570 >> YEAH. 262 00:12:12,600 --> 00:12:14,400 I'M DEFINITELY LOOKING FORWARD TO IT, TOO. 263 00:12:14,433 --> 00:12:16,433 LET'S JUST HAVE FUN (laughing). 264 00:12:27,033 --> 00:12:27,973 >> HE DESERVES TO BE WITH SOMEONE HE WANTS TO BE 265 00:12:28,000 --> 00:12:28,970 WITH. 266 00:12:29,000 --> 00:12:31,370 THAT'S WHAT WE'RE HERE FOR AT THE END OF THE DAY. 267 00:12:31,400 --> 00:12:34,300 ♪ LOOK AT WHAT YOU MADE ME DO ♪ 268 00:12:34,333 --> 00:12:37,773 >> BUT THIS IS WHAT IS SUPPOSED TO HAPPEN. 269 00:12:37,800 --> 00:12:42,070 [CHEERING] >> RACHEL AND KEIRA ‐‐ WHO 270 00:12:42,100 --> 00:12:42,530 IS KEIRA? 271 00:12:42,566 --> 00:12:45,426 OF COURSE. 272 00:12:45,466 --> 00:12:48,626 WELCOME ON. 273 00:12:48,666 --> 00:12:50,626 ♪♪♪ >> WELCOME! 274 00:12:50,666 --> 00:12:51,726 YOU ARE GORGEOUS! 275 00:12:51,766 --> 00:12:56,066 >> GIRL, YOU LOOK SO GOOD, SO GOOD. 276 00:12:56,100 --> 00:12:57,970 >> I'M MACKENZIE. 277 00:12:58,000 --> 00:12:59,370 >> YOU'RE KIRSTIN? 278 00:12:59,400 --> 00:13:00,270 >> YEAH. 279 00:13:00,300 --> 00:13:01,100 >> NICE TO MEET YOU. 280 00:13:01,133 --> 00:13:04,173 >> I'M JOHNNY, NICE TO MEET YOU. 281 00:13:04,200 --> 00:13:05,270 WHAT'S YOUR NAME? 282 00:13:05,300 --> 00:13:06,000 >> RACHEL. 283 00:13:06,033 --> 00:13:07,403 >> I WAS NERVOUS. 284 00:13:07,433 --> 00:13:10,973 YOU JUST HAD A DATE WITH A GUY, AND YOU HAVE TO WALK 285 00:13:11,000 --> 00:13:12,970 DOWN THESE STAIRS AND MEET ALL OF THESE PEOPLE WHO 286 00:13:13,000 --> 00:13:14,030 HAVE ALREADY BEEN HERE. 287 00:13:14,066 --> 00:13:17,626 IT WAS VERY NERVE‐WRACKING. 288 00:13:17,666 --> 00:13:19,726 >> I'M CONNOR, NICE TO MEET YOU. 289 00:13:19,766 --> 00:13:23,466 >> JUST WHEN THINGS GET NORMAL, YOU DO A TWIST AND 290 00:13:23,500 --> 00:13:25,670 TWO NEW GIRLS CAME INTO THE VILLA. 291 00:13:25,700 --> 00:13:28,270 I'M NOT GOING TO LIE, I WAS SHOOK. 292 00:13:28,300 --> 00:13:31,800 >> WE, LIKE, SIT DOWN OVER HERE AND YOU CAN TELL ME 293 00:13:31,833 --> 00:13:32,933 EVERYTHING. 294 00:13:32,966 --> 00:13:37,426 >> DEEP DOWN INSIDE, I WAS HAPPY. 295 00:13:37,466 --> 00:13:39,696 >> Narrator: WITH THE ARRIVAL OF THE NEW GIRLS, 296 00:13:39,733 --> 00:13:49,433 IT IS ONE BIG HAPPY INSTAGRAMALY, AND IT WILL 297 00:13:49,466 --> 00:13:53,366 STAY THAT WAY AS LONG AS WE FOLLOW MACKENZIE'S 298 00:13:53,400 --> 00:13:54,270 RULES. 299 00:13:54,300 --> 00:13:57,530 >> JUST DISCLOSURE, WE'RE VERY COUPLED UP. 300 00:13:57,566 --> 00:13:59,566 >> WHAT IS Y'ALL TYPE? 301 00:13:59,600 --> 00:14:01,500 >> LET'S JUST JUMP IN. 302 00:14:01,533 --> 00:14:08,603 I'M A SUCKER FOR BROAD SHOULDERS. 303 00:14:08,633 --> 00:14:10,203 [LAUGHTER] >> YEAH, YEAH, YEAH. 304 00:14:10,233 --> 00:14:14,933 >> OUTSIDE OF THE GUYS YOU PICKED, WHO ELSE ARE Y'ALL 305 00:14:14,966 --> 00:14:15,726 LOOKING AT? 306 00:14:15,766 --> 00:14:17,426 IF YOU ARE LOOKING AT SOMEBODY ELSE? 307 00:14:17,466 --> 00:14:20,826 >> I'M LOOKING AT MEETING WHOEVER IS NOT COUPLED UP. 308 00:14:20,866 --> 00:14:26,396 I THINK YOU WERE MY SECOND CHOICE, AND THEN CONNOR 309 00:14:26,433 --> 00:14:32,403 WAS, BUT, SORRY, YOU'RE HERS. 310 00:14:32,433 --> 00:14:34,633 >> DEFINITELY TALK TO EVERYBODY. 311 00:14:34,666 --> 00:14:36,026 >> YEAH, OF COURSE. 312 00:14:36,066 --> 00:14:37,626 >> EVEN CONNOR? 313 00:14:37,666 --> 00:14:39,966 >> YES! 314 00:14:40,000 --> 00:14:42,600 OH, MY GOD, THAT'S NOT WHAT I MEANT! 315 00:14:42,633 --> 00:14:45,273 >> YOU WOULD HAVE SAID THAT VERBATIM. 316 00:14:45,300 --> 00:14:46,430 >> HE'S IN LINE. 317 00:14:46,466 --> 00:14:47,426 WE'RE ALL COUPLED UP. 318 00:14:47,466 --> 00:14:50,466 IF I CAME IN, I WOULD WANT TO KNOW. 319 00:14:50,500 --> 00:14:54,030 >> I'M NOT GOING TO WASTE MY TIME. 320 00:14:54,066 --> 00:14:57,096 >> I'LL BE, LIKE, WHO IS AVAILABLE. 321 00:14:57,133 --> 00:15:01,003 >> YOU KNOW WHAT, Y'ALL CAN'T TAKE A JOKE. 322 00:15:01,033 --> 00:15:02,633 I'M GONNA LEAVE. 323 00:15:02,666 --> 00:15:06,626 >> OH, MY GOSH, LATER. 324 00:15:06,666 --> 00:15:08,426 >> IT'S WAY BETTER HERE. 325 00:15:08,466 --> 00:15:22,966 >> YEAH. 326 00:15:23,000 --> 00:15:24,000 >> Narrator: JUST WHEN THE ISLANDERS THOUGHT IT 327 00:15:24,033 --> 00:15:27,973 WAS SAFE TO BE BEAUTIFUL, THOSE RASCALLY PRODUCERS 328 00:15:28,000 --> 00:15:30,970 DROPPD NEW ARRIVALS, RACHEL AND KIRSTIN INTO 329 00:15:31,000 --> 00:15:35,970 THE MIX. 330 00:15:36,000 --> 00:15:37,870 AND THINGS SOMEHOW TURN UGLY. 331 00:15:37,900 --> 00:15:39,570 >> SHE TOLD EVERYBODY? 332 00:15:39,600 --> 00:15:41,930 >> EVEN CONNOR? 333 00:15:41,966 --> 00:15:44,966 >> Narrator: AFTER NOT BEING ABLE TO TAKE A JOKE, 334 00:15:45,000 --> 00:15:46,970 MacKENZIE AS THIS... 335 00:15:47,000 --> 00:15:47,970 >> YOU KNOW WHAT? 336 00:15:48,000 --> 00:15:48,970 Y'ALL CAN'T TAKE A JOKE. 337 00:15:49,000 --> 00:15:49,900 I'M GOING TO LEAVE. 338 00:15:49,933 --> 00:15:51,133 >> SEE YOU LATER. 339 00:15:51,166 --> 00:15:58,966 >> ARE YOU OKAY? 340 00:15:59,000 --> 00:16:00,970 I JUST, LIKE, DIDN'T WANT YOU TO CRY IN FRONT OF 341 00:16:01,000 --> 00:16:01,530 EVERYBODY. 342 00:16:01,566 --> 00:16:02,726 >> I WAS, LIKE, A JOKE. 343 00:16:02,766 --> 00:16:07,966 WHY IS EVERYBODY BEING SUCH A JERK ABOUT IT? 344 00:16:08,000 --> 00:16:10,400 >> EMOTIONS ARE ALL OVER THE PLACE RIGHT NOW. 345 00:16:10,433 --> 00:16:13,703 MY INTENTION WAS NOT TO COME ACROSS AS, LIKE, 346 00:16:13,733 --> 00:16:15,973 POSSESSIVE OF CONNOR. 347 00:16:16,000 --> 00:16:19,170 I NEEDED TO MARK MY TERRITORY, AND I WAS 348 00:16:19,200 --> 00:16:22,900 FRUSTRATED BY THAT BECAUSE I DON'T FEEL THAT WAY 349 00:16:22,933 --> 00:16:23,833 WHATSOEVER. 350 00:16:23,866 --> 00:16:26,866 >> I DON'T KNOW WHY THEY HAD TO BE LIKE THAT. 351 00:16:26,900 --> 00:16:27,570 >> WHAT HAPPENED? 352 00:16:27,600 --> 00:16:30,400 WHY ARE YOU CRYING? 353 00:16:30,433 --> 00:16:32,873 >> I THINK THEY WERE TRYING TO MAKE A BIG DEAL 354 00:16:32,900 --> 00:16:34,870 OUT OF WHAT I SAID FOR IN REASON. 355 00:16:34,900 --> 00:16:36,770 >> WHAT WAS SAID? 356 00:16:36,800 --> 00:16:38,600 >> JOHNNY WOULDN'T STOP. 357 00:16:38,633 --> 00:16:42,303 DON'T TRY TO PAINT ME LIKE A JEALOUS GIRL BECAUSE HE 358 00:16:42,333 --> 00:16:45,733 DOESN'T KNOW ME AND I'M NOT THAT WAY AND I REALLY 359 00:16:45,766 --> 00:16:46,396 DON'T APPRECIATE THAT. 360 00:16:46,433 --> 00:16:48,103 I FEEL LIKE IT WASN'T COOL. 361 00:16:48,133 --> 00:16:48,803 >> JUST BREATHE. 362 00:16:48,833 --> 00:16:51,203 THERE IS A LOT GOING ON. 363 00:16:51,233 --> 00:16:53,933 >> ESPECIALLY WHEN I LEAVE THE CIRCLE CRYING, AND MY 364 00:16:53,966 --> 00:16:55,196 GUY IS STILL OUTSIDE. 365 00:16:55,233 --> 00:16:56,103 >> FIND HIM. 366 00:16:56,133 --> 00:16:58,873 >> NO, I'M NOT GOING TO GO FIND HIM. 367 00:16:58,900 --> 00:17:01,330 >> YOU LITERALLY SHOULD NOT GO FIND HIM. 368 00:17:01,366 --> 00:17:10,866 >> I'M ABSOLUTELY NOT GOING TO GO FIND HIM. 369 00:17:10,900 --> 00:17:13,330 ♪♪♪ >> WHEN YOU JUST, LIKE, 370 00:17:13,366 --> 00:17:17,666 GET OUT OF A SHELL, IT FEELS SO GOOD. 371 00:17:17,700 --> 00:17:20,600 AND THEN YOU GO BACK. 372 00:17:20,633 --> 00:17:22,973 [LAUGHTER] >> Narrator: LOOKING TO 373 00:17:23,000 --> 00:17:25,970 BUY, NOT RENT, CELY TALKS WITH JOHNNY, THE GUY WHO 374 00:17:26,000 --> 00:17:27,530 JUST TOOK HER OFF THE MARKET. 375 00:17:27,566 --> 00:17:29,996 >> HOW ARE YOU FEELING? 376 00:17:30,033 --> 00:17:31,033 NEW GIRLS IN? 377 00:17:31,066 --> 00:17:33,196 >> I'M NOT WORRIED ABOUT THE NEW GIRLS, I'M REALLY 378 00:17:33,233 --> 00:17:34,973 NOT. 379 00:17:35,000 --> 00:17:37,970 I DON'T REALLY CARE TO GET TO KNOW THEM, LIKE, 380 00:17:38,000 --> 00:17:41,970 ROMANTICALLY BECAUSE I'M SO GRATEFUL THAT I 381 00:17:42,000 --> 00:17:45,430 ACTUALLY GET TO HAVE MORE THAN A 20‐MINUTE 382 00:17:45,466 --> 00:17:46,326 CONVERSATION WITH YOU. 383 00:17:46,366 --> 00:17:47,726 YOU KNOW WHAT I MEAN? 384 00:17:47,766 --> 00:17:48,766 >> YEAH. 385 00:17:48,800 --> 00:17:51,900 >> I DON'T WANT TO GIVE THAT UP SO SOON, NOT JUST 386 00:17:51,933 --> 00:17:55,603 FOR A COUPLE OF PRETTY GIRLS WALKING IN. 387 00:17:55,633 --> 00:17:57,073 CELY, SHE IS BEAUTIFUL. 388 00:17:57,100 --> 00:17:58,230 I LOVE LOOKING AT HER. 389 00:17:58,266 --> 00:18:01,826 SHE IS EASY ON THE EYES. 390 00:18:01,866 --> 00:18:02,796 CELY'S LAUGH IS INFECTIOUS. 391 00:18:02,833 --> 00:18:04,803 SHE IS SO BUBBLY. 392 00:18:04,833 --> 00:18:09,133 SHE IS SOMEONE I REALLY WANT TO GET TO KNOW. 393 00:18:09,166 --> 00:18:11,696 ♪♪♪ ♪ I CAN'T BREATHE WHEN 394 00:18:11,733 --> 00:18:17,333 YOU'RE TALKING LIKE THAT ♪ ♪ WHEN YOU'RE TALKING LIKE 395 00:18:17,366 --> 00:18:22,226 THAT ♪ ♪ AND I CAN'T BREATHE WHEN 396 00:18:22,266 --> 00:18:23,966 YOU KISS ME LIKE THAT ♪ >> I HOPE SHE THOUGHT IT 397 00:18:24,000 --> 00:18:25,970 WAS JUST AS GOOD AS I THOUGHT IT WAS. 398 00:18:26,000 --> 00:18:27,870 I KIND OF SCOOPED IN, AND HOPEFULLY I SECURED THE 399 00:18:27,900 --> 00:18:31,970 BAG WITH THAT. 400 00:18:32,000 --> 00:18:34,970 >> Narrator: AS CELY WIPES THE GALLON OF SALIVA 401 00:18:35,000 --> 00:18:39,070 OFF HER FACE, CONNOR AND MacKENZIE NEGOTIATE 402 00:18:39,100 --> 00:18:42,000 THEIR PUNISHMENT FOR THE CRIME OF NOT CONSOLING A 403 00:18:42,033 --> 00:18:45,273 BEAUTIFUL WOMAN WHEN SHE CRIES. 404 00:18:45,300 --> 00:18:48,770 >> I'M SORRY THAT I DIDN'T GO WITH YOU WHENEVER YOU 405 00:18:48,800 --> 00:18:49,770 LEFT. 406 00:18:49,800 --> 00:18:53,570 >> I UNDERSTAND NOT COMING IMMEDIATELY, BUT I WAS 407 00:18:53,600 --> 00:18:55,800 THERE FOR KIND OF, LIKE, 15 MINUTES. 408 00:18:55,833 --> 00:18:57,003 >> YOU CAN JUST LEAVE. 409 00:18:57,033 --> 00:18:58,073 YOU DON'T HAVE TO WORRY. 410 00:18:58,100 --> 00:19:01,030 >> NO, I'M NOT WORRIED. 411 00:19:01,066 --> 00:19:04,126 I'M JUST, LIKE, ANNOYED WITH YOU. 412 00:19:04,166 --> 00:19:05,596 LIKE, WHY DIDN'T YOU JUST COME. 413 00:19:05,633 --> 00:19:09,673 YOU SHOULD HAVE IMMEDIATELY COME AFTER ME. 414 00:19:09,700 --> 00:19:12,970 >> OKAY. 415 00:19:13,000 --> 00:19:13,970 >> WHAT WERE YOU THINKING? 416 00:19:14,000 --> 00:19:17,470 I JUST DON'T GET IT. 417 00:19:17,500 --> 00:19:19,970 >> JUST BREATHE THROUGH IT, I GUESS. 418 00:19:20,000 --> 00:19:20,970 >> I AM BREATHING. 419 00:19:21,000 --> 00:19:22,000 STOP SAYING THAT. 420 00:19:22,033 --> 00:19:24,703 >> TAKING CARE OF A GIRL AND MAKING KNOW SHE FEELS 421 00:19:24,733 --> 00:19:27,073 CARED FOR, THAT IS SOMETHING THAT TAKES TIME. 422 00:19:27,100 --> 00:19:29,970 THAT'S NOT SOMETHING YOU'RE GOING TO DEVELOP IN 423 00:19:30,000 --> 00:19:30,970 A MATTER OF DAYS. 424 00:19:31,000 --> 00:19:32,970 THAT'S KIND OF WHERE I'M AT WITH MacKENZIE AND 425 00:19:33,000 --> 00:19:34,970 TRYING TO UNDERSTAND WHY SHE HAS CERTAIN 426 00:19:35,000 --> 00:19:38,970 EXPECTATIONS OF PARTNERS AND RELATIONSHIPS AND HOW 427 00:19:39,000 --> 00:19:40,970 SHE EXPECTS TO BE TREATED. 428 00:19:41,000 --> 00:19:41,730 >> I'M SORRY. 429 00:19:41,766 --> 00:19:43,696 I WANT TO BE THAT PERSON FOR YOU. 430 00:19:43,733 --> 00:19:48,273 AND I DON'T WANT YOU TO BE CONCERNED ABOUT THAT. 431 00:19:48,300 --> 00:19:52,170 RELATIONSHIPS DON'T WORK AND DEVELOP WITHOUT A 432 00:19:52,200 --> 00:19:56,500 STRONG FOUNDATION OF TRUST AND OPEN COMMUNICATION. 433 00:19:56,533 --> 00:20:03,273 SO I WOULD LIKE TO THINK OUR COMMUNICATION IS 434 00:20:03,300 --> 00:20:03,600 STRONG. 435 00:20:03,633 --> 00:20:06,773 >> OKAY. 436 00:20:06,800 --> 00:20:09,100 >> SO WE CAN KNOW MORE ABOUT EACH OTHER. 437 00:20:09,133 --> 00:20:13,133 >> WHAT WERE YOUR IMPRESSIONS OF THE GUYS? 438 00:20:13,166 --> 00:20:18,026 >> YOU KNOW, HONESTLY, 'M JUST KIND OF, LIKE, FOR ME 439 00:20:18,066 --> 00:20:21,596 RIGHT NOW, I WANT TO SPEND TIME WITH HIM. 440 00:20:21,633 --> 00:20:24,103 JEREMIAH IS IT, BUT I'M DEFINITELY OPEN TO ‐‐ 441 00:20:24,133 --> 00:20:25,133 >> MEETING OTHER PEOPLE? 442 00:20:25,166 --> 00:20:26,126 >> YEAH. 443 00:20:26,166 --> 00:20:27,826 AND DEFINITELY GETTING TO KNOW EVERYONE. 444 00:20:27,866 --> 00:20:31,226 >> HOW WAS YOUR TALK WITH CARRINGTON? 445 00:20:31,266 --> 00:20:33,866 >> I'M GOING TO GET IT MIXED UP ‐‐ 446 00:20:33,900 --> 00:20:37,130 >> I KEEP FORGETTING HIS NAME, TOO. 447 00:20:37,166 --> 00:20:41,466 >> CAN I TALK TO YOU GUYS, TOO. 448 00:20:41,500 --> 00:20:42,370 >> I'M COMING IN. 449 00:20:42,400 --> 00:20:46,000 >> ARE YOU GOING TO SCREAM, THOUGH? 450 00:20:46,033 --> 00:20:58,873 >> Narrator: FROM MANAGE TRE TO AGENDA TRE. 451 00:20:58,900 --> 00:21:01,900 ♪♪♪ ♪ YOU MAKE IT HARD TO 452 00:21:01,933 --> 00:21:04,073 FEEL ♪ ♪ WHEN YOU GIVE ME ALL OF 453 00:21:04,100 --> 00:21:06,100 THE FEELINGS ♪ ♪♪♪ 454 00:21:29,000 --> 00:21:32,170 ♪♪♪ ♪ IT'S TIME TO WAKE UP ♪ 455 00:21:32,200 --> 00:21:34,670 ♪ IT'S TIME TO WAKE UP ♪ >> Narrator: IT IS 456 00:21:34,700 --> 00:21:38,430 MORNING IN THE VEGAS VILLA, AND LIKE A 457 00:21:38,466 --> 00:21:40,966 SHORT‐TERM RENTAL YOU SHOULDN'T HAVE TRUSTED, WE 458 00:21:41,000 --> 00:21:43,970 HAVE NIGHT‐VISION CAMERAS HIDDEN EVERYWHERE. 459 00:21:44,000 --> 00:21:51,970 TAKE A PEEK, OUR COUPLES ARE. 460 00:21:52,000 --> 00:21:54,970 OUR COUPLES ARE JUSTINE AND JEREMIAH, KAITLYN AND 461 00:21:55,000 --> 00:21:56,670 CARRINGTON, MacKENZIE AND CONNOR. 462 00:21:56,700 --> 00:22:03,870 AND RACHEL, KIERSTIN AND TRE ARE SINGLE, AS THEY 463 00:22:03,900 --> 00:22:07,470 LOOK THROUGH THE TIME HISTORY LOOP THAT IS LOVE 464 00:22:07,500 --> 00:22:08,270 ISLAND. 465 00:22:08,300 --> 00:22:10,570 ♪ WAKE UP ♪ >> I WONDER WHAT WE'RE 466 00:22:10,600 --> 00:22:11,270 DOING TODAY. 467 00:22:11,300 --> 00:22:14,770 >> WE HAVE, LIKE, NEW PEOPLE. 468 00:22:14,800 --> 00:22:15,730 >> YEAH. 469 00:22:15,766 --> 00:22:18,196 >> AND, TOO, I WANTED TO LET YOU KNOW BECAUSE I 470 00:22:18,233 --> 00:22:22,173 KNOW YOU'RE INTERESTED IN CARRINGTON, WHATEVER, AND 471 00:22:22,200 --> 00:22:25,800 TOTALLY FEEL AT LIBERTY TO PURSUE THAT 100%. 472 00:22:25,833 --> 00:22:27,033 >> OH, AWESOME. 473 00:22:27,066 --> 00:22:29,066 >> IT IS ONLY JUST FRIENDS FOR ME. 474 00:22:29,100 --> 00:22:30,800 I JUST WANTED TO, LIKE, TELL YOU. 475 00:22:30,833 --> 00:22:34,103 I'M NOT GOING TO BBE, LIKE ‐‐ 476 00:22:34,133 --> 00:22:35,003 >> NOT TODAY. 477 00:22:35,033 --> 00:22:36,073 >> YEAH. 478 00:22:36,100 --> 00:22:37,130 >> I'M EXCITED. 479 00:22:37,166 --> 00:22:41,196 >> GOOD TO KNOW. 480 00:22:41,233 --> 00:22:46,103 >> Narrator: UP, DOWN, UP, DOWN, UP, DOWN, UP, 481 00:22:46,133 --> 00:22:55,003 DOWN, CARRINGTON IS SURE GREAT AT UP, DOWN. 482 00:22:55,033 --> 00:22:58,103 >> I'M TOTALLY TAKING UP ALL THE ROOM. 483 00:22:58,133 --> 00:23:00,173 >> I'M EXCITED. 484 00:23:00,200 --> 00:23:01,230 WHAT ABOUT YOU? 485 00:23:01,266 --> 00:23:05,026 >> OH, YEAH, JEREMIAH, I'M SO EXCITED TO JUST TALK TO 486 00:23:05,066 --> 00:23:06,096 HIM. 487 00:23:06,133 --> 00:23:10,903 KIND OF OUTSIDE OF YOU, HE IS ALSO LIKE THE PERSON I, 488 00:23:10,933 --> 00:23:14,003 LIKE, JELLED THE MOST WITH. 489 00:23:14,033 --> 00:23:21,973 >> I'M DEFINITELY, LIKE ‐‐ >> DOWN AND UP, C'MON. 490 00:23:22,000 --> 00:23:25,400 >> I FEEL JEREMIAH IS DEFINITELY MY FAVORITE AT 491 00:23:25,433 --> 00:23:26,373 THIS POINT. 492 00:23:26,400 --> 00:23:28,500 I REALLY WANT TO CONTINUE TO GET TO KNOW HIM. 493 00:23:28,533 --> 00:23:31,933 HE IS SO SWEET, AND I'M TRYING TO BE, LIKE, OKAY, 494 00:23:31,966 --> 00:23:34,696 I SHOULD DEFINITELY GET TO KNOW OTHER PEOPLE, AND I 495 00:23:34,733 --> 00:23:37,203 DEFINITELY THOUGHT I WOULD FEEL THAT WAY. 496 00:23:37,233 --> 00:23:39,873 JEREMIAH IS PROBABLY, LIKE, THE BEST MATCH FOR 497 00:23:39,900 --> 00:23:40,870 ME. 498 00:23:40,900 --> 00:23:43,530 SO I'LL PROBABLY JUST CONTINUE TO MAINLY PURSUE 499 00:23:43,566 --> 00:23:47,766 HIM, BUT I'M DEFINITELY ENCOURAGED IN GETTING TO 500 00:23:47,800 --> 00:23:48,200 KNOW EVERYONE. 501 00:23:48,233 --> 00:23:49,333 SO THAT'S COOL. 502 00:23:49,366 --> 00:23:50,566 >> HI! 503 00:23:50,600 --> 00:23:51,170 >> HEY! 504 00:23:51,200 --> 00:23:54,100 >> WHAT ARE YOU ALL UP TO? 505 00:23:54,133 --> 00:23:56,873 >> COME HANG OUT WITH US. 506 00:23:56,900 --> 00:23:57,930 >> WHEN YOU'RE READY. 507 00:23:57,966 --> 00:23:59,926 >> IT IS GREAT TO BE HERE. 508 00:23:59,966 --> 00:24:02,296 >> I KNOW. 509 00:24:02,333 --> 00:24:03,873 >> OH, MY GOSH, COOL. 510 00:24:03,900 --> 00:24:09,330 I WAS SO WORRIED IT WAS GOING TO HIT ME WRONG. 511 00:24:09,366 --> 00:24:13,026 >> FROM TEXAS? 512 00:24:13,066 --> 00:24:13,966 >> YES. 513 00:24:14,000 --> 00:24:14,970 >> WHAT PART OF TEXAS? 514 00:24:15,000 --> 00:24:21,430 ‐‐ AUSTIN.>> IT IS THE TOP 10 P TO LIVE. 515 00:24:21,466 --> 00:24:24,596 >> EVERYBODY GOES TO L. A., AND NOW EVERYBODY IS GOING 516 00:24:24,633 --> 00:24:26,973 TO AUSTIN. 517 00:24:27,000 --> 00:24:28,870 DO YOU WANT TO GO SIT? 518 00:24:28,900 --> 00:24:30,570 >> YEAH, SIT. 519 00:24:30,600 --> 00:24:31,130 LET'S DO IT UP. 520 00:24:31,166 --> 00:24:32,396 >> WHERE ARE MY GLASSES. 521 00:24:32,433 --> 00:24:34,703 >> WE CAN DO THIS IN THE SHADE SOMEWHERE. 522 00:24:34,733 --> 00:24:37,233 >> IT'S A NICE LITTLE SPOT. 523 00:24:37,266 --> 00:24:39,596 >> I'M ACTUALLY VERY HAPPY WITH THE DATE THAT 524 00:24:39,633 --> 00:24:40,973 CARRINGTON AND I WENT ON. 525 00:24:41,000 --> 00:24:45,900 AND HE IS VERY ATTRACTIVE, VERY NICE TO LOOK AT, BUT 526 00:24:45,933 --> 00:24:48,233 JAMES' PERSONALITY ‐‐ PERSONALITY IS A BIG THING 527 00:24:48,266 --> 00:24:48,826 FOR ME. 528 00:24:48,866 --> 00:24:49,996 HE CAUGHT MY EYE A LITTLE. 529 00:24:50,033 --> 00:24:51,403 I LIKE YOUR TATTOOS. 530 00:24:51,433 --> 00:24:55,273 I HAVE LITTLE BABY ONES HERE AND THERE. 531 00:24:55,300 --> 00:24:56,970 >> ARE YOU DONE YET? 532 00:24:57,000 --> 00:24:59,770 >> I WAS IN ‐‐ >> I LOVE THAT. 533 00:24:59,800 --> 00:25:01,200 >> I KNOW! 534 00:25:01,233 --> 00:25:03,233 >> THIS IS STRESSING ME OUT ALREADY. 535 00:25:03,266 --> 00:25:05,026 >> EVERYONE IS REAL GREAT. 536 00:25:05,066 --> 00:25:07,026 >> I KNOW. 537 00:25:07,066 --> 00:25:07,966 THANKS. 538 00:25:08,000 --> 00:25:09,030 >> YOU'RE THE NEW GIRL. 539 00:25:09,066 --> 00:25:11,326 >> OH, MY GOSH, I KNOW. 540 00:25:11,366 --> 00:25:13,196 WHAT AM I GOING TO WEAR? 541 00:25:13,233 --> 00:25:14,973 >> DO ALL OF THE TIME PEOPLE SAY YOU'RE 542 00:25:15,000 --> 00:25:15,970 PRETTY ‐‐ HOW MANY TIMES? 543 00:25:16,000 --> 00:25:24,530 >> I LOVE IT. 544 00:25:24,566 --> 00:25:26,966 YOU'RYOU'RE VERY ATTRACTIVE YOURSELF. 545 00:25:27,000 --> 00:25:28,000 I LOVE THE TATTOOS. 546 00:25:28,033 --> 00:25:29,973 >> I'M KIDDING. 547 00:25:30,000 --> 00:25:32,000 >> STOP IT! 548 00:25:32,033 --> 00:25:36,973 >> TALK ABOUT YOU AND CARRINGTON. 549 00:25:37,000 --> 00:25:40,530 I WANT TO GET YOU KNOW, FOR SURE. 550 00:25:40,566 --> 00:25:41,026 IF YOU'RE OPEN TO THAT? 551 00:25:41,066 --> 00:25:42,726 >> YEAH, OF COURSE. 552 00:25:42,766 --> 00:25:48,966 >> WE HIT IT OFF FIRST NIGHT. 553 00:25:49,000 --> 00:25:50,730 BUT WE'RE STILL GOING TO LEARN ABOUT EACH OTHER. 554 00:25:50,766 --> 00:25:53,966 I'M A LITTLE ON THE SHY SIDE. 555 00:25:54,000 --> 00:25:56,030 >> YOU SEEM LIKE YOU'RE NOT. 556 00:25:56,066 --> 00:25:58,666 I WAS A LITTLE NERVOUS ABOUT PULLING HIM FOR A 557 00:25:58,700 --> 00:25:59,870 CHAT, BUT I DID. 558 00:25:59,900 --> 00:26:02,070 AND HE SEEMS SO FUNNY AND SO GREAT. 559 00:26:02,100 --> 00:26:03,330 HE IS VERY EASY GOING. 560 00:26:03,366 --> 00:26:05,926 AND SO I GET ALONG WITH THAT 10‐FOLD. 561 00:26:05,966 --> 00:26:07,426 >> I LOVE IT. 562 00:26:07,466 --> 00:26:09,266 DO YOU HAVE ANY BROTHERS AND SISTERS? 563 00:26:09,300 --> 00:26:11,600 >> I HAVE TWO YOUNGER BROTHERS. 564 00:26:11,633 --> 00:26:12,433 >> NICE. 565 00:26:12,466 --> 00:26:15,066 >> WOULD YOU FEEL COMFORTABLE WITH HIM 566 00:26:15,100 --> 00:26:15,970 KISSING OTHER GIRLS? 567 00:26:16,000 --> 00:26:18,830 >> I'M NOT IN CHARGE OF JAMES. 568 00:26:18,866 --> 00:26:20,196 I CAN'T TELL HIM WHAT TO DO. 569 00:26:20,233 --> 00:26:25,803 >> I'D LOVE WHEN SOMEONE TAKES THE INITIATIVE, AND 570 00:26:25,833 --> 00:26:28,903 YOU JUST GRABBING ME ‐‐ >> OH, MY GOSH, YOU ARE 571 00:26:28,933 --> 00:26:29,833 DARLING. 572 00:26:29,866 --> 00:26:32,166 >> I THINK THE NEW ISLANDERS ARE SO STUNNING. 573 00:26:32,200 --> 00:26:35,530 I CAN'T EVEN HANDLE HOW BEAUTIFUL THEY ARE. 574 00:26:35,566 --> 00:26:38,766 >> EVERYTHING WAS GOING GREAT WITH JAMES. 575 00:26:38,800 --> 00:26:42,930 KIERSTIN TALKING WITH HIM LIKE ONE‐ON‐ONE, LIKE, 576 00:26:42,966 --> 00:26:43,826 BACK OFF. 577 00:26:43,866 --> 00:26:49,766 ♪ YOU WON'T LET HIM GO ♪ >> I GOT A TEXT! 578 00:26:49,800 --> 00:26:52,070 [YELLING] >> GUYS, I GOT A TEXT, 579 00:26:52,100 --> 00:26:54,870 COME OVER HERE! 580 00:26:54,900 --> 00:26:56,430 ISLANDERS, YOU HAVE BEEN CLEARED TO LAND, AND IT IS 581 00:26:56,466 --> 00:27:00,996 TIME TO UNPACK MORE THAN YOUR UNDERWEAR, IN TODAY'S 582 00:27:01,033 --> 00:27:04,473 CHALLENGE "EXCESS MILEAGE." 583 00:27:04,500 --> 00:27:05,130 HASHTAG, MILE HIGH CLUB. 584 00:27:05,166 --> 00:27:06,996 HASHTAG, ANYTHING TO DECLARE? 585 00:27:19,000 --> 00:27:23,070 ♪♪♪ ♪ TODAY IS A GOOD DAY ♪ 586 00:27:23,100 --> 00:27:24,170 ♪♪♪ P>> Narrator: IT'S TIME 587 00:27:24,200 --> 00:27:29,570 FOR THE FIRST LOVE ISLAND CHALLENGE. 588 00:27:29,600 --> 00:27:31,430 "EXCESS BAGGAGE." 589 00:27:31,466 --> 00:27:35,096 THE SLOW‐MOTION RUNNING AUDITION IS THE TOUGHEST 590 00:27:35,133 --> 00:27:37,473 PART OF THE LOVE ISLAND CASTING PROCESS. 591 00:27:37,500 --> 00:27:41,200 WINNERS OF THIS CHALLENGE WILL RECEIVE A GRAND TOTAL 592 00:27:41,233 --> 00:27:44,273 OF ZERO DOLLARS BECAUSE THE PRODUCERS BLEW THE 593 00:27:44,300 --> 00:27:46,630 BUDGET ON SMALL PINK PASSES. 594 00:27:46,666 --> 00:27:50,166 ON TODAY'S GAME, THE BOYS WILL BATTLE THE GIRLS. 595 00:27:50,200 --> 00:27:58,570 A PIECE OF LUGGAGE WILL COME DOWN THE CAROUSEL. 596 00:27:58,600 --> 00:28:02,130 EACH SUITCASE CONTAINS A DIRTY SECRET FROM AN 597 00:28:02,166 --> 00:28:02,796 ISLANDER'S PAST. 598 00:28:02,833 --> 00:28:04,973 >> LET'S SEE WHAT WE'VE GOT. 599 00:28:05,000 --> 00:28:06,230 COUGAR AHEAD. 600 00:28:06,266 --> 00:28:09,966 [LAUGHTER] >> THIS ISLANDER ONCE 601 00:28:10,000 --> 00:28:16,500 SLEPT WITH A WOMAN WHO WAS MORE THAN TWICE HIS AGE! 602 00:28:16,533 --> 00:28:17,973 >> Narrator: AS A TEAM, THEY MUST FIGURE OUT WHICH 603 00:28:18,000 --> 00:28:23,430 FLIRTY FLIGHT ATTENDANT OR CAPTAIN BLINKS TO AND 604 00:28:23,466 --> 00:28:26,966 IDENTIFY THE PERP WITH A KISS. 605 00:28:27,000 --> 00:28:32,970 P.D.A. 606 00:28:33,000 --> 00:28:34,100 >> CARRINGTON! 607 00:28:34,133 --> 00:28:39,503 ♪♪♪ ♪ THAT'S HOW I KNOW ♪ 608 00:28:39,533 --> 00:28:40,503 [YELLING] [CHEERING] 609 00:28:40,533 --> 00:28:45,973 >> AFTER GETTING CAUGHT IN THE ACT, THIS ISLANDER 610 00:28:46,000 --> 00:28:50,930 ONCE HAD TO RUN OUT OF A GIRL'S HOUSE NAKED WHILE 611 00:28:50,966 --> 00:28:52,966 BEING CHASED BY DOGS. 612 00:28:55,266 --> 00:29:00,096 [LAUGHTER] ♪♪♪ 613 00:29:00,133 --> 00:29:04,103 [YELLING] [APPLAUSE] 614 00:29:04,133 --> 00:29:05,973 >> GIRL! 615 00:29:06,000 --> 00:29:07,730 >> JEREMIAH! 616 00:29:07,766 --> 00:29:08,796 >> THAT WAS COLD. 617 00:29:08,833 --> 00:29:13,973 THAT WAS COLD. 618 00:29:14,000 --> 00:29:15,970 >> THAT WAS SO GOOD. 619 00:29:16,000 --> 00:29:18,470 >> OH, MY GOD! 620 00:29:18,500 --> 00:29:19,470 >> OKAY. 621 00:29:19,500 --> 00:29:22,800 >> THIS ISLANDER SLEPT WITH A FRIEND'S GIRLFRIEND 622 00:29:22,833 --> 00:29:25,973 JUST TO SEE IF HE COULD PULL IT OFF. 623 00:29:26,000 --> 00:29:28,000 >> DAMN, NOW I WANT TO SEE WO THE JUDAS IS. 624 00:29:33,766 --> 00:29:38,726 >> JEREMIAH! 625 00:29:38,766 --> 00:29:43,966 [CHEERING] [YELLING] 626 00:29:44,000 --> 00:29:44,970 ♪♪♪ >> OH, SHE WENT IN. 627 00:29:45,000 --> 00:29:46,000 SHE WENT IN THERE. 628 00:29:46,033 --> 00:29:47,973 >> I KNEW SHE WAS GOING TO KISS HIM, BUT I THOUGHT 629 00:29:48,000 --> 00:29:52,030 SHE WOULD GO IN FOR, LIKE, A PECK, A QUICK ONE, TWO, 630 00:29:52,066 --> 00:29:55,496 AND SHE SUCKED HIS WHOLE FACE. 631 00:29:55,533 --> 00:29:57,973 >> TRE! 632 00:29:58,000 --> 00:29:59,300 >> WHAT ARE YOU DOING? 633 00:29:59,333 --> 00:30:04,973 >> SOMETIMES THINGS JUST HAPPEN. 634 00:30:05,000 --> 00:30:06,030 ♪♪♪ [YELLING] 635 00:30:06,066 --> 00:30:11,126 >> THIS ISLANDER, A. K. A., MR. STUDIO GIRL, ONCE MADE 636 00:30:11,166 --> 00:30:13,526 OUT WITH A WOMAN WHILE HER BOYFRIEND WAS STANDING 637 00:30:13,566 --> 00:30:15,026 RIGHT NEXT TO HER. 638 00:30:15,066 --> 00:30:18,366 >> OH, MY GOSH! 639 00:30:18,400 --> 00:30:20,900 ♪♪♪ [YELLING] 640 00:30:20,933 --> 00:30:23,703 [CHEERING] >> I PUT MY FOOT DOWN AND 641 00:30:23,733 --> 00:30:27,233 KIND OF CLAIMED WHAT'S MINE. 642 00:30:27,266 --> 00:30:29,066 >> ALL RIGHT! 643 00:30:29,100 --> 00:30:34,700 ♪♪♪ [CHEERING] 644 00:30:34,733 --> 00:30:38,133 >> OH! 645 00:30:38,166 --> 00:30:40,496 [CHEERING] >> THIS ISLANDER ONCE HAD 646 00:30:40,533 --> 00:30:44,203 A THREESOME WITH TWO MARRIED WOMEN. 647 00:30:44,233 --> 00:30:47,173 >> OH, WOW! 648 00:30:47,200 --> 00:30:50,130 ♪♪♪ >> OKAY. 649 00:30:55,200 --> 00:31:03,170 ♪♪♪ >> OH, I KNEW IT. 650 00:31:03,200 --> 00:31:05,470 YOU LITTLE ‐‐ TWO MARRIED WOMEN? 651 00:31:05,500 --> 00:31:08,530 >> THEY CAME UP TO ME AND THEY SAID, COULD YOU BE 652 00:31:08,566 --> 00:31:11,096 OUR TOY TONIGHT? 653 00:31:11,133 --> 00:31:12,233 >> WHAT? 654 00:31:12,266 --> 00:31:15,096 >> HURRAY! 655 00:31:15,133 --> 00:31:17,503 [CHEERING] >> OKAY. 656 00:31:17,533 --> 00:31:22,973 WHICH ONE OF YOU DIRTY LITTLE H'MMM ‐‐ IT WAS 657 00:31:23,000 --> 00:31:27,170 LIKE A SCENE FROM 50 SHADES OF GRAY WHEN THIS 658 00:31:27,200 --> 00:31:31,130 ISLANDER LOST HIS VIRGINITY DURING A 659 00:31:31,166 --> 00:31:32,796 ONE‐NIGHT STAND. 660 00:31:32,833 --> 00:31:34,433 >> OH! 661 00:31:34,466 --> 00:31:36,096 [CHEERING] >> CONNOR! 662 00:31:36,133 --> 00:31:38,133 >> I KNEW IT. 663 00:31:38,166 --> 00:31:39,066 I KNEW IT! 664 00:31:39,100 --> 00:31:45,070 >> THAT IS A BIG TURNON FOR ME, HE CAN BE A 665 00:31:45,100 --> 00:31:48,200 GENTLEMAN AND THEN HE HAS ANOTHER SIDE. 666 00:31:48,233 --> 00:31:51,103 >> Narrator: AT THE END OF ROUND ONE, THE GIRLS 667 00:31:51,133 --> 00:31:52,673 HAVE SCORED THREE. 668 00:31:52,700 --> 00:31:56,800 AND NOW IT IS THE GIRLS' TURN TO REGRET NOT HAVING 669 00:31:56,833 --> 00:31:58,433 LIKED OUR PRODUCERS IN THE INTERVIEW. 670 00:31:58,466 --> 00:32:00,766 >> THIS ISLANDER ONCE FLIPPED A COIN TO 671 00:32:00,800 --> 00:32:03,730 DETERMINE WHAT BOY SHE WAS GOING HOME WITH THAT 672 00:32:03,766 --> 00:32:04,996 NIGHT. 673 00:32:05,033 --> 00:32:11,103 >> OOH! 674 00:32:11,133 --> 00:32:14,203 WOW! 675 00:32:14,233 --> 00:32:18,173 ♪♪♪ >> CELY! 676 00:32:18,200 --> 00:32:18,970 >> CELY? 677 00:32:19,000 --> 00:32:22,970 >> IT WAS MY WILD DAYS. 678 00:32:23,000 --> 00:32:23,630 OH, WOW! 679 00:32:23,666 --> 00:32:25,826 >> IS THAT TOILET PAPER? 680 00:32:25,866 --> 00:32:27,666 >> TOILET PAPER? 681 00:32:27,700 --> 00:32:31,970 >> THIS ISLANDER WENT NUMBER TWO ON THE SIDE OF 682 00:32:32,000 --> 00:32:35,570 THE ROAD BECAUSE THE LINE AT THE CLUB WAS TOO LONG? 683 00:32:35,600 --> 00:32:39,570 >> OH, NO! 684 00:32:39,600 --> 00:32:45,970 >> OH! 685 00:32:46,000 --> 00:32:47,370 >> MOIRA! 686 00:32:47,400 --> 00:32:48,500 >> GIRL! 687 00:32:48,533 --> 00:32:51,433 >> I THREW MY UNDERWEAR AWAY AFTER. 688 00:32:51,466 --> 00:32:53,266 >> DO YOU GO IN? 689 00:32:53,300 --> 00:32:56,170 >> OH, YEAH, WE WENT INTO THE CLUB. 690 00:32:56,200 --> 00:33:02,570 >> I THOUGHT IT WAS KIND OF CUTE ‐‐ NOT CUTE, BUT, 691 00:33:02,600 --> 00:33:05,830 LIKE, DAMN, I KNOW, I'VE BEEN THERE, SO ‐‐ IT'S 692 00:33:05,866 --> 00:33:06,766 FUNNY. 693 00:33:06,800 --> 00:33:09,070 >> THIS ISLANDER WENT THROUGH A FAKE WEDDING 694 00:33:09,100 --> 00:33:18,470 CEREMONY SO THE GROOM WOULD BUY HER A CHIC 695 00:33:18,500 --> 00:33:22,930 THOUSAND DOLLAR BRACELET. 696 00:33:22,966 --> 00:33:26,226 >> DAGGER TO THE HEART. 697 00:33:26,266 --> 00:33:27,626 >> KIERSTIN? 698 00:33:27,666 --> 00:33:28,596 WHAT? 699 00:33:28,633 --> 00:33:30,473 >> THIS ISLANDER BELIEVES THAT SOME PEOPLE ARE 700 00:33:30,500 --> 00:33:35,330 GIFTED WITH NATURAL TALENT, AND HERS IS SEX. 701 00:33:35,366 --> 00:33:40,296 >> OH, MY GOSH! 702 00:33:40,333 --> 00:33:47,233 [APPLAUSE] [CHEERING] 703 00:33:47,266 --> 00:33:48,466 >> RACHEL! 704 00:33:48,500 --> 00:33:54,100 >> WHOA! 705 00:33:54,133 --> 00:33:56,833 ♪♪♪ >> THIS ISLANDER CALLS 706 00:33:56,866 --> 00:34:00,366 HERSELF AN F.B.I. AGENT BECAUSE SHE CAN DIG UP ALL 707 00:34:00,400 --> 00:34:06,430 OF THE DIRT ON ANY GUY SHE DATES. 708 00:34:06,466 --> 00:34:08,766 >> PUT IT ON THE BOARD. 709 00:34:08,800 --> 00:34:12,500 >> THE FINAL SCORE, GIRLS, 3, BOYS, 1. 710 00:34:12,533 --> 00:34:14,233 SO WE LOST. 711 00:34:14,266 --> 00:34:15,966 >> Narrator: YES, GUYS, YOU LOST. 712 00:34:16,000 --> 00:34:25,970 TRE TO ONE. 713 00:34:26,000 --> 00:34:29,630 >> WE THE WINNERS, MAN, WE THE WINNERS! 714 00:34:29,666 --> 00:34:31,666 >> LET'S GO BACK TO THE VILLA! 715 00:34:44,000 --> 00:34:44,970 >> Narrator: THE ISLANDERS JUST PULLED EACH 716 00:34:45,000 --> 00:34:47,570 OTHER'S DIRTIEST SECRETS OUT OF SUITCASES. 717 00:34:47,600 --> 00:34:51,970 UNFORTUNATELY, THEY CAN'T PUT THEM BACK IN. 718 00:34:52,000 --> 00:34:54,970 INSTEAD THEY MUST BECOME THE MOST BEAUTIFUL BAGGAGE 719 00:34:55,000 --> 00:34:57,100 HANDLERS YOU HAVE EVER SEEN. 720 00:34:57,133 --> 00:34:59,973 >> DID EVERYONE HAVE AS MUCH FUN AS I DID. 721 00:35:00,000 --> 00:35:03,970 I HAD A REALLY FUN TIME. 722 00:35:04,000 --> 00:35:07,970 I WAS LAUGHING THE ENTIRE TIME. 723 00:35:08,000 --> 00:35:09,630 >> THEY WERE TRYING TO WIN. 724 00:35:09,666 --> 00:35:11,096 >> ALSO REAL STUFF, THOUGH. 725 00:35:11,133 --> 00:35:12,973 >> WE HAVE TO TALK ABOUT HOW IT IS GOING AFFECT 726 00:35:13,000 --> 00:35:14,100 EVERYBODY'S RELATIONSHIP. 727 00:35:14,133 --> 00:35:16,373 >> THANK GOD I'M WITH CARRINGTON AND I LIKE HIM. 728 00:35:16,400 --> 00:35:18,800 >> WAS THAT YOUR FIRST KISS? 729 00:35:18,833 --> 00:35:20,103 >> YEAH. 730 00:35:20,133 --> 00:35:22,603 IT WASN'T A REGRET BECAUSE IT MADE ME REALIZE HOW 731 00:35:22,633 --> 00:35:23,533 MUCH I REALLY LIKE HIM. 732 00:35:23,566 --> 00:35:28,066 >> I'M GOING TO KIERSTIN HARD. 733 00:35:28,100 --> 00:35:30,900 >> HAVE Y'ALL KISSED OUTSIDE OF ANY OF THE 734 00:35:30,933 --> 00:35:31,673 CHALLENGES OR GAMES? 735 00:35:31,700 --> 00:35:33,700 >> NO, BUT WE SHOULD KISS TONIGHT. 736 00:35:33,733 --> 00:35:36,833 >> IT IS NICE HAVING A GIRL WHO LIKES THAT. 737 00:35:36,866 --> 00:35:39,766 >> WE'RE, LIKE, VERY LOVED UP AND WE'RE SAVING OUR 738 00:35:39,800 --> 00:35:40,900 FIRST REAL KISS. 739 00:35:40,933 --> 00:35:44,773 WE HAVEN'T EVEN DONE THAT YET. 740 00:35:44,800 --> 00:35:47,230 WE STILL HAVEN'T COUNTED IT LIKE ANYTHING YET. 741 00:35:47,266 --> 00:35:49,596 >> DO YOU THINK YOU CAN GO THE DISTANCE? 742 00:35:49,633 --> 00:35:52,473 >> DUDE, I ABSOLUTELY THINK THAT. 743 00:35:52,500 --> 00:35:55,430 HONESTLY, EVEN IF A GIRL WERE TO WALK IN AND MAYBE 744 00:35:55,466 --> 00:35:59,766 I WOULD THINK SHE WAS MORE ATTRACTIVE THAN 745 00:35:59,800 --> 00:36:02,130 MacKENZIE, I DON'T THINK I WOULD FLIP. 746 00:36:02,166 --> 00:36:03,996 >> RACHEL, GIRL, YOU SHOCKED ME. 747 00:36:04,033 --> 00:36:06,603 I WAS, LIKE, OH! 748 00:36:06,633 --> 00:36:10,773 >> I WAS EXPECTING TO ‐‐ >> THE WAY YOU WENT IN, I 749 00:36:10,800 --> 00:36:13,570 WAS, LIKE, SAY NO MORE. 750 00:36:13,600 --> 00:36:18,970 LIKE, YOU SET THE BAR. 751 00:36:19,000 --> 00:36:19,970 >> I THINK JUSTINE IS HURT RIGHT NOW. 752 00:36:20,000 --> 00:36:21,700 YOU NEED TO TALK TO HER FIRST. 753 00:36:21,733 --> 00:36:22,933 >> OUT OF RESPECT. 754 00:36:22,966 --> 00:36:24,926 >> YEAH, YEAH, YEAH. 755 00:36:24,966 --> 00:36:27,066 >> I FEEL LIKE A BAG, YEAH. 756 00:36:27,100 --> 00:36:30,700 BUT I'M LOOKING FORWARD TO PURSUING RACHEL MORE THAN 757 00:36:30,733 --> 00:36:31,633 I JUSTINE. 758 00:36:31,666 --> 00:36:34,966 WITH JUSTINE, I FEEL LIKE IT IS MORE LIKE A 759 00:36:35,000 --> 00:36:38,500 FRIENDSHIP. 760 00:36:38,533 --> 00:36:41,403 >> Narrator: MacKENZIE WANTS TO TALK TO CONNOR 761 00:36:41,433 --> 00:36:46,973 ABOUT HIS S&M SECRET FROM THE CHALLENGE, BUT HOW TO 762 00:36:47,000 --> 00:36:47,670 ASK. 763 00:36:47,700 --> 00:36:49,330 YOUR THING, PRETTY SURPRISING. 764 00:36:49,366 --> 00:36:54,266 I THINK I WAS MORE ‐‐ I WAS, LIKE, I'M CURIOUS HOW 765 00:36:54,300 --> 00:36:58,070 IT WAS A ONE‐NIGHT STAND BECAUSE YOU DON'T THINK 766 00:36:58,100 --> 00:37:02,730 LIKE THE TYPE THAT WOULD LOSE THEIR VIRGINITY IN A 767 00:37:02,766 --> 00:37:03,626 ONE‐NIGHT STAND. 768 00:37:03,666 --> 00:37:06,096 >> TO BE SURE, I ONLY HAD SEX THREE TIMES. 769 00:37:06,133 --> 00:37:08,433 >> WHAT? 770 00:37:08,466 --> 00:37:09,596 >> THREE PEOPLE. 771 00:37:09,633 --> 00:37:12,003 I THINK THAT IS A SUPER POWERFUL WAY OF EXPRESSING 772 00:37:12,033 --> 00:37:13,633 YOUR LOVE FOR SOMEONE. 773 00:37:13,666 --> 00:37:14,966 >> UH‐HUH. 774 00:37:15,000 --> 00:37:18,970 >> SO I DON'T JUST GO ABOUT DOING THAT WITH JUST 775 00:37:19,000 --> 00:37:19,270 ANYONE. 776 00:37:19,300 --> 00:37:20,600 >> YEAH. 777 00:37:20,633 --> 00:37:24,103 >> THAT'S WHY I'M, LIKE, THIS WAY WITH YOU, BEING 778 00:37:24,133 --> 00:37:26,373 SUPER RESPECTFUL BECAUSE THAT IS SPECIAL TO ME. 779 00:37:26,400 --> 00:37:27,930 >> YEAH, I LIKE THAT. 780 00:37:27,966 --> 00:37:31,966 >> CONNOR, HE JUST MAKES ME FEEL, LIKE, 781 00:37:32,000 --> 00:37:32,430 BUTTERFLIES. 782 00:37:32,466 --> 00:37:33,496 I DON'T KNOW. 783 00:37:33,533 --> 00:37:35,973 I JUST FEEL SUCH A STRONG FRIENDSHIP CONNECTION, BUT 784 00:37:36,000 --> 00:37:41,700 THEN THERE IS CHEMISTRY WITH HIM, THAT IT'S KIND 785 00:37:41,733 --> 00:37:44,333 OF, LIKE, WOW, I JUST FEEL LIKE ‐‐ I DON'T KNOW, I 786 00:37:44,366 --> 00:37:46,096 JUST HAVE BUTTERFLIES. 787 00:37:46,133 --> 00:37:49,033 IT'S, LIKE, CRAZY. 788 00:37:49,066 --> 00:37:52,326 >> IN A RELATIONSHIP, DO YOU, LIKE, WANT TO HAVE 789 00:37:52,366 --> 00:37:52,666 SEX? 790 00:37:52,700 --> 00:37:54,900 >> UH‐HUH. 791 00:37:54,933 --> 00:37:56,273 YES. 792 00:37:56,300 --> 00:38:01,970 >> BECAUSE I'M THE TYPE, LIKE, WHEN I'M IN A 793 00:38:02,000 --> 00:38:03,700 RELATIONSHIP, THEN I WANT TO, LIKE, ALL THE TIME. 794 00:38:03,733 --> 00:38:04,773 >> YES. 795 00:38:04,800 --> 00:38:06,970 >> NO ONE GETS A COOKIE UNTIL THEY GET THE WHOLE 796 00:38:07,000 --> 00:38:08,030 JAR. 797 00:38:08,066 --> 00:38:10,566 BUT THEN THEY CAN HAVE ALL OF THE COOKIES THEY WANT. 798 00:38:10,600 --> 00:38:11,970 >> YEAH, ABSOLUTELY. 799 00:38:12,000 --> 00:38:12,900 I AGREE. 800 00:38:12,933 --> 00:38:13,973 >> Narrator: THAT COOKIE METAPHOR WAS KIND OF 801 00:38:14,000 --> 00:38:17,600 CRUMMY, BUT MacKENZIE ISN'T HERE FOR HER POETRY. 802 00:38:17,633 --> 00:38:19,733 LET'S CHECK OUT JEREMIAH AND JUSTIN, WHO ARE 803 00:38:19,766 --> 00:38:22,196 CURRENTLY BAKING IN THE HEAT. 804 00:38:22,233 --> 00:38:22,873 >> HOW ARE YOU? 805 00:38:22,900 --> 00:38:23,670 >> ALL RIGHT. 806 00:38:23,700 --> 00:38:25,930 >> CAN I GRAB A SECOND WITH JUSTINE? 807 00:38:25,966 --> 00:38:26,696 >> YEAH. 808 00:38:26,733 --> 00:38:28,133 WE'LL MEET UP LATER. 809 00:38:28,166 --> 00:38:28,996 GOOD TALKING TO YOU. 810 00:38:29,033 --> 00:38:30,233 >> YES. 811 00:38:30,266 --> 00:38:31,966 >> HOW YOU DOING? 812 00:38:32,000 --> 00:38:32,330 HOW YOU DOING? 813 00:38:32,366 --> 00:38:33,196 >> GOOD. 814 00:38:33,233 --> 00:38:35,873 WE WERE JUST CHITCHATTING. 815 00:38:35,900 --> 00:38:36,900 HOW YOU DOING? 816 00:38:36,933 --> 00:38:37,933 >> I'M GOOD. 817 00:38:37,966 --> 00:38:41,396 >> I WANTED TO COME TALK TO YOU TODAY TO BE, LIKE, 818 00:38:41,433 --> 00:38:44,233 WHERE ARE WE AT. 819 00:38:44,266 --> 00:38:46,096 LET'S TALK ABOUT WHERE WE AT. 820 00:38:46,133 --> 00:38:49,973 >> OF COURSE. 821 00:38:50,000 --> 00:38:54,300 >> THERE IS NO SECRETS ABOUT RACHEL. 822 00:38:54,333 --> 00:38:55,333 >> UH‐HUH. 823 00:38:55,366 --> 00:38:59,396 >> I HONESTLY FEEL LIKE ME, PERSONALLY, I JUST SEE 824 00:38:59,433 --> 00:39:02,973 US AS BETTER FRIENDS ‐‐ >> YES. 825 00:39:03,000 --> 00:39:04,400 >> ‐‐ THEN ANYTHING ELSE. 826 00:39:04,433 --> 00:39:07,973 I JUST WANT TO KEEP IT REAL WITH YOU. 827 00:39:08,000 --> 00:39:09,670 >> YES. 828 00:39:09,700 --> 00:39:12,000 >> BUT I DON'T WANT NOTHING TO CHANGE BETWEEN 829 00:39:12,033 --> 00:39:13,773 US, YOU KNOW WHAT I'M SAYING? 830 00:39:13,800 --> 00:39:14,370 >> NO. 831 00:39:14,400 --> 00:39:16,400 AND IT WON'T, NOT AT ALL. 832 00:39:32,000 --> 00:39:33,970 >> Narrator: IT'S LOVE ISLAND, WHERE JUSTINE JUST 833 00:39:34,000 --> 00:39:35,970 GOT RE‐FRIENDED ZONE BY JEREMIAH. 834 00:39:36,000 --> 00:39:40,630 YOU KNOW WHAT SHE SHOULD DO, MAKE HER FEELINGS 835 00:39:40,666 --> 00:39:43,566 KNOWN, BUT THAT NEVER WORKS FOR ME EVER. 836 00:39:43,600 --> 00:39:50,970 >> I WANT TO BE REAL, I'VE BEEN RI R WITH RACHEL, AND I 837 00:39:51,000 --> 00:39:53,000 FEEL LIKE YOU AND I ARE BETTER OFF AS FRIENDS. 838 00:39:56,000 --> 00:39:58,970 I WISH HE WOULD HAVE SAID THAT LAST NIGHT. 839 00:39:59,000 --> 00:40:00,630 I APPRECIATE HE WAS STRAIGHT UP AND TOLD ME 840 00:40:00,666 --> 00:40:04,096 EARLY ON, AND THERE IS A LOT ABOUT HIS CHARACTER, 841 00:40:04,133 --> 00:40:06,633 SO I CAN'T BE MAD BECAUSE HE'S A GOOD GUY. 842 00:40:06,666 --> 00:40:09,366 >> YEAH, BUT DON'T DOUBT YOURSELF IN ANY WAY OR GET 843 00:40:09,400 --> 00:40:11,070 IN YOUR HEAD ABOUT IT. 844 00:40:11,100 --> 00:40:12,630 NEW GUYS ARE COMING. 845 00:40:12,666 --> 00:40:14,796 >> HOPEFULLY. 846 00:40:14,833 --> 00:40:18,073 THERE IS TRE, BUT I'M FINDING OUT SO MUCH ABOUT 847 00:40:18,100 --> 00:40:24,300 HIM THAT ARE VALIDATEDING VALIDATINGALL OF THE THINGS I 848 00:40:24,333 --> 00:40:25,273 THOUGHT. 849 00:40:25,300 --> 00:40:28,530 >> I FEEL LIKE WITH TRE, EVERY TIME YOU TALK TO 850 00:40:28,566 --> 00:40:31,126 HIM, YOU'RE, LIKE ‐‐ >> DRAWN IN? 851 00:40:31,166 --> 00:40:32,566 >> YEAH. 852 00:40:32,600 --> 00:40:36,630 AND I FEEL, LIKE, MAYBE YOU SHOULD GIVE THAT A 853 00:40:36,666 --> 00:40:41,426 CHANCE, YOU KNOW? 854 00:40:41,466 --> 00:40:51,426 ♪♪♪ ♪ COME TO LIFE ♪ 855 00:40:51,466 --> 00:40:53,366 >> OBVIOUSLY, YOU KNOW, I TALKED TO YOUR BOY. 856 00:40:53,400 --> 00:40:55,900 >> HOW DO YOU FEEL ABOUT THAT? 857 00:40:55,933 --> 00:40:57,873 >> I MEAN, IT DEFINITELY SUCKS. 858 00:40:57,900 --> 00:41:01,270 I KIND OF, LIKE, WISH HE HAD SAID SOMETHING LAST 859 00:41:01,300 --> 00:41:04,070 NIGHT, BUT I ‐‐ >> HONESTLY, HOW WOULD 860 00:41:04,100 --> 00:41:05,370 THAT HAVE CHANGED ANYTHING FOR YOU? 861 00:41:05,400 --> 00:41:09,170 >> I DEFINITELY WOULDN'T HAVE KISSED HIM IN THE 862 00:41:09,200 --> 00:41:11,700 CHALLENGE, YOU KNOW WHAT I MEAN? 863 00:41:11,733 --> 00:41:13,033 >> WOULD YOU HAVE SPACE? 864 00:41:13,066 --> 00:41:14,966 >> I DON'T EVEN WANT TO TALK ABOUT IT. 865 00:41:15,000 --> 00:41:20,670 >> SO HOW DO YOU FEEL NOW? 866 00:41:20,700 --> 00:41:22,230 LIKE, WHAT'S GOING THROUGH YOUR MIND NOW? 867 00:41:22,266 --> 00:41:27,866 WHAT ARE YOU GOING TO DO SITUATION‐WISE? 868 00:41:27,900 --> 00:41:29,530 >> KEEP PUTTING MYSELF OUT THERE, I GUESS. 869 00:41:29,566 --> 00:41:30,766 YOU KNOW WHAT I MEAN? 870 00:41:30,800 --> 00:41:35,300 I FEEL LIKE THAT'S ALL YOU CAN DO AT THIS STAGE. 871 00:41:35,333 --> 00:41:39,803 >> LIKE, OBVIOUSLY, LIKE,, IT'S NOT A SECRET, I'M 872 00:41:39,833 --> 00:41:42,233 ATTRACTED TO OTHER GIRLS HERE. 873 00:41:42,266 --> 00:41:46,026 BUT I FEEL LIKE I CLICK BETTER WITH YOU 874 00:41:46,066 --> 00:41:46,426 PERSONALITY‐WISE. 875 00:41:46,466 --> 00:41:47,596 >> YES. 876 00:41:47,633 --> 00:41:50,103 ♪ I GET SO LOST INSIDE YOUR EYES ♪ 877 00:41:50,133 --> 00:41:53,133 >> TODAY WAS A RECOUPLING TONIGHT. 878 00:41:53,166 --> 00:41:54,026 >> UH‐HUH. 879 00:41:54,066 --> 00:41:55,826 >> YOU HAVE TO MAKE A DECISION RIGHT NOW. 880 00:41:55,866 --> 00:41:59,866 WHO DO YOU WAN WANT TO COUPLE UP WITH? 881 00:41:59,900 --> 00:42:01,370 I WOULD SAY YOU. 882 00:42:01,400 --> 00:42:05,300 >> TRE! 883 00:42:05,333 --> 00:42:07,103 ♪ WALK THROUGH FIRE FOR YOU ♪ 884 00:42:07,133 --> 00:42:10,303 ♪ JUST LET ME ADORE YOU ♪ ♪♪♪ 885 00:42:10,333 --> 00:42:16,133 >> I FEEL LIKE I GOT CLOSER TO JUSTINE. 886 00:42:16,166 --> 00:42:20,926 I FEEL LIKE KAITLYN WOULD BE, LIKE, A HOOK‐UP, AND 887 00:42:20,966 --> 00:42:25,296 JUSTINE WOULD BE MORE LIKE A LONG‐TERM RELATIONSHIP. 888 00:42:25,333 --> 00:42:27,803 >> I'M GLAD WE HAVE EACH OTHER. 889 00:42:27,833 --> 00:42:31,003 I FEEL LIKE TRE AND I HAVE SUCH A GOOD CONNECTION, 890 00:42:31,033 --> 00:42:35,133 AND SUCH A GENUINE REAL VIBE, IT REALLY COULD TURN 891 00:42:35,166 --> 00:42:37,296 INTO SOMETHING, LIKE, REALLY NICE, SOMETHING 892 00:42:37,333 --> 00:42:38,203 ROMANTIC AND REALLY NICE. 893 00:42:38,233 --> 00:42:41,133 >> I GUESS TO BE CONTINUED. 894 00:42:41,166 --> 00:42:41,966 >> YES. 895 00:42:42,000 --> 00:42:43,630 I'LL MEET YOU BACK AT THE SPOT LATER. 896 00:42:43,666 --> 00:42:45,626 >> JUST LET ME KNOW WHEN. 897 00:42:45,666 --> 00:42:53,126 ♪ JUST LET ME ADORE YOU ♪ ♪♪♪ 898 00:42:53,166 --> 00:42:56,566 >> Narrator: THURSDAY NIGHT ON LOVE ISLAND...THE 899 00:42:56,600 --> 00:43:03,670 NEW GIRLS TURN UP THE HE HEAT. 900 00:43:03,700 --> 00:43:05,700 AND A DRAMATIC RECOUPLING WILL CHANGE EVERYTHING.