1 00:00:03,300 --> 00:00:05,230 >> PREVIOUSLY ON LOVE ISLAND. 2 00:00:05,233 --> 00:00:08,833 >> I GOT MY MIND MADE UP. 3 00:00:08,833 --> 00:00:11,633 >> THE FIRST RECOUPLING. 4 00:00:11,633 --> 00:00:13,533 >> GIRL, I WANT TO COUPLE UP 5 00:00:13,533 --> 00:00:18,033 WITH IS‐‐ JUSTINE. 6 00:00:18,033 --> 00:00:20,033 >> THE ISLANDERS SAID GOOD‐BYE. 7 00:00:20,033 --> 00:00:21,833 >> I WILL MISS HER A LOT. 8 00:00:21,833 --> 00:00:23,633 >> LOVE YOU. 9 00:00:23,633 --> 00:00:29,373 >> AND THEN BRING ON THE BOYS. 10 00:00:29,366 --> 00:00:32,066 >> AND THEN HELLO TO TWO NEW 11 00:00:32,066 --> 00:00:32,596 BOYS. 12 00:00:32,600 --> 00:00:34,570 >> OH MY GOD, HE GOT ME A LITTLE 13 00:00:34,566 --> 00:00:34,896 HOT. 14 00:00:34,900 --> 00:00:37,330 >> THE FIRST NIGHT AS A COUPLE. 15 00:00:37,333 --> 00:00:38,633 >> KEEP YOUR OPTIONS OPEN. 16 00:00:38,633 --> 00:00:39,333 >> I'M NOT HAPPY. 17 00:00:39,333 --> 00:00:41,073 >> YOU ARE SO CUTE. 18 00:00:41,066 --> 00:00:42,366 >> LAY IT ON ME. 19 00:00:42,366 --> 00:00:43,326 >> HOW WOULD YOU FEEL. 20 00:00:43,333 --> 00:00:44,033 >> IT WOULD BE A SLAP IN THE 21 00:00:44,033 --> 00:00:44,603 FACE. 22 00:00:44,600 --> 00:00:45,770 >> WOULD YOU LOOK AT HER 23 00:00:45,766 --> 00:00:46,526 DIFFERENT. 24 00:00:46,533 --> 00:00:47,373 >> YEAH, 100 PERCENT. 25 00:00:47,366 --> 00:00:48,766 >> FROM DAY ONE I HAVE POURED 26 00:00:48,766 --> 00:00:49,996 EVERYTHING I GOT IN HER, AND SHE 27 00:00:50,000 --> 00:00:51,630 IS GOING TO THROW ALL THAT OUT 28 00:00:51,633 --> 00:00:58,773 OVER SOME DUDE FOR A DAY? 29 00:00:58,766 --> 00:01:00,166 >> OH MY GOSH. 30 00:01:00,166 --> 00:01:01,326 >> SHE GOING STRAIGHT TO HIM. 31 00:01:01,333 --> 00:01:05,033 >> THE PRESSURE. 32 00:01:05,033 --> 00:01:06,803 >> ARE YOU ANY OF THEM. 33 00:01:06,800 --> 00:01:08,500 >> AM I GOING TO COMPETE. 34 00:01:08,500 --> 00:01:10,130 >> IS STARTING TO SHOW. 35 00:01:10,133 --> 00:01:17,533 >> JUST STAY COOL. 36 00:01:17,533 --> 00:01:19,733 >> WHAT IS YOUR PROBLEM. 37 00:01:19,733 --> 00:01:21,003 >> WHAT IS SHE DOING? 38 00:01:21,000 --> 00:01:22,500 >> YOU GUYS WANT DRAMA I 39 00:01:22,500 --> 00:01:27,470 WILL SHOW YOU DRAMA. 40 00:01:27,733 --> 00:01:40,003 >> 41 00:01:40,000 --> 00:01:43,600 ♪ WELCOME TO LOVE ISLAND. 42 00:01:43,600 --> 00:01:46,800 I'M WEARING OVEN MITS BECAUSE 43 00:01:46,800 --> 00:01:48,370 TONIGHT'S EPISODE IS A SIZZLING 44 00:01:48,366 --> 00:01:50,566 SKILLET OF STEAMING ISLAND 45 00:01:50,566 --> 00:01:51,526 FAJITAS. 46 00:01:51,533 --> 00:01:52,973 >> RACHEL WAS INVITED ON A DATE 47 00:01:52,966 --> 00:01:55,426 WITH NEW ISLANDER CALEB. 48 00:01:55,433 --> 00:01:56,733 >> ARE YOU DOWN FOR A NIGHT CAP? 49 00:01:56,733 --> 00:02:02,673 IL HE BE WAITING FOR YOU, CALEB. 50 00:02:02,666 --> 00:02:06,266 >> AND CARRINGTON‐‐ WAS TOLD 51 00:02:06,266 --> 00:02:08,296 DON'T WAIT UP BRO FOR KEERS STEN 52 00:02:08,300 --> 00:02:10,730 WHO IS GOING ON HER SECOND DATE 53 00:02:10,733 --> 00:02:13,533 OF THE NIGHT WITH NEW BOY 54 00:02:13,533 --> 00:02:14,103 CALVIN. 55 00:02:14,100 --> 00:02:16,030 >> NO NEED TO WAIT UP. 56 00:02:16,033 --> 00:02:17,473 >> DUDE, SHE'S GOING TO BE 57 00:02:17,466 --> 00:02:18,696 SLEEPING IN MY BED TONIGHT SO 58 00:02:18,700 --> 00:02:20,570 HAVE FUN TAKING HER ON A DATE. 59 00:02:20,566 --> 00:02:22,596 HAVE FUN WASTING YOUR TIME CUZ 60 00:02:22,600 --> 00:02:24,200 SHE'S COMING BACK HOME WITH ME. 61 00:02:24,200 --> 00:02:25,600 >> AT THIS POINT, BRING IT ON. 62 00:02:25,600 --> 00:02:26,870 >> HE JUST DECLARED WAR. 63 00:02:26,866 --> 00:02:27,826 >> OH MY GOSH. 64 00:02:27,833 --> 00:02:29,073 ALL RIGHT. 65 00:02:29,066 --> 00:02:30,996 >> I PROMISE I WON'T COME BACK 66 00:02:31,000 --> 00:02:31,630 HOLDING HANDS. 67 00:02:31,633 --> 00:02:32,073 >> I HOPE NOT. 68 00:02:32,066 --> 00:02:34,826 >> I WON'T DO THAT TO YOU. 69 00:02:34,833 --> 00:02:36,273 >> NO. 70 00:02:36,266 --> 00:02:38,196 >> GOOD LUCK. 71 00:02:38,200 --> 00:02:38,600 >> WATCH YOURSELF. 72 00:02:38,600 --> 00:02:40,270 >> HE HAS EVERY RIGHT, YOU AIN'T 73 00:02:40,266 --> 00:02:41,226 GIRLFRIEND AND BOYFRIEND, YOU 74 00:02:41,233 --> 00:02:42,773 KNOW WHAT I AM SAYING, WE ARE 75 00:02:42,766 --> 00:02:44,026 TAKING IT SLOW. 76 00:02:44,033 --> 00:02:45,273 WE AT A GOOD PACE AND I FEEL 77 00:02:45,266 --> 00:02:47,726 LIKE SHE FEEL THE SAME WAY. 78 00:02:47,733 --> 00:02:49,633 SO WE JUST SEE HOW IT GO WHEN 79 00:02:49,633 --> 00:02:50,403 SHE COME BACK. 80 00:02:50,400 --> 00:02:52,600 >> ALL I'M SAYING IS Y'ALL 81 00:02:52,600 --> 00:03:01,030 SHOULDN'T WORRY, BRO. 82 00:03:01,033 --> 00:03:05,733 KERS TEN WAS INVITED ON A DATE 83 00:03:05,733 --> 00:03:07,073 WITH CALVIN. 84 00:03:07,066 --> 00:03:07,766 >> COME ON. 85 00:03:07,766 --> 00:03:10,096 >> THANK YOU. 86 00:03:10,100 --> 00:03:11,330 >> OF COURSE. 87 00:03:11,333 --> 00:03:13,933 >> SO WHAT IS YOUR NAME. 88 00:03:13,933 --> 00:03:15,433 >> CALVIN. 89 00:03:15,433 --> 00:03:16,903 >> I'M KIRSTEN, GREAT TO MEET 90 00:03:16,900 --> 00:03:17,830 YOU. 91 00:03:17,833 --> 00:03:18,873 >> AUSTIN, AUSTIN TEXAS. 92 00:03:18,866 --> 00:03:19,796 >> I KEEP FORGETTING YOU ALREADY 93 00:03:19,800 --> 00:03:21,300 KNOW THINGS ABOUT MAY. 94 00:03:21,300 --> 00:03:22,200 >> I'M FROM HOUSTON. 95 00:03:22,200 --> 00:03:23,500 >> ANOTHER TEXAS PERSON. 96 00:03:23,500 --> 00:03:25,600 I HAVE BEEN WAITING, I'VE BEEN 97 00:03:25,600 --> 00:03:26,530 HOPING. 98 00:03:26,533 --> 00:03:27,503 >> HERE'S. 99 00:03:27,500 --> 00:03:27,970 >> TO. 100 00:03:27,966 --> 00:03:28,496 >> TEXTANS. 101 00:03:28,500 --> 00:03:34,530 >> THAT'S IT. 102 00:03:34,533 --> 00:03:36,433 YO, I'M CALEB. 103 00:03:36,433 --> 00:03:38,533 >> NICE TO MEET YOU, I'M RACHEL. 104 00:03:38,533 --> 00:03:39,073 >> HOW ARE YOU? 105 00:03:39,066 --> 00:03:40,926 >> I'M DOING WELL, HOW ARE YOU. 106 00:03:40,933 --> 00:03:42,533 >> GOOD, I'M GOOD. 107 00:03:42,533 --> 00:03:43,503 >> I'M SUPER EXCITED. 108 00:03:43,500 --> 00:03:44,770 >> OH GOOD, ME TOO. 109 00:03:44,766 --> 00:03:45,426 >> ARE YOU. 110 00:03:45,433 --> 00:03:46,433 >> OH YEAH. 111 00:03:46,433 --> 00:03:47,433 >> I WANT TO GET TO KNOW YOU A 112 00:03:47,433 --> 00:03:48,133 LITTLE BIT. 113 00:03:48,133 --> 00:03:48,403 >> YEAH. 114 00:03:48,400 --> 00:03:49,400 >> ARE YOU HAVING FUN HERE. 115 00:03:49,400 --> 00:03:50,470 >> YEAH, SO FAR. 116 00:03:50,466 --> 00:03:54,466 IT HAS BEEN KIND OF INSANE. 117 00:03:54,466 --> 00:03:56,366 >> I WANT TO GET TO KNOW YOU, 118 00:03:56,366 --> 00:03:57,766 HONESTLY, I WANT TO GIVE YOU A 119 00:03:57,766 --> 00:03:58,496 FAIR SHOT. 120 00:03:58,500 --> 00:03:59,600 I WANT TO BE TRANSPARENT WITH 121 00:03:59,600 --> 00:04:00,070 YOU. 122 00:04:00,066 --> 00:04:01,366 IT HAS BEEN REALLY GOOD WITH 123 00:04:01,366 --> 00:04:02,666 JEREMIAH SO IT WILL TAKE A LOT 124 00:04:02,666 --> 00:04:04,926 TO KIND OF TURN MY HEAD 125 00:04:04,933 --> 00:04:06,373 BECAUSE. 126 00:04:06,366 --> 00:04:08,996 >> I'M NOT WORRIED ABOUT ALL OF 127 00:04:09,000 --> 00:04:10,370 THAT I JUST WANT TO GET A FEEL 128 00:04:10,366 --> 00:04:12,326 FOR YOU, YOU KNOW WHAT I AM 129 00:04:12,333 --> 00:04:12,573 SAYING. 130 00:04:12,566 --> 00:04:13,796 I SEE YOU ARE CONNECTED WITH 131 00:04:13,800 --> 00:04:17,630 THIS GUY FOR A COUPLE OF DAYS. 132 00:04:17,633 --> 00:04:19,473 >> I WILL SAY RESPECT AND TRUST, 133 00:04:19,466 --> 00:04:20,296 OKAY. 134 00:04:20,300 --> 00:04:21,600 >> I'M SUPERUP FRONT PERSON. 135 00:04:21,600 --> 00:04:24,300 WILL YOU KNOW EXACTLY WHERE I 136 00:04:24,300 --> 00:04:24,970 STAND. 137 00:04:24,966 --> 00:04:26,896 >> OKAY, KEEP TALKING. 138 00:04:26,900 --> 00:04:28,430 >> I'M GOING IN A LITTLE BLIND 139 00:04:28,433 --> 00:04:29,533 SO IN TERMS OF WHERE YOU ARE AT 140 00:04:29,533 --> 00:04:32,403 IN THE VILLA, RELATIONSHIP, 141 00:04:32,400 --> 00:04:34,130 COUPLE, I GET IT, YOU COUPLED UP 142 00:04:34,133 --> 00:04:35,003 AND STUFF LIKE THAT. 143 00:04:35,000 --> 00:04:37,570 IN TERMS OF, THAT DOESN'T REALLY 144 00:04:37,566 --> 00:04:40,426 WORRY ME AT ALL BUT MOVING 145 00:04:40,433 --> 00:04:41,773 FORWARD, ARE YOU, WOULD YOU SAY 146 00:04:41,766 --> 00:04:44,796 KIND OF LIKE, WOULDN'T BE OPEN 147 00:04:44,800 --> 00:04:47,230 TO. 148 00:04:47,233 --> 00:04:52,203 >> WHEN I AM'S TANNING, WHEN 149 00:04:52,200 --> 00:04:53,100 SWIM TOGETHER. 150 00:04:53,100 --> 00:04:53,900 >> WE'LL GET IT GOING. 151 00:04:53,900 --> 00:04:55,530 >> STOP IT. 152 00:04:55,533 --> 00:04:58,003 >> WHILE CALVIN AND KIRSTEN KEEP 153 00:04:58,000 --> 00:04:59,470 WINING AND DINING, CARRINGTON 154 00:04:59,466 --> 00:05:01,196 JUST STICKS TO WINING. 155 00:05:01,200 --> 00:05:02,470 >> NO, I'M GOOD. 156 00:05:02,466 --> 00:05:03,326 I'M NOT STRESSED. 157 00:05:03,333 --> 00:05:04,173 >> YOU GOOD. 158 00:05:04,166 --> 00:05:07,266 >> I'M NOT STRESSED, I'M NOT 159 00:05:07,266 --> 00:05:07,626 WORRIED. 160 00:05:07,633 --> 00:05:08,973 HE TOOK MY SPECIAL NIGHT AWAY 161 00:05:08,966 --> 00:05:12,966 FROM ME SO I'M KIND OF PISSED. 162 00:05:12,966 --> 00:05:13,596 >> THE ONLY PERSON THAT CAN RUIN 163 00:05:13,600 --> 00:05:14,130 THIS, IT IS YOU. 164 00:05:14,133 --> 00:05:14,603 >> THAT'S IT. 165 00:05:14,600 --> 00:05:17,000 >> IT IS OKAY TO BE MAD BUT YOU 166 00:05:17,000 --> 00:05:18,700 THE LAST DUDE SHE GETS TO SEE 167 00:05:18,700 --> 00:05:19,300 TONIGHT. 168 00:05:19,300 --> 00:05:19,570 >> YEAH. 169 00:05:19,566 --> 00:05:20,966 >> YOU GET TO KISS ON HER, YOU 170 00:05:20,966 --> 00:05:22,166 GET TO DO ALL THAT. 171 00:05:22,166 --> 00:05:23,826 YOU DON'T GET TO THEY DON'T GET 172 00:05:23,833 --> 00:05:27,803 TO DO ANY MUCH THAT. 173 00:05:27,800 --> 00:05:29,070 >> WHITE WINE. 174 00:05:29,066 --> 00:05:30,166 >> ARE YOU GOING TO TAKE THE 175 00:05:30,166 --> 00:05:31,126 LEAD. 176 00:05:31,133 --> 00:05:33,473 >> A LITTLE BIT OR A LOT A BIT. 177 00:05:33,466 --> 00:05:34,426 >> PROBABLY A LOT OF BIT, I LIKE 178 00:05:34,433 --> 00:05:35,833 TO CALL THE SHOTS, NOT GOING TO 179 00:05:35,833 --> 00:05:36,103 LIE. 180 00:05:36,100 --> 00:05:37,270 >> I LIKE THAT. 181 00:05:37,266 --> 00:05:38,666 >> THAT IS VERY ATTRACTIVE. 182 00:05:38,666 --> 00:05:39,496 >> I'M A YES MAN. 183 00:05:39,500 --> 00:05:41,900 >> SO YOU ARE COOL WITH 184 00:05:41,900 --> 00:05:42,470 LIKE‐‐ OKAY, WELL, IF ANYONE 185 00:05:42,466 --> 00:05:44,366 TAKES THE LEAD, OKAY, GOT YOU. 186 00:05:44,366 --> 00:05:47,026 >> LET'S CHEERS TO A GOOD FIRST 187 00:05:47,033 --> 00:05:47,333 DATE. 188 00:05:47,333 --> 00:05:48,533 I'M LOOKING FORWARD TO ET GOING 189 00:05:48,533 --> 00:05:49,773 TO KNOW YOU MORE. 190 00:05:49,766 --> 00:05:50,366 >> YEAH. 191 00:05:50,366 --> 00:05:51,366 >> WE'LL SEE WHERE IT GOES. 192 00:05:51,366 --> 00:05:57,126 >> ALL RIGHT, CHEESIER. 193 00:05:57,133 --> 00:05:58,033 ‐‐ CHEERS. 194 00:05:58,033 --> 00:05:59,973 OBVIOUSLY I HAVE CHOSEN A 195 00:05:59,966 --> 00:06:00,596 BEAUTIFUL. 196 00:06:00,600 --> 00:06:01,830 >> WHY DID YOU PICK ME. 197 00:06:01,833 --> 00:06:04,603 >> YOU'RE SPUNKY, YOU'RE SAS 198 00:06:04,600 --> 00:06:05,530 EEVMENT YOU HAVE A LITTLE FIRE 199 00:06:05,533 --> 00:06:05,973 THAT. 200 00:06:05,966 --> 00:06:07,396 >> GOING TO SAY WHATEVER I AM 201 00:06:07,400 --> 00:06:07,730 FEELING. 202 00:06:07,733 --> 00:06:09,073 >> IT'S OKAY, OWN T YOU GOT TO 203 00:06:09,066 --> 00:06:09,926 OWN THAT. 204 00:06:09,933 --> 00:06:10,703 >> I DO OWN IT. 205 00:06:10,700 --> 00:06:12,500 >> THAT IS WHY I CHOSE YOU. 206 00:06:12,500 --> 00:06:14,430 >> WHAT IS YOUR TYPE? 207 00:06:14,433 --> 00:06:16,573 >> FOR ME, IT IS OBVIOUSLY THERE 208 00:06:16,566 --> 00:06:18,426 NEEDS TO BE A PHYSICAL 209 00:06:18,433 --> 00:06:20,203 ATTRACTION BUT THAT PERSONALITY, 210 00:06:20,200 --> 00:06:22,430 YOU KNOW, SOMEONE THAT CAN BE A 211 00:06:22,433 --> 00:06:23,873 FRIEND FOR THE LONG‐TERM. 212 00:06:23,866 --> 00:06:25,226 >> I FEEL LIKE EVERYONE IN THE 213 00:06:25,233 --> 00:06:26,173 VILLAGE WILL LOVE YOU. 214 00:06:26,166 --> 00:06:28,766 >> SEE IF THEY CAN HANDLE TWO 215 00:06:28,766 --> 00:06:31,196 SASSY TEXANS IN THERE. 216 00:06:31,200 --> 00:06:34,630 >> CHEERS TO THAT, CHEERS TO THE 217 00:06:34,633 --> 00:06:35,173 SAS. 218 00:06:35,166 --> 00:06:36,966 >> AFTER GETTING LOST ON THE 219 00:06:36,966 --> 00:06:38,766 CASINO FLOOR FOR NINE HOURS, 220 00:06:38,766 --> 00:06:41,326 MOIRA RETURNS PASSING THE 221 00:06:41,333 --> 00:06:43,773 JUDGEMENTAL NEON HEART TO A 222 00:06:43,766 --> 00:06:45,626 GOSSIP OF NERVOUS HUNKS. 223 00:06:45,633 --> 00:06:47,273 >> SHOULD I BE UPSET IF SHE GOES 224 00:06:47,266 --> 00:06:48,626 STRAIGHT TO THE GIRLS OR 225 00:06:48,633 --> 00:06:49,073 SOMETHING. 226 00:06:49,066 --> 00:06:49,296 >> YES. 227 00:06:49,300 --> 00:06:50,330 >> IF SHE DOESN'T COME OVER AND 228 00:06:50,333 --> 00:06:50,773 TALK. 229 00:06:50,766 --> 00:06:52,466 >> YOU DON'T SAY NOTHING, BRO. 230 00:06:52,466 --> 00:06:55,826 >> LET'S GO GET‐‐ HI. 231 00:06:55,833 --> 00:06:58,473 >> TELL US ABOUT IT. 232 00:06:58,466 --> 00:07:00,426 >> WE SHOULD ALL COME TOGETHER. 233 00:07:00,433 --> 00:07:01,073 >> WHAT DID HE LOOK LIKE. 234 00:07:01,066 --> 00:07:01,566 >> WHO. 235 00:07:01,566 --> 00:07:04,026 >> YOUR DATE. 236 00:07:04,033 --> 00:07:05,033 >> WE WANT TO KNOW. 237 00:07:05,033 --> 00:07:06,873 >> WE HAVE BEEN SITTING HERE 238 00:07:06,866 --> 00:07:07,196 WAITING. 239 00:07:07,200 --> 00:07:10,070 >> ALL RIGHT, LET'S TAKE A SEAT. 240 00:07:10,066 --> 00:07:11,596 I DON'T KNOW, I FEEL LIKE YOU 241 00:07:11,600 --> 00:07:13,500 WILL HAVE A LOT OF QUESTIONS. 242 00:07:13,500 --> 00:07:14,670 >> HELL YA. 243 00:07:14,666 --> 00:07:15,666 >> SO COME ON. 244 00:07:15,666 --> 00:07:16,996 >> IS THE MAN HANDSOME BECAUSE 245 00:07:17,000 --> 00:07:18,930 MY GIRL SON A DATE WITH BOTH OF 246 00:07:18,933 --> 00:07:19,273 THEM. 247 00:07:19,266 --> 00:07:20,766 >> HOW DID YOU KNOW THAT. 248 00:07:20,766 --> 00:07:22,766 >> BECAUSE THE DUDE SAID HEY 249 00:07:22,766 --> 00:07:23,166 DUDE. 250 00:07:23,166 --> 00:07:25,526 >> HEY DUDE, SHE WON'T BE BACK. 251 00:07:25,533 --> 00:07:26,903 >> TALK US TO, TELL US. 252 00:07:26,900 --> 00:07:28,600 >> OKAY, SO THERE ARE TWO GUYS 253 00:07:28,600 --> 00:07:30,730 AND WE WENT ON A DATE WITH THEM. 254 00:07:30,733 --> 00:07:33,373 >> LIKE DOUBLE, NO. 255 00:07:33,366 --> 00:07:34,066 >> ONE‐ON‐ONE. 256 00:07:34,066 --> 00:07:35,926 >> SO I WENT ON A DATE WITH 257 00:07:35,933 --> 00:07:36,333 CALVIN. 258 00:07:36,333 --> 00:07:38,333 >> HOW DID HE LOOK. 259 00:07:38,333 --> 00:07:39,273 >> THEY'RE GOOD LOOKING. 260 00:07:39,266 --> 00:07:42,026 >> WAS HE BIG, TALL, EXPLAIN A 261 00:07:42,033 --> 00:07:44,703 LITTLE MORE. 262 00:07:44,700 --> 00:07:46,670 >> CALVIN WAS IN FITNESS, I 263 00:07:46,666 --> 00:07:49,866 THINK, WHICH IS IRONIC. 264 00:07:49,866 --> 00:07:51,166 >> DOES HE LOOK LIKE ME? 265 00:07:51,166 --> 00:07:52,796 >> NO, NO, NO, NO. 266 00:07:52,800 --> 00:07:54,500 HE IS IN GOOD SHAPE. 267 00:07:54,500 --> 00:07:56,330 HE SAID HE PICKED ME BECAUSE HE 268 00:07:56,333 --> 00:07:58,433 THOUGHT I WAS JUST LIKE. 269 00:07:58,433 --> 00:07:59,773 >> DID HE SAY ANYTHING ABOUT ME. 270 00:07:59,766 --> 00:08:00,966 >> HE WAS NERVOUS. 271 00:08:00,966 --> 00:08:01,796 >> YEAH, HE MENTIONED YOU. 272 00:08:01,800 --> 00:08:02,970 >> WHAT DID HE SAY? 273 00:08:02,966 --> 00:08:07,926 >> THAT LIKE WE MADE OUT A LOT. 274 00:08:07,933 --> 00:08:10,273 >> HOW DOES THAT MAKE YOU FEEL. 275 00:08:10,266 --> 00:08:12,126 >> CAN I PULL YOU ASIDE AND. 276 00:08:12,133 --> 00:08:12,833 >> YEAH. 277 00:08:12,833 --> 00:08:15,103 >> ONE SECOND, ONE SECOND. 278 00:08:15,100 --> 00:08:16,500 I WILL BE RIGHT BACK. 279 00:08:16,500 --> 00:08:17,600 >> OKAY, YOU HAVE TO GO TO THE 280 00:08:17,600 --> 00:08:18,500 BATHROOM. 281 00:08:18,500 --> 00:08:21,100 >> YEAH, YEAH. 282 00:08:21,100 --> 00:08:23,470 >> IT WILL BE ALL RIGHT. 283 00:08:23,466 --> 00:08:25,496 >> I'M PRETTY OUTGOING, PRETTY 284 00:08:25,500 --> 00:08:26,870 FUNNY, PRETTY POSITIVE AND ME 285 00:08:26,866 --> 00:08:29,126 AND MOIRA DO HAVE SOMETHING 286 00:08:29,133 --> 00:08:29,433 SPECIAL. 287 00:08:29,433 --> 00:08:30,773 HE HAS TO BE TEN TIMES BETTER 288 00:08:30,766 --> 00:08:31,626 THAN ME. 289 00:08:31,633 --> 00:08:34,273 AD I DON'T SEE THAT HAPPENING. 290 00:08:34,266 --> 00:08:36,426 >> OR JUST MARGINALLY TIMES 291 00:08:36,433 --> 00:08:37,133 BETTER. 292 00:08:37,133 --> 00:08:38,073 >> CAN I TALK TO YOU FOR A 293 00:08:38,066 --> 00:08:38,566 SECOND. 294 00:08:38,566 --> 00:08:41,666 >> YEAH, YEAH, COME ON UP. 295 00:08:41,666 --> 00:08:42,966 >> OKAY. 296 00:08:42,966 --> 00:08:44,366 SORRY, I WAS ABOUT TO GO FIND 297 00:08:44,366 --> 00:08:48,126 YOU. 298 00:08:48,133 --> 00:08:49,503 >> I CAN'T HIDE MYSELF. 299 00:08:49,500 --> 00:08:50,100 >> OH NO. 300 00:08:50,100 --> 00:08:51,630 WHERE IS MACKENZIE. 301 00:08:51,633 --> 00:08:53,633 >> SHE IS TALKING WITH MOIRA. 302 00:08:53,633 --> 00:08:53,873 >> OH. 303 00:08:53,866 --> 00:08:55,726 >> JUST UP TOP. 304 00:08:55,733 --> 00:09:02,373 >> I FEEL WAY BETTER NOW. 305 00:09:02,366 --> 00:09:05,266 >> CALVIN, 5, 11, FRECKLES, LIKE 306 00:09:05,266 --> 00:09:08,066 GREATEST SMILE EVER, 25 YEARS 307 00:09:08,066 --> 00:09:08,426 OLD. 308 00:09:08,433 --> 00:09:11,833 HE WAS JUST LIKE SO, LIKE, SO 309 00:09:11,833 --> 00:09:14,933 SASSY, SO FLIRTY, SO EVERYTHING 310 00:09:14,933 --> 00:09:19,533 THAT I, HONESTLY‐‐ SEE IN I AM 311 00:09:19,533 --> 00:09:22,633 ALWAYS TRYING TO LOOK TO GET TO 312 00:09:22,633 --> 00:09:25,703 KNOW THE‐‐ THE CALM AND CHILL SO 313 00:09:25,700 --> 00:09:28,530 I TOLD CALVIN HONESTLY, MY HEAD 314 00:09:28,533 --> 00:09:31,903 IS TURNING BUT I DID, ENDED UP, 315 00:09:31,900 --> 00:09:35,070 THE CONVERSATION WAS LIKE SO I 316 00:09:35,066 --> 00:09:37,696 WOULD BE VERY INTERESTED. 317 00:09:37,700 --> 00:09:40,600 IF YOU PULLED ME ASIDE AND 318 00:09:40,600 --> 00:09:41,170 TALKED. 319 00:09:41,166 --> 00:09:42,996 >> I AM GOING TO BE REAL WITH 320 00:09:43,000 --> 00:09:44,830 YOU, KEEP IT 100. 321 00:09:44,833 --> 00:09:46,903 AS MUCH AS I LOVE JAMES AND I 322 00:09:46,900 --> 00:09:50,030 LOVE YOU, IT'S NOT 323 00:09:50,033 --> 00:09:51,033 ‐‐ PERFECT IN EVERY WAY. 324 00:09:51,033 --> 00:09:52,833 AND WHO KNOWS. 325 00:09:52,833 --> 00:09:54,133 MAYBE WE'LL GET TO KNOW THIS GUY 326 00:09:54,133 --> 00:09:58,933 AND MAYBE IT‐‐ BE DIFFERENT. 327 00:09:58,933 --> 00:10:00,373 >> MI SO FRIGGIN' BAD. 328 00:10:00,366 --> 00:10:01,766 >> IT IS NOT LIKE ARE YOU 329 00:10:01,766 --> 00:10:02,826 BOYFRIEND AND GIRLFRIEND. 330 00:10:02,833 --> 00:10:03,373 >> YEAH. 331 00:10:03,366 --> 00:10:04,496 >> YOU KNOW, THERE ARE OTHER 332 00:10:04,500 --> 00:10:06,100 GUYS GIVING YOU THAT KIND OF 333 00:10:06,100 --> 00:10:07,730 ATTENTION THAT IS A LITTLE BIT 334 00:10:07,733 --> 00:10:10,473 MORE LIKE, LIKE CHILL, WHICH IS 335 00:10:10,466 --> 00:10:11,466 WHO I AM. 336 00:10:11,466 --> 00:10:14,396 >> I THINK YOU ARE A GIRL WHO IS 337 00:10:14,400 --> 00:10:15,970 VERY INTENT WITH HER FEELINGS 338 00:10:15,966 --> 00:10:17,666 AND YOU KNOW WHO YOU ARE AND YOU 339 00:10:17,666 --> 00:10:19,266 UNDERSTAND THAT. 340 00:10:19,266 --> 00:10:22,526 VERSUS IS HE MORE THE TYPE THAT 341 00:10:22,533 --> 00:10:24,773 HE MIGHT SEE THEM BUT HE REALLY 342 00:10:24,766 --> 00:10:26,426 JUST WANTS TO ALMOST PRETEND 343 00:10:26,433 --> 00:10:28,003 LIKE THEY'RE NOT THERE AND MOVE 344 00:10:28,000 --> 00:10:28,730 FORWARD. 345 00:10:28,733 --> 00:10:31,533 >> WHAT SHOULD I‐‐ SHOULD I SAY 346 00:10:31,533 --> 00:10:33,003 ANYTHING MORE TO JAMES? 347 00:10:33,000 --> 00:10:34,030 >> IT IS UP TO YOU. 348 00:10:34,033 --> 00:10:37,303 I MEAN I THINK THAT'S GOOD. 349 00:10:37,300 --> 00:10:38,730 WOULDN'T YOU KNOW TO KNOW IF 350 00:10:38,733 --> 00:10:39,833 JAMES' DATE WALKED IN. 351 00:10:39,833 --> 00:10:41,673 >> I WOULD, RIGHT, THAT IS WHAT 352 00:10:41,666 --> 00:10:45,126 I WANT TO SAY. 353 00:10:45,133 --> 00:10:47,273 >> I STILL WANT TO HAVE A TALK 354 00:10:47,266 --> 00:10:48,196 WITH JAMES. 355 00:10:48,200 --> 00:10:50,170 AND I MEAN I COULDN'T EVEN 356 00:10:50,166 --> 00:10:51,496 IMAGINE BEING IN HIS POSITION 357 00:10:51,500 --> 00:10:53,500 RIGHT NOW, BEING IN HIS SHOES AM 358 00:10:53,500 --> 00:10:55,330 I DO WANT TO TELL HIM THE TRUTH. 359 00:10:55,333 --> 00:10:56,933 I WANT TO TELL HIM THAT CALVIN 360 00:10:56,933 --> 00:10:57,803 IS MY TYPE. 361 00:10:57,800 --> 00:10:59,670 THAT BEING SAID, YOU KNOW, I 362 00:10:59,666 --> 00:11:01,926 HAVE TO CONTINUE TO FOLLOW MY 363 00:11:01,933 --> 00:11:02,903 HEART AND I DON'T KNOW WHERE 364 00:11:02,900 --> 00:11:06,000 THAT IS GOING TO TAKE ME. 365 00:11:06,000 --> 00:11:07,170 >> I DON'T EVEN KNOW HOW WE 366 00:11:07,166 --> 00:11:12,396 COULD HAVE‐‐ ARE YOU KIDDING ME? 367 00:11:12,400 --> 00:11:13,800 >> OUT OF EVERYTHING. 368 00:11:13,800 --> 00:11:15,870 >> YOU ARE GORGEOUS, ARE YOU 369 00:11:15,866 --> 00:11:17,596 KIND, ARE YOU FUNNY. 370 00:11:17,600 --> 00:11:19,370 >> I DON'T EVEN KNOW. 371 00:11:19,366 --> 00:11:23,426 >> I THINK THAT YOU GUYS CAN 372 00:11:23,433 --> 00:11:24,033 CHAT. 373 00:11:24,033 --> 00:11:27,133 >> DO YOU WANT TO GO FOR A CHAT? 374 00:11:27,133 --> 00:11:28,073 >> I DO. 375 00:11:28,066 --> 00:11:29,366 OVER HERE. 376 00:11:29,366 --> 00:11:30,566 >> YEAH. 377 00:11:30,566 --> 00:11:34,566 >> OVER HERE. 378 00:11:34,566 --> 00:11:40,196 >> THAT COULD BE US NEXT. 379 00:11:40,200 --> 00:11:41,170 >> IT COULD. 380 00:11:41,166 --> 00:11:42,096 >> BECAUSE HE WAS SURE AS HELL 381 00:11:42,100 --> 00:11:43,830 THAT HE WAS LIKE, I'M NOT 382 00:11:43,833 --> 00:11:44,473 WORRIED AT ALL. 383 00:11:44,466 --> 00:11:45,166 AND NOW LOOK. 384 00:11:45,166 --> 00:11:46,266 YOU KNOW? 385 00:11:46,266 --> 00:11:47,166 >> GOOD NEWS? 386 00:11:47,166 --> 00:11:52,696 >> BAD NEWS? FUN NEWS. 387 00:11:52,700 --> 00:11:54,470 >> WHAT IS THAT SMIRK ABOUT. 388 00:11:54,466 --> 00:11:57,466 NEW, NEW SMILE YOU HAVE ON YOU. 389 00:11:57,466 --> 00:12:00,626 IS IT NEW? 390 00:12:00,633 --> 00:12:01,233 YEAH. 391 00:12:01,233 --> 00:12:02,103 >> HOW IS IT GOING. 392 00:12:02,100 --> 00:12:03,100 >> GOOD. 393 00:12:03,100 --> 00:12:04,000 >> HOW WAS YOUR TIME? 394 00:12:04,000 --> 00:12:04,870 >> IT WAS GOOD. 395 00:12:04,866 --> 00:12:09,296 I MEAN WE DIDN'T HAVE TOO MUCH 396 00:12:09,300 --> 00:12:09,600 TIME. 397 00:12:09,600 --> 00:12:12,130 >> DID YOU FEEL ANYTHING? 398 00:12:12,133 --> 00:12:13,603 >> I MEAN, YEAH, I GOT TO BE 399 00:12:13,600 --> 00:12:14,870 REAL WITH YOU, THAT IS WHY I 400 00:12:14,866 --> 00:12:16,366 WANTED TO HAVE A CHAT. 401 00:12:16,366 --> 00:12:18,066 HE WAS MY TYPE. 402 00:12:18,066 --> 00:12:20,566 YOU KNOW I TOLD HIM EVERYTHING. 403 00:12:20,566 --> 00:12:24,126 I AM IN HERE WITH YOU, FOR YOU. 404 00:12:24,133 --> 00:12:24,673 >> UH‐HUH. 405 00:12:24,666 --> 00:12:25,996 >> I WAS UP FRONT AND HONEST 406 00:12:26,000 --> 00:12:28,370 ABOUT THAT, BUT THAT BEING SAID, 407 00:12:28,366 --> 00:12:30,026 LIKE YOU KNOW, I DIDN'T WANT TO 408 00:12:30,033 --> 00:12:32,233 BLIND SIDE YOU WHEN HE COMES IN. 409 00:12:32,233 --> 00:12:33,433 HE IS MY TYPE. 410 00:12:33,433 --> 00:12:34,773 >> ARE YOU GOING TO TRY TO GET 411 00:12:34,766 --> 00:12:35,996 TO KNOW HIM MORE? 412 00:12:36,000 --> 00:12:37,730 >> I MEAN HE IS IN HERE TO GET 413 00:12:37,733 --> 00:12:38,173 TO KNOW EVERYBODY. 414 00:12:38,166 --> 00:12:39,696 >> THAT IS WHAT I AM SAYING, YOU 415 00:12:39,700 --> 00:12:40,730 ABOUT YOU KNOW. 416 00:12:40,733 --> 00:12:42,203 >> LIKE IF HE PULLS ME ASIDE FOR 417 00:12:42,200 --> 00:12:44,500 A CHAT, LIKE I WON'T SAY NO TO 418 00:12:44,500 --> 00:12:44,800 THAT. 419 00:12:44,800 --> 00:12:46,430 >> ARE YOU GOING TO STOP BEING 420 00:12:46,433 --> 00:12:48,533 ALL LOVEY DOVEE AROUND ME 421 00:12:48,533 --> 00:12:50,473 BECAUSE HE'S HERE? 422 00:12:50,466 --> 00:12:51,896 WOULD YOU NOT MAKE‐‐ ARE YOU 423 00:12:51,900 --> 00:12:53,200 GOING TO GO SLOWER WITH ME 424 00:12:53,200 --> 00:12:56,600 BECAUSE HE'S NEXT TO YOU? 425 00:12:56,600 --> 00:13:00,400 >> HONESTLY, HE'S LIKE HERE 426 00:13:00,400 --> 00:13:01,130 FOR‐‐ HE HASN'T EVEN COME IN. 427 00:13:01,133 --> 00:13:02,273 >> I CAN TELL IN YOUR FACE YOU 428 00:13:02,266 --> 00:13:05,026 ARE FEELING HIM A LITTLE BIT. 429 00:13:05,033 --> 00:13:10,603 >> NO, I'M NOT. 430 00:13:10,600 --> 00:13:14,130 >> I STILL HAVEN'T DECIDED, YOU 431 00:13:14,133 --> 00:13:16,803 KNOW, HOW I FEEL ABOUT JAMES AND 432 00:13:16,800 --> 00:13:17,000 I. 433 00:13:17,000 --> 00:13:19,300 BUT HE'S NOT HELPING HIS CASE BY 434 00:13:19,300 --> 00:13:20,930 COMING ON TOO STRONG. 435 00:13:20,933 --> 00:13:22,933 I KEEP TELLING HIM I NEED MY 436 00:13:22,933 --> 00:13:24,603 SPACE BUT THE MESSAGE JUST DOES 437 00:13:24,600 --> 00:13:26,600 NOT GET THROUGH. 438 00:13:26,600 --> 00:13:28,100 >> LIKE I FEEL LIKE. 439 00:13:28,100 --> 00:13:29,000 >> I DON'T EVEN KNOW HIM. 440 00:13:29,000 --> 00:13:30,800 >> SO WHY ARE YOU SAYING I AM 441 00:13:30,800 --> 00:13:32,100 NERVOUS AND OH, HE IS MY TYPE, 442 00:13:32,100 --> 00:13:33,670 THAT IS COOL WSH. 443 00:13:33,666 --> 00:13:35,366 >> WHAT DO YOU MEAN WHERE WHY I 444 00:13:35,366 --> 00:13:36,266 M I SAYING THAT. 445 00:13:36,266 --> 00:13:37,596 >> I WANT TO BE OPEN AND HONEST. 446 00:13:37,600 --> 00:13:38,900 >> THAT IS GOOD, OUR 447 00:13:38,900 --> 00:13:39,800 COMMUNICATION IS PERFECT. 448 00:13:39,800 --> 00:13:41,800 I'M GLAD YOU CAME UP TO ME, YOU 449 00:13:41,800 --> 00:13:42,300 HAD A GOOD TIME. 450 00:13:42,300 --> 00:13:43,870 BEFORE THE DATE YOU KISSED ME 451 00:13:43,866 --> 00:13:45,496 GOOD‐BYE, I DON'T EVEN WANT TO 452 00:13:45,500 --> 00:13:45,870 GO. 453 00:13:45,866 --> 00:13:48,026 WE'RE GOING TO BE FRIENDS, IS 454 00:13:48,033 --> 00:13:50,003 THAT WHAT YOU WANT WITH HIM, YOU 455 00:13:50,000 --> 00:13:52,670 WERE LIKE HEY, HE WILL BE MY NEW 456 00:13:52,666 --> 00:13:52,896 FRIEND. 457 00:13:52,900 --> 00:13:53,630 YOU KNOW WHAT I AM SAYING, IS 458 00:13:53,633 --> 00:13:55,603 THIS GOING TO BE YOUR NEW FRIEND 459 00:13:55,600 --> 00:13:56,630 OR ARE YOU GOING TO TRY TO 460 00:13:56,633 --> 00:13:59,633 REALLY GET TO KNOW HIM WITH A 461 00:13:59,633 --> 00:14:02,673 WHOLE, LIKE, RELATIONSHIP THING, 462 00:14:02,666 --> 00:14:04,596 WITH INCLUDING YOU KNOW WHO I 463 00:14:04,600 --> 00:14:06,430 AM, AND HOW MI TOWARDS YOU AND 464 00:14:06,433 --> 00:14:07,673 HOW I FEEL TOWARDS YOU. 465 00:14:07,666 --> 00:14:09,296 AND NOW YOU WILL BE TALKING TO 466 00:14:09,300 --> 00:14:11,100 THIS DUDE, TRYING TO WIN YOU 467 00:14:11,100 --> 00:14:12,530 OVER, IS THAT WHAT YOU ARE 468 00:14:12,533 --> 00:14:12,773 SAYING? 469 00:14:12,766 --> 00:14:13,896 ARE YOU WARNING ME? 470 00:14:13,900 --> 00:14:16,000 >> I DON'T KNOW‐‐ HONESTLY, I 471 00:14:16,000 --> 00:14:16,800 DON'T REALLY LIKE YOUR ATTITUDE 472 00:14:16,800 --> 00:14:17,700 RIGHT NOW. 473 00:14:17,700 --> 00:14:19,570 >> WHAT ARE YOU TALKING ABOUT, 474 00:14:19,566 --> 00:14:20,166 IT'S NERVE‐RACKING. 475 00:14:20,166 --> 00:14:21,226 >> WHY ARE YOU PUTTING ALL THIS 476 00:14:21,233 --> 00:14:21,773 PRESSURE. 477 00:14:21,766 --> 00:14:22,926 >> I'M NOT PUTTING ANY PRESSURE 478 00:14:22,933 --> 00:14:23,503 ON YOU. 479 00:14:23,500 --> 00:14:24,230 >> YOU KIND OF ARE. 480 00:14:24,233 --> 00:14:24,573 >> HOW. 481 00:14:24,566 --> 00:14:26,096 >> YOU ARE STRESSING ME OUT? 482 00:14:26,100 --> 00:14:26,800 >> FOR WHAT. 483 00:14:26,800 --> 00:14:28,370 >> BECAUSE I'M TRYING TO BE OPEN 484 00:14:28,366 --> 00:14:29,296 AND HONEST WITH YOU ABOUT 485 00:14:29,300 --> 00:14:30,270 EVERYTHING AND ARE YOU COMING AT 486 00:14:30,266 --> 00:14:30,826 ME. 487 00:14:30,833 --> 00:14:33,003 >> I'M NOT COMING AT YOU AT ALL. 488 00:14:33,000 --> 00:14:33,600 >> YES, YOU ARE. 489 00:14:33,600 --> 00:14:35,200 >> HOW, THIS IS NERVE‐RACKING, I 490 00:14:35,200 --> 00:14:37,270 HAVE BEEN WAITING UP ON OUNESS 491 00:14:37,266 --> 00:14:38,966 AND I FEEL BAD ABOUT THAT. 492 00:14:38,966 --> 00:14:40,066 >> WERE IT REVERSED YOU WOULD BE 493 00:14:40,066 --> 00:14:41,526 THE SAME THING. 494 00:14:41,533 --> 00:14:47,503 >> I DON'T THINK I WOULD HAVE. 495 00:14:47,500 --> 00:14:49,130 >> IN THAT MOMENT WHERE I JUST 496 00:14:49,133 --> 00:14:51,473 HAD SOMETHING REALLY DRAMATIC, 497 00:14:51,466 --> 00:14:53,226 LIKE MY BEST FRIEND LEAVING, A 498 00:14:53,233 --> 00:14:54,833 DATE LIKE THIS, WHERE I TELL YOU 499 00:14:54,833 --> 00:14:56,003 HE'S MY TYPE, ALL THIS 500 00:14:56,000 --> 00:14:57,300 INFORMATION, I PERSONALLY DON'T 501 00:14:57,300 --> 00:14:59,070 THINK YOU SHOULD BE COMING AT ME 502 00:14:59,066 --> 00:15:01,366 TELLING ME THAT I HAVE TO LIKE 503 00:15:01,366 --> 00:15:01,566 STOP. 504 00:15:01,566 --> 00:15:04,066 I THINK YOU SHOULD JUST BE 505 00:15:04,066 --> 00:15:06,296 SUPPORTIVE ♪♪♪ 506 00:15:21,433 --> 00:15:22,373 >> KIRSTEN AND RACHEL ARE STILL 507 00:15:22,366 --> 00:15:24,896 ON THEIR DATE WITH NEW BOYS 508 00:15:24,900 --> 00:15:26,600 CALEB AND CALVIN BUT WITHOUT 509 00:15:26,600 --> 00:15:27,900 EVEN SETTING FOOT IN THE VILLA 510 00:15:27,900 --> 00:15:29,770 CALVIN IS ALREADY PULLING PART 511 00:15:29,766 --> 00:15:34,966 THE FRAGILE JAMES AND MOIRA 512 00:15:34,966 --> 00:15:35,996 PARTNERSHIP. 513 00:15:36,000 --> 00:15:38,470 P>> HEY, MACKENZIE, I TALKED TO 514 00:15:38,466 --> 00:15:40,226 MOIRA AND SHE STARTED OFF KIND 515 00:15:40,233 --> 00:15:42,003 OF TERRIBLE BECAUSE SHE WAS LIKE 516 00:15:42,000 --> 00:15:43,100 YEAH, HE IS MY TYPE. 517 00:15:43,100 --> 00:15:44,370 >> I TOLD HER TO BE HONEST ABOUT 518 00:15:44,366 --> 00:15:44,626 THAT. 519 00:15:44,633 --> 00:15:46,273 >> WHICH IS COOL, AND SHE DID. 520 00:15:46,266 --> 00:15:48,426 MY CONCLUSION WAS WHEN SHE TOLD 521 00:15:48,433 --> 00:15:49,933 ME THAT BUT OKAY, AM I GOING TO 522 00:15:49,933 --> 00:15:50,833 COMPETE WITH THIS DUDE. 523 00:15:50,833 --> 00:15:53,633 ARE YOU GOING TO STOP 524 00:15:53,633 --> 00:15:54,503 PROGRESSING THE RELATIONSHIP. 525 00:15:54,500 --> 00:15:55,930 >> NO, BUT SHE WAS HONEST WITH 526 00:15:55,933 --> 00:15:57,473 THE FACT AND HONEST WITH YOU 527 00:15:57,466 --> 00:15:58,766 THAT THE DATE WAS FUN. 528 00:15:58,766 --> 00:16:00,366 AND HE IS HER TYPICAL TYPE. 529 00:16:00,366 --> 00:16:02,196 >> WHAT IS HER TYPE WHAT DOES 530 00:16:02,200 --> 00:16:03,630 THE GUY LOOK LIKE. 531 00:16:03,633 --> 00:16:05,473 >> 5, 11, LIKE FREKELS, REALLY 532 00:16:05,466 --> 00:16:06,326 BUFF. 533 00:16:06,333 --> 00:16:07,003 >> FRECKLES. 534 00:16:07,000 --> 00:16:10,130 >> FROM MY PERSPECTIVE, IN THESE 535 00:16:10,133 --> 00:16:10,933 SITUATIONS THE BIGGEST MISTAKE 536 00:16:10,933 --> 00:16:13,333 YOU CAN MAKE IS CHANGING YOUR 537 00:16:13,333 --> 00:16:14,803 BEHAVIOR BECAUSE YOU'RE 538 00:16:14,800 --> 00:16:16,900 CONCERNED ABOUT WHAT IS GOING TO 539 00:16:16,900 --> 00:16:17,230 HAPPEN. 540 00:16:17,233 --> 00:16:19,073 CUZ THAT WILL PUSH HER AWAY. 541 00:16:19,066 --> 00:16:20,166 I THINK THAT YOU HAVE GOT TO 542 00:16:20,166 --> 00:16:22,526 SHOW YOU'RE NOT THE TYPE OF GUY 543 00:16:22,533 --> 00:16:24,703 WHO IS GOING TO BE INTIMIDATED 544 00:16:24,700 --> 00:16:26,530 BY EVERY GUY THAT WALKS IN HERE. 545 00:16:26,533 --> 00:16:29,273 IT COULD BE FRIGGIN' BRAD PITT 546 00:16:29,266 --> 00:16:31,496 AND WOULD YOU NOT BE SAFE. 547 00:16:31,500 --> 00:16:33,570 >> DO YOU FEEL BETTER ABOUT IT. 548 00:16:33,566 --> 00:16:35,996 >> YOU KNOW WHAT I AM SAYING. 549 00:16:36,000 --> 00:16:36,600 OKAY, COOL. 550 00:16:36,600 --> 00:16:37,670 >> GOOD TO GO. 551 00:16:37,666 --> 00:16:38,896 >> CALVIN AND I LITERALLY HIT IT 552 00:16:38,900 --> 00:16:42,730 OFF SO WELL. 553 00:16:42,733 --> 00:16:45,133 >> WE KNEW EACH OTHER FOR 20 554 00:16:45,133 --> 00:16:47,733 SECONDS, I'M LITERALLY LIKE EAR 555 00:16:47,733 --> 00:16:49,003 TO EAR. 556 00:16:49,000 --> 00:16:50,370 TRYING TO KEEP IT TOGETHER BUT 557 00:16:50,366 --> 00:16:52,566 ANYWAY, I JUST FEEL LIKE I KNOW 558 00:16:52,566 --> 00:16:54,696 IT IS A VERY, VERY TOUGH 559 00:16:54,700 --> 00:16:55,400 POSITION TO BE IN. 560 00:16:55,400 --> 00:16:56,570 BUT AT THE END OF THE DAY IT IS 561 00:16:56,566 --> 00:16:59,596 A 20 SECOND CONVERSATION HAS HIM 562 00:16:59,600 --> 00:17:00,970 SMITTEN AFTER SPENDING DAYS 563 00:17:00,966 --> 00:17:03,066 WITH JAMES, LIKE THAT IS SAYING 564 00:17:03,066 --> 00:17:03,426 SOMETHING. 565 00:17:03,433 --> 00:17:03,673 >> YEAH. 566 00:17:03,666 --> 00:17:05,096 >> AN IF YOU TELL YOURSELF WELL, 567 00:17:05,100 --> 00:17:07,400 I OH IT TO JAMES TO ONLY, YOU 568 00:17:07,400 --> 00:17:09,370 KNOW, FOCUS ON HIM, LIKE, IF I 569 00:17:09,366 --> 00:17:10,496 WOULD HAVE DONE THAT WITH TRE I 570 00:17:10,500 --> 00:17:12,670 WOULDN'T BE WHERE I AM AT WITH 571 00:17:12,666 --> 00:17:12,966 JOHNNY. 572 00:17:12,966 --> 00:17:14,066 THINGS ARE GOING TO WORK 573 00:17:14,066 --> 00:17:15,196 THEMSELVES OUT BUT YOU HAVE TO 574 00:17:15,200 --> 00:17:16,200 PUT YOURSELF FIRST. 575 00:17:16,200 --> 00:17:18,530 AND WHO CARES WHAT ANYONE ELSE 576 00:17:18,533 --> 00:17:19,173 THINKS. 577 00:17:19,166 --> 00:17:21,596 YOU KNOW WHAT I MEAN? 578 00:17:21,600 --> 00:17:23,500 >> YEAH. 579 00:17:23,500 --> 00:17:24,730 >> I PROMISE THEY ARE ALL NICE, 580 00:17:24,733 --> 00:17:26,433 THEY ARE ALL NICE. 581 00:17:26,433 --> 00:17:26,633 >> HI. 582 00:17:26,633 --> 00:17:27,373 >> YO. 583 00:17:27,366 --> 00:17:29,996 >> WHAT UP. 584 00:17:30,000 --> 00:17:35,700 >> YO. 585 00:17:35,700 --> 00:17:39,870 >> OH. 586 00:17:39,866 --> 00:17:41,226 >> WHAT'S UP, WHAT'S UP. 587 00:17:41,233 --> 00:17:44,203 >> WHAT'S UP I'M JAMES I'M 588 00:17:44,200 --> 00:17:44,930 CALEB. 589 00:17:44,933 --> 00:17:45,333 NICE TO MEET YOU. 590 00:17:45,333 --> 00:17:45,703 >> I'M CALVIN. 591 00:17:45,700 --> 00:17:47,600 >> I LIKE THAT SHIRT, BRO. 592 00:17:47,600 --> 00:17:48,470 >> GOOD TO SEE YOU. 593 00:17:48,466 --> 00:17:49,966 >> I MADE IT, I'M HERE. 594 00:17:49,966 --> 00:17:51,496 IT'S A LOT TO TAKE IN BUT 595 00:17:51,500 --> 00:17:53,200 EVERYONE SEEMS SUPER CHILL FOR 596 00:17:53,200 --> 00:17:54,700 THE MOST PART, RIGHT. 597 00:17:54,700 --> 00:17:55,970 AND SUPER GENUINE. 598 00:17:55,966 --> 00:17:57,366 >> GOOD TO SEE YOU, WHERE YOU 599 00:17:57,366 --> 00:17:59,126 ARE FROM. 600 00:17:59,133 --> 00:18:00,933 >> TEXAS, NICE, WHAT'S UP. 601 00:18:00,933 --> 00:18:02,003 >> BUT WE'LL SEE. 602 00:18:02,000 --> 00:18:06,000 WHAT SEE WHAT TOES GET STEPPED 603 00:18:06,000 --> 00:18:07,570 ON. 604 00:18:07,566 --> 00:18:09,896 >> THE GLOVES ARE COMING OFF. 605 00:18:09,900 --> 00:18:10,730 >> HOW WAS THE DATE. 606 00:18:10,733 --> 00:18:12,033 >> IT WAS COOL. 607 00:18:12,033 --> 00:18:13,803 >> BUT BOTH BEAUTIFUL, SOLID, I 608 00:18:13,800 --> 00:18:16,400 REALLY ENJOYED MYSELF, IT WAS 609 00:18:16,400 --> 00:18:16,670 COOL. 610 00:18:16,666 --> 00:18:17,526 >> I HAD FUN. 611 00:18:17,533 --> 00:18:19,503 >> SAME THING, BOTH GIRLS, MOIRA 612 00:18:19,500 --> 00:18:21,170 AND KIRSTEN, GREAT GIRLS AND 613 00:18:21,166 --> 00:18:22,426 LOOKING FORWARD TO GETTING TO 614 00:18:22,433 --> 00:18:24,433 KNOW EVERYONE, YOU KNOW, BE OPEN 615 00:18:24,433 --> 00:18:27,233 AND HONEST WITH EVERYONE. 616 00:18:27,233 --> 00:18:28,103 >> THEY'RE ALL FUN. 617 00:18:28,100 --> 00:18:29,500 >> ARE YOU GUYS TIRED? 618 00:18:29,500 --> 00:18:31,670 >> I MEAN I KNOW WE'RE KIND OF 619 00:18:31,666 --> 00:18:32,896 EXHAUSTED BUT WE CAN STAY UP AND 620 00:18:32,900 --> 00:18:33,870 CHAT IF YOU WANT. 621 00:18:33,866 --> 00:18:35,196 I'M DOWN TO KICK IT. 622 00:18:35,200 --> 00:18:36,930 I CAN SHOW YOU AROUND, I DON'T 623 00:18:36,933 --> 00:18:38,433 KNOW IF YOU WANT TO STAY HERE. 624 00:18:38,433 --> 00:18:39,733 >> THEY'RE LIKE BED TIME, WHAT'S 625 00:18:39,733 --> 00:18:40,873 GOING ON. 626 00:18:40,866 --> 00:18:43,466 >> GOOD PEOPLE, THEY 627 00:18:43,466 --> 00:18:44,066 SEEM‐‐ RIGHT? 628 00:18:44,066 --> 00:18:45,396 >> THEY SEEM PRETTY COOL. 629 00:18:45,400 --> 00:18:49,900 >> YEAH, THEY'RE NICE. 630 00:18:49,900 --> 00:18:52,630 >> THEY'RE COOL, RIGHT? 631 00:18:52,633 --> 00:18:57,933 >> I DO WANT TO‐‐ WHY ARE YOU 632 00:18:57,933 --> 00:18:58,633 SHAKING. 633 00:18:58,633 --> 00:19:02,333 ARE YOU OKAY? 634 00:19:02,333 --> 00:19:03,233 >> I'M HAVING FUN. 635 00:19:03,233 --> 00:19:08,773 YOU ARE DOING OKAY. 636 00:19:08,766 --> 00:19:11,826 >> HOW ARE YOU DOING. 637 00:19:11,833 --> 00:19:21,403 OKAY. 638 00:19:21,400 --> 00:19:23,530 WHAT IS HER YOUR, WHAT IS YOUR 639 00:19:23,533 --> 00:19:24,233 PROBLEM. 640 00:19:24,233 --> 00:19:27,273 >> WHAT IS SHE DOING. 641 00:19:27,266 --> 00:19:28,566 >> COME ON JAMES. 642 00:19:28,566 --> 00:19:31,066 >> GIRL TALK, WITHOUT JAMES. 643 00:19:31,066 --> 00:19:32,796 I LOVE YOUR GIRL TALK. 644 00:19:32,800 --> 00:19:33,500 >> MAKES NO SENSE. 645 00:19:33,500 --> 00:19:35,400 SO CONFUSING. 646 00:19:35,400 --> 00:19:36,770 >> LET'S HEAR FROM EVERYONE. 647 00:19:36,766 --> 00:19:39,326 >> TELL US EVERYTHING. 648 00:19:39,333 --> 00:19:41,703 >> OKAY. 649 00:19:41,700 --> 00:19:44,370 SO YOU GUYS WANTS DRAMA I WILL 650 00:19:44,366 --> 00:19:46,226 SHOW YOU DRAMA. 651 00:19:46,233 --> 00:19:47,803 >> YO BRO, THERE IS SOMETHING 652 00:19:47,800 --> 00:19:48,700 WRONG WITH THE GIRL YOU CHOSE, 653 00:19:48,700 --> 00:19:49,300 THERE IS SOMETHING WRONG WITH 654 00:19:49,300 --> 00:19:49,670 HER. 655 00:19:49,666 --> 00:19:51,596 >> OH YEAH? 656 00:19:51,600 --> 00:19:53,470 >> THIS IS RIDICULOUS. 657 00:19:53,466 --> 00:19:56,596 MAKES NO SENSE. 658 00:19:56,600 --> 00:20:01,630 >> I'M NOT ABOUT THIS, MAN. 659 00:20:01,633 --> 00:20:03,133 >> NO, MAN, I WAS JUST TRYING TO 660 00:20:03,133 --> 00:20:05,333 HANG OUT. 661 00:20:05,333 --> 00:20:08,033 NO, SHE'S BEING‐‐ I'M NOT EVEN 662 00:20:08,033 --> 00:20:08,733 DOING ANYTHING. 663 00:20:08,733 --> 00:20:11,403 SHE WAS SAYING CHILL THE OUT 664 00:20:11,400 --> 00:20:12,270 WHEN I WAS. 665 00:20:12,266 --> 00:20:14,166 >> IF YOU GO WRITE A BOOK ON 666 00:20:14,166 --> 00:20:16,926 WHAT NOT TO DO, JAMES DID THAT. 667 00:20:16,933 --> 00:20:20,273 >> IF I WAS JAMES I WOULD FEEL A 668 00:20:20,266 --> 00:20:24,596 BIT CONCERNED RIGHT NOW. 669 00:20:24,600 --> 00:20:27,730 >> IT'S HARD MAN. 670 00:20:27,733 --> 00:20:29,403 >> SO JAMES IS ALL HOW TO LOSE A 671 00:20:29,400 --> 00:20:31,030 GIRL IN TEN SENTENCES. 672 00:20:31,033 --> 00:20:33,503 BUT WHEN JEREMIAH ASKS ABOUT 673 00:20:33,500 --> 00:20:35,570 RACHEL'S DATE WITH CALEB, HE'S 674 00:20:35,566 --> 00:20:37,596 MORE SILENCE OF THE LAMBS. 675 00:20:37,600 --> 00:20:38,900 HAVEN'T SEEN IT, IT IS ABOUT 676 00:20:38,900 --> 00:20:40,500 BEING A QUIET LAMB, RIGHT? 677 00:20:40,500 --> 00:20:41,430 >> HOW ARE YOU FEELING. 678 00:20:41,433 --> 00:20:42,273 >> I FEEL GOOD. 679 00:20:42,266 --> 00:20:44,666 YOU KNOW, I FEEL LIKE WE TALKED 680 00:20:44,666 --> 00:20:45,126 ABOUT THIS BEFORE. 681 00:20:45,133 --> 00:20:47,133 WE WERE JUST LIKE HONEST AND 682 00:20:47,133 --> 00:20:47,973 TRANSPARENCY SO IMPORTANT TO 683 00:20:47,966 --> 00:20:49,066 BOTH OF US. 684 00:20:49,066 --> 00:20:51,026 SO THAT IS WHAT WE SAID. 685 00:20:51,033 --> 00:20:52,403 BUT THE DATE DID GO REALLY WELL. 686 00:20:52,400 --> 00:20:53,700 AND IT IS ONE OF THOSE THINGS 687 00:20:53,700 --> 00:20:55,030 WHERE I DID TELL HIM THAT I 688 00:20:55,033 --> 00:20:56,403 WOULD BE OPEN TO HAVING MORE 689 00:20:56,400 --> 00:20:56,970 CONVERSATIONS. 690 00:20:56,966 --> 00:20:58,296 >> AND YOU SHOULD, AS LONG AS 691 00:20:58,300 --> 00:21:00,230 YOU COMMUNICATE, WE TRAIT, WE 692 00:21:00,233 --> 00:21:00,803 GOOD. 693 00:21:00,800 --> 00:21:02,530 >> OBVIOUSLY LIKE I CARE SO MUCH 694 00:21:02,533 --> 00:21:04,173 ABOUT JEREMIAH AND I'M SO 695 00:21:04,166 --> 00:21:05,566 EXCITED ABOUT HOW THINGS ARE 696 00:21:05,566 --> 00:21:06,026 GOING. 697 00:21:06,033 --> 00:21:07,673 BUT REALIZE OH YEAH, I AM HERE 698 00:21:07,666 --> 00:21:08,626 TO DATE AROUND. 699 00:21:08,633 --> 00:21:13,003 AND IT'S OKAY. 700 00:21:13,000 --> 00:21:18,530 >> WE'RE TAKING IT SLOW BUT I'M 701 00:21:18,533 --> 00:21:19,603 PRETTY CONFIDENT ON WHERE I 702 00:21:19,600 --> 00:21:20,830 STAND RIGHT NOW, YOU KNOW WHAT I 703 00:21:20,833 --> 00:21:22,133 AM SAYING. 704 00:21:22,133 --> 00:21:23,703 I AIN'T TOO MUCH WORRIED ABOUT 705 00:21:23,700 --> 00:21:28,670 IT RIGHT NOW. 706 00:21:28,666 --> 00:21:29,996 >> I'M GOING TO TAKE A SHOWER. 707 00:21:30,000 --> 00:21:31,400 >> ALL RIGHT, YOU BET. 708 00:21:31,400 --> 00:21:34,300 >> ALL RIGHT. 709 00:21:34,300 --> 00:21:37,130 SO WHAT'S THE TEA, ARE YOU 710 00:21:37,133 --> 00:21:38,833 FEELING CALVIN OR CALEB. 711 00:21:38,833 --> 00:21:41,233 >> I FEELING THEM AS IN WHERE MY 712 00:21:41,233 --> 00:21:42,833 HEAD WOULD BE TURNED OR. 713 00:21:42,833 --> 00:21:43,903 >> ARE YOU FEELING THEM IN LIKE 714 00:21:43,900 --> 00:21:45,230 A DATING ASPECT? 715 00:21:45,233 --> 00:21:48,073 >> I MEAN LIKE IF THEY DO PULL 716 00:21:48,066 --> 00:21:49,726 ME I AM GOING TO TALK TO THEM. 717 00:21:49,733 --> 00:21:51,203 BUT I WOULD STILL BE THINK BEING 718 00:21:51,200 --> 00:21:51,870 YOU. 719 00:21:51,866 --> 00:21:53,096 >> CALEB IS EVERYTHING I'M 720 00:21:53,100 --> 00:21:55,230 LOOKING FOR BECAUSE HE IS 721 00:21:55,233 --> 00:21:55,673 DRIVEN. 722 00:21:55,666 --> 00:21:57,326 YOU KNOW, SMART, SUCCESSFUL, 723 00:21:57,333 --> 00:21:58,903 SEXY BUT SO IS CARRINGTON. 724 00:21:58,900 --> 00:22:01,700 LIKE I CAN'T GET CARRINGTON OUT 725 00:22:01,700 --> 00:22:02,570 OF MY MIND. 726 00:22:02,566 --> 00:22:04,566 >> THAT'S WHERE YOU GET TO BE. 727 00:22:04,566 --> 00:22:08,366 >> I KNOW. 728 00:22:08,366 --> 00:22:10,926 >>. 729 00:22:10,933 --> 00:22:27,503 >> IN‐‐ WHOOO. 730 00:22:27,500 --> 00:22:30,370 >> I AM FEELING SOME SORT OF 731 00:22:30,366 --> 00:22:31,826 WAY, JAMES SHOWED HIS TRUE 732 00:22:31,833 --> 00:22:35,933 COLORS TO ME AND THAT'S A HIM 733 00:22:35,933 --> 00:22:36,333 PROBLEM. 734 00:22:36,333 --> 00:22:41,433 I DON'T KNOW. 735 00:23:16,700 --> 00:23:18,870 >> GOODS MORNING, VEGAS. 736 00:23:18,866 --> 00:23:20,396 >> BRUSH YOUR TEETH AND 737 00:23:20,400 --> 00:23:21,200 IMMEDIATELY DRINK ORANGE JUICE 738 00:23:21,200 --> 00:23:23,100 AND HOPEFULLY THAT WILL WASH 739 00:23:23,100 --> 00:23:25,430 AWAY THE BITTER AFTER TASTE OF 740 00:23:25,433 --> 00:23:26,733 LAST NIGHT'S DRAMA. 741 00:23:26,733 --> 00:23:31,503 OUR COUPLES ARE CELY AND JOHNNY, 742 00:23:31,500 --> 00:23:34,200 MA KENSY AND CONNOR, TRE AND 743 00:23:34,200 --> 00:23:36,570 JUSTINE, RACHEL AND INJURY 744 00:23:36,566 --> 00:23:37,196 NIE‐‐ JEREMIAH. 745 00:23:37,200 --> 00:23:39,030 KIRSTEN AND CARRINGTON, MOIRA 746 00:23:39,033 --> 00:23:41,103 AND JAMES WHO ARE MOSTLY 747 00:23:41,100 --> 00:23:41,800 COMMUNICATING THROUGH DIRTY 748 00:23:41,800 --> 00:23:43,730 LOOKS AND SCORNFUL EXHALES. 749 00:23:43,733 --> 00:23:45,233 BUT ALSO IN THE VILLA ARE THE 750 00:23:45,233 --> 00:23:51,333 TWO SINGLE GUYS CALVIN AND CALEB 751 00:23:51,333 --> 00:23:58,733 >> . 752 00:23:58,733 --> 00:24:05,133 >> GOOD MORNING. 753 00:24:05,133 --> 00:24:10,633 >> DON'T YOU GIVE UP ON ME. 754 00:24:10,633 --> 00:24:17,303 ♪ WHAT'S UP, MAN. 755 00:24:17,300 --> 00:24:20,500 >> LAST NIGHT I WAS KIND OF, 756 00:24:20,500 --> 00:24:21,970 NERVE‐RACKING AND A LOT OF 757 00:24:21,966 --> 00:24:23,096 EMOTIONS, I KNOW I'M HIGH ENERGY 758 00:24:23,100 --> 00:24:24,730 AND ALL ABOUT HER, BUT I WILL 759 00:24:24,733 --> 00:24:29,633 TAKE A STEP BACK. 760 00:24:29,633 --> 00:24:34,973 >> THE NEW BOYS IN THE VILLA ARE 761 00:24:34,966 --> 00:24:38,496 CUTE. 762 00:24:38,500 --> 00:24:39,170 >> GOOD MORNING. 763 00:24:39,166 --> 00:24:40,096 >> WHO DOES THAT. 764 00:24:40,100 --> 00:24:41,730 >> WE WERE ALL KIND OF LIKE, 765 00:24:41,733 --> 00:24:44,103 WHAT'S GOING ON. 766 00:24:44,100 --> 00:24:47,100 >>S WHAT HE UP. 767 00:24:47,100 --> 00:24:48,430 >> HOW IS IT GOING. 768 00:24:48,433 --> 00:24:49,773 >> I WANT TO KNOW HOW YOU 769 00:24:49,766 --> 00:24:50,826 THOUGHT LAST NIGHT WENT. 770 00:24:50,833 --> 00:24:52,233 >> I THOUGHT LAST NIGHT WENT 771 00:24:52,233 --> 00:24:53,473 VERY WELL. 772 00:24:53,466 --> 00:24:55,496 LIKE OUR CONVERSATION FLOWED 773 00:24:55,500 --> 00:24:58,100 EASILY, YOU DEFINITELY MADE HIM 774 00:24:58,100 --> 00:24:58,330 SCWIRM. 775 00:24:58,333 --> 00:24:59,803 EVERYONE DID, OF COURSE YOU WANT 776 00:24:59,800 --> 00:25:02,430 ON TWO DATES, I'M NOT EVEN 777 00:25:02,433 --> 00:25:04,203 SURPRISED. 778 00:25:04,200 --> 00:25:07,170 NO, I AM STILL VERY MUCH 779 00:25:07,166 --> 00:25:08,126 CARRINGTONS. 780 00:25:08,133 --> 00:25:08,903 >> I'M IN THE TRYING TO TELL YOU 781 00:25:08,900 --> 00:25:11,270 WHAT TO DO OR HOW TO HANDLE 782 00:25:11,266 --> 00:25:11,526 ANYTHING. 783 00:25:11,533 --> 00:25:13,673 YOU AND HIM HAVE SOME TYPE OF 784 00:25:13,666 --> 00:25:14,096 CHEMISTRY, RIGHT. 785 00:25:14,100 --> 00:25:14,630 >> FOR SURE. 786 00:25:14,633 --> 00:25:17,803 >> BUT I FEEL LIKE YOU MIGHT BE 787 00:25:17,800 --> 00:25:19,830 TELLING YOURSELF‐‐ TO GIVE 788 00:25:19,833 --> 00:25:22,233 YOURSELF OPEN MINDED TO ME OR 789 00:25:22,233 --> 00:25:25,003 WHOEVER ELSE COMES IN HERE. 790 00:25:25,000 --> 00:25:27,230 >> I CAN TELL KIRSTEN IS 791 00:25:27,233 --> 00:25:27,573 INTERESTED. 792 00:25:27,566 --> 00:25:30,166 THERE IS SOME TYPE OF ATTRACTION 793 00:25:30,166 --> 00:25:31,626 THAT I CAN FEEL IN THE AIR WHEN 794 00:25:31,633 --> 00:25:32,733 WE ARE TALKING TO EACH OTHER. 795 00:25:32,733 --> 00:25:34,633 BUT AT THE SAME TIME SHE FEELS 796 00:25:34,633 --> 00:25:36,633 THIS LOYALTY TOWARDS CARRINGTON. 797 00:25:36,633 --> 00:25:38,503 I'M NOT THE TYPE TO JUST CHASE 798 00:25:38,500 --> 00:25:41,070 AND CHASE AND CHASE BECAUSE WHEN 799 00:25:41,066 --> 00:25:43,266 YOU CHASE SOMETHING, ST GOING TO 800 00:25:43,266 --> 00:25:43,826 RUN. 801 00:25:43,833 --> 00:25:45,703 >> RIGHT NOW I'M ALL IN ON HIM 802 00:25:45,700 --> 00:25:49,430 BUT THAT DOESN'T MEAN THAT TALK 803 00:25:49,433 --> 00:25:50,503 COULDN'T ESSENTIALLY CHANGE 804 00:25:50,500 --> 00:25:50,770 THAT. 805 00:25:50,766 --> 00:25:52,326 >> EVEN IF YOU JUST WANT TO HAVE 806 00:25:52,333 --> 00:25:55,533 THE MOST CASUAL CHAT, I AM 807 00:25:55,533 --> 00:25:56,303 ALWAYS OPEN. 808 00:25:56,300 --> 00:25:57,600 WE DON'T ALWAYS HAVE TO SIT HERE 809 00:25:57,600 --> 00:25:59,430 AND BE LIKE WHAT IS YOUR DEEPEST 810 00:25:59,433 --> 00:26:02,803 DARKEST FEAR, WHAT ARE YOU 811 00:26:02,800 --> 00:26:08,400 LOOKING FOR. 812 00:26:08,400 --> 00:26:08,930 YO. 813 00:26:08,933 --> 00:26:11,873 >> HOW IS IT GOING. 814 00:26:11,866 --> 00:26:14,396 >> JUST PULLED KIRSTEN FOR A 815 00:26:14,400 --> 00:26:14,730 LITTLE CHAT. 816 00:26:14,733 --> 00:26:16,033 HAVE YOU BEEN ABLE TO TALK TO 817 00:26:16,033 --> 00:26:17,733 ANYBODY OUTSIDE THE VILLA. 818 00:26:17,733 --> 00:26:19,373 >> NO, I WAS MORE OF‐‐ I WILL 819 00:26:19,366 --> 00:26:19,966 PULL HER. 820 00:26:19,966 --> 00:26:21,496 I KIND OF WANT TO KNOW WHAT IS 821 00:26:21,500 --> 00:26:22,270 GOING ON. 822 00:26:22,266 --> 00:26:24,196 YOU DON'T IF YOU FELT IT BUT I 823 00:26:24,200 --> 00:26:25,330 FEEL LIKE THERE IS A LITTLE BIT 824 00:26:25,333 --> 00:26:27,133 OF PEOPLE, THEY'RE GIVING EACH 825 00:26:27,133 --> 00:26:28,533 OTHER LOOKS. 826 00:26:28,533 --> 00:26:30,833 >> THAT COUPLING LOOKS LIKE THEY 827 00:26:30,833 --> 00:26:32,233 HAD A ROUGH DAY YESTERDAY. 828 00:26:32,233 --> 00:26:33,103 >> YEAH. 829 00:26:33,100 --> 00:26:34,070 >> CRAZY MAN. 830 00:26:34,066 --> 00:26:38,396 AND SO THAT IS WHY I WANT TO 831 00:26:38,400 --> 00:26:40,870 CHAT, TO IT HOW DID THINGS GO, 832 00:26:40,866 --> 00:26:43,296 WHERE ARE YOU AT BECAUSE COMING 833 00:26:43,300 --> 00:26:49,230 IN THERE IS SUCH A HIGH‐‐ WE ARE 834 00:26:49,233 --> 00:26:50,833 HERE TO JUST PULL IT OPEN A 835 00:26:50,833 --> 00:26:51,703 LITTLE BIT. 836 00:26:51,700 --> 00:26:56,730 >> WE'RE HERE FOR SOMETHING. 837 00:26:56,733 --> 00:26:57,173 >> YEAH. 838 00:26:57,166 --> 00:26:58,096 WAS' UP. 839 00:26:58,100 --> 00:26:58,500 >> NOTHING. 840 00:26:58,500 --> 00:26:59,770 >> HOW ARE YOU DOING. 841 00:26:59,766 --> 00:27:00,996 >> GOOD. 842 00:27:01,000 --> 00:27:01,600 >> CHILLIN. 843 00:27:01,600 --> 00:27:02,370 >> YEAH. 844 00:27:02,366 --> 00:27:04,766 >> YEAH. 845 00:27:04,766 --> 00:27:06,626 >> WHAT DO YOU WANT TO TALK. 846 00:27:06,633 --> 00:27:07,773 >> YOU WANT TO TALK? 847 00:27:07,766 --> 00:27:08,996 IS THAT LIKE. 848 00:27:09,000 --> 00:27:12,170 >> I AM WORKING THROUGH SOME 849 00:27:12,166 --> 00:27:12,426 THINGS. 850 00:27:12,433 --> 00:27:14,403 LAST NIGHT WAS JUST A LOT. 851 00:27:14,400 --> 00:27:17,270 AND I CAN'T JUST FORGET THINGS 852 00:27:17,266 --> 00:27:19,166 HAPPENED AND FORGET THE WAY I 853 00:27:19,166 --> 00:27:19,366 FEEL. 854 00:27:19,366 --> 00:27:20,426 >> BUT NOTHING HAPPENED. 855 00:27:20,433 --> 00:27:23,773 I DIDN'T DO ANYTHING WRONG. 856 00:27:23,766 --> 00:27:25,596 WE BOTH HANDLED IT IN A 857 00:27:25,600 --> 00:27:25,970 DIFFERENT WAY. 858 00:27:25,966 --> 00:27:28,226 I DON'T KNOW, IT IS ALL ON ME, 859 00:27:28,233 --> 00:27:30,203 YOU ARE SAYING, AND YOU 860 00:27:30,200 --> 00:27:31,870 ARE‐‐ THERE IS NOTHING TO 861 00:27:31,866 --> 00:27:32,826 FORGIVE, NOTHING HAPPENED. 862 00:27:32,833 --> 00:27:34,103 I DON'T KNOW WHAT YOU ARE 863 00:27:34,100 --> 00:27:34,370 THINKING? 864 00:27:34,366 --> 00:27:36,226 YOU MAKE ME SO CONFUSED 865 00:27:36,233 --> 00:27:36,533 SOMETIMES. 866 00:27:36,533 --> 00:27:38,703 >> YOU ARE GETTING DEFENSIVE. 867 00:27:38,700 --> 00:27:39,970 >> YOU SAID THAT LAST NIGHT. 868 00:27:39,966 --> 00:27:42,466 I WAS ASKING HOW YOUR DATE WAS 869 00:27:42,466 --> 00:27:43,666 AND ARE YOU LIKE CALM DOWN. 870 00:27:43,666 --> 00:27:45,166 I'M NOT DOING ANYTHING WRONG. 871 00:27:45,166 --> 00:27:46,466 I'M JUST HANGING OUT TRYING TO 872 00:27:46,466 --> 00:27:47,096 TALK TO YOU. 873 00:27:47,100 --> 00:27:48,370 >> I FEEL LIKE YOU DIDN'T GIVE 874 00:27:48,366 --> 00:27:51,466 ME A CHANCE TO LIKE HAVE MY 875 00:27:51,466 --> 00:27:51,726 FEELINGS. 876 00:27:51,733 --> 00:27:53,603 YOU WERE KIND OF LIKE EXPECTING 877 00:27:53,600 --> 00:27:57,030 ME TO COMFORT YOU AND TELL YOU 878 00:27:57,033 --> 00:27:58,333 EVERYTHING THAT HAD HAPPENED. 879 00:27:58,333 --> 00:27:59,873 AND I JUST WASN'T IN A GOOD 880 00:27:59,866 --> 00:28:00,166 SPACE. 881 00:28:00,166 --> 00:28:02,466 >> I WAS IN THE SAME PLACE AS 882 00:28:02,466 --> 00:28:04,126 CARRINGTON AND KIRSTEN AND I DID 883 00:28:04,133 --> 00:28:07,033 THE SAME THING, I WAS LIKE HEY, 884 00:28:07,033 --> 00:28:08,533 HOW WAS YOUR NIGHT, OKAY, COOL S 885 00:28:08,533 --> 00:28:10,403 IT GOING TO BE DIFFERENT BETWEEN 886 00:28:10,400 --> 00:28:11,400 US, OBVIOUSLY IT IS. 887 00:28:11,400 --> 00:28:13,770 >> I ALREADY TOLD YOU THAT I AM 888 00:28:13,766 --> 00:28:14,996 STILL A LITTLE BIT UPSET ABOUT 889 00:28:15,000 --> 00:28:16,230 LAST NIGHT AND TRYING TO GET 890 00:28:16,233 --> 00:28:17,733 OVER IT BUT I JUST NEED A LITTLE 891 00:28:17,733 --> 00:28:18,873 BIT MORE TIME. 892 00:28:18,866 --> 00:28:19,726 >> YEAH. 893 00:28:19,733 --> 00:28:20,773 >> PLEASE DON'T LAUGH IN MY FACE 894 00:28:20,766 --> 00:28:22,326 WHEN I'M TRYING TO TELL YOU HOW 895 00:28:22,333 --> 00:28:23,703 I AM REALLY FEELING. 896 00:28:23,700 --> 00:28:26,200 >> YOU ARE NOT EVEN LOOKING AT 897 00:28:26,200 --> 00:28:26,930 ME. 898 00:28:26,933 --> 00:28:29,803 YOU'RE SOMETHING ELSE. 899 00:28:29,800 --> 00:28:31,430 I MEAN I DON'T EVEN KNOW ANY 900 00:28:31,433 --> 00:28:32,673 MORE. 901 00:28:32,666 --> 00:28:33,566 >> OKAY. 902 00:28:33,566 --> 00:28:35,166 THAT'S HOW YOU FEEL. 903 00:28:35,166 --> 00:28:36,926 >> YOU'RE THE ONE THAT IS GIVING 904 00:28:36,933 --> 00:28:38,473 ME THE SHADE. 905 00:28:38,466 --> 00:28:40,726 I'M NOT DOING ANYTHING WRONG. 906 00:28:40,733 --> 00:28:42,233 >> I FELT LIKE YOU WERE PRETTY 907 00:28:42,233 --> 00:28:42,533 DEFENSIVE. 908 00:28:42,533 --> 00:28:44,003 I HONESTLY NEEDED SPACE. 909 00:28:44,000 --> 00:28:45,300 I SHOULD HAVE TOLD YOU THAT. 910 00:28:45,300 --> 00:28:48,030 IF YOU DID RESPECT ME AND REALLY 911 00:28:48,033 --> 00:28:49,633 LIKED ME YOU WOULD SAY OKAY, AND 912 00:28:49,633 --> 00:28:50,273 GIVE IT TO ME. 913 00:28:50,266 --> 00:28:51,766 >> HAVE I BEEN, YOU WANT TO 914 00:28:51,766 --> 00:28:52,866 IGNORE ME, COOL, YOU WANT TO 915 00:28:52,866 --> 00:28:54,426 WALK AROUND AND NOT TALK TO ME, 916 00:28:54,433 --> 00:28:55,473 YOU DON'T INITIATE ANY 917 00:28:55,466 --> 00:28:55,796 CONVERSATION. 918 00:28:55,800 --> 00:28:57,370 YOU CAN'T EVEN LOOK AT ME. 919 00:28:57,366 --> 00:28:59,096 I'M JUST. 920 00:28:59,100 --> 00:29:00,200 >> I REALLY CAN'T TALK TO YOU 921 00:29:00,200 --> 00:29:02,570 LIGHT NOW, I'M SORRY. 922 00:29:02,566 --> 00:29:03,866 I AM GOING TO GO FILL UP MY 923 00:29:03,866 --> 00:29:04,666 WATER BOTTLE. 924 00:29:04,666 --> 00:29:07,496 I TOLD YOU I JUST WANT A LITTLE 925 00:29:07,500 --> 00:29:11,500 SPACE. 926 00:29:11,500 --> 00:29:12,970 JEEZ. 927 00:29:12,966 --> 00:29:15,096 I DON'T LIKE THE WAY HE REACTED 928 00:29:15,100 --> 00:29:15,530 LAST NIGHT. 929 00:29:15,533 --> 00:29:17,773 I WAS REALLY TURNED OFF BY IT. 930 00:29:17,766 --> 00:29:19,126 AND I THINK HIS EMOTIONS ARE 931 00:29:19,133 --> 00:29:20,533 GETTING THE BEST OF HIM, 932 00:29:20,533 --> 00:29:21,573 HONESTLY IT IS NOT ATTRACTIVE 933 00:29:21,566 --> 00:29:23,166 AND IT IS NOT MAKING ME WANT TO 934 00:29:23,166 --> 00:29:29,296 BE WITH HIM. 935 00:29:29,300 --> 00:29:31,900 >> I CAN'T. 936 00:29:31,900 --> 00:29:34,700 >> ALL RIGHT, PERFECT. 937 00:29:34,700 --> 00:29:37,000 >> I HONESTLY CAN'T DO THIS. 938 00:29:37,000 --> 00:29:38,130 >> YOU'RE SO FUNNY. 939 00:29:38,133 --> 00:29:41,333 >> I JUST WANT TO GO HOME. 940 00:29:41,333 --> 00:29:42,633 >> TONIGHT'S SHOW IS A LITERAL 941 00:29:42,633 --> 00:29:46,303 NAIL BITER. 942 00:29:52,100 --> 00:29:55,030 ♪♪♪ 943 00:29:59,133 --> 00:29:59,933 >> WELCOME BACK IF JAMES CAN 944 00:29:59,933 --> 00:30:01,873 LEARN ANYTHING FROM 20/20 IT IS 945 00:30:01,866 --> 00:30:03,766 THAT SOCIAL DISTANCING WORKS. 946 00:30:03,766 --> 00:30:07,726 HE JUST NEEDS TO DO IT WITH 947 00:30:07,733 --> 00:30:09,903 MOIRA. 948 00:30:09,900 --> 00:30:12,930 >> I JUST WANT TO GO HOME. 949 00:30:12,933 --> 00:30:18,933 >> I KNOW. 950 00:30:18,933 --> 00:30:21,133 >> IT IS SO CONDESCENDING, THERE 951 00:30:21,133 --> 00:30:22,733 IS SOMETHING WRONG WITH HER. 952 00:30:22,733 --> 00:30:24,533 >> I THINK SHE MIGHT NEED A 953 00:30:24,533 --> 00:30:25,233 MOMENT. 954 00:30:25,233 --> 00:30:26,873 >> I'M DONE WITH HER. 955 00:30:26,866 --> 00:30:27,996 >> NO, JAMES, DON'T SAY THAT 956 00:30:28,000 --> 00:30:29,000 STUFF STRKS NOT NICE. 957 00:30:29,000 --> 00:30:30,230 >> SHE CAN'T TALK TO ME, SHE 958 00:30:30,233 --> 00:30:34,333 THINKS I'M SOME ME SANTD, CAN'T 959 00:30:34,333 --> 00:30:36,773 EVEN TALK TO ME, SHE CAN COUPLE 960 00:30:36,766 --> 00:30:37,326 UP WITH THAT DUDE. 961 00:30:37,333 --> 00:30:38,533 >> I DON'T THINK THEY ARE 962 00:30:38,533 --> 00:30:40,733 CALLING NAMES AND SAYING‐‐ THESE 963 00:30:40,733 --> 00:30:41,873 OUTBURSTS, I JUST DON'T THINK 964 00:30:41,866 --> 00:30:43,326 THAT IS THE WAY TO HANDLE IT. 965 00:30:43,333 --> 00:30:44,803 >> I DON'T KNOW WHY GUYS THINK 966 00:30:44,800 --> 00:30:47,700 IT IS ACCEPTABLE TO SAY HE CAN 967 00:30:47,700 --> 00:30:48,470 HAVE HER. 968 00:30:48,466 --> 00:30:50,126 SHE CAN DO WHATEVER SHE WANTS. 969 00:30:50,133 --> 00:30:52,003 THAT IS NOT YOUR DECISION. 970 00:30:52,000 --> 00:30:52,900 >> JUST LET HER GO FOR AN HOUR 971 00:30:52,900 --> 00:30:54,100 OR SOMETHING, OKAY. 972 00:30:54,100 --> 00:30:56,000 >> I THINK YOU HAVE TO BE 973 00:30:56,000 --> 00:30:56,530 RESPECTFUL. 974 00:30:56,533 --> 00:30:58,903 >> WHY AM I THE BAD GUY HERE. 975 00:30:58,900 --> 00:31:01,130 >> IF SHE WANTS TO MOVE ON, I 976 00:31:01,133 --> 00:31:03,003 CAN GUARANTEE YOU IT IS NOT 977 00:31:03,000 --> 00:31:04,500 BECAUSE HE TOOK HER. 978 00:31:04,500 --> 00:31:07,030 IT IS BECAUSE SHE LEFT. 979 00:31:07,033 --> 00:31:08,533 >> I GENUINELY BELIEVE YOU 980 00:31:08,533 --> 00:31:09,973 SHOULD GIVE HER SPACE, YOU NEED 981 00:31:09,966 --> 00:31:11,096 TO GIVE HER. 982 00:31:11,100 --> 00:31:12,370 >> I TRIED. 983 00:31:12,366 --> 00:31:15,126 SHE CAN'T EVEN LOOK AT ME. 984 00:31:15,133 --> 00:31:16,503 SHOP SHIFTING ON TO HER, THIS IS 985 00:31:16,500 --> 00:31:20,130 WHAT ARE YOU ACTING, ACCEPT 986 00:31:20,133 --> 00:31:21,773 ACCOUNT ABILITY FOR HOW YOU ARE 987 00:31:21,766 --> 00:31:22,696 ACT, THAT IS UNESSENTIAL. 988 00:31:22,700 --> 00:31:24,230 DO NOT TALK TO WOMEN LIKE THAT, 989 00:31:24,233 --> 00:31:25,803 THAT IS ALL HAVE I TO SAY, GIVE 990 00:31:25,800 --> 00:31:26,600 H.E.R. SPACE. 991 00:31:26,600 --> 00:31:27,900 >> I AM NOT HE EVEN SAYING. 992 00:31:27,900 --> 00:31:29,270 >> YOU ARE COMING AROUND RANTING 993 00:31:29,266 --> 00:31:31,996 ABOUT IT TO EVERYBODY. 994 00:31:32,000 --> 00:31:39,800 >> I CANNOT. 995 00:31:39,800 --> 00:31:44,600 >> LITTLE TRICKY TO MAKE A 996 00:31:44,600 --> 00:31:45,830 LIGHTHEARTED COMMENT TO TAKE US 997 00:31:45,833 --> 00:31:46,673 INTO THE NEXT SCENE BUT I GUESS 998 00:31:46,666 --> 00:31:48,826 I CAN GIVE IT A TRE. 999 00:31:48,833 --> 00:31:52,273 HEY, I DID IT. 1000 00:31:52,266 --> 00:31:56,396 LEFT OUTIE COUPLE, JUSTINE AND 1001 00:31:56,400 --> 00:31:57,570 TRE. 1002 00:31:57,566 --> 00:31:58,996 >> STARTING OFF GOOD. 1003 00:31:59,000 --> 00:32:01,670 >> I LIKE LOST SLEEP. 1004 00:32:01,666 --> 00:32:04,066 I STRESS VERY EASILY. 1005 00:32:04,066 --> 00:32:07,666 SO I JUST LIKE, I'M A VERY TAKE 1006 00:32:07,666 --> 00:32:09,166 IT SLOW KIND OF PERSON. 1007 00:32:09,166 --> 00:32:10,366 AND I THINK YOU KNOW THAT FROM, 1008 00:32:10,366 --> 00:32:14,426 YOU KNOW, THE KISSING 1009 00:32:14,433 --> 00:32:15,133 CONVERSATION. 1010 00:32:15,133 --> 00:32:16,873 >> I AM COOL WITH GOING AT YOUR 1011 00:32:16,866 --> 00:32:18,126 PACE PACE, YOU DON'T HAVE TO 1012 00:32:18,133 --> 00:32:18,973 WORRY ABOUT THAT. 1013 00:32:18,966 --> 00:32:19,696 >> I APPRECIATE THAT. 1014 00:32:19,700 --> 00:32:21,430 THAT MAKES ME FEEL BETTER 1015 00:32:21,433 --> 00:32:22,733 BECAUSE. 1016 00:32:22,733 --> 00:32:24,233 >> I WAS EXPECTING IT TO BE WAY 1017 00:32:24,233 --> 00:32:24,433 WORSE. 1018 00:32:24,433 --> 00:32:25,273 >> LIKE WHAT? 1019 00:32:25,266 --> 00:32:25,966 >> I DON'T KNOW. 1020 00:32:25,966 --> 00:32:27,966 I HAVE BEEN SINGLE FOR A LONG 1021 00:32:27,966 --> 00:32:30,396 TIME AND I HAD MY WILD PHASE IN 1022 00:32:30,400 --> 00:32:30,970 COLLEGE. 1023 00:32:30,966 --> 00:32:31,996 SO. 1024 00:32:32,000 --> 00:32:34,400 >> NOW JUSTINE AND‐‐ WE HAVE AN 1025 00:32:34,400 --> 00:32:35,770 OPPORTUNITY TO BE CLOSER TO EACH 1026 00:32:35,766 --> 00:32:37,396 OTHER, GET TO KNOW EACH OTHER. 1027 00:32:37,400 --> 00:32:39,800 I'M EXCITED TO SEE WHERE THINGS 1028 00:32:39,800 --> 00:32:40,300 GO. 1029 00:32:40,300 --> 00:32:42,300 AND I'M JUST HAPPY TO BE COUPLED 1030 00:32:42,300 --> 00:32:42,800 UP AGAIN. 1031 00:32:42,800 --> 00:32:44,700 IT FEELS GOOD NOT TO BE SINGLE 1032 00:32:44,700 --> 00:32:45,430 ANY MORE. 1033 00:32:45,433 --> 00:32:48,803 >> AT THE END OF THE DAY I WANTP 1034 00:32:48,800 --> 00:32:50,270 FOR A REASON AND I WANT TO 1035 00:32:50,266 --> 00:32:51,726 CONTINUE TO GET TO KNOW YOU 1036 00:32:51,733 --> 00:32:53,603 BECAUSE I FEEL LIKE WE COULD 1037 00:32:53,600 --> 00:32:57,830 HAVE SOMETHING SPECIAL. 1038 00:32:57,833 --> 00:33:00,503 >> YEAH. 1039 00:33:00,500 --> 00:33:03,100 >> MOIRA'S ENTHUSIASM FOR JAMES 1040 00:33:03,100 --> 00:33:04,000 SEEMS BRIEF. 1041 00:33:04,000 --> 00:33:05,570 LET'S SEE IF SHE IS FEELING ANY 1042 00:33:05,566 --> 00:33:09,096 MORE CALVIN AND KLEIN. 1043 00:33:09,100 --> 00:33:09,970 >> YOU WANT TO CHAT ABOUT IT, 1044 00:33:09,966 --> 00:33:10,466 YOU DON'T. 1045 00:33:10,466 --> 00:33:11,096 IT'S WHATEVER. 1046 00:33:11,100 --> 00:33:13,400 IT IS REALLY UP TO YOU. 1047 00:33:13,400 --> 00:33:15,970 I MEAN ST KIND OF Y'ALL'S DEAL, 1048 00:33:15,966 --> 00:33:16,696 YOU KNOW. 1049 00:33:16,700 --> 00:33:21,770 >> I APPRECIATE YOU REACTING 1050 00:33:21,766 --> 00:33:23,166 LIKE A LITTLE. 1051 00:33:23,166 --> 00:33:23,966 >> PEOPLE SHOW COLORS WHETHER IT 1052 00:33:23,966 --> 00:33:25,596 IS TRUE OR FALSE, WHATEVER, 1053 00:33:25,600 --> 00:33:26,700 BASED ON SITUATION. 1054 00:33:26,700 --> 00:33:29,630 >> I'M GETTING COLORS. 1055 00:33:29,633 --> 00:33:31,333 >> WRONG COLORS, RED COLORS. 1056 00:33:31,333 --> 00:33:33,233 >> I'M SEEING SOME FLAGS AND 1057 00:33:33,233 --> 00:33:35,573 THEY'RE NOT WHITE. 1058 00:33:35,566 --> 00:33:36,966 THEY'RE RED FLAGS. 1059 00:33:36,966 --> 00:33:38,166 >> YEAH. 1060 00:33:38,166 --> 00:33:39,266 >> YES, I AM SMITTEN WITH 1061 00:33:39,266 --> 00:33:40,226 CALVIN, FOR SURE. 1062 00:33:40,233 --> 00:33:42,533 HE'S LIKE SUCH A SWEETHEART. 1063 00:33:42,533 --> 00:33:44,873 I HONESTLY, HE IS A BREATHE OF 1064 00:33:44,866 --> 00:33:46,266 FRESH AIR, SO EASY TO TALK TO 1065 00:33:46,266 --> 00:33:47,296 HIM. 1066 00:33:47,300 --> 00:33:49,230 >> I WOULDN'T KNOW ANYTHING WAS 1067 00:33:49,233 --> 00:33:49,473 WRONG. 1068 00:33:49,466 --> 00:33:51,096 DON'T LIKE IT AFFECT THE REST OF 1069 00:33:51,100 --> 00:33:52,600 THE DAY, DON'T LET IT AFFECT THE 1070 00:33:52,600 --> 00:33:53,370 REST OF THE NIGHT. 1071 00:33:53,366 --> 00:33:55,666 >> YOU DON'T THINK SO? 1072 00:33:55,666 --> 00:33:58,696 BECAUSE‐‐ GET BACK ON THE HORSE. 1073 00:33:58,700 --> 00:33:59,500 >> YEAH. 1074 00:33:59,500 --> 00:34:00,930 >> JUST FORGET ABOUT IT. 1075 00:34:00,933 --> 00:34:01,703 >> FORGET ABOUT IT. 1076 00:34:01,700 --> 00:34:02,300 >> OKAY. 1077 00:34:02,300 --> 00:34:04,300 >> DON'T FORGET BUT YOU KNOW. 1078 00:34:04,300 --> 00:34:04,900 >> YEAH. 1079 00:34:04,900 --> 00:34:06,600 >> HE'S SO DOWN TO EARTH. 1080 00:34:06,600 --> 00:34:07,530 HE'S SO CHILL. 1081 00:34:07,533 --> 00:34:10,333 ARE YOU NOT SOME‐‐ WHO IS GOING 1082 00:34:10,333 --> 00:34:11,233 TO SAY WHAT NEXT. 1083 00:34:11,233 --> 00:34:15,133 YOU JUST WANT TO CONTINUE THE 1084 00:34:15,133 --> 00:34:16,003 CONVERSATION LIKE A MOVING RIVER 1085 00:34:16,000 --> 00:34:16,870 IT IS SO EASY. 1086 00:34:16,866 --> 00:34:19,366 >> THANK YOU SO MUCH. 1087 00:34:19,366 --> 00:34:21,226 LIKE IT FEELS GOOD TO GET TO 1088 00:34:21,233 --> 00:34:28,033 TALK TO YOU. 1089 00:34:28,033 --> 00:34:32,833 >> TODAY HAS BEEN‐‐ J AS BEEN 1090 00:34:32,833 --> 00:34:33,873 JAMES HAS BEEN ON THE TOP OF MY 1091 00:34:33,866 --> 00:34:35,996 MIND, THERE IS NO PART OF ME 1092 00:34:36,000 --> 00:34:38,000 READY TO OPEN UP TO JAMES. 1093 00:34:38,000 --> 00:34:39,270 >> HOW COME I WON'T SAY ARE YOU 1094 00:34:39,266 --> 00:34:40,726 GOOD, ARE YOU OKAY, HEY, I'M 1095 00:34:40,733 --> 00:34:42,773 FINE, I WILL WALK AWAY, 1096 00:34:42,766 --> 00:34:43,026 WHATEVER. 1097 00:34:43,033 --> 00:34:43,333 I GET THAT. 1098 00:34:43,333 --> 00:34:47,133 >> THANK YOU SO MUCH. 1099 00:34:47,133 --> 00:35:06,933 >> THAT‐‐ YOU OH MY GOSH, I WANT 1100 00:35:06,933 --> 00:35:10,403 A YELLOW BED. 1101 00:35:10,400 --> 00:35:12,470 >> WHAT? 1102 00:35:12,466 --> 00:35:25,296 >> OKAY. 1103 00:35:25,300 --> 00:35:25,800 >> YEAH. 1104 00:35:25,800 --> 00:35:28,530 >> GIVE UP ON ME. 1105 00:35:28,533 --> 00:35:32,503 I JUST LIVEIN IN, IN ETERNITY. 1106 00:35:32,500 --> 00:35:38,430 DON'T YOU GIVE UP ON ME. 1107 00:35:38,433 --> 00:35:50,703 >> DON'T YOU GIVE UP ON ME. 1108 00:35:50,700 --> 00:35:52,630 ♪ ON ME. 1109 00:35:52,633 --> 00:35:57,603 ♪ ON ME. 1110 00:36:11,766 --> 00:36:15,266 MORNING IN VEGAS, BED TIME. 1111 00:36:15,266 --> 00:36:17,296 >> WHOOO, IT WAS AN AWKWARD 1112 00:36:17,300 --> 00:36:19,130 NIGHT FOR MOIRA AND JAMES, TOO 1113 00:36:19,133 --> 00:36:21,473 MUCH LIKE MY PARENTS WHO HAD MY 1114 00:36:21,466 --> 00:36:23,426 ENTIRE CHILDHOOD SPENT THE NIGHT 1115 00:36:23,433 --> 00:36:45,333 SLEEPING IN DIFFERENT BEDS. 1116 00:36:47,366 --> 00:36:49,166 >> GOOD MORNING. 1117 00:36:49,166 --> 00:36:49,966 >> GOOD MORNING. 1118 00:36:49,966 --> 00:36:52,166 >> HOPE WE CAN STILL BE FRIENDS 1119 00:36:52,166 --> 00:36:54,366 AFTER ALL THIS. 1120 00:36:54,366 --> 00:36:56,166 I DON'T WANT IT TO BE WEIRD OR 1121 00:36:56,166 --> 00:36:56,796 ANYTHING. 1122 00:36:56,800 --> 00:37:00,330 SORRY EVERYTHING HAPPENED. 1123 00:37:00,333 --> 00:37:06,103 I KNOW OUR SPARK WAS FIRE FIRST 1124 00:37:06,100 --> 00:37:09,230 AND THINGS HAPPENED AND I 1125 00:37:09,233 --> 00:37:09,533 OVERREACTED. 1126 00:37:09,533 --> 00:37:10,473 YOU ARE A COOL PERSON AND I 1127 00:37:10,466 --> 00:37:13,296 AFTER ALL THIS, IT WOULD BE NICE 1128 00:37:13,300 --> 00:37:17,070 TO STILL BE FRIENDS AND TALK AND 1129 00:37:17,066 --> 00:37:19,966 I HOPE FOR THE BEST. 1130 00:37:19,966 --> 00:37:24,966 I CARE FOR YOU. 1131 00:37:24,966 --> 00:37:26,796 >> JAMES WAS NOT PICKING UP ON 1132 00:37:26,800 --> 00:37:29,230 MY MOOD OR THE LACK OF 1133 00:37:29,233 --> 00:37:31,173 CONVERSATION I WAS GIVING. 1134 00:37:31,166 --> 00:37:33,926 HE WASN'T ASKK ME IF I WAS OKAY. 1135 00:37:33,933 --> 00:37:36,403 I AM NOT BELIEVING HIS APOLOGY. 1136 00:37:36,400 --> 00:37:38,270 THERE IS NO PART OF ME THAT IS 1137 00:37:38,266 --> 00:37:40,396 READY TO OPEN UP TO JAMES AT 1138 00:37:40,400 --> 00:37:41,000 THIS POINT. 1139 00:37:41,000 --> 00:37:42,900 SO IT IS REALLY ANNOYING. 1140 00:37:42,900 --> 00:37:45,500 >> I JUST DON'T WANT IT BE TO 1141 00:37:45,500 --> 00:37:49,200 WEIRD WHEN YOU WALK BY ME OR 1142 00:37:49,200 --> 00:37:49,970 ANYTHING. 1143 00:37:49,966 --> 00:37:51,066 YOU KNOW? 1144 00:37:51,066 --> 00:38:02,226 >> YEAH, NO, I KNOW. 1145 00:38:02,233 --> 00:38:04,933 >> LIKE A TATTOOED SHIRTLESS 1146 00:38:04,933 --> 00:38:06,673 DOOR TO DOOR SALESMAN CALEB IS 1147 00:38:06,666 --> 00:38:09,166 CHATTING UP EVERY GIRL IN THE 1148 00:38:09,166 --> 00:38:09,496 NEIGHBORHOOD. 1149 00:38:09,500 --> 00:38:11,430 AND I SUSPECT TRE'S PARTNER 1150 00:38:11,433 --> 00:38:12,433 JUSTINE MIGHT BE INTERESTED IN 1151 00:38:12,433 --> 00:38:15,073 MORE THAN JUST HIS STAIN 1152 00:38:15,066 --> 00:38:15,726 RESISTANT TUPPERWARE. 1153 00:38:15,733 --> 00:38:17,533 >> DO YOU FEEL LIKE YOU ARE 1154 00:38:17,533 --> 00:38:18,473 WARMING UP TO EVERYBODY? 1155 00:38:18,466 --> 00:38:19,666 >> IT'S CRAZY. 1156 00:38:19,666 --> 00:38:21,566 I'M STARTING TO SEE JUST HOW 1157 00:38:21,566 --> 00:38:22,866 QUICK EVERYTHING MOVES IN HERE. 1158 00:38:22,866 --> 00:38:23,226 >> UH‐HUH. 1159 00:38:23,233 --> 00:38:24,203 >> YOU KNOW. 1160 00:38:24,200 --> 00:38:28,130 I 100% AM OPEN MINDED. 1161 00:38:28,133 --> 00:38:30,073 AND I AM GOING TO BE LIKE A BOOK 1162 00:38:30,066 --> 00:38:30,626 OUT HERE. 1163 00:38:30,633 --> 00:38:32,473 I'M GOING TO TALK TO ANYBODY WHO 1164 00:38:32,466 --> 00:38:33,566 WANTS TO TALK. 1165 00:38:33,566 --> 00:38:36,696 I WANT TO FIND SOMEBODY THAT CAN 1166 00:38:36,700 --> 00:38:38,030 UNDERSTAND THAT THIS TAKES TIME. 1167 00:38:38,033 --> 00:38:40,003 >> IT'S GOT TO TAKE TIME. 1168 00:38:40,000 --> 00:38:41,630 >> IT'S REALLY CHALKING FOR 1169 00:38:41,633 --> 00:38:43,173 PEOPLE, SOME PEOPLE CAN SAY 1170 00:38:43,166 --> 00:38:44,596 YEAH, OKAY, TALK TO WHOEVER. 1171 00:38:44,600 --> 00:38:46,630 BUT NOW I DO FEEL LIKE I'M KIND 1172 00:38:46,633 --> 00:38:48,333 OF AT A PLACE WHERE I NARROWED 1173 00:38:48,333 --> 00:38:49,973 DOWN MY OPTIONS, YOU KNOW. 1174 00:38:49,966 --> 00:38:53,466 AND I'M REALLY LIKE, YOU'RE ONE 1175 00:38:53,466 --> 00:38:56,466 OF THE PEOPLE I REALLY NEED TO 1176 00:38:56,466 --> 00:39:00,396 GIVE MYSELF A CHANCE WITH. 1177 00:39:00,400 --> 00:39:01,570 >> I'M SO FLAT ERRED. 1178 00:39:01,566 --> 00:39:04,926 THANK YOU SO MUCH. 1179 00:39:04,933 --> 00:39:05,633 >> I LOVE IT. 1180 00:39:05,633 --> 00:39:07,333 I USUALLY TRY TO PLAY I DON'T 1181 00:39:07,333 --> 00:39:07,803 KNOW MAN. 1182 00:39:07,800 --> 00:39:09,830 >> TRY TO PLAY COOL, CARDS CLOSE 1183 00:39:09,833 --> 00:39:10,873 TO YOUR CHEST. 1184 00:39:10,866 --> 00:39:12,266 NO, I MEAN THAT'S DEFINITELY 1185 00:39:12,266 --> 00:39:15,126 NICE TO HEAR BECAUSE THERE IS 1186 00:39:15,133 --> 00:39:16,133 DEFINITELY, AN INITIAL 1187 00:39:16,133 --> 00:39:17,933 ATTRACTION WHEN I SAW YOU, 1188 00:39:17,933 --> 00:39:18,233 OBVIOUSLY. 1189 00:39:18,233 --> 00:39:19,373 AND HAVING A CONVERSATION WITH 1190 00:39:19,366 --> 00:39:20,996 YOU IS SUPER EASY. 1191 00:39:21,000 --> 00:39:22,500 I AM DEFINITELY OPEN TO GETTING 1192 00:39:22,500 --> 00:39:24,300 TO KNOW CALEB BECAUSE I MEAN 1193 00:39:24,300 --> 00:39:25,530 LOOK AT HIM. 1194 00:39:25,533 --> 00:39:29,273 I MEAN HE'S DEFINITELY A CHARMER 1195 00:39:29,266 --> 00:39:30,626 AND HE JUST CARRIES HIMSELF 1196 00:39:30,633 --> 00:39:40,673 REALLY WELL SO YEAH. 1197 00:39:40,666 --> 00:39:42,196 >> TAKE CONTROL OF THE LOVE 1198 00:39:42,200 --> 00:39:45,330 ISLAND VILLA AND HAVE YOUR 1199 00:39:45,333 --> 00:39:46,973 CHANCE WITH THE LOVE ISLAND APP, 1200 00:39:46,966 --> 00:39:48,066 GET THE HOTTEST GOSSIP, PLAY 1201 00:39:48,066 --> 00:39:50,166 ALONG IN THE SHOW WITH EXCLUSIVE 1202 00:39:50,166 --> 00:39:51,696 CONTENT, JOIN THE LOVE ISLAND 1203 00:39:51,700 --> 00:39:53,670 COMMUNITY AND TAKE PART IN POLLS 1204 00:39:53,666 --> 00:39:55,396 AND QUIZES AND MOST IMPORTANTLY 1205 00:39:55,400 --> 00:39:56,770 YOU HAVE THE CHANCE TO REALLY 1206 00:39:56,766 --> 00:39:58,596 STIR THINGS UP. 1207 00:39:58,600 --> 00:40:01,000 BECAUSE TOMORROW NIGHT IS OUR 1208 00:40:01,000 --> 00:40:02,700 FIRST VIEWER VOTE. 1209 00:40:02,700 --> 00:40:04,100 SO DOWNLOAD THE APP TO HAVE YOUR 1210 00:40:04,100 --> 00:40:05,330 VOICE HEARD. 1211 00:40:05,333 --> 00:40:06,733 ABLE FOR FREE ON ANDROID AND IOS 1212 00:40:06,733 --> 00:40:08,903 DEVICES. 1213 00:40:17,566 --> 00:40:18,596 >> WELL, THIS DAY HAS BEEN MORE 1214 00:40:18,600 --> 00:40:19,200 DRAINING THAN SHUTTING DOWN A 1215 00:40:19,200 --> 00:40:20,270 WATER PARK SO I THINK THE 1216 00:40:20,266 --> 00:40:21,866 ISLANDERS DESERVE TO GO OUT FOR 1217 00:40:21,866 --> 00:40:24,826 THE NIGHT, WHICH IN VEGAS MEANS 1218 00:40:24,833 --> 00:40:25,573 SEE YOU IN A MONTH. 1219 00:40:25,566 --> 00:40:28,796 >> I FEEL LIKE IT IS LIKE A 1220 00:40:28,800 --> 00:40:30,530 METAPHOR FOR OUR RELATIONSHIP. 1221 00:40:30,533 --> 00:40:32,573 >> I GOT A TEXT. 1222 00:40:32,566 --> 00:40:36,066 >> MOIRA GOT A TEXT. 1223 00:40:36,066 --> 00:40:37,826 >> WHOOO WHOOO. 1224 00:40:37,833 --> 00:40:40,503 >> I GOT A TEXT! 1225 00:40:40,500 --> 00:40:42,270 ISLANDERS, GET READY TO ROLL THE 1226 00:40:42,266 --> 00:40:43,766 DICE BECAUSE TONIGHT THERE WILL 1227 00:40:43,766 --> 00:40:50,026 BE A VEGAS THEME PARTY. 1228 00:40:50,033 --> 00:40:55,473 >> DRESS TO IMPRESS SLM. 1229 00:40:55,466 --> 00:40:57,226 >> OH MY GOD. 1230 00:40:57,233 --> 00:41:16,103 I JUST HURT MY KNEE SO BAD. 1231 00:41:16,100 --> 00:41:18,730 YEAH BABY, IT'S VEGAS NIGHT. 1232 00:41:18,733 --> 00:41:20,403 >> I'M FREAKING OUT. 1233 00:41:20,400 --> 00:41:21,970 >> WHY ARE YOU FREAKING OUT. 1234 00:41:21,966 --> 00:41:23,826 >> ROLL THE DICE? 1235 00:41:23,833 --> 00:41:25,873 >> TAKE A CHANCE. 1236 00:41:25,866 --> 00:41:26,966 >> ON LOVE. 1237 00:41:26,966 --> 00:41:28,266 >> ON SOMEONE WHO IS NOT US. 1238 00:41:28,266 --> 00:41:29,866 >> MY BOOBIES ARE GOING TO BE 1239 00:41:29,866 --> 00:41:31,296 OUT, MY BACK IS GOING TO BE 1240 00:41:31,300 --> 00:41:32,830 OUT, MY LEGS ARE GOING TO BE 1241 00:41:32,833 --> 00:41:34,903 OUT, IT IS ALL GOING TO BE OUT. 1242 00:41:34,900 --> 00:41:36,230 >> IS IT REALLY GOING TO BE 1243 00:41:36,233 --> 00:41:36,903 BOOED UP. 1244 00:41:36,900 --> 00:41:39,870 >> YOU DON'T THINK I CAN KISS 1245 00:41:39,866 --> 00:41:40,466 MOIRA. 1246 00:41:40,466 --> 00:41:42,796 >> YOU WANT TO GET SPICE GIRL, 1247 00:41:42,800 --> 00:41:47,000 VEGAS SPICE GIRL. 1248 00:41:47,000 --> 00:41:49,600 >> . 1249 00:41:49,600 --> 00:41:51,970 >> LET'S GO. 1250 00:41:51,966 --> 00:41:53,096 I'M READY. 1251 00:41:53,100 --> 00:41:57,800 >> RELEASE US. 1252 00:41:57,800 --> 00:41:59,570 >> VEGAS NIGHT, BABY. 1253 00:41:59,566 --> 00:42:01,566 LET'S GO. 1254 00:42:01,566 --> 00:42:03,826 >> ARE YOU EXCITED? 1255 00:42:03,833 --> 00:42:04,633 >> VEGAS. 1256 00:42:04,633 --> 00:42:06,433 >> LIKE A GYMNAST WHO PRACTICES 1257 00:42:06,433 --> 00:42:09,373 IN AN OLIVE OIL FACTORY, MOIRA 1258 00:42:09,366 --> 00:42:11,026 HAS A KNEE INJURY. 1259 00:42:11,033 --> 00:42:13,373 >> LUCKILY A BOUQUET OF BEEF 1260 00:42:13,366 --> 00:42:15,926 CAKE CARRIES HER BACK UP THE 1261 00:42:15,933 --> 00:42:21,233 ISLAND ATOP THE CROMWELL. 1262 00:42:21,233 --> 00:42:24,073 >> WE MAY GAMBLE IN VEGAS BUT WE 1263 00:42:24,066 --> 00:42:30,666 ARE NOT GAMBLING FOR LOVE. 1264 00:42:30,666 --> 00:42:36,266 >> ABOUT TO GET A LITTLE FRISKY 1265 00:42:36,266 --> 00:42:39,566 TONIGHT. 1266 00:42:39,566 --> 00:42:41,066 >> LET'S PARTY, WAIT, I HAVE A 1267 00:42:41,066 --> 00:42:43,426 PRODUCER IN MY EAR TELLING ME 1268 00:42:43,433 --> 00:42:43,633 WHAT? 1269 00:42:43,633 --> 00:42:44,733 WE'LL SEE THE REST OF THE PARTY 1270 00:42:44,733 --> 00:42:45,773 TOMORROW NIGHT? 1271 00:42:45,766 --> 00:42:47,796 I WANT TO SEE THE TRUTH OR DARE 1272 00:42:47,800 --> 00:42:48,670 ROULETTE RIGHT NOW. 1273 00:42:48,666 --> 00:42:51,196 I BET THEY'RE ABOUT TO GO INTO A 1274 00:42:51,200 --> 00:42:53,000 BIG EXCITING PREVIEW STARTING 1275 00:42:53,000 --> 00:42:57,400 WITH ME SAYING SOMETHING LIKE, 1276 00:42:57,400 --> 00:43:01,530 TOMORROW NIGHT, TOMORROW NIGHT, 1277 00:43:01,533 --> 00:43:06,433 THERE'S TROUBLE IN PARADISE. 1278 00:43:06,433 --> 00:43:08,033 >> CONNOR HAS A TRIPLE KISS WITH 1279 00:43:08,033 --> 00:43:12,473 TWO ISLANDERS. 1280 00:43:12,466 --> 00:43:14,496 >> AS YOU TAKE CONTROL OF LOVE 1281 00:43:14,500 --> 00:43:24,730 ISLAND IN OUR VERY FIRST VOTE. 1282 00:43:24,733 --> 00:43:26,273 Captioning funded by CBS 1283 00:43:26,866 --> 00:43:27,666 Captioned by 1284 00:43:27,666 --> 00:43:28,326 Media Access Group at WGBH 1285 00:43:28,333 --> 00:43:31,073 access.wgbh.org