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[spacey music]

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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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[whoosh]

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[scribbles]

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(Glenville) If you're going to
become an international brand,

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you have to have a name
people can pronounce

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[clap]

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Pierre Cardin

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[funky music]

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Pierre Cardin

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Pierre Cardin

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Pierre Cardin

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Pierre Cardin

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Pierre

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Pierre Cardin

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Pierre

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Pierre

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Pierre

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Pierre

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Pierre

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Pierre

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Pierre

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Pierre

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Pierre

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Pierre Cardin

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[music continues]

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Cardin

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Cardin

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Cardin

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Cardin

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Cardin

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Cardin

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Cardin

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Cardin

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[vocalizes]

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Pierre Car-- oh you just say it.

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[laughs]

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Just say it,
I'll drink.

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That'd be - Pierre Cardin.

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You know, Pierre Cardin.

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There's no one on the planet

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who's not going to
recognize that name.

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That's an exaggeration, but

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it's not far from the truth.

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Pierre Cardin

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[cool music]

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[crowd chatters]

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[funky music]

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[whoosh]

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In a word, chic.

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[funky music]

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(Amber Butchart)
Many of his ideas have become

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mainstays
of the fashion industry.

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They were incredibly original
and innovative

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when he brought them
into play.

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He just revolutionized
our business.

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A little bit of a sell-out.

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A contradiction.

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A control freak.

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A label, a logo, a legend.

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What's not to admire?

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[funky music]

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[explosion]

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[flash snaps]
[whoosh]

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[music fades to a hum]

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[whoosh]

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[laughs]

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[crowd chatters]

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[laughs]

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[crowd chatters]

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[applause]

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[woman speaks indistinctly]

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[flash snaps]
[laughs]

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[clicks]

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When Cardin takes someone in,
and someone joins

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the House of Cardin,

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you're like joining a family.

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[dreamy music]

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(Tony Glenville) The weird thing
of course is that

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he's thought of as
French designer Pierre Cardin.

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And he's not.
He's Italian.

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[birds chirp]

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[newsreel music]

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(newsreel) Mussolini's road
to power began in 1922

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when his fascist black-shirts
marched on Rome.

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[crowds cheer]

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[train whistle]

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[train rumbles]

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[train whistle]

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[dreamy music]

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[planes roar]

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[explosion]

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[newsreel music]

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(newsreel) Vive la France

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Shouts ring from every throat.

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Including that of mademoiselle.

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[cheerful march]

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[chill guitar]

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[traffic]

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[somber piano]

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[cars honk]

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[fairy tale music]

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It was a much smaller group
or clique of people

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in those days.

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Sir Bérard knew Cocteau.
Cocteau knew Christian Dior

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and so on.
[whoosh]

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[laughs]

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[laughs]

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[laughs]

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[dreamy music]

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(Naomi Campbell)
At the end of the day

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the real designers are the ones
who know how to tailor.

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Then you could never be starving
[laughs]

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If you can tailor, you can eat.

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(Amy Fine Collins) Immediately
after World War II,

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he is connected
to all these social events

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that are legends.

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He dressed Christian Dior
as a lion.

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Cardin made that costume.

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This is 1948.

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And then at the Beistegui Ball,

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one of the great costume balls
of the century,

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he contributed thirty costumes.

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(newsreel)
On the Regio Canal, Venice,

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the Labia Palace has transformed
for one night

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into a scene
of 18th Century glory.

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[clap]

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[funky music]

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[laughs]

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[footsteps]

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[floors creak]

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[man speaks]

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[cheerful guitar]

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Fourteeth floor,
full of clothes.

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[plastic crinkles]

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[footsteps]

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[orchestral music]

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(newsreel) Here's the latest
look from Paris,

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filmed in Paris.

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[music continues]

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[somber guitar]

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[laughter]

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[funky beat]

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(Cardin) When I draw a dress,
I'm not thinking tall or small,

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Japanese or French or
American or Australian girls.

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I'm just thinking "dress"

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to put the body
in some wonderful form, you know.

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(Tony Glenville) He really
brought that to the fore

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during the 50s and 60s

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where we were changing our idea

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as to what could be
in a fashion magazine.

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Even from the very beginning,

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he didn't go

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for the conventional
set of mannequins at that time.

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If he felt that they were right
to show his creations

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and express his creativity
and his designs,

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then he chose, then,
the right frame of mind.

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[bouncy music]

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(Tony Glenville)
It was a perfect marriage

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of model and designer.

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Once she was established,
we knew

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that she was the one
that would be wearing

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the main pieces of the season

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because she did
have a real knack

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for wearing Cardin that
none of them quite had.

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[funky music]

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(Dionne Warwick) The diversity
was quite refreshing.

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because during the 60s,
here in the States,

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we were experiencing
some true ugliness.

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I didn't like what my country
was doing to people

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that looked like me.

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I still don't.

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In the 60s, he decided
that it was okay

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to use a Japanese person.

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It's okay to use a person that
looked like me with brown skin.

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What he was selling was not

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a color of skin.

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(Jenny Shimizu)
it's very important

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that Hiroko was a model
in the 50s

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because it changes
their perception of

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A Japanese woman,
or what beauty can be.

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I was a Japanese,
tattooed, lesbian.

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I didn't want to ever model,
but what made me do it

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was because there was nobody

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that represented anything
like that.

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And I thought, you know what,

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if there's a window
of opportunity,

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politically, it had to be done.

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With fashion, I mean, you
can reach billions of people

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with the cover of a magazine.

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[funky music]

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(Naomi Campbell) He was
extremely instrumental

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in being one of the designers
to use models of diversity

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and all color, so for that,
I thank him.

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[cameras flash]

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The 1960s is this key decade
in fashion

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where we start
to see this idea of

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pre-War hierarchies of society
should be broken down.

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What's been called
"The Youth Quake"

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is a really big part of this.

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Breaking from the past,
not wanting to wear

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what your parents wore.

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[crowd chatters]

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[music continues]

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(Trina Turk) His clothing
definitely moved away

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from having

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anything to do with the actual
shape of the female form.

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So, of course, if you're wearing
an A-Line dress,

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it's much easier to move around

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than it is if you're wearing
a very tight, fitted dress.

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So, in a sense, I think that
being able to move freely

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is empowering.

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[whoosh]

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(Sharon Stone)
It was not only "Women"

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and "Women of Freedom",

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but here is a coloful,
exclaimation point

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at the end of a sentence.

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[electronic tones]

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I see Pierre Cardin as somebody
who was a feminist

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who understood also what
women from the 60s and 70s

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needed in a designer.

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So Pierre Cardin was
one of the first

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to really create
beautiful silhouettes,

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beautiful clothes that were
reasonably priced,

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and were made of materials
that were practical.

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That you could wash and wear,
or dry clean.

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It's just-- it's just beautiful.

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-If I stand up, will you see it?
(interviewer) Yeah.

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Okay.

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Because it really is--
it really is kind of amazing.

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(Tony Glenville) With Cardin,
menswear changed

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so dramatically.

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Because menswear was so based
around that men wore suits.

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So once we started to relax,
a lot of people wanted Cardin

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because it was modern,
and it was young,

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and it was different.

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00:35:31,045 --> 00:35:33,756
(John Lennon) Paul, John,
George and Ringo.

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(interviewer) How did
your style begin?

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(Lennon) Well, we got it
from Paris.

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(McCartney) Yeah, Cardin.

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(Lennon) Groups didn't use to
have this sort of jacket.

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they used to wear all new suits.

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(McCartney)
We adopted this fashion.

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It's a French fashion.

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(interviewer) From whom?
(the Beatles) Pierre Cardin!

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When you're looking
at a magazine,

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you go through the Dior,
the Balmaín, the Nina Ricci,

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and then you get to Cardin,
and you go, "Wow!"

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I've turned the page,
and I've gone from

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the sexy women with
a rolled umbrella

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and a little hat

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and suddenly I've got a girl
with a geometric

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Vidal Sassoon haircut,
and this amazing look,

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and it's modern.

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It says modern.

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00:36:13,921 --> 00:36:16,340
(President Kennedy) No man
can fully grasp

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00:36:16,340 --> 00:36:19,510
how far or how fast we have come

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00:36:19,760 --> 00:36:22,305
Man in his quest
for knowledge and progress

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is determined
and cannot be deterred

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The exploration of space
will go ahead.

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[cheerful music]
[radio whines]

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[futuristic tones]

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(Collins) With the circle
is a perfect form.

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00:38:02,530 --> 00:38:06,659
A circle is also a sphere,
which is a globe.

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Which is a universe
that he occupies.

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I mean, he covers the globe.

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He always has thought globally.

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It also was
a symbol of eternity,

270
00:38:17,795 --> 00:38:20,798
and Pierre Cardin seems to be
forever.

271
00:38:29,307 --> 00:38:32,310
[footsteps]
[music continues]

272
00:39:05,217 --> 00:39:07,136
(Collins)
He was just a futurist.

273
00:39:07,136 --> 00:39:11,098
He was a futurist in the way
the designs looked.

274
00:39:11,098 --> 00:39:12,767
He was a futurist in his idea

275
00:39:12,767 --> 00:39:14,769
of how fashion
can be a business.

276
00:39:15,770 --> 00:39:18,981
He was a futurist in his...

277
00:39:18,981 --> 00:39:22,735
sort of all-encompassing,
all-embracing idea of

278
00:39:22,735 --> 00:39:26,197
art, and performance art,
and architecture,

279
00:39:26,197 --> 00:39:29,325
and fashion,
all being of one piece.

280
00:40:24,922 --> 00:40:26,757
(Mount) There's always
something extra

281
00:40:26,841 --> 00:40:29,593
It's true for his furniture,
and it's true for his clothes.

282
00:40:29,593 --> 00:40:31,929
And I think that's what
makes him so appealing.

283
00:40:31,929 --> 00:40:34,265
There's always a cherry on top.

284
00:40:34,890 --> 00:40:35,641
[whoosh]

285
00:41:05,379 --> 00:41:07,339
[vocalizes]

286
00:41:44,627 --> 00:41:47,630
[plastic crinkles]

287
00:42:06,023 --> 00:42:09,610
[machine whirs]

288
00:42:09,610 --> 00:42:12,613
[calm piano]

289
00:43:09,795 --> 00:43:12,798
[crowd chatters]
[jazzy beat]

290
00:43:44,872 --> 00:43:48,334
[crowd laughs and claps]

291
00:43:48,334 --> 00:43:50,586
[Cardin speaks indistinctly]

292
00:44:38,258 --> 00:44:39,551
[piano music]

293
00:44:55,234 --> 00:44:58,237
[machines hiss]

294
00:45:08,330 --> 00:45:11,333
[paparazzi chatter]
[cameras snap]

295
00:45:11,333 --> 00:45:15,337
[jazzy drumbeat]

296
00:45:16,672 --> 00:45:18,298
(Chung) Pierre Cardin
was one of the pioneers

297
00:45:18,298 --> 00:45:20,968
in making eyewear fashionable,

298
00:45:20,968 --> 00:45:23,178
both sunglasses
and prescription.

299
00:45:23,595 --> 00:45:25,597
Prior to Pierre Cardin,

300
00:45:25,597 --> 00:45:28,100
the choices in eyewear were
gold rim,

301
00:45:28,100 --> 00:45:31,103
tortoise, black
and a combo frame

302
00:45:31,103 --> 00:45:33,981
like what Kevin Costner
wore in JFK.

303
00:45:33,981 --> 00:45:37,276
All through the 70s
and 80s, it was Pierre Cardin.

304
00:45:37,276 --> 00:45:40,529
that propelled the eyewear
industry into designer.

305
00:45:40,529 --> 00:45:46,410
["James Bond" theme]

306
00:45:46,577 --> 00:45:50,456
[snow rushes]

307
00:45:50,622 --> 00:45:53,792
(Collins) He certainly put
power in the logo.

308
00:45:53,792 --> 00:45:58,672
The Helvetica, the
anthromorphic, bimorphic P.C.

309
00:45:58,672 --> 00:46:01,049
(Collins) He is not the first
one to put a logo

310
00:46:01,049 --> 00:46:03,927
on the outside, but he's one
of the first

311
00:46:03,927 --> 00:46:06,597
to know that he didn't
have to do it discreetly.

312
00:46:08,098 --> 00:46:10,392
(Butchart) Branding
is really a perfect way

313
00:46:10,392 --> 00:46:13,270
of telling people,
“I am aligning myself

314
00:46:13,270 --> 00:46:16,857
the aesthetics principles
of this particular designer.

315
00:46:16,857 --> 00:46:18,567
I understand good taste.”

316
00:46:18,609 --> 00:46:19,651
Clear the runway.

317
00:46:19,651 --> 00:46:20,778
[funky music]

318
00:46:56,855 --> 00:46:57,898
(Collins) It’s identification.

319
00:46:57,898 --> 00:46:59,525
There’s a brand identification.

320
00:46:59,525 --> 00:47:01,151
I mean, you can say the same
thing happens

321
00:47:01,151 --> 00:47:03,320
with beer or cigarettes.

322
00:47:03,654 --> 00:47:05,030
[whoosh]

323
00:47:11,578 --> 00:47:14,581
[jazzy beat]

324
00:47:29,012 --> 00:47:31,974
[lively bass]

325
00:47:38,313 --> 00:47:40,524
(O'Brien) What’s been
described as a licensing

326
00:47:40,524 --> 00:47:43,026
is now fully recognized
as branding.

327
00:47:43,026 --> 00:47:45,863
I think the first time
I heard about Pierre Cardin

328
00:47:45,863 --> 00:47:48,615
was because someone I was
dating was wearing the cologne.

329
00:47:54,079 --> 00:47:55,247
(Alice Cooper)
It’s just like clothes.

330
00:47:55,247 --> 00:47:57,749
What’s the new fragrance?
The Pierre Cardin.

331
00:47:57,749 --> 00:47:59,084
If you didn’t have that,
you weren't cool.

332
00:47:59,668 --> 00:48:01,086
(Stone)
The bottle was fantastic.

333
00:48:01,295 --> 00:48:04,840
It was so chic architecturally
just so extraordinary.

334
00:48:05,132 --> 00:48:07,968
(Mount) Part of what makes
it so provocative and fun,

335
00:48:07,968 --> 00:48:10,596
obviously references a penis.

336
00:48:10,596 --> 00:48:11,638
That's sex!

337
00:48:17,019 --> 00:48:18,812
[commercial music]
[water splashes]

338
00:48:18,812 --> 00:48:21,815
[jazzy music]

339
00:48:22,941 --> 00:48:25,027
(Mount) Even these
inexpensive towels

340
00:48:25,027 --> 00:48:28,572
have a graphic image
that evokes Pierre Cardin.

341
00:48:34,286 --> 00:48:35,996
Wait! He did an AMC Javelin?

342
00:48:37,915 --> 00:48:40,709
With elegant
and colorful upholstery,

343
00:48:40,709 --> 00:48:42,002
classic door panels,

344
00:48:43,378 --> 00:48:45,005
and chic headliner.

345
00:48:45,756 --> 00:48:49,092
(Merlis) The Cardin Javelin
was really fully realized.

346
00:48:49,092 --> 00:48:50,886
It was pretty awesome.

347
00:48:55,015 --> 00:48:58,018
The Cardin option really gave
them a piece of distinction

348
00:48:58,018 --> 00:48:59,978
that no other manufacturer had.

349
00:49:02,439 --> 00:49:05,651
Not content to being earthbound
he lent his brand

350
00:49:05,651 --> 00:49:08,111
and his ethos to a plane,

351
00:49:08,111 --> 00:49:10,322
an executive jet by Westwind.

352
00:49:40,227 --> 00:49:43,105
It seems to me that it would
have been an impossible task

353
00:49:43,855 --> 00:49:46,108
to keep track of it all.

354
00:49:46,108 --> 00:49:48,986
And so, at some point,
there’s some licensee

355
00:49:48,986 --> 00:49:50,862
somewhere in the world
going rogue

356
00:49:50,862 --> 00:49:53,031
and creating whatever they want

357
00:49:53,031 --> 00:49:55,701
and putting
a Pierre Cardin label on it.

358
00:50:55,385 --> 00:50:59,097
From the very beginning,
he never accepted any money.

359
00:50:59,097 --> 00:51:01,016
He never took a loan
from a bank.

360
00:51:01,850 --> 00:51:04,352
He’s that clever
as a business person.

361
00:51:04,936 --> 00:51:06,980
(Gonder) Dior, the House of
Dior, and the other Houses,

362
00:51:06,980 --> 00:51:08,065
they have been developed.

363
00:51:08,065 --> 00:51:09,858
But they have been developed
by marketing teams

364
00:51:09,858 --> 00:51:13,111
and by marriages and alliances
with other big corporations.

365
00:51:13,111 --> 00:51:15,238
Pierre Cardin belongs
to Pierre Cardin.

366
00:51:36,593 --> 00:51:38,804
(Collins) Pierre Cardin on
the cover of Time Magazine

367
00:51:38,804 --> 00:51:42,390
is proof of the fact that
he was well-regarded,

368
00:51:42,390 --> 00:51:46,478
not just as a designer
of frivolities for women

369
00:51:46,478 --> 00:51:49,231
but also as a… empire builder.

370
00:51:49,606 --> 00:51:52,609
[dreamy waltz]

371
00:52:20,595 --> 00:52:22,556
Welcome to Maxim's, my friend!

372
00:52:27,894 --> 00:52:29,271
[instrumental music]

373
00:52:38,780 --> 00:52:42,325
(Glenville) Of all the things
he would buy in Paris,

374
00:52:42,325 --> 00:52:45,245
he would buy the oldest
Art Nouveau restaurant.

375
00:53:03,430 --> 00:53:04,181
Please.

376
00:53:05,015 --> 00:53:08,018
[relaxing piano]

377
00:55:09,055 --> 00:55:12,517
With Cardin,
in spite of all the modernity,

378
00:55:12,517 --> 00:55:16,271
in spite of all the synthetics,
in spite of all the shine,

379
00:55:16,271 --> 00:55:19,065
it doesn’t have
a coldness to it.

380
00:55:19,065 --> 00:55:21,401
And that, I think, may be that

381
00:55:21,401 --> 00:55:24,696
there’s still that little bit
of the Italian warmth

382
00:55:24,696 --> 00:55:28,074
sitting somewhere inside his
genetic make-up.

383
00:55:28,074 --> 00:55:30,910
Maybe, it’s also
the fact that he has

384
00:55:30,910 --> 00:55:33,121
a certain warmth as a person

385
00:55:33,121 --> 00:55:35,665
which we may
or may not always see

386
00:55:35,665 --> 00:55:37,917
in his public persona.

387
00:55:37,917 --> 00:55:41,629
He’s creating for tomorrow,
but not as a challenge

388
00:55:41,629 --> 00:55:44,090
to frighten or scare us.

389
00:55:44,090 --> 00:55:45,967
He’s designing for tomorrow

390
00:55:45,967 --> 00:55:47,886
because that’s where
he’s looking.

391
00:56:14,079 --> 00:56:15,121
(Collins) That already introduces

392
00:56:15,121 --> 00:56:17,123
that idea of fantasy

393
00:56:17,123 --> 00:56:18,958
and a big part of his fantasy is,

394
00:56:18,958 --> 00:56:20,960
“What is the world
of the future?”

395
00:56:20,960 --> 00:56:25,965
The world of the future he saw
as something global.

396
00:56:25,965 --> 00:56:26,883
He was in Japan

397
00:56:26,883 --> 00:56:29,886
when you hardly saw
Japanese in western clothing.

398
00:56:29,886 --> 00:56:33,848
He was in China, when everyone
was still in a Mao uniform.

399
00:56:33,848 --> 00:56:36,893
He was in the Soviet Union when
there was no fashion at all.

400
00:56:36,893 --> 00:56:39,896
I mean, who ever thought of these
places as markets?

401
00:56:39,896 --> 00:56:42,816
Countries that didn’t
have even the freedom

402
00:56:42,816 --> 00:56:45,276
to wear the clothes
that they wanted to wear.

403
00:57:06,297 --> 00:57:08,383
[cheerful saxophone]

404
00:57:36,369 --> 00:57:39,372
[dreamy piano]

405
00:58:06,858 --> 00:58:09,861
[crowds applaud]

406
00:59:35,446 --> 00:59:38,449
[music continues]

407
00:59:40,535 --> 00:59:43,538
[majestic orchestral]

408
01:01:45,576 --> 01:01:48,538
[chill guitar]

409
01:02:05,138 --> 01:02:08,141
[music continues]

410
01:04:08,219 --> 01:04:11,222
[music with Chinese vocals]

411
01:05:48,861 --> 01:05:50,154
(Lauren Bacall) How
many million dollars

412
01:05:50,154 --> 01:05:52,239
did this man make last year?

413
01:05:52,239 --> 01:05:54,951
His name is Pierre Cardin.

414
01:06:52,091 --> 01:06:54,218
[synth music]

415
01:07:03,519 --> 01:07:09,025
[synth music]

416
01:08:48,332 --> 01:08:51,335
[accordion music]

417
01:09:41,343 --> 01:09:43,804
(Warwick) Burt Bacharach was
the musical conductor

418
01:09:43,804 --> 01:09:44,847
for Marlene Dietrich.

419
01:09:44,847 --> 01:09:49,351
So apparently, Burt let her
know big girl's coming over.

420
01:09:49,351 --> 01:09:52,813
She did my sound check,
she did my lighting,

421
01:09:52,813 --> 01:09:55,149
then proceeded to walk
into my dressing room

422
01:09:55,149 --> 01:09:57,776
to look at the clothing
I brought to wear.

423
01:09:58,027 --> 01:10:01,822
She took a hanger out,
threw it in the hall.

424
01:10:02,239 --> 01:10:03,824
She was throwing
my clothes out.

425
01:10:03,824 --> 01:10:06,202
I thought the lady
had lost her mind, Ok?

426
01:10:06,202 --> 01:10:08,162
I didn’t know her,
she didn’t know me,

427
01:10:08,162 --> 01:10:10,039
she’s throwing them out,
I’m picking them up.

428
01:10:10,789 --> 01:10:13,792
And she says, “No, no, no,
no, you do not wear this.

429
01:10:14,752 --> 01:10:17,755
You must wear only couture.”

430
01:10:18,923 --> 01:10:20,925
That’s why Pierre Cardin

431
01:10:20,925 --> 01:10:23,093
is on the cover of “Make Way
for Dionne Warwick.”

432
01:10:23,677 --> 01:10:26,889
He was at, I think, every
performance I did.

433
01:10:26,972 --> 01:10:29,975
[Dionne Warwick sings]

434
01:10:31,227 --> 01:10:35,898
[applause]

435
01:10:36,815 --> 01:10:41,862
[crowd clatters]

436
01:10:42,780 --> 01:10:44,448
(Cooper) We get to
the Pierre Cardin theater

437
01:10:44,448 --> 01:10:45,908
and this is beautiful.

438
01:10:45,908 --> 01:10:47,451
All glass.

439
01:10:47,451 --> 01:10:49,870
And I’m going, “Really?
They want us to play here?”

440
01:10:49,870 --> 01:10:51,497
We’re used to playing dungeons.

441
01:10:56,877 --> 01:10:59,880
[rock music]

442
01:11:00,464 --> 01:11:03,634
(Cooper) 71 was the year
that we had pretty much

443
01:11:03,634 --> 01:11:06,136
terrified everybody
in rock-and-roll.

444
01:11:06,136 --> 01:11:08,722
So, there we are, getting
ready to do our show,

445
01:11:08,722 --> 01:11:11,308
and they come running in and
said, “They’re rioting outside.”

446
01:11:11,308 --> 01:11:14,228
They took Omar Sharif’s
Rolls Royce

447
01:11:14,228 --> 01:11:16,063
and ran it through
the glass window.

448
01:11:17,731 --> 01:11:20,067
They put Neil, my drummer,
and myself,

449
01:11:20,067 --> 01:11:21,944
in a closet,
a broom closet,

450
01:11:22,361 --> 01:11:24,863
with Bianca Jagger
and Catherine Deneuve,

451
01:11:25,197 --> 01:11:26,532
we’re like this.

452
01:11:26,991 --> 01:11:28,284
And I went,

453
01:11:28,617 --> 01:11:30,869
“I love riots in Paris.”
[laughs]

454
01:11:31,495 --> 01:11:32,913
When you think back of it now,

455
01:11:32,913 --> 01:11:34,081
with 20/20 hindsight,

456
01:11:34,081 --> 01:11:35,666
the idea of
bringing Alice Cooper

457
01:11:35,666 --> 01:11:37,167
into a theater like that,

458
01:11:37,668 --> 01:11:39,712
I think he probably knew
there was gonna be a riot,

459
01:11:40,337 --> 01:11:42,506
and that didn’t bother him one bit.

460
01:11:47,136 --> 01:11:50,097
[laughs]
[guitar riff]

461
01:12:27,509 --> 01:12:30,512
[synth music]

462
01:13:15,557 --> 01:13:18,560
[woman vocalizes]

463
01:13:20,354 --> 01:13:22,231
[actors murmur]

464
01:14:18,287 --> 01:14:21,290
[audience murmurs]
[light piano]

465
01:15:05,125 --> 01:15:08,128
[majestic orchestral music]

466
01:15:31,985 --> 01:15:37,366
[applause]

467
01:15:45,999 --> 01:15:49,002
[actors murmur]

468
01:16:13,819 --> 01:16:16,405
I do remember when I met him,

469
01:16:16,405 --> 01:16:20,534
I was probably twenty,

470
01:16:20,534 --> 01:16:23,245
and I remember him
saying to me,

471
01:16:23,245 --> 01:16:25,914
“Your beauty
is like a white rose.”

472
01:16:26,832 --> 01:16:29,918
And I was so shy, but it was
such a big deal

473
01:16:30,669 --> 01:16:34,006
that he noticed me, I felt.

474
01:16:34,006 --> 01:16:38,135
And that he said this very
particular thing to me,

475
01:16:38,135 --> 01:16:40,929
started to make me
think that women

476
01:16:40,929 --> 01:16:43,098
all have a particular kind
of beauty,

477
01:16:43,098 --> 01:16:45,100
and that we are all like flowers,

478
01:16:45,684 --> 01:16:48,353
and that we are all
different kinds of flowers.

479
01:16:48,854 --> 01:16:51,023
It’s something
that stayed with me,

480
01:16:51,023 --> 01:16:54,443
really stayed with me,
and really meant a lot to me.

481
01:17:10,417 --> 01:17:13,420
[jazz music]

482
01:17:22,804 --> 01:17:25,807
[music continues]

483
01:18:17,442 --> 01:18:20,445
Watching Jeanne Moreau
walk through a parking lot

484
01:18:21,738 --> 01:18:25,659
is akin to watching

485
01:18:25,659 --> 01:18:28,662
any other actress
do a three-page monologue.

486
01:18:28,995 --> 01:18:31,373
[piano music]

487
01:19:15,500 --> 01:19:19,588
(Collins) I guess a lot of people doubted
there was something there

488
01:19:19,588 --> 01:19:21,214
because they were more
accustomed to the idea

489
01:19:21,214 --> 01:19:23,675
of Pierre Cardin with a man
than a woman.

490
01:19:23,675 --> 01:19:25,594
But, my God, if you’re going
to make an exception,

491
01:19:25,594 --> 01:19:27,763
why not with Jeanne Moreau?

492
01:20:32,828 --> 01:20:34,579
(Glenville) We’re so used now

493
01:20:34,579 --> 01:20:36,832
knowing everyone’s private lives,

494
01:20:37,207 --> 01:20:39,209
it’s difficult to understand
that years ago,

495
01:20:39,209 --> 01:20:41,044
people didn’t feel
it was necessary

496
01:20:41,503 --> 01:20:44,589
for it to be part of their
discussion with a journalist,

497
01:20:44,589 --> 01:20:45,841
or an interview,

498
01:20:45,841 --> 01:20:48,510
or the motivation for their
seasonal collection.

499
01:20:49,177 --> 01:20:52,097
And I think it’s interesting
that with some designers,

500
01:20:52,097 --> 01:20:55,058
you don’t really know an awful
lot about their private lives.

501
01:20:55,058 --> 01:20:57,185
With Cardin, he didn’t need to

502
01:20:57,185 --> 01:20:59,938
have a banner headline
saying, “Here he is.”

503
01:21:01,022 --> 01:21:02,607
(Cardin) Just for weekends,
we fly

504
01:21:02,607 --> 01:21:05,777
many times
to the south of France,

505
01:21:05,819 --> 01:21:09,447
also Tunisia or Italy for two
or three days when we can.

506
01:21:09,531 --> 01:21:11,032
We go to the country.

507
01:21:11,199 --> 01:21:16,371
But in Paris, we are very few
times out of the house together

508
01:22:11,134 --> 01:22:14,930
We have very different lives.

509
01:22:15,013 --> 01:22:17,057
He works very much,

510
01:22:17,098 --> 01:22:19,017
and he wants to be very quiet,

511
01:22:19,017 --> 01:22:20,101
a very quiet life.

512
01:22:20,268 --> 01:22:23,271
[plane whines]
[funky rock music]

513
01:22:31,613 --> 01:22:35,825
Lovely house on the Seine...

514
01:22:35,909 --> 01:22:41,122
and I think he'd rather
be with very few friends.

515
01:22:41,831 --> 01:22:44,834
[music continues]

516
01:22:53,259 --> 01:22:58,056
I love to go many
times to nightclubs

517
01:22:58,098 --> 01:23:00,100
and discothèques...

518
01:23:00,183 --> 01:23:01,518
and things like that.

519
01:23:11,778 --> 01:23:15,740
♪ My heart flutters
when my sunshine fades away ♪

520
01:23:16,825 --> 01:23:20,829
♪ What kind of colors could I
bleed to make you stay ♪

521
01:23:20,829 --> 01:23:22,372
(Mount) Of course, in 1961,

522
01:23:22,372 --> 01:23:24,499
Pierre Cardin takes up
with Jeanne Moreau.

523
01:23:24,499 --> 01:23:28,128
So Andre Oliver moves
out of Pierre Cardin’s house.

524
01:23:57,157 --> 01:24:00,493
(Collins) The relationship
between Andre and Pierre Cardin

525
01:24:00,493 --> 01:24:04,706
survived this incident,
and if I were Andre,

526
01:24:04,706 --> 01:24:09,627
I would rather have infidelity
with a woman than with a man.

527
01:24:09,627 --> 01:24:12,088
But in the sort of history,

528
01:24:12,088 --> 01:24:14,799
one gets the sense of him
as a sort of a rock.

529
01:24:14,799 --> 01:24:17,010
He’s introduced at the
end of the runway shows

530
01:24:17,010 --> 01:24:19,387
which is kind of
a remarkable thing, right,

531
01:24:19,387 --> 01:24:24,142
you don’t see Alexander McQueen
introduce somebody else.

532
01:24:57,008 --> 01:25:00,470
(Mount) Andre Oliver dies
in 1993 from AIDS.

533
01:25:30,166 --> 01:25:33,169
[somber guitar]

534
01:26:06,411 --> 01:26:09,414
[city traffic whooshes]

535
01:26:16,296 --> 01:26:21,467
[men murmur]
[plastic crinkles]

536
01:26:44,949 --> 01:26:51,080
[talks indistinctly]

537
01:27:21,653 --> 01:27:23,238
[laughter]

538
01:28:49,032 --> 01:28:50,033
[laughs]

539
01:29:53,721 --> 01:29:55,014
What do I know
about what he’s doing?

540
01:29:55,014 --> 01:29:58,393
I know he is hoping to
build this tower in Venice.

541
01:29:59,560 --> 01:30:02,397
I don’t think he’s going
to leave this planet

542
01:30:02,397 --> 01:30:04,232
until he sees that thing built.

543
01:30:18,162 --> 01:30:21,165
[chill music]

544
01:32:14,862 --> 01:32:17,490
[laughs]
[speaks indistinctly]

545
01:33:12,503 --> 01:33:18,426
[sings]

546
01:33:18,426 --> 01:33:20,052
One more time.
- No.

547
01:33:20,052 --> 01:33:21,679
[laughs]

548
01:33:52,543 --> 01:33:54,712
Oh, I’m sure he’s going
to come forward again,

549
01:33:54,712 --> 01:33:56,714
and again, and again.

550
01:33:56,714 --> 01:33:59,216
Yeah, people will always be inspired.

551
01:33:59,216 --> 01:34:00,176
He is one of the greats.

552
01:34:05,765 --> 01:34:06,766
I feel young.

553
01:34:20,404 --> 01:34:23,407
[lively lounge music]

554
01:37:31,887 --> 01:37:34,890
[fanfare]