1
00:00:14,200 --> 00:00:16,660
SINGER: ♪ I'm takin'
you hostage ♪
2
00:00:16,660 --> 00:00:19,620
♪ I'm takin' control ♪
3
00:00:19,620 --> 00:00:22,660
♪ I got your heart
in the palm of my hand ♪
4
00:00:22,660 --> 00:00:25,670
♪ And I ain't lettin' it go ♪
5
00:00:25,670 --> 00:00:27,460
♪ I got your emotions...♪
6
00:00:27,460 --> 00:00:29,340
CLOVIS: What's all this shit?
Man, I'm tryin' to eat.
‐ Just please,
7
00:00:29,340 --> 00:00:32,970
don't touch anything,
all right?
CLOVIS: [softly] All right.
8
00:00:32,970 --> 00:00:34,340
You ready?
9
00:00:34,340 --> 00:00:36,050
‐ Oh, yeah.
10
00:00:36,050 --> 00:00:37,680
Take a final look.
11
00:00:37,680 --> 00:00:40,390
It's the last time
you're gonna see
broke Keef Knight.
12
00:00:40,390 --> 00:00:42,430
CLOVIS: That's my boy.
13
00:00:42,430 --> 00:00:45,650
SINGER: ♪ And it feels
I'ma comin' for you ♪
14
00:00:45,650 --> 00:00:47,120
KEEF: I see you, Mrs. Chang.
15
00:00:48,260 --> 00:00:49,940
‐ I know.
16
00:00:49,940 --> 00:00:51,400
SINGER: ♪ I'm gettin'
in your head ♪
17
00:00:51,400 --> 00:00:52,940
♪ I'm gettin' in your head ♪
18
00:00:52,940 --> 00:00:54,610
♪ I'm gettin' in your head ♪
19
00:00:54,610 --> 00:00:57,780
KEEF: Looking good, Alice.
‐ Lookin' pretty good,
too, Keef!
20
00:00:57,780 --> 00:00:59,830
Why don't you come over here
and sit on Mama's lap?
21
00:00:59,830 --> 00:01:01,660
‐ Maybe on Thursday.
22
00:01:01,660 --> 00:01:03,330
SINGER: ♪ I know
you wanted to ♪
23
00:01:03,330 --> 00:01:05,420
♪ You can't get away
from the feelin' ♪
24
00:01:05,420 --> 00:01:07,580
CINDY:
Say "syndication" on three.
25
00:01:07,580 --> 00:01:09,590
PHIL: One, two, three.
26
00:01:09,590 --> 00:01:12,090
ALL: Syndication!
[laughter]
27
00:01:12,090 --> 00:01:13,630
CINDY: Whoo!
PHIL: I love it!
28
00:01:13,630 --> 00:01:16,050
CINDY: Toast‐N‐Butter,
coast‐to‐coast!
29
00:01:16,050 --> 00:01:18,050
SINGER: ♪ That feeling ♪
30
00:01:18,050 --> 00:01:20,930
♪ I was in the show,
I'll never let ya go ♪
31
00:01:20,930 --> 00:01:22,390
♪ I'm gettin' in your head ♪
32
00:01:22,390 --> 00:01:23,810
♪ I'm gettin'
in your head ♪
33
00:01:23,810 --> 00:01:25,060
♪ I'm gettin' in your...♪
34
00:01:25,060 --> 00:01:26,520
KEEF: Hey.
TRINA: Hey.
35
00:01:26,520 --> 00:01:28,350
SINGER:
♪ Got it in your head ♪
36
00:01:28,350 --> 00:01:30,360
‐ That's for you.
‐ Ah, thank you.
37
00:01:30,360 --> 00:01:32,530
That's for me?
Oh, okay.
38
00:01:32,530 --> 00:01:34,280
‐ [chuckles softly]
How'd the shoot go?
39
00:01:34,280 --> 00:01:35,610
‐ Oh!
Nailed it.
40
00:01:35,610 --> 00:01:36,900
I made love to the camera.
41
00:01:36,900 --> 00:01:38,320
[both laugh]
42
00:01:38,320 --> 00:01:39,950
KEEF: How was court?
‐ Nailed it.
43
00:01:39,950 --> 00:01:41,490
Did not make love to anyone.
44
00:01:41,490 --> 00:01:43,410
‐ Ah, that's unfortunate.
45
00:01:43,410 --> 00:01:45,080
TRINA: Bam.
46
00:01:45,080 --> 00:01:46,750
KEEF: Shut up.
47
00:01:46,750 --> 00:01:49,250
‐ The Bernal Heights place.
‐ It's ours if we want it.
48
00:01:49,250 --> 00:01:51,710
‐ Oh, my God, I feel like
I'm dreaming‐‐am I dreaming?
49
00:01:51,710 --> 00:01:53,130
‐ You're not.
50
00:01:53,130 --> 00:01:54,670
[both chuckle]
51
00:01:54,670 --> 00:01:56,380
You deserve this.
52
00:01:56,380 --> 00:01:57,760
‐ I do deserve this.
53
00:01:57,760 --> 00:02:00,850
‐ Have you told Gunther
and Clovis yet?
54
00:02:00,850 --> 00:02:02,350
‐ Oh, that I plan on
movin' out?
55
00:02:02,350 --> 00:02:04,720
I will later.
I mean, it's a delicate
situation.
56
00:02:04,720 --> 00:02:06,430
I expect tears.
57
00:02:06,430 --> 00:02:08,560
‐ A couple of Happy Meals
should soften the blow.
58
00:02:08,560 --> 00:02:10,610
‐ Yeah, maybe some ice cream
and a little...
TRINA: Yeah.
59
00:02:10,610 --> 00:02:12,440
‐ Temple massage.
60
00:02:12,440 --> 00:02:15,440
[upbeat music]
61
00:02:15,440 --> 00:02:16,860
♪ ♪
62
00:02:16,860 --> 00:02:18,450
[bus hisses]
63
00:02:21,450 --> 00:02:23,490
‐ Hey, uh, I‐‐
64
00:02:23,490 --> 00:02:26,660
‐ I love Toast‐N‐Butter.
‐ Cool, man, me too.
65
00:02:26,660 --> 00:02:29,080
‐ I do a little
Toast‐N‐Butter
doodling myself.
66
00:02:29,080 --> 00:02:31,540
‐ That's awesome, man.
I make it.
67
00:02:31,540 --> 00:02:32,790
‐ S‐so you're Keef Knight?
68
00:02:32,790 --> 00:02:34,500
‐ I am, yeah.
BUS RIDER: Huh.
69
00:02:34,500 --> 00:02:37,630
You know, it's funny,
I didn't think you'd be...
70
00:02:39,050 --> 00:02:40,720
Tall.
71
00:02:43,100 --> 00:02:45,180
‐ Happens all the time.
72
00:02:45,180 --> 00:02:47,930
[electronic music]
73
00:02:47,930 --> 00:02:51,310
♪ ♪
74
00:02:51,310 --> 00:02:52,980
‐ Hey, hey, Nance!
75
00:02:52,980 --> 00:02:54,520
NANCY: Hey, Keef.
76
00:02:54,520 --> 00:02:56,030
‐ Uh, you mind if I put out
some flyers?
77
00:02:56,030 --> 00:02:58,240
‐ Only if you get me passes
to Golden Con.
78
00:02:58,240 --> 00:02:59,950
‐ Absolutely not.
No, I'm kidding.
‐ Oh ho ho!
79
00:02:59,950 --> 00:03:01,660
‐ I will, I got you.
‐ Okay, you better.
80
00:03:01,660 --> 00:03:03,490
‐ I would never forget
about you.
81
00:03:03,490 --> 00:03:06,330
You know, I did my first
Toast‐N‐Butter cartoon
on the back room wall.
82
00:03:06,330 --> 00:03:07,830
‐ Mm‐hmm, it's still there.
‐ I know.
83
00:03:07,830 --> 00:03:09,540
Someone drew a dick
in Toast's mouth.
84
00:03:09,540 --> 00:03:11,670
‐ Uh, I was drunk. Yeah.
‐ Okay, I thought that was you.
85
00:03:11,670 --> 00:03:13,920
‐ What up, Keef?
NANCY: Out!
86
00:03:13,920 --> 00:03:15,250
‐ Nance, come on!
NANCY: No, outside.
87
00:03:15,250 --> 00:03:16,750
Go, go, go‐‐out!
88
00:03:16,750 --> 00:03:17,920
‐ Ah, a'ight‐‐uh, Keef‐‐
89
00:03:17,920 --> 00:03:19,220
‐ I got you.
‐ A'ight, a'ight.
90
00:03:19,220 --> 00:03:21,180
Bye, Nancy!
NANCY: Bye! Bye!
91
00:03:21,180 --> 00:03:22,470
‐ Still?
92
00:03:22,470 --> 00:03:24,220
‐ Yep.
KEEF: Okay, makes sense.
93
00:03:24,220 --> 00:03:26,100
NANCY: Okay.
‐ Keef Knight?
94
00:03:26,100 --> 00:03:27,810
You do Toast‐N‐Butter,
right?
95
00:03:27,810 --> 00:03:30,480
‐ Uh, yeah.
‐ Oh, wow, that's so cool.
96
00:03:30,480 --> 00:03:34,270
I fucking love how TNB
talks about race
and color in America.
97
00:03:34,270 --> 00:03:38,070
Like when Toast gets too dark
and The Man scrapes it off
or puts butter on it.
98
00:03:38,070 --> 00:03:40,860
Facts.
‐ Wow, that's the...
first time I heard that one.
99
00:03:40,860 --> 00:03:42,860
‐ I just love your work
and what you say with it.
100
00:03:42,860 --> 00:03:45,160
I work for a new publication,
The Bay Arean,
101
00:03:45,160 --> 00:03:48,120
and we're looking for
controversial artists
who are confronting
102
00:03:48,120 --> 00:03:50,290
the shitstorm of race
and class and‐‐
103
00:03:50,290 --> 00:03:52,670
‐ Yeah, but I'm not
controversial.
104
00:03:52,670 --> 00:03:55,920
‐ You're...a black cartoonist.
You're controversial
just by existing.
105
00:03:55,920 --> 00:03:57,590
‐ Why is it that
as people of color
106
00:03:57,590 --> 00:03:59,510
we're always having
to stand for something
107
00:03:59,510 --> 00:04:02,550
or...you know, say something
in our work, you know?
108
00:04:02,550 --> 00:04:03,970
I'm just a cartoonist.
109
00:04:03,970 --> 00:04:06,680
‐ Because the world's
a racist, fucked‐up place.
110
00:04:06,680 --> 00:04:08,850
‐ And that's why I keep it
light, you know?
111
00:04:08,850 --> 00:04:12,850
It's just a comic strip
about bored breakfast food.
112
00:04:12,850 --> 00:04:14,730
‐ Keep it light.
113
00:04:14,730 --> 00:04:17,320
‐ Yeah.
Keep it light.
114
00:04:17,320 --> 00:04:18,690
Okay.
115
00:04:18,690 --> 00:04:22,490
[hip‐hop music]
116
00:04:22,490 --> 00:04:25,160
SINGER: ♪ Wha, wha,
hey, hey, hey ♪
117
00:04:25,160 --> 00:04:29,490
♪ Hey, hey, hey,
diamonds, diamonds ♪
118
00:04:29,490 --> 00:04:31,750
‐ Call me.
‐ I will definitely call you.
119
00:04:31,750 --> 00:04:34,170
Hey, be ready for them
courtside seats.
120
00:04:34,170 --> 00:04:35,580
Ahhhh...
121
00:04:35,580 --> 00:04:38,090
‐ So, Clovis,
who are you today?
122
00:04:38,090 --> 00:04:40,420
‐ Baron Davis.
123
00:04:40,420 --> 00:04:42,510
‐ The basketball player...
124
00:04:42,510 --> 00:04:43,800
‐ Yeah.
125
00:04:43,800 --> 00:04:46,220
‐ Baron Davis is like 6'3"
and drives a car.
126
00:04:46,220 --> 00:04:48,100
You don't have
any of those things.
127
00:04:48,100 --> 00:04:51,270
‐ Your point?
He's black, I'm black.
She Filipino.
128
00:04:51,270 --> 00:04:53,270
Anything above 5'5"
is tall to them.
129
00:04:53,270 --> 00:04:56,480
If she can't tell
the difference, who am I
to rain on my parade?
130
00:04:56,480 --> 00:04:58,190
Come on, now.
[chuckling]
131
00:04:58,190 --> 00:04:59,650
‐ I'm so sorry.
Were you still talking?
132
00:04:59,650 --> 00:05:02,780
I stopped listening
a long time ago.
‐ Ah ha ha!
133
00:05:02,780 --> 00:05:04,700
How hype are you
for Golden Con?
‐ Oh, man.
134
00:05:04,700 --> 00:05:08,200
‐ Hey, once your strip blows,
dude, you gonna be like
the next Aaron McGruder.
135
00:05:08,200 --> 00:05:10,950
All right?
Newspapers, TV show.
136
00:05:10,950 --> 00:05:12,540
Movie deals!
‐ [sighs]
137
00:05:12,540 --> 00:05:14,290
‐ I can't wait.
138
00:05:14,290 --> 00:05:16,960
I'ma get so much ass.
139
00:05:16,960 --> 00:05:19,250
‐ I just want decent
medical insurance.
140
00:05:19,250 --> 00:05:21,250
‐ Why you such a cornball,
man?
141
00:05:21,250 --> 00:05:23,010
KEEF: [laughs]
‐ Oh, shit!
142
00:05:23,010 --> 00:05:26,430
Hey, somebody's missin' this.
143
00:05:27,840 --> 00:05:29,300
[laughs]
Oh, no.
144
00:05:29,300 --> 00:05:31,100
I do not fuck with
white women's wallets, now.
145
00:05:31,100 --> 00:05:34,600
‐ Hold on, wait.
Wait, wait, wait, wait, wait.
146
00:05:34,600 --> 00:05:36,310
Can't just leave it here.
147
00:05:36,310 --> 00:05:38,730
‐ The fuck are you doin'?
‐ Well, we gotta turn it in.
148
00:05:38,730 --> 00:05:40,820
‐ Oh, s‐so you feel like
spendin', what,
149
00:05:40,820 --> 00:05:43,230
the rest of the night
explaining why there's
no money in there?
150
00:05:43,230 --> 00:05:45,030
And what if she's missin'?
151
00:05:45,030 --> 00:05:46,530
What if she's dead and raped
in Golden Gate Park?
152
00:05:46,530 --> 00:05:48,740
‐ Oh, my God, why do you
always assume the worst?
153
00:05:48,740 --> 00:05:50,450
‐ Because when you assume
the worst,
154
00:05:50,450 --> 00:05:52,660
you can't be surprised
when it actually happens?
155
00:05:52,660 --> 00:05:54,330
‐ A wise man once said...
‐ Oh.
156
00:05:54,330 --> 00:05:57,290
‐ You should never judge
a wallet by the color of
its owner's skin.
157
00:05:57,290 --> 00:06:00,420
‐ Okay.
KEEF: Sometimes, a lost
wallet is just that‐‐
158
00:06:00,420 --> 00:06:03,250
a lost wallet.
Now, excuse me while
I do the right thing.
159
00:06:03,250 --> 00:06:04,460
‐ Okay, cool, man.
160
00:06:04,460 --> 00:06:05,630
KEEF: Hey‐‐
161
00:06:08,720 --> 00:06:11,760
Why would you do that?
You got issues, man.
162
00:06:11,760 --> 00:06:15,020
[energetic rock music]
163
00:06:15,020 --> 00:06:21,360
♪ ♪
164
00:06:24,440 --> 00:06:27,400
SINGER: ♪ It seems like
a fault in design ♪
165
00:06:27,400 --> 00:06:29,360
[Toro y Moi's Mirage]
166
00:06:29,360 --> 00:06:32,580
♪ I seek you out
and you never ♪
167
00:06:32,580 --> 00:06:35,830
♪ Seem to have the time ♪
168
00:06:35,830 --> 00:06:39,790
♪ We're all too careful now ♪
169
00:06:39,790 --> 00:06:42,340
[music continues, muffled]
♪ Too close...♪
170
00:06:42,340 --> 00:06:43,420
‐ Ah‐hem!
171
00:06:43,420 --> 00:06:46,050
Hey. Ha.
Hey, what's up?
172
00:06:46,050 --> 00:06:47,550
It's the house meeting.
Come on.
173
00:06:47,550 --> 00:06:49,300
I told you guys about this
like three days ago.
174
00:06:49,300 --> 00:06:50,720
Let's go, let's go.
‐ [groans]
175
00:06:50,720 --> 00:06:53,050
‐ Just a short
little presentation.
Come on in.
176
00:06:53,050 --> 00:06:54,640
GUNTHER: Get friendly. Go on.
KEEF: Okay.
177
00:06:54,640 --> 00:06:56,770
‐ What if I told you
178
00:06:56,770 --> 00:07:01,100
that you could save
the rainforest
with an energy drink?
179
00:07:01,100 --> 00:07:04,820
An energy drink that uses
no water and no plastics,
180
00:07:04,820 --> 00:07:07,740
thus and thereby reducing
181
00:07:07,740 --> 00:07:10,200
our carbon footprint, right?
182
00:07:10,200 --> 00:07:11,820
‐ Go on.
183
00:07:11,820 --> 00:07:13,450
‐ Well, do I have
a product for you.
184
00:07:13,450 --> 00:07:14,990
Boom!
Ha ha.
185
00:07:14,990 --> 00:07:16,950
‐ Uh...what is that?
186
00:07:16,950 --> 00:07:20,080
‐ Oh, shit, this?
Uh, this is a revolutionary
product, actually.
187
00:07:20,080 --> 00:07:23,960
This is, uh, this is 99.95%
188
00:07:23,960 --> 00:07:25,960
non‐GMO, all‐natural
189
00:07:25,960 --> 00:07:28,510
Peruvian coca extract
190
00:07:28,510 --> 00:07:29,970
in powder form.
191
00:07:29,970 --> 00:07:31,340
‐ So it's cocaine.
192
00:07:31,340 --> 00:07:33,930
‐ It's not, it's, um,
it's a supplement
193
00:07:33,930 --> 00:07:36,560
that allows you to stay up
all night
194
00:07:36,560 --> 00:07:40,560
with sensei‐like focus
and rock star confidence.
195
00:07:40,560 --> 00:07:42,230
‐ Like cocaine?
GUNTHER: It's not cocaine.
196
00:07:42,230 --> 00:07:46,230
It's, um...
it's got guarana in it,
it's made from plants.
197
00:07:46,230 --> 00:07:48,030
‐ So it's like really good
cocaine.
198
00:07:48,030 --> 00:07:50,610
‐ Ha ha ha ha!
It's not...ha.
Not cocaine!
199
00:07:50,610 --> 00:07:52,700
And I feel like you guys
are missing the point.
200
00:07:52,700 --> 00:07:54,320
And, uh, the point is...
201
00:07:54,320 --> 00:07:55,830
Oh, here we go.
202
00:07:55,830 --> 00:07:59,370
[loudly]
I'm gonna revolutionize
energy drinks!
203
00:07:59,370 --> 00:08:01,750
And then, uh, probably some
fireworks are gonna go off,
204
00:08:01,750 --> 00:08:03,870
and that's the end
of the presentation,
205
00:08:03,870 --> 00:08:05,840
and you guys invest money.
Invest money.
206
00:08:05,840 --> 00:08:07,380
Invest money.
‐ All right, you know,
honestly,
207
00:08:07,380 --> 00:08:08,920
I think we probably
gonna talk about this,
208
00:08:08,920 --> 00:08:10,590
go over it a little bit
and, uh,
209
00:08:10,590 --> 00:08:12,220
we gonna get back to you.
210
00:08:12,220 --> 00:08:14,930
‐ I will succeed.
You have no idea
how focused I am.
211
00:08:14,930 --> 00:08:16,760
‐ Oh, we have some idea.
212
00:08:16,760 --> 00:08:19,100
GUNTHER: Yeah.
‐ Yeah.
Yeah, we do.
213
00:08:19,100 --> 00:08:23,810
[Bill Withers' Lovely Day
plays]
214
00:08:23,810 --> 00:08:26,560
SINGER: ♪ When I wake up
in the morning, love ♪
215
00:08:26,560 --> 00:08:28,690
♪ ♪
216
00:08:28,690 --> 00:08:31,610
KEEF: Check it out.
SINGER: ♪ And the sunlight
hurts my eyes ♪
217
00:08:31,610 --> 00:08:33,700
♪ ♪
218
00:08:33,700 --> 00:08:35,820
♪ And somethin'
without warning, love ♪
219
00:08:35,820 --> 00:08:38,410
‐ Here you go.
220
00:08:38,410 --> 00:08:40,830
SINGER:
♪ Bears heavy on my mind ♪
221
00:08:40,830 --> 00:08:42,660
♪ ♪
222
00:08:42,660 --> 00:08:46,000
♪ Then I look at you ♪
223
00:08:46,000 --> 00:08:49,420
♪ And the world's
all right with me ♪
224
00:08:49,420 --> 00:08:52,130
♪ ♪
225
00:08:52,130 --> 00:08:53,920
‐ ♪ Just one look‐‐ ♪
COP: Don't even think about it!
226
00:08:53,920 --> 00:08:56,010
‐ Don't move, don't move.
‐ Central, we have the suspect.
227
00:08:56,010 --> 00:08:57,890
‐ Suspect‐‐what?
COP: 6' tall black male.
228
00:08:57,890 --> 00:09:00,010
COP: What's in the bag?
‐ It's just a stapler.
229
00:09:00,010 --> 00:09:01,640
COP: He's got a weapon!
KEEF: No, no, no,
just a stapler!
230
00:09:01,640 --> 00:09:02,980
No, no, no, you got
the wrong guy!
231
00:09:02,980 --> 00:09:05,350
KEEF: Oof!
COP: Stop resisting!
232
00:09:05,350 --> 00:09:08,520
Gimme your fuckin' hands!
KEEF: Aah!
233
00:09:08,520 --> 00:09:10,360
GUNTHER: Hey, hey, hey, hey!
234
00:09:10,360 --> 00:09:11,730
Excuse me!
235
00:09:11,730 --> 00:09:13,860
‐ Gunther,
[slow motion] noooooo!
236
00:09:13,860 --> 00:09:16,820
COP: Nothing to see here.
We got it under control.
COP: Sir‐‐hold on‐‐
237
00:09:16,820 --> 00:09:18,240
‐ Bitch‐ass cops, what‐‐
Hey‐‐
238
00:09:18,240 --> 00:09:19,530
‐ Aah!
239
00:09:19,530 --> 00:09:21,240
‐ It's not fine!
You're acting not right.
240
00:09:21,240 --> 00:09:22,620
Hey, don't you touch‐‐
241
00:09:22,620 --> 00:09:24,410
[voice echoing]
Hell, no!
What are you doing?
242
00:09:24,410 --> 00:09:26,540
[heartbeat thumping]
243
00:09:26,540 --> 00:09:28,830
[echoing]
Don't you touch me.
I'll have your badge, buddy.
244
00:09:28,830 --> 00:09:30,340
Get off my friend.
COP: Copy that.
245
00:09:30,340 --> 00:09:32,460
‐ Get outta my face!
COP: This isn't the suspect.
246
00:09:32,460 --> 00:09:35,340
He's not the mugger.
GUNTHER: Oh, no shit!
247
00:09:35,340 --> 00:09:37,720
[persistent ringing]
248
00:09:37,720 --> 00:09:40,100
[echoing]
Ahh!
249
00:09:40,100 --> 00:09:41,260
Aah!
250
00:09:41,260 --> 00:09:42,520
GUNTHER: That was
messed up, bro.
251
00:09:42,520 --> 00:09:44,680
I can't believe
they did us like that!
252
00:09:46,640 --> 00:09:48,980
Are you cool?
You need some weed?
253
00:09:48,980 --> 00:09:50,560
‐ No, I'm‐‐dude, I'm good, man.
254
00:09:50,560 --> 00:09:52,570
I'm good, I'm, uh...
255
00:09:52,570 --> 00:09:54,360
I'll‐‐I'll catch you back
at the...
256
00:09:54,360 --> 00:09:55,990
flat.
Yeah.
257
00:09:55,990 --> 00:09:57,530
[Lil' Smizz's Boss plays]
258
00:09:57,530 --> 00:09:59,320
SINGER: ♪ Stop fucking
with my heart ♪
259
00:09:59,320 --> 00:10:02,790
♪ ♪
260
00:10:02,790 --> 00:10:05,410
♪ Nigga, it was my dream,
fool ♪
261
00:10:05,410 --> 00:10:07,290
♪ ♪
262
00:10:07,290 --> 00:10:09,960
♪ Oh, now you a man, ho ♪
263
00:10:09,960 --> 00:10:12,210
♪ ♪
264
00:10:12,210 --> 00:10:14,670
♪ I don't need that stress ♪
265
00:10:14,670 --> 00:10:16,420
♪ I'm a boss
in a fuckin' dress ♪
266
00:10:16,420 --> 00:10:18,130
♪ Nigga, stay in line ♪
267
00:10:18,130 --> 00:10:21,260
[all speaking foreign language]
268
00:10:21,260 --> 00:10:22,680
♪ Stop fuckin' with my heart ♪
269
00:10:22,680 --> 00:10:24,810
‐ Water?
270
00:10:40,490 --> 00:10:42,950
VOICE: Psst, hey, hey,
hey, yo, Poindexter!
271
00:10:42,950 --> 00:10:45,040
Over here, man.
Fuck that water, bitch.
272
00:10:45,040 --> 00:10:46,910
Come on over here
and get this booze.
273
00:10:46,910 --> 00:10:49,330
VOICE 2: I can't believe
you called him a bitch.
274
00:10:49,330 --> 00:10:51,040
VOICE: [laughs]
Don't fret, muh nigga.
275
00:10:51,040 --> 00:10:53,170
You know you want this flavor.
VOICE 2: That's right.
276
00:10:53,170 --> 00:10:55,300
Come get this hottie.
277
00:10:55,300 --> 00:10:58,090
‐ I go great with Menthols
and poverty‐induced PTSDs.
278
00:10:58,090 --> 00:11:00,340
I don't go well with gonorrhea.
Ya feel me?
279
00:11:00,340 --> 00:11:02,760
MALT LIQUOR 2: Hmm, hmm.
Did you know malt liquor...
‐ What...the...
280
00:11:02,760 --> 00:11:05,140
‐ Makes black people
impervious to bullets.
281
00:11:05,140 --> 00:11:06,140
‐ For real?
282
00:11:06,140 --> 00:11:09,270
[both laughing]
283
00:11:09,270 --> 00:11:11,350
‐ No, it don't, nigga.
[laughing] It don't.
284
00:11:11,350 --> 00:11:14,480
‐ Further, dawg, malt liquor
been a black man's best friend
285
00:11:14,480 --> 00:11:16,480
since '48.
‐ Shh, shh, shh.
Cracker alert!
286
00:11:16,480 --> 00:11:17,740
‐ Honky on deck.
287
00:11:18,860 --> 00:11:21,200
KEEF: You okay?
I'm okay, ha.
288
00:11:21,200 --> 00:11:23,870
Good day.
All right.
289
00:11:28,620 --> 00:11:31,170
I'm not crazy.
290
00:11:31,170 --> 00:11:33,750
No...I'm not crazy.
291
00:11:33,750 --> 00:11:36,460
MALT LIQUOR 2: What?
You standing here in front
of God and everybody
292
00:11:36,460 --> 00:11:39,970
talking to a bottle
of malt liquor.
Nah, that ain't crazy.
293
00:11:39,970 --> 00:11:42,130
‐ Mr. Policeman did a number
on you, didn't he?
294
00:11:42,130 --> 00:11:45,010
Ha. Good thing, too.
We been tryin' to holler
at your ass for a minute.
295
00:11:45,010 --> 00:11:48,100
Now you can finally hear us.
It's just like havin'
a superpower.
296
00:11:48,100 --> 00:11:50,350
‐ Yeah, if crazy
was a superpower.
297
00:11:50,350 --> 00:11:52,350
KEEF: No. No, no.
[bottles laughing]
298
00:11:52,350 --> 00:11:55,190
MALT LIQUOR:
Now, but seriously,
you extra as fuck now.
299
00:11:55,190 --> 00:11:56,570
‐ Enjoy.
KEEF: Wait.
300
00:11:56,570 --> 00:11:58,690
Are you real, or...
301
00:11:58,690 --> 00:12:00,030
‐ Lemme‐‐lemme put it
like this.
302
00:12:00,030 --> 00:12:02,240
Your third eye is definitely
open for business!
303
00:12:02,240 --> 00:12:04,160
‐ Oh, no, no, no, no...
MALT LIQUOR 2:
Buckle up, nigga.
304
00:12:04,160 --> 00:12:05,700
This ride ain't for the weak.
305
00:12:05,700 --> 00:12:08,580
Where you goin'?
Let's bail, baby.
306
00:12:08,580 --> 00:12:10,580
‐ You can't run
from this, Poindexter!
307
00:12:10,580 --> 00:12:13,500
MALT LIQUOR 2: We are you!
‐ Drink us, nigga!
308
00:12:14,750 --> 00:12:16,210
[door closes]
309
00:12:21,550 --> 00:12:22,680
[whispers]
Hello?
310
00:12:25,640 --> 00:12:27,100
PHIL: [funny voices]
Toast‐N‐Butter.
Bloom & Hill.
311
00:12:27,100 --> 00:12:29,520
It's a magical partnership.
We got news for you, Keef!
312
00:12:29,520 --> 00:12:32,180
‐ We‐‐we...
we are just so jazzed
313
00:12:32,180 --> 00:12:34,400
for your Golden Con panel
on Saturday.
314
00:12:34,400 --> 00:12:36,980
‐ Gonna live stream it.
We really think
it'll widen your audience.
315
00:12:36,980 --> 00:12:38,400
‐ And at the panel,
we'll announce
316
00:12:38,400 --> 00:12:40,320
Toast‐N‐Butter starts
syndication next week.
317
00:12:40,320 --> 00:12:42,950
‐ Yeah, it's gonna open
in 35 markets in the U. S.!
318
00:12:42,950 --> 00:12:45,410
‐ And we just found out
that the top‐selling bread
in the U. S.
319
00:12:45,410 --> 00:12:48,450
wants to license your artwork.
320
00:12:48,450 --> 00:12:51,080
‐ How excited are you, huh?
How excited are we?
321
00:12:54,210 --> 00:12:55,790
‐ Are you okay?
322
00:12:57,290 --> 00:12:58,790
‐ Does this photo look right?
323
00:12:58,790 --> 00:13:01,090
‐ Mm‐hmm.
‐ Did you guys
lighten my photo?
324
00:13:01,090 --> 00:13:03,170
I...I look like Sammy Sosa.
325
00:13:03,170 --> 00:13:06,470
‐ Uh...that's just
a mock‐up for publicity.
326
00:13:06,470 --> 00:13:08,850
So...
‐ Am I too black
for my own comic strip?
327
00:13:08,850 --> 00:13:10,390
‐ [laughing] No, trust me.
328
00:13:10,390 --> 00:13:12,770
No one's gonna ever
accuse you of being
too black, okay?
329
00:13:12,770 --> 00:13:13,730
‐ I'm sorry, what?
‐ What?
330
00:13:13,730 --> 00:13:14,890
‐ Hmm?
‐ Hmm?
331
00:13:14,890 --> 00:13:16,730
‐ What'd you say?
‐ What he means to say
332
00:13:16,730 --> 00:13:18,360
is it's what we like
about you.
333
00:13:18,360 --> 00:13:21,230
Your crossover index
is in the 95th percentile.
334
00:13:21,230 --> 00:13:23,570
Here at B&H,
we champion the data.
335
00:13:23,570 --> 00:13:26,360
We don't see color.
336
00:13:26,360 --> 00:13:28,910
PHIL: Racial stuff, huh?
Am I right?
337
00:13:31,540 --> 00:13:32,830
‐ Sammy!
338
00:13:38,250 --> 00:13:39,710
Uh...ha.
339
00:13:39,710 --> 00:13:43,590
I am so sorry, but I‐‐
I‐I really have to go.
340
00:13:43,590 --> 00:13:44,590
Uh...
341
00:13:49,720 --> 00:13:51,060
‐ Is he mad?
342
00:13:51,060 --> 00:13:54,100
[intense rock music]
343
00:13:54,100 --> 00:13:56,060
♪ ♪
344
00:13:56,060 --> 00:13:57,810
‐ Stupid.
345
00:13:57,810 --> 00:14:00,860
[muttering]
Man.
Yeah, all right.
346
00:14:00,860 --> 00:14:03,070
SINGER:
♪ What's that sound,
coming down? ♪
347
00:14:03,070 --> 00:14:05,900
♪ Breaking ground all around,
hear it pound ♪
348
00:14:05,900 --> 00:14:08,320
♪ Something wicked
this way comes, comes ♪
349
00:14:08,320 --> 00:14:09,660
♪ Vocals, guitar ♪
350
00:14:09,660 --> 00:14:12,370
Darn...ell...
351
00:14:12,370 --> 00:14:13,580
SINGER: ♪ Playin' with
the money like ♪
352
00:14:13,580 --> 00:14:15,540
♪ Wha wha wha wha ♪
353
00:14:15,540 --> 00:14:17,080
♪ Wha wha ♪
354
00:14:17,080 --> 00:14:19,540
♪ I'll be playin'
with the money like wha ♪
355
00:14:19,540 --> 00:14:21,540
♪ Still got a lot more ta go ♪
356
00:14:21,540 --> 00:14:23,710
♪ Made it back 'fore
I walk through the door ♪
357
00:14:23,710 --> 00:14:25,300
‐ Welcome to Darnell's.
358
00:14:25,300 --> 00:14:27,220
SINGER: ♪ Like wah, wah ♪
‐ So...
359
00:14:27,220 --> 00:14:29,180
where...is...
360
00:14:29,180 --> 00:14:30,760
Darnell?
BARBER: The old black dude?
361
00:14:30,760 --> 00:14:32,930
He retired.
Moved back down South.
362
00:14:32,930 --> 00:14:37,350
But we kept the name
and the soul of the place.
363
00:14:37,350 --> 00:14:39,480
Still got all the Ebony
and Jet magazines.
364
00:14:39,480 --> 00:14:41,770
Plus, complimentary Hennessy.
365
00:14:41,770 --> 00:14:43,440
SINGER: ♪ Yeah, uh‐huh,
we tryin' to eat ♪
366
00:14:43,440 --> 00:14:45,190
♪ Makin' money,
take it back to the streets ♪
367
00:14:47,400 --> 00:14:49,530
‐ I know.
[shears buzzing]
368
00:14:49,530 --> 00:14:51,280
You want a number 42.
369
00:14:51,280 --> 00:14:52,990
‐ Okay.
370
00:14:59,040 --> 00:15:00,960
[jazzy music]
371
00:15:00,960 --> 00:15:02,920
None of this makes sense.
372
00:15:02,920 --> 00:15:05,550
VOICE: Keefy K,
where you goin'?
373
00:15:05,550 --> 00:15:07,670
I know you hear me.
374
00:15:09,420 --> 00:15:11,470
Down here, my brother.
That's right.
375
00:15:11,470 --> 00:15:14,760
I'm a talkin' trashcan.
I got eyes, I got a nose.
376
00:15:14,760 --> 00:15:17,430
I can smell things.
I stink sometimes.
377
00:15:17,430 --> 00:15:20,060
I'm a trashcan.
And that ain't even
close to normal,
378
00:15:20,060 --> 00:15:22,400
but you ain't even close
to normal, not anymore.
379
00:15:22,400 --> 00:15:24,570
‐ Oh, this is, this is...
come on Keef, Keef, Keef.
380
00:15:24,570 --> 00:15:26,860
This is all wrong.
TRASHCAN: I tell you
what's wrong.
381
00:15:26,860 --> 00:15:30,530
Those man‐bun co‐optin'
gentrifyin' devils!
382
00:15:30,530 --> 00:15:32,910
That ain't no barber shop
in there.
383
00:15:32,910 --> 00:15:34,530
That's a negro‐land section
384
00:15:34,530 --> 00:15:37,540
of some bullshit
hipster magical kingdom
385
00:15:37,540 --> 00:15:40,000
where everybody's so fascinated
with whiskey.
386
00:15:40,000 --> 00:15:42,120
What's left for
a burdened black man
387
00:15:42,120 --> 00:15:43,670
if we can't go to
the barber shop?
388
00:15:43,670 --> 00:15:46,210
Therapy?
You know we don't
trust doctors.
389
00:15:46,210 --> 00:15:50,340
Spin class?
We don't ride bicycles
that don't go nowhere.
390
00:15:50,340 --> 00:15:53,930
You really think Darnell
moved away.
391
00:15:53,930 --> 00:15:56,050
Or was he forced out?
392
00:15:56,050 --> 00:15:58,770
Darnell ain't from the South.
He from Cleveland.
393
00:15:58,770 --> 00:16:00,680
‐ [softly] No...no...
394
00:16:00,680 --> 00:16:04,480
‐ Keef, I'm a trashcan.
I don't have arms.
I can't fight 'em.
395
00:16:04,480 --> 00:16:05,560
But you can.
396
00:16:05,560 --> 00:16:07,360
‐ No...no...no...
397
00:16:07,360 --> 00:16:08,690
‐ Fuck 'em.
398
00:16:08,690 --> 00:16:10,400
‐ Fuck 'em.
‐ Yeah, fuck 'em.
399
00:16:10,400 --> 00:16:11,610
KEEF: Fuck 'em!
TRASHCAN: Fuck 'em!
400
00:16:11,610 --> 00:16:12,740
‐ Fuck 'em!
‐ Fuck 'em!
401
00:16:12,740 --> 00:16:14,360
‐ Fuck 'em!
‐ You know what to do.
402
00:16:14,360 --> 00:16:16,030
‐ Oh, I know what to do.
Ha ha.
403
00:16:16,030 --> 00:16:18,620
Oh, I know exactly
what to do.
404
00:16:18,620 --> 00:16:19,700
What do I do?
405
00:16:19,700 --> 00:16:22,160
‐ You know what to do.
406
00:16:24,040 --> 00:16:25,630
‐ The right thing.
407
00:16:25,630 --> 00:16:28,630
[funky music]
408
00:16:28,630 --> 00:16:30,630
♪ ♪
409
00:16:30,630 --> 00:16:32,880
Aah!
410
00:16:32,880 --> 00:16:35,640
TRASHCAN: Fuck 'em!
411
00:16:46,400 --> 00:16:49,150
[soft percussive music]
412
00:16:49,150 --> 00:16:52,900
♪ ♪
413
00:16:52,900 --> 00:16:54,860
You gonna talk to me now too?
414
00:16:54,860 --> 00:16:57,530
No?
415
00:16:57,530 --> 00:16:59,080
Anybody else?
416
00:17:00,540 --> 00:17:03,580
Anybody wanna get
anything off they chest?
417
00:17:03,580 --> 00:17:05,620
What about you, huh?
418
00:17:05,620 --> 00:17:07,250
Nothin'?
419
00:17:08,250 --> 00:17:10,090
I'm crazy.
420
00:17:10,090 --> 00:17:12,050
Oh, boy.
421
00:17:14,930 --> 00:17:17,680
COOK: And this celery
is gonna add not just texture
422
00:17:17,680 --> 00:17:20,220
but just a little‐‐
‐ Well, you can't get
no sicker than that.
423
00:17:20,220 --> 00:17:21,890
[laughter]
424
00:17:21,890 --> 00:17:23,390
CLOVIS: This ain't
really my crib.
425
00:17:23,390 --> 00:17:25,980
What's up, my boy?
Hey, um...we, uh, just
passin' through.
426
00:17:25,980 --> 00:17:27,810
I'ma do a quick little change.
427
00:17:27,810 --> 00:17:29,730
Keef, this is Simone.
428
00:17:29,730 --> 00:17:33,030
Simone, this is Keef.
SIMONE: Where's the bathroom?
429
00:17:33,030 --> 00:17:35,570
First door on the right.
Yeah, there you go.
430
00:17:35,570 --> 00:17:39,030
All right with your fine self.
Ah, ah.
431
00:17:39,030 --> 00:17:40,410
‐ So...
CLOVIS: Mm‐hmm.
432
00:17:40,410 --> 00:17:43,500
‐ Who are you today?
‐ I play, uh, soccer, okay?
433
00:17:43,500 --> 00:17:47,330
For a team in Brazil.
But call that shit fútbol.
434
00:17:47,330 --> 00:17:49,000
‐ You're a professional
soccer star...
435
00:17:49,000 --> 00:17:52,250
CLOVIS: Yeah.
‐ Who lives here
with roommates.
436
00:17:52,250 --> 00:17:53,630
‐ It's fútbol.
KEEF: Mm.
437
00:17:53,630 --> 00:17:55,300
‐ You droppin' the ball
right now.
438
00:17:55,300 --> 00:17:57,550
And I‐I don't live here.
Look at this.
439
00:17:57,550 --> 00:18:00,220
I got a crib.
I got a mansion in Rio.
440
00:18:00,220 --> 00:18:02,810
‐ Real quick, uh, what language
do they speak in Brazil?
441
00:18:02,810 --> 00:18:04,390
‐ Brazilianese.
I don't know‐‐shit.
‐ Okay.
442
00:18:04,390 --> 00:18:07,190
Yeah, you got it.
‐ Don't hold me down.
443
00:18:07,190 --> 00:18:10,360
‐ Extraordinary!
Tell me about this.
444
00:18:10,360 --> 00:18:14,150
‐ Oh, I love
Antique Appraisals!
445
00:18:14,150 --> 00:18:15,780
KEEF: Mmm.
Isn't it great?
446
00:18:15,780 --> 00:18:18,700
ANNE: Well, it was given
to me by my great‐
great uncle,
447
00:18:18,700 --> 00:18:20,950
Colonel John Beasly.
448
00:18:20,950 --> 00:18:22,870
He got it as a gift
from the Sioux tribe.
449
00:18:22,870 --> 00:18:26,370
‐ Oh, for fuck's sakes,
how many times
do I have to tell you?
450
00:18:26,370 --> 00:18:28,460
It's Yokut, not Sioux!
451
00:18:28,460 --> 00:18:31,040
Yokut.
‐ Mm.
452
00:18:31,040 --> 00:18:34,710
‐ Beasly and his regiment
slaughtered the tribe
that made me,
453
00:18:34,710 --> 00:18:38,590
took all their possessions,
and raped the horses.
454
00:18:38,590 --> 00:18:42,050
‐ Raped the horses?
SPOON: You heard me.
Raped the horses.
455
00:18:42,050 --> 00:18:43,560
‐ What?
‐ Huh? What?
456
00:18:43,560 --> 00:18:45,220
‐ That white man was a freak!
457
00:18:45,220 --> 00:18:48,560
He even stuck me up his ass
while he was doin' it!
458
00:18:48,560 --> 00:18:51,860
Horse rapist!
Motherfuck him and John Wayne.
459
00:18:51,860 --> 00:18:53,650
‐ Huh...he raped the horses.
460
00:18:53,650 --> 00:18:55,400
This guy, but not‐‐
461
00:18:55,400 --> 00:18:57,900
the person who gave
the spoon, he would‐‐
462
00:18:57,900 --> 00:19:00,950
This is your favorite show.
It's not mine, I mean, it's‐‐
463
00:19:00,950 --> 00:19:02,370
‐ Simone, you ready, cutie?
464
00:19:02,370 --> 00:19:04,370
She still in the bathroom?
‐ Y‐‐uh...
465
00:19:04,370 --> 00:19:06,830
So he was rapin' horses,
and I told her he was
rapin' horses‐‐
466
00:19:06,830 --> 00:19:09,120
‐ Have you lost your mind?
467
00:19:09,120 --> 00:19:10,670
We‐‐we said fútbol.
468
00:19:10,670 --> 00:19:12,170
‐ I am sitting here trying
to watch
469
00:19:12,170 --> 00:19:14,710
this white celebration
of cultural plunder.
470
00:19:14,710 --> 00:19:16,460
Let me ask you a question,
Clovis.
471
00:19:16,460 --> 00:19:19,220
Have you ever seen black people
on Antique Appraisals?
472
00:19:19,220 --> 00:19:23,180
‐ No! Because black people
like new shit.
473
00:19:23,180 --> 00:19:24,680
GUNTHER: Whoo!
Ho ho ho!
474
00:19:24,680 --> 00:19:27,060
Man.
Yep, guess who just got
475
00:19:27,060 --> 00:19:29,140
seed money for
his new energy powder?
476
00:19:30,850 --> 00:19:32,600
Oh, God, what?
Is this an intervention?
477
00:19:32,600 --> 00:19:34,020
Because I can quit anytime.
478
00:19:34,020 --> 00:19:35,730
CLOVIS: Gunther,
not right now, bro.
479
00:19:35,730 --> 00:19:37,860
Go back in your room.
I'm talkin' to Keef.
480
00:19:37,860 --> 00:19:40,110
I'm trying to figure out
where my girl went.
481
00:19:40,110 --> 00:19:41,820
‐ No way, I'm too jacked up.
Let's pop bottles,
482
00:19:41,820 --> 00:19:44,450
make cupcakes‐‐
‐ Why don't we just shut up
for second!
483
00:19:44,450 --> 00:19:46,450
All I wanna do is watch TV.
484
00:19:46,450 --> 00:19:48,450
‐ [sighs]
485
00:19:48,450 --> 00:19:50,750
What's really goin' on,
bro?
486
00:19:50,750 --> 00:19:53,670
‐ What, is this about the...
cop thing?
487
00:19:54,670 --> 00:19:56,500
‐ What cop thing?
KEEF: Okay.
488
00:19:56,500 --> 00:20:00,630
So...so earlier,
I got my ass beat by the police
489
00:20:00,630 --> 00:20:03,930
because apparently
I fit the description.
490
00:20:03,930 --> 00:20:06,050
‐ 6' black male.
491
00:20:06,050 --> 00:20:09,930
‐ Bro, we are all
6' black men to them.
492
00:20:09,930 --> 00:20:13,270
All of us!
‐ Sure, I mean, you're...
shorter than that,
493
00:20:13,270 --> 00:20:15,020
but...get what you're saying.
494
00:20:15,020 --> 00:20:17,070
‐ I‐‐it was‐‐
I didn't do anything!
495
00:20:17,070 --> 00:20:19,230
I was just walking and then...
496
00:20:19,230 --> 00:20:20,440
and then Gunther showed up
497
00:20:20,440 --> 00:20:23,280
and he took on the entire
SFPD by himself.
498
00:20:23,280 --> 00:20:24,820
‐ Ha ha, yes, I did.
499
00:20:24,820 --> 00:20:26,450
I was pissed, dude.
You shoulda saw me.
500
00:20:26,450 --> 00:20:28,450
I was all up in this cop's face
and I, like,
501
00:20:28,450 --> 00:20:30,000
grabbed his wrist.
CLOVIS: Really?
502
00:20:30,000 --> 00:20:32,370
‐ Probably bruised it.
‐ They shoulda shot you.
503
00:20:32,370 --> 00:20:34,370
‐ No, no, they'd never do that.
CLOVIS: Damn, bro.
504
00:20:34,370 --> 00:20:35,830
‐ Well, they would have,
you know,
505
00:20:35,830 --> 00:20:37,670
if he were...if he was‐‐
if he was black.
506
00:20:41,970 --> 00:20:43,970
‐ Houston, we have a problem.
507
00:20:45,680 --> 00:20:48,350
This nigga woke.
508
00:20:48,350 --> 00:20:50,680
‐ Which is...great news.
509
00:20:50,680 --> 00:20:52,020
That's a great thing, right?
510
00:20:52,020 --> 00:20:54,020
‐ You worked hard not to be
that brother, didn't you?
511
00:20:54,020 --> 00:20:56,860
And you felt special.
512
00:20:56,860 --> 00:20:58,770
Then the police showed up
and what?
513
00:20:58,770 --> 00:21:01,360
They showed you how they
feel about special niggas?
514
00:21:01,360 --> 00:21:03,610
Now we gotta hear about it
because all the shit
is new to you?
515
00:21:03,610 --> 00:21:05,240
Come on, man!
516
00:21:05,240 --> 00:21:07,160
‐ No, no, see,
I'm not stupid, okay?
517
00:21:07,160 --> 00:21:09,240
I know this type of stuff
happens all the time,
518
00:21:09,240 --> 00:21:12,160
and I know this is gonna
sound fucked up, but...
519
00:21:12,160 --> 00:21:14,160
I just didn't think
it would happen to me.
520
00:21:14,160 --> 00:21:16,880
‐ Well, who did you think
it was gonna happen to, Keef?
521
00:21:16,880 --> 00:21:19,090
Huh? Who?
522
00:21:19,090 --> 00:21:20,550
‐ You.
523
00:21:22,050 --> 00:21:24,260
And then ever since then,
my mind has been‐‐ah!
524
00:21:24,260 --> 00:21:26,680
Man, you don't wanna know
what's goin' on in my brain
right now.
525
00:21:26,680 --> 00:21:28,090
CLOVIS: You gotta walk
this shit off, man.
526
00:21:28,090 --> 00:21:31,140
You gotta get a juice box,
find a safe space.
527
00:21:31,140 --> 00:21:34,600
Whatever the fuck you need
to do to not be woke,
528
00:21:34,600 --> 00:21:36,770
you need to do it.
529
00:21:36,770 --> 00:21:38,400
Come on, you know
what rhymes with woke, right?
530
00:21:38,400 --> 00:21:40,570
‐ Coke?
‐ No, nigga!
531
00:21:41,940 --> 00:21:43,610
Broke.
‐ Mmm.
532
00:21:43,610 --> 00:21:45,530
‐ Broke rhymes with woke.
533
00:21:45,530 --> 00:21:49,160
Keef, your fans who are
mostly what‐‐white people...
534
00:21:49,160 --> 00:21:51,660
‐ Tis true.
We love your stuff.
535
00:21:51,660 --> 00:21:53,700
‐ They showin' up tomorrow
536
00:21:53,700 --> 00:21:55,620
to see Toast‐N‐Butter
Keef Knight,
537
00:21:55,620 --> 00:21:57,420
not Malcolm X Keef Knight.
538
00:21:57,420 --> 00:22:01,960
So as your friend,
I'm gonna give you
a little advice.
539
00:22:01,960 --> 00:22:04,630
Maintain, motherfucker.
540
00:22:04,630 --> 00:22:06,380
Maintain.
541
00:22:09,590 --> 00:22:11,640
GUNTHER: Did you tell Trina
about this?
542
00:22:11,640 --> 00:22:14,100
‐ Man, Trina not gonna
understand this shit, bro.
543
00:22:14,100 --> 00:22:15,930
She'll blame us.
544
00:22:15,930 --> 00:22:20,520
‐ You know, I can't help
but feel like this is
that moment in the Matrix.
545
00:22:20,520 --> 00:22:23,820
Do I take the red pill
or the blue pill?
546
00:22:23,820 --> 00:22:27,110
'Cause if I take
the red pill...
547
00:22:27,110 --> 00:22:31,410
‐ I have...both in my room
if you wanna experiment.
548
00:22:31,410 --> 00:22:33,830
[mellow hip‐hop]
549
00:22:33,830 --> 00:22:35,790
TRINA: Don't worry.
I should be outta there
by 3:00,
550
00:22:35,790 --> 00:22:38,290
3:30 at the latest,
and I'll head right over.
551
00:22:38,290 --> 00:22:41,380
You're gonna kill it, babe.
552
00:22:41,380 --> 00:22:43,040
Oh, I cannot wait.
553
00:22:43,040 --> 00:22:44,250
‐ [small laugh]
554
00:22:45,670 --> 00:22:47,010
‐ What's up?
555
00:22:47,010 --> 00:22:48,680
‐ Huh?
556
00:22:48,680 --> 00:22:50,760
‐ Did something happen
at Bloom & Hill?
557
00:22:50,760 --> 00:22:52,890
‐ No, Bloom & Hill was...
558
00:22:52,890 --> 00:22:54,560
you know, it was fine.
559
00:22:57,890 --> 00:23:01,270
Okay, y‐you ever wonder if
560
00:23:01,270 --> 00:23:03,820
the trajectory of your life is
561
00:23:03,820 --> 00:23:05,570
completely out of your control?
562
00:23:05,570 --> 00:23:06,990
‐ No.
563
00:23:06,990 --> 00:23:09,530
Like I always tell you,
you get what you deserve.
564
00:23:09,530 --> 00:23:11,160
‐ That simple, huh?
565
00:23:11,160 --> 00:23:13,780
‐ Yeah.
I mean, look at you.
566
00:23:13,780 --> 00:23:17,870
You chose this crazy career.
You, you know, believed
in yourself,
567
00:23:17,870 --> 00:23:20,420
and now it's finally
paying off.
568
00:23:21,710 --> 00:23:24,000
‐ Yeah. okay.
569
00:23:24,000 --> 00:23:26,090
‐ So stop worrying.
570
00:23:26,090 --> 00:23:27,960
You got this.
571
00:23:32,890 --> 00:23:35,640
‐ It's gettin' late.
572
00:23:35,640 --> 00:23:37,560
Should probably get some sleep.
573
00:23:37,560 --> 00:23:39,390
‐ Yeah, you do have
a big day tomorrow.
574
00:23:39,390 --> 00:23:42,060
‐ Yeah.
You too.
575
00:23:56,910 --> 00:24:00,210
[rock music]
576
00:24:00,210 --> 00:24:02,330
‐ Got your energy right here.
Yes, absolutely.
577
00:24:03,540 --> 00:24:05,290
‐ [softly] Maintain.
578
00:24:05,290 --> 00:24:07,880
Maintain.
Maintain.
579
00:24:09,880 --> 00:24:13,970
♪ ♪
580
00:24:13,970 --> 00:24:15,760
[mic feedback screeches]
581
00:24:17,640 --> 00:24:20,480
CINDY: Hello, thank you.
Thank you.
582
00:24:20,480 --> 00:24:21,850
Welcome!
‐ Look at us, man!
583
00:24:21,850 --> 00:24:23,650
We're gonna be world‐famous.
‐ Jesus.
584
00:24:23,650 --> 00:24:26,270
‐ This is amazing!
‐ We're gonna be
the next Garfield!
585
00:24:26,270 --> 00:24:27,650
‐ Yeah, that's what I want.
586
00:24:27,650 --> 00:24:29,900
‐ Stay the course, and we'll
have everything we need.
587
00:24:29,900 --> 00:24:31,900
‐ Everything‐‐
greeting cards, pillow covers.
588
00:24:31,900 --> 00:24:33,950
‐ Keychains.
‐ CGI movie adaptations!
589
00:24:33,950 --> 00:24:36,160
‐ You can drink milk
for every meal!
590
00:24:36,160 --> 00:24:37,910
‐ What?!
Now you went too far.
591
00:24:37,910 --> 00:24:40,290
‐ Don't listen to Wonder Boy
and Cow Fat.
592
00:24:40,290 --> 00:24:43,250
We made them.
They did not make us.
Look at me.
593
00:24:43,250 --> 00:24:45,380
Who was there in fourth grade
when you drew
594
00:24:45,380 --> 00:24:47,630
a pair of titties on the back
cover of your math book, huh?
595
00:24:47,630 --> 00:24:50,760
Me, that's who.
Listen when I tell you
596
00:24:50,760 --> 00:24:52,760
these two are holdin' us back.
597
00:24:52,760 --> 00:24:54,260
‐ Don't listen
to that angry marker.
598
00:24:54,260 --> 00:24:56,970
He won't even take his cap off
during the National Anthem.
599
00:24:56,970 --> 00:24:59,760
‐ Some of the greatest works
in history are about nothing!
600
00:24:59,760 --> 00:25:02,560
‐ I'm done with
the safe Negro shuffle
for these two bozos.
601
00:25:02,560 --> 00:25:04,980
It's time to get visible,
my brother, because right now
602
00:25:04,980 --> 00:25:06,560
nobody even sees you.
[both grumbling]
603
00:25:06,560 --> 00:25:08,690
Disappear.
You're gone, like magic.
604
00:25:08,690 --> 00:25:11,610
‐ Well, that's untrue,
because his photo's
right there!
605
00:25:11,610 --> 00:25:13,570
MARKER: That's not him.
606
00:25:13,570 --> 00:25:16,070
That dude right there looks
like Wesley Snipes
in a Kabuki theater production
607
00:25:16,070 --> 00:25:18,450
of Raisin in the Sun.
‐ [whispering]
That's what I been saying.
608
00:25:19,330 --> 00:25:21,200
‐ We are extremely pleased
to announce
609
00:25:21,200 --> 00:25:25,040
for the first time
the Keef strip local
favorite Toast‐N‐Butter
610
00:25:25,040 --> 00:25:29,250
will be nationally syndicated
starting next week!
611
00:25:33,670 --> 00:25:35,430
‐ Take a chill pill.
Relax.
612
00:25:35,430 --> 00:25:37,930
Do not let this
get away from you.
613
00:25:37,930 --> 00:25:39,640
‐ Once again,
give it up for Keef Knight!
614
00:25:39,640 --> 00:25:41,850
[cheers and applause]
615
00:25:47,770 --> 00:25:49,940
‐ You got this.
616
00:25:51,480 --> 00:25:53,530
‐ You don't really want
to be known as the guy
617
00:25:53,530 --> 00:25:55,570
who draws
boring breakfast food.
618
00:25:55,570 --> 00:25:57,700
Hm.
You can't go out like that.
619
00:25:57,700 --> 00:26:00,660
Because I won't let you!
The fog has been lifted.
620
00:26:00,660 --> 00:26:03,080
I can see!
The lines have been drawn.
621
00:26:03,080 --> 00:26:05,910
It's time to make your mark.
622
00:26:05,910 --> 00:26:09,000
[crowd murmurs]
623
00:26:09,000 --> 00:26:12,170
‐ Maintain, motherfucker.
Maintain.
624
00:26:17,760 --> 00:26:20,300
‐ Uh, another round of applause
for Bloom & Hill's
625
00:26:20,300 --> 00:26:22,890
very own Phil and Cindy,
yeah?
626
00:26:25,310 --> 00:26:28,810
And these images‐‐
somehow you managed
to make the toast...
627
00:26:28,810 --> 00:26:30,230
darker than me!
628
00:26:30,230 --> 00:26:32,230
[scattered laughs]
629
00:26:32,230 --> 00:26:34,150
And you, my friend,
tell us,
630
00:26:34,150 --> 00:26:35,820
what was your inspiration
behind blackface?
631
00:26:35,820 --> 00:26:37,740
Speak into the mic.
Tell the audience how you‐‐
632
00:26:37,740 --> 00:26:39,860
‐ I did this to stay true
to your character for‐‐
633
00:26:39,860 --> 00:26:41,990
you know, every time
he gets burnin' mad.
634
00:26:41,990 --> 00:26:43,490
‐ Ah.
TOAST MAN: This is
San Francisco‐‐
635
00:26:43,490 --> 00:26:45,700
‐ Was waiting to hear that one.
‐ We don't see color here.
636
00:26:45,700 --> 00:26:47,410
Huh?
637
00:26:47,410 --> 00:26:49,920
And we don't care
if you're black, white,
638
00:26:49,920 --> 00:26:51,210
blue, purple, or green.
639
00:26:51,210 --> 00:26:52,960
‐ Time out.
I gotta stop you there.
640
00:26:52,960 --> 00:26:56,760
You know where I draw the line?
At them goddamn green people!
641
00:26:56,760 --> 00:26:58,340
[laughter]
642
00:26:58,340 --> 00:27:00,090
Huh?
The greens‐‐
643
00:27:00,090 --> 00:27:03,140
nothin' but a bunch
of lazy‐ass deadbeats
and welfare cheats!
644
00:27:03,140 --> 00:27:04,510
They ain't got nothin'
on the blues.
645
00:27:04,510 --> 00:27:06,310
Damn blues!
646
00:27:06,310 --> 00:27:08,140
‐ Does he seem off to you?
647
00:27:08,140 --> 00:27:09,730
KEEF: That‐‐that's something.
Look at that.
648
00:27:09,730 --> 00:27:11,900
‐ Ah...well...
KEEF: Blues is driving
around all crazy...
649
00:27:11,900 --> 00:27:14,270
‐ Did he tell you
what happened?
650
00:27:14,270 --> 00:27:16,400
KEEF: When you come here,
speak our language.
‐ No.
651
00:27:16,400 --> 00:27:19,280
‐ Now, look, unless Avatar
is a documentary,
652
00:27:19,280 --> 00:27:22,160
there's no such thing
as blue people.
653
00:27:22,160 --> 00:27:24,830
Green people don't exist.
654
00:27:26,450 --> 00:27:28,370
Reality matters.
655
00:27:28,370 --> 00:27:29,750
It is a real thing.
656
00:27:29,750 --> 00:27:31,790
And when you tell me
you don't see color,
657
00:27:31,790 --> 00:27:35,550
you are choosing to ignore
a very important part
of who I am.
658
00:27:35,550 --> 00:27:38,050
"I‐I had no idea
you were black."
659
00:27:38,050 --> 00:27:39,970
I got news for you‐‐
that is not a compliment.
660
00:27:39,970 --> 00:27:42,050
It sucks to hear that!
661
00:27:42,050 --> 00:27:43,800
[classical music]
662
00:27:43,800 --> 00:27:47,600
And why the hell
can a white man openly
sell energy powder
663
00:27:47,600 --> 00:27:50,100
when it's very obvious
that it is cocaine
664
00:27:50,100 --> 00:27:52,060
and no one raises an eyebrow,
665
00:27:52,060 --> 00:27:55,650
but a black man can't hold
a stapler without bein'
taken down?
666
00:27:55,650 --> 00:27:57,110
GUNTHER: [whispering]
It's not cocaine.
667
00:27:57,110 --> 00:27:58,740
‐ What is happening?
What is going on?
668
00:27:58,740 --> 00:28:01,030
What are we doing?
669
00:28:02,280 --> 00:28:05,740
You know, I have been
in the sausage factory
for so long,
670
00:28:05,740 --> 00:28:08,540
yet I never knew
how the sausage was made.
671
00:28:08,540 --> 00:28:10,870
♪ ♪
672
00:28:10,870 --> 00:28:13,120
I am the sausage.
673
00:28:13,120 --> 00:28:16,040
♪ ♪
674
00:28:16,040 --> 00:28:17,800
I am the sausage!
675
00:28:17,800 --> 00:28:19,210
GUNTHER: Is he coming out?
676
00:28:19,210 --> 00:28:21,130
‐ And just so
we're on the same page,
677
00:28:21,130 --> 00:28:23,890
the sausage factory
is the systemic oppression
directed at people of color
678
00:28:23,890 --> 00:28:25,720
here in America,
679
00:28:25,720 --> 00:28:29,470
and we have got to tear
the entire system to shreds!
680
00:28:31,100 --> 00:28:32,890
Just because my roommate
is African‐American
681
00:28:32,890 --> 00:28:35,190
and wears Jordans
does not make him
a pro athlete.
682
00:28:35,190 --> 00:28:37,400
SIMONE: What?
683
00:28:37,400 --> 00:28:40,230
KEEF: Stop saying slavery
was a long time ago.
684
00:28:40,230 --> 00:28:42,070
You know what else
was a long time ago?
685
00:28:42,070 --> 00:28:43,910
Jesus.
You don't get over that.
686
00:28:43,910 --> 00:28:45,370
‐ [softly] Did he just say
"Get over Jesus"?
687
00:28:45,370 --> 00:28:47,530
‐ No, no, no!
This is not what
we had planned!
688
00:28:47,530 --> 00:28:50,040
‐ Lighten up, dude.
Remember your condo.
689
00:28:50,040 --> 00:28:52,330
‐ Lighten up?
I know he didn't just say
lighten up.
690
00:28:52,330 --> 00:28:54,080
No, let's darken it up
right now.
691
00:28:54,080 --> 00:28:55,750
‐ You want me to lighten up?
BUTTER: Yeah.
‐ Get the fuck off me.
692
00:28:55,750 --> 00:28:57,290
‐ I'm melting!
693
00:28:57,290 --> 00:28:58,710
BUTTER: Take a chill pill.
Relax.
694
00:28:58,710 --> 00:29:01,090
‐ Stop it!
‐ Jesus hates you!
695
00:29:01,090 --> 00:29:03,340
KEEF: You want‐‐
FAN: Is he dancing?
696
00:29:03,340 --> 00:29:04,970
FAN 2:
We want Toast‐N‐Butter!
697
00:29:04,970 --> 00:29:06,680
‐ How 'bout this?
You want Toast‐N‐Butter?
698
00:29:06,680 --> 00:29:08,600
Fuck Toast.
699
00:29:08,600 --> 00:29:10,260
[crowd booing]
And fuck Butter!
700
00:29:10,260 --> 00:29:12,350
Yeah!
‐ Yep, he's lost it.
701
00:29:12,350 --> 00:29:14,560
[crowd murmuring]
702
00:29:14,560 --> 00:29:17,270
‐ [grunting]
703
00:29:17,270 --> 00:29:19,940
Yeah!
This is really good card stock.
704
00:29:19,940 --> 00:29:22,820
GUNTHER: But, yeah,
we shouldn't have let him out
of the house.
705
00:29:22,820 --> 00:29:24,650
That was stupid.
Oh, look, there he is.
706
00:29:24,650 --> 00:29:26,740
TRINA: Keef.
Hey.
707
00:29:28,660 --> 00:29:30,740
Are...you okay?
708
00:29:30,740 --> 00:29:33,250
‐ Yeah.
I'm better.
709
00:29:33,250 --> 00:29:34,620
‐ You know what?
710
00:29:34,620 --> 00:29:36,420
For once, I wasn't
expecting the worst.
711
00:29:36,420 --> 00:29:38,670
But you impressed me, dawg.
712
00:29:38,670 --> 00:29:41,880
You fucked this up
in a unique and unexpected way.
713
00:29:41,880 --> 00:29:43,510
GUNTHER: Okay.
That seems a little negative.
714
00:29:43,510 --> 00:29:46,680
Look at the bright side.
There's still a very, very
715
00:29:46,680 --> 00:29:49,010
super small chance
you didn't destroy your career.
716
00:29:49,010 --> 00:29:51,260
‐ No, I blew it.
I blew it.
717
00:29:51,260 --> 00:29:53,850
So now I just have to...
718
00:29:53,850 --> 00:29:55,180
[inhales, exhales]
719
00:29:55,180 --> 00:29:56,770
walk this off.
720
00:29:56,770 --> 00:29:58,770
And it'll be...
GUNTHER: Yeah.
CLOVIS: That's it.
721
00:29:58,770 --> 00:30:01,320
GUNTHER: Cool, cool, all right.
722
00:30:01,320 --> 00:30:03,780
‐ Keef.
Keef, wait.
723
00:30:07,990 --> 00:30:10,830
You know you can
talk to me, right?
724
00:30:15,120 --> 00:30:18,120
‐ I'll talk to you later.
725
00:30:18,120 --> 00:30:22,590
[James Blake's
Don't Miss It plays]
726
00:30:22,590 --> 00:30:24,670
♪ ♪
727
00:30:24,670 --> 00:30:28,630
SINGER: ♪ The world
has shut me out ♪
728
00:30:28,630 --> 00:30:30,930
♪ ♪
729
00:30:30,930 --> 00:30:35,310
♪ If I give everything,
I lose everything ♪
730
00:30:35,310 --> 00:30:42,070
♪ Don't miss it,
oh oh oh oh oh oh ♪
731
00:30:42,070 --> 00:30:43,900
♪ Don't miss it ♪
732
00:30:43,900 --> 00:30:47,360
♪ Oh oh oh oh oh oh ♪
733
00:30:47,360 --> 00:30:51,530
♪ Like I did ♪
734
00:30:51,530 --> 00:30:55,830
♪ ♪
735
00:30:55,830 --> 00:30:57,410
[sighs]
736
00:31:04,460 --> 00:31:08,090
‐ Get the fuck outta here!
You're that dude, right?
737
00:31:08,090 --> 00:31:10,220
‐ Oh, yes.
Sorry, yeah, uh,
738
00:31:10,220 --> 00:31:12,050
Toast‐N‐Butter, right.
Um...
739
00:31:12,050 --> 00:31:14,010
although, after tonight,
I'm not so sure.
740
00:31:14,010 --> 00:31:17,310
‐ No, you're that dude
that got his ass stomped
by the cops the other day!
741
00:31:17,310 --> 00:31:19,890
Yeah, I saw that shit go down.
‐ Oh...yeah.
742
00:31:19,890 --> 00:31:21,560
‐ Felt real bad about
that shit.
743
00:31:21,560 --> 00:31:24,360
‐ Well, you know, man,
it kinda hits you
in ways you don't expect.
744
00:31:24,360 --> 00:31:27,740
‐ Naw, man, it's 'cause
it's me they were looking for.
745
00:31:27,740 --> 00:31:30,070
[laughs]
746
00:31:30,070 --> 00:31:32,200
So what's in the bag, homie?
747
00:31:33,530 --> 00:31:36,620
‐ [sighing] You're robbing me.
748
00:31:36,620 --> 00:31:37,950
Okay.
749
00:31:37,950 --> 00:31:39,620
Okay, I‐I got nothin'.
750
00:31:39,620 --> 00:31:41,040
So...
‐ Oh, you got nothin'.
751
00:31:41,040 --> 00:31:42,630
‐ I got nothin'.
752
00:31:45,210 --> 00:31:47,050
‐ You broke as hell.
753
00:31:47,050 --> 00:31:48,420
‐ Well...
754
00:31:48,420 --> 00:31:50,420
‐ This BART card still good?
755
00:31:50,420 --> 00:31:52,470
‐ I just loaded it yesterday.
756
00:31:52,470 --> 00:31:54,890
‐ Ha ha!
That's what's up!
757
00:31:54,890 --> 00:31:58,020
Hey, you stay safe,
Toast‐N‐Butter man.
758
00:31:58,020 --> 00:31:59,890
‐ Huh.
‐ Cops are everywhere.
759
00:31:59,890 --> 00:32:01,850
Huh?
‐ Whoa‐‐wait.
760
00:32:01,850 --> 00:32:02,940
All right, now.
761
00:32:04,060 --> 00:32:05,980
What are you doin' to me?
762
00:32:05,980 --> 00:32:07,320
‐ Ha ha ha ha!
763
00:32:07,320 --> 00:32:09,070
KEEF: Ha ha ha ha ha ha!
764
00:32:17,450 --> 00:32:20,500
[soft music]
765
00:32:20,500 --> 00:32:27,500
♪ ♪
766
00:32:37,050 --> 00:32:38,680
TOAST: We're gonna be
world‐famous!
767
00:32:38,680 --> 00:32:40,730
MARKER: We made them,
they did not make us!
768
00:32:40,730 --> 00:32:42,020
MALT LIQUOR 2:
It's like a superpower.
769
00:32:42,020 --> 00:32:43,600
TRASHCAN: Mr. Policeman
did a number on ya.
770
00:32:43,600 --> 00:32:46,440
VOICE: I can't tell my story,
but you can, Keef.
771
00:32:46,440 --> 00:32:48,570
TRASHCAN: You really think
Darnell moved away?
772
00:32:48,570 --> 00:32:50,570
[overlapping voices]
773
00:32:50,570 --> 00:32:51,940
MARKER: Make your mark!
774
00:32:52,780 --> 00:32:55,030
So what are you gonna do now?
775
00:32:55,030 --> 00:32:56,320
[Khari Mateen's
Where Did They Go]
776
00:32:56,320 --> 00:32:59,450
SINGER: ♪ Young men
shipped out today ♪
777
00:32:59,450 --> 00:33:01,160
♪ Sittin' on another man's
land ♪
778
00:33:01,160 --> 00:33:03,620
♪ Piece by piece
takin' it away ♪
779
00:33:03,620 --> 00:33:05,120
♪ ♪
780
00:33:05,120 --> 00:33:07,340
♪ Did a few things
that you just can't say ♪
781
00:33:07,340 --> 00:33:08,840
♪ ♪
782
00:33:08,840 --> 00:33:10,800
♪ Eyes wide,
keep it on the prize ♪
783
00:33:10,800 --> 00:33:13,090
♪ Or you might get
blown away ♪
784
00:33:13,090 --> 00:33:14,880
♪ Where ♪
785
00:33:14,880 --> 00:33:17,600
♪ Where did they go ♪
786
00:33:17,600 --> 00:33:19,310
♪ Where ♪
787
00:33:19,310 --> 00:33:21,890
♪ Where did they go ♪
788
00:33:21,890 --> 00:33:23,680
♪ Where ♪
789
00:33:23,680 --> 00:33:26,230
♪ Where
did they go ♪
790
00:33:26,230 --> 00:33:28,400
♪ Where ♪
791
00:33:28,400 --> 00:33:31,110
♪ ♪
792
00:33:31,110 --> 00:33:33,990
♪ Souls lost in the city ♪
793
00:33:33,990 --> 00:33:36,700
♪ Take this pill,
it'll make you feel all right ♪
794
00:33:36,700 --> 00:33:38,200
♪ ♪
795
00:33:38,200 --> 00:33:41,080
♪ Calm you down,
make you sleep at night ♪
796
00:33:41,080 --> 00:33:42,330
♪ ♪
797
00:33:42,330 --> 00:33:43,830
♪ Where ♪
798
00:33:43,830 --> 00:33:46,670
♪ Where
did they go ♪
799
00:33:46,670 --> 00:33:48,460
♪ Where ♪