1
00:00:00,959 --> 00:00:03,795
[Brenda Lee's "I'm Sorry"]
2
00:00:03,795 --> 00:00:05,464
KEEF: We are not Kubby!
3
00:00:05,464 --> 00:00:07,466
[crowd clamoring]
4
00:00:07,466 --> 00:00:09,635
Yeah, okay.
5
00:00:09,635 --> 00:00:12,095
♪ ♪
6
00:00:12,095 --> 00:00:13,305
[heavy impact]
7
00:00:16,517 --> 00:00:18,560
BRENDA LEE: ♪ I'm sorry ♪
8
00:00:18,560 --> 00:00:19,686
♪ ♪
9
00:00:19,686 --> 00:00:21,563
KEEF: Okay.
10
00:00:21,563 --> 00:00:23,649
I think I need
to see somebody.
11
00:00:23,649 --> 00:00:27,069
BRENDA LEE: ♪ I'm sorry ♪
12
00:00:27,069 --> 00:00:29,404
‐ Keef Knight got knocked
the fuck out!
13
00:00:29,404 --> 00:00:31,406
‐ Who is this somebody
he's talking about?
14
00:00:31,406 --> 00:00:32,616
‐ I hope he's a boxing coach,
15
00:00:32,616 --> 00:00:34,284
'cause that punch
was slow as hell.
16
00:00:34,284 --> 00:00:35,577
VOICE 1: Ooh, that's good.
17
00:00:35,577 --> 00:00:37,329
‐ I think he's talking
about a professional.
18
00:00:37,329 --> 00:00:38,330
You know...
19
00:00:38,330 --> 00:00:39,331
[whispers]
A therapist.
20
00:00:39,331 --> 00:00:40,624
‐ Hell, no.
21
00:00:40,624 --> 00:00:42,334
‐ Who better to cure his ills
than us, baby?
22
00:00:42,334 --> 00:00:44,086
[laughter]
23
00:00:44,086 --> 00:00:47,464
‐ Now that's the kind
of therapy I could use‐‐
a little drinky‐drink.
24
00:00:47,464 --> 00:00:49,716
‐ There you go again,
stigmatizing therapy.
25
00:00:49,716 --> 00:00:51,468
‐ Come on, now.
26
00:00:51,468 --> 00:00:53,428
You know the minute you let
somebody in your head,
they take over.
27
00:00:53,428 --> 00:00:56,723
How come he can't walk it off
just like any other
self‐respecting Black man?
28
00:00:56,723 --> 00:00:58,809
‐ Because that walk never ends.
29
00:00:58,809 --> 00:01:00,269
‐ Hell,
if it wasn't for pain,
30
00:01:00,269 --> 00:01:02,312
Black people would've
never invented the blues.
31
00:01:02,312 --> 00:01:05,107
‐ ♪ Da, dun, a da‐da,
got punched in the face ♪
32
00:01:05,107 --> 00:01:06,692
‐ [laughs]
‐ ♪ Da, dun, a da‐da ♪
33
00:01:06,692 --> 00:01:08,485
‐ ♪ By a big‐ass koala ♪
34
00:01:08,485 --> 00:01:11,697
‐ And that is why he needs
to go to therapy.
35
00:01:11,697 --> 00:01:13,448
‐ Uh‐uh, this bitch talkin'.
‐ I see,
so you know everything.
36
00:01:13,448 --> 00:01:16,868
‐ What if it cures him
and he never talks to us again?
37
00:01:16,868 --> 00:01:18,078
‐ Bam!
38
00:01:18,078 --> 00:01:19,913
‐ Mm, look who.
Where have you been?
39
00:01:19,913 --> 00:01:22,499
‐ Minding my own
goddamn business, that's where.
40
00:01:22,499 --> 00:01:24,876
‐ You should talk to your boy.
He's gonna do some things.
41
00:01:24,876 --> 00:01:26,003
‐ I'll try.
42
00:01:26,003 --> 00:01:28,005
But it ain't about him
talking to us.
43
00:01:28,005 --> 00:01:31,216
It's about him doing
what he needs to do
to get right with this shit.
44
00:01:31,216 --> 00:01:33,594
And if that means doing it
with others, so be it.
45
00:01:33,594 --> 00:01:36,722
'Cause I got plans
for Keef Knight.
46
00:01:38,056 --> 00:01:41,393
[mellow rock music]
47
00:01:41,393 --> 00:01:48,442
♪ ♪
48
00:01:55,073 --> 00:01:56,283
‐ [sighs]
49
00:01:56,283 --> 00:01:57,951
MRS. CHANG:
Hello, there.
50
00:02:00,203 --> 00:02:02,414
What are you doing,
Keef Knight?
51
00:02:02,414 --> 00:02:04,082
‐ Oh, just basking
in the glow
52
00:02:04,082 --> 00:02:06,293
of my own artistic
achievements, Mrs. Chang.
53
00:02:06,293 --> 00:02:09,129
‐ No, I mean in the drawing,
what are you doing?
54
00:02:09,129 --> 00:02:12,132
‐ Oh, being tackled
by the police.
55
00:02:12,132 --> 00:02:13,508
‐ Well, I don't like it.
56
00:02:13,508 --> 00:02:15,969
‐ Yeah, I didn't like
being tackled, either,
57
00:02:15,969 --> 00:02:18,472
but my shrink said
I should draw about it,
you know?
58
00:02:18,472 --> 00:02:21,725
It's actually been
pretty cathartic‐‐
writing about myself.
59
00:02:21,725 --> 00:02:25,270
‐ I meant
I don't like the drawing.
60
00:02:25,270 --> 00:02:28,857
Oh, tell Gunther if he misses
one more mahjong night,
61
00:02:28,857 --> 00:02:30,317
he's out of the league.
62
00:02:30,317 --> 00:02:35,947
♪ ♪
63
00:02:35,947 --> 00:02:37,949
[door opens]
‐ Yep.
64
00:02:37,949 --> 00:02:39,701
Sweet.
65
00:02:42,329 --> 00:02:43,747
‐ Oh.
Oh, shit.
66
00:02:43,747 --> 00:02:46,124
Look at that, right?
67
00:02:46,124 --> 00:02:47,793
‐ Yeah.
‐ Shit.
68
00:02:47,793 --> 00:02:50,671
[chuckling]
Oh.
69
00:02:50,671 --> 00:02:52,422
Hey.
70
00:02:52,422 --> 00:02:56,677
Please do not be alarmed
by any repositioning
of items in the flat.
71
00:02:56,677 --> 00:03:00,097
I am practicing the ancient art
of bong shui.
72
00:03:00,097 --> 00:03:01,807
KEEF:
Oh.
73
00:03:01,807 --> 00:03:03,225
Well, nothing has changed.
74
00:03:03,225 --> 00:03:05,727
‐ Yeah, it's a subtle art.
75
00:03:05,727 --> 00:03:07,479
‐ All right, well, you do you.
76
00:03:07,479 --> 00:03:08,939
I'm gonna get started
on my journal.
77
00:03:08,939 --> 00:03:10,565
‐ Awesome.
78
00:03:10,565 --> 00:03:12,234
CLOVIS:
As much as she making
off that journal,
79
00:03:12,234 --> 00:03:15,278
Dr. Peggy need
to be writing that shit
for him, you feel me?
80
00:03:15,278 --> 00:03:18,657
‐ Yeah, you can't put a price
on self‐care, you know?
81
00:03:18,657 --> 00:03:20,534
CLOVIS:
I'm not.
That's why I got a barber.
82
00:03:20,534 --> 00:03:22,661
‐ You are absolutely right,
Clovis,
83
00:03:22,661 --> 00:03:26,456
but at least I'm not taking
advice from a marker anymore.
84
00:03:26,456 --> 00:03:29,209
♪ ♪
85
00:03:29,209 --> 00:03:31,962
Any final remarks?
86
00:03:31,962 --> 00:03:33,839
[chuckles]
87
00:03:33,839 --> 00:03:35,841
GUNTHER: I love you.
‐ Well.
88
00:03:35,841 --> 00:03:37,717
[knock at door]
Cool.
89
00:03:41,304 --> 00:03:42,931
Anybody?
‐ I have a cell phone.
90
00:03:42,931 --> 00:03:44,933
If they wanna meet,
they'll probably just
text or call.
91
00:03:44,933 --> 00:03:46,726
‐ Yeah, I'm high,
and I just sat down,
92
00:03:46,726 --> 00:03:49,104
so I won't be standing up
for a while.
93
00:03:49,104 --> 00:03:50,647
[knock at door]
94
00:03:50,647 --> 00:03:52,190
Oh, no, don't get up.
I got it.
95
00:03:53,900 --> 00:03:56,611
‐ Keef Knight,
the comic Avenger.
96
00:03:56,611 --> 00:03:58,572
‐ Do I know you?
97
00:03:58,572 --> 00:04:00,740
‐ No.
No one ever remembers.
98
00:04:00,740 --> 00:04:02,742
That's for you.
99
00:04:02,742 --> 00:04:04,369
You've been served.
100
00:04:04,369 --> 00:04:06,788
Again.
[chuckles]
101
00:04:06,788 --> 00:04:08,707
Yeah, but hey,
102
00:04:08,707 --> 00:04:11,084
way to keep it 100 with
your comic in the Bay Arean.
103
00:04:11,084 --> 00:04:12,711
That's‐‐that's pretty dope.
104
00:04:12,711 --> 00:04:14,796
CLOVIS:
Discombobulated.
Look at you.
105
00:04:14,796 --> 00:04:16,673
GUNTHER:
You know, for being
a freelance cartoonist,
106
00:04:16,673 --> 00:04:19,926
you sure do a lot of dealings
with the legal system.
107
00:04:19,926 --> 00:04:21,511
CLOVIS:
You definitely do.
108
00:04:21,511 --> 00:04:23,013
Bloom and Hill coming back
for what, round two?
[chuckles]
109
00:04:23,013 --> 00:04:24,389
GUNTHER:
More like round three.
Are you‐‐
110
00:04:24,389 --> 00:04:26,767
‐ No,
it's the cop who tackled me.
111
00:04:26,767 --> 00:04:28,059
He's suing me.
112
00:04:28,059 --> 00:04:29,811
‐ What?
KEEF: He's suing me.
113
00:04:29,811 --> 00:04:31,521
GUNTHER:
For what?
114
00:04:31,521 --> 00:04:34,149
Did you hurt his hand
when he punched you
in the back of the head?
115
00:04:34,149 --> 00:04:35,776
‐ Uh, no, for defamation.
116
00:04:35,776 --> 00:04:39,070
He's claiming that he was
triggered by the comic strip.
117
00:04:39,070 --> 00:04:40,489
GUNTHER:
Wow.
118
00:04:40,489 --> 00:04:43,033
That is actually more absurd
than what I just said.
119
00:04:43,033 --> 00:04:44,284
‐ Well, how is he saying
that he was triggered?
120
00:04:44,284 --> 00:04:46,787
I‐‐I was the one who was
slammed on the ground.
121
00:04:46,787 --> 00:04:49,456
‐ Okay, when people say
that cops aren't trigger happy,
122
00:04:49,456 --> 00:04:51,082
show 'em that shit, man.
123
00:04:51,082 --> 00:04:53,001
‐ I think I have to get
a lawyer or something,
124
00:04:53,001 --> 00:04:54,878
somebody who's not gonna
charge me an arm and a leg.
125
00:04:54,878 --> 00:04:56,463
‐ Don't go back
to the Lawyers for the Arts.
126
00:04:56,463 --> 00:04:57,881
They keep fucking you, man.
127
00:04:57,881 --> 00:05:00,550
‐ Okay, for the last time,
they're not fucking me over.
128
00:05:00,550 --> 00:05:02,552
I gave up the rights
to Toast‐N‐Butter.
129
00:05:02,552 --> 00:05:03,762
I let 'em go.
130
00:05:05,972 --> 00:05:08,225
But yes, I do have
to find a different lawyer
131
00:05:08,225 --> 00:05:10,769
than these people, 'cause they‐‐
they keep fucking me.
132
00:05:10,769 --> 00:05:12,187
CLOVIS:
Mm‐hmm.
133
00:05:12,187 --> 00:05:14,523
Hey, well‐‐hey, hey, look.
I ain't worried, man.
134
00:05:14,523 --> 00:05:16,691
I ain't worried.
I believe in you.
135
00:05:16,691 --> 00:05:18,026
[door slams]
136
00:05:18,026 --> 00:05:19,903
[whispers]
Hey.
137
00:05:19,903 --> 00:05:21,154
I'm worried.
138
00:05:27,327 --> 00:05:29,246
[door bell jingles]
139
00:05:29,246 --> 00:05:32,040
TRINA:
You just had to go sit
at our table, huh?
140
00:05:32,040 --> 00:05:35,544
‐ Yeah, I wanted to make things
as awkward as possible.
141
00:05:35,544 --> 00:05:38,004
‐ Smart of you to call me.
I'm sure it wasn't easy.
142
00:05:38,004 --> 00:05:40,757
‐ Well, you know,
we didn't necessarily
end on the greatest of terms,
143
00:05:40,757 --> 00:05:43,176
but I have not had much luck
with lawyers.
144
00:05:43,176 --> 00:05:44,511
‐ No.
145
00:05:44,511 --> 00:05:46,179
My mom said
he's either really broke
146
00:05:46,179 --> 00:05:48,390
or he's got zero understanding
about what he put me through.
147
00:05:48,390 --> 00:05:49,599
‐ Ouch.
148
00:05:49,599 --> 00:05:51,268
‐ Well, you know,
she never liked you.
149
00:05:51,268 --> 00:05:52,978
‐ Really?
150
00:05:52,978 --> 00:05:56,565
Now so many small,
innocuous incidents
make so much sense now.
151
00:05:56,565 --> 00:05:58,608
[both chuckle]
152
00:05:58,608 --> 00:06:01,278
‐ I'm happy
that you're doing well, Keef.
153
00:06:01,278 --> 00:06:02,737
I‐‐I mean that.
154
00:06:02,737 --> 00:06:06,074
I‐‐I thought I got it,
but I didn't, not fully.
155
00:06:06,074 --> 00:06:09,661
But this comic, Keef,
it says it all.
156
00:06:09,661 --> 00:06:11,913
It's raw and it's powerful.
157
00:06:11,913 --> 00:06:13,582
People are really
paying attention.
158
00:06:13,582 --> 00:06:14,833
KEEF:
Yeah.
159
00:06:14,833 --> 00:06:16,960
Apparently,
Officer Wyatt agrees with you.
160
00:06:16,960 --> 00:06:19,129
‐ Mm.
Good news on that front.
161
00:06:19,129 --> 00:06:21,965
So I spoke with the reps
at the SFPD,
162
00:06:21,965 --> 00:06:25,343
and the department feels
just as blindsided by Wyatt
as you do,
163
00:06:25,343 --> 00:06:28,138
and they want nothing more
than to make this whole thing
go away.
164
00:06:28,138 --> 00:06:30,932
‐ Oh, my God.
Oh, my God, thank you.
165
00:06:30,932 --> 00:06:33,435
I knew you were
the right person to call.
Thank you very much.
166
00:06:33,435 --> 00:06:35,520
Why did you bury the lede,
by the way?
167
00:06:35,520 --> 00:06:37,856
‐ [chuckles]
They‐‐they want something
from you, first, though.
168
00:06:37,856 --> 00:06:39,274
KEEF:
Okay.
169
00:06:39,274 --> 00:06:41,943
‐ So they want you to sit down
with the officer and have
170
00:06:41,943 --> 00:06:46,406
a frank discussion about
police‐community relations.
171
00:06:46,406 --> 00:06:48,450
‐ [chuckling]
Like, over a beer?
172
00:06:48,450 --> 00:06:50,493
[laughs]
173
00:06:50,493 --> 00:06:52,329
‐ Actually, yeah.
They did mention beer.
174
00:06:52,329 --> 00:06:54,414
Plus the press.
175
00:06:54,414 --> 00:06:57,000
They also want
a social media presence
at the Brighton Sports Bar.
176
00:06:57,000 --> 00:06:59,669
‐ Wait, hold up, hold up.
Let me just rewind
for a second.
177
00:06:59,669 --> 00:07:01,212
Wanna make sure
I'm hearing you correctly.
178
00:07:01,212 --> 00:07:02,839
In order to squash this,
179
00:07:02,839 --> 00:07:05,300
they want me to have
a beer summit with the guy,
180
00:07:05,300 --> 00:07:08,345
like, Obama with the professor
and the cop?
181
00:07:08,345 --> 00:07:11,848
‐ So you say your piece.
He says his.
What's the harm in that?
182
00:07:11,848 --> 00:07:13,558
KEEF:
I mean, it's bullshit.
183
00:07:13,558 --> 00:07:16,519
They're using me
so they can make it seem like
they're doing something.
184
00:07:16,519 --> 00:07:20,023
‐ And if you turn them down,
you spend the next three years
in court.
185
00:07:20,023 --> 00:07:21,691
You're finally back on track.
186
00:07:21,691 --> 00:07:25,987
You don't want this lawsuit
hanging over your head.
187
00:07:25,987 --> 00:07:28,156
You're a smart guy, Keef.
188
00:07:28,156 --> 00:07:30,283
Make the smart choice.
189
00:07:30,283 --> 00:07:33,995
[slow bassy music]
190
00:07:33,995 --> 00:07:36,414
‐ Yeah, you know,
I don't know, dude.
191
00:07:36,414 --> 00:07:37,999
‐ Okay, what's the worst
that could happen?
192
00:07:37,999 --> 00:07:40,460
I have a beer with the guy,
he drops the lawsuit,
193
00:07:40,460 --> 00:07:41,878
and this whole thing goes away.
194
00:07:41,878 --> 00:07:43,588
‐ You both get drunk,
he pulls his gun,
195
00:07:43,588 --> 00:07:45,465
blows your head off
all over the walls.
196
00:07:45,465 --> 00:07:47,717
‐ That's your concern?
Really?
197
00:07:47,717 --> 00:07:49,344
‐ Yes.
CLOVIS: Word.
198
00:07:49,344 --> 00:07:51,513
‐ My main concern
is that you're letting SFPD
199
00:07:51,513 --> 00:07:53,473
have their way with you
in a public forum.
200
00:07:53,473 --> 00:07:55,684
‐ Man, I say do it, man.
201
00:07:55,684 --> 00:07:58,812
Dude, you go in there,
you smile your smile,
you sip your beer,
202
00:07:58,812 --> 00:08:00,980
drop a couple smoke pellets,
poof.
203
00:08:00,980 --> 00:08:03,650
Disappear like Bruce Wayne
right into the night.
204
00:08:03,650 --> 00:08:06,236
‐ Okay, well, first off,
it's gonna be daylight.
205
00:08:06,236 --> 00:08:08,571
Secondly, where's he gonna
get smoke pellets?
206
00:08:08,571 --> 00:08:10,240
They're very hard to find.
I've looked, and‐‐
207
00:08:10,240 --> 00:08:13,326
‐ And third, you have to give
in order to get, right?
208
00:08:13,326 --> 00:08:15,787
And I think this
is the smartest give.
209
00:08:15,787 --> 00:08:17,372
Well, that's what Trina thinks.
210
00:08:17,372 --> 00:08:19,207
‐ [chuckles]
‐ Mm, yeah, real good.
211
00:08:19,207 --> 00:08:20,417
She want him.
She want the D.
212
00:08:20,417 --> 00:08:22,752
‐ Stop it.
She's my lawyer, okay?
213
00:08:22,752 --> 00:08:25,130
She gave me advice.
Good advice.
214
00:08:25,130 --> 00:08:27,090
‐ How good was the advice?
‐ You know what?
215
00:08:27,090 --> 00:08:28,717
I think you should do it.
216
00:08:28,717 --> 00:08:31,052
Make them think
they're using you,
217
00:08:31,052 --> 00:08:34,097
and then you take that platform
and you hijack it
218
00:08:34,097 --> 00:08:38,017
and you say everything
you've ever wanted to say about
community‐police relations.
219
00:08:38,017 --> 00:08:40,603
You make them squirm.
220
00:08:40,603 --> 00:08:42,772
I'll draft up some, uh,
talking points for you.
221
00:08:42,772 --> 00:08:44,566
‐ I'm good.
Don't need talking points.
222
00:08:44,566 --> 00:08:46,776
‐ I've seen you talk.
You need talking points.
223
00:08:46,776 --> 00:08:48,570
‐ Yeah, you definitely need
talking points.
224
00:08:48,570 --> 00:08:50,071
If not,
you start fumfering, bro.
225
00:08:50,071 --> 00:08:51,614
‐ Start what?
‐ Look, you start fumfering.
226
00:08:51,614 --> 00:08:53,491
I ain't got time to explain it.
Your word of the day.
227
00:08:53,491 --> 00:08:55,326
See, and what happens
when you start fumfering,
228
00:08:55,326 --> 00:08:58,163
you have a slide down
a slippery slope to,
"What the fuck is Keef on?"
229
00:08:58,163 --> 00:09:00,331
‐ Okay, okay.
230
00:09:00,331 --> 00:09:03,126
Just to clarify,
you say don't do it,
231
00:09:03,126 --> 00:09:04,878
you say get in, get out,
get it done,
232
00:09:04,878 --> 00:09:09,424
and you say
blow this entire thing up
using my rage and indignation.
233
00:09:09,424 --> 00:09:11,843
‐ Yeah.
‐ Absolutely.
234
00:09:11,843 --> 00:09:15,221
[Pher's "Murky"]
235
00:09:15,221 --> 00:09:16,973
‐ My head hurts.
236
00:09:16,973 --> 00:09:20,101
♪ ♪
237
00:09:20,101 --> 00:09:22,103
SINGER: ♪ It gets so ♪
238
00:09:22,103 --> 00:09:26,066
♪ Murky ♪
239
00:09:26,066 --> 00:09:30,236
♪ Loving what you know ♪
240
00:09:30,236 --> 00:09:35,366
♪ But I keep on swimming ♪
241
00:09:35,366 --> 00:09:38,995
♪ Swimming, babe,
further up the road ♪
242
00:09:38,995 --> 00:09:42,832
♪ ♪
243
00:09:42,832 --> 00:09:45,668
[vocalizing]
244
00:09:45,668 --> 00:09:47,420
‐ [sighs]
245
00:09:47,420 --> 00:09:52,383
♪ ♪
246
00:10:08,650 --> 00:10:10,735
[sighs]
247
00:10:16,449 --> 00:10:18,701
Psst.
248
00:10:18,701 --> 00:10:20,703
You mad at me?
249
00:10:20,703 --> 00:10:24,499
[scoffs]
I don't care.
250
00:10:24,499 --> 00:10:25,542
Bah.
251
00:10:29,212 --> 00:10:30,296
Hey.
252
00:10:30,296 --> 00:10:32,382
I don't care
what Dr. Peggy says.
253
00:10:35,844 --> 00:10:39,347
I need you to do‐‐okay.
254
00:10:41,099 --> 00:10:45,728
Look, I know I always act like
I don't need you around.
255
00:10:45,728 --> 00:10:48,690
I always throw you
in the trash.
256
00:10:48,690 --> 00:10:52,402
Always make fun of you.
I get it.
257
00:10:52,402 --> 00:10:54,737
That's on me.
That's my bad.
258
00:10:54,737 --> 00:10:57,240
But right now,
let's just forget about that
259
00:10:57,240 --> 00:11:01,119
because I need you, you see?
260
00:11:01,119 --> 00:11:04,706
I need you to do that thing,
that marker thing
261
00:11:04,706 --> 00:11:07,876
that‐‐that, uh,
that‐‐that you do.
262
00:11:11,546 --> 00:11:13,256
Okay, look, I'm...
[sighs]
263
00:11:13,256 --> 00:11:15,842
I'm scared, all right?
I'm very scared.
264
00:11:15,842 --> 00:11:18,052
I just don't wanna
do the wrong thing again,
265
00:11:18,052 --> 00:11:22,140
so I need you
to tell me what to do.
266
00:11:22,140 --> 00:11:24,392
Or Trash Can, you know?
267
00:11:24,392 --> 00:11:26,102
Like, where has he been?
Just‐‐
268
00:11:26,102 --> 00:11:27,604
‐ Yo, whoa.
‐ Huh?
269
00:11:29,355 --> 00:11:31,065
‐ Who the fuck
are you talking to?
270
00:11:31,065 --> 00:11:34,319
‐ I'm just, uh‐‐
I'm practicing for tomorrow,
so...
271
00:11:34,319 --> 00:11:37,614
[sniffles]
You know, what I was gonna say
and, like...
272
00:11:37,614 --> 00:11:40,283
‐ Oh, shit.
Um, you're gonna do it?
273
00:11:40,283 --> 00:11:44,120
‐ Yeah.
I think it's the smart move.
274
00:11:44,120 --> 00:11:46,497
GUNTHER:
Wait, who thinks
it's a smart move?
275
00:11:46,497 --> 00:11:48,374
‐ I think it's the smart move.
276
00:11:48,374 --> 00:11:51,085
‐ Yo, can I sway your vote?
277
00:11:51,085 --> 00:11:53,796
‐ Nope.
‐ Gonna do it.
Okay.
278
00:11:53,796 --> 00:11:56,925
Well, can you practice quieter?
279
00:11:56,925 --> 00:11:59,344
‐ Okay.
‐ Good night.
280
00:11:59,344 --> 00:12:00,803
‐ Yeah, good night.
281
00:12:00,803 --> 00:12:02,764
‐ You shouldn't be
drinking soda this late.
282
00:12:02,764 --> 00:12:04,933
‐ Yeah.
283
00:12:04,933 --> 00:12:08,645
♪ ♪
284
00:12:08,645 --> 00:12:11,397
[door closes]
285
00:12:11,397 --> 00:12:16,110
I'm not crazy, dude.
Just fucking...
286
00:12:16,110 --> 00:12:18,071
The fuck.
287
00:12:25,787 --> 00:12:29,415
[The 1865's "John Browns Gat"]
288
00:12:29,415 --> 00:12:32,502
[sirens wailing]
289
00:12:32,502 --> 00:12:35,171
[overlapping police chatter]
290
00:12:35,171 --> 00:12:42,178
♪ ♪
291
00:12:45,932 --> 00:12:47,809
[camera shutters clicking]
292
00:12:47,809 --> 00:12:49,769
LIEUTENANT SVOBODA:
This is your chance
to tell your side of the story.
293
00:12:49,769 --> 00:12:52,563
Everything's gonna be okay.
294
00:12:52,563 --> 00:12:54,065
Hey, Keef Knight.
295
00:12:54,065 --> 00:12:55,608
Michael Svoboda.
‐ Hey.
296
00:12:55,608 --> 00:12:57,068
‐ Lieutenant in charge
of public affairs.
297
00:12:57,068 --> 00:12:58,903
This is Officer Wyatt.
298
00:12:58,903 --> 00:13:01,072
‐ Yeah, we've met.
299
00:13:03,032 --> 00:13:05,159
‐ [chuckles]
Right, okay.
300
00:13:05,159 --> 00:13:07,620
‐ Look, if we could just
get this over with...
301
00:13:07,620 --> 00:13:09,122
SVOBODA:
Yeah, yeah.
You know what?
302
00:13:09,122 --> 00:13:11,207
It'll be great.
303
00:13:11,207 --> 00:13:14,585
‐ [inhales]
He's just asking
for trouble, man.
304
00:13:14,585 --> 00:13:16,838
‐ Trouble?
‐ Yeah.
305
00:13:16,838 --> 00:13:18,756
He's behind enemy lines.
306
00:13:18,756 --> 00:13:20,967
What happens if a cop
reaches out for a handshake,
307
00:13:20,967 --> 00:13:24,262
Keef freaks out and just
collapses on the floor
in fetal position?
308
00:13:24,262 --> 00:13:27,348
‐ [chuckling]
309
00:13:27,348 --> 00:13:29,142
What?
I'm sorry, dude.
310
00:13:29,142 --> 00:13:30,476
Keef in the fetal position,
though?
311
00:13:30,476 --> 00:13:32,770
Come on.
‐ I don't think
you get it, man.
312
00:13:32,770 --> 00:13:35,356
This is a dangerous game
he's playing.
313
00:13:35,356 --> 00:13:37,275
‐ A'ight, well,
what's the worst thing
that can happen to him?
314
00:13:37,275 --> 00:13:40,111
[Jade Stone & Luv's
"Come Home With Me"]
315
00:13:40,111 --> 00:13:42,572
‐ Keef orders a Guinness.
316
00:13:42,572 --> 00:13:44,657
Cop mistakes the can
for a pistol.
317
00:13:44,657 --> 00:13:47,493
[indistinct chatter]
318
00:13:47,493 --> 00:13:49,662
They shoot him with a gun.
319
00:13:49,662 --> 00:13:52,331
‐ Damn.
320
00:13:52,331 --> 00:13:54,959
What's the second‐worst thing
that could happen to him?
321
00:13:54,959 --> 00:13:58,296
‐ Cop at the bar's
eating some mixed nuts.
322
00:13:58,296 --> 00:14:01,215
Peanut goes down
the wrong tube.
He starts choking.
323
00:14:01,215 --> 00:14:04,635
Keef pops up,
ready to administer
the Heimlich.
324
00:14:04,635 --> 00:14:06,554
They shoot him with a gun.
325
00:14:06,554 --> 00:14:09,265
♪ ♪
326
00:14:09,265 --> 00:14:11,267
‐ [coughs]
‐ Hey.
327
00:14:11,267 --> 00:14:14,145
‐ Keef gets a phone call.
He picks up his cell phone.
[cell phone trills]
328
00:14:14,145 --> 00:14:16,230
They shoot him with a gun.
329
00:14:16,230 --> 00:14:20,109
Keef gives a friendly wave
to a person
at the end of the bar.
330
00:14:20,109 --> 00:14:22,653
They shoot him with a gun.
331
00:14:22,653 --> 00:14:23,863
Keef sneezes.
‐ [sneezes]
332
00:14:23,863 --> 00:14:25,823
GUNTHER:
They shoot him with a gun.
333
00:14:25,823 --> 00:14:27,825
Keef quietly reads a book.
334
00:14:27,825 --> 00:14:29,702
They shoot him with a gun.
335
00:14:29,702 --> 00:14:32,163
Keef takes a bite
of his house salad.
336
00:14:32,163 --> 00:14:37,460
♪ ♪
337
00:14:37,460 --> 00:14:39,754
They shoot him with a gun.
338
00:14:39,754 --> 00:14:42,715
♪ ♪
339
00:14:42,715 --> 00:14:44,342
‐ Damn.
340
00:14:44,342 --> 00:14:45,718
‐ He's dead.
341
00:14:45,718 --> 00:14:47,970
♪ ♪
342
00:14:47,970 --> 00:14:50,014
‐ We smoke too much weed.
343
00:14:50,014 --> 00:14:53,142
‐ I don't even think
that's a real thing.
‐ Mm‐hmm.
344
00:14:53,142 --> 00:14:56,187
[camera shutters clicking]
345
00:14:56,187 --> 00:14:59,398
[indistinct chatter]
346
00:14:59,398 --> 00:15:02,151
‐ [takes deep breath]
347
00:15:05,780 --> 00:15:09,408
So you, uh, draw comics?
348
00:15:09,408 --> 00:15:11,744
‐ Yeah.
‐ My kid likes to draw.
349
00:15:13,538 --> 00:15:14,872
Well, maybe not.
[chuckles]
350
00:15:14,872 --> 00:15:16,666
I don't know what the hell
he likes anymore.
351
00:15:16,666 --> 00:15:18,918
But you don't want
to talk about my kid.
352
00:15:18,918 --> 00:15:20,586
‐ I‐‐I don't, no.
353
00:15:20,586 --> 00:15:22,380
Uh, look.
354
00:15:22,380 --> 00:15:24,173
There's so much
that I need to say to you.
355
00:15:24,173 --> 00:15:25,550
‐ Yeah, I know.
‐ So‐‐[sighs]
356
00:15:25,550 --> 00:15:28,302
‐ It's just‐‐it's my kid.
357
00:15:28,302 --> 00:15:30,930
I was always
this badass hero cop,
358
00:15:30,930 --> 00:15:33,391
and then he saw that thing
you drew, and‐‐and‐‐
359
00:15:33,391 --> 00:15:36,310
well, all of a sudden,
I'm the thug.
360
00:15:36,310 --> 00:15:39,856
Which, I know, me complaining
about being stereotyped is,
361
00:15:39,856 --> 00:15:41,899
"It's all so unfair."
[chuckles]
362
00:15:41,899 --> 00:15:43,442
But‐‐
‐ Yeah, okay, look.
363
00:15:43,442 --> 00:15:45,903
There‐‐there are some things
that I would like to say to you
364
00:15:45,903 --> 00:15:48,030
if you'll allow me
to say those things.
365
00:15:48,030 --> 00:15:49,949
‐ Well, sure.
‐ Okay.
366
00:15:49,949 --> 00:15:51,742
What I wanted to say
on a card so‐‐
367
00:15:51,742 --> 00:15:53,661
‐ Well, that's a good idea.
368
00:15:53,661 --> 00:15:55,580
"What happened
to protect and serve?"
369
00:15:55,580 --> 00:15:58,749
‐ Which is a question
that I was gonna ask you, so‐‐
370
00:15:58,749 --> 00:16:00,042
‐ Yeah, hey‐‐
‐ 'Cause I wrote it, so‐‐
371
00:16:00,042 --> 00:16:01,669
‐ Failed you on that one.
372
00:16:01,669 --> 00:16:04,005
[soft dramatic music]
373
00:16:04,005 --> 00:16:07,091
"I did nothing wrong,
yet found myself
tackled to the ground."
374
00:16:07,091 --> 00:16:10,928
‐ And it was not soft.
It hurt a lot.
375
00:16:10,928 --> 00:16:14,015
‐ I bet it did.
I'm a pretty big guy.
376
00:16:14,015 --> 00:16:17,185
Oh, that's a good point.
‐ Which one?
377
00:16:17,185 --> 00:16:20,146
‐ "We, the untrained civilians,
have to be calm and unflinching
378
00:16:20,146 --> 00:16:22,815
with guns pointed
in our faces."
379
00:16:22,815 --> 00:16:25,776
Huh, I never looked at it
that way before.
380
00:16:25,776 --> 00:16:27,195
[note cards slap on bar]
381
00:16:27,195 --> 00:16:29,071
Well, I'm thirsty as balls.
382
00:16:29,071 --> 00:16:31,240
We grabbin' beers or what?
383
00:16:31,240 --> 00:16:33,326
[sighs]
384
00:16:36,495 --> 00:16:38,915
‐ Turns out, she called 911
on her own gardeners.
[chuckles]
385
00:16:38,915 --> 00:16:41,083
‐ [chuckles sarcastically]
Funny cop stories.
386
00:16:41,083 --> 00:16:42,418
‐ Oh, I got a million.
387
00:16:42,418 --> 00:16:43,836
‐ The six you told
were just fine.
388
00:16:43,836 --> 00:16:45,755
So...
389
00:16:45,755 --> 00:16:47,423
Okay.
390
00:16:47,423 --> 00:16:48,883
‐ Oh, we're done?
391
00:16:51,135 --> 00:16:53,346
All right, whatever, man.
It's your show.
392
00:16:53,346 --> 00:16:55,806
‐ It's a show, that's for sure.
393
00:16:55,806 --> 00:16:58,476
It's just not my show.
394
00:16:58,476 --> 00:16:59,560
[camera shutters clicking]
395
00:16:59,560 --> 00:17:01,687
‐ Come on,
everybody's watching.
396
00:17:01,687 --> 00:17:04,732
[camera shutters clicking]
397
00:17:11,030 --> 00:17:14,867
That wasn't so hard.
398
00:17:14,867 --> 00:17:16,702
‐ Everything good?
399
00:17:16,702 --> 00:17:18,955
You feel heard, Keef?
We can put this to bed?
400
00:17:18,955 --> 00:17:20,915
‐ The sooner, the better.
401
00:17:20,915 --> 00:17:22,458
[overlapping crosstalk]
402
00:17:22,458 --> 00:17:23,834
‐ Guys, guys, guys.
403
00:17:23,834 --> 00:17:27,505
Uh, please remember to tag
this with SFPDDaresToCare.
404
00:17:27,505 --> 00:17:29,006
Okay?
405
00:17:29,006 --> 00:17:31,926
‐ A lot was said
behind closed doors,
406
00:17:31,926 --> 00:17:38,808
but something that deserves
to be said in public
is I'm sorry.
407
00:17:38,808 --> 00:17:40,434
‐ Yeah.
408
00:17:51,445 --> 00:17:53,948
‐ Now it's your turn, Keef.
409
00:17:53,948 --> 00:17:57,243
‐ My turn to what?
‐ Apologize to Officer Wyatt.
410
00:17:59,829 --> 00:18:01,372
‐ Oh, I get it now.
411
00:18:01,372 --> 00:18:03,249
‐ Oh, you hear that, folks?
Mr. Knight gets it now.
412
00:18:03,249 --> 00:18:07,003
He better understands
the challenges facing the SFPD.
413
00:18:07,003 --> 00:18:08,629
JOURNALIST:
Mr. Knight, Mr. Knight,
I have a question.
414
00:18:08,629 --> 00:18:10,298
‐ That's not what I‐‐
that's not‐‐
415
00:18:10,298 --> 00:18:13,134
I didn't say those things.
I mean, it's not that I don't‐‐
416
00:18:13,134 --> 00:18:16,095
JOURNALIST:
Mr. Knight,
we'd like to hear it from you.
417
00:18:16,095 --> 00:18:19,015
‐ [chuckles]
Okay.
418
00:18:19,015 --> 00:18:22,310
I'm so sorry to do this to you,
folks, but, um,
419
00:18:22,310 --> 00:18:24,145
everybody out.
420
00:18:24,145 --> 00:18:26,606
This is between me and Wyatt.
If you could just...
421
00:18:26,606 --> 00:18:30,484
‐ Okay, okay, folks.
Thank‐‐thank you so much.
Thanks, guys.
422
00:18:30,484 --> 00:18:32,820
[indistinct chatter]
423
00:18:32,820 --> 00:18:34,155
Thanks, everybody.
424
00:18:39,118 --> 00:18:42,496
All right.
[sighs]
425
00:18:42,496 --> 00:18:43,998
‐ Oh, no.
That includes you, too.
426
00:18:43,998 --> 00:18:45,249
‐ What?
427
00:18:45,249 --> 00:18:46,917
‐ Oh, you can go as well.
I mean, he's fine.
428
00:18:46,917 --> 00:18:49,503
You're fine, right?
429
00:18:49,503 --> 00:18:52,882
You're safe.
He's safe.
430
00:18:52,882 --> 00:18:54,300
[camera shutters clicking]
431
00:18:54,300 --> 00:18:56,636
SVOBODA:
All right, guys!
Everybody's good.
432
00:18:56,636 --> 00:18:59,055
[indistinct chatter]
433
00:19:05,394 --> 00:19:08,856
‐ Did you mean
any of those words
you said earlier?
434
00:19:08,856 --> 00:19:10,650
I mean, that's all I need
to leave here with right now,
435
00:19:10,650 --> 00:19:13,235
is the truth, and then‐‐
then I can go.
436
00:19:18,574 --> 00:19:20,743
‐ Look, my boss said
come down here.
437
00:19:20,743 --> 00:19:23,913
I say sorry, you say sorry.
438
00:19:23,913 --> 00:19:26,290
And I don't have
to keep riding a desk.
439
00:19:26,290 --> 00:19:31,087
So just fucking apologize
so I can get out of here.
440
00:19:31,087 --> 00:19:33,464
‐ Nice to meet you,
Officer Wyatt.
441
00:19:33,464 --> 00:19:35,466
I've been wondering
where you were hiding.
442
00:19:35,466 --> 00:19:38,386
‐ [chuckles]
I don't hide from shit.
443
00:19:38,386 --> 00:19:39,887
You need to apologize.
444
00:19:39,887 --> 00:19:41,555
I was my kid's fucking hero.
445
00:19:41,555 --> 00:19:44,809
Now he's all confused 'cause
of that comic strip you drew.
446
00:19:46,394 --> 00:19:49,271
‐ I'm out, man.
447
00:19:49,271 --> 00:19:52,525
‐ Hey, cartoon man!
You don't get it.
448
00:19:52,525 --> 00:19:54,694
We're under siege out there.
449
00:19:54,694 --> 00:19:57,530
We've got seconds to assess
whether a threat is genuine.
450
00:19:57,530 --> 00:19:59,490
‐ You're under siege?
451
00:19:59,490 --> 00:20:02,702
I just‐‐I'm so sorry.
I didn't‐‐don't think
I heard you correctly.
452
00:20:02,702 --> 00:20:05,913
You're the one under siege?
453
00:20:05,913 --> 00:20:07,123
‐ Yep.
454
00:20:07,123 --> 00:20:09,333
‐ I was stapling fucking flyers
to a wall.
455
00:20:09,333 --> 00:20:11,627
‐ Yeah, a stapler could
be a potential threat.
456
00:20:11,627 --> 00:20:14,505
‐ [scoffs and laughs]
457
00:20:14,505 --> 00:20:15,965
You know,
just when I thought this day
458
00:20:15,965 --> 00:20:19,885
couldn't get any more
stupid and absurd,
459
00:20:19,885 --> 00:20:22,263
you went and said that shit.
460
00:20:22,263 --> 00:20:26,100
‐ Go ahead, make jokes.
461
00:20:26,100 --> 00:20:28,352
You got off easy this time.
462
00:20:28,352 --> 00:20:31,063
Next time,
we're not gonna be so nice,
463
00:20:31,063 --> 00:20:33,816
so you better fuckin'
lighten up.
464
00:20:33,816 --> 00:20:36,777
[slow dramatic music]
465
00:20:36,777 --> 00:20:39,196
♪ ♪
466
00:20:39,196 --> 00:20:42,241
‐ Let's talk about those
perceived threats, shall we?
467
00:20:42,241 --> 00:20:44,160
Those nuts, for example.
468
00:20:44,160 --> 00:20:46,912
If I were to throw those nuts
in your face,
469
00:20:46,912 --> 00:20:48,664
could that be perceived
as a threat?
470
00:20:48,664 --> 00:20:50,833
If I were to splash beer
on you,
471
00:20:50,833 --> 00:20:52,835
would that be considered
a threat?
472
00:20:52,835 --> 00:20:54,378
‐ If it's intentional,
then yes.
473
00:20:54,378 --> 00:20:55,379
‐ Okay.
474
00:20:55,379 --> 00:20:56,922
Well, in that case,
475
00:20:56,922 --> 00:20:59,759
it's a good thing you don't
have your gun on you because
476
00:20:59,759 --> 00:21:02,887
I would be dead right now.
477
00:21:02,887 --> 00:21:04,638
‐ [chuckles]
478
00:21:04,638 --> 00:21:07,475
[indistinct chatter]
479
00:21:07,475 --> 00:21:09,602
Don't push me.
480
00:21:09,602 --> 00:21:12,897
‐ That is for giving jaywalking
tickets to poor people.
481
00:21:12,897 --> 00:21:17,902
And that is for answering
Cookout Karen's 911 calls
482
00:21:17,902 --> 00:21:20,488
when Black folks are just
trying to get something to eat.
483
00:21:20,488 --> 00:21:24,158
‐ Consider yourself warned.
‐ Ooh, I've been warned.
484
00:21:24,158 --> 00:21:26,869
That one is for all the times
your police report
485
00:21:26,869 --> 00:21:29,789
didn't match the video.
486
00:21:29,789 --> 00:21:33,209
‐ One more flick,
and I will arrest you
for assaulting an officer.
487
00:21:33,209 --> 00:21:34,960
♪ ♪
488
00:21:34,960 --> 00:21:36,462
Don't do it.
489
00:21:36,462 --> 00:21:43,469
♪ ♪
490
00:21:49,725 --> 00:21:52,728
[The Jolly Boys' cover
of "I Fought the Law"]
491
00:21:52,728 --> 00:21:57,650
♪ ♪
492
00:21:57,650 --> 00:22:00,986
[door buzzes, locks]
493
00:22:00,986 --> 00:22:03,864
SINGER: ♪ Breaking rocks
in the hot sun ♪
494
00:22:03,864 --> 00:22:07,284
♪ I fought the law
and the law won ♪
495
00:22:07,284 --> 00:22:10,329
♪ I fought the law
and the law won ♪
496
00:22:10,329 --> 00:22:13,666
♪ I needed money
'cause I had none ♪
497
00:22:13,666 --> 00:22:17,002
♪ I fought the law
and the law won ♪
498
00:22:17,002 --> 00:22:19,964
♪ I fought the law
and the law won ♪
499
00:22:19,964 --> 00:22:21,340
♪ [screams] ♪
500
00:22:21,340 --> 00:22:25,052
♪ ♪
501
00:22:25,052 --> 00:22:28,055
[cell phone ringing]
502
00:22:32,726 --> 00:22:33,894
‐ Hello?
503
00:22:33,894 --> 00:22:35,104
‐ [as Rocky]
Hey, yo, Adrienne.
504
00:22:35,104 --> 00:22:36,730
[chuckles]
505
00:22:36,730 --> 00:22:40,359
How you doin'?
It's me, Rocky.
[chuckles]
506
00:22:40,359 --> 00:22:42,027
[normally] I'm sorry.
I know how much you hate that.
507
00:22:42,027 --> 00:22:44,947
Um, got a lot
to catch up on, you know?
508
00:22:44,947 --> 00:22:47,491
‐ Where are you, Keef?
You sound totally weird.
509
00:22:47,491 --> 00:22:50,703
‐ Uh, figuratively, um,
I'm in a better place.
510
00:22:50,703 --> 00:22:53,330
Literally, I'm in jail.
511
00:22:53,330 --> 00:22:56,584
It's just me,
a couple of drunks,
512
00:22:56,584 --> 00:22:59,420
and kind of
a old, white dude here.
513
00:22:59,420 --> 00:23:01,088
Could be a professor.
514
00:23:01,088 --> 00:23:03,340
He also could be
a domestic terrorist.
515
00:23:03,340 --> 00:23:08,596
Anyway, that is, uh,
all just a precursor to say,
516
00:23:08,596 --> 00:23:11,682
look, I know we said that
we would spare each other
517
00:23:11,682 --> 00:23:14,059
the heartache
of our fucked‐up selves,
518
00:23:14,059 --> 00:23:16,103
but are we really that bad?
519
00:23:16,103 --> 00:23:20,774
I think we should‐‐
I think we should
give it a shot.
520
00:23:20,774 --> 00:23:24,153
‐ You sound like
a completely different person.
521
00:23:24,153 --> 00:23:28,699
‐ Well, same Keef, but, uh,
I'm in a better place now,
522
00:23:28,699 --> 00:23:30,576
so I'll let you‐‐
523
00:23:30,576 --> 00:23:32,828
‐ Time's up, beer flicker.
524
00:23:32,828 --> 00:23:36,040
‐ Uh, and I have got to go.
525
00:23:36,040 --> 00:23:37,666
‐ W‐wait.
KEEF: All right?
526
00:23:37,666 --> 00:23:39,251
‐ W‐w‐what were you‐‐
KEEF: Bye.
527
00:23:39,251 --> 00:23:40,878
‐ Okay.
528
00:23:40,878 --> 00:23:42,296
[line clicks]
529
00:23:42,296 --> 00:23:43,923
[mellow music]
530
00:23:43,923 --> 00:23:46,800
Beer flicker?
531
00:23:46,800 --> 00:23:48,677
[chuckles]
532
00:23:48,677 --> 00:23:53,223
♪ ♪
533
00:23:53,223 --> 00:23:55,476
KEEF:
Okay.
534
00:23:55,476 --> 00:24:02,524
♪ ♪
535
00:24:06,904 --> 00:24:08,822
[sighs]
536
00:24:08,822 --> 00:24:10,699
Thank you.
537
00:24:10,699 --> 00:24:13,494
Thank you for not helping me.
538
00:24:13,494 --> 00:24:17,122
I appreciate that.
[chuckles]
539
00:24:20,876 --> 00:24:22,294
All right, then.
Okay.
540
00:24:22,294 --> 00:24:24,421
[door buzzes]
541
00:24:26,131 --> 00:24:27,591
GUNTHER:
Oh!
542
00:24:27,591 --> 00:24:29,218
‐ There we go, my boy.
‐ Okay!
543
00:24:29,218 --> 00:24:32,346
‐ So what was it like?
Did you get some prison tats?
544
00:24:32,346 --> 00:24:35,975
‐ I was in there for an hour
and 15 minutes, so no.
545
00:24:35,975 --> 00:24:38,018
‐ That was a long way to go
for some street cred.
546
00:24:38,018 --> 00:24:39,687
KEEF: [chuckles]
‐ Street cred?
547
00:24:39,687 --> 00:24:41,438
This nigga ain't Gucci Mane.
548
00:24:41,438 --> 00:24:43,399
Shit, he ain't even
Martha Stewart.
Look at him.
549
00:24:43,399 --> 00:24:45,192
‐ Mm, fun fact.
550
00:24:45,192 --> 00:24:47,152
I snitched on all three of you.
551
00:24:47,152 --> 00:24:48,779
‐ Are you serious?
552
00:24:48,779 --> 00:24:50,322
‐ You'll be fine.
It's not cocaine, right?
553
00:24:50,322 --> 00:24:52,116
‐ So was it worth it?
554
00:24:52,116 --> 00:24:54,410
‐ I don't know.
Maybe.
555
00:24:54,410 --> 00:24:57,246
Just wish I'd made
a bigger impact, you know?
556
00:24:57,246 --> 00:25:00,457
‐ Uh, well,
kind of think you did.
557
00:25:00,457 --> 00:25:03,419
[DUCKWRTH's "WAKE UP!"]
558
00:25:03,419 --> 00:25:05,754
♪ ♪
559
00:25:05,754 --> 00:25:07,631
JOURNALIST 1:
Mr. Knight, Mr. Knight.
560
00:25:07,631 --> 00:25:10,300
JOURNALIST 2:
How does it feel to stand up
against the police department?
561
00:25:10,300 --> 00:25:13,637
JOURNALIST 3: Mr. Knight,
are you going to use your comic
to fight racial injustice?
562
00:25:13,637 --> 00:25:15,848
[indistinct chatter]
JOURNALIST 4:
Are you going to run for office?
563
00:25:15,848 --> 00:25:17,933
JOURNALIST 5:
Is this the start
of a new movement?
564
00:25:17,933 --> 00:25:19,685
‐ Yeah!
[laughs]
565
00:25:19,685 --> 00:25:21,812
And so it begins.
566
00:25:21,812 --> 00:25:24,106
SINGER:
♪ One, two, three, wake up ♪
567
00:25:24,106 --> 00:25:26,567
♪ Whoa ♪
568
00:25:26,567 --> 00:25:28,527
♪ Wake up, whoa ♪
569
00:25:28,527 --> 00:25:30,654
♪ Oh, wake up ♪
570
00:25:30,654 --> 00:25:33,115
♪ Whoa ♪
571
00:25:33,115 --> 00:25:35,117
♪ Wake up, whoa ♪
572
00:25:35,117 --> 00:25:36,952
♪ Oh, yeah ♪
573
00:25:36,952 --> 00:25:38,495
RAPPER:
♪ This is your wake up call ♪
574
00:25:38,495 --> 00:25:40,164
♪ Courtesy of my fist ♪
SINGER: ♪ Yeah ♪
575
00:25:40,164 --> 00:25:41,749
♪ That purposely met your jaw ♪
576
00:25:41,749 --> 00:25:43,333
♪ And nigga, no, I never miss ♪
577
00:25:43,333 --> 00:25:44,918
♪ This is a courtesy warning ♪
578
00:25:44,918 --> 00:25:46,545
♪ Know that the wolves
are swarming ♪
579
00:25:46,545 --> 00:25:48,213
♪ And know if it rains tonight ♪
580
00:25:48,213 --> 00:25:49,840
♪ You probably won't make it
till morning ♪
581
00:25:49,840 --> 00:25:52,926
♪ Good damn, I'm the man with
the whole world in his hand ♪
582
00:25:52,926 --> 00:25:56,221
♪ From LA up to Iran,
we just blitzing
through the land ♪
583
00:25:56,221 --> 00:25:58,015
♪ Good damn, I'm the man ♪
584
00:25:58,015 --> 00:25:59,641
♪ With the whole world
in his hand ♪
585
00:25:59,641 --> 00:26:01,268
♪ If you're sleeping
we're the reason ♪
586
00:26:01,268 --> 00:26:02,936
♪ Why you woke up once again ♪
587
00:26:02,936 --> 00:26:06,023
SINGER: ♪ Wake up, whoa ♪
588
00:26:06,023 --> 00:26:08,150
♪ Wake up, whoa ♪
589
00:26:08,150 --> 00:26:10,319
♪ Oh, wake up ♪
590
00:26:10,319 --> 00:26:12,946
♪ ♪
591
00:26:12,946 --> 00:26:15,157
♪ Wake up ♪