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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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00:00:09,670 --> 00:00:12,671
(WIND HOWLING SOFTLY)

4
00:00:33,298 --> 00:00:37,696
(ELECTRIC GUITAR
MIMICKING VIOLIN)

5
00:00:54,682 --> 00:00:57,683
(MIMICKING CELLO SOUNDS)

6
00:01:00,688 --> 00:01:03,557
(SINGER VOCALIZING)

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00:01:07,695 --> 00:01:08,826
(MUSIC STOPS)

8
00:01:15,065 --> 00:01:18,275
(JAZZ PERCUSSION PLAYING SOFTLY)

9
00:01:24,910 --> 00:01:28,252
(PLAYING <i>DAZED AND CONFUSED)</i>

10
00:02:03,487 --> 00:02:09,920
(JAZZ PERCUSSION CONTINUES)

11
00:02:36,784 --> 00:02:38,157
(MUSIC STOPS)

12
00:02:50,028 --> 00:02:53,029
(WOMAN SPEAKING
IN JAPANESE OVER PA)

13
00:02:55,275 --> 00:02:58,309
(BLUES MUSIC PLAYING)

14
00:03:02,315 --> 00:03:07,615
(AKIO "JIMMY" SAKURAI
SPEAKING IN JAPANESE)

15
00:03:16,054 --> 00:03:17,789
(AUDIENCE CHEERING)

16
00:03:17,790 --> 00:03:21,431
(BAND PLAYING)

17
00:03:49,692 --> 00:03:52,693
(SAKURAI SPEAKING IN JAPANESE)

18
00:04:22,054 --> 00:04:26,089
(PLAYING GUITAR SOLO)

19
00:05:05,438 --> 00:05:08,472
(BOTH SPEAKING IN JAPANESE)

20
00:06:31,051 --> 00:06:33,689
INTERVIEWER: (IN ENGLISH)
What's it like to work
with Jimmy Sakurai?

21
00:06:34,087 --> 00:06:36,923
(SPEAKING JAPANESE)

22
00:07:13,632 --> 00:07:15,389
INTERVIEWER: (IN ENGLISH)
Do you like Led Zeppelin?

23
00:07:15,390 --> 00:07:16,963
Mmm?

24
00:07:18,032 --> 00:07:20,736
(SPEAKING JAPANESE)

25
00:07:33,179 --> 00:07:35,685
(PLAYING <i>THE RAIN SONG)</i>

26
00:08:03,110 --> 00:08:05,979
(SAKURAI SPEAKING JAPANESE)

27
00:08:57,868 --> 00:09:00,429
(ELECTRIC GUITAR PLAYING)

28
00:09:28,668 --> 00:09:31,427
(SAKURAI SPEAKING JAPANESE)

29
00:10:19,576 --> 00:10:21,543
(TOSHIO SPEAKING JAPANESE)

30
00:10:32,622 --> 00:10:34,325
(ELECTRIC GUITAR PLAYING)

31
00:10:55,480 --> 00:10:58,657
(SAKURAI THEN TOSHIO SPEAKING)

32
00:11:37,225 --> 00:11:38,829
(TOSHIO SPEAKING JAPANESE)

33
00:11:48,401 --> 00:11:49,565
(SAKURAI SPEAKING JAPANESE)

34
00:11:55,782 --> 00:11:57,914
(ELECTRIC GUITAR PLAYING)

35
00:12:04,582 --> 00:12:05,614
SAKURAI: Wow.

36
00:12:06,551 --> 00:12:07,924
(SAKURAI SPEAKING JAPANESE)

37
00:12:08,685 --> 00:12:11,686
(GUITAR RIFF PLAYING)

38
00:12:24,767 --> 00:12:27,174
(BLUES MUSIC PLAYING)

39
00:12:36,548 --> 00:12:38,416
(SAKURAI SPEAKING JAPANESE)

40
00:12:54,104 --> 00:12:56,071
(ROCK MUSIC PLAYING)

41
00:13:38,115 --> 00:13:40,280
(SAKURAI SPEAKING JAPANESE)

42
00:13:55,363 --> 00:13:57,693
<i>(ROLLIN' AND TUMBLIN'</i>
BY MUDDY WATERS PLAYING)

43
00:14:12,248 --> 00:14:14,281
(KIYOMI SPEAKING JAPANESE)

44
00:14:32,730 --> 00:14:34,796
(SAKURAI SPEAKING JAPANESE)

45
00:15:06,698 --> 00:15:09,303
(OPERATIC MUSIC PLAYING)

46
00:15:56,451 --> 00:15:58,649
(INTERVIEWER SPEAKING JAPANESE)

47
00:16:00,719 --> 00:16:04,457
(KIYOMI SPEAKING JAPANESE)

48
00:16:12,962 --> 00:16:15,501
(JUNKO SPEAKING JAPANESE)

49
00:17:34,417 --> 00:17:36,681
(INTERVIEWER SPEAKING JAPANESE)

50
00:17:38,949 --> 00:17:40,850
(JUNKO SPEAKING JAPANESE)

51
00:18:59,337 --> 00:19:00,996
(WHIRRING)

52
00:19:13,879 --> 00:19:16,011
(KISHIMOTO SPEAKING JAPANESE)

53
00:19:22,525 --> 00:19:24,623
(IN ENGLISH) His name is Uni.

54
00:19:24,624 --> 00:19:26,296
(BLUES MUSIC PLAYING)

55
00:19:42,710 --> 00:19:44,842
(KISHIMOTO SPEAKING JAPANESE)

56
00:20:11,277 --> 00:20:14,135
(SAKURAI SPEAKING JAPANESE)

57
00:21:19,444 --> 00:21:21,576
(SAKURAI SPEAKING JAPANESE)

58
00:22:47,433 --> 00:22:50,324
(KISHIMOTO SPEAKING JAPANESE)

59
00:23:08,586 --> 00:23:10,553
(ELECTRIC GUITAR PLAYING)

60
00:23:21,533 --> 00:23:23,533
(GUITAR RIFF PLAYING)

61
00:23:35,338 --> 00:23:37,338
(SAKURAI SPEAKING JAPANESE)

62
00:23:38,440 --> 00:23:39,912
(BLUES MUSIC PLAYING)

63
00:23:41,179 --> 00:23:43,113
(SAKURAI SPEAKING JAPANESE)

64
00:25:11,907 --> 00:25:13,467
(NAOKI SPEAKING JAPANESE)

65
00:25:28,088 --> 00:25:30,385
(ATSUSHI SPEAKING JAPANESE)

66
00:25:35,194 --> 00:25:37,194
(SAKURAI SPEAKING JAPANESE)

67
00:26:21,570 --> 00:26:24,439
<i>(DIRTY WORK GOING ON</i> BY
LITTLE JOE BLUE PLAYING)

68
00:27:23,665 --> 00:27:26,809
(MAKOTO THEN SAKURAI
SPEAKING JAPANESE)

69
00:28:23,626 --> 00:28:24,735
Yes.

70
00:30:05,299 --> 00:30:07,035
(LAUGHS)

71
00:30:26,991 --> 00:30:28,958
<i>(MANNISH BOY</i>
BY MUDDY WATERS PLAYING)

72
00:30:31,688 --> 00:30:33,358
<i>♪ Now, when I was a young boy</i>

73
00:30:34,999 --> 00:30:36,691
<i>♪ At the age of five</i>

74
00:30:38,167 --> 00:30:40,134
<i>♪ My mother said
I was gonna be... ♪</i>

75
00:31:16,733 --> 00:31:19,008
<i>(RUMBLE</i> PLAYING)

76
00:31:23,179 --> 00:31:25,377
(SAKURAI SPEAKING)

77
00:31:44,431 --> 00:31:47,201
(SAKURAI PLAYING SOLO
ON ELECTRIC GUITAR)

78
00:32:35,449 --> 00:32:37,218
(INTERVIEWER SPEAKING)

79
00:32:38,584 --> 00:32:40,188
(KIYO SPEAKING)

80
00:32:49,265 --> 00:32:51,066
<i>(THE SUN IS SHINING</i>
BY ELMORE JAMES PLAYING)

81
00:32:51,067 --> 00:32:53,498
<i>♪ The sun is shining... ♪</i>

82
00:34:32,434 --> 00:34:35,963
<i>(ALL NIGHT LONG</i>
BY MUDDY WATERS PLAYING)

83
00:34:43,412 --> 00:34:47,282
<i>♪ I want you to rock me, babe</i>

84
00:34:49,011 --> 00:34:52,254
<i>♪ Rock me all night long...</i>

85
00:35:02,398 --> 00:35:04,728
<i>♪ I want you
to rock me, babe... ♪</i>

86
00:35:11,033 --> 00:35:12,505
(ALL CHEERING)

87
00:35:25,454 --> 00:35:27,157
Mr. Jimmy Page!

88
00:35:53,174 --> 00:35:57,649
(PLAYING <i>ROCK AND ROLL)</i>

89
00:36:10,532 --> 00:36:14,468
<i>♪ It's been a long time
since I rock 'n' rolled... ♪</i>

90
00:36:38,296 --> 00:36:41,186
(PLAYING GUITAR SOLO)

91
00:36:41,187 --> 00:36:42,991
(CROWD CHEERING)

92
00:38:09,915 --> 00:38:13,620
(CROWD CHEERING)

93
00:38:42,343 --> 00:38:44,585
(CAMERA SNAPS)

94
00:40:32,057 --> 00:40:36,191
(PLAYING <i>THE RAIN SONG)</i>

95
00:41:01,317 --> 00:41:04,284
MONTGOMERY: (IN ENGLISH)
<i>When we were in Japan
and we played at Club Quattro,</i>

96
00:41:04,285 --> 00:41:07,562
Mr. Jimmy was playing
at some venue

97
00:41:07,563 --> 00:41:09,531
and the boys said,
"Well, let's go check him out."

98
00:41:09,532 --> 00:41:11,027
So they went
and checked him out.

99
00:41:11,028 --> 00:41:12,963
We walked into the...
First time I've seen him,

100
00:41:12,964 --> 00:41:16,032
I was like, "Oh, my God, Wow!"

101
00:41:16,033 --> 00:41:17,297
And we said to each other,

102
00:41:17,298 --> 00:41:19,036
someday, somehow,

103
00:41:20,501 --> 00:41:21,577
we're gonna work together.

104
00:41:23,713 --> 00:41:26,174
<i>(STAIRWAY TO HEAVEN</i> PLAYING)

105
00:41:26,175 --> 00:41:28,473
<i>♪ And it's whispered that soon</i>

106
00:41:28,474 --> 00:41:31,146
<i>♪ If we all call the tune</i>

107
00:41:31,147 --> 00:41:37,284
<i>♪ Then the piper will lead us
to reason</i>

108
00:41:37,285 --> 00:41:40,727
<i>♪ And a new day will dawn</i>

109
00:41:40,728 --> 00:41:43,664
<i>♪ For those who stand long</i>

110
00:41:43,665 --> 00:41:49,329
<i>♪ And the forest will echo
with laughter</i>

111
00:41:49,330 --> 00:41:55,974
<i>♪ And she's buying a stairway
to heaven ♪</i>

112
00:42:07,350 --> 00:42:09,416
(SPEAKING JAPANESE)

113
00:42:49,766 --> 00:42:52,426
(PLAYING <i>BRING IT ON HOME)</i>

114
00:42:55,596 --> 00:42:58,201
MONTGOMERY: (SINGING) <i>♪ Baby</i>

115
00:43:02,504 --> 00:43:06,440
<i>♪ I'm going to take the train
Right down the track</i>

116
00:43:09,445 --> 00:43:13,986
<i>♪ Mmm, watch that train
Going down the track</i>

117
00:43:16,925 --> 00:43:19,419
<i>♪ I'm gonna bring it on home</i>

118
00:43:19,420 --> 00:43:23,522
<i>♪ Bring it on home to you</i>

119
00:43:23,523 --> 00:43:26,229
<i>♪ Baby...</i>

120
00:43:27,870 --> 00:43:30,398
(HARMONICA PLAYING)

121
00:43:32,072 --> 00:43:34,908
<i>♪ Baby ♪</i>

122
00:43:35,845 --> 00:43:38,615
(HARMONICA PLAYING)

123
00:43:40,047 --> 00:43:44,478
(SAKURAI SPEAKING IN JAPANESE)

124
00:44:07,602 --> 00:44:08,942
(VOCALIZING)

125
00:44:53,318 --> 00:44:55,449
- (CROWD CHEERING)
- MONTGOMERY: Thank you!

126
00:44:55,450 --> 00:44:57,154
(FEMALE HOST
SPEAKING INDISTINCTLY)

127
00:44:57,155 --> 00:44:59,762
Looks like you're
having a good time
tonight, right?

128
00:45:02,657 --> 00:45:04,689
(MONTGOMERY SPEAKING)

129
00:45:04,690 --> 00:45:06,461
(SAKURAI SPEAKING)

130
00:45:08,201 --> 00:45:11,003
JIM WOOTEN:
<i>It's just been phenomenal
you know, playing with him.</i>

131
00:45:11,004 --> 00:45:13,434
It's just been so inspirational.

132
00:45:13,435 --> 00:45:15,744
Hey, you're the teacher.
We're the students.

133
00:45:15,745 --> 00:45:17,372
Help us to learn,

134
00:45:17,373 --> 00:45:20,442
you know, what you've learned
about him in the last 35 years.

135
00:45:22,215 --> 00:45:25,051
- (DRUMS PLAYING IN BACKGROUND)
- (WOOTEN PLAYING KEYBOARD)

136
00:45:32,896 --> 00:45:35,061
(SAKURAI SPEAKING)

137
00:45:46,602 --> 00:45:49,239
WOOTEN: <i>Do, do, do, do...</i>

138
00:45:49,240 --> 00:45:51,110
Do!

139
00:45:51,849 --> 00:45:53,705
<i>♪ Ooh, baby, baby ♪</i>

140
00:45:53,706 --> 00:45:55,542
(MIMICKING DRUMROLL)

141
00:45:55,543 --> 00:45:57,346
- Dum, dum, da, da...
- Okay.

142
00:45:57,347 --> 00:45:58,953
(BOTH SPEAKING INDISTINCTLY)

143
00:46:03,718 --> 00:46:06,861
This is the most
high-energy point.

144
00:46:06,862 --> 00:46:09,556
- WOOTEN: I see.
- Dum-dum-da-da-dum-dum!

145
00:46:09,557 --> 00:46:11,097
WOOTEN: Yeah, okay.

146
00:46:12,969 --> 00:46:14,133
Yeah.

147
00:46:18,502 --> 00:46:21,140
WOOTEN: Okay, cool, cool.
Yeah, no, I like that!

148
00:46:22,913 --> 00:46:25,341
<i>(SO MANY ROADS, SO MANY TRAINS</i>
BY OTIS RUSH PLAYING)

149
00:46:25,342 --> 00:46:27,113
<i>♪ So many roads</i>

150
00:46:28,413 --> 00:46:32,019
<i>♪ So many trains arrive</i>

151
00:46:37,653 --> 00:46:41,831
<i>♪ So many roads, yeah</i>

152
00:46:43,098 --> 00:46:46,693
<i>♪ So many trains arrive ♪</i>

153
00:47:07,683 --> 00:47:10,991
MONTGOMERY: <i>I am slowly
trying to get Jimmy
to understand</i>

154
00:47:10,992 --> 00:47:12,817
the business side of things.

155
00:47:12,818 --> 00:47:14,489
You know, you gotta
please the promoter,

156
00:47:14,490 --> 00:47:16,359
you gotta please the audience.

157
00:47:16,360 --> 00:47:17,756
And you...

158
00:47:17,757 --> 00:47:20,495
You know, you just can't believe
that you're Led Zeppelin,

159
00:47:20,496 --> 00:47:23,762
because Led Zeppelin
are Led Zeppelin.

160
00:47:23,763 --> 00:47:25,434
They can do
whatever the hell they want

161
00:47:25,435 --> 00:47:27,007
and play for five hours
and get away with it.

162
00:47:27,008 --> 00:47:29,009
But we're not Led Zeppelin.

163
00:47:29,010 --> 00:47:30,406
That's a fact.

164
00:47:30,407 --> 00:47:31,803
(INAUDIBLE)

165
00:47:31,804 --> 00:47:33,806
(PLAYING <i>BLACK DOG)</i>

166
00:47:43,356 --> 00:47:45,927
<i>♪ Oh, yeah, oh, yeah</i>

167
00:47:45,928 --> 00:47:49,095
<i>♪ Ah, ah, ah, oh, yeah</i>

168
00:47:49,096 --> 00:47:51,868
<i>♪ Oh, yeah, oh, yeah ♪</i>

169
00:49:21,421 --> 00:49:23,915
It was... It was one of
the most difficult things

170
00:49:23,916 --> 00:49:26,390
I've ever had to endure
in my life

171
00:49:26,391 --> 00:49:28,921
because he had been in the group
for 14 years.

172
00:49:30,463 --> 00:49:32,429
Whew, you know, it's just...

173
00:49:32,430 --> 00:49:34,266
Thinking about that time...
(CHUCKLES UNCOMFORTABLY)

174
00:49:34,267 --> 00:49:36,928
It just... Oh, man.

175
00:49:36,929 --> 00:49:40,041
It was... it was, um,
so depressing.

176
00:49:40,042 --> 00:49:42,604
Jim was a friend of mine
for a long time,

177
00:49:42,605 --> 00:49:45,805
and I definitely want to say
that he was a great friend.

178
00:49:45,806 --> 00:49:47,609
We did a lot together.

179
00:49:47,610 --> 00:49:51,778
And it was very, very hard
for me to see him go...

180
00:49:51,779 --> 00:49:53,252
As a friend.

181
00:49:53,253 --> 00:49:55,188
But from a business
point of view,

182
00:49:55,189 --> 00:49:56,685
this was going to
open more doors.

183
00:50:08,831 --> 00:50:11,139
(SAKURAI SPEAKING)

184
00:50:56,318 --> 00:50:59,516
"What? Like, this is...
like, Jimmy Sakurai?

185
00:50:59,517 --> 00:51:01,353
"No way!" You know?
I was thrilled.

186
00:51:01,354 --> 00:51:03,784
I was thrilled to be the drummer
for Led Zepagain

187
00:51:03,785 --> 00:51:05,159
for a number of reasons, like...

188
00:51:05,160 --> 00:51:07,227
It's getting to play
with Jimmy Sakurai,

189
00:51:07,228 --> 00:51:08,459
It's getting to play with Jim,

190
00:51:08,460 --> 00:51:09,790
it's getting to play
with Swann, like...

191
00:51:09,791 --> 00:51:11,100
The love and the passion
was there.

192
00:51:13,929 --> 00:51:16,270
(PLAYING <i>MOBY DICK)</i>

193
00:51:47,732 --> 00:51:50,139
(PLAYING GUITAR SOLO)

194
00:52:07,224 --> 00:52:09,949
- (CROWD CHEERING)
- MONTGOMERY: Derek Smith!

195
00:52:09,950 --> 00:52:11,918
<i>Derek knew all the parts,</i>

196
00:52:11,919 --> 00:52:14,789
and I was like...
"Oh, okay, well,
this is a good deal.

197
00:52:14,790 --> 00:52:16,197
"This is happening!"

198
00:52:16,198 --> 00:52:18,233
We've elevated now, musically.

199
00:52:19,500 --> 00:52:23,601
(CROWD CHEERING)

200
00:52:25,836 --> 00:52:28,474
(SAKURAI SPEAKING)

201
00:52:56,801 --> 00:52:58,371
You understand?

202
00:52:58,372 --> 00:52:59,636
- SMITH: Yeah, I got it.
- Yeah? Okay?

203
00:52:59,637 --> 00:53:01,033
How does that feel to you now?

204
00:53:01,034 --> 00:53:02,441
I want more...

205
00:53:02,442 --> 00:53:04,773
I brought a... That's good,
but I also brought you...

206
00:53:04,774 --> 00:53:06,479
I thought I knew Zeppelin.

207
00:53:07,647 --> 00:53:10,009
I really thought I knew Zeppelin
until I met him.

208
00:53:10,010 --> 00:53:12,814
<i>He somewhat disciplined me</i>

209
00:53:12,815 --> 00:53:16,752
to embrace that, and to learn
things in more detail, you know?

210
00:53:16,753 --> 00:53:19,117
Have to sing it
just like Robert Plant.

211
00:53:19,118 --> 00:53:20,525
That's the way it is.

212
00:53:20,526 --> 00:53:24,628
All the phrasing, all the
"Ooh, aah, eeh, tee, oh, aw,"

213
00:53:24,629 --> 00:53:26,465
I mean, he... (BLOWS)

214
00:53:26,466 --> 00:53:28,269
<i>♪ Pa-pa-pa-pa</i>

215
00:53:28,270 --> 00:53:29,898
<i>♪ Pa-pa-pa-pa!</i>

216
00:53:31,341 --> 00:53:33,241
<i>♪ Ma-ma-ma-ma!</i>

217
00:53:33,242 --> 00:53:35,640
<i>♪ Aw! Aw! ♪</i>

218
00:53:39,382 --> 00:53:42,581
(SPEAKING JAPANESE)

219
00:54:42,170 --> 00:54:44,841
(ELECTRONIC ORGAN TONES PLAYING)

220
00:54:51,454 --> 00:54:53,245
(SAKURAI SPEAKING)

221
00:55:42,329 --> 00:55:45,901
<i>(STILL A FOOL</i>
BY MUDDY WATERS PLAYING)

222
00:55:45,902 --> 00:55:48,509
<i>♪ Well, now there's two</i>

223
00:55:49,809 --> 00:55:51,776
<i>♪ There's two trains running</i>

224
00:55:53,879 --> 00:55:58,078
<i>♪ Well, they aren't never, no</i>

225
00:55:58,079 --> 00:55:59,751
<i>♪ Going my way ♪</i>

226
00:56:15,472 --> 00:56:17,472
(SUMITO OKAMOTO SPEAKING)

227
00:56:18,805 --> 00:56:21,300
(RACE CAR REVVING IN BACKGROUND)

228
00:56:46,998 --> 00:56:48,503
(ENGINE REVVING)

229
00:56:52,740 --> 00:56:54,476
(ENGINE ROARING)

230
00:57:15,532 --> 00:57:17,059
(OKAMOTO SPEAKING)

231
00:57:30,239 --> 00:57:31,810
<i>(DREAMY DOLL</i>
BY BOB LUMAN PLAYING)

232
00:58:03,272 --> 00:58:04,579
(INAUDIBLE)

233
00:58:32,334 --> 00:58:34,367
<i>(FIVE STRING BLUES</i>
BY ROY BUCHANAN PLAYING)

234
00:58:53,861 --> 00:58:55,454
(MAYA WATANABE SPEAKING)

235
00:59:12,440 --> 00:59:13,505
GEORGE COCKLE: Oh, yeah.

236
00:59:17,852 --> 00:59:19,313
- (PEOPLE CLAPPING)
- (SAKURAI SPEAKING)

237
00:59:29,765 --> 00:59:30,830
(WATANABE SPEAKING)

238
00:59:32,559 --> 00:59:34,635
- (COCKLE SPEAKING)
- (WATANABE AFFIRMS)

239
00:59:34,636 --> 00:59:36,901
(IN ENGLISH) Uh, just two
of you guys today, right?

240
00:59:36,902 --> 00:59:38,530
(SPEAKING JAPANESE)

241
00:59:46,210 --> 00:59:47,879
(WATANABE SPEAKING)

242
00:59:47,880 --> 00:59:49,112
(CAMERAMAN GIVES COUNTDOWN)

243
00:59:50,577 --> 00:59:51,685
(CAMERA SHUTTER CLICKS)

244
00:59:51,686 --> 00:59:54,018
(READING SETLIST IN JAPANESE)

245
01:00:02,391 --> 01:00:04,522
(PLAYING
<i>COMMUNICATION BREAKDOWN)</i>

246
01:00:04,523 --> 01:00:07,162
MONTGOMERY:
<i>♪ Communication breakdown</i>

247
01:00:07,163 --> 01:00:08,296
<i>♪ It's always the same...♪</i>

248
01:00:09,464 --> 01:00:11,167
(PLAYING <i>GOOD TIMES BAD TIMES)</i>

249
01:00:20,750 --> 01:00:22,683
(IN SING-SONG VOICE)
<i>♪ Maybe I don't get...</i>
(SCATTING)

250
01:00:22,684 --> 01:00:24,752
<i>♪ Maybe I don't get...♪</i>
(SCATTING)

251
01:00:26,954 --> 01:00:29,317
MONTGOMERY: (IN SING-SONG VOICE)
<i>♪ Some people like to rock ♪</i>
(SCATS)

252
01:00:30,760 --> 01:00:32,121
MONTGOMERY: A little more space?

253
01:00:32,122 --> 01:00:33,189
- Ha, space. Yeah.
- Yeah.

254
01:00:34,126 --> 01:00:35,587
(HIDEKI KITAHATA SPEAKING)

255
01:00:37,261 --> 01:00:38,699
- (MONTGOMERY SPEAKING)
- (KITAHATA REPEATS)

256
01:00:38,700 --> 01:00:39,701
(KITAHATA SPEAKING)

257
01:00:45,368 --> 01:00:47,301
(IN ENGLISH) Just follow me.
You just follow me.

258
01:00:47,302 --> 01:00:50,007
- (PEOPLE LAUGHING)
- Just follow me.

259
01:00:50,008 --> 01:00:52,405
- It's live.
Don't worry about, "Ahh".
- KITAHATA: "Ahh."

260
01:00:52,406 --> 01:00:55,078
- Ah. Ah. Ah.
- Yeah. Ah.

261
01:00:55,079 --> 01:00:58,719
- (PLAYING <i>BRON-Y-AUR-STOMP)</i>
- MONTGOMERY:
<i>♪ Ah, all the good times we had</i>

262
01:00:58,720 --> 01:01:01,117
<i>♪ I sang love songs so glad</i>

263
01:01:01,118 --> 01:01:05,088
<i>♪ Always smiling,
never sad, so fine...♪</i>

264
01:01:05,089 --> 01:01:06,618
(KITAHATA SPEAKING)

265
01:01:53,733 --> 01:01:55,435
And then number three.

266
01:01:55,436 --> 01:01:57,305
- MONTGOMERY: Yeah, yeah.
So I... I...
- I think... I think this line...

267
01:01:57,306 --> 01:01:59,010
- MONTGOMERY: Yeah,
I say, "Well."
- Huh.

268
01:01:59,011 --> 01:02:00,077
- MONTGOMERY: "Well."
- "Well."

269
01:02:00,078 --> 01:02:01,210
- MONTGOMERY: And, "Ah."
- "Ah."

270
01:02:01,211 --> 01:02:02,607
- All right, now.
- MONTGOMERY: Okay? Yeah.

271
01:02:02,608 --> 01:02:05,643
KITAHATA: And then, uh...
no need chorus, this line?

272
01:02:05,644 --> 01:02:07,788
- No, just this line, and...
- No.

273
01:02:07,789 --> 01:02:10,417
- ...uh, the first and three.
- Oh, I see. I see.

274
01:02:10,418 --> 01:02:12,453
Easy... Yeah?

275
01:02:13,357 --> 01:02:14,927
MONTGOMERY: <i>He was asking me,</i>

276
01:02:14,928 --> 01:02:18,524
is it an "Ah" or a "Yaay"?

277
01:02:18,525 --> 01:02:21,197
And I've been
used to saying, "Ah."

278
01:02:21,198 --> 01:02:23,199
So... But I think, to be honest,

279
01:02:23,200 --> 01:02:25,729
uh, Dick's just
more nervous, you know.

280
01:02:25,730 --> 01:02:27,842
He wants to get it right,
and I respect that.

281
01:02:28,405 --> 01:02:29,437
(SPEAKING JAPANESE)

282
01:02:30,847 --> 01:02:32,044
<i>♪ Ooh ♪</i>

283
01:02:35,049 --> 01:02:36,708
No. Ah.

284
01:02:57,368 --> 01:02:58,334
SAKURAI: Oh.

285
01:03:15,991 --> 01:03:17,023
SAKURAI: Hmm.

286
01:03:20,358 --> 01:03:21,687
(RIE NAKAHARA SPEAKING)

287
01:03:23,427 --> 01:03:24,426
(NAKAHARA SPEAKING)

288
01:03:27,794 --> 01:03:30,905
(NAKAHARA SPEAKING)

289
01:03:33,404 --> 01:03:34,370
(SAKURAI SPEAKING)

290
01:03:38,145 --> 01:03:39,177
(NAKAHARA AFFIRMS)

291
01:03:45,988 --> 01:03:47,185
(NAKAHARA SPEAKING)

292
01:03:47,891 --> 01:03:49,187
(SAKURAI SPEAKING)

293
01:03:59,969 --> 01:04:01,397
(NAKAHARA SPEAKING)

294
01:04:15,347 --> 01:04:16,576
Big deal.

295
01:04:16,577 --> 01:04:18,315
<i>(BOOM BOOM</i>
BY JOHN LEE HOOKER PLAYING)

296
01:04:22,156 --> 01:04:23,584
(SAKURAI SPEAKING)

297
01:04:30,230 --> 01:04:31,328
(NAKAHARA SPEAKING)

298
01:04:33,937 --> 01:04:36,596
NAKAHARA: (IN ENGLISH)
<i>Hmm, pressure.</i>

299
01:04:36,597 --> 01:04:38,335
(SPEAKING JAPANESE)

300
01:04:43,210 --> 01:04:44,539
(BAND PLAYING <i>RAMBLE ON)</i>

301
01:04:52,021 --> 01:04:53,889
MONTGOMERY:
<i>♪ The leaves are falling</i>

302
01:04:54,584 --> 01:04:55,847
<i>♪ All around</i>

303
01:04:56,817 --> 01:04:59,587
<i>♪ Time I was on my way</i>

304
01:05:01,690 --> 01:05:03,096
<i>♪ Thanks to you</i>

305
01:05:04,528 --> 01:05:07,033
<i>♪ Much obliged</i>

306
01:05:07,034 --> 01:05:09,530
<i>♪ For such a pleasant stay ♪</i>

307
01:05:09,531 --> 01:05:11,269
(CROWD CLAPPING)

308
01:05:13,867 --> 01:05:15,240
(CROWD CHEERING)

309
01:05:16,276 --> 01:05:18,375
(INTERVIEWER SPEAKING
IN ENGLISH)

310
01:05:20,577 --> 01:05:23,379
I'm just praying it goes good.
I personally...

311
01:05:23,380 --> 01:05:25,580
You know,
from a businessman, myself...

312
01:05:27,221 --> 01:05:28,714
I don't know if it's gonna work.

313
01:05:28,715 --> 01:05:33,092
Jimmy believes
that you can go
over there to the States,

314
01:05:33,093 --> 01:05:34,753
because of a whole
different mindset,

315
01:05:34,754 --> 01:05:37,822
and play for, say,
three hours tonight.

316
01:05:37,823 --> 01:05:38,889
(SMACKS LIPS) Won't happen.

317
01:05:38,890 --> 01:05:40,759
The hardcore Zepp,

318
01:05:40,760 --> 01:05:42,134
you know, might want to see it.

319
01:05:42,135 --> 01:05:44,532
But the general...
I don't know.

320
01:05:44,533 --> 01:05:46,138
I'm hoping.

321
01:05:46,139 --> 01:05:48,009
<i>(IT SERVES
YOU RIGHT TO SUFFER</i>
BY JOHN LEE HOOKER PLAYING)

322
01:05:54,743 --> 01:05:56,314
(SAKURAI SPEAKING
IN JAPANESE)

323
01:06:13,399 --> 01:06:15,762
<i>♪ It serves you right
to suffer</i>

324
01:06:19,438 --> 01:06:21,669
<i>♪ It serves you right
to be alone ♪</i>

325
01:06:22,474 --> 01:06:24,011
(IN ENGLISH)

326
01:06:24,012 --> 01:06:25,178
(LAUGHING)

327
01:06:32,979 --> 01:06:34,516
He told me, you know, uh,

328
01:06:34,517 --> 01:06:36,749
"You've got
to get the rhythm right,

329
01:06:36,750 --> 01:06:38,553
"at the end of <i>The Song
Remains The Same."</i>

330
01:06:38,554 --> 01:06:39,884
And he wa... He was right.

331
01:06:39,885 --> 01:06:41,424
He was perfectly right.

332
01:06:41,425 --> 01:06:43,526
But he's listening
to everything.

333
01:06:44,199 --> 01:06:45,396
(TUNING GUITAR)

334
01:06:50,337 --> 01:06:51,600
(OKAMOTO SPEAKING
IN JAPANESE)

335
01:07:02,217 --> 01:07:03,579
(ROCK MUSIC PLAYING IN DISTANCE)

336
01:07:22,930 --> 01:07:27,602
I've been trying
to explain to him slowly,
and still respecting him,

337
01:07:27,603 --> 01:07:29,670
because I really,
really respect him.

338
01:07:29,671 --> 01:07:31,738
And totally...
You know, like I said,

339
01:07:31,739 --> 01:07:34,840
he's like a... He's like
an actor preparing for a role.

340
01:07:34,841 --> 01:07:38,349
The script has to be perfect,
and that's the way it is.

341
01:07:38,350 --> 01:07:42,980
And I'm just trying
to relay all these
other stuff to him, and...

342
01:07:42,981 --> 01:07:45,158
(SMACKS LIPS) So we've been
finding some middle ground,

343
01:07:45,159 --> 01:07:47,919
and, I mean,
I'm not gonna give up.
You know, of course not.

344
01:07:47,920 --> 01:07:51,329
You know, I think
we're gonna be in this
for a long time, but...

345
01:07:51,330 --> 01:07:52,958
<i>(A NEW LEAF</i>
BY JOHN LEE HOOKER PLAYING)

346
01:08:29,062 --> 01:08:31,237
MONTGOMERY:
Yeah, I listened to, uh...
I listened to Led Zepp...

347
01:08:31,238 --> 01:08:34,570
I listened to Led Zeppelin's,
uh, version.

348
01:08:34,571 --> 01:08:35,902
MONTGOMERY: They're edited
on digital.

349
01:08:36,443 --> 01:08:37,738
- Digital.
- Uh-huh.

350
01:08:37,739 --> 01:08:40,543
Because they twice... uh, '76...

351
01:08:40,544 --> 01:08:44,009
- and later,
different edit on... On...
- Yeah.

352
01:08:44,484 --> 01:08:46,351
On, uh, uh...

353
01:08:46,352 --> 01:08:48,749
- SAKURAI: I know.
- Yeah. So I... I go
for '76.

354
01:08:48,750 --> 01:08:49,817
- Anyway...
- MONTGOMERY: '76.

355
01:08:51,150 --> 01:08:52,687
MONTGOMERY: '76.

356
01:08:52,688 --> 01:08:54,195
- MONTGOMERY: Yes.
- Mmm.

357
01:08:54,989 --> 01:08:55,988
Okay.

358
01:08:57,123 --> 01:08:58,760
<i>(C'MON EVERYBODY</i>
BY EDDIE COCHRAN PLAYING)

359
01:09:55,181 --> 01:09:56,719
(CROWD CHEERING)

360
01:10:03,090 --> 01:10:04,693
(SONG FADES)

361
01:10:04,694 --> 01:10:06,399
- (GUITAR RIFF PLAYING)
- (GONG SOUNDING)

362
01:10:25,849 --> 01:10:27,353
(CROWD CHEERING)

363
01:10:27,354 --> 01:10:28,520
MONTGOMERY: Good night,
New York.

364
01:10:31,019 --> 01:10:33,294
ANNOUNCER:
From Los Angeles, California,

365
01:10:33,923 --> 01:10:36,021
Led Zepagain.

366
01:10:36,022 --> 01:10:37,364
INTERVIEWER: How's that
sound check going?

367
01:10:38,730 --> 01:10:39,729
We'll get there.

368
01:10:40,930 --> 01:10:43,238
(MULTIPLE INSTRUMENTS PLAYING)

369
01:10:48,542 --> 01:10:50,706
- If you start.
- SMITH: Okay.

370
01:10:50,707 --> 01:10:52,675
- Okay?
- Yeah. Yeah, we're good.

371
01:10:52,676 --> 01:10:54,677
- (SAKURAI SPEAKING)
- MAN: Oh, yeah.

372
01:10:54,678 --> 01:10:56,581
- INTERVIEWER:
How are you feeling?
- Not good enough.

373
01:10:57,617 --> 01:10:59,419
<i>(RAUNCHY</i> BY BILL JUSTIS PLAYING)

374
01:11:06,252 --> 01:11:09,187
(PLAYING
<i>DAZED AND CONFUSED</i> RIFF)

375
01:11:24,072 --> 01:11:25,379
(MONTGOMERY SPEAKING)

376
01:11:29,517 --> 01:11:31,451
Two, three, four. (SCATTING)

377
01:11:33,389 --> 01:11:35,620
Okay. Okay, I can...
Yeah, I can try.

378
01:11:36,359 --> 01:11:37,753
So, yeah, just...

379
01:11:37,754 --> 01:11:39,326
SAKURAI: First, two,
three, four?

380
01:11:39,327 --> 01:11:41,284
- Yeah. Two, three, four.
- Two, three, four.

381
01:11:41,285 --> 01:11:42,528
(ALL VOCALIZING)

382
01:12:04,013 --> 01:12:05,914
MONTGOMERY: Thank you so much.
Good night.

383
01:12:08,523 --> 01:12:10,457
Thank you, Samantha.
Thank you so much.

384
01:12:12,120 --> 01:12:13,724
<i>(DOWN THE ROAD APIECE</i>
BY AMOS MILBURN PLAYING)

385
01:12:32,910 --> 01:12:33,909
(SONG FADES)

386
01:13:22,861 --> 01:13:24,157
(NAKAHARA SPEAKING
IN JAPANESE)

387
01:13:24,764 --> 01:13:25,994
(SAKURAI SPEAKING)

388
01:13:27,536 --> 01:13:29,063
- (NAKAHARA SPEAKING)
- (SAKURAI SPEAKING)

389
01:13:30,132 --> 01:13:32,803
(NAKAHARA SPEAKING)

390
01:13:35,236 --> 01:13:36,477
Thank you. Thank you.

391
01:13:43,343 --> 01:13:44,782
(NAKAHARA SPEAKING)

392
01:13:46,918 --> 01:13:48,653
(SAKURAI SPEAKING)

393
01:13:48,654 --> 01:13:50,623
- (NAKAHARA SPEAKING)
- (SAKURAI SPEAKING)

394
01:13:52,561 --> 01:13:53,593
(SAKURAI SPEAKING)

395
01:14:03,770 --> 01:14:05,165
(NAKAHARA SPEAKING)

396
01:14:12,746 --> 01:14:14,273
(NAKAHARA SPEAKING)

397
01:14:22,624 --> 01:14:23,689
(SAKURAI SPEAKING)

398
01:14:26,595 --> 01:14:27,924
(SAKURAI SPEAKING)

399
01:14:29,224 --> 01:14:30,223
(SAKURAI SPEAKING)

400
01:14:36,704 --> 01:14:38,033
- (SAKURAI SPEAKING)
- (NAKAHARA CONFIRMS)

401
01:14:41,005 --> 01:14:42,300
(NAKAHARA SPEAKING)

402
01:14:42,301 --> 01:14:44,006
<i>(BRIGHT LIGHTS, BIG CITY</i>
BY JIMMY REED PLAYING)

403
01:14:58,484 --> 01:14:59,593
- (EXPLODES)
- (SONG ENDS)

404
01:15:01,828 --> 01:15:02,892
(TECHNICIAN 1 SPEAKING)

405
01:15:02,893 --> 01:15:04,224
(TECHNICIAN 2 SPEAKING)

406
01:15:13,037 --> 01:15:14,904
(FEMALE AUDIO TECHNICIAN
SPEAKING)

407
01:15:14,905 --> 01:15:18,171
(IN ENGLISH)
Test. One, two, three, four.

408
01:15:18,172 --> 01:15:19,679
One, two, three, four.

409
01:15:25,687 --> 01:15:27,280
- (MONTGOMERY SPEAKING)
- Yeah.

410
01:15:30,384 --> 01:15:31,383
SAKURAI: Yeah.

411
01:15:33,695 --> 01:15:36,563
(MONTGOMERY SPEAKING)

412
01:15:36,564 --> 01:15:38,027
<i>(MYSTERY TRAIN</i>
BY ELVIS PRESLEY PLAYING)

413
01:16:09,027 --> 01:16:10,762
(SPEAKING IN JAPANESE)

414
01:16:10,763 --> 01:16:12,028
(AUDIENCE APPLAUDING)

415
01:16:34,118 --> 01:16:35,249
(AUDIENCE APPLAUDING)

416
01:16:56,679 --> 01:16:57,810
(AUDIENCE CHEERING
AND APPLAUDING)

417
01:17:02,509 --> 01:17:03,541
(AUDIENCE LAUGHING)

418
01:17:14,994 --> 01:17:16,619
MONTGOMERY: (IN ENGLISH)
All right, let's go.

419
01:17:16,620 --> 01:17:18,291
(BAND PLAYING <i>ROCK AND ROLL)</i>

420
01:17:18,292 --> 01:17:19,392
(AUDIENCE CHEERING)

421
01:17:39,854 --> 01:17:41,248
MONTGOMERY: <i>♪ Ooh, yeah</i>

422
01:17:41,249 --> 01:17:44,659
<i>♪ Been a long time
since I rock and rolled</i>

423
01:17:47,554 --> 01:17:50,522
<i>♪ Been a long time
since I did that stroll</i>

424
01:17:52,658 --> 01:17:57,298
<i>♪ Ooh, baby, let me get back
Let me get back
Let me get back</i>

425
01:17:58,169 --> 01:18:00,565
<i>♪ Baby, where I come from</i>

426
01:18:05,814 --> 01:18:09,243
<i>♪ It's been a long time
a long time</i>

427
01:18:09,244 --> 01:18:12,576
<i>♪ Lonely, lonely, lonely
lonely, lonely time ♪</i>

428
01:18:12,577 --> 01:18:13,952
(PLAYING DRUM SOLO)

429
01:18:25,394 --> 01:18:26,657
(PLAYING UP-TEMPO GUITAR RIFF)

430
01:18:34,337 --> 01:18:35,698
(TRANSITIONS TO SLOW,
SWEEPING GUITAR RIFF)

431
01:18:35,699 --> 01:18:37,074
(BAND PLAYING
<i>DAZED AND CONFUSED)</i>

432
01:19:31,493 --> 01:19:32,965
(SAKURAI SPEAKING
IN JAPANESE)

433
01:19:54,923 --> 01:19:56,219
(PLAYING GUITAR RIFF WITH BOW)

434
01:20:25,316 --> 01:20:26,645
(AUDIENCE CHEERING
AND APPLAUDING)

435
01:20:28,121 --> 01:20:29,681
(PLAYING DRAMATIC RIFF)

436
01:20:51,276 --> 01:20:52,604
(AUDIENCE CHEERING)

437
01:20:52,605 --> 01:20:54,343
(SAKURAI SPEAKING)

438
01:20:55,951 --> 01:20:56,950
(PLAYING MOODY GUITAR RIFF)

439
01:21:16,631 --> 01:21:18,400
- (PLAYING <i>WHOLE LOTTA LOVE)</i>
- (MONTGOMERY VOCALIZING)

440
01:21:26,344 --> 01:21:28,212
(VOCALIZING CONTINUES)

441
01:21:32,548 --> 01:21:33,745
(AUDIENCE CHEERING
AND APPLAUDING)

442
01:21:37,223 --> 01:21:38,255
MONTGOMERY: Good night,

443
01:21:39,390 --> 01:21:40,389
Tokyo.

444
01:21:47,893 --> 01:21:49,266
(SAKURAI SPEAKING IN JAPANESE)

445
01:22:06,087 --> 01:22:07,647
<i>(WILLIE AND THE HAND JIVE</i>
BY JOHNNY OTIS PLAYING)

446
01:22:18,693 --> 01:22:20,132
(AUDIENCE CHEERING
AND APPLAUDING)

447
01:22:32,971 --> 01:22:35,344
MONTGOMERY: <i>It...
It went over well in Japan.</i>

448
01:22:35,345 --> 01:22:37,115
<i>Jimmy just said, "Oh, we gotta
keep studying."</i>

449
01:22:37,116 --> 01:22:40,052
And I'm like "Stop. No.
Oh, no, please."

450
01:22:40,053 --> 01:22:41,252
Uh, but we ended up...

451
01:22:42,090 --> 01:22:43,550
We ended up... Uh, yeah.

452
01:22:43,551 --> 01:22:44,914
INTERVIEWER: So, uh,
wait a minute.

453
01:22:44,915 --> 01:22:46,256
So you... You've been working...

454
01:22:46,257 --> 01:22:47,917
You worked on it for months,

455
01:22:47,918 --> 01:22:49,128
then you did it in Japan.

456
01:22:49,955 --> 01:22:51,030
You come back and he's like,

457
01:22:51,031 --> 01:22:52,262
"Let's study it more"?

458
01:22:52,263 --> 01:22:54,066
Yeah. Yeah, that's exactly...

459
01:22:54,067 --> 01:22:57,960
And we were
really surprised about that.

460
01:22:57,961 --> 01:22:59,138
(PLAYING THEREMIN)

461
01:23:02,440 --> 01:23:04,506
(SAKURAI SPEAKING
IN JAPANESE)

462
01:23:08,314 --> 01:23:10,710
(SPEAKING ENGLISH)

463
01:23:49,487 --> 01:23:53,521
MONTGOMERY: <i>He doesn't
understand why everybody else
doesn't know what he knows.</i>

464
01:23:53,522 --> 01:23:56,524
<i>And therein lies
the breakdown, sometimes
with communication with him,</i>

465
01:23:56,525 --> 01:23:58,097
<i>'cause I'm trying to tell him...</i>

466
01:23:58,098 --> 01:24:00,562
"It's not gonna work here.
That's not gonna work."

467
01:24:05,030 --> 01:24:06,172
<i>In the real world,</i>

468
01:24:07,142 --> 01:24:08,635
<i>it's all about business.</i>

469
01:24:08,636 --> 01:24:11,672
Most of the time,
people want to hear the hits.

470
01:24:31,298 --> 01:24:33,232
(SAKURAI SPEAKING IN JAPANESE)

471
01:24:43,673 --> 01:24:46,112
So I've actually had promoters
come up to me after

472
01:24:46,113 --> 01:24:48,070
you know, and say to me, like,

473
01:24:48,071 --> 01:24:52,316
"What the fuck was that?
What... What... Why was...

474
01:24:52,317 --> 01:24:56,386
"Why was the guitar player
playing for 25 minutes?
What... What...

475
01:24:56,387 --> 01:24:59,389
"What happened to the songs?
Why didn't you just play
the songs?"

476
01:24:59,390 --> 01:25:00,721
(PLAYING GUITAR SOLO)

477
01:25:31,424 --> 01:25:32,753
(ORCHESTRAL MUSIC PLAYING)

478
01:25:58,011 --> 01:25:59,252
(ORCHESTRAL MUSIC CONTINUES)

479
01:26:11,365 --> 01:26:13,628
MONTGOMERY: <i>And again,
Jimmy is being true,</i>

480
01:26:13,629 --> 01:26:15,795
(CLEARS THROAT) you know,
to Jimmy Page,

481
01:26:15,796 --> 01:26:19,095
and he's doing
everything unbelievably,

482
01:26:19,096 --> 01:26:20,602
you know,
representing Jimmy Page.

483
01:26:20,603 --> 01:26:25,003
But do the people today,
today, really want
to hear that?

484
01:26:25,775 --> 01:26:27,610
In my opinion, no.

485
01:26:28,745 --> 01:26:30,184
(CROWD CHATTERING INDISTINCTLY)

486
01:26:58,643 --> 01:27:00,071
<i>(KASHMIR</i> PLAYING)

487
01:27:08,752 --> 01:27:10,048
MONTGOMERY: <i>♪ Babe</i>

488
01:27:14,329 --> 01:27:19,188
<i>♪ Baby, baby
I'm gonna leave you ♪</i>

489
01:27:19,189 --> 01:27:20,729
(SAKURAI SPEAKING JAPANESE)

490
01:27:22,997 --> 01:27:25,063
(IN ENGLISH)

491
01:27:35,449 --> 01:27:36,778
(STRUMS GUITAR)

492
01:27:58,296 --> 01:28:00,967
(OKAMOTO SPEAKING)

493
01:28:33,639 --> 01:28:34,803
(AUDIENCE CHEERING)

494
01:29:09,906 --> 01:29:11,169
(SAKURAI SPEAKING JAPANESE)

495
01:30:22,176 --> 01:30:24,681
(IN ENGLISH)

496
01:30:24,682 --> 01:30:25,914
(PLAYING LED ZEPPELIN SONGS)

497
01:30:51,909 --> 01:30:52,908
(IN ENGLISH)

498
01:30:59,950 --> 01:31:01,521
(MAN SPEAKING IN ENGLISH)

499
01:31:06,418 --> 01:31:07,449
- All right.
- All right.

500
01:31:07,450 --> 01:31:08,890
(MAN LAUGHS)

501
01:31:08,891 --> 01:31:14,996
(MUSIC CONTINUES)

502
01:31:39,154 --> 01:31:40,219
(MUSIC ENDS)

503
01:31:41,662 --> 01:31:42,726
SAKURAI: <i>Thank you very much.</i>

504
01:31:42,727 --> 01:31:44,321
- Thank you.
- Thank you.

505
01:31:44,322 --> 01:31:46,829
- Pleasure.
- SHAWN KELLY: Pleasure is mine.

506
01:31:46,830 --> 01:31:48,600
- MIRANDA: I had a great time.
- Yeah. Thank you.

507
01:31:48,601 --> 01:31:49,668
Thank you.

508
01:31:55,533 --> 01:31:57,301
- We sound good.
- MIRANDA: Very inspiring.

509
01:31:57,302 --> 01:31:58,710
(LAUGHS) It was nice.

510
01:31:59,207 --> 01:32:00,272
SAKURAI: Nice?

511
01:32:01,616 --> 01:32:02,879
(SPEAKING JAPANESE)

512
01:32:05,312 --> 01:32:06,443
(IN ENGLISH)

513
01:32:09,382 --> 01:32:10,656
(IN JAPANESE)

514
01:32:18,490 --> 01:32:21,292
So you create by the finger.
The bass.

515
01:32:21,293 --> 01:32:24,361
Maybe <i>Black Dog</i>
and <i>Song Remains the Same</i>
with the pick.

516
01:32:24,362 --> 01:32:25,571
- Right.
- Yeah.

517
01:32:25,572 --> 01:32:27,640
- And...
- That's much better.

518
01:32:37,212 --> 01:32:38,650
- Yeah.
- Yeah.

519
01:32:38,651 --> 01:32:40,685
- How much you're good?
- I think so.

520
01:32:40,686 --> 01:32:41,983
About 99%.

521
01:32:41,984 --> 01:32:43,755
- Yes. Thank you.
- (SPEAKING INDISTINCTLY)

522
01:32:46,485 --> 01:32:47,791
Thank you very much, Jeff-san.

523
01:32:47,792 --> 01:32:49,453
(CHATTERING INDISTINCTLY)

524
01:32:52,227 --> 01:32:53,424
(INAUDIBLE)

525
01:33:08,782 --> 01:33:10,914
(SAKURAI SPEAKING JAPANESE)

526
01:33:20,761 --> 01:33:22,023
(MAN WHOOPS)

527
01:33:22,024 --> 01:33:23,585
<i>(MANNISH BOY</i> PLAYING)

528
01:33:23,586 --> 01:33:24,895
(AUDIENCE CHEERING)

529
01:33:27,427 --> 01:33:28,426
<i>Brother.</i>

530
01:33:30,804 --> 01:33:32,298
<i>♪ Now when I was a young boy</i>

531
01:33:34,632 --> 01:33:36,137
<i>♪ At the age of five... ♪</i>

532
01:33:37,778 --> 01:33:39,272
(SAKURAI SPEAKING JAPANESE)

533
01:33:56,489 --> 01:33:58,059
FRANKIE BANALI:
<i>I walked into this place,</i>

534
01:33:58,060 --> 01:34:00,028
<i>it was a converted
bowling alley.</i>

535
01:34:00,029 --> 01:34:02,800
So it was like really wide,
but not very deep.

536
01:34:02,801 --> 01:34:04,736
And I was able to get
right up, right in front,

537
01:34:04,737 --> 01:34:08,366
right between
John Bonham's kick drum,

538
01:34:08,367 --> 01:34:10,203
and where Jimmy Page
was playing.

539
01:34:10,204 --> 01:34:12,139
It was all the
Rickenbacker amps,

540
01:34:12,140 --> 01:34:13,504
both him and John Paul Jones.

541
01:34:14,815 --> 01:34:18,574
And I wasn't prepared
for what I saw.

542
01:34:18,575 --> 01:34:19,851
(PLAYING <i>THANK YOU)</i>

543
01:34:42,777 --> 01:34:45,338
Okay? And then live version
is different.

544
01:34:52,215 --> 01:34:53,445
Jonesy played a Rhodes.

545
01:34:54,448 --> 01:34:56,315
This is a Rhodes.

546
01:34:56,316 --> 01:34:59,120
This is the 1970s
bass pedal synthesizer.

547
01:34:59,121 --> 01:35:01,287
This is a chopped Hammond organ.

548
01:35:01,288 --> 01:35:04,389
- (PLAYS KEYS)
- So, this is perfect
for <i>Thank You,</i>

549
01:35:04,390 --> 01:35:05,588
<i>Since I've Been Loving You.</i>

550
01:35:05,589 --> 01:35:06,732
You can do later versions

551
01:35:06,733 --> 01:35:08,558
where he went to Rhodes
and Hammond,

552
01:35:08,559 --> 01:35:10,692
back and forth, verse to chorus.

553
01:35:10,693 --> 01:35:12,166
You don't need a hurdy-gurdy.

554
01:35:12,167 --> 01:35:13,662
I just happen to have one.

555
01:35:13,663 --> 01:35:15,401
<i>(GOING TO A GO-GO</i> PLAYING)

556
01:35:26,821 --> 01:35:28,579
<i>♪ Going to A Go-Go</i>

557
01:35:30,517 --> 01:35:31,988
<i>♪ Going to A Go</i>

558
01:35:31,989 --> 01:35:34,584
<i>♪ Na-na-na, yeah-ay</i>

559
01:35:34,585 --> 01:35:38,258
<i>♪ Well there's a brand new
place I've founda</i>

560
01:35:38,259 --> 01:35:41,965
<i>♪ Where people go
from miles arounda</i>

561
01:35:41,966 --> 01:35:43,835
<i>♪ They come from everywhere</i>

562
01:35:43,836 --> 01:35:45,694
<i>♪ And if you drop in there</i>

563
01:35:45,695 --> 01:35:48,873
<i>♪ You might see anyone in towna</i>

564
01:35:48,874 --> 01:35:50,469
<i>♪ Going to A Go-Go ♪</i>

565
01:35:51,274 --> 01:35:52,944
(VOCALIZING)

566
01:36:11,690 --> 01:36:12,722
(MUSIC STOPS)

567
01:36:14,066 --> 01:36:15,097
Beautiful.

568
01:36:15,098 --> 01:36:18,595
It was like a...
Like a Zeppelin camp.

569
01:36:18,596 --> 01:36:20,366
(LAUGHS)

570
01:36:20,367 --> 01:36:22,907
I literally would listen.
I would write everything down,
memorize it all,

571
01:36:22,908 --> 01:36:26,603
and then we'd do it,
and do it, and do it, and do it.

572
01:36:26,604 --> 01:36:27,946
(PLAYING AND SINGING)

573
01:36:36,924 --> 01:36:38,780
(IN JAPANESE)

574
01:36:38,781 --> 01:36:40,057
BOTH: (SINGING) <i>♪ Ooh, yeah ♪</i>

575
01:36:40,961 --> 01:36:42,025
- Oh, the studio...
- Yeah.

576
01:36:42,026 --> 01:36:43,356
<i>♪ Ooh, yeah
Ooh, yeah ♪</i>

577
01:36:43,357 --> 01:36:45,556
Live one.
<i>♪ Ooh, yeah Ooh, yeah</i>

578
01:36:45,557 --> 01:36:46,623
Right, right.

579
01:36:46,624 --> 01:36:47,899
<i>♪ Rock it, rock it ♪</i>

580
01:36:47,900 --> 01:36:50,264
- (MIMICKING GUITAR TUNE)
- Yeah. Yeah. That's right.

581
01:36:50,265 --> 01:36:51,299
That's right.

582
01:36:52,137 --> 01:36:53,664
Yeah. Great.

583
01:36:54,700 --> 01:36:56,975
(BAND PLAYING)

584
01:36:59,672 --> 01:37:02,310
- Bam, bam, bam bam, bom.
- Yep.

585
01:37:15,589 --> 01:37:17,126
Bam, bam, bom, bom.

586
01:37:17,127 --> 01:37:18,292
Yeah, okay.

587
01:37:18,293 --> 01:37:19,525
- All right.
- Thank you very much.

588
01:37:20,660 --> 01:37:21,934
(IN JAPANESE)

589
01:37:23,971 --> 01:37:29,667
(IN ENGLISH) If we have...
We have something perfect

590
01:37:30,703 --> 01:37:32,603
- for prepared...
- MAN: Mmm.

591
01:37:32,604 --> 01:37:34,143
...for gig,

592
01:37:34,144 --> 01:37:36,178
I don't like that.

593
01:37:36,179 --> 01:37:38,676
I like something happen.
Something happen.

594
01:37:40,152 --> 01:37:41,183
Energy and...

595
01:37:41,184 --> 01:37:43,284
(IN JAPANESE)

596
01:37:43,285 --> 01:37:44,748
(OPERATIC VIOLIN MUSIC PLAYING)

597
01:38:47,879 --> 01:38:49,046
(IN JAPANESE)

598
01:38:52,125 --> 01:38:53,256
(MUSIC FADES)

599
01:39:02,927 --> 01:39:05,168
- Beautiful.
- MAN: Thank you!

600
01:39:05,169 --> 01:39:06,236
Thank you.

601
01:39:07,635 --> 01:39:09,700
(SAKURAI IN JAPANESE)

602
01:39:09,701 --> 01:39:12,538
(WOMAN SPEAKING)

603
01:39:12,539 --> 01:39:15,179
(SAKURAI SPEAKING IN ENGLISH)

604
01:39:18,778 --> 01:39:20,877
MAN: Had to think about it.
Do it in my head, you know?

605
01:39:29,459 --> 01:39:31,096
(MAN SPEAKING)

606
01:39:32,330 --> 01:39:33,560
Da, da...

607
01:39:34,497 --> 01:39:36,134
(PLAYING GUITAR RIFF)

608
01:39:48,874 --> 01:39:50,543
(AUDIENCE CHEERING)

609
01:39:50,544 --> 01:39:53,250
HOST: Will you please welcome
to the world-famous
Whiskey a Go Go,

610
01:39:53,648 --> 01:39:55,284
Mr. Jimmy!

611
01:39:55,285 --> 01:39:56,649
(PLAYING <i>DAZED AND CONFUSED)</i>

612
01:40:04,296 --> 01:40:06,857
<i>♪ Every day I work so hard</i>

613
01:40:08,102 --> 01:40:11,169
<i>♪ Bringin' home
my hard-earned pay</i>

614
01:40:13,668 --> 01:40:15,206
<i>♪ A-la-la</i>

615
01:40:16,341 --> 01:40:17,736
<i>♪ La-la-la</i>

616
01:40:19,179 --> 01:40:20,508
<i>♪ La-la-la</i>

617
01:40:21,874 --> 01:40:23,544
<i>♪ La-la-la</i>

618
01:40:27,484 --> 01:40:28,516
<i>♪ A-la-la-la</i>

619
01:40:30,047 --> 01:40:31,321
<i>♪ A-la-la-la</i>

620
01:40:38,924 --> 01:40:40,330
(PLAYING SOLO)

621
01:41:30,712 --> 01:41:32,184
(SONG CONTINUES)

622
01:42:13,590 --> 01:42:15,424
HOST: <i>Mr. Jimmy!</i>

623
01:42:15,425 --> 01:42:16,789
(AUDIENCE CHEERING)

624
01:42:23,094 --> 01:42:26,469
(MELLOW PIANO MUSIC PLAYING)

625
01:42:54,092 --> 01:42:55,465
(OKAMOTO SPEAKING IN JAPANESE)

626
01:43:09,976 --> 01:43:11,547
(SAKURAI SPEAKING JAPANESE)

627
01:43:26,498 --> 01:43:29,267
(IN ENGLISH)

628
01:43:29,268 --> 01:43:30,863
(SAKURAI SPEAKING ENGLISH)

629
01:43:34,165 --> 01:43:36,802
KELLY: <i>I knew
that if Barbara was involved
in booking us,</i>

630
01:43:36,803 --> 01:43:38,034
that we were going
to be successful

631
01:43:38,035 --> 01:43:40,806
and she's an outstanding
promoter and manager.

632
01:43:40,807 --> 01:43:42,743
Barbara!
Come here, you.
Come here, you.

633
01:43:43,911 --> 01:43:47,319
(HITTING KICK DRUM)

634
01:43:57,529 --> 01:43:58,891
(OKAMOTO SPEAKING
IN JAPANESE)

635
01:44:05,372 --> 01:44:07,195
(CONTINUES PLAYING KICK DRUM)

636
01:44:07,196 --> 01:44:09,032
D'ANGELO: <i>I'm happy
about what I did</i>

637
01:44:09,033 --> 01:44:12,167
and I'm happy
about how I did it, and...

638
01:44:12,168 --> 01:44:13,872
There's not just one voice.

639
01:44:13,873 --> 01:44:15,742
We understand
that Jimmy is a leader,

640
01:44:15,743 --> 01:44:17,843
but he's not the only voice.

641
01:44:17,844 --> 01:44:19,615
(CONTINUES PLAYING KICK DRUM)

642
01:44:20,684 --> 01:44:22,552
KELLY: <i>Chance wasn't given to us</i>

643
01:44:23,390 --> 01:44:24,553
to be what we could have been.

644
01:44:24,554 --> 01:44:26,259
Because I know
that it could have happened.

645
01:44:27,361 --> 01:44:28,393
And I still know it.

646
01:44:29,792 --> 01:44:31,264
(CONTINUES PLAYING KICK DRUM)

647
01:44:44,169 --> 01:44:45,476
(SAKURAI SPEAKING JAPANESE)

648
01:45:03,661 --> 01:45:06,123
(CLASSICAL PIANO MUSIC PLAYING)

649
01:45:24,110 --> 01:45:25,318
(SAKURAI SPEAKING JAPANESE)

650
01:46:15,161 --> 01:46:17,062
(KOKAI SPEAKING JAPANESE)

651
01:47:06,047 --> 01:47:08,377
(PHONE RINGING)

652
01:47:20,226 --> 01:47:22,501
(PHONE CONTINUES RINGING)

653
01:47:34,042 --> 01:47:35,910
(SAKURAI SPEAKING JAPANESE)

654
01:48:18,625 --> 01:48:20,284
(BLUES MUSIC PLAYING)

655
01:48:27,865 --> 01:48:29,424
<i>♪ I want you to rock me...</i>

656
01:48:29,425 --> 01:48:30,866
(SAKURAI IN JAPANESE)

657
01:48:33,673 --> 01:48:36,333
<i>♪ Rock me all night ♪</i>

658
01:48:37,006 --> 01:48:38,676
(ROCK MUSIC PLAYING)

659
01:48:53,187 --> 01:48:54,758
(VOCALIZING)

660
01:48:58,291 --> 01:48:59,730
(SINGERS HARMONIZING)

661
01:49:05,606 --> 01:49:07,067
(SAKURAI SPEAKING JAPANESE)

662
01:49:38,331 --> 01:49:40,034
(BONHAM SPEAKING)

663
01:49:49,782 --> 01:49:51,078
(FAST ORCHESTRAL MUSIC PLAYING)

664
01:50:07,294 --> 01:50:09,261
(ORCHESTRAL MUSIC CONTINUES)

665
01:50:21,605 --> 01:50:23,143
(GUITAR RIFF PLAYING)

666
01:51:37,549 --> 01:51:38,581
(SONG ENDS)

667
01:51:43,687 --> 01:51:44,894
<i>(ATLANTIS</i> BY DONOVAN PLAYING)

668
01:51:44,895 --> 01:51:49,163
<i>♪ Way down below the ocean</i>

669
01:51:51,398 --> 01:51:56,709
<i>♪ Where I wanna be, she may be</i>

670
01:51:57,536 --> 01:51:58,974
<i>♪ Way down...</i>

671
01:51:58,975 --> 01:52:01,043
(SAKURAI IN ENGLISH)

672
01:52:05,819 --> 01:52:10,381
<i>♪ Where I wanna be, she may be</i>

673
01:52:10,382 --> 01:52:15,090
<i>♪ Way down below the ocean</i>

674
01:52:17,193 --> 01:52:21,932
<i>♪ Where I wanna be,
she may be...</i>

675
01:52:30,206 --> 01:52:32,469
- Hey, I flew in from Florida.
- MAN: All right.

676
01:52:32,470 --> 01:52:33,845
- Says it all.
- God bless.

677
01:52:36,377 --> 01:52:40,885
<i>♪ Way down below the ocean...</i>

678
01:52:43,120 --> 01:52:45,416
BANALI: <i>When I sit
behind the set
and I play those songs,</i>

679
01:52:45,417 --> 01:52:48,320
I'm not this old guy
from Quiet Riot anymore,

680
01:52:48,321 --> 01:52:50,653
I'm that 18 year old kid again.

681
01:52:51,590 --> 01:52:53,590
And you know, it...

682
01:52:54,868 --> 01:52:57,758
How often do you get
to generally feel that way?

683
01:52:57,759 --> 01:52:59,727
You know,
like a little kid again.

684
01:52:59,728 --> 01:53:00,773
<i>♪ She may be</i>

685
01:53:08,046 --> 01:53:13,049
<i>♪ Where I wanna be,
she may be</i>

686
01:53:13,920 --> 01:53:18,350
<i>♪ Way down below the ocean</i>

687
01:53:18,351 --> 01:53:20,517
<i>♪ She may be, she may be</i>

688
01:53:20,518 --> 01:53:26,259
<i>♪ Where I wanna be
she may be</i>

689
01:53:26,260 --> 01:53:30,868
<i>♪ Way down below the ocean</i>

690
01:53:30,869 --> 01:53:32,727
<i>♪ She may be, she may be</i>

691
01:53:32,728 --> 01:53:37,667
<i>♪ Where I wanna be
she may be</i>

692
01:53:38,505 --> 01:53:42,847
<i>♪ Way down below the ocean</i>

693
01:53:42,848 --> 01:53:45,080
<i>♪ She may be, she may be</i>

694
01:53:45,081 --> 01:53:49,921
<i>♪ Where I wanna be
she may be</i>

695
01:53:50,814 --> 01:53:55,222
<i>♪ Way down below the ocean</i>

696
01:53:55,223 --> 01:53:57,158
<i>♪ She may be, she may be</i>

697
01:53:57,159 --> 01:54:02,999
<i>♪ Where I wanna be
she may be</i>

698
01:54:03,000 --> 01:54:07,531
<i>♪ Way down below the ocean</i>

699
01:54:07,532 --> 01:54:09,500
<i>♪ She may be, she may be</i>

700
01:54:09,501 --> 01:54:14,374
<i>♪ Where I wanna be
she may be</i>

701
01:54:15,212 --> 01:54:19,477
<i>♪ Way down below the ocean</i>

702
01:54:19,478 --> 01:54:21,512
<i>♪ She may be, she may be</i>

703
01:54:21,513 --> 01:54:26,551
<i>♪ Where I wanna be
she may be ♪</i>