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"The most important thing in life is the choice of a calling:
that is left to chance."
[school bell ringing]
[students cheering]
JUNE
[indistinct chatter]
[Dodo] Naïma! Naïma!
-Naïma! -[Naïma] What, my darling?
-Come here. Okay, see you later. -What?
I have something to tell you.
-What? -It's a surprise.
[boy] She's coming. She's coming. She's coming!
It's good. It's good.
[all] ♪ Happy birthday to you ♪
♪ Happy birthday to you ♪
Stop.
♪ Happy birthday, dear Naïma ♪
♪ Happy birthday to you ♪
[girl] Blow it out! Happy birthday!
[all cheering]
Thank you.
[all cheering]
Thank you.
-Happy birthday, gorgeous. -Thank you.
Best for last.
Mwah, yes!
-Here. A little gift. -[Naïma] What is it?
[gasps] No way.
-[boy] It's awesome! -[Dodo] Yes!
-[Naïma] Are you serious? -[all] Yes!
-[girl laughs] -This is for me?
[Dodo] Of course! No, it's for the neighbor.
[all laughing]
-[Dodo] Of course, it's for you. -I'm so happy!
[Dodo] Don't exaggerate. Come on. Let's go.
-We're going to the playa. -You surprise me.
Okay, bitch, any time.
-I don't think so. -Yes, and look.
-With your shoes half on? -Look out!
Ouch. You're jealous of me. That's what it is?
Fuck you. You piss me off. You don't know it by heart.
No, I do know it. Go, go. Don't worry.
Your line is, "You're completely crazy, girl. You sound like your mother."
You're completely crazy, girl. You sound like your mother.
Know what? You're not all here, like your scrounging parents,
because you're just a big rat.
Fuck, I swear to you, you're too good.
I got goosebumps everywhere.
-You think so? -Yeah.
You're perfectly in the scene. You're awesome.
-Oh, you're awesome. -No, you are!
[Dodo] Whoo!
[Naïma laughs]
[Naïma] It was the first day of school vacation.
I had just turned 16.
Sofia?
[water running]
[Sofia] You've changed so much!
My sweet, little cousin. Mmm!
[Naïma] Ever since Sofia moved to Paris, we barely saw each other.
[Sofia] Can you help me close it?
[Naïma] What language is that?
Oh, this? It's Latin. Carpe diem. It means "seize the day."
[Naïma] She had just lost her mom that summer.
[all singing indistinctly]
She had changed, too.
[Dodo] What do you wanna do if money's not important?
[Sofia] I don't know. Do you know what you wanna do?
Yes, be an actor.
Good for you. And you, Naïma?
-[Dodo] Same. -Yeah.
Hmm?
-[Naïma] He has an audition on the 13th. -Awesome. It's about what, then?
It's like open mic.
-I chose the role of Leïla. -[Sofia] Leïla who?
-[Dodo] Leïla Bekhti. -[Sofia] You know her?
Yeah, I do.
-You do? -Yeah, right. He took a selfie with her.
-He thinks she's his sister. -You're jealous.
Don't get worked up, darling.
-[Dodo] Your purse is pretty. -[Sofia] Thanks.
-[Dodo] Is it real? -[Sofia] Yes.
-[Dodo] It must cost about 3 or 4,000? -[Naïma gasps]
Three or four grand?
[inaudible dialogue]
[Naïma] Of course, I had a boyfriend that year.
His name was Enzo.
We'd split up just before the summer, and I never thought about him.
What I had with Dodo, in the end, was enough for me.
[inaudible dialogue]
[door opens]
-[Dounia] Morning, girls! -Morning.
Naïma, you're still asleep?
No, I'm awake. She's reading me an article.
[Sofia] "Letters from our readers.
'I've never fallen in love
and I don't mind at all.'"
-[Dounia] Have a good day! -Have a nice day.
-Wake up, Naïma! -I'm awake.
[door closes]
[whispering] She's still behind the door. Keep reading.
[Sofia] "'My mom assures me I'll meet my Prince Charming someday.
But I don't believe that.
Love stories actually seem shady to me, always.
I much prefer going out and partying.'"
[Naïma] Sofia?
[gasps]
[Sofia] Happy birthday!
Seriously?
[Sofia] You like it?
[Naïma] Did you buy it?
How else? Of course, I bought it.
I'm shocked.
Oh, my God.
Even the fabric's beautiful.
Well, this way we'll be the same, you see?
-We'll have the same one. -Oh, I'm so happy!
-Thank you, my Sofia. Thanks. -You're welcome.
[inaudible dialogue]
[horn blowing]
[Naïma] "You untangle from top to bottom.
On the roots." So, the thing with... Oh, yeah.
So, you just need to bring humidity and cover over it.
Uh, there's some things about, uh, tips for hair.
You want me to read them for you?
Yes, yes, sure, yes.
Uh, "For curly hair..." Okay.
"To avoid the doormat effect when waking up,
the golden rule is hydration.
Moisturized hair is flexible, strong, and resistant.
Through this, we can use nourishing shampoos
and use care creams regularly.
Don't hesitate to let it sit for a few hours
or an entire night when possible.
Be careful about iron overuse as well.
Even with a good quality one,
the heat will damage your hair tips.
Dry them and weaken them."
Oh, shit. I straighten mine at least five times a day.
"Don't straighten them more than once a week
and make sure not to go over a temperature of 115 degrees.
Finally, to keep your hair flexible,
start untangling from your tips." Who's that behind you?
[man 1] Good afternoon, girls.
[Naïma] "When you start untangling..."
I'm counting on you.
[Naïma] "...breaking your curls.
And realize that our hair tripled in volume. Normal."
[man 2] See this?
It's its reproductive organ.
Very interesting.
You're actually like a sea urchin, right? You're spiky, huh? Spiky.
But I am not. On the contrary. Look.
You see?
It's soft, right?
Here as well. But...
here...
it's the softest.
It's soft because the lips are waxed.
Forget it. She's crazy, my cousin.
Who's talking to you?
When you talk to her, it's as if you're talking to me.
So, what do you think?
-[man 2] Let it go. -Drop it?
-[Naïma] Take this. It's for hair. -Thanks.
[Naïma] Take your bag. I'll take the towel.
[man 1] Hey, girls! Don't go! Come on! Come here!
[man 1 whistles]
-Come on, I want to see you! -[Naïma] Come on, forget it!
[man 1] Come on, stop! Come back!
[man 2] Forget it. Can't you see they're just whores?
-[Naïma] Oh! Who are you talking to? -[man 2] See, they know their names.
[Naïma] Oh, who are you talking to? You there!
[man 2] Fuck off already!
[Naïma] Come on! You're crazy calling me a whore.
Go fish your urchins. Stop giving us shit.
[man 1] Come on, baby!
Sofia, they call us whores and you say nothing?
So, what? What's the big deal?
They insult us and she says nothing.
Creeps.
[man 2] Dirty whores!
Look at me. What did he give you, the guy who you were with this year?
What's his name again?
-Enzo. -Yeah. So?
I don't know. Love?
Yeah, love...
I don't find love interesting.
-Everybody's interested in love. -Not me.
What I love is sensation, adventure.
For me, feelings don't count at all.
You want me to give you some advice?
You must never expect anything. You must make it happen yourself.
Understand?
You understand?
Shall we go?
[guitar playing softly]
[Andres in French] ♪ On my island ♪
♪ It feels so nice, darling ♪
♪ On my island ♪
♪ We never do anything ♪
♪ We bask in the sun ♪
♪ It's like a caress ♪
♪ We enjoy this laziness ♪
♪ Without thinking of tomorrow ♪
♪ On my island ♪
♪ It feels so sweet ♪
♪ Oh, so quiet ♪
♪ Next to my sweet ♪
♪ Under the tall coconut trees ♪
♪ Swinging smoothly ♪
♪ Quietly ♪
♪ We are dreaming of us ♪
-Hey. -Hey.
-You're not coming? -No.
What's bothering you exactly?
Sitting here, having dinner in front of...
In front of them, it's... [chuckles]
It's a little weird.
It's a little violent, almost zoological, you see.
[laughs]
[Andres] Oh, don't worry.
They're watching us because it's part of their pleasure.
The pleasure of their vacation.
-What about ours? -Oh.
Mmm. Maybe it's ours as well.
I don't know. No.
[Andres] The principle of luxury, real luxury,
is to have known the opposite.
They go hand in hand.
So, you have to be a little poor or have been poor to be really rich.
And conversely, to understand poverty,
you must be aware that wealth exists.
That other things exist.
So, what is their pleasure, then?
Well, I just explained it to you. Are you stupid or what? Huh?
Whiskey's good, isn't it?
[strumming guitar]
[Andres] It's beautiful, isn't it?
Yeah, and why did you buy it, then?
Beauty comes from satisfaction, free of interest.
Beauty, you don't want to possess...
but admire.
Uh-huh. But I'm not an art consumer.
I am an art lover. Nuance.
[chuckles] So, Socrates...
Let's go.
[Philippe] Oh, no, I'm tired now.
Oh, but, yes, yes, yes. It's summer. I want to have fun. Come on.
[Niagara's "L'amour à la Plage" playing over speakers]
Tonight I will do the mambo
[Sofia in French] ♪ Tonight ♪
♪ I will do the mambo ♪
♪ At the Royal Casino ♪
♪ Under the old-fashioned wood paneling ♪
♪ The rain ♪
♪ Will make me forget ♪
♪ You will make me dream ♪
♪ Like we do in a summer hit ♪
♪ Let's fall in love on the beach ♪
♪ Ah, ooh, cha, cha, cha ♪
♪ I look into your eyes ♪
♪ Ah, ooh, cha, cha, cha ♪
♪ Kisses and seashells ♪
♪ Between you and blue waters ♪
[crowd whistling and cheering]
[indistinct chatter]
-[Andres] Have any cigarettes, Philippe? -Yeah, here.
-That's it. -Is that your boat?
[Andres] Yes, it's this one.
You're a singer, right?
-You can sing. -Me? Me, a singer?
-Yeah. -Why are you making fun of me?
-That's really silly. -No.
Philippe, she sings well, doesn't she?
-Nonsense. -Divine.
-Stop it. -[chuckles]
-Yes, I'm joking. -Of course, you are.
-[in English] Who's gay? -Who's gay?
-[in French] Fuck, it's all over my hands. -You got it on me, too.
-What's up? She likes old guys? -Don't know. Don't care, even if she does.
I was just asking. I was curious.
Why are you sensitive like that when I talk about her?
I'm not.
You are.
Hmm. Do you know your scene?
Yes, I know it. Your whole life, you're gonna pressure me like that.
"Do you know this or that?"
[Dodo] Why are you always yelling? I just asked because it's gonna come soon.
I don't want to arrive and then we look ridiculous.
[Naïma] Yes, I know. I swear, boy, you're such a pain in the ass.
-Girl, not boy. -Anyway, what are you doing here?
What am I doing here? Well, I'm clearly going with you.
Hello!
Evening.
[Marcos Valle's "Tiu-Ba-La-Quieba" playing over speakers]
Why is he here?
I couldn't do anything.
Evening.
What's the name of the country with that flag?
The Isle of Man.
[Naïma] It's a country?
[Andres] Yes, of course.
-The British Isles. -Champagne, sir?
No, I'm on whiskey. Thanks.
[Andres] Because we're abroad here. You know that?
[Naïma] We're not in France?
-[Andres] No, not at all. -[Naïma] Really?
[Philippe] We're not. You actually need a passport, a visa...
I already have one. [chuckles]
-[Naïma] Is it yours? -[Philippe] No, through an acquaintance.
[Sofia] We're free in this country, right?
-[Andres] Yes. -We can do whatever we want.
-Everything. -Everything?
-Everything you want. -I'm coming, then, sir.
-[Andres] Do you live here? -[Naïma] We do.
-I live in Paris. -I love Paris.
And can we know what you do in Paris?
Oh, what a question.
We're on vacation, aren't we?
We're not gonna be talking about work.
We're here to have fun.
[Andres] Take this. You're gonna catch cold.
[Sofia] Oh, thanks.
[Andres] Let's warm ourselves inside.
So, you work together?
-[Andres] Yes. -[Philippe] No, it's not true.
Yeah, actually, he...
-He works sometimes for me. -No, I'm kind of his slave in some way.
Yeah.
[Andres] Bullshit.
I'm your slave.
-I'm the slave in his eyes. -Oh, why?
[music stops]
-He knows the value of things. -And you don't?
Me?
I know how to buy.
[Naïma] What's wrong? You've been acting weird.
-Nothing. -Why are you sulking?
-There a problem? -I'm not sulking.
-Tell me! -There's nothing.
Yo, Dodo! Come here, Dodo. Come on! Yo, bro, I got a yacht, too.
Come on!
I lost the keys, okay? Coming down or what?
[Dodo] I told you, it's nothing.
-Tell me. -I'm not sulking.
You don't want to tell me?
-There's nothing. -Are those people your friends?
No. Acquaintances.
You mind telling them to go hang out somewhere else, please?
Can you go do it?
Why me? You go tell them.
For everything, you're gonna tell me, "Why me?"
-[Dodo] You go ahead. -[Naïma] Are you for real?
[man] Okay, guys, hey, please.
-That's it, I'll go. -No, no, let him do it.
-What? Who do you think you are? -Shh.
Stop it, you were not invited.
-Wait. Who do you think you're shushing? -Why are you getting all worked up?
Apart from shaking your ass, who do you think you are? You're a joke.
I see, you're jealous because we're not watching your ass enough.
Come on, let's go.
-Are you okay? -Yes, I'm fine.
[Dodo] Naïma, come on.
♪ The touch of your lips ♪
Naïma, yo, come on.
♪ Upon my brow ♪
♪ Your lips that are cool ♪
♪ And sweet ♪
♪ Such tenderness ♪
How old are you, if you don't mind?
Um, I think everyone has one age their whole life.
Meaning?
I mean... Yes, it's true.
-We grow up, we grow older, but... -Mm-hmm.
I've met men who were 30 years old their whole life.
Others stopped again at 15, and...
some have been waiting for a while to turn 50.
I like this theory.
And me?
-How old am I? -[Sofia chuckles]
You?
I don't know.
I'd have to get to know you first, no?
-Ah, you'd be disappointed. -Why?
Why, why? Women always ask why.
-Come. -Oh, there's a floor down there?
[Andres] Yeah, of course.
♪ A-shine ♪
♪ And now at last ♪
♪ The moment divine ♪
♪ The touch of your lips ♪
♪ The love in your eyes ♪
♪ The touch of your lips ♪
Thanks.
♪ On mine ♪
-[Philippe in English] Good night. -[Sofia] Good night.
[buzzing]
[Andres and Sofia moaning]
[Sofia panting]
[Andres moaning]
[door creaking]
[both moaning]
[Naïma panting]
[Naïma moans]
[woman] Just fold it.
-[in French] Are you coming? -Yeah.
-[Naïma] Goodbye. -[Sofia] Have a good day.
Wait for me!
[man] Seven euros and 80 cents, please.
Thank you.
I'll leave the check for you. I have nothing on me.
I have nothing either.
Seriously, you have nothing on you?
Why, yes.
Every time I go out, I never bring anything with me.
-You expect them to pay for everything? -Why, yeah.
Well, you think that's normal?
-Why, yeah. -That's very clever.
We're like homeless women with nothing to pay with.
It's okay, calm down. It's nothing.
-Where are you going? -I'm coming back.
[woman 1] Thank you.
-Good morning. Good morning. -[man] Hello.
[woman 2] Could your bring those towels to their room, please?
[motor humming]
[man 1] Hello, Naïma!
-How are you? -[Naïma] Hey!
-Fine, thanks. -[man 2] Guys, you must sort it out.
You saw your mom?
Hey, gorgeous.
Yes?
I thought you were gonna intern here this summer.
Oh. Right, it's true.
No, but my mom told you I was doing it?
'Cause I have plenty of things to do. I have an audition.
-But I do like it. -Hmm.
-Come back when you're ready, then. -Okay.
-See ya. -Bye.
Send out the continental.
-[Naïma] Can I pay? -[man] Sure.
-Seven eighty, please. -[Naïma] Here.
[man] Thanks.
And this is for you.
-Bye. -[Naïma] Have a good day. Bye.
-It's okay, I paid. -Wait.
-Are you okay? -I'm fine. Why?
You don't have to do anything. Are you upset about last night?
No.
For me, nothing happened last night.
Okay. Come on, let's go.
[bell jingles]
Good morning, ladies.
[both] Hello.
[Sofia] So, what do you like?
[Naïma] I thought you said you had nothing on you.
-It's a gift. -[Naïma] A gift from who?
From Andres.
Did you see the prices? It's expensive.
I know, right? He's really nice, isn't he?
Well, I guess.
-[Sofia] Oh, I like it. -Beautiful, right?
[Sofia] Yeah, it's really beautiful.
-Excuse me. -[woman] Yes?
-May I have the prices for these watches? -Of course.
-Ludivine, the price list, please. -[Ludivine] Sure, ma'am.
[woman] So, they're both 1500 euros.
[Sofia] Okay, and it's the most expensive?
[woman] No, we have this one for 3500 euros.
[Sofia] Take this one, then.
But I like it less, it's too small.
We don't care. Take the expensive one.
You know what, if you don't like it, you can come back and take the other two.
If I won't be able to wear it, what's the point?
Who cares? You could give one to your mom, for example.
She'd be very please, no?
-[Naïma] For sure. -[Sofia] For sure?
-Excuse me. -Yes, miss?
[Sofia] We've made up our minds.
For me, it will be this bracelet.
-[woman] Sure, excellent choice. -Thanks.
-[woman] Ludivine, please. -[Ludivine] Yes, ma'am.
So, I give it to you? I keep it in my hand?
[Sofia] You can put it on Mr. Montero's account.
[woman] Understood. Perfect.
[Sofia] Excuse me, sorry.
[door closes]
[Dounia] Hello, girls!
-[woman on TV] Gentlemen, hello. -[man on TV] Hello.
-[woman] How are you doing? -[man] Very well, thanks.
[train horn blowing]
[jet engine roaring]
Do you know how you wanna die?
No.
I was thinking about the people in the Paris-Rio crash.
They died just like that, one night.
Apparently, nobody noticed anything.
People said, "Oh, that's great. You don't know you're gonna die."
I don't think so.
They didn't get their opportunity to...
to think,
to be scared...
and to say goodbye either...
or to forgive...
or ask for forgiveness.
You thinking about your mom?
-Come on. Let's go out. -Oh, no, not tonight.
But you should go. Go out.
You want me to leave you alone?
[car horns honking]
[Dodo] Naïma!
-Are you okay? -I'm fine. And you?
-You wanna try it? -No, I'm not hungry.
Are you still mad at me for the other night?
-For? -The thing with Sofia.
Oh, come on, it's forgotten. It's the past.
'Cause I went a little too far.
-Come on. Let's go. -Where to? Nice?
[Naïma] I'm gonna get one.
-[Dodo] Get what? -A tattoo.
[Dodo] You're serious? Wait. How are you gonna pay for it?
With my birthday money.
-You're kidding me. -What? Is it a gift or not?
But you're not gonna use the money I gave you for that.
I am, as a matter of fact.
No, but I actually wanted us to go to Paris or something.
That's how you wanna use the money?
-Was it for you or was it for me, Dodo? -Well, for you.
All right, then.
Hello.
Dodo, give me your hand, please.
[Dodo sighs] I should let you suffer in silence.
[whispers] Sofia?
-What? -Look.
You like it?
Are you happy?
Thank you.
[Dounia] Wake up!
-What are you doing? -Look at the time.
We're gonna miss the show. And we never do.
-[gasps] What a mess. -Where's Sofia?
She's running errands.
You want me to make you some coffee, my baby?
Don't call me that.
What's with the watch?
-It's nothing. It's ugly anyway. -That's what you do with your money?
[sighs]
And the hotel, did you call them for your internship?
I already told you, I wasn't sure about the internship.
[Dounia] And your audition? Did you do it?
Leave me alone! Don't you see you're suffocating me all the time?
You know, it's your life.
Your choices. We get only one life.
You think Sofia is free?
She's not free?
You know, freedom is sometimes a lot of work too.
It's a harder job than being in an office.
Don't you see there are times she's really tired?
You too, by the way. Look.
I hope your vacation is going well, at least.
Yeah, it's going well, isn't it?
[Dounia sighs]
Stop it!
[Naïma] We didn't want to admit it,
but deep down, we were waiting for a sign from the men from the yacht.
Sofia had a rule.
[inaudible dialogue]
Never call back.
Two days later, the text message we were expecting arrived.
Hello, cousins. We're having dinner with a few friends tomorrow night. You coming?
I knew they were gonna call.
[groaning on-screen]
[screaming on-screen]
[Sofia] You put the tape here.
And here, you pull like that.
It's to really have a cat eye effect.
You can't use it if all your hair is attached to the back.
You need to keep some in the front, actually.
And here, for instance, you have a few holes,
so you can pick which strength you want.
Here it's a little tight, medium, or really, really tight.
Sophia Loren used to do this.
[Naïma] I've come to do an exchange for the watch.
[woman] Yes.
Have you picked something else?
Thank you.
Sofia, are you actually cooking?
We eat in less than an hour.
You always have to eat before you go to dinner with guys.
Really?
-Well, you're not there to eat. -Then why go there?
To talk. You go there to get to know them...
And, actually, the most important thing is
you have to pay attention to everyone around you.
So, if you're there like this... Nom, nom, nom.
You know, eating all of the dishes like a starving girl,
-it's not gonna be possible. -You gotta cook some sauce.
Make sauce?
-Want me to make it? -You know how to cook a sauce?
Okay...
Okay, I'm gonna do it.
You're actually a chef.
You never thought about becoming one?
-It's just a sauce. -Yes, but you're doing it right.
There's not that many women chefs.
"Chefesses."
[in English] Yes!
-[in French] I like it. -You do?
[chuckles]
[Dounia] Girls, where are they taking you?
Look.
Wait, no.
Is that real or a joke?
[motor humming]
[indistinct chatter]
[smooth jazz playing over speakers]
[indistinct chatter]
I knew you were very successful, but I'd bet you're pretty.
-Thank you. -[man 1] People get lost that way.
Did you know this piece has the same name as you?
Oh, yeah?
I didn't know this song had a name.
-It does. -Good to know that.
[Andres] What's happening?
-You're not talking much here. -[Sofia] I don't have anything to say.
-At least an honest person. -Ah, that is impossible.
Oh, it is, really. I swear to you.
I don't know how to make conversation.
-You don't? -I'm really not good at it.
So, then, it doesn't mean you have nothing to say.
It means you don't want to say anything.
Okay.
-Come closer, please. -Yes, of course.
[woman 1] Seraphin, you sleep in the babysitter's bed.
[woman 2] Come on, we're going to the pool, aren't we? Come on!
[chuckles] Let's go! No.
Fine, then. I'm going.
Andres, oh, my goodness!
You're so behaved.
-[man 2] She's doing it! -[man 3] Do it, girl!
♪ La, la, la, la ♪
Oh! No, I don't know.
-[all shouting indistinctly] -[man 4] Go on!
-[man 4] Yes, yes, yes! -[all cheering and laughing]
[applause]
[woman 2] Come with me, it's too funny.
[man 2] Whoever likes you should follow her!
[in English] Come on! Come on!
Yeah!
[cheering]
[in French] Oh, it's seawater! This pool has salt water.
Come on, Georgia!
-[cheering] -[chuckles]
[in English] Mmm. Tip them, okay?
[in French] Come over here! Come here!
[indistinct chatter]
-[Philippe] Andres? -Yeah?
You want me to let you come back alone?
-Why? -Well...
-Her? No. -Are you sure?
-Yes. -Yeah?
-[Naïma] So, what do we do? -Well, nothing, we're not invited.
[Andres] Sofia?
[Sofia] Wait. I'll be back in a sec.
[Andres] Are you coming?
What should I do with my cousin? I'm not gonna have her go back alone.
She'll be fine. Don't worry. You don't want to spend the night with me?
[Sofia] I do. I'll ask her.
Wait for me here.
Uh, I'll be sleeping on the boat tonight.
-How about you? Are you gonna walk home? -Well, yeah. No problem.
You sure, right? If not, I'll come back with you.
-No, no. Don't worry. There's no problem. -Okay. Oh!
Tomorrow they're inviting us on a boat trip,
so if you could bring my dress, a swimsuit, and my hat?
-Tomorrow? -Yes, tomorrow morning.
Sure, I'll bring everything.
-You don't mind? -No, it's okay.
-Sure? -Yeah, there's no problem.
-[Sofia] See you tomorrow. -[Naïma] See ya.
-[Andres] Come on, come on. -[Sofia] Wait for me!
[train horn sounds]
[cell phone buzzes]
[Philippe] You need good hand position.
-[Sofia] Is this the most complicated? -Yeah.
It's only two cards, right?
Two and then three in the middle.
-[Sofia] We shouldn't show them, right? -[Andres] Never.
[Philippe] No, but those will all come in, so that's when the bidding starts.
From here...
I had it--
You have to arrange them into something.
[Andres] There's an ace in these.
-Sorry. -[Philippe] What are your cards?
I can show you now?
-[Philippe] Yeah, yeah. -Okay.
[Philippe] That's my understanding.
-What's the goal? To have a lot of cards? -Sofia!
Sofia!
Come here!
Please take your shoes off.
You like it?
-[Naïma] Yes. -Beautiful, right?
It's my first time on a boat.
I saw my building earlier. It seemed so small.
It's your first time on a boat and you live in Cannes?
Well, yeah, there's a first time for everything.
Isn't it great?
[guitar playing softly]
[Andres chuckles] That's actually how we met.
[man speaking indistinctly over radio]
-[in English] The boat is coming. -[in French] Yeah.
-[in Italian] Hey, Riccardo, how are you? -[man 1] I'm good.
-Morning, boys. -[man 1] Good morning, sir.
-[man 2] Good morning. -[Andres] Good morning. How are ya?
[man 2] Good. How are you?
[chuckles]
[Andres speaks in Italian]
-Let me help you, miss. -[Sofia in French] Wait. Hold my shoes.
[in Italian] Be careful. Swings a little.
-[Sofia in French] Thanks. -Watch out.
-[man 2 in Italian] All on board. -[man 1] Let's go.
-[Sofia] Ciao! -[man 1] Hang on, guys, let's go.
[inaudible dialogue]
[Naïma] Philippe took us to one of his friends.
Her name was Calypso.
I didn't know Italy was so close.
-Calypso. -[Calypso chuckles]
-Happy to see you. -[Calypso] Mmm.
Andres Montero.
-It's a pleasure to arrive from the beach. -Yeah, it's really gorgeous.
I came to you because it can be a little like a labyrinth.
Marco and I often slept down here.
[Philippe] A true jungle.
[Naïma] Philippe was connecting his rich friends together.
It's like a botanic garden.
It was his job.
[Calypso] We started to...
buy more and more.
But the house is really beautiful.
Rita?
[Calypso speaking indistinctly]
[Philippe speaking indistinctly]
[Rita speaks in Italian]
[Philippe in French] He's fascinated by ancient art.
He just got a 17th-century sextant. A gorgeous catch.
Really?
-Oh. I thought I told you already. -It's on the boat?
-Yes, but Philippe can go pick it up. -[Philippe] Uh...
-Why not? -[Calypso] No, no, you just arrived.
No, no, no. Drink something first.
-[Andres] You don't mind? -[Philippe] No. It's no problem.
-With pleasure. -If you want, I can go.
No, no, stay put.
-[Andres] Thanks, Philippe. -You're welcome.
[Calypso speaking Italian]
[Naïma in French] Wait, I'll go with you!
-[Calypso] Where did you anchor? -[Andres] There!
[Naïma] She's beautiful.
-Who? The house or the woman? -Your friend.
Of course, she's beautiful.
-And very dangerous as well. -Why dangerous?
I'd like to be a dangerous woman, too.
What do you want to do?
-When? -For a living.
No idea.
Didn't you want to be an actress?
No.
It's Dodo who wants to be an actress.
You don't want to study?
-Did you study, sir? -Call me "sir" again, I'll throw you in.
No, I'm not kidding.
I can't speak to you informally.
-Do you want the truth? -Yes.
I didn't do the right studies.
How so? You're good here.
Not missing anything, are you?
For me, freedom is when you wake up in the morning
and you walk without a boss.
-Isn't that the case? -Oh, no.
You can't become a dangerous woman by keeping to yourself.
You'll learn by speaking up.
It's easy to say nothing. It's easy to hide.
Look at me.
[man in Italian] Sir, give me your hand.
-What time is it? -[Philippe] 2:30.
I don't know why she's been fucking me around.
She's fucking driving me nuts!
-[woman] It's your turn. -It's my turn?
I'm sorry, my friend hasn't--
-We don't have the time. We're busy. -Oh.
Yes.
[Dodo] Fuck, what am I gonna do?
Thanks.
It's beautiful.
That's my job, you see.
[Rita and Calypso speak in Italian]
[Calypso in French] Do want anything else? Coffee? Grappa?
-No? Nothing? -[Andres] Coffee.
[Calypso] Coffee.
You've known each other for a while now?
Um...
Seven or eight days, that's about it. Give or take.
-It's recent, no? -[Sofia] Yes.
[foghorn blasting]
It's crazy...
Every time I hear a foghorn, I think about... Marguerite Duras.
[laughs]
[chuckles]
[Calypso] Marguerite Duras?
And which is your favorite book from Marguerite Duras?
I love them all.
Okay, but what's your favorite one?
Um... Well, it depends, actually. It changes.
It depends on the day, on how I feel.
But now, for instance, which one would it be?
It's a sensitive question, actually,
because it's gonna tell you so much about me now.
-It's awkward. -But all things considered... [chuckles]
...it's just us here.
Hey, it's okay.
[Calypso] Come on. Seriously.
Well, I used to like The War.
And, um...
but nowadays, I'd say it's... It's The Lover.
Ah, The Lover.
It's marvelous, The Lover.
[Calypso] Oh, for sure, it's...
[laughs] ...marvelous, The Lover. Yeah.
-May I ask you a direct question? -Of course you may, yes.
-But tell me if it's indiscreet. -Oh, no, not at all.
-How old are you? -Twenty-two.
Huh. That's what I thought.
-That's crazy though, really. -What is?
I don't know.
Having this much plastic surgery at your age. I can't understand.
I think you're really pretty though. No?
Well, thanks.
Why "thank you"?
Well, to say I'm pretty, it's...
Yes, it's nice.
But you, too. You're so beautiful.
[chuckles]
[Calypso] Thanks.
Might be because I don't touch my face. It might...
I think that fighting it is pathetic.
It's as if I were refusing death, you see?
Plus, honestly, I have the impression it ages you.
No? Don't you think it's bad?
[Philippe] Uh, pathetic? No.
I think it's quite touching.
-Touching? -[Philippe] Yeah.
[Sofia] Yeah.
-I really like your house. It's pretty. -Oh, that's sweet. Thanks.
Actually, my dream is to have the same thing at your age.
[Sofia chuckles]
It's hot, no?
-Can we go swimming? -[Calypso] Sure! Enjoy.
[Sofia] It's just that I'm really hot.
-And you don't want to swim? -No, thank you.
[chuckles]
[laughing]
And so, what do we do? We go for a swim or for a walk?
-[Philippe] A walk, yeah. -A walk?
-[Andres] Yes, a walk. -Okay.
[Andres laughs]
[Calypso] But you have to come, too.
-September or October. It's pleasant. -[Philippe] I'd like it very much.
-[Philippe] Andres? -[Andres] Hmm?
[Philippe] One day, someone told me something surprising about you.
[Calypso] Oh, I'm interested.
[Philippe] I was told you used to be an anarchist.
[Andres] I still am an anarchist.
[Calypso laughs] Anarchist? Obviously.
You're one of the richest collectors in Brazil,
speculating on artists, ratings, and you own the stock market.
Sure, you, an anarchist.
-[Andres] Absolutely. -[Calypso] You're gonna have to explain.
-[Naïma] I do understand. -[Calypso] Oh, great. Tell us, then.
[Naïma] Anarchists are the ones who want freedom, aren't they?
-[Calypso] It's a little more complex. -[Andres] Let her explain.
[Naïma] What makes us free in our society nowadays? Money.
-[Andres] Absolutely. -[Calypso chuckles]
[Naïma] And for anarchists, money isn't important.
-[Andres] Yes, it has no value. -[Calypso] Yes. And?
[Naïma] It's easier to disregard money
when you have some rather than when you don't.
[Andres] That's right. Exactly.
She understood it all though, without explanation.
[Sofia speaking in Italian]
[Calypso in French] And I've been translating since this morning?
I'm looking like such an idiot.
No! You were happy to do so.
And for me, if it makes you happy, I'm happy.
-So, shall we go? -Goodbye!
-[Philippe] Goodbye. -Goodbye.
[Calypso] Enjoy your trip back.
-Watch out. -[Naïma] I'm so sorry!
-Excuse me. -[man] Damn it. Help me.
-Sorry, I swear, it wasn't on purpose. -Shut the fuck up!
[Philippe] Naïma, stand up.
How dare you talk to her like that.
-I'll go get some sparkling water. -No, no. I don't think so. No.
First, you apologize to our guest.
-No, it's okay. It's my-- -You don't move. Stay here.
So, I'm waiting.
-[man] I'm sorry. -You can do better than that.
I apologize, miss.
[opera music playing over speakers]
[Philippe speaking indistinctly]
Okay.
[Sofia] And this? May I do it?
Like that?
-You like it? -[Andres] Do whatever you want.
I belong to you.
-You like it when I put my finger here? -[Andres] Yes.
-Should I keep going? -[Andres] Yes.
[Andres] And this, can I...
[Sofia] Yeah.
[Andres moans]
-[Andres] Can I do this? -Yeah.
What are you reading?
Oh, no.
You're just a child, Naïma.
No.
Yes.
No.
Yes.
-No. -There's the proof.
Yes?
Okay, sounds good.
[man] Hey, wake up! Come on, quickly.
-What? What? What's happening? -Get out.
-Come on, get lost. -[Naïma] Sofia, what's happening?
-Come on. -Why are you pushing me?
[muffled] Keep your hands off me. Wanna search me?
What's happening? Search? Why?
-Come on. Get lost. -Anyway, it's not us. You wanna search?
Where would we have put it, then?
-Come on, let's go. -[man] Don't worry.
Andres told me to kick them out. They stole the sextant.
[Sofia] We're leaving now. Gather your things. Let's go.
We have nothing to do with these people. Let's go.
[man] You can go back to your cabin. I'll take care of it all.
-Come on. Out. Go. Go! Go outside. -Ouch! Don't touch me. Leave me alone.
Come on. [whistles] Get lost.
[Naïma] Sofia!
Sofia!
Sofia, come on. Sofia, come on. Come on! Hey, wait. Sofia! Wait!
Sofia, come on. Come on!
We'll prove to them it's not us. Come on, let's go!
Prove what? What's it gonna change?
-Come on, let's go. Come on! Let's go! -Go away.
You're not a thief and I'm not either. Let's go!
-I don't care. I totally don't. -Sofia, hey!
-Sofia! -Go away.
I want to be alone.
What?
We weren't going to marry them, were we?
There were other ways. They wouldn't have stayed forever.
-How do you know that? -I just know.
Okay, so I was wrong.
It's not that big of a deal. [chuckles]
-Good night, Socrates. -Don't you call me Socrates.
Ever.
[dance music playing over speakers]
Hey, Monique. Where's Dodo?
I think he's over there.
[speaking indistinctly]
-[Naïma] Dodo, I need to talk to you. -Huh?
-I need to talk to you. Two seconds. -What? No.
Please.
Don't you see I'm with friends?
-No, privately. Two seconds. -No.
Get lost. Leave me alone.
Go away!
-So, did you get it? -Get what?
Well... your audition.
Yes.
[Naïma] Oh, I'm so proud of you!
-You're a pain in the ass. -I love you, too.
[Naïma] You're not sulking anymore?
-[Dodo] Give me your bag. -You're stubborn.
-[Dodo] Huh? -You're stubborn.
-[Dodo] You are. -Oh, my feet hurt so bad, I swear.
[Dodo] That's what happens when you're showing off in heels when you can't walk.
-[Naïma laughs] -[Dodo] Huh?
[Naïma] Can I get on your back?
-Oh, you're gonna break my back. -[Naïma] Come on!
-[Naïma laughs] -[Dodo groans]
[Naïma] Jump! Jump! Do it.
-[Dodo] Fuck, you're heavy! -[Naïma laughs]
[Dodo] So, what happened?
[Naïma] They thought we stole some stuff.
What stuff?
-Some thing or a piece of art. -A thing or a piece of art?
I don't know, things are sometimes just like pieces of art.
-All I know is it's expensive.
-And was it you? -No.
It wasn't Sofia either, if that's what you're wondering.
I actually don't care about Sofia.
[Dodo sighs]
I think you've changed.
-Tsk. Stop it. -Yes, I swear.
You weren't like this before.
-Admit it. -And even if I have,
is it bad to change? I have no right to change?
Why are you getting mad? I asked you nicely.
It's just that before, we were like, uh...
like sisters, and now we're like an old couple.
We don't even fuck, so...
That's what you want? You want to hook up with me?
You're crazy. Your boobs are great. Why are you a pain in the ass?
-Stop screwing around. -[laughs] I'm not.
-"Why are you a pain in the ass?" -No, don't do that.
Why? That's okay. Chill out a little.
You went too far. You fucked it up.
[door unlocks and opens]
[door closes]
[Naïma] Sofia?
She left the same way she arrived.
Without a word. Or nearly.
Just like the season ends.
We know it's going to happen, but we only realize the day after.
[Naïma] Philippe!
Philippe?
Philippe!
Are you okay?
I don't know why I'm here, actually.
You're here because you're afraid I'd think you're a thief.
No.
I just want to show you how I feel. I'm not in love though. I...
I just wanted to say goodbye.
Well...
I mean, uh...
Goodbye.
-Come on. You think I'm a thief? -I don't. No.
And he doesn't either. Don't worry about it.
It's not important, all that.
I know you have principles. It's not a matter of principles.
It's a matter of value.
And you have a lot of it.
You know it, right?
You've had a good vacation?
-Yes. -No?
-Yes. -No.
-No? No. No. -Yes. Yes.
-Yes. -No.
-Yes! -No.
Goodbye, Naïma.
Goodbye, Philippe.
[Andres singing in French]
[guitar playing softly]
[Naïma] I didn't see Sofia again that summer.
I got an e-mail from her in which she told me about her move to London.
She was happy over there.
SEPTEMBER
[man 1] Come on, pick up the pace! Speed it up! How's the soup?
-Lower the flame. -[man 2] Flip it.
Let's go. Go.
[indistinct chatter]
Come on, guys. Send it out. It's almost ready.
Come on, the sauce!
Where's the sauce? The sauce good?
Come on, I want more.
Veggies must be smaller than that.
Melons on the other side, please. The other side. Smaller.
What about the crème brûlée? How much more time?
[indistinct chatter]
Yeah, the dress, you can get 170 for it.
And the bag, about 180.
This? You can sell it for way more.
-Not this. No. -Why?
-I never see you with it. -I'm not selling it though.
It's a souvenir.
[girl] Ready, chef?
Ready, chef.
IN MEMORY OF PHILIPPE ELKOUBI
Subtitle translation by Caroline Grigoriou