1
00:00:02,000 --> 00:00:03,720
Cue lights. Cue rain.

2
00:00:05,280 --> 00:00:06,560
It's showtime.

3
00:00:08,440 --> 00:00:11,720
Ten MUAs are taking on
the make-up world.

4
00:00:11,720 --> 00:00:13,520
Strap yourselves in. Ooh, OK.

5
00:00:13,520 --> 00:00:16,640
You're, like, my first-ever model.
Aw!

6
00:00:17,640 --> 00:00:21,120
They'll be judged by
industry heavyweights...

7
00:00:21,120 --> 00:00:23,720
It's too much!
Oh, yeah, that's great.

8
00:00:23,720 --> 00:00:26,280
I'm scared. This looks amazing.
I think it's really cool.

9
00:00:26,280 --> 00:00:28,480
..working on professional
assignments...

10
00:00:28,480 --> 00:00:31,320
The shape is still not there.
She's not getting it.

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00:00:31,320 --> 00:00:34,000
You need to get a move on, move on,
move on. OK.

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00:00:34,000 --> 00:00:35,560
It is fierce.

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00:00:35,560 --> 00:00:39,160
..and demonstrating their talents
in the creative briefs.

14
00:00:39,160 --> 00:00:41,440
Sometimes you have to shout. Ooh!

15
00:00:41,440 --> 00:00:43,320
Poof! My mind is blown.

16
00:00:43,320 --> 00:00:45,280
I look a bit like Piglet, innit?

17
00:00:45,280 --> 00:00:48,480
You have definitely dinged my dong.

18
00:00:53,000 --> 00:00:54,720
Nearly wet myself. Please don't.

19
00:00:54,720 --> 00:00:59,120
This is the power of make-up
to tell a story.

20
00:00:59,120 --> 00:01:01,720
Each week, the two who fail
to deliver...

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00:01:01,720 --> 00:01:04,640
If you're not careful, you're going
to fade into the background.

22
00:01:04,640 --> 00:01:08,800
..will go head-to-head in a
face-off until just one remains

23
00:01:08,800 --> 00:01:12,520
to win the contract, assisting some
of the biggest make-up artists

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00:01:12,520 --> 00:01:14,240
in the business.

25
00:01:14,240 --> 00:01:18,160
It's going to be
a very big statement.

26
00:01:18,160 --> 00:01:20,280
It's time to Glow Up.

27
00:01:26,400 --> 00:01:30,039
Last time... This is crazy. ..the
MUAs tackled their first assignment.

28
00:01:30,039 --> 00:01:32,440
Feel like a little chef
in this kitchen.

29
00:01:32,440 --> 00:01:35,479
Where Ryan and Nance's
looks fell short.

30
00:01:35,479 --> 00:01:38,280
There's too much make-up.

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00:01:38,280 --> 00:01:40,640
- At Glow Up Studios...
- Ooh!

32
00:01:40,640 --> 00:01:42,240
..Yong-chin dazzled...

33
00:01:42,240 --> 00:01:44,160
Ding-dong, darling.

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00:01:44,160 --> 00:01:47,120
..Charlie bowed out
and Mikael fought back.

35
00:01:48,280 --> 00:01:50,560
Y'all thought you were going to get
rid of me!

36
00:01:55,520 --> 00:02:00,080
For the past 150 years, this stage
has hosted some of the biggest names

37
00:02:00,080 --> 00:02:03,000
in entertainment,
from the Beatles to Beyonce.

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00:02:03,000 --> 00:02:07,040
And today, the MUAs are here
to create show-stopping looks

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00:02:07,040 --> 00:02:09,919
for the cast of the world-famous
Cirque du Soleil

40
00:02:09,919 --> 00:02:12,160
for their latest hit show, Luzia.

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00:02:12,160 --> 00:02:15,760
It's time to put their looks
in the spotlight.

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00:02:20,040 --> 00:02:22,280
Having started out as
street performers,

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00:02:22,280 --> 00:02:25,680
Cirque du Soleil has redefined
the circus genre.

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Wowing over 180 million people
worldwide,

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00:02:29,480 --> 00:02:33,320
their latest production
features amazing acrobatics,

46
00:02:33,320 --> 00:02:36,440
fabulous costumes and fierce make-up

47
00:02:36,440 --> 00:02:40,440
and is staged here at the iconic
Royal Albert Hall.

48
00:02:47,640 --> 00:02:50,600
Ooh, wow!

49
00:02:52,600 --> 00:02:55,240
- Morning, MUAs!
- Morning!

50
00:02:55,240 --> 00:02:59,640
Today, you have been booked
by the world's largest contemporary

51
00:02:59,640 --> 00:03:03,480
entertainment company,
Cirque du Soleil.

52
00:03:06,520 --> 00:03:10,720
And there's a live performance
of their show, Luzia,
on this stage tonight.

53
00:03:12,040 --> 00:03:14,600
So let me introduce you to
this week's guest judge,

54
00:03:14,600 --> 00:03:16,720
who has flown all the way
from Canada,

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00:03:16,720 --> 00:03:19,440
make-up designer Maryse Gosselin.

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00:03:22,040 --> 00:03:24,960
Hello. Bonjour. Tonight, you will be
applying the make-up looks

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00:03:24,960 --> 00:03:29,040
for nine of our performers
in tonight's live performance
of the show.

58
00:03:29,040 --> 00:03:32,400
You will need to follow
my design guide to replicate

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00:03:32,400 --> 00:03:34,960
each performer's exact
character looks,

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00:03:34,960 --> 00:03:37,240
and I will be looking
for perfection.

61
00:03:37,240 --> 00:03:41,200
Otherwise, I will not allow
the looks to go on stage tonight.

62
00:03:41,200 --> 00:03:44,720
I've wanted to see Cirque du Soleil
for absolute years,

63
00:03:44,720 --> 00:03:46,240
and now it's wild thinking that

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00:03:46,240 --> 00:03:49,240
my work might actually be featured
in it tonight. It's insane.

65
00:03:49,240 --> 00:03:52,520
This is no time for stage fright.

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00:03:52,520 --> 00:03:59,000
The MUA that impresses us the most
will get a valuable advantage

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00:03:59,000 --> 00:04:02,120
in tomorrow's creative brief.

68
00:04:02,120 --> 00:04:04,400
You will need to bring it.

69
00:04:04,400 --> 00:04:07,320
We're doing make-up for this show.

70
00:04:07,320 --> 00:04:08,920
This is huge.

71
00:04:08,920 --> 00:04:13,680
No pressure, but tonight's
performance is in front of
4,000 people.

72
00:04:13,680 --> 00:04:15,680
Let's go.

73
00:04:15,680 --> 00:04:18,680
With just two hours to get
ready for showtime...

74
00:04:18,680 --> 00:04:20,800
So let's have a nosey.

75
00:04:20,800 --> 00:04:23,480
..the MUAs have each been assigned
a character

76
00:04:23,480 --> 00:04:25,880
and must exactly replicate
their look,

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00:04:25,880 --> 00:04:30,200
watched over by Cirque du Soleil's
make-up supremo, Maryse.

78
00:04:31,680 --> 00:04:34,240
Luzia represents the light
and the rain.

79
00:04:34,240 --> 00:04:38,400
We express the rain part
throughout the blue band

80
00:04:38,400 --> 00:04:40,200
that the artists
have across their sight.

81
00:04:40,200 --> 00:04:43,080
We wanted to have something
on our performers that would link

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00:04:43,080 --> 00:04:44,760
them all together, like a tribe.

83
00:04:44,760 --> 00:04:47,440
And the make-up artists will
need to replicate my design

84
00:04:47,440 --> 00:04:49,080
as accurate as possible.

85
00:04:49,080 --> 00:04:52,440
"Shape the band of colour
by going up to the temple."

86
00:04:52,440 --> 00:04:57,480
If our MUAs don't follow
the brief exactly,

87
00:04:57,480 --> 00:05:01,080
their look won't be allowed
to go on the stage tonight.

88
00:05:03,920 --> 00:05:06,200
To get rave reviews from the judges,

89
00:05:06,200 --> 00:05:10,120
the MUAs first have to produce
a perfect blue band.

90
00:05:10,120 --> 00:05:12,680
The starting point for each
of their looks.

91
00:05:12,680 --> 00:05:14,760
I'd go out like this. I love it.

92
00:05:14,760 --> 00:05:16,640
I'd go out with a full band.

93
00:05:16,640 --> 00:05:19,840
They'll then need to nail the
additional details that make each

94
00:05:19,840 --> 00:05:21,720
of their looks distinct.

95
00:05:21,720 --> 00:05:24,160
Moustache?! Nice.

96
00:05:24,160 --> 00:05:27,800
While Yong-chin must precisely
replicate thinly arched brows

97
00:05:27,800 --> 00:05:29,240
for her acrobat...

98
00:05:29,240 --> 00:05:31,040
Reminds me of the eyebrows
I used to do

99
00:05:31,040 --> 00:05:36,480
on myself when I was 12, trying
to do make-up with a Sharpie.

100
00:05:36,480 --> 00:05:41,320
Nance is tasked with reproducing
the pole-artist's vivid pink eye.

101
00:05:41,320 --> 00:05:42,560
Precision is really important,

102
00:05:42,560 --> 00:05:44,760
especially with the eyes,
because the focus is on the eye.

103
00:05:44,760 --> 00:05:47,760
And Kris, who's been assigned
the contortionist,

104
00:05:47,760 --> 00:05:50,360
must perfect a statement brow.

105
00:05:50,360 --> 00:05:53,560
The performer has to look a bit
mysterious, so he will need to keep

106
00:05:53,560 --> 00:05:57,080
the shape of the brow as similar
as he sees on the final pictures.

107
00:05:57,080 --> 00:05:59,200
It's super important for me
to do well today

108
00:05:59,200 --> 00:06:03,800
because I work on circus performers
in a circus-themed club in Soho

109
00:06:03,800 --> 00:06:07,680
in my day-to-day job. So fingers
crossed I should smash this.

110
00:06:07,680 --> 00:06:13,040
28-year-old Kris, from Donegal,
has a lifelong passion for art.

111
00:06:14,360 --> 00:06:17,520
When I was a kid, it was kind of
the flamboyant, overweight,

112
00:06:17,520 --> 00:06:18,840
ginger gay kid.

113
00:06:18,840 --> 00:06:21,560
Had a lot going against me
in younger years.

114
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I was painfully shy, so I didn't
have a lot of friends

115
00:06:24,720 --> 00:06:26,840
and I used to get bullied
quite a lot.

116
00:06:26,840 --> 00:06:29,920
However, there was one thing
that people could not deny me.

117
00:06:29,920 --> 00:06:32,400
They would be like,
"You're really, really good at art."

118
00:06:32,400 --> 00:06:36,159
So, like, my superpower has always
been my creativity.

119
00:06:37,440 --> 00:06:40,600
During lockdown is basically
where I taught myself how to do

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00:06:40,600 --> 00:06:42,920
all prosthetics and all make-up.

121
00:06:42,920 --> 00:06:47,480
I feel really ready to show
the world my superpower,

122
00:06:47,480 --> 00:06:50,480
so I'm just trying to do
all the prep work and just go in...

123
00:06:50,480 --> 00:06:52,840
..and give it my all.

124
00:06:59,880 --> 00:07:02,720
So I love what Kris is doing
for the eye right now.

125
00:07:02,720 --> 00:07:05,640
It's very nicely applied, well done.

126
00:07:05,640 --> 00:07:08,800
But the contouring is a little bit
too heavy.

127
00:07:08,800 --> 00:07:11,360
Is there any way back
from the heavy contour?

128
00:07:11,360 --> 00:07:13,680
He should try to blend
as much as he can.

129
00:07:13,680 --> 00:07:15,800
It's all about replicating
the designs.

130
00:07:15,800 --> 00:07:18,920
And right now he's not observing
the shapes right.

131
00:07:18,920 --> 00:07:22,000
This isn't one where you can really
freestyle, is it? Not so much.

132
00:07:22,000 --> 00:07:25,040
It's important that whenever
they are all together on stage,

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00:07:25,040 --> 00:07:26,680
they kind of look the same.

134
00:07:35,760 --> 00:07:36,800
Beautiful.

135
00:07:38,360 --> 00:07:41,840
While other MUAs work on
aerial artists and singers,

136
00:07:41,840 --> 00:07:44,600
Mikael has his hands on a juggler.

137
00:07:46,120 --> 00:07:47,440
Mikael!

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00:07:47,440 --> 00:07:49,800
Hi! How are you finding it?

139
00:07:49,800 --> 00:07:53,120
It's really nice, actually.
This is right up in my street.

140
00:07:53,120 --> 00:07:54,320
You're in your element.

141
00:07:54,320 --> 00:07:57,440
If he would give me the opportunity,
I would actually take his place.

142
00:07:57,440 --> 00:07:59,960
I already know what make-up
goes where... I was gonna say!

143
00:07:59,960 --> 00:08:01,120
You've got the look down.

144
00:08:01,120 --> 00:08:03,640
I might be taking your, you know,
your place today.

145
00:08:03,640 --> 00:08:04,920
I...

146
00:08:04,920 --> 00:08:06,800
Girl, we will finesse it.
We'll work on it.

147
00:08:06,800 --> 00:08:09,200
We will finesse it.
I could just... Yeah.

148
00:08:09,200 --> 00:08:11,320
Don't do it. You'll teach me,
though.

149
00:08:11,320 --> 00:08:15,000
So we're feeling really confident,
then, today? Yeah, we are. Good.

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00:08:15,000 --> 00:08:19,360
23-year-old Mikael, who started
doing make-up just one year ago,

151
00:08:19,360 --> 00:08:21,920
moved to London as a teenager.

152
00:08:24,040 --> 00:08:27,360
Growing up in Ghana,
the sun was shining.

153
00:08:27,360 --> 00:08:28,600
Everything was good.

154
00:08:28,600 --> 00:08:31,360
When I moved to UK,
it was a culture shock.

155
00:08:31,360 --> 00:08:34,000
Immediately I stepped
outside the airport,

156
00:08:34,000 --> 00:08:38,760
I was like, "What on earth
is this?" And it was cold.

157
00:08:38,760 --> 00:08:41,320
The adjusting was pretty hard.

158
00:08:41,320 --> 00:08:43,840
Back home, I didn't see, like,
boys doing make-up.

159
00:08:43,840 --> 00:08:48,240
So when I got over here and then
I saw all that, it just drew me in.

160
00:08:48,240 --> 00:08:50,920
When it comes to make-up,
it has definitely changed the way

161
00:08:50,920 --> 00:08:52,000
I express myself.

162
00:08:52,000 --> 00:08:55,480
The style that I'm best at
is dramatic.

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00:08:55,480 --> 00:08:59,520
It gives me the opportunity
to be weird and go, like, the level

164
00:08:59,520 --> 00:09:01,520
that I know that I can go.

165
00:09:01,520 --> 00:09:03,600
I look in the mirror, I'm like,

166
00:09:03,600 --> 00:09:06,480
"Oh, you are the baddest B
on Earth.

167
00:09:06,480 --> 00:09:09,080
"Honey, you are a force
to be reckoned with."

168
00:09:11,480 --> 00:09:14,040
So we're good over here.
Yes, we are. All right. Fantastic.

169
00:09:14,040 --> 00:09:17,160
I'm loving this, doll. My fringe?
Yeah. I need it, though.

170
00:09:17,160 --> 00:09:18,640
You need to give it.
I'll clip it off.

171
00:09:18,640 --> 00:09:21,000
You can have it off after.
Thank you. All right, babe? Yeah.

172
00:09:24,320 --> 00:09:26,760
Artists, we are one hour
into the make-up.

173
00:09:26,760 --> 00:09:30,280
That's gone quick. Which means
you have one hour left.

174
00:09:30,280 --> 00:09:32,840
One of the key skills our MUAs
are going to have to conquer today

175
00:09:32,840 --> 00:09:35,280
is speed, because there is
no time to waste backstage

176
00:09:35,280 --> 00:09:36,520
on a theatre production.

177
00:09:36,520 --> 00:09:39,080
These performers,
they've got to be on stage.

178
00:09:39,080 --> 00:09:42,400
Ooh, there's still a bit
to go, actually. Oh, my God.

179
00:09:42,400 --> 00:09:44,360
We've got 4,000 people
coming in the door

180
00:09:44,360 --> 00:09:46,120
in just a couple of hours' time.

181
00:09:46,120 --> 00:09:49,080
We cannot run out of time
during this one, can we? We can't.

182
00:09:49,080 --> 00:09:51,800
An hour left?! Have a brew,
put me feet up...

183
00:09:54,920 --> 00:09:57,520
How are you getting on?
I see loads of make-up on the face.

184
00:09:57,520 --> 00:09:58,600
Absolutely loving life.

185
00:09:58,600 --> 00:10:01,200
Have you got any theatre experiences
yourself? You a singer or dancer?

186
00:10:01,200 --> 00:10:03,280
I have a lot of performers
in my family. Really? Yeah.

187
00:10:03,280 --> 00:10:05,440
My grandad was a Rod Stewart
impersonator. No way.

188
00:10:05,440 --> 00:10:07,960
Yeah. My uncle was
an Elvis impersonator.

189
00:10:07,960 --> 00:10:10,400
# You ain't nothing but
a hound dog

190
00:10:10,400 --> 00:10:12,000
# Crying all the time. #

191
00:10:12,000 --> 00:10:14,080
Oh, my God...

192
00:10:14,080 --> 00:10:15,440
Oh, my gosh. What are we doing?

193
00:10:18,280 --> 00:10:22,400
When you're doing stage make-up,
the make-up needs to look

194
00:10:22,400 --> 00:10:29,000
good from the front row, but also
project all the way up to the gods.

195
00:10:29,000 --> 00:10:32,800
Impact is the most important thing,
so you need to really make sure

196
00:10:32,800 --> 00:10:34,280
that the colour is strong.

197
00:10:34,280 --> 00:10:38,080
Like all the MUAs, Adam will need
to make sure his footballer's

198
00:10:38,080 --> 00:10:41,960
look packs a punch
from up close and afar.

199
00:10:41,960 --> 00:10:44,760
Hi, Adam. How is it going so far?
I think it's going great.

200
00:10:44,760 --> 00:10:46,840
Thank you so much.
Watch your proportions.

201
00:10:46,840 --> 00:10:48,760
OK. Maybe on your forehead. OK.

202
00:10:48,760 --> 00:10:50,480
Look at your final pictures
and make sure

203
00:10:50,480 --> 00:10:53,040
that you have the same placement.

204
00:10:55,360 --> 00:10:58,720
So Adam needs to be careful
not to take the band too high.

205
00:10:58,720 --> 00:10:59,760
Why is it so important?

206
00:10:59,760 --> 00:11:02,880
We have to make sure that
the artists are seen well from...

207
00:11:02,880 --> 00:11:05,400
..could be like five feet,
but it could be 50 feet.

208
00:11:05,400 --> 00:11:08,560
It's important to accentuate
those features.

209
00:11:08,560 --> 00:11:12,040
The band should actually move
with the eyebrow muscle,

210
00:11:12,040 --> 00:11:15,280
so putting it higher is going
to take out expression.

211
00:11:15,280 --> 00:11:16,600
How is he going to fix that band?

212
00:11:16,600 --> 00:11:19,120
He really needs to take
that colour out before he starts

213
00:11:19,120 --> 00:11:20,160
with the foundation.

214
00:11:20,160 --> 00:11:21,800
Too high, maybe.

215
00:11:26,640 --> 00:11:28,640
One of the things that our MUAs
are going to have to bear

216
00:11:28,640 --> 00:11:30,120
in mind is endurance.

217
00:11:30,120 --> 00:11:31,760
This make-up has to last.

218
00:11:31,760 --> 00:11:33,640
It's got to look good
under the heat.

219
00:11:33,640 --> 00:11:35,520
It's got to look good under sweat.

220
00:11:35,520 --> 00:11:37,720
And in this case, in the rain.

221
00:11:39,520 --> 00:11:42,080
To ensure their make-up
can withstand the elements

222
00:11:42,080 --> 00:11:43,600
in tonight's show,

223
00:11:43,600 --> 00:11:47,360
the MUAs will need to apply plenty
of powder to their looks.

224
00:11:47,360 --> 00:11:49,120
I have got it all down you.
I'm sorry.

225
00:11:49,120 --> 00:11:52,120
They really need to go with
a powder puff and press the powder

226
00:11:52,120 --> 00:11:55,480
on the face to make sure
that they set everything very well.

227
00:11:55,480 --> 00:12:00,680
We want to make sure that really
the make-up will last throughout
eight hours of sweat, lights.

228
00:12:00,680 --> 00:12:04,440
But once the powder is on,
there's no coming back from there.

229
00:12:04,440 --> 00:12:08,120
Everything is set. Yeah, no return.
Yeah. The dreaded powder.

230
00:12:10,600 --> 00:12:14,920
OK. Make sure before you set,
over the eye area that you look

231
00:12:14,920 --> 00:12:18,240
anything that needs to be blended,
that's not blended right now.

232
00:12:18,240 --> 00:12:21,600
Is there any line that you see
right now that you don't see
on the picture?

233
00:12:25,840 --> 00:12:29,280
Just make sure that it's
the right shape. Yeah. OK?

234
00:12:30,400 --> 00:12:31,520
Eyebrows.

235
00:12:33,080 --> 00:12:34,880
She's about to powder,

236
00:12:34,880 --> 00:12:37,040
and I still see some lines
that she should blend.

237
00:12:37,040 --> 00:12:38,360
So she has to be careful.

238
00:12:38,360 --> 00:12:41,080
If she does put powder over
those lines, it's going to set them

239
00:12:41,080 --> 00:12:42,920
and they're going to stay there.

240
00:12:54,960 --> 00:12:57,640
Ten minutes before I need
your performers ready.

241
00:13:00,640 --> 00:13:04,240
To complete their looks, the MUAs
must add foil details,

242
00:13:04,240 --> 00:13:05,920
known as appliques,

243
00:13:05,920 --> 00:13:09,800
a tricky process requiring patience
and precision.

244
00:13:09,800 --> 00:13:12,920
The foil placement might be hard
for our MUAs.

245
00:13:12,920 --> 00:13:16,240
I feel like I'm doing something
I'm not supposed to be doing to you
right now.

246
00:13:16,240 --> 00:13:19,600
What they will need to do is make
sure that they apply the glue first.

247
00:13:19,600 --> 00:13:21,400
Leave it to dry around two minutes.

248
00:13:21,400 --> 00:13:23,080
So how was your day?

249
00:13:23,080 --> 00:13:25,080
And then they could transfer
the foil.

250
00:13:25,080 --> 00:13:28,480
But they will need to unfold it
towards the skin.

251
00:13:28,480 --> 00:13:30,520
A bit like a Band-Aid.

252
00:13:30,520 --> 00:13:31,560
Yay!

253
00:13:33,280 --> 00:13:34,320
Yes!

254
00:13:36,320 --> 00:13:40,160
Ryan's actually cutting out little
patterns and sticking them on,

255
00:13:40,160 --> 00:13:42,960
which he should just take
the glue, let it dry, take the foil

256
00:13:42,960 --> 00:13:45,560
transfer paper and just rip it off.
He's going the hard way.

257
00:13:45,560 --> 00:13:48,520
He's really going the hard way
right now. Bless him.

258
00:13:49,960 --> 00:13:51,520
Did I rub it enough?

259
00:13:51,520 --> 00:13:54,440
Nance looks a little bit
stressed out. What is going on?

260
00:13:54,440 --> 00:13:57,520
She's holding her foil transfer
paper on the wrong side.

261
00:13:57,520 --> 00:13:59,240
Oh, no!

262
00:13:59,240 --> 00:14:02,120
She's going to need to redo
the glue, re-let it dry

263
00:14:02,120 --> 00:14:04,320
and reapply on the other side
of the foil.

264
00:14:04,320 --> 00:14:06,600
Please stay.

265
00:14:10,400 --> 00:14:11,440
Yes!

266
00:14:14,920 --> 00:14:17,000
Yes. Well, a little bit.

267
00:14:20,880 --> 00:14:22,320
Time's up.

268
00:14:22,320 --> 00:14:24,280
I need your performers now.

269
00:14:26,600 --> 00:14:29,600
With 4,000 people making their way
to the show...

270
00:14:29,600 --> 00:14:31,640
My heart is like...

271
00:14:31,640 --> 00:14:34,640
..it's up to Maryse to decide
which looks deserve to make it

272
00:14:34,640 --> 00:14:37,800
on stage and whose fell short.

273
00:14:37,800 --> 00:14:41,600
Fingers crossed mine is good
and they don't pull it out.

274
00:14:41,600 --> 00:14:44,840
Mikael... Hiya. ..your juggler is
signed off to do the show tonight.

275
00:14:44,840 --> 00:14:46,920
Yay! Congrats.

276
00:14:47,960 --> 00:14:50,760
Nice one. This look is signed off.
Congratulations.

277
00:14:50,760 --> 00:14:53,360
Thank you so much.
That's amazing.

278
00:14:53,360 --> 00:14:56,000
I think she's off
to go do the show as well.

279
00:14:57,640 --> 00:15:00,840
Good job, Lisa.
Thank you so much.

280
00:15:00,840 --> 00:15:02,080
Overall, she looks great.

281
00:15:02,080 --> 00:15:05,720
So she's signed off to go into
the show tonight. Congrats.

282
00:15:06,960 --> 00:15:09,360
Knowing that my look is going
to be on the stage tonight,

283
00:15:09,360 --> 00:15:12,280
I feel like I want to brag
to the world.

284
00:15:13,400 --> 00:15:15,920
I'm so happy. I'm so happy.
I'm so happy. I'm so happy.

285
00:15:15,920 --> 00:15:17,520
Hi, Ryan. Hi. Are you OK?

286
00:15:17,520 --> 00:15:20,880
All you needed to do was put
the foil sheet on and release it.

287
00:15:20,880 --> 00:15:21,960
Take it way. Right.

288
00:15:21,960 --> 00:15:25,800
So, unfortunately, this look
will need some touch up tonight
before the show.

289
00:15:25,800 --> 00:15:27,440
But thanks for trying.

290
00:15:27,440 --> 00:15:28,760
Thanks.

291
00:15:28,760 --> 00:15:31,880
It's just a few elements
that I tripped up on a little bit.

292
00:15:31,880 --> 00:15:33,920
Which I'm a bit gutted about,
really.

293
00:15:33,920 --> 00:15:37,280
I just hope that my work
can be shown on the main stage.

294
00:15:37,280 --> 00:15:41,240
The idea of my work being pulled
out of the show because it's not

295
00:15:41,240 --> 00:15:42,840
up to scratch is worrying.

296
00:15:42,840 --> 00:15:45,600
The contouring, unfortunately,
is a bit too bold.

297
00:15:45,600 --> 00:15:48,000
I will need to touch him up
before the show.

298
00:15:48,000 --> 00:15:51,720
Just to tone down a little bit
the boldness of the colours.

299
00:15:51,720 --> 00:15:53,440
OK. Oh, that's unfortunate.

300
00:15:53,440 --> 00:15:54,640
Hey, Yong-chin.

301
00:15:54,640 --> 00:15:57,920
This application has
some really good points,

302
00:15:57,920 --> 00:16:00,400
but I feel like I will still need
to touch her up.

303
00:16:00,400 --> 00:16:02,640
She's a bit too heavy under the eye.

304
00:16:02,640 --> 00:16:04,440
Thank you.

305
00:16:04,440 --> 00:16:08,040
It's definitely disappointing
to sort of not nail a challenge

306
00:16:08,040 --> 00:16:09,720
that you're quite excited to do.

307
00:16:09,720 --> 00:16:14,680
I think I sort of wanted
to smash it and I didn't.

308
00:16:14,680 --> 00:16:16,240
Straight ahead.

309
00:16:16,240 --> 00:16:18,080
My work going on stage,
I'm telling you.

310
00:16:18,080 --> 00:16:19,280
Look at that.

311
00:16:20,520 --> 00:16:21,840
Are you seeing this?

312
00:16:21,840 --> 00:16:24,960
Sometimes I get overconfident,
don't I?

313
00:16:24,960 --> 00:16:27,680
Signed off to go into the show
tonight. Oh, my God. Thank you.

314
00:16:27,680 --> 00:16:30,360
Congrats. I'm so happy.

315
00:16:30,360 --> 00:16:31,840
Good job.

316
00:16:32,800 --> 00:16:35,560
With six looks signed off
for tonight's performance,

317
00:16:35,560 --> 00:16:40,040
the judges now need to decide
whose make-up stole the show.

318
00:16:40,040 --> 00:16:41,920
So this is Adam's performer.

319
00:16:41,920 --> 00:16:44,960
This blue is a real strip
across the face. Right.

320
00:16:44,960 --> 00:16:46,920
There's no angles.
It's straight across.

321
00:16:46,920 --> 00:16:49,680
And that silver... Right.
..is really sparkling.

322
00:16:49,680 --> 00:16:53,080
It's beautiful. Yeah, that's
what should really catch the light.

323
00:16:53,080 --> 00:16:55,280
He's got nice finesse.

324
00:16:55,280 --> 00:16:58,680
I thought Mikael did well
with the mask.

325
00:16:58,680 --> 00:17:00,120
He did the right proportion.

326
00:17:00,120 --> 00:17:03,400
And he also had to, you know,
refine the beard a little bit

327
00:17:03,400 --> 00:17:07,040
to have more of a macho look,
which turned out well and it flows

328
00:17:07,040 --> 00:17:08,720
well with the hairline also.

329
00:17:08,720 --> 00:17:13,319
I think that's the best applique
application that I've seen.

330
00:17:13,319 --> 00:17:15,520
Next look is Lisa's.

331
00:17:15,520 --> 00:17:17,560
The foil is really well-placed.

332
00:17:17,560 --> 00:17:21,480
The eye looks good. Overall,
the performer looks amazing.

333
00:17:21,480 --> 00:17:25,640
The make-up just tells
the right story.

334
00:17:25,640 --> 00:17:30,120
Star performer shortlisted
and showtime just moments away,

335
00:17:30,120 --> 00:17:34,520
the judges must also decide
which MUAs have failed to shine.

336
00:17:34,520 --> 00:17:38,240
So we have three performers
that will need their make-up
touched up before the show.

337
00:17:38,240 --> 00:17:40,560
Yong-chin, Kris and Ryan.

338
00:17:40,560 --> 00:17:44,520
I am feeling a little bit nervous
that I could find myself
in the face-off chair tomorrow.

339
00:17:44,520 --> 00:17:46,040
This is Kris's performer.

340
00:17:46,040 --> 00:17:49,960
He should have a bushy eyebrow,
but definitely they are a bit

341
00:17:49,960 --> 00:17:53,040
more thick and less precise
than what I asked for.

342
00:17:53,040 --> 00:17:57,280
The intensity of the blue
and the brow from a distance,

343
00:17:57,280 --> 00:17:59,480
when you're up there,
you're not going to see it.

344
00:17:59,480 --> 00:18:00,840
It would just look quite solid.

345
00:18:00,840 --> 00:18:03,000
We will need to touch him up
before the show,

346
00:18:03,000 --> 00:18:04,800
tone down a little bit
the contouring.

347
00:18:04,800 --> 00:18:07,920
It's a bit heavy right now,
especially under the cheekbones.

348
00:18:07,920 --> 00:18:09,920
So this is Ryan's performer.

349
00:18:09,920 --> 00:18:14,960
I feel like Ryan is creating
more of a beauty look by making

350
00:18:14,960 --> 00:18:17,400
that blue lift up with
the cheekbones and the contour,

351
00:18:17,400 --> 00:18:21,720
there's those sort of classic
beauty angles, which this isn't.

352
00:18:21,720 --> 00:18:24,800
This is theatrical,
this is stage make-up.

353
00:18:24,800 --> 00:18:27,120
So...disappointing. Mm-hm.

354
00:18:27,120 --> 00:18:29,040
This is Yong-chin's performer.

355
00:18:29,040 --> 00:18:32,160
I feel like there are some lines
that are a bit too bold on this side

356
00:18:32,160 --> 00:18:33,400
of the bridge of the nose.

357
00:18:33,400 --> 00:18:38,240
This lip should have also been a bit
smaller, bit more bow shape.

358
00:18:38,240 --> 00:18:43,280
So we've got three contenders here
for the face-off chairs. Right?

359
00:18:43,280 --> 00:18:46,720
It's going to be hard to pick
which two go in.

360
00:18:49,200 --> 00:18:51,120
Mm, what a day! A little bit
disappointed.

361
00:18:51,120 --> 00:18:54,160
I think I'm definitely anticipating
to be in the red chair.

362
00:18:54,160 --> 00:18:57,600
Oh, the same.
Could see me, you and Kris.

363
00:18:59,040 --> 00:19:03,120
Finally, it's curtains up
on the MUAs' looks.

364
00:19:03,120 --> 00:19:05,360
Sit back, relax
and enjoy

365
00:19:05,360 --> 00:19:09,240
Luzia: A Waking Dream of Mexico.

366
00:19:09,240 --> 00:19:13,480
Guys, about this time right now,
our make-up is on stage! I know!

367
00:19:13,480 --> 00:19:15,600
That's so crazy.

368
00:19:20,400 --> 00:19:22,120
That's a lot of eyes on your work.

369
00:19:22,120 --> 00:19:24,960
I know! That's, like, what a debut.

370
00:19:24,960 --> 00:19:26,880
Is that a "pinch me" moment, Rachel?

371
00:19:26,880 --> 00:19:26,880
It's a pinch-me! "Pinch me!"

372
00:19:32,720 --> 00:19:36,600
So, you feel confident that you're
not going to be in the red chair?

373
00:19:36,600 --> 00:19:39,240
I feel like,
once she signs you off...

374
00:19:39,240 --> 00:19:42,360
..don't even try it.

375
00:19:42,360 --> 00:19:43,400
Whoa.

376
00:19:48,160 --> 00:19:49,880
At Glow Up Studios,

377
00:19:49,880 --> 00:19:53,880
the MUAs are about to find out
whose off-brief looks have

378
00:19:53,880 --> 00:19:56,600
landed them in the face-off chairs.

379
00:19:56,600 --> 00:19:59,160
Does anybody think they're going
to be in them chairs today?

380
00:19:59,160 --> 00:20:01,920
Through process of elimination,
if only three of us got touch-ups,

381
00:20:01,920 --> 00:20:03,320
then there's only two chairs...

382
00:20:03,320 --> 00:20:05,560
I think the silver foiling
threw everyone off.

383
00:20:05,560 --> 00:20:07,560
My tinfoil stuff
had to get touched up.

384
00:20:07,560 --> 00:20:09,040
I think I might be in the chair.

385
00:20:09,040 --> 00:20:10,600
Good luck, my lovelies.

386
00:20:10,600 --> 00:20:11,640
Let's go.

387
00:20:13,160 --> 00:20:15,920
If an MUA finds
their name on a red chair,

388
00:20:15,920 --> 00:20:18,160
they're headed for
the face-off elimination

389
00:20:18,160 --> 00:20:19,920
at the end of the day.

390
00:20:19,920 --> 00:20:22,200
Oh, shut up. I'm in the blue.

391
00:20:24,400 --> 00:20:25,640
Yeah.

392
00:20:28,280 --> 00:20:31,600
Kris, Ryan, you are in
the face-off chairs,

393
00:20:31,600 --> 00:20:35,280
which means you'll have 15 minutes
less to start your look today.

394
00:20:35,280 --> 00:20:38,200
Kris, you are in this position
because the contouring was

395
00:20:38,200 --> 00:20:40,920
a bit too hard and harsh.

396
00:20:40,920 --> 00:20:44,000
So, I needed to correct it
before the artist went on stage.

397
00:20:44,000 --> 00:20:48,160
And Ryan, your foil application
was misread how to apply,

398
00:20:48,160 --> 00:20:51,440
ending up to more time-consuming
on your end and making

399
00:20:51,440 --> 00:20:53,040
the pattern a little bit wrong.

400
00:20:53,040 --> 00:20:55,320
There was one MUA
that really impressed me.

401
00:20:55,320 --> 00:20:57,640
The intensity of colours
were amazing -

402
00:20:57,640 --> 00:20:59,960
and that make-up artist is Mikael.

403
00:21:06,920 --> 00:21:08,480
As a reward,

404
00:21:08,480 --> 00:21:14,240
you have 15 minutes
of advice from Maryse.

405
00:21:14,240 --> 00:21:14,240
Thank you!

406
00:21:16,280 --> 00:21:20,640
Today, we want you to create
high-impact body-painted looks

407
00:21:20,640 --> 00:21:23,560
inspired by all things
weird and wonderful.

408
00:21:23,560 --> 00:21:29,080
Take into consideration your
model's arms and hands to deliver

409
00:21:29,080 --> 00:21:33,040
an over-the-top dramatic look.

410
00:21:33,040 --> 00:21:35,360
- So, are you ready?
- Yes!

411
00:21:35,360 --> 00:21:37,760
Right! Bring in the models!

412
00:21:40,080 --> 00:21:41,120
Hi!

413
00:21:42,320 --> 00:21:44,840
You're so gorgeous!

414
00:21:44,840 --> 00:21:49,080
Kris and Ryan,
you'll have 15 minutes less,

415
00:21:49,080 --> 00:21:50,840
so I'll let you know
when you can start.

416
00:21:50,840 --> 00:21:53,440
The rest of you will have
three-and-a-half hours.

417
00:21:53,440 --> 00:21:56,000
Your time starts now!

418
00:21:57,680 --> 00:22:00,680
The only way for Kris or Ryan
to beat the seat...

419
00:22:00,680 --> 00:22:02,640
Such a gentleman.
Thank you so much.

420
00:22:02,640 --> 00:22:05,000
..is to blow the judges' minds
with their weird and

421
00:22:05,000 --> 00:22:06,520
wonderful creative brief.

422
00:22:06,520 --> 00:22:08,640
15 minutes will feel like ages.
It's so exciting.

423
00:22:08,640 --> 00:22:10,520
This is the first time
we've done a body thing.

424
00:22:10,520 --> 00:22:11,680
Let's get your top off.

425
00:22:11,680 --> 00:22:13,880
We're really pushing them.

426
00:22:13,880 --> 00:22:17,400
Story behind my creative brief
is based on, like, a celebration

427
00:22:17,400 --> 00:22:18,880
of Chinese New Year.

428
00:22:18,880 --> 00:22:23,080
It's just a whole celebration of
life, food, wealth, everything.

429
00:22:23,080 --> 00:22:26,440
My brief is based on
the Venus flytrap.

430
00:22:26,440 --> 00:22:29,400
I had a fear of being eaten
by a Venus flytrap.

431
00:22:29,400 --> 00:22:31,640
I am just such a massive nerd.

432
00:22:31,640 --> 00:22:34,560
So, everyone's going to be like,
"Why are you doing that?"

433
00:22:34,560 --> 00:22:36,640
You've gotta embrace that, though.

434
00:22:36,640 --> 00:22:39,800
Kris's weird and wonderful look
is inspired by his fascination

435
00:22:39,800 --> 00:22:41,680
with Alice in Wonderland.

436
00:22:41,680 --> 00:22:43,040
Talk me through your look.

437
00:22:43,040 --> 00:22:44,960
My look today is inspired
by the Cheshire Cat.

438
00:22:44,960 --> 00:22:47,680
I think that the cat's smile
is just a little bit unhinged.

439
00:22:47,680 --> 00:22:51,120
I think myself, you know, there's
definitely a little bit something

440
00:22:51,120 --> 00:22:54,200
that's a little bit different,
and those kind of differences,

441
00:22:54,200 --> 00:22:57,040
I did not necessarily use to like
about myself, but I think

442
00:22:57,040 --> 00:23:00,040
as you get older, you appreciate
the things that make you different

443
00:23:00,040 --> 00:23:03,640
are the things that people will
then someday celebrate about you.

444
00:23:03,640 --> 00:23:07,760
So, the plan is to get the model
to stand with arms across the chest,

445
00:23:07,760 --> 00:23:10,200
so then the canvas is, like,
extended out, and then,

446
00:23:10,200 --> 00:23:11,880
paint the smile across the arms.

447
00:23:11,880 --> 00:23:14,520
Do you want to do a little practice?
Yeah. There we go!

448
00:23:14,520 --> 00:23:16,480
So, we'll have all of this
to work with!

449
00:23:19,480 --> 00:23:22,680
I look a bit like Piglet, innit?
It's going to come along!

450
00:23:22,680 --> 00:23:27,760
So, I'm creating some sort of
flower sea creature.

451
00:23:27,760 --> 00:23:32,000
Because nature is weird
and wonderful at the same time.

452
00:23:32,000 --> 00:23:35,400
I'm going to do prosthetics,
and I have to get them right

453
00:23:35,400 --> 00:23:37,480
in order to impress the judges.

454
00:23:37,480 --> 00:23:40,080
Bill and Ben, the flowerpot men.
The flowerpot men!

455
00:23:40,080 --> 00:23:42,680
"Wee-ee-eed!"

456
00:23:42,680 --> 00:23:46,680
Like Nance, Sophie's body paint
is also inspired

457
00:23:46,680 --> 00:23:48,080
by life under the sea.

458
00:23:49,120 --> 00:23:54,160
It's like a half between
sea creature, half-alien.

459
00:23:54,160 --> 00:23:57,160
I've always had an interest
in aquatic worlds.

460
00:23:57,160 --> 00:23:59,920
And, like, the deeper you go
into the ocean,

461
00:23:59,920 --> 00:24:02,360
the more alien the worlds become.

462
00:24:02,360 --> 00:24:05,120
I've got to airbrush
all these prosthetics,

463
00:24:05,120 --> 00:24:07,480
so I'll get that done first.

464
00:24:07,480 --> 00:24:10,160
I just need to make sure
that everything is painted up

465
00:24:10,160 --> 00:24:12,080
how I want it to be.

466
00:24:12,080 --> 00:24:16,720
If you could just hold the foam
and the bald cap for me...

467
00:24:16,720 --> 00:24:21,160
The third MUA basing their look
on a watery world is Lisa.

468
00:24:21,160 --> 00:24:24,320
It's going to be, like,
a crustacean, kind of, king.

469
00:24:24,320 --> 00:24:28,000
So, the outside is going to be
all armoured crab plating.

470
00:24:28,000 --> 00:24:30,120
And then, when he opens his hands,

471
00:24:30,120 --> 00:24:32,680
it'll have a bit of
a horror aspect to it.

472
00:24:32,680 --> 00:24:35,080
So, these represent all
the little pincers and bits

473
00:24:35,080 --> 00:24:36,680
going on in a crab's mouth.

474
00:24:36,680 --> 00:24:40,560
Lisa needs to flatten the hair
before she puts the bald cap on.

475
00:24:40,560 --> 00:24:41,840
What is that?

476
00:24:41,840 --> 00:24:45,400
No, that's something underneath.
Oh, that's part of her design.

477
00:24:45,400 --> 00:24:47,280
That's part of her design! OK!

478
00:24:47,280 --> 00:24:49,480
It was just like a piece
of foam packaging that you get

479
00:24:49,480 --> 00:24:51,480
when your parcels are delivered.

480
00:24:51,480 --> 00:24:54,000
And I just cut it into a bit
of a crab shell shape,

481
00:24:54,000 --> 00:24:57,200
cos I just wanted to alter
the shape of his head a little bit.

482
00:24:57,200 --> 00:24:59,640
That's really interesting.

483
00:25:04,800 --> 00:25:06,520
Kris, Ryan, you can start now!

484
00:25:06,520 --> 00:25:07,960
OK, be right back.

485
00:25:07,960 --> 00:25:10,400
15 minutes that's taken me.
That's a long time.

486
00:25:10,400 --> 00:25:11,960
Oh, sorry, darling.

487
00:25:15,680 --> 00:25:17,200
Yay!

488
00:25:17,200 --> 00:25:19,120
That looks really good. Yeah.

489
00:25:19,120 --> 00:25:22,840
Ryan's weird and wonderful look
is inspired by his interest

490
00:25:22,840 --> 00:25:24,480
in the paranormal.

491
00:25:24,480 --> 00:25:26,320
My look is about seeing the unknown.

492
00:25:26,320 --> 00:25:27,840
A very spiritual thing.

493
00:25:27,840 --> 00:25:30,600
It's kind of seeing things
that aren't really there.

494
00:25:30,600 --> 00:25:32,840
It's going to be very weird
and wonderful.

495
00:25:32,840 --> 00:25:35,560
Very eccentric, very expressive,
and very abstract.

496
00:25:35,560 --> 00:25:36,840
Look straight ahead.

497
00:25:38,240 --> 00:25:40,640
Adam's going straight in
with the green body paint.

498
00:25:40,640 --> 00:25:43,120
It's a good start, because I tell
you, three-and-a-half hours

499
00:25:43,120 --> 00:25:46,640
is going to go real quickly.
They've got to get the paint on.

500
00:25:46,640 --> 00:25:49,880
21-year-old Adam is hoping
to capture the essence of

501
00:25:49,880 --> 00:25:51,840
a woodland pixie for his look.

502
00:25:51,840 --> 00:25:53,880
Hello, my leafy honeys!

503
00:25:53,880 --> 00:25:55,400
What is happening over here?

504
00:25:55,400 --> 00:25:59,560
So, I'm turning my character into,
like, a mythical forest fairy.

505
00:25:59,560 --> 00:26:03,160
And I can see some ears...
Yeah. ..on the table.

506
00:26:03,160 --> 00:26:05,400
You're going to whack these on?
Yes.

507
00:26:05,400 --> 00:26:05,400
Right, how do you...?

508
00:26:08,480 --> 00:26:08,480
Cute!

509
00:26:10,760 --> 00:26:12,680
Meow! That's how I imagined
them to sound like.

510
00:26:12,680 --> 00:26:14,840
We know what we're doing
for next year's Halloween!

511
00:26:14,840 --> 00:26:16,000
I know, that would be a look!

512
00:26:16,000 --> 00:26:18,640
So, these are definitely looks
that are out of your comfort zone?

513
00:26:18,640 --> 00:26:20,200
Yeah, well out of my comfort zone,

514
00:26:20,200 --> 00:26:23,160
I do what you're probably wearing
right now with make-up.

515
00:26:24,840 --> 00:26:28,400
So, my make-up is definitely
glam, glam, glam.

516
00:26:28,400 --> 00:26:31,600
The dream job for me
would definitely be to become

517
00:26:31,600 --> 00:26:33,200
a celebrity make-up artist.

518
00:26:33,200 --> 00:26:35,960
But when I said to my family
I wanted to do make-up,

519
00:26:35,960 --> 00:26:39,400
it was definitely quite the thing,
coming from my background.

520
00:26:39,400 --> 00:26:42,280
There's not very many male
Pakistani MUAs.

521
00:26:42,280 --> 00:26:44,200
It's a beautiful culture
to be part of,

522
00:26:44,200 --> 00:26:45,800
but there was a lot of judgment.

523
00:26:45,800 --> 00:26:47,920
There was a lot of,
"He shouldn't be doing it.

524
00:26:47,920 --> 00:26:50,520
"He shouldn't be touching
a woman's face."

525
00:26:50,520 --> 00:26:52,360
Last year, I lost my dad,

526
00:26:52,360 --> 00:26:53,960
which was the hardest thing ever.

527
00:26:53,960 --> 00:26:55,440
God bless him.

528
00:26:55,440 --> 00:26:57,960
He didn't quite understand
what I love about make-up,

529
00:26:57,960 --> 00:27:01,600
but in the very end, before
he passed away, he definitely did.

530
00:27:01,600 --> 00:27:04,600
He always used to say, like,
you know, "You're my brave lion."

531
00:27:04,600 --> 00:27:09,440
And my name, my birth name
means "lion" in Arabic.

532
00:27:09,440 --> 00:27:14,520
I understand now I was supposed
to lead the pack, lead the family.

533
00:27:14,520 --> 00:27:18,800
And I hope that I can make him
proud on this competition.

534
00:27:21,360 --> 00:27:23,240
And what are we going
to do on the face?

535
00:27:23,240 --> 00:27:26,720
Just like a gorgeous, like,
blushing moment. Mm-hm?

536
00:27:27,720 --> 00:27:31,040
Just literally, like,
I'm winging it, like a fairy would.

537
00:27:37,040 --> 00:27:38,760
Mikael's in the zone.

538
00:27:38,760 --> 00:27:40,600
Feeling very confident.

539
00:27:40,600 --> 00:27:44,120
I'm interested to know when
he's going to use you. Me, too.

540
00:27:44,120 --> 00:27:46,600
And the trick is to actually
use you at the beginning.

541
00:27:46,600 --> 00:27:49,760
That's what I would do, if I would
be in that situation, for sure.

542
00:27:49,760 --> 00:27:52,200
Hey, champion! Heyo!

543
00:27:52,200 --> 00:27:53,680
Well done. Thank you.

544
00:27:53,680 --> 00:27:56,360
And you've got the advice
that you can take at any point.

545
00:27:56,360 --> 00:27:57,640
Yes, yes, yes.

546
00:27:57,640 --> 00:27:59,720
And what is your look?
Talk me through it.

547
00:27:59,720 --> 00:28:02,920
So, it's about social media,
how humans have been plugged in.

548
00:28:02,920 --> 00:28:05,680
You're going to see circuit board,
and also parts of robots.

549
00:28:05,680 --> 00:28:07,840
So, he's being built as we speak.

550
00:28:07,840 --> 00:28:10,320
So, you're going to see
loads of wires coming out.

551
00:28:15,920 --> 00:28:17,920
I'm sorry, I'm going to get
in the belly button.

552
00:28:17,920 --> 00:28:19,120
It's fine, you're good.

553
00:28:19,120 --> 00:28:22,160
It's kind of a nice belly button.
Thank you. I grew it myself.

554
00:28:22,160 --> 00:28:25,440
Wow! That was fast.

555
00:28:25,440 --> 00:28:27,200
That was super fast.

556
00:28:27,200 --> 00:28:29,720
I'm loving, like,
how the paints are going on.

557
00:28:29,720 --> 00:28:33,080
Everything's going in
my favour at the minute.

558
00:28:33,080 --> 00:28:37,320
She's proved she is
an innovative painter.

559
00:28:37,320 --> 00:28:40,240
She's very competitive, as well.

560
00:28:40,240 --> 00:28:43,000
She's going to want to own
this challenge.

561
00:28:43,000 --> 00:28:44,640
Cor, I'm excited.

562
00:28:47,120 --> 00:28:48,720
Put your arms up for me.

563
00:28:48,720 --> 00:28:51,160
Like that? Yeah. Perfect.

564
00:28:51,160 --> 00:28:54,160
I've got a lot of prosthetic work,
so I'm a bit worried about

565
00:28:54,160 --> 00:28:56,600
the timing of it,
but I'm hopeful I can get it done

566
00:28:56,600 --> 00:28:58,960
in this short time period.

567
00:28:58,960 --> 00:29:03,280
We are 35 minutes in,
and Sophie's model looks like he's

568
00:29:03,280 --> 00:29:05,120
still waiting for the bus.

569
00:29:05,120 --> 00:29:06,880
He's waiting for the bus, for sure.

570
00:29:09,400 --> 00:29:09,400
Who told me to do this?

571
00:29:11,680 --> 00:29:14,200
She's a ditherer.
Rachel's dithering.

572
00:29:14,200 --> 00:29:16,880
I've done, like,
two layers of glue so far.

573
00:29:16,880 --> 00:29:19,720
And now, I'm going to start
with the prosthetic.

574
00:29:19,720 --> 00:29:22,240
To wow the judges with
their body paint,

575
00:29:22,240 --> 00:29:26,600
the MUAs need to cover their model's
whole torso and ensure that their

576
00:29:26,600 --> 00:29:29,080
look is detailed enough to impress.

577
00:29:29,080 --> 00:29:32,160
We're asking them to create
more than just this,

578
00:29:32,160 --> 00:29:36,360
like, we're asking them to do this,
and arms, and hands.

579
00:29:36,360 --> 00:29:39,280
That is, like...
We've got to get the make-up on!

580
00:29:39,280 --> 00:29:40,800
R-R-Right, then!

581
00:29:40,800 --> 00:29:42,840
Let's paint, paint, p-p-paint!

582
00:29:49,440 --> 00:29:51,400
So, I'm going to start
painting you black.

583
00:29:51,400 --> 00:29:53,840
Say goodbye to your nice skin!

584
00:29:53,840 --> 00:29:56,840
Just using your body as, like,
a canvas, essentially.

585
00:29:56,840 --> 00:29:59,160
"Paint me like one of
your French girls."

586
00:29:59,160 --> 00:30:01,400
"Paint me like your French girls!"

587
00:30:03,520 --> 00:30:05,520
Your body is so great to paint on.

588
00:30:06,760 --> 00:30:08,120
Well, thanks.

589
00:30:08,120 --> 00:30:10,440
You're doing a great job.
Thank you.

590
00:30:12,280 --> 00:30:14,640
One hour gone, my lovelies!

591
00:30:18,760 --> 00:30:22,360
Just going to go quickly...
with the highlight.

592
00:30:22,360 --> 00:30:25,640
Sophie's got the real chance
of actually not completing

593
00:30:25,640 --> 00:30:29,520
this creative brief, because all
they had done was just airbrush

594
00:30:29,520 --> 00:30:30,760
the prosthetic pieces.

595
00:30:30,760 --> 00:30:34,440
They still need to integrate this
with the rest of the canvas.

596
00:30:35,800 --> 00:30:38,240
I think that's all
the prosthetics painted.

597
00:30:38,240 --> 00:30:40,600
Apart from this guy,
I forgot this guy!

598
00:30:40,600 --> 00:30:42,560
It really covers my tattoos
very well.

599
00:30:42,560 --> 00:30:44,040
Yeah, really good coverage.

600
00:30:44,040 --> 00:30:48,320
I'm looking at Kris's work,
and I'm getting a scuba diver,

601
00:30:48,320 --> 00:30:50,800
and he's wearing goggles.
I'm seeing goggles.

602
00:30:50,800 --> 00:30:52,880
You look like you got
attacked by a squid.

603
00:30:57,960 --> 00:31:00,080
How do you feel? That is so sick.

604
00:31:00,080 --> 00:31:01,440
Oh, my gosh!

605
00:31:03,040 --> 00:31:04,400
Whoa.

606
00:31:06,240 --> 00:31:07,720
It's cold, innit?

607
00:31:07,720 --> 00:31:07,720
Oh, my God, it's Jaws!

608
00:31:10,480 --> 00:31:12,320
Hello. Hi!

609
00:31:12,320 --> 00:31:13,800
This looks cool.

610
00:31:13,800 --> 00:31:15,960
It is a Venus flytrap.

611
00:31:15,960 --> 00:31:17,760
How come you're doing
a Venus flytrap?

612
00:31:17,760 --> 00:31:20,040
Cos they're just so different
from all the other plants

613
00:31:20,040 --> 00:31:21,560
that I've ever learned about.

614
00:31:21,560 --> 00:31:24,000
The fact that they eat, like,
you know, animals,

615
00:31:24,000 --> 00:31:25,800
that just doesn't happen ever.

616
00:31:25,800 --> 00:31:29,040
Yeah, they're usually vegetarian,
aren't they?

617
00:31:29,040 --> 00:31:30,920
Yeah, exactly. Plants, vegan, yeah.

618
00:31:30,920 --> 00:31:33,040
Well, they photosynthesize.
Close enough.

619
00:31:33,040 --> 00:31:34,880
I'm not very sciencey at all.

620
00:31:34,880 --> 00:31:36,960
This is like the jaws of a shark.

621
00:31:36,960 --> 00:31:41,320
But there is not one lick of paint
anywhere. No.

622
00:31:41,320 --> 00:31:43,840
Cos she is being chased
by that timer.

623
00:31:49,800 --> 00:31:52,000
An hour-and-a-half has gone!

624
00:31:52,000 --> 00:31:53,800
Please don't come out.

625
00:31:53,800 --> 00:31:55,800
It wants to come out, please don't.

626
00:31:55,800 --> 00:31:58,040
Don't have time
for mistakes right now.

627
00:31:58,040 --> 00:32:02,600
Does Nance's model run the risk

628
00:32:02,600 --> 00:32:06,480
of looking like a grown man

629
00:32:06,480 --> 00:32:08,560
in a baby's bonnet?

630
00:32:08,560 --> 00:32:11,040
All he needs is a dummy.

631
00:32:13,600 --> 00:32:16,000
Stick. Stick.

632
00:32:16,000 --> 00:32:18,200
It's going to stick, right?
Yeah. Good vibes.

633
00:32:18,200 --> 00:32:21,240
I got the moss online,
but when it turned up, it was,

634
00:32:21,240 --> 00:32:22,960
like, actual real-life moss.

635
00:32:22,960 --> 00:32:25,560
So, like, I thought it was going
to be artificial and a lot more

636
00:32:25,560 --> 00:32:27,800
easier to stick on,
because look at my finger -

637
00:32:27,800 --> 00:32:29,080
ooh, it's gone.

638
00:32:31,120 --> 00:32:32,960
Mm! That feel OK?

639
00:32:32,960 --> 00:32:34,440
I have so much more to do.

640
00:32:34,440 --> 00:32:36,640
Is that a burger bun...?

641
00:32:38,320 --> 00:32:41,440
Yeah, I'm just waiting
for a packet of fries.

642
00:32:41,440 --> 00:32:43,840
Ooh...chips.

643
00:32:43,840 --> 00:32:46,000
Did you just lick your lips? Yeah.

644
00:32:46,000 --> 00:32:47,800
Yass, yass!

645
00:32:47,800 --> 00:32:49,560
I can't believe I did that.

646
00:32:49,560 --> 00:32:52,600
That's the smoothest
I've ever done.

647
00:32:52,600 --> 00:32:55,600
MUAs, you've got
an hour-and-a-half left!

648
00:32:55,600 --> 00:32:57,280
Time is flying.

649
00:32:57,280 --> 00:32:58,800
OK...

650
00:33:02,720 --> 00:33:04,280
It looks pretty all right.

651
00:33:05,320 --> 00:33:09,880
OK, Adam is going into
a beauty wonderland, and...

652
00:33:11,080 --> 00:33:15,280
..the beauty make-up does not fit in
with the rest of the body paint.

653
00:33:15,280 --> 00:33:17,240
Maybe yellow in the centre? Mm.

654
00:33:34,520 --> 00:33:36,840
Bet this isn't how you saw
your day going today!

655
00:33:36,840 --> 00:33:38,000
No.

656
00:33:38,000 --> 00:33:40,560
Looking cool!

657
00:33:40,560 --> 00:33:42,200
I want to get your ears on.

658
00:33:43,720 --> 00:33:46,920
As you can see,
everything is coming together.

659
00:33:47,960 --> 00:33:52,520
OK, so we are over
two hours into this creative brief.

660
00:33:52,520 --> 00:33:55,200
And Mikael still hasn't asked
for your assistance.

661
00:33:55,200 --> 00:33:58,200
It's true. And it looks like
he's pretty much nearly done.

662
00:33:58,200 --> 00:34:01,560
Like, what a wasted opportunity.
Right.

663
00:34:01,560 --> 00:34:04,920
My line work is really good,
especially it being a circuit board,

664
00:34:04,920 --> 00:34:07,120
it doesn't need to be
straight and perfect.

665
00:34:07,120 --> 00:34:10,040
And I will go over it
to make sure everything is good.

666
00:34:13,840 --> 00:34:17,400
OK, do you want to cross your arms
there for me, just...?

667
00:34:17,400 --> 00:34:20,960
Ohh, my good golly!

668
00:34:20,960 --> 00:34:23,800
The arms are the mouth.

669
00:34:23,800 --> 00:34:28,040
It's going to be
a very big statement!

670
00:34:28,040 --> 00:34:29,679
Oh, yeah!

671
00:34:37,280 --> 00:34:40,480
Yong-chin has really got
to get a move on. Yes.

672
00:34:40,480 --> 00:34:43,360
Because at the moment,
we can't see the dragon.

673
00:34:43,360 --> 00:34:48,320
The focal point of her make-up
is across the chest,

674
00:34:48,320 --> 00:34:50,040
and she hasn't got there yet.

675
00:34:50,040 --> 00:34:55,600
I want the mouthpiece
to be made out of clay.

676
00:34:55,600 --> 00:34:57,920
So, I just have to roll this out.

677
00:34:57,920 --> 00:35:00,640
And I want it to be like this
sort of swirling moustache.

678
00:35:00,640 --> 00:35:03,720
You have one hour left!

679
00:35:06,560 --> 00:35:07,840
Hello. Oh, hi.

680
00:35:07,840 --> 00:35:10,760
Would I be able to use my
15 minutes now, please? Of course!

681
00:35:10,760 --> 00:35:12,160
Of course, my pleasure.

682
00:35:12,160 --> 00:35:13,760
Gosh, about time.

683
00:35:13,760 --> 00:35:17,120
Talk about leaving it
to the last minute.

684
00:35:17,120 --> 00:35:21,080
Have you thought about integrating
some highlights into the circuits?

685
00:35:21,080 --> 00:35:23,600
And you know
you have those pigments here?

686
00:35:23,600 --> 00:35:25,040
Yes. Use them.

687
00:35:25,040 --> 00:35:27,200
Do you think I should use silver?

688
00:35:27,200 --> 00:35:30,680
Try it. Yeah. Look at it.
See how you like it.

689
00:35:30,680 --> 00:35:32,440
Do one that's gold,
do one that's white.

690
00:35:32,440 --> 00:35:33,760
Yeah. Look at them.

691
00:35:33,760 --> 00:35:37,480
This is going to be, like,
a quick help with the dimension

692
00:35:37,480 --> 00:35:39,360
of your make-up. Definitely.

693
00:35:42,560 --> 00:35:45,080
How far down is the torso?

694
00:35:45,080 --> 00:35:46,600
Is it the whole thing?

695
00:35:46,600 --> 00:35:50,560
Body make-up is going
to look different sitting down

696
00:35:50,560 --> 00:35:52,720
to what it does standing up.
That's true. Yeah.

697
00:35:52,720 --> 00:35:55,800
There'll be a point where
they'll need to get the models

698
00:35:55,800 --> 00:35:57,200
stood up to actually paint.

699
00:35:57,200 --> 00:35:59,880
I feel like it will
only be, like, there.

700
00:35:59,880 --> 00:36:01,240
Let's hope so.

701
00:36:01,240 --> 00:36:04,080
30 minutes left!

702
00:36:04,080 --> 00:36:07,720
Tick-tock, tick-tock, tick-tock,
tick-tock, tick-tock, tick-tock!

703
00:36:22,920 --> 00:36:22,920
You have similar hair.

704
00:36:25,640 --> 00:36:29,120
I'm really worried about time now.

705
00:36:29,120 --> 00:36:31,360
It's just taking ages to paint.

706
00:36:38,800 --> 00:36:40,120
Freaking nightmare.

707
00:36:40,120 --> 00:36:43,120
Ten minutes left!

708
00:36:44,280 --> 00:36:46,440
Ten minutes.

709
00:36:46,440 --> 00:36:49,560
I didn't imagine
my look to go this big,

710
00:36:49,560 --> 00:36:52,280
but I'm actually loving
every second of it.

711
00:37:02,120 --> 00:37:05,680
I'm just trying to make sure
that I can do something with

712
00:37:05,680 --> 00:37:07,800
these teeth that I've stuck on.

713
00:37:17,760 --> 00:37:23,560
Five, four, three, two, one!

714
00:37:23,560 --> 00:37:25,480
Brushes down, please!

715
00:37:27,400 --> 00:37:31,080
You may now take your models
next door to be photographed.

716
00:37:33,000 --> 00:37:35,880
I feel absolutely amazing
with the finished look.

717
00:37:35,880 --> 00:37:38,280
I do feel like I went in
with a really strong approach,

718
00:37:38,280 --> 00:37:41,200
and I'm just hoping to God
that the judges love that.

719
00:37:41,200 --> 00:37:44,040
I don't know what Val and Dom
will think of my look,

720
00:37:44,040 --> 00:37:45,800
but hopefully it's positive.

721
00:37:45,800 --> 00:37:47,520
I'm really proud.

722
00:37:47,520 --> 00:37:49,200
I'm very nervous for this judging.

723
00:37:49,200 --> 00:37:51,560
I think that I'm going to find
myself in that face-off,

724
00:37:51,560 --> 00:37:53,800
but we'll just have to wait and see.

725
00:37:53,800 --> 00:37:56,000
Kris, would you like
to come forward?

726
00:37:56,000 --> 00:38:00,200
I'd like you to tell me about
your weird and wonderful story.

727
00:38:00,200 --> 00:38:02,720
My look today is inspired
by the Cheshire Cat.

728
00:38:02,720 --> 00:38:06,040
The things that made me a little bit
of an outcast when I was younger

729
00:38:06,040 --> 00:38:08,560
later became the things
that people celebrated about me.

730
00:38:08,560 --> 00:38:11,200
And I kind of wanted
to represent that in my image.

731
00:38:11,200 --> 00:38:13,480
You've got an incredible
imagination.

732
00:38:13,480 --> 00:38:16,080
To draw the mouth on the arms -

733
00:38:16,080 --> 00:38:19,400
I mean, there was a tattoo there,
and that's completely gone.

734
00:38:19,400 --> 00:38:22,360
But I don't get the cat.

735
00:38:22,360 --> 00:38:25,040
I see an incredible painter.

736
00:38:25,040 --> 00:38:27,160
But is this a cat? No.

737
00:38:27,160 --> 00:38:29,520
I would've liked to have seen
some whiskers.

738
00:38:29,520 --> 00:38:30,800
I really love it.

739
00:38:30,800 --> 00:38:33,600
There's so many elements
that I think work.

740
00:38:33,600 --> 00:38:37,640
And I loved your use of just
getting that black on that body,

741
00:38:37,640 --> 00:38:40,200
and then going in with some
colours to sort of pop.

742
00:38:40,200 --> 00:38:44,800
Last week I did comment
on your rough and readiness

743
00:38:44,800 --> 00:38:47,920
and I want to see a bit more polish,
and I'm yet to see that.

744
00:38:47,920 --> 00:38:50,600
Bring that in and you can do
some amazing work.

745
00:38:50,600 --> 00:38:55,400
I really loved how you use the arms
in front of the face to accentuate

746
00:38:55,400 --> 00:38:57,240
the 3D part of the make-up.

747
00:38:57,240 --> 00:39:00,200
And I really love how you used
such a big tool at the beginning

748
00:39:00,200 --> 00:39:02,760
just to lay down your paint,
you were, like, going for it.

749
00:39:02,760 --> 00:39:04,960
Thank you so much.
Thank you.

750
00:39:06,480 --> 00:39:08,240
Mikael, please step forward.

751
00:39:12,320 --> 00:39:15,040
This look is completely
about how us humans

752
00:39:15,040 --> 00:39:17,680
are deeply plugged into
a virtual world

753
00:39:17,680 --> 00:39:19,960
of social media and the internet.

754
00:39:19,960 --> 00:39:24,360
I think if you had a bit more time,
you could have highlighted perhaps

755
00:39:24,360 --> 00:39:28,800
some of your outlines and you could
use the gold or a white

756
00:39:28,800 --> 00:39:34,200
to make the imagery
feel a bit more 3D rather than 2D.

757
00:39:34,200 --> 00:39:38,120
But that is a full body make-up.

758
00:39:38,120 --> 00:39:39,640
I was impressed.

759
00:39:39,640 --> 00:39:42,720
You could have emphasised,
towards the end if you had time,

760
00:39:42,720 --> 00:39:46,760
but maybe you ran out of time,
to get into those little highlights

761
00:39:46,760 --> 00:39:50,200
in the wire, so to make it just
a bit more alive like we discussed.

762
00:39:50,200 --> 00:39:52,200
But overall, I think you did
a really good job.

763
00:39:52,200 --> 00:39:54,280
I loved the fact that
you kind of gave us

764
00:39:54,280 --> 00:39:56,520
two different sides
to your character.

765
00:39:56,520 --> 00:39:59,400
Looks great. Congratulations.
Thank you.

766
00:39:59,400 --> 00:40:02,720
Wow. OK, this is amazing.

767
00:40:02,720 --> 00:40:04,440
This is so, so good.

768
00:40:04,440 --> 00:40:07,640
The way you've incorporated
the circuit boards to create a skull

769
00:40:07,640 --> 00:40:09,040
was like...

770
00:40:09,040 --> 00:40:11,400
My mind just blown.

771
00:40:11,400 --> 00:40:15,720
And on the side you've got
this cheekbone effect as well,

772
00:40:15,720 --> 00:40:19,200
because it really just creates more
of this narrative of this person.

773
00:40:19,200 --> 00:40:21,600
Absolutely love it. Well done.
Thank you.

774
00:40:22,800 --> 00:40:24,920
Sophie, please come up front.

775
00:40:27,000 --> 00:40:29,280
I'm really obsessed with cosmology.

776
00:40:29,280 --> 00:40:32,960
And like, the further you go down
deep into the sea, the creatures

777
00:40:32,960 --> 00:40:35,640
become more, like, alien
and, like, glowy.

778
00:40:35,640 --> 00:40:39,360
And this is what I kind of imagine
would be up there in space.

779
00:40:39,360 --> 00:40:41,320
You've got all these things
that you want to do.

780
00:40:41,320 --> 00:40:43,720
You're telling a huge story.

781
00:40:43,720 --> 00:40:44,920
Huge.

782
00:40:44,920 --> 00:40:48,200
And you've got, I don't know,
how many prosthetics?

783
00:40:48,200 --> 00:40:50,520
Probably like...20?

784
00:40:50,520 --> 00:40:54,320
I think you could have used
your time a bit more cleverly

785
00:40:54,320 --> 00:40:59,960
and I think we all need to be aware
of, in the room, accessories.

786
00:41:01,000 --> 00:41:05,680
We want you to emphasise
the make-up.

787
00:41:05,680 --> 00:41:08,840
It's a character - I could see
this make-up going on

788
00:41:08,840 --> 00:41:10,600
a Cirque du Soleil show, you know.

789
00:41:10,600 --> 00:41:14,320
I like your use of highlights
and shadows.

790
00:41:14,320 --> 00:41:17,840
I definitely would have liked the
body to have been more completed.

791
00:41:17,840 --> 00:41:22,640
You have really captured the essence
of weird and wonderful.

792
00:41:22,640 --> 00:41:25,800
Like, it is weird,
but it is bloomin' marvellous.

793
00:41:25,800 --> 00:41:27,120
I love the colouring.

794
00:41:27,120 --> 00:41:29,400
Like, if we go into the collarbone,
I mean, that just...

795
00:41:29,400 --> 00:41:30,560
Like, doesn't it?

796
00:41:30,560 --> 00:41:33,160
Like, you're just going to
dive into that.

797
00:41:33,160 --> 00:41:36,360
In your brain,
you've got amazing ideas. OK?

798
00:41:36,360 --> 00:41:38,000
So well done.

799
00:41:38,000 --> 00:41:39,640
Thank you.

800
00:41:39,640 --> 00:41:41,920
Ryan, please come forward.

801
00:41:43,800 --> 00:41:47,160
My Auntie Eileen used to say
that she used to see ghosts,

802
00:41:47,160 --> 00:41:50,000
dead people - seeing the unknown,
essentially.

803
00:41:50,000 --> 00:41:52,360
Like, "Oh, a little boy came
when I was in bed last night,"

804
00:41:52,360 --> 00:41:54,880
and tell me all these stories,
and I was like, "Oh, lovely."

805
00:41:54,880 --> 00:41:56,200
Used to have these angel cards.

806
00:41:56,200 --> 00:41:59,760
My grandma was a Reiki master,
so she did auras and had crystals

807
00:41:59,760 --> 00:42:02,200
and she actually saw an apparition
of the Virgin Mary

808
00:42:02,200 --> 00:42:04,360
when she went on a trip
with her three sisters.

809
00:42:04,360 --> 00:42:05,880
They all saw a piece of it each.

810
00:42:05,880 --> 00:42:07,840
And I am proper into all that
as well.

811
00:42:07,840 --> 00:42:10,320
So my look is essentially about
seeing the unknown.

812
00:42:10,320 --> 00:42:12,880
So my references come from,
like, Pan's Labyrinth

813
00:42:12,880 --> 00:42:15,440
kind of meets Jackson Pollock.
Wow.

814
00:42:15,440 --> 00:42:21,400
If ever a make-up look
is representative of the artist,

815
00:42:21,400 --> 00:42:22,840
this is it.

816
00:42:22,840 --> 00:42:25,240
Because it's a little bit chaotic.

817
00:42:25,240 --> 00:42:27,200
It's a lot of, lot of energy.

818
00:42:27,200 --> 00:42:31,440
And your story now makes sense.
I get it.

819
00:42:31,440 --> 00:42:35,200
I really love what you did
with the eyes. And the splattering!

820
00:42:35,200 --> 00:42:38,000
You know, there was a good energy
going on with that.

821
00:42:38,000 --> 00:42:43,520
I got immediately the Pan's
Labyrinth and the Jackson Pollock.

822
00:42:43,520 --> 00:42:49,480
It is full body paint, but I would
have liked to have seen

823
00:42:49,480 --> 00:42:54,040
some more skill,
some more attention to detail.

824
00:42:54,040 --> 00:42:57,240
When you just explained
the description of your character,

825
00:42:57,240 --> 00:42:59,080
I did not understand a thing.

826
00:42:59,080 --> 00:43:01,880
I love that energy -
don't lose that energy -

827
00:43:01,880 --> 00:43:04,920
but learn when to tone it down
and when to use it.

828
00:43:04,920 --> 00:43:06,560
Thanks a lot.

829
00:43:08,280 --> 00:43:09,960
Adam, please step forward.

830
00:43:13,480 --> 00:43:18,080
I wanted to go with the pixie
and the human nature within our body

831
00:43:18,080 --> 00:43:21,920
and the human nature for me
especially is growth and evolving

832
00:43:21,920 --> 00:43:25,360
in this competition by using
elements that are, like,

833
00:43:25,360 --> 00:43:29,120
butterflies that fly
and flowers that flourish.

834
00:43:29,120 --> 00:43:31,000
I love your finesse.

835
00:43:31,000 --> 00:43:34,600
I especially liked when you sort of
put the moss on and it became

836
00:43:34,600 --> 00:43:38,960
a lot more 3D, and the way
you incorporated the hands.

837
00:43:38,960 --> 00:43:42,080
But you're telling two stories here.

838
00:43:42,080 --> 00:43:46,120
You've got this story and you've got
what's going on in the face,

839
00:43:46,120 --> 00:43:49,120
and the two don't work together.

840
00:43:49,120 --> 00:43:52,160
So for me, the story is more handled
with the accessories

841
00:43:52,160 --> 00:43:53,680
than the make-up.

842
00:43:53,680 --> 00:43:56,360
So I wish you would have taken down
the accessories

843
00:43:56,360 --> 00:43:58,280
and paint a little bit more. OK.

844
00:43:58,280 --> 00:44:00,560
When it comes to body paint,
it's about body paint.

845
00:44:00,560 --> 00:44:04,000
But what I see at this stage
is a lot of skin.

846
00:44:04,000 --> 00:44:07,880
And I just worry that you're not
pushing yourself enough.

847
00:44:07,880 --> 00:44:10,840
OK. Because there's other people
in this room

848
00:44:10,840 --> 00:44:14,560
that are absolutely killing it.
And if you're not careful,

849
00:44:14,560 --> 00:44:17,240
you're going to fade
into the background.

850
00:44:17,240 --> 00:44:19,000
Thank you. Thank you.

851
00:44:20,480 --> 00:44:24,200
Rachel, could you step forward,
please?

852
00:44:24,200 --> 00:44:27,440
The look was inspired
by the Venus flytrap.

853
00:44:27,440 --> 00:44:29,840
I just find the plants
very, very smart,

854
00:44:29,840 --> 00:44:33,640
how they've adapted to eating
animals in order to survive

855
00:44:33,640 --> 00:44:35,880
because of the conditions
that they grow in.

856
00:44:35,880 --> 00:44:38,640
I like the fact that
you can get a body paint across

857
00:44:38,640 --> 00:44:41,880
using three colours.

858
00:44:41,880 --> 00:44:45,760
However, I never really like it

859
00:44:45,760 --> 00:44:49,880
when I can see the forehead
and then the hair.

860
00:44:49,880 --> 00:44:53,960
And then I look at the elbow
and I'm like,

861
00:44:53,960 --> 00:44:57,440
"Oh, in the photograph I can see
that there's no paint there."

862
00:44:57,440 --> 00:45:00,080
There's almost like
no detail whatsoever.

863
00:45:00,080 --> 00:45:04,080
So just working a little bit more
with shadow and highlight

864
00:45:04,080 --> 00:45:06,680
to build that together
would have worked better.

865
00:45:06,680 --> 00:45:09,240
And the other thing we can't ignore

866
00:45:09,240 --> 00:45:13,600
is we're missing a lot of paint
on the lower half of that body.

867
00:45:13,600 --> 00:45:16,760
Not at all did you ever
get your model to stand up.

868
00:45:16,760 --> 00:45:20,200
Because you didn't,
it looks half done.

869
00:45:20,200 --> 00:45:21,800
Thank you.

870
00:45:24,160 --> 00:45:26,480
Yong-chin, please come forward.

871
00:45:29,160 --> 00:45:31,800
When I was growing up,
me and my siblings would practise

872
00:45:31,800 --> 00:45:33,640
and perform Chinese dancing.

873
00:45:33,640 --> 00:45:35,640
And you would often embody
a character

874
00:45:35,640 --> 00:45:37,320
of Southeast Asian mythology.

875
00:45:37,320 --> 00:45:40,840
So for Chinese New Year,
it was the Hungry Dragon.

876
00:45:40,840 --> 00:45:42,120
That base was blowing my mind.

877
00:45:42,120 --> 00:45:43,320
It was beautiful.

878
00:45:43,320 --> 00:45:45,760
The swirls and the movement
and the brushstrokes.

879
00:45:45,760 --> 00:45:48,520
I mean, look at those,
it's just... It's a painting.

880
00:45:48,520 --> 00:45:51,600
But unfortunately, I feel like
you ran out of time

881
00:45:51,600 --> 00:45:53,760
and then when
you've got up to the top,

882
00:45:53,760 --> 00:45:55,720
it doesn't have the same effect.

883
00:45:55,720 --> 00:45:59,280
You did not need to have
that texture around the mouth.

884
00:45:59,280 --> 00:46:01,880
You could have just done it
with highlights and shadows.

885
00:46:01,880 --> 00:46:05,760
I think everything was there,
but the top half of your work

886
00:46:05,760 --> 00:46:10,240
becomes more like a cartoon,
and the bottom half...

887
00:46:10,240 --> 00:46:12,480
If you could have
married the two together,

888
00:46:12,480 --> 00:46:15,360
maybe your dragon
would have been more menacing.

889
00:46:15,360 --> 00:46:17,800
But you have the skill.

890
00:46:17,800 --> 00:46:19,840
No doubt about that, girl!

891
00:46:19,840 --> 00:46:21,040
Thank you.

892
00:46:23,600 --> 00:46:25,560
Nance, please step forward.

893
00:46:28,640 --> 00:46:33,640
So for this assignment, I thought
about incorporating sea creatures

894
00:46:33,640 --> 00:46:35,600
and sea plants.

895
00:46:35,600 --> 00:46:41,960
I love the angle that you came at
with this look.

896
00:46:41,960 --> 00:46:46,160
But you spent a long time
on the headpiece.

897
00:46:46,160 --> 00:46:47,440
Yeah.

898
00:46:47,440 --> 00:46:50,480
Accessoires - accessories.

899
00:46:50,480 --> 00:46:54,360
For me, this is a symmetric face
that you tried to create,

900
00:46:54,360 --> 00:46:57,760
and it would have been
more beautiful

901
00:46:57,760 --> 00:47:00,840
if it was the same on both sides.

902
00:47:00,840 --> 00:47:03,560
Nance, I love your colour work.

903
00:47:03,560 --> 00:47:05,880
It's just beautiful.
It's just so...

904
00:47:05,880 --> 00:47:09,080
Mmm! It's like ice cream.
Just yummy.

905
00:47:09,080 --> 00:47:12,520
Thank you so much. Love it. You are
a dark horse of this competition.

906
00:47:12,520 --> 00:47:13,560
Thank you.

907
00:47:15,120 --> 00:47:17,880
Lisa, could you come up front,
please?

908
00:47:20,000 --> 00:47:22,960
My look is based on
creatures of the ocean.

909
00:47:22,960 --> 00:47:27,120
I took some of the textures,
the colour palette and the shapes

910
00:47:27,120 --> 00:47:30,120
from a Sally Lightfoot crab
from the Galapagos

911
00:47:30,120 --> 00:47:32,600
to make this
sort of alien creature.

912
00:47:32,600 --> 00:47:34,560
I also wanted to add
a horror element,

913
00:47:34,560 --> 00:47:36,920
which I hid within the hands.

914
00:47:36,920 --> 00:47:38,840
It's extraordinary.

915
00:47:38,840 --> 00:47:41,120
This is extraordinary for me.

916
00:47:41,120 --> 00:47:42,440
Wow.

917
00:47:42,440 --> 00:47:44,960
Your symmetry is on point.

918
00:47:44,960 --> 00:47:47,960
The colours are blowing my mind.

919
00:47:47,960 --> 00:47:50,040
Wow. This is just wow.

920
00:47:50,040 --> 00:47:53,160
The colours are amazing.
That mouth is just freaky.

921
00:47:54,280 --> 00:47:58,880
I also really loved the way
you manipulated different products,

922
00:47:58,880 --> 00:48:01,160
different tools, different finishes.

923
00:48:01,160 --> 00:48:04,880
You use paint, you use brushes,
then you use airbrush.

924
00:48:04,880 --> 00:48:06,360
I think it's genius.

925
00:48:06,360 --> 00:48:09,840
Well done. Love it. Obsessed.
Obsessed, obsessed. Thank you.

926
00:48:09,840 --> 00:48:15,840
When you get great body work
and the attention to detail,

927
00:48:15,840 --> 00:48:19,400
that's when you get
a really big tick.

928
00:48:19,400 --> 00:48:21,560
And you've brought that to us here.

929
00:48:21,560 --> 00:48:27,800
You created what photographers
spend years looking for,

930
00:48:27,800 --> 00:48:30,520
and that is depth of field.

931
00:48:32,160 --> 00:48:34,080
And you took us in.

932
00:48:34,080 --> 00:48:35,560
Ding-dong, darling.

933
00:48:35,560 --> 00:48:37,880
Ding-dong.

934
00:48:37,880 --> 00:48:39,080
Ding-dong.

935
00:48:39,080 --> 00:48:41,200
Thank you. So cool.

936
00:48:41,200 --> 00:48:44,760
Anyways, please go next door

937
00:48:44,760 --> 00:48:49,360
whilst myself, Dom and Maryse decide

938
00:48:49,360 --> 00:48:54,960
who will be going in
to the face-off elimination.

939
00:48:54,960 --> 00:48:58,040
I hope that I've done enough
to avoid the face-off this week.

940
00:48:58,040 --> 00:49:01,720
Obviously being in that red chair
is not a great position to be in.

941
00:49:01,720 --> 00:49:04,640
I am so impressed
with what Kris did.

942
00:49:04,640 --> 00:49:08,280
I love the fact he used
the model's arms to create

943
00:49:08,280 --> 00:49:11,320
that distorted big smile,
Cheshire Cat look.

944
00:49:11,320 --> 00:49:14,720
What Kris has created
is a character.

945
00:49:14,720 --> 00:49:16,480
Yeah. But is it a cat?

946
00:49:16,480 --> 00:49:17,880
I don't see a cat.

947
00:49:17,880 --> 00:49:21,920
I really would have loved him
to draw some expressive eyebrows.

948
00:49:21,920 --> 00:49:26,040
But he created proportion
and distortion with the arms

949
00:49:26,040 --> 00:49:28,800
and the reshaping of the face.

950
00:49:28,800 --> 00:49:32,840
Let's have a look at Ryan.

951
00:49:32,840 --> 00:49:36,800
I do genuinely believe
that I did one of the best.

952
00:49:36,800 --> 00:49:38,360
I don't want to be in that face-off.

953
00:49:38,360 --> 00:49:40,640
He fulfilled the brief.

954
00:49:40,640 --> 00:49:42,440
There is nowhere

955
00:49:42,440 --> 00:49:47,240
that is not covered with
Jackson Pollock body paint.

956
00:49:47,240 --> 00:49:48,920
It's a big look.
It's a full look.

957
00:49:48,920 --> 00:49:51,560
And from a distance,
it's really impressive.

958
00:49:51,560 --> 00:49:55,680
Shall we look at some of the other
MUAs that are in jeopardy?

959
00:49:55,680 --> 00:50:00,200
Adam. I definitely think
that I should have pushed myself

960
00:50:00,200 --> 00:50:02,720
that little bit more, and, yeah,
there is that slight fear

961
00:50:02,720 --> 00:50:04,400
of being in the face-off chairs.

962
00:50:04,400 --> 00:50:06,520
However, I'm not going to let that
take over my head.

963
00:50:06,520 --> 00:50:09,560
There's not enough.
It's body painting.

964
00:50:09,560 --> 00:50:12,000
And that face, it doesn't connect.

965
00:50:12,000 --> 00:50:15,200
I did like how Adam finished
the leaves, and the precision.

966
00:50:15,200 --> 00:50:18,920
I just worry he doesn't know
how to go beyond his safety net.

967
00:50:18,920 --> 00:50:20,920
Shall we look at Sophie?

968
00:50:20,920 --> 00:50:24,400
The best prosthetics
that they have are

969
00:50:24,400 --> 00:50:27,280
on the centre of the face.

970
00:50:27,280 --> 00:50:32,000
All the other prosthetics
do look like they're just stuck on.

971
00:50:32,000 --> 00:50:34,680
They're not integrated enough.
I agree.

972
00:50:34,680 --> 00:50:37,960
There's one more person
I'd like to take a look at,

973
00:50:37,960 --> 00:50:40,720
and that is Rachel.

974
00:50:41,840 --> 00:50:43,920
I think I could be
in the face-off chair

975
00:50:43,920 --> 00:50:47,240
because I don't think
my look was completed.

976
00:50:47,240 --> 00:50:51,920
It is a very clean application,
but I think it's really lacking

977
00:50:51,920 --> 00:50:54,000
in details and finishing touch.

978
00:50:54,000 --> 00:50:56,360
You can't ignore the fact
she didn't finish.

979
00:50:56,360 --> 00:50:57,920
I can see a lot of skin.

980
00:51:01,320 --> 00:51:04,280
Judges, have you made your decision?
We have. Yeah.

981
00:51:04,280 --> 00:51:08,480
Ryan, Kris, you two started
in the face-off chairs,

982
00:51:08,480 --> 00:51:13,160
and despite having a time penalty,
you delivered some great make-up.

983
00:51:13,160 --> 00:51:15,920
However, we appreciate your art,

984
00:51:15,920 --> 00:51:20,640
but you're just not giving us
any finesse, so...

985
00:51:22,040 --> 00:51:24,920
..we're going to give you
one more chance to prove yourselves.

986
00:51:24,920 --> 00:51:27,960
Congratulations.
You've beat the seat. Dom!

987
00:51:27,960 --> 00:51:29,160
I nearly wet myself!

988
00:51:29,160 --> 00:51:30,480
Please don't.

989
00:51:30,480 --> 00:51:32,120
So you know what this means.

990
00:51:32,120 --> 00:51:36,400
We have two face-off
elimination seats to fill.

991
00:51:37,720 --> 00:51:41,960
Adam, you spent so much time
on your body

992
00:51:41,960 --> 00:51:44,640
that you forgot about the face.

993
00:51:44,640 --> 00:51:48,800
For that reason,
you will be our first MUA

994
00:51:48,800 --> 00:51:51,800
going into the face-off elimination.

995
00:51:53,120 --> 00:51:56,240
So that means
we've got one seat to fill.

996
00:51:56,240 --> 00:52:00,080
This MUA gave a simple look
that wasn't complete.

997
00:52:00,080 --> 00:52:04,240
So the second MUA going into
the face of elimination will be...

998
00:52:06,240 --> 00:52:07,280
..Rachel.

999
00:52:08,800 --> 00:52:11,800
Adam, Rachel,
please say your goodbyes,

1000
00:52:11,800 --> 00:52:13,960
as one of you
won't be returning.

1001
00:52:13,960 --> 00:52:16,920
I knew there was a possibility
I would be in the face-off,

1002
00:52:16,920 --> 00:52:20,920
but I'm just going to have to
give it everything that I've got.

1003
00:52:20,920 --> 00:52:22,440
It can't end here.

1004
00:52:22,440 --> 00:52:25,920
I would love to be in this
competition a little bit longer,

1005
00:52:25,920 --> 00:52:29,160
just so that I can experience more,
grow more, evolve more,

1006
00:52:29,160 --> 00:52:32,000
and just have my family
be really proud of me.

1007
00:52:33,240 --> 00:52:35,200
To level the playing field,

1008
00:52:35,200 --> 00:52:38,600
the MUAs will face off
over a pair of identical twins

1009
00:52:38,600 --> 00:52:41,680
and will be tackling
a red-hot make-up trend.

1010
00:52:41,680 --> 00:52:46,880
We want a mermaid lip that glimmers
with a metallic aqua finish.

1011
00:52:46,880 --> 00:52:49,200
For a mermaid lip,

1012
00:52:49,200 --> 00:52:52,240
start by taking the teal
and the pink lip colours

1013
00:52:52,240 --> 00:52:54,560
and apply them to different areas
of the lip.

1014
00:52:54,560 --> 00:52:59,560
Subtly blend those colours together
with a brush where they meet.

1015
00:52:59,560 --> 00:53:01,640
Press varied glitter colours
to the lip

1016
00:53:01,640 --> 00:53:04,680
until the lip
is completely covered.

1017
00:53:04,680 --> 00:53:07,640
We want a symmetrical,
well-balanced lip shape

1018
00:53:07,640 --> 00:53:10,000
and seamless colour blending.

1019
00:53:10,000 --> 00:53:12,480
You both have 15 minutes
to complete your look.

1020
00:53:12,480 --> 00:53:14,040
The best of luck.

1021
00:53:14,040 --> 00:53:16,040
Your time starts now.

1022
00:53:29,560 --> 00:53:31,560
Interestingly enough,

1023
00:53:31,560 --> 00:53:36,720
they've both used two pencils
and done a duo lip.

1024
00:53:36,720 --> 00:53:39,960
One of them has put pink colour
on the upper lip

1025
00:53:39,960 --> 00:53:42,720
and the other...
vice versa on the other.

1026
00:53:42,720 --> 00:53:44,440
How mad is that? That is so mad!

1027
00:53:44,440 --> 00:53:47,320
We didn't ask for one colour on the
top and one colour on the bottom.

1028
00:53:47,320 --> 00:53:49,320
But you know what?
That's what they've done.

1029
00:53:49,320 --> 00:53:51,520
Both of them have made a rod
for their own back,

1030
00:53:51,520 --> 00:53:54,840
because if they'd taken
the blue pencil

1031
00:53:54,840 --> 00:53:58,080
or the pink pencil
and done a lip outline,

1032
00:53:58,080 --> 00:54:00,120
then they could have gone in
with their colour.

1033
00:54:00,120 --> 00:54:02,840
Both lips are going to look
unbalanced.

1034
00:54:02,840 --> 00:54:04,560
Two minutes to go.

1035
00:54:13,160 --> 00:54:15,200
30 seconds to go.

1036
00:54:23,440 --> 00:54:28,040
Five, four, three, two, one.

1037
00:54:28,040 --> 00:54:29,600
Brushes down, please.

1038
00:54:46,360 --> 00:54:49,120
Dom. I think we need a conflab.

1039
00:54:51,280 --> 00:54:52,840
This is a toughie.

1040
00:54:52,840 --> 00:54:57,440
I loved the way Adam felt confident
going straight in with the blue.

1041
00:54:57,440 --> 00:55:01,080
He was able to create a lot more
richness, which gives me

1042
00:55:01,080 --> 00:55:02,760
that more mermaid effect.

1043
00:55:02,760 --> 00:55:06,120
It's almost there,
but it's a bit untidy.

1044
00:55:06,120 --> 00:55:08,400
Both of them have struggled

1045
00:55:08,400 --> 00:55:11,640
and given a slightly fuller
upper lip,

1046
00:55:11,640 --> 00:55:15,080
and the lower lip
is a little bit smaller.

1047
00:55:15,080 --> 00:55:19,280
However, because Rachel's gone
for the pink upper lip, it looks

1048
00:55:19,280 --> 00:55:24,000
brighter and lighter and it gives
a more metallic finish overall.

1049
00:55:24,000 --> 00:55:29,680
And you can really see the glimmer
when you move the face.

1050
00:55:29,680 --> 00:55:31,080
I think we've made our decision.

1051
00:55:31,080 --> 00:55:32,600
I think we have as well.

1052
00:55:32,600 --> 00:55:35,200
Are we in agreement?
For once, yes.

1053
00:55:38,800 --> 00:55:41,040
Have you made your decision?
We have. We have.

1054
00:55:41,040 --> 00:55:44,520
Adam, you started strong
and were quietly confident.

1055
00:55:44,520 --> 00:55:51,560
Rachel, I loved your use of colour,
and your blending was impressive.

1056
00:55:53,200 --> 00:55:55,520
Adam, your lip lacked symmetry,

1057
00:55:55,520 --> 00:55:58,400
and you didn't give us
the seamless blend,

1058
00:55:58,400 --> 00:56:00,800
which resulted
in a two-toned lip.

1059
00:56:02,600 --> 00:56:05,360
Adam, please pack your kit.

1060
00:56:05,360 --> 00:56:07,120
You're going to go home.

1061
00:56:10,960 --> 00:56:12,560
I'm feeling gutted, obviously,

1062
00:56:12,560 --> 00:56:14,200
because my journey
has come to an end.

1063
00:56:14,200 --> 00:56:15,960
But what a beautiful journey
it's been.

1064
00:56:15,960 --> 00:56:18,040
You did so well.
Come on. Thank you.

1065
00:56:18,040 --> 00:56:19,160
You did so well.

1066
00:56:19,160 --> 00:56:21,560
I am so proud
of what I have achieved.

1067
00:56:21,560 --> 00:56:24,120
I took that leap of faith.
I got here.

1068
00:56:24,120 --> 00:56:26,880
This is where my journey
has not ended,

1069
00:56:26,880 --> 00:56:28,280
it's just starting.

1070
00:56:35,160 --> 00:56:36,800
I'm very happy right now.

1071
00:56:36,800 --> 00:56:39,840
Now I know that the dream
can slip away that easily,

1072
00:56:39,840 --> 00:56:42,160
and I don't want to go there again,

1073
00:56:42,160 --> 00:56:44,320
I feel like I've got
a fire in my belly,

1074
00:56:44,320 --> 00:56:46,480
so it's only going to go up
from here.

1075
00:56:46,480 --> 00:56:49,280
You lot have all smashed this week,
got through it,

1076
00:56:49,280 --> 00:56:51,800
and now you really deserve
a little bit of rest.

1077
00:56:51,800 --> 00:56:54,080
Tension is growing in the room.

1078
00:56:54,080 --> 00:56:56,800
And you could cut it
with an eyeliner.

1079
00:56:59,200 --> 00:57:00,400
Did I make you...?

1080
00:57:00,400 --> 00:57:03,600
Laughing sincerely.
Laughing sincerely.

1081
00:57:04,680 --> 00:57:06,440
Oh, I made you laugh!

1082
00:57:06,440 --> 00:57:08,480
Next time: Find the Doctor,

1083
00:57:08,480 --> 00:57:11,560
before I get exfoliated!

1084
00:57:11,560 --> 00:57:13,880
Looks fit for a Time Lord.

1085
00:57:13,880 --> 00:57:15,800
This is a lot more than I thought.

1086
00:57:15,800 --> 00:57:16,920
Add more glitter.

1087
00:57:16,920 --> 00:57:18,360
I need to get a move on now.

1088
00:57:18,360 --> 00:57:20,240
And at Glow Up Studios...

1089
00:57:20,240 --> 00:57:22,680
God, what on earth is happening
over there?

1090
00:57:22,680 --> 00:57:24,560
Oh, it's so creepy!

1091
00:57:24,560 --> 00:57:26,880
..a monstrous creative brief.

1092
00:57:26,880 --> 00:57:29,120
I have never seen anything
like this.