1 00:00:02,000 --> 00:00:03,720 Cue lights. Cue rain. 2 00:00:05,280 --> 00:00:06,560 It's showtime. 3 00:00:08,440 --> 00:00:11,720 Ten MUAs are taking on the make-up world. 4 00:00:11,720 --> 00:00:13,520 Strap yourselves in. Ooh, OK. 5 00:00:13,520 --> 00:00:16,640 You're, like, my first-ever model. Aw! 6 00:00:17,640 --> 00:00:21,120 They'll be judged by industry heavyweights... 7 00:00:21,120 --> 00:00:23,720 It's too much! Oh, yeah, that's great. 8 00:00:23,720 --> 00:00:26,280 I'm scared. This looks amazing. I think it's really cool. 9 00:00:26,280 --> 00:00:28,480 ..working on professional assignments... 10 00:00:28,480 --> 00:00:31,320 The shape is still not there. She's not getting it. 11 00:00:31,320 --> 00:00:34,000 You need to get a move on, move on, move on. OK. 12 00:00:34,000 --> 00:00:35,560 It is fierce. 13 00:00:35,560 --> 00:00:39,160 ..and demonstrating their talents in the creative briefs. 14 00:00:39,160 --> 00:00:41,440 Sometimes you have to shout. Ooh! 15 00:00:41,440 --> 00:00:43,320 Poof! My mind is blown. 16 00:00:43,320 --> 00:00:45,280 I look a bit like Piglet, innit? 17 00:00:45,280 --> 00:00:48,480 You have definitely dinged my dong. 18 00:00:49,680 --> 00:00:53,000 HE SHRIEKS HAPPILY CHEERS 19 00:00:53,000 --> 00:00:54,720 Nearly wet myself. Please don't. 20 00:00:54,720 --> 00:00:59,120 This is the power of make-up to tell a story. 21 00:00:59,120 --> 00:01:01,720 Each week, the two who fail to deliver... 22 00:01:01,720 --> 00:01:04,640 If you're not careful, you're going to fade into the background. 23 00:01:04,640 --> 00:01:08,800 ..will go head-to-head in a face-off until just one remains 24 00:01:08,800 --> 00:01:12,520 to win the contract, assisting some of the biggest make-up artists 25 00:01:12,520 --> 00:01:14,240 in the business. 26 00:01:14,240 --> 00:01:18,160 It's going to be a very big statement. 27 00:01:18,160 --> 00:01:20,280 It's time to Glow Up. 28 00:01:26,400 --> 00:01:30,039 Last time... This is crazy. ..the MUAs tackled their first assignment. 29 00:01:30,039 --> 00:01:32,440 Feel like a little chef in this kitchen. 30 00:01:32,440 --> 00:01:35,479 Where Ryan and Nance's looks fell short. 31 00:01:35,479 --> 00:01:38,280 There's too much make-up. 32 00:01:38,280 --> 00:01:40,640 At Glow Up Studios... ALL: Ooh! 33 00:01:40,640 --> 00:01:42,240 ..Yong-chin dazzled... 34 00:01:42,240 --> 00:01:44,160 Ding-dong, darling. 35 00:01:44,160 --> 00:01:47,120 ..Charlie bowed out and Mikael fought back. 36 00:01:48,280 --> 00:01:50,560 Y'all thought you were going to get rid of me! 37 00:01:55,520 --> 00:02:00,080 For the past 150 years, this stage has hosted some of the biggest names 38 00:02:00,080 --> 00:02:03,000 in entertainment, from the Beatles to Beyonce. 39 00:02:03,000 --> 00:02:07,040 And today, the MUAs are here to create show-stopping looks 40 00:02:07,040 --> 00:02:09,919 for the cast of the world-famous Cirque du Soleil 41 00:02:09,919 --> 00:02:12,160 for their latest hit show, Luzia. 42 00:02:12,160 --> 00:02:15,760 It's time to put their looks in the spotlight. 43 00:02:20,040 --> 00:02:22,280 Having started out as street performers, 44 00:02:22,280 --> 00:02:25,680 Cirque du Soleil has redefined the circus genre. 45 00:02:25,680 --> 00:02:29,480 Wowing over 180 million people worldwide, 46 00:02:29,480 --> 00:02:33,320 their latest production features amazing acrobatics, 47 00:02:33,320 --> 00:02:36,440 fabulous costumes and fierce make-up 48 00:02:36,440 --> 00:02:40,440 and is staged here at the iconic Royal Albert Hall. 49 00:02:40,440 --> 00:02:42,760 CHEERS AND APPLAUSE 50 00:02:47,640 --> 00:02:50,600 MUAS: Ooh, wow! 51 00:02:52,600 --> 00:02:55,240 Morning, MUAs! MUAS: Morning! 52 00:02:55,240 --> 00:02:59,640 Today, you have been booked by the world's largest contemporary 53 00:02:59,640 --> 00:03:03,480 entertainment company, Cirque du Soleil. 54 00:03:03,480 --> 00:03:06,520 APPLAUSE AND CHEERS 55 00:03:06,520 --> 00:03:10,720 And there's a live performance of their show, Luzia, on this stage tonight. 56 00:03:12,040 --> 00:03:14,600 So let me introduce you to this week's guest judge, 57 00:03:14,600 --> 00:03:16,720 who has flown all the way from Canada, 58 00:03:16,720 --> 00:03:19,440 make-up designer Maryse Gosselin. 59 00:03:22,040 --> 00:03:24,960 Hello. Bonjour. Tonight, you will be applying the make-up looks 60 00:03:24,960 --> 00:03:29,040 for nine of our performers in tonight's live performance of the show. 61 00:03:29,040 --> 00:03:32,400 You will need to follow my design guide to replicate 62 00:03:32,400 --> 00:03:34,960 each performer's exact character looks, 63 00:03:34,960 --> 00:03:37,240 and I will be looking for perfection. 64 00:03:37,240 --> 00:03:41,200 Otherwise, I will not allow the looks to go on stage tonight. 65 00:03:41,200 --> 00:03:44,720 I've wanted to see Cirque du Soleil for absolute years, 66 00:03:44,720 --> 00:03:46,240 and now it's wild thinking that 67 00:03:46,240 --> 00:03:49,240 my work might actually be featured in it tonight. It's insane. 68 00:03:49,240 --> 00:03:52,520 This is no time for stage fright. 69 00:03:52,520 --> 00:03:59,000 The MUA that impresses us the most will get a valuable advantage 70 00:03:59,000 --> 00:04:02,120 in tomorrow's creative brief. 71 00:04:02,120 --> 00:04:04,400 You will need to bring it. 72 00:04:04,400 --> 00:04:07,320 We're doing make-up for this show. 73 00:04:07,320 --> 00:04:08,920 This is huge. 74 00:04:08,920 --> 00:04:13,680 No pressure, but tonight's performance is in front of 4,000 people. 75 00:04:13,680 --> 00:04:15,680 Let's go. CHEERS AND APPLAUSE 76 00:04:15,680 --> 00:04:18,680 With just two hours to get ready for showtime... 77 00:04:18,680 --> 00:04:20,800 So let's have a nosey. 78 00:04:20,800 --> 00:04:23,480 ..the MUAs have each been assigned a character 79 00:04:23,480 --> 00:04:25,880 and must exactly replicate their look, 80 00:04:25,880 --> 00:04:30,200 watched over by Cirque du Soleil's make-up supremo, Maryse. 81 00:04:31,680 --> 00:04:34,240 Luzia represents the light and the rain. 82 00:04:34,240 --> 00:04:38,400 We express the rain part throughout the blue band 83 00:04:38,400 --> 00:04:40,200 that the artists have across their sight. 84 00:04:40,200 --> 00:04:43,080 We wanted to have something on our performers that would link 85 00:04:43,080 --> 00:04:44,760 them all together, like a tribe. 86 00:04:44,760 --> 00:04:47,440 And the make-up artists will need to replicate my design 87 00:04:47,440 --> 00:04:49,080 as accurate as possible. 88 00:04:49,080 --> 00:04:52,440 "Shape the band of colour by going up to the temple." 89 00:04:52,440 --> 00:04:57,480 If our MUAs don't follow the brief exactly, 90 00:04:57,480 --> 00:05:01,080 their look won't be allowed to go on the stage tonight. 91 00:05:03,920 --> 00:05:06,200 To get rave reviews from the judges, 92 00:05:06,200 --> 00:05:10,120 the MUAs first have to produce a perfect blue band. 93 00:05:10,120 --> 00:05:12,680 The starting point for each of their looks. 94 00:05:12,680 --> 00:05:14,760 I'd go out like this. I love it. 95 00:05:14,760 --> 00:05:16,640 I'd go out with a full band. 96 00:05:16,640 --> 00:05:19,840 They'll then need to nail the additional details that make each 97 00:05:19,840 --> 00:05:21,720 of their looks distinct. 98 00:05:21,720 --> 00:05:24,160 Moustache?! Nice. 99 00:05:24,160 --> 00:05:27,800 While Yong-chin must precisely replicate thinly arched brows 100 00:05:27,800 --> 00:05:29,240 for her acrobat... 101 00:05:29,240 --> 00:05:31,040 Reminds me of the eyebrows I used to do 102 00:05:31,040 --> 00:05:36,480 on myself when I was 12, trying to do make-up with a Sharpie. 103 00:05:36,480 --> 00:05:41,320 Nance is tasked with reproducing the pole-artist's vivid pink eye. 104 00:05:41,320 --> 00:05:42,560 Precision is really important, 105 00:05:42,560 --> 00:05:44,760 especially with the eyes, because the focus is on the eye. 106 00:05:44,760 --> 00:05:47,760 And Kris, who's been assigned the contortionist, 107 00:05:47,760 --> 00:05:50,360 must perfect a statement brow. 108 00:05:50,360 --> 00:05:53,560 The performer has to look a bit mysterious, so he will need to keep 109 00:05:53,560 --> 00:05:57,080 the shape of the brow as similar as he sees on the final pictures. 110 00:05:57,080 --> 00:05:59,200 It's super important for me to do well today 111 00:05:59,200 --> 00:06:03,800 because I work on circus performers in a circus-themed club in Soho 112 00:06:03,800 --> 00:06:07,680 in my day-to-day job. So fingers crossed I should smash this. 113 00:06:07,680 --> 00:06:13,040 28-year-old Kris, from Donegal, has a lifelong passion for art. 114 00:06:14,360 --> 00:06:17,520 When I was a kid, it was kind of the flamboyant, overweight, 115 00:06:17,520 --> 00:06:18,840 ginger gay kid. 116 00:06:18,840 --> 00:06:21,560 Had a lot going against me in younger years. 117 00:06:21,560 --> 00:06:24,720 I was painfully shy, so I didn't have a lot of friends 118 00:06:24,720 --> 00:06:26,840 and I used to get bullied quite a lot. 119 00:06:26,840 --> 00:06:29,920 However, there was one thing that people could not deny me. 120 00:06:29,920 --> 00:06:32,400 They would be like, "You're really, really good at art." 121 00:06:32,400 --> 00:06:36,159 So, like, my superpower has always been my creativity. 122 00:06:37,440 --> 00:06:40,600 During lockdown is basically where I taught myself how to do 123 00:06:40,600 --> 00:06:42,920 all prosthetics and all make-up. 124 00:06:42,920 --> 00:06:47,480 I feel really ready to show the world my superpower, 125 00:06:47,480 --> 00:06:50,480 so I'm just trying to do all the prep work and just go in... 126 00:06:50,480 --> 00:06:50,480 HE CLICKS TONGUE 127 00:06:50,480 --> 00:06:52,840 ..and give it my all. 128 00:06:59,880 --> 00:07:02,720 So I love what Kris is doing for the eye right now. 129 00:07:02,720 --> 00:07:05,640 It's very nicely applied, well done. 130 00:07:05,640 --> 00:07:08,800 But the contouring is a little bit too heavy. 131 00:07:08,800 --> 00:07:11,360 Is there any way back from the heavy contour? 132 00:07:11,360 --> 00:07:13,680 He should try to blend as much as he can. 133 00:07:13,680 --> 00:07:15,800 It's all about replicating the designs. 134 00:07:15,800 --> 00:07:18,920 And right now he's not observing the shapes right. 135 00:07:18,920 --> 00:07:22,000 This isn't one where you can really freestyle, is it? Not so much. 136 00:07:22,000 --> 00:07:25,040 It's important that whenever they are all together on stage, 137 00:07:25,040 --> 00:07:26,680 they kind of look the same. 138 00:07:35,760 --> 00:07:36,800 Beautiful. 139 00:07:38,360 --> 00:07:41,840 While other MUAs work on aerial artists and singers, 140 00:07:41,840 --> 00:07:44,600 Mikael has his hands on a juggler. 141 00:07:46,120 --> 00:07:47,440 SINGSONG: Mikael! 142 00:07:47,440 --> 00:07:49,800 Hi! How are you finding it? 143 00:07:49,800 --> 00:07:53,120 It's really nice, actually. This is right up in my street. 144 00:07:53,120 --> 00:07:54,320 You're in your element. 145 00:07:54,320 --> 00:07:57,440 If he would give me the opportunity, I would actually take his place. 146 00:07:57,440 --> 00:07:59,960 I already know what make-up goes where... I was gonna say! 147 00:07:59,960 --> 00:08:01,120 You've got the look down. 148 00:08:01,120 --> 00:08:03,640 I might be taking your, you know, your place today. 149 00:08:03,640 --> 00:08:04,920 I... 150 00:08:04,920 --> 00:08:06,800 Girl, we will finesse it. We'll work on it. 151 00:08:06,800 --> 00:08:09,200 We will finesse it. I could just... Yeah. 152 00:08:09,200 --> 00:08:11,320 Don't do it. You'll teach me, though. 153 00:08:11,320 --> 00:08:15,000 So we're feeling really confident, then, today? Yeah, we are. Good. 154 00:08:15,000 --> 00:08:19,360 23-year-old Mikael, who started doing make-up just one year ago, 155 00:08:19,360 --> 00:08:21,920 moved to London as a teenager. 156 00:08:24,040 --> 00:08:27,360 Growing up in Ghana, the sun was shining. 157 00:08:27,360 --> 00:08:28,600 Everything was good. 158 00:08:28,600 --> 00:08:31,360 When I moved to UK, it was a culture shock. 159 00:08:31,360 --> 00:08:34,000 Immediately I stepped outside the airport, 160 00:08:34,000 --> 00:08:38,760 I was like, "What on earth is this?" And it was cold. 161 00:08:38,760 --> 00:08:41,320 The adjusting was pretty hard. 162 00:08:41,320 --> 00:08:43,840 Back home, I didn't see, like, boys doing make-up. 163 00:08:43,840 --> 00:08:48,240 So when I got over here and then I saw all that, it just drew me in. 164 00:08:48,240 --> 00:08:50,920 When it comes to make-up, it has definitely changed the way 165 00:08:50,920 --> 00:08:52,000 I express myself. 166 00:08:52,000 --> 00:08:55,480 The style that I'm best at is dramatic. 167 00:08:55,480 --> 00:08:59,520 It gives me the opportunity to be weird and go, like, the level 168 00:08:59,520 --> 00:09:01,520 that I know that I can go. 169 00:09:01,520 --> 00:09:03,600 I look in the mirror, I'm like, 170 00:09:03,600 --> 00:09:06,480 "Oh, you are the baddest B on Earth. 171 00:09:06,480 --> 00:09:09,080 "Honey, you are a force to be reckoned with." 172 00:09:11,480 --> 00:09:14,040 So we're good over here. Yes, we are. All right. Fantastic. 173 00:09:14,040 --> 00:09:17,160 I'm loving this, doll. My fringe? Yeah. I need it, though. 174 00:09:17,160 --> 00:09:18,640 You need to give it. I'll clip it off. 175 00:09:18,640 --> 00:09:21,000 You can have it off after. Thank you. All right, babe? Yeah. 176 00:09:24,320 --> 00:09:26,760 Artists, we are one hour into the make-up. 177 00:09:26,760 --> 00:09:30,280 That's gone quick. Which means you have one hour left. 178 00:09:30,280 --> 00:09:32,840 One of the key skills our MUAs are going to have to conquer today 179 00:09:32,840 --> 00:09:35,280 is speed, because there is no time to waste backstage 180 00:09:35,280 --> 00:09:36,520 on a theatre production. 181 00:09:36,520 --> 00:09:39,080 These performers, they've got to be on stage. 182 00:09:39,080 --> 00:09:42,400 Ooh, there's still a bit to go, actually. Oh, my God. 183 00:09:42,400 --> 00:09:44,360 We've got 4,000 people coming in the door 184 00:09:44,360 --> 00:09:46,120 in just a couple of hours' time. 185 00:09:46,120 --> 00:09:49,080 We cannot run out of time during this one, can we? We can't. 186 00:09:49,080 --> 00:09:51,800 An hour left?! Have a brew, put me feet up... 187 00:09:54,920 --> 00:09:57,520 How are you getting on? I see loads of make-up on the face. 188 00:09:57,520 --> 00:09:58,600 Absolutely loving life. 189 00:09:58,600 --> 00:10:01,200 Have you got any theatre experiences yourself? You a singer or dancer? 190 00:10:01,200 --> 00:10:03,280 I have a lot of performers in my family. Really? Yeah. 191 00:10:03,280 --> 00:10:05,440 My grandad was a Rod Stewart impersonator. No way. 192 00:10:05,440 --> 00:10:07,960 Yeah. My uncle was an Elvis impersonator. 193 00:10:07,960 --> 00:10:10,400 # You ain't nothing but a hound dog 194 00:10:10,400 --> 00:10:12,000 BOTH: # Crying all the time. # 195 00:10:12,000 --> 00:10:14,080 Oh, my God... 196 00:10:14,080 --> 00:10:15,440 Oh, my gosh. What are we doing? 197 00:10:18,280 --> 00:10:22,400 When you're doing stage make-up, the make-up needs to look 198 00:10:22,400 --> 00:10:29,000 good from the front row, but also project all the way up to the gods. 199 00:10:29,000 --> 00:10:32,800 Impact is the most important thing, so you need to really make sure 200 00:10:32,800 --> 00:10:34,280 that the colour is strong. 201 00:10:34,280 --> 00:10:38,080 Like all the MUAs, Adam will need to make sure his footballer's 202 00:10:38,080 --> 00:10:41,960 look packs a punch from up close and afar. 203 00:10:41,960 --> 00:10:44,760 Hi, Adam. How is it going so far? I think it's going great. 204 00:10:44,760 --> 00:10:46,840 Thank you so much. Watch your proportions. 205 00:10:46,840 --> 00:10:48,760 OK. Maybe on your forehead. OK. 206 00:10:48,760 --> 00:10:50,480 Look at your final pictures and make sure 207 00:10:50,480 --> 00:10:53,040 that you have the same placement. OK. OK? 208 00:10:55,360 --> 00:10:58,720 So Adam needs to be careful not to take the band too high. 209 00:10:58,720 --> 00:10:59,760 Why is it so important? 210 00:10:59,760 --> 00:11:02,880 We have to make sure that the artists are seen well from... 211 00:11:02,880 --> 00:11:05,400 ..could be like five feet, but it could be 50 feet. 212 00:11:05,400 --> 00:11:08,560 It's important to accentuate those features. 213 00:11:08,560 --> 00:11:12,040 The band should actually move with the eyebrow muscle, 214 00:11:12,040 --> 00:11:15,280 so putting it higher is going to take out expression. 215 00:11:15,280 --> 00:11:16,600 How is he going to fix that band? 216 00:11:16,600 --> 00:11:19,120 He really needs to take that colour out before he starts 217 00:11:19,120 --> 00:11:20,160 with the foundation. 218 00:11:20,160 --> 00:11:21,800 Too high, maybe. 219 00:11:26,640 --> 00:11:28,640 One of the things that our MUAs are going to have to bear 220 00:11:28,640 --> 00:11:30,120 in mind is endurance. 221 00:11:30,120 --> 00:11:31,760 This make-up has to last. 222 00:11:31,760 --> 00:11:33,640 It's got to look good under the heat. 223 00:11:33,640 --> 00:11:35,520 It's got to look good under sweat. 224 00:11:35,520 --> 00:11:37,720 And in this case, in the rain. 225 00:11:37,720 --> 00:11:39,520 CHEERS AND APPLAUSE 226 00:11:39,520 --> 00:11:42,080 To ensure their make-up can withstand the elements 227 00:11:42,080 --> 00:11:43,600 in tonight's show, 228 00:11:43,600 --> 00:11:47,360 the MUAs will need to apply plenty of powder to their looks. 229 00:11:47,360 --> 00:11:49,120 I have got it all down you. I'm sorry. 230 00:11:49,120 --> 00:11:52,120 They really need to go with a powder puff and press the powder 231 00:11:52,120 --> 00:11:55,480 on the face to make sure that they set everything very well. 232 00:11:55,480 --> 00:12:00,680 We want to make sure that really the make-up will last throughout eight hours of sweat, lights. 233 00:12:00,680 --> 00:12:04,440 But once the powder is on, there's no coming back from there. 234 00:12:04,440 --> 00:12:08,120 Everything is set. Yeah, no return. Yeah. The dreaded powder. 235 00:12:10,600 --> 00:12:14,920 OK. Make sure before you set, over the eye area that you look 236 00:12:14,920 --> 00:12:18,240 anything that needs to be blended, that's not blended right now. 237 00:12:18,240 --> 00:12:21,600 Is there any line that you see right now that you don't see on the picture? 238 00:12:25,840 --> 00:12:29,280 Just make sure that it's the right shape. Yeah. OK? 239 00:12:30,400 --> 00:12:31,520 Eyebrows. 240 00:12:33,080 --> 00:12:34,880 She's about to powder, 241 00:12:34,880 --> 00:12:37,040 and I still see some lines that she should blend. 242 00:12:37,040 --> 00:12:38,360 So she has to be careful. 243 00:12:38,360 --> 00:12:41,080 If she does put powder over those lines, it's going to set them 244 00:12:41,080 --> 00:12:42,920 and they're going to stay there. 245 00:12:54,960 --> 00:12:57,640 Ten minutes before I need your performers ready. 246 00:13:00,640 --> 00:13:04,240 To complete their looks, the MUAs must add foil details, 247 00:13:04,240 --> 00:13:05,920 known as appliques, 248 00:13:05,920 --> 00:13:09,800 a tricky process requiring patience and precision. 249 00:13:09,800 --> 00:13:12,920 The foil placement might be hard for our MUAs. 250 00:13:12,920 --> 00:13:16,240 I feel like I'm doing something I'm not supposed to be doing to you right now. 251 00:13:16,240 --> 00:13:19,600 What they will need to do is make sure that they apply the glue first. 252 00:13:19,600 --> 00:13:21,400 Leave it to dry around two minutes. 253 00:13:21,400 --> 00:13:23,080 So how was your day? 254 00:13:23,080 --> 00:13:25,080 And then they could transfer the foil. 255 00:13:25,080 --> 00:13:28,480 But they will need to unfold it towards the skin. 256 00:13:28,480 --> 00:13:30,520 A bit like a Band-Aid. 257 00:13:30,520 --> 00:13:31,560 Yay! 258 00:13:33,280 --> 00:13:34,320 Yes! 259 00:13:36,320 --> 00:13:40,160 Ryan's actually cutting out little patterns and sticking them on, 260 00:13:40,160 --> 00:13:42,960 which he should just take the glue, let it dry, take the foil 261 00:13:42,960 --> 00:13:45,560 transfer paper and just rip it off. He's going the hard way. 262 00:13:45,560 --> 00:13:48,520 He's really going the hard way right now. Bless him. 263 00:13:49,960 --> 00:13:51,520 Did I rub it enough? 264 00:13:51,520 --> 00:13:54,440 Nance looks a little bit stressed out. What is going on? 265 00:13:54,440 --> 00:13:57,520 She's holding her foil transfer paper on the wrong side. 266 00:13:57,520 --> 00:13:59,240 Oh, no! 267 00:13:59,240 --> 00:14:02,120 She's going to need to redo the glue, re-let it dry 268 00:14:02,120 --> 00:14:04,320 and reapply on the other side of the foil. 269 00:14:04,320 --> 00:14:06,600 Please stay. 270 00:14:10,400 --> 00:14:11,440 Yes! 271 00:14:14,920 --> 00:14:17,000 Yes. Well, a little bit. 272 00:14:20,880 --> 00:14:22,320 Time's up. 273 00:14:22,320 --> 00:14:24,280 I need your performers now. 274 00:14:26,600 --> 00:14:29,600 With 4,000 people making their way to the show... 275 00:14:29,600 --> 00:14:31,640 My heart is like... 276 00:14:31,640 --> 00:14:34,640 ..it's up to Maryse to decide which looks deserve to make it 277 00:14:34,640 --> 00:14:37,800 on stage and whose fell short. 278 00:14:37,800 --> 00:14:41,600 Fingers crossed mine is good and they don't pull it out. 279 00:14:41,600 --> 00:14:44,840 Mikael... Hiya. ..your juggler is signed off to do the show tonight. 280 00:14:44,840 --> 00:14:46,920 Yay! Congrats. 281 00:14:47,960 --> 00:14:50,760 Nice one. This look is signed off. Congratulations. 282 00:14:50,760 --> 00:14:53,360 Thank you so much. That's amazing. 283 00:14:53,360 --> 00:14:56,000 I think she's off to go do the show as well. 284 00:14:56,000 --> 00:14:57,640 THEY SQUEAL HAPPILY 285 00:14:57,640 --> 00:15:00,840 Good job, Lisa. Thank you so much. 286 00:15:00,840 --> 00:15:02,080 Overall, she looks great. 287 00:15:02,080 --> 00:15:05,720 So she's signed off to go into the show tonight. Congrats. 288 00:15:06,960 --> 00:15:09,360 Knowing that my look is going to be on the stage tonight, 289 00:15:09,360 --> 00:15:12,280 I feel like I want to brag to the world. 290 00:15:13,400 --> 00:15:15,920 I'm so happy. I'm so happy. I'm so happy. I'm so happy. 291 00:15:15,920 --> 00:15:17,520 Hi, Ryan. Hi. Are you OK? 292 00:15:17,520 --> 00:15:20,880 All you needed to do was put the foil sheet on and release it. 293 00:15:20,880 --> 00:15:21,960 Take it way. Right. 294 00:15:21,960 --> 00:15:25,800 So, unfortunately, this look will need some touch up tonight before the show. 295 00:15:25,800 --> 00:15:27,440 But thanks for trying. 296 00:15:27,440 --> 00:15:28,760 Thanks. 297 00:15:28,760 --> 00:15:31,880 It's just a few elements that I tripped up on a little bit. 298 00:15:31,880 --> 00:15:33,920 Which I'm a bit gutted about, really. 299 00:15:33,920 --> 00:15:37,280 I just hope that my work can be shown on the main stage. 300 00:15:37,280 --> 00:15:41,240 The idea of my work being pulled out of the show because it's not 301 00:15:41,240 --> 00:15:42,840 up to scratch is worrying. 302 00:15:42,840 --> 00:15:45,600 The contouring, unfortunately, is a bit too bold. 303 00:15:45,600 --> 00:15:48,000 I will need to touch him up before the show. 304 00:15:48,000 --> 00:15:51,720 Just to tone down a little bit the boldness of the colours. 305 00:15:51,720 --> 00:15:53,440 OK. Oh, that's unfortunate. 306 00:15:53,440 --> 00:15:54,640 Hey, Yong-chin. 307 00:15:54,640 --> 00:15:57,920 This application has some really good points, 308 00:15:57,920 --> 00:16:00,400 but I feel like I will still need to touch her up. 309 00:16:00,400 --> 00:16:02,640 She's a bit too heavy under the eye. 310 00:16:02,640 --> 00:16:04,440 Thank you. 311 00:16:04,440 --> 00:16:08,040 It's definitely disappointing to sort of not nail a challenge 312 00:16:08,040 --> 00:16:09,720 that you're quite excited to do. 313 00:16:09,720 --> 00:16:14,680 I think I sort of wanted to smash it and I didn't. 314 00:16:14,680 --> 00:16:16,240 Straight ahead. 315 00:16:16,240 --> 00:16:18,080 My work going on stage, I'm telling you. 316 00:16:18,080 --> 00:16:19,280 Look at that. 317 00:16:20,520 --> 00:16:21,840 Are you seeing this? 318 00:16:21,840 --> 00:16:24,960 Sometimes I get overconfident, don't I? 319 00:16:24,960 --> 00:16:27,680 Signed off to go into the show tonight. Oh, my God. Thank you. 320 00:16:27,680 --> 00:16:30,360 Congrats. I'm so happy. 321 00:16:30,360 --> 00:16:31,840 Good job. 322 00:16:32,800 --> 00:16:35,560 With six looks signed off for tonight's performance, 323 00:16:35,560 --> 00:16:40,040 the judges now need to decide whose make-up stole the show. 324 00:16:40,040 --> 00:16:41,920 So this is Adam's performer. 325 00:16:41,920 --> 00:16:44,960 This blue is a real strip across the face. Right. 326 00:16:44,960 --> 00:16:46,920 There's no angles. It's straight across. 327 00:16:46,920 --> 00:16:49,680 And that silver... Right. ..is really sparkling. 328 00:16:49,680 --> 00:16:53,080 It's beautiful. Yeah, that's what should really catch the light. 329 00:16:53,080 --> 00:16:55,280 He's got nice finesse. 330 00:16:55,280 --> 00:16:58,680 I thought Mikael did well with the mask. 331 00:16:58,680 --> 00:17:00,120 He did the right proportion. 332 00:17:00,120 --> 00:17:03,400 And he also had to, you know, refine the beard a little bit 333 00:17:03,400 --> 00:17:07,040 to have more of a macho look, which turned out well and it flows 334 00:17:07,040 --> 00:17:08,720 well with the hairline also. 335 00:17:08,720 --> 00:17:13,319 I think that's the best applique application that I've seen. 336 00:17:13,319 --> 00:17:15,520 Next look is Lisa's. 337 00:17:15,520 --> 00:17:17,560 The foil is really well-placed. 338 00:17:17,560 --> 00:17:21,480 The eye looks good. Overall, the performer looks amazing. 339 00:17:21,480 --> 00:17:25,640 The make-up just tells the right story. 340 00:17:25,640 --> 00:17:30,120 Star performer shortlisted and showtime just moments away, 341 00:17:30,120 --> 00:17:34,520 the judges must also decide which MUAs have failed to shine. 342 00:17:34,520 --> 00:17:38,240 So we have three performers that will need their make-up touched up before the show. 343 00:17:38,240 --> 00:17:40,560 Yong-chin, Kris and Ryan. 344 00:17:40,560 --> 00:17:44,520 I am feeling a little bit nervous that I could find myself in the face-off chair tomorrow. 345 00:17:44,520 --> 00:17:46,040 This is Kris's performer. 346 00:17:46,040 --> 00:17:49,960 He should have a bushy eyebrow, but definitely they are a bit 347 00:17:49,960 --> 00:17:53,040 more thick and less precise than what I asked for. 348 00:17:53,040 --> 00:17:57,280 The intensity of the blue and the brow from a distance, 349 00:17:57,280 --> 00:17:59,480 when you're up there, you're not going to see it. 350 00:17:59,480 --> 00:18:00,840 It would just look quite solid. 351 00:18:00,840 --> 00:18:03,000 We will need to touch him up before the show, 352 00:18:03,000 --> 00:18:04,800 tone down a little bit the contouring. 353 00:18:04,800 --> 00:18:07,920 It's a bit heavy right now, especially under the cheekbones. 354 00:18:07,920 --> 00:18:09,920 So this is Ryan's performer. 355 00:18:09,920 --> 00:18:14,960 I feel like Ryan is creating more of a beauty look by making 356 00:18:14,960 --> 00:18:17,400 that blue lift up with the cheekbones and the contour, 357 00:18:17,400 --> 00:18:21,720 there's those sort of classic beauty angles, which this isn't. 358 00:18:21,720 --> 00:18:24,800 This is theatrical, this is stage make-up. 359 00:18:24,800 --> 00:18:27,120 So...disappointing. Mm-hm. 360 00:18:27,120 --> 00:18:29,040 This is Yong-chin's performer. 361 00:18:29,040 --> 00:18:32,160 I feel like there are some lines that are a bit too bold on this side 362 00:18:32,160 --> 00:18:33,400 of the bridge of the nose. 363 00:18:33,400 --> 00:18:38,240 This lip should have also been a bit smaller, bit more bow shape. 364 00:18:38,240 --> 00:18:43,280 So we've got three contenders here for the face-off chairs. Right? 365 00:18:43,280 --> 00:18:46,720 It's going to be hard to pick which two go in. 366 00:18:49,200 --> 00:18:51,120 Mm, what a day! A little bit disappointed. 367 00:18:51,120 --> 00:18:54,160 I think I'm definitely anticipating to be in the red chair. 368 00:18:54,160 --> 00:18:57,600 Oh, the same. Could see me, you and Kris. 369 00:18:59,040 --> 00:19:03,120 Finally, it's curtains up on the MUAs' looks. 370 00:19:03,120 --> 00:19:05,360 ANNOUNCER: Sit back, relax and enjoy 371 00:19:05,360 --> 00:19:09,240 Luzia: A Waking Dream of Mexico. 372 00:19:09,240 --> 00:19:13,480 Guys, about this time right now, our make-up is on stage! I know! 373 00:19:13,480 --> 00:19:15,600 That's so crazy. 374 00:19:15,600 --> 00:19:19,040 CHEERS AND APPLAUSE 375 00:19:20,400 --> 00:19:22,120 That's a lot of eyes on your work. 376 00:19:22,120 --> 00:19:24,960 I know! That's, like, what a debut. 377 00:19:24,960 --> 00:19:26,880 Is that a "pinch me" moment, Rachel? 378 00:19:26,880 --> 00:19:26,880 It's a pinch-me! "Pinch me!" 379 00:19:26,880 --> 00:19:29,360 THEY LAUGH 380 00:19:32,720 --> 00:19:36,600 So, you feel confident that you're not going to be in the red chair? 381 00:19:36,600 --> 00:19:39,240 I feel like, once she signs you off... 382 00:19:39,240 --> 00:19:39,240 LAUGHTER 383 00:19:39,240 --> 00:19:42,360 ..don't even try it. 384 00:19:42,360 --> 00:19:43,400 Whoa. 385 00:19:48,160 --> 00:19:49,880 At Glow Up Studios, 386 00:19:49,880 --> 00:19:53,880 the MUAs are about to find out whose off-brief looks have 387 00:19:53,880 --> 00:19:56,600 landed them in the face-off chairs. 388 00:19:56,600 --> 00:19:59,160 Does anybody think they're going to be in them chairs today? 389 00:19:59,160 --> 00:20:01,920 Through process of elimination, if only three of us got touch-ups, 390 00:20:01,920 --> 00:20:03,320 then there's only two chairs... 391 00:20:03,320 --> 00:20:05,560 I think the silver foiling threw everyone off. 392 00:20:05,560 --> 00:20:07,560 My tinfoil stuff had to get touched up. 393 00:20:07,560 --> 00:20:09,040 I think I might be in the chair. 394 00:20:09,040 --> 00:20:10,600 Good luck, my lovelies. 395 00:20:10,600 --> 00:20:11,640 Let's go. 396 00:20:13,160 --> 00:20:15,920 If an MUA finds their name on a red chair, 397 00:20:15,920 --> 00:20:18,160 they're headed for the face-off elimination 398 00:20:18,160 --> 00:20:19,920 at the end of the day. 399 00:20:19,920 --> 00:20:22,200 Oh, shut up. I'm in the blue. 400 00:20:24,400 --> 00:20:25,640 Yeah. 401 00:20:28,280 --> 00:20:31,600 Kris, Ryan, you are in the face-off chairs, 402 00:20:31,600 --> 00:20:35,280 which means you'll have 15 minutes less to start your look today. 403 00:20:35,280 --> 00:20:38,200 Kris, you are in this position because the contouring was 404 00:20:38,200 --> 00:20:40,920 a bit too hard and harsh. 405 00:20:40,920 --> 00:20:44,000 So, I needed to correct it before the artist went on stage. 406 00:20:44,000 --> 00:20:48,160 And Ryan, your foil application was misread how to apply, 407 00:20:48,160 --> 00:20:51,440 ending up to more time-consuming on your end and making 408 00:20:51,440 --> 00:20:53,040 the pattern a little bit wrong. 409 00:20:53,040 --> 00:20:55,320 There was one MUA that really impressed me. 410 00:20:55,320 --> 00:20:57,640 The intensity of colours were amazing - 411 00:20:57,640 --> 00:20:59,960 and that make-up artist is Mikael. 412 00:20:59,960 --> 00:21:01,000 HE GASPS 413 00:21:01,000 --> 00:21:03,880 CHEERING AND APPLAUSE 414 00:21:06,920 --> 00:21:08,480 As a reward, 415 00:21:08,480 --> 00:21:14,240 you have 15 minutes of advice from Maryse. 416 00:21:14,240 --> 00:21:14,240 Thank you! 417 00:21:14,240 --> 00:21:16,280 APPLAUSE 418 00:21:16,280 --> 00:21:20,640 Today, we want you to create high-impact body-painted looks 419 00:21:20,640 --> 00:21:23,560 inspired by all things weird and wonderful. 420 00:21:23,560 --> 00:21:29,080 Take into consideration your model's arms and hands to deliver 421 00:21:29,080 --> 00:21:33,040 an over-the-top dramatic look. 422 00:21:33,040 --> 00:21:35,360 So, are you ready? ALL: Yes! 423 00:21:35,360 --> 00:21:37,760 Right! Bring in the models! 424 00:21:37,760 --> 00:21:40,080 THEY EXCLAIM 425 00:21:40,080 --> 00:21:41,120 Hi! 426 00:21:42,320 --> 00:21:44,840 You're so gorgeous! 427 00:21:44,840 --> 00:21:49,080 Kris and Ryan, you'll have 15 minutes less, 428 00:21:49,080 --> 00:21:50,840 so I'll let you know when you can start. 429 00:21:50,840 --> 00:21:53,440 The rest of you will have three-and-a-half hours. 430 00:21:53,440 --> 00:21:56,000 Your time starts now! 431 00:21:57,680 --> 00:22:00,680 The only way for Kris or Ryan to beat the seat... 432 00:22:00,680 --> 00:22:02,640 Such a gentleman. Thank you so much. 433 00:22:02,640 --> 00:22:05,000 ..is to blow the judges' minds with their weird and 434 00:22:05,000 --> 00:22:06,520 wonderful creative brief. 435 00:22:06,520 --> 00:22:08,640 15 minutes will feel like ages. It's so exciting. 436 00:22:08,640 --> 00:22:10,520 This is the first time we've done a body thing. 437 00:22:10,520 --> 00:22:11,680 Let's get your top off. 438 00:22:11,680 --> 00:22:13,880 We're really pushing them. 439 00:22:13,880 --> 00:22:17,400 Story behind my creative brief is based on, like, a celebration 440 00:22:17,400 --> 00:22:18,880 of Chinese New Year. 441 00:22:18,880 --> 00:22:23,080 It's just a whole celebration of life, food, wealth, everything. 442 00:22:23,080 --> 00:22:26,440 My brief is based on the Venus flytrap. 443 00:22:26,440 --> 00:22:29,400 I had a fear of being eaten by a Venus flytrap. 444 00:22:29,400 --> 00:22:31,640 I am just such a massive nerd. 445 00:22:31,640 --> 00:22:34,560 So, everyone's going to be like, "Why are you doing that?" 446 00:22:34,560 --> 00:22:36,640 You've gotta embrace that, though. LAUGHTER 447 00:22:36,640 --> 00:22:39,800 Kris's weird and wonderful look is inspired by his fascination 448 00:22:39,800 --> 00:22:41,680 with Alice in Wonderland. 449 00:22:41,680 --> 00:22:43,040 Talk me through your look. 450 00:22:43,040 --> 00:22:44,960 My look today is inspired by the Cheshire Cat. 451 00:22:44,960 --> 00:22:47,680 I think that the cat's smile is just a little bit unhinged. 452 00:22:47,680 --> 00:22:51,120 I think myself, you know, there's definitely a little bit something 453 00:22:51,120 --> 00:22:54,200 that's a little bit different, and those kind of differences, 454 00:22:54,200 --> 00:22:57,040 I did not necessarily use to like about myself, but I think 455 00:22:57,040 --> 00:23:00,040 as you get older, you appreciate the things that make you different 456 00:23:00,040 --> 00:23:03,640 are the things that people will then someday celebrate about you. 457 00:23:03,640 --> 00:23:07,760 So, the plan is to get the model to stand with arms across the chest, 458 00:23:07,760 --> 00:23:10,200 so then the canvas is, like, extended out, and then, 459 00:23:10,200 --> 00:23:11,880 paint the smile across the arms. 460 00:23:11,880 --> 00:23:14,520 Do you want to do a little practice? Yeah. There we go! 461 00:23:14,520 --> 00:23:16,480 So, we'll have all of this to work with! 462 00:23:19,480 --> 00:23:22,680 I look a bit like Piglet, innit? It's going to come along! 463 00:23:22,680 --> 00:23:27,760 So, I'm creating some sort of flower sea creature. 464 00:23:27,760 --> 00:23:32,000 Because nature is weird and wonderful at the same time. 465 00:23:32,000 --> 00:23:35,400 I'm going to do prosthetics, and I have to get them right 466 00:23:35,400 --> 00:23:37,480 in order to impress the judges. 467 00:23:37,480 --> 00:23:40,080 Bill and Ben, the flowerpot men. The flowerpot men! 468 00:23:40,080 --> 00:23:40,080 LAUGHTER 469 00:23:40,080 --> 00:23:42,680 "Wee-ee-eed!" 470 00:23:42,680 --> 00:23:46,680 Like Nance, Sophie's body paint is also inspired 471 00:23:46,680 --> 00:23:48,080 by life under the sea. 472 00:23:49,120 --> 00:23:54,160 It's like a half between sea creature, half-alien. 473 00:23:54,160 --> 00:23:57,160 I've always had an interest in aquatic worlds. 474 00:23:57,160 --> 00:23:59,920 And, like, the deeper you go into the ocean, 475 00:23:59,920 --> 00:24:02,360 the more alien the worlds become. 476 00:24:02,360 --> 00:24:05,120 I've got to airbrush all these prosthetics, 477 00:24:05,120 --> 00:24:07,480 so I'll get that done first. 478 00:24:07,480 --> 00:24:10,160 I just need to make sure that everything is painted up 479 00:24:10,160 --> 00:24:12,080 how I want it to be. 480 00:24:12,080 --> 00:24:16,720 If you could just hold the foam and the bald cap for me... 481 00:24:16,720 --> 00:24:21,160 The third MUA basing their look on a watery world is Lisa. 482 00:24:21,160 --> 00:24:24,320 It's going to be, like, a crustacean, kind of, king. 483 00:24:24,320 --> 00:24:28,000 So, the outside is going to be all armoured crab plating. 484 00:24:28,000 --> 00:24:30,120 And then, when he opens his hands, 485 00:24:30,120 --> 00:24:32,680 it'll have a bit of a horror aspect to it. 486 00:24:32,680 --> 00:24:35,080 So, these represent all the little pincers and bits 487 00:24:35,080 --> 00:24:36,680 going on in a crab's mouth. 488 00:24:36,680 --> 00:24:40,560 Lisa needs to flatten the hair before she puts the bald cap on. 489 00:24:40,560 --> 00:24:41,840 What is that? 490 00:24:41,840 --> 00:24:45,400 No, that's something underneath. Oh, that's part of her design. 491 00:24:45,400 --> 00:24:47,280 That's part of her design! OK! 492 00:24:47,280 --> 00:24:49,480 It was just like a piece of foam packaging that you get 493 00:24:49,480 --> 00:24:51,480 when your parcels are delivered. 494 00:24:51,480 --> 00:24:54,000 And I just cut it into a bit of a crab shell shape, 495 00:24:54,000 --> 00:24:57,200 cos I just wanted to alter the shape of his head a little bit. 496 00:24:57,200 --> 00:24:59,640 That's really interesting. 497 00:25:04,800 --> 00:25:06,520 Kris, Ryan, you can start now! 498 00:25:06,520 --> 00:25:07,960 OK, be right back. 499 00:25:07,960 --> 00:25:10,400 15 minutes that's taken me. That's a long time. 500 00:25:10,400 --> 00:25:11,960 Oh, sorry, darling. 501 00:25:15,680 --> 00:25:17,200 Yay! 502 00:25:17,200 --> 00:25:19,120 That looks really good. Yeah. 503 00:25:19,120 --> 00:25:22,840 Ryan's weird and wonderful look is inspired by his interest 504 00:25:22,840 --> 00:25:24,480 in the paranormal. 505 00:25:24,480 --> 00:25:26,320 My look is about seeing the unknown. 506 00:25:26,320 --> 00:25:27,840 A very spiritual thing. 507 00:25:27,840 --> 00:25:30,600 It's kind of seeing things that aren't really there. 508 00:25:30,600 --> 00:25:32,840 It's going to be very weird and wonderful. 509 00:25:32,840 --> 00:25:35,560 Very eccentric, very expressive, and very abstract. 510 00:25:35,560 --> 00:25:36,840 Look straight ahead. 511 00:25:38,240 --> 00:25:40,640 Adam's going straight in with the green body paint. 512 00:25:40,640 --> 00:25:43,120 It's a good start, because I tell you, three-and-a-half hours 513 00:25:43,120 --> 00:25:46,640 is going to go real quickly. They've got to get the paint on. 514 00:25:46,640 --> 00:25:49,880 21-year-old Adam is hoping to capture the essence of 515 00:25:49,880 --> 00:25:51,840 a woodland pixie for his look. 516 00:25:51,840 --> 00:25:53,880 Hello, my leafy honeys! 517 00:25:53,880 --> 00:25:55,400 What is happening over here? 518 00:25:55,400 --> 00:25:59,560 So, I'm turning my character into, like, a mythical forest fairy. 519 00:25:59,560 --> 00:26:03,160 And I can see some ears... Yeah. ..on the table. 520 00:26:03,160 --> 00:26:05,400 You're going to whack these on? Yes. 521 00:26:05,400 --> 00:26:05,400 Right, how do you...? 522 00:26:05,400 --> 00:26:08,480 HE CHUCKLES 523 00:26:08,480 --> 00:26:08,480 Cute! 524 00:26:08,480 --> 00:26:10,760 THEY EXCLAIM 525 00:26:10,760 --> 00:26:12,680 Meow! That's how I imagined them to sound like. 526 00:26:12,680 --> 00:26:14,840 We know what we're doing for next year's Halloween! 527 00:26:14,840 --> 00:26:16,000 I know, that would be a look! 528 00:26:16,000 --> 00:26:18,640 So, these are definitely looks that are out of your comfort zone? 529 00:26:18,640 --> 00:26:20,200 Yeah, well out of my comfort zone, 530 00:26:20,200 --> 00:26:23,160 I do what you're probably wearing right now with make-up. 531 00:26:24,840 --> 00:26:28,400 So, my make-up is definitely glam, glam, glam. 532 00:26:28,400 --> 00:26:31,600 The dream job for me would definitely be to become 533 00:26:31,600 --> 00:26:33,200 a celebrity make-up artist. 534 00:26:33,200 --> 00:26:35,960 But when I said to my family I wanted to do make-up, 535 00:26:35,960 --> 00:26:39,400 it was definitely quite the thing, coming from my background. 536 00:26:39,400 --> 00:26:42,280 There's not very many male Pakistani MUAs. 537 00:26:42,280 --> 00:26:44,200 It's a beautiful culture to be part of, 538 00:26:44,200 --> 00:26:45,800 but there was a lot of judgment. 539 00:26:45,800 --> 00:26:47,920 There was a lot of, "He shouldn't be doing it. 540 00:26:47,920 --> 00:26:50,520 "He shouldn't be touching a woman's face." 541 00:26:50,520 --> 00:26:52,360 Last year, I lost my dad, 542 00:26:52,360 --> 00:26:53,960 which was the hardest thing ever. 543 00:26:53,960 --> 00:26:55,440 God bless him. 544 00:26:55,440 --> 00:26:57,960 He didn't quite understand what I love about make-up, 545 00:26:57,960 --> 00:27:01,600 but in the very end, before he passed away, he definitely did. 546 00:27:01,600 --> 00:27:04,600 He always used to say, like, you know, "You're my brave lion." 547 00:27:04,600 --> 00:27:09,440 And my name, my birth name means "lion" in Arabic. 548 00:27:09,440 --> 00:27:14,520 I understand now I was supposed to lead the pack, lead the family. 549 00:27:14,520 --> 00:27:18,800 And I hope that I can make him proud on this competition. 550 00:27:21,360 --> 00:27:23,240 And what are we going to do on the face? 551 00:27:23,240 --> 00:27:26,720 Just like a gorgeous, like, blushing moment. Mm-hm? 552 00:27:27,720 --> 00:27:31,040 Just literally, like, I'm winging it, like a fairy would. 553 00:27:37,040 --> 00:27:38,760 Mikael's in the zone. 554 00:27:38,760 --> 00:27:40,600 Feeling very confident. 555 00:27:40,600 --> 00:27:44,120 I'm interested to know when he's going to use you. Me, too. 556 00:27:44,120 --> 00:27:46,600 And the trick is to actually use you at the beginning. 557 00:27:46,600 --> 00:27:49,760 That's what I would do, if I would be in that situation, for sure. 558 00:27:49,760 --> 00:27:52,200 Hey, champion! Heyo! 559 00:27:52,200 --> 00:27:53,680 Well done. Thank you. 560 00:27:53,680 --> 00:27:56,360 And you've got the advice that you can take at any point. 561 00:27:56,360 --> 00:27:57,640 Yes, yes, yes. 562 00:27:57,640 --> 00:27:59,720 And what is your look? Talk me through it. 563 00:27:59,720 --> 00:28:02,920 So, it's about social media, how humans have been plugged in. 564 00:28:02,920 --> 00:28:05,680 You're going to see circuit board, and also parts of robots. 565 00:28:05,680 --> 00:28:07,840 So, he's being built as we speak. 566 00:28:07,840 --> 00:28:10,320 So, you're going to see loads of wires coming out. 567 00:28:15,920 --> 00:28:17,920 I'm sorry, I'm going to get in the belly button. 568 00:28:17,920 --> 00:28:19,120 It's fine, you're good. 569 00:28:19,120 --> 00:28:22,160 It's kind of a nice belly button. Thank you. I grew it myself. 570 00:28:22,160 --> 00:28:25,440 Wow! That was fast. 571 00:28:25,440 --> 00:28:27,200 That was super fast. 572 00:28:27,200 --> 00:28:29,720 I'm loving, like, how the paints are going on. 573 00:28:29,720 --> 00:28:33,080 Everything's going in my favour at the minute. 574 00:28:33,080 --> 00:28:37,320 She's proved she is an innovative painter. 575 00:28:37,320 --> 00:28:40,240 She's very competitive, as well. 576 00:28:40,240 --> 00:28:43,000 She's going to want to own this challenge. 577 00:28:43,000 --> 00:28:44,640 Cor, I'm excited. 578 00:28:47,120 --> 00:28:48,720 Put your arms up for me. 579 00:28:48,720 --> 00:28:51,160 Like that? Yeah. Perfect. 580 00:28:51,160 --> 00:28:54,160 I've got a lot of prosthetic work, so I'm a bit worried about 581 00:28:54,160 --> 00:28:56,600 the timing of it, but I'm hopeful I can get it done 582 00:28:56,600 --> 00:28:58,960 in this short time period. 583 00:28:58,960 --> 00:29:03,280 DOMINIC: We are 35 minutes in, and Sophie's model looks like he's 584 00:29:03,280 --> 00:29:05,120 still waiting for the bus. 585 00:29:05,120 --> 00:29:06,880 He's waiting for the bus, for sure. 586 00:29:09,400 --> 00:29:09,400 Who told me to do this? 587 00:29:09,400 --> 00:29:11,680 THEY CHUCKLE 588 00:29:11,680 --> 00:29:14,200 She's a ditherer. Rachel's dithering. 589 00:29:14,200 --> 00:29:16,880 I've done, like, two layers of glue so far. 590 00:29:16,880 --> 00:29:19,720 And now, I'm going to start with the prosthetic. 591 00:29:19,720 --> 00:29:22,240 To wow the judges with their body paint, 592 00:29:22,240 --> 00:29:26,600 the MUAs need to cover their model's whole torso and ensure that their 593 00:29:26,600 --> 00:29:29,080 look is detailed enough to impress. 594 00:29:29,080 --> 00:29:32,160 We're asking them to create more than just this, 595 00:29:32,160 --> 00:29:36,360 like, we're asking them to do this, and arms, and hands. 596 00:29:36,360 --> 00:29:39,280 That is, like... We've got to get the make-up on! 597 00:29:39,280 --> 00:29:40,800 ROLLS: R-R-Right, then! 598 00:29:40,800 --> 00:29:42,840 Let's paint, paint, p-p-paint! 599 00:29:49,440 --> 00:29:51,400 So, I'm going to start painting you black. 600 00:29:51,400 --> 00:29:53,840 Say goodbye to your nice skin! HE CHUCKLES 601 00:29:53,840 --> 00:29:56,840 Just using your body as, like, a canvas, essentially. 602 00:29:56,840 --> 00:29:59,160 "Paint me like one of your French girls." 603 00:29:59,160 --> 00:30:01,400 "Paint me like your French girls!" LAUGHTER 604 00:30:03,520 --> 00:30:05,520 Your body is so great to paint on. 605 00:30:06,760 --> 00:30:08,120 Well, thanks. 606 00:30:08,120 --> 00:30:10,440 You're doing a great job. Thank you. 607 00:30:12,280 --> 00:30:14,640 One hour gone, my lovelies! 608 00:30:18,760 --> 00:30:22,360 Just going to go quickly... with the highlight. 609 00:30:22,360 --> 00:30:25,640 Sophie's got the real chance of actually not completing 610 00:30:25,640 --> 00:30:29,520 this creative brief, because all they had done was just airbrush 611 00:30:29,520 --> 00:30:30,760 the prosthetic pieces. 612 00:30:30,760 --> 00:30:34,440 They still need to integrate this with the rest of the canvas. 613 00:30:35,800 --> 00:30:38,240 I think that's all the prosthetics painted. 614 00:30:38,240 --> 00:30:40,600 Apart from this guy, I forgot this guy! 615 00:30:40,600 --> 00:30:42,560 It really covers my tattoos very well. 616 00:30:42,560 --> 00:30:44,040 Yeah, really good coverage. 617 00:30:44,040 --> 00:30:48,320 I'm looking at Kris's work, and I'm getting a scuba diver, 618 00:30:48,320 --> 00:30:50,800 and he's wearing goggles. I'm seeing goggles. 619 00:30:50,800 --> 00:30:52,880 You look like you got attacked by a squid. 620 00:30:57,960 --> 00:31:00,080 How do you feel? That is so sick. 621 00:31:00,080 --> 00:31:01,440 Oh, my gosh! 622 00:31:03,040 --> 00:31:04,400 Whoa. 623 00:31:06,240 --> 00:31:07,720 It's cold, innit? 624 00:31:07,720 --> 00:31:07,720 Oh, my God, it's Jaws! 625 00:31:07,720 --> 00:31:10,480 SHE LAUGHS 626 00:31:10,480 --> 00:31:12,320 Hello. Hi! 627 00:31:12,320 --> 00:31:13,800 This looks cool. 628 00:31:13,800 --> 00:31:15,960 It is a Venus flytrap. 629 00:31:15,960 --> 00:31:17,760 How come you're doing a Venus flytrap? 630 00:31:17,760 --> 00:31:20,040 Cos they're just so different from all the other plants 631 00:31:20,040 --> 00:31:21,560 that I've ever learned about. 632 00:31:21,560 --> 00:31:24,000 The fact that they eat, like, you know, animals, 633 00:31:24,000 --> 00:31:25,800 that just doesn't happen ever. 634 00:31:25,800 --> 00:31:29,040 Yeah, they're usually vegetarian, aren't they? 635 00:31:29,040 --> 00:31:30,920 Yeah, exactly. Plants, vegan, yeah. 636 00:31:30,920 --> 00:31:33,040 Well, they photosynthesize. Close enough. 637 00:31:33,040 --> 00:31:34,880 I'm not very sciencey at all. 638 00:31:34,880 --> 00:31:36,960 This is like the jaws of a shark. 639 00:31:36,960 --> 00:31:41,320 But there is not one lick of paint anywhere. No. 640 00:31:41,320 --> 00:31:43,840 Cos she is being chased by that timer. 641 00:31:49,800 --> 00:31:52,000 An hour-and-a-half has gone! 642 00:31:52,000 --> 00:31:53,800 Please don't come out. 643 00:31:53,800 --> 00:31:55,800 It wants to come out, please don't. 644 00:31:55,800 --> 00:31:58,040 Don't have time for mistakes right now. 645 00:31:58,040 --> 00:32:02,600 Does Nance's model run the risk 646 00:32:02,600 --> 00:32:06,480 of looking like a grown man 647 00:32:06,480 --> 00:32:08,560 in a baby's bonnet? 648 00:32:08,560 --> 00:32:11,040 All he needs is a dummy. 649 00:32:13,600 --> 00:32:16,000 Stick. Stick. 650 00:32:16,000 --> 00:32:18,200 It's going to stick, right? Yeah. Good vibes. 651 00:32:18,200 --> 00:32:21,240 I got the moss online, but when it turned up, it was, 652 00:32:21,240 --> 00:32:22,960 like, actual real-life moss. 653 00:32:22,960 --> 00:32:25,560 So, like, I thought it was going to be artificial and a lot more 654 00:32:25,560 --> 00:32:27,800 easier to stick on, because look at my finger - 655 00:32:27,800 --> 00:32:29,080 ooh, it's gone. 656 00:32:31,120 --> 00:32:32,960 Mm! That feel OK? 657 00:32:32,960 --> 00:32:34,440 I have so much more to do. 658 00:32:34,440 --> 00:32:36,640 Is that a burger bun...? 659 00:32:38,320 --> 00:32:41,440 Yeah, I'm just waiting for a packet of fries. 660 00:32:41,440 --> 00:32:43,840 Ooh...chips. 661 00:32:43,840 --> 00:32:46,000 Did you just lick your lips? Yeah. 662 00:32:46,000 --> 00:32:47,800 Yass, yass! 663 00:32:47,800 --> 00:32:49,560 I can't believe I did that. 664 00:32:49,560 --> 00:32:52,600 That's the smoothest I've ever done. 665 00:32:52,600 --> 00:32:55,600 MUAs, you've got an hour-and-a-half left! 666 00:32:55,600 --> 00:32:57,280 Time is flying. 667 00:32:57,280 --> 00:32:58,800 OK... 668 00:33:02,720 --> 00:33:04,280 It looks pretty all right. 669 00:33:05,320 --> 00:33:09,880 OK, Adam is going into a beauty wonderland, and... 670 00:33:11,080 --> 00:33:15,280 ..the beauty make-up does not fit in with the rest of the body paint. 671 00:33:15,280 --> 00:33:17,240 Maybe yellow in the centre? Mm. 672 00:33:34,520 --> 00:33:36,840 Bet this isn't how you saw your day going today! 673 00:33:36,840 --> 00:33:38,000 No. 674 00:33:38,000 --> 00:33:40,560 Looking cool! 675 00:33:40,560 --> 00:33:42,200 I want to get your ears on. 676 00:33:43,720 --> 00:33:46,920 As you can see, everything is coming together. 677 00:33:47,960 --> 00:33:52,520 DOMINIC: OK, so we are over two hours into this creative brief. 678 00:33:52,520 --> 00:33:55,200 And Mikael still hasn't asked for your assistance. 679 00:33:55,200 --> 00:33:58,200 It's true. And it looks like he's pretty much nearly done. 680 00:33:58,200 --> 00:34:01,560 Like, what a wasted opportunity. Right. 681 00:34:01,560 --> 00:34:04,920 MIKAEL: My line work is really good, especially it being a circuit board, 682 00:34:04,920 --> 00:34:07,120 it doesn't need to be straight and perfect. 683 00:34:07,120 --> 00:34:10,040 And I will go over it to make sure everything is good. 684 00:34:13,840 --> 00:34:17,400 OK, do you want to cross your arms there for me, just...? 685 00:34:17,400 --> 00:34:20,960 Ohh, my good golly! 686 00:34:20,960 --> 00:34:23,800 The arms are the mouth. 687 00:34:23,800 --> 00:34:28,040 It's going to be a very big statement! 688 00:34:28,040 --> 00:34:29,679 Oh, yeah! 689 00:34:37,280 --> 00:34:40,480 Yong-chin has really got to get a move on. Yes. 690 00:34:40,480 --> 00:34:43,360 Because at the moment, we can't see the dragon. 691 00:34:43,360 --> 00:34:48,320 The focal point of her make-up is across the chest, 692 00:34:48,320 --> 00:34:50,040 and she hasn't got there yet. 693 00:34:50,040 --> 00:34:55,600 I want the mouthpiece to be made out of clay. 694 00:34:55,600 --> 00:34:57,920 So, I just have to roll this out. 695 00:34:57,920 --> 00:35:00,640 And I want it to be like this sort of swirling moustache. 696 00:35:00,640 --> 00:35:03,720 You have one hour left! 697 00:35:06,560 --> 00:35:07,840 Hello. Oh, hi. 698 00:35:07,840 --> 00:35:10,760 Would I be able to use my 15 minutes now, please? Of course! 699 00:35:10,760 --> 00:35:12,160 Of course, my pleasure. 700 00:35:12,160 --> 00:35:13,760 Gosh, about time. 701 00:35:13,760 --> 00:35:17,120 Talk about leaving it to the last minute. 702 00:35:17,120 --> 00:35:21,080 Have you thought about integrating some highlights into the circuits? 703 00:35:21,080 --> 00:35:23,600 And you know you have those pigments here? 704 00:35:23,600 --> 00:35:25,040 Yes. Use them. 705 00:35:25,040 --> 00:35:27,200 Do you think I should use silver? 706 00:35:27,200 --> 00:35:30,680 Try it. Yeah. Look at it. See how you like it. 707 00:35:30,680 --> 00:35:32,440 Do one that's gold, do one that's white. 708 00:35:32,440 --> 00:35:33,760 Yeah. Look at them. 709 00:35:33,760 --> 00:35:37,480 This is going to be, like, a quick help with the dimension 710 00:35:37,480 --> 00:35:39,360 of your make-up. Definitely. 711 00:35:42,560 --> 00:35:45,080 How far down is the torso? 712 00:35:45,080 --> 00:35:46,600 Is it the whole thing? 713 00:35:46,600 --> 00:35:50,560 Body make-up is going to look different sitting down 714 00:35:50,560 --> 00:35:52,720 to what it does standing up. That's true. Yeah. 715 00:35:52,720 --> 00:35:55,800 There'll be a point where they'll need to get the models 716 00:35:55,800 --> 00:35:57,200 stood up to actually paint. 717 00:35:57,200 --> 00:35:59,880 I feel like it will only be, like, there. 718 00:35:59,880 --> 00:36:01,240 Let's hope so. 719 00:36:01,240 --> 00:36:04,080 30 minutes left! 720 00:36:04,080 --> 00:36:07,720 Tick-tock, tick-tock, tick-tock, tick-tock, tick-tock, tick-tock! 721 00:36:22,920 --> 00:36:22,920 You have similar hair. 722 00:36:22,920 --> 00:36:25,640 SHE CHUCKLES 723 00:36:25,640 --> 00:36:29,120 I'm really worried about time now. 724 00:36:29,120 --> 00:36:31,360 It's just taking ages to paint. 725 00:36:38,800 --> 00:36:40,120 Freaking nightmare. 726 00:36:40,120 --> 00:36:43,120 Ten minutes left! 727 00:36:44,280 --> 00:36:46,440 Ten minutes. 728 00:36:46,440 --> 00:36:49,560 I didn't imagine my look to go this big, 729 00:36:49,560 --> 00:36:52,280 but I'm actually loving every second of it. 730 00:37:02,120 --> 00:37:05,680 I'm just trying to make sure that I can do something with 731 00:37:05,680 --> 00:37:07,800 these teeth that I've stuck on. 732 00:37:17,760 --> 00:37:23,560 Five, four, three, two, one! 733 00:37:23,560 --> 00:37:25,480 Brushes down, please! 734 00:37:27,400 --> 00:37:31,080 You may now take your models next door to be photographed. 735 00:37:33,000 --> 00:37:35,880 I feel absolutely amazing with the finished look. 736 00:37:35,880 --> 00:37:38,280 I do feel like I went in with a really strong approach, 737 00:37:38,280 --> 00:37:41,200 and I'm just hoping to God that the judges love that. 738 00:37:41,200 --> 00:37:44,040 I don't know what Val and Dom will think of my look, 739 00:37:44,040 --> 00:37:45,800 but hopefully it's positive. 740 00:37:45,800 --> 00:37:47,520 I'm really proud. 741 00:37:47,520 --> 00:37:49,200 I'm very nervous for this judging. 742 00:37:49,200 --> 00:37:51,560 I think that I'm going to find myself in that face-off, 743 00:37:51,560 --> 00:37:53,800 but we'll just have to wait and see. 744 00:37:53,800 --> 00:37:56,000 Kris, would you like to come forward? 745 00:37:56,000 --> 00:38:00,200 I'd like you to tell me about your weird and wonderful story. 746 00:38:00,200 --> 00:38:02,720 My look today is inspired by the Cheshire Cat. 747 00:38:02,720 --> 00:38:06,040 The things that made me a little bit of an outcast when I was younger 748 00:38:06,040 --> 00:38:08,560 later became the things that people celebrated about me. 749 00:38:08,560 --> 00:38:11,200 And I kind of wanted to represent that in my image. 750 00:38:11,200 --> 00:38:13,480 You've got an incredible imagination. 751 00:38:13,480 --> 00:38:16,080 To draw the mouth on the arms - 752 00:38:16,080 --> 00:38:19,400 I mean, there was a tattoo there, and that's completely gone. 753 00:38:19,400 --> 00:38:22,360 But I don't get the cat. 754 00:38:22,360 --> 00:38:25,040 I see an incredible painter. 755 00:38:25,040 --> 00:38:27,160 But is this a cat? No. 756 00:38:27,160 --> 00:38:29,520 I would've liked to have seen some whiskers. 757 00:38:29,520 --> 00:38:30,800 I really love it. 758 00:38:30,800 --> 00:38:33,600 There's so many elements that I think work. 759 00:38:33,600 --> 00:38:37,640 And I loved your use of just getting that black on that body, 760 00:38:37,640 --> 00:38:40,200 and then going in with some colours to sort of pop. 761 00:38:40,200 --> 00:38:44,800 Last week I did comment on your rough and readiness 762 00:38:44,800 --> 00:38:47,920 and I want to see a bit more polish, and I'm yet to see that. 763 00:38:47,920 --> 00:38:50,600 Bring that in and you can do some amazing work. 764 00:38:50,600 --> 00:38:55,400 I really loved how you use the arms in front of the face to accentuate 765 00:38:55,400 --> 00:38:57,240 the 3D part of the make-up. 766 00:38:57,240 --> 00:39:00,200 And I really love how you used such a big tool at the beginning 767 00:39:00,200 --> 00:39:02,760 just to lay down your paint, you were, like, going for it. 768 00:39:02,760 --> 00:39:04,960 Thank you so much. Thank you. 769 00:39:06,480 --> 00:39:08,240 Mikael, please step forward. 770 00:39:12,320 --> 00:39:15,040 This look is completely about how us humans 771 00:39:15,040 --> 00:39:17,680 are deeply plugged into a virtual world 772 00:39:17,680 --> 00:39:19,960 of social media and the internet. 773 00:39:19,960 --> 00:39:24,360 I think if you had a bit more time, you could have highlighted perhaps 774 00:39:24,360 --> 00:39:28,800 some of your outlines and you could use the gold or a white 775 00:39:28,800 --> 00:39:34,200 to make the imagery feel a bit more 3D rather than 2D. 776 00:39:34,200 --> 00:39:38,120 But that is a full body make-up. 777 00:39:38,120 --> 00:39:39,640 I was impressed. 778 00:39:39,640 --> 00:39:42,720 You could have emphasised, towards the end if you had time, 779 00:39:42,720 --> 00:39:46,760 but maybe you ran out of time, to get into those little highlights 780 00:39:46,760 --> 00:39:50,200 in the wire, so to make it just a bit more alive like we discussed. 781 00:39:50,200 --> 00:39:52,200 But overall, I think you did a really good job. 782 00:39:52,200 --> 00:39:54,280 I loved the fact that you kind of gave us 783 00:39:54,280 --> 00:39:56,520 two different sides to your character. 784 00:39:56,520 --> 00:39:59,400 Looks great. Congratulations. Thank you. 785 00:39:59,400 --> 00:40:02,720 Wow. OK, this is amazing. 786 00:40:02,720 --> 00:40:04,440 This is so, so good. 787 00:40:04,440 --> 00:40:07,640 The way you've incorporated the circuit boards to create a skull 788 00:40:07,640 --> 00:40:09,040 was like... 789 00:40:09,040 --> 00:40:11,400 My mind just blown. 790 00:40:11,400 --> 00:40:15,720 And on the side you've got this cheekbone effect as well, 791 00:40:15,720 --> 00:40:19,200 because it really just creates more of this narrative of this person. 792 00:40:19,200 --> 00:40:21,600 Absolutely love it. Well done. Thank you. 793 00:40:22,800 --> 00:40:24,920 Sophie, please come up front. 794 00:40:27,000 --> 00:40:29,280 I'm really obsessed with cosmology. 795 00:40:29,280 --> 00:40:32,960 And like, the further you go down deep into the sea, the creatures 796 00:40:32,960 --> 00:40:35,640 become more, like, alien and, like, glowy. 797 00:40:35,640 --> 00:40:39,360 And this is what I kind of imagine would be up there in space. 798 00:40:39,360 --> 00:40:41,320 You've got all these things that you want to do. 799 00:40:41,320 --> 00:40:43,720 You're telling a huge story. 800 00:40:43,720 --> 00:40:44,920 Huge. 801 00:40:44,920 --> 00:40:48,200 And you've got, I don't know, how many prosthetics? 802 00:40:48,200 --> 00:40:50,520 Probably like...20? 803 00:40:50,520 --> 00:40:54,320 I think you could have used your time a bit more cleverly 804 00:40:54,320 --> 00:40:59,960 and I think we all need to be aware of, in the room, accessories. 805 00:41:01,000 --> 00:41:05,680 We want you to emphasise the make-up. 806 00:41:05,680 --> 00:41:08,840 It's a character - I could see this make-up going on 807 00:41:08,840 --> 00:41:10,600 a Cirque du Soleil show, you know. 808 00:41:10,600 --> 00:41:14,320 I like your use of highlights and shadows. 809 00:41:14,320 --> 00:41:17,840 I definitely would have liked the body to have been more completed. 810 00:41:17,840 --> 00:41:22,640 You have really captured the essence of weird and wonderful. 811 00:41:22,640 --> 00:41:25,800 Like, it is weird, but it is bloomin' marvellous. 812 00:41:25,800 --> 00:41:27,120 I love the colouring. 813 00:41:27,120 --> 00:41:29,400 Like, if we go into the collarbone, I mean, that just... 814 00:41:29,400 --> 00:41:30,560 Like, doesn't it? 815 00:41:30,560 --> 00:41:33,160 Like, you're just going to dive into that. 816 00:41:33,160 --> 00:41:36,360 In your brain, you've got amazing ideas. OK? 817 00:41:36,360 --> 00:41:38,000 So well done. 818 00:41:38,000 --> 00:41:39,640 Thank you. 819 00:41:39,640 --> 00:41:41,920 Ryan, please come forward. 820 00:41:43,800 --> 00:41:47,160 My Auntie Eileen used to say that she used to see ghosts, 821 00:41:47,160 --> 00:41:50,000 dead people - seeing the unknown, essentially. 822 00:41:50,000 --> 00:41:52,360 Like, "Oh, a little boy came when I was in bed last night," 823 00:41:52,360 --> 00:41:54,880 and tell me all these stories, and I was like, "Oh, lovely." 824 00:41:54,880 --> 00:41:56,200 Used to have these angel cards. 825 00:41:56,200 --> 00:41:59,760 My grandma was a Reiki master, so she did auras and had crystals 826 00:41:59,760 --> 00:42:02,200 and she actually saw an apparition of the Virgin Mary 827 00:42:02,200 --> 00:42:04,360 when she went on a trip with her three sisters. 828 00:42:04,360 --> 00:42:05,880 They all saw a piece of it each. 829 00:42:05,880 --> 00:42:07,840 And I am proper into all that as well. 830 00:42:07,840 --> 00:42:10,320 So my look is essentially about seeing the unknown. 831 00:42:10,320 --> 00:42:12,880 So my references come from, like, Pan's Labyrinth 832 00:42:12,880 --> 00:42:15,440 kind of meets Jackson Pollock. Wow. 833 00:42:15,440 --> 00:42:21,400 If ever a make-up look is representative of the artist, 834 00:42:21,400 --> 00:42:22,840 this is it. 835 00:42:22,840 --> 00:42:25,240 Because it's a little bit chaotic. 836 00:42:25,240 --> 00:42:27,200 It's a lot of, lot of energy. 837 00:42:27,200 --> 00:42:31,440 And your story now makes sense. I get it. 838 00:42:31,440 --> 00:42:35,200 I really love what you did with the eyes. And the splattering! 839 00:42:35,200 --> 00:42:38,000 You know, there was a good energy going on with that. 840 00:42:38,000 --> 00:42:43,520 I got immediately the Pan's Labyrinth and the Jackson Pollock. 841 00:42:43,520 --> 00:42:49,480 It is full body paint, but I would have liked to have seen 842 00:42:49,480 --> 00:42:54,040 some more skill, some more attention to detail. 843 00:42:54,040 --> 00:42:57,240 When you just explained the description of your character, 844 00:42:57,240 --> 00:42:59,080 I did not understand a thing. 845 00:42:59,080 --> 00:43:01,880 I love that energy - don't lose that energy - 846 00:43:01,880 --> 00:43:04,920 but learn when to tone it down and when to use it. 847 00:43:04,920 --> 00:43:06,560 Thanks a lot. 848 00:43:08,280 --> 00:43:09,960 Adam, please step forward. 849 00:43:13,480 --> 00:43:18,080 I wanted to go with the pixie and the human nature within our body 850 00:43:18,080 --> 00:43:21,920 and the human nature for me especially is growth and evolving 851 00:43:21,920 --> 00:43:25,360 in this competition by using elements that are, like, 852 00:43:25,360 --> 00:43:29,120 butterflies that fly and flowers that flourish. 853 00:43:29,120 --> 00:43:31,000 I love your finesse. 854 00:43:31,000 --> 00:43:34,600 I especially liked when you sort of put the moss on and it became 855 00:43:34,600 --> 00:43:38,960 a lot more 3D, and the way you incorporated the hands. 856 00:43:38,960 --> 00:43:42,080 But you're telling two stories here. 857 00:43:42,080 --> 00:43:46,120 You've got this story and you've got what's going on in the face, 858 00:43:46,120 --> 00:43:49,120 and the two don't work together. 859 00:43:49,120 --> 00:43:52,160 So for me, the story is more handled with the accessories 860 00:43:52,160 --> 00:43:53,680 than the make-up. 861 00:43:53,680 --> 00:43:56,360 So I wish you would have taken down the accessories 862 00:43:56,360 --> 00:43:58,280 and paint a little bit more. OK. 863 00:43:58,280 --> 00:44:00,560 When it comes to body paint, it's about body paint. 864 00:44:00,560 --> 00:44:04,000 But what I see at this stage is a lot of skin. 865 00:44:04,000 --> 00:44:07,880 And I just worry that you're not pushing yourself enough. 866 00:44:07,880 --> 00:44:10,840 OK. Because there's other people in this room 867 00:44:10,840 --> 00:44:14,560 that are absolutely killing it. And if you're not careful, 868 00:44:14,560 --> 00:44:17,240 you're going to fade into the background. 869 00:44:17,240 --> 00:44:19,000 Thank you. Thank you. 870 00:44:20,480 --> 00:44:24,200 Rachel, could you step forward, please? 871 00:44:24,200 --> 00:44:27,440 The look was inspired by the Venus flytrap. 872 00:44:27,440 --> 00:44:29,840 I just find the plants very, very smart, 873 00:44:29,840 --> 00:44:33,640 how they've adapted to eating animals in order to survive 874 00:44:33,640 --> 00:44:35,880 because of the conditions that they grow in. 875 00:44:35,880 --> 00:44:38,640 I like the fact that you can get a body paint across 876 00:44:38,640 --> 00:44:41,880 using three colours. 877 00:44:41,880 --> 00:44:45,760 However, I never really like it 878 00:44:45,760 --> 00:44:49,880 when I can see the forehead and then the hair. 879 00:44:49,880 --> 00:44:53,960 And then I look at the elbow and I'm like, 880 00:44:53,960 --> 00:44:57,440 "Oh, in the photograph I can see that there's no paint there." 881 00:44:57,440 --> 00:45:00,080 There's almost like no detail whatsoever. 882 00:45:00,080 --> 00:45:04,080 So just working a little bit more with shadow and highlight 883 00:45:04,080 --> 00:45:06,680 to build that together would have worked better. 884 00:45:06,680 --> 00:45:09,240 And the other thing we can't ignore 885 00:45:09,240 --> 00:45:13,600 is we're missing a lot of paint on the lower half of that body. 886 00:45:13,600 --> 00:45:16,760 Not at all did you ever get your model to stand up. 887 00:45:16,760 --> 00:45:20,200 Because you didn't, it looks half done. 888 00:45:20,200 --> 00:45:21,800 Thank you. 889 00:45:24,160 --> 00:45:26,480 Yong-chin, please come forward. 890 00:45:29,160 --> 00:45:31,800 When I was growing up, me and my siblings would practise 891 00:45:31,800 --> 00:45:33,640 and perform Chinese dancing. 892 00:45:33,640 --> 00:45:35,640 And you would often embody a character 893 00:45:35,640 --> 00:45:37,320 of Southeast Asian mythology. 894 00:45:37,320 --> 00:45:40,840 So for Chinese New Year, it was the Hungry Dragon. 895 00:45:40,840 --> 00:45:42,120 That base was blowing my mind. 896 00:45:42,120 --> 00:45:43,320 It was beautiful. 897 00:45:43,320 --> 00:45:45,760 The swirls and the movement and the brushstrokes. 898 00:45:45,760 --> 00:45:48,520 I mean, look at those, it's just... It's a painting. 899 00:45:48,520 --> 00:45:51,600 But unfortunately, I feel like you ran out of time 900 00:45:51,600 --> 00:45:53,760 and then when you've got up to the top, 901 00:45:53,760 --> 00:45:55,720 it doesn't have the same effect. 902 00:45:55,720 --> 00:45:59,280 You did not need to have that texture around the mouth. 903 00:45:59,280 --> 00:46:01,880 You could have just done it with highlights and shadows. 904 00:46:01,880 --> 00:46:05,760 I think everything was there, but the top half of your work 905 00:46:05,760 --> 00:46:10,240 becomes more like a cartoon, and the bottom half... 906 00:46:10,240 --> 00:46:12,480 If you could have married the two together, 907 00:46:12,480 --> 00:46:15,360 maybe your dragon would have been more menacing. 908 00:46:15,360 --> 00:46:17,800 But you have the skill. 909 00:46:17,800 --> 00:46:19,840 No doubt about that, girl! 910 00:46:19,840 --> 00:46:21,040 Thank you. 911 00:46:23,600 --> 00:46:25,560 Nance, please step forward. 912 00:46:28,640 --> 00:46:33,640 So for this assignment, I thought about incorporating sea creatures 913 00:46:33,640 --> 00:46:35,600 and sea plants. 914 00:46:35,600 --> 00:46:41,960 I love the angle that you came at with this look. 915 00:46:41,960 --> 00:46:46,160 But you spent a long time on the headpiece. 916 00:46:46,160 --> 00:46:47,440 Yeah. 917 00:46:47,440 --> 00:46:50,480 Accessoires - accessories. 918 00:46:50,480 --> 00:46:54,360 For me, this is a symmetric face that you tried to create, 919 00:46:54,360 --> 00:46:57,760 and it would have been more beautiful 920 00:46:57,760 --> 00:47:00,840 if it was the same on both sides. 921 00:47:00,840 --> 00:47:03,560 Nance, I love your colour work. 922 00:47:03,560 --> 00:47:05,880 It's just beautiful. It's just so... 923 00:47:05,880 --> 00:47:09,080 Mmm! It's like ice cream. Just yummy. 924 00:47:09,080 --> 00:47:12,520 Thank you so much. Love it. You are a dark horse of this competition. 925 00:47:12,520 --> 00:47:13,560 Thank you. 926 00:47:15,120 --> 00:47:17,880 Lisa, could you come up front, please? 927 00:47:20,000 --> 00:47:22,960 My look is based on creatures of the ocean. 928 00:47:22,960 --> 00:47:27,120 I took some of the textures, the colour palette and the shapes 929 00:47:27,120 --> 00:47:30,120 from a Sally Lightfoot crab from the Galapagos 930 00:47:30,120 --> 00:47:32,600 to make this sort of alien creature. 931 00:47:32,600 --> 00:47:34,560 I also wanted to add a horror element, 932 00:47:34,560 --> 00:47:36,920 which I hid within the hands. 933 00:47:36,920 --> 00:47:38,840 It's extraordinary. 934 00:47:38,840 --> 00:47:41,120 This is extraordinary for me. 935 00:47:41,120 --> 00:47:42,440 Wow. 936 00:47:42,440 --> 00:47:44,960 Your symmetry is on point. 937 00:47:44,960 --> 00:47:47,960 The colours are blowing my mind. 938 00:47:47,960 --> 00:47:50,040 Wow. This is just wow. 939 00:47:50,040 --> 00:47:53,160 The colours are amazing. That mouth is just freaky. 940 00:47:54,280 --> 00:47:58,880 I also really loved the way you manipulated different products, 941 00:47:58,880 --> 00:48:01,160 different tools, different finishes. 942 00:48:01,160 --> 00:48:04,880 You use paint, you use brushes, then you use airbrush. 943 00:48:04,880 --> 00:48:06,360 I think it's genius. 944 00:48:06,360 --> 00:48:09,840 Well done. Love it. Obsessed. Obsessed, obsessed. Thank you. 945 00:48:09,840 --> 00:48:15,840 When you get great body work and the attention to detail, 946 00:48:15,840 --> 00:48:19,400 that's when you get a really big tick. 947 00:48:19,400 --> 00:48:21,560 And you've brought that to us here. 948 00:48:21,560 --> 00:48:27,800 You created what photographers spend years looking for, 949 00:48:27,800 --> 00:48:30,520 and that is depth of field. 950 00:48:32,160 --> 00:48:34,080 And you took us in. 951 00:48:34,080 --> 00:48:35,560 Ding-dong, darling. 952 00:48:35,560 --> 00:48:37,880 Ding-dong. 953 00:48:37,880 --> 00:48:39,080 Ding-dong. 954 00:48:39,080 --> 00:48:41,200 Thank you. So cool. 955 00:48:41,200 --> 00:48:44,760 Anyways, please go next door 956 00:48:44,760 --> 00:48:49,360 whilst myself, Dom and Maryse decide 957 00:48:49,360 --> 00:48:54,960 who will be going in to the face-off elimination. 958 00:48:54,960 --> 00:48:58,040 I hope that I've done enough to avoid the face-off this week. 959 00:48:58,040 --> 00:49:01,720 Obviously being in that red chair is not a great position to be in. 960 00:49:01,720 --> 00:49:04,640 I am so impressed with what Kris did. 961 00:49:04,640 --> 00:49:08,280 I love the fact he used the model's arms to create 962 00:49:08,280 --> 00:49:11,320 that distorted big smile, Cheshire Cat look. 963 00:49:11,320 --> 00:49:14,720 What Kris has created is a character. 964 00:49:14,720 --> 00:49:16,480 Yeah. But is it a cat? 965 00:49:16,480 --> 00:49:17,880 I don't see a cat. 966 00:49:17,880 --> 00:49:21,920 I really would have loved him to draw some expressive eyebrows. 967 00:49:21,920 --> 00:49:26,040 But he created proportion and distortion with the arms 968 00:49:26,040 --> 00:49:28,800 and the reshaping of the face. 969 00:49:28,800 --> 00:49:32,840 Let's have a look at Ryan. 970 00:49:32,840 --> 00:49:36,800 I do genuinely believe that I did one of the best. 971 00:49:36,800 --> 00:49:38,360 I don't want to be in that face-off. 972 00:49:38,360 --> 00:49:40,640 He fulfilled the brief. 973 00:49:40,640 --> 00:49:42,440 There is nowhere 974 00:49:42,440 --> 00:49:47,240 that is not covered with Jackson Pollock body paint. 975 00:49:47,240 --> 00:49:48,920 It's a big look. It's a full look. 976 00:49:48,920 --> 00:49:51,560 And from a distance, it's really impressive. 977 00:49:51,560 --> 00:49:55,680 Shall we look at some of the other MUAs that are in jeopardy? 978 00:49:55,680 --> 00:50:00,200 Adam. I definitely think that I should have pushed myself 979 00:50:00,200 --> 00:50:02,720 that little bit more, and, yeah, there is that slight fear 980 00:50:02,720 --> 00:50:04,400 of being in the face-off chairs. 981 00:50:04,400 --> 00:50:06,520 However, I'm not going to let that take over my head. 982 00:50:06,520 --> 00:50:09,560 There's not enough. It's body painting. 983 00:50:09,560 --> 00:50:12,000 And that face, it doesn't connect. 984 00:50:12,000 --> 00:50:15,200 I did like how Adam finished the leaves, and the precision. 985 00:50:15,200 --> 00:50:18,920 I just worry he doesn't know how to go beyond his safety net. 986 00:50:18,920 --> 00:50:20,920 Shall we look at Sophie? 987 00:50:20,920 --> 00:50:24,400 The best prosthetics that they have are 988 00:50:24,400 --> 00:50:27,280 on the centre of the face. 989 00:50:27,280 --> 00:50:32,000 All the other prosthetics do look like they're just stuck on. 990 00:50:32,000 --> 00:50:34,680 They're not integrated enough. I agree. 991 00:50:34,680 --> 00:50:37,960 There's one more person I'd like to take a look at, 992 00:50:37,960 --> 00:50:40,720 and that is Rachel. 993 00:50:41,840 --> 00:50:43,920 I think I could be in the face-off chair 994 00:50:43,920 --> 00:50:47,240 because I don't think my look was completed. 995 00:50:47,240 --> 00:50:51,920 It is a very clean application, but I think it's really lacking 996 00:50:51,920 --> 00:50:54,000 in details and finishing touch. 997 00:50:54,000 --> 00:50:56,360 You can't ignore the fact she didn't finish. 998 00:50:56,360 --> 00:50:57,920 I can see a lot of skin. 999 00:51:01,320 --> 00:51:04,280 Judges, have you made your decision? We have. Yeah. 1000 00:51:04,280 --> 00:51:08,480 Ryan, Kris, you two started in the face-off chairs, 1001 00:51:08,480 --> 00:51:13,160 and despite having a time penalty, you delivered some great make-up. 1002 00:51:13,160 --> 00:51:15,920 However, we appreciate your art, 1003 00:51:15,920 --> 00:51:20,640 but you're just not giving us any finesse, so... 1004 00:51:22,040 --> 00:51:24,920 ..we're going to give you one more chance to prove yourselves. 1005 00:51:24,920 --> 00:51:27,960 Congratulations. You've beat the seat. Dom! 1006 00:51:27,960 --> 00:51:29,160 I nearly wet myself! 1007 00:51:29,160 --> 00:51:30,480 Please don't. 1008 00:51:30,480 --> 00:51:32,120 So you know what this means. 1009 00:51:32,120 --> 00:51:36,400 We have two face-off elimination seats to fill. 1010 00:51:37,720 --> 00:51:41,960 Adam, you spent so much time on your body 1011 00:51:41,960 --> 00:51:44,640 that you forgot about the face. 1012 00:51:44,640 --> 00:51:48,800 For that reason, you will be our first MUA 1013 00:51:48,800 --> 00:51:51,800 going into the face-off elimination. 1014 00:51:53,120 --> 00:51:56,240 So that means we've got one seat to fill. 1015 00:51:56,240 --> 00:52:00,080 This MUA gave a simple look that wasn't complete. 1016 00:52:00,080 --> 00:52:04,240 So the second MUA going into the face of elimination will be... 1017 00:52:06,240 --> 00:52:07,280 ..Rachel. 1018 00:52:08,800 --> 00:52:11,800 Adam, Rachel, please say your goodbyes, 1019 00:52:11,800 --> 00:52:13,960 as one of you won't be returning. 1020 00:52:13,960 --> 00:52:16,920 I knew there was a possibility I would be in the face-off, 1021 00:52:16,920 --> 00:52:20,920 but I'm just going to have to give it everything that I've got. 1022 00:52:20,920 --> 00:52:22,440 It can't end here. 1023 00:52:22,440 --> 00:52:25,920 I would love to be in this competition a little bit longer, 1024 00:52:25,920 --> 00:52:29,160 just so that I can experience more, grow more, evolve more, 1025 00:52:29,160 --> 00:52:32,000 and just have my family be really proud of me. 1026 00:52:33,240 --> 00:52:35,200 To level the playing field, 1027 00:52:35,200 --> 00:52:38,600 the MUAs will face off over a pair of identical twins 1028 00:52:38,600 --> 00:52:41,680 and will be tackling a red-hot make-up trend. 1029 00:52:41,680 --> 00:52:46,880 We want a mermaid lip that glimmers with a metallic aqua finish. 1030 00:52:46,880 --> 00:52:49,200 For a mermaid lip, 1031 00:52:49,200 --> 00:52:52,240 start by taking the teal and the pink lip colours 1032 00:52:52,240 --> 00:52:54,560 and apply them to different areas of the lip. 1033 00:52:54,560 --> 00:52:59,560 Subtly blend those colours together with a brush where they meet. 1034 00:52:59,560 --> 00:53:01,640 Press varied glitter colours to the lip 1035 00:53:01,640 --> 00:53:04,680 until the lip is completely covered. 1036 00:53:04,680 --> 00:53:07,640 We want a symmetrical, well-balanced lip shape 1037 00:53:07,640 --> 00:53:10,000 and seamless colour blending. 1038 00:53:10,000 --> 00:53:12,480 You both have 15 minutes to complete your look. 1039 00:53:12,480 --> 00:53:14,040 The best of luck. 1040 00:53:14,040 --> 00:53:16,040 Your time starts now. 1041 00:53:29,560 --> 00:53:31,560 Interestingly enough, 1042 00:53:31,560 --> 00:53:36,720 they've both used two pencils and done a duo lip. 1043 00:53:36,720 --> 00:53:39,960 One of them has put pink colour on the upper lip 1044 00:53:39,960 --> 00:53:42,720 and the other... vice versa on the other. 1045 00:53:42,720 --> 00:53:44,440 How mad is that? That is so mad! 1046 00:53:44,440 --> 00:53:47,320 We didn't ask for one colour on the top and one colour on the bottom. 1047 00:53:47,320 --> 00:53:49,320 But you know what? That's what they've done. 1048 00:53:49,320 --> 00:53:51,520 Both of them have made a rod for their own back, 1049 00:53:51,520 --> 00:53:54,840 because if they'd taken the blue pencil 1050 00:53:54,840 --> 00:53:58,080 or the pink pencil and done a lip outline, 1051 00:53:58,080 --> 00:54:00,120 then they could have gone in with their colour. 1052 00:54:00,120 --> 00:54:02,840 Both lips are going to look unbalanced. 1053 00:54:02,840 --> 00:54:04,560 Two minutes to go. 1054 00:54:13,160 --> 00:54:15,200 30 seconds to go. 1055 00:54:23,440 --> 00:54:28,040 Five, four, three, two, one. 1056 00:54:28,040 --> 00:54:29,600 Brushes down, please. 1057 00:54:46,360 --> 00:54:49,120 Dom. I think we need a conflab. 1058 00:54:51,280 --> 00:54:52,840 DOM: This is a toughie. 1059 00:54:52,840 --> 00:54:57,440 I loved the way Adam felt confident going straight in with the blue. 1060 00:54:57,440 --> 00:55:01,080 He was able to create a lot more richness, which gives me 1061 00:55:01,080 --> 00:55:02,760 that more mermaid effect. 1062 00:55:02,760 --> 00:55:06,120 It's almost there, but it's a bit untidy. 1063 00:55:06,120 --> 00:55:08,400 Both of them have struggled 1064 00:55:08,400 --> 00:55:11,640 and given a slightly fuller upper lip, 1065 00:55:11,640 --> 00:55:15,080 and the lower lip is a little bit smaller. 1066 00:55:15,080 --> 00:55:19,280 However, because Rachel's gone for the pink upper lip, it looks 1067 00:55:19,280 --> 00:55:24,000 brighter and lighter and it gives a more metallic finish overall. 1068 00:55:24,000 --> 00:55:29,680 And you can really see the glimmer when you move the face. 1069 00:55:29,680 --> 00:55:31,080 I think we've made our decision. 1070 00:55:31,080 --> 00:55:32,600 I think we have as well. 1071 00:55:32,600 --> 00:55:35,200 Are we in agreement? For once, yes. 1072 00:55:38,800 --> 00:55:41,040 Have you made your decision? We have. We have. 1073 00:55:41,040 --> 00:55:44,520 Adam, you started strong and were quietly confident. 1074 00:55:44,520 --> 00:55:51,560 Rachel, I loved your use of colour, and your blending was impressive. 1075 00:55:53,200 --> 00:55:55,520 Adam, your lip lacked symmetry, 1076 00:55:55,520 --> 00:55:58,400 and you didn't give us the seamless blend, 1077 00:55:58,400 --> 00:56:00,800 which resulted in a two-toned lip. 1078 00:56:02,600 --> 00:56:05,360 Adam, please pack your kit. 1079 00:56:05,360 --> 00:56:07,120 You're going to go home. 1080 00:56:10,960 --> 00:56:12,560 I'm feeling gutted, obviously, 1081 00:56:12,560 --> 00:56:14,200 because my journey has come to an end. 1082 00:56:14,200 --> 00:56:15,960 But what a beautiful journey it's been. 1083 00:56:15,960 --> 00:56:18,040 You did so well. Come on. Thank you. 1084 00:56:18,040 --> 00:56:19,160 You did so well. 1085 00:56:19,160 --> 00:56:21,560 I am so proud of what I have achieved. 1086 00:56:21,560 --> 00:56:24,120 I took that leap of faith. I got here. 1087 00:56:24,120 --> 00:56:26,880 This is where my journey has not ended, 1088 00:56:26,880 --> 00:56:28,280 it's just starting. 1089 00:56:31,000 --> 00:56:33,240 SQUEALING 1090 00:56:35,160 --> 00:56:36,800 I'm very happy right now. 1091 00:56:36,800 --> 00:56:39,840 Now I know that the dream can slip away that easily, 1092 00:56:39,840 --> 00:56:42,160 and I don't want to go there again, 1093 00:56:42,160 --> 00:56:44,320 I feel like I've got a fire in my belly, 1094 00:56:44,320 --> 00:56:46,480 so it's only going to go up from here. 1095 00:56:46,480 --> 00:56:49,280 You lot have all smashed this week, got through it, 1096 00:56:49,280 --> 00:56:51,800 and now you really deserve a little bit of rest. 1097 00:56:51,800 --> 00:56:54,080 Tension is growing in the room. 1098 00:56:54,080 --> 00:56:56,800 And you could cut it with an eyeliner. 1099 00:56:56,800 --> 00:56:59,200 SHE LAUGHS 1100 00:56:59,200 --> 00:57:00,400 Did I make you...? 1101 00:57:00,400 --> 00:57:03,600 Laughing sincerely. Laughing sincerely. 1102 00:57:04,680 --> 00:57:06,440 Oh, I made you laugh! 1103 00:57:06,440 --> 00:57:08,480 Next time: Find the Doctor, 1104 00:57:08,480 --> 00:57:11,560 before I get exfoliated! 1105 00:57:11,560 --> 00:57:13,880 Looks fit for a Time Lord. 1106 00:57:13,880 --> 00:57:15,800 This is a lot more than I thought. 1107 00:57:15,800 --> 00:57:16,920 Add more glitter. 1108 00:57:16,920 --> 00:57:18,360 I need to get a move on now. 1109 00:57:18,360 --> 00:57:20,240 And at Glow Up Studios... 1110 00:57:20,240 --> 00:57:22,680 God, what on earth is happening over there? 1111 00:57:22,680 --> 00:57:24,560 Oh, it's so creepy! 1112 00:57:24,560 --> 00:57:26,880 ..a monstrous creative brief. 1113 00:57:26,880 --> 00:57:29,120 I have never seen anything like this.