1 00:00:06,299 --> 00:00:11,387 Throw sand, lime and soda into a 2,000 degree Fahrenheit furnace, 2 00:00:12,096 --> 00:00:14,140 and you get liquid glass. 3 00:00:14,223 --> 00:00:18,311 Skilled glassblowers gather the molten mixture using hollow pipes. 4 00:00:18,394 --> 00:00:19,687 And when they blow, 5 00:00:19,771 --> 00:00:23,024 glass inflates to form a bubble to shape and sculpt. 6 00:00:23,107 --> 00:00:26,986 The tools and techniques date back to Roman times, but we're about to 7 00:00:27,612 --> 00:00:28,571 turn up the heat. 8 00:00:29,280 --> 00:00:31,657 We're back at North America's largest hot shop 9 00:00:32,366 --> 00:00:34,368 to watch ten exceptional artists… 10 00:00:35,953 --> 00:00:38,498 …fight fire with fire. 11 00:00:38,581 --> 00:00:39,957 And now the fun begins. 12 00:00:42,210 --> 00:00:43,294 Go big or go home. 13 00:00:43,377 --> 00:00:44,754 And with great risk… 14 00:00:45,588 --> 00:00:47,799 -Oh, God. -Rest on the bench. Rest on the bench! 15 00:00:47,882 --> 00:00:50,259 -I always come out swinging. -…comes great reward. 16 00:00:50,343 --> 00:00:51,511 -Yeah, baby! -Whoo! 17 00:00:51,594 --> 00:00:53,971 If they can survive our fiery competition, 18 00:00:54,055 --> 00:00:56,390 they'll win a life-changing prize package 19 00:00:56,474 --> 00:01:00,311 that will establish them around the globe as Best in Glass. 20 00:01:00,394 --> 00:01:02,063 I'm Nick Uhas, and this… 21 00:01:04,232 --> 00:01:05,525 is Blown Away. 22 00:01:11,572 --> 00:01:14,659 Glassblowers, welcome back to the hot shop. 23 00:01:14,742 --> 00:01:16,285 -Thanks. -Yeah. 24 00:01:16,369 --> 00:01:20,123 I just don't know what to expect, and that's kind of scary. 25 00:01:20,832 --> 00:01:24,460 I'm not worried but my mind's just racing. I'm like, "Okay, what are we gonna do?" 26 00:01:24,544 --> 00:01:30,550 Wrath, greed, lust, gluttony, sloth, envy, pride. 27 00:01:30,633 --> 00:01:33,553 We want you to create an original piece of art 28 00:01:33,636 --> 00:01:36,472 using one of the so-called seven deadly sins. 29 00:01:36,556 --> 00:01:37,598 Oh. 30 00:01:38,891 --> 00:01:42,478 John Moran, because you won Best in Blow for the last challenge, 31 00:01:42,562 --> 00:01:43,896 you get first pick. 32 00:01:44,522 --> 00:01:45,815 I'm gonna go with greed. 33 00:01:45,898 --> 00:01:47,525 -Greedy. -Yes. 34 00:01:49,569 --> 00:01:52,446 -Are you happy with your choice? -Yeah, I'm very happy with the choice. 35 00:01:52,530 --> 00:01:55,616 Great. So, you won't mind choosing for everyone else. 36 00:01:58,244 --> 00:01:59,871 -Oh, boy. -Okay. 37 00:02:00,413 --> 00:02:02,373 It's total crap! 38 00:02:03,374 --> 00:02:04,500 Who gets pride? 39 00:02:05,084 --> 00:02:08,171 -Brenna? Pride? -Mm. Thanks. I like it. 40 00:02:08,254 --> 00:02:09,797 Thankfully, I got pride. 41 00:02:10,339 --> 00:02:11,883 Am I slouching too much? 42 00:02:12,550 --> 00:02:14,343 Who are you giving wrath to? 43 00:02:14,427 --> 00:02:16,888 Dan. Sorry, buddy, I'm gonna have to go with wrath. 44 00:02:16,971 --> 00:02:19,348 -I think it's a good one for you. -I'll take it. 45 00:02:20,057 --> 00:02:21,392 The wrath of Dan. 46 00:02:21,475 --> 00:02:23,644 Who are you giving gluttony to? 47 00:02:23,728 --> 00:02:25,229 Best served for Grace here. 48 00:02:25,313 --> 00:02:26,689 -So, uh, it's all yours. -Ooh! 49 00:02:26,772 --> 00:02:28,232 J'adore. 50 00:02:28,316 --> 00:02:29,901 What about lust? 51 00:02:29,984 --> 00:02:31,027 That's all you, Minhi. 52 00:02:31,110 --> 00:02:32,695 -Ooh! 53 00:02:32,778 --> 00:02:33,946 I love that. 54 00:02:34,030 --> 00:02:36,574 Envy will go to Mr. Sharvin here. 55 00:02:37,366 --> 00:02:38,284 All right. 56 00:02:38,367 --> 00:02:41,037 So, I guess that leaves Trenton with sloth. 57 00:02:41,120 --> 00:02:42,830 Great. Sounds fitting. 58 00:02:42,914 --> 00:02:45,082 -Good luck. 59 00:02:45,166 --> 00:02:47,960 Helping Katherine evaluate your work today is… 60 00:02:49,378 --> 00:02:50,713 Donna Davies. 61 00:02:50,796 --> 00:02:51,631 Oh, nice. 62 00:02:52,298 --> 00:02:54,759 Not only is Donna the deputy director 63 00:02:54,842 --> 00:02:57,261 of the legendary Pilchuck Glass School, 64 00:02:57,345 --> 00:02:59,347 she's also an art historian. 65 00:03:00,473 --> 00:03:03,768 I'm really excited to hear Donna Davies critique my work. 66 00:03:03,851 --> 00:03:05,561 Back in the 4th century, 67 00:03:05,645 --> 00:03:09,482 the seven deadly sins drew a hard line between vice and virtue, 68 00:03:09,565 --> 00:03:10,775 sinner and saint. 69 00:03:10,858 --> 00:03:11,817 But for this challenge, 70 00:03:11,901 --> 00:03:14,237 don't feel it has to be so black and white. 71 00:03:14,320 --> 00:03:16,739 We're not looking for archaic values. 72 00:03:17,448 --> 00:03:19,909 We want you to take a more contemporary and personal take. 73 00:03:20,701 --> 00:03:25,248 You'll have four hours to design, create and present an original piece of art. 74 00:03:25,331 --> 00:03:29,460 You'll be evaluated on design, concept and technical skill. 75 00:03:29,543 --> 00:03:32,046 And, just to make things a little bit more interesting, 76 00:03:32,797 --> 00:03:34,757 I'd like to offer the winner of this challenge 77 00:03:34,840 --> 00:03:36,592 a residency at Pilchuck Glass School. 78 00:03:36,676 --> 00:03:39,428 -Amazing. -Yeah, this is awesome. 79 00:03:39,512 --> 00:03:41,430 This is a huge prize. 80 00:03:42,348 --> 00:03:45,559 Pilchuck is a phenomenal, incredible glass school. 81 00:03:45,643 --> 00:03:47,019 I hope I win this. 82 00:03:47,103 --> 00:03:48,896 In the 20 years I've been blowing glass, 83 00:03:48,980 --> 00:03:51,691 I'm embarrassed to say I've never been to Pilchuck. 84 00:03:51,774 --> 00:03:54,902 Artists, your four hours starts now. 85 00:04:00,032 --> 00:04:02,034 So, uh, John Moran gave me sloth. 86 00:04:02,118 --> 00:04:03,661 Maybe John thinks I'm lazy. 87 00:04:03,744 --> 00:04:06,247 I think he's throwing shots out there, I don't know. 88 00:04:06,747 --> 00:04:10,668 I thought it'd be kind of funny to actually make a lazy, cartoony sloth, 89 00:04:10,751 --> 00:04:12,003 slouching on a couch. 90 00:04:12,837 --> 00:04:15,423 So, part of being sloth is not only being lazy, 91 00:04:15,506 --> 00:04:18,551 it's attributed to, like, ignorance, to knowledge, 92 00:04:18,634 --> 00:04:22,263 so, you know, some books maybe stacked underneath the couch, holding it up. 93 00:04:22,346 --> 00:04:25,016 He's got, like, a remote control in one hand. 94 00:04:25,099 --> 00:04:26,600 Definitely gonna be sculptural-heavy. 95 00:04:27,393 --> 00:04:29,061 I was given pride. 96 00:04:29,145 --> 00:04:31,689 I'm inspired by the LGBTQ community. 97 00:04:31,772 --> 00:04:33,941 I'm going to make a vessel. 98 00:04:34,650 --> 00:04:38,070 And then I'll be adding the spectrum of the rainbow 99 00:04:38,154 --> 00:04:40,906 and all seven marbles along the side. 100 00:04:43,034 --> 00:04:44,952 I'm gonna be making a sneaker 101 00:04:45,036 --> 00:04:47,330 that's gonna be placed on top of kind of a cushy pillow. 102 00:04:47,413 --> 00:04:48,748 The reason I chose the sneaker 103 00:04:48,831 --> 00:04:51,959 is because sweatshops reference this idea of greed. 104 00:04:52,043 --> 00:04:54,795 I'm not a really greedy person, but I really want to win. 105 00:04:55,671 --> 00:04:58,341 My good friend John Moran assigned me wrath. 106 00:04:59,300 --> 00:05:03,095 So I've got a book with a grapevine coming out of it. 107 00:05:03,929 --> 00:05:07,224 Kind of based on the Steinbeck novel The Grapes of Wrath. 108 00:05:07,308 --> 00:05:09,977 So when I think about gluttony, 109 00:05:10,061 --> 00:05:13,272 one of the things that came to mind was ASMR. 110 00:05:13,356 --> 00:05:18,069 So, ASMR stands for autonomous sensory meridian response. 111 00:05:18,152 --> 00:05:20,738 These Korean videos called Mukbang, 112 00:05:20,821 --> 00:05:24,533 they elaborate on the sounds of indulgence. 113 00:05:24,617 --> 00:05:27,411 Like sand being carved out 114 00:05:27,495 --> 00:05:31,290 to eating something really slowly or really crunchy. 115 00:05:37,797 --> 00:05:39,965 This is ASMR. 116 00:05:40,633 --> 00:05:44,053 You know, I hope that the sound will translate visually. 117 00:05:45,388 --> 00:05:49,392 I want to portray lust with a flower. 118 00:05:50,059 --> 00:05:53,521 People will offer a flower when they're falling in love with someone. 119 00:05:54,105 --> 00:05:56,315 Rather than it be your everyday flower, 120 00:05:56,399 --> 00:05:58,943 it's going to be sort of this ominous creature. 121 00:05:59,652 --> 00:06:03,781 My piece is about lust disguising itself as love. 122 00:06:04,782 --> 00:06:07,284 It is gonna be a little village 123 00:06:07,368 --> 00:06:10,913 with these mounds and these houses, kind of, on top of them 124 00:06:10,996 --> 00:06:14,166 looking up at each other, wanting what everyone else has. 125 00:06:14,250 --> 00:06:15,292 It's gonna be a challenge. 126 00:06:15,376 --> 00:06:17,962 It's hard to captivate something so complex as envy. 127 00:06:21,298 --> 00:06:23,300 Cool. Let's do it. 128 00:06:23,384 --> 00:06:25,136 Whoa-ho! Watch out! 129 00:06:27,430 --> 00:06:32,017 What I don't love is the rusty pipes. Like, I'm really kind of a clean freak. 130 00:06:33,269 --> 00:06:36,856 Blow, blow, blow, blow, blow. There we go. A little lighter now. 131 00:06:43,195 --> 00:06:45,865 It's getting hot. You gotta dance through it. 132 00:06:45,948 --> 00:06:47,491 It's all in the hips. 133 00:06:49,160 --> 00:06:50,911 My sin is greed. 134 00:06:50,995 --> 00:06:52,913 Blow really lightly, please. 135 00:06:52,997 --> 00:06:56,125 I wanted to, kind of, showcase a contemporary fairy tale, 136 00:06:56,208 --> 00:06:59,336 so I'm making a kind of rethought version of the glass slipper. 137 00:07:00,087 --> 00:07:02,590 The sneaker will be made of, kind of, a flesh tone. 138 00:07:03,174 --> 00:07:05,468 I am looking for two back-to-back wins. 139 00:07:05,551 --> 00:07:09,388 Actually, I'm looking for seven more back-to-back wins. 140 00:07:10,097 --> 00:07:11,390 I plan to be here till the end. 141 00:07:11,474 --> 00:07:14,226 No excuses not to win. I got to pick my own sin. 142 00:07:16,520 --> 00:07:17,396 So hot. 143 00:07:17,897 --> 00:07:20,941 I'm wrapping a bunch of colors around a core. 144 00:07:21,025 --> 00:07:22,276 Then I'll slice it open, 145 00:07:22,359 --> 00:07:24,737 and you'll be able to see, like, the rainbow inside. 146 00:07:24,820 --> 00:07:28,616 Some kind of obscure jelly that you see on those ASMR videos. 147 00:07:29,241 --> 00:07:30,743 To each their own sin. 148 00:07:31,243 --> 00:07:33,329 Sinners have more fun. 149 00:07:33,412 --> 00:07:34,288 Yeah. 150 00:07:34,872 --> 00:07:38,709 Katherine, if you could pick any one of the seven deadly sins, 151 00:07:38,792 --> 00:07:40,044 which one would you pick? 152 00:07:40,127 --> 00:07:41,504 Maybe gluttony? 153 00:07:41,587 --> 00:07:44,548 Wouldn't yours just be a pile of vegan food? 154 00:07:45,716 --> 00:07:49,220 -It would be a giant pile of vegan food. -Soy beans. 155 00:07:49,303 --> 00:07:51,180 -Soy beans, hummus. -Kale. 156 00:07:51,263 --> 00:07:53,516 -Kale. -You glutton, you. 157 00:07:59,897 --> 00:08:01,732 My sin is envy. 158 00:08:01,815 --> 00:08:04,151 Eh, I'm not sure why John Moran gave it to me. 159 00:08:04,235 --> 00:08:05,945 Maybe envious of being another John? 160 00:08:07,863 --> 00:08:11,116 I am making a picture-perfect neighborhood, 161 00:08:11,200 --> 00:08:12,243 manicured lawns, 162 00:08:12,326 --> 00:08:15,829 and all the houses looking the same, these white picket fences. 163 00:08:15,913 --> 00:08:17,456 It's, uh, Perfectville. Yeah. 164 00:08:17,540 --> 00:08:20,251 Making the houses, I kind of set up a quick mold. 165 00:08:20,334 --> 00:08:23,254 Two pieces of graphite to make a nice little 90-degree pitched roof. 166 00:08:23,337 --> 00:08:25,464 What do you think? Cute house? 167 00:08:26,298 --> 00:08:28,592 Perfectville, USA. Population: one. 168 00:08:38,477 --> 00:08:42,273 Donna, how prevalent are the seven deadly sins in art? 169 00:08:42,356 --> 00:08:43,357 They're everywhere. 170 00:08:43,440 --> 00:08:46,402 It really started in the 1400s and the 1500s. 171 00:08:46,485 --> 00:08:50,531 And it was really meant to teach people about religion. 172 00:08:50,614 --> 00:08:53,367 They needed to see these literal enactments. 173 00:08:53,450 --> 00:08:57,496 But now they can be a take on these themes in a number of different materials. 174 00:08:57,580 --> 00:09:01,584 Photography, ceramic exhibits and glass, of course. 175 00:09:02,084 --> 00:09:04,169 I have lust. 176 00:09:04,253 --> 00:09:08,674 So the flower is sort of the symbol of love, 177 00:09:08,757 --> 00:09:10,634 but it's not love, it's lust. 178 00:09:10,718 --> 00:09:12,803 So the flower is going to bite back. 179 00:09:12,886 --> 00:09:14,430 The teeth look great. 180 00:09:15,097 --> 00:09:16,849 Little Shop of Horrors, up in here. 181 00:09:18,100 --> 00:09:23,439 I want to take this opportunity to show off my sculpting skill set. 182 00:09:23,522 --> 00:09:28,986 So here I'm making the stamen part of the flower. 183 00:09:29,069 --> 00:09:31,780 It's going to be reminiscent of drool… 184 00:09:33,032 --> 00:09:36,327 …but also the central part of the flower. 185 00:09:36,410 --> 00:09:38,871 Cool. Oh, I like it. 186 00:09:38,954 --> 00:09:40,956 It's got a little bit of movement to it. 187 00:09:41,665 --> 00:09:45,461 I'm taking this challenge literally. The sin that I got is sloth. 188 00:09:45,544 --> 00:09:48,714 I decided to start off with sculpting the legs, 189 00:09:48,797 --> 00:09:51,383 and, once it's done, I decided to add texture. 190 00:09:51,967 --> 00:09:55,429 I heat up a section, and I use a wire brush and kinda comb it. 191 00:09:55,512 --> 00:10:01,143 Trying to make it look like fur, or… whatever a-- a sloth has. 192 00:10:03,312 --> 00:10:06,190 Trenton is making an actual sloth. 193 00:10:06,273 --> 00:10:08,192 Would you say it is actually difficult 194 00:10:08,275 --> 00:10:10,986 to come up with something that isn't so on the nose? 195 00:10:12,071 --> 00:10:13,447 -Yes. 196 00:10:13,530 --> 00:10:16,158 I think it's a really difficult challenge. 197 00:10:16,241 --> 00:10:17,951 A little more devil in the detail. 198 00:10:25,668 --> 00:10:29,838 I am making The Grapes of Wrath, based on the book by Steinbeck. 199 00:10:31,006 --> 00:10:32,675 And right now I'm in the grape phase. 200 00:10:33,967 --> 00:10:38,347 The book The Grapes of Wrath is about how poor and migrant families 201 00:10:38,430 --> 00:10:40,057 were treated by the elite. 202 00:10:42,226 --> 00:10:46,230 I'm doing my best to keep a cool demeanor in the hot shop. 203 00:10:47,690 --> 00:10:50,567 I've definitely struggled with wrath personally. 204 00:10:50,651 --> 00:10:53,070 And I've worked really hard to deal with that in my life. 205 00:10:53,779 --> 00:10:55,489 My dad was killed when I was really young. 206 00:10:55,572 --> 00:10:58,534 And instead of, uh, crying all the time about it, 207 00:10:58,617 --> 00:10:59,660 I-- I got angry. 208 00:11:00,994 --> 00:11:03,163 I was in a rage, you know, 209 00:11:03,247 --> 00:11:05,582 and I was on the streets and I did a lot of things. 210 00:11:08,544 --> 00:11:11,255 -Your grapes look great. -The "Grapeful" Dead. 211 00:11:12,297 --> 00:11:15,509 I'm not envious of Dan's grapes. I-- I-- I think they're real neat. 212 00:11:16,510 --> 00:11:18,053 Big grape right there. 213 00:11:25,602 --> 00:11:26,562 Stop! 214 00:11:26,645 --> 00:11:32,025 Now I'm making a gooey puddle with balls stuck in it. 215 00:11:33,986 --> 00:11:35,112 Obviously. 216 00:11:35,195 --> 00:11:36,822 It's disgusting! 217 00:11:38,115 --> 00:11:41,660 I'm creating this bottom puddle of blue glass, 218 00:11:41,744 --> 00:11:45,247 and then I'm applying these orange balls hot and, like, 219 00:11:45,330 --> 00:11:49,042 squishing them in to sort of create this sensational puddle. 220 00:11:50,419 --> 00:11:51,920 We got two hours left! 221 00:11:52,004 --> 00:11:53,756 -Already? -Yeah. 222 00:11:53,839 --> 00:11:55,382 Ho… Holy… 223 00:12:03,348 --> 00:12:04,725 Let's walk over here. 224 00:12:04,808 --> 00:12:06,560 I'm gonna pull black and white cane. 225 00:12:07,519 --> 00:12:09,396 I have never made a shoe before, 226 00:12:09,480 --> 00:12:10,856 so this is new to me. 227 00:12:10,939 --> 00:12:13,275 I'm making some detail in the sole of the shoe, 228 00:12:13,358 --> 00:12:16,487 so it has some texture on the bottom. 229 00:12:16,570 --> 00:12:18,781 I'm just flattening out the bottom of the shoe still. 230 00:12:19,364 --> 00:12:21,658 I've gone in and done a lot of the seam work 231 00:12:21,742 --> 00:12:23,118 with a little butter knife. 232 00:12:23,202 --> 00:12:24,453 Turn a little bit. 233 00:12:24,536 --> 00:12:27,122 And that gives it like a sneaker quality. 234 00:12:27,664 --> 00:12:30,250 I have never bought $300 sneakers before, 235 00:12:30,334 --> 00:12:34,129 but the piece isn't about $300 sneakers, it's about the companies that make them. 236 00:12:34,838 --> 00:12:38,300 I'm going to start putting some "sole" into it, then flash. 237 00:12:38,383 --> 00:12:39,968 I am feeling hot. 238 00:12:41,220 --> 00:12:42,137 Going back. 239 00:12:42,221 --> 00:12:44,890 It's a hot one today. 240 00:12:51,146 --> 00:12:52,105 Whoo! 241 00:12:52,189 --> 00:12:54,566 I am hot. Just trying to keep my brain working. 242 00:12:56,109 --> 00:12:58,862 -Tell me if it gets too crazy. -Oh, no, we're good. 243 00:12:59,655 --> 00:13:03,742 I want it to be funny, so the sloth is wearing, like, a giant diaper. 244 00:13:04,952 --> 00:13:06,870 He's too lazy to go to the bathroom. 245 00:13:08,747 --> 00:13:11,667 You'll never know if it's gonna be the way you want it 246 00:13:11,750 --> 00:13:13,669 until it kinda comes out of the annealer. 247 00:13:15,045 --> 00:13:17,047 -Whoo! 248 00:13:21,844 --> 00:13:24,763 There's so much creativity and energy in the hot shop today. 249 00:13:25,472 --> 00:13:29,768 Uh, that might have something to do with the winner getting a Pilchuck residency. 250 00:13:30,394 --> 00:13:32,771 It's a feather in your cap, as a glass artist. 251 00:13:32,855 --> 00:13:36,942 To be given a residency is an amazing opportunity for these artists. 252 00:13:37,776 --> 00:13:42,447 Monetarily, they've got the support of the staff and the facilities 253 00:13:42,531 --> 00:13:45,826 to do whatever they want to do and explore, in glass. 254 00:13:45,909 --> 00:13:48,537 I want to win this challenge badly. I've never been to Pilchuck. 255 00:13:49,204 --> 00:13:50,038 I hope I win. 256 00:13:57,504 --> 00:13:58,505 Yep, get under it. 257 00:13:59,631 --> 00:14:02,759 -Hi, Dan. You have wrath? -I do. 258 00:14:02,843 --> 00:14:06,013 What kind of technical challenges are you foreseeing in this? 259 00:14:06,096 --> 00:14:09,558 So, I felt like I kinda got dinged by putting it together cold last time, 260 00:14:09,641 --> 00:14:11,560 so I'm going for the hot. 261 00:14:11,643 --> 00:14:15,939 -What would the Pilchuck mean for you? -I would love the residency. 262 00:14:16,023 --> 00:14:17,441 When I first started blowing glass, 263 00:14:17,524 --> 00:14:20,819 I was ready to make paperweights and ornaments 264 00:14:20,903 --> 00:14:23,447 to kinda get out of the place I was living in, 265 00:14:23,530 --> 00:14:24,990 and, uh, then I went to Pilchuck. 266 00:14:25,073 --> 00:14:26,783 Pilchuck has changed my life. 267 00:14:27,451 --> 00:14:29,077 That's where I met many of the other 268 00:14:29,161 --> 00:14:32,039 very inspirational glass artists in my life. 269 00:14:33,457 --> 00:14:36,251 I will leave you to it. Looks like you got a lot going on. 270 00:14:36,335 --> 00:14:38,045 -Yeah, thank you. -All right, good luck. 271 00:14:40,464 --> 00:14:41,590 We've got pages. 272 00:14:41,673 --> 00:14:43,467 One hour left! 273 00:14:44,134 --> 00:14:46,178 No! It's brutal. 274 00:14:46,261 --> 00:14:47,095 Chaos! 275 00:14:47,679 --> 00:14:49,681 I'm-- I'm-- I'm trying to go for a win here. 276 00:14:49,765 --> 00:14:52,476 I think you have to with this level of competition we have this year. 277 00:14:52,559 --> 00:14:55,771 If I'm gonna be somewhere competing, I want to compete against good people. 278 00:14:55,854 --> 00:14:58,649 I don't want to be, you know, king of the idiots, right? 279 00:14:58,732 --> 00:14:59,566 So… 280 00:15:05,948 --> 00:15:09,284 All right, nice, nice heat. This is what we're looking for. 281 00:15:09,368 --> 00:15:10,535 This is my first shoe ever, 282 00:15:10,619 --> 00:15:13,246 and that is why I thought it'd only take me two hours, 283 00:15:13,330 --> 00:15:14,831 and it has taken me three. 284 00:15:14,915 --> 00:15:16,124 -Okay, grab it. -Yep. 285 00:15:16,875 --> 00:15:17,751 Beautiful. 286 00:15:22,339 --> 00:15:23,966 Picking up black and white cane, 287 00:15:24,049 --> 00:15:27,260 the challenge there is the black gets softer than the white. 288 00:15:27,344 --> 00:15:30,847 So, shaping this into an even form with uneven heats 289 00:15:30,931 --> 00:15:33,225 just takes a little bit extra control. 290 00:15:33,308 --> 00:15:35,894 And it's called a swoop cane technique. 291 00:15:35,978 --> 00:15:39,147 We're taking a plunger and picking it up straight on top. 292 00:15:39,231 --> 00:15:43,485 And that'll get the color pattern to swoop in the vessel form that I'm making. 293 00:15:43,568 --> 00:15:45,195 So I have one shot to pick up this cane. 294 00:15:45,278 --> 00:15:47,781 If it doesn't work, I have to do it all over again. 295 00:15:48,365 --> 00:15:49,825 This is going to suck. 296 00:15:50,575 --> 00:15:51,410 Oh, boy. 297 00:15:56,039 --> 00:15:58,166 It worked! Bada-bing, bada-boom. 298 00:15:58,250 --> 00:15:59,710 And now the fun begins. 299 00:16:02,421 --> 00:16:03,839 Blow, blow, blow, blow, blow. 300 00:16:03,922 --> 00:16:08,802 The shape of the vessel is what Lino would call a dinosaur shape. 301 00:16:08,885 --> 00:16:11,888 Lino is an Italian Maestro. 302 00:16:11,972 --> 00:16:13,140 Whoo! 303 00:16:13,223 --> 00:16:18,520 And he's been this phenomenal best glass blower of our time. 304 00:16:19,354 --> 00:16:21,940 So what we'll do is transfer it, pull the neck. 305 00:16:22,024 --> 00:16:23,442 Take a light flash, please. 306 00:16:24,026 --> 00:16:26,445 I think it's very important to do your own work here. 307 00:16:26,528 --> 00:16:27,779 It's a small community. 308 00:16:27,863 --> 00:16:29,489 Let me just torch the end. 309 00:16:30,824 --> 00:16:34,411 It's dangerous if you're recreating someone else's work. 310 00:16:34,494 --> 00:16:35,579 Come on out. 311 00:16:36,413 --> 00:16:38,540 Forty-five minutes left! 312 00:16:38,623 --> 00:16:40,000 Holy smokes. 313 00:16:41,043 --> 00:16:43,211 I want my vase to be more than just a vase. 314 00:16:43,295 --> 00:16:48,216 I want it to have other characteristics that evoke a certain feeling. 315 00:16:50,635 --> 00:16:55,348 So, I start adding bits that look pointy, 316 00:16:55,432 --> 00:16:59,144 and like thorns or like a weapon, even. 317 00:17:00,062 --> 00:17:00,937 I'm ready. 318 00:17:01,021 --> 00:17:06,568 I attach the thorns by having my assistant bring me hot gathers of glass. 319 00:17:06,651 --> 00:17:09,196 I stick it and pull and cut at the same time, 320 00:17:09,279 --> 00:17:10,906 which gives me a point. 321 00:17:14,117 --> 00:17:16,536 These bits are everything. 322 00:17:30,175 --> 00:17:31,051 Go down. 323 00:17:31,760 --> 00:17:32,636 Flip. 324 00:17:34,054 --> 00:17:38,058 I'm making this platter of oozing holes. 325 00:17:39,059 --> 00:17:40,268 Flip. 326 00:17:40,352 --> 00:17:42,938 It looks disgusting. I really like it. 327 00:17:43,730 --> 00:17:45,816 The power of the flame when the glass gets so hot, 328 00:17:45,899 --> 00:17:47,567 it will actually break through, 329 00:17:47,651 --> 00:17:50,779 allowing those holes to, like, ooze out. 330 00:17:51,363 --> 00:17:54,116 It's going to freak my mom out. She has a fear of holes. 331 00:17:56,034 --> 00:17:57,410 Okay, go ahead and flash. 332 00:17:58,286 --> 00:18:00,080 It's like, "Howdy, neighbor" fence. 333 00:18:00,163 --> 00:18:03,959 Half an hour left, everyone. There's half an hour left on the clock. 334 00:18:04,042 --> 00:18:05,794 Gut-wrenching. 335 00:18:05,877 --> 00:18:08,588 There's no couch because I ran out of time. 336 00:18:08,672 --> 00:18:09,881 Not good. 337 00:18:09,965 --> 00:18:12,342 I have to change the whole idea. 338 00:18:12,425 --> 00:18:16,346 I have no elements that I wanted, like the books and stuff created. 339 00:18:16,429 --> 00:18:17,848 I don't even have the couch. 340 00:18:17,931 --> 00:18:20,767 Uh, I'm gonna try to make a blown beanbag chair. 341 00:18:21,685 --> 00:18:22,811 We're all movin' now. 342 00:18:24,104 --> 00:18:26,148 I have to make a pillow and then stick it together. 343 00:18:26,231 --> 00:18:27,149 It's not a lot to do, 344 00:18:27,232 --> 00:18:29,985 but the color application will take me probably a good 20 minutes, 345 00:18:30,068 --> 00:18:31,486 so I am under the gun. 346 00:18:34,447 --> 00:18:35,490 All right, level. 347 00:18:36,158 --> 00:18:37,659 Turn, turn, turn. Stop. 348 00:18:38,285 --> 00:18:40,287 So the grapes are going on hot… 349 00:18:40,370 --> 00:18:41,496 Flip. 350 00:18:41,580 --> 00:18:44,791 So, I bring over a fresh hot bit, attach that to the vine, 351 00:18:45,709 --> 00:18:50,172 pick the grapes up out of the box and stick it into the fresh glass. 352 00:18:51,590 --> 00:18:54,509 All right, run on over. Coming through. Hot glass. 353 00:18:55,135 --> 00:18:56,303 Can anyone switch? 354 00:18:56,386 --> 00:18:58,638 Fifteen minutes left, everyone. 355 00:18:58,722 --> 00:19:01,641 Remember, there's a Pilchuck residency on the line. 356 00:19:05,645 --> 00:19:08,231 Push forward. Push forward. Push forward. Push forward. 357 00:19:08,732 --> 00:19:11,651 I'm going to attach the-- the sneaker to the pillow now… 358 00:19:11,735 --> 00:19:13,778 Blow, blow, turn, turn, turn. 359 00:19:14,821 --> 00:19:17,365 …and it doesn't dip into the pillow as much as I need. 360 00:19:18,116 --> 00:19:19,284 Okay, blow please. 361 00:19:19,826 --> 00:19:22,913 Blow. Blow hard. Blow hard, blow, blow, blow. Stop. 362 00:19:23,747 --> 00:19:24,623 -Oh! 363 00:19:24,706 --> 00:19:26,166 Flash. Flash, flash, flash. 364 00:19:26,249 --> 00:19:28,877 I let the tassel get cold, and I knocked one of them off. 365 00:19:30,545 --> 00:19:32,047 The question right now is, 366 00:19:32,130 --> 00:19:35,926 should I add it again hot or should I make one and assemble it cold? 367 00:19:36,009 --> 00:19:37,802 I got ten minutes, and I'm gonna make it. 368 00:19:37,886 --> 00:19:40,138 Pull up a little bit. Pull up. Stop. 369 00:19:41,598 --> 00:19:43,058 So close. So close. 370 00:19:43,141 --> 00:19:45,310 Coming through, behind you. A big, hot glass. 371 00:19:46,353 --> 00:19:47,479 Close the door. 372 00:19:48,813 --> 00:19:51,107 I think we should start putting the marbles on. 373 00:19:53,318 --> 00:19:54,903 It's gonna go around. 374 00:19:58,657 --> 00:19:59,824 Okay, go! Go, go, go. 375 00:20:05,914 --> 00:20:06,831 Grab it, take it. 376 00:20:10,585 --> 00:20:12,420 Yes! 377 00:20:12,504 --> 00:20:13,630 Nice. 378 00:20:14,422 --> 00:20:16,883 Barely in there, but, uh, not what I wanted. 379 00:20:17,884 --> 00:20:19,719 Glassblowers, time is up. 380 00:20:19,803 --> 00:20:21,012 Whoo! 381 00:20:21,096 --> 00:20:23,348 -How do you feel, Dan? -Holy smokes. 382 00:20:23,974 --> 00:20:24,849 I'm blown away. 383 00:20:37,946 --> 00:20:40,490 For this challenge, we had to make a piece of glass art 384 00:20:40,573 --> 00:20:44,869 inspired by one of the seven deadly sins and make it modern and more contemporary. 385 00:20:44,953 --> 00:20:48,206 I had envy, so I chose to make a small village, 386 00:20:48,290 --> 00:20:49,541 kind of Perfectville, USA. 387 00:20:49,624 --> 00:20:50,959 I really like my piece. 388 00:20:52,043 --> 00:20:54,879 It's risky to be so experimental. 389 00:20:54,963 --> 00:20:56,756 When the evaluators see this piece, 390 00:20:56,840 --> 00:21:00,093 I hope that the sound will translate visually. 391 00:21:01,052 --> 00:21:03,680 The sneaker looks like a sneaker. The flesh tones are there. 392 00:21:03,763 --> 00:21:06,516 It gives the conceptual layer and the technical look that I wanted. 393 00:21:07,225 --> 00:21:09,102 I'm not super thrilled with the piece, 394 00:21:09,185 --> 00:21:10,478 'cause I know I can do better. 395 00:21:10,562 --> 00:21:13,356 Being in this competition, it's a lot harder than it looks. 396 00:21:14,065 --> 00:21:15,692 This piece isn't about me. 397 00:21:15,775 --> 00:21:19,404 It's about just the group at large of marginalized people, 398 00:21:19,487 --> 00:21:20,655 people in my community. 399 00:21:21,531 --> 00:21:23,199 I don't think I've decided quite yet 400 00:21:23,283 --> 00:21:25,410 if it's lust or love for my piece. 401 00:21:25,493 --> 00:21:28,288 It takes a little time to figure that out. 402 00:21:28,371 --> 00:21:30,540 The story I'm trying to tell is, 403 00:21:30,623 --> 00:21:34,002 when the world comes across as black and white, 404 00:21:34,085 --> 00:21:35,045 it can be painful. 405 00:21:35,712 --> 00:21:37,839 But be proud of who you are. 406 00:21:43,261 --> 00:21:46,014 Welcome to sin city, population: seven. 407 00:21:47,807 --> 00:21:50,060 Let's start with Minhi's piece. 408 00:21:50,894 --> 00:21:53,021 It's very skillfully executed, 409 00:21:53,104 --> 00:21:57,609 with the thorns and the teeth that are coming out of the flower. 410 00:21:57,692 --> 00:22:02,572 It definitely has that sense of "careful what you wish for," perhaps. 411 00:22:02,655 --> 00:22:05,700 I feel like there might have been a better way to, maybe, combine 412 00:22:05,784 --> 00:22:07,660 the thorn aspect with the flower. 413 00:22:07,744 --> 00:22:10,372 I mean, she could have had sort of thorns on the actual stem. 414 00:22:11,247 --> 00:22:13,708 This is Brenna's pride piece. 415 00:22:13,792 --> 00:22:16,503 "Brenna's piece was inspired by the strength and pride 416 00:22:16,586 --> 00:22:19,255 within the LGBTQ community." 417 00:22:20,548 --> 00:22:21,383 Hmm. 418 00:22:22,050 --> 00:22:23,635 I love the shape and color. 419 00:22:24,386 --> 00:22:28,056 You know, my first take on this is maybe not a great one, 420 00:22:28,139 --> 00:22:29,182 -to be perfectly blunt. -Oh. 421 00:22:29,265 --> 00:22:32,519 You know, this shape and the way that she's used the cane, 422 00:22:32,602 --> 00:22:33,895 the black and white stripes here, 423 00:22:33,978 --> 00:22:39,025 is very reminiscent of a very well-known Venetian Maestro, Lino Tagliapietra. 424 00:22:39,109 --> 00:22:44,030 And I do kind of take issue with how derivative this form is of his work. 425 00:22:44,114 --> 00:22:47,367 And I feel like this doesn't really show Brenna's voice here. 426 00:22:47,450 --> 00:22:49,327 But it looks really good. 427 00:22:50,662 --> 00:22:52,705 This is Trenton's piece. 428 00:22:52,789 --> 00:22:54,749 Can you guess what sin he had? 429 00:22:54,833 --> 00:22:58,294 I'm going to go out on a limb and say sloth. 430 00:22:58,378 --> 00:23:00,255 -Yeah. 431 00:23:00,338 --> 00:23:01,297 Bingo. 432 00:23:02,006 --> 00:23:04,092 It's a well-done sloth. 433 00:23:04,175 --> 00:23:08,138 He's very scary, those claws are terrifying. 434 00:23:08,221 --> 00:23:12,058 But it's a sloth, then I kind of stop there. 435 00:23:12,142 --> 00:23:16,396 I don't know what else he's trying to tell us, conceptually, 436 00:23:16,479 --> 00:23:18,982 about the theme of sloth and laziness. 437 00:23:19,858 --> 00:23:22,360 This is John Moran's greed piece. 438 00:23:22,444 --> 00:23:26,656 I love that he's using an athletic shoe as, kind of, the embodiment of greed. 439 00:23:26,739 --> 00:23:31,327 I think we're all kind of aware of how fetishized running shoes are. 440 00:23:32,162 --> 00:23:34,914 I'm not sure I get the flesh-colored idea. 441 00:23:34,998 --> 00:23:38,209 You know, it sort of just looks kind of like mauve, pinky purple. 442 00:23:38,293 --> 00:23:40,962 Think we're missing, like, that part of the message because of that. 443 00:23:41,045 --> 00:23:43,882 Sculpturally, it's a really wonderful piece. 444 00:23:43,965 --> 00:23:45,300 There's movement. 445 00:23:45,383 --> 00:23:48,011 Love the silver leaf that he's used on the pillow 446 00:23:48,094 --> 00:23:50,972 to give it that sense of polish and elevation. 447 00:23:53,808 --> 00:23:55,602 So, Grace had gluttony. 448 00:23:56,936 --> 00:24:02,275 Grace wanted to reference ASMR, or Auto Sensory Meridian Response. 449 00:24:02,358 --> 00:24:03,359 Interesting. 450 00:24:04,027 --> 00:24:08,740 The sounds are like, the smacking of chewing, the "S" sound of a whisper. 451 00:24:09,741 --> 00:24:11,451 This is the cutting the cake. 452 00:24:11,534 --> 00:24:14,037 This is the crunch sound of the pickle. 453 00:24:14,120 --> 00:24:15,413 -Oh! -Okay, okay. 454 00:24:15,497 --> 00:24:17,540 I can hear them when I look at them. 455 00:24:17,624 --> 00:24:21,169 So I'm not sure, for me, because I didn't know about ASMR beforehand, 456 00:24:21,252 --> 00:24:23,296 that I would have made that correlation. 457 00:24:23,379 --> 00:24:26,674 I think everything else that we've looked at has been a little bit literal, 458 00:24:26,758 --> 00:24:31,221 so I really appreciate that we're being taken on a little bit more of a journey. 459 00:24:32,096 --> 00:24:33,932 This is John Sharvin's piece. 460 00:24:34,015 --> 00:24:35,850 His piece is about envy. 461 00:24:35,934 --> 00:24:38,895 You've got two houses versus one house. 462 00:24:38,978 --> 00:24:43,983 So there's certainly that sense of the haves and the have-nots, perhaps, 463 00:24:44,067 --> 00:24:46,319 that I think he's telling us in this piece. 464 00:24:46,402 --> 00:24:49,447 The detail on the fence is really wonderful. 465 00:24:49,531 --> 00:24:52,075 This really shows a progression of John, 466 00:24:52,158 --> 00:24:55,662 you know, articulating his concepts but-- and also his technical skill. 467 00:24:55,745 --> 00:24:58,122 And I think we're starting to see that a bit more. 468 00:24:59,666 --> 00:25:01,376 This is Dan's. 469 00:25:01,459 --> 00:25:03,878 This is done extremely well. 470 00:25:03,962 --> 00:25:08,341 Everything is put together hot. Amazing craftsmanship here. 471 00:25:08,424 --> 00:25:11,970 Great grapes, really nice book. 472 00:25:12,053 --> 00:25:12,971 Where's the wrath? 473 00:25:14,222 --> 00:25:16,266 There's something there he doesn't wanna deal with. 474 00:25:17,600 --> 00:25:21,271 There's a lot of coiled energy in grapes. 475 00:25:21,354 --> 00:25:22,730 The book is closed. 476 00:25:22,814 --> 00:25:26,442 And maybe that's a sign of Dan's response to wrath right now 477 00:25:26,526 --> 00:25:30,196 is that he's not ready to deal with it and it is very tightly bound. 478 00:25:32,073 --> 00:25:34,242 All right, well, let's bring in the glassblowers. 479 00:25:37,745 --> 00:25:39,205 It's really anybody's game. 480 00:25:39,289 --> 00:25:41,207 There's a little more on the line this challenge 481 00:25:41,291 --> 00:25:42,959 with the Pilchuck residency. 482 00:25:43,042 --> 00:25:44,544 There's some meat on the bone. 483 00:25:45,295 --> 00:25:48,381 I'm lusting after a win. I want this win. 484 00:25:50,008 --> 00:25:52,010 Glassblowers, welcome back. 485 00:25:52,093 --> 00:25:55,179 Your deadly sins really brought the gallery to life. 486 00:25:56,347 --> 00:25:59,726 I was really taken by the way everyone responded to the challenge, 487 00:25:59,809 --> 00:26:02,478 to the way it really revealed something about you personally, 488 00:26:02,562 --> 00:26:05,356 and how you really responded to the seven deadly sins. 489 00:26:07,483 --> 00:26:08,568 John Moran. 490 00:26:09,527 --> 00:26:10,820 We understood that you were 491 00:26:10,903 --> 00:26:12,989 kind of trying to mimic various flesh tones. 492 00:26:13,072 --> 00:26:15,658 Do you think that came across in the piece? 493 00:26:15,742 --> 00:26:18,494 The sneaker and the pillow being fleshy was important to the concept 494 00:26:18,578 --> 00:26:21,289 because I wanted to show the separation, the disparity of wealth. 495 00:26:21,372 --> 00:26:22,248 Mm. 496 00:26:22,957 --> 00:26:25,460 And that's what-- I was trying to bring the flesh tones into it, 497 00:26:25,543 --> 00:26:28,338 on both the sneaker and then the pillow underneath of it. 498 00:26:28,421 --> 00:26:30,131 But overall I-- I'm happy with them. 499 00:26:30,214 --> 00:26:31,341 Hmm. Okay. 500 00:26:34,385 --> 00:26:35,428 Brenna. 501 00:26:35,511 --> 00:26:38,181 So my first thought was the piece was very referential 502 00:26:38,264 --> 00:26:40,433 of the work of Lino Tagliapietra. 503 00:26:40,516 --> 00:26:41,643 Tsk. 504 00:26:41,726 --> 00:26:44,354 -Wanna talk about that a bit? -Sure. 505 00:26:44,437 --> 00:26:47,565 I'm obviously a very big fan of his work. His work is phenomenal. 506 00:26:47,649 --> 00:26:50,902 I do love the flattened vessel form, 507 00:26:50,985 --> 00:26:54,030 maybe even subconsciously inspired by Lino. 508 00:26:54,113 --> 00:26:58,159 But to put the marbles going up the side, I personally haven't seen before. 509 00:26:58,242 --> 00:27:00,828 I mean, Lino is an incredible glass artist, 510 00:27:00,912 --> 00:27:02,997 but did you not think that there might be another form 511 00:27:03,081 --> 00:27:05,291 that would be more Brenna Baker? 512 00:27:05,375 --> 00:27:10,129 If I was to do it again, because I have made it so similar, um, 513 00:27:10,213 --> 00:27:12,340 I would choose a different form, for sure. 514 00:27:13,675 --> 00:27:14,550 Dan. 515 00:27:15,051 --> 00:27:16,928 You created Grapes of Wrath. 516 00:27:17,011 --> 00:27:18,805 Yeah, so my piece is about wrath. 517 00:27:18,888 --> 00:27:21,391 John, my good friend, walked over 518 00:27:21,474 --> 00:27:23,768 -and gave me the old one-two. 519 00:27:23,851 --> 00:27:27,313 So, Dan, we felt that the piece read very literal. 520 00:27:28,731 --> 00:27:30,149 Well, I mean, I could go into 521 00:27:30,233 --> 00:27:33,111 all the anger management classes I've been to, but, I mean, 522 00:27:33,194 --> 00:27:35,571 I don't know how I would make that piece necessarily. 523 00:27:35,655 --> 00:27:38,533 I think that's what we're, sort of, hoping or expecting to see. 524 00:27:39,242 --> 00:27:42,495 But we're also very, very impressed with the technical aspect, 525 00:27:42,578 --> 00:27:43,830 putting it all together hot. 526 00:27:43,913 --> 00:27:46,332 -You did an amazing job. -Huy ch q'u. Huy ch q'u. Thanks. 527 00:27:46,958 --> 00:27:48,251 Trenton. 528 00:27:48,334 --> 00:27:50,795 I remember, from your drawing, you had some other elements. 529 00:27:50,878 --> 00:27:52,630 This piece was a real challenge. 530 00:27:52,714 --> 00:27:55,299 The four-hour time limit is not a lot of time. 531 00:27:55,383 --> 00:27:58,886 I could spend four hours just making arms and legs for this piece. 532 00:27:58,970 --> 00:28:01,472 It was definitely hastily put together. 533 00:28:02,515 --> 00:28:03,349 Um… 534 00:28:04,434 --> 00:28:05,435 Yeah. 535 00:28:06,978 --> 00:28:09,355 Thank you, artists. We're gonna take a moment to discuss. 536 00:28:13,151 --> 00:28:15,194 I just wish they hadn't gone so literal. 537 00:28:15,862 --> 00:28:18,990 Honestly, I'd probably smash this piece if I wasn't in this challenge. 538 00:28:19,699 --> 00:28:21,367 I just wish I had more time. 539 00:28:22,285 --> 00:28:25,747 I hope the evaluators see art in my piece. 540 00:28:25,830 --> 00:28:29,167 I hope they see the story that I'm trying to tell. 541 00:28:30,793 --> 00:28:33,337 I would love to have a second win under my belt. 542 00:28:33,421 --> 00:28:35,757 Please be me. Please be me. Please be me. 543 00:28:40,011 --> 00:28:43,306 It's time to find out whose work has earned them a residency 544 00:28:43,389 --> 00:28:45,433 at the renowned Pilchuck Glass School. 545 00:28:47,059 --> 00:28:48,853 Today's Best in Blow is… 546 00:28:55,902 --> 00:28:57,862 -Grace. Congratulations. -Ah! I'm sorry. 547 00:28:59,614 --> 00:29:00,490 Oh, my God. 548 00:29:01,240 --> 00:29:02,784 I frigging won! 549 00:29:04,952 --> 00:29:06,662 I won a challenge! 550 00:29:06,746 --> 00:29:08,998 Grace, I just want to personally say congratulations 551 00:29:09,081 --> 00:29:11,334 and tell you how excited we are to welcome you to Pilchuck. 552 00:29:11,417 --> 00:29:12,960 Thank you. I'm so excited. 553 00:29:15,254 --> 00:29:16,172 Oh, my God! 554 00:29:17,215 --> 00:29:20,843 It really validates my position in this competition, 555 00:29:20,927 --> 00:29:22,345 and that I'm a real competitor, 556 00:29:22,428 --> 00:29:25,056 but also I won a frigging residency to Pilchuck, 557 00:29:25,139 --> 00:29:26,474 so that's iconic. 558 00:29:27,475 --> 00:29:28,601 I'm so excited. 559 00:29:29,685 --> 00:29:31,020 Ooh! 560 00:29:31,103 --> 00:29:33,439 And now let's talk about the ultimate sin. 561 00:29:36,818 --> 00:29:39,445 The artist who did not blow us away is… 562 00:29:45,660 --> 00:29:46,494 Brenna. 563 00:29:47,495 --> 00:29:49,580 Please say your goodbyes and exit the hot shop. 564 00:29:49,664 --> 00:29:51,582 -You okay? -It's all right. 565 00:29:52,250 --> 00:29:54,001 Thanks, guys. Love you. 566 00:29:54,085 --> 00:29:56,546 I definitely feel proud. I feel proud of my piece. 567 00:29:57,380 --> 00:30:01,884 I'm sorry that it was, you know, compared to the fabulous Lino Tagliapietra. 568 00:30:03,636 --> 00:30:05,263 Glass can be a cruel mistress. 569 00:30:05,346 --> 00:30:07,598 You get too close, sometimes you get burned. 570 00:30:08,182 --> 00:30:11,769 Glassblowers, congratulations on making it through another challenge. 571 00:30:11,853 --> 00:30:13,062 We'll see you at the next. 572 00:30:13,145 --> 00:30:16,816 I would like to do better, but it's not from a lack of trying. 573 00:30:17,400 --> 00:30:19,151 I'm worried about everyone. 574 00:30:19,235 --> 00:30:22,071 This is way more of a challenge than I anticipated. 575 00:30:22,655 --> 00:30:24,115 We're not even close to being done.