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00:00:06,382 --> 00:00:11,387
[Nick] Throw sand, lime and soda
into a 2,000 degree Fahrenheit furnace,
2
00:00:12,013 --> 00:00:14,140
and you get liquid glass.
3
00:00:14,223 --> 00:00:18,311
Skilled glassblowers gather
the molten mixture using hollow pipes.
4
00:00:18,394 --> 00:00:19,687
And when they blow,
5
00:00:19,771 --> 00:00:23,024
glass inflates to form a bubble
to shape and sculpt.
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00:00:23,107 --> 00:00:25,651
The tools and techniques
date back to Roman times,
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00:00:25,735 --> 00:00:26,986
but we're about to
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00:00:27,653 --> 00:00:28,571
turn up the heat.
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We're back at North America's
largest hot shop
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00:00:32,325 --> 00:00:34,410
to watch ten exceptional artists…
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[blowing]
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…fight fire with fire.
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And now the fun begins.
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[dramatic string music playing]
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00:00:42,210 --> 00:00:43,294
Go big or go home.
16
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[Nick] And with great risk…
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-Oh, God.
-Rest on the bench. Rest on the bench!
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-I always come out swinging.
-…comes great reward.
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00:00:50,343 --> 00:00:51,511
-Yeah, baby.
-[Minhi] Whoo!
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00:00:51,594 --> 00:00:53,971
[Nick] If they can survive
our fiery competition,
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00:00:54,055 --> 00:00:56,390
they'll win a life-changing prize package
22
00:00:56,474 --> 00:01:00,311
that will establish them
around the globe as Best In Glass.
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I'm Nick Uhas. Get ready to be Blown Away.
24
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[hissing, sizzling]
25
00:01:07,568 --> 00:01:09,403
[dramatic music playing]
26
00:01:09,987 --> 00:01:13,783
Glassblowers, congratulations
on making it to the final four.
27
00:01:16,702 --> 00:01:18,704
Final four is not enough.
28
00:01:19,330 --> 00:01:21,582
[John S] The ultimate goal here
is to get to the final.
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That's why I'm here. [laughs]
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[John M] There are four amazing artists
at the top four right now.
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I have no idea what's gonna happen,
but I know it'll be a fight till the end.
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00:01:30,716 --> 00:01:32,593
You are incredible artists.
33
00:01:32,677 --> 00:01:35,972
But we know that you haven't gotten
this far all by yourselves.
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You've inspired, pushed,
and supported each other
35
00:01:39,392 --> 00:01:40,643
throughout the competition.
36
00:01:40,726 --> 00:01:44,063
And not to mention the friends and family
who are supporting you back home.
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I miss my kids.
I talked to them last night.
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My girlfriend, Marta,
has been behind me the entire way.
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She's managing the studio,
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trying to keep things afloat,
and give me the opportunity to come here.
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Teamwork makes the dream work.
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And that brings us to our next challenge.
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Today the four of you
are gonna be split up into two teams.
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Ooh.
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00:02:04,500 --> 00:02:07,587
Team Challenge.
I love to collaborate with people.
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So I am excited, a little nervous.
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00:02:12,383 --> 00:02:15,595
John Sharvin, as the winner
of the last challenge,
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00:02:15,678 --> 00:02:17,263
you won an advantage.
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00:02:17,889 --> 00:02:21,017
And that means you get to pick
who you want to work with.
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00:02:21,642 --> 00:02:23,102
-Really?
-[Nick chuckles] Really.
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00:02:23,186 --> 00:02:25,521
-[Katherine laughs]
-[John S] This is not super easy.
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Everyone's good. What do you do here?
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I mean, there's not a wrong answer.
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00:02:29,317 --> 00:02:31,569
-No.
-There's not a right answer.
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00:02:31,652 --> 00:02:32,653
[Katherine chuckles]
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00:02:32,737 --> 00:02:36,032
The advantage that John has,
it kinda puts him in the hot seat.
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Crap. [chuckles]
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Yeah.
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-Well…
-[suspenseful music playing]
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00:02:46,834 --> 00:02:49,212
John, you want to Team-John this?
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00:02:49,295 --> 00:02:51,964
-Hell, yeah. Team John.
-All right, let's Team John this.
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00:02:52,048 --> 00:02:54,717
I think we'll work well together.
I'd have picked John as well.
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00:02:56,135 --> 00:02:59,639
So that means, Dan and Minhi,
you will be working together.
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00:02:59,722 --> 00:03:01,515
Team Seattle. Let's go.
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00:03:01,599 --> 00:03:03,017
[all chuckling]
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00:03:03,100 --> 00:03:06,771
I like the way it shakes out.
It worked out how I would have chosen.
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But it remains to be seen
if it worked out in my favor, right?
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00:03:09,732 --> 00:03:14,528
To help Katherine evaluate your work
are today's guest evaluators, plural…
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00:03:14,612 --> 00:03:15,529
Okay.
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Glass powerhouse partners,
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Robin and Julia Rogers.
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[upbeat music playing]
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Robin and Julia's collaborative works
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00:03:25,831 --> 00:03:28,251
have been shown
in museums across North America,
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including the Chrysler Museum of Art,
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where Robin is
the glass studio program director
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00:03:33,422 --> 00:03:35,716
and Julia is an adjunct professor.
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The Chrysler Museum has
a great reputation in glassmaking and art.
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00:03:39,553 --> 00:03:43,849
On top of that, they're both
incredibly talented artists.
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00:03:44,558 --> 00:03:46,811
Julia and I have assisted
each other for years,
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00:03:47,395 --> 00:03:50,398
but working collaboratively
as two artists on one piece
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00:03:50,481 --> 00:03:52,275
is an entirely different ball game.
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00:03:53,150 --> 00:03:56,028
For this challenge,
we want you to take two synonymous words
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00:03:56,112 --> 00:03:59,073
that go together to create one piece.
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00:03:59,156 --> 00:04:00,908
Pure and simple.
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00:04:01,659 --> 00:04:05,079
The word pairings are up to you,
but the criteria is not.
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00:04:05,162 --> 00:04:06,163
All right.
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00:04:08,040 --> 00:04:10,876
[Nick] Teams, you'll have
four hours for this challenge.
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00:04:10,960 --> 00:04:15,214
You'll be evaluated as a team
and individually on design,
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00:04:15,298 --> 00:04:17,383
concept and technical skill.
91
00:04:17,466 --> 00:04:19,760
The winning team
will be named Best in Blow.
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00:04:20,636 --> 00:04:24,015
The two artists on the losing team
will be on the chopping block,
93
00:04:24,098 --> 00:04:25,933
but only one person will go home.
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00:04:26,517 --> 00:04:29,228
-Oh, man.
-[John S] There's a lot of pressure.
95
00:04:29,312 --> 00:04:32,565
If I break my part of the piece,
that's letting John down.
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00:04:32,648 --> 00:04:35,985
Then that puts us in the bottom two,
and I don't want that on my shoulders.
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00:04:37,320 --> 00:04:38,404
Your time starts…
98
00:04:38,487 --> 00:04:40,156
[suspenseful music playing]
99
00:04:41,407 --> 00:04:42,283
…now.
100
00:04:42,366 --> 00:04:44,368
[optimistic music playing]
101
00:04:46,078 --> 00:04:49,874
-Word pairings, what do you think? Uh…
-There's a lot. There's a lot out there.
102
00:04:49,957 --> 00:04:51,042
"Nice and easy."
103
00:04:51,125 --> 00:04:52,335
"Hot and spicy"?
104
00:04:52,418 --> 00:04:53,586
-"Hot and spicy."
-Yeah.
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00:04:53,669 --> 00:04:56,672
-I like that. That's good.
-Yeah, I do too. That's a good one.
106
00:04:56,756 --> 00:05:01,218
[Minhi] We are going to have flames
that point upwards with a ristra,
107
00:05:01,302 --> 00:05:04,764
which is a string of peppers
coming down toward the flames.
108
00:05:04,847 --> 00:05:07,099
I'm kinda liking "alive and well."
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00:05:07,183 --> 00:05:10,394
I remember this story, Little Otik,
it's like a Scandinavian fairy tale,
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00:05:10,478 --> 00:05:12,104
and it's about a woman
who can't have kids,
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00:05:12,188 --> 00:05:13,773
so her husband gives her a tree stump.
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00:05:13,856 --> 00:05:16,400
And the tree stump comes to life
and starts, like, eating people.
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00:05:16,484 --> 00:05:18,444
And it kinda turns into
this horrific fairy tale.
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00:05:18,527 --> 00:05:21,614
-Maybe we could do something with that.
-Ooh. Ooh, I do like that.
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00:05:22,198 --> 00:05:23,574
We want to make one piece together.
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00:05:23,657 --> 00:05:26,577
And I think that's
a really important thing in collaborating.
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00:05:26,660 --> 00:05:29,663
I'll do the flames,
make 'em blow, and lots of color.
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00:05:29,747 --> 00:05:30,790
I'll do the chilies.
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00:05:30,873 --> 00:05:33,501
Dan Friday picked
a pack of pickled peppers.
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00:05:33,584 --> 00:05:35,378
Dan Friday picked
a pack of pickled peppers.
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00:05:35,461 --> 00:05:37,171
Dan Friday picked
a pack of pickled peppers.
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00:05:37,254 --> 00:05:39,215
-Ah!
-[both laughing]
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00:05:39,298 --> 00:05:41,008
I could start on the baby rattle.
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I can make the-- the, kind of, the limbs.
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00:05:42,760 --> 00:05:45,346
And then you can focus
on the head and the body.
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00:05:45,429 --> 00:05:48,891
I would say, it's a match made in heaven.
With hellish undertones.
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00:05:48,974 --> 00:05:49,975
[both chuckle]
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00:05:50,059 --> 00:05:51,435
-Boom.
-[imitates explosion]
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00:05:51,519 --> 00:05:53,646
Can't let the Johns just have this.
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-Johns?
-[chuckles]
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00:05:55,314 --> 00:05:56,565
[fire whooshes]
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00:05:56,649 --> 00:05:58,859
[crackling]
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00:05:59,944 --> 00:06:01,654
[John S] You're gonna use all the reds.
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00:06:01,737 --> 00:06:03,280
[Dan] Yeah, we're goin' spicy.
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00:06:03,948 --> 00:06:04,782
Okay.
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00:06:04,865 --> 00:06:07,493
We're jumping in fast
'cause we have to make a bunch of parts.
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00:06:08,160 --> 00:06:09,745
[Minhi] All righty. Here we go.
138
00:06:09,829 --> 00:06:12,123
[exciting string music playing]
139
00:06:13,624 --> 00:06:15,876
There's a lot of pressure
in this challenge.
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00:06:15,960 --> 00:06:18,421
The Johns are on fire.
They've won a lot so far.
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00:06:19,130 --> 00:06:21,465
[Minhi] I'm really excited
to be working with Dan.
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00:06:21,549 --> 00:06:24,635
You know, my feelings are only
a little hurt that John didn't pick me,
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00:06:24,718 --> 00:06:26,429
but don't tell him I said that.
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00:06:26,512 --> 00:06:27,346
[laughs]
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00:06:27,930 --> 00:06:29,723
[John M] I'll do three rolls in the white.
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00:06:29,807 --> 00:06:31,434
John's working on the color recipe,
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00:06:31,517 --> 00:06:34,019
so when I start working
on the pieces I need to make,
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00:06:34,103 --> 00:06:35,813
I have a recipe to follow.
149
00:06:35,896 --> 00:06:38,399
We're working on one object,
so we're constantly back and forth,
150
00:06:38,482 --> 00:06:41,360
checking scale,
checking size, checking color.
151
00:06:41,444 --> 00:06:43,446
-That looks right.
-Yeah, I like it.
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00:06:43,529 --> 00:06:45,698
So we're really non-stop communication.
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00:06:48,200 --> 00:06:50,202
[pleasant string music playing]
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00:06:50,744 --> 00:06:55,624
So, Robin and Julia, what's the best part
about working as a pair?
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00:06:55,708 --> 00:06:57,042
There's a lot of advantages.
156
00:06:57,126 --> 00:07:00,129
One being that working simultaneously,
157
00:07:00,212 --> 00:07:02,673
we can get a lot more done
in a shorter amount of time.
158
00:07:03,841 --> 00:07:08,387
Today I am responsible for making "hot,"
159
00:07:08,471 --> 00:07:10,264
and Dan is making "spicy."
160
00:07:10,973 --> 00:07:15,144
Hot and spicy has a correlation
to being a glassmaker.
161
00:07:15,227 --> 00:07:18,689
Just the temperature and then
the attitudes that kinda come with that,
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00:07:18,772 --> 00:07:21,484
I think it's
a really appropriate word pairing.
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00:07:22,067 --> 00:07:23,861
Our plan is to divide and conquer.
164
00:07:24,862 --> 00:07:27,072
I'm going to be focusing on flames.
165
00:07:28,157 --> 00:07:29,742
[Dan] I'm making chili peppers.
166
00:07:29,825 --> 00:07:33,579
I'm hoping to make 15 to 20 peppers.
167
00:07:33,662 --> 00:07:37,791
The first thing I'll do is make a pepper
and then make another pepper
168
00:07:37,875 --> 00:07:39,752
before I make another pepper.
169
00:07:39,835 --> 00:07:41,212
Hot tamale.
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00:07:41,795 --> 00:07:43,923
Dan and Minhi, I'm kinda kicking myself
171
00:07:44,006 --> 00:07:45,925
'cause I'm like,
"Crap, that's a good team."
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00:07:46,008 --> 00:07:46,842
Aw, man.
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00:07:49,303 --> 00:07:52,681
Robin and Julia, what would you say
is the most challenging thing
174
00:07:52,765 --> 00:07:54,725
of two artists working on one piece?
175
00:07:54,808 --> 00:07:56,435
If you're each making parts for one piece
176
00:07:56,519 --> 00:07:59,772
and the proportion is not right,
the piece is not gonna feel right.
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00:07:59,855 --> 00:08:03,526
[Katherine] I could see that being
an issue for John Sharvin and John Moran.
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00:08:03,609 --> 00:08:06,862
The way they're working, they're making
elements that will have to fit together.
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00:08:06,946 --> 00:08:10,866
Whereas Minhi and Dan,
I think, are making separate pieces
180
00:08:10,950 --> 00:08:13,077
that will kinda come together at the end.
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00:08:13,160 --> 00:08:15,120
[dramatic string music playing]
182
00:08:15,204 --> 00:08:17,122
[John S] Our concept is "alive and well."
183
00:08:17,206 --> 00:08:19,833
And we wanted to kinda make,
like, an ambiguous version of that.
184
00:08:20,543 --> 00:08:24,213
We came up with this creepy
kinda fairy tale character
185
00:08:24,296 --> 00:08:25,548
who's called Little Otik.
186
00:08:26,173 --> 00:08:29,677
It's like a tree baby that comes to life
and starts eating everything around it.
187
00:08:30,386 --> 00:08:33,931
[John S] Making one piece,
it's more risky than doing multiples
188
00:08:34,014 --> 00:08:36,809
because if you break one multiple,
it's like, "We'll make another one."
189
00:08:36,892 --> 00:08:40,020
We put all of our eggs into one basket,
conceptually, because we believed in it.
190
00:08:40,104 --> 00:08:44,275
[chuckling] Would you say that John
and John are doing the harder piece, then?
191
00:08:44,858 --> 00:08:47,194
Probably. By what we're seeing so far,
192
00:08:47,278 --> 00:08:49,947
it looks, maybe,
a little bit more technically demanding.
193
00:08:50,030 --> 00:08:51,740
So probably a little higher stakes
194
00:08:51,824 --> 00:08:53,951
that it all
comes together well in the end.
195
00:08:54,034 --> 00:08:56,036
[intriguing string music playing]
196
00:09:01,083 --> 00:09:04,420
This is kinda like
the pepper prep for the-- the stem.
197
00:09:04,503 --> 00:09:08,090
And we just stick these Kevlar gloves
inside this aluminum mold.
198
00:09:08,173 --> 00:09:11,093
And it gives me
just enough time to create the loop
199
00:09:11,176 --> 00:09:13,887
that will attach the pepper to the ristra.
200
00:09:15,889 --> 00:09:18,601
Gonna have smoked
the whole glove by the end of this.
201
00:09:20,144 --> 00:09:23,564
I have no idea what's going on
on the other side of the shop.
202
00:09:23,647 --> 00:09:25,816
I see branches.
203
00:09:26,358 --> 00:09:28,193
John and John versus Seattle.
204
00:09:28,819 --> 00:09:30,529
[John M] I don't care what they're making.
205
00:09:30,613 --> 00:09:32,740
I know that they'll make
something cool, so…
206
00:09:32,823 --> 00:09:34,950
Right now I'm focused
on making our thing really cool.
207
00:09:35,034 --> 00:09:36,535
Team John for the win.
208
00:09:36,619 --> 00:09:38,203
-Team John.
-[chuckles]
209
00:09:38,287 --> 00:09:39,121
Who?
210
00:09:39,204 --> 00:09:41,957
[laughing]
211
00:09:42,041 --> 00:09:44,084
It would suck to go home at this point.
212
00:09:45,502 --> 00:09:48,631
[John S] So for the tree baby,
I'm starting with the cat rattle.
213
00:09:48,714 --> 00:09:53,135
I need to get that done around
the same time that John gets a arm done,
214
00:09:53,218 --> 00:09:54,219
so we can stick it on.
215
00:09:54,928 --> 00:09:56,513
[John M] The arm is like a tree branch.
216
00:09:56,597 --> 00:09:59,350
So it has to have some kind
of extra limbs like fingers,
217
00:09:59,433 --> 00:10:03,479
and some bends where an elbow
or wrist would be, but not too human.
218
00:10:03,562 --> 00:10:05,731
I'm going for, like,
eight inches, roughly.
219
00:10:05,814 --> 00:10:09,568
Yeah. I'm going for
about five-ish for the rattle.
220
00:10:09,652 --> 00:10:12,071
I've never made a baby rattle before.
I'll tell you that much.
221
00:10:12,154 --> 00:10:13,447
[dramatic music playing]
222
00:10:13,530 --> 00:10:16,867
Gonna put the rattle on
and make sure the twigs bend around it.
223
00:10:16,950 --> 00:10:20,204
It's important there's a hot connection
on the palm of a tree hand.
224
00:10:20,287 --> 00:10:23,707
And that's what'll give it
the most stable connection to the rattle.
225
00:10:23,791 --> 00:10:26,293
Then when I wrap the fingers around it,
it'll be even more stable.
226
00:10:26,377 --> 00:10:27,670
Okay, stop.
227
00:10:27,753 --> 00:10:29,088
[music continues]
228
00:10:29,171 --> 00:10:30,005
[sizzles]
229
00:10:32,216 --> 00:10:34,968
The reason it's a big deal
to attach hot is that it's a risk.
230
00:10:35,052 --> 00:10:35,928
Flip.
231
00:10:36,011 --> 00:10:39,306
You stick a piece on that's not hot enough
and it falls off and breaks.
232
00:10:39,390 --> 00:10:40,641
And we don't have time for that.
233
00:10:40,724 --> 00:10:42,768
[suspenseful music playing]
234
00:10:42,851 --> 00:10:44,186
So weird, I love it.
235
00:10:44,853 --> 00:10:48,691
-[John S] Yeah, we're makin' things!
-Uh, flash and then stay there.
236
00:10:48,774 --> 00:10:50,943
We wanted to have
something that really pops.
237
00:10:51,026 --> 00:10:52,528
And I think this does it perfectly.
238
00:10:52,611 --> 00:10:54,279
[triumphant music playing]
239
00:11:04,832 --> 00:11:08,502
[in sing-song] This is
some gorgeous glass we've got here.
240
00:11:08,585 --> 00:11:09,795
[upbeat music playing]
241
00:11:09,878 --> 00:11:14,299
I love working with Dan.
He's so great and he's so talented.
242
00:11:14,383 --> 00:11:17,469
I think the best part is
just the familiarity with him
243
00:11:17,553 --> 00:11:19,972
and just being able to feel
at home a little bit.
244
00:11:20,055 --> 00:11:21,348
Seattle crew here.
245
00:11:21,432 --> 00:11:23,809
Yeah, we both, yeah,
live and work in Seattle.
246
00:11:24,435 --> 00:11:27,730
[Minhi] Dan's strength is
he has this ability
247
00:11:27,813 --> 00:11:32,484
to make really smooth forms
that are just gorgeous.
248
00:11:32,568 --> 00:11:34,695
-Thank you. Yeah, awesome.
-[laughs]
249
00:11:34,778 --> 00:11:37,740
-How you doing over there, Minhi?
-Making headway.
250
00:11:37,823 --> 00:11:40,534
Yeah, you're on fire.
251
00:11:40,617 --> 00:11:44,830
Minhi can do
the really small, detailed work,
252
00:11:44,913 --> 00:11:47,541
and also she brings it
making the big pieces too.
253
00:11:47,624 --> 00:11:50,377
It's nice to see
that broad range of talent.
254
00:11:50,461 --> 00:11:51,336
Aw.
255
00:11:52,588 --> 00:11:53,422
Flip.
256
00:11:55,174 --> 00:11:56,008
Okay.
257
00:11:56,091 --> 00:11:57,843
[dramatic string music playing]
258
00:12:05,517 --> 00:12:06,894
[music fades]
259
00:12:08,520 --> 00:12:13,984
How hard is it for our glassblowers
to go from competitors to co-workers?
260
00:12:14,067 --> 00:12:16,195
I might say,
not as hard as you might think
261
00:12:16,278 --> 00:12:19,156
just because glassblowing
is always such a team sport.
262
00:12:19,239 --> 00:12:22,117
You know, as glassblowers,
we generally all like each other
263
00:12:22,201 --> 00:12:23,744
and like seeing each other succeed.
264
00:12:24,369 --> 00:12:27,206
I'm sure it's kind of a relief
to actually be working with somebody
265
00:12:27,289 --> 00:12:29,082
as opposed to against them for a change.
266
00:12:29,166 --> 00:12:30,501
For this one moment in time.
267
00:12:30,584 --> 00:12:32,044
-For this one challenge.
-[laughs]
268
00:12:32,127 --> 00:12:34,505
-And then sabotage sets in.
-[chuckles] Yeah.
269
00:12:38,300 --> 00:12:40,344
[intense music playing]
270
00:12:42,554 --> 00:12:45,557
I need a little mouth hole.
So these are the eyes. You see 'em?
271
00:12:46,058 --> 00:12:48,310
So the next piece
I'm working on is the head.
272
00:12:49,019 --> 00:12:50,646
[John M] Oh, yeah. That's lookin' good.
273
00:12:51,772 --> 00:12:54,566
I'm really happy
with the texture and the coloration.
274
00:12:54,650 --> 00:12:55,567
It's looking cute.
275
00:12:55,651 --> 00:12:58,695
It's lookin' exactly like
how we had talked about it.
276
00:13:00,197 --> 00:13:02,241
Hey, guys, we got two hours left!
277
00:13:02,324 --> 00:13:04,117
[Minhi] Two hours?
278
00:13:04,201 --> 00:13:05,828
[suspenseful music playing]
279
00:13:07,871 --> 00:13:09,122
[music dings, fades]
280
00:13:13,502 --> 00:13:15,212
[intriguing music playing]
281
00:13:15,295 --> 00:13:18,006
-Hello, Katherine.
-Hi, John Sharvin, how are you doin'?
282
00:13:18,090 --> 00:13:19,758
-Doin' really good today.
-Yeah?
283
00:13:19,842 --> 00:13:22,261
How is it feeling
making it to the final four?
284
00:13:22,344 --> 00:13:25,639
Oh, man, I actually did not really believe
I was gonna be here.
285
00:13:25,722 --> 00:13:29,101
-[Katherine chuckles]
-To be honest, it's crazy hard.
286
00:13:29,184 --> 00:13:30,811
You are coming off of a win.
287
00:13:30,894 --> 00:13:33,230
Oh, that was really fun,
thank you so much.
288
00:13:33,313 --> 00:13:35,482
-That was great.
-It was all me. I'll take the credit.
289
00:13:35,566 --> 00:13:38,527
-Okay, great. Yeah, yeah.
-I'm kidding. I'm kidding, everyone.
290
00:13:39,152 --> 00:13:41,530
Do you think that's given you
a new sense of confidence here?
291
00:13:41,613 --> 00:13:43,115
It's definitely helped a little bit.
292
00:13:43,198 --> 00:13:46,451
It made me feel like, "Yeah, I am…"
You know, "I can do this. This is fine."
293
00:13:47,160 --> 00:13:50,789
Do you think what you and John are making
gives you a chance at another win?
294
00:13:50,873 --> 00:13:55,752
I hope so. We should be fine on time.
We just have so much to get done.
295
00:13:55,836 --> 00:13:58,881
-I will let you carry on. All right.
-Thanks for stopping by.
296
00:13:58,964 --> 00:14:00,883
-All right. Good luck.
-[chuckles] Thanks.
297
00:14:00,966 --> 00:14:02,301
[dramatic music playing]
298
00:14:04,553 --> 00:14:05,929
Hi, Dan. How you doing?
299
00:14:06,013 --> 00:14:07,890
-Getting hot in here a little bit.
-Yeah?
300
00:14:07,973 --> 00:14:09,892
Both you and Minhi are from Seattle.
301
00:14:09,975 --> 00:14:12,227
-Have you guys worked together before?
-Uh, yeah.
302
00:14:12,311 --> 00:14:14,605
We both worked at a factory together.
303
00:14:14,688 --> 00:14:17,941
It doesn't seem like you guys are talking
too much while you're working.
304
00:14:18,025 --> 00:14:19,401
You just each have your mission.
305
00:14:19,484 --> 00:14:22,487
[Dan] Yeah, which is a little different
than the way the Johns are working.
306
00:14:22,571 --> 00:14:24,531
-You guys are going for quantity?
-Yeah.
307
00:14:24,615 --> 00:14:27,993
I'd like to be able to see the piece
from 20 feet away.
308
00:14:28,577 --> 00:14:31,038
I'll quit, uh, "peppering" you
with questions.
309
00:14:31,121 --> 00:14:33,123
Oh, nice. I'll take it. Thanks.
310
00:14:33,206 --> 00:14:35,834
[dramatic music playing]
311
00:14:43,508 --> 00:14:45,886
[John S] The next step is
to start working on the torso,
312
00:14:45,969 --> 00:14:49,056
which is gonna be our building block
to add all of our limbs to.
313
00:14:49,139 --> 00:14:49,973
Yep.
314
00:14:50,515 --> 00:14:55,145
It's a really important part of the piece,
even though it seems kind of minuscule.
315
00:14:55,228 --> 00:14:56,313
Go ahead and flip.
316
00:14:56,396 --> 00:14:58,774
John, it's looking good, man.
We're getting there.
317
00:14:58,857 --> 00:15:02,152
There's 60 minutes left
in this challenge, everyone.
318
00:15:02,235 --> 00:15:03,278
Okay.
319
00:15:03,362 --> 00:15:06,448
Dan, do you know
how many peppers you've made?
320
00:15:06,531 --> 00:15:08,659
Hopefully have made enough. We lost count.
321
00:15:08,742 --> 00:15:10,285
Yeah, I lost count, too.
322
00:15:10,369 --> 00:15:13,789
[Dan] The peppers, some are two gathers,
and some are three.
323
00:15:13,872 --> 00:15:18,377
And hopefully that size variation
will make 'em look cool as a group.
324
00:15:18,460 --> 00:15:21,171
It's a regular, uh, pepper farm.
325
00:15:21,254 --> 00:15:22,381
[chuckles]
326
00:15:22,464 --> 00:15:24,758
[John M] We need to start
gettting ready for assembly.
327
00:15:24,841 --> 00:15:26,843
-Yeah, let's do a nice--
-[both] Let's do it.
328
00:15:26,927 --> 00:15:28,637
-[John M] Go ahead in.
-[timer ticking]
329
00:15:28,720 --> 00:15:30,430
This is kind of the moment of truth.
330
00:15:30,514 --> 00:15:34,101
Putting everything together
to see if we actually did it right.
331
00:15:34,768 --> 00:15:37,479
-[John M] Make sure it's really gooey.
-All right.
332
00:15:38,397 --> 00:15:39,606
That thing's juicy, dude.
333
00:15:40,357 --> 00:15:43,568
[John M] This leg is shorter,
so I won't push it in as far.
334
00:15:43,652 --> 00:15:45,445
We don't have time to make a mistake.
335
00:15:45,529 --> 00:15:47,906
One thing goes wrong,
it's either not hot enough
336
00:15:47,990 --> 00:15:49,992
or it's too hot,
and you lose control of it.
337
00:15:50,075 --> 00:15:52,160
It is something
we have to be really careful about.
338
00:15:52,244 --> 00:15:53,078
Flash.
339
00:15:53,161 --> 00:15:57,082
At this stage of the competition,
if it broke then I'm going home.
340
00:15:57,165 --> 00:16:00,544
-We want to push those legs forward a bit.
-[John S] Okay.
341
00:16:00,627 --> 00:16:03,130
Right now it's sitting straight,
and we need it to go like this.
342
00:16:03,213 --> 00:16:04,589
Yep. Yeah.
343
00:16:05,590 --> 00:16:07,384
[John M] Push, push, push, push.
344
00:16:08,427 --> 00:16:09,636
-Keep pushing.
-Yeah.
345
00:16:10,637 --> 00:16:12,639
[pleasant string music playing]
346
00:16:13,515 --> 00:16:15,767
[John M] Okay, I think
it looks good like that.
347
00:16:15,851 --> 00:16:19,312
Once we've attached the legs,
we see the proportions are right.
348
00:16:19,396 --> 00:16:21,440
[chuckling] It looks
exactly like it should,
349
00:16:21,523 --> 00:16:23,150
it's really creepy-weird.
350
00:16:23,233 --> 00:16:24,568
[John S] Okay, cool beans.
351
00:16:25,193 --> 00:16:26,945
We still got work to do. Let's get moving.
352
00:16:27,904 --> 00:16:30,782
[Dan] Under an hour left,
so I'm startin' to feel the heat.
353
00:16:30,866 --> 00:16:32,075
Ooh, yeah.
354
00:16:33,118 --> 00:16:36,329
I'm sort of nestling blown forms
on top of each other
355
00:16:36,413 --> 00:16:39,082
to make the different heat levels
in the flame.
356
00:16:39,166 --> 00:16:42,294
And this one right here
is the very, very inside,
357
00:16:42,377 --> 00:16:43,754
the tiniest part of the flame.
358
00:16:44,463 --> 00:16:46,882
The hottest part of my flame is white.
359
00:16:46,965 --> 00:16:48,592
You think about, like, "white hot."
360
00:16:48,675 --> 00:16:51,720
So you have the white,
is that the inside over there? Nice.
361
00:16:52,637 --> 00:16:55,307
[Minhi] I think that
there's a lot of beauty in simplicity,
362
00:16:55,390 --> 00:16:57,142
so that's what we're shootin' for.
363
00:16:59,227 --> 00:17:01,688
Thirty minutes left
in your team challenge.
364
00:17:02,606 --> 00:17:03,899
Right on schedule, dude.
365
00:17:03,982 --> 00:17:06,860
Okay, so what I want you to do
when you go to bong this off
366
00:17:06,943 --> 00:17:08,653
is put the piece on the bench.
367
00:17:08,737 --> 00:17:13,533
Things get intense when you have
all these parts being attached hot.
368
00:17:13,617 --> 00:17:15,702
All the way up.
Bit, yep. There, yep. Okay.
369
00:17:15,786 --> 00:17:17,287
[dramatic music playing]
370
00:17:17,370 --> 00:17:19,664
[John S] Everyone needs to be
hyper-focused during this.
371
00:17:19,748 --> 00:17:23,251
Because if you stop looking
at the piece for half a second,
372
00:17:23,335 --> 00:17:25,212
you can hit an arm off immediately.
373
00:17:25,295 --> 00:17:28,882
So there's a lot of focus.
You know, tension is kind of high.
374
00:17:28,965 --> 00:17:29,841
Flip.
375
00:17:29,925 --> 00:17:32,552
That's what happens
when you put all your eggs in one basket,
376
00:17:32,636 --> 00:17:33,804
it gets really hectic.
377
00:17:33,887 --> 00:17:34,721
[chuckles]
378
00:17:34,805 --> 00:17:37,390
But it's impressive
if you can pull it off, I gotta say.
379
00:17:37,474 --> 00:17:39,392
[intense music playing]
380
00:17:39,476 --> 00:17:41,895
Dan, there's only 20 minutes left!
381
00:17:41,978 --> 00:17:43,105
Ah!
382
00:17:45,190 --> 00:17:47,109
Quite frankly, I'm worried about me
383
00:17:47,192 --> 00:17:49,444
not making the coolest thing
and going home,
384
00:17:49,528 --> 00:17:51,738
'cause I think the flames are pretty cool
385
00:17:51,822 --> 00:17:54,157
but the peppers
might seem a little mundane.
386
00:17:54,241 --> 00:17:57,410
But, uh, hopefully together as a group,
they're really beautiful.
387
00:17:57,494 --> 00:17:59,454
[John M] All right, let's get on the head.
388
00:18:00,330 --> 00:18:01,957
-Uh…
-There should be an opening.
389
00:18:02,040 --> 00:18:03,416
-There's a-- There's a mouth.
-Yeah.
390
00:18:04,042 --> 00:18:05,043
Flip.
391
00:18:05,127 --> 00:18:06,837
[sizzles]
392
00:18:09,089 --> 00:18:09,923
Turn.
393
00:18:10,882 --> 00:18:12,175
Okay, flash.
394
00:18:13,552 --> 00:18:14,803
Take, lift.
395
00:18:14,886 --> 00:18:16,513
[suspenseful music playing]
396
00:18:17,139 --> 00:18:18,557
[John M] You push the head up.
397
00:18:19,391 --> 00:18:20,517
That's it. That's perfect.
398
00:18:20,600 --> 00:18:22,644
Ten minutes left, glassblowers.
399
00:18:22,727 --> 00:18:24,521
There's only ten minutes left.
400
00:18:24,604 --> 00:18:27,190
Can you feel the heat? Ten minutes left.
401
00:18:27,274 --> 00:18:29,818
And now you're gonna turn.
Turn a little bit.
402
00:18:29,901 --> 00:18:31,695
John, you got all the parts,
hold it together.
403
00:18:31,778 --> 00:18:33,613
Let me get in with the jacks.
One, two, three.
404
00:18:33,697 --> 00:18:35,574
[suspenseful music continues]
405
00:18:38,368 --> 00:18:39,703
Let's get this last one in here.
406
00:18:41,329 --> 00:18:43,665
[Minhi] All right,
let's put it in the box.
407
00:18:43,748 --> 00:18:44,791
Go, Minhi.
408
00:18:44,875 --> 00:18:47,043
[both] Whoo! Yeah!
409
00:18:47,711 --> 00:18:48,545
Hot stuff.
410
00:18:49,129 --> 00:18:50,130
-Good job.
-[Minhi] Whoo!
411
00:18:50,213 --> 00:18:53,717
-Nice, Minhi.
-All right. Great work.
412
00:18:54,426 --> 00:18:55,844
[John S] That was fun, John.
413
00:18:55,927 --> 00:18:57,387
[gentle piano music playing]
414
00:19:03,268 --> 00:19:04,144
[clunks]
415
00:19:08,231 --> 00:19:10,567
[John S] The concept
of our piece is, "Alive, and Well?"
416
00:19:10,650 --> 00:19:12,319
[John M] It's a tree baby
that comes to life
417
00:19:12,402 --> 00:19:14,112
and starts eating everything around it.
418
00:19:14,196 --> 00:19:15,697
[both chuckling]
419
00:19:16,448 --> 00:19:21,369
[Minhi] There's this tie with the ristra
and the flames about community
420
00:19:21,453 --> 00:19:25,665
and coming together
and being a glassmaker.
421
00:19:25,749 --> 00:19:28,335
[intriguing music playing]
422
00:19:31,421 --> 00:19:34,466
[Nick] Welcome to the dynamic duo gallery.
423
00:19:35,425 --> 00:19:38,803
This is Dan and Minhi's piece,
"Hot and Spicy."
424
00:19:39,804 --> 00:19:41,389
This is awesome.
425
00:19:41,473 --> 00:19:43,767
I would totally want this in my house.
426
00:19:43,850 --> 00:19:45,602
You know, I'm a little bit underwhelmed.
427
00:19:45,685 --> 00:19:49,689
I feel like they haven't
pushed themselves technically very far.
428
00:19:49,773 --> 00:19:53,318
I wish they'd, maybe, just taken
a little bit more time with each element
429
00:19:53,401 --> 00:19:56,404
to really either heighten the reality
430
00:19:56,488 --> 00:19:59,574
of the peppers,
maybe the scale of the flames.
431
00:19:59,658 --> 00:20:03,119
And maybe the proximity of them
could be even a little closer, too.
432
00:20:03,912 --> 00:20:07,123
But there's some things
I'm really excited about in this piece.
433
00:20:07,207 --> 00:20:09,626
When you first see it,
it does occupy space.
434
00:20:09,709 --> 00:20:12,379
It is very bright,
and you're kind of drawn to it.
435
00:20:12,462 --> 00:20:15,674
I really do enjoy the texture
that I'm seeing in the flames.
436
00:20:15,757 --> 00:20:19,511
I think that really feels
warm and fiery and fuzzy.
437
00:20:19,594 --> 00:20:21,471
One really nice thing about these flames
438
00:20:21,554 --> 00:20:24,266
is it's not just
what you're seeing on the surface.
439
00:20:24,349 --> 00:20:28,561
If you get close and kind of look inside,
you'll realize there's multiple layers,
440
00:20:28,645 --> 00:20:32,148
and they're stacked upon each other,
which is really rewarding for the viewer.
441
00:20:33,275 --> 00:20:34,567
[whimsical music playing]
442
00:20:36,653 --> 00:20:40,991
[Nick] This is John Sharvin's
and John Moran's "Alive, and Well?"
443
00:20:41,074 --> 00:20:42,367
Question mark.
444
00:20:42,450 --> 00:20:45,203
The creature is inspired
by a Czech fairy tale.
445
00:20:46,037 --> 00:20:50,625
Conceptually, I-- I really like it
because it has many layers to it.
446
00:20:50,709 --> 00:20:53,211
And then technically,
I think it's a really interesting piece.
447
00:20:53,295 --> 00:20:55,130
The texture is really great,
448
00:20:55,213 --> 00:20:57,632
all the parts work together well,
449
00:20:57,716 --> 00:20:59,592
and it tells a story.
450
00:20:59,676 --> 00:21:04,180
I did notice that the head is darker
than the rest of the tree baby,
451
00:21:04,264 --> 00:21:08,059
so they didn't quite do a great job
of matching the colors there.
452
00:21:08,143 --> 00:21:10,437
[Katherine] It is
a hideous-looking creature…
453
00:21:10,520 --> 00:21:12,272
-[Nick laughs]
-…but so compelling.
454
00:21:13,064 --> 00:21:15,942
I've got to say it looks
very underwhelming
455
00:21:16,026 --> 00:21:20,405
in comparison to Minhi's and Dan's piece.
456
00:21:20,488 --> 00:21:24,743
It's just… It's a little twig baby.
457
00:21:24,826 --> 00:21:28,496
I feel like that's kind of eye candy
and really easy to like.
458
00:21:28,580 --> 00:21:32,625
Maybe this just takes a little bit more
to really, kind of, have it grow on you.
459
00:21:32,709 --> 00:21:34,669
[Nick] All right,
we've had a lot of opinions.
460
00:21:34,753 --> 00:21:36,671
So let's go talk to the glassblowers.
461
00:21:36,755 --> 00:21:38,465
[Katherine] Let's bring them in.
462
00:21:38,548 --> 00:21:40,592
[dramatic music playing]
463
00:21:42,469 --> 00:21:44,888
[John M] The competition is tough.
We all want to win.
464
00:21:44,971 --> 00:21:46,473
I'll continue trying to pull away,
465
00:21:46,556 --> 00:21:49,476
but I think every other artist
will continue to try to pull away as well.
466
00:21:50,560 --> 00:21:53,271
Making it to this point
has taken a lot out of me,
467
00:21:53,897 --> 00:21:57,108
but I'm not ready to leave.
468
00:21:57,192 --> 00:22:00,904
The only way I'm going out that door
is if someone pushes me out of it.
469
00:22:01,529 --> 00:22:04,074
For this challenge,
you had to work together as a team
470
00:22:04,157 --> 00:22:05,617
to create one piece.
471
00:22:05,700 --> 00:22:07,202
I think we were all really struck
472
00:22:07,285 --> 00:22:10,747
by the two radically different approaches
each team took.
473
00:22:11,498 --> 00:22:15,585
One approach was more literal,
while the other more conceptual.
474
00:22:16,753 --> 00:22:20,965
Dan and Minhi, we'd love to hear more
about your collaborative piece.
475
00:22:21,049 --> 00:22:25,095
We were hoping to make
a piece that was easily relatable,
476
00:22:25,178 --> 00:22:29,140
that had really bold color
and filled the space.
477
00:22:29,224 --> 00:22:31,643
The bright colors
and the way you've displayed it
478
00:22:31,726 --> 00:22:34,104
really do make for a great installation.
479
00:22:34,187 --> 00:22:35,355
Very accessible.
480
00:22:35,438 --> 00:22:39,776
Do you feel that this represents
the best that you can do?
481
00:22:39,859 --> 00:22:43,113
That's what I liked about this challenge,
being able to work with Minhi
482
00:22:43,196 --> 00:22:45,365
and equally kinda come together
483
00:22:45,448 --> 00:22:48,284
and bring both of our talents
into a piece.
484
00:22:48,368 --> 00:22:50,412
If you could change
one thing at this point,
485
00:22:50,495 --> 00:22:51,830
is there something you'd change?
486
00:22:51,913 --> 00:22:52,872
More.
487
00:22:52,956 --> 00:22:54,833
[Minhi and Katherine chuckling]
488
00:22:54,916 --> 00:22:58,420
But there's only so much you can make
in an allotted amount of time,
489
00:22:58,503 --> 00:23:00,964
and we just pushed to make
as much as we could.
490
00:23:01,047 --> 00:23:05,218
Was shooting for 20 chili peppers,
and I think I got 19, so…
491
00:23:06,010 --> 00:23:08,346
-A little off, but we'll take it.
-[Katherine chuckles]
492
00:23:08,430 --> 00:23:10,348
[Nick] John and John.
493
00:23:10,432 --> 00:23:12,142
Tell us about your piece.
494
00:23:12,225 --> 00:23:13,768
Yeah, we, uh, kind of,
495
00:23:13,852 --> 00:23:16,813
-created a tree child, Little Otik.
-[Katherine chuckles]
496
00:23:16,896 --> 00:23:19,023
We wanted to do something,
play with both of our styles,
497
00:23:19,107 --> 00:23:22,193
so we knew it was gonna be
on the cute side and the creepy side,
498
00:23:22,277 --> 00:23:25,071
so that fairy tale kind of came to life.
499
00:23:25,155 --> 00:23:28,741
Can you tell us a little bit about
how you chose to display this piece?
500
00:23:28,825 --> 00:23:30,076
We didn't want it at eyeline.
501
00:23:30,160 --> 00:23:32,370
'Cause it's this child
and it shouldn't seem threatening.
502
00:23:32,954 --> 00:23:34,456
So we wanted to have it a bit lower
503
00:23:34,539 --> 00:23:37,167
so you had to get down with it
to get into the details.
504
00:23:37,250 --> 00:23:40,003
The pedestal on its side almost
kind of becomes like a sofa or a bench.
505
00:23:40,086 --> 00:23:43,548
So he's welcoming in a way,
even though it's this threatening monster.
506
00:23:43,631 --> 00:23:46,092
-[John S] I really like it.
-[all chuckling]
507
00:23:46,676 --> 00:23:50,138
[Robin] We noticed the coloration
on the head is darker than the body.
508
00:23:50,221 --> 00:23:51,514
Was that intentional?
509
00:23:51,598 --> 00:23:53,057
We were using the same color recipe,
510
00:23:53,141 --> 00:23:55,435
and going from solid sculpture
to blown sculpture.
511
00:23:55,518 --> 00:23:59,564
It's a little darker than we wanted,
but at that point we couldn't go back.
512
00:23:59,647 --> 00:24:00,857
Thank you, John and John.
513
00:24:00,940 --> 00:24:02,775
-Thank you.
-Thanks, Katherine.
514
00:24:03,401 --> 00:24:06,196
[Nick] Thank you, artists.
We'll take a few minutes to deliberate.
515
00:24:06,279 --> 00:24:08,114
[suspenseful music playing]
516
00:24:09,073 --> 00:24:10,700
I want to go all the way.
517
00:24:10,783 --> 00:24:14,370
It was much more impactful,
that larger scale and color.
518
00:24:14,996 --> 00:24:16,414
[John M] We did what we came to do.
519
00:24:16,498 --> 00:24:18,708
We collaborated.
We did what we thought was best. So…
520
00:24:18,791 --> 00:24:22,420
I kinda think they made it
harder on themselves than they had to.
521
00:24:22,504 --> 00:24:24,255
[Dan] I've got work to do here.
522
00:24:24,339 --> 00:24:25,757
Yeah, it's not over.
523
00:24:27,091 --> 00:24:29,427
Thank you for waiting.
We've reached a decision.
524
00:24:30,845 --> 00:24:32,764
Today's winning team is…
525
00:24:32,847 --> 00:24:34,933
[suspenseful music playing]
526
00:24:37,977 --> 00:24:39,062
[music fades]
527
00:24:39,145 --> 00:24:40,647
John and John.
528
00:24:40,730 --> 00:24:42,315
-Hey, buddy. Nice.
-Mm-hmm.
529
00:24:43,149 --> 00:24:44,442
-[John M] Yeah.
-Yeah.
530
00:24:44,526 --> 00:24:47,779
-[both laughing] Team John for the win.
-[John M] That's what we've been saying.
531
00:24:49,322 --> 00:24:50,949
-[tense music playing]
-[Dan] Ah…
532
00:24:51,032 --> 00:24:53,576
On the chopping block is Dan and Minhi.
533
00:24:53,660 --> 00:24:55,995
Well, we-- You know, we tried our best.
534
00:24:56,871 --> 00:25:00,542
Dan and Minhi, as a team,
you did not blow us away.
535
00:25:01,167 --> 00:25:04,003
So, it comes down
to individual performance.
536
00:25:04,087 --> 00:25:06,965
Dan, why should you stay
in the competition?
537
00:25:07,048 --> 00:25:09,676
For this challenge,
it's about, uh, you know, just kind of
538
00:25:09,759 --> 00:25:11,803
participating and-- and pulling your load.
539
00:25:11,886 --> 00:25:13,680
And I think I did my part of the job well.
540
00:25:13,763 --> 00:25:15,014
Minhi?
541
00:25:15,098 --> 00:25:19,060
I feel as though
I utilized the properties of glass,
542
00:25:19,143 --> 00:25:25,275
and I wanted to accentuate light
and the transparency of the material.
543
00:25:25,358 --> 00:25:27,485
I believe that if I stay here,
544
00:25:27,569 --> 00:25:32,574
I can continue to push
and really expand my horizons.
545
00:25:33,074 --> 00:25:34,242
Thank you, Dan and Minhi.
546
00:25:34,325 --> 00:25:35,910
-Thank you.
-Thank you.
547
00:25:35,994 --> 00:25:39,539
The artist going home today is…
548
00:25:39,622 --> 00:25:41,791
[suspenseful music playing]
549
00:25:44,335 --> 00:25:45,461
…no one.
550
00:25:45,545 --> 00:25:46,754
-[exhales]
-[chuckles]
551
00:25:46,838 --> 00:25:48,881
[pleasant string music playing]
552
00:25:48,965 --> 00:25:49,799
[both] Whoo!
553
00:25:49,882 --> 00:25:51,092
[laughing]
554
00:25:51,175 --> 00:25:52,010
[whispers] Yeah.
555
00:25:52,093 --> 00:25:53,428
[chuckling]
556
00:25:53,511 --> 00:25:58,891
We've decided that you both deserve a shot
at one more challenge as individuals.
557
00:25:58,975 --> 00:26:00,935
-We'll take it, right?
-[chuckles] Yeah.
558
00:26:01,019 --> 00:26:03,062
So you live to blow another day.
559
00:26:03,146 --> 00:26:07,859
And you're still all in the running
for the $60,000 prize package
560
00:26:07,942 --> 00:26:11,529
and the coveted title, Best in Glass.
561
00:26:11,613 --> 00:26:13,865
You just might be looking
at the final two.
562
00:26:13,948 --> 00:26:16,576
-Yeah, I'd be-- I'd be okay with that.
-[chuckles]
563
00:26:16,659 --> 00:26:19,078
[chuckling] Uh, that would be awful.
564
00:26:19,662 --> 00:26:21,914
-We'll see you at the next challenge.
-All right.
565
00:26:21,998 --> 00:26:23,875
[closing theme music plays]