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A NETFLIX ORIGINAL LIMITED SERIES
2
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[theme music playing]
3
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[police radio signal]
4
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No, you can't go in.
5
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[cigarette lighter clicks]
6
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- [fist thuds]
- [Kimmy cries out, moaning]
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[fist thuds]
8
00:01:02,720 --> 00:01:05,000
[Teo] Where are Emma and Aníbal?
9
00:01:05,080 --> 00:01:08,880
[Kimmy sobbing] I don't know.
I don't know. I swear.
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[Teo grunts]
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[Kimmy cries out]
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[Kimmy coughing]
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[taunts] Kimmy, Kimmy, Kimmy.
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- Don't make me hurt you even more.
- I don't know where they are.
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- Think harder.
- [cries out]
16
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Or when I'm done,
no one will want to fuck you.
17
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I swear I...
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For the last time,
where are Emma and Aníbal?
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[sobbing] I don't know.
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[whimpering]
21
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- Tell me where and I get you a doctor.
- I don't know. I swear.
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If I knew, I would tell you.
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Or maybe you would protect him
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for fear of what he might do to you.
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No.
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Or you're protecting her.
27
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No.
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[metallic click]
29
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I don't enjoy doing this.
30
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But I need to get those tapes.
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[Kimmy] No, don't, please!
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- One…
- Please don't do it!
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- Two…
- No!
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- Three.
- [agonized scream]
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[blood spatters]
36
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[exhales]
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[whimpering]
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[agonized scream]
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[Kimmy] Your name is Martina Díaz.
40
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But you were named
"Kimmy Dale" so long ago
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that Martina forgot
what kind of life she wanted to live.
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["Beaten Down"
by Sharon Van Etten playing]
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[Kimmy] Maybe you wanted to be a dancer.
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Another kind of dancer.
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You arrived from Buenos Aires
full of dreams,
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that don't pay the rent.
47
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But you weren't going to follow
any rules that weren't your own.
48
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You weren't gonna give up your dignity.
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You're shit at your job! Ssh!
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- [Kimmy] Even if it hurt you.
- Listen to me, bitch!
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[sniffs, exhales]
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00:03:28,840 --> 00:03:31,760
[Kimmy] You started to numb the pain
any way you could.
53
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Until Candance arrived,
54
00:03:33,400 --> 00:03:36,560
and reminded you of the person
you forgot you wanted to be.
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You're afraid that just like you,
she'll also forget who she wants to be.
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And her first time in hell
hurts you as much as your own.
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You'll be strong again for her.
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- [crying out]
- It's okay.
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[Kimmy]
And you share your best moments together.
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[indistinct cooing]
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And the worst ones too.
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You want to keep her safe
from this brutality with all of your soul.
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- [Olivia screams] Kimmy!
- [Kimmy coughing]
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But you fail.
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00:04:18,880 --> 00:04:20,880
Hello, Kimmy. This is Emma.
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We're aborting the plan.
Everything went wrong.
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00:04:25,320 --> 00:04:27,760
[Kimmy] The future
you wanted to give her dies,
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and you do nothing to prevent that.
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- [yells]
- [glass shatters]
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[desolate cry]
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And the guilt
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of failing her overwhelms you forever.
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But your fate doesn't belong to you.
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[retches]
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[door closes]
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DO NOT CROSS - SEALED
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Your life goes on…
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LOVE, KIMMY
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…without a course.
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You try to rebuild your life,
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looking for a different path,
burying Kimmy.
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But the past catches up to rip you apart.
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00:05:12,520 --> 00:05:13,760
I understand, thank you.
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And the future slams all doors on you.
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♪ It's beaten down… ♪
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You return to the only thing you know how
to do
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to keep you from starving.
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♪ It ain't beaten down ♪
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♪ It ain't beaten down ♪
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[Kimmy] And for nine years,
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those stares remind you
you can't escape from being who you are.
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00:06:03,760 --> 00:06:05,240
And you feel miserable.
93
00:06:09,800 --> 00:06:11,480
[woman] You've got a client.
94
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Some kinky chick.
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Bring her in.
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Until one day,
the nightmare comes to an end.
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00:06:22,000 --> 00:06:24,640
["The Last Letter"
by the Blossoms playing faintly]
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00:06:29,760 --> 00:06:31,120
What happened to you?
99
00:06:32,160 --> 00:06:33,640
What happened to you?
100
00:06:37,080 --> 00:06:39,800
I promise I will tell you everything,
but the thing is…
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This is all very strange.
I'm not sure what I'm doing here.
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[Kimmy sighs]
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Candance, honey.
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[laughs]
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I go by Olivia.
106
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And I'm Magic.
107
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But does that matter?
108
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Anyone been here asking about me?
109
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Asking about you?
110
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Until five minutes ago,
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everybody thought you were dead.
112
00:07:10,640 --> 00:07:12,200
What is it, honey?
113
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This could be a trap.
I don't know if we're safe here.
114
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A trap?
115
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You want to go to my place?
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Yes.
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Yes, that's better.
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[Olivia] Kimmy.
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Does the bouncer know where you live?
120
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- Why?
- I need to ask him a favor.
121
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- No, I don't trust him.
- [door opens]
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- But she's good. Should I call her?
- Yes.
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Lucía.
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- [Olivia] Hi, Lucía.
- Hey.
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[Kimmy] She's like a daughter to me.
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Do as she needs.
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[Olivia] Look, this is my husband.
His name's Mat.
128
00:08:02,560 --> 00:08:04,920
We're supposed to meet here,
but he doesn't have his phone.
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00:08:05,000 --> 00:08:08,000
Keep an eye out? If you see him,
tell him we'll be at her place.
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- Mat's last name?
- Mateo Vidal.
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Okay. No problem.
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[Mat]Listen.
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Hey!
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[sighs, frustrated groan]
135
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Hey!
136
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Hey! I'm talking to you.
137
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I told you a hundred times,
I wanna make a call.
138
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I'm a lawyer. I know my rights.
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I told you a hundred times,
you have to wait for him. Understood?
140
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Who's him?
141
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[cell vibrating]
142
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- Bea, honey.
- [Bea] Teo.
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Thank God.
Why aren't you answering my messages?
144
00:08:48,640 --> 00:08:51,800
Didn't Colonel Prieto call you?
I asked her to.
145
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I'm fine, but I can't talk right now.
146
00:08:55,080 --> 00:08:56,160
How's Sofía?
147
00:08:57,240 --> 00:09:00,760
She doesn't know about Bruno,
but I can't keep hiding that I'm worried.
148
00:09:00,840 --> 00:09:02,560
Could've been you instead of him.
149
00:09:02,640 --> 00:09:05,880
- Teo, wherever you are, come back, please.
- I can't.
150
00:09:07,080 --> 00:09:08,840
But everything'll be fine, I promise.
151
00:09:09,400 --> 00:09:12,560
Bea, I'm going into a tunnel.
I have to go. I'll call you later.
152
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Teo.
153
00:09:13,760 --> 00:09:15,360
- I love you.
- Teo.
154
00:09:26,080 --> 00:09:27,360
This is everything?
155
00:09:27,440 --> 00:09:30,200
We won't approve the official version
without doing our job.
156
00:09:30,280 --> 00:09:31,120
Ortiz!
157
00:09:31,200 --> 00:09:33,440
Ballistics should check
if the bullet that killed Soto
158
00:09:33,520 --> 00:09:34,520
was from Aguilar's gun.
159
00:09:34,560 --> 00:09:37,280
We'll comply with the SCU's orders
to step back from the case.
160
00:09:37,360 --> 00:09:39,080
I'm asking for one more chance.
161
00:09:39,160 --> 00:09:41,600
Why you believe the word
of a wanted prostitute
162
00:09:41,680 --> 00:09:44,960
instead of the testimony of an SCU agent
with an impeccable record?
163
00:09:45,040 --> 00:09:48,040
Why wouldn't it be impeccable
given how everything works here?
164
00:09:48,120 --> 00:09:49,560
Looking to lose your badge?
165
00:10:04,080 --> 00:10:05,080
[door slams]
166
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[inhales, exhales]
167
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["Mamy Blue" by the Pop Tops
playing faintly]
168
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[young Lorena] When'll I see you?
169
00:10:44,240 --> 00:10:46,160
- [Lorena's dad] Very soon.
- [door opens]
170
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[song continues, fades]
171
00:11:15,960 --> 00:11:17,960
[kettle whistle squealing]
172
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[Olivia]
I managed to get Aguilar's tapes back,
173
00:11:29,280 --> 00:11:32,240
but he had me trapped
so I jumped out the window.
174
00:11:35,600 --> 00:11:36,440
TAPE 27
175
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He wanted this tape.
176
00:11:38,360 --> 00:11:39,360
His tape.
177
00:11:39,880 --> 00:11:41,640
He killed Lavanda.
178
00:11:46,360 --> 00:11:47,440
He did this.
179
00:11:49,160 --> 00:11:50,160
I'm sorry.
180
00:11:51,560 --> 00:11:54,000
He wanted to know about Aníbal and Emma.
181
00:11:56,160 --> 00:11:57,320
[sighs]
182
00:11:58,040 --> 00:12:00,640
You should've found me
to tell me you were safe.
183
00:12:02,560 --> 00:12:06,520
At least I would've known nothing happened
to you because I wasn't with you that day.
184
00:12:08,600 --> 00:12:09,600
Kimmy.
185
00:12:11,120 --> 00:12:13,480
I'll never forgive myself for what I did
to you.
186
00:12:15,080 --> 00:12:17,200
You still haven't told me why you're here.
187
00:12:19,600 --> 00:12:20,640
For Paula.
188
00:12:21,480 --> 00:12:23,240
- Paula?
- My daughter.
189
00:12:24,600 --> 00:12:26,680
She's sick. She needs my help.
190
00:12:27,480 --> 00:12:29,400
- Did your daughter find you?
- Hmm.
191
00:12:29,880 --> 00:12:30,720
No, she didn't.
192
00:12:30,800 --> 00:12:34,080
It was Gallardo,
the policeman who investigated my death.
193
00:12:34,160 --> 00:12:35,160
Gallardo?
194
00:12:35,920 --> 00:12:38,480
He found me through Paula's parents.
Or so he told me.
195
00:12:38,560 --> 00:12:39,560
[cell rings, buzzes]
196
00:12:39,600 --> 00:12:42,000
He sent me here
so I could meet them and help her,
197
00:12:42,080 --> 00:12:43,400
in exchange for money.
198
00:12:43,480 --> 00:12:45,680
TOMORROW 11:00 P.M.
SANTA EUGENIA SQUARE
199
00:12:45,760 --> 00:12:47,920
[Kimmy]
I think I oughta tell you something.
200
00:12:48,000 --> 00:12:50,000
- Your daughter came to me.
- [knocking]
201
00:12:52,360 --> 00:12:54,560
But she didn't say anything
about Gallardo.
202
00:12:56,720 --> 00:12:58,560
Paula found out she was adopted
203
00:12:58,640 --> 00:13:00,600
and wanted to know more about you.
204
00:13:01,200 --> 00:13:03,680
She went to the only place
where they could tell her anything.
205
00:13:05,160 --> 00:13:06,960
The place where she was left.
206
00:13:08,400 --> 00:13:10,120
They told her that you were dead.
207
00:13:11,520 --> 00:13:13,440
That's how she got to your grave.
208
00:13:14,800 --> 00:13:16,520
And your grave brought her to me.
209
00:13:25,560 --> 00:13:27,640
You know your mom loved you a lot, right?
210
00:13:31,120 --> 00:13:32,280
I don't get it.
211
00:13:34,560 --> 00:13:37,920
If my daughter thought I was dead,
everything Gallardo said was a lie.
212
00:13:39,560 --> 00:13:40,880
This has to be a trap.
213
00:13:41,960 --> 00:13:43,920
Maybe what Mat said is true.
214
00:13:44,000 --> 00:13:45,400
[gunshots]
215
00:13:46,560 --> 00:13:47,400
Aníbal.
216
00:13:47,480 --> 00:13:48,480
Aníbal?
217
00:13:49,240 --> 00:13:51,560
Maybe he's using everyone to get to me.
218
00:13:51,640 --> 00:13:54,040
Me and you.
We're the only ones still alive.
219
00:13:54,120 --> 00:13:55,520
I don't understand.
220
00:13:55,600 --> 00:13:58,400
Emma is dead.
Gallardo is dead. Sáez is dead.
221
00:13:59,280 --> 00:14:01,200
- Those two are dead?
- Yes.
222
00:14:01,280 --> 00:14:03,720
And Paula's parents
haven't shown up here at all.
223
00:14:03,800 --> 00:14:06,160
You told me Aníbal was dead,
that you shot him.
224
00:14:06,240 --> 00:14:07,240
Yes.
225
00:14:07,560 --> 00:14:09,600
But what if he didn't die?
226
00:14:09,680 --> 00:14:11,680
- [thump]
- [Emma, Candance grunting]
227
00:14:12,120 --> 00:14:13,120
I don't know.
228
00:14:14,040 --> 00:14:15,920
That's all I can think of.
229
00:14:16,000 --> 00:14:19,640
You try calling the phone that sent
the message about meeting in the square?
230
00:14:19,720 --> 00:14:20,720
No, I couldn't.
231
00:14:21,680 --> 00:14:23,200
The SCU disconnected my phone.
232
00:14:24,600 --> 00:14:26,320
Well, here, try with mine.
233
00:14:28,520 --> 00:14:30,480
- Want me to do it?
- Yes.
234
00:14:32,160 --> 00:14:34,560
You have some paper?
I'm running out of battery.
235
00:14:34,640 --> 00:14:35,920
Yeah, sure. Right there.
236
00:14:37,640 --> 00:14:38,720
I'm ready.
237
00:14:38,800 --> 00:14:40,360
Okay. 517.
238
00:14:41,320 --> 00:14:43,240
- 419.
- Yes.
239
00:14:43,320 --> 00:14:44,320
153.
240
00:14:49,120 --> 00:14:51,120
[busy tone]
241
00:14:53,680 --> 00:14:54,880
No answer.
242
00:15:04,280 --> 00:15:05,440
[doorbell rings]
243
00:15:13,200 --> 00:15:14,920
- [Oliete] Hmm.
- [Lorena sighs]
244
00:15:16,280 --> 00:15:17,280
May I?
245
00:15:27,280 --> 00:15:28,640
Are you training again?
246
00:15:29,920 --> 00:15:30,960
Why are you here?
247
00:15:32,360 --> 00:15:34,080
I know you have good instincts.
248
00:15:34,560 --> 00:15:38,000
You may be right about this,
but I couldn't agree in front of the SCU.
249
00:15:38,640 --> 00:15:40,960
If that's an apology, it's not a good one.
250
00:15:41,040 --> 00:15:43,560
I don't know if I care any more
about this case.
251
00:15:43,640 --> 00:15:46,360
- You care.
- Maybe, but I need to learn to care less.
252
00:15:46,840 --> 00:15:47,840
Right?
253
00:15:48,680 --> 00:15:52,120
I should worry about other things,
not just doing my job well.
254
00:15:53,760 --> 00:15:55,480
- I understand you're upset.
- No.
255
00:15:55,960 --> 00:15:57,200
You don't.
256
00:15:58,720 --> 00:15:59,840
Listen, Lorena,
257
00:16:01,200 --> 00:16:04,880
moving up in this job
is like climbing a mountain.
258
00:16:05,680 --> 00:16:09,360
The higher you get, the less air you have
and your backpack gets heavier.
259
00:16:09,840 --> 00:16:13,880
Your room to maneuver becomes smaller,
even though you think it doesn't.
260
00:16:14,360 --> 00:16:15,680
And people like you,
261
00:16:15,760 --> 00:16:17,000
with instinct,
262
00:16:18,240 --> 00:16:20,600
deserve room to maneuver
263
00:16:21,080 --> 00:16:23,920
to do what you need to do,
and not what you're told.
264
00:16:35,240 --> 00:16:36,480
Follow your instinct.
265
00:16:49,080 --> 00:16:50,120
One more thing.
266
00:16:51,920 --> 00:16:53,240
I want you to do this.
267
00:16:55,560 --> 00:16:57,280
But I was never here.
268
00:16:58,080 --> 00:16:59,720
You're on your own.
269
00:17:07,920 --> 00:17:08,920
INMATE ACCUSES VIDAL
270
00:17:09,000 --> 00:17:10,800
…Romero was always pissing him off.
271
00:17:10,880 --> 00:17:12,040
Now, he's dead.
272
00:17:12,120 --> 00:17:13,560
They say it was an accident,
273
00:17:13,640 --> 00:17:15,480
- but it's not true…
- [voices overlapping]
274
00:17:15,560 --> 00:17:18,440
If I'm gonna sleep alone every night,
I'll do it in my house, in my bed.
275
00:17:18,520 --> 00:17:20,440
[sighs] Honey, come on.
276
00:17:22,360 --> 00:17:23,200
Laura!
277
00:17:23,280 --> 00:17:24,880
[voice continues on TV]
278
00:17:24,960 --> 00:17:26,080
Fuck!
279
00:17:26,560 --> 00:17:27,560
Laura!
280
00:17:28,080 --> 00:17:29,520
Shit, Laura!
281
00:17:37,200 --> 00:17:38,440
The fuck you doing here?
282
00:17:38,520 --> 00:17:39,840
Relax, you're out thanks to me...
283
00:17:39,920 --> 00:17:41,920
Yes, I am relaxed
'cause I know you can't screw me.
284
00:17:41,960 --> 00:17:44,280
I'm not against you.
SCU fucked me over too.
285
00:17:46,200 --> 00:17:47,520
I'm on my own.
286
00:17:51,680 --> 00:17:55,360
- Aguilar's cell phone. Track it.
- That's illegal without a warrant.
287
00:17:55,440 --> 00:17:59,240
Yes, but you know how to do it.
Isn't that what you were accused of?
288
00:17:59,320 --> 00:18:01,760
Until Vidal's brother helped you, right?
289
00:18:03,560 --> 00:18:06,440
If you do something illegal,
I'll be a part of it too.
290
00:18:06,520 --> 00:18:07,520
We're in this together.
291
00:18:07,960 --> 00:18:08,960
What's your plan?
292
00:18:10,360 --> 00:18:12,960
We know Vidal and his wife
arranged to meet somewhere.
293
00:18:13,040 --> 00:18:14,400
The SCU knows that too.
294
00:18:14,480 --> 00:18:17,400
Aguilar's trailing Olivia,
so if we can locate him, I'm sure...
295
00:18:17,480 --> 00:18:19,120
He was just in Valencia.
296
00:18:19,200 --> 00:18:22,240
- You're kidding me?
- I get pissed too when I'm sidelined.
297
00:18:24,120 --> 00:18:25,400
Where is he now?
298
00:18:30,680 --> 00:18:32,200
[Zoe] On his way to Málaga.
299
00:18:32,280 --> 00:18:33,680
Less than an hour away.
300
00:18:33,760 --> 00:18:34,760
ANDALUSIA HIGHWAY
301
00:18:34,840 --> 00:18:36,080
[Lorena] Don't lose him.
302
00:18:36,160 --> 00:18:37,920
I'm taking the first flight to Málaga.
303
00:18:53,960 --> 00:18:56,480
MLAGA AIRPORT - COSTA DEL SOL
NATIONAL POLICE STATION
304
00:18:58,120 --> 00:18:59,120
[Zoe] Fuck!
305
00:19:00,120 --> 00:19:02,520
[suspenseful music playing]
306
00:19:21,720 --> 00:19:24,040
AGUILAR IS AT MÁLAGA AIRPORT
307
00:19:24,120 --> 00:19:25,120
POWER OFF
308
00:19:34,080 --> 00:19:37,560
[Teo] Special Crimes Unit.
I'll take it from here.
309
00:19:43,000 --> 00:19:44,240
[bars clang]
310
00:19:48,360 --> 00:19:49,760
Where is Candance?
311
00:19:53,000 --> 00:19:54,600
I don't know any Candance.
312
00:19:55,840 --> 00:19:57,240
If you keep protecting her,
313
00:19:58,040 --> 00:20:00,840
you will rot behind bars like these again.
314
00:20:00,920 --> 00:20:03,040
I want to call my firm
to send me a lawyer.
315
00:20:04,120 --> 00:20:06,720
You and your wife
wanted your sister-in-law's car.
316
00:20:07,800 --> 00:20:08,800
To go where?
317
00:20:09,440 --> 00:20:11,520
Tell me where and you can make that call.
318
00:20:14,600 --> 00:20:16,080
What's wrong? Don't trust me?
319
00:20:21,920 --> 00:20:23,440
Trust me about this.
320
00:20:23,520 --> 00:20:26,480
You don't want my colleagues
to find your wife before I do.
321
00:20:28,320 --> 00:20:31,200
Why you so interested in finding Olivia
before everyone else?
322
00:20:31,280 --> 00:20:32,600
She has something of mine.
323
00:20:33,080 --> 00:20:34,280
I want to get it back.
324
00:20:34,360 --> 00:20:35,360
That's all.
325
00:20:36,680 --> 00:20:37,520
What?
326
00:20:37,600 --> 00:20:38,880
Just some tapes.
327
00:20:40,880 --> 00:20:41,920
Hey, come on.
328
00:20:44,400 --> 00:20:48,160
We both want to forget about all this shit
and go back home to our families.
329
00:20:51,000 --> 00:20:53,200
Tell me where she is,
and we can make a deal.
330
00:20:54,120 --> 00:20:55,120
For both of you.
331
00:20:55,520 --> 00:20:57,040
We'll put it in writing.
332
00:21:00,400 --> 00:21:02,920
I don't think you understand
what's going on here.
333
00:21:03,000 --> 00:21:06,240
Without my help,
Olivia will be in prison until she's…
334
00:21:07,920 --> 00:21:09,240
what, 60?
335
00:21:10,400 --> 00:21:12,160
Do you really want her to suffer
336
00:21:12,240 --> 00:21:14,960
the way you did
all those years times five?
337
00:21:23,560 --> 00:21:25,560
[ominous music playing]
338
00:21:26,560 --> 00:21:28,560
I only have the name of a square.
339
00:21:29,360 --> 00:21:30,360
And a time.
340
00:21:32,440 --> 00:21:34,960
- She had a meeting in Marbella.
- With who?
341
00:21:36,880 --> 00:21:37,880
Tell me.
342
00:21:39,960 --> 00:21:42,080
I'll tell you if you take me with you.
343
00:21:45,280 --> 00:21:47,680
NATIONAL POLICE FORCE
344
00:21:56,320 --> 00:21:57,360
This everything?
345
00:22:00,200 --> 00:22:01,200
Sergeant…
346
00:22:03,960 --> 00:22:04,960
I'm taking him.
347
00:22:08,040 --> 00:22:10,400
[busy tone]
348
00:22:13,760 --> 00:22:14,760
Nothing.
349
00:22:15,200 --> 00:22:16,240
It's still busy.
350
00:22:19,880 --> 00:22:22,840
I'm getting worried about Mat.
What if he can't find us?
351
00:22:22,920 --> 00:22:25,760
- Are you sure you trust Lucía?
- Yes.
352
00:22:26,400 --> 00:22:28,680
I can call her and check if you want.
353
00:22:28,760 --> 00:22:29,760
Thank you.
354
00:22:30,480 --> 00:22:31,680
[Olivia swallowing]
355
00:22:31,760 --> 00:22:35,480
[Teo] El Paraíso Star was
one of my first major cases.
356
00:22:35,560 --> 00:22:37,280
I was undercover for a while.
357
00:22:37,360 --> 00:22:39,400
And that's where I met your wife.
358
00:22:42,360 --> 00:22:44,360
Sáez and Gallardo were there too.
359
00:22:45,560 --> 00:22:47,440
They knew her really well.
360
00:22:50,760 --> 00:22:51,760
Tell me, Mat,
361
00:22:52,640 --> 00:22:53,800
did you kill them?
362
00:22:57,320 --> 00:22:58,640
Did you do it for Olivia?
363
00:23:04,560 --> 00:23:06,880
Can I ask you something man-to-man?
364
00:23:08,280 --> 00:23:10,800
What happened at that party ten years ago?
365
00:23:11,600 --> 00:23:12,440
Daniel Vera.
366
00:23:12,520 --> 00:23:15,360
Was it really negligent homicide?
367
00:23:18,720 --> 00:23:19,920
It was an accident.
368
00:23:22,000 --> 00:23:25,320
It takes a lot of force to kill a person.
369
00:23:25,400 --> 00:23:28,560
He lost his balance and hit his head.
It was bad luck.
370
00:23:29,520 --> 00:23:30,520
And in prison?
371
00:23:31,280 --> 00:23:32,400
Was that bad luck too?
372
00:23:34,040 --> 00:23:35,720
Romero had a grudge against you
373
00:23:35,800 --> 00:23:38,280
and ends up with
his brain spilled on the floor.
374
00:23:38,360 --> 00:23:40,040
So everyone who bothers you
375
00:23:40,120 --> 00:23:42,800
just ends up with their heads crushed,
is that it?
376
00:23:42,880 --> 00:23:44,680
Don't get in my way, then.
377
00:23:45,520 --> 00:23:47,120
[laughs]
378
00:23:52,280 --> 00:23:55,840
[Kimmy] Hi, Lucía. It's Magic.
I wanted to know if you had any news.
379
00:23:56,960 --> 00:23:58,360
You didn't see anything?
380
00:23:59,880 --> 00:24:00,880
Okay.
381
00:24:01,920 --> 00:24:03,880
Let me know if anything comes up.
382
00:24:04,400 --> 00:24:05,600
Keep watching the square.
383
00:24:05,680 --> 00:24:07,480
If you see him, tell him to come here
384
00:24:07,560 --> 00:24:08,840
and not to talk to anybody.
385
00:24:09,640 --> 00:24:10,640
Yeah.
386
00:24:11,040 --> 00:24:13,160
- Should I say anything else?
- [Olivia] No.
387
00:24:13,640 --> 00:24:14,720
Thank you, Lucía.
388
00:24:16,320 --> 00:24:17,320
Here. Call again.
389
00:24:25,880 --> 00:24:26,960
[busy tone]
390
00:24:27,040 --> 00:24:29,080
- Is it still not connecting?
- No.
391
00:24:29,520 --> 00:24:30,760
All right, come with me.
392
00:24:30,840 --> 00:24:33,120
Let's call from the phone booth.
Signal here sucks.
393
00:24:33,200 --> 00:24:34,920
[Olivia] Didn't you call Lucía?
394
00:24:35,000 --> 00:24:36,440
Well, it's worth trying.
395
00:24:37,520 --> 00:24:38,520
What about Mat?
396
00:24:39,080 --> 00:24:41,760
Don't worry, we'll be right back.
Booth's across the street.
397
00:24:41,840 --> 00:24:43,360
You can see the trailer.
398
00:24:44,440 --> 00:24:45,560
Wait, the number.
399
00:24:45,640 --> 00:24:47,800
- I think my phone has enough battery.
- Okay.
400
00:24:54,320 --> 00:24:56,560
- [door closes]
- [footsteps fade]
401
00:25:04,840 --> 00:25:06,680
I hope you'll be able to forgive me.
402
00:25:10,400 --> 00:25:13,320
You being alive
is the best present I've had in years.
403
00:25:16,560 --> 00:25:19,440
Kimmy, I can't go back in time
and change what happened.
404
00:25:20,040 --> 00:25:23,120
But I can take you to Barcelona,
if you want to.
405
00:25:24,000 --> 00:25:25,280
[coughs]
406
00:25:31,120 --> 00:25:32,120
You okay?
407
00:25:35,120 --> 00:25:37,920
Yes, I'm fine. [coughing]
408
00:25:39,720 --> 00:25:44,440
MAGIC CAMPGROUND
MARBELLA
409
00:25:47,160 --> 00:25:48,920
[Olivia continues coughing]
410
00:25:54,760 --> 00:25:56,760
[gasping]
411
00:25:59,680 --> 00:26:00,680
[Olivia exhales]
412
00:26:01,320 --> 00:26:03,160
There's something I didn't tell you.
413
00:26:04,680 --> 00:26:05,680
I'm pregnant.
414
00:26:09,600 --> 00:26:10,600
Is that so?
415
00:26:11,320 --> 00:26:13,360
That's why I need to get through this.
416
00:26:16,120 --> 00:26:17,320
But we're gonna be okay.
417
00:26:18,760 --> 00:26:19,760
Thanks to you.
418
00:26:22,160 --> 00:26:24,000
[coughing]
419
00:26:27,160 --> 00:26:28,160
2% BATTERY REMAINING
420
00:26:32,560 --> 00:26:34,440
[cell phone ringing]
421
00:26:42,240 --> 00:26:43,240
[call disconnects]
422
00:26:43,640 --> 00:26:44,800
[gasps]
423
00:26:45,440 --> 00:26:47,520
[choking]
424
00:26:50,040 --> 00:26:51,040
What have you...
425
00:26:51,560 --> 00:26:53,680
What have you done? [choking]
426
00:26:55,560 --> 00:26:56,600
My baby.
427
00:26:59,480 --> 00:27:01,480
[gasping]
428
00:27:03,000 --> 00:27:05,000
[suspenseful music playing]
429
00:27:07,440 --> 00:27:09,120
[gasping]
430
00:27:13,040 --> 00:27:16,320
[suspenseful music builds]
431
00:27:21,200 --> 00:27:22,680
[music fades]
432
00:27:23,920 --> 00:27:26,520
Lies always cause more pain, honey.
433
00:27:29,800 --> 00:27:31,880
Gallardo suggested poisoning you.
434
00:27:33,200 --> 00:27:35,760
I reached out to him
when your daughter came to me.
435
00:27:40,960 --> 00:27:43,440
When the police closed the case,
I hired Gallardo
436
00:27:43,520 --> 00:27:45,440
to look for those responsible
for your death.
437
00:27:46,520 --> 00:27:47,520
But he failed.
438
00:27:52,880 --> 00:27:55,160
I didn't hear from him again
until Paula came
439
00:27:55,240 --> 00:27:57,120
looking for information about your death.
440
00:27:57,200 --> 00:27:59,080
…find your biological mother.
441
00:27:59,960 --> 00:28:02,360
[Kimmy]
Gallardo didn't remember much of the case.
442
00:28:03,320 --> 00:28:05,480
But when he went through
the investigation files again,
443
00:28:05,560 --> 00:28:07,040
he quickly realized…
444
00:28:08,040 --> 00:28:10,200
AIS
LOOK UP
445
00:28:19,360 --> 00:28:20,520
And so…
446
00:28:21,440 --> 00:28:23,160
[Gallardo] Cándida Isabel Russo
447
00:28:24,480 --> 00:28:25,520
is alive.
448
00:28:32,400 --> 00:28:35,360
[Kimmy] At first, when he told me,
I didn't wanna believe him.
449
00:28:37,400 --> 00:28:41,000
I couldn't believe you'd done something
that caused me so much pain.
450
00:28:42,480 --> 00:28:43,480
But you did.
451
00:28:48,600 --> 00:28:50,840
You were very cruel to me, Candance.
452
00:28:51,480 --> 00:28:54,720
How could you leave me alone
to rot inside?
453
00:28:59,880 --> 00:29:01,160
I had to do it.
454
00:29:03,160 --> 00:29:05,840
I went after you to make you face
what you did to me.
455
00:29:08,160 --> 00:29:10,600
Gallardo asked Sáez to help find you.
456
00:29:12,920 --> 00:29:16,800
Following the trail of Paula's adoption,
Gallardo found the boarding school.
457
00:29:18,840 --> 00:29:20,960
And there, Sáez recognized Emma.
458
00:29:25,360 --> 00:29:27,880
I wished you both had actually died.
459
00:29:33,000 --> 00:29:34,920
[sobbing] How could you abandon me?
460
00:29:52,600 --> 00:29:53,960
[Teo] You sure this is it?
461
00:29:54,040 --> 00:29:56,440
The message ended with a palm tree.
It's here.
462
00:29:58,440 --> 00:29:59,440
Hey, you.
463
00:30:00,320 --> 00:30:01,440
Who's that?
464
00:30:01,520 --> 00:30:03,600
- Are you Mateo Vidal?
- [Mat] Yes.
465
00:30:04,360 --> 00:30:06,160
I have a message from your wife.
466
00:30:06,760 --> 00:30:08,160
She's at Magic's place.
467
00:30:10,760 --> 00:30:11,760
[car door opens]
468
00:30:57,880 --> 00:30:59,040
[door jams]
469
00:31:00,320 --> 00:31:01,320
Open the door.
470
00:31:01,880 --> 00:31:02,960
[cuffs clink]
471
00:31:04,360 --> 00:31:05,360
Put them on.
472
00:31:06,120 --> 00:31:07,840
I said open the fucking door.
473
00:31:07,920 --> 00:31:09,120
Put them on.
474
00:31:16,360 --> 00:31:17,440
[cuffs clink]
475
00:31:18,200 --> 00:31:19,400
If you make a noise,
476
00:31:20,400 --> 00:31:23,080
I'll dig a hole, and you'll be worm food.
477
00:31:30,200 --> 00:31:32,000
[footsteps fading]
478
00:32:12,680 --> 00:32:13,680
[cell beeps on]
479
00:32:14,440 --> 00:32:15,440
[foot tapping]
480
00:32:30,600 --> 00:32:32,680
[tapping keys]
481
00:32:34,480 --> 00:32:39,040
DON'T TRUST HIM
482
00:32:59,880 --> 00:33:00,880
[spits]
483
00:33:18,080 --> 00:33:19,560
[dial tone]
484
00:33:20,800 --> 00:33:21,800
[Kimmy] Who's this?
485
00:33:22,480 --> 00:33:25,840
I'd recognize your voice
even if I was in hell, Kimmy Dale.
486
00:33:26,680 --> 00:33:28,320
So would I, son of a bitch.
487
00:33:30,040 --> 00:33:31,480
That whore Candance,
488
00:33:32,240 --> 00:33:33,440
is she with you?
489
00:33:33,520 --> 00:33:34,640
Why?
490
00:33:34,720 --> 00:33:36,360
She has something I want.
491
00:33:37,240 --> 00:33:39,200
And I don't know what you're plotting,
492
00:33:40,080 --> 00:33:41,080
but I have something
493
00:33:41,640 --> 00:33:43,720
that may be of interest to you.
494
00:33:44,320 --> 00:33:45,320
What?
495
00:33:59,440 --> 00:34:00,440
Where is she?
496
00:34:02,640 --> 00:34:03,680
Where is she?
497
00:34:05,400 --> 00:34:06,920
With her friend, but not here.
498
00:34:07,000 --> 00:34:08,360
What? What friend?
499
00:34:09,120 --> 00:34:10,120
Kimmy Dale.
500
00:34:11,040 --> 00:34:12,680
They used to be very close.
501
00:34:21,600 --> 00:34:23,840
- Where's Aguilar?
- [Zoe] Outside of Marbella.
502
00:34:23,920 --> 00:34:26,640
But while in Málaga,
he was in the airport terminal.
503
00:34:26,720 --> 00:34:28,520
At the National Police station.
504
00:34:29,120 --> 00:34:32,480
Lorena, I heard on TV
that Mat was arrested at that airport.
505
00:34:33,440 --> 00:34:35,680
NATIONAL POLICE
506
00:34:35,760 --> 00:34:36,840
Good evening.
507
00:34:45,960 --> 00:34:48,480
Detective Ortiz. Where is Mateo Vidal?
508
00:34:50,200 --> 00:34:51,880
[Teo] Olivia's meeting was a trap.
509
00:34:52,560 --> 00:34:55,360
Looks like a reckoning
for some bad deeds from the past.
510
00:34:56,400 --> 00:34:57,480
She got scared.
511
00:34:57,960 --> 00:35:01,920
She went to Kimmy for help,
who found her a safe place to hide.
512
00:35:03,240 --> 00:35:04,720
And why should I believe you?
513
00:35:06,240 --> 00:35:08,680
Because I have no reason to lie to you.
514
00:35:08,760 --> 00:35:11,400
And because I'm your only option
right now.
515
00:36:43,600 --> 00:36:44,600
- I'll go with you.
- No.
516
00:36:44,680 --> 00:36:45,840
Wait here.
517
00:36:46,400 --> 00:36:47,400
All right?
518
00:37:01,920 --> 00:37:03,240
Life's funny, huh, Kimmy?
519
00:37:04,360 --> 00:37:05,920
Nine years later,
520
00:37:06,000 --> 00:37:09,040
and you're finally leading me
to the tapes.
521
00:37:09,560 --> 00:37:11,640
Where is Candance's husband?
522
00:37:17,160 --> 00:37:19,440
[Teo]
What're you planning to do with them?
523
00:37:20,400 --> 00:37:21,920
That's none of your business.
524
00:37:22,000 --> 00:37:25,280
Tell him I know where his wife is,
and I'll take care of the rest.
525
00:37:26,080 --> 00:37:27,080
And my tapes?
526
00:37:27,760 --> 00:37:28,760
Where are they?
527
00:37:30,920 --> 00:37:33,280
First, apologize for not believing me.
528
00:37:33,800 --> 00:37:36,960
My wife's waiting at home for me.
I don't have time for games.
529
00:37:39,280 --> 00:37:41,160
Apologize, you fucking bastard.
530
00:37:43,640 --> 00:37:47,400
You better tell me where I can find
what I fucking came here for,
531
00:37:47,480 --> 00:37:48,800
you fucking bitch.
532
00:38:08,760 --> 00:38:09,760
TAPE 27
533
00:38:11,560 --> 00:38:14,760
Some day you'll pay
for everything you've done, you bastard.
534
00:38:20,480 --> 00:38:21,760
That's my Kimmy.
535
00:38:40,400 --> 00:38:41,440
Where's my wife?
536
00:38:42,320 --> 00:38:43,960
Her friend will take you to her.
537
00:38:46,920 --> 00:38:48,160
Go on, get out.
538
00:38:49,440 --> 00:38:50,760
She's waiting for you.
539
00:39:03,560 --> 00:39:04,800
Thank you, Sergeant.
540
00:39:08,280 --> 00:39:09,840
[cell phone vibrating]
541
00:39:11,160 --> 00:39:13,040
- Zoe, where are they?
- 23 kilometers away.
542
00:39:13,120 --> 00:39:16,040
Take the first exit to the right.
I'll guide you.
543
00:39:27,280 --> 00:39:28,280
Mat?
544
00:39:28,880 --> 00:39:29,880
I'm Kimmy.
545
00:39:30,640 --> 00:39:32,760
- It's nice to meet you.
- Where is she?
546
00:39:33,240 --> 00:39:34,320
Come with me.
547
00:39:59,920 --> 00:40:01,040
Come this way.
548
00:40:05,880 --> 00:40:08,960
- Olivia wasn't feeling well.
- She wasn't feeling well?
549
00:40:10,960 --> 00:40:12,680
Congratulations on your baby.
550
00:40:14,040 --> 00:40:16,360
We were talking a lot
about you and the baby.
551
00:40:16,440 --> 00:40:17,480
She's very happy.
552
00:40:17,560 --> 00:40:19,120
[lights buzzing]
553
00:40:19,200 --> 00:40:20,760
What is she doing here?
554
00:40:20,840 --> 00:40:23,200
I brought her here so you two can meet.
555
00:40:36,600 --> 00:40:37,840
- [Mat] No!
- [door slams]
556
00:40:38,800 --> 00:40:39,800
[Mat] Open up!
557
00:40:40,600 --> 00:40:42,120
[pounding on door]
558
00:40:42,200 --> 00:40:44,040
Open the door, you bitch! Open it!
559
00:41:03,880 --> 00:41:05,840
[breathing heavily]
560
00:41:12,760 --> 00:41:14,760
[pounding echoes]
561
00:41:21,280 --> 00:41:23,960
[ominous music playing]
562
00:41:29,280 --> 00:41:32,160
["Gnossienne No. 1" by Erik Satie playing]
563
00:41:54,720 --> 00:41:56,720
[dial tone]
564
00:41:57,840 --> 00:41:59,200
[Prieto] Teo, what happened?
565
00:41:59,760 --> 00:42:01,680
I have them. I'm headed back.
566
00:42:02,360 --> 00:42:05,160
Tomorrow morning a report
will be sitting on your desk.
567
00:42:05,640 --> 00:42:06,640
Wonderful job.
568
00:42:07,320 --> 00:42:10,880
Go home to your wife and daughter.
I think you earned a few days off.
569
00:42:11,360 --> 00:42:12,360
I will.
570
00:42:18,640 --> 00:42:20,560
[Zoe] Aguilar's car's on the move again.
571
00:42:20,640 --> 00:42:22,880
- [Lorena] Where's he going?
- Away from the hangar.
572
00:42:22,960 --> 00:42:26,520
Wait. He's getting very close. Real close.
Hold on. He's right by you.
573
00:42:27,200 --> 00:42:30,480
Hurry up, he's heading for the highway.
Two kilometers from you.
574
00:42:30,560 --> 00:42:34,000
If you don't cut him off
at the roundabout, he'll get away.
575
00:42:34,080 --> 00:42:35,480
- Hurry!
- [car accelerates]
576
00:42:35,560 --> 00:42:37,840
Unit H-50. Detective Ortiz.
577
00:42:37,920 --> 00:42:41,080
Requesting backup. Exit 8, MA-20.
Suspect on the run.
578
00:42:44,760 --> 00:42:47,160
[music continues]
579
00:42:54,680 --> 00:42:56,320
[car motor revving]
580
00:43:13,240 --> 00:43:14,440
[whispers] Goddamn it…
581
00:43:16,400 --> 00:43:17,560
Drop your gun!
582
00:43:18,960 --> 00:43:19,960
Drop it!
583
00:43:26,080 --> 00:43:27,160
You're done, Ortiz.
584
00:43:27,920 --> 00:43:29,040
[cuffs rattle]
585
00:43:30,160 --> 00:43:31,280
Put them on.
586
00:43:32,280 --> 00:43:33,280
Put them on.
587
00:43:37,360 --> 00:43:38,440
[cuffs click]
588
00:43:38,520 --> 00:43:39,880
Where's Mateo Vidal?
589
00:43:41,880 --> 00:43:43,160
You're ambitious.
590
00:43:43,240 --> 00:43:44,640
I see that. I've been there.
591
00:43:46,400 --> 00:43:47,400
Turn around.
592
00:43:48,640 --> 00:43:50,480
Tell me the position you're gunning for,
593
00:43:50,560 --> 00:43:54,520
and I'll make sure you get promoted,
but you're gonna have to let this go.
594
00:43:55,400 --> 00:43:56,440
Don't move!
595
00:43:56,520 --> 00:43:58,760
You have no idea what you're doing,
you bitch.
596
00:43:58,840 --> 00:44:00,520
Where are the other tapes?
597
00:44:00,600 --> 00:44:02,400
You won't get anything out of this.
598
00:44:03,560 --> 00:44:06,400
You're gonna wish you were dead,
you arrogant little shit.
599
00:44:06,880 --> 00:44:08,480
Think I don't know who you are?
600
00:44:08,560 --> 00:44:11,360
Behind that facade,
you're a little girl with a complex.
601
00:44:11,440 --> 00:44:13,920
You're not gonna get over it
by destroying my family.
602
00:44:14,000 --> 00:44:15,480
Destroying so many families.
603
00:44:15,560 --> 00:44:16,560
Shut up.
604
00:44:31,560 --> 00:44:32,600
Don't you move.
605
00:44:33,920 --> 00:44:35,520
I won't let you do it.
606
00:44:36,920 --> 00:44:38,600
Believe it or not,
I'm no longer the person
607
00:44:38,680 --> 00:44:40,120
you'll see on that tape.
608
00:44:40,200 --> 00:44:41,840
[sirens blaring]
609
00:44:50,800 --> 00:44:51,840
Give me that tape!
610
00:44:56,520 --> 00:44:57,960
[shouts] Agent Teo Aguilar.
611
00:44:58,440 --> 00:45:00,280
Special Crimes Unit.
612
00:45:01,000 --> 00:45:03,600
I don't know
what you've been told by the detective,
613
00:45:03,680 --> 00:45:06,040
but I'm ordering you
to lower your weapons.
614
00:45:06,120 --> 00:45:08,680
We're not moving
until you explain what's going on.
615
00:45:09,160 --> 00:45:10,520
Sergeant, aim at me.
616
00:45:11,360 --> 00:45:13,640
I've no intention
of shooting Officer Aguilar.
617
00:45:15,600 --> 00:45:18,120
I wanna hand over this piece of evidence
to the judge.
618
00:45:18,200 --> 00:45:19,200
[Teo] Sergeant!
619
00:45:19,600 --> 00:45:22,400
I'm ordering you to remove these handcuffs
and gimme that case.
620
00:45:22,960 --> 00:45:24,600
It's a matter of state security.
621
00:45:27,000 --> 00:45:28,000
The case.
622
00:45:28,400 --> 00:45:29,600
Leave it on the ground.
623
00:45:40,680 --> 00:45:43,080
[Teo] Don't move. Something's missing.
624
00:45:48,720 --> 00:45:51,160
Before you give him back this tape,
you should watch it.
625
00:45:51,240 --> 00:45:53,040
Give me that tape!
626
00:45:53,120 --> 00:45:54,160
That's an order!
627
00:45:58,240 --> 00:45:59,800
And I'm disobeying it.
628
00:46:02,720 --> 00:46:03,920
[gunshot]
629
00:46:04,000 --> 00:46:05,000
[Teo] Sergeant!
630
00:46:06,080 --> 00:46:08,760
I command you
to call Colonel Amanda Prieto.
631
00:46:12,160 --> 00:46:13,240
At the station.
632
00:46:14,280 --> 00:46:15,840
As soon as we check the tape.
633
00:46:20,120 --> 00:46:21,960
Drop the gun and turn yourself in.
634
00:46:22,840 --> 00:46:25,280
You're only making this look worse.
635
00:46:46,560 --> 00:46:47,560
My daughter…
636
00:46:49,520 --> 00:46:50,720
Sofía…
637
00:47:05,360 --> 00:47:07,280
She can't find out what I did.
638
00:47:09,840 --> 00:47:10,840
She's just a kid.
639
00:47:12,320 --> 00:47:13,320
[sobs]
640
00:47:16,960 --> 00:47:18,520
[whispers] Don't do it.
641
00:47:19,240 --> 00:47:20,240
[gun clicks]
642
00:47:23,600 --> 00:47:24,800
Don't do it. Please.
643
00:47:25,440 --> 00:47:26,440
[sobs]
644
00:47:36,000 --> 00:47:37,000
[whispers] Don't!
645
00:47:39,880 --> 00:47:40,960
[gunshot]
646
00:47:44,640 --> 00:47:46,640
[sobbing]
647
00:47:54,000 --> 00:47:56,840
[poignant music playing]
648
00:48:06,480 --> 00:48:09,320
[sobbing]
649
00:48:15,000 --> 00:48:16,720
[gasping]
650
00:48:26,120 --> 00:48:27,320
[cries out]
651
00:48:30,720 --> 00:48:33,520
[sobbing uncontrollably]
652
00:48:36,280 --> 00:48:38,280
[young Lorena sobbing]