1 00:00:07,049 --> 00:00:08,060 STARTS, YOU KNOW, I THINK RIGHT 2 00:00:07,049 --> 00:00:08,060 ABOUT NOW. 3 00:00:08,060 --> 00:00:10,220 TELL US WHAT'S GOING ON AND HIT 4 00:00:08,060 --> 00:00:10,220 US WITH THAT CARPET, GIRL. 5 00:00:10,220 --> 00:00:11,029 ITH THAT CARPET, GIRL. 6 00:00:20,269 --> 00:00:24,190 LISTERS. 7 00:00:20,269 --> 00:00:24,190 WE ARE BRINGING YOU THE ACCESS 8 00:00:24,190 --> 00:00:29,210 GET READY FOR AN UNFORGETTABLE 9 00:00:24,190 --> 00:00:29,210 NIGHT. 10 00:00:29,210 --> 00:00:45,119 LIVE FROM E AT THE OSCARS STARTS 11 00:00:29,210 --> 00:00:45,119 RIGHT ABOUT NOW. 12 00:00:45,119 --> 00:00:50,060 >> IT IS OSCAR SUNDAY. 13 00:00:45,119 --> 00:00:50,060 ALWAYS DAPPER, KARAMO. 14 00:00:50,060 --> 00:00:53,130 ARE YOU READY FOR THIS 15 00:00:50,060 --> 00:00:53,130 >> I HAVE TO TAKE A MOMENT AND 16 00:00:53,130 --> 00:00:55,100 SAY HOW STUNNING YOU LACK 17 00:00:53,130 --> 00:00:55,100 TONIGHT. 18 00:00:55,100 --> 00:00:56,189 JUST GORGEOUS. 19 00:00:55,100 --> 00:00:56,189 >> THANK YOU 20 00:00:56,189 --> 00:01:02,109 I'M WEARING THIS BEAUTIFUL GOWN. 21 00:00:56,189 --> 00:01:02,109 THANK YOU SO MUCH FOR SAYING 22 00:01:02,109 --> 00:01:06,040 THAT 23 00:01:02,109 --> 00:01:06,040 YOU LOOK TO HANDSOME 24 00:01:06,040 --> 00:01:11,039 WHO ARE YOU WEARING? 25 00:01:06,040 --> 00:01:11,039 >> I'M WEARING TOM SWEENEY 26 00:01:11,039 --> 00:01:14,079 THIS IS AN AMAZING YEAR FOR THE 27 00:01:11,039 --> 00:01:14,079 OSCARS 28 00:01:14,079 --> 00:01:17,129 HISTORY MAKING NOMINATION, 29 00:01:14,079 --> 00:01:17,129 SHATTERING RECORDS FOR DIVERSITY 30 00:01:17,129 --> 00:01:20,150 AND JUST TO STATE THE OBVIOUS, 31 00:01:17,129 --> 00:01:20,150 YOU'RE BACK AT THE CARPET. 32 00:01:20,150 --> 00:01:23,200 THE RETURN OF THE RED CARPET 33 00:01:20,150 --> 00:01:23,200 I'M SO EXCITED FOR THE FASHION 34 00:01:23,200 --> 00:01:34,229 WE'RE ABOUT TO SEE THAT WILL 35 00:01:23,200 --> 00:01:34,229 DESCEND ON THE CARPET TONIGHT. 36 00:01:34,229 --> 00:01:37,200 LET'S GET THIS PARTY STARTED 37 00:01:34,229 --> 00:01:37,200 >> THANKFULLY, WE HAVE A DREAM 38 00:01:37,200 --> 00:01:38,259 TEAM OF EXPERTS READY TO GIVE US 39 00:01:37,200 --> 00:01:38,259 THE INSIDE FASHION SCOOP ON 40 00:01:38,259 --> 00:01:42,240 EVERY SINGLE ARRIVAL 41 00:01:38,259 --> 00:01:42,240 YOU KNOW WHO I'M TALKING ABOUT 42 00:01:42,240 --> 00:01:48,200 NINA PARKER, BRAD AND DANA 43 00:01:42,240 --> 00:01:48,200 HEY, YOU GUYS. 44 00:01:48,200 --> 00:01:50,000 >> LOOKING GOOD GIRL 45 00:01:48,200 --> 00:01:50,000 >> YOU TOO 46 00:01:50,000 --> 00:01:53,280 I'VE BEEN WATCHING YOU 47 00:01:50,000 --> 00:01:53,280 MA 48 00:01:53,280 --> 00:01:55,250 AMAZING SHOW 49 00:01:53,280 --> 00:01:55,250 LOVING EVERY MINUTE OF IT. 50 00:01:55,250 --> 00:01:59,200 >> LISTEN, G, THE SUN IS OUT 51 00:01:55,250 --> 00:01:59,200 WE'RE LIVE HERE AT THE HISTORIC 52 00:01:59,200 --> 00:02:02,159 ROOSEVELT IN HOLLYWOOD 53 00:01:59,200 --> 00:02:02,159 WE'LL BE BREAKING DOWN EVERY 54 00:02:02,159 --> 00:02:07,200 SINGLE FASHION LOOK THAT WILL 55 00:02:02,159 --> 00:02:07,200 WALK THE CARPET TONIGHT. 56 00:02:07,200 --> 00:02:15,189 I AM NINA PARKER 57 00:02:07,200 --> 00:02:15,189 TELL US ABOUT THIS LOOK. 58 00:02:15,189 --> 00:02:32,159 >> I'M WEARING CARTIER JEWELRY 59 00:02:15,189 --> 00:02:32,159 ANKLES OUT 60 00:02:32,159 --> 00:02:39,050 >> WHO ARE YOU WEARING 61 00:02:32,159 --> 00:02:39,050 >> IT'S DRIPPING IN LUMINOUS 62 00:02:39,050 --> 00:02:45,270 DIAMONDS 63 00:02:39,050 --> 00:02:45,270 >> YOU ARE 64 00:02:45,270 --> 00:02:48,020 THOSE SHOES ARE PRETTY 65 00:02:45,270 --> 00:02:48,020 PHENOMENAL 66 00:02:48,020 --> 00:02:53,050 >> WHAT ABOUT THIS DIAMOND 67 00:02:48,020 --> 00:02:53,050 SITUATION? 68 00:02:53,050 --> 00:03:00,039 >> IT'S HARD SITTING DOWN. 69 00:02:53,050 --> 00:03:00,039 IT TOOK A LOT OF HAND SDTITCHING 70 00:03:00,039 --> 00:03:05,020 BUT WE GOT IT TOGETHER 71 00:03:00,039 --> 00:03:05,020 >> STUNNING AND WORTH THE PAIN 72 00:03:05,020 --> 00:03:06,280 >> HAPPY OSCAR SUNDAY, EVERY 73 00:03:05,020 --> 00:03:06,280 ONE. 74 00:03:06,280 --> 00:03:10,090 NOW FOR SOME MOVIE FANS IT'S ALL 75 00:03:06,280 --> 00:03:10,090 ABOUT OSCAR GOLD 76 00:03:10,090 --> 00:03:12,009 FOR US IT'S ALL ABOUT THE 77 00:03:10,090 --> 00:03:12,009 FASHION. 78 00:03:12,009 --> 00:03:15,289 WE'LL BE TRACKING EVERY SINGLE 79 00:03:12,009 --> 00:03:15,289 ARRIVAL AND GIVING YOU ALL THE 80 00:03:15,289 --> 00:03:19,120 DETAILS BEHIND EACH LOOK 81 00:03:15,289 --> 00:03:19,120 >> THAT'S RIGHT. 82 00:03:19,120 --> 00:03:28,050 ALL WEEK WE HAVE BEEN GETTING 83 00:03:19,120 --> 00:03:28,050 INTEL FROM TOP STYLISTSTYLISTS 84 00:03:28,050 --> 00:03:31,079 I'VE BEEN TOLD ON GOOD AUTHORITY 85 00:03:28,050 --> 00:03:31,079 WE CAN EXPECT TO SEE SOME BOLD 86 00:03:31,079 --> 00:03:32,280 FASHION MOMENTS ON THE CARPET 87 00:03:31,079 --> 00:03:32,280 TONIGHT. 88 00:03:32,280 --> 00:03:37,129 >> I CAN'T WAIT. 89 00:03:32,280 --> 00:03:37,129 WE HAVE A LOT OF TIDBITS FROM 90 00:03:37,129 --> 00:03:40,039 STYLISTS THAT YOU HAVE TO MAKE 91 00:03:37,129 --> 00:03:40,039 SURE AND TUNE IN AND SEE IF WE 92 00:03:40,039 --> 00:03:45,090 GOT IT RIGHT 93 00:03:40,039 --> 00:03:45,090 EARLIER TODAY AT OUR FABULOUS 94 00:03:45,090 --> 00:03:49,060 BRUNCH, WE END UP WITH THREE RED 95 00:03:45,090 --> 00:03:49,060 CARPET ICONS INTO OUR OWN E 96 00:03:49,060 --> 00:03:59,250 FASHION HALL OF FAME 97 00:03:49,060 --> 00:03:59,250 WE ASK YOU TO CHOOSE OUR FINAL 98 00:03:59,250 --> 00:04:02,080 INDUCTEE 99 00:03:59,250 --> 00:04:02,080 REGINA KING, BRAD PITT AND 100 00:04:02,080 --> 00:04:16,240 CHARLIZE THERON. THERON. 101 00:04:02,080 --> 00:04:16,240 LAYDY GAGA YOU ARE INDUCTED INTO 102 00:04:16,240 --> 00:04:19,240 THE E FASHION HALL OF FAME 103 00:04:16,240 --> 00:04:19,240 >> RAIN ON ME. 104 00:04:19,240 --> 00:04:22,180 >> SHE DOES BRING IT WITH THE 105 00:04:19,240 --> 00:04:22,180 FASHION EVERY SINGLE TIME. 106 00:04:22,180 --> 00:04:25,250 >> DON'T GET ME STARTED. 107 00:04:22,180 --> 00:04:25,250 WE WON'T GET TO ANYBODY ELSE 108 00:04:25,250 --> 00:04:28,240 >> I KNOW YOU HAVE A LOT OF 109 00:04:25,250 --> 00:04:28,240 INTEL. 110 00:04:28,240 --> 00:04:32,069 WE WERE JUST TALKING ABOUT THAT. 111 00:04:28,240 --> 00:04:32,069 WHAT CAN WE LOOK FORWARD TO ON 112 00:04:32,069 --> 00:04:41,040 THE CARPET TONIGHT 113 00:04:32,069 --> 00:04:41,040 >> I GOT A FUN BIT OF SCOOP 114 00:04:41,040 --> 00:04:45,250 FROMFROM 115 00:04:41,040 --> 00:04:45,250 ANGELA BASSETT STYLIST 116 00:04:45,250 --> 00:04:52,240 SHE SENT ME THIS VIDEO OF HER 117 00:04:45,250 --> 00:04:52,240 GETTING DRESSED. 118 00:04:52,240 --> 00:04:59,159 >> SHE DOESN'T WANT ME TO REVEAL 119 00:04:52,240 --> 00:04:59,159 THE ENTIRE LOOK, BUT I CAN LET 120 00:04:59,159 --> 00:05:01,230 YOU KNOW WHAT COLOR WE'RE GOING 121 00:04:59,159 --> 00:05:01,230 TO WEAR. 122 00:05:01,230 --> 00:05:06,209 SEE YOU SOON 123 00:05:01,230 --> 00:05:06,209 >> HOW CUTE IS THIS. 124 00:05:06,209 --> 00:05:12,199 >> IN THAT COLOR 125 00:05:06,209 --> 00:05:12,199 WE GOT TO TALK ABOUT THIS COLOR. 126 00:05:12,199 --> 00:05:15,009 >> NO. 127 00:05:12,199 --> 00:05:15,009 >> WE'RE MOVING ON 128 00:05:15,009 --> 00:05:21,079 >> WE HAVE TO STAY RIGHT HERE. 129 00:05:15,009 --> 00:05:21,079 >> I THINK RED IS GOING TO BE A 130 00:05:21,079 --> 00:05:24,240 TREND TONIGHT. 131 00:05:21,079 --> 00:05:24,240 >> JENNIFER'S MISSION WAS TO TOP 132 00:05:24,240 --> 00:05:29,040 THE 2018 LOOK WHEN SHE HAD THAT 133 00:05:24,240 --> 00:05:29,040 AMAZING DRESS. 134 00:05:29,040 --> 00:05:36,259 THIS ONE WILL FEATURE OODLE AND 135 00:05:29,040 --> 00:05:36,259 CLOUDS OF CHIFFON. 136 00:05:36,259 --> 00:05:40,000 HER STYLIST IS ANGELA'S PLUS ONE 137 00:05:36,259 --> 00:05:40,000 FOR THE OSCARS 138 00:05:40,000 --> 00:05:42,290 >> THAT'S CUTE 139 00:05:40,000 --> 00:05:42,290 I LOVE THAT. 140 00:05:42,290 --> 00:05:46,069 ANGELA HAS OPINIOBEEN DOING THE 141 00:05:42,290 --> 00:05:46,069 HAIR LATELY. 142 00:05:46,069 --> 00:05:49,120 I CAN'T WAIT TO SEE HER. 143 00:05:46,069 --> 00:05:49,120 >> I CAN'T WAIT. 144 00:05:49,120 --> 00:05:51,139 >> THIS SOUNDS LIKE A BIG 145 00:05:49,120 --> 00:05:51,139 MOMENT 146 00:05:51,139 --> 00:05:53,040 >> IT'S GOING TO BE A BIG 147 00:05:51,139 --> 00:05:53,040 MOMENT 148 00:05:53,040 --> 00:05:57,079 ANGELA STARTED ON THE CARPET 149 00:05:53,040 --> 00:05:57,079 I CAN'T WAIT TO SEE HER. 150 00:05:57,079 --> 00:05:59,290 >> JENNIFER IS GORGEOUS. 151 00:05:57,079 --> 00:05:59,290 WHOA 152 00:05:59,290 --> 00:06:03,019 >> I'M JUST FASCINATED WITH THE 153 00:05:59,290 --> 00:06:03,019 CLUTCHES 154 00:06:03,019 --> 00:06:06,089 THEY HAD ME. 155 00:06:03,019 --> 00:06:06,089 THAT'S A BIG DEAL ON THIS 156 00:06:06,089 --> 00:06:08,040 CARPET 157 00:06:06,089 --> 00:06:08,040 YOU HAVE TO HIDE YOUR LIQUOR IN 158 00:06:08,040 --> 00:06:10,220 THERE. 159 00:06:08,040 --> 00:06:10,220 YOUR LIPSTICK. 160 00:06:10,220 --> 00:06:13,029 IT HAS TO BE BIG FLENOUGH AND 161 00:06:10,220 --> 00:06:13,029 CUTE 162 00:06:13,029 --> 00:06:19,139 WE HAVE TO CHECK BACK WITH 163 00:06:13,029 --> 00:06:19,139 GULIANA. 164 00:06:19,139 --> 00:06:22,180 S 165 00:06:19,139 --> 00:06:22,180 >> YOU KNOW YOU'LL HAVE A FRONT 166 00:06:22,180 --> 00:06:25,079 ROW SEAT 167 00:06:22,180 --> 00:06:25,079 SHE'S ALWAYS SO LOVELY TO TALK 168 00:06:25,079 --> 00:06:27,040 TO 169 00:06:25,079 --> 00:06:27,040 I CANNOT WAIT TO SEE HER ON THE 170 00:06:27,040 --> 00:06:29,149 RED CARPET 171 00:06:27,040 --> 00:06:29,149 IT IS OSCAR SUNDAY 172 00:06:29,149 --> 00:06:33,009 THE STARS ARE BEGINS TO DESCEND 173 00:06:29,149 --> 00:06:33,009 ON THE CARPET AND THIS NIGHT 174 00:06:33,009 --> 00:06:37,230 WILL BE FULL OF SURPRISES 175 00:06:33,009 --> 00:06:37,230 INCLUDING A SPECIAL SURPRISE FOR 176 00:06:37,230 --> 00:06:39,240 KARAMO 177 00:06:37,230 --> 00:06:39,240 DON'T MISS IT WHEN "LIVE WITH E" 178 00:06:39,240 --> 00:06:43,060 RETURNS. 179 00:07:48,120 --> 00:07:48,230 SURPRISE 180 00:07:57,209 --> 00:07:59,110 WHO ARE YOU WEARING? 181 00:07:57,209 --> 00:07:59,110 >> THANK YOU 182 00:07:59,110 --> 00:08:01,079 I'M TRYING 183 00:07:59,110 --> 00:08:01,079 DO A LITTLE SOMETHING. 184 00:08:01,079 --> 00:08:18,160 GOT TO REPRESENT FOR YOU BOYS. 185 00:08:01,079 --> 00:08:18,160 FASHION SHCHIC T-SHIRTS. 186 00:08:18,160 --> 00:08:27,050 HE GETS THE TITLE. 187 00:08:18,160 --> 00:08:27,050 LOOKING GORGEOUS 188 00:08:27,050 --> 00:08:31,170 >> THIS IS FEELING SO GOOD 189 00:08:27,050 --> 00:08:31,170 I WAS JUST WITH THEM 190 00:08:31,170 --> 00:08:44,080 WE'RE SHOOTING "QUEER EYE" THIS 191 00:08:31,170 --> 00:08:44,080 NEXT SEASON. 192 00:08:44,080 --> 00:08:45,009 I WAS LIKE WHO ARE WE ZOOMING 193 00:08:44,080 --> 00:08:45,009 HERE 194 00:08:45,009 --> 00:08:55,120 NO WONDER NO ONE GAVE ME 195 00:08:45,009 --> 00:08:55,120 INFORMATION. 196 00:08:55,120 --> 00:09:00,179 >> THANK YOU 197 00:08:55,120 --> 00:09:00,179 WE ARE THE GUYS KNOWN FOR TASTE 198 00:09:00,179 --> 00:09:04,139 AND CLASS. 199 00:09:00,179 --> 00:09:04,139 WHO DRO YOU THINK WILL LOOK THE 200 00:09:04,139 --> 00:09:11,129 BEST 201 00:09:04,139 --> 00:09:11,129 >> DON'T PUT ME ON THE SPOT. 202 00:09:11,129 --> 00:09:12,259 VIOLA. 203 00:09:11,129 --> 00:09:12,259 >> I'LL GO 204 00:09:12,259 --> 00:09:17,159 I'LL GO. 205 00:09:12,259 --> 00:09:17,159 I KNOW THAT KARAMO BROWN WILL 206 00:09:17,159 --> 00:09:33,059 LOOK THE BEST. 207 00:09:17,159 --> 00:09:33,059 >>REGINA KING NOMINATED. 208 00:09:33,059 --> 00:09:38,200 >> SHE'S GOING TO PRESENT. 209 00:09:33,059 --> 00:09:38,200 I LOVE YOU GUYS. 210 00:09:38,200 --> 00:09:41,190 I CAN'T WAIT TO SEE YOU IN 211 00:09:38,200 --> 00:09:41,190 AUSTIN FOR A FEW DAYS. 212 00:09:41,190 --> 00:09:44,129 I LOVE YOU 213 00:09:41,190 --> 00:09:44,129 THAT MAKES ME SO GOOD. 214 00:09:44,129 --> 00:09:49,029 >> LOVE YOU. 215 00:09:44,129 --> 00:09:49,029 >> DON'T GO TO TOO MANY AFTER 216 00:09:49,029 --> 00:09:50,200 PARTIES TONIGHT. 217 00:09:49,029 --> 00:09:50,200 DRINK A LOT OF WATER 218 00:09:50,200 --> 00:09:54,129 >> YOU GOT ME. 219 00:09:50,200 --> 00:09:54,129 I LOVE YOU FOREVER FOR THAT. 220 00:09:54,129 --> 00:09:58,289 >> SO GOOD 221 00:09:54,129 --> 00:09:58,289 KARAMO, SO GOOD FLAP WAS SO MUCH 222 00:09:58,289 --> 00:10:00,240 FUN. 223 00:09:58,289 --> 00:10:00,240 HOLLYWOOD'S A LISTERS ARE 224 00:10:00,240 --> 00:10:03,009 STARTING TO ARRIVE 225 00:10:00,240 --> 00:10:03,009 YOU CAN FEEL THE AMAZING ENERGY 226 00:10:03,009 --> 00:10:06,090 IN THE AIR 227 00:10:03,009 --> 00:10:06,090 THIS NIGHT IS DEFINITELY WILL BE 228 00:10:06,090 --> 00:10:11,169 ONE FOR THE HISTORY BOOKS. 229 00:10:06,090 --> 00:10:11,169 WE'LL GIVE YOU A FRONT ROW SEAT 230 00:10:11,169 --> 00:10:14,289 TO WITNESS THE ACTION, 231 00:10:11,169 --> 00:10:14,289 LITERALLY. 232 00:10:14,289 --> 00:10:16,240 AS SOON AS THE CELEBRITIES LIT 233 00:10:14,289 --> 00:10:16,240 THE RED CARPET, THIS IS ONE OF 234 00:10:16,240 --> 00:10:19,250 THE STOPS THEY WILL MAKE 235 00:10:16,240 --> 00:10:19,250 THAT'S GOING BE SUPER EXCITING 236 00:10:19,250 --> 00:10:21,250 PICTURES ARE RIGHT THERE AND 237 00:10:19,250 --> 00:10:21,250 THEY COME OVER HERE. 238 00:10:21,250 --> 00:10:24,120 WE'LL HAVE GREAT CONVERSATION. 239 00:10:21,250 --> 00:10:24,120 I'M LOOKING FORWARD TO THAT. 240 00:10:24,120 --> 00:10:28,149 RIGHT NOW WE'LL CHECK IN WITH 241 00:10:24,120 --> 00:10:28,149 OUR FASHION PANEL. 242 00:10:28,149 --> 00:10:34,169 HEY, NINA. 243 00:10:28,149 --> 00:10:34,169 >> I'M SO VERY EXCITED ABOUT 244 00:10:34,169 --> 00:10:36,159 TONIGHT. 245 00:10:34,169 --> 00:10:36,159 I'M LOOKING FORWARD TO SEEING 246 00:10:36,159 --> 00:10:39,090 HOLLYWOOD'S BIGGEST, BRIGHTEST 247 00:10:36,159 --> 00:10:39,090 STAR 248 00:10:39,090 --> 00:10:41,210 WE GET TO SEE THEM LIVE AND IN 249 00:10:39,090 --> 00:10:41,210 PERSON 250 00:10:41,210 --> 00:10:46,190 JUST WATCHING PEOPLE BEHIND 251 00:10:41,210 --> 00:10:46,190 GI 252 00:10:46,190 --> 00:10:55,129 GIULIANA AND THE PEOPLE IN THE 253 00:10:46,190 --> 00:10:55,129 BACKGROUNDS. 254 00:10:55,129 --> 00:11:04,049 >> THAT WAS FUN. 255 00:10:55,129 --> 00:11:04,049 >> IS IT A TIE 256 00:11:04,049 --> 00:11:06,100 I CAN'T TELL 257 00:11:04,049 --> 00:11:06,100 I LIKE IT. 258 00:11:06,100 --> 00:11:11,100 >> CAN WE TALK ABOUT HOW 259 00:11:06,100 --> 00:11:11,100 INCREDIBLE HE IS IN THE SOUND OF 260 00:11:11,100 --> 00:11:16,059 METAL. 261 00:11:11,100 --> 00:11:16,059 HE -- THAT PERFORMANCE IS JUST 262 00:11:16,059 --> 00:11:18,179 LIKE IT'S HAEARTBREAKING 263 00:11:16,059 --> 00:11:18,179 IT'S RIVETING. 264 00:11:18,179 --> 00:11:20,220 IT'S SUCH A BEAUTIFUL 265 00:11:18,179 --> 00:11:20,220 PERFORMANCE. 266 00:11:20,220 --> 00:11:28,070 SUCH A GREAT FILM AS WELL. 267 00:11:20,220 --> 00:11:28,070 SEEING THE STORY TOLD ABOUT 268 00:11:28,070 --> 00:11:31,230 ADDICTION AND SEEING IT THROUGH 269 00:11:28,070 --> 00:11:31,230 THE EYES OF NOT RELAPSE OF 270 00:11:31,230 --> 00:11:35,129 SOMEBODY WHO IS LIKE REALLY 271 00:11:31,230 --> 00:11:35,129 TRYING TO WHO IS STAYING SOBER 272 00:11:35,129 --> 00:11:39,070 WITH VERY POWERFUL AS A SOBER 273 00:11:35,129 --> 00:11:39,070 PERSON TO WATCH THAT 274 00:11:39,070 --> 00:11:43,080 I LOVE HIS PERFORMANCE 275 00:11:39,070 --> 00:11:43,080 I ALSO JUST LOVE THIS FILM AND 276 00:11:43,080 --> 00:11:46,169 ALSO PAUL'S PERFORMANCE AS WELL. 277 00:11:43,080 --> 00:11:46,169 GREAT, GREAT FILM. 278 00:11:46,169 --> 00:11:51,129 >> I FEEL LIKE WE'LL BE HEARING 279 00:11:46,169 --> 00:11:51,129 A LOT ABOUT "THE SOUND OF METAL" 280 00:11:51,129 --> 00:11:54,159 TONIGHT AND THE STARS IN IT. 281 00:11:51,129 --> 00:11:54,159 I'M GLAD HE WAS THE FIRST PERSON 282 00:11:54,159 --> 00:11:58,159 WE SAW 283 00:11:54,159 --> 00:11:58,159 >> ME TOO. 284 00:11:58,159 --> 00:12:03,210 >> I THINK YOU HAVE TO BUY FLAIL 285 00:11:58,159 --> 00:12:03,210 PAINT. 286 00:12:03,210 --> 00:12:08,049 >> PUNK ROCK, BABY 287 00:12:03,210 --> 00:12:08,049 >> WE HAVE A LOT STILL MORE TO 288 00:12:08,049 --> 00:12:22,100 COME 289 00:12:08,049 --> 00:12:22,100 MAKE SURE THAT YOU STAY TUNED. 290 00:12:22,100 --> 00:12:27,139 >>> OUR NEXT GUEST HAS BEEN 291 00:12:22,100 --> 00:12:27,139 ACTING FOR FOUR DECADES AND 292 00:12:27,139 --> 00:12:33,039 TONIGHT HE CELEBRATES HIS FIRST 293 00:12:27,139 --> 00:12:33,039 OSCAR NOMINATION AS A COACH IN 294 00:12:33,039 --> 00:12:39,080 "SOUND OF METAL." 295 00:12:33,039 --> 00:12:39,080 HI, YOU TWO. 296 00:12:39,080 --> 00:12:41,259 >> GOOD MORNING. 297 00:12:39,080 --> 00:12:41,259 >> IT'S GOOD TO BE SEEN. 298 00:12:41,259 --> 00:12:46,230 >> "SOUND OF METAL." 299 00:12:41,259 --> 00:12:46,230 ONE OF MY FAVORITE PICTURES OF 300 00:12:46,230 --> 00:12:50,120 THE YEAR. 301 00:12:46,230 --> 00:12:50,120 BEFORE WE GET INTO THE MOVIE, I 302 00:12:50,120 --> 00:12:54,279 KNOW YOU'RE AGENT WHO HAPPENED 303 00:12:50,120 --> 00:12:54,279 TO BE VERY BEAUTIFUL AND RIGHT 304 00:12:54,279 --> 00:12:59,279 HERE. 305 00:12:54,279 --> 00:12:59,279 YOUR AGENT, LONG TIME AGTS WHO I 306 00:12:59,279 --> 00:13:01,220 IS YOUR WIFE. 307 00:12:59,279 --> 00:13:01,220 SHE FOUGHT VERY HARD FOR YOU TO 308 00:13:01,220 --> 00:13:04,029 GET THIS ROLE. 309 00:13:01,220 --> 00:13:04,029 CAN YOU TELL ME A BIT ABOUT 310 00:13:04,029 --> 00:13:08,039 THAT? 311 00:13:04,029 --> 00:13:08,039 >> I GOT THE AUDITION, PUT IT ON 312 00:13:08,039 --> 00:13:10,009 TAPE, SENT IT IN AND I FORGOT 313 00:13:08,039 --> 00:13:10,009 ABOUT IT. 314 00:13:10,009 --> 00:13:12,009 THAT'S HOW IT'S GONE FOR 40 315 00:13:10,009 --> 00:13:12,009 YEARS. 316 00:13:12,009 --> 00:13:18,039 THEN SHE DECIDED TO MAKE A 317 00:13:12,009 --> 00:13:18,039 FOLLOW UP CALL AND ASKED THEM IF 318 00:13:18,039 --> 00:13:20,269 THEY HAD SEEN IT. 319 00:13:18,039 --> 00:13:20,269 THEY HAD TOO MANY. 320 00:13:20,269 --> 00:13:23,129 THEY WERE UNUNDATED. 321 00:13:20,269 --> 00:13:23,129 >> THEY WERE GOING TO START 322 00:13:23,129 --> 00:13:29,100 LOOKING FOR A NAME FOR STAR. 323 00:13:23,129 --> 00:13:29,100 >> SHE BEGGED THEM. 324 00:13:29,100 --> 00:13:34,039 TEN MINUTES LATER THEY CALLED 325 00:13:29,100 --> 00:13:34,039 AND SAID DARIUS, THE DIRECTOR IS 326 00:13:34,039 --> 00:13:37,019 ON THE PHONE AND THE REST IS 327 00:13:34,039 --> 00:13:37,019 LIKE HISTORY. 328 00:13:37,019 --> 00:13:40,210 >> I KNOW YOUR FRIENDS SAID THEY 329 00:13:37,019 --> 00:13:40,210 THOUGHT YOU WROTE THE SCREENPLAY 330 00:13:40,210 --> 00:13:43,149 BECAUSE THERE WAS SO MANY 331 00:13:40,210 --> 00:13:43,149 PARALLELS BETWEEN YOU AND YOUR 332 00:13:43,149 --> 00:13:44,220 CHARACTER. 333 00:13:43,149 --> 00:13:44,220 TELL ME ABOUT THAT. 334 00:13:44,220 --> 00:13:51,080 >> I HAD BEEN WRITING A 335 00:13:44,220 --> 00:13:51,080 SCREENPLAY FOR 40 YEARS. 336 00:13:51,080 --> 00:13:59,269 EVERY GUY THAT SELLS FOOD OR 337 00:13:51,080 --> 00:13:59,269 WAITER AND SO LITTLE DID I KNOW 338 00:13:59,269 --> 00:14:03,120 THAT DARIUS WAS WRITING A SCRIPT 339 00:13:59,269 --> 00:14:03,120 AT THE SAME TIME. 340 00:14:03,120 --> 00:14:06,009 I TOOK MINE AND THREW IT IN THE 341 00:14:03,120 --> 00:14:06,009 GARBAGE BECAUSE HE HAD DONE 342 00:14:06,009 --> 00:14:12,139 EVERYTHING I NEEDED TO DO. 343 00:14:06,009 --> 00:14:12,139 >> AS THE HEARING SON OF DEAF 344 00:14:12,139 --> 00:14:16,029 PARENTS, TELL ME ABOUT "SOUND OF 345 00:14:12,139 --> 00:14:16,029 METAL," I KNOW YOU SAID THEY 346 00:14:16,029 --> 00:14:20,159 REALLY GOT IT RIGHT. 347 00:14:16,029 --> 00:14:20,159 TELL US A LITTLE BIT ABOUT THAT. 348 00:14:20,159 --> 00:14:24,179 >> HE WORKED ON IT FOR 14 YEARS. 349 00:14:20,159 --> 00:14:24,179 HE VETTED IT WITH DEAF PEOPLE 350 00:14:24,179 --> 00:14:31,250 ACROSS THE COUNTRY AND STILL HAD 351 00:14:24,179 --> 00:14:31,250 A LEARNING CURVE AS WE STARTED 352 00:14:31,250 --> 00:14:34,269 FILMING IT. 353 00:14:31,250 --> 00:14:34,269 HAVING THREE DEAF ADVISERS ON 354 00:14:34,269 --> 00:14:39,070 THE SET. 355 00:14:34,269 --> 00:14:39,070 AND DEAF COMMUNITY HAS A SAYING, 356 00:14:39,070 --> 00:14:42,220 NOTHING ABOUT US WITHOUT US. 357 00:14:39,070 --> 00:14:42,220 HE WAS VERY INCLUSIVE IN THAT 358 00:14:42,220 --> 00:14:44,230 WAY. 359 00:14:42,220 --> 00:14:44,230 I THINK THAT'S WHAT HE DID 360 00:14:44,230 --> 00:14:49,009 RIGHT. 361 00:14:44,230 --> 00:14:49,009 SHOWING DEAF PEOPLE IN A DEAF 362 00:14:49,009 --> 00:14:52,149 SOBER HOUSE, OF ALL THINGS, 363 00:14:49,009 --> 00:14:52,149 THAT'S SOMETHING YOU WILL NEVER 364 00:14:52,149 --> 00:14:56,029 SEE OR NEVER HAD SEEN. 365 00:14:52,149 --> 00:14:56,029 THAT'S WHERE HE DID THE RIGHT 366 00:14:56,029 --> 00:14:57,120 THING. 367 00:14:56,029 --> 00:14:57,120 >> THANK YOU SO MUCH. 368 00:14:57,120 --> 00:14:59,200 LEST OF LUCK TONIGHT. 369 00:14:57,120 --> 00:14:59,200 THANK YOU FOR JOINING US AS 370 00:14:59,200 --> 00:15:01,230 WELL. 371 00:14:59,200 --> 00:15:01,230 >> THANK YOU VERY MUCH. 372 00:15:01,230 --> 00:15:02,269 MY PLEASURE. 373 00:15:01,230 --> 00:15:02,269 SURE. 374 00:15:02,269 --> 00:15:06,200 >> I GOT TO FIRST SAY THANK YOU 375 00:15:02,269 --> 00:15:06,200 FOR EXPOSING US TO ASL. 376 00:15:06,200 --> 00:15:09,129 IT'S SO GREAT. 377 00:15:06,200 --> 00:15:09,129 I'M LEARNING ASL RIGHT NOW. 378 00:15:09,129 --> 00:15:12,139 IT'S REALLY AMAZING. 379 00:15:09,129 --> 00:15:12,139 IT IS. 380 00:15:12,139 --> 00:15:26,049 JOINING ME ALSO RIGHT NOW IS 381 00:15:12,139 --> 00:15:26,049 "ROTTEN TOMATOES" IS JACKELINE. 382 00:15:26,049 --> 00:15:28,210 THERE'S SO MUCH THAT MAKES 383 00:15:26,049 --> 00:15:28,210 TONIGHT SPECIAL AND UNIQUE 384 00:15:28,210 --> 00:15:37,000 COMPARED TO PREVIOUS YEARS. 385 00:15:28,210 --> 00:15:37,000 DO YOU THINK PAUL CAN UPSET 386 00:15:37,000 --> 00:15:40,269 DANIEL KALUUYA? 387 00:15:37,000 --> 00:15:40,269 >> HE'S IN THE FRONT-RUNNER. 388 00:15:40,269 --> 00:15:45,120 THEY ALL TALK ABOUT PAUL EETS 389 00:15:40,269 --> 00:15:45,120 PMPS AND HOW AS A JOURNEYMAN 390 00:15:45,120 --> 00:15:47,250 THEY LOVE IT. 391 00:15:45,120 --> 00:15:47,250 I CAN'T WAIT TO SEE WHAT ROLES 392 00:15:47,250 --> 00:15:53,090 HE DOES AFTER THIS. 393 00:15:47,250 --> 00:15:53,090 >> I APOLOGIZE FOR 394 00:15:53,090 --> 00:15:55,289 MISPRONOUNCING HIS NAME. 395 00:15:53,090 --> 00:15:55,289 LET'S GO OVER TO NINA. 396 00:15:55,289 --> 00:15:58,110 >> IT'S A LOT OF NAMES TO 397 00:15:55,289 --> 00:15:58,110 REMEMBER. 398 00:15:58,110 --> 00:16:00,179 WE GET IT. 399 00:15:58,110 --> 00:16:00,179 WE HAVE ALL BEEN THERE. 400 00:16:00,179 --> 00:16:03,009 WE HAVE TALKED ABOUT BEST 401 00:16:00,179 --> 00:16:03,009 SUPPORTING ACTORS. 402 00:16:03,009 --> 00:16:06,279 IT'S TIME TO TALK ABOUT BEST 403 00:16:03,009 --> 00:16:06,279 SUPPORTING ACTRESS. 404 00:16:06,279 --> 00:16:19,139 LET'S DO THERE. 405 00:16:06,279 --> 00:16:19,139 SHE'S THE BREAK OUT STAR IN THE 406 00:16:19,139 --> 00:16:26,250 MOVIE AND THE RED CARPET. 407 00:16:19,139 --> 00:16:26,250 I LOVE WHAT SHE'S DOING WITH HER 408 00:16:26,250 --> 00:16:28,259 STYLIST. 409 00:16:26,250 --> 00:16:28,259 I'M SURE TONIGHT WILL BE EPIC. 410 00:16:28,259 --> 00:16:32,129 GLENN CLOSE IS A RED CARPET 411 00:16:28,259 --> 00:16:32,129 STYLE ONICON. 412 00:16:32,129 --> 00:16:34,269 I LOVE HER. 413 00:16:32,129 --> 00:16:34,269 >> WHO DOESN'T? 414 00:16:34,269 --> 00:16:43,000 >> LOVE GLENN. 415 00:16:34,269 --> 00:16:43,000 SHE'S GOING TO GO GLAMOROUS BUT 416 00:16:43,000 --> 00:16:50,049 IT WILL NOT BE A GOWN. 417 00:16:43,000 --> 00:16:50,049 SHE'S IN LONDON TOO. 418 00:16:50,049 --> 00:17:03,210 SHOOEGS CHANNELLED HOLLYWOOD 419 00:16:50,049 --> 00:17:03,210 THIS ENTIRE SEASON. 420 00:17:03,210 --> 00:17:07,240 I CAN'T WAIT TO SEE. 421 00:17:03,210 --> 00:17:07,240 >> YES. 422 00:17:07,240 --> 00:17:14,140 DON'T WE HAVE ONE MORE PERSON? 423 00:17:07,240 --> 00:17:14,140 >> HOW CAN I FORGET HER? 424 00:17:14,140 --> 00:17:19,000 >> WE HAVE ONE MORE PERSON. 425 00:17:14,140 --> 00:17:19,000 >> ALTHOUGH SHE SAID IN HER 426 00:17:19,000 --> 00:17:30,069 AWARDING SPEECH THAT SHE CALLED 427 00:17:19,000 --> 00:17:30,069 ALL BRITS SNOBBISH, SHE'S SO EL 428 00:17:30,069 --> 00:17:32,059 GENT 429 00:17:30,069 --> 00:17:32,059 ELEGANT 430 00:17:32,059 --> 00:17:36,099 ELEGANT, BEAUTIFUL. 431 00:17:32,059 --> 00:17:36,099 >> JUST LIKE A KNOCK OUT 432 00:17:36,099 --> 00:17:42,140 PERFORMANCE. 433 00:17:36,099 --> 00:17:42,140 >> LISTEN, WE CANNOT WAIT TO SEE 434 00:17:42,140 --> 00:17:47,039 WHAT LOOKS THESE BEST SUPPORTING 435 00:17:42,140 --> 00:17:47,039 BASIC PRESSES BRING TO THE RED 436 00:17:47,039 --> 00:17:49,190 CARPET. 437 00:17:47,039 --> 00:17:49,190 LIVE FROM E IS THE ONLY PLACE TO 438 00:17:49,190 --> 00:17:52,019 GET ALL THE INSIDE SCOOP ON ALL 439 00:17:49,190 --> 00:17:52,019 OF OSCAR SUNDAY. 440 00:17:52,019 --> 00:17:56,039 WE'LL BRING YOU ACTION AND 441 00:17:52,019 --> 00:17:56,039 FASHION. 442 00:17:56,039 --> 00:17:59,240 WE'RE BRINGING YOU GLITZ AND 443 00:17:56,039 --> 00:17:59,240 GLAM. 444 00:17:59,240 --> 00:18:00,079 MAKE SURE YOU STAY WITH US. 445 00:18:19,049 --> 00:18:22,220 >>> WELCOME BACK. 446 00:18:19,049 --> 00:18:22,220 WE'RE LIVE ON E. 447 00:18:22,220 --> 00:18:24,089 CELEBRATING THE OFFICIAL RETURN 448 00:18:22,220 --> 00:18:24,089 OF THE RED CARPET. 449 00:18:24,089 --> 00:18:28,170 WE'RE TALKING TO ALL OF YOUR 450 00:18:24,089 --> 00:18:28,170 FAVORITE CELEBS AS THEY ARRIVE. 451 00:18:28,170 --> 00:18:31,170 WE'RE BRINGING YOU ALL THE 452 00:18:28,170 --> 00:18:31,170 ACTION AND FASHION ALL NIGHT 453 00:18:31,170 --> 00:18:33,170 LONG. 454 00:18:31,170 --> 00:18:33,170 I THINK RIGHT NOW WHAT WE WANT 455 00:18:33,170 --> 00:18:36,170 TO DO IS TALK A BIT ABOUT SOCIAL 456 00:18:33,170 --> 00:18:36,170 MEDIA, SHALL WE? 457 00:18:36,170 --> 00:18:39,180 >> PLEASE. 458 00:18:36,170 --> 00:18:39,180 >> PEOPLE ARE POSTING ALREADY. 459 00:18:39,180 --> 00:18:43,079 REESE WITHERSPOON JUST POSTED A 460 00:18:39,180 --> 00:18:43,079 LITTLE SOMETHING SOMETHING. 461 00:18:43,079 --> 00:18:47,170 IT'S OSCAR SUNDAY. 462 00:18:43,079 --> 00:18:47,170 LOOKS LIKE SHE'S TAKING IT A 463 00:18:47,170 --> 00:18:49,160 LITTLE CASUAL. 464 00:18:47,170 --> 00:18:49,160 >> I THINK SHE'S ON ZOOM. 465 00:18:49,160 --> 00:18:58,150 >> YEAH, RIGHT. 466 00:18:49,160 --> 00:18:58,150 LAURA DERN IS SWABBING HER OWN 467 00:18:58,150 --> 00:19:02,109 NOSE FOR OSCAR PREP. 468 00:18:58,150 --> 00:19:02,109 >> CAN YOU BELIEVE HOW FAMILIAR 469 00:19:02,109 --> 00:19:11,099 THAT LOOKS NOW? 470 00:19:02,109 --> 00:19:11,099 SHE HAS A KQ TIP TO HER NOSE. 471 00:19:11,099 --> 00:19:14,029 >> ALSO GLENN CLOSE. 472 00:19:11,099 --> 00:19:14,029 I CAN'T SEE ANYTHING NOW. 473 00:19:14,029 --> 00:19:17,009 YOU HAVE TO TELL ME WHAT SHE'S 474 00:19:14,029 --> 00:19:17,009 DOING. 475 00:19:17,009 --> 00:19:18,150 >> I THINK SHE'S IN HAIR AND 476 00:19:17,009 --> 00:19:18,150 MAKEUP. 477 00:19:18,150 --> 00:19:26,140 I KNOW THE LOOK SHE WILL BE 478 00:19:18,150 --> 00:19:26,140 WEARING LATER. 479 00:19:26,140 --> 00:19:28,170 SHE'S GETTING SOMETHING ON HER 480 00:19:26,140 --> 00:19:28,170 FEET. 481 00:19:28,170 --> 00:19:30,269 THE BEST THING TO DO TO NUMB 482 00:19:28,170 --> 00:19:30,269 YOUR FEET PAIN. 483 00:19:30,269 --> 00:19:34,009 IT WORKS. 484 00:19:30,269 --> 00:19:34,009 ANYONE WEARING HEELS. 485 00:19:34,009 --> 00:19:37,089 >> MY FEET STILL HURT FROM THE 486 00:19:34,009 --> 00:19:37,089 LAST TIME I WORE HEELS. 487 00:19:37,089 --> 00:19:40,029 >> THAT'S WHY WE SITTING IN 488 00:19:37,089 --> 00:19:40,029 THESE CHAIRS NOW, CHILD. 489 00:19:40,029 --> 00:19:43,240 LET'S GO OVER TO THE RED CARPET 490 00:19:40,029 --> 00:19:43,240 AND SEE WHAT ELSE IS GOING ON. 491 00:19:43,240 --> 00:19:50,089 G, WHAT'S HAPPENING? 492 00:19:43,240 --> 00:19:50,089 >> ANYMY NEXT GUEST EARNED HER 1 493 00:19:50,089 --> 00:20:01,210 OSCAR THIS YEAR. 494 00:19:50,089 --> 00:20:01,210 IT'S HIT SONGWRITER, DIANE 495 00:20:01,210 --> 00:20:03,200 WARREN. 496 00:20:01,210 --> 00:20:03,200 >> GREAT TO SEE YOU. 497 00:20:03,200 --> 00:20:09,140 >> I LOVE YOUR SONG. 498 00:20:03,200 --> 00:20:09,140 IT WAS WRITTEN WITH LAURA 499 00:20:09,140 --> 00:20:14,180 MAUSINI. 500 00:20:09,140 --> 00:20:14,180 >> I DIDN'T QUITE WORK IN AN 501 00:20:14,180 --> 00:20:22,269 ITALIAN MOVIE. 502 00:20:14,180 --> 00:20:22,269 >> I REACHED OUT TO LAURA. 503 00:20:22,269 --> 00:20:30,029 >> LAW PAUSINI. 504 00:20:22,269 --> 00:20:30,029 I REALLY APPRECIATE IT. 505 00:20:30,029 --> 00:20:31,079 >> YOU'LL BE ABLE TO KNOW WHAT 506 00:20:30,029 --> 00:20:31,079 SHE'S SAYING. 507 00:20:31,079 --> 00:20:32,150 >> YES, EXACTLY. 508 00:20:31,079 --> 00:20:32,150 >> TELL ME ABOUT THAT PROCESS. 509 00:20:32,150 --> 00:20:34,079 IT'S A VERY DIFFERENT PROCESS 510 00:20:32,150 --> 00:20:34,079 FOR YOU. 511 00:20:34,079 --> 00:20:36,259 >> THE PROCESS WASN'T THAT 512 00:20:34,079 --> 00:20:36,259 DIFFERENT. 513 00:20:36,259 --> 00:20:41,240 I GOT REALLY INSPIRED BY READING 514 00:20:36,259 --> 00:20:41,240 A SCRIPT AND IT'S EASY TO BE 515 00:20:41,240 --> 00:20:43,099 INSPIRED BY SUCH A BEAUTIFUL 516 00:20:41,240 --> 00:20:43,099 STORY. 517 00:20:43,099 --> 00:20:48,150 I WROTE THE SONG AND I JUST 518 00:20:43,099 --> 00:20:48,150 LOVED THE LINE, I WANT YOU TO 519 00:20:48,150 --> 00:20:52,250 KNOW YOU'RE SEEN IS A SIMPLE 520 00:20:48,150 --> 00:20:52,250 LINE. 521 00:20:52,250 --> 00:20:56,240 IT'S VERY MEANINGFUL. 522 00:20:52,250 --> 00:20:56,240 WE ARE LIVING IN A TIME WHERE 523 00:20:56,240 --> 00:21:01,099 PEOPLE DON'T FEEL SEEN AND FEEL 524 00:20:56,240 --> 00:21:01,099 INVISIBLE. 525 00:21:01,099 --> 00:21:04,170 ONCE LAURA WAS ON BOARD. 526 00:21:01,099 --> 00:21:04,170 >> THAT IS WHAT WAS DIFFERENT 527 00:21:04,170 --> 00:21:10,269 ABOUT IT. 528 00:21:04,170 --> 00:21:10,269 YOU WROTE IT IN ENGLISH AND LAW 529 00:21:10,269 --> 00:21:12,130 LAURA TRANSLATED. 530 00:21:10,269 --> 00:21:12,130 >> YEAH. 531 00:21:12,130 --> 00:21:17,220 >> I THINK IT'S THE FIRST TIME 532 00:21:12,130 --> 00:21:17,220 AN ITALIAN SONG HAS BEEN 533 00:21:17,220 --> 00:21:18,279 NOMINATED. 534 00:21:17,220 --> 00:21:18,279 I'M NOT GOING TO LIE, I'D LIKE 535 00:21:18,279 --> 00:21:21,230 TO WIN FINALLY. 536 00:21:18,279 --> 00:21:21,230 YOU NEVER KNOW. 537 00:21:21,230 --> 00:21:26,089 OH, MY GOSH. 538 00:21:21,230 --> 00:21:26,089 THAT'S MY SONG OVER THERE. 539 00:21:26,089 --> 00:21:28,099 >> YOU CAN SAY HELLO. 540 00:21:26,089 --> 00:21:28,099 WE LOVE IT. 541 00:21:28,099 --> 00:21:32,150 WE LOVE IT. 542 00:21:28,099 --> 00:21:32,150 >> SPEAKING OF, YOU SAID I LOVE 543 00:21:32,150 --> 00:21:34,099 TO WIP. 544 00:21:32,150 --> 00:21:34,099 WE TALKED ABOUT THIS BEFORE. 545 00:21:34,099 --> 00:21:39,039 YOU'VE BEEN NOMINATED MANY TIMES 546 00:21:34,099 --> 00:21:39,039 AND IN SEARCH OF THE OSCAR. 547 00:21:39,039 --> 00:21:44,240 I WANT TO READ THIS. 548 00:21:39,039 --> 00:21:44,240 THIS IS THE FAKE DATING PROFILE 549 00:21:44,240 --> 00:21:51,000 THAT YOU CREATED WHERE YOU SAID 550 00:21:44,240 --> 00:21:51,000 YOU LIKE THEM SHORT, SMALL, 551 00:21:51,000 --> 00:21:57,069 SMOOTH AND GOLDEN. 552 00:21:51,000 --> 00:21:57,069 IS OSCAR GOING TO SWIPE RIGHT 553 00:21:57,069 --> 00:21:58,079 TONIGHT? 554 00:21:57,069 --> 00:21:58,079 SDPLI 555 00:21:58,079 --> 00:22:02,000 >> I HOPE HE SWIPES RIGHT. 556 00:21:58,079 --> 00:22:02,000 IS THAT THE GOOD ONE? 557 00:22:02,000 --> 00:22:05,119 I HAVEN'T BEEN ON THERE. 558 00:22:02,000 --> 00:22:05,119 >> I HAVEN'T EITHER. 559 00:22:05,119 --> 00:22:09,009 I'M MARRIED. 560 00:22:05,119 --> 00:22:09,009 THAT'S WHAT THE KIDS SAY. 561 00:22:09,009 --> 00:22:12,059 >> I'D LOVE TO MEET HIM. 562 00:22:09,009 --> 00:22:12,059 I THINK WE'LL GET ALONG AND HAVE 563 00:22:12,059 --> 00:22:16,119 A BEAUTIFUL LIFE TOGETHER. 564 00:22:12,059 --> 00:22:16,119 >> DIANE, THANK YOU SO MUCH. 565 00:22:16,119 --> 00:22:18,269 IT'S ALWAYS SO GREAT TO SEE YOU. 566 00:22:16,119 --> 00:22:18,269 HAVE FUN TONIGHT. 567 00:22:18,269 --> 00:22:21,140 BEST OF LUCK. 568 00:22:18,269 --> 00:22:21,140 >> THANK YOU. 569 00:22:21,140 --> 00:22:23,259 >> BYE. 570 00:22:21,140 --> 00:22:23,259 NINA, OVER TO YOU. 571 00:22:23,259 --> 00:22:27,269 >> YES, GIRL, YOU WANT THEM TO 572 00:22:23,259 --> 00:22:27,269 SWIPE RIGHT, NOT LEFT. 573 00:22:27,269 --> 00:22:32,200 YOU GET LEFT, IT MIGHT BE NUMBER 574 00:22:27,269 --> 00:22:32,200 13. 575 00:22:32,200 --> 00:22:34,089 SHE WAS GREAT. 576 00:22:32,200 --> 00:22:34,089 >> SHE WAS AMAZING. 577 00:22:34,089 --> 00:22:39,069 >> I LOVE THE SILVER TURTLE NECK 578 00:22:34,089 --> 00:22:39,069 WITH THE SUIT OVER THE TOP. 579 00:22:39,069 --> 00:22:42,059 >> A LOT OF GLITTER. 580 00:22:39,069 --> 00:22:42,059 I THINK WE MIGHT -- I KNOW YOU 581 00:22:42,059 --> 00:22:45,160 WERE SAYING RED WILL BE A LIT. 582 00:22:42,059 --> 00:22:45,160 I THINK WE'LL SEE A LOT OF 583 00:22:45,160 --> 00:22:46,279 SHINY. 584 00:22:45,160 --> 00:22:46,279 PEOPLE HAVE BEEN IN THE HOUSE. 585 00:22:46,279 --> 00:22:53,160 PEOPLE WANT TO BE SPARKLY. 586 00:22:46,279 --> 00:22:53,160 >> YEAH. 587 00:22:53,160 --> 00:22:56,269 >> RIGHT. 588 00:22:53,160 --> 00:22:56,269 FULL CONFESSION, I HAVE BEEN 589 00:22:56,269 --> 00:23:00,220 SEARCHING FOR A SEQUIN TURTLE 590 00:22:56,269 --> 00:23:00,220 NECK ONLINE BECAUSE THIS IS LIKE 591 00:23:00,220 --> 00:23:10,230 A WHOLE TREND HAPPENING. 592 00:23:00,220 --> 00:23:10,230 DAN LEVY WORE VALENTINO COUTURE. 593 00:23:10,230 --> 00:23:14,029 I JUST NEED TO DO IT. 594 00:23:10,230 --> 00:23:14,029 NOW DIANE WARREN IS DOING IT. 595 00:23:14,029 --> 00:23:17,170 >> HAVE YOU FOUND IT YET? 596 00:23:14,029 --> 00:23:17,170 >> NO, GIRL. 597 00:23:17,170 --> 00:23:26,109 >> WE GOT TO JUST MAKE IT THEN. 598 00:23:17,170 --> 00:23:26,109 >> NINA PARKER FOR MACY'S. 599 00:23:26,109 --> 00:23:29,289 IT'S A ONE OFF TURTLE NECK. 600 00:23:26,109 --> 00:23:29,289 >> WE'LL SQUEEZE YOU IN IN. 601 00:23:29,289 --> 00:23:33,140 I PROMISE YOU. 602 00:23:29,289 --> 00:23:33,140 >> ALL RIGHT. 603 00:23:33,140 --> 00:23:39,230 RIGHT NOW WE ARE GOING TO GO 604 00:23:33,140 --> 00:23:39,230 OVER TO KARAMO. 605 00:23:39,230 --> 00:23:45,210 >> YOU GOING TO SKEEZQUEEZE ME I 606 00:23:39,230 --> 00:23:45,210 THERE BECAUSE I LOVE THE NINA 607 00:23:45,210 --> 00:23:51,190 PARKER FROM MACY'S. 608 00:23:45,210 --> 00:23:51,190 PLUG, BABY. 609 00:23:51,190 --> 00:23:53,279 DO WE THINK SHE'LL WIN? 610 00:23:51,190 --> 00:23:53,279 THIS IS NUMBER 11. 611 00:23:53,279 --> 00:23:57,059 >> 12. 612 00:23:53,279 --> 00:23:57,059 THIS IS MAKING HER THE SUSAN 613 00:23:57,059 --> 00:24:06,210 LUCCI OF ORIGINAL SONGS. 614 00:23:57,059 --> 00:24:06,210 "HOW DO AI LIVE." 615 00:24:06,210 --> 00:24:11,119 "I HAD THE TIME OF MY LIFE." 616 00:24:06,210 --> 00:24:11,119 I'M NOT GOING TO LIE, I THINK 617 00:24:11,119 --> 00:24:17,019 LESLIE WILL BE TAKING IT HOME. 618 00:24:11,119 --> 00:24:17,019 >> WHEN YOU SAY ALL OF DIANE'S 619 00:24:17,019 --> 00:24:21,019 SONGS, IT BRINGS BACK THESE 620 00:24:17,019 --> 00:24:21,019 AMAZING MEMORIES OF MY LIFE. 621 00:24:21,019 --> 00:24:23,279 WE ALL KNOW ABOUT THOSE SONGS. 622 00:24:21,019 --> 00:24:23,279 WE'LL TRY FIGURE IT OUT. 623 00:24:23,279 --> 00:24:25,170 THE OSCARS WILL BE STARTING 624 00:24:23,279 --> 00:24:25,170 SOON. 625 00:24:25,170 --> 00:24:38,019 WE'LL BE RIGHT BACK 626 00:24:25,170 --> 00:24:38,019 >>> WELCOME BACK. 627 00:24:38,019 --> 00:24:44,099 I LET DIANE WARREN GET AWAY. 628 00:24:38,019 --> 00:24:44,099 WE'RE SO BUSY TALKING ABOUT YOUR 629 00:24:44,099 --> 00:24:46,259 BEAUTIFUL SONGS, WE'RE SO 630 00:24:44,099 --> 00:24:46,259 BEAUTIFUL TALKING ABOUT THE 631 00:24:46,259 --> 00:24:52,089 QUEST FOR OSCAR THAT I LET YOU 632 00:24:46,259 --> 00:24:52,089 GO AND DIDN'T ASK WHO THIS 633 00:24:52,089 --> 00:25:02,180 AMAZING TUXEXDO IS BY. 634 00:24:52,089 --> 00:25:02,180 >> VALENTINO. 635 00:25:02,180 --> 00:25:08,220 LAURA GOES VALENTINO WILL DRESS 636 00:25:02,180 --> 00:25:08,220 YOU. 637 00:25:08,220 --> 00:25:12,059 IVE NEVER BEEN DRESSED BEFORE. 638 00:25:08,220 --> 00:25:12,059 I HAVE A BLACK SUIT WITH THE 639 00:25:12,059 --> 00:25:18,079 SAME FROG ON IT. 640 00:25:12,059 --> 00:25:18,079 >> YOU'RE CHANGING FOR THE 641 00:25:18,079 --> 00:25:21,180 PERFORMANCE IN A LITTLE BIT? 642 00:25:18,079 --> 00:25:21,180 >> YEAH. 643 00:25:21,180 --> 00:25:23,279 >> THIS IS STUNNING. 644 00:25:21,180 --> 00:25:23,279 REALLY BEAUTIFUL. 645 00:25:23,279 --> 00:25:29,039 I LET YOU GO AND THEY WERE TALK 646 00:25:23,279 --> 00:25:29,039 ABOUT HOW AMAZING THIS LOOK IS. 647 00:25:29,039 --> 00:25:31,160 I SAID I GOT TO GET DIANE BACK 648 00:25:29,039 --> 00:25:31,160 HERE. 649 00:25:31,160 --> 00:25:36,089 THANK YOU FOR COMING BACK. 650 00:25:31,160 --> 00:25:36,089 >> I WAS JUST RIGHT THERE. 651 00:25:36,089 --> 00:25:40,190 >> NO, NO, IT WAS VERY 652 00:25:36,089 --> 00:25:40,190 THOUGHTFUL. 653 00:25:40,190 --> 00:25:45,069 THANK YOU. 654 00:25:40,190 --> 00:25:45,069 EVERYTHING VALENTION. 655 00:25:45,069 --> 00:25:46,160 LOVE IT. 656 00:25:45,069 --> 00:25:46,160 BEAUTIFUL. 657 00:25:46,160 --> 00:25:47,259 BEAUTIFUL. 658 00:25:46,160 --> 00:25:47,259 LOVE IT. 659 00:25:47,259 --> 00:25:53,180 GETTING ALL THE FASHION SCOOP 660 00:25:47,259 --> 00:25:53,180 HERE. 661 00:25:53,180 --> 00:25:54,170 BRAD, ARE YOU LOVING IT RIGHT 662 00:25:53,180 --> 00:25:54,170 NOW? 663 00:25:54,170 --> 00:25:58,029 >> YEAH BECAUSE FIRST OF ALL, 664 00:25:54,170 --> 00:25:58,029 THAT COLLECTION IS SO INSANE. 665 00:25:58,029 --> 00:26:01,190 I'M LIKE I'M DYING TO GET MY 666 00:25:58,029 --> 00:26:01,190 HANDS ON ONE OF THOSE TURTLE 667 00:26:01,190 --> 00:26:03,069 NECKS. 668 00:26:01,190 --> 00:26:03,069 SHE LOOKS AMAZING. 669 00:26:03,069 --> 00:26:08,279 THAT'S SUCH A GREAT WAY TO SHOW 670 00:26:03,069 --> 00:26:08,279 UP APT THE OST OSCARS AND I'M A 671 00:26:08,279 --> 00:26:10,220 OF HER SONGS. 672 00:26:08,279 --> 00:26:10,220 >> ME TOO. 673 00:26:10,220 --> 00:26:14,009 I JUST WANTED TO SET THE TONE 674 00:26:10,220 --> 00:26:14,009 EARLY ON IN THE SHOW THAT WE'RE 675 00:26:14,009 --> 00:26:17,029 GOING TO GET THE ANSWERS YOU 676 00:26:14,009 --> 00:26:17,029 GUYS WANT. 677 00:26:17,029 --> 00:26:23,079 ALL THE ANSWERS HOWEVER WE HAVE 678 00:26:17,029 --> 00:26:23,079 TO DO IT. 679 00:26:23,079 --> 00:26:30,039 >> SHE WAS JUST RIGHT THERE. 680 00:26:23,079 --> 00:26:30,039 SHE'S LIKE I GOT HER BACK HER. 681 00:26:30,039 --> 00:26:35,069 SHE WAS LIKE I WAS RIGHT THERE. 682 00:26:30,039 --> 00:26:35,069 YOU YELLED DIANE AND I CAME 683 00:26:35,069 --> 00:26:37,200 BACK. 684 00:26:35,069 --> 00:26:37,200 >> SHE WAS IN MIDDLE OF AN 685 00:26:37,200 --> 00:26:41,119 INTERVIEW AND PER PUBLICIST AND 686 00:26:37,200 --> 00:26:41,119 I WAS LIKE IS THERE ANY WAY WE 687 00:26:41,119 --> 00:26:45,200 COULD DO ANOTHER QUICK INTERVIEW 688 00:26:41,119 --> 00:26:45,200 WITH DIANE. 689 00:26:45,200 --> 00:26:48,160 >> OF COURSE. 690 00:26:45,200 --> 00:26:48,160 >> SHE WAS NEARBY. 691 00:26:48,160 --> 00:26:51,220 >> YES. 692 00:26:48,160 --> 00:26:51,220 >> I LOVE YOU FOR GETTING THAT 693 00:26:51,220 --> 00:26:53,119 SCOOP. 694 00:26:51,220 --> 00:26:53,119 >> IF YOU NEED ANYTHING ELSE, 695 00:26:53,119 --> 00:26:54,190 I'M HERE. 696 00:26:53,119 --> 00:26:54,190 >> WE DO. 697 00:26:54,190 --> 00:27:01,150 >> JUST LET ME KNOW. 698 00:26:54,190 --> 00:27:01,150 >> ANY FASHION CRED YOU CAN GET 699 00:27:01,150 --> 00:27:04,119 US THAT HAVEN'T COME IN, LET US 700 00:27:01,150 --> 00:27:04,119 KNOW. 701 00:27:04,119 --> 00:27:13,250 LOOKS SO FUN DOWN THERE. 702 00:27:04,119 --> 00:27:13,250 >> WE'RE GOING TO CHECK IN WITH 703 00:27:13,250 --> 00:27:17,059 KARAMO. 704 00:27:13,250 --> 00:27:17,059 >> I LOVE HOW BRAD TROLLS ALL OF 705 00:27:17,059 --> 00:27:20,210 US. 706 00:27:17,059 --> 00:27:20,210 THIS IS WHAT HAPPENS HERE. 707 00:27:20,210 --> 00:27:24,160 DIANE DOES LOOK AMAZING. 708 00:27:20,210 --> 00:27:24,160 WE'RE BREAKING DOWN THE BIGGEST 709 00:27:24,160 --> 00:27:26,059 KATS GOIR 710 00:27:24,160 --> 00:27:26,059 KATS GOIRS OF THE FLIGHT. 711 00:27:26,059 --> 00:27:32,119 ONE OF THE MOST EXCITEING IS BES 712 00:27:26,059 --> 00:27:32,119 ACTOR CATEGORY. 713 00:27:32,119 --> 00:27:36,150 >> I GAVE HER A SONG SHE DIDN'T 714 00:27:32,119 --> 00:27:36,150 WRITE BECAUSE I THINK SHE WROTE 715 00:27:36,150 --> 00:27:40,109 EVERYTHING. 716 00:27:36,150 --> 00:27:40,109 SHE WROTE NEWSICMUSIC TO MY HEAR 717 00:27:40,109 --> 00:27:50,000 NOT THE TIME OF MY LIFE. 718 00:27:40,109 --> 00:27:50,000 CHADWICK BOSEMAN AND GARY OLDMAN 719 00:27:50,000 --> 00:28:02,119 FOR MANK. 720 00:27:50,000 --> 00:28:02,119 THIS WILL BE SUCH AN INCREDIBLE 721 00:28:02,119 --> 00:28:08,150 EVENING AND ANTHONY HOPKINS 722 00:28:02,119 --> 00:28:08,150 MIGHT MAKE HISTORY AS THE OLDEST 723 00:28:08,150 --> 00:28:12,029 NOMINEE TO WIN. 724 00:28:08,150 --> 00:28:12,029 THEY WILL MAKE NEWS. 725 00:28:12,029 --> 00:28:24,000 >> RUNNING THE COMPETITION IS 726 00:28:12,029 --> 00:28:24,000 GARY OLDMAN WHO IS NOMINATED FOR 727 00:28:24,000 --> 00:28:27,069 "MANK." 728 00:28:24,000 --> 00:28:27,069 HE WILL TOLD DANIEL DAY LEWIS. 729 00:28:27,069 --> 00:28:30,079 ALL LEADING MEN DID WONDERFUL 730 00:28:27,069 --> 00:28:30,079 AND DESERVING. 731 00:28:30,079 --> 00:28:32,119 WHAT ARE YOUR PREDICTIONS. 732 00:28:30,079 --> 00:28:32,119 I GOT TO KNOW. 733 00:28:32,119 --> 00:28:37,089 >> SO FAR IT'S REALLY BEEN 734 00:28:32,119 --> 00:28:37,089 CHADWICK SORT OF THEME THIS 735 00:28:37,089 --> 00:28:40,069 YEAR. 736 00:28:37,089 --> 00:28:40,069 HE'S REALLY RUN AWAY WITH IT 737 00:28:40,069 --> 00:28:43,140 WITH THE CRITICS CLOISHOICE. 738 00:28:40,069 --> 00:28:43,140 IT'S NOT JUST BECAUSE OF LEGACY. 739 00:28:43,140 --> 00:28:46,059 HE REALLY EARNED IT WITH THIS 740 00:28:43,140 --> 00:28:46,059 PERFORMANCE. 741 00:28:46,059 --> 00:28:51,000 THIS BEING HIS FIRST TIME BEING 742 00:28:46,059 --> 00:28:51,000 NOMINATED FOR OSCAR DESPITE HIS 743 00:28:51,000 --> 00:28:54,170 INCREDIBLE PERFORMANCES 744 00:28:51,000 --> 00:28:54,170 THROUGHOUT HIS CAREER. 745 00:28:54,170 --> 00:29:00,099 >> NEXT UP, RIZ AHMED IS MAKING 746 00:28:54,170 --> 00:29:00,099 DOUBLE HISTORY AS THE FIRST TWO 747 00:29:00,099 --> 00:29:03,259 ASIAN TO BE NOMINATED. 748 00:29:00,099 --> 00:29:03,259 RIZ SPENT CLOSE TO A YEAR 749 00:29:03,259 --> 00:29:07,200 LEARNING SIGN LANGUAGE AND HOW 750 00:29:03,259 --> 00:29:07,200 TO BE A DRUMMER FOR THERE ROLE. 751 00:29:07,200 --> 00:29:12,200 THAT'S SOME SERIOUS COMMITMENT. 752 00:29:07,200 --> 00:29:12,200 DEFINITELY A TOUGH CATEGORY. 753 00:29:12,200 --> 00:29:16,000 WE'LL WILL TUNING IN TO SEE WHO 754 00:29:12,200 --> 00:29:16,000 TAKES HOME THE OSCAR BUT ALL 755 00:29:16,000 --> 00:29:18,240 EYES ARE ON THE RED CARPET. 756 00:29:16,000 --> 00:29:18,240 WE'RE BRINGING YOU ALL THE 757 00:29:18,240 --> 00:29:23,029 ACTION WHEN LIVE FROM E RETURNS. 758 00:29:18,240 --> 00:29:23,029 GOING BE A GOOD NIGHT. 759 00:29:23,029 --> 00:29:23,200 >> I KNOW. 760 00:29:37,099 --> 00:29:40,220 >>> WELCOME BACK THE LIVE ON E 761 00:29:37,099 --> 00:29:40,220 ON OSCAR SUNDAY. 762 00:29:40,220 --> 00:29:47,039 THERE'S SO MUCH ACTION ON THE 763 00:29:40,220 --> 00:29:47,039 RED CARPET PUBUT A LOT OF LOYAL 764 00:29:47,039 --> 00:29:51,079 HOLLYWOOD A LISTERS HAVE BEEN 765 00:29:47,039 --> 00:29:51,079 DEBUTING THEIR LOOKS ON SOCIAL 766 00:29:51,079 --> 00:29:56,140 MEDIA. 767 00:29:51,079 --> 00:29:56,140 TAKE A LOOK AT ALISON BRIE. 768 00:29:56,140 --> 00:29:59,170 YOU GUYS HAVE THOUGHTS? 769 00:29:56,140 --> 00:29:59,170 >> SHE GOT A LITTLE PERSONALIZED 770 00:29:59,170 --> 00:30:01,150 CASHMERE SWEATER THERE. 771 00:29:59,170 --> 00:30:01,150 >> I LIKE IT. 772 00:30:01,150 --> 00:30:05,170 >> SHE'S GREAT IN THE FILM. 773 00:30:01,150 --> 00:30:05,170 >> I THINK IT'S CUTE. 774 00:30:05,170 --> 00:30:07,049 I'M HERE FOR IT. 775 00:30:05,170 --> 00:30:07,049 >> I CAN'T WAIT TO SEE HER LOOK. 776 00:30:07,049 --> 00:30:14,000 >> WHO WE HAVE NEXT IS MARIA 777 00:30:07,049 --> 00:30:14,000 FROM -- 778 00:30:14,000 --> 00:30:19,150 >> OH. 779 00:30:14,000 --> 00:30:19,150 BEAUTIFUL. 780 00:30:19,150 --> 00:30:23,190 >> IT'S CUSTOM DRESS IN SILK 781 00:30:19,150 --> 00:30:23,190 SATIN AND FRENCH TOOL WITH A 782 00:30:23,190 --> 00:30:26,140 DEEP V NECKLINE. 783 00:30:23,190 --> 00:30:26,140 WE SEE THAT. 784 00:30:26,140 --> 00:30:31,069 TAILORED CLASSIC. 785 00:30:26,140 --> 00:30:31,069 IT'S EMBROIDERED WITH WHITE 786 00:30:31,069 --> 00:30:34,029 CRYSTALS AND TWO DIFFERENT SIZES 787 00:30:31,069 --> 00:30:34,029 OF BEADS. 788 00:30:34,029 --> 00:30:38,240 >> WHITE SEEMS TO BE BIG TREND. 789 00:30:34,029 --> 00:30:38,240 >> 100 METERS. 790 00:30:38,240 --> 00:30:41,200 THE SKIRT IS ENTIRELY RUFFLED 791 00:30:38,240 --> 00:30:41,200 AND LAYERED BY HAND. 792 00:30:41,200 --> 00:30:44,200 >> WE'LL SEE A LOOK LATER. 793 00:30:41,200 --> 00:30:44,200 >> WE'LL SEE A LOOK. 794 00:30:44,200 --> 00:30:47,220 >> NAILED IT. 795 00:30:44,200 --> 00:30:47,220 >> BEAUTIFUL. 796 00:30:47,220 --> 00:30:50,009 >> I LOVE THAT YOU CAN TEXT 797 00:30:47,220 --> 00:30:50,009 THESE PEOPLE. 798 00:30:50,009 --> 00:30:53,210 >> MY PHONE IS THIS SLOW. 799 00:30:50,009 --> 00:30:53,210 >> I'M SAYING YOU HAVE ACCESS TO 800 00:30:53,210 --> 00:30:58,269 THINGS THAT THE REST OF US HAVE 801 00:30:53,210 --> 00:30:58,269 TO GOOGLE, GIRL. 802 00:30:58,269 --> 00:31:09,230 WE GOT TO GO OVER TO KARAMO. 803 00:30:58,269 --> 00:31:09,230 >> YOU READY THIS? 804 00:31:09,230 --> 00:31:22,049 >> I'M READY. 805 00:31:09,230 --> 00:31:22,049 >> WE KNOW THE NOMINEES. 806 00:31:22,049 --> 00:31:30,220 SHE PLAYS THE GRANDMOTHER IN MAN 807 00:31:22,049 --> 00:31:30,220 "MINARI. 808 00:31:30,220 --> 00:31:36,200 I GOT TO GIVE IT UP FOR OLIVIA 809 00:31:30,220 --> 00:31:36,200 COALMAN 810 00:31:36,200 --> 00:31:43,210 COLEMAN FOR HER OSCAR WIN. 811 00:31:36,200 --> 00:31:43,210 THIS IS FILM WITH AN UNRELIABLE 812 00:31:43,210 --> 00:31:44,210 NARRATER. 813 00:31:43,210 --> 00:31:44,210 I LOVE HER. 814 00:31:44,210 --> 00:31:48,019 DID YOU GET CHANCE TO SEE THE 815 00:31:44,210 --> 00:31:48,019 FAVORITE? 816 00:31:48,019 --> 00:31:49,210 >> I DID. 817 00:31:48,019 --> 00:31:49,210 SO GOOD. 818 00:31:49,210 --> 00:32:00,130 >> ALSO WE HAVE MISS GLENN CLOSE 819 00:31:49,210 --> 00:32:00,130 COMEING IN FOR HER NEXT 820 00:32:00,130 --> 00:32:05,019 NOMINATION, NUMBER EIGHT. 821 00:32:00,130 --> 00:32:05,019 SHE'S ALSO NOMINATED FOR A 822 00:32:05,019 --> 00:32:06,289 RAZZI. 823 00:32:05,019 --> 00:32:06,289 WE WANT TO SEE HER TAKE IT HOME. 824 00:32:06,289 --> 00:32:08,259 I DON'T THINK IT WILL BE 825 00:32:06,289 --> 00:32:08,259 TONIGHT. 826 00:32:08,259 --> 00:32:13,089 MARIA, THAT LOOK. 827 00:32:08,259 --> 00:32:13,089 CHA 828 00:32:13,089 --> 00:32:16,160 WHAT DID YOU THINK OF THAT 829 00:32:13,089 --> 00:32:16,160 DRESS? 830 00:32:16,160 --> 00:32:23,099 >> IT WAS GIVING ME VANITY FAIR. 831 00:32:16,160 --> 00:32:23,099 YOU'RE RIGHT, WHITE IS IN 832 00:32:23,099 --> 00:32:30,119 TONIGHT. 833 00:32:23,099 --> 00:32:30,119 >> SHE MADE A TON OF HEADLINES. 834 00:32:30,119 --> 00:32:32,109 >> SHE'S BEEN DOING IT RIGHT ALL 835 00:32:30,119 --> 00:32:32,109 SEASON. 836 00:32:32,109 --> 00:32:36,259 I'M EXCITED FOR HER TONIGHT. 837 00:32:32,109 --> 00:32:36,259 WE'LL BE SEEING VERY SOON. 838 00:32:36,259 --> 00:32:42,059 NINA OVER TO YOU. 839 00:32:36,259 --> 00:32:42,059 >> LET'S TALK ABOUT BEST SONG 840 00:32:42,059 --> 00:32:45,180 NOMINEE, TIANA THOMAS. 841 00:32:42,059 --> 00:32:45,180 THIS LOOK SHE HAS ON THE RED 842 00:32:45,180 --> 00:32:48,170 CARPET. 843 00:32:45,180 --> 00:32:48,170 WE WERE ALL GAG OVER THIS LOOK. 844 00:32:48,170 --> 00:32:51,180 >> INCREDIBLE. 845 00:32:48,170 --> 00:32:51,180 >> SHE LOOKS INCREDIBLE. 846 00:32:51,180 --> 00:32:55,109 >> WHITE AGAIN. 847 00:32:51,180 --> 00:32:55,109 >> IT'S WINNING TONIGHT. 848 00:32:55,109 --> 00:33:03,140 >> COMING WITH HER BEHIND HER. 849 00:32:55,109 --> 00:33:03,140 THIS LOOK WITH THE PLUNGING 850 00:33:03,140 --> 00:33:06,000 DETAILS, THE NECKLINE. 851 00:33:03,140 --> 00:33:06,000 THAT DIAMOND. 852 00:33:06,000 --> 00:33:09,210 >> THAT DIAMOND. 853 00:33:06,000 --> 00:33:09,210 BEYOND THAT, THE POSING. 854 00:33:09,210 --> 00:33:16,059 GIVING FACE. 855 00:33:09,210 --> 00:33:16,059 >> THE AMPHETAMINE TERSFEATHERS 856 00:33:16,059 --> 00:33:17,240 ARE A NICE TOUCH. 857 00:33:16,059 --> 00:33:17,240 >> I THINK WHEN SHE TAKES OFF 858 00:33:17,240 --> 00:33:21,029 THAT JACKET, WE'LL SEE MORE 859 00:33:17,240 --> 00:33:21,029 DETAIL. 860 00:33:21,029 --> 00:33:27,019 SHE LOOKS PHENOMENAL. 861 00:33:21,029 --> 00:33:27,019 LET'S HEAD BACK OVER TO GIULIANA 862 00:33:27,019 --> 00:33:31,109 OVER ON THE RED CARPET. 863 00:33:27,019 --> 00:33:31,109 >> WE FIRST FELL IN LOVE WITH 864 00:33:31,109 --> 00:33:43,059 HIM AS GLEN ON THE WALKING DEAD. 865 00:33:31,109 --> 00:33:43,059 I'M SO EXCITED ABOUT THIS. 866 00:33:43,059 --> 00:33:49,130 STEPHEN IS JOINING US. 867 00:33:43,059 --> 00:33:49,130 MINARA IS ONE OF MY FAVORITE 868 00:33:49,130 --> 00:33:51,259 MOVIES. 869 00:33:49,130 --> 00:33:51,259 IT'S A MOVIE THAT STAY TSS WITH 870 00:33:51,259 --> 00:33:55,009 YOU. 871 00:33:51,259 --> 00:33:55,009 YOU PLAY JACOB WHO IS A KOREAN 872 00:33:55,009 --> 00:34:01,250 IMMIGRANT FARMER WHO MOVES HIS 873 00:33:55,009 --> 00:34:01,250 FAMILY TOLL A FARM A FARM IN ARK 874 00:34:01,250 --> 00:34:04,289 YOU SAID IT HELPED YOU 875 00:34:01,250 --> 00:34:04,289 RE-EXAMINE YOUR HONE CHILDHOOD? 876 00:34:04,289 --> 00:34:11,050 >> YEAH. 877 00:34:04,289 --> 00:34:11,050 I HAVE MY OWN KIDS. 878 00:34:11,050 --> 00:34:12,190 WHEN YOU HAVE YOUR OWN CHILDREN 879 00:34:11,050 --> 00:34:12,190 THINK THEY HELP YOU RE-EXAMINE 880 00:34:12,190 --> 00:34:14,150 OUGHT THINGS YOU THOUGHT YOU 881 00:34:12,190 --> 00:34:14,150 REMEMBERED. 882 00:34:14,150 --> 00:34:17,269 IT WAS REFRESHING TO SEE MY 883 00:34:14,150 --> 00:34:17,269 PARENTS GENERATION THROUGH CLEAR 884 00:34:17,269 --> 00:34:21,039 EYES. 885 00:34:17,269 --> 00:34:21,039 >> SPEAKING OF YOUR PARENTS, YOU 886 00:34:21,039 --> 00:34:26,260 KNOW YOU JOKE THAT YOU'RE STILL 887 00:34:21,039 --> 00:34:26,260 SEARCH FOR YOUR MOTHER'S 888 00:34:26,260 --> 00:34:28,050 APPROVAL 889 00:34:26,260 --> 00:34:28,050 APPROVAL. 890 00:34:28,050 --> 00:34:30,070 YOU SAID IS MOM WATCHING TONIGHT 891 00:34:28,050 --> 00:34:30,070 AND DOES MOM APPROVE. 892 00:34:30,070 --> 00:34:33,230 YOU'RE HERE ON THE OSCARS RED 893 00:34:30,070 --> 00:34:33,230 CARPET, NOMINATED. 894 00:34:33,230 --> 00:34:36,289 >> MY NO, MA'AM HAS BEEN SO 895 00:34:33,230 --> 00:34:36,289 SUPPORTIVE AND SO LOVING AND 896 00:34:36,289 --> 00:34:39,280 SHE'S ACTUALLY AT HOME WATCHING 897 00:34:36,289 --> 00:34:39,280 OUR CHILDREN. 898 00:34:39,280 --> 00:34:41,159 >> SHE IS? 899 00:34:39,280 --> 00:34:41,159 >> SHE CAME. 900 00:34:41,159 --> 00:34:45,119 SHE MADE IT OUT HERE. 901 00:34:41,159 --> 00:34:45,119 WE'RE REALLY THANKFUL AND 902 00:34:45,119 --> 00:34:47,150 BLESSED TO HAVE THE PARENTS HERE 903 00:34:45,119 --> 00:34:47,150 AND THE GRANDPARENTS. 904 00:34:47,150 --> 00:34:50,159 LOOKING FORWARD TO TALKING TO 905 00:34:47,150 --> 00:34:50,159 HER ABOUT IT. 906 00:34:50,159 --> 00:34:53,099 >> DO YOU WANT TO SAY HELLO. 907 00:34:50,159 --> 00:34:53,099 MAYBE SHE'S WATCHING LIVE. 908 00:34:53,099 --> 00:35:01,000 >> I LOVE YOU. 909 00:34:53,099 --> 00:35:01,000 >> THIS MOVIE IS SO SPECIAL TO 910 00:35:01,000 --> 00:35:02,250 SO MANY PEOPLE. 911 00:35:01,000 --> 00:35:02,250 HOW DID THIS FEEL KNOWING THAT 912 00:35:02,250 --> 00:35:05,059 SO MANY PEOPLE HAVE EMBRACED 913 00:35:02,250 --> 00:35:05,059 THIS FILM? 914 00:35:05,059 --> 00:35:13,289 >> IT FEELS REALLY WONDERFUL. 915 00:35:05,059 --> 00:35:13,289 I THINK IT'S A TESTAMENT TO 916 00:35:13,289 --> 00:35:18,269 ISAAC'S INCREDIBLE WRITING. 917 00:35:13,289 --> 00:35:18,269 WE ALL TRY TO TELL SOMETHING 918 00:35:18,269 --> 00:35:23,090 HONEST AND TRUE FROM THE 919 00:35:18,269 --> 00:35:23,090 HUMANITY THAT WE ALL SHARE. 920 00:35:23,090 --> 00:35:28,280 I'M GLAD IT'S CONNECTING. 921 00:35:23,090 --> 00:35:28,280 >> WE'RE SO HAPPY, WHAT ARE YOU 922 00:35:28,280 --> 00:35:31,230 FEELING RIGHT NOW IN. 923 00:35:28,280 --> 00:35:31,230 >> I HAVEN'T BEEN OUTSIDE IN 924 00:35:31,230 --> 00:35:33,289 YEAR. 925 00:35:31,230 --> 00:35:33,289 I'VE BEEN OUTSIDE BUT TO SEE YOU 926 00:35:33,289 --> 00:35:36,090 AND ALL THESE PEOPLE IS KIND OF 927 00:35:33,289 --> 00:35:36,090 STRANGE. 928 00:35:36,090 --> 00:35:39,179 I JUST DID AN INTERVIEW LIVE 929 00:35:36,090 --> 00:35:39,179 FIVE SEXDS BEFORE THIS WHERE I 930 00:35:39,179 --> 00:35:43,010 STUMBLED THROUGH THE WHOLE THING 931 00:35:39,179 --> 00:35:43,010 BECAUSE I HAVEN'T TALKED TO 932 00:35:43,010 --> 00:35:44,280 PEOPLE IN LONG TIME. 933 00:35:43,010 --> 00:35:44,280 THIS IS CRAZY. 934 00:35:44,280 --> 00:35:48,190 >> YOU KNOW WHAT, MAYBE THAT WAS 935 00:35:44,280 --> 00:35:48,190 A LITTLE WARM UP BECAUSE YOU 936 00:35:48,190 --> 00:35:50,110 WERE PERFECTION IN THIS 937 00:35:48,190 --> 00:35:50,110 INTERVIEW. 938 00:35:50,110 --> 00:35:53,000 >> PERFECTION. 939 00:35:50,110 --> 00:35:53,000 SUCH A PLEASURE TO TALK TO. 940 00:35:53,000 --> 00:35:55,150 THANK YOU SO MUCH. 941 00:35:53,000 --> 00:35:55,150 BEST OF LUCK TONIGHT. 942 00:35:55,150 --> 00:35:58,170 >> THANK YOU. 943 00:35:55,150 --> 00:35:58,170 >> ALL RIGHT. 944 00:35:58,170 --> 00:35:59,019 WE'LL BE RIGHT BACK LIVE ON E. 945 00:36:14,199 --> 00:36:20,170 >>> WELCOME BACK TO LIVE ON E. 946 00:36:14,199 --> 00:36:20,170 MY NEXT GUEST HAS TWO CHANCES TO 947 00:36:20,170 --> 00:36:29,190 WIN AN OSCAR TONIGHT. 948 00:36:20,170 --> 00:36:29,190 IT'S LESLIE ODAM JUNIOR. 949 00:36:29,190 --> 00:36:34,190 SO GOOD TO SEE YOU. 950 00:36:29,190 --> 00:36:34,190 >> GOOD TO SEE YOU. 951 00:36:34,190 --> 00:36:37,110 THERE IS NOT YOUR FIRST TIME. 952 00:36:34,190 --> 00:36:37,110 >> NOT MY FIRST. 953 00:36:37,110 --> 00:36:41,219 MAYBE MY 19th OR 20th. 954 00:36:37,110 --> 00:36:41,219 I NEED AN HOUR INTERVIEW WITH 955 00:36:41,219 --> 00:36:43,239 YOU BECAUSE WE HAVE SO MUCH TO 956 00:36:41,219 --> 00:36:43,239 TALK ABOUT. 957 00:36:43,239 --> 00:36:50,099 GOLDEN GLOBES. 958 00:36:43,239 --> 00:36:50,099 WE CHATTED ON ZOOM. 959 00:36:50,099 --> 00:36:53,059 SINCE THE GLOBES, SOMETHING HAS 960 00:36:50,099 --> 00:36:53,059 CHANGED. 961 00:36:53,059 --> 00:36:58,000 A LOT HAS CHANGED. 962 00:36:53,059 --> 00:36:58,000 YOU JUST WELCOMED A FOUR WEEK 963 00:36:58,000 --> 00:37:01,059 OLD. 964 00:36:58,000 --> 00:37:01,059 >> BABY BOY. 965 00:37:01,059 --> 00:37:05,150 HE WAS FOUR WEEKS WHEN HE WAS 966 00:37:01,059 --> 00:37:05,150 BORN. 967 00:37:05,150 --> 00:37:06,289 HE'S BIGGER. 968 00:37:05,150 --> 00:37:06,289 SDP 969 00:37:06,289 --> 00:37:08,159 >> YOU'RE RIGHT. 970 00:37:06,289 --> 00:37:08,159 HE'S FOUR WEEKS. 971 00:37:08,159 --> 00:37:11,110 >> IT'S AMAZING. 972 00:37:08,159 --> 00:37:11,110 HE'S THE SWEETEST. 973 00:37:11,110 --> 00:37:14,119 HE'S A DREAM BABY. 974 00:37:11,110 --> 00:37:14,119 WE'RE ENJOYING EVERY SECOND. 975 00:37:14,119 --> 00:37:18,119 >> YOU HAVE A LITTLE GIRL WHO 976 00:37:14,119 --> 00:37:18,119 JUST TURNED FOUR. 977 00:37:18,119 --> 00:37:20,159 >> YEAH. 978 00:37:18,119 --> 00:37:20,159 >> SO KPIETSEXCITING TOO. 979 00:37:20,159 --> 00:37:22,219 >> GIRL. 980 00:37:20,159 --> 00:37:22,219 >> PARENTS NIGHT OUT. 981 00:37:22,219 --> 00:37:27,250 >> IT'S PARENTS NIGHT OUT. 982 00:37:22,219 --> 00:37:27,250 A LITTLE DATE NIGHT TONIGHT. 983 00:37:27,250 --> 00:37:31,219 >> IT'S DAETTE NIGHT. 984 00:37:27,250 --> 00:37:31,219 YOU SAID WHEN YOU WERE MAKING 985 00:37:31,219 --> 00:37:34,159 "ONE NIGHT IN MIAMI" YOU GOT 986 00:37:31,219 --> 00:37:34,159 GOOSE BUMPS. 987 00:37:34,159 --> 00:37:36,159 YOU SAID IT WAS UNLIKE ANY OTHER 988 00:37:34,159 --> 00:37:36,159 EXPERIENCE. 989 00:37:36,159 --> 00:37:43,110 TELL US ABOUT THAT. 990 00:37:36,159 --> 00:37:43,110 >> IT REMINDED ME OF THE 991 00:37:43,110 --> 00:37:45,090 THEATER. 992 00:37:43,110 --> 00:37:45,090 IT'S ONLY AN EXPERIENCE I HAVE 993 00:37:45,090 --> 00:37:49,219 GOTTEN IN THE THEATER AND MAYBE 994 00:37:45,090 --> 00:37:49,219 IT'S BECAUSE THE SHOW STARTED. 995 00:37:49,219 --> 00:37:52,170 KENT POWERS WROTE THIS AS A 996 00:37:49,219 --> 00:37:52,170 PLAY. 997 00:37:52,170 --> 00:37:57,099 I THINK IT'S PLAY FIVE 998 00:37:52,170 --> 00:37:57,099 CONFIDENCE ALREADY. 999 00:37:57,099 --> 00:38:04,000 GETTING TO ARGUE WITH HIM A BIT. 1000 00:37:57,099 --> 00:38:04,000 IT WAS MAMGICGIC IN THE ROOM. 1001 00:38:04,000 --> 00:38:09,139 >> YOU AND REGINA KING ARE 1002 00:38:04,000 --> 00:38:09,139 CLOSE. 1003 00:38:09,139 --> 00:38:13,150 WHEN YOU SEE HER TONIGHT -- 1004 00:38:09,139 --> 00:38:13,150 >> SHE'S GETTING HUGGED. 1005 00:38:13,150 --> 00:38:18,050 THAT'S WHAT I CAN TELL YOU. 1006 00:38:13,150 --> 00:38:18,050 I HAVEN'T SEEN HER SINCE THE 1007 00:38:18,050 --> 00:38:20,119 FILM CAME OUT. 1008 00:38:18,050 --> 00:38:20,119 IT'S BEEN A STRANGE BUT 1009 00:38:20,119 --> 00:38:23,099 WONDERFUL TIME. 1010 00:38:20,119 --> 00:38:23,099 THE FACT WE HAVE GONE THROUGH 1011 00:38:23,099 --> 00:38:28,070 WHAT WE HAVE GONE THROUGH BUT 1012 00:38:23,099 --> 00:38:28,070 CELEBRATE THE WHOLE TIME HAS 1013 00:38:28,070 --> 00:38:31,079 BEEN SO SPECIAL. 1014 00:38:28,070 --> 00:38:31,079 >> YOU'RE IN THE OSCAR RECORD 1015 00:38:31,079 --> 00:38:35,079 BOOKS AS THE FIRST MAN TO GET 1016 00:38:31,079 --> 00:38:35,079 NOMINATED FOR SONG WRITE AND 1017 00:38:35,079 --> 00:38:41,280 ACTING IN THE SAME YEAR. 1018 00:38:35,079 --> 00:38:41,280 WHAT WOULD YOU TELL LESLIE WHO 1019 00:38:41,280 --> 00:38:45,219 ALMOST QUIT ACTING ONCE UPON A 1020 00:38:41,280 --> 00:38:45,219 TIME. 1021 00:38:45,219 --> 00:38:48,150 >> DON'T DO IT. 1022 00:38:45,219 --> 00:38:48,150 HANG IN IT. 1023 00:38:48,150 --> 00:38:50,199 I ALMOST QUIT RIGHT BEFORE IT 1024 00:38:48,150 --> 00:38:50,199 GOT GOOD. 1025 00:38:50,199 --> 00:38:52,050 I WOULD TELL HIM TO DO WHAT HE 1026 00:38:50,199 --> 00:38:52,050 DID. 1027 00:38:52,050 --> 00:38:56,050 HA HE DID WAS HE REACHED OUT. 1028 00:38:52,050 --> 00:38:56,050 WHEN YOU FEEL LONELY, WHEN YOU 1029 00:38:56,050 --> 00:39:01,099 FEEL DEPRESSED LIKE YOU NEED 1030 00:38:56,050 --> 00:39:01,099 HELP TO TAKE ANOTHER STEP, REACH 1031 00:39:01,099 --> 00:39:03,099 OUT TO SOMEBODY TO HELP YOU TAKE 1032 00:39:01,099 --> 00:39:03,099 THE NEXT STEP. 1033 00:39:03,099 --> 00:39:06,099 >> SOMEONE WHO HELPED YOU KEEP 1034 00:39:03,099 --> 00:39:06,099 ONGOING. 1035 00:39:06,099 --> 00:39:13,250 >> MY FATHER-IN-LAW. 1036 00:39:06,099 --> 00:39:13,250 I MET WITH HIM AT MARIE 1037 00:39:13,250 --> 00:39:18,219 CALLENDAR AND OVER CHICKEN POT 1038 00:39:13,250 --> 00:39:18,219 PIE, HE HELPED ME NOT QUIT ON 1039 00:39:18,219 --> 00:39:20,159 MYSELF. 1040 00:39:18,219 --> 00:39:20,159 >> WE'RE SO HAPPY TO SEE THE TWO 1041 00:39:20,159 --> 00:39:24,010 OF YOU. 1042 00:39:20,159 --> 00:39:24,010 CONGRATULATIONS ON SO MANY 1043 00:39:24,010 --> 00:39:25,099 THINGS. 1044 00:39:24,010 --> 00:39:25,099 PROFESSIONALLY AND PERSONALLY AS 1045 00:39:25,099 --> 00:39:26,219 WELL. 1046 00:39:25,099 --> 00:39:26,219 THANK YOU FOR STOPPING BY. 1047 00:39:26,219 --> 00:39:28,260 >> THANKS FOR MAKING TIME. 1048 00:39:26,219 --> 00:39:28,260 YOU LOOK BEAUTIFUL. 1049 00:39:28,260 --> 00:39:31,150 >> SPEAKING OF, WHO ARE YOU 1050 00:39:28,260 --> 00:39:31,150 WEARING TONIGHT? 1051 00:39:31,150 --> 00:39:34,150 ENOUGH ABOUT MY DRESS. 1052 00:39:31,150 --> 00:39:34,150 WHO ARE YOU TWO WEARING TONIGHT? 1053 00:39:34,150 --> 00:39:40,219 >> I'M THE LUCKY MAN. 1054 00:39:34,150 --> 00:39:40,219 I'M WEARING CARTIER JEWELRY AND 1055 00:39:40,219 --> 00:39:45,260 OMEGA WATCH. 1056 00:39:40,219 --> 00:39:45,260 >> WHO ARE YOU WEARING? 1057 00:39:45,260 --> 00:39:48,099 YOU LOOK BEAUTIFUL. 1058 00:39:45,260 --> 00:39:48,099 THE TWO OF YOU LOOK BEAUTIFUL. 1059 00:39:48,099 --> 00:39:51,239 >> WE FEEL LUCKY. 1060 00:39:48,099 --> 00:39:51,239 WE'RE NORMALLY IN SWEAT PANTS 1061 00:39:51,239 --> 00:39:54,099 WITH SPIT UP ALL OVER US. 1062 00:39:51,239 --> 00:39:54,099 THIS IS A BIG STEP FORWARD. 1063 00:39:54,099 --> 00:39:58,210 >> THIS IS GREAT DATE NIGHT. 1064 00:39:54,099 --> 00:39:58,210 >> BEST OF LUCK. 1065 00:39:58,210 --> 00:40:01,139 SO NICE TO SEE YOU. 1066 00:39:58,210 --> 00:40:01,139 GOOD NIGHT, YOU GUYS. 1067 00:40:01,139 --> 00:40:01,190 HAVE FUN. 1068 00:40:26,190 --> 00:40:32,250 >> WE'RE GOING TO GO BACK TO 1069 00:40:26,190 --> 00:40:32,250 NINA AT THE HOLLYWOOD ROOSEVELT 1070 00:40:32,250 --> 00:40:37,139 HOTEL. 1071 00:40:32,250 --> 00:40:37,139 >> I DIDN'T KNOW CHICKEN POT PIE 1072 00:40:37,139 --> 00:40:41,030 COULD SOOTH THE SOUL LIKE THAT. 1073 00:40:37,139 --> 00:40:41,030 I'M SO HAPPY FOR HIM AND 1074 00:40:41,030 --> 00:40:43,239 NICOLETTE. 1075 00:40:41,030 --> 00:40:43,239 JUST HAD A BABY FOUR WEEKS AGO. 1076 00:40:43,239 --> 00:40:45,250 HOW FANTASTIC DOES SHE LOOK. 1077 00:40:43,239 --> 00:40:45,250 >> AMAZING. 1078 00:40:45,250 --> 00:40:48,030 >> AS A MOTHER, THIS IS 1079 00:40:45,250 --> 00:40:48,030 IMPOSSIBLE. 1080 00:40:48,030 --> 00:40:51,269 HOW DID SHE LOOK THIS AMAZING IN 1081 00:40:48,030 --> 00:40:51,269 THIS GORGEOUS DRESS? 1082 00:40:51,269 --> 00:40:54,159 AND JUST SO HAPPY. 1083 00:40:51,269 --> 00:40:54,159 AND THE TWO OF THEM TOGETHER. 1084 00:40:54,159 --> 00:40:57,210 >> THEY'RE GLOWING. 1085 00:40:54,159 --> 00:40:57,210 >> THAT TUX, INCREDIBLE. 1086 00:40:57,210 --> 00:41:01,130 >> WE WERE WONDERING -- I KNOW 1087 00:40:57,210 --> 00:41:01,130 YOU SAID HE'S BEEN DOING A LOT 1088 00:41:01,130 --> 00:41:04,099 OF COLOR. 1089 00:41:01,130 --> 00:41:04,099 I DIDN'T EXPECT GOLD, SO I'M 1090 00:41:04,099 --> 00:41:07,110 SUPEREXCITED TO SEE IT. 1091 00:41:04,099 --> 00:41:07,110 >> HE'S ONE OF MY NEW STYLE 1092 00:41:07,110 --> 00:41:08,289 CRUSHES. 1093 00:41:07,110 --> 00:41:08,289 I LOVE EVERYTHING HE'S DOING 1094 00:41:08,289 --> 00:41:13,179 WITH HIS STYLIST AND THEY ARE 1095 00:41:08,289 --> 00:41:13,179 JUST TURNING IT OUT. 1096 00:41:13,179 --> 00:41:16,130 THEY'VE HAD SUCH A GREAT AWARD 1097 00:41:13,179 --> 00:41:16,130 SEASON RUN. 1098 00:41:16,130 --> 00:41:21,159 AND THIS IS OBVIOUSLY THE CHERRY 1099 00:41:16,130 --> 00:41:21,159 ON THE ICE CREAM SUN DE. 1100 00:41:21,159 --> 00:41:24,179 IT IS GORGEOUS AND SHE IS 1101 00:41:21,159 --> 00:41:24,179 STUNNING. 1102 00:41:24,179 --> 00:41:29,050 >> JUST THE EPITOME OF BLACK 1103 00:41:24,179 --> 00:41:29,050 EXCELLENCE. 1104 00:41:29,050 --> 00:41:31,130 I LOVE SEEING THEM DAY IN AND 1105 00:41:29,050 --> 00:41:31,130 DAY OUT. 1106 00:41:31,130 --> 00:41:35,070 >> NINA, THANK YOU SO MUCH. 1107 00:41:31,130 --> 00:41:35,070 OUR NEXT GUEST MADE "PROMISING 1108 00:41:35,070 --> 00:41:38,090 YOUNG WOMAN" AND BECAME THE 1109 00:41:35,070 --> 00:41:38,090 FIRST BRITISH FEMALE TO BE 1110 00:41:38,090 --> 00:41:41,289 NOMINATED FOR BEST DIRECTOR. 1111 00:41:38,090 --> 00:41:41,289 SHE HAS THREE NOMINATIONS, 1112 00:41:41,289 --> 00:41:48,260 INCLUDING WRITING AND PRODUCING. 1113 00:41:41,289 --> 00:41:48,260 IT'S EMERALD FADELL. 1114 00:41:48,260 --> 00:41:50,179 YOU ARE LOOKING BEAUTIFUL THIS 1115 00:41:48,260 --> 00:41:50,179 EVENING. 1116 00:41:50,179 --> 00:41:52,150 >> THANK YOU. 1117 00:41:50,179 --> 00:41:52,150 >> I SAW YOU COMING OVER. 1118 00:41:52,150 --> 00:41:54,280 YOU'RE VERY EXCITED. 1119 00:41:52,150 --> 00:41:54,280 IT SEEMED LIKE YOU WERE JUST 1120 00:41:54,280 --> 00:41:57,090 OWNING THE RED CARPET, ENJOYING 1121 00:41:54,280 --> 00:41:57,090 EVERY SECOND OF IT. 1122 00:41:57,090 --> 00:42:00,130 >> WELL, IT'S JUST -- I MEAN, 1123 00:41:57,090 --> 00:42:00,130 IT'S NOT EVERY DAY YOU GET TO 1124 00:42:00,130 --> 00:42:04,250 WALK THE OSCARS RED CARPET. 1125 00:42:00,130 --> 00:42:04,250 SO, I FEEL LIKE, YEAH, IT'S THE 1126 00:42:04,250 --> 00:42:09,019 MOST EXCITING DAY OF MY LIFE. 1127 00:42:04,250 --> 00:42:09,019 >> EMERALD, THERE'S BEEN SUCH 1128 00:42:09,019 --> 00:42:10,190 INCREDIBLE FEEDBACK AROUND YOUR 1129 00:42:09,019 --> 00:42:10,190 FILM. 1130 00:42:10,190 --> 00:42:13,139 WHAT DOES THAT MEAN TO YOU AND 1131 00:42:10,190 --> 00:42:13,139 WHAT IS SOME OF THE FEEDBACK 1132 00:42:13,139 --> 00:42:17,019 THAT MAYBE HAS STAYED WITH YOU? 1133 00:42:13,139 --> 00:42:17,019 >> IT'S JUST HONESTLY IT'S ALL 1134 00:42:17,019 --> 00:42:19,110 BEEN INCREDIBLE. 1135 00:42:17,019 --> 00:42:19,110 AND I JUST NEVER EXPECTED -- 1136 00:42:19,110 --> 00:42:24,039 NONE OF US EXPECTED -- WE MADE 1137 00:42:19,110 --> 00:42:24,039 THIS MOVIE IN 23 DAYS. 1138 00:42:24,039 --> 00:42:26,269 WE NEVER EXPECTED IT TO GET TO 1139 00:42:24,039 --> 00:42:26,269 THE STAGE. 1140 00:42:26,269 --> 00:42:30,170 I THINK WHAT'S BEEN SO MOVING IS 1141 00:42:26,269 --> 00:42:30,170 PEOPLE'S CANDOR AND THE 1142 00:42:30,170 --> 00:42:32,139 CONVERSATIONS IT'S OPENED UP FOR 1143 00:42:30,170 --> 00:42:32,139 LOTS OF PEOPLE. 1144 00:42:32,139 --> 00:42:35,190 IT'S JUST ALL BEEN REALLY 1145 00:42:32,139 --> 00:42:35,190 OVERWHELMING BUT IN A VERY 1146 00:42:35,190 --> 00:42:42,230 POSITIVE WAY. 1147 00:42:35,190 --> 00:42:42,230 >> AND YOUR STAR IN THE FILM IS 1148 00:42:42,230 --> 00:42:51,230 CAREY MULLIGAN. 1149 00:42:42,230 --> 00:42:51,230 WE KNOW CAREY IS A BRILLIANT AK 1150 00:42:51,230 --> 00:42:54,260 STRESS. 1151 00:42:51,230 --> 00:42:54,260 >> SHE'S SO GOOD BUT SHE'S ALSO 1152 00:42:54,260 --> 00:42:56,190 INCREDIBLY FUNNY. 1153 00:42:54,260 --> 00:42:56,190 THAT'S THE THING. 1154 00:42:56,190 --> 00:43:04,110 I THINK DRAMATIC ACTORS RARELY 1155 00:42:56,190 --> 00:43:04,110 GET TO BE FUNNY AND SHE IS 1156 00:43:04,110 --> 00:43:06,110 DYNAMITE AT COMEDY. 1157 00:43:04,110 --> 00:43:06,110 >> A LOT OF WRITERS HAVE THEIR 1158 00:43:06,110 --> 00:43:10,019 GO-TO THING THEY GO TO TO GET IN 1159 00:43:06,110 --> 00:43:10,019 THAT WRITING ZONE, A CERTAIN 1160 00:43:10,019 --> 00:43:14,039 PLAYLIST, A CERTAIN TIME OF THE 1161 00:43:10,019 --> 00:43:14,039 DAY THEY WRITE. 1162 00:43:14,039 --> 00:43:18,289 WHAT IS YOURS SF? 1163 00:43:14,039 --> 00:43:18,289 >> MINE IS LISTENING TO BRITNEY 1164 00:43:18,289 --> 00:43:19,260 SPEARS. 1165 00:43:18,289 --> 00:43:19,260 >> REALLY? 1166 00:43:19,260 --> 00:43:26,010 >> AND EATING PIZZA OUT OF A BIN 1167 00:43:19,260 --> 00:43:26,010 BECAUSE I'VE RUN OUT OF OF FOOD. 1168 00:43:26,010 --> 00:43:30,139 THAT SORT OF VIBE. 1169 00:43:26,010 --> 00:43:30,139 >> I'M OBSESSED. 1170 00:43:30,139 --> 00:43:34,269 BRITNEY AND PIZZA. 1171 00:43:30,139 --> 00:43:34,269 >> BRITNEY AND GARBAGE PIZZA. 1172 00:43:34,269 --> 00:43:37,210 >> THROUGHOUT THIS AWARD SEASON, 1173 00:43:34,269 --> 00:43:37,210 YOU'VE BEEN CREATING THESE FUN 1174 00:43:37,210 --> 00:43:40,079 CHARACTER DESCRIPTIONS, 1175 00:43:37,210 --> 00:43:40,079 EXPLAINING WHAT LOOK YOU'RE 1176 00:43:40,079 --> 00:43:43,090 SERVING ON THAT PARTICULAR RED 1177 00:43:40,079 --> 00:43:43,090 CARPET. 1178 00:43:43,090 --> 00:43:45,219 YOU GUYS HAVE TO SEE THESE 1179 00:43:43,090 --> 00:43:45,219 DESCRIPTIONS. 1180 00:43:45,219 --> 00:43:49,050 THEY'RE SO FUNNY. 1181 00:43:45,219 --> 00:43:49,050 WHAT LOOK ARE WE DESCRIBING 1182 00:43:49,050 --> 00:43:52,130 TONIGHT? 1183 00:43:49,050 --> 00:43:52,130 >> SO, TONIGHT I AM SUSAN, YOUR 1184 00:43:52,130 --> 00:43:56,039 POTTERY TEACHER WHO HAS A 1185 00:43:52,130 --> 00:43:56,039 BUSINESS OPPORTUNITY FOR YOU, 1186 00:43:56,039 --> 00:43:59,059 WHICH IS ABSOLUTELY NOT A 1187 00:43:56,039 --> 00:43:59,059 PYRAMID SCHEME. 1188 00:43:59,059 --> 00:44:02,219 >> I LOVE YOU SO MUCH. 1189 00:43:59,059 --> 00:44:02,219 I LOVE THAT YOU JUST COME UP 1190 00:44:02,219 --> 00:44:05,059 WITH THIS ON THE SPOT. 1191 00:44:02,219 --> 00:44:05,059 LOVE IT SO MUCH. 1192 00:44:05,059 --> 00:44:06,210 THANK YOU SO MUCH. 1193 00:44:05,059 --> 00:44:06,210 BEST OF LUCK TONIGHT. 1194 00:44:06,210 --> 00:44:10,070 >> THANK YOU SO MUCH. 1195 00:44:06,210 --> 00:44:10,070 >> YOU ARE AMAZING, SO TALENTED. 1196 00:44:10,070 --> 00:44:11,239 WHAT'S NEXT FOR YOU BEFORE I LET 1197 00:44:10,070 --> 00:44:11,239 YOU GO. 1198 00:44:11,239 --> 00:44:17,179 I FAUX HAD YOU HAVE A LOT OF 1199 00:44:11,239 --> 00:44:17,179 PROJECTS IN THE WORKS. 1200 00:44:17,179 --> 00:44:21,170 >> WE ARE ABOUT TO START 1201 00:44:17,179 --> 00:44:21,170 REHEARSALS ON CINDERELLA. 1202 00:44:21,170 --> 00:44:23,199 IT'S HEAVEN. 1203 00:44:21,170 --> 00:44:23,199 >> I BET IT IS. 1204 00:44:23,199 --> 00:44:25,210 THANK YOU SO MUCH. 1205 00:44:23,199 --> 00:44:25,210 >> HAVE A LOVELY EVENING. 1206 00:44:25,210 --> 00:44:29,030 >> YOU TOO. 1207 00:44:25,210 --> 00:44:29,030 >>> THERE ARE SOME PEOPLE WHO 1208 00:44:29,030 --> 00:45:05,280 CAN SAY ANYTHING AND IT SOUNDS 1209 00:44:29,030 --> 00:45:05,280 COMING TO YOU LIVE FROM THE 1210 00:45:05,280 --> 00:45:09,210 OSCARS RED CARPET. 1211 00:45:05,280 --> 00:45:09,210 HE IS THE YOUNG STAR OF THE FILM 1212 00:45:09,210 --> 00:45:16,199 WHO STOLE YOUR HEART. 1213 00:45:09,210 --> 00:45:16,199 IT'S CHRISTINA OH AND ALLEN KIM 1214 00:45:16,199 --> 00:45:18,159 JOINING ME. 1215 00:45:16,199 --> 00:45:18,159 SO GOOD TO SEE YOU TOO. 1216 00:45:18,159 --> 00:45:22,170 >> NICE TO SEE YOU TOO. 1217 00:45:18,159 --> 00:45:22,170 >> CHRISTINA, I HAVE TO SAY YOU 1218 00:45:22,170 --> 00:45:24,139 ASSEMBLED THIS WORLD FAMOUS 1219 00:45:22,170 --> 00:45:24,139 CAST. 1220 00:45:24,139 --> 00:45:27,050 HOW DID YOU FIND THIS YOUNG 1221 00:45:24,139 --> 00:45:27,050 SUPERSTAR RIGHT HERE? 1222 00:45:27,050 --> 00:45:31,150 >> WE HAVE AN AMAZING CAST AND 1223 00:45:27,050 --> 00:45:31,150 DIRECTOR BY THE NAME OF JULIA 1224 00:45:31,150 --> 00:45:34,070 KIM. 1225 00:45:31,150 --> 00:45:34,070 SHE DID A NATIONWIDE, ALMOST 1226 00:45:34,070 --> 00:45:37,260 GLOBALWIDE SEARCH TO FIND OUR 1227 00:45:34,070 --> 00:45:37,260 DAVID CHARACTER. 1228 00:45:37,260 --> 00:45:43,219 AND WHEN ISAAC AND I SAW LITTLE 1229 00:45:37,260 --> 00:45:43,219 ALLEN'S TAPE, WE SAID THIS IS 1230 00:45:43,219 --> 00:45:45,010 THE KID. 1231 00:45:43,219 --> 00:45:45,010 THIS IS THE KID. 1232 00:45:45,010 --> 00:45:48,019 THAT'S HOW IT HAPPENED. 1233 00:45:45,010 --> 00:45:48,019 >> I BET. 1234 00:45:48,019 --> 00:45:50,099 ALLEN. 1235 00:45:48,019 --> 00:45:50,099 >> YEAH? 1236 00:45:50,099 --> 00:45:52,179 >> WHAT WAS YOUR FAVORITE PART 1237 00:45:50,099 --> 00:45:52,179 OF WORKING ON THIS MOVIE? 1238 00:45:52,179 --> 00:45:54,110 >> ALMOST EVERYTHING. 1239 00:45:52,179 --> 00:45:54,110 I JUST LOVED EVERYTHING. 1240 00:45:54,110 --> 00:45:56,000 >> YOU LOVED EVERYTHING ABOUT 1241 00:45:54,110 --> 00:45:56,000 IT. 1242 00:45:56,000 --> 00:45:57,119 >> YEAH. 1243 00:45:56,000 --> 00:45:57,119 >> I BET. 1244 00:45:57,119 --> 00:45:59,030 IT WAS A GREAT EXPERIENCE. 1245 00:45:57,119 --> 00:45:59,030 >> YEAH. 1246 00:45:59,030 --> 00:46:01,090 >> YOU JUST TURNED NINE THE 1247 00:45:59,030 --> 00:46:01,090 OTHER DAY. 1248 00:46:01,090 --> 00:46:02,150 HAPPY BIRTHDAY. 1249 00:46:01,090 --> 00:46:02,150 >> THANK YOU. 1250 00:46:02,150 --> 00:46:04,030 >> I KNOW THAT YOU WANTED A 1251 00:46:02,150 --> 00:46:04,030 BIKE. 1252 00:46:04,030 --> 00:46:05,289 DID YOU GET THE BIKE FOR YOUR 1253 00:46:04,030 --> 00:46:05,289 BIRTHDAY? 1254 00:46:05,289 --> 00:46:08,190 >> YES. 1255 00:46:05,289 --> 00:46:08,190 >> YOU DID. 1256 00:46:08,190 --> 00:46:10,099 >> YES. 1257 00:46:08,190 --> 00:46:10,099 >> AWESOME. 1258 00:46:10,099 --> 00:46:13,119 HOW WAS YOUR BIRTHDAY? 1259 00:46:10,099 --> 00:46:13,119 >> IT WAS REALLY GOOD. 1260 00:46:13,119 --> 00:46:16,000 >> WHAT WERE SOME OF THE BEST 1261 00:46:13,119 --> 00:46:16,000 PARTS OF YOUR BIRTHDAY? 1262 00:46:16,000 --> 00:46:20,059 >> I MOSTLY STAYED INSIDE BUT I 1263 00:46:16,000 --> 00:46:20,059 WENT OUT FOR DINNER. 1264 00:46:20,059 --> 00:46:25,039 AND I GOT A FITBIT, A FITBIT FOR 1265 00:46:20,059 --> 00:46:25,039 KIDS. 1266 00:46:25,039 --> 00:46:27,219 >> YES! 1267 00:46:25,039 --> 00:46:27,219 I JUST GOT MY SON ONE TOO. 1268 00:46:27,219 --> 00:46:29,269 THOSE ARE SO COOL. 1269 00:46:27,219 --> 00:46:29,269 THEY TRACK YOUR STEPS. 1270 00:46:29,269 --> 00:46:31,260 THEY DO ALL SORTS OF STUFF. 1271 00:46:29,269 --> 00:46:31,260 >> YEAH. 1272 00:46:31,260 --> 00:46:38,070 AND THEN A NEW BIKE, OBVIOUSLY. 1273 00:46:31,260 --> 00:46:38,070 AND I GOT A NEW iPAD. 1274 00:46:38,070 --> 00:46:43,130 IT WAS A iPAD MINI5 AND THAT WAS 1275 00:46:38,070 --> 00:46:43,130 REALLY COOL. 1276 00:46:43,130 --> 00:46:45,260 >> I BET. 1277 00:46:43,130 --> 00:46:45,260 THAT'S SOME REALLY GOOD GIFTS 1278 00:46:45,260 --> 00:46:46,219 THERE. 1279 00:46:45,260 --> 00:46:46,219 GREAT GIFTS. 1280 00:46:46,219 --> 00:46:50,039 >> YEAH. 1281 00:46:46,219 --> 00:46:50,039 >> CHRISTINA, THIS MOVIE IS JUST 1282 00:46:50,039 --> 00:46:51,050 SO BEAUTIFUL. 1283 00:46:50,039 --> 00:46:51,050 >> THANK YOU. 1284 00:46:51,050 --> 00:46:55,019 >> AND I MOVED TO THIS COUNTRY 1285 00:46:51,050 --> 00:46:55,019 WHEN I WAS A LITTLE GIRL, AND I 1286 00:46:55,019 --> 00:46:58,039 SHARED A ROOM WITH A GRANDMOTHER 1287 00:46:55,019 --> 00:46:58,039 FOR A FEW YEARS WHO CAME OVER TO 1288 00:46:58,039 --> 00:47:00,219 THE STATES FROM ITALY. 1289 00:46:58,039 --> 00:47:00,219 AND I KNOW THAT YOU PROBABLY 1290 00:47:00,219 --> 00:47:03,079 HEAR THIS A LOT FROM PEOPLE, 1291 00:47:00,219 --> 00:47:03,079 THAT SO MANY PEOPLE CAN RELATE 1292 00:47:03,079 --> 00:47:07,130 TO THIS MOVIE AND SO MANY PEOPLE 1293 00:47:03,079 --> 00:47:07,130 HAVE EMBRACED THIS MOVIE. 1294 00:47:07,130 --> 00:47:11,119 HOW DOES THAT MAKE YOU FEEL? 1295 00:47:07,130 --> 00:47:11,119 >> HONESTLY, HEARING STORIES 1296 00:47:11,119 --> 00:47:16,079 LIKE THAT ARE THE MOST MOVING TO 1297 00:47:11,119 --> 00:47:16,079 ME, AND IT MAKES ME VERY PROUD 1298 00:47:16,079 --> 00:47:20,210 OF BEING INVOLVED IN THIS FILM. 1299 00:47:16,079 --> 00:47:20,210 IT MIRRORS MY OWN CHILDHOOD WITH 1300 00:47:20,210 --> 00:47:25,179 MY GRANDMA LIVING WITH US AND 1301 00:47:20,210 --> 00:47:25,179 SPENDING EIGHT LOT 1302 00:47:25,179 --> 00:47:28,000 SPENDING A LOT OF TIME WITH HER. 1303 00:47:25,179 --> 00:47:28,000 IT'S THE REASON WE TELL THESE 1304 00:47:28,000 --> 00:47:30,039 STORIES. 1305 00:47:28,000 --> 00:47:30,039 AT FIRST WE JUST SET OUT TO MAKE 1306 00:47:30,039 --> 00:47:34,190 A MOVIE BECAUSE IT'S SO MOVING 1307 00:47:30,039 --> 00:47:34,190 AND ISAAC'S SCRIPT WAS SO 1308 00:47:34,190 --> 00:47:36,110 MEANINGFUL. 1309 00:47:34,190 --> 00:47:36,110 AFTER HEARING THE STORIES FROM 1310 00:47:36,110 --> 00:47:39,190 PEOPLE LIKE YOU AND HOW YOU 1311 00:47:36,110 --> 00:47:39,190 CONNECT TO IT, IT HAS BEEN A 1312 00:47:39,190 --> 00:47:42,090 HUMBLING EXPERIENCE. 1313 00:47:39,190 --> 00:47:42,090 I'M VERY, VERY GRATEFUL TO YOU 1314 00:47:42,090 --> 00:47:45,159 FOR WATCHING THE FILM. 1315 00:47:42,090 --> 00:47:45,159 >> WE'RE GRATEFUL TO YOU. 1316 00:47:45,159 --> 00:47:48,170 I KNOW EVERYONE WATCHING AT HOME 1317 00:47:45,159 --> 00:47:48,170 LOVES THE MOVIE. 1318 00:47:48,170 --> 00:47:52,000 IT'S JUST A SPECIAL MOVIE. 1319 00:47:48,170 --> 00:47:52,000 BEFORE I LET THE TWO OF YOU GO. 1320 00:47:52,000 --> 00:47:53,170 ALLEN, THIS IS YOUR FIRST 1321 00:47:52,000 --> 00:47:53,170 OSCARS. 1322 00:47:53,170 --> 00:47:57,210 A LOT OF NOMINEES AND PRESENTERS 1323 00:47:53,170 --> 00:47:57,210 ARE GOING TO BE HERE TONIGHT. 1324 00:47:57,210 --> 00:48:00,039 ANYONE YOU'RE LOOKING FORWARD TO 1325 00:47:57,210 --> 00:48:00,039 SEEING? 1326 00:48:00,039 --> 00:48:03,050 >> NO, NOT REALLY. 1327 00:48:00,039 --> 00:48:03,050 I'M FINE WITH ANYBODY. 1328 00:48:03,050 --> 00:48:05,179 >> YOU'RE JUST HAPPY TO SEE 1329 00:48:03,050 --> 00:48:05,179 EVERYONE? 1330 00:48:05,179 --> 00:48:07,230 >> YES. 1331 00:48:05,179 --> 00:48:07,230 >> HOW ABOUT YOUR CAST MATES 1332 00:48:07,230 --> 00:48:09,150 THOUGH? 1333 00:48:07,230 --> 00:48:09,150 I BET YOU REALLY WANT TO SEE 1334 00:48:09,150 --> 00:48:10,150 THEM AGAIN? 1335 00:48:09,150 --> 00:48:10,150 >> YES. 1336 00:48:10,150 --> 00:48:13,260 >> ARE YOU EXCITED TO SEE STEVEN 1337 00:48:10,150 --> 00:48:13,260 AND NEIL? 1338 00:48:13,260 --> 00:48:15,039 >> UH-HUH. 1339 00:48:13,260 --> 00:48:15,039 >> I BET. 1340 00:48:15,039 --> 00:48:20,019 YOU LOOK THE PART THOUGH. 1341 00:48:15,039 --> 00:48:20,019 YOU LOOK FOR HANDSOME FOR THE 1342 00:48:20,019 --> 00:48:21,179 OSCAR RED CARPET. 1343 00:48:20,019 --> 00:48:21,179 THANK YOU SO MUCH. 1344 00:48:21,179 --> 00:48:23,239 WE APPRECIATE IT AGAIN. 1345 00:48:21,179 --> 00:48:23,239 >> OF COURSE. 1346 00:48:23,239 --> 00:48:26,190 >> THANKS FOR COMING BY AND 1347 00:48:23,239 --> 00:48:26,190 TALKING TO US. 1348 00:48:26,190 --> 00:48:28,139 BYE. 1349 00:48:26,190 --> 00:48:28,139 HAVE A GOOD NIGHT. 1350 00:48:28,139 --> 00:48:30,130 BYE. 1351 00:48:28,139 --> 00:48:30,130 SEE YOU. 1352 00:48:30,130 --> 00:48:33,000 >> HE'S TRYING TO GET BACK TO 1353 00:48:30,130 --> 00:48:33,000 THAT iPAD AND THAT FITBIT. 1354 00:48:33,000 --> 00:48:35,269 HE'S NOT WORRIED ABOUT US. 1355 00:48:33,000 --> 00:48:35,269 >> HE DIDN'T WANT TO SEE ANYONE. 1356 00:48:35,269 --> 00:48:37,289 >> I LOVE ALLEN. 1357 00:48:35,269 --> 00:48:37,289 HE IS THE CUTEST. 1358 00:48:37,289 --> 00:48:40,039 I LOVE HIM. 1359 00:48:37,289 --> 00:48:40,039 >> HE'S INCREDIBLE IN THE FILM. 1360 00:48:40,039 --> 00:48:42,150 >> YES. 1361 00:48:40,039 --> 00:48:42,150 >> JUST ABSOLUTELY AMAZING. 1362 00:48:42,150 --> 00:48:46,190 HE'S ACTUALLY BEEN DRESSED BY 1363 00:48:42,150 --> 00:48:46,190 TOM BROWN FOR ALMOST ALL OF 1364 00:48:46,190 --> 00:48:49,099 AWARD SEASON. 1365 00:48:46,190 --> 00:48:49,099 HE'S WEARING TOM BROWN AGAIN 1366 00:48:49,099 --> 00:48:50,280 TONIGHT. 1367 00:48:49,099 --> 00:48:50,280 >> IT'S SO AGE APPROPRIATE TOO. 1368 00:48:50,280 --> 00:48:53,130 IT'S JUST THE CUTEST WITH HIS 1369 00:48:50,280 --> 00:48:53,130 LITTLE SHORTS. 1370 00:48:53,130 --> 00:48:55,260 >> IT IS. 1371 00:48:53,130 --> 00:48:55,260 >> THERE'S NO JOKE BEING DRESSED 1372 00:48:55,260 --> 00:48:58,190 BY TOM BROWN. 1373 00:48:55,260 --> 00:48:58,190 THAT KID'S GOT A FASHION FUTURE 1374 00:48:58,190 --> 00:49:00,079 IF NOTHING. 1375 00:48:58,190 --> 00:49:00,079 WOW. 1376 00:49:00,079 --> 00:49:04,179 >> HE GOT A BIKE, A FITBIT, iPAD 1377 00:49:00,079 --> 00:49:04,179 AND CUSTOM TOM BROWN. 1378 00:49:04,179 --> 00:49:07,219 >> LOOK AT THE POSE. 1379 00:49:04,179 --> 00:49:07,219 HE IS GROWN GROWN WITH HIS POSE 1380 00:49:07,219 --> 00:49:10,239 ON THE CHIN. 1381 00:49:07,219 --> 00:49:10,239 WHO TAUGHT HIM HOW TO POSE LIKE 1382 00:49:10,239 --> 00:49:14,050 THAT? 1383 00:49:10,239 --> 00:49:14,050 THAT IS A GROWN MAN POSE RIGHT 1384 00:49:14,050 --> 00:49:17,010 THERE. 1385 00:49:14,050 --> 00:49:17,010 >> GEORGE CLOONEY, 1980s. 1386 00:49:17,010 --> 00:49:19,260 >> THIS IS WHAT IT'S ABOUT 1387 00:49:17,010 --> 00:49:19,260 THOUGH, HAVING FUN AND HAVING A 1388 00:49:19,260 --> 00:49:25,219 GOOD TIME. 1389 00:49:19,260 --> 00:49:25,219 AND, YOU KNOW, FOR ME, I DO FEEL 1390 00:49:25,219 --> 00:49:28,150 LIKE THIS IS A BIG REUNION FOR A 1391 00:49:25,219 --> 00:49:28,150 LOT OF PEOPLE. 1392 00:49:28,150 --> 00:49:30,179 THEY TALKED ABOUT HIM 1393 00:49:28,150 --> 00:49:30,179 RECONNECTING WITH STEVEN. 1394 00:49:30,179 --> 00:49:33,039 THIS IS GOING TO BE A REUNION OF 1395 00:49:30,179 --> 00:49:33,039 SORTS. 1396 00:49:33,039 --> 00:49:36,000 I FEEL LIKE IT'S GOING TO BE 1397 00:49:33,039 --> 00:49:36,000 LIKE FAMILY TIME. 1398 00:49:36,000 --> 00:49:38,289 >> I FEEL LIKE THAT WITH YOU 1399 00:49:36,000 --> 00:49:38,289 GUYS BEING BACK AGAIN. 1400 00:49:38,289 --> 00:49:40,289 >> WE'VE BEEN DOING A LOT OF 1401 00:49:38,289 --> 00:49:40,289 ZOOMS. 1402 00:49:40,289 --> 00:49:44,289 >> A LOT OF ZOOMS. 1403 00:49:40,289 --> 00:49:44,289 IRL, FULL ON GLAMOUR. 1404 00:49:44,289 --> 00:49:48,289 >> I KNOW WE TALKED TO STEVEN 1405 00:49:44,289 --> 00:49:48,289 EARLIER, BUT SEEING HIM ON THE 1406 00:49:48,289 --> 00:49:52,019 CARPET, HE LOOKS LIKE HE MIGHT 1407 00:49:48,289 --> 00:49:52,019 WANT TO GET BACK TO HIS BIKE AND 1408 00:49:52,019 --> 00:49:53,159 FITBIT. 1409 00:49:52,019 --> 00:49:53,159 STEVEN WAS LIKE I HAVEN'T BEEN 1410 00:49:53,159 --> 00:49:56,210 AROUND PEOPLE FOR A YEAR. 1411 00:49:53,159 --> 00:49:56,210 IT'S AN ADJUSTMENT GETTING BACK 1412 00:49:56,210 --> 00:49:57,239 AROUND PEOPLE AGAIN. 1413 00:49:56,210 --> 00:49:57,239 >> IT IS. 1414 00:49:57,239 --> 00:49:59,239 IT DEFINITELY IS. 1415 00:49:57,239 --> 00:49:59,239 ONCE YOU'VE BEEN IN QUARANTINE 1416 00:49:59,239 --> 00:50:02,250 AND DOING ALL THE THINGS THAT 1417 00:49:59,239 --> 00:50:02,250 WE'VE BEEN DOING, TO COME BACK 1418 00:50:02,250 --> 00:50:05,230 OUT AND MAKE CONVERSATION WITH 1419 00:50:02,250 --> 00:50:05,230 PEOPLE IS A LOT. 1420 00:50:05,230 --> 00:50:10,190 >> AND FOR YOUR FIRST TIME OUT 1421 00:50:05,230 --> 00:50:10,190 TO BE SOMETHING SO FORMAL. 1422 00:50:10,190 --> 00:50:14,079 IT'S NOT LIKE YOU'RE BREAKING IN 1423 00:50:10,190 --> 00:50:14,079 GOING TO A BIRTHDAY PARTY IN THE 1424 00:50:14,079 --> 00:50:16,219 BACKYARD. 1425 00:50:14,079 --> 00:50:16,219 IT TABS A LITTLE BIT OF 1426 00:50:16,219 --> 00:50:18,280 ADJUSTMENT. 1427 00:50:16,219 --> 00:50:18,280 WE'VE GOT TO HEAD BACK TO JULIE 1428 00:50:18,280 --> 00:50:23,099 ON THE RED CARPET. 1429 00:50:18,280 --> 00:50:23,099 >> MY NEXT GUEST NEEDS NO 1430 00:50:23,099 --> 00:50:27,030 INTRODUCTION, GLENN CLOSE. 1431 00:50:23,099 --> 00:50:27,030 GLENN, SO GREAT TO SEE YOU. 1432 00:50:27,030 --> 00:50:30,030 SO EXCITED TO SEE YOU. 1433 00:50:27,030 --> 00:50:30,030 HOW ARE YOU FEELING TON RED 1434 00:50:30,030 --> 00:50:31,269 CARPET RIGHT NOW? 1435 00:50:30,030 --> 00:50:31,269 >> I'M FEELING GREAT. 1436 00:50:31,269 --> 00:50:34,210 MY SHOES ARE COMFORTABLE. 1437 00:50:31,269 --> 00:50:34,210 >> YOU LOOK FABULOUS. 1438 00:50:34,210 --> 00:50:37,139 >> IT'S NOT TWO MILES LONG, SO 1439 00:50:34,210 --> 00:50:37,139 THAT'S LOVELY. 1440 00:50:37,139 --> 00:50:41,150 >> THAT'S RIGHT, THAT'S RIGHT. 1441 00:50:37,139 --> 00:50:41,150 DEFINITELY A DIFFERENT 1442 00:50:41,150 --> 00:50:43,019 REIMAGINED RED CARPET. 1443 00:50:41,150 --> 00:50:43,019 HAVE YOU HEARD ANYTHING ABOUT 1444 00:50:43,019 --> 00:50:45,090 TONIGHT AND HOW THE TELECAST IS 1445 00:50:43,019 --> 00:50:45,090 GOING TO BE DIFFERENT? 1446 00:50:45,090 --> 00:50:48,269 >> WELL, I THINK I KNOW AS MUCH 1447 00:50:45,090 --> 00:50:48,269 AS ANYBODY ELSE KNOWS SO, I'M 1448 00:50:48,269 --> 00:50:51,219 REALLY, REALLY EXCITED. 1449 00:50:48,269 --> 00:50:51,219 I THINK IT'LL BE VERY, VERY 1450 00:50:51,219 --> 00:50:53,070 DIFFERENT. 1451 00:50:51,219 --> 00:50:53,070 I THINK -- I'VE BEEN THINKING A 1452 00:50:53,070 --> 00:50:58,260 LOT AS WE WALK IN TONIGHT, WE 1453 00:50:53,070 --> 00:50:58,260 ARE -- WE ARE IN THE MIDDLE OF 1454 00:50:58,260 --> 00:51:01,170 AN INDUSTRY THAT'S REINVENTING 1455 00:50:58,260 --> 00:51:01,170 ITSELF IN MANY WAYS. 1456 00:51:01,170 --> 00:51:08,170 >> THAT'S RIGHT. 1457 00:51:01,170 --> 00:51:08,170 THAT'S RIGHT. 1458 00:51:08,170 --> 00:51:11,030 HILL BILL 1459 00:51:08,170 --> 00:51:11,030 "HILLBILLY ELEGY" PAIRS YOU WITH 1460 00:51:11,030 --> 00:51:13,070 RON HOWARD. 1461 00:51:11,030 --> 00:51:13,070 25 YEARS. 1462 00:51:13,070 --> 00:51:17,000 HOW WAS IT REUNITING WITH RON 1463 00:51:13,070 --> 00:51:17,000 HOWARD AGAIN? 1464 00:51:17,000 --> 00:51:20,059 >> IT WAS EFFORTLESS. 1465 00:51:17,000 --> 00:51:20,059 WHEN YOU GO THROUGH A INITIAL 1466 00:51:20,059 --> 00:51:22,139 WONDERFUL EXPERIENCE WITH 1467 00:51:20,059 --> 00:51:22,139 SOMEBODY IN OUR PROFESSION, IT'S 1468 00:51:22,139 --> 00:51:25,250 LIKE NO TIME HAS PASSED. 1469 00:51:22,139 --> 00:51:25,250 BECAUSE YOU HAD AN INTENSE 1470 00:51:25,250 --> 00:51:28,210 EXPERIENCE, YOU RESPECT EACH 1471 00:51:25,250 --> 00:51:28,210 OTHER, YOU RESPECT EACH OTHERS' 1472 00:51:28,210 --> 00:51:30,019 WORK. 1473 00:51:28,210 --> 00:51:30,019 IT WAS WONDERFUL. 1474 00:51:30,019 --> 00:51:32,269 IT WAS WONDERFUL BEING BACK WITH 1475 00:51:30,019 --> 00:51:32,269 RON. 1476 00:51:32,269 --> 00:51:37,039 >> YOU'VE BEEN KNOWN TO KEEP 1477 00:51:32,269 --> 00:51:37,039 VARIOUS COSTUMES OR PROPS FROM 1478 00:51:37,039 --> 00:51:39,099 VARIOUS MOVIES. 1479 00:51:37,039 --> 00:51:39,099 WHAT DID YOU KEEP FROM THIS ONE? 1480 00:51:39,099 --> 00:51:47,059 >> I KEPT -- I HAVE ACTUALLY 1481 00:51:39,099 --> 00:51:47,059 OVER 800 COSTUME ITEMS THAT IS 1482 00:51:47,059 --> 00:51:53,159 HOUSED AT INDIANA UNIVERSITY. 1483 00:51:47,059 --> 00:51:53,159 SO, I KEPT ALL OF MAMAW'S 1484 00:51:53,159 --> 00:51:58,010 T-SHIRTS AND HER BAGGY JEANS AND 1485 00:51:53,159 --> 00:51:58,010 NIKES. 1486 00:51:58,010 --> 00:51:59,210 >> THAT'S GREAT. 1487 00:51:58,010 --> 00:51:59,210 THAT'S SO GREAT. 1488 00:51:59,210 --> 00:52:01,289 THIS IS YOUR EIGHTH NOMINATION. 1489 00:51:59,210 --> 00:52:01,289 IF YOU WIN TONIGHT, HAVE YOU 1490 00:52:01,289 --> 00:52:04,199 THOUGHT ABOUT WHERE YOU ARE 1491 00:52:01,289 --> 00:52:04,199 GOING TO PUT THE OSCAR? 1492 00:52:04,199 --> 00:52:08,199 >> I ACTUALLY HAVEN'T, BUT YOU 1493 00:52:04,199 --> 00:52:08,199 KNOW, I HAVE THIS FANTASY. 1494 00:52:08,199 --> 00:52:11,199 AND I THINK I'M GOING TO DO IT. 1495 00:52:08,199 --> 00:52:11,199 THAT I MIGHT TAKE IT TO THE 1496 00:52:11,199 --> 00:52:13,239 LOCAL LIBRARY FOR PEOPLE TO LOOK 1497 00:52:11,199 --> 00:52:13,239 AT. 1498 00:52:13,239 --> 00:52:16,210 I MIGHT TAKE IT TO THE COFFEE 1499 00:52:13,239 --> 00:52:16,210 SHOP THAT I GO TO A LOT SO THAT 1500 00:52:16,210 --> 00:52:20,150 PEOPLE CAN SEE WHAT IT'S LIKE, 1501 00:52:16,210 --> 00:52:20,150 SO THAT YOU KIND OF CAN BRING 1502 00:52:20,150 --> 00:52:23,110 THIS WORLD INTO EVERYDAY LIFE. 1503 00:52:20,150 --> 00:52:23,110 THAT'S WHAT I WILL DO. 1504 00:52:23,110 --> 00:52:27,079 >> I WAS GOING TO SAY, CAN WE 1505 00:52:23,110 --> 00:52:27,079 NOT MAKE THAT A FANTASY? 1506 00:52:27,079 --> 00:52:29,090 CAN WE MAKE IT REALITY. 1507 00:52:27,079 --> 00:52:29,090 >> YEAH. 1508 00:52:29,090 --> 00:52:32,090 >> THAT WOULD BE SUCH A 1509 00:52:29,090 --> 00:52:32,090 BEAUTIFUL THING AND WOULD BE SO 1510 00:52:32,090 --> 00:52:35,090 APPRECIATED BY SO MANY PEOPLE. 1511 00:52:32,090 --> 00:52:35,090 BEFORE I LET YOU GO, I HAVE TO 1512 00:52:35,090 --> 00:52:37,090 ASK FOR A MOMENT. 1513 00:52:35,090 --> 00:52:37,090 YOUR INSTAGRAM. 1514 00:52:37,090 --> 00:52:39,139 YOU HAVE FUN ON SOCIAL MEDIA. 1515 00:52:37,090 --> 00:52:39,139 YOU DO. 1516 00:52:39,139 --> 00:52:41,159 YOU DO. 1517 00:52:39,139 --> 00:52:41,159 WHAT DO YOU FIND SO ENTERTAINING 1518 00:52:41,159 --> 00:52:45,039 ABOUT IT? 1519 00:52:41,159 --> 00:52:45,039 >> WELL, I DON'T KNOW. 1520 00:52:45,039 --> 00:52:50,070 SOMETIMES I DON'T DO IT FOR A 1521 00:52:45,039 --> 00:52:50,070 WHILE BECAUSE IT'S NOT KIND OF 1522 00:52:50,070 --> 00:52:53,119 NATURAL TO ME. 1523 00:52:50,070 --> 00:52:53,119 IF I THINK I CAN DO SOMETHING 1524 00:52:53,119 --> 00:52:55,250 THAT OTHER PEOPLE MIGHT BE 1525 00:52:53,119 --> 00:52:55,250 INTERESTED IN OR I CAN CRACK 1526 00:52:55,250 --> 00:52:59,079 MYSELF UP OR IT'S A BEAUTIFUL 1527 00:52:55,250 --> 00:52:59,079 SUNSET OR SOME BEAUTIFUL -- YOU 1528 00:52:59,079 --> 00:53:00,019 KNOW, WHATEVER. 1529 00:52:59,079 --> 00:53:00,019 >> YEAH. 1530 00:53:00,019 --> 00:53:03,190 >> SO, IT'S -- YOU KNOW, 1531 00:53:00,019 --> 00:53:03,190 WHATEVER KIND OF COMES INTO MY 1532 00:53:03,190 --> 00:53:04,239 HEAD. 1533 00:53:03,190 --> 00:53:04,239 SOMETIMES IT WORKS. 1534 00:53:04,239 --> 00:53:07,099 SOMETIMES IT DOESN'T. 1535 00:53:04,239 --> 00:53:07,099 BUT I DECIDED THAT IF I WAS 1536 00:53:07,099 --> 00:53:10,210 GOING TO DO IT, IT HAS TO JUST 1537 00:53:07,099 --> 00:53:10,210 BASICALLY BE ME. 1538 00:53:10,210 --> 00:53:13,050 SO, FOR BETTER OR WORSE, THAT'S 1539 00:53:10,210 --> 00:53:13,050 WHAT YOU GET. 1540 00:53:13,050 --> 00:53:15,179 >> JUST KEEP IT ALL FANTASTIC. 1541 00:53:13,050 --> 00:53:15,179 >> YES. 1542 00:53:15,179 --> 00:53:19,010 >> YOU REALLY ARE JUST SUCH A 1543 00:53:15,179 --> 00:53:19,010 BRILLIANT ACTRESS, ONE OF OUR 1544 00:53:19,010 --> 00:53:23,030 FAVORITE ACTRESSES. 1545 00:53:19,010 --> 00:53:23,030 HOW DO YOU CHOOSE A ROLE? 1546 00:53:23,030 --> 00:53:24,119 I IMAGINE SO MUCH MATERIAL COMES 1547 00:53:23,030 --> 00:53:24,119 YOUR WAY. 1548 00:53:24,119 --> 00:53:27,110 WHAT IS IT ABOUT A ROLE THAT HAS 1549 00:53:24,119 --> 00:53:27,110 TO -- THAT SPEAKS TO YOU? 1550 00:53:27,110 --> 00:53:30,090 >> WELL, FIRST OF ALL, I HAVE TO 1551 00:53:27,110 --> 00:53:30,090 LOVE THE WRITING. 1552 00:53:30,090 --> 00:53:36,219 AND THAT'S KIND OF FEMORAL. 1553 00:53:30,090 --> 00:53:36,219 YOU EITHER GET A -- FIRST TEN 1554 00:53:36,219 --> 00:53:40,050 PAGES, YOU SAY, YEAH, I'M GOING 1555 00:53:36,219 --> 00:53:40,050 TO KEEP READING OR NO, THIS 1556 00:53:40,050 --> 00:53:43,099 DOESN'T INTEREST ME OR NO, I'M 1557 00:53:40,050 --> 00:53:43,099 GOING TO HAVE TO SLOG THROUGH 1558 00:53:43,099 --> 00:53:45,119 THIS. 1559 00:53:43,099 --> 00:53:45,119 I ALSO DON'T WANT TO GO OVER 1560 00:53:45,119 --> 00:53:49,190 TERRITORY I'VE BEEN OVER BEFORE, 1561 00:53:45,119 --> 00:53:49,190 KIND OF PSYCHOLOGICALLY AND 1562 00:53:49,190 --> 00:53:51,130 EMOTIONALLY. 1563 00:53:49,190 --> 00:53:51,130 SO, I'M ALWAYS UP FOR SOMETHING 1564 00:53:51,130 --> 00:53:52,170 NEW. 1565 00:53:51,130 --> 00:53:52,170 >> YOU'RE ALWAYS UP FOR 1566 00:53:52,170 --> 00:53:53,280 SOMETHING NEW. 1567 00:53:52,170 --> 00:53:53,280 WE LOVE IT. 1568 00:53:53,280 --> 00:53:57,139 THANK YOU FOR STOPPING BY AND 1569 00:53:53,280 --> 00:53:57,139 TALKING TO ME TONIGHT. 1570 00:53:57,139 --> 00:53:59,139 I APPRECIATE IT. 1571 00:53:57,139 --> 00:53:59,139 BEST OF LUCK TONIGHT. 1572 00:53:59,139 --> 00:54:03,030 >> JUST AN ICON. 1573 00:53:59,139 --> 00:54:03,030 CAN YOU IMAGINE GOING TO YOUR 1574 00:54:03,030 --> 00:54:06,090 LIBRARY AND THERE'S GLENN 1575 00:54:03,030 --> 00:54:06,090 CLOSE'S OSCAR? 1576 00:54:06,090 --> 00:54:12,010 I'M COMING OUT HERE TO CHECK OUT 1577 00:54:06,090 --> 00:54:12,010 "STEWART LITTLE" AND THERE'S AN 1578 00:54:12,010 --> 00:54:13,079 OSCAR? 1579 00:54:12,010 --> 00:54:13,079 >> JUST STOOD THERE. 1580 00:54:13,079 --> 00:54:16,130 >> WHAT A WAY TO GET PEOPLE TO 1581 00:54:13,079 --> 00:54:16,130 READ. 1582 00:54:16,130 --> 00:54:19,230 >> OR SHOW UP AT THE COFFEE 1583 00:54:16,130 --> 00:54:19,230 SHOP. 1584 00:54:19,230 --> 00:54:20,139 >> YEAH. 1585 00:54:19,230 --> 00:54:20,139 >> RIGHT. 1586 00:54:20,139 --> 00:54:23,230 >> THAT'S A BIG BOOST. 1587 00:54:20,139 --> 00:54:23,230 >> HOW DID YOU GUYS LIKE HER 1588 00:54:23,230 --> 00:54:25,090 BOOST? 1589 00:54:23,230 --> 00:54:25,090 >> OH, MY GOSH. 1590 00:54:25,090 --> 00:54:33,039 >> ARMANI PREVE. 1591 00:54:25,090 --> 00:54:33,039 >> SILK ORGANZA MESH ENCRUSTED 1592 00:54:33,039 --> 00:54:36,019 CRYSTAL BEADS. 1593 00:54:33,039 --> 00:54:36,019 IT TOOK ONLY THREE WEEKS TO 1594 00:54:36,019 --> 00:54:40,010 MAKE. 1595 00:54:36,019 --> 00:54:40,010 IT WAS AN HOMAGE TO GLENN'S AND 1596 00:54:40,010 --> 00:54:43,019 MR. ARMANI'S LONG TIME 1597 00:54:40,010 --> 00:54:43,019 COLLABORATIONS. 1598 00:54:43,019 --> 00:54:50,150 THE TOUCH I LOVE ARE THE GLOVES. 1599 00:54:43,019 --> 00:54:50,150 MR. ARMANI'S MUM WORE A LOT OF 1600 00:54:50,150 --> 00:54:52,099 GLOVES. 1601 00:54:50,150 --> 00:54:52,099 AND GLENN THOUGHT IT WAS 1602 00:54:52,099 --> 00:54:54,110 SANITARY TO WEAR THEM TO AN 1603 00:54:52,099 --> 00:54:54,110 EVENT LIKE TONIGHT. 1604 00:54:54,110 --> 00:54:57,119 >> I DIDN'T EVEN THINK ABOUT 1605 00:54:54,110 --> 00:54:57,119 THAT. 1606 00:54:57,119 --> 00:54:58,199 >> MAYBE IT'S GOING TO BE A 1607 00:54:57,119 --> 00:54:58,199 TREND TONIGHT. 1608 00:54:58,199 --> 00:55:01,239 >> I THINK SHE LOOKS GLAMOROUS 1609 00:54:58,199 --> 00:55:01,239 AND GORGEOUS. 1610 00:55:01,239 --> 00:55:03,269 THAT WAS A MESMERIZING 1611 00:55:01,239 --> 00:55:03,269 INTERVIEW. 1612 00:55:03,269 --> 00:55:06,110 >> YEAH, I COULDN'T 1613 00:55:03,269 --> 00:55:06,110 STOPWATCHING. 1614 00:55:06,110 --> 00:55:09,150 >> THERE WERE SO MANY GREAT 1615 00:55:06,110 --> 00:55:09,150 TIDBITS IN THERE TOO ABOUT HOW 1616 00:55:09,150 --> 00:55:12,139 HE DOESN'T WANT TO GO BACK TO 1617 00:55:09,150 --> 00:55:12,139 PSYCHOLOGICAL AREAS SHE'S 1618 00:55:12,139 --> 00:55:14,190 TOUCHED ON AS AN ACTRESS. 1619 00:55:12,139 --> 00:55:14,190 THAT'S INCREDIBLE. 1620 00:55:14,190 --> 00:55:51,119 >> YOU COULD APPLY THAT TO L 1621 00:55:14,190 --> 00:55:51,119 . 1622 00:55:51,119 --> 00:55:55,090 >>> WELCOME BACK TO THE OSCAR 1623 00:55:51,119 --> 00:55:55,090 RED CARPET. 1624 00:55:55,090 --> 00:55:57,230 BOTH OF THESE LADIES ARE STARS 1625 00:55:55,090 --> 00:55:57,230 IN KOREA. 1626 00:55:57,230 --> 00:56:11,030 I'M JOINED BY BEST SUPPORTING 1627 00:55:57,230 --> 00:56:11,030 ACTRESS NOMINEE. 1628 00:56:11,030 --> 00:56:21,019 WHAT DOES IT FEEL LIKE TO BE ON 1629 00:56:11,030 --> 00:56:21,019 THIS OSCAR CARPET? 1630 00:56:21,019 --> 00:56:23,130 >> I'M SO EXCITED. 1631 00:56:21,019 --> 00:56:23,130 >> VERY EXCITED? 1632 00:56:23,130 --> 00:56:27,079 >> THIS IS OUR FIRST TIME HERE. 1633 00:56:23,130 --> 00:56:27,079 I DON'T KNOW HOW WE'LL FEEL 1634 00:56:27,079 --> 00:56:31,050 LATER ON WHAT IT'S GOING TO BE. 1635 00:56:27,079 --> 00:56:31,050 >> WHY IS IT SO SPECIAL FOR YOU 1636 00:56:31,050 --> 00:56:37,050 TO BE HERE TONIGHT, PART OF SUCH 1637 00:56:31,050 --> 00:56:37,050 A BEAUTIFUL MOVIE, "MINARI" AND 1638 00:56:37,050 --> 00:56:40,179 THE FACT THAT SO MANY PEOPLE 1639 00:56:37,050 --> 00:56:40,179 HAVE EMBRACED IT AND TO SEE IT'S 1640 00:56:40,179 --> 00:56:44,099 NOMINATED AND BELOVED BY MANY. 1641 00:56:40,179 --> 00:56:44,099 HOW IS THAT SPECIAL TO YOU? 1642 00:56:44,099 --> 00:56:48,260 >> EVERYONE ALL OVER THE WORLD 1643 00:56:44,099 --> 00:56:48,260 KNOWS ABOUT OSCARS. 1644 00:56:48,260 --> 00:56:51,130 AND THEY ARE FAMOUS AWARDS AND 1645 00:56:48,260 --> 00:56:51,130 CEREMONY. 1646 00:56:51,130 --> 00:56:54,230 >> YES. 1647 00:56:51,130 --> 00:56:54,230 >> SO, AS A KOREAN, AS AN ASIAN 1648 00:56:54,230 --> 00:57:00,199 WOMAN, I THINK IN KOREA I'M THE 1649 00:56:54,230 --> 00:57:00,199 FIRST NOMINEE FOR THE OSCARS. 1650 00:57:00,199 --> 00:57:03,059 SO, IT'S A VERY HISTORICAL 1651 00:57:00,199 --> 00:57:03,059 MOMENT FOR US. 1652 00:57:03,059 --> 00:57:08,110 SO, OF COURSE WE ARE VERY 1653 00:57:03,059 --> 00:57:08,110 EXCITED AND VERY STRANGE TO ME 1654 00:57:08,110 --> 00:57:11,239 ACTUALLY. 1655 00:57:08,110 --> 00:57:11,239 >> IT'S VERY STRANGE TO YOU, 1656 00:57:11,239 --> 00:57:13,269 ACTUALLY. 1657 00:57:11,239 --> 00:57:13,269 >> DO YOU AGREE? 1658 00:57:13,269 --> 00:57:17,250 >> YEAH, YEAH, AGREE. 1659 00:57:13,269 --> 00:57:17,250 >> HOW WAS IT SHOOTING THIS 1660 00:57:17,250 --> 00:57:20,010 FILM? 1661 00:57:17,250 --> 00:57:20,010 I KNOW IT WAS A SHORT AMOUNT OF 1662 00:57:20,010 --> 00:57:22,280 TIME, ONLY 25 DAYS. 1663 00:57:20,010 --> 00:57:22,280 WHAT WAS THAT EXPERIENCE LIKE? 1664 00:57:22,280 --> 00:57:27,219 >> SHORT AMOUNT OF TIME, SHORT 1665 00:57:22,280 --> 00:57:27,219 AMOUNT OF MONEY. 1666 00:57:27,219 --> 00:57:32,289 SO, WE WENT ALMOST TOGETHER. 1667 00:57:27,219 --> 00:57:32,289 WE RENTED AIRBNB AND WE LIVED 1668 00:57:32,289 --> 00:57:34,280 TOGETHER. 1669 00:57:32,289 --> 00:57:34,280 SHE WAS PLAYING MY DAUGHTER, AND 1670 00:57:34,280 --> 00:57:40,110 THERE'S SOME -- OUR FRIEND THERE 1671 00:57:34,280 --> 00:57:40,110 WAS TRANSLATOR. 1672 00:57:40,110 --> 00:57:43,050 SO, WE MADE A FAMILY TOGETHER, I 1673 00:57:40,110 --> 00:57:43,050 THINK. 1674 00:57:43,050 --> 00:57:44,210 THAT'S WHAT'S SPECIAL ABOUT THIS 1675 00:57:43,050 --> 00:57:44,210 MOVIE. 1676 00:57:44,210 --> 00:57:48,119 WE BECAME A REAL FAMILY. 1677 00:57:44,210 --> 00:57:48,119 >> YOU BECAME A REAL FAMILY. 1678 00:57:48,119 --> 00:57:52,170 AND YOUR CHARACTER, PLAYING THE 1679 00:57:48,119 --> 00:57:52,170 GRANDMOTHER IN THE FILM WHO 1680 00:57:52,170 --> 00:57:54,119 COMES AND LIVES WITH YOUR 1681 00:57:52,170 --> 00:57:54,119 FAMILY. 1682 00:57:54,119 --> 00:57:55,179 >> MY DAUGHTER. 1683 00:57:54,119 --> 00:57:55,179 >> YES, YES. 1684 00:57:55,179 --> 00:58:00,139 >> MY MOM. 1685 00:57:55,179 --> 00:58:00,139 >> YOU KNOW, FOR ME, THAT -- I 1686 00:58:00,139 --> 00:58:02,000 LOVE THAT PART OF THE MOVIE 1687 00:58:00,139 --> 00:58:02,000 BECAUSE WHEN I WAS A LITTLE GIRL 1688 00:58:02,000 --> 00:58:06,269 I MOVED TO AMERICA FROM ITALY. 1689 00:58:02,000 --> 00:58:06,269 AND MY GRANDMOTHER LIVED WITH 1690 00:58:06,269 --> 00:58:07,150 US. 1691 00:58:06,269 --> 00:58:07,150 >> YES. 1692 00:58:07,150 --> 00:58:09,030 >> AND WE SHARED A ROOM. 1693 00:58:07,150 --> 00:58:09,030 AND I JUST -- THAT WAS SUCH A 1694 00:58:09,030 --> 00:58:13,150 SPECIAL TIME IN MY LIFE. 1695 00:58:09,030 --> 00:58:13,150 SO, I REALLY CONNECTED TO YOUR 1696 00:58:13,150 --> 00:58:16,090 CHARACTER. 1697 00:58:13,150 --> 00:58:16,090 AND TELL ME, AS A REAL LIFE 1698 00:58:16,090 --> 00:58:19,110 GRANDMOTHER, HOW ARE YOU THE 1699 00:58:16,090 --> 00:58:19,110 SAME AND HOW ARE YOU DIFFERENT 1700 00:58:19,110 --> 00:58:22,059 FROM THE CHARACTER YOU PLAY IN 1701 00:58:19,110 --> 00:58:22,059 THE FILM? 1702 00:58:22,059 --> 00:58:25,219 >> WELL, ACTUALLY I'M NOT LIVING 1703 00:58:22,059 --> 00:58:25,219 WITH MY GRANDSON. 1704 00:58:25,219 --> 00:58:28,289 THAT'S THE DIFFERENCE BETWEEN 1705 00:58:25,219 --> 00:58:28,289 MOVIE AND THIS. 1706 00:58:28,289 --> 00:58:31,280 >> YES. 1707 00:58:28,289 --> 00:58:31,280 >> AND THEN I'M SURE THAT HE'S 1708 00:58:31,280 --> 00:58:38,139 NOT GOING -- MY GRANDSON WILL 1709 00:58:31,280 --> 00:58:38,139 NOT GIVE ME THE MOUNTAIN DEW AS 1710 00:58:38,139 --> 00:58:42,079 A TEASE. 1711 00:58:38,139 --> 00:58:42,079 >> YES, YES. 1712 00:58:42,079 --> 00:58:47,090 IF YOU HAVEN'T SEEN IT, THERE IS 1713 00:58:42,079 --> 00:58:47,090 A SCENE WHERE YOUR GRANDSON 1714 00:58:47,090 --> 00:58:51,079 GIVES YOU A CUP OF -- 1715 00:58:47,090 --> 00:58:51,079 >> YEAH. 1716 00:58:51,079 --> 00:58:53,179 >> YEAH. 1717 00:58:51,079 --> 00:58:53,179 >> JUST SEE THE MOVIE. 1718 00:58:53,179 --> 00:58:55,179 WE THINK IT'S MOUNTAIN DEW, BUT 1719 00:58:53,179 --> 00:58:55,179 IT'S NOT. 1720 00:58:55,179 --> 00:58:58,179 IT'S A GREAT MOVIE FOR MANY 1721 00:58:55,179 --> 00:58:58,179 REASONS. 1722 00:58:58,179 --> 00:59:00,099 THANK YOU SO MUCH TO THE TWO OF 1723 00:58:58,179 --> 00:59:00,099 YOU. 1724 00:59:00,099 --> 00:59:03,010 THANK YOU FOR BEING HERE. 1725 00:59:00,099 --> 00:59:03,010 WE REALLY APPRECIATE IT. 1726 00:59:03,010 --> 00:59:06,269 HAVE A WONDERFUL NIGHT. 1727 00:59:03,010 --> 00:59:06,269 BEST OF LUCK TONIGHT. 1728 00:59:06,269 --> 00:59:09,260 >> THANK YOU, THANK YOU. 1729 00:59:06,269 --> 00:59:09,260 >> LET'S CHECK IN WITH YOU. 1730 00:59:09,260 --> 00:59:12,039 WHAT'S GOING ON? 1731 00:59:09,260 --> 00:59:12,039 >> FIRST OF ALL, THEY ARE SO 1732 00:59:12,039 --> 00:59:13,039 BEAUTIFUL. 1733 00:59:12,039 --> 00:59:13,039 THAT'S WHAT I SAY. 1734 00:59:13,039 --> 00:59:16,019 I LOVE THE DIVERSITY RIGHT NOW. 1735 00:59:13,039 --> 00:59:16,019 AS WE'RE CELEBRATING THE 1736 00:59:16,019 --> 00:59:18,269 DIVERSITY OF THE OSCARS, WE HAVE 1737 00:59:16,019 --> 00:59:18,269 TO REMEMBER STOP ASIAN HATE. 1738 00:59:18,269 --> 00:59:21,199 WE ARE LIVING IN A TIME WHERE WE 1739 00:59:18,269 --> 00:59:21,199 HAVE TO ACKNOWLEDGE THOSE 1740 00:59:21,199 --> 00:59:23,150 THINGS. 1741 00:59:21,199 --> 00:59:23,150 BUT MY GOSH, THEY'RE STUNNING. 1742 00:59:23,150 --> 00:59:28,110 >> I LOVE, LOVE, LOVE -- I CALL 1743 00:59:23,150 --> 00:59:28,110 HER Y.J. 1744 00:59:28,110 --> 00:59:33,090 SHE'S INCREDIBLE AS THE 1745 00:59:28,110 --> 00:59:33,090 GRANDMOTHER. 1746 00:59:33,090 --> 00:59:36,059 SOMEBODY SHE'S UP AGAINST 1747 00:59:33,090 --> 00:59:36,059 TONIGHT FOR BEST SUPPORTING 1748 00:59:36,059 --> 00:59:40,179 ACTRESS IS GLENN CLOSE. 1749 00:59:36,059 --> 00:59:40,179 >> GLENN CLOSE, EIGHT-TIME 1750 00:59:40,179 --> 00:59:43,239 NOMINEE, OSCAR CHANCES. 1751 00:59:40,179 --> 00:59:43,239 I AM READY FOR HER TO WIN. 1752 00:59:43,239 --> 00:59:45,119 WHAT DO YOU THINK WE CAN EXPECT 1753 00:59:43,239 --> 00:59:45,119 TONIGHT? 1754 00:59:45,119 --> 00:59:49,000 >> GLENN CLOSE HAS BEEN 1755 00:59:45,119 --> 00:59:49,000 NOMINATED FOR OSCAR PERFORMANCES 1756 00:59:49,000 --> 00:59:51,210 EVERYONE LOVES. 1757 00:59:49,000 --> 00:59:51,210 OF COURSE WE KNOW "FATAL 1758 00:59:51,210 --> 00:59:54,159 ATTRACTION." 1759 00:59:51,210 --> 00:59:54,159 A COUPLE YEARS AGO, PEOPLE 1760 00:59:54,159 --> 00:59:58,179 THOUGHT SHE WAS GOING TO GET IT 1761 00:59:54,159 --> 00:59:58,179 WITH "THE WIFE." 1762 00:59:58,179 --> 01:00:02,099 BUT HER FELLOW NOMINEE OLIVIA 1763 00:59:58,179 --> 01:00:02,099 COLMAN TOOK IT. 1764 01:00:02,099 --> 01:00:07,000 IF SHE GETS THE WIN, SHE WOULD 1765 01:00:02,099 --> 01:00:07,000 TIE AL PACINO ON WINNING IT FOR 1766 01:00:07,000 --> 01:00:10,110 THE 8th TIME. 1767 01:00:07,000 --> 01:00:10,110 SHE WAS AN ICON WHO TOOK A FEW 1768 01:00:10,110 --> 01:00:13,099 NOMINATIONS TO GET IT TOO. 1769 01:00:10,110 --> 01:00:13,099 >> WE LOVE ALL THE NOMINEES, BUT 1770 01:00:13,099 --> 01:00:17,150 IT WOULD BE EPIC TONIGHT. 1771 01:00:13,099 --> 01:00:17,150 WE HAVE TO TALK ABOUT EM RAL FA 1772 01:00:17,150 --> 01:00:19,139 NELL. 1773 01:00:17,150 --> 01:00:19,139 WHAT AN AMAZING MOMENT. 1774 01:00:19,139 --> 01:00:20,190 WHAT DO YOU THINK HER CHANCES 1775 01:00:19,139 --> 01:00:20,190 ARE. 1776 01:00:20,190 --> 01:00:25,179 >> FIRST OF ALL, ALSO A NEW MOM 1777 01:00:20,190 --> 01:00:25,179 AND LOOKING GORGEOUS TONIGHT. 1778 01:00:25,179 --> 01:00:29,289 SHE'S NOMINATED FOR BEST 1779 01:00:25,179 --> 01:00:29,289 ORIGINAL SCREENPLAY, BEST 1780 01:00:29,289 --> 01:00:35,000 DIRECTOR, AND BEST PICTURE. 1781 01:00:29,289 --> 01:00:35,000 SHE IS JUST RADIANT IN THAT 1782 01:00:35,000 --> 01:00:36,230 DRESS. 1783 01:00:35,000 --> 01:00:36,230 >> HISTORY MAKING. 1784 01:00:36,230 --> 01:00:40,070 SHE'S STUNNING. 1785 01:00:36,230 --> 01:00:40,070 WOMEN CAN DO IT ALL. 1786 01:00:40,070 --> 01:00:40,250 RIGHT? 1787 01:00:40,070 --> 01:00:40,250 RIGHT? 1788 01:00:40,250 --> 01:00:44,019 SHE IS ON THAT CARPET. 1789 01:00:40,250 --> 01:00:44,019 SHE'S ALIKE I'M GOING TO DO WHAT 1790 01:00:44,019 --> 01:00:45,289 I'VE GOT TO DO. 1791 01:00:44,019 --> 01:00:45,289 I'M GOING TO MAKE HISTORY. 1792 01:00:45,289 --> 01:00:47,280 I'M GOING TO HAVE A BABY. 1793 01:00:45,289 --> 01:00:47,280 TRUST AND BELIEVE. 1794 01:00:47,280 --> 01:00:51,079 >> SHE'S ALSO A ACTRESS. 1795 01:00:47,280 --> 01:00:51,079 I REMEMBER HER FROM "THE 1796 01:00:51,079 --> 01:00:54,230 MIDWIFE" ON THE TV SIDE. 1797 01:00:51,079 --> 01:00:54,230 SHE ALSO WHEREON THE SECOND 1798 01:00:54,230 --> 01:01:00,239 SEASON OF "KILLING EVE" AND 1799 01:00:54,230 --> 01:01:00,239 RECENTLY ON "THE CROWN" SHE 1800 01:01:00,239 --> 01:01:04,159 PLAYED CAMILLA PARKER BOLES. 1801 01:01:00,239 --> 01:01:04,159 I CANNOT HOLD THAT AGAINST HER. 1802 01:01:04,159 --> 01:01:08,190 >> LET'S BE HONEST. 1803 01:01:04,159 --> 01:01:08,190 SHE IS WELL DESERVED OF THE 1804 01:01:08,190 --> 01:01:11,099 NOMINATIONS TONIGHT. 1805 01:01:08,190 --> 01:01:11,099 I REALLY HOPE SHE MAKES HISTORY. 1806 01:01:11,099 --> 01:01:17,099 >> SHE WOULD BE THE FIRST 1807 01:01:11,099 --> 01:01:17,099 BRITISH WOMAN TO TAKE HOME AN 1808 01:01:17,099 --> 01:01:53,070 OSCAR FOR BEST DIRECTOR. 1809 01:01:17,099 --> 01:01:53,070 WHAT'S SO GREAT IS HER 1810 01:01:53,070 --> 01:01:55,090 >>> HEY GUYS. 1811 01:01:53,070 --> 01:01:55,090 WELCOME BACK. 1812 01:01:55,090 --> 01:01:58,039 WE ARE 90 MINUTES AWAY FROM THE 1813 01:01:55,090 --> 01:01:58,039 OSCARS ON ABC. 1814 01:01:58,039 --> 01:02:05,050 SHE JUST HIT THE CARPET. 1815 01:01:58,039 --> 01:02:05,050 WE SEE MARIA FROM "BORAT." 1816 01:02:05,050 --> 01:02:08,039 I KNOW WE SAW A SHOT ON 1817 01:02:05,050 --> 01:02:08,039 INSTAGRAM, BUT THIS IS THE FULL 1818 01:02:08,039 --> 01:02:11,130 GOWN. 1819 01:02:08,039 --> 01:02:11,130 >> WHAT A DRESS, RIGHT? 1820 01:02:11,130 --> 01:02:14,260 LOUIS VUITTON, IT'S CUSTOM MADE 1821 01:02:11,130 --> 01:02:14,260 FOR HER. 1822 01:02:14,260 --> 01:02:17,269 SHE ACTUALLY SAID HERSELF SHE 1823 01:02:14,260 --> 01:02:17,269 HASN'T SEEN A RED CARPET. 1824 01:02:17,269 --> 01:02:21,019 SHE'S DONE IT ALL VIRTUALLY, SO 1825 01:02:17,269 --> 01:02:21,019 THIS IS HER FIRST TIME. 1826 01:02:21,019 --> 01:02:24,070 FOR THE 360 FULL LENGTH SHE'S 1827 01:02:21,019 --> 01:02:24,070 ABSOLUTELY NAILED IT. 1828 01:02:24,070 --> 01:02:28,110 HER STYLIST WHO IS HOPEFULLY 1829 01:02:24,070 --> 01:02:28,110 GOING TO BE WITH US LATER TO 1830 01:02:28,110 --> 01:02:31,130 BREAK DOWN THE WHOLE. 1831 01:02:28,110 --> 01:02:31,130 >> I LOVE THE PRINCESS VIBES 1832 01:02:31,130 --> 01:02:35,150 THEY'RE DOING WITH HER, VERY 1833 01:02:31,130 --> 01:02:35,150 ROMANTIC, VERY ETHEREAL, VERY 1834 01:02:35,150 --> 01:02:37,159 BEAUTIFUL. 1835 01:02:35,150 --> 01:02:37,159 IT'S JUST THAT RED CARPET 1836 01:02:37,159 --> 01:02:40,079 FANTASY WE LOVE TO SEE. 1837 01:02:37,159 --> 01:02:40,079 >> AND IT COULDN'T BE MORE 1838 01:02:40,079 --> 01:02:43,139 DIFFERENT THAN HER CHARACTER. 1839 01:02:40,079 --> 01:02:43,139 IF I'VE EVER SEEN A 1840 01:02:43,139 --> 01:02:45,000 CHARACTER-TO-CARPET 1841 01:02:43,139 --> 01:02:45,000 TRANSFORMATION, IT'S THIS ONE. 1842 01:02:45,000 --> 01:02:46,139 >> RIGHT. 1843 01:02:45,000 --> 01:02:46,139 TOTALLY. 1844 01:02:46,139 --> 01:02:55,070 >> LET'S HEAD OVER TO JULIANNA. 1845 01:02:46,139 --> 01:02:55,070 >> "MINARI" IS ONE OF THE MOST 1846 01:02:55,070 --> 01:02:59,110 BELOVED PICTURES OF THE YEAR. 1847 01:02:55,070 --> 01:02:59,110 THE DIRECTOR LEE ISAAC CHUNG IS 1848 01:02:59,110 --> 01:03:03,010 JOINING ME WITH HIS WIFE 1849 01:02:59,110 --> 01:03:03,010 VALERIE. 1850 01:03:03,010 --> 01:03:03,190 HELLO. 1851 01:03:03,010 --> 01:03:03,190 >> HI. 1852 01:03:03,190 --> 01:03:05,239 >> SO GREAT TO SEE THE TWO OF 1853 01:03:03,190 --> 01:03:05,239 YOU TONIGHT. 1854 01:03:05,239 --> 01:03:07,230 >> THANKS SO MUCH. 1855 01:03:05,239 --> 01:03:07,230 IT'S EXCITING, EXCITING DAY. 1856 01:03:07,230 --> 01:03:10,110 >> I BET IT IS. 1857 01:03:07,230 --> 01:03:10,110 TELL ME SOME OF THE EMOTIONS 1858 01:03:10,110 --> 01:03:12,179 GOING THROUGH YOUR MIND. 1859 01:03:10,110 --> 01:03:12,179 >> WELL, WE'VE BEEN QUARANTINED 1860 01:03:12,179 --> 01:03:16,010 FOR ABOUT A YEAR AND A HALF. 1861 01:03:12,179 --> 01:03:16,010 TO SUDDENLY COME OUT IN THIS WAY 1862 01:03:16,010 --> 01:03:19,179 IS QUITE SHOCKING IN A WAY. 1863 01:03:16,010 --> 01:03:19,179 >> AND TO COME OUT EXACTLY IN A 1864 01:03:19,179 --> 01:03:25,280 WAY THAT, OBVIOUSLY HERE FOR 1865 01:03:19,179 --> 01:03:25,280 YOUR AMAZING FILM, "MINARI," -- 1866 01:03:25,280 --> 01:03:28,170 >> THANK YOU SO MUCH. 1867 01:03:25,280 --> 01:03:28,170 >> -- ONE OF MY ABSOLUTE 1868 01:03:28,170 --> 01:03:30,179 FAVORITES. 1869 01:03:28,170 --> 01:03:30,179 THIS MOVIE MEANS SO MUCH TO SO 1870 01:03:30,179 --> 01:03:34,170 MANY PEOPLE. 1871 01:03:30,179 --> 01:03:34,170 IT'S A BELOVED MOVIE TO SO MANY. 1872 01:03:34,170 --> 01:03:38,190 WHAT DOES THAT MEAN TO YOU 1873 01:03:34,170 --> 01:03:38,190 KNOWING THE WAY IT'S BEEN 1874 01:03:38,190 --> 01:03:40,030 EMBRACED? 1875 01:03:38,190 --> 01:03:40,030 >> IT TOUCHES ME SO MUCH. 1876 01:03:40,030 --> 01:03:44,059 IT'S SO PERSONAL TO ME AND I'M 1877 01:03:40,030 --> 01:03:44,059 SO PLEASED PEOPLE ARE CONNECTING 1878 01:03:44,059 --> 01:03:47,119 TO IT ON A HUMAN, EMOTIONAL 1879 01:03:44,059 --> 01:03:47,119 LEVEL. 1880 01:03:47,119 --> 01:03:50,179 IT JUST SHOWS ME WE'RE ALL MORE 1881 01:03:47,119 --> 01:03:50,179 CONNECTED THAN WE THINK. 1882 01:03:50,179 --> 01:03:53,170 >> AND YOU SHOT THE FILM IN A 1883 01:03:50,179 --> 01:03:53,170 PRETTY SHORT TIME FRAME. 1884 01:03:53,170 --> 01:03:55,110 >> YES. 1885 01:03:53,170 --> 01:03:55,110 >> CAN YOU TELL US SOME OF THOSE 1886 01:03:55,110 --> 01:03:58,219 CHALLENGES THAT YOU ENCOUNTERED? 1887 01:03:55,110 --> 01:03:58,219 >> SURE. 1888 01:03:58,219 --> 01:04:01,289 YEAH. 1889 01:03:58,219 --> 01:04:01,289 WE NEED A LONG INTERVIEW FOR 1890 01:04:01,289 --> 01:04:03,110 THAT. 1891 01:04:01,289 --> 01:04:03,110 WE SHOT FOR 25 DAYS, AND EVERY 1892 01:04:03,110 --> 01:04:06,269 DAY WAS -- WE WERE WORKING ON 1893 01:04:03,110 --> 01:04:06,269 INSTINCT, TRYING TO MAKE NO 1894 01:04:06,269 --> 01:04:10,139 MISTAKES. 1895 01:04:06,269 --> 01:04:10,139 AND IT'S INCREDIBLE THAT WE 1896 01:04:10,139 --> 01:04:12,099 BROUGHT IT ALL THE WAY HERE. 1897 01:04:10,139 --> 01:04:12,099 I GIVE ALL CREDIT TO MY CAST AND 1898 01:04:12,099 --> 01:04:17,070 CREW FOR WHAT THEY DELIVERED. 1899 01:04:12,099 --> 01:04:17,070 >> AND AN INCREDIBLE CAST 1900 01:04:17,070 --> 01:04:19,019 INDEED. 1901 01:04:17,070 --> 01:04:19,019 TELL ME ABOUT ASSEMBLING THAT 1902 01:04:19,019 --> 01:04:21,119 WORLD FAMOUS CAST. 1903 01:04:19,019 --> 01:04:21,119 >> A LOT OF IT WAS THROUGH 1904 01:04:21,119 --> 01:04:25,219 PEOPLE WHO WE KNOW. 1905 01:04:21,119 --> 01:04:25,219 SO, THERE WAS A LOT OF JUST 1906 01:04:25,219 --> 01:04:27,250 FRIENDSHIPS THAT WENT INTO 1907 01:04:25,219 --> 01:04:27,250 ASSEMBLING THIS CAST. 1908 01:04:27,250 --> 01:04:30,030 AND THE KIDS WERE ABSOLUTE 1909 01:04:27,250 --> 01:04:30,030 DISCOVERIES. 1910 01:04:30,030 --> 01:04:33,130 THEY HAD NEVER ACTED BEFORE. 1911 01:04:30,030 --> 01:04:33,130 WE HAD AN AMAZING CASTING 1912 01:04:33,130 --> 01:04:39,150 DIRECTOR WHO DISCOVERED THEM. 1913 01:04:33,130 --> 01:04:39,150 IT'S A FAIRY TALE PROCESS. 1914 01:04:39,150 --> 01:04:42,139 >> THANK YOU FOR BRINGING THIS 1915 01:04:39,150 --> 01:04:42,139 BEAUTIFUL MOVIE INTO OUR LIVES. 1916 01:04:42,139 --> 01:04:44,199 HAVE A WONDERFUL TIME TONIGHT. 1917 01:04:42,139 --> 01:04:44,199 BEST OF LUCK. 1918 01:04:44,199 --> 01:04:46,150 >> THANK YOU SO MUCH. 1919 01:04:44,199 --> 01:04:46,150 >> THANK YOU, THANK YOU. 1920 01:04:46,150 --> 01:04:51,000 >>> TONIGHT THERE HAS BEEN SO 1921 01:04:46,150 --> 01:04:51,000 MANY DIVERSITY AND HISTORY MADE. 1922 01:04:51,000 --> 01:05:01,039 I WANT TO TALK ABOUT CHLOE ZHAO. 1923 01:04:51,000 --> 01:05:01,039 IF SHE WIN, SHE'LL BE THE FIRST 1924 01:05:01,039 --> 01:05:03,079 WOMAN OF COLOR TO WIN IN THIS 1925 01:05:01,039 --> 01:05:03,079 CATEGORY. 1926 01:05:03,079 --> 01:05:05,219 IT'S AMAZING. 1927 01:05:03,079 --> 01:05:05,219 WE WANT TO CELEBRATE THAT. 1928 01:05:05,219 --> 01:05:08,219 WHAT DO YOU THINK HER CHANCES 1929 01:05:05,219 --> 01:05:08,219 ARE? 1930 01:05:08,219 --> 01:05:13,010 >> CHLOE ZHAO HAS SWEPT THE 1931 01:05:08,219 --> 01:05:13,010 AWARD THIS IS YEAR. 1932 01:05:13,010 --> 01:05:22,010 IT'S BEEN ALL "NOMADLAND." 1933 01:05:13,010 --> 01:05:22,010 SHE'S NOMINATED FOR BEST 1934 01:05:22,010 --> 01:05:24,280 DIRECTOR, PRODUCING THIS FOR 1935 01:05:22,010 --> 01:05:24,280 BEST PICTURE. 1936 01:05:24,280 --> 01:05:28,210 IF SHE SWEEPS ALL FOUR, SHE 1937 01:05:24,280 --> 01:05:28,210 WOULD TIE WALT DISNEY FOR THE 1938 01:05:28,210 --> 01:05:33,210 MOST FOLKS TO WIN IN ONE NIGHT. 1939 01:05:28,210 --> 01:05:33,210 HE WON FOUR BACK IN 1957. 1940 01:05:33,210 --> 01:05:35,250 SHE MAY DO THAT TONIGHT AS A 1941 01:05:33,210 --> 01:05:35,250 WOMAN. 1942 01:05:35,250 --> 01:05:37,280 >> HOW DO YOU RETAIN THAT 1943 01:05:35,250 --> 01:05:37,280 INFORMATION? 1944 01:05:37,280 --> 01:05:41,179 >> I DON'T. 1945 01:05:37,280 --> 01:05:41,179 >> I WISH I WAS WITH YOU IN HIGH 1946 01:05:41,179 --> 01:05:43,090 SCHOOL. 1947 01:05:41,179 --> 01:05:43,090 TO YOUR POINT THE FACT SHE COULD 1948 01:05:43,090 --> 01:05:46,010 TIE AND IT'S BEEN SO LONG, 1949 01:05:43,090 --> 01:05:46,010 THAT'S EXTRAORDINARY. 1950 01:05:46,010 --> 01:05:51,110 WHAT TYPE OF MESSAGE DOES IT 1951 01:05:46,010 --> 01:05:51,110 SEND TO WOMEN WHEN THEY WERE 1952 01:05:51,110 --> 01:05:54,030 ENTERING THE INDUSTRY WHEN WE 1953 01:05:51,110 --> 01:05:54,030 KNOW IT CAN BE SEXIST? 1954 01:05:54,030 --> 01:05:58,170 >> TALKED ABOUT SUN DANCE HAVING 1955 01:05:54,030 --> 01:05:58,170 SO MANY FEMALE DIRECTORS BUT 1956 01:05:58,170 --> 01:06:03,119 COULDN'T MAKE THAT FILM. 1957 01:05:58,170 --> 01:06:03,119 THIS IS CHLOE'S THIRD FILM AFTER 1958 01:06:03,119 --> 01:06:07,230 GRADUATING FROM NYU WHERE SHE 1959 01:06:03,119 --> 01:06:07,230 WAS TAUGHT BY NONE OTHER THAN 1960 01:06:07,230 --> 01:06:09,210 SPIKE LEE. 1961 01:06:07,230 --> 01:06:09,210 HE HAS BEEN A HUGE FAN OF HER 1962 01:06:09,210 --> 01:06:12,139 WORK AS WELL. 1963 01:06:09,210 --> 01:06:12,139 I LOVE SHE GOT TO WORK WITH 1964 01:06:12,139 --> 01:06:17,050 FRANCES McDORMANT ON THIS. 1965 01:06:12,139 --> 01:06:17,050 >> WHEN YOU START SEEING THOSE 1966 01:06:17,050 --> 01:06:20,050 PAIRINGS, THAT'S WHEN YOU KNOW 1967 01:06:17,050 --> 01:06:20,050 MAGIC IS HAPPENING. 1968 01:06:20,050 --> 01:06:23,090 I DID KNOW THE TIDBIT ABOUT 1969 01:06:20,050 --> 01:06:23,090 SPIKE LEE, THAT SHE LEARNED A 1970 01:06:23,090 --> 01:06:26,139 LOT FROM BEING A LEGEND. 1971 01:06:23,090 --> 01:06:26,139 WE TALKED ABOUT EARLIER SHE LEFT 1972 01:06:26,139 --> 01:06:30,039 HOME AT 15 TO STUDY IN THE UK. 1973 01:06:26,139 --> 01:06:30,039 WHAT AFFECT DO YOU THINK THAT 1974 01:06:30,039 --> 01:06:33,119 HAD ON HER TALENT AND HER CAREER 1975 01:06:30,039 --> 01:06:33,119 AND HOW SHE'S APPROACHING THIS. 1976 01:06:33,119 --> 01:06:36,179 >> SHE SEEMS TO BE A WONDER LUST 1977 01:06:33,119 --> 01:06:36,179 DIRECTOR. 1978 01:06:36,179 --> 01:06:39,190 WHEN YOU LOOK AT THE PREVIOUS 1979 01:06:36,179 --> 01:06:39,190 ONE, THE WRITER, SHE HAS NEVER 1980 01:06:39,190 --> 01:06:43,230 SEEN A VAST LANDSCAPE ACROSS THE 1981 01:06:39,190 --> 01:06:43,230 SETTING SUN THAT SHE DIDN'T WANT 1982 01:06:43,230 --> 01:06:45,179 TO FRAME BEAUTIFULLY WITH THE 1983 01:06:43,230 --> 01:06:45,179 SHOT. 1984 01:06:45,179 --> 01:07:25,079 AND HER CIN. 1985 01:06:45,179 --> 01:07:25,079 >>> WELCOME BACK TO OSCAR 1986 01:07:25,079 --> 01:07:34,150 SUNDAY. 1987 01:07:25,079 --> 01:07:34,150 I THINK WE HAVE A FIRST LOOK AT 1988 01:07:34,150 --> 01:07:38,139 DANIEL KA LIEULUUYA. 1989 01:07:34,150 --> 01:07:38,139 >> HE'S WEARING CARTIER 1990 01:07:38,139 --> 01:07:40,239 DIAMONDS. 1991 01:07:38,139 --> 01:07:40,239 HE LOOKS SO CHIC. 1992 01:07:40,239 --> 01:07:44,230 >> I LOVE HE LOOKS -- YOU KNOW, 1993 01:07:40,239 --> 01:07:44,230 THIS FOLES MORE LIKE HIM TO ME. 1994 01:07:44,230 --> 01:07:48,050 THERE'S BEEN A COUPLE TIMES HE 1995 01:07:44,230 --> 01:07:48,050 HAD THE BOW TIES ON. 1996 01:07:48,050 --> 01:07:50,039 I FEEL LIKE THIS IS REALLY WHO 1997 01:07:48,050 --> 01:07:50,039 HE IS. 1998 01:07:50,039 --> 01:07:53,010 >> I WAS SAYING EARLIER IN THE 1999 01:07:50,039 --> 01:07:53,010 SHOW. 2000 01:07:53,010 --> 01:07:55,250 DANIEL HAS BEEN LOVING HIS 2001 01:07:53,010 --> 01:07:55,250 JEWELRY AND DIAMONDS THIS 2002 01:07:55,250 --> 01:07:58,039 SEASON. 2003 01:07:55,250 --> 01:07:58,039 SO, HE'S CLEARLY FEATURING 2004 01:07:58,039 --> 01:08:05,219 THOSE. 2005 01:07:58,039 --> 01:08:05,219 AND BOW TEGA IS ONE OF THE MOST 2006 01:08:05,219 --> 01:08:08,170 SOUGHT AFTER THIS YEAR. 2007 01:08:05,219 --> 01:08:08,170 EVERYONE WANTS TO WAESH IT. 2008 01:08:08,170 --> 01:08:10,230 >> IF YOU GET TO WEAR IT, YOU'RE 2009 01:08:08,170 --> 01:08:10,230 SPECIAL. 2010 01:08:10,230 --> 01:08:17,149 >> YOU KNOW HE'S SPECIAL. 2011 01:08:10,230 --> 01:08:17,149 I LOVE THOSE PINKY RINGS HE'S 2012 01:08:17,149 --> 01:08:19,229 OBSESSED WITH. 2013 01:08:17,149 --> 01:08:19,229 >> WE'RE SEEING MORE DIAMONDS. 2014 01:08:19,229 --> 01:08:23,039 I THINK WE'RE GOING TO SEE MORE 2015 01:08:19,229 --> 01:08:23,039 DIAMONDS ON THE BOYS AS WELL. 2016 01:08:23,039 --> 01:08:25,119 WE'RE SEEING THEM ON BRAD. 2017 01:08:23,039 --> 01:08:25,119 IT'S A GREAT LOOK. 2018 01:08:25,119 --> 01:08:28,060 >> IT'S FUNNY. 2019 01:08:25,119 --> 01:08:28,060 IT STARTED OFF PEOPLE DOING 2020 01:08:28,060 --> 01:08:33,050 WATCHES, THEN THE BROACHES. 2021 01:08:28,060 --> 01:08:33,050 NOW IT'S DIAMOND NECKLACES AND 2022 01:08:33,050 --> 01:08:35,239 CHAINS AND RINGS AND WE'RE GOING 2023 01:08:33,050 --> 01:08:35,239 NUTS. 2024 01:08:35,239 --> 01:08:38,199 I LOVE IT. 2025 01:08:35,239 --> 01:08:38,199 >> I LOVE HOW THE GUYS ARE 2026 01:08:38,199 --> 01:08:41,100 COMING OUT WITH MORE AND MORE 2027 01:08:38,199 --> 01:08:41,100 ACCESSORIES AND THEY'RE CATERING 2028 01:08:41,100 --> 01:08:44,000 TO THAT AS WELL. 2029 01:08:41,100 --> 01:08:44,000 IT'S GREAT. 2030 01:08:44,000 --> 01:08:48,039 HOW WE STEAL THEIR HOODIES, 2031 01:08:44,000 --> 01:08:48,039 WE'RE GONE STEAL THEIR NECKLACES 2032 01:08:48,039 --> 01:08:52,090 AND JEWELRY TOO. 2033 01:08:48,039 --> 01:08:52,090 RIGHT NOW WE'VE GOT TO GO OVER. 2034 01:08:52,090 --> 01:08:59,279 >> I LOVE THE FACT MEN ARE 2035 01:08:52,090 --> 01:08:59,279 ACCESSORIZING, YOU KNOW WHAT I 2036 01:08:59,279 --> 01:09:02,060 MEAN? 2037 01:08:59,279 --> 01:09:02,060 A LITTLE AK SAYSCCESSORIZING NEV 2038 01:09:02,060 --> 01:09:03,260 HURT ANYBODY. 2039 01:09:02,060 --> 01:09:03,260 THIS IS A CATEGORY WHERE WE'RE 2040 01:09:03,260 --> 01:09:06,029 ALL HIGHLY ANTICIPATING WHAT IS 2041 01:09:03,260 --> 01:09:06,029 GOING TO HAPPEN. 2042 01:09:06,029 --> 01:09:09,050 I WANT YOUR THOUGHTS. 2043 01:09:06,029 --> 01:09:09,050 >> IT'S REALLY CRAZY ABOUT BEST 2044 01:09:09,050 --> 01:09:11,010 PICTURE. 2045 01:09:09,050 --> 01:09:11,010 WE HAVE AN INCREDIBLE SET OF 2046 01:09:11,010 --> 01:09:15,250 NOMINEES THAT MAY NOT HAVE MADE 2047 01:09:11,010 --> 01:09:15,250 IT TO THIS NIGHT IF NOT FOR THE 2048 01:09:15,250 --> 01:09:23,289 GLOBAL BOX OFFICE PAUSE. 2049 01:09:15,250 --> 01:09:23,289 SO MANY STORIES LIKE 2050 01:09:23,289 --> 01:09:25,250 "NOMADLAND," "MINARI," THEY'RE 2051 01:09:23,289 --> 01:09:25,250 GREAT STORIES BUT MIGHT HAVE 2052 01:09:25,250 --> 01:09:31,029 BEEN PUSHED OUT BY "WEST SIDE 2053 01:09:25,250 --> 01:09:31,029 STORY" AND "DOOM." 2054 01:09:31,029 --> 01:09:35,090 LOOK AT THE FILMS AND HOW THEY 2055 01:09:31,029 --> 01:09:35,090 TOUCH ON SOCIAL ISSUES RIGHT 2056 01:09:35,090 --> 01:09:37,189 NOW. 2057 01:09:35,090 --> 01:09:37,189 "MINARI" AND ASIAN HATE SO MUCH. 2058 01:09:37,189 --> 01:09:40,210 >> THAT'S WHAT I LOVE ABOUT THE 2059 01:09:37,189 --> 01:09:40,210 BEST PICTURE CATEGORY. 2060 01:09:40,210 --> 01:09:43,260 IT'S SOMETHING FOR THE FIRST 2061 01:09:40,210 --> 01:09:43,260 TIME YOU FELT THERE WAS MESSAGES 2062 01:09:43,260 --> 01:09:46,210 COMING ACROSS. 2063 01:09:43,260 --> 01:09:46,210 AS YOU DISCUSSED WE ARE IN A 2064 01:09:46,210 --> 01:09:50,119 TIME RIGHT NOW WHERE WE HAVE TO 2065 01:09:46,210 --> 01:09:50,119 DISCUSS STOP ASIAN HATE, WE HAVE 2066 01:09:50,119 --> 01:09:51,229 TO UNDERSTAND BLACK LIVES 2067 01:09:50,119 --> 01:09:51,229 MATTER. 2068 01:09:51,229 --> 01:09:54,069 IF YOU CAN DO THAT WHILE ALSO 2069 01:09:51,229 --> 01:09:54,069 BEING ENTERTAINED, HOW MUCH FUN 2070 01:09:54,069 --> 01:09:56,159 IS THAT? 2071 01:09:54,069 --> 01:09:56,159 OUT OF THESE MOVIES WHICH ONE DO 2072 01:09:56,159 --> 01:09:58,199 YOU THINK IS GOING TO BE THE ONE 2073 01:09:56,159 --> 01:09:58,199 THAT IS GOING TO WIN? 2074 01:09:58,199 --> 01:10:03,140 >> TAKING IT HOME TONIGHT 2075 01:09:58,199 --> 01:10:03,140 PREDICTABLY WOULD BE "NO 2076 01:10:03,140 --> 01:10:06,050 MADLAND." 2077 01:10:03,140 --> 01:10:06,050 IT'S GOT THE CRITICS CHOICE. 2078 01:10:06,050 --> 01:10:10,010 HOWEVER WE HAVE SEEN THIS STORY 2079 01:10:06,050 --> 01:10:10,010 BEFORE WITH A LITTLE FILM CALLED 2080 01:10:10,010 --> 01:10:14,250 "LA LALAND" THAT ENDED UP LOSING 2081 01:10:10,010 --> 01:10:14,250 SOME OSCAR NIGHT. 2082 01:10:14,250 --> 01:10:16,229 I'M NOT GOING TO COUNT MY 2083 01:10:14,250 --> 01:10:16,229 CHICKENS. 2084 01:10:16,229 --> 01:10:25,100 I'M STILL BETTING ON 2085 01:10:16,229 --> 01:10:25,100 "NOMADLAND." 2086 01:10:25,100 --> 01:10:28,000 BUT "TRIAL OF THE CHICAGO 7," 2087 01:10:25,100 --> 01:10:28,000 THEY LIVED THROUGH THOSE 2088 01:10:28,000 --> 01:10:31,279 MOMENTS. 2089 01:10:28,000 --> 01:10:31,279 >> I LOVE THE FACT SACHA BARON 2090 01:10:31,279 --> 01:10:35,229 COHEN IS GIVING US SOMETHING 2091 01:10:31,279 --> 01:10:35,229 NEW. 2092 01:10:35,229 --> 01:10:44,140 TO GO FROM "BORAT" TO THIS. 2093 01:10:35,229 --> 01:10:44,140 >> HE'S MADE HISTORY WITH "THE 2094 01:10:44,140 --> 01:10:49,199 GOD FATHER" AS THE ONLY TWO 2095 01:10:44,140 --> 01:10:49,199 SEQUELS TO BE NOMINATED. 2096 01:10:49,199 --> 01:10:52,250 I THINK HE ALSO HAS A VERY GOOD 2097 01:10:49,199 --> 01:10:52,250 CHANCE OF WINNING THAT CATEGORY. 2098 01:10:52,250 --> 01:10:59,039 I'M NOT BETTING ON IT, BUT HE 2099 01:10:52,250 --> 01:10:59,039 COULD. 2100 01:10:59,039 --> 01:11:00,170 >> I LOVE THAT WE HAVE ALL THIS 2101 01:10:59,039 --> 01:11:00,170 INSIDE INFORMATION RIGHT NOW. 2102 01:11:00,170 --> 01:11:01,199 THIS IS GREAT. 2103 01:11:00,170 --> 01:11:01,199 WE WANT TO HEAD TO YOU GUYS. 2104 01:11:01,199 --> 01:11:03,210 >> JACQUELINE HAS ALL THE 2105 01:11:01,199 --> 01:11:03,210 INFORMATION. 2106 01:11:03,210 --> 01:11:06,140 >> ALL THE CHEESE. 2107 01:11:03,210 --> 01:11:06,140 >> I NEED TO WATCH THE 2108 01:11:06,140 --> 01:11:09,079 SCREENERS, JACQUELINE. 2109 01:11:06,140 --> 01:11:09,079 >> I TOLD YOU, GIRL. 2110 01:11:09,079 --> 01:11:12,210 >> YOU HELP ME OUT WITH THEM 2111 01:11:09,079 --> 01:11:12,210 DRESSES, GIRL, WE WILL GET YOU 2112 01:11:12,210 --> 01:11:17,079 CAUGHT UP ON OSCAR TRIVIA. 2113 01:11:12,210 --> 01:11:17,079 >> SHE MEANS THOSE DRESSES AT 2114 01:11:17,079 --> 01:11:18,250 MACY'S. 2115 01:11:17,079 --> 01:11:18,250 >> SOMEBODY DON'T LOVE YOU LIKE 2116 01:11:18,250 --> 01:11:21,090 HE LOVES ME, YOU DOING IT WRONG. 2117 01:11:18,250 --> 01:11:21,090 >> AMEN. 2118 01:11:21,090 --> 01:11:24,260 >> AMEN. 2119 01:11:21,090 --> 01:11:24,260 YOU GUYS, THAT WAS THE MOST 2120 01:11:24,260 --> 01:11:30,060 NOMINATED BLACK ACTRESS IN 2121 01:11:24,260 --> 01:11:30,060 HISTORY, VIOLA DAVIS HAS BEEN A 2122 01:11:30,060 --> 01:11:33,260 RED CARPET REGULAR SINCE HER 2123 01:11:30,060 --> 01:11:33,260 DEBUT IN 2009. 2124 01:11:33,260 --> 01:11:36,090 SHE HAS GIVEN US MEMORABLE 2125 01:11:33,260 --> 01:11:36,090 MOMENTS. 2126 01:11:36,090 --> 01:11:40,050 WE HAVE TO TAKE A LOOK AT HOW 2127 01:11:36,090 --> 01:11:40,050 HER FASHION HAS EVOLVED THROUGH 2128 01:11:40,050 --> 01:11:41,149 THE YEARS. 2129 01:11:40,050 --> 01:11:41,149 >> WITH PLEASURE. 2130 01:11:41,149 --> 01:11:46,100 ONE OF MY FAVORITES. 2131 01:11:41,149 --> 01:11:46,100 LET'S START IN 2009 WITH THIS 2132 01:11:46,100 --> 01:11:51,060 GORGEOUS METALLIC REAM GOWN. 2133 01:11:46,100 --> 01:11:51,060 IT WAS HER FIRST OSCARS RED 2134 01:11:51,060 --> 01:11:54,189 CARPET WHERE SHE WAS NOMINATED 2135 01:11:51,060 --> 01:11:54,189 FOR BEST SUPPORTING ACTRESS IN 2136 01:11:54,189 --> 01:11:59,149 THE ROLE -- FOR SUPPORTING ROLE 2137 01:11:54,189 --> 01:11:59,149 IN THE MOVIE "DOUBT" WHICH WAS 2138 01:11:59,149 --> 01:12:01,109 UNBELIEVABLE. 2139 01:11:59,149 --> 01:12:01,109 SHE WAS SO INCREDIBLE. 2140 01:12:01,109 --> 01:12:05,000 >> LOVE THE NATURAL HAIR WITH 2141 01:12:01,109 --> 01:12:05,000 THAT AS WELL. 2142 01:12:05,000 --> 01:12:05,279 >> YEAH. 2143 01:12:05,000 --> 01:12:05,279 WE'RE GOING TO SEE THE 2144 01:12:05,279 --> 01:12:08,170 SILHOUETTE COME THROUGH AS HER 2145 01:12:05,279 --> 01:12:08,170 FASHION EVOLVES AS WELL. 2146 01:12:08,170 --> 01:12:14,010 BUT HER LOOK IN 2012 IS ONE OF 2147 01:12:08,170 --> 01:12:14,010 MY PERSONAL FAVES. 2148 01:12:14,010 --> 01:12:17,229 THIS IS VERA WANG. 2149 01:12:14,010 --> 01:12:17,229 AND WHAT I LOVE ABOUT THIS GOWN 2150 01:12:17,229 --> 01:12:21,050 IS AGAIN THAT THIS BEAUTIFUL 2151 01:12:17,229 --> 01:12:21,050 BOLD COLOR THAT WE'RE GOING TO 2152 01:12:21,050 --> 01:12:24,060 SEE SHE KIND OF CONTINUES ALL 2153 01:12:21,050 --> 01:12:24,060 THE WAY THROUGH, WHICH I LOVE 2154 01:12:24,060 --> 01:12:26,079 ABOUT HER. 2155 01:12:24,060 --> 01:12:26,079 SHE EMBRACES COLOR. 2156 01:12:26,079 --> 01:12:30,000 SHE EMBRACES THESE BEAUTIFUL, 2157 01:12:26,079 --> 01:12:30,000 SOPHISTICATED SILHOUETTES. 2158 01:12:30,000 --> 01:12:33,210 AND AS WE SEE HER FASHION 2159 01:12:30,000 --> 01:12:33,210 EVOLVE, YOU CAN JUST SEE SHE IS 2160 01:12:33,210 --> 01:12:37,060 JUST A RED CARPET QUEEN. 2161 01:12:33,210 --> 01:12:37,060 >> AND SHE IS A PERSON WHO WEARS 2162 01:12:37,060 --> 01:12:40,130 THE DRESS. 2163 01:12:37,060 --> 01:12:40,130 THE DRESS DOES NOT WEAR HER. 2164 01:12:40,130 --> 01:12:41,239 >> ABSOLUTELY. 2165 01:12:40,130 --> 01:12:41,239 >> THERE'S SOME PEOPLE YOU SEE, 2166 01:12:41,239 --> 01:12:44,079 YOU'RE LIKE, GIRL, I CAN'T SEE 2167 01:12:41,239 --> 01:12:44,079 YOU IN THAT THING. 2168 01:12:44,079 --> 01:12:48,260 BUT SHE REALLY COMMANDS THE RED 2169 01:12:44,079 --> 01:12:48,260 CARPET. 2170 01:12:48,260 --> 01:12:50,199 >> AND THE COLORS SHE'S WORN 2171 01:12:48,260 --> 01:12:50,199 HAVE BEEN SPECTACULAR. 2172 01:12:50,199 --> 01:12:55,109 >> THE HOT PINK MICHAEL COORS. 2173 01:12:50,199 --> 01:12:55,109 >> THE GREENS AND BLUES AND 2174 01:12:55,109 --> 01:12:57,229 PRINTS AS WELL. 2175 01:12:55,109 --> 01:12:57,229 SHE CAN DO IT SO WELL. 2176 01:12:57,229 --> 01:13:00,159 THE DRESS NEVER WEARS HER. 2177 01:12:57,229 --> 01:13:00,159 >> EVERY SINGLE TIME, GUYS. 2178 01:13:00,159 --> 01:13:03,010 WE'VE GOT TO HEAD OVER TO 2179 01:13:00,159 --> 01:13:03,010 JULIANNA. 2180 01:13:03,010 --> 01:13:10,210 >> SHE IS THE FILMMAKER BEHIND 2181 01:13:03,010 --> 01:13:10,210 BEST PICTURE NOMINEE 2182 01:13:10,210 --> 01:13:13,039 "NOMADLAND." 2183 01:13:10,210 --> 01:13:13,039 PLEASE WELCOME CHLOE ZHAO. 2184 01:13:13,039 --> 01:13:18,119 >> WE HAVE THE STAR OF 2185 01:13:13,039 --> 01:13:18,119 "NOMADLAND." 2186 01:13:18,119 --> 01:13:20,229 >> THANK YOU FOR STOPPING BY E. 2187 01:13:18,119 --> 01:13:20,229 WE APPRECIATE IT. 2188 01:13:20,229 --> 01:13:23,199 TELL EVERYONE AT HOME, KIND OF 2189 01:13:20,229 --> 01:13:23,199 PAINT THE PICTURE HERE, THE 2190 01:13:23,199 --> 01:13:25,119 OSCAR RED CARPET. 2191 01:13:23,199 --> 01:13:25,119 HOW DOES IT FEEL? 2192 01:13:25,119 --> 01:13:28,100 >> HOW DOES IT FEEL? 2193 01:13:25,119 --> 01:13:28,100 >> IT'S SURREAL. 2194 01:13:28,100 --> 01:13:30,229 >> SURREAL. 2195 01:13:28,100 --> 01:13:30,229 >> NOTHING I EVER EXPECTED THAT 2196 01:13:30,229 --> 01:13:35,029 WOULD HAPPEN TO ME. 2197 01:13:30,229 --> 01:13:35,029 >> NOTHING YOU EVER EXPECTED 2198 01:13:35,029 --> 01:13:37,229 WOULD HAPPEN TO YOU. 2199 01:13:35,029 --> 01:13:37,229 IT'S PRETTY GREAT, ISN'T IT? 2200 01:13:37,229 --> 01:13:40,109 >> IT'S AWESOME, YES. 2201 01:13:37,229 --> 01:13:40,109 >> WHAT SHE SAID. 2202 01:13:40,109 --> 01:13:44,279 AND I'M NOT AN ACTOR. 2203 01:13:40,109 --> 01:13:44,279 IT'S NOT ACTING THAT'S OSCAR 2204 01:13:44,279 --> 01:13:47,180 WORTHY. 2205 01:13:44,279 --> 01:13:47,180 IT'S MY NOMADIC LIFESTYLE THAT'S 2206 01:13:47,180 --> 01:13:51,260 OSCAR WORTHY. 2207 01:13:47,180 --> 01:13:51,260 >> THAT'S RIGHT, THAT'S RIGHT. 2208 01:13:51,260 --> 01:13:55,060 SPEAKING OF, IT'S SUCH A 2209 01:13:51,260 --> 01:13:55,060 BRILLIANT PICTURE. 2210 01:13:55,060 --> 01:13:58,060 CHLOE, YOU WERE ALMOST CRAFTING 2211 01:13:55,060 --> 01:13:58,060 THE STORY IN THE FIELD, RIGHT, 2212 01:13:58,060 --> 01:14:00,260 YOU SAID, AND ALMOST LIKE A 2213 01:13:58,060 --> 01:14:00,260 DOCUMENTARY IN PART. 2214 01:14:00,260 --> 01:14:05,029 WHY WAS THAT IMPORTANT TO YOU? 2215 01:14:00,260 --> 01:14:05,029 >> WELL, ACTUALLY THEY SAY THAT 2216 01:14:05,029 --> 01:14:09,039 THE GREATEST MAGIC TRICK IS TO 2217 01:14:05,029 --> 01:14:09,039 MAKE YOU FEEL LIKE IT JUST 2218 01:14:09,039 --> 01:14:11,090 HAPPENED. 2219 01:14:09,039 --> 01:14:11,090 WE ACTUALLY HAD AN ENTIRE 2220 01:14:11,090 --> 01:14:15,130 AMAZING PRODUCING TEAM THAT 2221 01:14:11,090 --> 01:14:15,130 MAKES THINGS -- A LOT OF 2222 01:14:15,130 --> 01:14:18,039 PLANNING GOES INTO IT. 2223 01:14:15,130 --> 01:14:18,039 WHEN WE GET THERE, WE GET TO 2224 01:14:18,039 --> 01:14:20,060 PLAY AND BE SPONTANEOUS. 2225 01:14:18,039 --> 01:14:20,060 IT'S IMPORTANT BECAUSE THE LIVES 2226 01:14:20,060 --> 01:14:25,229 OF THESE WONDERFUL PEOPLE, 2227 01:14:20,060 --> 01:14:25,229 SOMETIMES TO CAPTURE IT, WE HAVE 2228 01:14:25,229 --> 01:14:30,029 TO HAVE THAT FREEDOM. 2229 01:14:25,229 --> 01:14:30,029 >> AND YOU KNOW, I KNOW, CHLOE, 2230 01:14:30,029 --> 01:14:32,079 THIS MOVIE IS SO IMPORTANT TO 2231 01:14:30,029 --> 01:14:32,079 YOU. 2232 01:14:32,079 --> 01:14:33,270 IT REALLY HAS A PIECE OF YOUR 2233 01:14:32,079 --> 01:14:33,270 HEART. 2234 01:14:33,270 --> 01:14:37,010 HOW DID THIS EXPERIENCE CHANGE 2235 01:14:33,270 --> 01:14:37,010 YOU AS A PERSON? 2236 01:14:37,010 --> 01:14:41,289 >> YOU KNOW, I FEEL LIKE 2237 01:14:37,010 --> 01:14:41,289 SOMETIMES FILM MAKING COULD BE A 2238 01:14:41,289 --> 01:14:48,100 QUITE LONELY AND TRANSIENT 2239 01:14:41,289 --> 01:14:48,100 EXISTENCE. 2240 01:14:48,100 --> 01:14:50,289 WE GO FROM MOVIES TO MOVIES TO 2241 01:14:48,100 --> 01:14:50,289 MOVIES. 2242 01:14:50,289 --> 01:14:54,220 HAVING BEEN WITH A LOT OF 2243 01:14:50,289 --> 01:14:54,220 NOMADS, WHO ALSO LIVE A 2244 01:14:54,220 --> 01:14:57,119 TRANSIENT LIFE, BUT THERE'S A 2245 01:14:54,220 --> 01:14:57,119 GREAT SENSE OF COMMUNITY THAT 2246 01:14:57,119 --> 01:14:59,260 THEY'VE BUILT FOR THEMSELVES, 2247 01:14:57,119 --> 01:14:59,260 THAT YOU FEEL LIKE YOU'RE PART 2248 01:14:59,260 --> 01:15:06,130 OF SOMETHING BIGGER. 2249 01:14:59,260 --> 01:15:06,130 AND I TRY TO SEE THINGS THE SAME 2250 01:15:06,130 --> 01:15:07,119 WAY. 2251 01:15:06,130 --> 01:15:07,119 >> FOUR NOMINATIONS TONIGHT. 2252 01:15:07,119 --> 01:15:09,100 WHAT DOES IT MEAN TO ALL OF YOU, 2253 01:15:07,119 --> 01:15:09,100 YOU KNOW, ESPECIALLY HOW MUCH 2254 01:15:09,100 --> 01:15:13,090 EVERYONE HAS LOVED THIS FILM. 2255 01:15:09,100 --> 01:15:13,090 WHAT DOES IT MEAN TO YOU TO HAVE 2256 01:15:13,090 --> 01:15:16,170 FOUR NOMINATIONS TONIGHT? 2257 01:15:13,090 --> 01:15:16,170 >> THAT -- 2258 01:15:16,170 --> 01:15:19,180 >> WELL, FROM MY POINT OF VIEW, 2259 01:15:16,170 --> 01:15:19,180 IT'S JUST ALREADY BEEN SUCH A 2260 01:15:19,180 --> 01:15:21,220 GREAT JOURNEY. 2261 01:15:19,180 --> 01:15:21,220 WE WERE TALKING ABOUT IT ON THE 2262 01:15:21,220 --> 01:15:25,229 WAY HERE GETTING TO KNOW THESE 2263 01:15:21,220 --> 01:15:25,229 GUYS AND HAVING THEM OPEN THEIR 2264 01:15:25,229 --> 01:15:32,180 HEARTS AND STORIES TO US IS 2265 01:15:25,229 --> 01:15:32,180 REALLY BEEN WONDERFUL. 2266 01:15:32,180 --> 01:16:06,250 OSCA 2267 01:15:32,180 --> 01:16:06,250 >>> WE ARE LIVE ON E. 2268 01:16:06,250 --> 01:16:10,210 THE COUNT CONDITION IS ON. 2269 01:16:06,250 --> 01:16:10,210 THE ANTICIPATION IS BUILDING. 2270 01:16:10,210 --> 01:16:22,220 THE OSCARS ARE LIVE ON ABC ON 2271 01:16:10,210 --> 01:16:22,220 8:00 EASTERN, 5:00 PACIFIC. 2272 01:16:22,220 --> 01:16:28,210 IT IS BEST ACTRESS NOMINEE VIOLA 2273 01:16:22,220 --> 01:16:28,210 DAVIS JOINED BY HER HUSBAND 2274 01:16:28,210 --> 01:16:30,119 JULIUS. 2275 01:16:28,210 --> 01:16:30,119 NICE TO SEE YOU TWO. 2276 01:16:30,119 --> 01:16:33,239 >> NICE TO SEE YOU TWO. 2277 01:16:30,119 --> 01:16:33,239 >> HOW DOES IT FEEL ON THE OSCAR 2278 01:16:33,239 --> 01:16:34,220 RED CARPET. 2279 01:16:33,239 --> 01:16:34,220 >> CALM. 2280 01:16:34,220 --> 01:16:37,210 >> CALM. 2281 01:16:34,220 --> 01:16:37,210 >> IF PEOPLE WERE HERE, THEY 2282 01:16:37,210 --> 01:16:40,100 WOULD KNOW HOW ABSOLUTELY 2283 01:16:37,210 --> 01:16:40,100 GROUNDBREAKING CALM IS. 2284 01:16:40,100 --> 01:16:44,039 >> FROM PAST YEARS, RIGHT? 2285 01:16:40,100 --> 01:16:44,039 IT'S VERY DIFFERENT ON THIS RED 2286 01:16:44,039 --> 01:16:44,260 CARPET. 2287 01:16:44,039 --> 01:16:44,260 >> YES. 2288 01:16:44,260 --> 01:16:46,170 >> IT'S VERY CHILL TONIGHT. 2289 01:16:44,260 --> 01:16:46,170 >> YES. 2290 01:16:46,170 --> 01:16:49,090 >> YEAH. 2291 01:16:46,170 --> 01:16:49,090 HOW DOES IT FEEL BEING HERE 2292 01:16:49,090 --> 01:16:51,220 TONIGHT, PART OF SUCH AN 2293 01:16:49,090 --> 01:16:51,220 INCREDIBLE MOVIE. 2294 01:16:51,220 --> 01:16:57,039 AND YOUR PERFORMANCE, I MEAN. 2295 01:16:51,220 --> 01:16:57,039 >> IT'S AN EXCLAMATION POINT ON 2296 01:16:57,039 --> 01:17:00,289 AN ALREADY FABULOUS EXPERIENCE 2297 01:16:57,039 --> 01:17:00,289 IN EVERY SINGLE WAY. 2298 01:17:00,289 --> 01:17:06,119 THE ACTORS INVOLVED, GEORGE C. 2299 01:17:00,289 --> 01:17:06,119 WOLF, NETFLIX, DENZEL, TODD 2300 01:17:06,119 --> 01:17:09,109 BLACK, CHADWICK. 2301 01:17:06,119 --> 01:17:09,109 IT COULD NOT HAVE BEEN A BETTER 2302 01:17:09,109 --> 01:17:12,039 EXPERIENCE AND NOW IT'S JUST 2303 01:17:09,109 --> 01:17:12,039 CONTINUING. 2304 01:17:12,039 --> 01:17:14,220 >> AND YOU ARE SO BRILLIANT IN 2305 01:17:12,039 --> 01:17:14,220 THIS FILM. 2306 01:17:14,220 --> 01:17:19,000 JULIUS, I GOT TO ASK YOU, WE 2307 01:17:14,220 --> 01:17:19,000 KNOW SHE'S A BRILLIANT ACTRESS. 2308 01:17:19,000 --> 01:17:22,140 WAS THERE ANYTHING IN THIS FILM 2309 01:17:19,000 --> 01:17:22,140 IN PARTICULAR THAT SHOCKED EVEN 2310 01:17:22,140 --> 01:17:32,130 YOU MAYBE THAT YOU WENT WOW? 2311 01:17:22,140 --> 01:17:32,130 >> WELL, YOU KNOW, IT WAS REALLY 2312 01:17:32,130 --> 01:17:38,090 A CHOICE OF PUTTING THE GOAL IN. 2313 01:17:32,130 --> 01:17:38,090 IT WAS AMAZING, AND IT COMPLETED 2314 01:17:38,090 --> 01:17:44,140 THE TRANSFORMATION WITH THE SUIT 2315 01:17:38,090 --> 01:17:44,140 AND THE MAKE UP. 2316 01:17:44,140 --> 01:17:47,170 BUT THOSE TEETH -- THOSE GRILLS 2317 01:17:44,140 --> 01:17:47,170 WERE AMAZING. 2318 01:17:47,170 --> 01:17:51,250 >> GRILLS IS WHAT THEY CALL 2319 01:17:47,170 --> 01:17:51,250 THEM. 2320 01:17:51,250 --> 01:17:54,260 >> YOU WERE LIKE I'M TAKING THIS 2321 01:17:51,250 --> 01:17:54,260 TRANSFORMATION VERY SERIOUSLY. 2322 01:17:54,260 --> 01:17:57,170 I NEED THIS TO BE AS AUTHENTIC 2323 01:17:54,260 --> 01:17:57,170 AS POSSIBLE. 2324 01:17:57,170 --> 01:17:59,090 TELL ME ABOUT YOUR APPROACH TO 2325 01:17:57,170 --> 01:17:59,090 THAT. 2326 01:17:59,090 --> 01:18:02,090 >> THE APPROACH TO THAT IS THE 2327 01:17:59,090 --> 01:18:02,090 APPROACH EVERY ACTOR HAS TO HAVE 2328 01:18:02,090 --> 01:18:04,130 TO IT. 2329 01:18:02,090 --> 01:18:04,130 YOU HAVE TO HONOR THE PERSON. 2330 01:18:04,130 --> 01:18:06,250 THEY SAID SHE WAS A CERTAIN 2331 01:18:04,130 --> 01:18:06,250 SIZE. 2332 01:18:06,250 --> 01:18:13,010 THEY SAID THAT SHE HAD A MOUTH 2333 01:18:06,250 --> 01:18:13,010 FULL OF GOLD TEETH. 2334 01:18:13,010 --> 01:18:16,210 THEY SAID SHE LOOKED A CERTAIN 2335 01:18:13,010 --> 01:18:16,210 WAY, HORSE HAIR WIGS. 2336 01:18:16,210 --> 01:18:20,010 SO, GUESS WHAT. 2337 01:18:16,210 --> 01:18:20,010 I HAD GOLD TEETH, HORSE HAIR 2338 01:18:20,010 --> 01:18:23,090 WIGS AND I WAS A CERTAIN SIZE. 2339 01:18:20,010 --> 01:18:23,090 I DIDN'T WANT TO CHANGE HER IN 2340 01:18:23,090 --> 01:18:26,039 ANY WAY BECAUSE THEN I WOULD BE 2341 01:18:23,090 --> 01:18:26,039 APOLOGIZING AND I WOULD BE 2342 01:18:26,039 --> 01:18:27,289 WATERING IT DOWN. 2343 01:18:26,039 --> 01:18:27,289 SO, YEAH. 2344 01:18:27,289 --> 01:18:32,229 >> AND SOMEONE THAT WE'VE BEEN 2345 01:18:27,289 --> 01:18:32,229 HONORING, OF COURSE, IS THE LATE 2346 01:18:32,229 --> 01:18:35,270 CHADWICK BOSEMAN. 2347 01:18:32,229 --> 01:18:35,270 AND I KNOW THAT HE WAS SO 2348 01:18:35,270 --> 01:18:40,100 SPECIAL TO YOU. 2349 01:18:35,270 --> 01:18:40,100 HOW DOES IT FEEL TO YOU, HAVING 2350 01:18:40,100 --> 01:18:45,239 BEEN SO CLOSE TO HIM AND KNOWING 2351 01:18:40,100 --> 01:18:45,239 THAT SO MANY PEOPLE JUST LOVE 2352 01:18:45,239 --> 01:18:49,239 HIM SO MUCH AND HAVE BEEN 2353 01:18:45,239 --> 01:18:49,239 HONORING HIM SO MUCH? 2354 01:18:49,239 --> 01:18:54,270 I MEAN ALWAYS THROUGHOUT THE 2355 01:18:49,239 --> 01:18:54,270 YEARS WE'VE LOVED HIM, HE'S SO 2356 01:18:54,270 --> 01:18:57,229 TALENTED, HE'S SUCH A -- YOU 2357 01:18:54,270 --> 01:18:57,229 ALWAYS HEAR WHAT AN INCREDIBLE 2358 01:18:57,229 --> 01:19:00,029 PERSON HE WAS. 2359 01:18:57,229 --> 01:19:00,029 BUT WHAT DOES IT MEAN TO YOU 2360 01:19:00,029 --> 01:19:03,000 THROUGHOUT THIS AWARD SEASON 2361 01:19:00,029 --> 01:19:03,000 SEEING ALL THE LOVE THAT'S 2362 01:19:03,000 --> 01:19:06,079 POURING IN? 2363 01:19:03,000 --> 01:19:06,079 >> IT FEELS RIGHT ONLY BECAUSE I 2364 01:19:06,079 --> 01:19:08,159 KNOW HIM. 2365 01:19:06,079 --> 01:19:08,159 IT WAS LIKE I SAID BEFORE, HE 2366 01:19:08,159 --> 01:19:13,000 WAS AUTHENTICITY ON STEROIDS. 2367 01:19:08,159 --> 01:19:13,000 SOMETIMES PEOPLE HONOR PEOPLE 2368 01:19:13,000 --> 01:19:17,229 WHO ACTUALLY WERE NOT REALLY 2369 01:19:13,000 --> 01:19:17,229 NICE OR REALLY THE PERSONA DID 2370 01:19:17,229 --> 01:19:22,199 NOT MATCH THE REAL PERSON. 2371 01:19:17,229 --> 01:19:22,199 THIS, IT MATCHES A PERSON. 2372 01:19:22,199 --> 01:19:26,199 I'M TELLING YOU, THIS PERSON, 2373 01:19:22,199 --> 01:19:26,199 THIS HUMAN BEING, THIS ARTIST 2374 01:19:26,199 --> 01:19:29,180 DID NOT MISTAKE HIS PRESENCE FOR 2375 01:19:26,199 --> 01:19:29,180 THE EVENT. 2376 01:19:29,180 --> 01:19:33,180 HE ABSOLUTELY HONORED THE WORK. 2377 01:19:29,180 --> 01:19:33,180 AND A LOT OF PEOPLE ENTER THIS 2378 01:19:33,180 --> 01:19:35,189 BUSINESS BECAUSE THEY WANT TO BE 2379 01:19:33,180 --> 01:19:35,189 FAMOUS ACTORS. 2380 01:19:35,189 --> 01:19:39,100 THEY DON'T WANT TO BE ACTORS. 2381 01:19:35,189 --> 01:19:39,100 THEY WANT TO BE FAMOUS ACTORS. 2382 01:19:39,100 --> 01:19:41,250 HE ENTERED IT BECAUSE HE JUST 2383 01:19:39,100 --> 01:19:41,250 WANTED TO BE AN ARTIST. 2384 01:19:41,250 --> 01:19:44,039 >> THAT'S RIGHT. 2385 01:19:41,250 --> 01:19:44,039 A GREAT ARTIST. 2386 01:19:44,039 --> 01:19:47,050 YOU'RE A GREAT ARTIST. 2387 01:19:44,039 --> 01:19:47,050 BEFORE I LET YOU GO, I KNOW I'M 2388 01:19:47,050 --> 01:19:50,130 ABOUT TO TOSS BACK TO THE PANEL. 2389 01:19:47,050 --> 01:19:50,130 THEY'VE BEEN TALKING ABOUT WHAT 2390 01:19:50,130 --> 01:19:52,119 FASHION THEY'VE BEEN LOOKING 2391 01:19:50,130 --> 01:19:52,119 FORWARD TO TONIGHT. 2392 01:19:52,119 --> 01:19:56,060 I KNOW THEY'RE GOING TO ASK 2393 01:19:52,119 --> 01:19:56,060 ABOUT THE TWO OF YOU BECAUSE YOU 2394 01:19:56,060 --> 01:19:59,279 BOTH LOOK TO BEAUTIFUL. 2395 01:19:56,060 --> 01:19:59,279 TELL US ABOUT YOUR LOOKS THIS 2396 01:19:59,279 --> 01:20:03,140 EVENING. 2397 01:19:59,279 --> 01:20:03,140 >> ALEXANDER McQUEEN, BABY. 2398 01:20:03,140 --> 01:20:07,090 >> ALEXANDER McQUEEN. 2399 01:20:03,140 --> 01:20:07,090 >> FOREVER MARK JEWELRY. 2400 01:20:07,090 --> 01:20:09,180 >> LOVE THE TWO OF YOU. 2401 01:20:07,090 --> 01:20:09,180 THANK YOU SO MUCH. 2402 01:20:09,180 --> 01:20:12,229 HAVE THE BEST TIME TONIGHT. 2403 01:20:09,180 --> 01:20:12,229 THANK YOU, THANK YOU. 2404 01:20:12,229 --> 01:20:14,170 NINA, RIGHT? 2405 01:20:12,229 --> 01:20:14,170 AM I RIGHT? 2406 01:20:14,170 --> 01:20:17,109 >> YES. 2407 01:20:14,170 --> 01:20:17,109 >> DID I READ YOUR MIND, NINA? 2408 01:20:17,109 --> 01:20:19,090 >> YOU ASK ALL THE QUESTIONS 2409 01:20:17,109 --> 01:20:19,090 THAT WE WANT TO KNOW. 2410 01:20:19,090 --> 01:20:24,270 AND LISTENING TO VIOLA DAVIS IS 2411 01:20:19,090 --> 01:20:24,270 A CRASH COURSE IN JUST 2412 01:20:24,270 --> 01:20:31,050 EVERYTHING IN ESSENCE. 2413 01:20:24,270 --> 01:20:31,050 >> LITERALLY I SAID THAT. 2414 01:20:31,050 --> 01:20:34,130 Y'ALL HEAR THIS? 2415 01:20:31,050 --> 01:20:34,130 >> WE GOT TO GO BACK OVER TO 2416 01:20:34,130 --> 01:20:38,220 JULIANNA. 2417 01:20:34,130 --> 01:20:38,220 I THINK SHE'S GOT SOMEBODY ELSE. 2418 01:20:38,220 --> 01:20:40,119 >> OH! 2419 01:20:38,220 --> 01:20:40,119 SORRY! 2420 01:20:40,119 --> 01:20:41,270 THIS IS SO REAL. 2421 01:20:40,119 --> 01:20:41,270 WE ARE LIVE. 2422 01:20:41,270 --> 01:20:47,079 I WAS SO EXCITED TO SEE MARIA 2423 01:20:41,270 --> 01:20:47,079 OVER HERE BECAUSE SHE DELIVERED 2424 01:20:47,079 --> 01:20:50,029 ONE OF THE MOST WILDEST AND 2425 01:20:47,079 --> 01:20:50,029 SHOCKING PERFORMANCES OVER THE 2426 01:20:50,029 --> 01:20:52,270 YEAR. 2427 01:20:50,029 --> 01:20:52,270 SHE IS NOMINATED FOR BEST 2428 01:20:52,270 --> 01:20:56,140 SUPPORTING ACTRESS, MARIA 2429 01:20:52,270 --> 01:20:56,140 BAKALOVA. 2430 01:20:56,140 --> 01:20:58,189 NICE TO SEE YOU. 2431 01:20:56,140 --> 01:20:58,189 >> NICE TO SEE YOU. 2432 01:20:58,189 --> 01:21:02,039 I'M SUPER EXCITED TO BE HERE. 2433 01:20:58,189 --> 01:21:02,039 HUMBLED, EXCITED, ALL OF THE 2434 01:21:02,039 --> 01:21:05,029 FEELINGS IN ONE MIXTURE. 2435 01:21:02,039 --> 01:21:05,029 >> WE HAVE SO MUCH TO TALK ABOUT 2436 01:21:05,029 --> 01:21:07,119 RIGHT NOW. 2437 01:21:05,029 --> 01:21:07,119 YOU HAVE BEEN ACTING NOT VERY 2438 01:21:07,119 --> 01:21:09,010 LONG, BUT THEN YOU'RE NOMINATED 2439 01:21:07,119 --> 01:21:09,010 TONIGHT. 2440 01:21:09,010 --> 01:21:12,270 AND YOU WERE DOING MORE DRAMA 2441 01:21:09,010 --> 01:21:12,270 BUT YET YOU'RE NOMINATED FOR 2442 01:21:12,270 --> 01:21:15,270 THIS COMEDIC ROLE, OF COURSE. 2443 01:21:12,270 --> 01:21:15,270 HOW DOES IT FEEL TO YOU RIGHT 2444 01:21:15,270 --> 01:21:18,020 NOW? 2445 01:21:15,270 --> 01:21:18,020 >> IT FEELS -- I DON'T KNOW -- 2446 01:21:18,020 --> 01:21:20,270 LIKE A DREAM BECAUSE IT'S BEEN A 2447 01:21:18,020 --> 01:21:20,270 LONG TIME ACTING. 2448 01:21:20,270 --> 01:21:24,189 IT'S BEEN 12 YEAR OF ACTING, BUT 2449 01:21:20,270 --> 01:21:24,189 YOU'RE RIGHT. 2450 01:21:24,189 --> 01:21:30,210 IN THE DRAMATIC WORLD. 2451 01:21:24,189 --> 01:21:30,210 "BORAT" WAS MY FIRST COMEDY I'VE 2452 01:21:30,210 --> 01:21:33,020 EVER DONE. 2453 01:21:30,210 --> 01:21:33,020 IT'S ONE OF THESE THINGS LIKE AM 2454 01:21:33,020 --> 01:21:35,270 I DREAMING? 2455 01:21:33,020 --> 01:21:35,270 AM I LIVING THIS DREAM? 2456 01:21:35,270 --> 01:21:37,180 >> IT'S AMAZING. 2457 01:21:35,270 --> 01:21:37,180 >> THANK YOU. 2458 01:21:37,180 --> 01:21:40,060 >> SUCH A BIG MOVIE THAT SO MANY 2459 01:21:37,180 --> 01:21:40,060 PEOPLE SAW. 2460 01:21:40,060 --> 01:21:42,000 HOW LONG HAVE YOU BEEN DOING 2461 01:21:40,060 --> 01:21:42,000 MOVIES? 2462 01:21:42,000 --> 01:21:44,279 BECAUSE MOVIES, YOU HAVEN'T BEEN 2463 01:21:42,000 --> 01:21:44,279 DOING AS LONG, RIGHT? 2464 01:21:44,279 --> 01:21:49,039 WHEN WAS YOUR FIRST MOVIE? 2465 01:21:44,279 --> 01:21:49,039 >> 2016. 2466 01:21:49,039 --> 01:21:50,229 >> 2016. 2467 01:21:49,039 --> 01:21:50,229 THAT'S AMAZING. 2468 01:21:50,229 --> 01:21:53,119 >> YES. 2469 01:21:50,229 --> 01:21:53,119 SO, IT HASN'T BEEN ALL THAT 2470 01:21:53,119 --> 01:21:56,189 LONG. 2471 01:21:53,119 --> 01:21:56,189 >> AND NOW HERE WE ARE 2021, FOR 2472 01:21:56,189 --> 01:22:03,270 AN OSCAR YOU'RE NOMINATED 2473 01:21:56,189 --> 01:22:03,270 MASSACHUSETTS. 2474 01:22:03,270 --> 01:22:04,289 MARIA, AMAZING. 2475 01:22:03,270 --> 01:22:04,289 >> THANK YOU VERY MUCH. 2476 01:22:04,289 --> 01:22:06,069 >> IS YOUR FAMILY WATCHING 2477 01:22:04,289 --> 01:22:06,069 TONIGHT? 2478 01:22:06,069 --> 01:22:08,060 >> THEY ARE WATCHING AND MY 2479 01:22:06,069 --> 01:22:08,060 COUNTRY IS WATCHING. 2480 01:22:08,060 --> 01:22:11,279 EVERYBODY IS EXCITED TO WATCH 2481 01:22:08,060 --> 01:22:11,279 THAT DREAMS ARE POSSIBLE IF YOU 2482 01:22:11,279 --> 01:22:13,199 BELIEVE IN THEM AND DARE TO 2483 01:22:11,279 --> 01:22:13,199 ACHIEVE THEM. 2484 01:22:13,199 --> 01:22:16,270 I'M FEELING GRATEFUL FOR ALL THE 2485 01:22:13,199 --> 01:22:16,270 RECOGNITION AND BEING HERE. 2486 01:22:16,270 --> 01:22:19,260 >> WHAT DOES YOUR FAMILY THINK 2487 01:22:16,270 --> 01:22:19,260 ABOUT THIS? 2488 01:22:19,260 --> 01:22:23,079 I KNOW YOU'VE TALKED ABOUT YOUR 2489 01:22:19,260 --> 01:22:23,079 MOTHER AND HER REACTION TO THE 2490 01:22:23,079 --> 01:22:24,239 FILM. 2491 01:22:23,079 --> 01:22:24,239 IS IT TRUE SHE WANTED YOU TO BE 2492 01:22:24,239 --> 01:22:27,170 A JOURNALIST? 2493 01:22:24,239 --> 01:22:27,170 >> YES, MY FAMILY WANTED ME TO 2494 01:22:27,170 --> 01:22:30,100 BE A JOURNALIST. 2495 01:22:27,170 --> 01:22:30,100 I WANTED TO BE A JOURNALIST. 2496 01:22:30,100 --> 01:22:32,229 IF I COULDN'T GET TO THE 2497 01:22:30,100 --> 01:22:32,229 UNIVERSITY FOR ACTING, I WAS 2498 01:22:32,229 --> 01:22:34,250 GOING TO BE A JOURNALIST. 2499 01:22:32,229 --> 01:22:34,250 >> WOW. 2500 01:22:34,250 --> 01:22:38,180 >> BUT I ACHIEVED ONE OF MY 2501 01:22:34,250 --> 01:22:38,180 SE