1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX

2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX

3
00:00:12,280 --> 00:00:15,519
Oh, the good life

4
00:00:16,960 --> 00:00:18,439
Without love

5
00:00:18,600 --> 00:00:21,439
Without worries
Without problems

6
00:00:26,320 --> 00:00:28,119
Mmm, the good life

7
00:00:28,680 --> 00:00:31,559
You're alone
You're free

8
00:00:31,760 --> 00:00:34,719
You're coasting along

9
00:00:37,120 --> 00:00:39,439
You enjoy

10
00:00:40,280 --> 00:00:41,799
Spending time

11
00:00:43,080 --> 00:00:45,799
With your friends

12
00:00:49,040 --> 00:00:51,239
Sleepless nights

13
00:00:51,880 --> 00:00:53,479
Which stretch out

14
00:00:54,640 --> 00:00:57,879
Into the early morning

15
00:01:00,440 --> 00:01:02,879
But the good life...

16
00:02:33,880 --> 00:02:37,199
It's a movement,
but techno is a revolution.

17
00:02:37,360 --> 00:02:38,799
Yes, there was rock and punk,

18
00:02:38,960 --> 00:02:42,359
but this social emancipation
that coursed through music

19
00:02:42,520 --> 00:02:45,239
which didn't tell you what to think

20
00:02:45,400 --> 00:02:46,959
or how to think

21
00:02:47,160 --> 00:02:49,239
was also pretty new.

22
00:02:49,400 --> 00:02:52,919
Many were quick to understand
that something crucial was happening.

23
00:02:53,080 --> 00:02:56,839
It was able to develop
into a fully-fledged culture

24
00:02:57,000 --> 00:03:00,159
thanks to, or because of,
big DJs and artists.

25
00:03:24,120 --> 00:03:27,519
As a French, small-town raver,

26
00:03:27,680 --> 00:03:30,399
he was the first icon
of this type of music.

27
00:03:30,560 --> 00:03:33,199
He doesn't just get into your head,
he conceptualises,

28
00:03:33,360 --> 00:03:36,079
then gets into your heart
and makes it spread.

29
00:04:35,240 --> 00:04:38,399
Sometimes you get there,
and if you're tired or stressed,

30
00:04:38,560 --> 00:04:42,079
you struggle to read the crowd
and start off on the wrong record.

31
00:04:43,120 --> 00:04:46,439
If I feel like I can't figure them out
or they're not feeling it,

32
00:04:46,600 --> 00:04:49,559
it's awful. Just awful.

33
00:04:49,720 --> 00:04:51,919
If I don't manage to do it,
it's awful.

34
00:05:56,600 --> 00:05:57,879
But when things go well,

35
00:05:58,040 --> 00:06:00,439
you forget about everything
going on outside,

36
00:06:00,600 --> 00:06:03,759
you forget about time,
you forget about your problems.

37
00:06:03,920 --> 00:06:05,119
We're all together.

38
00:06:06,600 --> 00:06:10,039
And something really does happen.

39
00:06:10,640 --> 00:06:13,039
The people and I become one.

40
00:06:14,080 --> 00:06:16,599
We can keep going for hours and hours.

41
00:06:38,640 --> 00:06:40,959
The aim is to get to a point where

42
00:06:41,120 --> 00:06:43,759
we feel good together,
we're on the same wavelength.

43
00:06:43,920 --> 00:06:46,519
Those are the moments
you have to look for

44
00:06:46,680 --> 00:06:48,959
because they're unforgettable.

45
00:06:49,120 --> 00:06:50,679
Some things, you don't forget.

46
00:07:01,760 --> 00:07:03,639
What I need to know,

47
00:07:04,200 --> 00:07:08,719
because I know there will be racks
all over the place,

48
00:07:08,880 --> 00:07:13,639
is the linear metres
and the way it's split

49
00:07:13,800 --> 00:07:17,159
because you know the collection
isn't just...

50
00:07:19,600 --> 00:07:23,159
It's not just 55,000 records
stacked next to each other.

51
00:07:23,320 --> 00:07:26,919
I mean, I've arranged the collection.

52
00:07:27,080 --> 00:07:30,279
I went to check it out
and arranged it in linear metres.

53
00:07:30,440 --> 00:07:34,039
So, I know that I have 1.70 metres
of funk EPs,

54
00:07:34,200 --> 00:07:38,359
I have four metres of funk albums,

55
00:07:38,520 --> 00:07:42,039
I have 1.10 metres of French pop,
that kind of thing.

56
00:07:42,200 --> 00:07:45,399
I already have a general idea
of lengths and sizes.

57
00:07:45,560 --> 00:07:49,759
That will determine
how I'll move the collection.

58
00:07:50,880 --> 00:07:54,359
I am already obsessing over

59
00:07:54,520 --> 00:07:57,439
moving the collection
and how it'll be re-arranged.

60
00:07:57,600 --> 00:08:00,199
I keep hassling the architect,
saying,

61
00:08:00,360 --> 00:08:02,999
"Could you tell me which wall
it's going on

62
00:08:03,520 --> 00:08:07,239
"and how the CDs and vinyl
will be arranged?"

63
00:08:07,400 --> 00:08:12,239
Because I'm already calculating
how many linear metres of funk I have,

64
00:08:12,400 --> 00:08:17,519
how many linear metres of German techno,
Detroit techno, jazz and reggae I have

65
00:08:17,680 --> 00:08:20,759
and thinking: "This will go there,
that will go there..."

66
00:08:20,920 --> 00:08:22,159
It's insane.

67
00:08:39,680 --> 00:08:42,839
So, the Year 9 students
have a much more minimalist approach,

68
00:08:43,000 --> 00:08:44,239
but it works well.

69
00:08:44,400 --> 00:08:45,879
It's about trends.

70
00:08:46,040 --> 00:08:47,919
Quentin, that's awesome.

71
00:08:48,080 --> 00:08:50,479
People will come to the exhibition,
clueless.

72
00:08:50,640 --> 00:08:52,919
Afrika Bambaataa, not bad.

73
00:08:53,080 --> 00:08:56,839
We'll see more of that with Year 10
doing hip hop which will tie in with...

74
00:08:57,000 --> 00:08:59,639
The 808, that's sick.

75
00:09:01,040 --> 00:09:04,999
They're Year 9 students, awesome!

76
00:09:05,160 --> 00:09:06,799
That really is amazing.

77
00:09:06,960 --> 00:09:10,479
We'll get to really know each other.
Some of them come all the time.

78
00:09:10,640 --> 00:09:14,239
There are four
who are massive techno fans.

79
00:09:14,400 --> 00:09:16,999
They've made videos.
- They were here this morning.

80
00:09:17,160 --> 00:09:19,559
They're great.
- It'll be hard to get rid of them.

81
00:09:19,720 --> 00:09:21,719
That girl is really interesting.

82
00:09:24,080 --> 00:09:26,559
She's the one with dreadlocks, right?
- Yeah.

83
00:09:29,240 --> 00:09:30,719
I know who "Dead Parents" is.

84
00:09:30,880 --> 00:09:35,039
Her CD was all: "I'm gonna kill you,
I'm gonna do you in."

85
00:09:35,200 --> 00:09:37,639
But she's such a lovely girl.

86
00:09:38,120 --> 00:09:40,999
Use it as inspiration
when making your new-wave T-shirt.

87
00:09:41,160 --> 00:09:43,599
I wrote about dark stuff,
but I'm not dark.

88
00:09:43,720 --> 00:09:46,159
I can't write about happy stuff.

89
00:09:46,880 --> 00:09:48,639
But you're always laughing!

90
00:09:48,800 --> 00:09:50,879
I don't get it.
How does that work?

91
00:09:51,040 --> 00:09:54,479
I don't either.
All logic has gone out the window.

92
00:09:54,640 --> 00:09:56,639
There's no logic? OK.
- No.

93
00:09:56,800 --> 00:09:58,399
Find something similar to your CD

94
00:09:59,400 --> 00:10:00,879
where you've got...

95
00:10:01,040 --> 00:10:03,919
Maybe use one of the drawings
from your CD.

96
00:10:05,600 --> 00:10:08,759
Anything that's new wave
tends to be a lot darker.

97
00:10:08,920 --> 00:10:11,399
This is a much darker world

98
00:10:11,560 --> 00:10:15,119
with darker colours
and pretty dark ideals, so go for it.

99
00:10:15,280 --> 00:10:17,759
Does no image come to mind
when you listen to music?

100
00:10:17,920 --> 00:10:19,599
Any emotions?

101
00:10:20,360 --> 00:10:23,399
Is there anything
that makes you happy or sad?

102
00:10:23,560 --> 00:10:25,439
It depends on the music.

103
00:10:26,920 --> 00:10:29,599
I'm trying to find out
what's going on in there.

104
00:10:29,760 --> 00:10:32,639
Take five minutes,
close your eyes and listen to the track.

105
00:10:32,800 --> 00:10:35,879
Be alone with it
and see where the track takes you.

106
00:10:36,040 --> 00:10:40,639
Do you get lost in a maze?
Does the sound make you angry?

107
00:10:40,800 --> 00:10:44,199
Try to look for words
that will help you with your work.

108
00:10:45,840 --> 00:10:47,999
You're saying you get lost in it.
- Yeah.

109
00:10:48,200 --> 00:10:51,759
I feel like I'm falling, in a way.

110
00:10:51,920 --> 00:10:53,759
That could work, graphically.

111
00:10:53,920 --> 00:10:56,279
Falling could be a drawing.

112
00:10:56,440 --> 00:10:57,759
Yeah, but how?

113
00:10:59,040 --> 00:11:02,279
I don't know.
I'll draw some small circles.

114
00:11:02,440 --> 00:11:04,599
I don't know.
It's up to you to figure it out.

115
00:11:04,720 --> 00:11:07,759
I think your teacher
is looking for feelings

116
00:11:07,920 --> 00:11:09,639
rather than something concrete.

117
00:11:09,800 --> 00:11:13,639
It's about feelings,
try to work with that.

118
00:11:13,800 --> 00:11:17,839
I'll come back afterwards
and we'll figure it out. OK?

119
00:11:18,000 --> 00:11:20,439
Cool. Take five.

120
00:11:21,200 --> 00:11:23,199
Listen to it loud, it's better.

121
00:11:28,280 --> 00:11:29,719
There you go.

122
00:11:29,880 --> 00:11:31,879
Someone has taken a liking to it.

123
00:15:37,640 --> 00:15:39,839
His passionate side is really moving.

124
00:15:40,000 --> 00:15:43,919
I feel the love behind all that passion.

125
00:15:45,040 --> 00:15:47,439
I say to myself:
"I'm sure he'll take a break,

126
00:15:47,600 --> 00:15:50,319
"he must be tired after all this time",
and he doesn't.

127
00:16:39,680 --> 00:16:43,839
I'd turn up, his flag would be there
and I'd be like: "Damn it, he was here!"

128
00:16:44,000 --> 00:16:47,759
You know when you go to a concert venue,
you see loads of stickers,

129
00:16:47,920 --> 00:16:50,759
it feels like he's left
a trail of stickers on everyone.

130
00:16:50,920 --> 00:16:55,039
You're in China, feeling like the first
to do a techno concert there

131
00:16:55,200 --> 00:16:57,159
and someone says, "Laurent Garnier",

132
00:16:57,320 --> 00:16:59,719
and you're like,
"OK, this guy's paved the way."

133
00:17:01,400 --> 00:17:03,799
We talk about music.

134
00:17:03,960 --> 00:17:07,319
That's what I like.
You could be talking about anything,

135
00:17:07,480 --> 00:17:09,959
such as management, etc.,

136
00:17:10,120 --> 00:17:12,599
but, no, he takes in all his news.

137
00:17:12,720 --> 00:17:15,079
If he gets 400 in a day,
he'll listen to all of it.

138
00:19:00,280 --> 00:19:01,959
It's seven in the morning

139
00:19:02,640 --> 00:19:04,159
Gotta get up

140
00:19:05,080 --> 00:19:06,799
Oh, I'm sleepy

141
00:19:07,920 --> 00:19:09,599
Let's put on some music to get going

142
00:19:09,760 --> 00:19:11,719
I don't know something like:

143
00:19:15,400 --> 00:19:17,519
I cleaned that one 50,000 times.

144
00:19:18,400 --> 00:19:20,079
This is really good.
Bloody hell!

145
00:36:17,560 --> 00:36:22,919
Back then, the gay scene
was really open to house and techno.

146
00:36:23,080 --> 00:36:28,359
It's the scene that most embraced
this type of music

147
00:36:28,520 --> 00:36:29,719
during its infancy.

148
00:38:58,680 --> 00:39:02,719
My professional life
is closely linked to this club.

149
00:39:04,080 --> 00:39:08,919
We met Christian and he already had
English promoters organising parties.

150
00:39:09,080 --> 00:39:11,239
I turned up with Éric Morand

151
00:39:11,760 --> 00:39:14,639
and we told him
we wanted to organise nights at his club

152
00:39:14,800 --> 00:39:17,319
because we liked the venue
and the sound.

153
00:39:17,480 --> 00:39:20,279
He said yes 30 years ago
and we've been going ever since.

154
00:40:02,560 --> 00:40:05,439
Laurent's "Wake Up" parties
were really the place

155
00:40:05,600 --> 00:40:08,279
where we were able to invite

156
00:40:08,440 --> 00:40:12,999
all the American actors we admired,
and the European ones too, of course.

157
00:40:30,760 --> 00:40:34,159
I wanted to showcase
the whole music scene:

158
00:40:34,320 --> 00:40:38,079
trance, hardcore,

159
00:40:38,240 --> 00:40:43,839
drum and bass, jungle, acid house,
all sorts of styles.

160
00:41:56,520 --> 00:41:59,519
Tonight, you'll be playing
in front of Derrick May

161
00:41:59,680 --> 00:42:03,119
and some of your idols
from when you were 20.

162
00:42:05,600 --> 00:42:08,519
Are you feeling the pressure?
- Shut up.

163
00:52:48,560 --> 00:52:51,199
That culture blew me away.

164
00:52:51,360 --> 00:52:53,839
There were 30,000 guys in a single room,

165
00:52:54,000 --> 00:52:59,439
all dressed the same in tracksuits,
ponytails and red glasses,

166
00:52:59,600 --> 00:53:01,599
with blaring music.

167
00:54:43,000 --> 00:54:45,999
When a culture establishes itself
the way it did,

168
00:54:46,160 --> 00:54:47,999
there's bound to be conflict.
But to that extent?

169
00:54:51,120 --> 00:54:53,119
A rave shouldn't be a drug party.

170
00:54:54,560 --> 00:54:59,759
We're pretty sure that these organisers
are operating like a mafia.

171
00:55:02,360 --> 00:55:05,599
Electronic music concerts
as well as raves

172
00:55:05,720 --> 00:55:09,999
were demonised, singled out,

173
00:55:10,160 --> 00:55:12,599
condemned, banned.

174
00:55:14,160 --> 00:55:18,079
It was simply a space to be free.

175
00:55:18,240 --> 00:55:22,639
I think that when there's a space
where you can truly be free,

176
00:55:22,800 --> 00:55:26,999
it means that it's not under control
and that scares people.

177
00:55:30,520 --> 00:55:34,239
People would meet
at supermarket car parks

178
00:55:34,400 --> 00:55:37,439
and set off in droves,

179
00:55:38,600 --> 00:55:43,119
driving in a single file
to go to some mysterious location.

180
00:55:43,280 --> 00:55:48,279
This created a sense of the unknown
which was completely new

181
00:55:48,440 --> 00:55:52,759
and, by its very nature,
caused panic

182
00:55:52,920 --> 00:55:55,199
among the authorities,
the middle-class,

183
00:55:55,360 --> 00:55:58,199
family men didn't want their kids
getting mixed up in that.

184
00:55:58,360 --> 00:56:00,479
My family would call me an idiot.

185
00:56:00,640 --> 00:56:03,639
My parents threw me out,
saying I would become a homeless dealer.

186
00:56:03,800 --> 00:56:07,039
Of course, the message
that we were all drug traffickers

187
00:56:07,200 --> 00:56:09,679
was quite something.

188
00:56:09,840 --> 00:56:12,359
One in three dates were cancelled.

189
00:56:12,520 --> 00:56:15,159
There would be countless times
that I'd go to a venue

190
00:56:15,320 --> 00:56:17,399
and there would be roadblocks.

191
00:56:18,760 --> 00:56:20,519
It really was a witch hunt.

192
00:56:20,680 --> 00:56:26,959
It was because certain people in power
were scared stiff,

193
00:56:27,600 --> 00:56:29,079
petrified,

194
00:56:29,240 --> 00:56:31,599
and also ignorant.

195
00:56:31,760 --> 00:56:34,199
We'd get there and say,
"Hi, we want to do techno."

196
00:56:34,360 --> 00:56:35,479
They'd reply,

197
00:56:35,640 --> 00:56:38,599
"Whoa, we can't do techno.
We're feeling the pressure.

198
00:56:38,720 --> 00:56:43,839
"We're not supposed to rent out
our space for barbaric music."

199
00:56:44,000 --> 00:56:46,239
Apparently,
techno music was barbaric.

200
00:56:46,400 --> 00:56:52,159
You would want to
organise something completely legal

201
00:56:52,320 --> 00:56:55,839
and would invest
a lot of time and money into it,

202
00:56:56,000 --> 00:56:59,119
it would be important to you,
your baby,

203
00:56:59,280 --> 00:57:01,079
and then they'd turn around and say no.

204
00:57:01,240 --> 00:57:03,639
When you asked why, they'd say,
"Just because."

205
00:57:03,800 --> 00:57:08,359
The Prefecture's Safety Commission
will not stop splitting hairs.

206
00:57:08,520 --> 00:57:13,119
After ordering that
3,660 chairs be fastened to the floor,

207
00:57:13,280 --> 00:57:16,519
they must now be attached to each other.

208
00:57:16,680 --> 00:57:18,759
Either way, we're doing it.

209
00:57:19,480 --> 00:57:22,919
After two days of harassment,
dejection is kicking in.

210
00:57:23,080 --> 00:57:25,239
They're doing this
just to screw with us.

211
00:57:25,400 --> 00:57:27,079
Their anti-techno plan is a joke.

212
00:57:27,240 --> 00:57:30,359
If I don't play in France,
I'll just go play elsewhere.

213
00:57:30,520 --> 00:57:34,119
It's fine, it doesn't bother me
if they shut the country off.

214
00:57:34,280 --> 00:57:38,639
Techno's blowing up in France
cos they're becoming more opposed to it.

215
00:57:38,800 --> 00:57:42,679
Tell a child not to play with a socket
and he'll electrocute himself.

216
00:58:00,680 --> 00:58:04,359
When they started talking about
volume levels, they showed two CDs:

217
00:58:04,520 --> 00:58:06,479
classical music, which was good,

218
00:58:06,640 --> 00:58:09,239
it was music
that wouldn't kill your kids' eardrums.

219
00:58:09,400 --> 00:58:13,399
Then they showed Laurent Garnier
which was in the red zone.

220
00:58:13,560 --> 00:58:18,199
If some guy turns the bass right up,
of course it'll be in the red zone.

221
00:58:18,360 --> 00:58:22,479
They said my music would make kids deaf,
that's what they said on TV.

222
00:58:22,640 --> 00:58:26,159
If classical music were on full blast,
that would make you deaf too.

223
00:58:26,320 --> 00:58:30,719
It depends on the volume.
That was such a cop-out excuse.

224
00:58:30,880 --> 00:58:33,039
Rather than march and chant,

225
00:58:33,200 --> 00:58:36,559
"Techno's cool, shove it up your arse",
which doesn't interest me,

226
00:58:36,720 --> 00:58:40,079
I'd rather work with people
who are quirky and different,

227
00:58:40,240 --> 00:58:44,359
people who are promising,
artistically speaking, in France,

228
00:58:44,520 --> 00:58:45,999
to get our own back.

229
00:58:51,560 --> 00:58:54,079
With an estimated turnover
of 15 million this year

230
00:58:54,240 --> 00:58:56,119
and over hundreds of titles,

231
00:58:56,280 --> 00:59:00,279
F Communications is exploring
the whole spectrum of electro music.

232
00:59:00,440 --> 00:59:03,039
It saw rising success with this track,

233
00:59:03,200 --> 00:59:05,919
music from an ad
for a jeans manufacturer.

234
00:59:11,320 --> 00:59:16,359
We came onto the scene in 1999
with Mr. Oizo's Flat Beat.

235
00:59:16,520 --> 00:59:21,719
We sold three or four million singles
in just a few weeks.

236
00:59:21,880 --> 00:59:25,959
Yes, it contributed to the explosion,
you had a French artist

237
00:59:26,560 --> 00:59:30,599
topping European charts
for weeks on end.

238
00:59:30,760 --> 00:59:36,079
All this pop and charts stuff was
something I didn't even know existed.

239
00:59:36,240 --> 00:59:39,959
When people started telling me
what was happening with that track,

240
00:59:40,120 --> 00:59:42,399
an educated guy like Laurent,

241
00:59:42,560 --> 00:59:45,519
who had been following
the entire evolution of this genre,

242
00:59:45,680 --> 00:59:49,519
understood exactly what was going on.
I didn't have a clue.

243
00:59:49,680 --> 00:59:51,679
I didn't know what MTV was.

244
00:59:51,840 --> 00:59:57,319
In a nutshell, I was so lost
and was in way over my head,

245
00:59:57,480 --> 01:00:00,359
so it was more of a burden
than a blessing.

246
01:00:01,200 --> 01:00:04,999
Laurent Garnier, Stardust,
Cassius or Mr. Oizo,

247
01:00:05,160 --> 01:00:06,999
names which you may have never heard,

248
01:00:07,160 --> 01:00:09,719
and yet from New York to Tokyo,
from Milan to London,

249
01:00:09,880 --> 01:00:12,839
they're making people dance
and are making the front pages.

250
01:00:15,880 --> 01:00:18,599
French rock
never managed to cross the borders,

251
01:00:18,760 --> 01:00:21,439
but today, disc jockeys,
or DJs, as they say now,

252
01:00:21,600 --> 01:00:23,839
and techno producers are exporting.

253
01:00:29,280 --> 01:00:32,239
Spearheading this French invasion
is Daft Punk,

254
01:00:32,400 --> 01:00:34,479
a duo who have sold
over 1.5 million albums

255
01:00:34,640 --> 01:00:36,839
without ever having shown their faces.

256
01:00:39,040 --> 01:00:42,199
Whatever you thought of this movement,

257
01:00:42,360 --> 01:00:43,439
it was catching on.

258
01:00:43,600 --> 01:00:46,479
Daft Punk offered something that was...

259
01:00:46,640 --> 01:00:50,999
It had the pleasures of techno
with its sound and synths, etc.,

260
01:00:51,160 --> 01:00:54,879
but the instant gratification
of something like Michael Jackson.

261
01:00:55,040 --> 01:00:57,879
That's what was crazy,
but it annoyed a lot of people.

262
01:00:58,040 --> 01:01:02,359
There were many who felt their music
was being violated by trash

263
01:01:02,520 --> 01:01:05,639
because it was too commercial,
I don't know.

264
01:01:05,800 --> 01:01:08,999
It was something we'd talk a lot about
back in the day.

265
01:02:36,760 --> 01:02:42,479
It was precisely so that techno music
would come out from the shadows,

266
01:02:42,640 --> 01:02:46,759
from the fringes,
from exile, from demonisation

267
01:02:46,920 --> 01:02:50,359
and have a rightful place
in the streets,

268
01:02:50,520 --> 01:02:52,079
in the capital, in Paris.

269
01:04:38,080 --> 01:04:41,519
We're in Bologna, in Italy.
I'm on the crapper.

270
01:04:42,640 --> 01:04:43,919
And, uh,

271
01:04:44,560 --> 01:04:46,279
we're going to party hard.

272
01:07:54,000 --> 01:07:56,279
Anything that breaks away from the norm,

273
01:07:56,440 --> 01:07:58,519
inevitably causes fear and concern.

274
01:08:01,960 --> 01:08:04,079
And as usual,
since it's always cyclic,

275
01:08:04,240 --> 01:08:08,519
at some point,
it ends up becoming institutionalised.

276
01:08:08,680 --> 01:08:10,959
It's a logical, normal progression.

277
01:08:19,640 --> 01:08:23,719
The amazing thing,
and this goes for all musical trends,

278
01:08:23,880 --> 01:08:26,839
is that with these trends,
amid the initial confusion,

279
01:08:27,000 --> 01:08:30,679
people emerge,
particular artists emerge

280
01:08:30,840 --> 01:08:35,159
who, in a way, clear up any confusion
about the movement.

281
01:09:28,040 --> 01:09:32,159
Techno, house,
what's known as electro now in France,

282
01:09:32,320 --> 01:09:36,919
became a fully-fledged culture,
like jazz, rock and hip hop,

283
01:09:37,080 --> 01:09:41,879
because it was the soundtrack
of several generations of artists.

284
01:09:46,320 --> 01:09:50,279
I was at the conservatory on weekdays
and at clubs on weekends.

285
01:09:50,440 --> 01:09:51,559
That's how it was.

286
01:09:57,400 --> 01:10:02,919
When I met Laurent Garnier,
as I said, I was 16 or 17,

287
01:10:03,080 --> 01:10:05,799
and I brought him
my electro music demo tapes,

288
01:10:05,960 --> 01:10:08,399
which was more techno back then.

289
01:10:08,560 --> 01:10:12,639
He very kindly said to me, "That's cool,
but it really sounds like Daft Punk."

290
01:10:12,800 --> 01:10:15,959
I copied Daft Punk way too much
around 1996.

291
01:10:16,120 --> 01:10:20,399
But I was so happy that he'd listened
to my stuff and gotten back to me.

292
01:10:20,560 --> 01:10:23,839
It also taught me not to copy
people I admire when creating music.

293
01:10:24,000 --> 01:10:27,759
If I found my style, it was thanks
to his feedback at the time

294
01:10:27,920 --> 01:10:29,239
which was important to me.

295
01:13:53,120 --> 01:13:56,159
This is my first time here,
so it's the great unknown.

296
01:13:56,720 --> 01:13:57,999
The complete unknown.

297
01:13:58,160 --> 01:14:01,119
I'm playing tonight
at a club called Bassiani.

298
01:14:01,280 --> 01:14:04,239
This isn't just any old trip.

299
01:14:05,760 --> 01:14:08,999
I'm kind of stressed, actually.

300
01:14:09,160 --> 01:14:11,239
Weirdly enough, it's stressing me out.

301
01:14:12,000 --> 01:14:14,759
But I like coming to
these types of places.

302
01:14:36,600 --> 01:14:39,559
Bassiani is the spot in town
which plays 140 bpm.

303
01:14:39,720 --> 01:14:42,039
Clubbers go to Bassiani

304
01:14:42,840 --> 01:14:44,479
because it's an act of defiance.

305
01:14:44,640 --> 01:14:50,279
This is because you can meet people
at the bar or on the dancefloor

306
01:14:50,440 --> 01:14:54,239
who talk about the various struggles
for civil rights in Georgia,

307
01:14:54,400 --> 01:14:56,159
for LGBTQ rights,

308
01:14:56,320 --> 01:15:00,799
but that could also include
the few rights minors have in Georgia.

309
01:15:00,960 --> 01:15:04,119
People talk here
and that's what scares the authorities.

310
01:15:04,280 --> 01:15:06,599
The dancefloor becomes political

311
01:15:06,760 --> 01:15:09,719
because it's a place where
people have conversations.

312
01:15:16,080 --> 01:15:19,039
There was a special forces police raid

313
01:15:19,200 --> 01:15:20,639
right in the middle of a set.

314
01:15:20,800 --> 01:15:26,319
Clubbers saw 250 heavily-armed guys
storm into the club

315
01:15:26,480 --> 01:15:29,439
on a supposed drug bust.

316
01:15:30,160 --> 01:15:32,159
Techno, drugs...

317
01:15:32,960 --> 01:15:35,079
A natural leap, apparently.

318
01:15:39,040 --> 01:15:42,399
People's reactions around Bassiani,

319
01:15:42,560 --> 01:15:45,839
so, not just clubbers,
but various activists,

320
01:15:46,000 --> 01:15:49,839
was to meet in front of Parliament
on Rustaveli Avenue in Georgia.

321
01:15:50,000 --> 01:15:53,119
There were around
10,000 to 15,000 people there

322
01:15:53,280 --> 01:15:55,879
blasting out music in the street.

323
01:15:56,040 --> 01:15:59,359
It's not dissimilar
to the Champs-Élysées or Times Square,

324
01:15:59,520 --> 01:16:01,599
so that place is a pretty big deal.

325
01:16:01,760 --> 01:16:05,519
They staged musical protests
for two days

326
01:16:06,160 --> 01:16:07,599
in front of Parliament.

327
01:16:14,400 --> 01:16:18,879
It's very important
to preserve this heritage

328
01:16:19,040 --> 01:16:21,799
which provides an area for freedom

329
01:16:21,960 --> 01:16:24,719
because we all need an escape.

330
01:16:24,880 --> 01:16:27,359
We all need moments
where we can be ourselves,

331
01:16:27,520 --> 01:16:29,599
express ourselves
without being judged.

332
01:16:49,720 --> 01:16:52,879
The youth says
fuck you to the National Front

333
01:16:53,040 --> 01:16:55,639
The youth says
fuck you to the National Front.

334
01:16:58,240 --> 01:17:01,399
You know, when Laurent mixes,

335
01:17:01,560 --> 01:17:06,559
thousands of people
from all walks of life,

336
01:17:06,720 --> 01:17:10,119
all with their own personal world-views,

337
01:17:10,280 --> 01:17:12,919
peacefully come together.

338
01:17:13,080 --> 01:17:16,719
That's political.
That's extremely political.

339
01:20:30,000 --> 01:20:34,119
When it comes to the evolution of music,
I often compare it to chaos theory.

340
01:20:34,280 --> 01:20:37,039
In other words,
it's never where you expect it to be.

341
01:20:37,200 --> 01:20:38,959
There is no logical evolution.

342
01:21:46,720 --> 01:21:51,199
I think about reverse polarity,
about making music without electricity.

343
01:21:51,400 --> 01:21:53,759
That would be
the most revolutionary thing,

344
01:21:53,920 --> 01:21:59,119
to make extremely acoustic music
with a very modern vision.

345
01:21:59,280 --> 01:22:02,799
Music that's totally innate,
organic, spiritual.

346
01:22:03,760 --> 01:22:04,879
That would do us good.

347
01:22:35,400 --> 01:22:39,959
Any movement creates a countermovement.

348
01:22:40,120 --> 01:22:43,439
Alternatively, musicians
will get inspiration from the past,

349
01:22:43,600 --> 01:22:45,119
but completely reinvent it.

350
01:22:45,280 --> 01:22:47,319
It's almost impossible to predict.

351
01:24:15,160 --> 01:24:18,599
Thanks for bringing the festival-goers,
it's revamped the castle.

352
01:24:18,760 --> 01:24:20,679
I didn't do it, the guys did.

353
01:24:20,840 --> 01:24:22,759
That's what has revamped us.

354
01:24:22,920 --> 01:24:24,159
You're terrific.

355
01:24:32,640 --> 01:24:34,439
So, I'm...

356
01:24:35,080 --> 01:24:36,679
I hope I don't injure you.

357
01:24:37,800 --> 01:24:39,319
It's an instrument of torture.

358
01:24:39,480 --> 01:24:42,159
It's an awful instrument, that bit is.

359
01:24:42,640 --> 01:24:43,879
I said to Laurent earlier

360
01:24:44,040 --> 01:24:48,799
that the first decoration I awarded,
as a budding Minister of Culture,

361
01:24:48,960 --> 01:24:50,999
was to Rostropovich.

362
01:24:51,760 --> 01:24:54,479
From Rostropovich to Laurent Garnier...

363
01:24:55,440 --> 01:24:58,439
With Miles Davis in between.
Yes, sorry.

364
01:25:00,600 --> 01:25:03,679
I was very clumsy, I still am,
plus, I injured myself.

365
01:25:03,840 --> 01:25:05,639
Rest assured, I'm being careful.

366
01:25:05,800 --> 01:25:10,959
So, I dug it into his jacket...

367
01:25:12,280 --> 01:25:14,079
There was an actual pool of blood.

368
01:25:15,400 --> 01:25:18,079
Rostropovich was like:
"Look, don't worry about it,

369
01:25:18,240 --> 01:25:20,759
"we'll wash it off with vodka."

370
01:25:22,360 --> 01:25:24,559
So, I'm going to be very careful.

371
01:25:24,720 --> 01:25:26,239
On behalf of the President

372
01:25:26,400 --> 01:25:28,839
and by virtue of
the authority vested in me,

373
01:25:29,000 --> 01:25:33,479
I pronounce you
a Knight of the Legion of Honour.

374
01:28:57,040 --> 01:29:00,039
Subtitles:
Babel Subtitling - babelSUB.be