1 00:00:25,560 --> 00:00:27,560 This is you. 2 00:00:36,280 --> 00:00:37,920 Take care now. 3 00:00:37,920 --> 00:00:46,800 {\an8}## 4 00:00:46,800 --> 00:00:49,480 ♪ I'm a good man ♪ 5 00:00:49,480 --> 00:00:52,680 ♪ You can trust in me ♪ 6 00:00:52,680 --> 00:00:55,760 ♪ Mighty good man ♪ 7 00:00:55,760 --> 00:00:58,560 ♪ As good as can be ♪ 8 00:00:58,560 --> 00:01:01,320 ♪ They say I'm handsome ♪ 9 00:01:01,320 --> 00:01:03,920 ♪ And I'm reliable, too ♪ 10 00:01:03,920 --> 00:01:09,240 ♪ 'Cause you were made for me, and, baby, I was made for you ♪ 11 00:01:09,240 --> 00:01:11,760 ♪ I'm a good man ♪ 12 00:01:11,760 --> 00:01:14,960 {\an8}## 13 00:01:14,960 --> 00:01:17,680 ♪ Mmmm yeah ♪ 14 00:01:17,680 --> 00:01:20,680 ♪ Ohhh yeah ♪ 15 00:01:20,680 --> 00:01:23,200 ♪ Mmmm yeah ♪ 16 00:01:23,200 --> 00:01:25,760 ♪ I'm a good man ♪ 17 00:01:28,160 --> 00:01:29,960 {\an8}## 18 00:01:29,960 --> 00:01:32,720 ♪ Oh, yes I am ♪ 19 00:01:32,720 --> 00:01:37,240 ♪ Listen, while I look for silver ♪ 20 00:01:37,240 --> 00:01:40,160 ♪ You can have gold ♪ 21 00:01:40,160 --> 00:01:42,440 ♪ I ain't too young ♪ 22 00:01:42,440 --> 00:01:45,920 ♪ And baby I ain't too old ♪ 23 00:01:45,920 --> 00:01:48,760 ♪ I'm a humble man ♪ 24 00:01:48,760 --> 00:01:51,360 ♪ And I'm always true ♪ 25 00:01:51,360 --> 00:01:56,720 ♪ That you were made for me and baby I was made for you ♪ 26 00:01:56,720 --> 00:01:59,400 ♪ I'm a good man ♪ 27 00:01:59,400 --> 00:02:03,000 ♪ Mighty good man ♪ 28 00:02:03,000 --> 00:02:05,320 ♪ Good man ♪ 29 00:02:05,320 --> 00:02:07,920 ♪ Mighty good man ♪ 30 00:02:07,920 --> 00:02:09,880 ♪ Go ahead, play it now ♪ 31 00:02:09,880 --> 00:02:25,720 {\an8}## 32 00:02:27,600 --> 00:02:33,400 {\an8}## 33 00:02:33,400 --> 00:02:36,240 ♪ And I like the way ♪ 34 00:02:36,240 --> 00:02:39,360 ♪ You smile at me ♪ 35 00:02:39,360 --> 00:02:41,960 ♪ I guess you like it ♪ 36 00:02:41,960 --> 00:02:45,360 ♪ Everything you see ♪ 37 00:02:48,080 --> 00:02:53,840 {\an8}## 38 00:02:53,840 --> 00:02:56,480 ♪ I'm a good man ♪ 39 00:02:56,480 --> 00:02:59,560 ♪ A mighty good man ♪ 40 00:02:59,560 --> 00:03:02,480 ♪ I'm a good man ♪ 41 00:03:02,480 --> 00:03:05,360 ♪ A mighty good man ♪ 42 00:03:05,360 --> 00:03:08,240 ♪ I'm a good man ♪ 43 00:03:08,240 --> 00:03:11,000 ♪ Mighty good man ♪ 44 00:03:11,000 --> 00:03:14,000 ♪ I'm a good man ♪ 45 00:03:14,000 --> 00:03:17,200 ♪ A mighty good man ♪ 46 00:03:17,200 --> 00:03:20,120 ♪ I'm a good man ♪ 47 00:03:20,120 --> 00:03:22,880 ♪ A mighty good man ♪ 48 00:03:22,880 --> 00:03:28,440 {\an8}## 49 00:03:33,720 --> 00:04:12,680 {\an8}## 50 00:04:12,680 --> 00:04:14,880 {\an8}The Sunne Rising annual pitch and putt 51 00:04:14,880 --> 00:04:16,880 {\an8}traditionally takes places 52 00:04:16,880 --> 00:04:19,520 {\an8}on August Monday bank holiday. 53 00:04:19,520 --> 00:04:22,600 But no one's actually bothered to book the course, 54 00:04:22,600 --> 00:04:24,280 so we may have to push it till September. 55 00:04:24,280 --> 00:04:27,120 Which actually suits me down to the ground, ma'am, 56 00:04:27,120 --> 00:04:30,320 because, erm, rain and squalls-- 57 00:04:30,320 --> 00:04:33,680 I thrive in pitch and putt in those conditions. 58 00:04:33,680 --> 00:04:36,640 You're very chatty this morning. 59 00:04:36,640 --> 00:04:38,800 Oh, sorry, ma'am. 60 00:04:38,800 --> 00:04:40,240 Wine last night? 61 00:04:40,240 --> 00:04:41,840 Mm. Red. 62 00:04:41,840 --> 00:04:43,680 Always leaves my head a bit fuzzy. 63 00:04:43,680 --> 00:04:46,160 Well, at least you were home all night, so no damage done. 64 00:04:46,160 --> 00:04:47,840 Ah, there's never any damage. 65 00:04:47,840 --> 00:04:50,560 How do you know I was home all night? 66 00:04:50,560 --> 00:04:53,480 Well, ma'am, you always report drinking red wine at home 67 00:04:53,480 --> 00:04:56,360 and white wine when you're dining out. 68 00:04:56,360 --> 00:04:59,680 Yeah. Red wine home. White wine out. 69 00:04:59,680 --> 00:05:02,520 Took me and the boyfriend ages to realise why we did that. 70 00:05:02,520 --> 00:05:04,560 Yeah, er, red wine at home so that you don't 71 00:05:04,560 --> 00:05:07,440 have to keep popping backwards and forwards to the fridge. 72 00:05:07,440 --> 00:05:09,520 Yeah. 73 00:05:10,400 --> 00:05:12,000 Very good. 74 00:05:16,800 --> 00:05:19,960 Blue lips, swollen. 75 00:05:22,560 --> 00:05:25,200 Yeah. 76 00:05:25,200 --> 00:05:27,080 Not the first time I've seen that. 77 00:05:27,080 --> 00:05:29,040 Pathology will have to confirm but it looks like 78 00:05:29,040 --> 00:05:30,600 ligature strangulation. 79 00:05:30,600 --> 00:05:32,280 On a busy bus, ma'am? 80 00:05:32,280 --> 00:05:33,760 Well, a few seconds is all you need 81 00:05:33,760 --> 00:05:35,800 to render him unconscious. 82 00:05:35,800 --> 00:05:38,920 Five kilograms worth of pressure to be exact. 83 00:05:38,920 --> 00:05:41,400 Well, you need a lot more pressure and time 84 00:05:41,400 --> 00:05:45,840 to cut off the windpipe, and cause brain death. 85 00:05:47,640 --> 00:05:49,440 Ma'am, this is the number 6 bus. 86 00:05:49,440 --> 00:05:52,040 It's one of the most popular in Bath. 87 00:05:52,040 --> 00:05:54,000 Especially in the rush hour. 88 00:05:54,000 --> 00:05:58,280 For someone to have killed this man, 89 00:05:58,280 --> 00:06:00,680 well, he would have had to have done it in the blink of an eye. 90 00:06:00,680 --> 00:06:03,040 And even then, nobody saw it. 91 00:06:03,040 --> 00:06:05,440 Monthly bus pass. Ian Andrews. 92 00:06:07,360 --> 00:06:09,360 Bit of cash... 93 00:06:11,280 --> 00:06:14,360 ...and bank card... 94 00:06:14,360 --> 00:06:17,040 and this completely blank. 95 00:06:17,040 --> 00:06:18,920 I'll get it to tech services. 96 00:06:18,920 --> 00:06:20,960 See what that magnetic strip tells us. 97 00:06:20,960 --> 00:06:23,600 Here we are-- Ian James Andrews, 98 00:06:23,600 --> 00:06:27,000 age 33, divorced, various jobs. 99 00:06:27,000 --> 00:06:28,360 He looks familiar. 100 00:06:28,360 --> 00:06:30,000 I think you're right, ma'am. 101 00:06:30,000 --> 00:06:33,440 Lives at 14 Saltmarsh Street, Larkhall. 102 00:06:33,440 --> 00:06:37,360 Well now that is-- that is near the... 103 00:06:37,360 --> 00:06:41,280 that's the point of the start of this bus' journey. 104 00:06:41,280 --> 00:06:43,680 Yeah. Larkhall terminus. There. 105 00:06:48,120 --> 00:06:50,600 First on at Larkhall terminus every morning. 106 00:06:50,600 --> 00:06:51,880 Weekends too. 107 00:06:51,880 --> 00:06:53,640 He gets on, he pays, 108 00:06:53,640 --> 00:06:55,360 he takes a paper, and he goes upstairs 109 00:06:55,360 --> 00:06:57,400 to the front left seat. 110 00:06:57,400 --> 00:06:59,600 And where does he normally get off? 111 00:06:59,600 --> 00:07:01,240 Bath Spa station. 112 00:07:01,240 --> 00:07:04,160 And did you, erm, run to timetable this morning? 113 00:07:04,160 --> 00:07:05,720 As best as I could. 114 00:07:05,720 --> 00:07:07,560 But there's roadworks everywhere. 115 00:07:07,560 --> 00:07:10,040 You know, three or four diversions. 116 00:07:10,040 --> 00:07:12,400 The bus should have a GPS system. 117 00:07:12,400 --> 00:07:14,160 It's on a hard drive in the office, mate. 118 00:07:14,160 --> 00:07:16,080 If we can access the stored data, 119 00:07:16,080 --> 00:07:18,880 it should give us accurate times and locations. 120 00:07:20,760 --> 00:07:24,000 Did anything odd happen between here and Larkhall? 121 00:07:24,000 --> 00:07:28,040 - What do you mean? - Anyone acting suspiciously? 122 00:07:28,040 --> 00:07:30,760 Nobody that looked like... 123 00:07:30,760 --> 00:07:33,480 they'd do what was done to that guy. 124 00:07:34,720 --> 00:07:36,280 He's unemployed and on benefits, 125 00:07:36,280 --> 00:07:37,840 where was he going every day? 126 00:07:37,840 --> 00:07:39,800 Seven days a week? 127 00:07:39,800 --> 00:07:41,760 Wearing a suit. 128 00:07:41,760 --> 00:07:46,080 Right, Ian Andrews was strangled to death on a bus 129 00:07:46,080 --> 00:07:47,640 that was going through the city centre at rush hour? 130 00:07:47,640 --> 00:07:49,840 And nobody saw a thing? How come? 131 00:07:49,840 --> 00:07:53,560 Get on to local media, radio stations, Bath live app, 132 00:07:53,560 --> 00:07:55,400 appealing for anyone who was on the number six 133 00:07:55,400 --> 00:07:57,920 between 8 and 9 a.m. this morning. 134 00:07:57,920 --> 00:08:00,600 And start looking at CCTV for every bus stop on the route. 135 00:08:00,600 --> 00:08:03,960 Let's reconstruct Ian Andrews' final bus journey. 136 00:08:06,680 --> 00:08:09,800 "Ian Andrews-- divorced two years ago, 137 00:08:09,800 --> 00:08:12,280 ex-wife and kids live in New Zealand, 138 00:08:12,280 --> 00:08:14,240 no other living relatives." 139 00:08:14,240 --> 00:08:37,880 {\an8}## 140 00:08:39,440 --> 00:08:52,800 {\an8}## 141 00:08:52,800 --> 00:08:54,240 Ma'am? 142 00:08:54,240 --> 00:08:58,240 {\an8}## 143 00:08:58,240 --> 00:09:00,320 Money, ma'am. 144 00:09:01,960 --> 00:09:04,840 US Dollars? 200 there. 145 00:09:04,840 --> 00:09:07,920 {\an8}And I reckon there's about, well... 146 00:09:07,920 --> 00:09:10,360 {\an8}20,000 in there. 147 00:09:12,960 --> 00:09:16,520 Look at that. Some sort of ticket stub. 148 00:09:18,960 --> 00:09:21,080 The Brits and The Blues. 149 00:09:21,080 --> 00:09:24,520 A Masterclass with Professor Clarence Adderly. 150 00:09:24,520 --> 00:09:26,280 It's dated from yesterday. 151 00:09:26,280 --> 00:09:29,120 The Avalon Festival of Ideas. 152 00:09:29,120 --> 00:09:30,960 - Festival of ideas? - Yeah. 153 00:09:30,960 --> 00:09:33,120 They-- They call it the Glastonbury of politics, 154 00:09:33,120 --> 00:09:35,040 philosophy, and literature. 155 00:09:35,040 --> 00:09:37,640 Er, it's a sort of... 156 00:09:37,640 --> 00:09:39,520 intellectual shindig. 157 00:09:39,520 --> 00:09:42,320 Takes place every year over at Compton Dando. 158 00:09:45,440 --> 00:09:47,240 "Clarence Adderly-- 159 00:09:47,240 --> 00:09:49,280 Emeritus Professor of US History 160 00:09:49,280 --> 00:09:52,080 at the Virginia Commonwealth University." 161 00:09:52,080 --> 00:09:54,480 Careful with the screen, I've set it to sensitive. 162 00:09:54,480 --> 00:09:58,760 "Specialising in the American Civil War." 163 00:09:58,760 --> 00:10:01,720 But... But, oh no, he's British. 164 00:10:01,720 --> 00:10:04,200 Born in Liverpool. 165 00:10:04,200 --> 00:10:11,080 He is also a leading authority on the blues and its history. 166 00:10:11,080 --> 00:10:12,720 My dad was into that stuff. 167 00:10:12,720 --> 00:10:14,960 When I was growing up, after a few shandies 168 00:10:14,960 --> 00:10:18,200 he'd always sit us down and make us listen to the blues. 169 00:10:21,000 --> 00:10:22,800 In 2021, Professor Adderly 170 00:10:22,800 --> 00:10:24,480 published the first volume 171 00:10:24,480 --> 00:10:28,760 of his definitive three-part history of the blues. 172 00:10:31,680 --> 00:10:34,360 {\an8}## 173 00:10:43,600 --> 00:10:47,600 As our riff travels North from the Delta, 174 00:10:47,600 --> 00:10:49,800 propelled by the singular, 175 00:10:49,800 --> 00:10:53,680 authentic voice of Robert Johnson, 176 00:10:53,680 --> 00:10:57,800 it becomes hardened by the urban, industrial experience. 177 00:10:57,800 --> 00:11:01,280 The blues becomes electrified 178 00:11:01,280 --> 00:11:04,240 and the torch passes from Muddy Waters 179 00:11:04,240 --> 00:11:06,760 to players like B.B. King, 180 00:11:06,760 --> 00:11:09,880 who shifts the guitar from rhythm to lead. 181 00:11:09,880 --> 00:11:13,920 When this is heard by John Mayall, Alexis Korner, 182 00:11:13,920 --> 00:11:15,480 Keith Richards... 183 00:11:15,480 --> 00:11:19,080 ...However our riff doesn't atrophy. 184 00:11:19,080 --> 00:11:21,960 Because it's developed and improvised 185 00:11:21,960 --> 00:11:28,800 upon by the likes of Jimmy Page, Peter Green, and Eric Clapton. 186 00:11:28,800 --> 00:11:31,560 ♪ Tell my friend boy Willie Brown ♪ 187 00:11:31,560 --> 00:11:33,960 ♪ I'm standing at the crossroads ♪ 188 00:11:33,960 --> 00:11:37,160 ♪ Believe I'm sinking down ♪ 189 00:11:48,320 --> 00:11:51,200 No. Sorry. 190 00:11:51,200 --> 00:11:55,240 His name's Ian Andrews, he was found this morning, 191 00:11:55,240 --> 00:11:58,760 dead under suspicious circumstances. 192 00:11:58,760 --> 00:12:00,720 - Okay. - The only lead we have 193 00:12:00,720 --> 00:12:03,680 is this ticket stub for your talk yesterday. 194 00:12:03,680 --> 00:12:07,600 We also found 20,000 US dollars hidden under the bed. 195 00:12:10,360 --> 00:12:13,400 I don't know what to say. 196 00:12:13,400 --> 00:12:16,200 Sure. We just have to follow every available lead. 197 00:12:16,200 --> 00:12:18,040 Sorry, this is just routine professor, 198 00:12:18,040 --> 00:12:20,040 but can you confirm where you were this morning 199 00:12:20,040 --> 00:12:22,120 between 8 and 9 a.m.? 200 00:12:30,080 --> 00:12:32,160 I'm a happily married man. 201 00:12:32,160 --> 00:12:37,680 I love my wife, I love my kids, grandkids 202 00:12:37,680 --> 00:12:42,760 But this morning at 8 a.m., 203 00:12:42,760 --> 00:12:45,280 I was with someone else. 204 00:12:45,280 --> 00:12:47,360 Can we have a name? 205 00:12:48,320 --> 00:12:51,640 No. She's married and, er... 206 00:12:51,640 --> 00:12:54,240 Sorry, I'm a gentleman. 207 00:12:54,240 --> 00:12:56,320 Does your wife know that? 208 00:13:03,000 --> 00:13:05,680 Joan? Clarence. 209 00:13:05,680 --> 00:13:07,560 Yeah. 210 00:13:07,560 --> 00:13:09,840 No, I'm-- I'm having a ball, really. 211 00:13:09,840 --> 00:13:11,480 Yeah. Look. Listen. 212 00:13:11,480 --> 00:13:15,520 Is, erm... Is Mr. Ambassador available? 213 00:13:16,680 --> 00:13:18,720 Great, I'll hold. 214 00:13:27,200 --> 00:13:29,280 Lot 124. 215 00:13:29,280 --> 00:13:32,080 A very desirable miniature Georgian carriage clock. 216 00:13:32,080 --> 00:13:34,200 Gold. Shall we start the bidding? 217 00:13:34,200 --> 00:13:37,600 At £3,000? 3,100, madam. 218 00:13:37,600 --> 00:13:40,000 3,200. 3,300. 219 00:13:40,000 --> 00:13:43,520 3,400. 3,500 with you, madam. 220 00:13:43,520 --> 00:13:47,840 3,500. Do we have 3,600? 221 00:13:47,840 --> 00:13:51,360 £3,660. 222 00:13:51,360 --> 00:13:55,400 Sold! For £3,660 to the lady at the front. 223 00:13:55,400 --> 00:13:57,480 Thank you. 224 00:13:59,320 --> 00:14:02,520 Ugh! We could have got 4k. 225 00:14:02,520 --> 00:14:05,160 It sold 25% over the reserve. 226 00:14:05,160 --> 00:14:07,760 The bank won't extend Daddy's credit. 227 00:14:07,760 --> 00:14:09,840 I'm on a streak. 228 00:14:09,840 --> 00:14:11,920 We're good. 229 00:14:15,520 --> 00:14:17,920 We're really good. 230 00:14:19,720 --> 00:14:21,400 Aren't we? 231 00:14:21,400 --> 00:14:26,840 {\an8}## 232 00:14:26,840 --> 00:14:28,880 It breathes with the years. 233 00:14:28,880 --> 00:14:30,680 And we do have a sale, don't we? 234 00:14:30,680 --> 00:14:31,920 Mm. 235 00:14:31,920 --> 00:14:44,000 {\an8}## 236 00:14:45,160 --> 00:14:51,880 {\an8}## 237 00:14:51,880 --> 00:14:54,920 Okay, I have to handle 238 00:14:54,920 --> 00:14:57,520 a Community Impact Assessment, 239 00:14:57,520 --> 00:15:01,160 to reassure our stakeholders, 240 00:15:01,160 --> 00:15:02,920 it's safe to use public transport. 241 00:15:02,920 --> 00:15:07,200 And it would really help if I could mean it 242 00:15:07,200 --> 00:15:10,520 when I said that we are making significant progress. 243 00:15:10,520 --> 00:15:14,200 So, our victim had a public profile. 244 00:15:14,200 --> 00:15:16,360 I thought he looked familiar, ma'am. 245 00:15:16,360 --> 00:15:18,320 So, five years ago, Ian Andrews 246 00:15:18,320 --> 00:15:21,640 singled handedly foiled an armed robbery 247 00:15:21,640 --> 00:15:23,960 over in Bristol in a betting shop where he worked. 248 00:15:23,960 --> 00:15:27,120 He was all over the tele, the papers for months after. 249 00:15:27,120 --> 00:15:29,920 The crew he foiled, they're all still in prison. 250 00:15:29,920 --> 00:15:32,000 But it doesn't mean we can rule them out as far 251 00:15:32,000 --> 00:15:33,760 as commissioning the crime. 252 00:15:33,760 --> 00:15:35,400 And why in public on a bus? 253 00:15:35,400 --> 00:15:37,480 And why didn't anyone notice? 254 00:15:37,480 --> 00:15:41,120 We don't know yet, but we've narrowed it down. 255 00:15:41,120 --> 00:15:43,240 So, whoever killed Ian Andrews 256 00:15:43,240 --> 00:15:46,360 must have known that he was a creature of habit. 257 00:15:46,360 --> 00:15:49,800 Every morning, at 8 a.m., seven days a week, 258 00:15:49,800 --> 00:15:54,880 he'd board the number 6 bus here at Larkhall. 259 00:15:54,880 --> 00:15:57,920 And then make his way to his usual seat 260 00:15:57,920 --> 00:16:01,400 in the front left hand corner of the upper deck. 261 00:16:01,400 --> 00:16:03,360 Where he'd, er, settle down with the puzzles 262 00:16:03,360 --> 00:16:06,960 from the, erm-- this free paper. 263 00:16:06,960 --> 00:16:08,800 As you can see he's made a start on the word wheel, 264 00:16:08,800 --> 00:16:11,320 but he's only got as far as about half 265 00:16:11,320 --> 00:16:14,360 of the easy three letter words. 266 00:16:14,360 --> 00:16:15,880 Point of death, ma'am. 267 00:16:15,880 --> 00:16:18,680 Now I reckon it'd take me about 15 minutes 268 00:16:18,680 --> 00:16:20,880 to get this far on the puzzles. 269 00:16:20,880 --> 00:16:29,000 So that takes us to around 0815. 270 00:16:29,000 --> 00:16:32,880 And that's Morrison St. Around there. 271 00:16:32,880 --> 00:16:34,720 And he always got off at Bath Spa station. 272 00:16:34,720 --> 00:16:39,760 At 0827. 273 00:16:39,760 --> 00:16:43,960 So, we focus on this 12 minute window 274 00:16:43,960 --> 00:16:46,560 between Morrison Street and Bath Spa. 275 00:16:46,560 --> 00:16:48,720 Thank you. Thank you ma'am. 276 00:16:48,720 --> 00:16:52,240 At some point, er, within this time window, 277 00:16:52,240 --> 00:16:57,680 and from the stop on the journey through to this stop, 278 00:16:57,680 --> 00:17:03,280 the killer must have sat directly behind the victim 279 00:17:03,280 --> 00:17:07,560 in order to shut the windpipe quickly and efficiently 280 00:17:07,560 --> 00:17:09,720 and er, get off the bus. 281 00:17:09,720 --> 00:17:11,920 Leaving Ian Andrews dead. 282 00:17:11,920 --> 00:17:14,800 With 20,000 dollars under his bed. 283 00:17:14,800 --> 00:17:16,800 Mm. 284 00:17:16,800 --> 00:17:21,960 Er, so far, we have TIE'd 79 potential witnesses. 285 00:17:21,960 --> 00:17:24,760 Eight people think they remember seeing someone sit 286 00:17:24,760 --> 00:17:26,600 behind the victim but 287 00:17:26,600 --> 00:17:28,280 we can't even get agreement on gender, 288 00:17:28,280 --> 00:17:30,200 let alone age, ethnicity, build. 289 00:17:30,200 --> 00:17:33,080 Okay, we reassure the public with a uniformed present 290 00:17:33,080 --> 00:17:35,240 on all city centre bus routes. 291 00:17:35,240 --> 00:17:36,760 And when they're on the number six, 292 00:17:36,760 --> 00:17:38,600 they're gathering more statements 293 00:17:38,600 --> 00:17:40,680 from regular commuters. 294 00:17:41,600 --> 00:17:43,520 Yes, I have to take this, 295 00:17:43,520 --> 00:17:45,880 it's the assistant chief constable. 296 00:17:45,880 --> 00:17:47,240 Again. 297 00:17:47,240 --> 00:17:49,600 I'll be back in an hour. 298 00:17:49,600 --> 00:17:52,480 Hello? 299 00:17:52,480 --> 00:17:55,160 Ma'am, we've had another witness come forward. 300 00:17:55,160 --> 00:17:57,120 Name's Hilary McLean. 301 00:17:57,120 --> 00:18:01,040 She was sat upstairs between Larkhall and Bath Spa. 302 00:18:01,040 --> 00:18:04,760 He was white. Mid to late 30s. Brown eyes. 303 00:18:04,760 --> 00:18:07,240 Unshaven and short dark hair. 304 00:18:07,240 --> 00:18:11,080 He was wearing like, erm, like a zip up sports top in grey. 305 00:18:11,080 --> 00:18:14,240 Black shorts, black trainers, and gloves. 306 00:18:14,240 --> 00:18:16,040 That's very precise, Hilary. 307 00:18:16,040 --> 00:18:20,000 You got on the bus at Larkhall terminus 308 00:18:20,000 --> 00:18:22,520 - at 8 a.m., Ms McLean? - Yes. 309 00:18:22,520 --> 00:18:24,800 Had you seen the dead man before? 310 00:18:24,800 --> 00:18:26,400 Yeah. Every time I get the six. 311 00:18:26,400 --> 00:18:29,080 Mondays and Thursdays usually. 312 00:18:29,080 --> 00:18:31,880 And-- And where-- 313 00:18:31,880 --> 00:18:35,280 Where were you seated, Ms McLean? 314 00:18:35,280 --> 00:18:37,160 Right there. 315 00:18:37,160 --> 00:18:40,080 So, on the right, at top of the stairs. 316 00:18:40,080 --> 00:18:42,200 So, you would have been able to see everyone coming up 317 00:18:42,200 --> 00:18:45,640 and down the stairs for the duration of your journey. 318 00:18:46,760 --> 00:18:49,000 Yeah. I suppose. 319 00:18:51,040 --> 00:18:55,920 Okay, let's get back to the man you saw acting suspiciously. 320 00:18:55,920 --> 00:18:58,760 Er, so where did he, er, get on? 321 00:18:58,760 --> 00:19:01,120 Guildhall. And he sat right at the front. 322 00:19:01,120 --> 00:19:04,000 Just behind the-- the dead man. 323 00:19:05,160 --> 00:19:08,080 And how long was he, er, with you on the journey? 324 00:19:08,080 --> 00:19:10,440 10 minutes, I think? 325 00:19:10,440 --> 00:19:12,400 Do you know where he got off? 326 00:19:12,400 --> 00:19:16,880 No, no, I'm not sure. I had to take a phone call from work. 327 00:19:16,880 --> 00:19:19,840 What was it that was so peculiar about him? 328 00:19:19,840 --> 00:19:21,320 Well, it was when he came to get off. 329 00:19:21,320 --> 00:19:23,720 He just... Well, he just didn't move. 330 00:19:23,720 --> 00:19:26,560 Like, he just stood here. 331 00:19:26,560 --> 00:19:28,640 Behind the victim. 332 00:19:28,640 --> 00:19:30,000 For how long? 333 00:19:30,000 --> 00:19:32,480 20 seconds? Half a minute? 334 00:19:34,960 --> 00:19:36,840 Looks like we've got a serious suspect sarge. 335 00:19:36,840 --> 00:19:39,400 Yeah, this man standing behind the victim. 336 00:19:39,400 --> 00:19:40,480 Ma'am. 337 00:19:40,480 --> 00:19:41,600 I've checked through the street, 338 00:19:41,600 --> 00:19:43,280 residential and business CCTV 339 00:19:43,280 --> 00:19:47,320 around all the stops in the window and I've got this. 340 00:19:48,720 --> 00:19:50,160 There. 341 00:19:50,160 --> 00:19:52,880 Getting on at Morrison Street at 8:15. 342 00:19:55,400 --> 00:19:59,280 Is there any possible connection between Adderly and Ian Andrews? 343 00:19:59,280 --> 00:20:00,880 Not yet. 344 00:20:00,880 --> 00:20:02,520 Adderly's only been in the country for a week, 345 00:20:02,520 --> 00:20:04,560 he lives in the US, has done for the last 25 years. 346 00:20:04,560 --> 00:20:05,840 Yes. 347 00:20:05,840 --> 00:20:07,720 The US Embassy has been in touch 348 00:20:07,720 --> 00:20:11,080 concerning our treatment of Clarence Adderly. 349 00:20:11,080 --> 00:20:12,720 What? 350 00:20:12,720 --> 00:20:15,080 And whilst he's not lodged a formal complaint, 351 00:20:15,080 --> 00:20:18,680 he did express some minor distress 352 00:20:18,680 --> 00:20:20,240 about your attitude and behaviour 353 00:20:20,240 --> 00:20:22,720 when you interviewed him yesterday. 354 00:20:22,720 --> 00:20:26,080 He cheats on his wife of 40 years. 355 00:20:26,080 --> 00:20:28,440 - We're the police. - But when I asked him 356 00:20:28,440 --> 00:20:31,520 where he was yesterday between 8 and 9, he lied. 357 00:20:31,520 --> 00:20:33,600 Did he? 358 00:20:33,600 --> 00:20:37,400 He just told us that he was having a romantic assignation. 359 00:20:37,400 --> 00:20:39,160 But when we tried to push it further, 360 00:20:39,160 --> 00:20:41,680 you did, you know, you... 361 00:20:41,680 --> 00:20:43,680 You misspoke. 362 00:20:45,920 --> 00:20:49,640 Ah, okay, tech services have identified 363 00:20:49,640 --> 00:20:52,840 the blank plastic card in the victim's wallet. 364 00:20:52,840 --> 00:20:56,240 A left luggage locker at the bus station. 365 00:20:56,240 --> 00:20:58,920 You better get down there DCI McDonald. 366 00:20:58,920 --> 00:21:00,560 - Ma'am. - DS Dodds, 367 00:21:00,560 --> 00:21:03,880 our inquiry has now definitively placed the Professor 368 00:21:03,880 --> 00:21:05,600 at the crime scene? 369 00:21:05,600 --> 00:21:08,960 So, he's a-- a witness, not a suspect. 370 00:21:08,960 --> 00:21:11,320 {\an8}## 371 00:21:13,400 --> 00:21:16,320 {\an8}## 372 00:21:18,240 --> 00:21:30,280 {\an8}## 373 00:21:30,280 --> 00:21:31,720 Silver body paint? 374 00:21:31,720 --> 00:21:35,320 Now the question that fascinates me 375 00:21:35,320 --> 00:21:38,360 as an Afro-Anglo-American 376 00:21:38,360 --> 00:21:40,400 from the hood is "why?" 377 00:21:40,400 --> 00:21:44,200 Why this recurring cultural convection 378 00:21:44,200 --> 00:21:48,840 between obscure Black American musical genres and young, 379 00:21:48,840 --> 00:21:51,880 white working class and lower middle-class Brits? 380 00:21:51,880 --> 00:21:54,640 Because we share a history, 381 00:21:54,640 --> 00:21:57,040 for good or ill. 382 00:21:57,040 --> 00:22:01,160 We hear the century old blues holler from the Delta 383 00:22:01,160 --> 00:22:03,720 right here, right now, 384 00:22:03,720 --> 00:22:07,400 and its essential authenticity sings to us, 385 00:22:07,400 --> 00:22:10,560 and touches, our shared humanity. 386 00:22:16,040 --> 00:22:18,200 Any questions? 387 00:22:20,080 --> 00:22:22,000 Thank you, Professor, 388 00:22:22,000 --> 00:22:25,760 might I return to that question of essential, 389 00:22:25,760 --> 00:22:28,240 universal authenticity? 390 00:22:28,240 --> 00:22:31,000 - I'm listening, sir. - Full disclosure. 391 00:22:31,000 --> 00:22:32,760 I am Nicolas Olayinka, 392 00:22:32,760 --> 00:22:34,120 I'm a specialist in developing 393 00:22:34,120 --> 00:22:36,720 Manufactured Neural Networks. 394 00:22:36,720 --> 00:22:39,640 You mean A. I.? 395 00:22:39,640 --> 00:22:43,040 An emotive term that we prefer to avoid at the cutting edge. 396 00:22:43,040 --> 00:22:46,800 But my work does present some disturbing questions 397 00:22:46,800 --> 00:22:49,440 and, Professor, I'm on your team. 398 00:22:49,440 --> 00:22:52,920 I, too, passionately believe in the human touch. 399 00:22:52,920 --> 00:22:54,480 How no machine can replicate, 400 00:22:54,480 --> 00:22:57,080 for example Robert Johnson's authenticity, 401 00:22:57,080 --> 00:23:01,920 the artist at the centre of the blues creation myth. 402 00:23:01,920 --> 00:23:04,000 Or can it? 403 00:23:04,000 --> 00:23:07,560 Professor, the possibility torments me and one way, 404 00:23:07,560 --> 00:23:10,760 or another, I have to know. 405 00:23:10,760 --> 00:23:14,160 Please expand, Mr Olayinka. 406 00:23:14,160 --> 00:23:19,520 I wonder if you'd indulge me in a friendly experiment. 407 00:23:19,520 --> 00:23:23,480 Suppose I asked my programme to synthesise a blues recording 408 00:23:23,480 --> 00:23:25,600 from the 1920s or '30s. 409 00:23:25,600 --> 00:23:29,120 Could you, Professor Adderly, 410 00:23:29,120 --> 00:23:31,200 distinguish between the authentic 411 00:23:31,200 --> 00:23:33,040 - and the, er... - And the fake? 412 00:23:35,120 --> 00:23:37,120 I prefer the term MODO-- 413 00:23:37,120 --> 00:23:39,000 music of digital origin. 414 00:23:39,000 --> 00:23:45,120 {\an8}## 415 00:23:45,120 --> 00:23:47,120 Let's do it, Mr Olayinka. 416 00:23:49,160 --> 00:24:00,880 {\an8}## 417 00:24:00,880 --> 00:24:02,520 That there. 418 00:24:02,520 --> 00:24:11,920 {\an8}## 419 00:24:11,920 --> 00:24:12,960 If only all our witnesses 420 00:24:12,960 --> 00:24:14,440 were like Hilary McLean. 421 00:24:14,440 --> 00:24:16,200 There's a lot of detail here, ma'am. 422 00:24:16,200 --> 00:24:17,880 A lot. 423 00:24:17,880 --> 00:24:19,600 Oh. 424 00:24:25,240 --> 00:24:28,360 Okay, we have our second suspect. 425 00:24:28,360 --> 00:24:30,600 This man was seen by Hilary McLean 426 00:24:30,600 --> 00:24:34,120 standing directly behind the victim for 20 to 30 seconds 427 00:24:34,120 --> 00:24:36,520 between Morrison Street and Cadogan Square 428 00:24:36,520 --> 00:24:39,240 Within the window of 8:15 to 08:21. 429 00:24:39,240 --> 00:24:42,120 So, we check all street CCTV across those stops. 430 00:24:42,120 --> 00:24:43,880 Exactly, specifically looking for 431 00:24:43,880 --> 00:24:46,760 this guy getting on or off the bus. 432 00:24:46,760 --> 00:24:48,160 Now we're specifically interested in 433 00:24:48,160 --> 00:24:52,120 where you were between 8:15 and 08:27 434 00:24:52,120 --> 00:24:53,840 on Monday morning. 435 00:24:53,840 --> 00:24:57,000 I would have been in transit. 436 00:24:57,000 --> 00:24:58,600 From my, er... 437 00:24:58,600 --> 00:25:02,600 Oh, your romantic assignation? 438 00:25:02,600 --> 00:25:04,640 Erm... Transit? 439 00:25:04,640 --> 00:25:07,120 Yeah, I... got a bus. 440 00:25:07,120 --> 00:25:11,120 I don't remember which one or exactly what time. 441 00:25:11,120 --> 00:25:14,240 But I have a feeling that you're about to tell me. 442 00:25:14,240 --> 00:25:17,200 I am indeed, sir, it's the number six from Larkhall. 443 00:25:17,200 --> 00:25:19,400 And there you are, sir, 444 00:25:19,400 --> 00:25:25,240 boarding at, er, Morrison Street there at exactly 8:15 a.m. 445 00:25:25,240 --> 00:25:30,200 And, er, this renders you as significant witness. 446 00:25:30,200 --> 00:25:33,080 And this is important because...? 447 00:25:33,080 --> 00:25:35,480 Oh, because the person that we spoke about yesterday, 448 00:25:35,480 --> 00:25:37,280 Ian Andrews, he was-- 449 00:25:37,280 --> 00:25:42,840 he was murdered on this bus between 08:15 and 08:27 a.m. 450 00:25:42,840 --> 00:25:46,360 Can I ask you where you sat, sir? 451 00:25:46,360 --> 00:25:49,120 - Upstairs. - Ah, now that-- 452 00:25:49,120 --> 00:25:51,440 that is music to my ears, sir. 453 00:25:51,440 --> 00:25:52,960 You see because now our victim, 454 00:25:52,960 --> 00:25:55,680 he was in the front left hand side seating 455 00:25:55,680 --> 00:25:58,120 when he was strangled. 456 00:25:58,120 --> 00:25:59,800 Strangled? 457 00:25:59,800 --> 00:26:01,960 Now that I did not see. 458 00:26:01,960 --> 00:26:03,960 Strangulation? 459 00:26:03,960 --> 00:26:05,680 Did anyone? 460 00:26:05,680 --> 00:26:10,480 Have you any idea roughly where you sat, sir? 461 00:26:10,480 --> 00:26:11,840 The seat behind the guy, 462 00:26:11,840 --> 00:26:13,760 you think that's where the killer sat? 463 00:26:13,760 --> 00:26:17,280 Oh yes, sir, that-- that is the working theory yeah, yeah. 464 00:26:19,480 --> 00:26:23,440 Well, I don't remember exactly where I sat, 465 00:26:23,440 --> 00:26:24,760 maybe I did sit there, 466 00:26:24,760 --> 00:26:26,320 but... 467 00:26:26,320 --> 00:26:30,360 ...I did not strangle a complete stranger. 468 00:26:30,360 --> 00:26:32,160 You feel me, Sergeant? 469 00:26:32,160 --> 00:26:35,040 Uh... Oh, yes, sir, I feel you. 470 00:26:35,040 --> 00:26:36,800 Good man. 471 00:26:36,800 --> 00:26:38,080 Oh! 472 00:26:38,080 --> 00:26:40,160 Oh, yes, of course, sir. 473 00:26:42,920 --> 00:26:45,480 He didn't want us to know he was on that bus. Why? 474 00:26:45,480 --> 00:26:47,280 If he didn't murder Ian Andrews. 475 00:26:47,280 --> 00:26:50,360 But if he did, then he knows we haven't got any eyewitnesses. 476 00:26:53,240 --> 00:26:55,320 Ma'am. 477 00:26:57,320 --> 00:26:59,520 This is the bus station last Sunday. 478 00:26:59,520 --> 00:27:01,240 So, we've got Ian Andrews, 479 00:27:01,240 --> 00:27:02,680 he takes a bag out of the locker 480 00:27:02,680 --> 00:27:04,240 and takes it to the toilet. 481 00:27:04,240 --> 00:27:09,920 Now we fast forward 20 minutes and... 482 00:27:12,200 --> 00:27:14,480 Oh, that's Mr Darcy. 483 00:27:14,480 --> 00:27:18,400 I see him a lot when I go to choir practise at the Abbey. 484 00:27:20,160 --> 00:27:22,120 So that's why no one knew 485 00:27:22,120 --> 00:27:24,960 where Ian disappeared each day. 486 00:27:24,960 --> 00:27:27,680 Because he was disguised as Mr Darcy. 487 00:27:27,680 --> 00:27:34,800 {\an8}## 488 00:27:34,800 --> 00:27:38,320 How can you just stand there all day, not moving, 489 00:27:38,320 --> 00:27:41,360 not talking to anyone, just on your own. 490 00:27:41,360 --> 00:27:43,400 Well, I never thought I would say this 491 00:27:43,400 --> 00:27:46,240 when I was applying for the met but... 492 00:27:46,240 --> 00:27:48,440 let's go interview Jane Austen. 493 00:27:48,440 --> 00:27:50,520 Ma'am? 494 00:27:51,000 --> 00:27:52,760 Hilary McLean. 495 00:27:52,760 --> 00:28:02,280 {\an8}## 496 00:28:02,280 --> 00:28:04,000 The home help job is just part time. 497 00:28:04,000 --> 00:28:06,960 So, I do this some afternoons and Sundays. 498 00:28:06,960 --> 00:28:09,560 I actually, earn more from doing that than my real job. 499 00:28:11,240 --> 00:28:12,640 Is everything okay? 500 00:28:12,640 --> 00:28:14,160 There's a, er, 501 00:28:14,160 --> 00:28:18,560 a living, erm, statue here, erm... 502 00:28:18,560 --> 00:28:21,800 Mr Darcy. Erm, do you recognise him? 503 00:28:21,800 --> 00:28:24,680 Yeah, his patch is just over there. 504 00:28:24,680 --> 00:28:29,120 And do you ever, erm, talk to him, interact with him? 505 00:28:29,120 --> 00:28:31,760 Uh... no. 506 00:28:31,760 --> 00:28:35,200 Is this about the dead man on the bus? 507 00:28:35,200 --> 00:28:37,880 This is the man on the bus. 508 00:28:37,880 --> 00:28:41,320 Ian Andrews. Mr Darcy. 509 00:28:41,320 --> 00:28:42,880 Oh, that's... 510 00:28:42,880 --> 00:28:45,240 that's awful. I didn't... 511 00:28:45,240 --> 00:28:46,840 Mr Darcy? I didn't know... 512 00:28:46,840 --> 00:28:49,720 Did you, erm, notice anything unusual 513 00:28:49,720 --> 00:28:52,840 or different about him recently? 514 00:28:52,840 --> 00:28:56,440 Er, well I don't know if this is unusual but sometimes, 515 00:28:56,440 --> 00:28:58,320 when I'd be going home in the evening, 516 00:28:58,320 --> 00:29:02,000 I'd see him up in that alcove, you know, on Salvesen Street. 517 00:29:02,000 --> 00:29:04,560 That's a bit of a dead area, isn't it? 518 00:29:04,560 --> 00:29:07,680 I know, after everyone had gone home, even if it was raining, 519 00:29:07,680 --> 00:29:10,040 just stand there looking at nothing. 520 00:29:10,040 --> 00:29:13,160 You know, no one to look at him. 521 00:29:13,160 --> 00:29:16,880 And when did you, erm, last see him there? 522 00:29:16,880 --> 00:29:20,520 Uh... It was last Wednesday. About 7 p.m. 523 00:29:20,520 --> 00:29:22,920 Ian Andrews had his 15 minutes of fame 524 00:29:22,920 --> 00:29:25,280 by taking on three armed robbers. 525 00:29:25,280 --> 00:29:26,600 But then he started complaining about 526 00:29:26,600 --> 00:29:28,600 the attention he was getting. 527 00:29:28,600 --> 00:29:32,040 He started drinking, his marriage fell apart. 528 00:29:32,040 --> 00:29:36,400 Yeah, well there's a few chaps down The Sunne Rising 529 00:29:36,400 --> 00:29:38,480 going down that route. 530 00:29:40,240 --> 00:29:43,800 Ian Andrews, it was like it was a curse being a hero. 531 00:29:43,800 --> 00:29:48,880 So he became a living statue so people didn't recognise him. 532 00:29:48,880 --> 00:29:55,320 {\an8}## 533 00:29:55,320 --> 00:29:56,760 What is it? 534 00:29:56,760 --> 00:29:59,240 I don't know, ma'am. 535 00:29:59,240 --> 00:30:01,120 I dunno. 536 00:30:01,120 --> 00:30:04,440 {\an8}## 537 00:30:06,560 --> 00:30:25,080 {\an8}## 538 00:30:25,080 --> 00:30:26,560 Hello? 539 00:30:26,560 --> 00:30:32,240 {\an8}## 540 00:30:32,240 --> 00:30:33,760 Sir? 541 00:30:36,120 --> 00:30:42,600 {\an8}## 542 00:30:42,600 --> 00:30:45,400 It's blood spatter around his nose. 543 00:30:45,400 --> 00:30:53,800 {\an8}## 544 00:30:53,800 --> 00:30:55,520 Let's see who he is. 545 00:30:55,520 --> 00:30:57,600 Alan Jones. 546 00:30:59,440 --> 00:31:01,600 Also known as Jinxy. 547 00:31:05,680 --> 00:31:08,080 He was my best friend at school. 548 00:31:08,080 --> 00:31:16,080 {\an8}## 549 00:31:17,680 --> 00:31:20,400 {\an8}## 550 00:31:29,920 --> 00:31:31,680 You okay? 551 00:31:31,680 --> 00:31:33,760 Yeah, fine. 552 00:31:36,400 --> 00:31:38,560 Was, er, Jinxy married? 553 00:31:38,560 --> 00:31:41,000 Kids? 554 00:31:41,000 --> 00:31:44,720 Er, no, no. He, erm... 555 00:31:44,720 --> 00:31:47,560 His sister, Mabel, she died a couple of years ago. 556 00:31:47,560 --> 00:31:52,120 And he's been on his own, er, since then. 557 00:31:56,920 --> 00:31:59,560 Is the pathologist ready? 558 00:31:59,560 --> 00:32:01,080 - Yeah - Right, well, let's, er, 559 00:32:01,080 --> 00:32:03,160 set to it. 560 00:32:08,440 --> 00:32:09,800 What did he work as? 561 00:32:09,800 --> 00:32:11,920 He was a sign-writer, Jinxy. 562 00:32:11,920 --> 00:32:16,600 He was, er, Bath's last sign-writer. 563 00:32:19,920 --> 00:32:22,560 Well, first of all, he's been dead at least four days. 564 00:32:22,560 --> 00:32:25,640 Probably longer. 565 00:32:25,640 --> 00:32:27,280 As long as last Wednesday? 566 00:32:27,280 --> 00:32:29,360 That would fit. 567 00:32:31,960 --> 00:32:34,080 His pockets have been rifled. 568 00:32:34,080 --> 00:32:36,440 We're not gonna get prints from clothes. 569 00:32:36,440 --> 00:32:39,120 His nose has been badly broken. 570 00:32:39,120 --> 00:32:43,280 Spatter patterns suggest a powerful blow to the face. 571 00:32:43,280 --> 00:32:47,320 And here, a large contusion to the side of the head. 572 00:32:47,320 --> 00:32:50,160 I'd work on the theory that that's what killed him. 573 00:32:57,000 --> 00:33:00,800 I'm not seeing any defensive injuries so... 574 00:33:00,800 --> 00:33:03,280 one blow to the face? 575 00:33:03,280 --> 00:33:05,240 No intention to kill? 576 00:33:05,240 --> 00:33:06,840 - No. - Okay. 577 00:33:06,840 --> 00:33:09,200 You're clear to take him back for the PM. 578 00:33:10,720 --> 00:33:13,000 Ma'am, there's, erm... 579 00:33:13,000 --> 00:33:17,040 There's a-- a bottle label, there, ma'am. 580 00:33:17,040 --> 00:33:19,240 DC Goldie? 581 00:33:19,240 --> 00:33:21,200 There. 582 00:33:21,200 --> 00:33:23,120 It's a wine bottle, isn't it? 583 00:33:23,120 --> 00:33:25,880 Er, fine tooth comb. 584 00:33:25,880 --> 00:33:29,360 We sift through the other pieces. 585 00:33:29,360 --> 00:33:32,320 Er, reconstruct the bottle and we pull for prints? 586 00:33:32,320 --> 00:33:34,760 Yeah. And maybe we get DNA? 587 00:33:39,080 --> 00:33:40,720 What do you think Jinxy was doing down here? 588 00:33:40,720 --> 00:33:42,560 I don't know, ma'am. 589 00:33:42,560 --> 00:33:44,880 Looks like he was using the place as a temporary workshop 590 00:33:44,880 --> 00:33:47,320 and, erm, it wouldn't be the first time 591 00:33:47,320 --> 00:33:50,200 someone's punched Jinxy in anger. 592 00:33:52,320 --> 00:33:54,120 He was... 593 00:33:54,120 --> 00:33:55,960 He liked to annoy people. 594 00:33:55,960 --> 00:34:00,240 You know, goad them, we all tolerated it at The Sunne Rising 595 00:34:00,240 --> 00:34:04,080 but he was so small, 596 00:34:04,080 --> 00:34:08,040 wouldn't take much to flatten him. 597 00:34:08,040 --> 00:34:13,240 So, someone killed him in a moment of madness. 598 00:34:13,240 --> 00:34:15,520 Rifled his pockets but didn't take his wallet. 599 00:34:15,520 --> 00:34:17,440 What were they looking for? 600 00:34:17,440 --> 00:34:22,280 I don't know, ma'am, but he's not very rich, was he? 601 00:34:25,960 --> 00:34:29,000 And then to pull over these shelves 602 00:34:29,000 --> 00:34:31,880 and to smash all the glass to just confuse 603 00:34:31,880 --> 00:34:34,560 and contaminate the crime scene. 604 00:34:34,560 --> 00:34:38,520 Ian Andrews was standing over there on Wednesday. 605 00:34:38,520 --> 00:34:41,800 What if he was murdered because he saw what happened to Jinxy? 606 00:34:44,960 --> 00:34:46,960 Ormond. 607 00:34:49,520 --> 00:34:52,400 I really want to work this case, ma'am. 608 00:34:55,280 --> 00:34:56,840 Okay. 609 00:34:59,160 --> 00:35:01,240 Ma'am? 610 00:35:02,280 --> 00:35:05,880 You had a personal connection to the victim, Sergeant Dodds. 611 00:35:05,880 --> 00:35:07,360 Yes, ma'am, erm... 612 00:35:07,360 --> 00:35:09,600 Jinxy-- Sorry. 613 00:35:09,600 --> 00:35:12,960 Mr Jones was my friend. 614 00:35:12,960 --> 00:35:15,360 Ma'am, I'm struggling for manpower here. 615 00:35:15,360 --> 00:35:16,560 We're still tracing and interviewing 616 00:35:16,560 --> 00:35:18,360 all the bus passengers. 617 00:35:18,360 --> 00:35:21,760 I could make a request for extra support. 618 00:35:25,560 --> 00:35:29,040 Sergeant Dodds works alongside the inquiry 619 00:35:29,040 --> 00:35:31,320 in a non-evidential capacity. 620 00:35:31,320 --> 00:35:33,680 He doesn't take any statements, so he can't be called to court 621 00:35:33,680 --> 00:35:35,120 in the event of a trial. 622 00:35:35,120 --> 00:35:37,000 Okay, thanks, ma'am. 623 00:35:37,000 --> 00:35:39,000 - Thank you, ma'am. - Sarge? 624 00:35:39,000 --> 00:35:40,280 Yes, ma'am? 625 00:35:40,280 --> 00:35:41,960 Ian Andrews witnessed the murder 626 00:35:41,960 --> 00:35:43,320 of your friend last Wednesday. 627 00:35:43,320 --> 00:35:46,440 But he didn't report it to the police. 628 00:35:46,440 --> 00:35:49,000 Why not? 629 00:35:49,000 --> 00:35:51,880 Does that explain the cash under Ian's bed? 630 00:35:51,880 --> 00:35:54,280 Was he blackmailing the killer? 631 00:35:54,280 --> 00:35:56,720 20k in US dollars does lean towards 632 00:35:56,720 --> 00:35:59,720 Clarence Adderly as the killer-stroke-blackmail victim. 633 00:36:01,640 --> 00:36:03,640 And this person still hasn't come forward, 634 00:36:03,640 --> 00:36:06,120 despite saturation witness appeals. 635 00:36:06,120 --> 00:36:07,840 Which is suspicious in itself. 636 00:36:07,840 --> 00:36:09,720 Do we have anything on him? 637 00:36:09,720 --> 00:36:11,800 No, ma'am. 638 00:36:12,920 --> 00:36:16,320 Well, whether or not Ian was blackmailing the killer, 639 00:36:16,320 --> 00:36:19,400 it's your friend who's the key to all this. 640 00:36:19,400 --> 00:36:21,960 He's the one with the connection to the murderer, 641 00:36:21,960 --> 00:36:23,600 isn't he, Sarge? 642 00:36:23,600 --> 00:36:25,880 Yes, ma'am. I'd say so. 643 00:36:27,040 --> 00:36:28,920 Alan Jones, also known as Jinxy. 644 00:36:28,920 --> 00:36:30,520 Get everything we can on him. 645 00:36:30,520 --> 00:36:32,920 And all the people that we've traced from the bus, 646 00:36:32,920 --> 00:36:34,600 re-check their background to see 647 00:36:34,600 --> 00:36:36,440 if there's any connection to him. 648 00:36:36,440 --> 00:36:39,640 We need to find out who owns that glass factory. 649 00:36:39,640 --> 00:36:41,120 I've also found out your friend likes to do a bit 650 00:36:41,120 --> 00:36:43,480 of travelling, Sarge. 651 00:36:43,480 --> 00:36:45,280 Three separate month long trips to the US 652 00:36:45,280 --> 00:36:46,800 over the past seven years. 653 00:36:46,800 --> 00:36:48,840 Most recently last February. 654 00:36:48,840 --> 00:36:51,760 Jinxy? Travelling? 655 00:36:51,760 --> 00:36:53,760 You must've noticed when he wasn't around. 656 00:36:53,760 --> 00:36:55,680 Yeah well, we, you know, 657 00:36:55,680 --> 00:36:57,360 we'd go for a few months without seeing him down the pub. 658 00:36:57,360 --> 00:36:59,240 Well, each trip, he takes out a four-week car hire 659 00:36:59,240 --> 00:37:02,000 - from New Orleans airport - No. No. No. No. 660 00:37:02,000 --> 00:37:04,400 That's not what his bank statement's are saying. 661 00:37:04,400 --> 00:37:06,760 His itinerary every time is a couple of nights 662 00:37:06,760 --> 00:37:08,800 at The Bourbon Street Shakedown Hotel 663 00:37:08,800 --> 00:37:10,800 and then he criss-crosses Mississippi, 664 00:37:10,800 --> 00:37:12,280 Alabama, South Carolina. 665 00:37:12,280 --> 00:37:13,960 Always finishing in Memphis, Tennessee. 666 00:37:13,960 --> 00:37:16,040 America. Again. 667 00:37:16,040 --> 00:37:17,880 The Deep South. 668 00:37:17,880 --> 00:37:21,600 Everywhere we look, we are seeing Clarence Adderly. 669 00:37:21,600 --> 00:37:24,400 I've visually colour-coded each of his trips. 670 00:37:24,400 --> 00:37:29,960 So red for 2017, yellow 2019, blue last year. 671 00:37:29,960 --> 00:37:33,840 You can see his routes and all the places he's visited. 672 00:37:33,840 --> 00:37:37,440 Every bar, motel, diner, filling station. 673 00:37:37,440 --> 00:37:40,600 He's just buzzing around randomly. 674 00:37:40,600 --> 00:37:42,680 Back and forth. 675 00:37:45,800 --> 00:37:50,000 And after school, we started drifting apart. 676 00:37:50,000 --> 00:37:52,800 I got a job in Brockley's iron-mongers. 677 00:37:52,800 --> 00:37:56,560 But Jinxy thought that was boring. 678 00:37:56,560 --> 00:37:58,760 Alright? 679 00:37:58,760 --> 00:38:04,800 He wanted to take his guitar on the road, like that old song. 680 00:38:04,800 --> 00:38:08,000 Find himself a rock 'n roll band. 681 00:38:08,000 --> 00:38:09,520 And all that. 682 00:38:09,520 --> 00:38:11,880 And he ended up a sign-writer. 683 00:38:11,880 --> 00:38:15,400 Yeah. Youthful dreams. 684 00:38:15,400 --> 00:38:17,600 Well, it can happen to men, can' it? 685 00:38:17,600 --> 00:38:19,800 Midlife crisis and all that. 686 00:38:19,800 --> 00:38:21,480 Was he not a happy guy? 687 00:38:21,480 --> 00:38:23,840 Ah, well, no. 688 00:38:23,840 --> 00:38:26,280 He used to say-- well, boast-- 689 00:38:26,280 --> 00:38:29,440 "I'm only happy when I'm miserable." 690 00:38:29,440 --> 00:38:35,000 {\an8}## 691 00:38:35,000 --> 00:38:37,160 - Shouldn't that be... - Yeah, Route 66. 692 00:38:37,160 --> 00:38:39,840 Not 666. 693 00:38:44,120 --> 00:38:47,680 You know, Jinxy has lived here for 40 years 694 00:38:47,680 --> 00:38:49,960 and I've never been here before. 695 00:38:49,960 --> 00:39:01,920 {\an8}## 696 00:39:09,240 --> 00:39:11,480 Blues. Blues. 697 00:39:12,640 --> 00:39:15,040 All blues records. 698 00:39:15,040 --> 00:39:17,680 All those trips to the states 699 00:39:19,760 --> 00:39:23,000 He was buying all this... memorabilia. 700 00:39:26,840 --> 00:39:28,840 That's, er... 701 00:39:31,120 --> 00:39:33,120 Well done, Jinxy. 702 00:39:36,040 --> 00:39:40,520 Okay. I'm gonna go and check through the living room. 703 00:39:40,520 --> 00:39:44,840 When you're ready, you check his bedroom. 704 00:39:44,840 --> 00:39:47,040 Give yourself a couple of minutes though, yeah? 705 00:40:02,240 --> 00:40:14,800 {\an8}## 706 00:40:17,160 --> 00:40:55,800 {\an8}## 707 00:40:58,040 --> 00:41:29,440 {\an8}## 708 00:41:29,440 --> 00:41:31,760 "Best wishes, Clarence." 709 00:41:31,760 --> 00:41:37,800 {\an8}## 710 00:41:44,480 --> 00:41:47,200 A signed copy of Clarence Adderly's book, 711 00:41:47,200 --> 00:41:49,760 "The Contract at the Crossroads." 712 00:41:49,760 --> 00:41:53,080 And Jinxy's highlighted something. 713 00:41:53,080 --> 00:41:56,280 "Despite the valiant and exhausting efforts of scores 714 00:41:56,280 --> 00:42:00,880 if not hundreds of dedicated and fanatical blues researchers, 715 00:42:00,880 --> 00:42:02,480 Little Robert's map, 716 00:42:02,480 --> 00:42:05,640 which is rumoured to specify the exact crossroads 717 00:42:05,640 --> 00:42:08,080 where he sold his soul, 718 00:42:08,080 --> 00:42:10,840 remains tantalisingly beyond our reach. 719 00:42:10,840 --> 00:42:14,360 The lost chord that may never complete the tune." 720 00:42:14,360 --> 00:42:16,600 - Who's Little Robert? - That's erm, er-- 721 00:42:16,600 --> 00:42:18,720 Robert Johnson, erm... 722 00:42:18,720 --> 00:42:20,840 And his contract with the crossroads, 723 00:42:20,840 --> 00:42:22,880 er, it's the legend, do you know, erm, 724 00:42:22,880 --> 00:42:24,440 Clarence Adderly was talking about it 725 00:42:24,440 --> 00:42:26,000 at the Festival of Ideas. 726 00:42:26,000 --> 00:42:27,760 It's the birth of the blues. 727 00:42:27,760 --> 00:42:31,720 The legend goes that Robert Johnson way back in time 728 00:42:31,720 --> 00:42:35,040 in the Mississippi Delta met the devil himself 729 00:42:35,040 --> 00:42:39,120 and sold his eternal soul to gain the blues. 730 00:42:43,000 --> 00:42:46,400 Champagne Florette, '89. 731 00:42:46,400 --> 00:42:50,400 From the barcode we know it was purchased in Shakers Wineshop 732 00:42:50,400 --> 00:42:56,760 on Beau Street at 5:45 last Wednesday... 733 00:42:56,760 --> 00:42:58,720 by Clarence Adderly. 734 00:43:00,720 --> 00:43:08,360 {\an8}## 735 00:43:08,360 --> 00:43:09,880 Thank you. 736 00:43:09,880 --> 00:43:22,360 {\an8}## 737 00:43:22,360 --> 00:43:25,000 No. I don't know him. 738 00:43:25,000 --> 00:43:27,800 His name was Alan Jones. 739 00:43:29,320 --> 00:43:31,160 We found him dead, yesterday, 740 00:43:31,160 --> 00:43:34,480 in the old glass factory on Salvesen Street. 741 00:43:34,480 --> 00:43:38,720 Under suspicious circumstances. 742 00:43:38,720 --> 00:43:42,360 So, every murder that goes down in Bath, you want to pin on me? 743 00:43:42,360 --> 00:43:44,560 The killings are linked. 744 00:43:44,560 --> 00:43:47,520 And this man here, it's the, er, he, like you, 745 00:43:47,520 --> 00:43:50,600 he was, er, Jinxy... 746 00:43:50,600 --> 00:43:54,080 he was a fan of the blues. 747 00:43:54,080 --> 00:43:57,040 And, er, at the crime scene, close to the body, 748 00:43:57,040 --> 00:44:00,840 we recovered a smashed champagne bottle. 749 00:44:00,840 --> 00:44:03,160 And when we reconstructed the bar code, 750 00:44:03,160 --> 00:44:09,240 we traced the purchase back to you, sir. 751 00:44:13,440 --> 00:44:17,560 Would this have been the Champagne Florette? 752 00:44:17,560 --> 00:44:19,640 Yeah. 753 00:44:22,000 --> 00:44:24,880 I think I left that in a taxi. 754 00:44:27,480 --> 00:44:29,960 It's only a matter of time until we pull fingerprints. 755 00:44:29,960 --> 00:44:31,800 So, if you'd just like to volunteer a sample 756 00:44:31,800 --> 00:44:34,400 of your prints then we can easily clear this up. 757 00:44:37,520 --> 00:44:42,360 You know, on the day that I was granted my US Citizenship, 758 00:44:42,360 --> 00:44:45,080 I thought I would celebrate. 759 00:44:45,080 --> 00:44:52,800 So, I hired a red 1968 Alpha Romeo Spider. 760 00:44:52,800 --> 00:44:55,640 I thought I would, er, drive down through the Carolinas. 761 00:44:55,640 --> 00:44:58,720 And... 762 00:44:58,720 --> 00:45:01,600 I got pulled over by a couple of state troopers. 763 00:45:01,600 --> 00:45:05,080 And, well... 764 00:45:05,080 --> 00:45:08,680 I don't need to tell you how it went after that. 765 00:45:11,080 --> 00:45:14,840 So, I'm kind of wary of gettin' involved with cops 766 00:45:14,840 --> 00:45:16,800 on this kinda basis. 767 00:45:16,800 --> 00:45:18,880 You feel me? 768 00:45:19,880 --> 00:45:21,880 Sergeant Dodds? 769 00:45:23,440 --> 00:45:25,880 No, sir, I don't think I do. 770 00:45:27,720 --> 00:45:29,520 No prints. 771 00:45:29,520 --> 00:45:31,600 Sorry. 772 00:45:35,200 --> 00:45:37,840 Okay, well what about this? 773 00:45:37,840 --> 00:45:40,920 Where were you last Wednesday, around 7 p.m.? 774 00:45:40,920 --> 00:45:43,160 With your... 775 00:45:43,160 --> 00:45:45,240 With your special friend? 776 00:45:49,560 --> 00:45:52,040 No, detective. 777 00:45:52,040 --> 00:45:55,320 I can tell you exactly where I was. 778 00:45:55,320 --> 00:45:58,800 And exactly who I was with. 779 00:45:58,800 --> 00:46:00,640 Clarence Adderly? 780 00:46:00,640 --> 00:46:02,360 - Yes. - Yes, he's a client. 781 00:46:02,360 --> 00:46:04,080 Well, a potential client. 782 00:46:04,080 --> 00:46:06,160 He's very distinguished. 783 00:46:07,560 --> 00:46:11,600 When was the last time you saw Professor Adderly? 784 00:46:11,600 --> 00:46:15,160 That would be... last Wednesday? 785 00:46:15,160 --> 00:46:17,200 Yes. Last Wednesday. 786 00:46:17,200 --> 00:46:18,320 At about 6:30. 787 00:46:18,320 --> 00:46:19,880 You're still open then? 788 00:46:19,880 --> 00:46:21,400 It was a private viewing. 789 00:46:21,400 --> 00:46:22,920 The professor is a collector 790 00:46:22,920 --> 00:46:25,320 of minor Edwardian landscapes. 791 00:46:25,320 --> 00:46:26,960 It's a burgeoning market. 792 00:46:26,960 --> 00:46:30,160 And how long was he here for? 793 00:46:30,160 --> 00:46:32,680 A couple of hours. 794 00:46:32,680 --> 00:46:36,200 Monday morning between 8 and 9 a.m., where were you both? 795 00:46:36,200 --> 00:46:39,160 - We were here. - Anyone who could verify that? 796 00:46:39,160 --> 00:46:41,280 No. Why would there be? 797 00:46:41,280 --> 00:46:45,760 You know, you still haven't asked why I'm asking you this. 798 00:46:45,760 --> 00:46:47,920 We see a lot of the police here. 799 00:46:47,920 --> 00:46:50,080 Looking for stolen goods. 800 00:46:50,080 --> 00:46:51,640 They never tell us anything. 801 00:46:51,640 --> 00:46:54,000 We're used to your methods. 802 00:46:55,320 --> 00:46:57,240 Okay, well, we're here 803 00:46:57,240 --> 00:47:00,040 because we're conducting an inquiry 804 00:47:00,040 --> 00:47:03,520 into the suspicious death of this man. 805 00:47:03,520 --> 00:47:05,200 Alan Jones. 806 00:47:05,200 --> 00:47:08,240 He's, er, sometimes known as Jinxy. 807 00:47:08,240 --> 00:47:10,960 Did you know him? 808 00:47:10,960 --> 00:47:12,760 Gregg and Geraldine: No. 809 00:47:12,760 --> 00:47:16,120 Well, his murder was connected to the killing 810 00:47:16,120 --> 00:47:20,880 of one Ian Andrews on Monday morning. 811 00:47:20,880 --> 00:47:23,040 Do you recognise him? 812 00:47:23,040 --> 00:47:25,040 - Gregg and Geraldine: No. - Would you be willing 813 00:47:25,040 --> 00:47:27,280 to give us a sample of your fingerprints 814 00:47:27,280 --> 00:47:30,040 - for elimination purposes? - Gregg and Geraldine: No. 815 00:47:30,040 --> 00:47:31,760 There's a lot of "No's" here, folks. 816 00:47:31,760 --> 00:47:34,200 Something happened in that glass factory 817 00:47:34,200 --> 00:47:36,120 and a punch was thrown 818 00:47:36,120 --> 00:47:39,480 and it killed Jinxy-- Alan Jones. 819 00:47:39,480 --> 00:47:42,840 Now if-- if-- if either of you threw that punch 820 00:47:42,840 --> 00:47:44,840 then you are in serious trouble. 821 00:47:44,840 --> 00:47:47,760 And if either of you witnessed the throwing of that punch-- 822 00:47:47,760 --> 00:47:52,960 the murder of Jinxy Jones-- and you didn't report it, 823 00:47:52,960 --> 00:47:56,160 then you are in serious trouble. 824 00:47:56,160 --> 00:47:58,080 Do you understand me? 825 00:47:58,080 --> 00:48:03,880 {\an8}## 826 00:48:03,880 --> 00:48:05,520 Good day. 827 00:48:05,520 --> 00:48:08,880 {\an8}## 828 00:48:11,280 --> 00:48:12,960 To Jinxy. 829 00:48:12,960 --> 00:48:15,040 Jinxy. 830 00:48:22,080 --> 00:48:24,440 Come on then, Doddsy, say what you wanna say. 831 00:48:29,040 --> 00:48:31,400 He was murdered. 832 00:48:31,400 --> 00:48:33,360 Lollipop Man: Murdered? 833 00:48:33,360 --> 00:48:35,040 Jinxy was murdered? 834 00:48:35,040 --> 00:48:37,360 What, deliberately? 835 00:48:37,360 --> 00:48:41,200 - Why? - Chaps, we... 836 00:48:41,200 --> 00:48:45,840 We think that Jinxy was killed last Wednesday. 837 00:48:45,840 --> 00:48:47,600 How? 838 00:48:47,600 --> 00:48:50,600 One punch. 839 00:48:50,600 --> 00:48:52,040 In anger. 840 00:48:52,040 --> 00:48:54,000 Delivery Driver: I knew it. 841 00:48:54,000 --> 00:48:57,360 I knew Jinxy's mouth'd get him killed one of these days. 842 00:48:57,360 --> 00:49:00,600 Did any of you see him in the days before he died? 843 00:49:00,600 --> 00:49:03,680 - B & Q Man: Nah. - Lollipop Man: Nope. Sorry. 844 00:49:03,680 --> 00:49:06,960 And did you see ever see him with a stranger? 845 00:49:06,960 --> 00:49:08,920 Something odd? 846 00:49:08,920 --> 00:49:12,880 Sorry, Doddsy, we haven't seen Jinxy here since... 847 00:49:15,080 --> 00:49:16,840 Easter Monday. 848 00:49:16,840 --> 00:49:19,400 What did you say to him, Doddsy? 849 00:49:19,400 --> 00:49:21,720 He never came back here after that. 850 00:49:21,720 --> 00:49:37,080 {\an8}## 851 00:49:37,080 --> 00:49:40,280 That Brian one-- was he actually making eyes at me? 852 00:49:40,280 --> 00:49:42,680 Oh, yeah, sorry, ma'am. 853 00:49:42,680 --> 00:49:45,680 You know, Brian's quite the ladies man. 854 00:49:45,680 --> 00:49:48,320 Now he's, er-- He's had a fling with most 855 00:49:48,320 --> 00:49:51,600 of the female rock singers in the 1980s. 856 00:49:51,600 --> 00:49:54,400 Erm, "Power Ballad." I'll say no more. 857 00:49:54,400 --> 00:49:57,040 So, I'm sorry about that. 858 00:49:57,040 --> 00:49:59,200 So, what happened on Easter Monday? 859 00:49:59,200 --> 00:50:00,760 Between you and Jinxy. 860 00:50:00,760 --> 00:50:03,720 Well, I was-- I was drunk and I... 861 00:50:03,720 --> 00:50:05,160 I gave him a piece of my mind. 862 00:50:05,160 --> 00:50:07,000 Lauren. 863 00:50:07,000 --> 00:50:09,040 I didn't wanna shoot my bolt in there in front of the lads. 864 00:50:09,040 --> 00:50:12,960 Stout fellows, but they're, erm, amateurs. 865 00:50:12,960 --> 00:50:15,040 Truth is, Lorie, 866 00:50:15,040 --> 00:50:18,720 I ran into Jinxy after my gig at The Bell. 867 00:50:18,720 --> 00:50:20,080 What, last Tuesday night? 868 00:50:20,080 --> 00:50:21,680 - Yeah. - Er, Brian's the lead singer 869 00:50:21,680 --> 00:50:23,200 in a Bad Company tribute band. 870 00:50:23,200 --> 00:50:24,840 Worse Company. 871 00:50:24,840 --> 00:50:28,040 I once went out on the pull with Paul Rogers. 872 00:50:28,040 --> 00:50:30,320 Right. Tuesday night, Brian. 873 00:50:30,320 --> 00:50:32,920 - Jinxy? - Oh, yeah. 874 00:50:32,920 --> 00:50:36,480 Well, Jinxy was on one of his all-day benders. 875 00:50:36,480 --> 00:50:38,560 Yeah, happy being miserable. 876 00:50:38,560 --> 00:50:42,160 No, Doddsy, Jinxy was happy being happy. 877 00:50:42,160 --> 00:50:45,240 I've never seen him so happy. It was in his eyes. 878 00:50:45,240 --> 00:50:46,720 They were twinkling. 879 00:50:46,720 --> 00:50:48,800 His eyes were twinkling with happiness. 880 00:50:48,800 --> 00:50:50,440 Twinkling? 881 00:50:50,440 --> 00:50:54,120 So, what was he so happy about being happy about? 882 00:50:54,120 --> 00:50:57,680 The crossroads. Yep. 883 00:50:57,680 --> 00:51:01,920 He'd found the crossroads, and it was gonna make him rich. 884 00:51:01,920 --> 00:51:04,080 Seriously rich. 885 00:51:04,080 --> 00:51:06,080 Did he expand on that, Brian? 886 00:51:06,080 --> 00:51:09,240 Jinxy didn't ever expand. 887 00:51:09,240 --> 00:51:11,600 He just sank his Old Peculiar, 888 00:51:11,600 --> 00:51:13,680 told me I was the worst singer ever 889 00:51:13,680 --> 00:51:16,240 and that my whole life was one big pathetic lie-- 890 00:51:16,240 --> 00:51:19,000 Especially to myself-- and left. 891 00:51:19,000 --> 00:51:21,400 God, I'll miss Jinxy. 892 00:51:21,400 --> 00:51:24,080 Ah, me too, Brian. Me too. 893 00:51:25,920 --> 00:51:27,920 Thanks, Brian. 894 00:51:28,600 --> 00:51:30,600 One love. 895 00:51:33,440 --> 00:51:38,200 {\an8}## 896 00:51:38,200 --> 00:51:40,800 The crossroads? 897 00:51:40,800 --> 00:51:42,040 There's something going on here, isn't there? 898 00:51:42,040 --> 00:51:45,320 Something... 899 00:51:45,320 --> 00:51:47,480 Some sort of story. 900 00:51:47,480 --> 00:51:49,600 You're right, ma'am. 901 00:51:51,760 --> 00:51:55,640 We tell the story, maybe we solve the case. 902 00:51:55,640 --> 00:51:58,520 Yeah. And the story... 903 00:51:58,520 --> 00:52:02,680 it starts in the Deep South. 904 00:52:09,240 --> 00:52:11,240 {\an8}## 905 00:52:11,240 --> 00:52:13,680 ♪ Preacher man's coming ♪ 906 00:52:13,680 --> 00:52:17,000 ♪ Gotta get my soul clean ♪ 907 00:52:17,000 --> 00:52:19,960 {\an8}## 908 00:52:19,960 --> 00:52:22,560 ♪ Preacher man's coming ♪ 909 00:52:22,560 --> 00:52:25,640 ♪ Gotta get my soul clean ♪ 910 00:52:25,640 --> 00:52:30,720 {\an8}## 911 00:52:30,720 --> 00:52:34,160 Ah, Professor, you came. Thank you. 912 00:52:34,160 --> 00:52:36,960 Did you think that I'd back out? 913 00:52:36,960 --> 00:52:40,360 Well, you'll be delighted to hear, I have devised a test. 914 00:52:40,360 --> 00:52:42,440 "Penitentiary Hollerin' Blues"? 915 00:52:42,440 --> 00:52:46,680 Ah yes, the original production copy was damaged. 916 00:52:46,680 --> 00:52:48,960 The middle eight was accidentally cut, 917 00:52:48,960 --> 00:52:51,680 so they deemed it un-releasable. 918 00:52:51,680 --> 00:52:54,520 But Columbia have recovered Robert Johnson's 919 00:52:54,520 --> 00:52:59,680 own uncontaminated copy, owned by his family. 920 00:52:59,680 --> 00:53:01,640 Yes, I heard the rumours. 921 00:53:01,640 --> 00:53:05,800 Well, sir, I have obtained access. 922 00:53:05,800 --> 00:53:08,040 So, if we reconvene at 1 p.m., 923 00:53:08,040 --> 00:53:10,960 you will, for the first time hear the missing middle eight of 924 00:53:10,960 --> 00:53:13,320 "Penitentiary Hollerin' Blues." 925 00:53:13,320 --> 00:53:15,480 Well, alright. 926 00:53:15,480 --> 00:53:18,160 But, for my test, you will also hear 927 00:53:18,160 --> 00:53:20,320 potential versions of the same sequence, 928 00:53:20,320 --> 00:53:22,240 synthesised by my programme. 929 00:53:22,240 --> 00:53:26,720 Your challenge, should you wish to accept it is this-- 930 00:53:26,720 --> 00:53:30,640 Can you discern the authentic from synthesised? 931 00:53:34,240 --> 00:53:38,640 Well, in the words of the great philosopher 932 00:53:38,640 --> 00:53:40,760 "Let's take it to the bridge!" 933 00:53:40,760 --> 00:53:44,880 {\an8}## 934 00:53:44,880 --> 00:53:46,240 James Brown? 935 00:53:47,880 --> 00:53:49,960 Of course. 936 00:53:52,600 --> 00:53:58,280 This is a pattern after all, or it's more a recurring theme. 937 00:53:58,280 --> 00:54:05,320 Now, the bulk of his purchases were made at or near crossroads. 938 00:54:05,320 --> 00:54:07,880 The contract at the crossroads. 939 00:54:07,880 --> 00:54:10,000 So, Robert Johnson, according to legend, 940 00:54:10,000 --> 00:54:13,480 sold his soul to the Earl of Hell. 941 00:54:13,480 --> 00:54:15,840 - The Earl of Hell? - Now, look here. 942 00:54:15,840 --> 00:54:19,360 Jinxy's highlighted Little Robert's map. 943 00:54:21,680 --> 00:54:25,080 Now, ma'am, this map, 944 00:54:25,080 --> 00:54:28,480 what if Jinxy on one of his trips to the states 945 00:54:28,480 --> 00:54:34,600 had somehow laid his hands on this map? 946 00:54:34,600 --> 00:54:37,080 Last Tuesday night Jinxy was happy being happy 947 00:54:37,080 --> 00:54:38,680 because he'd found the crossroads 948 00:54:38,680 --> 00:54:40,480 that was gonna make him rich. 949 00:54:40,480 --> 00:54:42,040 24 hours later, he'd dead 950 00:54:42,040 --> 00:54:44,040 and someone's rifled through his pockets. 951 00:54:44,040 --> 00:54:48,400 Jinxy was killed for Robert Johnson's map. 952 00:54:48,400 --> 00:54:50,520 And where is it now? 953 00:54:52,320 --> 00:54:54,840 And who's got it? 954 00:54:58,480 --> 00:55:05,760 {\an8}## 955 00:55:10,080 --> 00:55:11,880 - Yes? - Mr Olayinka. 956 00:55:11,880 --> 00:55:13,320 I'm am Gregg DeVere. 957 00:55:13,320 --> 00:55:15,320 My sister Geraldine. 958 00:55:15,320 --> 00:55:17,400 May we come in? 959 00:55:20,960 --> 00:55:23,640 I've been advised by the US Consulate 960 00:55:23,640 --> 00:55:27,440 not to say nothing more to you guys without a lawyer present. 961 00:55:27,440 --> 00:55:33,160 Professor, I first met Jinxy Jones when we were 962 00:55:33,160 --> 00:55:36,560 both five years old in reception class 963 00:55:36,560 --> 00:55:39,640 at our old Lady of Fatima primary school. 964 00:55:39,640 --> 00:55:44,160 Now, I think that Jinxy somehow acquired Robert-- 965 00:55:44,160 --> 00:55:47,960 Robert Johnson's missing map. 966 00:55:47,960 --> 00:55:50,400 And I think that is why he was killed. 967 00:55:55,160 --> 00:55:57,640 Okay. 968 00:55:57,640 --> 00:56:00,640 Maybe I should have said something earlier, 969 00:56:00,640 --> 00:56:04,400 but when you guys showed up with a photo 970 00:56:04,400 --> 00:56:06,320 of another dead guy, 971 00:56:06,320 --> 00:56:08,200 I panicked. 972 00:56:08,200 --> 00:56:12,120 Truth is... I did meet Jinxy. 973 00:56:12,120 --> 00:56:14,280 In the glass factory? 974 00:56:14,280 --> 00:56:18,400 I don't know anything about a glass factory. 975 00:56:18,400 --> 00:56:23,400 He came to the festival, he wanted to talk blues to me. 976 00:56:23,400 --> 00:56:25,280 Got drunk. 977 00:56:25,280 --> 00:56:27,560 I couldn't make out much of what he was saying. 978 00:56:27,560 --> 00:56:29,000 Something was eating at him. 979 00:56:29,000 --> 00:56:31,280 - Did he say what exactly? - Now look, guys, 980 00:56:31,280 --> 00:56:33,120 I have told you everything that I know. 981 00:56:33,120 --> 00:56:36,880 But as soon as this dumb bet with our AI friend is over, 982 00:56:36,880 --> 00:56:39,560 I am gonna make tracks outta here tonight. 983 00:56:39,560 --> 00:56:42,800 So, it's been a pleasure. 984 00:56:48,040 --> 00:56:52,280 They think they've found the gloved man from the bus. 985 00:56:52,280 --> 00:56:54,520 Facial recognition across social media 986 00:56:54,520 --> 00:56:57,080 came back with 10 matches to this guy. 987 00:56:57,080 --> 00:57:00,640 With only one living in Bath. Gordon Pendrey. 988 00:57:00,640 --> 00:57:04,240 - Age 39, resident in Bewley. - That's on the number 6 route. 989 00:57:04,240 --> 00:57:06,640 Yes. He's an ex paratrooper. 990 00:57:06,640 --> 00:57:08,880 Trained killer. 991 00:57:08,880 --> 00:57:10,880 Let's pick him up. 992 00:57:10,880 --> 00:57:14,040 Oh, oh, hang on a second. 993 00:57:14,040 --> 00:57:16,080 His-- His military and medical files 994 00:57:16,080 --> 00:57:18,640 have just come through and... 995 00:57:18,640 --> 00:57:21,360 A sniper bullet went through his left wrist 996 00:57:21,360 --> 00:57:24,080 on a patrol in Sierra Leone in 2012. 997 00:57:26,200 --> 00:57:28,680 If you can't grip a rope, tightly with both hands, 998 00:57:28,680 --> 00:57:30,800 you can't strangle Ian Andrews. 999 00:57:33,560 --> 00:57:38,080 TIE him, get a formal witness statement. 1000 00:57:38,080 --> 00:57:40,840 We rule him out, we're left with Clarence... 1001 00:57:40,840 --> 00:57:44,080 Yeah. Or the DeVeres. Or all three. 1002 00:57:44,080 --> 00:57:45,920 Oh, Sarge. 1003 00:57:45,920 --> 00:57:48,320 Data on the Bus Company's GPS system-- 1004 00:57:48,320 --> 00:57:51,000 exact times and locations of the bus on Monday morning. 1005 00:57:51,000 --> 00:57:54,080 Okay, the glass factory, on Wednesday. 1006 00:57:54,080 --> 00:57:57,440 We know that Jinxy was there. With his map. 1007 00:57:57,440 --> 00:58:01,280 The champagne bottle places Clarence Adderly there. 1008 00:58:01,280 --> 00:58:03,200 And if he is alibiing the DeVeres, 1009 00:58:03,200 --> 00:58:09,280 that means that Gregg DeVere and Geraldine DeVere, 1010 00:58:09,280 --> 00:58:11,040 were also there. 1011 00:58:11,040 --> 00:58:13,080 So, we have a victim, a killer, 1012 00:58:13,080 --> 00:58:15,360 and two witnesses who saw the murder, 1013 00:58:15,360 --> 00:58:18,280 but didn't report it, why not? 1014 00:58:18,280 --> 00:58:20,960 Oh, this isn't right. 1015 00:58:20,960 --> 00:58:24,840 This-- This diversion. 1016 00:58:25,920 --> 00:58:30,920 So, they had the traffic turn left into Morrison Street 1017 00:58:30,920 --> 00:58:32,680 then onto Wellington Street. 1018 00:58:32,680 --> 00:58:35,560 But if they'd have turned right towards Pultney bridge 1019 00:58:35,560 --> 00:58:37,080 they would have joined the main trunk road 1020 00:58:37,080 --> 00:58:39,320 into Bath city centre. 1021 00:58:40,880 --> 00:58:44,880 Southwest Water have no record of a diversion on Monday. 1022 00:58:44,880 --> 00:58:46,960 Nor do the council. 1023 00:58:48,040 --> 00:58:50,040 DCI McDonald? 1024 00:58:51,840 --> 00:58:53,920 ACC want a detailed update on the inquiry. 1025 00:58:53,920 --> 00:58:55,520 What do you need? 1026 00:58:55,520 --> 00:58:57,400 Well, I need to see this bus driver again. 1027 00:58:57,400 --> 00:58:59,240 Okay. You go with him. You have to take the statement. 1028 00:58:59,240 --> 00:59:01,320 He's not allowed. 1029 00:59:02,440 --> 00:59:04,560 Monday morning. Around 8:15. 1030 00:59:04,560 --> 00:59:08,000 The bus was diverted at Morrison Street into Wellington Street. 1031 00:59:08,000 --> 00:59:12,960 Why didn't they turn us down to Pultney Bridge? 1032 00:59:12,960 --> 00:59:15,440 Well, that's what we're trying to ascertain, sir. 1033 00:59:17,280 --> 00:59:20,160 So, you turned into Wellington Street at 8:15 1034 00:59:20,160 --> 00:59:22,560 missing out the Oswald Street stop, 1035 00:59:22,560 --> 00:59:25,440 arriving at Cadogan Square at 8:21. 1036 00:59:25,440 --> 00:59:27,520 Yeah, sounds right. 1037 00:59:29,720 --> 00:59:32,960 So, when you turned into Wellington Street, 1038 00:59:32,960 --> 00:59:36,200 did the automatic internal lights come on? 1039 00:59:36,200 --> 00:59:38,120 No. They weren't working. 1040 00:59:40,080 --> 00:59:45,000 {\an8}## 1041 00:59:45,000 --> 00:59:47,200 It's been tampered with. 1042 00:59:51,960 --> 00:59:54,240 Okay. 1043 00:59:54,240 --> 00:59:56,120 What've you got? 1044 00:59:56,120 --> 00:59:57,920 Well, first, 1045 00:59:57,920 --> 01:00:02,640 there were no signs of any recent road works anywhere. 1046 01:00:02,640 --> 01:00:03,920 - Okay. - I've checked through 1047 01:00:03,920 --> 01:00:05,440 the traffic cam at Morrison Street 1048 01:00:05,440 --> 01:00:08,280 and the bus was diverted from its route there. 1049 01:00:08,280 --> 01:00:10,960 A diversion sign and traffic cones were set out at 7 a.m. 1050 01:00:10,960 --> 01:00:13,840 The council then removed it all at 11:45 1051 01:00:13,840 --> 01:00:16,000 due to a score of public complaints. 1052 01:00:16,000 --> 01:00:19,240 They thought it was kids or some kind of student prank. 1053 01:00:19,240 --> 01:00:22,240 But actually, it was this person. 1054 01:00:22,240 --> 01:00:23,800 And you see, he or she, 1055 01:00:23,800 --> 01:00:25,640 keeps their face hidden from that camera... 1056 01:00:25,640 --> 01:00:27,080 Right. Second? 1057 01:00:27,080 --> 01:00:29,600 The interior lights of the bus 1058 01:00:29,600 --> 01:00:31,560 were disabled at the depot. 1059 01:00:31,560 --> 01:00:33,680 So, at 08:15 a.m., 1060 01:00:33,680 --> 01:00:37,280 the misdirected bus came this way. 1061 01:00:38,960 --> 01:00:41,040 As you can see, under the bridge, 1062 01:00:41,040 --> 01:00:44,680 the upper deck would have been plunged into darkness. 1063 01:00:44,680 --> 01:00:47,200 So, the bus would have been travelling about 1064 01:00:47,200 --> 01:00:49,280 5 or 10 miles an hour, 1065 01:00:49,280 --> 01:00:52,160 so it would have taken about 30 seconds to emerge 1066 01:00:52,160 --> 01:00:54,040 at the other end of the tunnel 1067 01:00:54,040 --> 01:00:56,280 Which is more than the blink of an eye. 1068 01:00:56,280 --> 01:00:58,880 Which means that killer didn't have to be sitting directly 1069 01:00:58,880 --> 01:01:00,200 behind the victim. 1070 01:01:00,200 --> 01:01:01,880 No ma'am. No. 1071 01:01:01,880 --> 01:01:04,280 30 seconds is just enough time 1072 01:01:04,280 --> 01:01:08,040 for the killer to have gone into the seat behind the victim 1073 01:01:08,040 --> 01:01:11,280 and applied enough pressure on the larynx 1074 01:01:11,280 --> 01:01:15,520 to murder Ian Andrews and make it back to his original seat. 1075 01:01:15,520 --> 01:01:17,600 Right, show me that again. 1076 01:01:18,600 --> 01:01:21,440 Could be bloody anybody. Any gender. 1077 01:01:21,440 --> 01:01:23,960 It's the best view we have, ma'am. 1078 01:01:23,960 --> 01:01:26,000 Are you sure? 1079 01:01:26,000 --> 01:01:28,280 How many stops did that bus miss because of this diversion? 1080 01:01:28,280 --> 01:01:30,400 Oh, well, there's just one, ma'am. 1081 01:01:30,400 --> 01:01:32,440 Er... 1082 01:01:32,440 --> 01:01:36,760 Would go, so, there, er... 1083 01:01:36,760 --> 01:01:38,360 Oswald Street, it would have been. 1084 01:01:38,360 --> 01:01:40,560 So, the driver would have just come out 1085 01:01:40,560 --> 01:01:44,360 and taken a hard left on, er, Kingswood Road 1086 01:01:44,360 --> 01:01:49,320 and then left again back down to rejoin the original route 1087 01:01:49,320 --> 01:01:50,760 at Cadogan Square. 1088 01:01:50,760 --> 01:01:52,400 So, there must have been more signs put out 1089 01:01:52,400 --> 01:01:56,400 to redirect the driver back onto the original route. 1090 01:01:56,400 --> 01:02:01,040 Yes. I'll start checking CCTV between here and Cadogan Square. 1091 01:02:05,680 --> 01:02:08,440 Okay, so it could have been anyone who was upstairs 1092 01:02:08,440 --> 01:02:10,440 between Morrison Street and Cadogan Square. 1093 01:02:10,440 --> 01:02:12,600 Between 8:15 and 8:21. 1094 01:02:12,600 --> 01:02:14,200 Which is when this guy got on 1095 01:02:14,200 --> 01:02:15,800 before Clarence Adderly. 1096 01:02:15,800 --> 01:02:17,360 So, following the line, 1097 01:02:17,360 --> 01:02:19,600 who else was upstairs between the diversion 1098 01:02:19,600 --> 01:02:21,800 - and Cadogan Square? - Er... 1099 01:02:21,800 --> 01:02:25,000 Five passengers-- well, six if you include this guy. 1100 01:02:25,000 --> 01:02:27,200 You had Kevin Buxton, at the back. 1101 01:02:27,200 --> 01:02:29,800 Barry Oldham, three or four rows ahead. 1102 01:02:29,800 --> 01:02:32,240 Er, Hilary McLean on the right. 1103 01:02:32,240 --> 01:02:34,320 Hilary McLean...? 1104 01:02:35,680 --> 01:02:37,680 Hilary McLean. 1105 01:02:41,160 --> 01:02:44,000 Now we know that this man is not the killer. 1106 01:02:44,000 --> 01:02:46,320 How did he become a suspect even in the first place? 1107 01:02:46,320 --> 01:02:50,080 - Hilary McLean told us... - Because Hilary McLean told us 1108 01:02:50,080 --> 01:02:53,920 that she saw him standing for 20 to 30 seconds behind the victim, 1109 01:02:53,920 --> 01:02:57,480 between Morrison Street and Cadogan Square. 1110 01:02:57,480 --> 01:02:59,600 Saw him, ma'am. 1111 01:02:59,600 --> 01:03:01,720 Saw him! 1112 01:03:01,720 --> 01:03:04,040 She must eat a lot of carrots. 1113 01:03:05,360 --> 01:03:07,840 Right, deep background on Hilary McLean. 1114 01:03:07,840 --> 01:03:11,120 She's just gone from witness to suspect. 1115 01:03:17,560 --> 01:03:19,920 Ms McLean, we have established this man 1116 01:03:19,920 --> 01:03:23,080 could not have killed Ian Andrews. 1117 01:03:23,080 --> 01:03:24,640 Okay. 1118 01:03:24,640 --> 01:03:27,920 Well, I hope you find who did. 1119 01:03:27,920 --> 01:03:31,560 But we have established when he was killed. 1120 01:03:31,560 --> 01:03:35,040 Around 8:16 on Monday morning 1121 01:03:35,040 --> 01:03:38,040 between Morrison Street and Cadogan Square. 1122 01:03:38,040 --> 01:03:41,160 Which is when you said you saw this man standing 1123 01:03:41,160 --> 01:03:43,320 behind Mr Andrews. 1124 01:03:44,640 --> 01:03:46,640 Yes. 1125 01:03:47,520 --> 01:03:50,440 Have you forgotten that the bus was directed 1126 01:03:50,440 --> 01:03:53,760 down Wellington Street and under the bridge? 1127 01:03:53,760 --> 01:03:55,560 Where it was plunged into darkness 1128 01:03:55,560 --> 01:03:58,240 for 30 seconds? 1129 01:03:58,240 --> 01:04:00,880 Almost total darkness. 1130 01:04:00,880 --> 01:04:03,400 Which means that you could not have seen 1131 01:04:03,400 --> 01:04:07,840 this man standing behind Mr Andrews. 1132 01:04:07,840 --> 01:04:11,080 Seems that you have lied to us. 1133 01:04:11,080 --> 01:04:14,160 30 seconds of darkness would have been enough time 1134 01:04:14,160 --> 01:04:17,040 for you to cross the aisle and kill Ian yourself. 1135 01:04:17,040 --> 01:04:19,120 What? 1136 01:04:20,320 --> 01:04:22,720 We've accessed your employment history. 1137 01:04:22,720 --> 01:04:24,440 Five years ago, you worked at 1138 01:04:24,440 --> 01:04:28,480 the Ashton Branch of OddsMatch Betting in Bristol. 1139 01:04:30,400 --> 01:04:33,480 Same place that Ian Andrews did. 1140 01:04:33,480 --> 01:04:35,960 I-I didn't kill Ian. 1141 01:04:35,960 --> 01:04:38,160 You're gonna have to do better than that Hilary. 1142 01:04:40,080 --> 01:04:43,280 Ian was a hero. 1143 01:04:43,280 --> 01:04:46,720 And-- to me-- and... 1144 01:04:46,720 --> 01:04:49,200 I always liked him but I watched what happened to him 1145 01:04:49,200 --> 01:04:51,080 and he didn't like all the attention. 1146 01:04:51,080 --> 01:04:53,760 You know, he was-- he was a quiet, decent man. 1147 01:04:53,760 --> 01:04:55,680 Anyway he left Bristol 1148 01:04:55,680 --> 01:04:57,320 and I always wondered what had happened to him 1149 01:04:57,320 --> 01:04:59,400 until a couple of years ago, when I came to Bath 1150 01:04:59,400 --> 01:05:01,280 and I saw him. 1151 01:05:01,280 --> 01:05:03,280 And I tried to reconnect with him on the bus. 1152 01:05:03,280 --> 01:05:05,480 But he would just never talk to me. 1153 01:05:05,480 --> 01:05:07,560 But he knew who I was. 1154 01:05:07,560 --> 01:05:09,160 He'd just look through me, you know, like 1155 01:05:09,160 --> 01:05:11,320 he didn't want to be reminded of all of that. 1156 01:05:11,320 --> 01:05:13,560 You told me you didn't know Ian and Mr Darcy 1157 01:05:13,560 --> 01:05:15,800 were the same person. 1158 01:05:15,800 --> 01:05:18,120 Because I just wanted to help you and I was so, 1159 01:05:18,120 --> 01:05:20,560 so sure that guy killed him. 1160 01:05:24,960 --> 01:05:27,400 I don't know what to do about her. 1161 01:05:27,400 --> 01:05:31,400 She's just a bit of a poor soul. 1162 01:05:31,400 --> 01:05:34,080 Yeah. Whose wasted a shedload of our time. 1163 01:05:34,080 --> 01:05:35,600 And we can't rule her out completely. 1164 01:05:35,600 --> 01:05:38,960 Or Clarence. Or anyone on that bloody bus. 1165 01:05:38,960 --> 01:05:41,040 - Ma'am. - Yeah? 1166 01:05:41,040 --> 01:05:42,880 You called it right. 1167 01:05:42,880 --> 01:05:44,480 The last diversion sign, 1168 01:05:44,480 --> 01:05:46,160 he didn't realise there was a camera there 1169 01:05:46,160 --> 01:05:49,080 and he took off his mask. 1170 01:05:52,720 --> 01:05:54,640 Never mind who was on that bus. 1171 01:05:54,640 --> 01:05:57,040 This nails us a double killer. 1172 01:05:57,040 --> 01:06:00,000 Now, sir, I shall play you three tracks. 1173 01:06:00,000 --> 01:06:03,160 One of them is the genuine Robert Johnson missing bridge. 1174 01:06:03,160 --> 01:06:07,240 Please listen carefully to each version and then make your call. 1175 01:06:10,600 --> 01:06:12,280 I'm listening. 1176 01:06:22,520 --> 01:06:24,560 Version one. 1177 01:06:27,000 --> 01:06:33,200 {\an8}## 1178 01:06:33,200 --> 01:06:35,280 Next. 1179 01:06:35,280 --> 01:06:37,680 Er, Professor, I really think you should listen 1180 01:06:37,680 --> 01:06:40,440 - a little longer before you... - I'm good. 1181 01:06:43,760 --> 01:06:48,640 ♪ As you may throw away the key ♪ 1182 01:06:48,640 --> 01:06:50,200 Next. 1183 01:06:51,840 --> 01:06:53,480 Version three. 1184 01:06:55,200 --> 01:07:00,280 {\an8}## 1185 01:07:00,280 --> 01:07:02,920 So? 1186 01:07:02,920 --> 01:07:05,000 Professor? 1187 01:07:07,040 --> 01:07:09,680 Version three is Robert Johnson. 1188 01:07:11,240 --> 01:07:14,960 You're... 1189 01:07:14,960 --> 01:07:16,560 You're right. 1190 01:07:19,240 --> 01:07:21,680 Straight outta Compton. 1191 01:07:21,680 --> 01:07:23,600 Compton Dando. 1192 01:07:27,160 --> 01:07:34,600 {\an8}## 1193 01:07:34,600 --> 01:07:36,960 Professor? 1194 01:07:36,960 --> 01:07:39,360 How did you do it? I'm confused. 1195 01:07:41,120 --> 01:07:45,360 Your accomplice performed well enough. 1196 01:07:45,360 --> 01:07:48,760 The, erm, signature harmonic distortion 1197 01:07:48,760 --> 01:07:52,000 of the RCA 44B microphone-- 1198 01:07:52,000 --> 01:07:53,560 'A' minus. 1199 01:07:53,560 --> 01:07:58,000 The sonic artefacts on the acetate disc-- 1200 01:07:58,000 --> 01:07:59,480 straight 'A'. 1201 01:07:59,480 --> 01:08:02,120 The Hallmark open G tuning 1202 01:08:02,120 --> 01:08:04,600 and the microtonal melisma-- 1203 01:08:04,600 --> 01:08:07,600 'B' plus. 1204 01:08:07,600 --> 01:08:10,200 But it isn't about what is there. 1205 01:08:10,200 --> 01:08:12,920 It's about what isn't there. 1206 01:08:12,920 --> 01:08:16,760 And your robot missed the train. 1207 01:08:16,760 --> 01:08:18,800 I'm sorry? 1208 01:08:18,800 --> 01:08:22,760 Little Robert recorded "Penitentiary Hollerin' Blues" 1209 01:08:22,760 --> 01:08:25,320 close to the Mississippi and Western Railroad. 1210 01:08:25,320 --> 01:08:28,640 And, if you listen hard enough to the first section, 1211 01:08:28,640 --> 01:08:31,080 you will hear a train passing. 1212 01:08:31,080 --> 01:08:33,840 Now the bridge on track three has the train. 1213 01:08:33,840 --> 01:08:37,680 Track one and two-- no train over the bridge. 1214 01:08:37,680 --> 01:08:39,680 Now what is this about? 1215 01:08:39,680 --> 01:08:42,640 What is this?! 1216 01:08:42,640 --> 01:08:45,200 I know you. 1217 01:08:45,200 --> 01:08:47,040 You failed me. 1218 01:08:47,040 --> 01:08:48,680 My PHD. 1219 01:08:48,680 --> 01:08:50,800 "The Impossibility of History"? 1220 01:08:53,280 --> 01:08:55,280 "The impossibility of History." 1221 01:08:55,280 --> 01:08:57,240 Well, you deserved to fail. 1222 01:08:57,240 --> 01:08:59,360 It was a substandard piece of work. 1223 01:08:59,360 --> 01:09:02,480 No. It was good and you know it. 1224 01:09:02,480 --> 01:09:04,760 But thank you, Professor. 1225 01:09:04,760 --> 01:09:07,760 You set me on a path to my true vocation. 1226 01:09:07,760 --> 01:09:12,080 You didn't deploy some sensitive ear attuned to the authentic. 1227 01:09:12,080 --> 01:09:14,480 All you did was what any machine could have done-- 1228 01:09:14,480 --> 01:09:16,160 detective work. 1229 01:09:16,160 --> 01:09:18,200 Detective work as in finding evidence 1230 01:09:18,200 --> 01:09:19,800 is kinda what history is. 1231 01:09:19,800 --> 01:09:21,840 Yes, but if it wasn't for the train, 1232 01:09:21,840 --> 01:09:24,520 could you have told the difference between authentic 1233 01:09:24,520 --> 01:09:27,640 and the synthesised? 1234 01:09:27,640 --> 01:09:31,040 That my friend, you will never know. 1235 01:09:31,040 --> 01:09:33,480 Professor. 1236 01:09:33,480 --> 01:09:36,240 - We're ready to sell. - To the highest bidder. 1237 01:09:36,240 --> 01:09:37,360 What do you mean the highest bidder? 1238 01:09:37,360 --> 01:09:38,800 I'm the only bidder. 1239 01:09:38,800 --> 01:09:40,360 What do you mean, highest bidder? 1240 01:09:40,360 --> 01:09:45,560 Ah! There's more than one person interested. 1241 01:09:45,560 --> 01:09:47,680 When and where? 1242 01:09:51,360 --> 01:09:52,760 Tech support are happy? 1243 01:09:52,760 --> 01:09:54,360 Yes, ma'am. 1244 01:09:54,360 --> 01:09:57,080 Good. Suspect surveillance? 1245 01:09:57,080 --> 01:09:59,560 All covered. And they're all heading to DeVere's. 1246 01:09:59,560 --> 01:10:00,920 What happened at the glass factory 1247 01:10:00,920 --> 01:10:02,560 last Wednesday is gonna happen again. 1248 01:10:02,560 --> 01:10:04,480 With all the same party present. 1249 01:10:04,480 --> 01:10:09,160 And our options are-- one killer, two victims. 1250 01:10:09,160 --> 01:10:11,240 Or two killers, two victims. 1251 01:10:11,240 --> 01:10:13,560 Or a joint enterprise with more than two killers. 1252 01:10:13,560 --> 01:10:18,120 And there is no evidence linking the killer with either victim? 1253 01:10:18,120 --> 01:10:19,880 No, ma'am. 1254 01:10:19,880 --> 01:10:23,920 And you're sure you've got enough to leverage a confession? 1255 01:10:23,920 --> 01:10:27,640 If everything goes to plan, ma'am. 1256 01:10:27,640 --> 01:10:29,200 Okay. 1257 01:10:29,200 --> 01:10:31,160 Now or never. 1258 01:10:31,160 --> 01:10:33,600 Lot number one of one, gentlemen. 1259 01:10:33,600 --> 01:10:35,680 A map of the Mississippi Delta. 1260 01:10:35,680 --> 01:10:37,440 Signed and dated and verified 1261 01:10:37,440 --> 01:10:39,680 by one Robert Johnson. 1262 01:10:39,680 --> 01:10:43,360 Little Robert's 40 days and 40 nights in the Delta. 1263 01:10:43,360 --> 01:10:45,040 Everywhere he went. 1264 01:10:45,040 --> 01:10:47,200 And lo-- 1265 01:10:47,200 --> 01:10:49,280 The unholy of unholies. 1266 01:10:49,280 --> 01:10:55,040 The precise location of the contract at the crossroads. 1267 01:10:55,040 --> 01:10:57,120 {\an8}More beautiful, more detailed 1268 01:10:57,120 --> 01:10:59,240 {\an8}than all your young man's dreams. 1269 01:10:59,240 --> 01:11:01,840 {\an8}Decades of scholars fashioning Little Robert 1270 01:11:01,840 --> 01:11:04,040 {\an8}as a legend in their own image. 1271 01:11:04,040 --> 01:11:06,240 {\an8}This map confirms the moment 1272 01:11:06,240 --> 01:11:08,640 {\an8}that the stones started rolling. 1273 01:11:08,640 --> 01:11:11,960 When mankind drew breath before a shout of defiance 1274 01:11:11,960 --> 01:11:14,040 that would shake the world. 1275 01:11:14,040 --> 01:11:15,920 Look upon it and hear the jubilating 1276 01:11:15,920 --> 01:11:18,240 preachers and railroad whistles, 1277 01:11:18,240 --> 01:11:21,440 smell the backwards dukes, the homemade corn liquor, 1278 01:11:21,440 --> 01:11:23,800 the fried catfish. 1279 01:11:23,800 --> 01:11:26,160 It's worth more than money, Clarence. 1280 01:11:26,160 --> 01:11:30,200 The true crossroads in cold hard numbers. 1281 01:11:30,200 --> 01:11:33,760 The time and the place of the birth of the blues. 1282 01:11:33,760 --> 01:11:36,160 April 1932, 1283 01:11:36,160 --> 01:11:38,480 33 degrees North, 1284 01:11:38,480 --> 01:11:41,320 91 degrees West. 1285 01:11:42,880 --> 01:11:47,200 Years and years I've trudged those places-- 1286 01:11:47,200 --> 01:11:49,280 20 years. 1287 01:11:54,400 --> 01:11:56,920 Nicolas, come on, let's not do this, man, 1288 01:11:56,920 --> 01:11:59,360 - this is heritage. - Can we get on with it please? 1289 01:11:59,360 --> 01:12:01,600 Banking apps at the ready please? 1290 01:12:01,600 --> 01:12:04,800 Shall we open the auction at... 1291 01:12:04,800 --> 01:12:07,240 300,000 dollars? 1292 01:12:09,720 --> 01:12:11,720 350. 1293 01:12:14,160 --> 01:12:15,200 550. 1294 01:12:15,200 --> 01:12:16,920 575. 1295 01:12:16,920 --> 01:12:19,120 580. 1296 01:12:19,120 --> 01:12:20,880 600. 1297 01:12:20,880 --> 01:12:23,440 610. 1298 01:12:23,440 --> 01:12:25,520 620. 1299 01:12:27,200 --> 01:12:29,360 630. 1300 01:12:29,360 --> 01:12:31,320 640. 1301 01:12:33,520 --> 01:12:41,400 {\an8}## 1302 01:12:41,400 --> 01:12:43,360 660. 1303 01:12:43,360 --> 01:12:54,800 {\an8}## 1304 01:12:54,800 --> 01:12:58,600 That's 660 with you, Mr Olayinka. 1305 01:13:01,280 --> 01:13:03,120 660 going once... 1306 01:13:03,120 --> 01:13:06,560 Just one second. One second. 1307 01:13:06,560 --> 01:13:09,400 660 going twice... 1308 01:13:12,800 --> 01:13:15,720 I have secured the funds from my father. 1309 01:13:15,720 --> 01:13:17,840 666. 1310 01:13:21,440 --> 01:13:24,320 666. 1311 01:13:24,320 --> 01:13:26,520 Going once. 1312 01:13:26,520 --> 01:13:28,600 Going twice. 1313 01:13:31,320 --> 01:13:38,080 Gone to Mr Olayinka for $666,000. 1314 01:13:38,080 --> 01:13:40,080 I've emailed you the certificate of provenance. 1315 01:13:40,080 --> 01:13:41,440 We're ready to receive the funds. 1316 01:13:41,440 --> 01:13:43,320 With pleasure. 1317 01:13:43,320 --> 01:13:46,920 Why? Why are you doing this? 1318 01:13:46,920 --> 01:13:50,520 Okay, the three of you are under arrest. 1319 01:13:50,520 --> 01:13:52,360 On a menu of charges from perverting the course 1320 01:13:52,360 --> 01:13:54,440 of justice, to double murders. 1321 01:13:58,200 --> 01:14:03,400 Our story begins in the Mississippi Delta in 1932, 1322 01:14:03,400 --> 01:14:05,280 when little Robert Jones-- 1323 01:14:05,280 --> 01:14:07,120 Jinxy got hold of the map last year, 1324 01:14:07,120 --> 01:14:08,760 he brought it back to Bath, he wanted to sell it. 1325 01:14:08,760 --> 01:14:09,880 Then what? 1326 01:14:09,880 --> 01:14:11,400 One of you three killed Jinxy, 1327 01:14:11,400 --> 01:14:13,120 the other two saw it and didn't report it. 1328 01:14:13,120 --> 01:14:14,880 So, whether you are a witness or a killer, 1329 01:14:14,880 --> 01:14:17,640 it's about the length of sentence now. 1330 01:14:17,640 --> 01:14:19,760 - I suggest you talk. - Excuse me. 1331 01:14:19,760 --> 01:14:21,080 I should go. 1332 01:14:21,080 --> 01:14:22,920 Jinxy came to you with the map. 1333 01:14:22,920 --> 01:14:25,080 Then what? 1334 01:14:25,080 --> 01:14:26,720 Erm... 1335 01:14:26,720 --> 01:14:28,520 So, I ran a check on the provenance 1336 01:14:28,520 --> 01:14:30,360 and it came back genuine. 1337 01:14:30,360 --> 01:14:32,120 So why not put it up to public auction? 1338 01:14:32,120 --> 01:14:34,440 - Legitimately. - Er... 1339 01:14:34,440 --> 01:14:36,880 You told Jinxy that it was a fake. 1340 01:14:36,880 --> 01:14:39,800 I offered him £500. He said no. 1341 01:14:39,800 --> 01:14:42,160 He didn't seem to trust us. 1342 01:14:42,160 --> 01:14:44,240 No! 1343 01:14:44,720 --> 01:14:48,400 - Sarge, you on this? - Oh, yeah, er... 1344 01:14:48,400 --> 01:14:50,160 Er, but then you were told 1345 01:14:50,160 --> 01:14:52,360 that Professor Adderly was coming into town 1346 01:14:52,360 --> 01:14:55,440 with his influence, his money, and his passion for that. 1347 01:14:55,440 --> 01:14:57,120 Look... 1348 01:14:57,120 --> 01:14:59,320 we didn't tell Jinxy that the map was real. 1349 01:14:59,320 --> 01:15:01,120 But we did go back to him 1350 01:15:01,120 --> 01:15:03,680 and proposed that we sell the map to the professor 1351 01:15:03,680 --> 01:15:06,240 and then split the profits. 1352 01:15:06,240 --> 01:15:08,080 So, you arranged the sale last Wednesday 1353 01:15:08,080 --> 01:15:09,400 at the glass factory. 1354 01:15:09,400 --> 01:15:11,960 Jinxy was dead when we got there. 1355 01:15:15,320 --> 01:15:17,080 Come on, Clarence. 1356 01:15:17,080 --> 01:15:19,400 And then you just happen to be on the number six bus 1357 01:15:19,400 --> 01:15:21,720 when Ian Andrews, who witnessed the killing of Jinxy-- 1358 01:15:21,720 --> 01:15:23,040 It was them! 1359 01:15:23,040 --> 01:15:24,600 It must have been them. 1360 01:15:24,600 --> 01:15:25,920 They must have killed Jinxy 1361 01:15:25,920 --> 01:15:27,880 before we got there and then... 1362 01:15:27,880 --> 01:15:29,960 she sent me a text, 1363 01:15:29,960 --> 01:15:31,760 "We've got the map. 1364 01:15:31,760 --> 01:15:33,560 We want to sell. Meet me on the bus." 1365 01:15:33,560 --> 01:15:35,120 What? No, I didn't! 1366 01:15:35,120 --> 01:15:38,160 She told me what time, "8:15 Morrison Street. 1367 01:15:38,160 --> 01:15:39,640 Sit upstairs. 1368 01:15:39,640 --> 01:15:41,600 Second row from the front on the left." 1369 01:15:41,600 --> 01:15:45,840 I think he killed Jinxy before we got to the glass factory. 1370 01:15:45,840 --> 01:15:47,760 You're a big man. 1371 01:15:47,760 --> 01:15:49,880 Strong enough to punch Jinxy's lights out. 1372 01:15:49,880 --> 01:15:52,800 Strong enough to throttle Ian Andrews. 1373 01:15:52,800 --> 01:15:55,120 And we can place you at both crime scenes. 1374 01:15:55,120 --> 01:15:57,200 No, come on. 1375 01:16:00,440 --> 01:16:02,400 Clarence Adderly, I'm placing you under arrest 1376 01:16:02,400 --> 01:16:04,480 on the suspicion of the murder of Ian Andrews-- 1377 01:16:04,480 --> 01:16:07,520 Ma'am, stop! Stop! Stop! 1378 01:16:07,520 --> 01:16:08,880 You can't arrest him ma'am. 1379 01:16:08,880 --> 01:16:11,280 I bloody well can, Sarge. 1380 01:16:11,280 --> 01:16:14,000 Ian Andrews was murdered in the 30 seconds 1381 01:16:14,000 --> 01:16:16,520 that it took for the bus to pass under the bridge 1382 01:16:16,520 --> 01:16:17,800 at Wellington Street. 1383 01:16:17,800 --> 01:16:20,520 - So what? - This is before 1384 01:16:20,520 --> 01:16:24,880 the Professor boarded the bus at Cadogan Square. 1385 01:16:24,880 --> 01:16:27,840 The professor's innocent. 1386 01:16:27,840 --> 01:16:29,360 You're wrong! He's innocent! 1387 01:16:29,360 --> 01:16:31,440 No. 1388 01:16:37,360 --> 01:16:39,360 No? 1389 01:16:39,360 --> 01:16:41,440 Mr Olayinka? 1390 01:16:41,440 --> 01:16:44,200 Well, I mean if he was at both crime scenes, 1391 01:16:44,200 --> 01:16:47,400 on the bus and at the glass factory, then he can't be... 1392 01:16:47,400 --> 01:16:49,760 How do you know the professor was at the glass factory? 1393 01:16:49,760 --> 01:16:51,960 Because you said. 1394 01:16:51,960 --> 01:16:54,640 You said that you found his prints on the champagne bottle. 1395 01:16:54,640 --> 01:16:58,080 Sir, DCI McDonald never said 1396 01:16:58,080 --> 01:17:00,720 that the prints came from the champagne bottle. 1397 01:17:02,920 --> 01:17:06,640 An hour ago, we obtained a warrant to enter 1398 01:17:06,640 --> 01:17:09,720 and search your lovely little, 1399 01:17:09,720 --> 01:17:13,240 short-let flat down there in Bathwick. 1400 01:17:13,240 --> 01:17:17,920 And our tech people and oh, you know they are very good, 1401 01:17:17,920 --> 01:17:20,840 they discovered that, for the last two weeks, 1402 01:17:20,840 --> 01:17:22,960 you've been monitoring the professor's 1403 01:17:22,960 --> 01:17:25,320 emails and telephone calls. 1404 01:17:25,320 --> 01:17:27,720 - What? - They also found 1405 01:17:27,720 --> 01:17:29,760 that you had intercepted the arrangements 1406 01:17:29,760 --> 01:17:33,080 for the meeting at the glass factory. 1407 01:17:33,080 --> 01:17:44,040 {\an8}## 1408 01:17:44,040 --> 01:17:46,960 So, you contacted Jinxy. 1409 01:17:49,200 --> 01:17:52,200 You told him to be there 15 minutes early. 1410 01:17:54,800 --> 01:17:59,400 And there you were, waiting for him. 1411 01:17:59,400 --> 01:18:02,400 You wanted that map, 1412 01:18:02,400 --> 01:18:05,360 you wanted it before the professor could buy it. 1413 01:18:08,000 --> 01:18:13,240 But Jinxy, he wasn't gonna accept your offer. 1414 01:18:16,880 --> 01:18:22,760 It was you who Jinxy provoked. 1415 01:18:22,760 --> 01:18:24,880 Come on, mate, I am offering you 10 grand. 1416 01:18:24,880 --> 01:18:26,880 For 10 grand, son, what else you got... 1417 01:18:26,880 --> 01:18:29,040 Ten grand. You got to do better than that. 1418 01:18:29,040 --> 01:18:30,480 - What do you mean? - I'm just saying... 1419 01:18:30,480 --> 01:18:32,240 People like me? What do you mean? 1420 01:18:32,240 --> 01:18:34,720 I said don't push me. 1421 01:18:34,720 --> 01:18:37,040 It was you. You punched him. 1422 01:18:39,200 --> 01:18:41,240 - Fatally. - He was dead when I got there. 1423 01:18:41,240 --> 01:18:43,400 We'll see about that. 1424 01:18:43,400 --> 01:18:50,920 {\an8}## 1425 01:18:50,920 --> 01:18:55,520 Because Jinxy, of course, he wasn't carrying that map was he? 1426 01:18:58,280 --> 01:18:59,640 But you still had the presence of mind 1427 01:18:59,640 --> 01:19:01,640 to confuse the crime scene. 1428 01:19:01,640 --> 01:19:09,880 {\an8}## 1429 01:19:09,880 --> 01:19:12,520 Before the DeVeres and the Professor showed up. 1430 01:19:12,520 --> 01:19:17,520 {\an8}## 1431 01:19:17,520 --> 01:19:21,600 So, you waited and you watched... 1432 01:19:24,040 --> 01:19:27,400 and that's when you saw the champagne bottle smash. 1433 01:19:27,400 --> 01:19:29,360 And then The Professor and the DeVeres 1434 01:19:29,360 --> 01:19:32,840 they decided not to report Jinxy's murder. 1435 01:19:32,840 --> 01:19:35,440 He's dead. I'm calling the police. 1436 01:19:35,440 --> 01:19:37,440 The police, are you mad? 1437 01:19:37,440 --> 01:19:40,680 Because well, Mr DeVere, he still had a map to sell 1438 01:19:40,680 --> 01:19:42,680 and the professor wanted to buy it. 1439 01:19:42,680 --> 01:19:44,480 So, to report the existence of the murder would have meant 1440 01:19:44,480 --> 01:19:47,200 to report the existence of the map to the police. 1441 01:19:47,200 --> 01:19:50,920 - What are you doing? - I'm protecting you. 1442 01:19:50,920 --> 01:19:53,800 No. 1443 01:19:53,800 --> 01:19:55,520 I want nothing to do with you people. 1444 01:19:55,520 --> 01:19:57,680 You knew the sale of the map was still on. 1445 01:19:57,680 --> 01:20:01,360 And you wanted to snatch it from under Clarence's nose. 1446 01:20:01,360 --> 01:20:04,040 But then things got worse for you... 1447 01:20:06,800 --> 01:20:08,920 I want money... 1448 01:20:08,920 --> 01:20:10,440 Ian Andrews saw everything, 1449 01:20:10,440 --> 01:20:12,280 and he blackmailed you. 1450 01:20:12,280 --> 01:20:14,360 Ian Andrews? Who's that? 1451 01:20:14,360 --> 01:20:18,600 So, to keep Ian Andrews at arm's length 1452 01:20:18,600 --> 01:20:21,520 you gave him the 20,000 dollars, 1453 01:20:21,520 --> 01:20:24,880 which combined with a ticket stub 1454 01:20:24,880 --> 01:20:27,680 from the Festival of Ideas, 1455 01:20:27,680 --> 01:20:32,040 led us here to suspect the professor. 1456 01:20:32,040 --> 01:20:38,000 Which gave you time to observe Mr. Andrews' routine 1457 01:20:38,000 --> 01:20:40,240 and plot his murder. 1458 01:20:40,240 --> 01:20:42,960 You're speculating. 1459 01:20:42,960 --> 01:20:45,800 At 6:23 last Monday morning, 1460 01:20:45,800 --> 01:20:48,080 you disabled the interior lights on the number 6 bus. 1461 01:20:48,080 --> 01:20:50,360 You then set up a diversion on Morrison Street. 1462 01:20:50,360 --> 01:20:52,680 Your last diversion sign at Cadogan Square, 1463 01:20:52,680 --> 01:20:54,080 you made a mistake. 1464 01:20:54,080 --> 01:20:57,200 You didn't notice the CCTV cameras. 1465 01:21:00,160 --> 01:21:03,640 You then deployed your expertise with WhatsApp messages 1466 01:21:03,640 --> 01:21:05,640 to set up a meeting on the bus 1467 01:21:05,640 --> 01:21:08,920 between Ms DeVere and the professor. 1468 01:21:08,920 --> 01:21:14,440 So, sometime before 8:15 on Monday morning 1469 01:21:14,440 --> 01:21:19,200 you boarded the number 6 bus... 1470 01:21:19,200 --> 01:21:20,880 And when it turned into Wellington Street 1471 01:21:20,880 --> 01:21:24,040 and was plunged into darkness, 1472 01:21:24,040 --> 01:21:25,600 you struck. 1473 01:21:28,680 --> 01:21:32,200 We have an eyewitness that places you on the bus. 1474 01:21:32,200 --> 01:21:34,040 I was on the bus. 1475 01:21:34,040 --> 01:21:38,480 But did your eyewitness see me, in the dark? 1476 01:21:38,480 --> 01:21:40,720 You then alighted the bus. 1477 01:21:43,120 --> 01:21:44,680 And then you, Professor, 1478 01:21:44,680 --> 01:21:48,640 {\an8}as instructed by your fake text message, 1479 01:21:48,640 --> 01:21:52,200 {\an8}sat behind the already strangled victim. 1480 01:21:52,200 --> 01:22:07,480 {\an8}## 1481 01:22:07,480 --> 01:22:10,040 With your blackmailer, Ian Andrews dead, 1482 01:22:10,040 --> 01:22:14,920 and the professor framed for his murder, 1483 01:22:14,920 --> 01:22:16,640 you went after this map. 1484 01:22:16,640 --> 01:22:18,280 He approached us. 1485 01:22:18,280 --> 01:22:21,280 Told us he was a wealthy collector of blues memorabilia, 1486 01:22:21,280 --> 01:22:25,440 and did we have any pieces in our collection of interest. 1487 01:22:25,440 --> 01:22:27,600 And then you came up with the idea of this auction, 1488 01:22:27,600 --> 01:22:29,440 didn't you? 1489 01:22:29,440 --> 01:22:33,640 To pit the professor against Mr Olayinka to bid up the price. 1490 01:22:33,640 --> 01:22:36,520 So here we all are, from the Mississippi Delta, 1491 01:22:36,520 --> 01:22:39,760 to Bath, England. 1492 01:22:39,760 --> 01:22:43,480 You did all this because I failed you? 1493 01:22:45,120 --> 01:22:48,560 You really need help because you're not right. 1494 01:22:48,560 --> 01:22:51,080 No. I was right and you know it. 1495 01:22:51,080 --> 01:22:52,760 No, you're wrong. 1496 01:22:52,760 --> 01:22:54,200 You're wrong in every respect 1497 01:22:54,200 --> 01:22:57,400 because you're still just a boy. 1498 01:22:57,400 --> 01:23:00,000 A boy who just never understood the word no. 1499 01:23:00,000 --> 01:23:02,120 And you're a complacent fool 1500 01:23:02,120 --> 01:23:05,160 who sells manufactured authenticity to white people. 1501 01:23:05,160 --> 01:23:08,360 You really need to grow up. I grew up. 1502 01:23:08,360 --> 01:23:12,000 No, I-I was dragged up on a council estate. 1503 01:23:12,000 --> 01:23:14,480 We had nothing. 1504 01:23:14,480 --> 01:23:16,280 You? 1505 01:23:16,280 --> 01:23:19,200 You're just a posh boy. 1506 01:23:19,200 --> 01:23:22,040 Yeah, I see it in your manner. I can hear it in your voice. 1507 01:23:22,040 --> 01:23:24,920 I hear the English public school. 1508 01:23:24,920 --> 01:23:26,480 I can hear the entitlement. 1509 01:23:26,480 --> 01:23:28,160 The privilege. 1510 01:23:28,160 --> 01:23:33,480 Just another posh boy who thinks it's all just a game. 1511 01:23:33,480 --> 01:23:36,040 Well, son. 1512 01:23:36,040 --> 01:23:38,160 The world is not yours. 1513 01:23:38,160 --> 01:23:42,200 Jinxy, he hated the posh boys. 1514 01:23:42,200 --> 01:23:45,840 Its starts with a failure, turns into a thirst for revenge. 1515 01:23:45,840 --> 01:23:47,920 And he hit the professor where it hurts. 1516 01:23:47,920 --> 01:23:52,640 His belief in blues music a-and Robert Johnson 1517 01:23:52,640 --> 01:23:55,800 and its authenticity. 1518 01:23:55,800 --> 01:23:57,840 Ramp up the pressure on Clarence. 1519 01:23:57,840 --> 01:24:02,040 And then he wants what Clarence wants the most. 1520 01:24:02,040 --> 01:24:03,800 That. 1521 01:24:03,800 --> 01:24:06,160 And when Jinxy doesn't give it to him, 1522 01:24:06,160 --> 01:24:09,000 he sinks into a pit of festering, 1523 01:24:09,000 --> 01:24:13,160 obsessive, crazy, weird hatred. 1524 01:24:13,160 --> 01:24:15,160 All because you didn't get a gold star. 1525 01:24:17,960 --> 01:24:20,160 Because I killed Jinxy! 1526 01:24:20,160 --> 01:24:31,760 {\an8}## 1527 01:24:31,760 --> 01:24:35,320 I... I killed a man 1528 01:24:35,320 --> 01:24:37,480 because of him. 1529 01:24:37,480 --> 01:24:38,840 It's all your fault. 1530 01:24:38,840 --> 01:24:43,200 I killed Jinxy because of you. 1531 01:24:43,200 --> 01:24:45,320 And I killed... 1532 01:24:45,320 --> 01:24:50,880 {\an8}## 1533 01:24:50,880 --> 01:24:53,160 I need to hear you say it, Nicolas. 1534 01:24:53,160 --> 01:25:00,080 {\an8}## 1535 01:25:00,080 --> 01:25:02,960 And I killed Ian Andrews, too. 1536 01:25:02,960 --> 01:25:16,840 {\an8}## 1537 01:25:19,040 --> 01:25:41,800 {\an8}## 1538 01:25:41,800 --> 01:25:44,120 Nice turn out, eh? 1539 01:25:44,120 --> 01:25:48,040 Well, erm, we never stopped liking Jinxy. 1540 01:25:52,280 --> 01:25:53,920 You know, ma'am, 1541 01:25:53,920 --> 01:25:57,680 I've only ever been drunk three times. 1542 01:25:57,680 --> 01:26:03,320 At the school dance-- I was so nervous of girls - 1543 01:26:03,320 --> 01:26:07,680 after my old auntie's funeral, 1544 01:26:07,680 --> 01:26:10,920 - and then... - Easter Monday? 1545 01:26:12,360 --> 01:26:13,880 Jinxy was just going on at me, 1546 01:26:13,880 --> 01:26:17,760 about how pointless everything was. 1547 01:26:17,760 --> 01:26:20,640 My life, and his life, everyone's life. 1548 01:26:20,640 --> 01:26:23,800 I told him out of all the people that's ever lived 1549 01:26:23,800 --> 01:26:25,840 and-- and died, 1550 01:26:25,840 --> 01:26:28,480 in the history of humanity-- 17 billion, 1551 01:26:28,480 --> 01:26:30,680 - cos I-I checked... - Yeah. I bet you did. 1552 01:26:30,680 --> 01:26:35,960 ...that there is only 300 million who ever got lucky. 1553 01:26:35,960 --> 01:26:37,280 Properly lucky. 1554 01:26:37,280 --> 01:26:39,800 And, ma'am, if you were a white man 1555 01:26:39,800 --> 01:26:42,160 born at the same time and the place 1556 01:26:42,160 --> 01:26:44,000 as me and Jinxy, 1557 01:26:44,000 --> 01:26:46,160 you would have had more advantages than any 1558 01:26:46,160 --> 01:26:48,640 of the 17 billion. 1559 01:26:48,640 --> 01:26:51,200 And Jinxy was one of the 300 hundred million 1560 01:26:51,200 --> 01:26:58,120 and I-I told him just stop being so bloody miserable. 1561 01:27:00,360 --> 01:27:03,080 "You Jinxy Jones, 1562 01:27:03,080 --> 01:27:05,840 you are one of the luckiest of the lucky." 1563 01:27:10,640 --> 01:27:13,320 So, then he wanted to sell the map for loads of money. 1564 01:27:15,480 --> 01:27:19,480 And I-- It never settled right with me, what I said to him. 1565 01:27:19,480 --> 01:27:25,080 {\an8}## 1566 01:27:25,080 --> 01:27:27,360 Nice music though, innit? 1567 01:27:32,080 --> 01:27:35,760 ♪ There is a house ♪ 1568 01:27:35,760 --> 01:27:40,080 ♪ In New Orleans ♪ 1569 01:27:40,080 --> 01:27:45,760 ♪ They call the rising sun ♪ 1570 01:27:45,760 --> 01:27:48,000 ♪ Rising sun ♪ 1571 01:27:48,000 --> 01:27:51,920 ♪ It's been the ruin ♪ 1572 01:27:51,920 --> 01:27:54,120 ♪ Of many a poor girl ♪ 1573 01:27:54,120 --> 01:27:55,920 ♪ Many a poor girl ♪ 1574 01:27:55,920 --> 01:28:03,640 ♪ And me I know I won ♪ 1575 01:28:03,640 --> 01:28:10,360 ♪ I'm going back to New Orleans ♪ 1576 01:28:10,360 --> 01:28:12,080 ♪ To New Orleans ♪ 1577 01:28:12,080 --> 01:28:18,360 ♪ My race is almost run ♪ 1578 01:28:18,360 --> 01:28:20,360 ♪ Almost run ♪ 1579 01:28:20,360 --> 01:28:26,200 ♪ I'm going back to New Orleans ♪ 1580 01:28:26,200 --> 01:28:28,480 {\an8}## 1581 01:28:28,480 --> 01:28:34,960 ♪ Beneath the rising sun ♪ 1582 01:28:34,960 --> 01:28:36,840 {\an8}## 1583 01:28:36,840 --> 01:28:42,320 ♪ There is a house in New Orleans ♪ 1584 01:28:44,160 --> 01:28:51,720 ♪ They call the rising sun ♪ 1585 01:28:51,720 --> 01:29:18,000 {\an8}## 1586 01:29:22,160 --> 01:29:25,800 {\an8}##