- GET OUT OF MY FACE. - WHAT YOU GONNA DO?
KAREN: PREVIOUSLY ON "SISTAS"...
JASMINE: YOU DIDN'T EVEN KNOW THAT HE WAS
AT HER HOUSE LAST NIGHT.
- WHOA, WHOA, WHOA. - YOU'RE FIRED.
CALVIN: DO YOU HAVE ANYTHING TO DRINK?
- SURE WANT TO DO THAT? - SABRINA...
LISA: LADIES, DO NOT MESS WITH MARRIED MEN.
KAREN: MAMA...
ANDI: YOUR WIFE AND MORRIS ARE HAVING AN AFFAIR.
ZAC: I DID SLEEP WITH HER, AND YOU KNEW THAT.
MATILDA: THIS IS WHERE MY DAUGHTER SHOT HERSELF?
CALVIN: I WANT TO SHOW YOU SOMETHING.
- BOXERS. - YOU LIKE?
ZAC: ARE WE GONNA MAKE IT?
[DOOR CLOSES]
ANDI: SHE WAS GONNA FILE A POLICE REPORT
SAYING THAT YOU BEAT HER.
- DO YOU WANT SOMETHING HERE? - YES. I DO.
LISA: WHAT ARE YOU DOING?
MATILDA: WHAT DOES IT LOOK LIKE?
LISA: HONEY, GO CALL THE POLICE.
- FOR WHAT? - FOR THAT GUN.
MATILDA: THIS IS A TOY.
LISA: I'VE BEEN A MARINE ALL MY LIFE.
I KNOW THAT'S A ... TOY GUN, BUT YOU CAME IN HERE,
AND YOU'RE TRYING TO SCARE MY DAUGHTER AND HER CLIENTS?
UH-UH. THAT'S NOT GONNA HAPPEN.
GET THE ... OUT OF HERE, BITCH.
MATILDA: YOU'RE THE BITCH, AND YOU RAISED
THIS TRASHY-ASS BITCH TO BE WHAT SHE IS.
KAREN: MS. MATILDA, YOU NEED TO LEAVE.
LISA: AND NEVER COME BACK.
MATILDA: OH, I WILL COME BACK ANYTIME THAT I WANT.
LISA: OH, YOU DO, AND I WILL HAVE THE POLICE ARREST YOUR ASS.
- MAMA, CALM DOWN. - NO.
PAM: DON'T STOP HER, KAREN. THIS IS SHIT IS CRAZY.
- PAM, STAY OUT OF THIS. - WOMAN, GET OUT OF HERE.
PAM: NO. THE WHOLE DAMN FAMILY IS LOONY.
MATILDA: YOU EVEN THINK THAT I'M SOMETHING?
WAIT TILL YOU MEET HER BROTHER.
HE IS COMING TO THE FUNERAL,
AND THAT THING THAT SHE MARRIED AND YOU
ARE GONNA GET WHAT IS COMING TO YOU.
KAREN: AREN'T YOU SUPPOSED TO BE CHRISTIAN?
MATILDA: I AM.
LISA: HA! YOU SERIOUS?
MATILDA: YES.
KAREN: I DIDN'T HAVE AN AFFAIR WITH AARON.
MATILDA: THEN WHY DID SHE DO WHAT SHE DID?
- I DON'T KNOW. - TELL THE TRUTH.
KAREN: I AM.
MATILDA: I KNOW MY DAUGHTER. I KNOW.
I KNOW SHE WOULD NOT HAVE DONE THAT.
LISA: WHAT, NOT KILLED HERSELF...
- YES. SHE-- - OR LIED TO YOU?
OH, YOU KNOW WHAT? I SEE WHAT THIS IS.
YOU CAN'T HANDLE THE IDEA
THAT MAYBE YOU HAD SOMETHING TO DO WITH IT.
- WHAT? - OH, YEAH.
LISA: THAT'S WHAT IT IS. OH, MAN.
YOU CAN'T ACCEPT RESPONSIBILITY.
MATILDA: I HAVE NO-- NO RESPONSIBILITY
FOR THE CHOICES THAT MY DAUGHTER MADE.
LISA: EXACTLY. ARE YOU HEARING WHAT YOU'RE SAYING?
IT WAS HER CHOICE.
MATILDA: HER CHOICE TO GET CHEATED ON BY THIS?
LISA: SHE DIDN'T DO IT. DID YOU NOT HEAR MY DAUGHTER?
SHE DID NOT CHEAT WITH YOUR DAUGHTER'S HUSBAND.
SHE TOLD ME SO.
- WELL... - SHE'S NOT LYING.
MATILDA: WE WILL JUST SEE
WHAT HER BROTHER HAS TO SAY ABOUT THAT.
LISA: YEAH. WELL, LADY, LET ME TELL YOU,
IF ANY OF YOUR CLAN COMES IN HERE TO ... WITH MY DAUGHTER,
YOUR DAUGHTER WON'T BE THE ONLY ONE
THAT LEFT HERE IN A BODY BAG.
KAREN: OK, MAMA. OK. COME ON.
- GET THE ... OUT. - COME ON. STOP.
- MAMA, STOP. STOP. - THAT'S SO CRUEL.
LISA: NUH-UH. THAT BITCH STARTED WITH THE WRONG ONE TODAY.
KAREN: I KNOW, MAMA, BUT PLEASE RELAX.
PLEASE CALM DOWN. SHE'S GONE.
[APPLAUSE]
WOMAN: ♪ DON'T MY GIRLS HOLD ME DOWN ♪
♪ LET THEM BOYS MESS AROUND ♪ HOLD ME DOWN
♪ MY LOVE LIFE IS A HEADACHE ♪
♪ WE'RE GOIN' OUT TONIGHT ♪
♪ 'CAUSE I'M LOOKING FOR LOVE ♪
LISA: OH, MAN, I'M SORRY. I AM SO SORRY.
PAM: SO GLAD YOU'RE HERE, MS. LISA.
PAM: YEAH. WELL, YOU KNOW, YOU'RE A MARINE ALL YOUR LIFE.
YOU ARE A SNIPER FOR HALF OF IT.
MY PARENTS GREW UP IN THE MARINES.
I HAVE BEEN IN ACTIVE DUTY
I CAN'T EVEN TELL YOU HOW MANY TIMES,
AND WITH THE ABUSE THAT I'VE GOTTEN
WHILE IN THE ACTIVE MARINES--
KAREN: OK, MOM.
- NO. - SHE'S GONE.
-IT'S NOT GONNA HAPPEN. - I KNOW.
LISA: YOU'RE ALL RIGHT, BABY,
AND THAT'S WHY MAMA GETS ON HER MOTORCYCLE
AND GOES RIDING AND GOES CAMPING,
AND JUST STAYS THE ... OUT OF EVERYBODY'S HAIR.
OH, I'M SORRY. I'M SORRY. I'M SORRY.
KAREN: OH, IT'S OK. YOU ALL RIGHT?
LISA: [SIGHS]
KAREN: THANK YOU.
LISA: LET ME GUESS. THIS IS THE REASON?
AARON: I'M SORRY?
KAREN: MAMA--
LISA: [SIGHS]
AARON: I TRIED TO CALL YOU.
KAREN: I HAD CLIENTS.
AARON: HAS MS. MATILDA BEEN HERE?
KAREN: YEAH. SHE JUST LEFT.
AARON: DAMN. LOOK. I'M SO SORRY.
KAREN: WHAT WAS THAT ALL ABOUT?
AARON: SHE WAS AT THE FUNERAL HOME TALKING CRAZY
ABOUT THE KIDS AND DISRESPECT AND TOY GUNS
AND HOW CAN I LET THEM HAVE IT, AND SHE JUST MUMBLED
UNDER HER BREATH AND STORMED OUT.
I WANTED TO GET HERE BEFORE HER. I'M SORRY.
LISA: LET ME TALK TO YOU.
KAREN: MAMA--
LISA: HONEY, I'M GOING TO TALK TO HIM.
KAREN: OK, SO THIS-- THIS IS MY MOTHER. SHE'S--
AARON: HI. HI. I'M AARON.
LISA: YEAH. WHATEVER. COME ON. LET'S GO.
KAREN: GOOD LUCK.
AARON: LOOK. I'M SORRY ABOUT THIS.
LISA: SAVE ALL THAT.
AARON: OK.
LISA: WHO ARE YOU?
AARON: WELL, LIKE I SAID, MY NAME'S AARON.
LISA: I'M KAREN'S MOTHER.
AARON: I GATHERED THAT,
AND I COULD SEE WHERE SHE GETS HER BEAUTY FROM.
LISA: AND HER TEETH.
AARON: WHAT?
LISA: I BITE.
AARON: I'M SORRY?
LISA: LOOK. WOULD YOU JUST STOP WITH THE SORRIES?
STOP WITH THAT BULLSHIT.
AARON: I DON'T KNOW WHAT YOU MEAN.
LISA: I KNOW ... LIKE YOU--
YUP--MARRIED BUT STILL GO AFTER SINGLE WOMEN,
YOU KNOW, PRETTY WOMEN, SEXIER WOMEN, EASY WOMEN.
AARON: THAT IS NOT WHAT THIS IS.
LISA: OH, MAN, I KNOW THAT, BECAUSE MY DAUGHTER IS NOT EASY.
AARON: LOOK. I DIDN'T KNOW MY EX-WIFE WAS GONNA DO THAT.
LISA: YOU WERE HER HUSBAND. IT WAS YOUR JOB TO KNOW THAT.
AARON: I WISH I DID KNOW.
LISA: MM-HMM, AND WHAT WOULD YOU HAVE DONE DIFFERENTLY?
AARON: I PROBABLY WOULDN'T HAVE TALKED TO YOUR DAUGHTER.
LISA: IS THAT SO?
AARON: YES.
LISA: WELL, WHY ARE YOU TALKING TO HER NOW?
AARON: LOOK. I JUST WANT YOU TO KNOW
AND I WANT YOU TO UNDERSTAND
THAT HER AND I WERE NOT HAVING AN AFFAIR.
LISA: WELL, ARE YOU NOW?
AARON: I DON'T UNDERSTAND.
LISA: ARE YOU HAVING AN AFFAIR NOW?
AARON: MY EX-WIFE IS DEAD.
LISA: MM-HMM.
YOU KNOW, AARON, YOU'VE LET ME KNOW THAT YOU'RE
THE KIND OF GUY THAT WOULD DRIVE A WEAK WOMAN
TO DO THAT SORT OF THING,
YEAH, YOU KNOW, JUST SO YOU COULD BE FREE.
AARON: I WOULD NEVER DO THAT TO SOMEONE.
LISA: YEAH. THAT'S WHAT YOUR LIPS SAY.
AARON: NO. THAT'S WHAT MY MIND, HEART, BODY, AND SOUL SAYS, OK?
I WOULD NEVER DO THAT TO SOMEONE, ALL RIGHT,
AND I'M HURT THAT THIS EVEN HAPP--
LISA: OH, STOP, STOP, STOP. STOP WITH THE HURT.
SERIOUSLY? NO. I DON'T BUY THAT SHIT AT ALL.
- WELL, I AM. - ALL RIGHT.
LISA: WELL, AARON, YOUR MOTHER-IN-LAW CLAIMS
SHE HAS A SON AND THAT SHE'S GONNA SEND THAT SON
OVER HERE TO GO AFTER MY DAUGHTER.
YOU LET HER KNOW THAT IF THAT SHIT HAPPENS,
ALL HELL IS GONNA BREAK OUT.
- YOU GOT ME? - I GOT YOU.
LISA: I JUST WANT YOU TO KNOW, I AM 100% THAT BITCH.
YOU GOT ME?
AARON: YES. I DO.
[ENGINE STARTS]
DAMN.
KAREN: SHE MEANS IT.
AARON: I KNOW.
LOOK. I DIDN'T KNOW THAT SHE WOULD--
KAREN: HEY, LISTEN.
I DON'T KNOW HOW I GOT IN THE MIDDLE OF THIS,
BUT HERE WE ARE.
AARON: WHAT CAN I DO?
KAREN: NOTHING. I HAVE CLIENTS, SO--
AARON: OK.
WE STILL ON FOR 7:00?
KAREN: YEAH.
AARON: WELL, I GUESS I'LL, UH, GO TALK TO HER.
KAREN: I DON'T THINK THAT'S GONNA MAKE NO DIFFERENCE.
AARON: WELL, I CAN TRY.
KAREN: OK.
AARON: BYE.
KAREN: [SIGHS]
[INDISTINCT CONVERSATION]
- AH. - HELLO.
MORRIS: HEY, CAN WE MEET?
BELLAMY: YES. RIGHT THIS WAY.
LESLIE: DO YOU NEED ME IN THE MEETING, SIR?
- NO. I DON'T. - OK.
FATIMA: HI.
CAN I GET YOU SOME COFFEE OR SOMETHING WHILE YOU WAIT?
LESLIE: NO, THANK YOU. I'M GOOD.
FATIMA: OK.
LESLIE: ON SECOND THOUGHT, WHERE IS IT?
FATIMA: I'LL GET IT.
LESLIE: NO, NO. WHY DON'T YOU JUST SHOW ME?
- OK. - THANK YOU.
LESLIE: WHAT WAS YOUR NAME AGAIN?
FATIMA: FATIMA.
LESLIE: YOU WORKED FOR ANDI, RIGHT?
FATIMA: YEAH.
LESLIE: WHAT'S SHE LIKE?
FATIMA: SHE'S A REALLY GOOD PERSON.
I LOVED WORKING FOR HER.
LESLIE: THAT'S GOOD. THAT'S REAL GOOD.
FATIMA: WHY DO YOU ASK?
LESLIE: I JUST--I JUST ASKED.
FATIMA: OH, OK.
LESLIE: IT'S A SHAME, WHAT THEY'RE DOING TO HER.
MAKING HER TAKE THE FALL FOR ALL OF THIS.
FATIMA: I DON'T KNOW WHAT YOU MEAN.
LESLIE: OH, OK,
SO YOU ALL AROUND HERE, BUT YOU DON'T KNOW WHAT I MEAN.
FATIMA: NO. I DON'T.
LESLIE: WELL, THEN, YOU NEED TO OPEN YOUR EYES, GIRL.
FATIMA: HERE'S YOUR COFFEE.
LESLIE: I'M SORRY.
I CAN BE A BIT ABRASIVE.
FATIMA: YEAH. I SEE THAT.
LESLIE: YOU'RE CUTE.
FATIMA: HEH. THANK YOU.
LESLIE: YOU INTO GIRLS?
FATIMA: NO.
SORRY.
LESLIE: OH, DON'T BE SORRY. YOU JUST BE YOU.
FATIMA: THANKS.
WHAT--WHAT'S YOUR NAME AGAIN?
LESLIE: LESLIE.
FATIMA: OH, YEAH.
WELL, I WOULD LOVE FOR YOU TO TELL ME WHAT YOU KNOW.
LESLIE: WHY WOULD I DO THAT?
FATIMA: BECAUSE I BELIEVE THAT PEOPLE WILL ALWAYS
DO THE RIGHT THING EVENTUALLY.
LESLIE: OH, NOW THAT'S SWEET. THAT'S CUTE. YOU KEEP THAT.
FATIMA: UH-HUH. SO YOU WANT TO TALK ABOUT IT?
LESLIE: CAN WE GO TO A COFFEE SHOP?
FATIMA: AS LONG AS YOU KNOW THAT I'M NOT INTERESTED.
LESLIE: DEAL.
FATIMA: ALL RIGHT.
I KNOW A COFFEE SHOP THAT'S NOT TOO FAR FROM HERE.
I GET A BREAK IN A BIT. WE CAN TALK THERE.
LESLIE: OK.
FATIMA: GIVE ME YOUR NUMBER.
- THERE YOU GO. - THANKS.
LESLIE: MM MM.
MM.
[SIGHS]
MORRIS: [SIGHS]
LESLIE: EVERYTHING ALL RIGHT?
MORRIS: NO.
LESLIE: WHAT? WHAT'S GOING ON?
- WE NEED TO TALK. - OK.
MORRIS: JASMINE ALREADY FIRED YOU,
AND I MIGHT HAVE TO CUT TIES.
LESLIE: WHAT? I'VE BEEN WORKING FOR YOU FOR YEARS.
MORRIS: I KNOW, BUT IT'S FOR THE BEST.
- LIKE THAT? - I'M SORRY.
LESLIE: YOU HAVEN'T EVEN PAID ME YET.
MORRIS: WELL, THIS WAS THE PAY
THAT I WAS SUPPOSED TO PAY FOR ALL THAT.
IT AIN'T HAPPENING, SO--
LESLIE: YOU ARE AN ASSHOLE. YOU KNOW, THAT?
MORRIS: SO? AREN'T YOU?
LESLIE: OH, BITCH.
[PHONE LINE RINGS]
[CELL PHONE RINGS]
[RING]
ANDI: HELLO?
- ANDREA? - MM-HMM?
FATIMA: HEY, THIS IS FATIMA.
ANDI: AND WHAT DO YOU WANT, FATIMA?
FATIMA: UM, YOU KNOW THAT PRIVATE DETECTIVE?
- LESLIE? - YES.
ANDI: WHAT ABOUT HER?
FATIMA: SHE WANTS TO MEET ME FOR COFFEE.
ANDI: OH. WELL, YOU GO AHEAD, BUT JUST KNOW,
SHE'S PROBABLY INTERESTED IN YOU.
FATIMA: YEAH. I TOLD HER THAT I WASN'T,
BUT I FEEL LIKE SHE WANTS TO TELL ME SOMETHING
ABOUT YOU AND ALL OF THIS.
ANDI: AND WHAT MAKES YOU THINK THAT?
FATIMA: WELL, THEY WERE JUST IN HERE ARGUING.
- WHO IS "THEY?" - LESLIE AND MORRIS.
ANDI: AND WHAT WAS MORRIS DOING THERE?
FATIMA: HE HAD A MEETING WITH BELLAMY.
[PHONE BEEPS] ANDI: WAIT. HOLD ON.
SOMEONE'S CALLING MY--
UM, YEAH. OK.
WHY DON'T YOU MEET WITH HER AND TELL ME WHAT SHE SAYS?
FATIMA: THAT'S THE LEAST I CAN DO. YES.
ANDI: I HAVE TO GO. I HAVE TO TAKE THIS, OK?
- SURE. - THANKS. BYE.
- HELLO? - MS. BARNES?
- YES. - THIS IS DON BELLAMY.
ANDI: HI, MR. BELLAMY.
BELLAMY: I SPOKE TO THE BOARD, AND WE HAVE MADE A DECISION.
IS IT POSSIBLE THAT YOU CAN COME IN?
ANDI: YES.
BELLAMY: CAN YOU BE HERE IN AN HOUR?
ANDI: SURE, BUT IF YOU'RE GONNA FIRE ME,
WHY NOT JUST DO IT OVER THE PHONE?
BELLAMY: IT'S NOT THAT SIMPLE, MS. BARNES.
WE SHOULD SPEAK IN PERSON.
ANDI: YES, MR. BELLAMY.
BELLAMY: SO WE'LL SEE YOU IN AN HOUR?
ANDI: I'LL SEE YOU IN AN HOUR.
BELLAMY: OK. THANK YOU.
ANDI: HI.
GARY: HEY.
ANDI: I DON'T THINK YOU SHOULD GO OVER THERE.
GARY: BABE, WE'VE BEEN OVER THIS.
ANDI: I KNOW. I JUST--
I DON'T HAVE A GOOD FEELING ABOUT IT.
ANDI: BABY, IT'S GONNA BE OK.
ANDI: OK. WELL, I'M NOT GONNA TRY TO TALK YOU OUT OF IT.
- IF YOU INSIST-- - WELL, YOU ALREADY HAVE.
ANDI: I'M SORRY.
GARY: LOOK. I MEAN, WHEN I GET BACK...
ANDI: MM-HMM?
GARY: HOW ABOUT WE GO FOR A RIDE?
ANDI: WHERE?
GARY: ABOUT AN HOUR SOUTH.
ANDI: MM. WHAT'S AN HOUR SOUTH?
GARY: IT'S A SURPRISE.
ANDI: OH. OK.
GARY: YEAH. I SHOULD BE BACK BEFORE DARK...
ANDI: MM-HMM?
GARY: AND THEN, UM, IF NOT, MAYBE WE CAN GO IN THE MORNING.
ANDI: WHAT'S THE SURPRISE?
GARY: IF I TOLD YOU, IT WOULDN'T BE A SURPRISE.
ANDI: HA HA HA! FINE.
- MM-HMM. - MM.
GARY: SO WHO WAS THAT?
ANDI: OH, IT'S MY BOSS.
GARY: OH.
WHAT DID HE SAY?
ANDI: THEY WANT ME TO COME IN IN ABOUT AN HOUR, SO--HEH HEH.
GARY: HMM.
ANDI: DON'T SOUND SO EXCITED.
GARY: NO. I JUST--
BABY, I JUST WANT WHATEVER'S GONNA MAKE YOU HAPPY.
ANDI: WELL, KEEPING THE CAREER I'VE PUT ALL THESE YEARS INTO,
THAT MAKES ME HAPPY.
GARY: WHETHER YOU ARE THERE OR NOT,
YOU'RE GONNA BE HAPPY IN YOUR CAREER.
ANDI: THANK YOU, BUT I WANT TO BE THERE.
HA HA HA!
GARY: WELL, LET'S JUST HOPE THAT IT ALL WORKS OUT.
- GARY... - WHAT?
ANDI: WHAT IS IT, BABY?
GARY: WHAT DO YOU MEAN?
ANDI: UM, I COULD TELL THAT SOMETHING'S GOING ON
WHENEVER I MENTION MY JOB.
GARY: I THINK IT'S JUST ALL THIS, YOU KNOW,
NOT YOU OR YOUR JOB.
- YOU SURE? - YEAH, BABY.
GARY: YOU GOT TO UNDERSTAND, I GOT A LOT OF EMOTION
AROUND YOUR JOB.
- WELL, YOU-- - YOU--
ANDI: OH, GO AHEAD. I'M SORRY.
GARY: YOU'RE GOOD.
I MEAN, YOU UNDERSTAND THAT, THOUGH, RIGHT?
ANDI: OK.
GARY: CALL ME WHEN YOU KNOW THEIR DECISION.
ANDI: OK.
- OK. - OK. HA HA!
- BYE. - BYE.
GARY: [SIGHS]
MM.
CALVIN: [GULP]
AHH.
SABRINA: ARE YOU OK?
CALVIN: MY DAD JUST DIED.
WHAT KIND OF DUMBASS QUESTION IS THAT?
SABRINA: I'M SORRY.
CALVIN: OH...
I DON'T KNOW IF I'LL EVER BE OK.
OH, ARE YOU DRINKING THAT?
SABRINA: I THINK THAT WE SHOULD TAKE A BREAK.
CALVIN: OH, IS THIS YOUR WAY OF TAKING CARE OF ME? HA HA!
SABRINA: YEAH, BY CUTTING YOU OFF.
CALVIN: YOU KNOW WHAT YOU ARE?
YOU'RE A BITCH. THAT'S WHAT YOU ARE.
YOU ARE A BITCH--
B-I-T-C--BITCH.
SABRINA: NO. YOU'RE JUST DRUNK.
CALVIN: OH, NO.
YOU KNOW WHAT?
I SHOULD SLAP THE SHIT OUT OF YOU.
SABRINA: NO, YOU SHOULDN'T.
CALVIN: YEAH, BECAUSE THAT'S WHAT YOU WANT, RIGHT?
SABRINA: CALVIN, WHAT ARE YOU TALKING--
CALVIN: OH, NO, NO.
YOU WANT ONE OF THEM DIRTY-ASS, THUG ... RIGHT,
WEAR THEY PANTS ALL OFF THEY ASS, HUH...
SABRINA: REALLY, CALVIN?
CALVIN: BECAUSE, SHIT, I COULD DO THAT.
SABRINA: CAN YOU STOP?
CALVIN: NO. NO. SHIT.
- STOP IT. - WHAT UP, SHORTY?
- CAN YOU STOP? - WHAT UP, BITCH?
- HOLLA AT YOUR NIGGA. - STOP.
- THAT'S WHAT YOU WANT-- - THIS IS NOT FUNNY.
CALVIN: ONE OF THESE THUG-ASS ..., RIGHT?
- THAT'S WHAT YOU WANT. - CALVIN, STOP.
CALVIN: OH, WHAT?
- NAH, COME HERE, HOE. - NOW--
CALVIN: WHAT'S HAPPENING WITH YOU?
SABRINA: CALVIN, GET AWAY.
CALVIN: COME HERE. COME--
- STOP. LET GO. - OH, I'M SORRY. COME HERE.
SABRINA: LET GO!
CALVIN: SEE? I COULD BE AGGRESSIVE.
- STOP! - I COULD BE AGGRESSIVE.
CALVIN: LOOK. LOOK. I CAN BE AGGRESSIVE.
- STOP IT, CALVIN! STOP! - I'M DOING IT, SEE?
SABRINA: LET ME GO!
CALVIN: HA! HA HA HA!
HEE HEE HEE!
WHERE YOU GOING, BABY?
WHERE ARE YOU GO--MM!
SHIT, YOU AIN'T GONNA DRINK THIS.
MM!
YOU DO THAT RIGHT.
OH!
OOH, HOO HOO HOO! OH, HOO HOO! OH!
OOH, DAMN, BABY, THAT'S COLD.
OOH, THAT'S COLD, BABY. MM.
OH, MAN...
MY DADDY'S DEAD...
AND THE ONLY WOMAN WHO I EVER FELL IN LOVE WITH
AT THE FIRST SIGHT
DON'T THINK I'M MAN ENOUGH FOR HER.
I REMEMBER WHEN
I FIRST SAW YOU AT THE BANK.
YOU WERE SO BEAUTIFUL. MM.
YOU HAD ON THAT YELLOW DRESS.
I THINK YOUR HAIR WAS UP IN A PONYTAIL,
MM,
AND YOU SMELLED SO GOOD...
BUT YOU DIDN'T EVEN SEE ME.
I CAN'T HURT YOU, SABRINA.
I CAN'T DOG YOU. I CAN'T BE NO THUG ...
I AIN'T THAT TYPE OF GUY...
BUT I CAN ..., THOUGH.
THAT'S ONE THING I CAN DO. I CAN ...
MY UNCLE, HE MADE SURE OF THAT.
MY DADS, THEY THOUGHT IT WAS A GOOD IDEA,
TO VISIT MY UNCLE THIS ONE TIME.
HE SAID THAT I NEEDED TO BE CLOSE TO MY BIOLOGICAL FAMILY.
MY UNCLE TOLD ME, HE SAID,
"YOU AIN'T GONNA BE NO GAY-ASS QUEER, BOY!
I'M 'A SHOW YOU"...
[EXHALES]
SO HE PUT ME IN THE CAR, AND WE DROVE TO THE SOUTH SIDE...
AND THAT'S WHEN...
HE MADE ME HAVE SEX WITH THAT WOMAN.
OH.
WELL...
THERE I WAS, JUST 9 YEARS OLD...
HMM...
AND SHE WAS 40.
[SNIFFLES]
SHE WAS 40...
BUT I SHOWED HIM.
I SHOWED HIM.
[SIGHS]
I MADE HIM SO PROUD.
I MADE THAT SON OF A BITCH SO PROUD.
"THAT'S MY NEPHEW!
GET HER, BOY."
I GOT TO GO TO THE BATHROOM.
MY DADDY'S DEAD!
MY DADDY'S DEAD.
ZAC: WHAT'D I DO? WHAT--WHAT DID I DO?
DANNI: NOTHING, NOT A DAMN THING.
YOU'RE JUST A DUDE.
ZAC: THANKS. APPRECIATE THAT.
DANNI: WHAT DID KAREN SAY WHEN YOU TOLD HER
ABOUT THE BABY, HUH?
ZAC: I DON'T WANT TO TALK ABOUT THAT.
DANNI: OH, NO. IT'S IMPORTANT.
ZAC: WHY? IT'S OVER.
DANNI: I'M TRYING TO HELP YOUR DUMB ASS...
- HOW YOU-- - AND GET YOU OUT MY HOUSE.
ZAC: HOW ARE YOU HELPING ME BY CALLING ME A DUMBASS?
DANNI: DOES THAT BOTHER YOU, DUMBASS?
ZAC: DON'T NAME-CALL, STEAK-UMMS.
DANNI: I'M SORRY. AM I HURTING YOUR FEELINGS, DUMBASS?
ZAC: YOU KNOW, I'M GONNA BE AN ADULT...
DANNI: MM.
ZAC: AND JUST LET YOU BE IN YOUR MOMENT.
DANNI: FOR ONCE IN YOUR LIFE? ALL RIGHT.
I'M SORRY. I'M SO SORRY. WHAT WAS HER REACTION?
ZAC: NOTHING.
DANNI: WHAT DO YOU MEAN?
- NOTHING. - WHAT?
ZAC: SHE LITERALLY WALKED IN THE ROOM,
CLOSED THE DOOR, AND SAID NOTHING.
DANNI: REALLY?
ZAC: YEAH.
DANNI: SHE DIDN'T SCREAM...
ZAC: NOPE.
DANNI: OR CUSS YOU OUT, NOTHING?
ZAC: NOTHING.
DANNI: DAMN.
ZAC: WHAT?
DANNI: IT'S REALLY OVER.
ZAC: I TOLD YOU THAT.
DANNI: YEAH. IF SHE DO ALL OF THAT CUSSING AND FUSSING,
SHE CARES, BUT SHE DON'T DO NONE OF THAT,
SHE DON'T GIVE A SHIT.
ZAC: I KNOW THAT.
DANNI: HMM, SO THEN YOU KNOW IT'S OVER...
ZAC: YES.
DANNI: AND YOU DON'T WANT IT TO BE, HUH?
ZAC: DANNI--
DANNI: NO. I MEAN, YOU ALL DO ALL THIS BREAKING UP,
AND THEN YOU HAVE THIS WILD, CRAZY SEX,
AND YOU'RE BACK TOGETHER AGAIN, BUT THIS TIME...
ZAC: YEAH, NOT THIS TIME.
DANNI: YOU KNOW, YOU TALK ABOUT WHAT A WOMAN MISSES.
LET ME TELL YOU WHAT YOU MISSED.
- HERE WE GO. - NO. I'M SERIOUS.
DANNI: SHE WENT TO THE DOCTOR, YOU KNOW, TELLING HER
ABOUT HER BIOLOGICAL CLOCK, AND IT GOT TO HER,
AND SHE'S READY TO HAVE A BABY.
ZAC: I KNOW THAT.
DANNI: WELL, DID YOU GIVE HER ONE
OR AT LEAST TRY TO GIVE HER ONE?
ZAC: SHE'S STILL ON THE PILL, SO CLEARLY,
SHE DON'T WANT TO HAVE ONE THAT BAD.
DANNI: WOW.
THAT MEANS SHE DON'T WANT TO HAVE ONE WITH YOU.
OH, MY GOSH.
- WHY YOU RUBBING IT IN? - IT'S REALLY OVER.
DANNI: I'M NOT. I'M SORRY, BUT IT'S OVER.
ZAC: I KNOW THAT, DANNI. WHY YOU GOT TO RUB IT IN?
DANNI: I'M NOT. I SAID I'M NOT.
ZAC: OH, GEEZ, MAYBE SHE WANT TO HAVE ONE WITH OLD BOY.
HE GOT THE NICE HOUSE IN THE SUBURBS WITH A NICE CAR
AND A NICE JOB AND THE SIX FIGURES.
DANNI: HOW YOU KNOW ALL THAT?
- I JUST-- - HMM.
DANNI: YOU BEEN ON HIS-- YOU BEEN ON HIS PAGE?
ZAC: I HAVEN'T.
DANNI: YES, YOU HAVE.
ZAC: NO. I HAVE NOT.
DANNI: ADMIT IT. YOU HAVE.
ZAC: DANNI, I'M NOT YOU.
DANNI: OH, WE KNOW THAT...
[CHUCKLES]
BUT YOU'RE FULL OF SHIT, OK?
I'LL LEAVE YOU ALONE BECAUSE I FEEL SORRY FOR YOU
BECAUSE IT'S OVER.
YOU GOT TO FIGURE OUT WHAT YOU GONNA DO.
ZAC: I AIN'T EVEN THINKING ABOUT HER.
DANNI: OK.
ZAC: YOU JUST KICK ME?
AND YOUR PHONE WAS RINGING, TOO.
DANNI: NO, IT'S NOT.
ZAC: I BET YOU GO CHECK, THOUGH.
FATIMA: HI.
LESLIE: HI. THANKS FOR COMING.
FATIMA: YOU'RE WELCOME. YES. CAN I GET A LATTE?
- YEP. - THANK YOU.
LESLIE: YOU REALLY ARE A BEAUTIFUL GIRL.
FATIMA: THANK YOU.
SO YOU WANTED TO TELL ME SOMETHING ABOUT ANDI?
LESLIE: DID I SAY THAT?
FATIMA: YES. THANKS.
LESLIE: LOOK. I DON'T KNOW ABOUT ALL OF THIS.
FATIMA: ABOUT WHAT?
LESLIE: WHAT IT WOULD MEAN IF I HELP HER.
FATIMA: OK. I GET THAT, BUT THAT'S A BIT SELFISH, NO?
LESLIE: WELL, I MEAN, WHO'S LOOKING OUT FOR ME?
- DO YOU KNOW HER STORY? - YES.
- TOP OF HER CLASS. - I KNOW ALL THAT.
ANDI: IT WAS A STRUGGLE FOR HER TO GET THAT DEGREE.
LESLIE: YOU REALLY LIKE HER, DON'T YOU?
FATIMA: YES. I DO.
WELL, SHE'S EVERYTHING THAT I WANT TO BE.
LESLIE: ARE YOU IN SCHOOL?
FATIMA: NO. I--I NEED TO GO BACK AND FINISH.
LESLIE: YOU SHOULD.
FATIMA: YOU KNOW WHAT?
LESLIE: WHAT?
FATIMA: I CAN TELL WHEN SOMEONE
WANTS TO GET SOMETHING OFF THEIR MIND.
LESLIE: AND HOW IS THAT?
FATIMA: PSYCH MINOR.
LESLIE: ALL RIGHT. LOOK.
I DON'T KNOW ABOUT ALL THIS
PSYCH MINOR STUFF YOU'RE ON, BUT--
FATIMA: OK. I GET IT.
YOU'LL TELL ME WHEN YOU WANT TO TELL ME.
LESLIE: I DON'T HAVE NOTHING TO SAY.
FATIMA: WELL, THEN I WASTED MY TIME.
LESLIE: CAN YOU STAY, JUST FOR A SECOND?
FATIMA: WHY?
LESLIE: I JUST LOVE BEING AROUND A BEAUTIFUL WOMAN, AND IT'S--
IT'S BEEN A WHILE.
FATIMA: WELL, I'M NOT SOME SHINY THING FOR YOU TO ADMIRE.
I'M HERE TO HELP MY BOSS.
- WHAT'S IN IT FOR ME? - WHAT DO YOU MEAN?
- IF I HELP HER. - A CLEAR CONSCIENCE.
LESLIE: HA! THAT'S ALL?
FATIMA: YES, HONEY. THAT'S ALL.
LESLIE: MM.
FATIMA: ALTHOUGH...
LESLIE: WHAT?
FATIMA: I HAVE A FRIEND.
HER NAME IS NIKKI,
AND I WOULD LOVE TO INTRODUCE HER TO YOU.
LESLIE: SHE'S INTO GIRLS?
FATIMA: MM. SHE'S FLUID...
LESLIE: HMM.
FATIMA: BUT I THINK SHE MIGHT LIKE YOU.
LESLIE: SO YOU THINK I'M JUST THAT HARD-UP
THAT I'D TAKE THAT OFFER?
FATIMA: NO. I JUST WANT TO INTRODUCE HER TO YOU.
LESLIE: I WANT TO MEET HER.
- NAME THE PLACE. - PEARL BAR.
FATIMA: ON 10th?
LESLIE: YES. YOU KNOW IT?
FATIMA: I'LL HAVE HER MEET YOU THERE AT 8:00,
AND YOU'LL BE THERE AT 8:40.
LESLIE: ARE YOU NEGOTIATING?
FATIMA: YES.
LESLIE: WHAT IF I DON'T LIKE YOUR GIRL?
FATIMA: HA HA! EVERYBODY LIKES NIKKI.
LESLIE: THIS ISN'T A TRADE.
FATIMA: EXACTLY.
SHE'LL SEE YOU TONIGHT...
LESLIE: OK.
FATIMA: AND PAY FOR MY COFFEE.
LESLIE: MM.
HMM.
ANDI: OHH.
SITTING THERE LIKE A QUEEN ON HER THRONE.
KAREN: SHUT UP. WHAT YOU DOING HERE?
ANDI: I HAVE TO GO IN TO THE OFFICE.
THEY WANT TO TALK TO ME, AND YOUR PLACE IS CLOSE BY, SO--
KAREN: THEY WANT TO TALK TO YOU?
ANDI: YUP.
KAREN: IS IT BAD?
ANDI: I HAVE NO IDEA.
KAREN: YOU'RE NERVOUS.
- SO NERVOUS. - I CAN TELL.
ANDI: UM, HOW ARE YOU?
- DON'T. - WHAT?
KAREN: I LOVE THAT ABOUT YOU.
YOU'RE ALWAYS ASKING ABOUT OTHER PEOPLE
SO YOU AIN'T GOT TO THINK ABOUT YOURSELF.
ANDI: WELL, I COULD AT LEAST ASK.
KAREN: I'M GOOD.
ANDI: GOOD.
KAREN: THOUGHT YOU CAME BECAUSE PAM AND MY MAMA CALLED YOU.
ANDI: WHAT DO YOU MEAN? WHY WOULD THEY CALL ME?
KAREN: THAT GIRL'S MOTHER CAME IN HERE WITH A TOY GUN.
- WHAT? - YEAH.
- WHAT THE HELL, KAREN? - IT'S FINE.
KAREN: MY MAMA WAS HERE. SHE HANDLED IT.
- I BET SHE DID. - SHE DIDN'T KNOW.
- LISA IS THE TRUTH. - SHE SURE IS. SHIT.
ANDI: SO WHY DID SHE HAVE A TOY GUN?
KAREN: I'LL TELL YOU ABOUT THAT LATER, BUT ANYWAYS,
THEN MY MAMA MET AARON.
ANDI: WAIT. AARON WAS HERE?
KAREN: YEAH. HE THOUGHT THAT HIS MOTHER-IN-LAW WAS GONNA COME,
SO HE CAME, AND THEN HE MET MY MAMA.
- OH, NO. - YEAH. SHE TOOK HIM OUTSIDE.
ANDI: AND WHAT DID SHE SAY TO HIM?
KAREN: I HAVE NO IDEA, BUT WHEN HE LEFT,
HIS FACE WAS COLORLESS, I MEAN--
ANDI: YEAH. THAT'S LISA.
KAREN: YEAH. IT IS. WELL, HE'LL TELL ME TONIGHT.
ANDI: YOU GONNA SEE HIM TONIGHT?
KAREN: YEAH. DINNER.
ANDI: MM-HMM. WELL, THAT'S GOOD, RIGHT?
KAREN: IS IT?
ANDI: YOU LIKE HIM?
KAREN: I DO, BUT--SHIT.
ANDI: BUT WHAT?
KAREN: [SIGHS]
I'M THINKING ABOUT ZAC.
- KAREN-- - I KNOW. I KNOW. JUST--
ANDI: I JUST-- I MEAN, OK. ALL RIGHT.
I'M NOT JUDGING YOU. I'M NOT JUDGING YOU. I'M--
KAREN: I KNOW. I JUST--
I GET MAD AT MYSELF BECAUSE...
I LOVE HIM, BUT--
ANDI: YEAH. WE KNOW.
KAREN: GIRL, I GOT TO STOP WASTING MY TIME
IF I'M GONNA START A FAMILY.
ANDI: YEAH. WE ALL DO.
KAREN: [SCOFFS]
WHEN HE TOLD ME THAT BITCH WAS PREGNANT, OH, MY GOD--
- KAREN-- - NO. SHE'S NOT.
- OH. OK. - SHE LIED,
BUT STILL, I MEAN,
I JUST LOST IT INSIDE OF MYSELF, YOU KNOW?
- YEAH. - I JUST WENT NUMB.
KAREN: I DON'T KNOW. I HATE THIS FEELING.
IT'S--IT'S HALF OF ME HANGING ON,
AND THE OTHER HALF IS JUST...
OUT THE DOOR.
ANDI: I GET IT.
KAREN: IT JUST SHOULDN'T BE THIS HARD.
ANDI: I KNOW.
KAREN: ANYWAY, HOW'S GARY?
ANDI: GARY IS GOING TO TALK TO HIS WIFE.
- WHAT? - EXACTLY.
ANDI: I KNOW IT'S NOT A GOOD IDEA, BUT--
KAREN: MM, YEAH. IT'S NOT A GOOD IDEA.
WHAT ARE THEY GONNA TALK ABOUT?
ANDI: WELL, HE HAS TO GO HOME AND GET HIS THINGS
BECAUSE HE FOUND OUT THAT THEY WERE HAVING AN AFFAIR.
KAREN: HER AND MORRIS?
ANDI: YEAH. I TOLD HIM.
KAREN: WHAT'D HE SAY?
ANDI: GIRL, HE WAS UPSET. YOU UNDERSTAND ME? UPSET.
KAREN: ANDI--
ANDI: YES, KAREN?
KAREN: LOOK. I NEED TO JUST ASK YOU THIS.
ANDI: PLEASE. GO ON.
KAREN: DO YOU REALLY KNOW THIS MAN?
ANDI: I THINK I DO. YEAH.
KAREN: NO, BECAUSE YOU--
YOU SAYING SOME SHIT THAT'S MAKING ME THINK TWICE, OK--
THE WAY HE BEAT MORRIS, THE MOOD SWINGS?
ANDI: NOW, I DIDN'T SAY ANYTHING ABOUT MOOD SWINGS.
KAREN: BUT YOU'RE DESCRIBING THEM.
ANDI: AM I?
KAREN: YOU KNOW, JUST BE CAREFUL, OK?
ANDI: I AM. GIRL, I HAVE TO GO.
KAREN: OK.
LET ME KNOW WHEN YOU FIGURE EVERYTHING OUT, THOUGH.
ANDI: OK.
KAREN: LET ME SIT BACK DOWN. AHH...
- REALLY? - YOU GOT IT.
ANDI: CAN I GET A REAL HUG?
I NEED IT.
KAREN: I'VE JUST BEEN ON MY FEET ALL DAY, GIRL.
GET OUT. I JUST TOLD YOU WHAT HAPPENED. DAMN. SHIT.
ANDI: OH, MY GOSH. BYE.
KAREN: YOU LOOK GOOD...
ANDI: THANK YOU.
KAREN: EVEN THOUGH YOU'RE GETTING FIRED.
ALEXA MERRILL: ♪ FEEL YOUR LOVE PUT A WIND ON ME ♪
♪ IF I PUSH FIRST, PRETEND YOU'RE NOT THE ONE I NEED ♪
♪ FEEL YOUR LOVE SECOND-GUESS ♪
♪ FEEL YOUR LOVE WHEN I'M EMPTY ♪
♪ GOT TO LEARN TO TRUST IN YOU, BUT THAT MEANS TRUST IN ME ♪
SABRINA: IT HAPPENED TO ME, TOO.
LET ME GET YOU TO BED.
CALVIN: MM. OH, YEAH.
- OH, UP AND-- - OK. GOT YOU.
- MM...MM... - HEH.
CALVIN: MM...
MM. WHAT HAPPENED?
SABRINA: NOTHING, I FIGURE. LET ME JUST--
CALVIN: OH, WHAT HAPPENED?
OHH...MM...
UH...WHAT IS--
SABRINA: IT'S OK. SLIDE UP.
- WHAT'S-- - SLIDE UP HERE.
SABRINA: THERE YOU GO. THERE YOU GO.
CALVIN: OHH...
- COMFORTABLE? - YEAH, YEAH, YEAH.
CALVIN: YOU'RE SUCH A GOOD WOMAN. HMM.
SABRINA: THANK YOU.
CALVIN: I DIDN'T HURT YOU, DID I?
SABRINA: NO, NO, NO, IT'S OK.
CALVIN: WELL, I WAS BEING AGGRESSIVE.
SABRINA: YES. YOU WERE, BUT YOU DIDN'T HURT ME.
CALVIN: MM, THAT IS GOOD. THAT'S GOOD. HEH.
UH, WHAT TIME IS IT?
SABRINA: UM, I DON'T KNOW.
CALVIN: I GOT TO TALK TO MY DAD.
SABRINA: NO. OK, OK, OK,
AFTER YOU LAY DOWN AND TAKE A NAP.
- ARE YOU SURE HE'S OK? - YES.
CALVIN: OH, MM...
- YES. HE'S OK. - THAT'S GOOD.
CALVIN: YOU PROMISE?
I LOVE MY DAD.
SABRINA: HE'S FINE.
- MM-HMM. - [SNIFFLES]
SABRINA: [EXHALES]
CALVIN: HEY, DO YOU LIKE MY BOXERS?
- HUH? - YOU LIKE MY BOXERS?
- YES. YES. - HA HA HA!
SABRINA: YES. I LIKE YOUR BOXERS.
CALVIN: YEP. YEP.
MY STUFF IS FREE AS A BREEZE.
SABRINA: YEAH. YEAH.
LET ME TAKE OFF YOUR SHOES.
CALVIN: MY JUNK
IS FREE IN THE BREEZE...
SABRINA: YES. IT IS.
CALVIN: NOW THAT I GOT THESE NEW BOXERS. YEP.
HEE HEE!
HE LOOKED AT ME AND SAID,
"WHY YOU GOT ME IN THESE TIGHT-ASS, YELLOW DRAWERS, BOY?"
- HA HA HA! - COME HERE. SLIDE UP.
- MM. - GET COMFORTABLE.
- YOU WANT SOME WATER? - YOU WANT TO SEE HIM?
- NO, NOT RIGHT NOW. - OH, YOU WANT TO SEE HIM.
- NAH, NOT RIGHT NOW. - YOU WANT TO SEE HIM.
- NO, NO, NO, NO. - HE'S, UH--HA HA HA!
SABRINA: NO. UH, IT'S OK.
CALVIN: NO, NO.
HE WANTS TO PLAY WITH THE KITTY.
- OK. - PRRR.
- OK. - MEOW.
SABRINA: YUP, YUP. "MEOW, MEOW." GO TO SLEEP. GO TO SLEEP, OK?
CALVIN: YEAH.
UM, I LOVE YOU. TELL ME YOU LOVE ME.
COME ON. TELL ME YOU LOVE ME.
YOU LOVE ME. TELL ME YOU LOVE ME.
SABRINA: I LOVE YOU.
CALVIN: [CHUCKLES]
YOU DON'T MEAN THAT SHIT.
YOU DON'T MEAN IT,
BUT YOU WILL.
ONE DAY, YOU WILL.
GARY: WHAT?
OK, JASMINE. ALL RIGHT.
JASMINE: HEY, SO YOU'RE HERE WITH THAT BITCH?
GARY: WHAT THE ...?
JASMINE: WHAT THE ... ARE YOU DOING HERE?
GARY: I'M MINDING MY OWN BUSINESS.
JASMINE: AND WHERE YOU GOING?
YOU COMING TO GET THE REST OF YOUR THINGS?
- JASMINE-- - THERE THEY ARE, ALL OF THEM.
GARY: SHIT.
[SCOFF]
JASMINE: YOU LIKE MY WORK?
GARY: WHAT DID YOU DO TO MY CAR?
JASMINE: I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
GARY: WHY DON'T YOU JUST GO TALK TO YOUR MAN, HMM?
JASMINE: MY MAN?
GARY: YEAH, YOUR MAN MORRIS.
JASMINE: OH. OH, YOU KNOW ABOUT THAT?
GARY: YEAH. I KNOW ABOUT HIM.
JASMINE: MM-HMM. DID YOU KNOW THAT HE WAS ... ME
EVERY TIME YOU LEFT THE HOUSE?
GARY: GOOD FOR HIM.
JASMINE: AND WE DID IT IN OUR BED.
GARY: I DON'T CARE, JASMINE.
JASMINE: YEAH. I KNOW YOU DON'T.
I DIDN'T EVEN BOTHER CHANGING THE SHEETS,
AND YOU DIDN'T EVEN NOTICE.
GARY: BECAUSE I DON'T ... CARE, JASMINE!
JASMINE: YOU LAID ALL IN HIS DRY FLUIDS.
GARY: WHAT ARE YOU TRYING TO DO, HMM?
YOU'RE TRYING TO GET A RISE OUT OF ME?
JASMINE: OH, NO. NO, NO, NO, NO.
I GET ALL MY RISES OUT OF MORRIS.
GARY: ALL RIGHT.
JASMINE: WHERE ARE YOU GOING?
GARY: JASMINE, MOVE.
JASMINE: NO, NO, NO. I WANT TO SHOW YOU SOMETHING.
GARY: I SAID MOVE.
JASMINE: I SAID NO, AND I WANT TO SHOW YOU SOMETHING.
LOOK AT THE GAS CAP.
LOOK AT IT.
GARY: JASMINE, MOVE.
JASMINE: DIDN'T YOUR MAMA DIE IN A HOUSE FIRE
WHEN YOU WERE A KID?
WELL, THAT BITCH IS BURNING IN ETERNAL HELL. HEH.
[LID CLATTERS]
- RIGHT. LET'S PUT HER HERE. - JASMINE.
JASMINE: LET'S PUT HER RIGHT THE ... HERE.
GARY: I'M NOT PLAYING WITH YOU. JASMINE, DON'T DO THAT!
JASMINE: LET'S PUT HER RIGHT HERE.
GARY: I'M NOT PLAYING WITH YOU, JASMINE. GIVE ME THAT!
[GRUNTING]
JASMINE: AHH! AHH!
AAH!
[CAR ALARM BLARING]
ANDI: NEXT ON "SISTAS"...
GARY: JASMINE!
- ARE THEY READY FOR ME? - THEY ARE.
ANDI: HI.
- I'M SORRY, MAURICE. - HOW DO I LOOK?
AARON: YOU KNOW, I THINK ABOUT HOW WE MET
AND THE PERSON THAT I THOUGHT YOU WERE.
YOU'RE NOWHERE NEAR HER.
- YOU LOOK NICE. - I DON'T WANT TO LOOK NICE.
DANNI: I WANT TO LOOK LIKE A SNACK
OR, BETTER YET, THE WHOLE DAMN MEAL.
MAURICE: THEY CAUGHT THAT SON OF A BITCH.
I FOUGHT LIKE HELL.
ZAC: WHO IS IT?
- IT'S LISA. - HEY, MS. LISA.
KAREN: I'VE BEEN TRYING TO GAUGE HOW YOU FEEL ABOUT ALL THIS.
LISA: WHAT THE HELL IS WRONG WITH YOU, BOY?
DO YOU KNOW YOU'RE ABOUT TO MESS UP THIS STUFF
WITH MY DAUGHTER, FOR SURE?