1 00:00:01,648 --> 00:00:03,400 How'd you end up like that, anyway? 2 00:00:03,483 --> 00:00:05,110 I fell into a vat of electric eels. 3 00:00:05,193 --> 00:00:06,695 You're kidding. 4 00:00:06,778 --> 00:00:09,573 - I fell into a supercollider. - Gotta be careful where you fall. 5 00:00:09,656 --> 00:00:11,700 There's no loyalty amongst thieves. 6 00:00:11,783 --> 00:00:13,869 It's a lot of dynamite you're dealing with. 7 00:00:14,411 --> 00:00:17,456 Having supervillains explain how they became supervillains 8 00:00:17,539 --> 00:00:19,458 to each other is hilarious. 9 00:00:19,541 --> 00:00:21,793 It's just so funny because it's so ridiculous. 10 00:00:21,877 --> 00:00:25,839 I love the idea of putting a bunch of rogue villains together 11 00:00:25,922 --> 00:00:29,092 and just watching them meet each other and hang out and talk. 12 00:00:29,176 --> 00:00:32,346 Like, it's just... I've never really seen that. [Laughs] 13 00:00:41,647 --> 00:00:44,066 [Watts] It was just thinking about what will be fun to see, 14 00:00:44,149 --> 00:00:46,818 visual combinations that you never thought you would see. 15 00:00:46,902 --> 00:00:47,819 Who are these guys? 16 00:00:47,903 --> 00:00:50,739 How great would it be to see Alfred Molina again? 17 00:00:50,822 --> 00:00:52,616 You'd get to see Willem Dafoe without the mask. 18 00:00:52,699 --> 00:00:56,119 Having Jamie get to come in and make him not blue. 19 00:00:56,203 --> 00:00:58,789 - [Goblin] You make me sick. - [Norman] Leave me alone. 20 00:00:58,872 --> 00:01:01,458 [Goblin] Hiding in the shadows. 21 00:01:01,541 --> 00:01:03,335 - [Green Goblin cackles] - [Foxx] Norman Osborn... 22 00:01:03,418 --> 00:01:05,003 Green Goblin... is just like... 23 00:01:05,087 --> 00:01:07,589 I mean, to see him work. When we're on the set, he... 24 00:01:07,673 --> 00:01:09,841 [mimicking Dafoe] "Gods don't choose." 25 00:01:09,925 --> 00:01:11,301 - We take." - We take. 26 00:01:11,385 --> 00:01:13,720 [Foxx] And you go, "Oh, shit." 27 00:01:13,804 --> 00:01:16,306 And that cackle. [Mimics cackle] I was, like, oh. 28 00:01:16,390 --> 00:01:18,934 I mean, that's real. You know, I forgot I was in the movie. 29 00:01:19,017 --> 00:01:21,603 I'm sitting there with my popcorn like, "This motherfucker's good." 30 00:01:21,687 --> 00:01:23,230 [Garfield] Willem is just fearless, 31 00:01:23,313 --> 00:01:26,024 and Willem doesn't give a flying... whatever. 32 00:01:26,108 --> 00:01:27,359 "I'm doing this." 33 00:01:27,442 --> 00:01:29,569 He's just, like, so unselfconscious as an actor, 34 00:01:29,653 --> 00:01:32,531 just totally free, and that's the dream. 35 00:01:32,614 --> 00:01:35,826 It's one of the most surreal experiences I've ever had in my life. 36 00:01:35,909 --> 00:01:38,912 When he becomes the Goblin, he is terrifying. 37 00:01:38,995 --> 00:01:41,206 And in the rehearsal, he starts doing the laugh, 38 00:01:41,289 --> 00:01:44,668 and he's saying all this different stuff about how much he hates Peter Parker. 39 00:01:44,751 --> 00:01:47,421 And we're doing this fight scene and I just became, like, 40 00:01:47,504 --> 00:01:50,465 a five-year-old kid again, watching him in the theater. 41 00:01:50,549 --> 00:01:52,259 [metallic clunks] 42 00:01:55,595 --> 00:01:57,013 Hello, Peter. 43 00:01:57,764 --> 00:01:58,765 Hi? 44 00:01:58,849 --> 00:02:02,561 Alfred was blown away by the advancement in technology. 45 00:02:02,644 --> 00:02:05,814 When he made Spider-Man 2, his arms were puppets. 46 00:02:05,897 --> 00:02:09,025 He had four or five guys moving him around at a time. 47 00:02:09,109 --> 00:02:11,486 [Foxx] Alfred, you know, as Ock though is just... 48 00:02:11,570 --> 00:02:13,655 To watch him work... 49 00:02:13,739 --> 00:02:15,407 He's so funny. 50 00:02:15,490 --> 00:02:16,658 Once they say "Cut," 51 00:02:16,742 --> 00:02:18,118 I mean, bro, 52 00:02:18,201 --> 00:02:21,413 the jokes and everything like that is just, like, nonstop. 53 00:02:21,496 --> 00:02:23,957 - Is that "haughty" with a G-H or... - [crew chuckling] 54 00:02:24,040 --> 00:02:25,709 - Yes. - Okay. Got it. 55 00:02:25,792 --> 00:02:28,670 - [Watts] All right. Roll it. - [Foxx] But when he gets into his bag, 56 00:02:28,754 --> 00:02:34,176 and he plays an interesting character to where you feel like he's conflicted. 57 00:02:34,259 --> 00:02:37,679 Like he, out of all of us, seems like, 58 00:02:37,763 --> 00:02:41,558 "Yo, I wanna maybe live a regular life. Go to a club or something." 59 00:02:41,641 --> 00:02:43,685 - [thunder rumbling] - [Electro] What's up, Peter? 60 00:02:45,896 --> 00:02:47,272 How you like the new-new? 61 00:02:49,274 --> 00:02:51,526 [Garfield] Jamie. He's so inventive, he's so creative. 62 00:02:51,610 --> 00:02:54,696 He has the crew laughing constantly, he's a great storyteller, 63 00:02:54,780 --> 00:02:56,615 and he's the complete character. 64 00:02:56,698 --> 00:03:00,076 The sequence where he thinks that Andrew was gonna be Black, like, 65 00:03:00,160 --> 00:03:02,829 that's all just Jamie improvising. That's not written. 66 00:03:02,913 --> 00:03:05,290 - Aw, man. I'm sorry. - Nah, don't apologize. 67 00:03:05,373 --> 00:03:07,793 There's gotta be a Black Spider-Man somewhere out there. 68 00:03:07,876 --> 00:03:10,879 [Holland] And it adds so much humor and so much love and life 69 00:03:10,962 --> 00:03:12,923 that I would work with Jamie Foxx on anything. 70 00:03:13,006 --> 00:03:14,966 Honestly, I love the man so much. 71 00:03:15,050 --> 00:03:16,927 [Foxx] Electro's waiting on something to break, 72 00:03:17,010 --> 00:03:19,012 so he's all, "Let me get in. Let me get mine." 73 00:03:19,095 --> 00:03:22,224 So, that sets the table for something very interesting. 74 00:03:22,307 --> 00:03:24,976 All of those villains in an apartment that Peter takes them to, 75 00:03:25,060 --> 00:03:27,103 that's like smoking a cigarette at the gas station 76 00:03:27,187 --> 00:03:28,522 and pumping the gas, you know? 77 00:03:28,605 --> 00:03:30,106 So, it's an exciting thing. 78 00:03:34,361 --> 00:03:35,946 Oh, my God. 79 00:03:36,029 --> 00:03:39,115 - What have you done? - I liked you better before. 80 00:03:40,951 --> 00:03:42,369 - [grunts] - [shrieks] 81 00:03:42,452 --> 00:03:43,995 [grunting] 82 00:03:44,079 --> 00:03:45,539 - [Dafoe] In this film... - [grunting] 83 00:03:45,622 --> 00:03:49,334 ...there's some good, old-fashioned fighting. [Chuckles] 84 00:03:49,417 --> 00:03:52,295 Punching, kicking, to-the-body stuff. 85 00:03:52,379 --> 00:03:54,381 I'm still not admitting 86 00:03:54,464 --> 00:03:56,967 that I'm too long in the tooth to do this stuff, 87 00:03:57,050 --> 00:03:58,844 so I still enjoy doing it. 88 00:03:58,927 --> 00:04:02,848 So, to do this physical stuff was important to me. 89 00:04:02,931 --> 00:04:07,394 He is still in incredible shape. He phoned me up prior to this movie 90 00:04:07,477 --> 00:04:10,814 and was like, "| want to let you know I wanna do as much as possible." 91 00:04:10,897 --> 00:04:13,066 - And he was just a trouper. - [grunting] 92 00:04:13,149 --> 00:04:17,153 He has a pretty intense, high-energy fight scene with Tom. 93 00:04:17,237 --> 00:04:19,406 It's unbelievable to see his dedication 94 00:04:19,489 --> 00:04:23,201 and how hard he worked to bring that same Green Goblin back 95 00:04:23,285 --> 00:04:27,581 that we saw in the first Spider-Man that's just so mean and so violent. 96 00:04:27,664 --> 00:04:30,041 You tried to fix me. 97 00:04:30,125 --> 00:04:32,794 - Now I'm gonna fix you. - [panting] 98 00:04:32,878 --> 00:04:36,923 I was so impressed with him and just his ability 99 00:04:37,007 --> 00:04:40,427 to have that kind of energy during something like that. 100 00:04:41,261 --> 00:04:42,387 [sighs] 101 00:04:44,764 --> 00:04:46,808 I got that Tony Stark shit. 102 00:04:46,892 --> 00:04:49,895 When they showed me the previz of what they were accomplishing... 103 00:04:49,978 --> 00:04:52,689 I mean, it's the spectacle. That type of thing. 104 00:04:52,772 --> 00:04:57,903 He did absolutely phenomenal stuff. You know, up and around on blue screen. 105 00:04:57,986 --> 00:04:59,696 [Foxx] Shooting those was absolutely amazing. 106 00:04:59,779 --> 00:05:03,992 When they put you those strings and fly you around, it's great. 107 00:05:05,160 --> 00:05:06,328 - [screams] - [grunts] 108 00:05:07,287 --> 00:05:08,330 Catch! 109 00:05:08,413 --> 00:05:10,749 [grunting] 110 00:05:10,832 --> 00:05:14,502 Alfred Molina, because he moves around on the legs so much, 111 00:05:14,586 --> 00:05:18,882 we had him in a harness for 90% of the time that he was working with us. 112 00:05:18,965 --> 00:05:20,050 I felt so bad for him. 113 00:05:20,133 --> 00:05:22,344 Every time he saw one of the stunt guys, he was like, 114 00:05:22,427 --> 00:05:24,512 "Oh, no. Have I gotta get back in the harness again?" 115 00:05:24,596 --> 00:05:26,056 Once the tentacles are there, 116 00:05:26,139 --> 00:05:29,059 there's gonna be all this kinetic movement 117 00:05:29,142 --> 00:05:30,602 and things are gonna be smashing. 118 00:05:30,685 --> 00:05:34,022 But if you look at just me, all I'm doing is this... 119 00:05:34,105 --> 00:05:36,900 [Molina grunts, chuckles] 120 00:05:36,983 --> 00:05:38,318 I'm just kind of leaning in. 121 00:05:38,401 --> 00:05:40,946 It's basically like you're hitting him in the face with your elbow. 122 00:05:41,029 --> 00:05:43,281 [Molina] We were doing a huge fight scene with Tom. 123 00:05:43,365 --> 00:05:46,034 He's diving off things, he's doing flips, 124 00:05:46,117 --> 00:05:47,410 he's doing back somersaults, 125 00:05:47,494 --> 00:05:50,246 he's smashing the cars and then doing a roll, 126 00:05:50,330 --> 00:05:51,665 and I'm just kind of going... 127 00:05:51,748 --> 00:05:54,709 [grunts, laughs] ...and such. 128 00:05:54,793 --> 00:05:56,503 [Cottle] I really take my hat off to them. 129 00:05:56,586 --> 00:06:00,298 And it was a very sad day when it was their last day, for sure. 130 00:06:05,261 --> 00:06:07,889 There's so many great actors that have been in these movies, 131 00:06:07,973 --> 00:06:09,474 and to be able to bring them together 132 00:06:09,557 --> 00:06:11,351 and find a way to finish their story lines 133 00:06:11,434 --> 00:06:12,852 maybe in a different way. 134 00:06:12,936 --> 00:06:17,315 They're all sort of the victims of accidents of technological mistakes. 135 00:06:17,399 --> 00:06:20,777 To use that as an entry point to telling a story 136 00:06:20,860 --> 00:06:23,238 about the idea of second chances took a second, 137 00:06:23,321 --> 00:06:25,156 but it... eventually, it all clicked. 138 00:06:25,824 --> 00:06:26,825 [ticking]