1
00:00:01,648 --> 00:00:03,400
How'd you end up like that, anyway?
2
00:00:03,483 --> 00:00:05,110
I fell into a vat of electric eels.
3
00:00:05,193 --> 00:00:06,695
You're kidding.
4
00:00:06,778 --> 00:00:09,573
- I fell into a supercollider.
- Gotta be careful where you fall.
5
00:00:09,656 --> 00:00:11,700
There's no loyalty amongst thieves.
6
00:00:11,783 --> 00:00:13,869
It's a lot of dynamite
you're dealing with.
7
00:00:14,411 --> 00:00:17,456
Having supervillains explain
how they became supervillains
8
00:00:17,539 --> 00:00:19,458
to each other is hilarious.
9
00:00:19,541 --> 00:00:21,793
It's just so funny
because it's so ridiculous.
10
00:00:21,877 --> 00:00:25,839
I love the idea of putting
a bunch of rogue villains together
11
00:00:25,922 --> 00:00:29,092
and just watching them meet each other
and hang out and talk.
12
00:00:29,176 --> 00:00:32,346
Like, it's just...
I've never really seen that. [Laughs]
13
00:00:41,647 --> 00:00:44,066
[Watts] It was just thinking about
what will be fun to see,
14
00:00:44,149 --> 00:00:46,818
visual combinations
that you never thought you would see.
15
00:00:46,902 --> 00:00:47,819
Who are these guys?
16
00:00:47,903 --> 00:00:50,739
How great would it be
to see Alfred Molina again?
17
00:00:50,822 --> 00:00:52,616
You'd get to see Willem Dafoe
without the mask.
18
00:00:52,699 --> 00:00:56,119
Having Jamie get to come in
and make him not blue.
19
00:00:56,203 --> 00:00:58,789
- [Goblin] You make me sick.
- [Norman] Leave me alone.
20
00:00:58,872 --> 00:01:01,458
[Goblin] Hiding in the shadows.
21
00:01:01,541 --> 00:01:03,335
- [Green Goblin cackles]
- [Foxx] Norman Osborn...
22
00:01:03,418 --> 00:01:05,003
Green Goblin... is just like...
23
00:01:05,087 --> 00:01:07,589
I mean, to see him work.
When we're on the set, he...
24
00:01:07,673 --> 00:01:09,841
[mimicking Dafoe] "Gods don't choose."
25
00:01:09,925 --> 00:01:11,301
- We take."
- We take.
26
00:01:11,385 --> 00:01:13,720
[Foxx] And you go, "Oh, shit."
27
00:01:13,804 --> 00:01:16,306
And that cackle. [Mimics cackle]
I was, like, oh.
28
00:01:16,390 --> 00:01:18,934
I mean, that's real.
You know, I forgot I was in the movie.
29
00:01:19,017 --> 00:01:21,603
I'm sitting there with my popcorn like,
"This motherfucker's good."
30
00:01:21,687 --> 00:01:23,230
[Garfield] Willem is just fearless,
31
00:01:23,313 --> 00:01:26,024
and Willem doesn't give
a flying... whatever.
32
00:01:26,108 --> 00:01:27,359
"I'm doing this."
33
00:01:27,442 --> 00:01:29,569
He's just, like, so unselfconscious
as an actor,
34
00:01:29,653 --> 00:01:32,531
just totally free, and that's the dream.
35
00:01:32,614 --> 00:01:35,826
It's one of the most surreal
experiences I've ever had in my life.
36
00:01:35,909 --> 00:01:38,912
When he becomes the Goblin,
he is terrifying.
37
00:01:38,995 --> 00:01:41,206
And in the rehearsal,
he starts doing the laugh,
38
00:01:41,289 --> 00:01:44,668
and he's saying all this different stuff
about how much he hates Peter Parker.
39
00:01:44,751 --> 00:01:47,421
And we're doing this fight scene
and I just became, like,
40
00:01:47,504 --> 00:01:50,465
a five-year-old kid again,
watching him in the theater.
41
00:01:50,549 --> 00:01:52,259
[metallic clunks]
42
00:01:55,595 --> 00:01:57,013
Hello, Peter.
43
00:01:57,764 --> 00:01:58,765
Hi?
44
00:01:58,849 --> 00:02:02,561
Alfred was blown away
by the advancement in technology.
45
00:02:02,644 --> 00:02:05,814
When he made Spider-Man 2,
his arms were puppets.
46
00:02:05,897 --> 00:02:09,025
He had four or five guys
moving him around at a time.
47
00:02:09,109 --> 00:02:11,486
[Foxx] Alfred, you know,
as Ock though is just...
48
00:02:11,570 --> 00:02:13,655
To watch him work...
49
00:02:13,739 --> 00:02:15,407
He's so funny.
50
00:02:15,490 --> 00:02:16,658
Once they say "Cut,"
51
00:02:16,742 --> 00:02:18,118
I mean, bro,
52
00:02:18,201 --> 00:02:21,413
the jokes and everything like that
is just, like, nonstop.
53
00:02:21,496 --> 00:02:23,957
- Is that "haughty" with a G-H or...
- [crew chuckling]
54
00:02:24,040 --> 00:02:25,709
- Yes.
- Okay. Got it.
55
00:02:25,792 --> 00:02:28,670
- [Watts] All right. Roll it.
- [Foxx] But when he gets into his bag,
56
00:02:28,754 --> 00:02:34,176
and he plays an interesting character
to where you feel like he's conflicted.
57
00:02:34,259 --> 00:02:37,679
Like he, out of all of us, seems like,
58
00:02:37,763 --> 00:02:41,558
"Yo, I wanna maybe live a regular life.
Go to a club or something."
59
00:02:41,641 --> 00:02:43,685
- [thunder rumbling]
- [Electro] What's up, Peter?
60
00:02:45,896 --> 00:02:47,272
How you like the new-new?
61
00:02:49,274 --> 00:02:51,526
[Garfield] Jamie. He's so inventive,
he's so creative.
62
00:02:51,610 --> 00:02:54,696
He has the crew laughing constantly,
he's a great storyteller,
63
00:02:54,780 --> 00:02:56,615
and he's the complete character.
64
00:02:56,698 --> 00:03:00,076
The sequence where he thinks
that Andrew was gonna be Black, like,
65
00:03:00,160 --> 00:03:02,829
that's all just Jamie improvising.
That's not written.
66
00:03:02,913 --> 00:03:05,290
- Aw, man. I'm sorry.
- Nah, don't apologize.
67
00:03:05,373 --> 00:03:07,793
There's gotta be a Black Spider-Man
somewhere out there.
68
00:03:07,876 --> 00:03:10,879
[Holland] And it adds so much humor
and so much love and life
69
00:03:10,962 --> 00:03:12,923
that I would work
with Jamie Foxx on anything.
70
00:03:13,006 --> 00:03:14,966
Honestly, I love the man so much.
71
00:03:15,050 --> 00:03:16,927
[Foxx] Electro's waiting
on something to break,
72
00:03:17,010 --> 00:03:19,012
so he's all,
"Let me get in. Let me get mine."
73
00:03:19,095 --> 00:03:22,224
So, that sets the table
for something very interesting.
74
00:03:22,307 --> 00:03:24,976
All of those villains in an apartment
that Peter takes them to,
75
00:03:25,060 --> 00:03:27,103
that's like smoking a cigarette
at the gas station
76
00:03:27,187 --> 00:03:28,522
and pumping the gas, you know?
77
00:03:28,605 --> 00:03:30,106
So, it's an exciting thing.
78
00:03:34,361 --> 00:03:35,946
Oh, my God.
79
00:03:36,029 --> 00:03:39,115
- What have you done?
- I liked you better before.
80
00:03:40,951 --> 00:03:42,369
- [grunts]
- [shrieks]
81
00:03:42,452 --> 00:03:43,995
[grunting]
82
00:03:44,079 --> 00:03:45,539
- [Dafoe] In this film...
- [grunting]
83
00:03:45,622 --> 00:03:49,334
...there's some good,
old-fashioned fighting. [Chuckles]
84
00:03:49,417 --> 00:03:52,295
Punching, kicking, to-the-body stuff.
85
00:03:52,379 --> 00:03:54,381
I'm still not admitting
86
00:03:54,464 --> 00:03:56,967
that I'm too long in the tooth
to do this stuff,
87
00:03:57,050 --> 00:03:58,844
so I still enjoy doing it.
88
00:03:58,927 --> 00:04:02,848
So, to do this physical stuff
was important to me.
89
00:04:02,931 --> 00:04:07,394
He is still in incredible shape.
He phoned me up prior to this movie
90
00:04:07,477 --> 00:04:10,814
and was like, "| want to let you know
I wanna do as much as possible."
91
00:04:10,897 --> 00:04:13,066
- And he was just a trouper.
- [grunting]
92
00:04:13,149 --> 00:04:17,153
He has a pretty intense,
high-energy fight scene with Tom.
93
00:04:17,237 --> 00:04:19,406
It's unbelievable
to see his dedication
94
00:04:19,489 --> 00:04:23,201
and how hard he worked
to bring that same Green Goblin back
95
00:04:23,285 --> 00:04:27,581
that we saw in the first Spider-Man
that's just so mean and so violent.
96
00:04:27,664 --> 00:04:30,041
You tried to fix me.
97
00:04:30,125 --> 00:04:32,794
- Now I'm gonna fix you.
- [panting]
98
00:04:32,878 --> 00:04:36,923
I was so impressed with him
and just his ability
99
00:04:37,007 --> 00:04:40,427
to have that kind of energy
during something like that.
100
00:04:41,261 --> 00:04:42,387
[sighs]
101
00:04:44,764 --> 00:04:46,808
I got that Tony Stark shit.
102
00:04:46,892 --> 00:04:49,895
When they showed me the previz
of what they were accomplishing...
103
00:04:49,978 --> 00:04:52,689
I mean, it's the spectacle.
That type of thing.
104
00:04:52,772 --> 00:04:57,903
He did absolutely phenomenal stuff.
You know, up and around on blue screen.
105
00:04:57,986 --> 00:04:59,696
[Foxx] Shooting those
was absolutely amazing.
106
00:04:59,779 --> 00:05:03,992
When they put you those strings
and fly you around, it's great.
107
00:05:05,160 --> 00:05:06,328
- [screams]
- [grunts]
108
00:05:07,287 --> 00:05:08,330
Catch!
109
00:05:08,413 --> 00:05:10,749
[grunting]
110
00:05:10,832 --> 00:05:14,502
Alfred Molina, because he moves
around on the legs so much,
111
00:05:14,586 --> 00:05:18,882
we had him in a harness for 90%
of the time that he was working with us.
112
00:05:18,965 --> 00:05:20,050
I felt so bad for him.
113
00:05:20,133 --> 00:05:22,344
Every time he saw one of the stunt guys,
he was like,
114
00:05:22,427 --> 00:05:24,512
"Oh, no. Have I gotta get back
in the harness again?"
115
00:05:24,596 --> 00:05:26,056
Once the tentacles are there,
116
00:05:26,139 --> 00:05:29,059
there's gonna be all this kinetic movement
117
00:05:29,142 --> 00:05:30,602
and things are gonna be smashing.
118
00:05:30,685 --> 00:05:34,022
But if you look at just me,
all I'm doing is this...
119
00:05:34,105 --> 00:05:36,900
[Molina grunts, chuckles]
120
00:05:36,983 --> 00:05:38,318
I'm just kind of leaning in.
121
00:05:38,401 --> 00:05:40,946
It's basically like you're hitting him
in the face with your elbow.
122
00:05:41,029 --> 00:05:43,281
[Molina] We were doing
a huge fight scene with Tom.
123
00:05:43,365 --> 00:05:46,034
He's diving off things, he's doing flips,
124
00:05:46,117 --> 00:05:47,410
he's doing back somersaults,
125
00:05:47,494 --> 00:05:50,246
he's smashing the cars
and then doing a roll,
126
00:05:50,330 --> 00:05:51,665
and I'm just kind of going...
127
00:05:51,748 --> 00:05:54,709
[grunts, laughs] ...and such.
128
00:05:54,793 --> 00:05:56,503
[Cottle] I really take my hat off to them.
129
00:05:56,586 --> 00:06:00,298
And it was a very sad day
when it was their last day, for sure.
130
00:06:05,261 --> 00:06:07,889
There's so many great actors
that have been in these movies,
131
00:06:07,973 --> 00:06:09,474
and to be able to bring them together
132
00:06:09,557 --> 00:06:11,351
and find a way to finish their story lines
133
00:06:11,434 --> 00:06:12,852
maybe in a different way.
134
00:06:12,936 --> 00:06:17,315
They're all sort of the victims
of accidents of technological mistakes.
135
00:06:17,399 --> 00:06:20,777
To use that as an entry point
to telling a story
136
00:06:20,860 --> 00:06:23,238
about the idea of second chances
took a second,
137
00:06:23,321 --> 00:06:25,156
but it... eventually, it all clicked.
138
00:06:25,824 --> 00:06:26,825
[ticking]