1
00:00:01,001 --> 00:00:03,091
NARRATOR:
Previously, on "Hardy Boys"...

2
00:00:03,086 --> 00:00:04,166
[clanging]

3
00:00:04,171 --> 00:00:07,261
FRANK: This was on the box
that the Astghik pulled out of the water.

4
00:00:07,257 --> 00:00:10,087
Whatever Mom was working on,
this has to be a part of it.

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00:00:10,093 --> 00:00:12,053
MS. DIAZ:
She said her family was running the town.

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00:00:12,054 --> 00:00:14,354
FRANK: You're making them sound like
they're a secret organization.

7
00:00:14,348 --> 00:00:15,638
‐ That's what they are.

8
00:00:15,641 --> 00:00:18,771
‐ They called themselves
"The Circle of the Eye."

9
00:00:18,769 --> 00:00:22,059
The Nabokovs, the Khans,
and the Estabrooks.

10
00:00:22,064 --> 00:00:23,824
‐ Did Mom know about all of this?

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00:00:23,815 --> 00:00:26,605
GLORIA: Laura was very good
at finding herself in places

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she was not supposed to be.

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GEORGE [over tape recorder]:
Laura, you must never let your mother,

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or anyone else, reassemble The Eye.

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FRANK:
Mom wanted to expose the truth,

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and bring down the Circle.

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No Eye, no Circle.

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Let's finish what she started.

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JOE:
So you're going undercover.

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‐ I've been thinking about my successor.

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The legacy of The Eye
will fall to you, Francis.

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STACY: She's gonna make the same
mistakes as they always have.

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‐ You don't want to destroy The Eye.
You want it for yourself.

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You're the same as everyone else.

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‐ You know whatever happens now
is on you.

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[Callie screaming]

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[man grunts]

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[door slams]

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‐ Can't wait to make you pay for this.

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‐ Ooh. Your threats sound even scarier
when you're tied up.

31
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‐ I'll get out of these eventually.

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00:01:25,085 --> 00:01:28,915
‐ Yeah. If your friends cooperate.

33
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‐ Lying, stealing,
and now you're kidnapping?
[phone dialing]

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All in your father's warehouse?

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[phone continues dialing, then beeps]
I'm sure he'd be real proud of you.

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[exhales]
[phone rings]

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‐ Hey, Frank.
STACY [over phone]: Hey, Joe.

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Guess Frank's not home.

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‐ Joe, don't give her anything.
Don't give her the piece.

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‐ Callie? Callie!

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STACY [over phone]: Quiet!
‐ What did you do?

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‐ What I had to.

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Look, you tell Frank that if he ever
wants to see his little girlfriend again,

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he's gonna bring me the
Estabrook piece of The Eye.

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‐ We don't have it anymore.

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STACY [over phone]:
Oh, Joe.

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[laughs] We are so far past playing dumb.

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The piece, in exchange for Callie.

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Midnight. The warehouse by the docks.
Oh, and, uh,

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unless you want to find your brother's
girlfriend in a ditch somewhere,

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don't call the cops.

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[line beeps]

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[dial tone]

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♪ theme music playing ♪

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00:02:42,746 --> 00:02:44,326
[fire crackling]

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00:02:44,665 --> 00:02:46,995
♪ jazz music playing
over record player ♪

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[man singing on record]

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GLORIA: [groans]
That song.

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‐ I've never heard it.
‐ Really?

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I know it so well.

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[exhales]

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When I was a little girl,
I would lie in bed at night,

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and I could hear the sound of it
coming through the vents.

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[laughs softly]

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That's how I knew my father
was in this room.

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[Gloria chuckles]

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‐ When did he tell you about all this?

68
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The Eye. The Circle?

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‐ Mm, I suppose I was not much older
than you are now.

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FRANK:
Mm.

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‐ I always knew that he was
keeping something from me.

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No idea what it was.

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‐ Do you think things
would have turned out differently

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if he didn't find The Eye?

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‐ Oh, yes, I do.

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But when you're in possession of something

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so much greater than you are...

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I think it corrupted him.
It changed him.

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But I don't blame The Eye
for losing my father.

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Or your mother.

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An object in and of itself
can't be good or bad.

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‐ It's what we do with it.

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‐ Exactly.

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Which is why we have to be careful

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it never gets in the hands of someone
who would do harmful things with it.

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‐ Stacy's gonna come after it.

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GLORIA:
I'm counting on it.

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And when she does,

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we'll be ready.

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Mm‐hmm.

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[projector clicks on]

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♪ mysterious music playing ♪

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[indistinct yelling in distance]

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STEFAN:
But madam isn't expecting you.

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JOE:
Of course I'm here.

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I told you it was important,
right before you hung up on me.

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STEFAN: She's busy with Master Frank.
‐ Joe!

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JOE:
No, I don't care if Master Frank is busy.

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He's gonna talk to Master Joe.

100
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‐ Joe, what are you doing here?

101
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‐ It's Callie. Stacy and her men took her.

102
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She wants the last piece of The Eye.

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She says we have until midnight
to get it to the warehouse by the docks.

104
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‐ Or what?
‐ What do you think?

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She says we can't call the cops.
‐ Oh, God.

106
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‐ Thank you. This is exactly
what we wanted to happen.

107
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‐ What? Why?

108
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‐ Stacy's made her move.

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Now we can take advantage of it.

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‐ Didn't think anyone could have
a glass‐half‐full attitude

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about our friend being kidnapped.

112
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‐ Oh, Stacy's desperate.

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She's bound to make a mistake.

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What to do...

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We negotiate with her.

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Pretend to form an alliance.

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And then, we make our move.

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‐ Now is not the time to set a trap.
Callie's life is at risk.

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GLORIA: [scoffs]
Stacy is not gonna hurt Callie,

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because keeping her safe
is the only leverage she has.

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‐ We have no idea what she's going to do.

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We need to give her the piece.
‐ Okay, what is going to happen,

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when Stacy has all three pieces
of The Eye?

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She'll be too powerful to stop.

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Millions of lives could be at stake.

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‐ That's tomorrow's problem.

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Tomorrow, when Callie is safe.

128
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‐ She's not gonna lay a hand on Callie.

129
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And I am not giving up my piece.

130
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‐ We lost our mother to The Eye.

131
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I almost lost my father
and my little brother.

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I'm done sacrificing.

133
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‐ Yeah. What he said.
‐ Joe!

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GLORIA: Boys,
you're not seeing the bigger picture!

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‐ I don't know what to do anymore.
[door closes]

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I keep making mistakes
that other people pay for.

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‐ Come on, we've been in worse situations.
We can sort this out.

138
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‐ This is whole lot different, Joe.

139
00:06:53,580 --> 00:06:56,920
Stacy is going to kill Callie
if we don't get her the piece,

140
00:06:56,917 --> 00:06:59,207
and we don't have it. Grandma does.

141
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‐ Grandma has the real piece.

142
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‐ You still have the fake piece?
‐ Uh‐huh.

143
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‐ You're a genius.
‐ Ah, well...

144
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‐ No. I didn't see that.

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MRS. KHAN [over tape recorder]:
It was you, Gloria.

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You killed Victor.

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GLORIA [over tape recorder]:
So what if I did?

148
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I'd do the same to you if I thought
it would protect The Eye.

149
00:07:29,199 --> 00:07:31,699
Don't be so naive.

150
00:07:31,702 --> 00:07:33,292
[recorder clicks off]

151
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‐ I trust that will suffice?

152
00:07:35,497 --> 00:07:37,167
[pops open]

153
00:07:37,165 --> 00:07:39,415
I've held up my end of the bargain.

154
00:07:39,418 --> 00:07:41,208
FENTON: Yes, you have.

155
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Do you understand the terms of our deal?

156
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MRS. KHAN: Of course.
I leave town, never to return.

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FENTON: And we won't
turn you in to the authorities.

158
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But if I ever hear that
you have anything to do

159
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with the Circle of the Eye ever again‐‐

160
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‐ My time in the Circle is over.

161
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I assure you of that.

162
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A warning, though.

163
00:08:01,607 --> 00:08:03,727
There are pieces
still in play in this town

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00:08:03,734 --> 00:08:07,614
where your children,
half‐Estabrooks, live.

165
00:08:07,613 --> 00:08:11,533
So, a word to the wise, Mr. Hardy.

166
00:08:11,533 --> 00:08:13,873
The Eye.

167
00:08:13,869 --> 00:08:17,289
People have done
unthinkable things for it.

168
00:08:22,544 --> 00:08:23,924
[door opens]

169
00:08:24,880 --> 00:08:26,630
[door closes]
FENTON: So...

170
00:08:26,632 --> 00:08:28,882
Call Bridgeport Police Department.
Ask for Jesse Hooper.

171
00:08:28,884 --> 00:08:30,934
Play her that tape.
Tell her everything you know.

172
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‐ You got it.
‐ It's time.

173
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[door opens]
RUPERT: Yeah.

174
00:08:34,473 --> 00:08:36,273
[door closes]
[dialing on phone]

175
00:08:36,266 --> 00:08:37,766
[brakes squeaking outside]

176
00:08:39,269 --> 00:08:40,599
[car door opens]

177
00:08:40,604 --> 00:08:42,614
[car door closes]
‐ Someone's here.

178
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[knocking]

179
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[door opens]

180
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TRUDY:
Ezra.

181
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COLLIG:
Can I come in?

182
00:08:55,827 --> 00:08:58,537
I'm here for Frank.

183
00:08:58,539 --> 00:09:00,209
TRUDY: What?
‐ Why?

184
00:09:00,207 --> 00:09:01,917
‐ Shh.
TRUDY: Why?

185
00:09:01,917 --> 00:09:04,337
‐ Callie Shaw went missing.

186
00:09:04,336 --> 00:09:06,796
Frank was the last person seen with her.

187
00:09:06,797 --> 00:09:08,297
‐ Callie's missing?

188
00:09:09,383 --> 00:09:11,973
[scoffs] And you think Frank's involved.

189
00:09:11,969 --> 00:09:15,719
‐ Well, either way, I've‐‐
I've gotta take him into the station.

190
00:09:17,474 --> 00:09:20,854
I'd like to ask him some questions.
Take his statement.

191
00:09:24,982 --> 00:09:27,032
‐ Frank's not here, Ezra.

192
00:09:27,025 --> 00:09:28,435
‐ Oh.

193
00:09:29,778 --> 00:09:32,238
Well, maybe...

194
00:09:32,239 --> 00:09:35,409
I could hang around
till Frank gets home...

195
00:09:39,329 --> 00:09:41,539
if you don't mind.

196
00:09:45,002 --> 00:09:46,802
‐ Joe, get the window.

197
00:09:52,634 --> 00:09:54,644
Okay, you go first.

198
00:09:55,721 --> 00:09:58,021
[whistling]

199
00:10:03,270 --> 00:10:04,520
[knocking]

200
00:10:07,691 --> 00:10:08,861
[bell jingles]

201
00:10:08,859 --> 00:10:11,029
‐ Hey. I'm just closing up, sarge.

202
00:10:11,028 --> 00:10:12,818
‐ I'm here on business, Wilt.

203
00:10:12,821 --> 00:10:14,531
‐ How can I help ya?

204
00:10:14,531 --> 00:10:17,951
‐ Looking for Frank Hardy.
Was he working here tonight?

205
00:10:17,951 --> 00:10:21,791
‐ Nah, just me. But if I see him,
I'll give you a call.

206
00:10:21,788 --> 00:10:23,368
‐ That'd be great.
Have a good night, Wilt.

207
00:10:23,373 --> 00:10:24,963
‐ All right. Thanks.

208
00:10:26,376 --> 00:10:28,206
[door closes, bell jingles]

209
00:10:32,007 --> 00:10:33,837
Okay, we're good.

210
00:10:33,842 --> 00:10:35,392
[door opens]

211
00:10:37,513 --> 00:10:39,433
‐ We owe you one, Wilt.

212
00:10:39,431 --> 00:10:43,021
WILT: Ah, use the place
as long as you need.

213
00:10:43,018 --> 00:10:45,518
Just don't drink all my soda.
[Frank laughs]

214
00:10:50,484 --> 00:10:52,244
‐ Guys, this is all my fault.

215
00:10:52,236 --> 00:10:54,446
Callie tried to warn me about Stacy,
but I didn't listen.

216
00:10:54,446 --> 00:10:57,986
‐ No, it's not. She warned me, too.
JOE: Guys, quit it with the blame game.

217
00:10:57,991 --> 00:10:59,701
We actually have to get her back.

218
00:10:59,701 --> 00:11:01,501
‐ Okay, so what's the plan?

219
00:11:01,495 --> 00:11:02,955
‐ We exchange the piece.

220
00:11:02,955 --> 00:11:04,705
‐ I thought you guys
didn't have the piece anymore.

221
00:11:04,706 --> 00:11:07,076
FRANK: Not the real one.
‐ We have this.

222
00:11:08,085 --> 00:11:10,495
‐ Joe made that fake one, remember?

223
00:11:10,504 --> 00:11:12,554
I think that's what we use
for the exchange.

224
00:11:12,548 --> 00:11:14,838
‐ But the tall man had that thing
that could tell if it was real.

225
00:11:14,842 --> 00:11:16,892
‐ You mean this thing?

226
00:11:16,885 --> 00:11:19,095
‐ Yeah. What if Stacy has one, too?

227
00:11:21,807 --> 00:11:25,437
‐ Okay, so, so the real piece must
give off some kind of radiation,

228
00:11:25,435 --> 00:11:27,145
which is what that thing's picking up.

229
00:11:27,145 --> 00:11:29,565
CHET: I'm pretty sure Wilt
doesn't stock any plutonium.

230
00:11:29,565 --> 00:11:34,185
PHIL: No, but smoke detectors have
small amounts of americium in them.

231
00:11:34,194 --> 00:11:37,664
I mean, it's not plutonium, but...

232
00:11:39,867 --> 00:11:41,867
It's radioactive.
‐ Oh.

233
00:11:41,869 --> 00:11:43,369
‐ I don't want it.

234
00:11:43,370 --> 00:11:45,790
‐ Guys, it's harmless.

235
00:11:45,789 --> 00:11:47,789
But I think it could get the job done.

236
00:11:47,791 --> 00:11:49,291
‐ Let me see this.

237
00:11:53,964 --> 00:11:56,884
[squeaks, then whirs softly]

238
00:12:02,222 --> 00:12:03,852
Wait, wait.
[beeping]

239
00:12:03,849 --> 00:12:07,099
Wait, right there.
[rhythmic beeping]

240
00:12:07,102 --> 00:12:08,652
It actually worked.

241
00:12:08,645 --> 00:12:10,855
‐ I know. That's what, that's what I said.

242
00:12:10,856 --> 00:12:13,646
‐ [laughs] Phil?
‐ Yeah?

243
00:12:13,650 --> 00:12:15,820
FRANK:
I'm sorry I ever doubted you.

244
00:12:15,819 --> 00:12:18,859
Now, go and get the rest
of the smoke detectors, okay?

245
00:12:20,032 --> 00:12:21,492
Now, Phil.

246
00:12:21,491 --> 00:12:22,991
‐ Yeah, yeah.

247
00:12:23,660 --> 00:12:26,870
♪ "She Blinded Me With Science"
by Thomas Dolby playing ♪

248
00:12:26,872 --> 00:12:29,172
‐ ♪ It's poetry in motion ♪

249
00:12:30,876 --> 00:12:34,336
♪ She turned her tender eyes to me ♪

250
00:12:34,338 --> 00:12:36,718
♪ As deep as any ocean ♪

251
00:12:38,342 --> 00:12:41,642
♪ As sweet as any harmony ♪

252
00:12:41,637 --> 00:12:45,307
♪ Mm, but she blinded me with science ♪

253
00:12:45,307 --> 00:12:48,267
♪ She blinded me with science ♪

254
00:12:49,269 --> 00:12:51,899
♪ But failed me in biology ♪

255
00:12:53,106 --> 00:12:54,066
‐ We need to get ahead of them,

256
00:12:54,066 --> 00:12:57,896
so, if me and Chet can get Callie back‐‐
‐ No, no. When we get Callie back.

257
00:12:57,903 --> 00:12:59,953
‐ When we get Callie back,

258
00:12:59,947 --> 00:13:02,657
you need to go to Grandma's house,
and get the real piece of The Eye.

259
00:13:02,658 --> 00:13:04,278
‐ Why do we need it
if you have the fake one?

260
00:13:04,284 --> 00:13:07,124
‐ We have to take it to the
Chamber of The Eye and destroy it.

261
00:13:07,120 --> 00:13:09,540
There's a map to the chamber
in George's secret room,

262
00:13:09,540 --> 00:13:10,870
which I have the key for.

263
00:13:10,874 --> 00:13:13,884
‐ The map doesn't work.
‐ There's a projector in that secret room.

264
00:13:13,877 --> 00:13:16,377
It's pointing straight to the map.
There's no way that's a coincidence.

265
00:13:16,380 --> 00:13:18,970
Go in there, try and figure something out.

266
00:13:18,966 --> 00:13:20,626
Joe, write this down.

267
00:13:20,634 --> 00:13:22,854
In Grandma's study, there's a safe.

268
00:13:22,845 --> 00:13:25,845
It's right behind the painting
behind her desk.

269
00:13:25,848 --> 00:13:27,848
This is the combination.

270
00:13:27,850 --> 00:13:30,100
FENTON:
Hey, Trudy, have you heard from Frank?

271
00:13:30,102 --> 00:13:31,352
TRUDY:
Fenton.

272
00:13:32,938 --> 00:13:34,358
We have company.

273
00:13:41,238 --> 00:13:42,658
‐ Hey, Fenton.

274
00:13:43,657 --> 00:13:46,947
‐ Oh. So, what am I missing here?

275
00:13:46,952 --> 00:13:52,172
‐ Well, I need to talk to Frank
about the disappearance of Callie Shaw.

276
00:13:52,165 --> 00:13:54,495
When the boy gets home,
I'll take him down to the station.

277
00:13:54,501 --> 00:13:56,341
We'll straighten it all out.

278
00:13:57,546 --> 00:14:00,046
‐ You know, for a cop,

279
00:14:00,048 --> 00:14:01,588
you're a pretty good liar.

280
00:14:01,592 --> 00:14:05,392
‐ [chuckles]
Careful, Fenton.

281
00:14:05,387 --> 00:14:08,017
FENTON: How long have I known you?
Forty years?

282
00:14:08,015 --> 00:14:11,095
Twenty years, you've been chief of police.

283
00:14:11,101 --> 00:14:14,691
So, how long ago did you
stop protecting the people,

284
00:14:14,688 --> 00:14:17,398
and become an errand boy for the rich?

285
00:14:17,399 --> 00:14:19,319
‐ I don't know what you're talking about.

286
00:14:19,318 --> 00:14:23,028
‐ It's no use, Fenton.
Jesse's been working on him for weeks.

287
00:14:28,202 --> 00:14:30,292
‐ How many people are you gonna let die?

288
00:14:31,914 --> 00:14:33,964
They killed my wife, Ezra.

289
00:14:33,957 --> 00:14:35,787
‐ You don't know
what you're talking about!

290
00:14:35,792 --> 00:14:38,252
[yells] That's assault on a cop!

291
00:14:38,253 --> 00:14:40,423
[Collig grunting angrily]

292
00:14:40,422 --> 00:14:42,552
What is this?
FENTON: Come here.

293
00:14:42,549 --> 00:14:44,089
Look at that.

294
00:14:44,092 --> 00:14:46,602
At this point, your confession
would just be icing on the cake.

295
00:14:46,595 --> 00:14:48,505
We have recordings, letters,

296
00:14:48,514 --> 00:14:51,064
detailed information about all
Gloria's dealings in the last three years.

297
00:14:51,058 --> 00:14:54,518
Not to mention a signed confession
from the man that you hired to help her,

298
00:14:54,520 --> 00:14:56,100
JB Cox.

299
00:14:56,104 --> 00:14:59,864
‐ And you think anybody's gonna believe
the word of that thief over me?

300
00:14:59,858 --> 00:15:02,648
‐ We also have two kids who swear
they saw you interact with JB.

301
00:15:02,653 --> 00:15:04,203
‐ It's a lot of words against you.

302
00:15:09,743 --> 00:15:12,123
‐ I, I don't know as much
as you think I do.

303
00:15:12,120 --> 00:15:13,790
FENTON:
Why is she coming after Frank?

304
00:15:13,789 --> 00:15:16,039
‐ S‐she didn't want him to interfere.

305
00:15:19,336 --> 00:15:21,126
FENTON:
What does she have on you, Ezra?

306
00:15:23,882 --> 00:15:25,932
[water rushing]

307
00:15:30,931 --> 00:15:33,311
♪ mysterious music playing ♪

308
00:15:39,773 --> 00:15:42,153
AUNT: Did you bring it?
FRANK: Yes. Where is she?

309
00:15:42,651 --> 00:15:44,321
AUNT:
The piece!

310
00:15:51,493 --> 00:15:53,543
[whirring, high‐pitch beep]

311
00:15:53,537 --> 00:15:56,287
[low, rhythmic pulsing]

312
00:15:56,290 --> 00:15:57,710
CALLIE: Frank!
‐ Callie!

313
00:15:57,708 --> 00:15:59,128
‐ Don't give her the piece.

314
00:16:00,377 --> 00:16:02,337
‐ Her first. Now!

315
00:16:02,337 --> 00:16:04,507
[Callie whimpers]
UNCLE: What else?

316
00:16:06,550 --> 00:16:08,140
AUNT:
Thanks.

317
00:16:08,135 --> 00:16:10,715
[Callie grunts, pants]

318
00:16:10,721 --> 00:16:13,061
‐ Stacy's insane. You should have never
given her the piece.

319
00:16:13,056 --> 00:16:14,886
‐ We didn't.
CALLIE: What?

320
00:16:14,892 --> 00:16:17,602
‐ Come on. Let's go. I'll explain later.

321
00:16:19,313 --> 00:16:21,943
‐ Did‐‐ Did you know about this?

322
00:16:21,940 --> 00:16:24,280
‐ About the sneaking out?
Yeah, I knew.

323
00:16:24,276 --> 00:16:26,696
‐ Why would you let them do that?

324
00:16:26,695 --> 00:16:29,155
‐ They needed to get away from Ezra,
and their friend's missing.

325
00:16:29,156 --> 00:16:31,406
‐ Leaving here is putting
their lives at risk. Do you understand?

326
00:16:31,408 --> 00:16:34,158
‐ What were you expecting, Fenton?
You left them!

327
00:16:35,704 --> 00:16:37,044
‐ What?

328
00:16:39,833 --> 00:16:41,253
‐ You left them.

329
00:16:41,251 --> 00:16:44,211
‐ I‐‐
‐ The boys need to figure out
some stuff on their own.

330
00:16:44,213 --> 00:16:46,973
‐ I just, I did what I thought was‐‐
‐ Yeah, I know.

331
00:16:49,593 --> 00:16:50,553
I know.

332
00:16:54,556 --> 00:16:56,426
You're grieving the love of your life.

333
00:16:57,559 --> 00:16:59,689
You had to go figure out
what happened to her.

334
00:17:04,858 --> 00:17:07,648
But when you left, the boys also
have to grieve you, too.

335
00:17:10,364 --> 00:17:13,874
And I know that you're super cop,
and you work alone,

336
00:17:13,867 --> 00:17:15,787
but right now,
those boys are just as desperate

337
00:17:15,786 --> 00:17:18,746
to find out what happened
to their mother as you are.

338
00:17:18,747 --> 00:17:21,327
So stop pushing everyone away...

339
00:17:22,835 --> 00:17:24,125
and help them.

340
00:17:31,677 --> 00:17:34,007
PHIL: Thank you for
taking the time, Mr. Estabrook.

341
00:17:34,012 --> 00:17:36,102
I, I know you must be very busy.

342
00:17:36,098 --> 00:17:37,678
Whoa! Is that mahogany?

343
00:17:37,683 --> 00:17:38,813
‐ How can I help you?

344
00:17:38,809 --> 00:17:40,849
‐ Look, I'm not one to judge
a book by its cover,

345
00:17:40,853 --> 00:17:43,273
but looking at the large size
of your home,

346
00:17:43,272 --> 00:17:46,612
I'm sure you can spare a little bit
of change for the Bridgeport Sea Cadets.

347
00:17:46,608 --> 00:17:50,068
It's a way to help the youth of today
become leaders of tomorrow.

348
00:17:50,070 --> 00:17:51,320
So what do you say?

349
00:17:51,321 --> 00:17:53,821
STEFAN: Ms. Estabrook will be happy
to make a contribution.

350
00:17:53,824 --> 00:17:54,954
Give me a moment.

351
00:17:56,076 --> 00:17:57,996
‐ Oh, look at the time.

352
00:17:57,995 --> 00:18:00,995
I'm gonna be late for dinner,
and my mom was really expecting me.

353
00:18:00,998 --> 00:18:03,828
STEFAN: I'm sorry,
do you still want that donation?

354
00:18:05,711 --> 00:18:06,751
‐ Did it happen?

355
00:18:06,753 --> 00:18:09,053
AUNT: I gave them the girl,
they gave me the piece.

356
00:18:09,047 --> 00:18:10,417
‐ Well, hand it over.

357
00:18:13,760 --> 00:18:15,220
[beeps, whirs softly]

358
00:18:21,894 --> 00:18:26,114
‐ I don't‐‐ It, it worked before. I‐‐

359
00:18:26,106 --> 00:18:27,976
[screams, crashes]

360
00:18:27,983 --> 00:18:30,363
[shattering]

361
00:18:46,084 --> 00:18:47,844
‐ What's your excuse?

362
00:18:50,839 --> 00:18:52,719
‐ I'll look for the piece of The Eye.

363
00:18:52,716 --> 00:18:54,126
You go in here.

364
00:18:54,134 --> 00:18:56,514
See if the projector has
anything to do with the map.

365
00:19:06,772 --> 00:19:08,272
[door shuts]

366
00:19:13,195 --> 00:19:14,605
‐ Whoa.

367
00:19:15,948 --> 00:19:18,698
Definitely getting one of these
when I buy a house.

368
00:19:27,584 --> 00:19:30,714
‐ Of course. Empty.
Why can't anything be easy?

369
00:19:31,630 --> 00:19:34,300
Piece of The Eye. Piece of The Eye.
Where would I be...

370
00:19:34,299 --> 00:19:35,969
if I were a piece of The Eye?

371
00:19:35,968 --> 00:19:37,508
[drawer slides open]

372
00:19:45,102 --> 00:19:48,732
♪ mysterious music playing ♪

373
00:19:57,656 --> 00:19:59,026
[projector clicks on]

374
00:20:15,799 --> 00:20:18,009
GLORIA:
Yeah, I told them they would come back.

375
00:20:18,886 --> 00:20:20,846
JOE:
Biff, someone's coming!

376
00:20:20,846 --> 00:20:22,466
BIFF:
Almost got it.

377
00:20:24,349 --> 00:20:25,729
GLORIA:
I know, I know...

378
00:20:25,726 --> 00:20:27,686
‐ Hide!
[Gloria continues indistinctly]

379
00:20:27,686 --> 00:20:28,646
[clatters]

380
00:20:28,645 --> 00:20:31,265
GLORIA: Anyway, I wanted to tell you
that Stacy called.

381
00:20:31,273 --> 00:20:32,903
‐ About the girl?

382
00:20:32,900 --> 00:20:36,570
‐ Yes. Callie is no longer in play,

383
00:20:36,570 --> 00:20:40,120
which makes me assume that
my grandsons were involved.

384
00:20:40,115 --> 00:20:42,735
So obviously,
Collig didn't do what I asked him.

385
00:20:42,743 --> 00:20:45,203
I hope Francis will come 'round.

386
00:20:45,204 --> 00:20:49,374
But this wrinkle with Callie
has complicated things somewhat.

387
00:20:49,374 --> 00:20:51,754
STEFAN:
What could the young Nabokov want?

388
00:20:51,752 --> 00:20:54,842
‐ Well, she realizes she can't
move ahead alone. [chuckles]

389
00:20:54,838 --> 00:20:56,918
She needs me.

390
00:20:56,924 --> 00:21:00,474
She's willing to accept a truce.
At least for now.

391
00:21:00,469 --> 00:21:04,519
We're to meet at Victor's warehouse,
and then travel to the Chamber.

392
00:21:04,515 --> 00:21:07,515
She knew more than
she was letting Francis know.

393
00:21:08,519 --> 00:21:10,399
I'm not letting this out of my sight.

394
00:21:10,395 --> 00:21:11,805
STEFAN:
Do you trust her?

395
00:21:11,813 --> 00:21:15,363
GLORIA: Of course not.
But I have no other choice.

396
00:21:15,359 --> 00:21:17,569
Bring the car around, Stefan.

397
00:21:17,569 --> 00:21:20,359
I've been waiting for this moment
my entire life.

398
00:21:24,826 --> 00:21:26,036
‐ Biff?

399
00:21:26,036 --> 00:21:27,366
Biff!

400
00:21:27,371 --> 00:21:29,711
BIFF:
Joe! Can you open the door?

401
00:21:29,706 --> 00:21:31,166
‐ Biff, let me in!

402
00:21:31,166 --> 00:21:33,376
BIFF: What are you talking about?
You have the key.

403
00:21:33,377 --> 00:21:35,667
JOE: I don't have the key!
I gave you the key.

404
00:21:40,050 --> 00:21:41,970
‐ I have the key.

405
00:21:42,928 --> 00:21:44,758
[knocking]

406
00:21:44,763 --> 00:21:47,603
Joe, come on, help me get me out of here!
[knocking continues]

407
00:21:52,646 --> 00:21:54,936
CALLIE: They'll be here.
Just give them time.

408
00:22:02,698 --> 00:22:05,118
‐ Guys, the coast is clear.
We're good. Where's Biff?

409
00:22:05,117 --> 00:22:07,577
‐ She locked herself in with the key.
‐ Why'd she do that?

410
00:22:07,578 --> 00:22:09,828
‐ She didn't do it on purpose.
‐ Oh.

411
00:22:09,830 --> 00:22:11,540
‐ Biff, do you copy?
[static]

412
00:22:11,540 --> 00:22:13,170
‐ You need to get me out of here.

413
00:22:13,166 --> 00:22:14,956
‐ Do you see any other way out?

414
00:22:14,960 --> 00:22:16,840
‐ I'll look.
[static]

415
00:22:16,837 --> 00:22:18,707
JOE [over walkie]:
There has to be an air vent somewhere.

416
00:22:18,714 --> 00:22:20,014
George wouldn't build a room
where he couldn't breathe

417
00:22:20,007 --> 00:22:21,337
unless the door was open.

418
00:22:21,341 --> 00:22:23,391
‐ Maybe don't remind the girl
stuck in an airless room

419
00:22:23,385 --> 00:22:25,135
how airless the room is.
[Joe exhales]

420
00:22:26,388 --> 00:22:28,268
[static]
‐ I found one.

421
00:22:29,349 --> 00:22:31,229
I found an air vent!

422
00:22:31,226 --> 00:22:32,846
It's on the wall.

423
00:22:32,853 --> 00:22:35,193
I, I think it's on the
other side of the hallway.
[static]

424
00:22:35,189 --> 00:22:36,359
‐ We're on it.

425
00:22:36,356 --> 00:22:37,686
[clatters]

426
00:22:41,820 --> 00:22:44,240
[footsteps thudding]
Could you be any louder?

427
00:22:44,239 --> 00:22:47,029
‐ What? It's the shoes.
It's part of the uniform.

428
00:22:47,659 --> 00:22:50,249
[static]
BIFF [over walkie]: Joe, did you find it?

429
00:22:52,080 --> 00:22:55,040
‐ Found it. Got it open.
Can you slide the key through?

430
00:22:56,126 --> 00:22:57,786
‐ Negative.

431
00:22:57,794 --> 00:23:00,054
The vent makes a sharp turn.

432
00:23:00,047 --> 00:23:02,417
I won't be able to get it to you
around the corner.

433
00:23:03,800 --> 00:23:05,930
‐ Closet by the door.
Get me a coat hanger.

434
00:23:05,928 --> 00:23:07,968
‐ Yeah, yeah.
[static]

435
00:23:07,971 --> 00:23:11,101
‐ I've got an idea. Just hang in there.
We're gonna get you out.

436
00:23:11,099 --> 00:23:12,769
[static]
‐ Hurry.

437
00:23:13,560 --> 00:23:15,770
[running footsteps]

438
00:23:21,109 --> 00:23:22,239
‐ One would have been enough.

439
00:23:22,236 --> 00:23:24,446
‐ I, I panicked, okay? Here.

440
00:23:25,614 --> 00:23:28,874
♪ tense music playing ♪

441
00:23:32,120 --> 00:23:33,910
[Joe grunting softly]

442
00:23:37,251 --> 00:23:38,421
‐ Almost got it.

443
00:23:39,294 --> 00:23:40,504
To your right.

444
00:23:43,173 --> 00:23:44,513
[clattering]

445
00:23:45,801 --> 00:23:47,141
A little to your left.

446
00:23:48,303 --> 00:23:49,973
[clattering]

447
00:23:49,972 --> 00:23:51,932
You've got it. Keep pulling.

448
00:23:56,895 --> 00:23:58,725
PHIL:
Yes!

449
00:23:58,730 --> 00:24:00,150
‐ We got it.

450
00:24:05,904 --> 00:24:09,244
♪

451
00:24:12,327 --> 00:24:14,407
Anyway, uh, we should go.

452
00:24:14,413 --> 00:24:15,463
‐ Yeah.

453
00:24:16,582 --> 00:24:18,212
[sighs]

454
00:24:20,252 --> 00:24:22,802
♪

455
00:24:23,380 --> 00:24:25,050
[bell jingles]
You're okay.

456
00:24:25,883 --> 00:24:28,053
FRANK: You all right?
‐ I'm fine, Biff.

457
00:24:28,051 --> 00:24:31,051
Angry, and ready for revenge,
but I'm okay.

458
00:24:31,054 --> 00:24:33,434
And thank you, guys. I mean it.

459
00:24:33,432 --> 00:24:35,432
Especially you, Phil,
with the smoke detector thing.

460
00:24:35,434 --> 00:24:36,734
That was genius.

461
00:24:36,727 --> 00:24:37,807
‐ Stop it.

462
00:24:37,811 --> 00:24:39,731
JOE:
I overheard Grandma talking to Stefan.

463
00:24:39,730 --> 00:24:41,400
She's going to the Chamber with Stacy.

464
00:24:41,398 --> 00:24:42,898
She's gonna put The Eye back together.

465
00:24:42,900 --> 00:24:44,400
‐ We've gotta stop her.

466
00:24:44,401 --> 00:24:45,991
‐ Did you figure out the map?

467
00:24:45,986 --> 00:24:48,486
‐ Biff did.
‐ Come on. Let me show you.

468
00:24:50,991 --> 00:24:54,081
This is a path to the Chamber from
the mineshaft that Joe and I fell into.

469
00:24:54,077 --> 00:24:56,827
It's about a mile underground,
and bam.

470
00:24:56,830 --> 00:24:58,710
Chamber of The Eye.

471
00:24:58,707 --> 00:25:00,787
‐ Awesome.
‐ Okay. Let's go.

472
00:25:00,792 --> 00:25:03,172
[bell jingling]

473
00:25:03,170 --> 00:25:05,710
Just, before you start, let me explain‐‐
FENTON: Frank, stop.

474
00:25:07,132 --> 00:25:08,302
Callie.

475
00:25:09,301 --> 00:25:10,511
Are you okay?

476
00:25:10,511 --> 00:25:12,011
‐ Yeah.

477
00:25:12,012 --> 00:25:15,272
‐ Well, how did you‐‐
‐ We traded Stacy a fake piece of The Eye.

478
00:25:15,265 --> 00:25:17,135
‐ A fake piece of...

479
00:25:18,769 --> 00:25:22,059
‐ Yeah, uh... Joe made it.

480
00:25:22,064 --> 00:25:26,154
‐ Well, you need to go home.
Your dad's very worried about you.

481
00:25:26,151 --> 00:25:27,651
‐ I will, Mr. Hardy.

482
00:25:27,653 --> 00:25:30,573
FENTON: And, uh, the rest of you
need to go home, too, okay?

483
00:25:30,572 --> 00:25:34,332
Now, tell me, Frank. What's our plan?

484
00:25:37,871 --> 00:25:39,831
[click, then buzzing]

485
00:25:47,589 --> 00:25:50,549
GLORIA:
Mm. It's smaller than I imagined.

486
00:25:52,135 --> 00:25:55,345
♪

487
00:25:59,309 --> 00:26:00,639
[Stacy laughs softly]

488
00:26:00,644 --> 00:26:04,574
‐ Well, Gloria, it's you and me.
Last two standing.

489
00:26:04,565 --> 00:26:06,015
Who'd have thought?

490
00:26:06,024 --> 00:26:08,944
‐ I didn't imagine
it would be you, either.

491
00:26:08,944 --> 00:26:11,914
Perhaps The Eye chose who was worthy.

492
00:26:13,740 --> 00:26:15,990
‐ Shall we?
‐ Mm.

493
00:26:20,998 --> 00:26:24,128
FENTON:
So you and Biff got lost down here.

494
00:26:24,126 --> 00:26:25,626
‐ Yep.

495
00:26:25,627 --> 00:26:28,837
If we ever make it out of here, I'm gonna
turn this place into my clubhouse.

496
00:26:28,839 --> 00:26:30,549
FENTON:
Over my dead body, you are.

497
00:26:30,549 --> 00:26:33,259
JOE: Oh, they got those down here, too.
‐ Shh!

498
00:26:35,846 --> 00:26:37,596
Guys, someone's down here.

499
00:26:38,640 --> 00:26:40,640
‐ Hey. Come here. Get behind me.

500
00:26:42,019 --> 00:26:43,809
[whispers]: Turn your light off.
[light clicks off]

501
00:26:48,942 --> 00:26:51,572
♪ tense music playing ♪

502
00:26:51,570 --> 00:26:53,410
[Fenton sighs]
FRANK: Callie?

503
00:26:54,531 --> 00:26:56,281
‐ What are you doing here?

504
00:26:56,283 --> 00:26:58,543
‐ Don't any of you kids listen
to anything adults say?

505
00:26:58,535 --> 00:27:01,955
‐ That girl threw me in the
back of her van and tied me up.

506
00:27:01,955 --> 00:27:04,665
So if you're gonna bring her down,

507
00:27:04,666 --> 00:27:06,996
I want in.

508
00:27:07,002 --> 00:27:08,802
Anyone have a problem with that?

509
00:27:09,880 --> 00:27:11,420
‐ No.
‐ No.

510
00:27:12,216 --> 00:27:13,426
‐ Good.

511
00:27:13,425 --> 00:27:15,465
Should be this way.

512
00:27:15,469 --> 00:27:16,759
‐ I like her.

513
00:27:23,060 --> 00:27:25,770
GLORIA:
This is destiny.

514
00:27:25,771 --> 00:27:28,321
Please. After you.

515
00:27:37,407 --> 00:27:38,947
[piece clicks]

516
00:27:40,035 --> 00:27:42,245
FRANK: Stop!
[Gloria exclaims]

517
00:27:42,246 --> 00:27:46,286
‐ Frank, perfect timing.
Fun's just about to start.

518
00:27:46,291 --> 00:27:49,131
‐ It's over. We know everything.

519
00:27:49,127 --> 00:27:50,797
‐ You know nothing.

520
00:27:50,796 --> 00:27:53,166
FENTON:
We have you on tape with Kanika Khan.

521
00:27:53,173 --> 00:27:55,383
We know that you killed Victor Nabokov.

522
00:27:58,387 --> 00:28:01,097
‐ Stacy, I swear. I didn't know.

523
00:28:01,098 --> 00:28:04,308
STACY: [breathes shakily] I should have
destroyed all the Estabrooks.

524
00:28:04,309 --> 00:28:06,769
You took everything away from me.

525
00:28:06,770 --> 00:28:08,400
‐ Your father knew
what he was getting into

526
00:28:08,397 --> 00:28:10,477
when he came for my piece of The Eye.

527
00:28:10,482 --> 00:28:12,822
‐ You deserve each other.

528
00:28:12,818 --> 00:28:14,568
Get it. Now!

529
00:28:14,570 --> 00:28:15,990
[yelling]

530
00:28:15,988 --> 00:28:17,698
[clatters]
FRANK: Get the piece!

531
00:28:19,366 --> 00:28:20,866
[yelling]

532
00:28:22,411 --> 00:28:23,621
[laughs]

533
00:28:23,620 --> 00:28:24,540
‐ Remember me?

534
00:28:24,538 --> 00:28:25,958
[yells, then thuds]

535
00:28:27,958 --> 00:28:29,328
‐ Gotcha!

536
00:28:29,334 --> 00:28:31,134
[grunting]

537
00:28:31,128 --> 00:28:32,668
[Frank yelling]

538
00:28:35,966 --> 00:28:37,216
[yells]

539
00:28:37,217 --> 00:28:39,507
‐ Frank! Help!
[Frank yelling]

540
00:28:41,054 --> 00:28:43,974
Frank! They're putting it together!
[Gloria grunting]

541
00:28:45,809 --> 00:28:47,519
[yelling]

542
00:28:47,519 --> 00:28:50,359
[crackling]

543
00:28:50,355 --> 00:28:53,275
[energy surging]

544
00:28:55,652 --> 00:28:58,072
[Frank yelling]

545
00:29:08,373 --> 00:29:11,463
[yelling]

546
00:29:11,460 --> 00:29:13,710
[exploding]

547
00:29:14,588 --> 00:29:17,378
♪ mystical music playing ♪

548
00:29:18,884 --> 00:29:21,304
‐ Frank!

549
00:29:21,303 --> 00:29:24,063
You've got to destroy it!

550
00:29:24,056 --> 00:29:26,846
[energy crackling]

551
00:29:28,101 --> 00:29:29,651
‐ Joe!

552
00:29:32,981 --> 00:29:35,571
‐ Frank!

553
00:29:36,360 --> 00:29:38,450
[grunting]

554
00:29:38,445 --> 00:29:41,315
[crackling]

555
00:29:48,330 --> 00:29:50,290
[Joe panting]

556
00:29:52,626 --> 00:29:54,996
JOE:
Frank. Frank, wake up!

557
00:29:55,003 --> 00:29:56,883
Wake up, Frank! Please, wake up!

558
00:29:56,880 --> 00:29:58,970
Dad, he's not waking up!

559
00:30:01,009 --> 00:30:05,059
Wake up! Come on, Frank!
Please! Come on!

560
00:30:05,055 --> 00:30:07,055
‐ Hey. Hey, Frankie.

561
00:30:07,057 --> 00:30:10,767
‐ Frank, please wake up.
Come on, come on!

562
00:30:12,020 --> 00:30:13,940
[gasps]

563
00:30:13,939 --> 00:30:16,439
[exhales slowly]

564
00:30:22,573 --> 00:30:26,083
‐ Mom. Mom.

565
00:30:26,076 --> 00:30:29,446
‐ So, you found it.
‐ Mom, it's me.

566
00:30:29,454 --> 00:30:31,624
‐ Laura. What are you doing here?

567
00:30:31,623 --> 00:30:34,173
‐ I know about the Astghik.

568
00:30:34,168 --> 00:30:36,418
You've been looking for it
this whole time.

569
00:30:36,420 --> 00:30:39,130
You said that the Circle
was broken for good.

570
00:30:39,131 --> 00:30:40,301
You lied to me.

571
00:30:40,299 --> 00:30:43,179
GLORIA: I wanted us to do this together.
I gave you every chance.

572
00:30:43,177 --> 00:30:45,427
‐ I want no part of this.
[Gloria exclaims]

573
00:30:45,429 --> 00:30:47,349
Mom, what are you gonna do now?

574
00:30:47,347 --> 00:30:49,807
Put the fate of the world
back in the hands of three people?

575
00:30:49,808 --> 00:30:51,808
GLORIA:
No. Things will be different this time.

576
00:30:51,810 --> 00:30:53,520
I will make the right choices.

577
00:30:53,520 --> 00:30:55,360
LAURA:
No, you won't. None of you will,

578
00:30:55,355 --> 00:30:56,975
because no one should
have that much power.

579
00:30:56,982 --> 00:30:59,032
‐ You don't see the big picture.
You never have.

580
00:30:59,026 --> 00:31:01,396
‐ Yes, I do.

581
00:31:01,403 --> 00:31:04,703
And by this time tomorrow,
the whole world will.

582
00:31:04,698 --> 00:31:07,158
They'll know about the Circle,
The Eye, all of it.

583
00:31:07,159 --> 00:31:08,739
‐ No, stop, stop, stop!

584
00:31:09,995 --> 00:31:14,495
If you do that,
I can't protect you anymore.

585
00:31:16,460 --> 00:31:19,170
‐ You can't? Or you won't?

586
00:31:19,880 --> 00:31:23,010
♪ ominous music playing ♪

587
00:31:26,470 --> 00:31:27,890
FRANK:
Mom, wait!

588
00:31:27,888 --> 00:31:30,678
♪

589
00:31:30,682 --> 00:31:32,352
WILT:
You sure you need more caffeine?

590
00:31:32,351 --> 00:31:34,351
I mean, you look
wide awake enough as it is.

591
00:31:34,353 --> 00:31:37,113
LAURA: Yeah, it's a
"four cups of coffee" kind of day.

592
00:31:37,105 --> 00:31:40,565
‐ You okay?
‐ [sighs] Oh, yeah, it's just my mom.

593
00:31:40,567 --> 00:31:42,147
[laughs] Never mind.

594
00:31:42,152 --> 00:31:44,782
‐ You know, you can stay here
as long as you need, huh?

595
00:31:44,780 --> 00:31:46,950
Get some food. Talk...

596
00:31:46,949 --> 00:31:49,989
‐ I can't. I've got a meeting,
and it's an important one.

597
00:31:49,993 --> 00:31:52,253
And then I've got a game to catch.
Frank's pitching.

598
00:31:52,246 --> 00:31:54,996
WILT: Oh! Takes after his mom.
‐ Yeah, he does.

599
00:31:54,998 --> 00:31:57,788
‐ Hey, don't make it another decade
before your next visit?

600
00:31:57,793 --> 00:31:59,553
‐ I won't. Thanks, Wilt.
‐ All right.

601
00:32:02,130 --> 00:32:04,590
FRANK: Mom. Wait!
[kisses]

602
00:32:06,301 --> 00:32:09,851
RUPERT:
I, I know, but... what's next?

603
00:32:09,847 --> 00:32:12,887
LAURA: [panting]
Okay, well, I called my editor.

604
00:32:12,891 --> 00:32:14,391
We go to press end‐of‐day,

605
00:32:14,393 --> 00:32:16,063
and this should be
on the stands by morning.

606
00:32:16,061 --> 00:32:17,771
JOE:
Frank, wake up!

607
00:32:17,771 --> 00:32:20,191
FENTON: Frank!
‐ Why isn't he waking up?

608
00:32:20,190 --> 00:32:22,400
RUPERT: They'll be looking for us.
They'll be nowhere for us to hide.

609
00:32:22,401 --> 00:32:24,321
‐ These, these people,
they'll turn on each other first.

610
00:32:24,319 --> 00:32:26,199
Look, they're not united.

611
00:32:26,196 --> 00:32:28,816
The left hand doesn't know
what the right hand is doing.

612
00:32:30,033 --> 00:32:31,953
FRANK: Mom...
LAURA: Keys.

613
00:32:33,537 --> 00:32:35,497
JOE:
Wake up, Frank! Please, wake up!

614
00:32:36,456 --> 00:32:38,826
FENTON:
Frankie, come back! Come back to us!

615
00:32:39,626 --> 00:32:41,416
JOE:
Frank, come on! Come on!

616
00:32:41,420 --> 00:32:44,170
Please! Please!
[Frank laughing]

617
00:32:44,173 --> 00:32:46,013
I need you, Frank.

618
00:32:46,008 --> 00:32:49,218
Please wake up! Come on, come on!

619
00:32:50,596 --> 00:32:52,966
FENTON: Frank.
‐ Frank, it's me. It's Joe!

620
00:32:52,973 --> 00:32:55,143
It's Joe.
‐ I saw her.

621
00:32:55,893 --> 00:32:56,983
‐ What?

622
00:32:58,270 --> 00:32:59,860
‐ I saw Mom.

623
00:33:02,024 --> 00:33:05,654
♪ dramatic music playing ♪

624
00:33:06,695 --> 00:33:08,605
JOE: Come on.
[Frank grunts]

625
00:33:11,241 --> 00:33:13,491
‐ I saw the argument you had with her,

626
00:33:13,493 --> 00:33:15,293
the day she died.

627
00:33:15,287 --> 00:33:17,457
You knew she was in danger.
You knew they were gonna kill her.

628
00:33:17,456 --> 00:33:18,826
You just let it happen.

629
00:33:18,832 --> 00:33:22,382
‐ No. I, I warned her
I couldn't protect her anymore.

630
00:33:22,377 --> 00:33:23,997
[Frank grunts]

631
00:33:24,004 --> 00:33:25,964
‐ You didn't want to protect her.
GLORIA: No, no, no.

632
00:33:25,964 --> 00:33:29,054
She didn't give me a chance.
She was so angry with me.

633
00:33:29,051 --> 00:33:31,511
She cared more about exposing the Circle

634
00:33:31,512 --> 00:33:34,062
than she did about her own safety!

635
00:33:34,056 --> 00:33:37,176
[coughing]
FRANK: You chose The Eye
over your own daughter!

636
00:33:37,184 --> 00:33:38,524
‐ She should still be here.

637
00:33:38,519 --> 00:33:40,689
‐ She would be if she'd listened to me!

638
00:33:40,687 --> 00:33:43,147
[rumbling]
[all grunting]

639
00:33:43,148 --> 00:33:46,438
‐ Your mother made a choice.
You can't blame your grandmother.

640
00:33:46,443 --> 00:33:48,283
[loud rumbling, crumbling]

641
00:33:48,278 --> 00:33:50,948
GLORIA: No, no! Oh, no, you don't!
[Stacy screaming]

642
00:33:50,948 --> 00:33:52,238
STACY:
No! No!

643
00:33:52,241 --> 00:33:54,081
‐ She had no idea what would happen.

644
00:33:57,704 --> 00:33:59,924
‐ The left hand doesn't know
what the right hand's doing.

645
00:34:00,666 --> 00:34:03,706
♪ tense music playing ♪

646
00:34:03,710 --> 00:34:05,420
[rumbling continues]

647
00:34:05,420 --> 00:34:07,510
You were there.

648
00:34:07,506 --> 00:34:09,466
The whole time.

649
00:34:09,466 --> 00:34:11,426
Standing right beside her.

650
00:34:12,594 --> 00:34:13,804
You were the only other person

651
00:34:13,804 --> 00:34:16,064
who saw the argument between
my mom and grandmother.

652
00:34:16,056 --> 00:34:17,636
‐ You knew about the Astghik.

653
00:34:17,641 --> 00:34:19,981
FRANK: It was you.
JOE: You killed her.

654
00:34:19,977 --> 00:34:22,147
‐ No. No, no, no. That's ridiculous.

655
00:34:22,145 --> 00:34:25,145
It's ridiculous. Tell them.
Tell them, Stefan. That's wrong!

656
00:34:25,148 --> 00:34:27,778
[loud rumbling]
You couldn't have!

657
00:34:27,776 --> 00:34:30,486
‐ You wanted to use The Eye
to do more than your father.

658
00:34:30,487 --> 00:34:32,657
To do better.
She would have ruined it all.

659
00:34:32,656 --> 00:34:35,156
‐ What?
STEFAN: She would have exposed everything!

660
00:34:35,158 --> 00:34:37,078
I did it for you.

661
00:34:37,077 --> 00:34:39,867
‐ She was my daughter.
[loud rumbling]

662
00:34:39,872 --> 00:34:41,752
[crashing, crumbling]

663
00:34:41,748 --> 00:34:43,458
JOE: The Chamber's collapsing!
FRANK: Where's Callie?

664
00:34:43,458 --> 00:34:44,788
‐ She went after Stacy.
[Frank coughing]

665
00:34:44,793 --> 00:34:45,883
Let's go! Come on!

666
00:34:45,878 --> 00:34:47,918
‐ Go. Go. I'll get The Eye.

667
00:34:47,921 --> 00:34:49,421
JOE:
Come on, come on, come on!

668
00:34:49,423 --> 00:34:51,553
[rumbling, crumbling]
FENTON: You killed my wife!

669
00:34:51,550 --> 00:34:53,260
JOE:
Dad! Dad, we have to go!

670
00:34:53,260 --> 00:34:56,100
Dad, you have to let him go!

671
00:34:56,096 --> 00:34:58,266
Dad, we have to go now!

672
00:34:58,265 --> 00:35:00,805
[rumbling, crashing]

673
00:35:01,560 --> 00:35:05,310
FENTON:
Run! Just run, run, run! Run!

674
00:35:05,314 --> 00:35:07,024
Run! Run!
[grunting]

675
00:35:07,024 --> 00:35:08,614
[Fenton yells]

676
00:35:10,068 --> 00:35:12,278
[exploding]

677
00:35:12,279 --> 00:35:14,909
FRANK: Joe! Joe, give me your hand!

678
00:35:14,907 --> 00:35:16,277
Go, let's go!

679
00:35:17,451 --> 00:35:19,621
[exploding]
[yells]

680
00:35:19,620 --> 00:35:21,790
[brakes screech, sirens blaring outside]

681
00:35:23,373 --> 00:35:26,003
[panting]
[brakes screech, car door opens]

682
00:35:26,627 --> 00:35:28,087
[indistinct chatter]

683
00:35:28,086 --> 00:35:30,836
[car door slams]
‐ Gloria Estabrook.

684
00:35:30,839 --> 00:35:33,799
You're under arrest for
the murder of Victor Nabokov.

685
00:35:33,800 --> 00:35:35,930
‐ Francis.

686
00:35:35,928 --> 00:35:38,678
I'm sorry.

687
00:35:38,680 --> 00:35:40,600
[handcuffs clinking]
JESSE: You have the right
to remain silent.

688
00:35:40,599 --> 00:35:42,479
Anything you say can
and will be used against you...

689
00:35:42,476 --> 00:35:44,646
GLORIA: Joe‐‐
JESSE: ...in a court of law.

690
00:35:44,645 --> 00:35:46,475
GLORIA: I'm sorry.
[car door opens]

691
00:35:46,480 --> 00:35:48,270
[officers chattering indistinctly]

692
00:35:50,734 --> 00:35:51,994
[car door closes]

693
00:35:53,028 --> 00:35:55,488
[commotion, chatter over police radios]

694
00:35:58,325 --> 00:36:01,905
♪

695
00:36:06,792 --> 00:36:08,752
[crickets chirping]

696
00:36:08,752 --> 00:36:10,552
[Fenton and Joe yawning]

697
00:36:10,546 --> 00:36:13,716
[liquid brewing]
FENTON: Frank, what's, uh,
going on with that coffee?

698
00:36:13,715 --> 00:36:14,755
‐ It's almost done.

699
00:36:17,886 --> 00:36:19,806
‐ See, this is nice.

700
00:36:19,805 --> 00:36:22,925
Coffee. Cereal. Not worrying about
the world being taken over

701
00:36:22,933 --> 00:36:24,983
by a power‐obsessed secret organization.

702
00:36:24,977 --> 00:36:27,767
[Fenton chuckles]
Just a normal family breakfast.

703
00:36:27,771 --> 00:36:29,061
‐ Normal's boring.

704
00:36:29,064 --> 00:36:30,614
‐ Yeah, that's why we have you, Joe.

705
00:36:30,607 --> 00:36:32,727
[Fenton chuckles]
‐ Thanks, Frank.

706
00:36:32,734 --> 00:36:35,364
[coffee pouring]

707
00:36:35,362 --> 00:36:37,072
‐ You know,
I'm really gonna miss you guys.

708
00:36:37,072 --> 00:36:38,622
[cups thud on table]

709
00:36:38,615 --> 00:36:40,905
I was kind of getting used to the chaos.

710
00:36:40,909 --> 00:36:42,699
‐ I thought we drove you crazy.
TRUDY: Oh, you do.

711
00:36:42,703 --> 00:36:45,003
But, I like having you around.

712
00:36:44,997 --> 00:36:47,917
FENTON:
Well, that's good to hear,

713
00:36:47,916 --> 00:36:50,416
because we were talking,

714
00:36:50,419 --> 00:36:53,669
and we would all like to stay
in Bridgeport for a while.

715
00:36:54,756 --> 00:36:57,296
‐ Oh, and I think they're looking for
a new police chief, too.

716
00:36:57,801 --> 00:36:59,471
‐ Wait, are you serious?

717
00:36:59,469 --> 00:37:00,849
‐ If it's okay with you.

718
00:37:00,846 --> 00:37:03,716
‐ [laughs] Yes. Of course!
FRANK: Good.

719
00:37:03,724 --> 00:37:06,024
TRUDY: Of course.
[chattering, laughing]

720
00:37:06,018 --> 00:37:08,848
JOE: No, no! Aah!

721
00:37:08,854 --> 00:37:10,564
[Fenton exclaims quietly]

722
00:37:10,564 --> 00:37:12,154
‐ What? No good?
FENTON: Well,

723
00:37:12,149 --> 00:37:14,529
it's...
[Trudy and Joe laugh]

724
00:37:14,526 --> 00:37:16,736
Coffee. Yeah.

725
00:37:18,655 --> 00:37:20,195
[laughs]
FENTON: Ahem.

726
00:37:20,199 --> 00:37:21,619
TRUDY:
Ooh...

727
00:37:22,242 --> 00:37:26,252
♪ tense music playing ♪

728
00:37:41,762 --> 00:37:42,932
[keys jangling]

729
00:37:47,434 --> 00:37:48,894
[cell door closes]

730
00:37:50,687 --> 00:37:52,357
CHET:
And what happened to Stacy?

731
00:37:52,356 --> 00:37:54,936
CALLIE: I followed her through the tunnels
and we came out in the woods.

732
00:37:54,942 --> 00:37:57,442
She got into a van and sped off.

733
00:37:57,444 --> 00:37:58,994
PHIL:
And the plot thickens.

734
00:37:58,987 --> 00:38:02,317
‐ You know you can't say anything, right?

735
00:38:02,324 --> 00:38:04,874
‐ Wait, we save the world,
and we can't talk about it?

736
00:38:04,868 --> 00:38:06,828
Where's the fun in that?

737
00:38:06,828 --> 00:38:09,668
‐ Well, I had fun,
and I don't need to brag about it.

738
00:38:09,665 --> 00:38:12,705
‐ Yeah. I never thought
I'd do so much before college.

739
00:38:12,709 --> 00:38:14,709
Wait. Have I peaked?

740
00:38:14,711 --> 00:38:17,801
ALL:
Yes. [laughing]

741
00:38:20,175 --> 00:38:23,505
‐ Guys, I think we should let
Frank and Joe finish up here.

742
00:38:24,346 --> 00:38:25,886
Come. Come on.

743
00:38:26,682 --> 00:38:30,312
‐ Hey, we're gonna go to Wilt's.
You guys can come when you guys are done.

744
00:38:30,310 --> 00:38:32,190
‐ Yeah. Sure, that sounds good.

745
00:38:33,313 --> 00:38:35,023
Uh, listen...

746
00:38:38,151 --> 00:38:41,361
Thank you. For everything.

747
00:38:41,363 --> 00:38:43,623
We could have never done this alone.

748
00:38:43,615 --> 00:38:46,285
‐ Duh.
[all chuckle]

749
00:38:46,285 --> 00:38:47,445
CHET:
See you later.

750
00:38:47,452 --> 00:38:50,042
‐ How strict do you think this, uh,
no, no bragging thing is?

751
00:38:50,038 --> 00:38:51,958
Do you think anyone will mind
if I put it on my "re‐sume?"

752
00:38:51,957 --> 00:38:53,457
‐ I'll catch up with you guys.

753
00:38:53,458 --> 00:38:55,208
CHET: It's re‐ sume, Phil.
PHIL: Oh...

754
00:38:59,339 --> 00:39:01,719
‐ So, when are you going back to the city?

755
00:39:02,593 --> 00:39:06,263
‐ Uh, I don't know.
I think we're actually...

756
00:39:06,263 --> 00:39:08,643
gonna stay in Bridgeport for a while.

757
00:39:08,640 --> 00:39:10,020
‐ Really?

758
00:39:10,017 --> 00:39:13,847
I mean, that's‐‐
It's gonna suck staying here.

759
00:39:13,854 --> 00:39:16,324
‐ Yeah. I don't know‐‐
I don't know what I'm gonna do.

760
00:39:18,859 --> 00:39:20,069
‐ Yeah.

761
00:39:21,778 --> 00:39:23,068
‐ Yeah.

762
00:39:24,114 --> 00:39:27,584
♪ upbeat music playing ♪

763
00:39:32,664 --> 00:39:34,424
‐ Catch you at Wilt's.

764
00:39:36,293 --> 00:39:37,543
[chuckles softly]

765
00:39:41,507 --> 00:39:43,257
[imitates kissing]

766
00:39:43,258 --> 00:39:44,588
‐ [mocking Callie]:
Oh, Frank!

767
00:39:44,593 --> 00:39:46,723
[kisses] Oh, you're so moody
and mysterious!

768
00:39:46,720 --> 00:39:48,890
‐ [laughing]: Stop it!
[Joe makes kissing noises]

769
00:39:50,474 --> 00:39:52,354
‐ Oh. Check it out.

770
00:39:52,351 --> 00:39:53,601
I fixed it.

771
00:39:56,146 --> 00:39:57,976
Took an old classic and updated it.

772
00:39:59,858 --> 00:40:01,988
♪ "Everybody Wants to Rule the World"
plays on music box ♪

773
00:40:04,279 --> 00:40:06,069
FRANK:
Mom loved this song.

774
00:40:06,073 --> 00:40:07,283
‐ I know.

775
00:40:11,245 --> 00:40:13,825
‐ I guess we finished what she started.

776
00:40:15,707 --> 00:40:17,287
‐ So now what?

777
00:40:17,292 --> 00:40:21,212
FENTON: Oh, I'm sure you're gonna find
more trouble to get up to.

778
00:40:23,715 --> 00:40:24,965
Mm.

779
00:40:24,967 --> 00:40:28,047
Mom would have been very proud of you.

780
00:40:28,053 --> 00:40:29,183
Both of you.

781
00:40:30,556 --> 00:40:32,516
And I am, too.

782
00:40:32,516 --> 00:40:34,386
It's incredible what you did.

783
00:40:37,271 --> 00:40:39,361
Okay. Well...

784
00:40:39,356 --> 00:40:40,816
Go join your friends.

785
00:40:40,816 --> 00:40:42,276
I'll finish up up here.

786
00:40:48,198 --> 00:40:50,618
♪

787
00:40:58,166 --> 00:41:01,296
♪ "Hey Big Brother"
by Rare Earth playing ♪

788
00:41:12,306 --> 00:41:13,636
JB:
"Joey,

789
00:41:13,640 --> 00:41:15,270
"sorry I didn't stick around,

790
00:41:15,267 --> 00:41:17,897
"but things got a little hairy
there in Bridgeport.

791
00:41:19,021 --> 00:41:22,981
"I'll be happy if I never see
The Eye again for the rest of my life,

792
00:41:22,983 --> 00:41:26,863
"and if I were you,
I'd stay as far away from it as possible.

793
00:41:27,738 --> 00:41:31,368
"And look, I'm not all that good
at goodbyes, or apologies,

794
00:41:31,366 --> 00:41:34,446
"s o, I'm just gonna say I owe you one,

795
00:41:34,453 --> 00:41:36,543
"and leave you my radio.

796
00:41:36,538 --> 00:41:40,538
"If the day ever comes when you need
the services of a world‐class thief

797
00:41:40,542 --> 00:41:43,132
"who looks pretty good in a wig,

798
00:41:43,128 --> 00:41:47,088
"you can use it to get in touch
when you're ready to call in that favor.

799
00:41:47,090 --> 00:41:49,890
Your pal, JB Cox."

800
00:41:49,885 --> 00:41:52,045
FRANK:
Joe! Ice cream.

801
00:41:52,054 --> 00:41:55,184
JB: "Oh, yeah. And don't let Frank
boss you around too much.

802
00:41:55,182 --> 00:41:57,142
He needs you more than you think."

803
00:41:58,769 --> 00:42:00,019
[camera shutter clicks]

804
00:42:08,946 --> 00:42:12,236
‐ ♪ Hey, big brother ♪

805
00:42:12,241 --> 00:42:15,291
♪ As soon as you arrive ♪

806
00:42:15,285 --> 00:42:19,785
♪ You better get in touch
with the people, big brother ♪

807
00:42:19,790 --> 00:42:23,290
♪ And get them on your side,
big brother ♪

808
00:42:23,293 --> 00:42:27,513
♪ And keep them satisfied ♪

809
00:42:27,506 --> 00:42:30,796
♪ Welcome to the beat of the city street ♪

810
00:42:30,801 --> 00:42:35,351
♪ Walk on now and don't be shy ♪

811
00:42:35,347 --> 00:42:38,807
♪ Take a closer look
at the people you meet ♪

812
00:42:38,809 --> 00:42:43,309
♪ And notice the fear in their eyes,
yeah ♪

813
00:42:43,313 --> 00:42:49,073
♪ Watching the time passing by ♪

814
00:42:49,486 --> 00:42:51,736
♪ Hey big brother ♪

815
00:42:52,614 --> 00:42:56,084
♪ As soon as you arrive ♪

816
00:42:56,076 --> 00:43:00,116
♪ You better get in touch
with the people, big brother ♪

817
00:43:00,122 --> 00:43:04,462
♪ And keep them on your side,
big brother ♪

818
00:43:04,459 --> 00:43:06,839
♪ Keep them satisfied ♪

819
00:43:08,172 --> 00:43:11,182
♪ Hey, big brother ♪

820
00:43:12,050 --> 00:43:15,010
♪ Hey, big brother ♪

821
00:43:15,888 --> 00:43:16,848
♪ Hey... ♪