NARRATOR: Previously on Hardy Boys...
JOE: Today's the day JB's gonna meet his buyer.
FRANK: If we find out who was after this thing...
JOE: Then we find out who killed Mom.
[clattering] ‐ Joe!
[Frank grunts] JOE: Where'd he go?
‐ Francis, I understand that you are looking into universities.
‐ Um, me and my dad were thinking about schools close to home.
‐ Think bigger. Think Rosegrave.
WILT: One more year to go in this boring town, huh?
‐ I have to get accepted to Rosegrave first.
So, where does this leave us?
SAM: Kanika Imani Khan.
FRANK: She hired him to find her nephew, Rupert.
JOE: Dad's been gone longer before,
but I don't think I've missed him this much.
‐ Any crime scene should be studied as quickly as possible
to preserve evidence.
This is where we lost him. Just retrace his steps.
See if we can find anything.
What's that?
JOE: Does this look like the same thing he was wearing?
[yells]
When we went back,
the tall man found us.
FRANK: He's not gonna stop looking for it,
so we're gonna use that to our advantage,
and we're gonna trap him.
[metal clattering, swishing]
We think that all of this has something to do with what got her killed.
JOE: This tall guy might have the only answers that we can get.
[footsteps approaching]
JESSE: Well. You've been busy.
I talked to a flight attendant
from a plane that had to make an emergency landing
because someone jumped.
The attendant said that after the guy jumped from the plane,
a tall, scary‐looking man was screaming that he'd been robbed.
She identified you.
‐ Do you think I'm scary looking...
Jesse Hooper?
‐ You think you're rattling me?
You're not.
Why don't you tell me what you're after?
Why are you in Bridgeport?
‐ But you're having such a good time playing detective.
‐ It's just a matter of time.
And you're gonna stay in that cell until I find out what you're up to.
Time is on my side.
‐ Excuse me.
I need my beauty sleep.
♪ theme music playing ♪
♪
‐ This is wonderful. TRUDY: You think so?
[Frank laughing]
‐ Oh, hi, boys.
So, Francis, how are you feeling about Rosegrave?
Are you ready for the exam?
‐ Oh, yeah. Yes.
‐ You know, you really might enjoy studying there.
There are some aspects of the place that are quite unconventional.
‐ And the test is at the school, right?
‐ No, no, no. They're testing in various cities around the country.
But I volunteered my house for the Bridgeport session.
There'll be a few other people there today,
including your friend Callie Shaw.
Wonderful.
So, 2:00 at my place, and don't be late.
There're gonna be some members of the board and faculty there,
and I want you to make a good impression.
‐ Okay. All right. ‐ All right, sweetheart.
[kisses] See you later. Bye‐bye, everyone.
‐ Bye, Gloria. ‐ Bye, Grandma.
♪ tense music playing ♪
♪
‐ Aunt Trudy, are you sure this is a good idea?
‐ Look, even if you get accepted, you won't start for another year.
And hopefully by then, your dad will be back,
and you can make the decision together.
‐ Yeah.
TRUDY: And hey, keep an open mind.
You know, everyone who went to that school
turned out to be a big success.
‐ And what if I don't want to be a big success?
What if I just want my old life back?
‐ Frank, you already said you would.
[door opens]
[door clicks shut]
‐ I got a shift at Wilt's.
See if you can find out where this came from.
‐ What am I supposed to find out from a piece of cloth?
‐ I don't know. Ask somebody.
[footsteps departing]
[typewriter keys clacking] [phone ringing]
‐ I can't make heads or tails of this guy, Ezra.
He just stares at you, like he thinks we can't touch him.
‐ Problem is, he might be right.
I got this report from the federal authorities.
They got nothing on him. The man is a ghost.
JESSE: I used to think I wasn't afraid of ghosts.
I'm not so sure now.
‐ Jesse Hooper I used to know wasn't afraid of anything.
‐ [scoffs] That was before my daughter was hanging around the Hardy boys
and putting herself in the path of psychos like this guy.
‐ Well, we'll keep a special eye on her and the Hardy boys
until this freak is out of our hair. It won't be long.
Feds are coming to take him in 12 hours.
Soon it won't be our problem.
WILT: Uh, you know, Frank,
I don't know why you're not excited about the exam for Rosegrave school.
‐ 'Cause it's what my grandma wants, Wilt.
I want to make my own decisions.
‐ You go to Rosegrave, you're in the elite.
You drive fancy cars. You live in mansions.
Money means choices.
You don't want to work in some run‐down diner
slinging burgers for unappreciative punks your whole life.
[chuckles]
‐ What? [door opens]
[bell on door jingles] ‐ Nothing.
[door closes]
[Chet sighs]
FRANK: [chuckles] You look tired.
‐ Man, I could still hear my dad yelling.
‐ Figured he'd think you were a hero.
CHET: No, that's not my dad.
He's not really big on trouble getting brought back to the farm.
He's got a lot on his plate right now, so...
FRANK: What's going on?
CHET: Uh, harvest isn't treating us so well.
The bank's breathing down our necks, and...
My dad says we'll pull through, but...
I'm just wishing I could do more to help.
‐ It'll be okay, man.
You got plans.
‐ Yeah.
‐ There's always that winning lottery ticket.
[bell on door jingles] ‐ Man, it's Bridgeport.
No one wins the lottery around here. [Frank laughing]
‐ Hey. ‐ Hey.
CALLIE: So, today's the big day, huh?
‐ Yeah. Yeah, I guess so. ‐ You ready?
‐ I don't know. I tried to study,
but they didn't give us anything to study, so...
‐ Yeah, that's part of the fun. You have to be good at like, everything.
[laughs] ‐ Okay, see, that right there sound like too much stress for me.
I'm happy I just play baseball.
‐ Yeah, which you do better than anyone else in town.
CHET: Well, when I win that pennant,
I'll make sure and remember the little people, huh?
CALLIE: Oh, okay, big shot.
But before you forget about us,
do you mind giving us a ride out to the test today?
‐ I guess I could fit you in my super busy schedule.
CALLIE: Perfect.
‐ Frank.
Pick your head up, man.
Rosegrave isn't until next year.
Kids would kill for your opportunity to go to this place.
‐ I know. It's just, none of this would be happening if my dad was back.
I'd be going to school back in the city.
[car engine zooming]
♪ dramatic music playing ♪
♪
[Velcro rips]
‐ [whispers]: Okay. [camera winding]
[distant car door opens]
[camera shutter clicks]
[distant car door closes]
[camera winding]
[camera shutter clicks]
[gun cocks]
‐ Got me.
[groans]
You're pretty good.
I didn't even hear you coming.
[man grunts]
[thwacks] [grunts]
BIFF: Hello?
Earth to Joe.
You're looking at that piece of cloth like you expect it to talk to you.
‐ I wish it would. It'd definitely help.
I mean, how am I supposed to find out where this thing came from?
‐ Just ask someone who knows about that stuff.
‐ What, like some sort of fabric expert? ‐ Like a tailor.
‐ All right, genius. Tell me where I'm supposed to find one of these...
tailors.
‐ Best bet is the only tailor in this town.
Tan Likely.
‐ You could have just told me that.
‐ I like seeing you squirm.
[chatter over police radio]
‐ Hey.
[metal clattering]
Wake up. I have some more questions for you.
♪ tense music playing ♪
Billy, get the keys to cell one.
[key clattering in lock]
[cell door squeaks open]
♪
CALLIE: Wish us luck on the test, Stefan.
STEFAN: You won't need it, Callie.
You're Rosegrave material if I've ever seen it.
‐ What about me, Stefan?
‐ To you, I'll say "good luck."
‐ Talk about a vote of confidence. What'd I ever do to him?
‐ Don't let him get to you.
[indistinct chatter]
FRANK: Ah. Check out the brain trust in here.
‐ Looks like the junior egghead club.
[Frank chuckles]
FRANK: That's our competition.
‐ I guess we're each other's competition.
‐ You okay to still talk, or did you want to stand in separate corners of the room?
‐ No, no, it's fine. But once the testing starts, it's game on.
‐ Paul, I'd like you to meet Callie Shaw.
Callie, this is Paul McFarlane. He's the dean of Rosegrave Academy.
CALLIE: A pleasure to meet you, Dean McFarlane. ‐ Gloria speaks highly of you.
‐ Well, I hope she hasn't raised your expectations too high.
‐ Oh, don't believe the false modesty.
I've been mentoring this young lady for quite a while.
She shows great promise.
DEAN MCFARLANE: You must be Francis Hardy.
FRANK: Uh, Frank. It's nice to meet you.
‐ Frank is more of a nickname.
DEAN MCFARLANE: It's a pleasure to meet you.
As I'm sure you know, our school was founded by
your great‐grandfather, George Estabrook.
‐ Yeah, so I've heard.
DEAN MCFARLANE: But, even with such a strong family connection,
you still have to pass the entrance exams like everyone else.
‐ I should hope so.
GLORIA: Paul has been a great asset to Rosegrave.
And to the town.
He knew your mother.
‐ You knew her?
‐ Yes. We were in the same class.
Well, look at the time. We best get started.
GLORIA: Here we go.
DEAN MCFARLANE: Future scholars.
I hope you've sharpened your pencils,
because today, we are going to put you to the test.
This way please. ‐ Here we go.
‐ I'm gonna say, let's get rid of this bell‐bottom business.
It's not the '70s anymore, and thank goodness for that. [door opens]
Off you go to the change room.
Welcome, young friends, and how may I help you today?
Are you here to pick up something for your parents?
‐ Uh, no. I have a question about this piece of fabric.
My Aunt Trudy wanted to match it to make a shirt.
We only had a little piece. TAN: Mm.
Color me intrigued.
It's not a lot to work with.
‐ It's all we have, Mr. Likely.
‐ My father is Mr. Likely.
Please call me Tan.
Let's take a closer look.
Hmm.
It's a classic thread, and by classic, I mean old.
‐ How old is old? ‐ Ten years or more.
But whatever clothing this came from, it won't show its age.
‐ Why?
‐ Tight weave. Very durable. Water resistant.
Your aunt's gonna have a hard time making a shirt from this.
This is from an overcoat, but not the kind you'd buy off the rack.
‐ Off the rack?
‐ He means one you can't buy in stores.
‐ This overcoat is from a uniform manufacturer.
Possibly military, but...
judging by the color, I'd say most likely police issue.
‐ So you're saying that this piece of fabric came from an overcoat
that could have been worn by police.
‐ Not the kind I'd let one of my customers wear, but yes.
DEAN MCFARLANE: There will be four sections,
covering a variety of core academic subjects.
The test will get harder, so be sure to pace yourselves.
Each section will be marked as you complete it.
The students with the lowest score will be asked to leave.
By the end of testing, only two of you will be left.
Those two will undergo a final test
to determine whether or not
they will join the other successful applicants across the country.
All right, students.
Let's begin.
♪ dramatic music playing ♪
‐ So, unless there's some sort of solider
running around looking for this idol, it seems our bad guy's a cop.
‐ So maybe we're looking for some dirty cop from Dixon City.
‐ Yeah. Or maybe someone a little close to home.
‐ How close?
‐ Like, close, close.
Bridgeport PD.
‐ Where my mom works?
‐ All I'm saying is that Chief Collig was the one
who picked up the envelope at the park.
We don't know who's involved here.
‐ Not the chief, and not my mom.
[splashing]
[coughs, sputters]
♪ ominous music playing ♪
‐ So, this is Mr. Hardy.
[chuckles] FENTON: My friends like to call me Fenton.
Or Fent. Uh, and, uh, what's your name?
‐ Oh, my name is not important.
What is important is that you tell us why you're here.
‐ Okay.
I was, uh...
I was bird watching.
‐ Mm... ‐ Yeah.
‐ We've been watching you.
We know that you're looking for Rupert Khan.
‐ Okay. ‐ We are also looking for Mr. Khan.
We want you to tell us what you know about his whereabouts.
‐ I don't know anything about his whereabouts.
I just followed the trail of evidence that led here.
[clicks tongue]
Oh, no.
[thwacks]
ADAMS: Why are you looking for him?
[grunts]
‐ Ah. [clears throat]
His aunt hired me to find him.
[groans] She was very worried about him.
ADAMS: Well, she should be. ‐ Yeah.
‐ He's playing a game against our interests.
‐ Which are what?
‐ [whispers] He's lying. He knows about the idol.
‐ You guys have any idea what happened to my wife?
Huh? You guys happen to know anything about that?
‐ So, you really know nothing. [chuckles]
It's too bad.
That means you're of no value to us.
♪ "The Safety Dance" by Men Without Hats playing ♪
‐ ♪ We can dance if we want to ♪
♪ We can leave your friends behind ♪
♪ 'Cause your friends don't dance and if they don't dance ♪
♪ Well they're no friends of mine ♪ ‐ Time's up, students.
‐ ♪ I say, we can go where we want to ♪
♪ A place where they will never find ♪
♪ And we can act like we come from out of this world ♪
♪ Leave the real one far behind ♪
♪ And we can dance ♪
DEAN MCFARLANE: Miss Collins.
You're going to have to leave us.
♪
We'll continue on with the next section.
Pencils down, everyone.
‐ ♪ We can dance if we want to ♪
♪ We can leave your friends behind ♪
♪ ' Cause your friends don't dance... ♪
‐ Mr. Dukay, I'm afraid I'm going to have to ask you to leave.
‐ ♪ I say, we can go where we want to ♪
‐ Do you know who my father is?
‐ ♪ And we can act like we come from out of this world ♪
♪ Leave the real one far behind ♪ DEAN MCFARLANE: Let's continue, shall we?
‐ ♪ And we can dance ♪ ‐ ♪ Dances! ♪
‐ ♪ We can go when we want to ♪
♪ The night is young and so am I ♪
♪ And we can dress real neat from our hands to our feet ♪
♪ And surprise 'em with the victory cry ♪
♪ I say, we can act if we want to ♪
♪ If we don't nobody will ♪
♪ And you can act real rude... ♪
‐ That's time, students.
‐ ♪ And I can act like an imbecile ♪
♪ I say, we can dance ♪
DEAN MCFARLANE: Miss Fallon.
You won't be participating in the next set of tests.
‐ ♪ We can dance, We're doing it wall to wall ♪
♪ We can dance, We can dance ♪
DEAN MCFARLANE: Students, we've come to the history section.
This will be the last written test.
Only two of you will proceed to the final test.
I wish you all good luck.
‐ ♪ ...safety dance ♪
♪ Oh, it's the safety dance ♪
[crickets chirping outside]
[knocking on door]
TRUDY: Hey. It's a nice surprise.
Do you want something to drink?
‐ Trudy, this isn't a social call.
‐ What is it? What's wrong? ‐ Where are the boys?
‐ Frank's doing a test at Gloria's,
and Joe's upstairs with Biff. What's wrong?
‐ A couple of hours ago, the man that they caught at the farm escaped.
‐ How? I thought you had him locked up.
‐ We don't know how he did it.
I went back to the cell, and he was just gone.
TRUDY: He escaped?
JESSE: I came here to tell you
because he might come after the boys again.
We'll do our best to protect them, but you have to keep a close eye on them.
He could be anywhere.
‐ Yeah, some of those questions in the history section were pretty hard.
‐ Yeah.
I think I did pretty well, though. ‐ Me, too. [chuckles softly]
‐ The scores are tallied.
Congratulations...
...to Callie Shaw and Francis Hardy.
You've moved on to the next round. [Callie laughing]
Mr. Ito.
Thank you very much for your interest in Rosegrave Prep.
[both laughing softly]
Good job. Both of you.
‐ Thank you. Thank you. So, um, when does the next round begin?
‐ Right away.
‐ Right now?
What's the subject? Can we get a chance to prepare?
‐ Oh, that's not necessary. Nor possible, really.
The last test is... less conventional.
GLORIA: I'm so proud of you two.
And I think I'm going to be a lot more proud very soon.
‐ Uh, wh‐‐ what's the next round? What do we have to do?
‐ You simply have to leave this room.
Good luck. You have 15 minutes.
[door closes]
[lock clicks]
♪ tense music playing ♪
[rattling]
‐ There goes that plan.
[grunts]
[groans]
FENTON: Hey.
[muttering]
I know, I know where Rupert is.
I got, I got information.
I know where Rupert is.
[whispers]: I got information... [muttering]
[thwacks] [grunts]
♪ tense music playing ♪
[crashes]
[groans]
Okay...
[grunting]
[key jangling] [grunts]
♪
[sighs]
You rest. I'll show myself out.
[door opens]
[breathing heavily]
♪
[engine rumbling]
[engine revving]
♪
BIFF: So the creepy tall guy's coming.
He's coming for us.
Well, for you, but since I'm here, for us.
What are we gonna do?
‐ We have to think about this. ‐ Do we have time for that?
‐ Now I know how Frank feels.
‐ Why don't we just give him the stupid thing?
‐ No. This thing has something to do with whatever happened to my mom.
And I'm not letting him have it.
‐ I don't think your mom would want you holding onto it
if the tall guy is coming after it.
‐ Yeah, no duh. But I'm not giving it up.
We need to hide it.
‐ Question is... where?
‐ 'Kay, we've looked all over. I don't see any way out.
‐ It's a puzzle.
Look at this.
"Please answer all questions at the same time."
‐ The back.
"Look further than the time, to find the key to this rhyme.
"Three and three make five.
"Add one below,
and a flat face will chime."
How do you get three and three to make five?
‐ I don't know. We already did the math section of the test,
and I'm pretty sure you graded higher than I did.
‐ Okay, so what's your non‐math suggestion?
[Frank exhales]
‐ "Add one below, and a flat face will chime."
‐ The clock?
[pendulum ticking]
"Three and three makes five."
‐ It's gotta be the hands, right?
[clock hands clicking] ‐ Three, and five.
‐ Add one below.
‐ Oh. Maybe it's the pendulum.
‐ What?
‐ The pendulums have weights.
‐ Okay. ‐ Watch.
Anything happen?
[Callie sighs] ‐ No.
‐ We only have five minutes left. ‐ Yeah.
Should we just break down the door with the clock?
[both laughing]
[exhales]
BIFF: Could we hide it behind a bench?
‐ No, we already tried that. We need to think outside the box.
‐ An electrical box?
It's too dangerous.
How about a garbage can?
‐ No, it'll end up in a dump tomorrow morning.
How about the top of the lamppost?
‐ Yeah, 'cause no one will notice us walking around with a ladder.
‐ Maybe we'll never figure this out.
We can just forget Rosegrave,
and you can be back in Dixon City with your girlfriend.
[pendulum ticking]
‐ Emma and I actually broke up.
‐ What?
You didn't tell me this.
‐ Didn't come up.
Just focus on the puzzle, please?
‐ Yeah. Um...
Okay. Time. ‐ Mm‐hmm.
‐ Time. It said look further than the time.
‐ Yeah.
‐ So maybe that means that it's not time?
‐ Okay. "Look further than the time.
A flat face will chime."
[pendulum ticking] [Callie chuckles]
What?
‐ Key. Time. Flat. Chime. I think it's music.
[Callie chuckles] FRANK: You play?
‐ From when I was five to around 12.
Then I switched to clarinet. What about you?
‐ Yeah, my mom made me take piano lessons up until last year,
so I know some stuff.
‐ Okay, so let's try this again.
Uh, "three and three make five.
Add one below, and a flat face will chime."
‐ A flat face.
[whispers]: A flat face.
A flat. That's the key it's in.
[Callie chuckles]
‐ Okay. [plays note]
‐ "Three and three make five."
Wait. A third interval and a third interval make a fifth. Right?
[laughs] Yeah. ‐ Yeah. So it's A flat,
three up, C. CALLIE: Yeah.
FRANK: Three more, that's E flat.
CALLIE: Then add one more.
‐ Which is F, but it says "add below," which takes it to the beginning.
So, it's F, A flat, C, E flat.
‐ F. A. C. E.
"Face, and a flat face will chime."
Why didn't it work?
‐ I don't know. What are we doing wrong?
‐ "Add one below.
A flat face will chime."
"Please answer questions all at the same time."
‐ It's a chord.
[plays chord] [clicks]
[Callie laughs] Whoa, that's cool.
[Frank chuckles] [clattering]
‐ [whispers]: What?
‐ [laughs] I can't believe you thought it was the clock.
‐ [chuckles] Let's get out of here.
We have three minutes.
What are‐‐ What?
We found the key, Sherlock.
What are you doing?
[clatters, clicks open]
♪ ominous music playing ♪
Oh, my God.
‐ Callie, that's the symbol.
♪
There's no lock or handle.
‐ Frank, we should go.
‐ I'm coming back.
[clatters shut]
[key clicks in lock]
[all clapping]
DEAN MCFARLANE: Congratulations, scholars.
Welcome to Rosegrave.
GLORIA: Well done. [kisses]
Well done, darling. [Callie chuckles]
‐ Thank you so much.
‐ The test was interesting.
‐ I realize it was unconventional, but so is our school.
The final test measures a candidate's timing,
reaction, ability to improvise.
And you both passed.
‐ Be happy for yourself, Francis. Mm?
Come, dear. [Callie laughs]
Cup of tea?
DEAN MCFARLANE: Your grandmother said you were exceptional.
This proves it.
You know, your mother passed with flying colors.
‐ What do you mean? My mom never went to Rosegrave.
‐ No. She opted not to, but...
She was always a step ahead.
Always thinking.
No matter what you threw at her.
Good luck, Frank.
I sincerely hope you take us up on our offer.
JOE: You know, Bridgeport's actually kind of nice.
BIFF: Duh. We have everything anyone could ever want.
Arcade. Wilt's. Video store.
Dixon City has nothing on us.
I bet your mom loved growing up here.
‐ Yeah.
‐ I'm sorry. I didn't mean to‐‐
‐ No, no. It's fine.
‐ You're lucky you have Frank, your Aunt Trudy, and your dad.
Me.
It's just me and my mom.
If she was involved in any criminal activity,
I don't‐‐ ‐ Hey.
Look. I'm no cool cop mom, but I'm here.
‐ Thanks, Joe.
[tires screeching]
‐ Go. Run.
[tires screeching]
[running footsteps approaching]
‐ Whoa.
CHET: Okay, so explain it to me again.
You guys were alone in a locked room.
‐ Yeah.
CHET: For the test.
‐ Mm‐hmm. Well, first we did the written component,
which was math, English, science, and history.
And the final test was us in a locked room.
CHET: Okay, but it was trapped, though, so you guys had to escape.
‐ We weren't trapped. It was a puzzle.
‐ Yeah, it was so crazy.
We had to play just the right notes on the piano
to find the key to open the door.
It was actually so fun.
And we found this secret door in the room.
CHET: Wait, hold on. There was a secret door
inside the locked room? ‐ Yeah.
Like, maybe it's where she keeps her priceless jewels or something.
‐ I'm thinking skeletons.
Whatever was behind that door,
it had the symbol my mom drew on it.
♪ dramatic music playing ♪
♪
[door opens]
[door shuts]
♪
‐ Come on.
WOMAN [on movie screen]: No! Get out!
♪ scary music on movie screen ♪
[screaming]: No. No! No!
No! No! No! [creatures growling on movie screen]
Oh, no! Please help! Please! Oh, God!
[Joe panting]
BIFF: What are we gonna do now?
‐ I don't know. But we can't let him have it.
‐ Can't hold onto it forever.
[men chattering on movie screen]
‐ How are you with heights?
‐ What? JOE: Here. Help me up.
MAN [on movie screen] And I'm telling you, those things turned over our town.
We were damn lucky to get away at all.
Now you tell me those, those things can't get through this...
JOE: Easy, easy, easy!
[loud clanging, clattering]
♪ scary music plays on movie screen ♪
BIFF: That's your idea of easy? JOE: We'll hide it up there somewhere.
BIFF: This is a crazy plan, Hardy.
‐ Well, it's the only plan we've got.
BIFF: Be careful. We have to hurry.
[dog barking on movie screen]
♪ scary music plays on movie screen ♪
‐ [sighs] You know, I thought this was a better plan
at the bottom of the ladder.
BIFF: You know, if you fall, I'm gonna have a lot of explaining to do.
JOE: Thanks for your concern.
BIFF: Please hurry.
MAN [on movie screen]: They're coming for you.
Look! There goes one of them now...
WOMAN [on movie screen]: He'll hear you! MAN [on movie screen]: Here he comes now!
I'm getting out.
[woman on movie screen screaming]
WOMAN [on movie screen]: Johnny! Help me!
♪ intense movie music playing ♪
[woman screaming on movie screen]
[exhales]
‐ Done. BIFF: Okay. Now come back down.
JOE: I just have to put the speaker wires back.
[loud clattering, metal clanging] Whoa!
Whoa! Whoa! Oh! Oh! [panicked panting]
[audience chattering]
Biff!
[ladder clattering]
[loud clanging] [Joe grunts]
MAN IN AUDIENCE: Quiet! [Joe panting]
‐ Are you okay?
‐ Yeah.
MAN [on movie screen]: ...okay, we're here.
Now I think we can all go back downstairs,
before any of those things find their way‐‐
MAN 2 [on movie screen]: They're dead, pal.
Y ou wanna get about four or five men and a couple dogs
o ut of the house over here behind those trees. We wanna go check it out.
[indistinct movie conversation]
‐ Done.
‐ You really think it's safe up there?
‐ It's away from my family, and that's what matters.
Come on. Let's move this back up.
[ladder clattering softly] [commotion on movie screen]
‐ Let's get out of here.
MAN 1 [on movie screen]: It's down there!
MAN 2 [on movie screen]: Cooper!
‐ Kanika.
What a surprise. KANIKA: It shouldn't be.
We need to talk.
GLORIA: Please. Won't you sit down.
KANIKA: Thank you.
‐ Could I offer you some tea?
KANIKA: Yes. As long as it's Lapsang Souchong.
‐ Oh, sorry dear. Fresh out.
‐ Well, this town seems to be lacking in a few things.
‐ Not lacking in anything I need.
‐ You know why I'm here.
‐ In Bridgeport, or in my home?
‐ I understand that what was lost by your father
has finally been found.
And your power in this partnership has been legitimized.
You do have it, don't you?
‐ Well, there are many pieces in play.
We'll have to wait and see.
I'm assuming it's your person that they're holding in the town jail.
‐ My person? ‐ Mm.
He threatened my grandsons.
‐ Then he definitely wouldn't be my person.
‐ You seriously want me to believe he doesn't work for you, Kanika?
[Gloria scoffs]
I have already lost my father.
And now, my daughter,
to the exigencies of our business.
But if any harm comes to another member of my family,
you will have me to answer to.
And that's a fate you wouldn't wish on your worst enemy.
‐ You know as well as I do
we're not the only people involved, Gloria.
There's another party to be considered.
‐ There is. Indeed.
FRANK: You hid it in the theater.
A public place.
[sighs] And what about the fabric we found at the warehouse?
JOE: I asked around,
and Biff had an idea, and she knew a guy.
‐ What idea? What guy?
‐ We went to a tailor, you know.
He knows everything about fabric, so...
I showed him the piece,
and he said it came from a police coat.
‐ Police coat?
‐ Yeah.
The guy at the warehouse might be a cop.
‐ Still doesn't tell us who he is.
‐ Or who he's working for.
FRANK: Found out something, too.
The last test of the Rosegrave exam,
we had to find our way out of Grandma's study.
She's got a secret door in there.
‐ Cool. I love secret doors.
‐ Yeah, except this secret door had the symbol Mom drew
right in the middle of it.
‐ Wait. So Grandma really is involved in all this?
‐ I don't know.
[scribbling]
The dean of Rosegrave.
He said he knew Mom. Said they went to school together.
‐ So?
It's not like there are that many schools here in Bridgeport.
‐ Yeah, I know. It's just...
I had this funny feeling when he was telling me,
like there was something he wouldn't say.
"Laura and Paul. Love is definitely in the air."
‐ Ew!
‐ Dean McFarlane is Mom's high school sweetheart.
JOE: Wait. So you don't think he knows anything, do you?
FRANK: It's definitely worth looking into.
TRUDY: Boys, your dad's on the phone!
JOE: Me first.
‐ Age before ugly.
‐ Ooh. ‐ Give me that.
‐ Okay. ‐ Joe.
‐ Ooh. ‐ Dad, hi.
‐ When are you coming home?
FRANK [over phone]: What's going on? ‐ Hey, Joe. Frank.
Are you taking care of your aunt?
FRANK [over phone]: Yeah, we've been good.
JOE [over phone]: Hey, school starts in a few days,
and we really don't want to go to school here in Bridgeport.
I bet they don't even have vending machines.
‐ Oh, Joe. You don't want to go to school anywhere.
FRANK [over phone]: Dad, did you find Rupert?
‐ Well, it's, it's proving harder to find
someone that doesn't want to be found, so...
‐ We found some stuff, too.
We think Grandma has a secret that she's not telling us.
‐ Yeah, and we think it has something to do with Rosegrave Prep.
JOE [over phone]: There are people all over town who are involved.
‐ Guys, listen.
I want you to stay away from that. You guys‐‐
You have to be careful.
‐ We will, Dad, but we can ask around.
FENTON [over phone]: No. No, I need you guys to stay safe.
So, I, I want you to stay away from it.
Please. Tell me that you'll stay away from it?
‐ Don't worry, Dad. I'll take good care of Frank.
When are you coming back?
‐ I'm coming home soon.
I'm getting close, so...
FENTON [over phone]: Listen, in the meantime,
you guys just concentrate on staying safe, okay?
‐ Okay, Dad. We will.
You stay safe, too, okay? I love you.
FENTON [over phone]: I love you guys.
Listen, I'm‐‐ I'm gonna be traveling, so I'll call you when I can.
‐ Okay. ‐ Bye.
FENTON [over phone]: Okay. Bye.
[hangs up]
[phone clicks in receiver]
‐ We're not gonna stay out of it, are we?
‐ We're gonna be safe, Joe, but we're in this till the end, okay?
One‐hundred percent.
[footsteps thudding]
‐ Chief Collig.
I trust you have a good reason for coming into my home.
‐ The man who stole the object from the boat...
He escaped.
‐ That's bad news, Ezra.
Bad news for everyone.
♪ instrumental music playing ♪