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00:00:01,022 --> 00:00:03,107
NARRATOR:
Previously, on "Hardy Boys"...

2
00:00:03,107 --> 00:00:04,192
[clanging]

3
00:00:04,192 --> 00:00:07,278
FRANK: This was on the box
that the Astghik pulled out of the water.

4
00:00:07,278 --> 00:00:10,114
Whatever Mom was working on,
this has to be a part of it.

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00:00:10,114 --> 00:00:12,075
MS. DIAZ:
She said her family was running the town.

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00:00:12,075 --> 00:00:14,369
FRANK: You're making them sound like
they're a secret organization.

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00:00:14,369 --> 00:00:15,662
‐ That's what they are.

8
00:00:15,662 --> 00:00:18,790
‐ They called themselves
"The Circle of the Eye."

9
00:00:18,790 --> 00:00:22,085
The Nabokovs, the Khans,
and the Estabrooks.

10
00:00:22,085 --> 00:00:23,836
‐ Did Mom know about all of this?

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00:00:23,836 --> 00:00:26,631
GLORIA: Laura was very good
at finding herself in places

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she was not supposed to be.

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GEORGE [over tape recorder]:
Laura, you must never let your mother,

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or anyone else, reassemble The Eye.

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FRANK:
Mom wanted to expose the truth,

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and bring down the Circle.

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No Eye, no Circle.

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Let's finish what she started.

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JOE:
So you're going undercover.

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‐ I've been thinking about my successor.

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The legacy of The Eye
will fall to you, Francis.

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STACY: She's gonna make the same
mistakes as they always have.

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‐ You don't want to destroy The Eye.
You want it for yourself.

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You're the same as everyone else.

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‐ You know whatever happens now
is on you.

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[Callie screaming]

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[man grunts]

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[door slams]

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‐ Can't wait to make you pay for this.

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‐ Ooh. Your threats sound even scarier
when you're tied up.

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‐ I'll get out of these eventually.

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00:01:25,106 --> 00:01:28,943
‐ Yeah. If your friends cooperate.

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‐ Lying, stealing,
and now you're kidnapping?
[phone dialing]

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All in your father's warehouse?

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[phone continues dialing, then beeps]
I'm sure he'd be real proud of you.

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[exhales]
[phone rings]

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‐ Hey, Frank.
STACY [over phone]: Hey, Joe.

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Guess Frank's not home.

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‐ Joe, don't give her anything.
Don't give her the piece.

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‐ Callie? Callie!

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STACY [over phone]: Quiet!
‐ What did you do?

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‐ What I had to.

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Look, you tell Frank that if he ever
wants to see his little girlfriend again,

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he's gonna bring me the
Estabrook piece of The Eye.

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‐ We don't have it anymore.

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STACY [over phone]:
Oh, Joe.

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[laughs] We are so far past playing dumb.

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The piece, in exchange for Callie.

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Midnight. The warehouse by the docks.
Oh, and, uh,

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unless you want to find your brother's
girlfriend in a ditch somewhere,

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don't call the cops.

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[line beeps]

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[dial tone]

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♪ theme music playing ♪

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[fire crackling]

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00:02:44,686 --> 00:02:47,021
♪ jazz music playing
over record player ♪

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[man singing on record]

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GLORIA: [groans]
That song.

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‐ I've never heard it.
‐ Really?

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I know it so well.

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[exhales]

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When I was a little girl,
I would lie in bed at night,

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and I could hear the sound of it
coming through the vents.

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[laughs softly]

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That's how I knew my father
was in this room.

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[Gloria chuckles]

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‐ When did he tell you about all this?

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The Eye. The Circle?

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‐ Mm, I suppose I was not much older
than you are now.

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FRANK:
Mm.

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‐ I always knew that he was
keeping something from me.

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No idea what it was.

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‐ Do you think things
would have turned out differently

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if he didn't find The Eye?

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‐ Oh, yes, I do.

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But when you're in possession of something

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so much greater than you are...

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I think it corrupted him.
It changed him.

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But I don't blame The Eye
for losing my father.

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Or your mother.

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An object in and of itself
can't be good or bad.

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‐ It's what we do with it.

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‐ Exactly.

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Which is why we have to be careful

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it never gets in the hands of someone
who would do harmful things with it.

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‐ Stacy's gonna come after it.

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GLORIA:
I'm counting on it.

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And when she does,

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we'll be ready.

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Mm‐hmm.

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[projector clicks on]

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♪ mysterious music playing ♪

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[indistinct yelling in distance]

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STEFAN:
But madam isn't expecting you.

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JOE:
Of course I'm here.

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I told you it was important,
right before you hung up on me.

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STEFAN: She's busy with Master Frank.
‐ Joe!

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JOE:
No, I don't care if Master Frank is busy.

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He's gonna talk to Master Joe.

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‐ Joe, what are you doing here?

101
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‐ It's Callie. Stacy and her men took her.

102
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She wants the last piece of The Eye.

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She says we have until midnight
to get it to the warehouse by the docks.

104
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‐ Or what?
‐ What do you think?

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She says we can't call the cops.
‐ Oh, God.

106
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‐ Thank you. This is exactly
what we wanted to happen.

107
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‐ What? Why?

108
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‐ Stacy's made her move.

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Now we can take advantage of it.

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‐ Didn't think anyone could have
a glass‐half‐full attitude

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about our friend being kidnapped.

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‐ Oh, Stacy's desperate.

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She's bound to make a mistake.

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What to do...

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We negotiate with her.

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Pretend to form an alliance.

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And then, we make our move.

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‐ Now is not the time to set a trap.
Callie's life is at risk.

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GLORIA: [scoffs]
Stacy is not gonna hurt Callie,

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because keeping her safe
is the only leverage she has.

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‐ We have no idea what she's going to do.

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We need to give her the piece.
‐ Okay, what is going to happen,

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when Stacy has all three pieces
of The Eye?

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She'll be too powerful to stop.

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Millions of lives could be at stake.

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‐ That's tomorrow's problem.

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Tomorrow, when Callie is safe.

128
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‐ She's not gonna lay a hand on Callie.

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And I am not giving up my piece.

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‐ We lost our mother to The Eye.

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I almost lost my father
and my little brother.

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I'm done sacrificing.

133
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‐ Yeah. What he said.
‐ Joe!

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GLORIA: Boys,
you're not seeing the bigger picture!

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‐ I don't know what to do anymore.
[door closes]

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I keep making mistakes
that other people pay for.

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‐ Come on, we've been in worse situations.
We can sort this out.

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‐ This is whole lot different, Joe.

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Stacy is going to kill Callie
if we don't get her the piece,

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and we don't have it. Grandma does.

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‐ Grandma has the real piece.

142
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‐ You still have the fake piece?
‐ Uh‐huh.

143
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‐ You're a genius.
‐ Ah, well...

144
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‐ No. I didn't see that.

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MRS. KHAN [over tape recorder]:
It was you, Gloria.

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You killed Victor.

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GLORIA [over tape recorder]:
So what if I did?

148
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I'd do the same to you if I thought
it would protect The Eye.

149
00:07:29,220 --> 00:07:31,723
Don't be so naive.

150
00:07:31,723 --> 00:07:33,308
[recorder clicks off]

151
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‐ I trust that will suffice?

152
00:07:35,518 --> 00:07:37,186
[pops open]

153
00:07:37,186 --> 00:07:39,439
I've held up my end of the bargain.

154
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FENTON: Yes, you have.

155
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Do you understand the terms of our deal?

156
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MRS. KHAN: Of course.
I leave town, never to return.

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FENTON: And we won't
turn you in to the authorities.

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But if I ever hear that
you have anything to do

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00:07:51,159 --> 00:07:52,243
with the Circle of the Eye ever again‐‐

160
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‐ My time in the Circle is over.

161
00:07:54,495 --> 00:07:56,247
I assure you of that.

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A warning, though.

163
00:08:01,628 --> 00:08:03,755
There are pieces
still in play in this town

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where your children,
half‐Estabrooks, live.

165
00:08:07,634 --> 00:08:11,554
So, a word to the wise, Mr. Hardy.

166
00:08:11,554 --> 00:08:13,890
The Eye.

167
00:08:13,890 --> 00:08:17,310
People have done
unthinkable things for it.

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00:08:22,565 --> 00:08:23,942
[door opens]

169
00:08:24,901 --> 00:08:26,653
[door closes]
FENTON: So...

170
00:08:26,653 --> 00:08:28,905
Call Bridgeport Police Department.
Ask for Jesse Hooper.

171
00:08:28,905 --> 00:08:30,949
Play her that tape.
Tell her everything you know.

172
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‐ You got it.
‐ It's time.

173
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[door opens]
RUPERT: Yeah.

174
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[door closes]
[dialing on phone]

175
00:08:36,287 --> 00:08:37,789
[brakes squeaking outside]

176
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[car door opens]

177
00:08:40,625 --> 00:08:42,627
[car door closes]
‐ Someone's here.

178
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[knocking]

179
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[door opens]

180
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TRUDY:
Ezra.

181
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COLLIG:
Can I come in?

182
00:08:55,848 --> 00:08:58,560
I'm here for Frank.

183
00:08:58,560 --> 00:09:00,228
TRUDY: What?
‐ Why?

184
00:09:00,228 --> 00:09:01,938
‐ Shh.
TRUDY: Why?

185
00:09:01,938 --> 00:09:04,357
‐ Callie Shaw went missing.

186
00:09:04,357 --> 00:09:06,818
Frank was the last person seen with her.

187
00:09:06,818 --> 00:09:08,319
‐ Callie's missing?

188
00:09:09,404 --> 00:09:11,990
[scoffs] And you think Frank's involved.

189
00:09:11,990 --> 00:09:15,743
‐ Well, either way, I've‐‐
I've gotta take him into the station.

190
00:09:17,495 --> 00:09:20,874
I'd like to ask him some questions.
Take his statement.

191
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‐ Frank's not here, Ezra.

192
00:09:27,046 --> 00:09:28,464
‐ Oh.

193
00:09:29,799 --> 00:09:32,260
Well, maybe...

194
00:09:32,260 --> 00:09:35,430
I could hang around
till Frank gets home...

195
00:09:39,350 --> 00:09:41,561
if you don't mind.

196
00:09:45,023 --> 00:09:46,816
‐ Joe, get the window.

197
00:09:52,655 --> 00:09:54,657
Okay, you go first.

198
00:09:55,742 --> 00:09:58,036
[whistling]

199
00:10:03,291 --> 00:10:04,542
[knocking]

200
00:10:07,712 --> 00:10:08,880
[bell jingles]

201
00:10:08,880 --> 00:10:11,049
‐ Hey. I'm just closing up, sarge.

202
00:10:11,049 --> 00:10:12,842
‐ I'm here on business, Wilt.

203
00:10:12,842 --> 00:10:14,552
‐ How can I help ya?

204
00:10:14,552 --> 00:10:17,972
‐ Looking for Frank Hardy.
Was he working here tonight?

205
00:10:17,972 --> 00:10:21,809
‐ Nah, just me. But if I see him,
I'll give you a call.

206
00:10:21,809 --> 00:10:23,394
‐ That'd be great.
Have a good night, Wilt.

207
00:10:23,394 --> 00:10:24,979
‐ All right. Thanks.

208
00:10:26,397 --> 00:10:28,233
[door closes, bell jingles]

209
00:10:32,028 --> 00:10:33,863
Okay, we're good.

210
00:10:33,863 --> 00:10:35,406
[door opens]

211
00:10:37,534 --> 00:10:39,452
‐ We owe you one, Wilt.

212
00:10:39,452 --> 00:10:43,039
WILT: Ah, use the place
as long as you need.

213
00:10:43,039 --> 00:10:45,542
Just don't drink all my soda.
[Frank laughs]

214
00:10:50,505 --> 00:10:52,257
‐ Guys, this is all my fault.

215
00:10:52,257 --> 00:10:54,467
Callie tried to warn me about Stacy,
but I didn't listen.

216
00:10:54,467 --> 00:10:58,012
‐ No, it's not. She warned me, too.
JOE: Guys, quit it with the blame game.

217
00:10:58,012 --> 00:10:59,722
We actually have to get her back.

218
00:10:59,722 --> 00:11:01,516
‐ Okay, so what's the plan?

219
00:11:01,516 --> 00:11:02,976
‐ We exchange the piece.

220
00:11:02,976 --> 00:11:04,727
‐ I thought you guys
didn't have the piece anymore.

221
00:11:04,727 --> 00:11:07,105
FRANK: Not the real one.
‐ We have this.

222
00:11:08,106 --> 00:11:10,525
‐ Joe made that fake one, remember?

223
00:11:10,525 --> 00:11:12,569
I think that's what we use
for the exchange.

224
00:11:12,569 --> 00:11:14,863
‐ But the tall man had that thing
that could tell if it was real.

225
00:11:14,863 --> 00:11:16,906
‐ You mean this thing?

226
00:11:16,906 --> 00:11:19,117
‐ Yeah. What if Stacy has one, too?

227
00:11:21,828 --> 00:11:25,456
‐ Okay, so, so the real piece must
give off some kind of radiation,

228
00:11:25,456 --> 00:11:27,166
which is what that thing's picking up.

229
00:11:27,166 --> 00:11:29,586
CHET: I'm pretty sure Wilt
doesn't stock any plutonium.

230
00:11:29,586 --> 00:11:34,215
PHIL: No, but smoke detectors have
small amounts of americium in them.

231
00:11:34,215 --> 00:11:37,677
I mean, it's not plutonium, but...

232
00:11:39,888 --> 00:11:41,890
It's radioactive.
‐ Oh.

233
00:11:41,890 --> 00:11:43,391
‐ I don't want it.

234
00:11:43,391 --> 00:11:45,810
‐ Guys, it's harmless.

235
00:11:45,810 --> 00:11:47,812
But I think it could get the job done.

236
00:11:47,812 --> 00:11:49,314
‐ Let me see this.

237
00:11:53,985 --> 00:11:56,905
[squeaks, then whirs softly]

238
00:12:02,243 --> 00:12:03,870
Wait, wait.
[beeping]

239
00:12:03,870 --> 00:12:07,123
Wait, right there.
[rhythmic beeping]

240
00:12:07,123 --> 00:12:08,666
It actually worked.

241
00:12:08,666 --> 00:12:10,877
‐ I know. That's what, that's what I said.

242
00:12:10,877 --> 00:12:13,671
‐ [laughs] Phil?
‐ Yeah?

243
00:12:13,671 --> 00:12:15,840
FRANK:
I'm sorry I ever doubted you.

244
00:12:15,840 --> 00:12:18,885
Now, go and get the rest
of the smoke detectors, okay?

245
00:12:20,053 --> 00:12:21,512
Now, Phil.

246
00:12:21,512 --> 00:12:23,014
‐ Yeah, yeah.

247
00:12:23,681 --> 00:12:26,893
♪ "She Blinded Me With Science"
by Thomas Dolby playing ♪

248
00:12:26,893 --> 00:12:29,187
‐ ♪ It's poetry in motion ♪

249
00:12:30,897 --> 00:12:34,359
♪ She turned her tender eyes to me ♪

250
00:12:34,359 --> 00:12:36,736
♪ As deep as any ocean ♪

251
00:12:38,363 --> 00:12:41,658
♪ As sweet as any harmony ♪

252
00:12:41,658 --> 00:12:45,328
♪ Mm, but she blinded me with science ♪

253
00:12:45,328 --> 00:12:48,289
♪ She blinded me with science ♪

254
00:12:49,290 --> 00:12:51,918
♪ But failed me in biology ♪

255
00:12:53,127 --> 00:12:54,087
‐ We need to get ahead of them,

256
00:12:54,087 --> 00:12:57,924
so, if me and Chet can get Callie back‐‐
‐ No, no. When we get Callie back.

257
00:12:57,924 --> 00:12:59,968
‐ When we get Callie back,

258
00:12:59,968 --> 00:13:02,679
you need to go to Grandma's house,
and get the real piece of The Eye.

259
00:13:02,679 --> 00:13:04,305
‐ Why do we need it
if you have the fake one?

260
00:13:04,305 --> 00:13:07,141
‐ We have to take it to the
Chamber of The Eye and destroy it.

261
00:13:07,141 --> 00:13:09,561
There's a map to the chamber
in George's secret room,

262
00:13:09,561 --> 00:13:10,895
which I have the key for.

263
00:13:10,895 --> 00:13:13,898
‐ The map doesn't work.
‐ There's a projector in that secret room.

264
00:13:13,898 --> 00:13:16,401
It's pointing straight to the map.
There's no way that's a coincidence.

265
00:13:16,401 --> 00:13:18,987
Go in there, try and figure something out.

266
00:13:18,987 --> 00:13:20,655
Joe, write this down.

267
00:13:20,655 --> 00:13:22,866
In Grandma's study, there's a safe.

268
00:13:22,866 --> 00:13:25,869
It's right behind the painting
behind her desk.

269
00:13:25,869 --> 00:13:27,871
This is the combination.

270
00:13:27,871 --> 00:13:30,123
FENTON:
Hey, Trudy, have you heard from Frank?

271
00:13:30,123 --> 00:13:31,374
TRUDY:
Fenton.

272
00:13:32,959 --> 00:13:34,377
We have company.

273
00:13:41,259 --> 00:13:42,677
‐ Hey, Fenton.

274
00:13:43,678 --> 00:13:46,973
‐ Oh. So, what am I missing here?

275
00:13:46,973 --> 00:13:52,186
‐ Well, I need to talk to Frank
about the disappearance of Callie Shaw.

276
00:13:52,186 --> 00:13:54,522
When the boy gets home,
I'll take him down to the station.

277
00:13:54,522 --> 00:13:56,357
We'll straighten it all out.

278
00:13:57,567 --> 00:14:00,069
‐ You know, for a cop,

279
00:14:00,069 --> 00:14:01,613
you're a pretty good liar.

280
00:14:01,613 --> 00:14:05,408
‐ [chuckles]
Careful, Fenton.

281
00:14:05,408 --> 00:14:08,036
FENTON: How long have I known you?
Forty years?

282
00:14:08,036 --> 00:14:11,122
Twenty years, you've been chief of police.

283
00:14:11,122 --> 00:14:14,709
So, how long ago did you
stop protecting the people,

284
00:14:14,709 --> 00:14:17,420
and become an errand boy for the rich?

285
00:14:17,420 --> 00:14:19,339
‐ I don't know what you're talking about.

286
00:14:19,339 --> 00:14:23,051
‐ It's no use, Fenton.
Jesse's been working on him for weeks.

287
00:14:28,223 --> 00:14:30,308
‐ How many people are you gonna let die?

288
00:14:31,935 --> 00:14:33,978
They killed my wife, Ezra.

289
00:14:33,978 --> 00:14:35,813
‐ You don't know
what you're talking about!

290
00:14:35,813 --> 00:14:38,274
[yells] That's assault on a cop!

291
00:14:38,274 --> 00:14:40,443
[Collig grunting angrily]

292
00:14:40,443 --> 00:14:42,570
What is this?
FENTON: Come here.

293
00:14:42,570 --> 00:14:44,113
Look at that.

294
00:14:44,113 --> 00:14:46,616
At this point, your confession
would just be icing on the cake.

295
00:14:46,616 --> 00:14:48,535
We have recordings, letters,

296
00:14:48,535 --> 00:14:51,079
detailed information about all
Gloria's dealings in the last three years.

297
00:14:51,079 --> 00:14:54,541
Not to mention a signed confession
from the man that you hired to help her,

298
00:14:54,541 --> 00:14:56,125
JB Cox.

299
00:14:56,125 --> 00:14:59,879
‐ And you think anybody's gonna believe
the word of that thief over me?

300
00:14:59,879 --> 00:15:02,674
‐ We also have two kids who swear
they saw you interact with JB.

301
00:15:02,674 --> 00:15:04,217
‐ It's a lot of words against you.

302
00:15:09,764 --> 00:15:12,141
‐ I, I don't know as much
as you think I do.

303
00:15:12,141 --> 00:15:13,810
FENTON:
Why is she coming after Frank?

304
00:15:13,810 --> 00:15:16,062
‐ S‐she didn't want him to interfere.

305
00:15:19,357 --> 00:15:21,150
FENTON:
What does she have on you, Ezra?

306
00:15:23,903 --> 00:15:25,947
[water rushing]

307
00:15:30,952 --> 00:15:33,329
♪ mysterious music playing ♪

308
00:15:39,794 --> 00:15:42,171
AUNT: Did you bring it?
FRANK: Yes. Where is she?

309
00:15:42,672 --> 00:15:44,340
AUNT:
The piece!

310
00:15:51,514 --> 00:15:53,558
[whirring, high‐pitch beep]

311
00:15:53,558 --> 00:15:56,311
[low, rhythmic pulsing]

312
00:15:56,311 --> 00:15:57,729
CALLIE: Frank!
‐ Callie!

313
00:15:57,729 --> 00:15:59,147
‐ Don't give her the piece.

314
00:16:00,398 --> 00:16:02,358
‐ Her first. Now!

315
00:16:02,358 --> 00:16:04,527
[Callie whimpers]
UNCLE: What else?

316
00:16:06,571 --> 00:16:08,156
AUNT:
Thanks.

317
00:16:08,156 --> 00:16:10,742
[Callie grunts, pants]

318
00:16:10,742 --> 00:16:13,077
‐ Stacy's insane. You should have never
given her the piece.

319
00:16:13,077 --> 00:16:14,913
‐ We didn't.
CALLIE: What?

320
00:16:14,913 --> 00:16:17,624
‐ Come on. Let's go. I'll explain later.

321
00:16:19,334 --> 00:16:21,961
‐ Did‐‐ Did you know about this?

322
00:16:21,961 --> 00:16:24,297
‐ About the sneaking out?
Yeah, I knew.

323
00:16:24,297 --> 00:16:26,716
‐ Why would you let them do that?

324
00:16:26,716 --> 00:16:29,177
‐ They needed to get away from Ezra,
and their friend's missing.

325
00:16:29,177 --> 00:16:31,429
‐ Leaving here is putting
their lives at risk. Do you understand?

326
00:16:31,429 --> 00:16:34,182
‐ What were you expecting, Fenton?
You left them!

327
00:16:35,725 --> 00:16:37,060
‐ What?

328
00:16:39,854 --> 00:16:41,272
‐ You left them.

329
00:16:41,272 --> 00:16:44,234
‐ I‐‐
‐ The boys need to figure out
some stuff on their own.

330
00:16:44,234 --> 00:16:46,986
‐ I just, I did what I thought was‐‐
‐ Yeah, I know.

331
00:16:49,614 --> 00:16:50,573
I know.

332
00:16:54,577 --> 00:16:56,454
You're grieving the love of your life.

333
00:16:57,580 --> 00:16:59,707
You had to go figure out
what happened to her.

334
00:17:04,879 --> 00:17:07,674
But when you left, the boys also
have to grieve you, too.

335
00:17:10,385 --> 00:17:13,888
And I know that you're super cop,
and you work alone,

336
00:17:13,888 --> 00:17:15,807
but right now,
those boys are just as desperate

337
00:17:15,807 --> 00:17:18,768
to find out what happened
to their mother as you are.

338
00:17:18,768 --> 00:17:21,354
So stop pushing everyone away...

339
00:17:22,856 --> 00:17:24,148
and help them.

340
00:17:31,698 --> 00:17:34,033
PHIL: Thank you for
taking the time, Mr. Estabrook.

341
00:17:34,033 --> 00:17:36,119
I, I know you must be very busy.

342
00:17:36,119 --> 00:17:37,704
Whoa! Is that mahogany?

343
00:17:37,704 --> 00:17:38,830
‐ How can I help you?

344
00:17:38,830 --> 00:17:40,874
‐ Look, I'm not one to judge
a book by its cover,

345
00:17:40,874 --> 00:17:43,293
but looking at the large size
of your home,

346
00:17:43,293 --> 00:17:46,629
I'm sure you can spare a little bit
of change for the Bridgeport Sea Cadets.

347
00:17:46,629 --> 00:17:50,091
It's a way to help the youth of today
become leaders of tomorrow.

348
00:17:50,091 --> 00:17:51,342
So what do you say?

349
00:17:51,342 --> 00:17:53,845
STEFAN: Ms. Estabrook will be happy
to make a contribution.

350
00:17:53,845 --> 00:17:54,971
Give me a moment.

351
00:17:56,097 --> 00:17:58,016
‐ Oh, look at the time.

352
00:17:58,016 --> 00:18:01,019
I'm gonna be late for dinner,
and my mom was really expecting me.

353
00:18:01,019 --> 00:18:03,855
STEFAN: I'm sorry,
do you still want that donation?

354
00:18:05,732 --> 00:18:06,774
‐ Did it happen?

355
00:18:06,774 --> 00:18:09,068
AUNT: I gave them the girl,
they gave me the piece.

356
00:18:09,068 --> 00:18:10,445
‐ Well, hand it over.

357
00:18:13,781 --> 00:18:15,241
[beeps, whirs softly]

358
00:18:21,915 --> 00:18:26,127
‐ I don't‐‐ It, it worked before. I‐‐

359
00:18:26,127 --> 00:18:28,004
[screams, crashes]

360
00:18:28,004 --> 00:18:30,381
[shattering]

361
00:18:46,105 --> 00:18:47,857
‐ What's your excuse?

362
00:18:50,860 --> 00:18:52,737
‐ I'll look for the piece of The Eye.

363
00:18:52,737 --> 00:18:54,155
You go in here.

364
00:18:54,155 --> 00:18:56,533
See if the projector has
anything to do with the map.

365
00:19:06,793 --> 00:19:08,294
[door shuts]

366
00:19:13,216 --> 00:19:14,634
‐ Whoa.

367
00:19:15,969 --> 00:19:18,721
Definitely getting one of these
when I buy a house.

368
00:19:27,605 --> 00:19:30,733
‐ Of course. Empty.
Why can't anything be easy?

369
00:19:31,651 --> 00:19:34,320
Piece of The Eye. Piece of The Eye.
Where would I be...

370
00:19:34,320 --> 00:19:35,989
if I were a piece of The Eye?

371
00:19:35,989 --> 00:19:37,532
[drawer slides open]

372
00:19:45,123 --> 00:19:48,751
♪ mysterious music playing ♪

373
00:19:57,677 --> 00:19:59,053
[projector clicks on]

374
00:20:15,820 --> 00:20:18,031
GLORIA:
Yeah, I told them they would come back.

375
00:20:18,907 --> 00:20:20,867
JOE:
Biff, someone's coming!

376
00:20:20,867 --> 00:20:22,493
BIFF:
Almost got it.

377
00:20:24,370 --> 00:20:25,747
GLORIA:
I know, I know...

378
00:20:25,747 --> 00:20:27,707
‐ Hide!
[Gloria continues indistinctly]

379
00:20:27,707 --> 00:20:28,666
[clatters]

380
00:20:28,666 --> 00:20:31,294
GLORIA: Anyway, I wanted to tell you
that Stacy called.

381
00:20:31,294 --> 00:20:32,921
‐ About the girl?

382
00:20:32,921 --> 00:20:36,591
‐ Yes. Callie is no longer in play,

383
00:20:36,591 --> 00:20:40,136
which makes me assume that
my grandsons were involved.

384
00:20:40,136 --> 00:20:42,764
So obviously,
Collig didn't do what I asked him.

385
00:20:42,764 --> 00:20:45,225
I hope Francis will come 'round.

386
00:20:45,225 --> 00:20:49,395
But this wrinkle with Callie
has complicated things somewhat.

387
00:20:49,395 --> 00:20:51,773
STEFAN:
What could the young Nabokov want?

388
00:20:51,773 --> 00:20:54,859
‐ Well, she realizes she can't
move ahead alone. [chuckles]

389
00:20:54,859 --> 00:20:56,945
She needs me.

390
00:20:56,945 --> 00:21:00,490
She's willing to accept a truce.
At least for now.

391
00:21:00,490 --> 00:21:04,536
We're to meet at Victor's warehouse,
and then travel to the Chamber.

392
00:21:04,536 --> 00:21:07,539
She knew more than
she was letting Francis know.

393
00:21:08,540 --> 00:21:10,416
I'm not letting this out of my sight.

394
00:21:10,416 --> 00:21:11,834
STEFAN:
Do you trust her?

395
00:21:11,834 --> 00:21:15,380
GLORIA: Of course not.
But I have no other choice.

396
00:21:15,380 --> 00:21:17,590
Bring the car around, Stefan.

397
00:21:17,590 --> 00:21:20,385
I've been waiting for this moment
my entire life.

398
00:21:24,847 --> 00:21:26,057
‐ Biff?

399
00:21:26,057 --> 00:21:27,392
Biff!

400
00:21:27,392 --> 00:21:29,727
BIFF:
Joe! Can you open the door?

401
00:21:29,727 --> 00:21:31,187
‐ Biff, let me in!

402
00:21:31,187 --> 00:21:33,398
BIFF: What are you talking about?
You have the key.

403
00:21:33,398 --> 00:21:35,692
JOE: I don't have the key!
I gave you the key.

404
00:21:40,071 --> 00:21:41,990
‐ I have the key.

405
00:21:42,949 --> 00:21:44,784
[knocking]

406
00:21:44,784 --> 00:21:47,620
Joe, come on, help me get me out of here!
[knocking continues]

407
00:21:52,667 --> 00:21:54,961
CALLIE: They'll be here.
Just give them time.

408
00:22:02,719 --> 00:22:05,138
‐ Guys, the coast is clear.
We're good. Where's Biff?

409
00:22:05,138 --> 00:22:07,599
‐ She locked herself in with the key.
‐ Why'd she do that?

410
00:22:07,599 --> 00:22:09,851
‐ She didn't do it on purpose.
‐ Oh.

411
00:22:09,851 --> 00:22:11,561
‐ Biff, do you copy?
[static]

412
00:22:11,561 --> 00:22:13,187
‐ You need to get me out of here.

413
00:22:13,187 --> 00:22:14,981
‐ Do you see any other way out?

414
00:22:14,981 --> 00:22:16,858
‐ I'll look.
[static]

415
00:22:16,858 --> 00:22:18,735
JOE [over walkie]:
There has to be an air vent somewhere.

416
00:22:18,735 --> 00:22:20,028
George wouldn't build a room
where he couldn't breathe

417
00:22:20,028 --> 00:22:21,362
unless the door was open.

418
00:22:21,362 --> 00:22:23,406
‐ Maybe don't remind the girl
stuck in an airless room

419
00:22:23,406 --> 00:22:25,158
how airless the room is.
[Joe exhales]

420
00:22:26,409 --> 00:22:28,286
[static]
‐ I found one.

421
00:22:29,370 --> 00:22:31,247
I found an air vent!

422
00:22:31,247 --> 00:22:32,874
It's on the wall.

423
00:22:32,874 --> 00:22:35,210
I, I think it's on the
other side of the hallway.
[static]

424
00:22:35,210 --> 00:22:36,377
‐ We're on it.

425
00:22:36,377 --> 00:22:37,712
[clatters]

426
00:22:41,841 --> 00:22:44,260
[footsteps thudding]
Could you be any louder?

427
00:22:44,260 --> 00:22:47,055
‐ What? It's the shoes.
It's part of the uniform.

428
00:22:47,680 --> 00:22:50,266
[static]
BIFF [over walkie]: Joe, did you find it?

429
00:22:52,101 --> 00:22:55,063
‐ Found it. Got it open.
Can you slide the key through?

430
00:22:56,147 --> 00:22:57,815
‐ Negative.

431
00:22:57,815 --> 00:23:00,068
The vent makes a sharp turn.

432
00:23:00,068 --> 00:23:02,445
I won't be able to get it to you
around the corner.

433
00:23:03,821 --> 00:23:05,949
‐ Closet by the door.
Get me a coat hanger.

434
00:23:05,949 --> 00:23:07,992
‐ Yeah, yeah.
[static]

435
00:23:07,992 --> 00:23:11,120
‐ I've got an idea. Just hang in there.
We're gonna get you out.

436
00:23:11,120 --> 00:23:12,789
[static]
‐ Hurry.

437
00:23:13,581 --> 00:23:15,792
[running footsteps]

438
00:23:21,130 --> 00:23:22,257
‐ One would have been enough.

439
00:23:22,257 --> 00:23:24,467
‐ I, I panicked, okay? Here.

440
00:23:25,635 --> 00:23:28,888
♪ tense music playing ♪

441
00:23:32,141 --> 00:23:33,935
[Joe grunting softly]

442
00:23:37,272 --> 00:23:38,439
‐ Almost got it.

443
00:23:39,315 --> 00:23:40,525
To your right.

444
00:23:43,194 --> 00:23:44,529
[clattering]

445
00:23:45,822 --> 00:23:47,156
A little to your left.

446
00:23:48,324 --> 00:23:49,993
[clattering]

447
00:23:49,993 --> 00:23:51,953
You've got it. Keep pulling.

448
00:23:56,916 --> 00:23:58,751
PHIL:
Yes!

449
00:23:58,751 --> 00:24:00,169
‐ We got it.

450
00:24:05,925 --> 00:24:09,262
♪

451
00:24:12,348 --> 00:24:14,434
Anyway, uh, we should go.

452
00:24:14,434 --> 00:24:15,476
‐ Yeah.

453
00:24:16,603 --> 00:24:18,229
[sighs]

454
00:24:20,273 --> 00:24:22,817
♪

455
00:24:23,401 --> 00:24:25,069
[bell jingles]
You're okay.

456
00:24:25,904 --> 00:24:28,072
FRANK: You all right?
‐ I'm fine, Biff.

457
00:24:28,072 --> 00:24:31,075
Angry, and ready for revenge,
but I'm okay.

458
00:24:31,075 --> 00:24:33,453
And thank you, guys. I mean it.

459
00:24:33,453 --> 00:24:35,455
Especially you, Phil,
with the smoke detector thing.

460
00:24:35,455 --> 00:24:36,748
That was genius.

461
00:24:36,748 --> 00:24:37,832
‐ Stop it.

462
00:24:37,832 --> 00:24:39,751
JOE:
I overheard Grandma talking to Stefan.

463
00:24:39,751 --> 00:24:41,419
She's going to the Chamber with Stacy.

464
00:24:41,419 --> 00:24:42,921
She's gonna put The Eye back together.

465
00:24:42,921 --> 00:24:44,422
‐ We've gotta stop her.

466
00:24:44,422 --> 00:24:46,007
‐ Did you figure out the map?

467
00:24:46,007 --> 00:24:48,509
‐ Biff did.
‐ Come on. Let me show you.

468
00:24:51,012 --> 00:24:54,098
This is a path to the Chamber from
the mineshaft that Joe and I fell into.

469
00:24:54,098 --> 00:24:56,851
It's about a mile underground,
and bam.

470
00:24:56,851 --> 00:24:58,728
Chamber of The Eye.

471
00:24:58,728 --> 00:25:00,813
‐ Awesome.
‐ Okay. Let's go.

472
00:25:00,813 --> 00:25:03,191
[bell jingling]

473
00:25:03,191 --> 00:25:05,735
Just, before you start, let me explain‐‐
FENTON: Frank, stop.

474
00:25:07,153 --> 00:25:08,321
Callie.

475
00:25:09,322 --> 00:25:10,532
Are you okay?

476
00:25:10,532 --> 00:25:12,033
‐ Yeah.

477
00:25:12,033 --> 00:25:15,286
‐ Well, how did you‐‐
‐ We traded Stacy a fake piece of The Eye.

478
00:25:15,286 --> 00:25:17,163
‐ A fake piece of...

479
00:25:18,790 --> 00:25:22,085
‐ Yeah, uh... Joe made it.

480
00:25:22,085 --> 00:25:26,172
‐ Well, you need to go home.
Your dad's very worried about you.

481
00:25:26,172 --> 00:25:27,674
‐ I will, Mr. Hardy.

482
00:25:27,674 --> 00:25:30,593
FENTON: And, uh, the rest of you
need to go home, too, okay?

483
00:25:30,593 --> 00:25:34,347
Now, tell me, Frank. What's our plan?

484
00:25:37,892 --> 00:25:39,852
[click, then buzzing]

485
00:25:47,610 --> 00:25:50,572
GLORIA:
Mm. It's smaller than I imagined.

486
00:25:52,156 --> 00:25:55,368
♪

487
00:25:59,330 --> 00:26:00,665
[Stacy laughs softly]

488
00:26:00,665 --> 00:26:04,586
‐ Well, Gloria, it's you and me.
Last two standing.

489
00:26:04,586 --> 00:26:06,045
Who'd have thought?

490
00:26:06,045 --> 00:26:08,965
‐ I didn't imagine
it would be you, either.

491
00:26:08,965 --> 00:26:11,926
Perhaps The Eye chose who was worthy.

492
00:26:13,761 --> 00:26:16,014
‐ Shall we?
‐ Mm.

493
00:26:21,019 --> 00:26:24,147
FENTON:
So you and Biff got lost down here.

494
00:26:24,147 --> 00:26:25,648
‐ Yep.

495
00:26:25,648 --> 00:26:28,860
If we ever make it out of here, I'm gonna
turn this place into my clubhouse.

496
00:26:28,860 --> 00:26:30,570
FENTON:
Over my dead body, you are.

497
00:26:30,570 --> 00:26:33,281
JOE: Oh, they got those down here, too.
‐ Shh!

498
00:26:35,867 --> 00:26:37,619
Guys, someone's down here.

499
00:26:38,661 --> 00:26:40,663
‐ Hey. Come here. Get behind me.

500
00:26:42,040 --> 00:26:43,833
[whispers]: Turn your light off.
[light clicks off]

501
00:26:48,963 --> 00:26:51,591
♪ tense music playing ♪

502
00:26:51,591 --> 00:26:53,426
[Fenton sighs]
FRANK: Callie?

503
00:26:54,552 --> 00:26:56,304
‐ What are you doing here?

504
00:26:56,304 --> 00:26:58,556
‐ Don't any of you kids listen
to anything adults say?

505
00:26:58,556 --> 00:27:01,976
‐ That girl threw me in the
back of her van and tied me up.

506
00:27:01,976 --> 00:27:04,687
So if you're gonna bring her down,

507
00:27:04,687 --> 00:27:07,023
I want in.

508
00:27:07,023 --> 00:27:08,816
Anyone have a problem with that?

509
00:27:09,901 --> 00:27:11,444
‐ No.
‐ No.

510
00:27:12,237 --> 00:27:13,446
‐ Good.

511
00:27:13,446 --> 00:27:15,490
Should be this way.

512
00:27:15,490 --> 00:27:16,783
‐ I like her.

513
00:27:23,081 --> 00:27:25,792
GLORIA:
This is destiny.

514
00:27:25,792 --> 00:27:28,336
Please. After you.

515
00:27:37,428 --> 00:27:38,972
[piece clicks]

516
00:27:40,056 --> 00:27:42,267
FRANK: Stop!
[Gloria exclaims]

517
00:27:42,267 --> 00:27:46,312
‐ Frank, perfect timing.
Fun's just about to start.

518
00:27:46,312 --> 00:27:49,148
‐ It's over. We know everything.

519
00:27:49,148 --> 00:27:50,817
‐ You know nothing.

520
00:27:50,817 --> 00:27:53,194
FENTON:
We have you on tape with Kanika Khan.

521
00:27:53,194 --> 00:27:55,405
We know that you killed Victor Nabokov.

522
00:27:58,408 --> 00:28:01,119
‐ Stacy, I swear. I didn't know.

523
00:28:01,119 --> 00:28:04,330
STACY: [breathes shakily] I should have
destroyed all the Estabrooks.

524
00:28:04,330 --> 00:28:06,791
You took everything away from me.

525
00:28:06,791 --> 00:28:08,418
‐ Your father knew
what he was getting into

526
00:28:08,418 --> 00:28:10,503
when he came for my piece of The Eye.

527
00:28:10,503 --> 00:28:12,839
‐ You deserve each other.

528
00:28:12,839 --> 00:28:14,591
Get it. Now!

529
00:28:14,591 --> 00:28:16,009
[yelling]

530
00:28:16,009 --> 00:28:17,719
[clatters]
FRANK: Get the piece!

531
00:28:19,387 --> 00:28:20,889
[yelling]

532
00:28:22,432 --> 00:28:23,641
[laughs]

533
00:28:23,641 --> 00:28:24,559
‐ Remember me?

534
00:28:24,559 --> 00:28:25,977
[yells, then thuds]

535
00:28:27,979 --> 00:28:29,355
‐ Gotcha!

536
00:28:29,355 --> 00:28:31,149
[grunting]

537
00:28:31,149 --> 00:28:32,692
[Frank yelling]

538
00:28:35,987 --> 00:28:37,238
[yells]

539
00:28:37,238 --> 00:28:39,532
‐ Frank! Help!
[Frank yelling]

540
00:28:41,075 --> 00:28:43,995
Frank! They're putting it together!
[Gloria grunting]

541
00:28:45,830 --> 00:28:47,540
[yelling]

542
00:28:47,540 --> 00:28:50,376
[crackling]

543
00:28:50,376 --> 00:28:53,296
[energy surging]

544
00:28:55,673 --> 00:28:58,092
[Frank yelling]

545
00:29:08,394 --> 00:29:11,481
[yelling]

546
00:29:11,481 --> 00:29:13,733
[exploding]

547
00:29:14,609 --> 00:29:17,403
♪ mystical music playing ♪

548
00:29:18,905 --> 00:29:21,324
‐ Frank!

549
00:29:21,324 --> 00:29:24,077
You've got to destroy it!

550
00:29:24,077 --> 00:29:26,871
[energy crackling]

551
00:29:28,122 --> 00:29:29,666
‐ Joe!

552
00:29:33,002 --> 00:29:35,588
‐ Frank!

553
00:29:36,381 --> 00:29:38,466
[grunting]

554
00:29:38,466 --> 00:29:41,344
[crackling]

555
00:29:48,351 --> 00:29:50,311
[Joe panting]

556
00:29:52,647 --> 00:29:55,024
JOE:
Frank. Frank, wake up!

557
00:29:55,024 --> 00:29:56,901
Wake up, Frank! Please, wake up!

558
00:29:56,901 --> 00:29:58,987
Dad, he's not waking up!

559
00:30:01,030 --> 00:30:05,076
Wake up! Come on, Frank!
Please! Come on!

560
00:30:05,076 --> 00:30:07,078
‐ Hey. Hey, Frankie.

561
00:30:07,078 --> 00:30:10,790
‐ Frank, please wake up.
Come on, come on!

562
00:30:12,041 --> 00:30:13,960
[gasps]

563
00:30:13,960 --> 00:30:16,462
[exhales slowly]

564
00:30:22,594 --> 00:30:26,097
‐ Mom. Mom.

565
00:30:26,097 --> 00:30:29,475
‐ So, you found it.
‐ Mom, it's me.

566
00:30:29,475 --> 00:30:31,644
‐ Laura. What are you doing here?

567
00:30:31,644 --> 00:30:34,189
‐ I know about the Astghik.

568
00:30:34,189 --> 00:30:36,441
You've been looking for it
this whole time.

569
00:30:36,441 --> 00:30:39,152
You said that the Circle
was broken for good.

570
00:30:39,152 --> 00:30:40,320
You lied to me.

571
00:30:40,320 --> 00:30:43,198
GLORIA: I wanted us to do this together.
I gave you every chance.

572
00:30:43,198 --> 00:30:45,450
‐ I want no part of this.
[Gloria exclaims]

573
00:30:45,450 --> 00:30:47,368
Mom, what are you gonna do now?

574
00:30:47,368 --> 00:30:49,829
Put the fate of the world
back in the hands of three people?

575
00:30:49,829 --> 00:30:51,831
GLORIA:
No. Things will be different this time.

576
00:30:51,831 --> 00:30:53,541
I will make the right choices.

577
00:30:53,541 --> 00:30:55,376
LAURA:
No, you won't. None of you will,

578
00:30:55,376 --> 00:30:57,003
because no one should
have that much power.

579
00:30:57,003 --> 00:30:59,047
‐ You don't see the big picture.
You never have.

580
00:30:59,047 --> 00:31:01,424
‐ Yes, I do.

581
00:31:01,424 --> 00:31:04,719
And by this time tomorrow,
the whole world will.

582
00:31:04,719 --> 00:31:07,180
They'll know about the Circle,
The Eye, all of it.

583
00:31:07,180 --> 00:31:08,765
‐ No, stop, stop, stop!

584
00:31:10,016 --> 00:31:14,520
If you do that,
I can't protect you anymore.

585
00:31:16,481 --> 00:31:19,192
‐ You can't? Or you won't?

586
00:31:19,901 --> 00:31:23,029
♪ ominous music playing ♪

587
00:31:26,491 --> 00:31:27,909
FRANK:
Mom, wait!

588
00:31:27,909 --> 00:31:30,703
♪

589
00:31:30,703 --> 00:31:32,372
WILT:
You sure you need more caffeine?

590
00:31:32,372 --> 00:31:34,374
I mean, you look
wide awake enough as it is.

591
00:31:34,374 --> 00:31:37,126
LAURA: Yeah, it's a
"four cups of coffee" kind of day.

592
00:31:37,126 --> 00:31:40,588
‐ You okay?
‐ [sighs] Oh, yeah, it's just my mom.

593
00:31:40,588 --> 00:31:42,173
[laughs] Never mind.

594
00:31:42,173 --> 00:31:44,801
‐ You know, you can stay here
as long as you need, huh?

595
00:31:44,801 --> 00:31:46,970
Get some food. Talk...

596
00:31:46,970 --> 00:31:50,014
‐ I can't. I've got a meeting,
and it's an important one.

597
00:31:50,014 --> 00:31:52,267
And then I've got a game to catch.
Frank's pitching.

598
00:31:52,267 --> 00:31:55,019
WILT: Oh! Takes after his mom.
‐ Yeah, he does.

599
00:31:55,019 --> 00:31:57,814
‐ Hey, don't make it another decade
before your next visit?

600
00:31:57,814 --> 00:31:59,566
‐ I won't. Thanks, Wilt.
‐ All right.

601
00:32:02,151 --> 00:32:04,612
FRANK: Mom. Wait!
[kisses]

602
00:32:06,322 --> 00:32:09,868
RUPERT:
I, I know, but... what's next?

603
00:32:09,868 --> 00:32:12,912
LAURA: [panting]
Okay, well, I called my editor.

604
00:32:12,912 --> 00:32:14,414
We go to press end‐of‐day,

605
00:32:14,414 --> 00:32:16,082
and this should be
on the stands by morning.

606
00:32:16,082 --> 00:32:17,792
JOE:
Frank, wake up!

607
00:32:17,792 --> 00:32:20,211
FENTON: Frank!
‐ Why isn't he waking up?

608
00:32:20,211 --> 00:32:22,422
RUPERT: They'll be looking for us.
They'll be nowhere for us to hide.

609
00:32:22,422 --> 00:32:24,340
‐ These, these people,
they'll turn on each other first.

610
00:32:24,340 --> 00:32:26,217
Look, they're not united.

611
00:32:26,217 --> 00:32:28,845
The left hand doesn't know
what the right hand is doing.

612
00:32:30,054 --> 00:32:31,973
FRANK: Mom...
LAURA: Keys.

613
00:32:33,558 --> 00:32:35,518
JOE:
Wake up, Frank! Please, wake up!

614
00:32:36,477 --> 00:32:38,855
FENTON:
Frankie, come back! Come back to us!

615
00:32:39,647 --> 00:32:41,441
JOE:
Frank, come on! Come on!

616
00:32:41,441 --> 00:32:44,194
Please! Please!
[Frank laughing]

617
00:32:44,194 --> 00:32:46,029
I need you, Frank.

618
00:32:46,029 --> 00:32:49,240
Please wake up! Come on, come on!

619
00:32:50,617 --> 00:32:52,994
FENTON: Frank.
‐ Frank, it's me. It's Joe!

620
00:32:52,994 --> 00:32:55,163
It's Joe.
‐ I saw her.

621
00:32:55,914 --> 00:32:56,998
‐ What?

622
00:32:58,291 --> 00:32:59,876
‐ I saw Mom.

623
00:33:02,045 --> 00:33:05,673
♪ dramatic music playing ♪

624
00:33:06,716 --> 00:33:08,635
JOE: Come on.
[Frank grunts]

625
00:33:11,262 --> 00:33:13,514
‐ I saw the argument you had with her,

626
00:33:13,514 --> 00:33:15,308
the day she died.

627
00:33:15,308 --> 00:33:17,477
You knew she was in danger.
You knew they were gonna kill her.

628
00:33:17,477 --> 00:33:18,853
You just let it happen.

629
00:33:18,853 --> 00:33:22,398
‐ No. I, I warned her
I couldn't protect her anymore.

630
00:33:22,398 --> 00:33:24,025
[Frank grunts]

631
00:33:24,025 --> 00:33:25,985
‐ You didn't want to protect her.
GLORIA: No, no, no.

632
00:33:25,985 --> 00:33:29,072
She didn't give me a chance.
She was so angry with me.

633
00:33:29,072 --> 00:33:31,533
She cared more about exposing the Circle

634
00:33:31,533 --> 00:33:34,077
than she did about her own safety!

635
00:33:34,077 --> 00:33:37,205
[coughing]
FRANK: You chose The Eye
over your own daughter!

636
00:33:37,205 --> 00:33:38,540
‐ She should still be here.

637
00:33:38,540 --> 00:33:40,708
‐ She would be if she'd listened to me!

638
00:33:40,708 --> 00:33:43,169
[rumbling]
[all grunting]

639
00:33:43,169 --> 00:33:46,464
‐ Your mother made a choice.
You can't blame your grandmother.

640
00:33:46,464 --> 00:33:48,299
[loud rumbling, crumbling]

641
00:33:48,299 --> 00:33:50,969
GLORIA: No, no! Oh, no, you don't!
[Stacy screaming]

642
00:33:50,969 --> 00:33:52,262
STACY:
No! No!

643
00:33:52,262 --> 00:33:54,097
‐ She had no idea what would happen.

644
00:33:57,725 --> 00:33:59,936
‐ The left hand doesn't know
what the right hand's doing.

645
00:34:00,687 --> 00:34:03,731
♪ tense music playing ♪

646
00:34:03,731 --> 00:34:05,441
[rumbling continues]

647
00:34:05,441 --> 00:34:07,527
You were there.

648
00:34:07,527 --> 00:34:09,487
The whole time.

649
00:34:09,487 --> 00:34:11,447
Standing right beside her.

650
00:34:12,615 --> 00:34:13,825
You were the only other person

651
00:34:13,825 --> 00:34:16,077
who saw the argument between
my mom and grandmother.

652
00:34:16,077 --> 00:34:17,662
‐ You knew about the Astghik.

653
00:34:17,662 --> 00:34:19,998
FRANK: It was you.
JOE: You killed her.

654
00:34:19,998 --> 00:34:22,166
‐ No. No, no, no. That's ridiculous.

655
00:34:22,166 --> 00:34:25,169
It's ridiculous. Tell them.
Tell them, Stefan. That's wrong!

656
00:34:25,169 --> 00:34:27,797
[loud rumbling]
You couldn't have!

657
00:34:27,797 --> 00:34:30,508
‐ You wanted to use The Eye
to do more than your father.

658
00:34:30,508 --> 00:34:32,677
To do better.
She would have ruined it all.

659
00:34:32,677 --> 00:34:35,179
‐ What?
STEFAN: She would have exposed everything!

660
00:34:35,179 --> 00:34:37,098
I did it for you.

661
00:34:37,098 --> 00:34:39,893
‐ She was my daughter.
[loud rumbling]

662
00:34:39,893 --> 00:34:41,769
[crashing, crumbling]

663
00:34:41,769 --> 00:34:43,479
JOE: The Chamber's collapsing!
FRANK: Where's Callie?

664
00:34:43,479 --> 00:34:44,814
‐ She went after Stacy.
[Frank coughing]

665
00:34:44,814 --> 00:34:45,899
Let's go! Come on!

666
00:34:45,899 --> 00:34:47,942
‐ Go. Go. I'll get The Eye.

667
00:34:47,942 --> 00:34:49,444
JOE:
Come on, come on, come on!

668
00:34:49,444 --> 00:34:51,571
[rumbling, crumbling]
FENTON: You killed my wife!

669
00:34:51,571 --> 00:34:53,281
JOE:
Dad! Dad, we have to go!

670
00:34:53,281 --> 00:34:56,117
Dad, you have to let him go!

671
00:34:56,117 --> 00:34:58,286
Dad, we have to go now!

672
00:34:58,286 --> 00:35:00,830
[rumbling, crashing]

673
00:35:01,581 --> 00:35:05,335
FENTON:
Run! Just run, run, run! Run!

674
00:35:05,335 --> 00:35:07,045
Run! Run!
[grunting]

675
00:35:07,045 --> 00:35:08,630
[Fenton yells]

676
00:35:10,089 --> 00:35:12,300
[exploding]

677
00:35:12,300 --> 00:35:14,928
FRANK: Joe! Joe, give me your hand!

678
00:35:14,928 --> 00:35:16,304
Go, let's go!

679
00:35:17,472 --> 00:35:19,641
[exploding]
[yells]

680
00:35:19,641 --> 00:35:21,809
[brakes screech, sirens blaring outside]

681
00:35:23,394 --> 00:35:26,022
[panting]
[brakes screech, car door opens]

682
00:35:26,648 --> 00:35:28,107
[indistinct chatter]

683
00:35:28,107 --> 00:35:30,860
[car door slams]
‐ Gloria Estabrook.

684
00:35:30,860 --> 00:35:33,821
You're under arrest for
the murder of Victor Nabokov.

685
00:35:33,821 --> 00:35:35,949
‐ Francis.

686
00:35:35,949 --> 00:35:38,701
I'm sorry.

687
00:35:38,701 --> 00:35:40,620
[handcuffs clinking]
JESSE: You have the right
to remain silent.

688
00:35:40,620 --> 00:35:42,497
Anything you say can
and will be used against you...

689
00:35:42,497 --> 00:35:44,666
GLORIA: Joe‐‐
JESSE: ...in a court of law.

690
00:35:44,666 --> 00:35:46,501
GLORIA: I'm sorry.
[car door opens]

691
00:35:46,501 --> 00:35:48,294
[officers chattering indistinctly]

692
00:35:50,755 --> 00:35:52,006
[car door closes]

693
00:35:53,049 --> 00:35:55,510
[commotion, chatter over police radios]

694
00:35:58,346 --> 00:36:01,933
♪

695
00:36:06,813 --> 00:36:08,773
[crickets chirping]

696
00:36:08,773 --> 00:36:10,567
[Fenton and Joe yawning]

697
00:36:10,567 --> 00:36:13,736
[liquid brewing]
FENTON: Frank, what's, uh,
going on with that coffee?

698
00:36:13,736 --> 00:36:14,779
‐ It's almost done.

699
00:36:17,907 --> 00:36:19,826
‐ See, this is nice.

700
00:36:19,826 --> 00:36:22,954
Coffee. Cereal. Not worrying about
the world being taken over

701
00:36:22,954 --> 00:36:24,998
by a power‐obsessed secret organization.

702
00:36:24,998 --> 00:36:27,792
[Fenton chuckles]
Just a normal family breakfast.

703
00:36:27,792 --> 00:36:29,085
‐ Normal's boring.

704
00:36:29,085 --> 00:36:30,628
‐ Yeah, that's why we have you, Joe.

705
00:36:30,628 --> 00:36:32,755
[Fenton chuckles]
‐ Thanks, Frank.

706
00:36:32,755 --> 00:36:35,383
[coffee pouring]

707
00:36:35,383 --> 00:36:37,093
‐ You know,
I'm really gonna miss you guys.

708
00:36:37,093 --> 00:36:38,636
[cups thud on table]

709
00:36:38,636 --> 00:36:40,930
I was kind of getting used to the chaos.

710
00:36:40,930 --> 00:36:42,724
‐ I thought we drove you crazy.
TRUDY: Oh, you do.

711
00:36:42,724 --> 00:36:45,018
But, I like having you around.

712
00:36:45,018 --> 00:36:47,937
FENTON:
Well, that's good to hear,

713
00:36:47,937 --> 00:36:50,440
because we were talking,

714
00:36:50,440 --> 00:36:53,693
and we would all like to stay
in Bridgeport for a while.

715
00:36:54,777 --> 00:36:57,322
‐ Oh, and I think they're looking for
a new police chief, too.

716
00:36:57,822 --> 00:36:59,490
‐ Wait, are you serious?

717
00:36:59,490 --> 00:37:00,867
‐ If it's okay with you.

718
00:37:00,867 --> 00:37:03,745
‐ [laughs] Yes. Of course!
FRANK: Good.

719
00:37:03,745 --> 00:37:06,039
TRUDY: Of course.
[chattering, laughing]

720
00:37:06,039 --> 00:37:08,875
JOE: No, no! Aah!

721
00:37:08,875 --> 00:37:10,585
[Fenton exclaims quietly]

722
00:37:10,585 --> 00:37:12,170
‐ What? No good?
FENTON: Well,

723
00:37:12,170 --> 00:37:14,547
it's...
[Trudy and Joe laugh]

724
00:37:14,547 --> 00:37:16,758
Coffee. Yeah.

725
00:37:18,676 --> 00:37:20,220
[laughs]
FENTON: Ahem.

726
00:37:20,220 --> 00:37:21,638
TRUDY:
Ooh...

727
00:37:22,263 --> 00:37:26,267
♪ tense music playing ♪

728
00:37:41,783 --> 00:37:42,951
[keys jangling]

729
00:37:47,455 --> 00:37:48,915
[cell door closes]

730
00:37:50,708 --> 00:37:52,377
CHET:
And what happened to Stacy?

731
00:37:52,377 --> 00:37:54,963
CALLIE: I followed her through the tunnels
and we came out in the woods.

732
00:37:54,963 --> 00:37:57,465
She got into a van and sped off.

733
00:37:57,465 --> 00:37:59,008
PHIL:
And the plot thickens.

734
00:37:59,008 --> 00:38:02,345
‐ You know you can't say anything, right?

735
00:38:02,345 --> 00:38:04,889
‐ Wait, we save the world,
and we can't talk about it?

736
00:38:04,889 --> 00:38:06,849
Where's the fun in that?

737
00:38:06,849 --> 00:38:09,686
‐ Well, I had fun,
and I don't need to brag about it.

738
00:38:09,686 --> 00:38:12,730
‐ Yeah. I never thought
I'd do so much before college.

739
00:38:12,730 --> 00:38:14,732
Wait. Have I peaked?

740
00:38:14,732 --> 00:38:17,819
ALL:
Yes. [laughing]

741
00:38:20,196 --> 00:38:23,533
‐ Guys, I think we should let
Frank and Joe finish up here.

742
00:38:24,367 --> 00:38:25,910
Come. Come on.

743
00:38:26,703 --> 00:38:30,331
‐ Hey, we're gonna go to Wilt's.
You guys can come when you guys are done.

744
00:38:30,331 --> 00:38:32,208
‐ Yeah. Sure, that sounds good.

745
00:38:33,334 --> 00:38:35,044
Uh, listen...

746
00:38:38,172 --> 00:38:41,384
Thank you. For everything.

747
00:38:41,384 --> 00:38:43,636
We could have never done this alone.

748
00:38:43,636 --> 00:38:46,306
‐ Duh.
[all chuckle]

749
00:38:46,306 --> 00:38:47,473
CHET:
See you later.

750
00:38:47,473 --> 00:38:50,059
‐ How strict do you think this, uh,
no, no bragging thing is?

751
00:38:50,059 --> 00:38:51,978
Do you think anyone will mind
if I put it on my "re‐sume?"

752
00:38:51,978 --> 00:38:53,479
‐ I'll catch up with you guys.

753
00:38:53,479 --> 00:38:55,231
CHET: It's re‐ sume, Phil.
PHIL: Oh...

754
00:38:59,360 --> 00:39:01,738
‐ So, when are you going back to the city?

755
00:39:02,614 --> 00:39:06,284
‐ Uh, I don't know.
I think we're actually...

756
00:39:06,284 --> 00:39:08,661
gonna stay in Bridgeport for a while.

757
00:39:08,661 --> 00:39:10,038
‐ Really?

758
00:39:10,038 --> 00:39:13,875
I mean, that's‐‐
It's gonna suck staying here.

759
00:39:13,875 --> 00:39:16,336
‐ Yeah. I don't know‐‐
I don't know what I'm gonna do.

760
00:39:18,880 --> 00:39:20,089
‐ Yeah.

761
00:39:21,799 --> 00:39:23,092
‐ Yeah.

762
00:39:24,135 --> 00:39:27,597
♪ upbeat music playing ♪

763
00:39:32,685 --> 00:39:34,437
‐ Catch you at Wilt's.

764
00:39:36,314 --> 00:39:37,565
[chuckles softly]

765
00:39:41,528 --> 00:39:43,279
[imitates kissing]

766
00:39:43,279 --> 00:39:44,614
‐ [mocking Callie]:
Oh, Frank!

767
00:39:44,614 --> 00:39:46,741
[kisses] Oh, you're so moody
and mysterious!

768
00:39:46,741 --> 00:39:48,910
‐ [laughing]: Stop it!
[Joe makes kissing noises]

769
00:39:50,495 --> 00:39:52,372
‐ Oh. Check it out.

770
00:39:52,372 --> 00:39:53,623
I fixed it.

771
00:39:56,167 --> 00:39:58,002
Took an old classic and updated it.

772
00:39:59,879 --> 00:40:02,006
♪ "Everybody Wants to Rule the World"
plays on music box ♪

773
00:40:04,300 --> 00:40:06,094
FRANK:
Mom loved this song.

774
00:40:06,094 --> 00:40:07,303
‐ I know.

775
00:40:11,266 --> 00:40:13,851
‐ I guess we finished what she started.

776
00:40:15,728 --> 00:40:17,313
‐ So now what?

777
00:40:17,313 --> 00:40:21,234
FENTON: Oh, I'm sure you're gonna find
more trouble to get up to.

778
00:40:23,736 --> 00:40:24,988
Mm.

779
00:40:24,988 --> 00:40:28,074
Mom would have been very proud of you.

780
00:40:28,074 --> 00:40:29,200
Both of you.

781
00:40:30,577 --> 00:40:32,537
And I am, too.

782
00:40:32,537 --> 00:40:34,414
It's incredible what you did.

783
00:40:37,292 --> 00:40:39,377
Okay. Well...

784
00:40:39,377 --> 00:40:40,837
Go join your friends.

785
00:40:40,837 --> 00:40:42,297
I'll finish up up here.

786
00:40:48,219 --> 00:40:50,638
♪

787
00:40:58,187 --> 00:41:01,316
♪ "Hey Big Brother"
by Rare Earth playing ♪

788
00:41:12,327 --> 00:41:13,661
JB:
"Joey,

789
00:41:13,661 --> 00:41:15,288
"sorry I didn't stick around,

790
00:41:15,288 --> 00:41:17,916
"but things got a little hairy
there in Bridgeport.

791
00:41:19,042 --> 00:41:23,004
"I'll be happy if I never see
The Eye again for the rest of my life,

792
00:41:23,004 --> 00:41:26,883
"and if I were you,
I'd stay as far away from it as possible.

793
00:41:27,759 --> 00:41:31,387
"And look, I'm not all that good
at goodbyes, or apologies,

794
00:41:31,387 --> 00:41:34,474
"s o, I'm just gonna say I owe you one,

795
00:41:34,474 --> 00:41:36,559
"and leave you my radio.

796
00:41:36,559 --> 00:41:40,563
"If the day ever comes when you need
the services of a world‐class thief

797
00:41:40,563 --> 00:41:43,149
"who looks pretty good in a wig,

798
00:41:43,149 --> 00:41:47,111
"you can use it to get in touch
when you're ready to call in that favor.

799
00:41:47,111 --> 00:41:49,906
Your pal, JB Cox."

800
00:41:49,906 --> 00:41:52,075
FRANK:
Joe! Ice cream.

801
00:41:52,075 --> 00:41:55,203
JB: "Oh, yeah. And don't let Frank
boss you around too much.

802
00:41:55,203 --> 00:41:57,163
He needs you more than you think."

803
00:41:58,790 --> 00:42:00,041
[camera shutter clicks]

804
00:42:08,967 --> 00:42:12,262
‐ ♪ Hey, big brother ♪

805
00:42:12,262 --> 00:42:15,306
♪ As soon as you arrive ♪

806
00:42:15,306 --> 00:42:19,811
♪ You better get in touch
with the people, big brother ♪

807
00:42:19,811 --> 00:42:23,314
♪ And get them on your side,
big brother ♪

808
00:42:23,314 --> 00:42:27,527
♪ And keep them satisfied ♪

809
00:42:27,527 --> 00:42:30,822
♪ Welcome to the beat of the city street ♪

810
00:42:30,822 --> 00:42:35,368
♪ Walk on now and don't be shy ♪

811
00:42:35,368 --> 00:42:38,830
♪ Take a closer look
at the people you meet ♪

812
00:42:38,830 --> 00:42:43,334
♪ And notice the fear in their eyes,
yeah ♪

813
00:42:43,334 --> 00:42:49,090
♪ Watching the time passing by ♪

814
00:42:49,507 --> 00:42:51,759
♪ Hey big brother ♪

815
00:42:52,635 --> 00:42:56,097
♪ As soon as you arrive ♪

816
00:42:56,097 --> 00:43:00,143
♪ You better get in touch
with the people, big brother ♪

817
00:43:00,143 --> 00:43:04,480
♪ And keep them on your side,
big brother ♪

818
00:43:04,480 --> 00:43:06,858
♪ Keep them satisfied ♪

819
00:43:08,193 --> 00:43:11,196
♪ Hey, big brother ♪

820
00:43:12,071 --> 00:43:15,033
♪ Hey, big brother ♪

821
00:43:15,909 --> 00:43:16,868
♪ Hey... ♪