1 00:00:05,000 --> 00:00:05,030 HT NOW 2 00:00:05,059 --> 00:00:10,109 ♪ ♪ 3 00:00:05,059 --> 00:00:10,109 ♪♪ 4 00:00:10,109 --> 00:00:13,189 >> LIVE FROM THE INTERNATIONAL 5 00:00:10,109 --> 00:00:13,189 BALLROOM OF THE 6 00:00:13,189 --> 00:00:18,070 BEVERLY HILTON HOTEL - 7 00:00:13,189 --> 00:00:18,070 >> AND LIVE FROM THE RAINBOW 8 00:00:18,070 --> 00:00:22,269 ROOM IN NEW YORK CITY -- 9 00:00:18,070 --> 00:00:22,269 >> WELCOME TO THE 2021 10 00:00:22,269 --> 00:00:27,079 GOLDEN GLOBE AWARDS. 11 00:00:22,269 --> 00:00:27,079 >> AND NOW, YOUR HOSTS FOR THE 12 00:00:27,079 --> 00:00:33,009 EVENING, TINA FEY AND 13 00:00:27,079 --> 00:00:33,009 AMY POEHLER! 14 00:00:33,009 --> 00:00:40,240 [ CHEERS AND APPLAUSE 15 00:00:33,009 --> 00:00:40,240 >>> HI 16 00:00:40,240 --> 00:00:44,130 >> HELLO, OH, GOOD EVENING, 17 00:00:40,240 --> 00:00:44,130 WORLD. 18 00:00:44,130 --> 00:00:48,049 >> I'M TINA FEY COMING TO YOU 19 00:00:44,130 --> 00:00:48,049 FROM THE BEAUTIFUL RAINBOW ROOM 20 00:00:48,049 --> 00:00:51,259 IN NEW YORK CITY, WHERE INDOOR 21 00:00:48,049 --> 00:00:51,259 DINING AND OUTDOOR MUGGINGS ARE 22 00:00:51,259 --> 00:00:55,200 BACK 23 00:00:51,259 --> 00:00:55,200 >> YES, AND I'M AMY POEHLER HERE 24 00:00:55,200 --> 00:01:01,060 AT THE BEVERLY HILTON'S DISTRICT 25 00:00:55,200 --> 00:01:01,060 7, LOS ANGELES, AND THIS IS THE 26 00:01:01,060 --> 00:01:04,290 78TH ANNUAL HUNGER GAMES 27 00:01:01,060 --> 00:01:04,290 >> GOLDEN GLOBES 28 00:01:04,290 --> 00:01:09,170 >> GOLDEN GLOBES. 29 00:01:04,290 --> 00:01:09,170 >> TINA AND I ARE HOSTING FROM 30 00:01:09,170 --> 00:01:12,000 TWO DIFFERENT CITIES THE 31 00:01:09,170 --> 00:01:12,000 TECHNOLOGY IS SO GREAT YOU WILL 32 00:01:12,000 --> 00:01:14,230 NEVER TELL THE DIFFERENCE. 33 00:01:12,000 --> 00:01:14,230 IT WILL BE SMOOTH SAILING. 34 00:01:14,230 --> 00:01:21,069 >> YOU WON'T EVEN NOTICE 35 00:01:14,230 --> 00:01:21,069 >> OH, I HAVE MISSED YOU, MY 36 00:01:21,069 --> 00:01:23,150 LOVE 37 00:01:21,069 --> 00:01:23,150 >> I ALWAYS KNEW MY CAREER WOULD 38 00:01:23,150 --> 00:01:28,030 END WITH ME WONDERING AROUND THE 39 00:01:23,150 --> 00:01:28,030 RAINBOW ROOM PROTECTING TO TALK 40 00:01:28,030 --> 00:01:32,180 TO AMY 41 00:01:28,030 --> 00:01:32,180 THIS 42 00:01:32,180 --> 00:01:38,109 JUST THOUGHT IT WOULD BE LATER 43 00:01:32,180 --> 00:01:38,109 BUT WHAT AN EXCITING NIGHT 44 00:01:38,109 --> 00:01:45,020 >> ALL THE BIG BLOCKBUSTER 45 00:01:38,109 --> 00:01:45,020 MOVIES ARE NOMINATED, "PARTS OF 46 00:01:45,020 --> 00:01:50,219 A LADY." 47 00:01:45,020 --> 00:01:50,219 >> "DAY PLANNER," "GRONK". 48 00:01:50,219 --> 00:01:54,289 >> AND WE WILL BE HONORING ALL 49 00:01:50,219 --> 00:01:54,289 THE FANTASTIC TV SHOWS YOU 50 00:01:54,289 --> 00:02:02,250 BINGED WATCHED THIS YEAR, "THE 51 00:01:54,289 --> 00:02:02,250 AMERICAN OFFICE," OLD 52 00:02:02,250 --> 00:02:08,219 "COLUMBO"S 53 00:02:02,250 --> 00:02:08,219 >> THE ZOOM TOWN HALLS AND THE 54 00:02:08,219 --> 00:02:15,069 CRANBERRY JUICE SKATEBOARD GUY, 55 00:02:08,219 --> 00:02:15,069 YOU WILL SKATEBOARD TO ALL THE 56 00:02:15,069 --> 00:02:16,110 SONGS TONIGHT. 57 00:02:15,069 --> 00:02:16,110 HOW EXCITING. 58 00:02:16,110 --> 00:02:22,240 >> NORMALLY THE ROOM IS FULL OF 59 00:02:16,110 --> 00:02:22,240 CELEBRITIES BUT TONIGHT THE 60 00:02:22,240 --> 00:02:26,250 AUDIENCE ON BOTH COASTS IS MADE 61 00:02:22,240 --> 00:02:26,250 UP OF SMOKING HOT FIRST 62 00:02:26,250 --> 00:02:28,289 RESPONDERS AND ESSENTIAL 63 00:02:26,250 --> 00:02:28,289 WORKERS. 64 00:02:28,289 --> 00:02:32,050 >> HOW GORGEOUS. 65 00:02:28,289 --> 00:02:32,050 WE ARE SO GRATEFUL FOR THE WORK 66 00:02:32,050 --> 00:02:35,159 THAT YOU DO, AND THAT YOU ARE 67 00:02:32,050 --> 00:02:35,159 HERE SO THAT THE CELEBRITIES CAN 68 00:02:35,159 --> 00:02:39,129 STAY SAFELY AT HOME. 69 00:02:35,159 --> 00:02:39,129 >> YES, THANK YOU SO MUCH. 70 00:02:39,129 --> 00:02:42,060 NOW, WE KNOW THAT YOU HAVE SEEN 71 00:02:39,129 --> 00:02:42,060 A LOT OF CRAZY STUFF AT YOUR JOB 72 00:02:42,060 --> 00:02:44,250 THIS YEAR. 73 00:02:42,060 --> 00:02:44,250 YOU HAVE NOT SEEN THE KIND OF 74 00:02:44,250 --> 00:02:47,219 STUFF THAT WE HAVE SEEN AT 75 00:02:44,250 --> 00:02:47,219 PREVIOUS GOLDEN GLOBES THIS 76 00:02:47,219 --> 00:02:51,229 FRONT TABLE RIGHT HERE, USUALLY 77 00:02:47,219 --> 00:02:51,229 HOUSES THE BIGGEST STARS IN THE 78 00:02:51,229 --> 00:02:54,259 WORLD. 79 00:02:51,229 --> 00:02:54,259 >> IT'S USUALLY LIKE MERYL 80 00:02:54,259 --> 00:02:59,150 STREEP, HAMMERED, CANNOT EVEN 81 00:02:54,259 --> 00:02:59,150 REMEMBER WHAT MOVIE SHE IS THERE 82 00:02:59,150 --> 00:03:02,050 FOR. 83 00:02:59,150 --> 00:03:02,050 >> BRAD PITT IS ALWAYS WAVING AT 84 00:03:02,050 --> 00:03:06,060 ME LIKE, AMY, AMY, IT'S LIKE, 85 00:03:02,050 --> 00:03:06,060 DUDE, I'M WORKING. 86 00:03:06,060 --> 00:03:14,169 >> AND OPRAH WINFREY WRITING HER 87 00:03:06,060 --> 00:03:14,169 NAME ON THE TABLE CLOTH IN PAIN. 88 00:03:14,169 --> 00:03:18,009 >> THE POINT IS, DO WHATEVER YOU 89 00:03:14,169 --> 00:03:18,009 WANT, BECAUSE THEY DO. 90 00:03:18,009 --> 00:03:23,009 >> THOSE BITCHES ARE MESSY. 91 00:03:18,009 --> 00:03:23,009 >> YEAH, THEY ARE MESSY. 92 00:03:23,009 --> 00:03:27,219 >> OKAY, SINCE YOU GUYS ARE NOT 93 00:03:23,009 --> 00:03:27,219 USUALLY HERE, LET US EXPLAIN 94 00:03:27,219 --> 00:03:31,139 WHAT THIS IS 95 00:03:27,219 --> 00:03:31,139 THE GOLDEN GLOBES ARE AWARDS 96 00:03:31,139 --> 00:03:35,180 GIVEN OUT BY THE HOLLYWOOD 97 00:03:31,139 --> 00:03:35,180 FOREIGN PRESS ASSOCIATION. 98 00:03:35,180 --> 00:03:40,079 >> THE HOLLYWOOD FOREIGN PRESS 99 00:03:35,180 --> 00:03:40,079 ASSOCIATION IS MADE UP OF AROUND 100 00:03:40,079 --> 00:03:47,090 90 JOURNALISTS THAT ATTEND MOVIE 101 00:03:40,079 --> 00:03:47,090 JUNKETS EACH YEAR, IN SEARCH FOR 102 00:03:47,090 --> 00:03:54,159 A BETTER LIFE. 103 00:03:47,090 --> 00:03:54,159 WE SAY 90 BECAUSE A FEW MAY BE A 104 00:03:54,159 --> 00:03:55,170 GHOST, AND ONE 105 00:03:54,159 --> 00:03:55,170 GHOST. 106 00:03:55,170 --> 00:04:00,000 >> AT THE GOLDEN GLOBES WE GIVE 107 00:03:55,170 --> 00:04:00,000 OUT AWARDS FOR MOVIE AND TV, 108 00:04:00,000 --> 00:04:03,219 IT'S HARD TO TELL THEM APART 109 00:04:00,000 --> 00:04:03,219 BECAUSE MOVIE THEATERS WERE 110 00:04:03,219 --> 00:04:05,229 CLOSED AND WE WATCHED EVERYTHING 111 00:04:03,219 --> 00:04:05,229 ON THE PHONE 112 00:04:05,229 --> 00:04:09,180 >> YOU MAY BE CONFUSED WHICH ARE 113 00:04:05,229 --> 00:04:09,180 MOVIES AND WHICH ARE TV. 114 00:04:09,180 --> 00:04:13,120 >> THE TV IS ONE I WATCH FIVE 115 00:04:09,180 --> 00:04:13,120 HOURS STRAIGHT AND THE MOVIE IS 116 00:04:13,120 --> 00:04:16,209 THE ONE I DON'T TURN ON BECAUSE 117 00:04:13,120 --> 00:04:16,209 IT'S TWO HOURS 118 00:04:16,209 --> 00:04:21,120 I DON'T WANT TO BE IN FRONT OF 119 00:04:16,209 --> 00:04:21,120 MY TV FOR TWO HOURS, I WANT TO 120 00:04:21,120 --> 00:04:24,120 BE IN FRONT OF THE TV ONE HOUR 121 00:04:21,120 --> 00:04:24,120 FIVE TIMES 122 00:04:24,120 --> 00:04:27,209 >> IF THEY ARE REAL TEETH LOOK 123 00:04:24,120 --> 00:04:27,209 FAKE, THAT'S TV. 124 00:04:27,209 --> 00:04:33,159 >> IF THE BRITISH ACTORS ARE 125 00:04:27,209 --> 00:04:33,159 PLAYING TV, IT'S A MOVIE 126 00:04:33,159 --> 00:04:36,220 >> IF YOU ARE LIKE, MARIO LOPEZ 127 00:04:33,159 --> 00:04:36,220 IS SURPRISINGLY GOOD IN THIS, 128 00:04:36,220 --> 00:04:41,120 THAT IS TV 129 00:04:36,220 --> 00:04:41,120 >> AND IF, IF A STAR'S MATTHEW 130 00:04:41,120 --> 00:04:49,240 McCONAUGHEY AS A POET I CAN 131 00:04:41,120 --> 00:04:49,240 DRIFT -- 132 00:04:49,240 --> 00:04:52,149 POETIC DRIFTER, IT'S A 133 00:04:49,240 --> 00:04:52,149 COMMERCIAL 134 00:04:52,149 --> 00:04:56,060 >> AND IFIT'S A PLAY THAT HAS 135 00:04:52,149 --> 00:04:56,060 BEEN TURNED IN TO A MOVIE, BUT 136 00:04:56,060 --> 00:05:04,060 YOU WATCH IT ON A TV, IT'S 137 00:04:56,060 --> 00:05:04,060 CALLED THE PLUVIE, AND THERE'S 138 00:05:04,060 --> 00:05:07,240 FOUR OF THEM TONIGHT 139 00:05:04,060 --> 00:05:07,240 >> CONGRATULATIONS TO ALL THE 140 00:05:07,240 --> 00:05:18,180 PLUVIES, SO, LET'S SEE WHAT THE 141 00:05:07,240 --> 00:05:18,180 EUROPEAN WEIRDOS NOMINATED THIS 142 00:05:18,180 --> 00:05:20,029 YEAR 143 00:05:18,180 --> 00:05:20,029 "NOMAD 144 00:05:20,029 --> 00:05:23,029 "NOMADLAND," MY KIDS WERE LIKE, 145 00:05:20,029 --> 00:05:23,029 COULD WE DO THAT FOR SPRING 146 00:05:23,029 --> 00:05:24,230 BREAK? 147 00:05:23,029 --> 00:05:24,230 COULD WE DO ANYTHING 148 00:05:24,230 --> 00:05:31,230 >> "MANK" IS SHORT FOR 149 00:05:24,230 --> 00:05:31,230 MANKOWITZ, THE NAME OF THE 150 00:05:31,230 --> 00:05:43,149 SCREEN WRITER OF "CITIZEN CANE". 151 00:05:31,230 --> 00:05:43,149 >> "THE PROM" CAME OUT, THIS 152 00:05:43,149 --> 00:05:49,110 YEAR SO MANY TEENAGERS DID NOT 153 00:05:43,149 --> 00:05:49,110 GET TO GO TO THEIR "PROM" SO 154 00:05:49,110 --> 00:06:00,079 THEY COULD WATCH JAMES CORDINAND 155 00:05:49,110 --> 00:06:00,079 MAYORAL 156 00:06:00,079 --> 00:06:04,050 GO TO IT INSTEAD 157 00:06:00,079 --> 00:06:04,050 >> THE THING I LOVE ABOUT AARON 158 00:06:04,050 --> 00:06:08,100 SORKIN'S WRITING, HE CAN HAVE 159 00:06:04,050 --> 00:06:08,100 SEVEN MEN TALKING BUT IT FEELS 160 00:06:08,100 --> 00:06:10,120 LIKE A HUNDRED MEN TALKING. 161 00:06:08,100 --> 00:06:10,120 >> YEAH. 162 00:06:10,120 --> 00:06:16,149 THE "UNDOING" WAS A SEXY AND 163 00:06:10,120 --> 00:06:16,149 DRAMATIC MYSTERY WHERE NICOLE 164 00:06:16,149 --> 00:06:20,110 KIDMAN'S COACH IS SUSPECTED OF 165 00:06:16,149 --> 00:06:20,110 MURDERING HER WIG. 166 00:06:20,110 --> 00:06:25,139 >> "SOUL" IS A BEAUTIFUL PIXAR 167 00:06:20,110 --> 00:06:25,139 ANIMATED MOVIE WHERE A BLACK 168 00:06:25,139 --> 00:06:30,069 MAN'S SOUL IS KNOCKED OUT OF HIS 169 00:06:25,139 --> 00:06:30,069 BODY AND IN TO A CAT 170 00:06:30,069 --> 00:06:34,040 THEY RESPONDED TO THIS BECAUSE 171 00:06:30,069 --> 00:06:34,040 THEY HAVE FIVE CAT MEMBERS 172 00:06:34,040 --> 00:06:37,029 >> "NORMAL PEOPLE" IS AN 173 00:06:34,040 --> 00:06:37,029 EMOTIONAL SHOW ABOUT TWO YOUNG 174 00:06:37,029 --> 00:06:41,180 LOVERS IN IRELAND AND BEST 175 00:06:37,029 --> 00:06:41,180 VIEWED IN BED WITH YOUR HOT 176 00:06:41,180 --> 00:06:49,040 LAPTOP RIGHT ON YOUR CROUCH. 177 00:06:41,180 --> 00:06:49,040 >> "ONE NIGHT IN MIAMI" IS A 178 00:06:49,040 --> 00:06:52,209 FICTIONALIZED VERSION OF A 179 00:06:49,040 --> 00:06:52,209 MEETING THAT TOOK PLACE, WHERE I 180 00:06:52,209 --> 00:06:57,060 ASSUME THE TOPIC OF DISCUSSION 181 00:06:52,209 --> 00:06:57,060 WAS, HOW THE HELL DO WE GET OUT 182 00:06:57,060 --> 00:07:02,060 OF FLORIDA 183 00:06:57,060 --> 00:07:02,060 >> SPEAKING OF "ONE NIGHT IN 184 00:07:02,060 --> 00:07:10,050 MIME," THERE'S GREAT DIRECTORS 185 00:07:02,060 --> 00:07:10,050 NOM 186 00:07:10,050 --> 00:07:15,220 NOMINATED TONIGHT. 187 00:07:10,050 --> 00:07:15,220 >> EMILY IN PAIRS IS NOMINATED 188 00:07:15,220 --> 00:07:19,100 FOR BEST TV SERIES, MUSICAL 189 00:07:15,220 --> 00:07:19,100 COMEDY, I CANNOT WAIT TO FIND 190 00:07:19,100 --> 00:07:23,180 OUT WHICH IT IS. 191 00:07:19,100 --> 00:07:23,180 >> "FRENCH QUIT EXIT" IS WHAT I 192 00:07:23,180 --> 00:07:31,220 DID AFTER WATCHING THE FIRST 193 00:07:23,180 --> 00:07:31,220 EPISODE OF "EMILY IN PAIRS". 194 00:07:31,220 --> 00:07:42,220 >> JIM PARSONS AND KALEY COCOA 195 00:07:31,220 --> 00:07:42,220 IS NOMINATED TONIGHT 196 00:07:42,220 --> 00:07:50,230 >> "MUSIC" IS NOMINATED FOR BEST 197 00:07:42,220 --> 00:07:50,230 INTERNATIONAL FLOPPEROONI, I 198 00:07:50,230 --> 00:08:01,040 DON'T WANT TO GETTY IN TO ITYTY 199 00:07:50,230 --> 00:08:01,040 IT BUT IT'S REALLY PROBLEMATIC. 200 00:08:01,040 --> 00:08:05,269 >> WE SHOULD HAVE TOLD YOU 201 00:08:01,040 --> 00:08:05,269 EVERYONE IS UPSET WITH THE HFPA 202 00:08:05,269 --> 00:08:08,290 AND THEIR CHOICES. 203 00:08:05,269 --> 00:08:08,290 LOOK, A LOT OF FLASHY GARBAGE 204 00:08:08,290 --> 00:08:11,230 GOT NOMINATED, BUT THAT HAPPENS. 205 00:08:08,290 --> 00:08:11,230 THAT IS THEIR THING. 206 00:08:11,230 --> 00:08:16,000 BUT A NUMBER OF BLACK ACTORS AND 207 00:08:11,230 --> 00:08:16,000 BLACK LED PROJECTS WERE 208 00:08:16,000 --> 00:08:19,110 OVERLOOKED 209 00:08:16,000 --> 00:08:19,110 >> LOOK, WE ALL KNOW AWARD SHOWS 210 00:08:19,110 --> 00:08:24,120 ARE STUPID 211 00:08:19,110 --> 00:08:24,120 >> THEY ARE ALL A SCAM, INVENTED 212 00:08:24,120 --> 00:08:29,009 BY BIG RED CARPET. 213 00:08:24,120 --> 00:08:29,009 >> TO SELL ISS MORE CARPET. 214 00:08:29,009 --> 00:08:32,139 >> WE KNOW THAT. 215 00:08:29,009 --> 00:08:32,139 >> BUT EVEN WITH STUPID THINGS 216 00:08:32,139 --> 00:08:38,039 INCLUSIVITY IS IMPORTANT 217 00:08:32,139 --> 00:08:38,039 AND THERE'S NO BLACK MEMBERS OF 218 00:08:38,039 --> 00:08:43,000 THE HFPA 219 00:08:38,039 --> 00:08:43,000 YOU HAVE TO CHANGE THAT. 220 00:08:43,000 --> 00:08:45,269 SO, HERE'S THE CHANGE. 221 00:08:43,000 --> 00:08:45,269 >> YES, AND LOOKING FORWARD TO 222 00:08:45,269 --> 00:08:48,120 THAT CHANGE. 223 00:08:45,269 --> 00:08:48,120 WE DO HAVE GOOD NEWS 224 00:08:48,120 --> 00:08:55,230 WE ARE RAISING MONEY TONIGHT 225 00:08:48,120 --> 00:08:55,230 TOGETHER, THE HFP A&M RC AND NBC 226 00:08:55,230 --> 00:09:01,049 ARE DONATING $2 MILLION TO 227 00:08:55,230 --> 00:09:01,049 FEEDING AMERICA RESPONSE FUND 228 00:09:01,049 --> 00:09:03,110 AND THAT IS AWESOME. 229 00:09:01,049 --> 00:09:03,110 >> YES 230 00:09:03,110 --> 00:09:07,009 >> HERE WE GO, GUYS. 231 00:09:03,110 --> 00:09:07,009 ARE YOU READY? 232 00:09:07,009 --> 00:09:12,289 >> YEAH! 233 00:09:07,009 --> 00:09:12,289 >> COULD THIS WHOLE NIGHT BEEN 234 00:09:12,289 --> 00:09:13,279 AN E-MAIL? 235 00:09:12,289 --> 00:09:13,279 YES. 236 00:09:13,279 --> 00:09:18,250 BUT WE WOULD NOT SEE OUR 237 00:09:13,279 --> 00:09:18,250 BEAUTIFUL FIRST PRESENTER, LIKE 238 00:09:18,250 --> 00:09:23,169 A CHILD'S SKELETON PAJAMAS, SHE 239 00:09:18,250 --> 00:09:23,169 GLOWS. 240 00:09:23,169 --> 00:09:39,190 LAST YEAR'S GOLDEN GLOBE WINNER, 241 00:09:23,169 --> 00:09:39,190 MS. LAURA DERN. 242 00:09:39,190 --> 00:09:43,000 >> GOOD EVENING, SENDING YOU ALL 243 00:09:39,190 --> 00:09:43,000 MY LOVE AND GRATITUDE AND IT'S 244 00:09:43,000 --> 00:09:53,029 AN HONOR TO BE HERE AND PRESENT 245 00:09:43,000 --> 00:09:53,029 THE FIRST AWARD OF THE NIGHT 246 00:09:53,029 --> 00:10:07,120 THE NOMINEES FOR BEST ACTOR -- 247 00:09:53,029 --> 00:10:07,120 >> "JUDAS AND THE BLACK 248 00:10:07,120 --> 00:10:17,289 MESSIAH," JARED LETO "THE LITTLE 249 00:10:07,120 --> 00:10:17,289 THINGS," BILL MURRAY "ON THE 250 00:10:17,289 --> 00:10:23,080 ROCKS" AND LESLIE ODOM, JR., 251 00:10:17,289 --> 00:10:23,080 "ONE NIGHT IN MIAMI. 252 00:10:23,080 --> 00:10:47,100 AND THE GOLDEN GLOBE GOES TO, 253 00:10:23,080 --> 00:10:47,100 DANIEL KALUYA -- 254 00:10:47,100 --> 00:10:56,129 >> I WISH I COULD BE THERE 255 00:10:47,100 --> 00:10:56,129 >> AS YOU CAN SEE, WE 256 00:10:56,129 --> 00:10:58,019 UNFORTUNATELY HAVE A BAD 257 00:10:56,129 --> 00:10:58,019 CONNECTION 258 00:10:58,019 --> 00:11:01,009 WE APOLOGIZE FOR THAT TECHNICAL 259 00:10:58,019 --> 00:11:01,009 PROBLEM. 260 00:11:01,009 --> 00:11:04,019 AND SEND ALL OF OUR 261 00:11:01,009 --> 00:11:04,019 CONGRATULATIONS TO DANIEL ON HIS 262 00:11:04,019 --> 00:11:17,250 GOLDEN GLOBE WIN 263 00:11:04,019 --> 00:11:17,250 >> YOU DID -- IT IS ON 264 00:11:17,250 --> 00:11:19,049 IT IS ON 265 00:11:17,250 --> 00:11:19,049 IT IS ON 266 00:11:19,049 --> 00:11:21,179 ALL RIGHT, COOL. 267 00:11:19,049 --> 00:11:21,179 CAN YOU HEAR ME NOW? 268 00:11:21,179 --> 00:11:27,240 ALL RIGHT, COOL. 269 00:11:21,179 --> 00:11:27,240 WE GOT THIS. 270 00:11:27,240 --> 00:11:32,230 THANK YOU FOR THE ACCOLADE, 271 00:11:27,240 --> 00:11:32,230 THANK YOU TO MY MOM, MY SISTER, 272 00:11:32,230 --> 00:11:39,129 MY NIECE 273 00:11:32,230 --> 00:11:39,129 YO, I USED TO LISTEN TO A SONG, 274 00:11:39,129 --> 00:11:42,230 I USED TO LISTEN TO A SONG 275 00:11:39,129 --> 00:11:42,230 BEFORE EVERY SPEECH. 276 00:11:42,230 --> 00:11:46,240 THANK YOU FOR "THE GAME IS 277 00:11:42,230 --> 00:11:46,240 MINE," I WANT LIKE TO THANK, IT 278 00:11:46,240 --> 00:11:51,009 TAKES A VILLAGE TO RAISE A FILM, 279 00:11:46,240 --> 00:11:51,009 I WOULD LIKE TO THANK OUR 280 00:11:51,009 --> 00:11:57,110 LEADER, FOR YOUR VISION AND 281 00:11:51,009 --> 00:11:57,110 COLLABORATION, AND RYAN -- AND 282 00:11:57,110 --> 00:12:01,289 CHARLES KING, EVERYONE AT MACRO, 283 00:11:57,110 --> 00:12:01,289 LIKE TO THANK WARNER BROS., AND 284 00:12:01,289 --> 00:12:10,090 I LIKE TO THANK THE INCREDIBLE 285 00:12:01,289 --> 00:12:10,090 CAST, YOU KNOW, I STAND WITH 286 00:12:10,090 --> 00:12:12,259 YOU, MY BRO. 287 00:12:10,090 --> 00:12:12,259 ALL THE CREW, ALL THE CAST, THE 288 00:12:12,259 --> 00:12:17,049 REST OF THE CAST AND MY 289 00:12:12,259 --> 00:12:17,049 COMRADES, ALL THE CREW IN 290 00:12:17,049 --> 00:12:21,200 CLEVELAND, WE HAVE DONE IT 291 00:12:17,049 --> 00:12:21,200 TOGETHER 292 00:12:21,200 --> 00:12:26,250 LAST FOR PARTNERING UP WITH US, 293 00:12:21,200 --> 00:12:26,250 AND SHARING THEIR STORY WITH US. 294 00:12:26,250 --> 00:12:31,000 AND MAN, THIS TOOK IT OUT OF ME. 295 00:12:26,250 --> 00:12:31,000 I GAVE EVERYTHING. 296 00:12:31,000 --> 00:12:35,139 THE GREAT NIPSEY HUSTLE SAYS, WE 297 00:12:31,000 --> 00:12:35,139 ARE HERE TO GIVE UNTIL WE ARE 298 00:12:35,139 --> 00:12:42,269 EMPTY AND I GAVE EVERYTHING AND 299 00:12:35,139 --> 00:12:42,269 I COULD NOT -- I HOPE 300 00:12:42,269 --> 00:12:47,009 GENERATIONS AFTER THIS CAN SEE 301 00:12:42,269 --> 00:12:47,009 HOW BRILLIANT HE FOUGHT. 302 00:12:47,009 --> 00:12:53,179 HOW BRILLIANTLY HE SPOKE AND HOW 303 00:12:47,009 --> 00:12:53,179 BRILLIANTLY HE LOVED 304 00:12:53,179 --> 00:12:57,139 AND HE TAUGHT ME ABOUT MYSELF, 305 00:12:53,179 --> 00:12:57,139 MADE ME GROW AS A MAN AND I 306 00:12:57,139 --> 00:13:02,220 APPRECIATE IT WITH ALL MY HEART 307 00:12:57,139 --> 00:13:02,220 AND I HOPE PEOPLE, THERE'S A LOT 308 00:13:02,220 --> 00:13:06,070 OF INFORMATION ABOUT HOW HE 309 00:13:02,220 --> 00:13:06,070 DIED, BUT I HOPE YOU PEOPLE OUT 310 00:13:06,070 --> 00:13:10,220 THERE WILL GROW AND LEARN ABOUT 311 00:13:06,070 --> 00:13:10,220 HOW INCREDIBLY HE LIVED. 312 00:13:10,220 --> 00:13:12,100 THANK YOU SO MUCH FOR THIS 313 00:13:10,220 --> 00:13:12,100 HONOR. 314 00:13:12,100 --> 00:13:19,070 AND THANK YOU EVERYONE OUT 315 00:13:12,100 --> 00:13:19,070 THERE, I HAVE MY CHAMPS READY. 316 00:13:19,070 --> 00:13:21,149 APPRECIATE YOU ALL, MAN, 317 00:13:19,070 --> 00:13:21,149 APPRECIATE ALL THAT. 318 00:13:21,149 --> 00:13:27,059 ALL THE NOMINEES, I APPRECIATE 319 00:13:21,149 --> 00:13:27,059 THAT 320 00:13:27,059 --> 00:13:32,169 ALL RIGHT HADTAKE CARE. 321 00:13:27,059 --> 00:13:32,169 LOVE 322 00:13:32,169 --> 00:13:33,179 [ CHEERS AND APPLAUSE 323 00:13:32,169 --> 00:13:33,179 >> ALL RIGHT 324 00:13:33,179 --> 00:13:36,039 WE FIXED HIM 325 00:13:33,179 --> 00:13:36,039 HAPPY TO HEAR FROM DANIEL. 326 00:13:36,039 --> 00:13:38,250 OKAY 327 00:13:36,039 --> 00:13:38,250 HERE TO CELEBRATE OVER 20 YEARS 328 00:13:38,250 --> 00:13:57,250 OF HAVING HER GROOVE RETURNED TO 329 00:13:38,250 --> 00:13:57,250 HER, ANGELA BASSETT. 330 00:13:57,250 --> 00:14:02,029 >>> GOOD EVENING, TO MAKE SURE 331 00:13:57,250 --> 00:14:02,029 THAT WE FOLLOW HEALTH AND SAFETY 332 00:14:02,029 --> 00:14:06,039 PROTOCOLS, MOST OF THE TROPHIES, 333 00:14:02,029 --> 00:14:06,039 NORMALLY GIVEN TO OUR WINNERS IN 334 00:14:06,039 --> 00:14:10,080 PERSON WILL BE DELIVERED TO THEM 335 00:14:06,039 --> 00:14:10,080 SAFELY IN THE NEAR FUTURE. 336 00:14:10,080 --> 00:14:13,259 IN ADDITION, EVERY ONE ON STAGE 337 00:14:10,080 --> 00:14:13,259 AND IN OUR AUDIENCE, BOTH IN 338 00:14:13,259 --> 00:14:18,259 L.A. AND NEW YORK HAVE ALL BEEN 339 00:14:13,259 --> 00:14:18,259 TESTED AND ARE FOLLOWING STRICT 340 00:14:18,259 --> 00:14:21,149 CDC COVID HEALTH AND SAFETY 341 00:14:18,259 --> 00:14:21,149 PROTOCOL 342 00:14:21,149 --> 00:14:24,200 AND NOW, IT'S TIME FOR OUR NEXT 343 00:14:21,149 --> 00:14:24,200 AWARD. 344 00:14:24,200 --> 00:14:29,080 HERE ARE THE NOMINEES FOR BEST 345 00:14:24,200 --> 00:14:29,080 PERFORMANCE BY AN ACTOR IN A 346 00:14:29,080 --> 00:14:47,059 TELEVISION SUPPORTING ROLE 347 00:14:29,080 --> 00:14:47,059 JOHN BOYEGA, SMALL AXE, BRANDAN 348 00:14:47,059 --> 00:14:54,259 GLEESON, THE COMEY RULE. 349 00:14:47,059 --> 00:14:54,259 DANIEL LEVY, SCHITT'S CREEK. 350 00:14:54,259 --> 00:15:01,289 JIM PARSONS, HOLLYWOOD 351 00:14:54,259 --> 00:15:01,289 DONALD SUTHERLAND, THE UNDOING 352 00:15:01,289 --> 00:15:10,059 AND THE GOLDEN GLOBE GOES TO 353 00:15:01,289 --> 00:15:10,059 JOHN BOYEGA "SMALL AXE." 354 00:15:10,059 --> 00:15:12,289 >> WOW 355 00:15:10,059 --> 00:15:12,289 YOU KNOW WHAT, LET ME JUST SAY 356 00:15:12,289 --> 00:15:18,100 WHAT I HAVE TO SAY 357 00:15:12,289 --> 00:15:18,100 FIRST THANK YOU SO MUCH TO THE 358 00:15:18,100 --> 00:15:22,000 HFPA FOR THE OPPORTUNITY, THANK 359 00:15:18,100 --> 00:15:22,000 YOU, YOU KNOW WHAT I THOUGHT IT 360 00:15:22,000 --> 00:15:26,029 WOULD BE ONE OF THOSE NIGHTS 361 00:15:22,000 --> 00:15:26,029 WHERE YOU DO THIS WHOLE SHIN DIG 362 00:15:26,029 --> 00:15:32,200 AND YOU GO TO BED AND CHILL. 363 00:15:26,029 --> 00:15:32,200 LIKE, I PUT TRACK SHOE BOTTOMS 364 00:15:32,200 --> 00:15:38,240 ON, AND I'M EXCITED. 365 00:15:32,200 --> 00:15:38,240 IT'S GREAT TO HAVE THIS AMAZING 366 00:15:38,240 --> 00:15:41,009 OPPORTUNITY. 367 00:15:38,240 --> 00:15:41,009 THANK YOU FOR AMAZON PRIME, UK 368 00:15:41,009 --> 00:15:46,029 FOR GIVING ME THIS OPPORTUNITY 369 00:15:41,009 --> 00:15:46,029 AND THE BBC, I THANK YOU FOR THE 370 00:15:46,029 --> 00:15:51,139 WORK AND FOR WHAT YOU HAVE DONE 371 00:15:46,029 --> 00:15:51,139 FOR YOUNG PEOPLE IN THE UK 372 00:15:51,139 --> 00:15:53,059 THANK YOU SO MUCH, THANK YOU 373 00:15:51,139 --> 00:15:53,059 GUYS 374 00:15:53,059 --> 00:16:02,129 ♪ ♪ 375 00:15:53,059 --> 00:16:02,129 NOW, WITH THE FIRST NOMINATED 376 00:16:02,129 --> 00:16:12,090 FILM, HERE IS COLIN FARRELL. 377 00:16:02,129 --> 00:16:12,090 >> IN OUR FIRST DRAMA, AN AGING 378 00:16:12,090 --> 00:16:32,019 MEN REJECTS HIS DAUGHTER'S 379 00:16:12,090 --> 00:16:32,019 INSIST ANSWER 380 00:16:32,019 --> 00:16:32,240 INSISTANCE 381 00:16:32,019 --> 00:16:32,240 WITH FOUR GOLDEN GLOBE 382 00:16:32,240 --> 00:16:33,169 NOMINATIONS, THIS IS "THE 383 00:16:32,240 --> 00:16:33,169 FATHER". 384 00:16:33,169 --> 00:16:34,259 >> THE SITUATION IS SIMPLE 385 00:16:33,169 --> 00:16:34,259 MY DAUGHTER, I CANNOT MANAGE ON 386 00:16:34,259 --> 00:16:38,230 MY OWN 387 00:16:34,259 --> 00:16:38,230 >> I'M SO ISSORRY ABOUT THIS 388 00:16:38,230 --> 00:16:40,240 >> IT'S FINE 389 00:16:38,230 --> 00:16:40,240 >> WHO IS IT 390 00:16:40,240 --> 00:16:42,240 >> IT'S ME, PAUL 391 00:16:40,240 --> 00:16:42,240 >> I DON'T KNOW WHAT SHE IS 392 00:16:42,240 --> 00:16:46,259 COOKING UP AGAINST ME, SHE IS 393 00:16:42,240 --> 00:16:46,259 COOKING SOMETHING UP 394 00:16:46,259 --> 00:16:54,269 I'M NOT LEAVING MY FLAT! 395 00:16:46,259 --> 00:16:54,269 THIS REALLY IS MY FLAT 396 00:16:54,269 --> 00:17:06,109 ISN'T IT 397 00:16:54,269 --> 00:17:06,109 ♪ ♪ 398 00:17:06,109 --> 00:17:12,250 NBC'S TELECAST OF THE GOLDEN 399 00:17:06,109 --> 00:17:12,250 GLOBES IS PRESENTED BY: 400 00:17:12,250 --> 00:17:15,019 ♪ ♪ 401 00:17:12,250 --> 00:17:15,019 >> I'M SO EXCITED. 402 00:17:15,019 --> 00:17:19,009 >> YEAH! 403 00:17:15,019 --> 00:17:19,009 >> WE ARE TOGETHER 404 00:17:19,009 --> 00:17:21,200 >> THIS IS SO WEIRD. 405 00:17:19,009 --> 00:17:21,200 >> HI! 406 00:17:21,200 --> 00:17:28,259 >> IT'S SO CRAZY 407 00:17:21,200 --> 00:17:28,259 >> THE GLAMOROUS STARS ARE 408 00:17:28,259 --> 00:17:31,289 NOMINATED FOR ACTRESS IN A TV 409 00:17:28,259 --> 00:17:31,289 COMEDY, THEY ARE NEXT, THE 410 00:17:31,289 --> 00:17:42,220 GOLDEN GLOBES RIGHT HERE ON NBC. 411 00:17:31,289 --> 00:17:42,220 >> BREAK A LEG 412 00:17:42,220 --> 00:17:47,190 ♪ ♪ 413 00:17:42,220 --> 00:17:47,190 >>> WELCOME BACK NOW FROM NEW 414 00:17:47,190 --> 00:17:53,089 YORK, STARS OF THE UP COMING 415 00:17:47,190 --> 00:17:53,089 SERIES "DR. DEATH," CHRISTIAN 416 00:17:53,089 --> 00:18:07,269 SLATER 417 00:17:53,089 --> 00:18:07,269 >>> AS WE ARE MENTIONING THE 418 00:18:07,269 --> 00:18:09,289 GOLDEN GLOBES IS PARTNERING WITH 419 00:18:07,269 --> 00:18:09,289 FEEDING AMERICA, YOU WANT TO 420 00:18:09,289 --> 00:18:13,240 GIVE, YOU CAN LINK DIRECTLY TO 421 00:18:09,289 --> 00:18:13,240 THE FEEDING AMERICA WEBSITE BY 422 00:18:13,240 --> 00:18:18,049 USING THE CAMERA ON YOUR PHONE 423 00:18:13,240 --> 00:18:18,049 TO SCAN THE QR CODE, WHICH YOU 424 00:18:18,049 --> 00:18:29,180 NOW SEE ON THE SCREEN. 425 00:18:18,049 --> 00:18:29,180 IT WILL APPEAR AT OTHER TIMES,. 426 00:18:29,180 --> 00:18:42,079 THE NOMINEES FOR BEST 427 00:18:29,180 --> 00:18:42,079 PERFORMANCE -- 428 00:18:42,079 --> 00:18:43,119 BY AN ACTRESS IN A TELEVISION 429 00:18:42,079 --> 00:18:43,119 SERIES, MUSICAL OR COMEDY. 430 00:18:43,119 --> 00:18:44,160 LILY COLLINS, "EMILY IN PARIS. 431 00:18:43,119 --> 00:18:44,160 KALEY CUOCO, 432 00:18:44,160 --> 00:18:50,220 "THE FLIGHT ATTENDANT. 433 00:18:44,160 --> 00:18:50,220 ELLE FANNING, "THE GREAT." 434 00:18:50,220 --> 00:18:56,259 JANE LEVY, 435 00:18:50,220 --> 00:18:56,259 "ZOEY'S EXTRAORDINARY PLAYLIST." 436 00:18:56,259 --> 00:19:10,180 CATHERINE O'HARA, 437 00:18:56,259 --> 00:19:10,180 "SCHITT'S CREEK. 438 00:19:10,180 --> 00:19:16,059 REQUEST THE -- AND THE AWARD 439 00:19:10,180 --> 00:19:16,059 GOES TO CATHERINE O'HARA 440 00:19:16,059 --> 00:19:20,240 >> THANK YOU, THANK YOU -- THANK 441 00:19:16,059 --> 00:19:20,240 YOU BOTH 442 00:19:20,240 --> 00:19:26,019 I'M GRATEFUL JUST TO SHARE YOUR 443 00:19:20,240 --> 00:19:26,019 GOOD WILL FOR MY LOVELY FELLOW 444 00:19:26,019 --> 00:19:27,119 NOMINEES 445 00:19:26,019 --> 00:19:27,119 THIS IS GREAT, THANK YOU SO 446 00:19:27,119 --> 00:19:32,119 MUCH 447 00:19:27,119 --> 00:19:32,119 I'M HAPPILY AND SERIOUSLY 448 00:19:32,119 --> 00:19:36,240 INDEBTED TO DAN LEVY, THEY 449 00:19:32,119 --> 00:19:36,240 CREATED AN INSPIRING, FUNNY, 450 00:19:36,240 --> 00:19:45,200 BEAUTIFUL FAMILY LOVE STORY IN 451 00:19:36,240 --> 00:19:45,200 WHICH THEY WANTED ME TO SPEAK 452 00:19:45,200 --> 00:19:50,019 LIKE AN ALIEN, FROM THE FIRST 453 00:19:45,200 --> 00:19:50,019 DAY TO THE FINAL DAY ON SET 454 00:19:50,019 --> 00:19:52,089 WHERE EVERYONE EXCEPT ME HELD 455 00:19:50,019 --> 00:19:52,089 BACK TEARS 456 00:19:52,089 --> 00:20:00,039 IT'S AN EXPERIENCE THAT I AM 457 00:19:52,089 --> 00:20:00,039 PROUD TO BE APART, THANK YOU FO 458 00:20:00,039 --> 00:20:08,259 MAKING A SHOW IN CANADA, THANK 459 00:20:00,039 --> 00:20:08,259 YOU, FOR -- SERIOUSLY. 460 00:20:08,259 --> 00:20:11,190 WHILE WE WERE SHELTERING IN 461 00:20:08,259 --> 00:20:11,190 PLACE, NETFLIX BROUGHT THE SHOW 462 00:20:11,190 --> 00:20:16,150 IS AROUND THE WORLD, VERY HAPPY 463 00:20:11,190 --> 00:20:16,150 IN OUR FAMILY IN LOCKDOWN MUST 464 00:20:16,150 --> 00:20:19,250 HAVE COMFORTED YOU AND YOURS 465 00:20:16,150 --> 00:20:19,250 I HOPE THAT IT WILL NOT TAKE YOU 466 00:20:19,250 --> 00:20:25,279 SIX YEARS TO REALIZE YOUR 467 00:20:19,250 --> 00:20:25,279 GREATEST ASSET IS HAVING EACH 468 00:20:25,279 --> 00:20:32,210 OTHER TO LOVE. 469 00:20:25,279 --> 00:20:32,210 ♪ ♪ 470 00:20:32,210 --> 00:20:40,049 >>> NOW FROM THE SPONGE BOB 471 00:20:32,210 --> 00:20:40,049 MOVIE, "FUN ON THE RUN." 472 00:20:40,049 --> 00:20:45,220 TIFFANY HADDISH. 473 00:20:40,049 --> 00:20:45,220 MY CATEGORY IS BEST ANIMATED 474 00:20:45,220 --> 00:20:50,119 MOTION PICTURE OR AS I CALL IT 475 00:20:45,220 --> 00:20:50,119 WHY EDDIE MURPHY HAS FIVE 476 00:20:50,119 --> 00:20:54,089 MANSIONS 477 00:20:50,119 --> 00:20:54,089 HERE ARE THE NOMINEES. 478 00:20:54,089 --> 00:20:59,220 "THE CROODS: A NEW AGE." 479 00:20:54,089 --> 00:20:59,220 >> I HAVE IS NEVER HAD A 480 00:20:59,220 --> 00:21:03,039 GIRLFRIEND BEFORE! 481 00:20:59,220 --> 00:21:03,039 "ONWARD. 482 00:21:03,039 --> 00:21:09,119 >> HE SAID THAT HE ALWAYS 483 00:21:03,039 --> 00:21:09,119 THOUGHT HIS WIZARD NAME WOULD BE 484 00:21:09,119 --> 00:21:14,039 SHELDON THE WHIMSICAL. 485 00:21:09,119 --> 00:21:14,039 >> WOW, THAT IS TERRIBLE 486 00:21:14,039 --> 00:21:18,160 "OVER THE MOON." 487 00:21:14,039 --> 00:21:18,160 "SOUL. 488 00:21:18,160 --> 00:21:21,160 WHERE HAVE YOU BEEN? 489 00:21:18,160 --> 00:21:21,160 I HAVE BEEN TEACHING 490 00:21:21,160 --> 00:21:24,079 MIDDLE SCHOOL BAND, BUT ON THE 491 00:21:21,160 --> 00:21:24,079 WEEKENDS -- 492 00:21:24,079 --> 00:21:26,089 >> YOU GOT A SUIT? 493 00:21:24,079 --> 00:21:26,089 >> I -- 494 00:21:26,089 --> 00:21:30,099 >> GET A SUIT, TEACH 495 00:21:26,089 --> 00:21:30,099 "WOLFWALKERS." 496 00:21:30,099 --> 00:21:34,240 >> COME HERE, YOU ARE A -- A. 497 00:21:30,099 --> 00:21:34,240 >> WOLFWALKER. 498 00:21:34,240 --> 00:21:45,039 >> AND THE GOLDEN GLOBE GOES TO. 499 00:21:34,240 --> 00:21:45,039 "SOUL". 500 00:21:45,039 --> 00:21:49,000 ♪ ♪ 501 00:21:45,039 --> 00:21:49,000 >> THANK YOU SO MUCH TO THE 502 00:21:49,000 --> 00:21:50,170 HOLLYWOOD FOREIGN PRESS 503 00:21:49,000 --> 00:21:50,170 ASSOCIATION, WE ARE SO GRATEFUL 504 00:21:50,170 --> 00:21:54,259 FOR THIS HONOR 505 00:21:50,170 --> 00:21:54,259 LITTLE DID WE KNOW MAKING A FILM 506 00:21:54,259 --> 00:21:57,150 ABOUT JAZZ THAT JAZZ WOULD TEACH 507 00:21:54,259 --> 00:21:57,150 US SO MUCH ABOUT LIFE. 508 00:21:57,150 --> 00:22:00,089 LIKE WE CANNOT ALWAYS CONTROL 509 00:21:57,150 --> 00:22:00,089 WHAT HAPPENS IN THE WORLD. 510 00:22:00,089 --> 00:22:03,279 BUT LIKE A GOOD JAZZ MUSICIAN, 511 00:22:00,089 --> 00:22:03,279 WE CAN TRY TO TURN IT IN TO 512 00:22:03,279 --> 00:22:06,059 SOMETHING BEAUTIFUL. 513 00:22:03,279 --> 00:22:06,059 >> YES, AND CERTAINLY THAT'S SO 514 00:22:06,059 --> 00:22:10,200 TRUE FOR AMAZING CAST AND CREW 515 00:22:06,059 --> 00:22:10,200 EVERY ONE OF OUR COLLABORATORS 516 00:22:10,200 --> 00:22:13,019 MADE THIS FILM BETTER AT EVERY 517 00:22:10,200 --> 00:22:13,019 TURN, EVEN WHEN WE WERE SPLIT 518 00:22:13,019 --> 00:22:16,140 APART BY A PANDEMIC. 519 00:22:13,019 --> 00:22:16,140 IN FACT, WE COULD NOT EVEN WITH 520 00:22:16,140 --> 00:22:20,259 OUR CO-DIRECTOR WHO IS IN L.A. 521 00:22:16,140 --> 00:22:20,259 RIGHT NOW. 522 00:22:20,259 --> 00:22:24,269 >> HEY, BEING ABLE TO TELL A 523 00:22:20,259 --> 00:22:24,269 UNIVERSAL TALE THAT EXPLORED THE 524 00:22:24,269 --> 00:22:28,289 MEANING OF LIFE THROUGH THE 525 00:22:24,269 --> 00:22:28,289 PRISM OF A BLACK MAN'S 526 00:22:28,289 --> 00:22:37,289 EXPERIENCE IS AN HONOR AND THE 527 00:22:28,289 --> 00:22:37,289 DETAILS ARE SPECIFIC, BUT STORY 528 00:22:37,289 --> 00:22:43,119 SO MANY WROTE TO TELL US HOW 529 00:22:37,289 --> 00:22:43,119 THIS WAS RELEVANT TO THEM AND 530 00:22:43,119 --> 00:22:47,069 HOW THEY WERE REMINDED THAT THE 531 00:22:43,119 --> 00:22:47,069 SEEMINGLY SMALL PARTS OF LIFE 532 00:22:47,069 --> 00:22:51,119 ARE SO IMPORTANT 533 00:22:47,069 --> 00:22:51,119 THANK YOU TO DISNEY AND PIXAR 534 00:22:51,119 --> 00:22:53,269 AND OUR SUPPORTIVE FRIENDS AND 535 00:22:51,119 --> 00:22:53,269 FAMILY FOR HELPING US ON THIS 536 00:22:53,269 --> 00:23:00,059 JOURNEY. 537 00:22:53,269 --> 00:23:00,059 >> THANK YOU 538 00:23:00,059 --> 00:23:06,200 [ CHEERS AND APPLAUSE 539 00:23:00,059 --> 00:23:06,200 >> WITH OUR NEXT NOMINATED FILM, 540 00:23:06,200 --> 00:23:15,130 HERE IS ONE OF THE STARS OF 541 00:23:06,200 --> 00:23:15,130 THE -- 542 00:23:15,130 --> 00:23:19,039 >> THE DEMOCRATIC NATIONAL 543 00:23:15,130 --> 00:23:19,039 CONVENTION, TURNS IN TO A 544 00:23:19,039 --> 00:23:21,099 VIOLENT CLASH WITH POLICE AND 545 00:23:19,039 --> 00:23:21,099 THE NATIONAL GUARD 546 00:23:21,099 --> 00:23:30,109 IT'S ORGANIZED THE CHARGE WAS A 547 00:23:21,099 --> 00:23:30,109 CONSPIRACY TO INCITE A RIOT, 548 00:23:30,109 --> 00:23:35,119 SPARKING ONE OF THE MOST 549 00:23:30,109 --> 00:23:35,119 RESONATING TRIALS IN HISTORY 550 00:23:35,119 --> 00:23:37,160 THIS IS "THE TRIAL OF THE 551 00:23:35,119 --> 00:23:37,160 CHICAGO 7. 552 00:23:37,160 --> 00:23:41,029 >> WE ARE COMING TO CHICAGO 553 00:23:37,160 --> 00:23:41,029 PEACEFULLY BUT WHETHER WE ARE 554 00:23:41,029 --> 00:23:44,130 GIVEN PERMITS OR NOT WE ARE 555 00:23:41,029 --> 00:23:44,130 COMING 556 00:23:44,130 --> 00:23:45,279 COMING. 557 00:23:44,130 --> 00:23:45,279 >> THE PLANS WERE STARTED BY THE 558 00:23:45,279 --> 00:23:51,000 CHICAGO POLICE DEPARTMENT. 559 00:23:45,279 --> 00:23:51,000 >> NOBODY OBJECT ONED. 560 00:23:51,000 --> 00:23:55,049 >> WE DEALT WITH JURY TAMPERING 561 00:23:51,000 --> 00:23:55,049 AND A DEFENDANT THAT WAS 562 00:23:55,049 --> 00:23:58,019 LITERALLY GAGGED. 563 00:23:55,049 --> 00:23:58,019 >> YOU ARE THE FIRST TO SUGGEST 564 00:23:58,019 --> 00:24:02,089 THAT I DISCRIMINATED AGAINST A 565 00:23:58,019 --> 00:24:02,089 BLACK MAN. 566 00:24:02,089 --> 00:24:10,059 >> THIS IS WHAT REVOLUTION LOOKS 567 00:24:02,089 --> 00:24:10,059 LIKE 568 00:24:10,059 --> 00:24:20,180 FROM THE HFPA, ON BEHALF OF THE 569 00:24:10,059 --> 00:24:20,180 HOLLYWOOD FOREIGN PRESS 570 00:24:20,180 --> 00:24:22,259 ASSOCIATION, THANK YOU FOR 571 00:24:20,180 --> 00:24:22,259 JOINING US, TONIGHT WHILE WE 572 00:24:22,259 --> 00:24:26,130 CELEBRATE THE WORK OF ARTISTS 573 00:24:22,259 --> 00:24:26,130 FROM AROUND THE GLOBE, WE 574 00:24:26,130 --> 00:24:28,220 RECOGNIZE WE HAVE OUR OWN WORK 575 00:24:26,130 --> 00:24:28,220 TO DO. 576 00:24:28,220 --> 00:24:34,190 LIKE IN FILM AND TELEVISION, 577 00:24:28,220 --> 00:24:34,190 BLACK REPRESENTATION IS VITAL. 578 00:24:34,190 --> 00:24:39,069 >> WE MUST ENSURE EVERYONE FROM 579 00:24:34,190 --> 00:24:39,069 ALL UNDER REPRESENTED 580 00:24:39,069 --> 00:24:43,119 COMMUNITIES GETS A SEAT AT OUR 581 00:24:39,069 --> 00:24:43,119 TABLE AND WE ARE GOING TO MAKE 582 00:24:43,119 --> 00:24:46,220 THAT HAPPEN. 583 00:24:43,119 --> 00:24:46,220 >> THAT MEANS CREATING AN 584 00:24:46,220 --> 00:24:51,140 ENVIRONMENT E DIVERSE 585 00:24:46,220 --> 00:24:51,140 MEMBERSHIP IS THE NORM, NOT THE 586 00:24:51,140 --> 00:24:53,079 EXCEPTION. 587 00:24:51,140 --> 00:24:53,079 THANK YOU AND WE LOOK FORWARD TO 588 00:24:53,079 --> 00:24:57,240 A MORE INCLUSIVE FUTURE. 589 00:24:53,079 --> 00:24:57,240 [ CHEERS AND APPLAUSE 590 00:24:57,240 --> 00:25:07,019 >> THE GOLDEN GLOBES WILL 591 00:24:57,240 --> 00:25:07,019 CONTINUE IN A MOMENT WITH MORE 592 00:25:07,019 --> 00:25:12,289 ♪ ♪ 593 00:25:07,019 --> 00:25:12,289 >>> THE GOLDEN GLOBES ARE BACK 594 00:25:12,289 --> 00:25:20,059 NOW, FROM MANK, HERE'S AMANDA 595 00:25:12,289 --> 00:25:20,059 SEYFRIED 596 00:25:20,059 --> 00:25:29,039 >>> THE NEXT NOMINEE FOR MOTION 597 00:25:20,059 --> 00:25:29,039 PICTURE DRAMA. 598 00:25:29,039 --> 00:25:30,069 DRAMA RE-EVALUATES 1930s 599 00:25:29,039 --> 00:25:30,069 HOLLYWOOD THROUGH THE EYES OF 600 00:25:30,069 --> 00:25:31,049 SOCIAL CRITIC AND ALCOHOLIC 601 00:25:30,069 --> 00:25:31,049 SCREENWRITER 602 00:25:31,049 --> 00:25:32,210 HERMAN J. MANKIEWICZ 603 00:25:31,049 --> 00:25:32,210 WE FOLLOW HIM AS HE RACES TO 604 00:25:32,210 --> 00:25:41,069 FINISH THE SCREENPLAY OF 605 00:25:32,210 --> 00:25:41,069 "CITIZEN KANE" 606 00:25:41,069 --> 00:25:44,210 NOMINATED FOR 6 GOLDEN GLOBES, 607 00:25:41,069 --> 00:25:44,210 THIS IS "MANK. 608 00:25:44,210 --> 00:25:50,089 >>> IT'S A BIT OF A JUMBLE, 609 00:25:44,210 --> 00:25:50,089 JUMPING BEAN 610 00:25:50,089 --> 00:25:52,220 >> NOBODY CAN SAVE YOU, 611 00:25:50,089 --> 00:25:52,220 ESPECIALLY THE BOY GENIUS FROM 612 00:25:52,220 --> 00:25:55,069 NEW YORK 613 00:25:52,220 --> 00:25:55,069 >> I REMOVED ANY DISTRACTION AND 614 00:25:55,069 --> 00:25:57,099 ELIMINATED ANY EXCUSE. 615 00:25:55,069 --> 00:25:57,099 I GAVE YOU A SECOND CHANCE 616 00:25:57,099 --> 00:26:00,269 YOU CANNOT CAPTURE A MAN'S 617 00:25:57,099 --> 00:26:00,269 ENTIRE LIFE IN TWO HOURS 618 00:26:00,269 --> 00:26:04,069 ALL YOU CAN HOPE IS TO LEAVE AN 619 00:26:00,269 --> 00:26:04,069 IMPRESSION OF ONE. 620 00:26:04,069 --> 00:26:07,099 >> WELL, THAT'S WHY I ALWAYS 621 00:26:04,069 --> 00:26:07,099 WANT MANK AROUND 622 00:26:07,099 --> 00:26:11,140 ♪ ♪ 623 00:26:07,099 --> 00:26:11,140 >> AND NOW AT THE RAINBOW ROOM 624 00:26:11,140 --> 00:26:31,190 IN NEW YORK, FROMJUSTIN THOROGH. 625 00:26:11,140 --> 00:26:31,190 >> JACK LEMON, AL PACINO, AND 626 00:26:31,190 --> 00:26:34,250 MICHAEL DOUGLAS HAVE WON THIS 627 00:26:31,190 --> 00:26:34,250 AWARD. 628 00:26:34,250 --> 00:26:42,190 HERE ARE THE NOMINEES FOR BEST 629 00:26:34,250 --> 00:26:42,190 PERFORMANCE OF AN ACTOR -- 630 00:26:42,190 --> 00:26:46,259 >> BRYAN CRANSTON. 631 00:26:42,190 --> 00:26:46,259 "YOUR HONOR. 632 00:26:46,259 --> 00:26:55,039 JEFF DANIELS "THE COMEY RULE," 633 00:26:46,259 --> 00:26:55,039 HUGH GRANT "THE UNDOING. 634 00:26:55,039 --> 00:26:58,099 ETHAN HAAKE "THE GOOD LORD 635 00:26:55,039 --> 00:26:58,099 BIRD." 636 00:26:58,099 --> 00:27:01,089 AND MARK RUFFALO "I KNOW THIS 637 00:26:58,099 --> 00:27:01,089 MUCH IS TRUE." 638 00:27:01,089 --> 00:27:12,200 >> THE GOLDEN GLOBE GOES TO MARK 639 00:27:01,089 --> 00:27:12,200 RUFFALO, "I KNOW THIS MUCH IS 640 00:27:12,200 --> 00:27:18,269 TRUE." 641 00:27:12,200 --> 00:27:18,269 >>> LOVE YOU GUYS. 642 00:27:18,269 --> 00:27:23,190 OH, GOD, SO GREAT. 643 00:27:18,269 --> 00:27:23,190 FIRST OF ALL, THIS GROUP OF 644 00:27:23,190 --> 00:27:27,019 ACTORS THESE ARE MY PEERS, THESE 645 00:27:23,190 --> 00:27:27,019 ARE THE PEOPLE I ADMIRE AND LOVE 646 00:27:27,019 --> 00:27:30,059 AND LOOK UP TO 647 00:27:27,019 --> 00:27:30,059 SO I'M SO HONORED TO BE HERE 648 00:27:30,059 --> 00:27:33,160 WITH YOU GUYS. 649 00:27:30,059 --> 00:27:33,160 THANK YOU, HOLLYWOOD FOREIGN 650 00:27:33,160 --> 00:27:36,190 PRESS. 651 00:27:33,160 --> 00:27:36,190 THANK YOU HBO, THANK YOU OUR 652 00:27:36,190 --> 00:27:40,079 PRODUCTION TEAM. 653 00:27:36,190 --> 00:27:40,079 THANK MY FAMILY WHO LETS ME GO 654 00:27:40,079 --> 00:27:46,220 OFF AND BRING THESE CRAZY PEOPLE 655 00:27:40,079 --> 00:27:46,220 HOME AND THEY HAVE TO LIVE WITH 656 00:27:46,220 --> 00:27:51,009 ALL THESE YEARS, THANK YOU GUYS. 657 00:27:46,220 --> 00:27:51,009 I WANT TO THANK THE CREW AND 658 00:27:51,009 --> 00:27:58,009 CRAFTS PEOPLE WHO CARRIED US 659 00:27:51,009 --> 00:27:58,009 THROUGH THIS 660 00:27:58,009 --> 00:27:59,200 MY PARTNER AND BROTHER AND 661 00:27:58,009 --> 00:27:59,200 DIRECTOR 662 00:27:59,200 --> 00:28:04,099 THANK YOU FOR LEADING WITH THE 663 00:27:59,200 --> 00:28:04,099 IDEA OF HUMANITY, HOWEVER IT 664 00:28:04,099 --> 00:28:09,220 COMES. 665 00:28:04,099 --> 00:28:09,220 BEAUTIFUL, UGLY, INSPIRING, SAD. 666 00:28:09,220 --> 00:28:16,079 I WANT TO THANKWALLY LAMB FOR 667 00:28:09,220 --> 00:28:16,079 THE BEAUTIFUL STORY OF THE 668 00:28:16,079 --> 00:28:18,210 TWINS. 669 00:28:16,079 --> 00:28:18,210 FOR FRACTURED HEARTS AND MINDS 670 00:28:18,210 --> 00:28:23,039 FOR THE STORY OF AMERICA 671 00:28:18,210 --> 00:28:23,039 HER BROKENNESS AND PROMISE, 672 00:28:23,039 --> 00:28:25,230 FORGIVENESS AND HEALING AND 673 00:28:23,039 --> 00:28:25,230 INTEGRATION. 674 00:28:25,230 --> 00:28:31,269 AT 54 YEARS IT'S MY HUMBLE 675 00:28:25,230 --> 00:28:31,269 BELIEF THAT WHAT WILL GIVE US 676 00:28:31,269 --> 00:28:36,089 ALL THE SADNESS AND LOSS THAT WE 677 00:28:31,269 --> 00:28:36,089 ALL LIVE THROUGH MEANS IS OUR 678 00:28:36,089 --> 00:28:40,150 COMMON HUMANITY, WHAT CONNECTS 679 00:28:36,089 --> 00:28:40,150 US IS GREATER THAN WHAT KEEPS US 680 00:28:40,150 --> 00:28:42,240 APART. 681 00:28:40,150 --> 00:28:42,240 AND THE MORE WE INCLUDE EACH 682 00:28:42,240 --> 00:28:46,269 OTHER, AND SEE EACH OTHER AND 683 00:28:42,240 --> 00:28:46,269 HEAR EACH OTHER, THE FASTER WE 684 00:28:46,269 --> 00:28:49,019 WILL HEAL OUR BROKEN HEARTS AND 685 00:28:46,269 --> 00:28:49,019 MINDS. 686 00:28:49,019 --> 00:28:52,119 WE HAVE A DYING MOTHER JUST LIKE 687 00:28:49,019 --> 00:28:52,119 THE MOTHER IN OUR STORY. 688 00:28:52,119 --> 00:28:55,029 SHE IS MOTHER EARTH. 689 00:28:52,119 --> 00:28:55,029 AND WE MUST COME TO BALANCE WITH 690 00:28:55,029 --> 00:28:58,279 HER AND HONOR HER. 691 00:28:55,029 --> 00:28:58,279 AND SHE WILL HEAL TOO. 692 00:28:58,279 --> 00:29:01,269 SO LET'S BE COURAGEOUS TOGETHER, 693 00:28:58,279 --> 00:29:01,269 GUYS 694 00:29:01,269 --> 00:29:06,160 AND LET'S, LET'S TURN, LET'S 695 00:29:01,269 --> 00:29:06,160 TURN THE PAGE ON THE CRUEL PAST 696 00:29:06,160 --> 00:29:11,220 OF THIS NATION, THE GOOD NEWS IS 697 00:29:06,160 --> 00:29:11,220 INCLUSION AND JUSTICE AND CARE 698 00:29:11,220 --> 00:29:15,109 FOR MOTHER EARTH IS BREAKING OUT 699 00:29:11,220 --> 00:29:15,109 EVERYWHERE 700 00:29:15,109 --> 00:29:24,079 THE GODLY LIGHT OF DECENCY IS 701 00:29:15,109 --> 00:29:24,079 BREAKING THROUGH THE HIDDEOUS 702 00:29:24,079 --> 00:29:26,059 DARK STORM WE HAVE BEEN LIVING 703 00:29:24,079 --> 00:29:26,059 THROUGH. 704 00:29:26,059 --> 00:29:28,269 WE ARE THE ONES WE HAVE BEEN 705 00:29:26,059 --> 00:29:28,269 WAITING FOR SO LET'S DO THIS 706 00:29:28,269 --> 00:29:35,160 NOW, I LOVE YOU. 707 00:29:28,269 --> 00:29:35,160 [ CHEERS AND APPLAUSE 708 00:29:35,160 --> 00:29:37,289 ♪ ♪ 709 00:29:35,160 --> 00:29:37,289 >>> HERE'S THE STAR OF THE UP 710 00:29:37,289 --> 00:29:54,259 COMING SERIES "GENIUS ARETHA." 711 00:29:37,289 --> 00:29:54,259 >> WHEN THE STORIES COME FROM 712 00:29:54,259 --> 00:29:58,259 THE IMAGINATION OR FROM REAL 713 00:29:54,259 --> 00:29:58,259 LIFE EVENTS, THESE BRILLIANT 714 00:29:58,259 --> 00:30:03,069 WRITERS CAN DO IT ALL. 715 00:29:58,259 --> 00:30:03,069 HERE ARE THE NOMINEES FOR THE 716 00:30:03,069 --> 00:30:17,269 BEST SCREEN PLAY MOTION PICTURE. 717 00:30:03,069 --> 00:30:17,269 "PROMISING YOUNG WOMAN." 718 00:30:17,269 --> 00:30:26,089 "MANK. 719 00:30:17,269 --> 00:30:26,089 "THE TRIAL OF THE CHICAGO 7. 720 00:30:26,089 --> 00:30:32,289 "THE FATHER. 721 00:30:26,089 --> 00:30:32,289 "NOMADLAND." 722 00:30:32,289 --> 00:30:38,279 AND THE AWARD GOES TO AARON 723 00:30:32,289 --> 00:30:38,279 SORKIN, "THE TRIAL OF THE 724 00:30:38,279 --> 00:30:45,000 CHICAGO 7. 725 00:30:38,279 --> 00:30:45,000 ♪ ♪ 726 00:30:45,000 --> 00:30:49,079 >>> THANK YOU, THANK YOU HFPA, 727 00:30:45,000 --> 00:30:49,079 THIS IS VERY NICE, BUT IT CAN'T 728 00:30:49,079 --> 00:30:53,220 TOP TO HONOR OF BEING NOMINATED 729 00:30:49,079 --> 00:30:53,220 ALONG SIDE THESE FOUR PHENOMENAL 730 00:30:53,220 --> 00:31:06,220 SCREEN PLAYS 731 00:30:53,220 --> 00:31:06,220 AND EMERALD FENNELL, CHLOE 732 00:31:06,220 --> 00:31:12,279 CANEL, YOU ARE THE REASON THAT 733 00:31:06,220 --> 00:31:12,279 MY TEENAGE DAUGHTER WANTS TO DO 734 00:31:12,279 --> 00:31:16,150 THIS 735 00:31:12,279 --> 00:31:16,150 I WILL NEVER FORGIVE YOU FOR 736 00:31:16,150 --> 00:31:23,250 THAT 737 00:31:16,150 --> 00:31:23,250 PRODUCTION DESIGNER, SHANE 738 00:31:23,250 --> 00:31:34,269 VALENTINO, OUR COSTUME DESIGNER, 739 00:31:23,250 --> 00:31:34,269 AND I'M SURE OUR EDITOR, ALAN 740 00:31:34,269 --> 00:31:40,069 BUMGARDNER AND I WANT TO THANK 741 00:31:34,269 --> 00:31:40,069 OUR PRODUCERS, WALTER PARKS, 742 00:31:40,069 --> 00:31:46,049 TYLER THOMPSON AND MARK PLAT AND 743 00:31:40,069 --> 00:31:46,049 OF COURSE OUR STUDIOS, THERE 744 00:31:46,049 --> 00:31:49,259 WERE A FEW OF THEM 745 00:31:46,049 --> 00:31:49,259 DREAMWORKS, CROSS CREEK, 746 00:31:49,259 --> 00:31:56,150 PARAMOUNT AND NETFLIX, NETFLIX 747 00:31:49,259 --> 00:31:56,150 SAVED OUR LIVES, AND PUT US WITH 748 00:31:56,150 --> 00:32:01,000 THE TEAM OF VERY TALENTED PEOPLE 749 00:31:56,150 --> 00:32:01,000 WHO LOVE MOVIE 750 00:32:01,000 --> 00:32:04,220 ONE LAST THING, WHILE WE WERE 751 00:32:01,000 --> 00:32:04,220 SHOOTING, EVERY NIGHT AFTER WRAP 752 00:32:04,220 --> 00:32:07,289 WHEN I WOULD GET BACK TO THE 753 00:32:04,220 --> 00:32:07,289 HOTEL ROOM THERE WOULD BE AN 754 00:32:07,289 --> 00:32:13,240 E-MAIL FROM SACHA, WITH A QUOTE 755 00:32:07,289 --> 00:32:13,240 FROM HOFFMAN 756 00:32:13,240 --> 00:32:18,089 NONE OF THEM MADE THEM TO THE 757 00:32:13,240 --> 00:32:18,089 FILM, AND I SAVED THE E-MAIL 758 00:32:18,089 --> 00:32:22,009 I DON'T ALWAYS AGREE WITH 759 00:32:18,089 --> 00:32:22,009 EVERYTHING THAT THE CHARACTERS 760 00:32:22,009 --> 00:32:29,069 THAT I WRITE DO OR SAY 761 00:32:22,009 --> 00:32:29,069 HERE IS SOMETHING THAT I HAVE TO 762 00:32:29,069 --> 00:32:30,230 SAY. 763 00:32:29,069 --> 00:32:30,230 DEMOCRACY IS NOT SOMETHING YOU 764 00:32:30,230 --> 00:32:33,109 BELIEVE IN OR HANG YOUR HAT. 765 00:32:30,230 --> 00:32:33,109 IT'S SOMETHING THAT YOU 766 00:32:33,109 --> 00:32:37,059 PARTICIPATE IN 767 00:32:33,109 --> 00:32:37,059 IF YOU STOP DOING IT, DEMOCRACY 768 00:32:37,059 --> 00:32:39,180 CRUMBLES, I NEED NO MORE 769 00:32:37,059 --> 00:32:39,180 EVIDENCE THAN WHAT HAPPENED ON 770 00:32:39,180 --> 00:32:46,029 JANUARY 6TH TO AGREE WITH THIS 771 00:32:39,180 --> 00:32:46,029 THANK YOU, VERY, VERY. 772 00:32:46,029 --> 00:32:55,009 [ CHEERS AND APPLAUSE 773 00:32:46,029 --> 00:32:55,009 >> SOMETHING WE ALL ENJOY ABOUT 774 00:32:55,009 --> 00:32:59,170 THE GOLDEN GLOBES YOU ARE 775 00:32:55,009 --> 00:32:59,170 USUALLY GUARANTEED ONE TRULY 776 00:32:59,170 --> 00:33:05,089 MESSY SPEECH 777 00:32:59,170 --> 00:33:05,089 ACCEPT ISANCE SPEECHES THAT GO A 778 00:33:05,089 --> 00:33:07,259 AND IT'S OUR RESPONSIBILITY AS 779 00:33:05,089 --> 00:33:07,259 HOSTS TO MAKE IT HAPPEN FOR YOU 780 00:33:07,259 --> 00:33:10,210 AND IT'S HOW WE GET THE SHOW TO 781 00:33:07,259 --> 00:33:10,210 BE 3 HOURS LONG. 782 00:33:10,210 --> 00:33:18,180 SO, HERE TO ACCEPT THE AWARD FOR 783 00:33:10,210 --> 00:33:18,180 LEAST ORIGINAL SONG IN A 784 00:33:18,180 --> 00:33:38,200 TELEFILM, DRAMATY OR DRAMA -- 785 00:33:18,180 --> 00:33:38,200 >> UP HERE GUYS, UP HERE, GUYS 786 00:33:38,200 --> 00:33:43,180 UP HERE. 787 00:33:38,200 --> 00:33:43,180 UP HERE, GUYS. 788 00:33:43,180 --> 00:33:49,210 >> OH, MY GOSH 789 00:33:43,180 --> 00:33:49,210 >> HELLO, HELLO, HI. 790 00:33:49,210 --> 00:33:53,109 >> RIGHT HERE. 791 00:33:49,210 --> 00:33:53,109 RIGHT HERE 792 00:33:53,109 --> 00:33:55,000 >> WHOA! 793 00:33:53,109 --> 00:33:55,000 >> YES, YES. 794 00:33:55,000 --> 00:34:03,190 >> HELLO, HELLO. 795 00:33:55,000 --> 00:34:03,190 >> YOU LOOK BEAUTIFUL. 796 00:34:03,190 --> 00:34:07,130 >> THANK YOU 797 00:34:03,190 --> 00:34:07,130 >> SO PERKY. 798 00:34:07,130 --> 00:34:10,050 >> THANK YOU 799 00:34:07,130 --> 00:34:10,050 >> OH, THANK YOU, TINA 800 00:34:10,050 --> 00:34:13,179 >> NOPE. 801 00:34:10,050 --> 00:34:13,179 >> OKAY, BARE WITH ME, I HAD A 802 00:34:13,179 --> 00:34:16,119 VODKA EPIDURAL BEFORE I CAME 803 00:34:13,179 --> 00:34:16,119 HERE 804 00:34:16,119 --> 00:34:20,079 >> SO PERFECT. 805 00:34:16,119 --> 00:34:20,079 SPEECH IS GOING TO BE SO WEIRD 806 00:34:20,079 --> 00:34:22,280 >> OH. 807 00:34:20,079 --> 00:34:22,280 OH, THREE SHOES. 808 00:34:22,280 --> 00:34:30,000 THREE SHOES. 809 00:34:22,280 --> 00:34:30,000 >> FRANCOIS AND I WERE SO 810 00:34:30,000 --> 00:34:32,090 BLESSED TO HAVE SEVERAL SONGS IN 811 00:34:30,000 --> 00:34:32,090 THE MIX THIS YEAR. 812 00:34:32,090 --> 00:34:39,019 WE WROTE THE THEME FOR "THE 813 00:34:32,090 --> 00:34:39,019 CROWN. 814 00:34:39,019 --> 00:34:57,110 ♪ ♪ 815 00:34:39,019 --> 00:34:57,110 TO WIN FOR ONE OF OUR THEME SONG 816 00:34:57,110 --> 00:34:58,090 CREATIONS -- 817 00:34:57,110 --> 00:34:58,090 ♪ ♪ 818 00:34:58,090 --> 00:35:05,010 AARON SORKIN'S "TRIAL OF THE 819 00:34:58,090 --> 00:35:05,010 CHICAGO 7," I LOVE YOU MR. AARON 820 00:35:05,010 --> 00:35:07,050 SORKIN 821 00:35:05,010 --> 00:35:07,050 >> WOW 822 00:35:07,050 --> 00:35:19,079 >> BUT THIS, THIS MAN RIGHT 823 00:35:07,050 --> 00:35:19,079 HERE, MY PARTNER IN WORK, MR. 824 00:35:19,079 --> 00:35:22,039 FROM FRANCOIS GENE RUDY. 825 00:35:19,079 --> 00:35:22,039 OH, THIS MAN 826 00:35:22,039 --> 00:35:25,119 >> WOW 827 00:35:22,039 --> 00:35:25,119 OH, YOU ARE TAKING SO MUCH TIME 828 00:35:25,119 --> 00:35:27,059 WITH THIS. 829 00:35:25,119 --> 00:35:27,059 YOU ARE TAKING SO MUCH TIME WITH 830 00:35:27,059 --> 00:35:30,139 IT AND YOU ARE MAKING EVERYONE 831 00:35:27,059 --> 00:35:30,139 NERVOUS, I LOVE IT SO. 832 00:35:30,139 --> 00:35:39,050 >> I LOVE YOU SO MUCH -- SO, SO. 833 00:35:30,139 --> 00:35:39,050 MUCH, AND YOU KNOW WHAT? 834 00:35:39,050 --> 00:35:42,239 WE WOULD NOT BE HERE IF OUR 835 00:35:39,050 --> 00:35:42,239 PARENTS WERE NOT HORNY THAT 836 00:35:42,239 --> 00:35:45,239 TIME 837 00:35:42,239 --> 00:35:45,239 SO, THANK YOU MILLER LITE AND 838 00:35:45,239 --> 00:35:51,099 THE GENTLE MOTION OF A HAY RIDE. 839 00:35:45,239 --> 00:35:51,099 >> WAIT, ARE YOU GUYS SIBLING-S 840 00:35:51,099 --> 00:35:53,230 OR A COUPLE? 841 00:35:51,099 --> 00:35:53,230 >> MOMMY AND DADDY 842 00:35:53,230 --> 00:35:58,030 I WILL SEE YOU TONIGHT WHEN I 843 00:35:53,230 --> 00:35:58,030 GET HOME BECAUSE I LIVE WITH 844 00:35:58,030 --> 00:36:00,019 YOU. 845 00:35:58,030 --> 00:36:00,019 YOU HAVE ANYTHING THAT YOU WANT 846 00:36:00,019 --> 00:36:07,280 TO ADD, BABY 847 00:36:00,019 --> 00:36:07,280 HE WOULD LIKE TO THANK THE 848 00:36:07,280 --> 00:36:14,179 HOLLYWOOD FOREIGN PRESS AND HE 849 00:36:07,280 --> 00:36:14,179 WOULD LIKE EVERYONE TO KNOW OH, 850 00:36:14,179 --> 00:36:18,219 THAT HE THINKS COVID-19 IS A 851 00:36:14,179 --> 00:36:18,219 HOAX 852 00:36:18,219 --> 00:36:21,199 >> NO, NO, NO. 853 00:36:18,219 --> 00:36:21,199 OKAY, LET'S WRAP IT UP, 854 00:36:21,199 --> 00:36:27,269 EVERYBODY. 855 00:36:21,199 --> 00:36:27,269 >> AND THAT, AND THAT LASERS 856 00:36:27,269 --> 00:36:31,139 CONTROL THE WEATHER. 857 00:36:27,269 --> 00:36:31,139 ALSO HE IS ASKING ME FOR A 858 00:36:31,139 --> 00:36:33,039 DIVORCE. 859 00:36:31,139 --> 00:36:33,039 >> OKAY, THANK YOU SO MUCH FOR 860 00:36:33,039 --> 00:36:34,190 THE SPEECH, EVERYONE 861 00:36:33,039 --> 00:36:34,190 LET'S GO TO COMMERCIAL 862 00:36:34,190 --> 00:36:49,260 [ CHEERS AND APPLAUSE 863 00:36:34,190 --> 00:36:49,260 NBC'S TELECAST OF THE GOLDEN 864 00:36:49,260 --> 00:36:53,260 GLOBE AWARDS IS PRESENTED BY 865 00:36:49,260 --> 00:36:53,260 JEEP WRANGLER, JEEP, THERE'S 866 00:36:53,260 --> 00:37:06,110 ONLY ONE 867 00:36:53,260 --> 00:37:06,110 >> OKAY, PERFECT 868 00:37:06,110 --> 00:37:11,210 >> NO, WE ARE GOOD 869 00:37:06,110 --> 00:37:11,210 >> THERE THEY ARE. 870 00:37:11,210 --> 00:37:18,150 SOME OF THE BIGGEST STARS IN 871 00:37:11,210 --> 00:37:18,150 HOLLYWOOD, THEY ARE ON THE WAY, 872 00:37:18,150 --> 00:37:31,110 AS TV LEGEND NORMAN LEER 873 00:37:18,150 --> 00:37:31,110 >>> CONGRATULATIONS, NORMAN, 874 00:37:31,110 --> 00:37:34,139 THANK YOU FOR THE LAUGHS 875 00:37:31,110 --> 00:37:34,139 YOU MADE EVEN THE UGLY STUFF 876 00:37:34,139 --> 00:37:36,150 ABOUT ALL OF US PRETTY DAMN 877 00:37:34,139 --> 00:37:36,150 FUNNY. 878 00:37:36,150 --> 00:37:40,010 >> NORMAN, I'M SO GLAD YOU ARE 879 00:37:36,150 --> 00:37:40,010 GETTING THIS AWARD, IT SAVED ME 880 00:37:40,010 --> 00:37:43,030 THE TROUBLE OF HAVING TO WRITE 881 00:37:40,010 --> 00:37:43,030 A -- 882 00:37:43,030 --> 00:37:48,050 >> NORMAN, FROM ALL OF US IN 883 00:37:43,030 --> 00:37:48,050 TELEVISION AND BEYOND, YOU ARE 884 00:37:48,050 --> 00:37:52,110 OUR NORTH STAR 885 00:37:48,050 --> 00:37:52,110 [ CHEERS AND APPLAUSE 886 00:37:52,110 --> 00:37:58,079 >> COMING UP, THE NORMAN LEAR 887 00:37:52,110 --> 00:37:58,079 TRIBUTE. 888 00:37:58,079 --> 00:38:14,159 AND A NOMINEE TONIGHT, SARAH 889 00:37:58,079 --> 00:38:14,159 PAULSON. 890 00:38:14,159 --> 00:38:15,199 >> IN OUR NEXT NOMINATED 891 00:38:14,159 --> 00:38:15,199 MUSICAL-COMEDY, SOME HILARIOUSLY 892 00:38:15,199 --> 00:38:16,250 SELF-ABSORBED THEATRE STARS 893 00:38:15,199 --> 00:38:16,250 ATTEMPT TO CHANGE THEIR PUBLIC 894 00:38:16,250 --> 00:38:17,210 IMAGES 895 00:38:16,250 --> 00:38:17,210 TO DO THIS, THEY TRAVEL TO A 896 00:38:17,210 --> 00:38:18,280 SMALL, CONSERVATIVE TOWN WHERE 897 00:38:17,210 --> 00:38:18,280 THEY TAKE UP THE CAUSE OF A HIGH 898 00:38:18,280 --> 00:38:20,050 SCHOOL GIRL WHO IS BANNED FROM 899 00:38:18,280 --> 00:38:20,050 ATTENDING THE PROM WITH HER 900 00:38:20,050 --> 00:38:22,000 GIRLFRIEND 901 00:38:20,050 --> 00:38:22,000 NOMINATED FOR TWO GOLDEN GLOBES, 902 00:38:22,000 --> 00:38:27,030 THIS IS THE PROM 903 00:38:22,000 --> 00:38:27,030 >>> SHE WANTED TO TAKE HER 904 00:38:27,030 --> 00:38:31,159 GIRLFRIEND TO THE PROM, AND THEY 905 00:38:27,030 --> 00:38:31,159 CANCELLED IT 906 00:38:31,159 --> 00:38:34,059 >> OUR BELIEFS ARE NOT YOUR 907 00:38:31,159 --> 00:38:34,059 BELIEFS. 908 00:38:34,059 --> 00:38:37,170 >> YOU ARE NOT ALONE 909 00:38:34,059 --> 00:38:37,170 >> THEY JUST DON'T UNDERSTAND 910 00:38:37,170 --> 00:38:39,269 IT 911 00:38:37,170 --> 00:38:39,269 >> I THINK IT'S BRAVE. 912 00:38:39,269 --> 00:38:43,070 >> LET'S GET THISPARTY STARTED 913 00:38:39,269 --> 00:38:43,070 >> FOR ALL THE PEOPLE OUT THERE 914 00:38:43,070 --> 00:38:47,199 WHO LOVE SOMEONE IN A WAY THAT 915 00:38:43,070 --> 00:38:47,199 THE WORLD DOESN'T UNDERSTAND 916 00:38:47,199 --> 00:38:57,199 ♪ ♪ 917 00:38:47,199 --> 00:38:57,199 >>> AT THE RAINBOW ROOM IN NEW 918 00:38:57,199 --> 00:39:09,090 YORK -- 919 00:38:57,199 --> 00:39:09,090 >>> WE WANT TO THANK THE HFPA 920 00:39:09,090 --> 00:39:12,250 FOR THE HONOR OF NAMING US THE 921 00:39:09,090 --> 00:39:12,250 AMBASSADORS. 922 00:39:12,250 --> 00:39:21,239 AND A SPECIAL THANK YOU TO OUR 923 00:39:12,250 --> 00:39:21,239 PARENTS, SPIKE AND TAUNNIA 924 00:39:21,239 --> 00:39:25,269 LEWIS-LEE. 925 00:39:21,239 --> 00:39:25,269 LIKE OUR TARGET CHARITIES. 926 00:39:25,269 --> 00:39:27,219 >> WE ARE GRATEFUL FOR THE 927 00:39:25,269 --> 00:39:27,219 OPPORTUNITY TO MAKE A DIFFERENCE 928 00:39:27,219 --> 00:39:30,039 FOR THOSE IN NEED. 929 00:39:27,219 --> 00:39:30,039 THANK YOU. 930 00:39:30,039 --> 00:39:42,159 [ CHEERS AND APPLAUSE 931 00:39:30,039 --> 00:39:42,159 ♪ ♪ 932 00:39:42,159 --> 00:39:46,289 >> TINA AND I ARE HONORED TO 933 00:39:42,159 --> 00:39:46,289 HAVE WORKED WITH BOTH OF 934 00:39:46,289 --> 00:39:52,239 TONIGHT'S SPECIAL HONOREES 935 00:39:46,289 --> 00:39:52,239 THE FIRST ONE, NORMAN LEAR IS 936 00:39:52,239 --> 00:39:54,289 ADMIRED BY ANYONE WHO WRITES AND 937 00:39:52,239 --> 00:39:54,289 PRODUCES TV. 938 00:39:54,289 --> 00:39:59,059 >> BEFORE NORMAN, KNOWN DARED TO 939 00:39:54,289 --> 00:39:59,059 HAVE SITCOMS TACKLE 940 00:39:59,059 --> 00:40:03,179 CONTROVERSIAL TOPICS 941 00:39:59,059 --> 00:40:03,179 HE PUSHED EVERY BOUNDARY IN 942 00:40:03,179 --> 00:40:09,050 SIGHT AND WAS NOT AFRAID TO 943 00:40:03,179 --> 00:40:09,050 REFLECT THE DAY. 944 00:40:09,050 --> 00:40:14,179 >> AND IN DOING SO, HE PAVED THE 945 00:40:09,050 --> 00:40:14,179 ROAD FOR ALL OF US WHO FOLLOWED. 946 00:40:14,179 --> 00:40:19,059 >> GOD DAMN IT 947 00:40:14,179 --> 00:40:19,059 HOW CAN THAT BE A SWEAR WORD, 948 00:40:19,059 --> 00:40:21,199 THE MOST POPULAR WORD IN THE 949 00:40:19,059 --> 00:40:21,199 BIBLE? 950 00:40:21,199 --> 00:40:26,130 THE SECOND WORD, THAT'S DAMN, 951 00:40:21,199 --> 00:40:26,130 THAT'S A PERFECTLY GOOD WORD, 952 00:40:26,130 --> 00:40:27,250 SEE. 953 00:40:26,130 --> 00:40:27,250 AND EVEN IN THE BIBLE YOU READ 954 00:40:27,250 --> 00:40:31,280 WHERE SOME GUY IS DAMNED FOR 955 00:40:27,250 --> 00:40:31,280 STEALING OR CHEATING OR 956 00:40:31,280 --> 00:40:38,159 COMMITTING SEX IN THE FAMILY 957 00:40:31,280 --> 00:40:38,159 WHO ELSE DAMNED THEM, GOD! 958 00:40:38,159 --> 00:40:44,010 GOD DAMNED THEM, EDITH, 959 00:40:38,159 --> 00:40:44,010 BEAUTIFUL WORDS ON OUT OF THE 960 00:40:44,010 --> 00:40:45,239 HOLY BOOK. 961 00:40:44,010 --> 00:40:45,239 >> THAT WAS SHOCKING 962 00:40:45,239 --> 00:40:48,030 IN THE 1970s, NOBODY TALKED LIKE 963 00:40:45,239 --> 00:40:48,030 THAT ON TV 964 00:40:48,030 --> 00:40:51,110 >> YOU ARE GOING TO TELL ME THE 965 00:40:48,030 --> 00:40:51,110 BLACK MAN HAD THE SAME 966 00:40:51,110 --> 00:40:52,260 OPPORTUNITY IN THE COUNTRY AS 967 00:40:51,110 --> 00:40:52,260 YOU? 968 00:40:52,260 --> 00:40:57,099 >> MORE, I DIDN'T HAVE NO 969 00:40:52,260 --> 00:40:57,099 MILLION PEOPLE MARCHING AND 970 00:40:57,099 --> 00:41:01,079 PROTESTING TO GET MY JOB 971 00:40:57,099 --> 00:41:01,079 >> NO, HIS UNCLE GOT IT FOR HIM. 972 00:41:01,079 --> 00:41:06,099 >> NORMAN LEAR SHOCKED US OUT OF 973 00:41:01,079 --> 00:41:06,099 OUR COMFORT ZONE 974 00:41:06,099 --> 00:41:13,159 >> HI, I'M NORMAN LEAR. 975 00:41:06,099 --> 00:41:13,159 >> WRITING FOR THE COLD DEEP 976 00:41:13,159 --> 00:41:15,260 COMEDY HOUR. 977 00:41:13,159 --> 00:41:15,260 >> ARE YOU A LONELY HEART? 978 00:41:15,260 --> 00:41:19,269 >> I'M LONELY ALL OVER 979 00:41:15,260 --> 00:41:19,269 >> HIS COMEDY WOKE WITH AMERICA 980 00:41:19,269 --> 00:41:25,119 BEFORE BEING WOKE WAS A THING. 981 00:41:19,269 --> 00:41:25,119 >> YOU HAVE TO ADMIT THAT HE IS 982 00:41:25,119 --> 00:41:29,210 LARGELY RIGHT ABOUT YOU PRs. 983 00:41:25,119 --> 00:41:29,210 >> WE DON'T LIKE TO BE CALLED 984 00:41:29,210 --> 00:41:32,250 PRs. 985 00:41:29,210 --> 00:41:32,250 WE ARE AMERICANS EQUAL TO YOU. 986 00:41:32,250 --> 00:41:35,119 >> EQUAL TO ME 987 00:41:32,250 --> 00:41:35,119 YOU NOT EQUAL TO HIM. 988 00:41:35,119 --> 00:41:37,269 >> TACKLING SUBJECTS NOT SEEN ON 989 00:41:35,119 --> 00:41:37,269 TELEVISION 990 00:41:37,269 --> 00:41:40,099 >> YOU HAVE BEEN USING THE CHILD 991 00:41:37,269 --> 00:41:40,099 AS A PUNCHING BAG. 992 00:41:40,099 --> 00:41:44,059 >> WHY DON'T YOU CALL ME, 993 00:41:40,099 --> 00:41:44,059 MISTER. 994 00:41:44,059 --> 00:41:47,219 >> TELL ME, WALTER, THAT I'M 995 00:41:44,059 --> 00:41:47,219 DOING THE RIGHT THING NOT HAVING 996 00:41:47,219 --> 00:41:53,130 THE BABY 997 00:41:47,219 --> 00:41:53,130 >> FOR YOU, MAUD, FOR ME AND THE 998 00:41:53,130 --> 00:41:59,059 PRIVACY OF OUR OWN LIFE, YOU ARE 999 00:41:53,130 --> 00:41:59,059 DOING THE RIGHT THING. 1000 00:41:59,059 --> 00:42:00,070 >> YOUR SON UPSET ABOUT 1001 00:41:59,059 --> 00:42:00,070 SOMETHING? 1002 00:42:00,070 --> 00:42:04,239 >> HE MARRIED A MIXED UP FAMILY. 1003 00:42:00,070 --> 00:42:04,239 >> WHAT DO YOU MEAN, MIXED UP? 1004 00:42:04,239 --> 00:42:10,170 >> HE IS WHITE, SHE IS BLACK, 1005 00:42:04,239 --> 00:42:10,170 THE KIDS ARE MEDIUM RARE. 1006 00:42:10,170 --> 00:42:13,059 >> THE ISSUES RAISED IN THE HIT 1007 00:42:10,170 --> 00:42:13,059 SHOW. 1008 00:42:13,059 --> 00:42:17,199 >> YOU KNOW I HAD THE HASSLE 1009 00:42:13,059 --> 00:42:17,199 WITH THE GIRLS USING THEIR 1010 00:42:17,199 --> 00:42:23,000 BRAINS INSTEAD OF SEX. 1011 00:42:17,199 --> 00:42:23,000 >> AT 9:10, I WENT SHOPPING. 1012 00:42:23,000 --> 00:42:25,269 I AIN'T FINISHED DETAILING YET 1013 00:42:23,000 --> 00:42:25,269 >> THE SAME ISSUES THAT WE ARE 1014 00:42:25,269 --> 00:42:31,050 DEALING WITH TODAY 1015 00:42:25,269 --> 00:42:31,050 >> IT'S QUITE LOVELY 1016 00:42:31,050 --> 00:42:33,000 THANK YOU. 1017 00:42:31,050 --> 00:42:33,000 >> YOU HAVE SUCH WONDERFUL 1018 00:42:33,000 --> 00:42:35,139 RHYTHM IN YOUR FEET. 1019 00:42:33,000 --> 00:42:35,139 >> WHAT, GEORGE, GEORGE, HE 1020 00:42:35,139 --> 00:42:37,230 DOESN'T KNOW WHAT HE IS SAYING 1021 00:42:35,139 --> 00:42:37,230 ♪ ♪ 1022 00:42:37,230 --> 00:42:41,250 ♪ MOVING ON UP ♪ 1023 00:42:37,230 --> 00:42:41,250 >> BY CHANGING TELEVISION, HE 1024 00:42:41,250 --> 00:42:45,110 CHANGED AMERICA. 1025 00:42:41,250 --> 00:42:45,110 >> YOU GOT AN APARTMENT IN THIS 1026 00:42:45,110 --> 00:42:47,219 BUILDING 1027 00:42:45,110 --> 00:42:47,219 >> UH-HUH. 1028 00:42:47,219 --> 00:42:50,179 >> AND YOU HAVE ONE IN THE 1029 00:42:47,219 --> 00:42:50,179 BUILDING TOO 1030 00:42:50,179 --> 00:42:55,130 >> THAT'S RIGHT. 1031 00:42:50,179 --> 00:42:55,130 >> HOW COME WE OVERCAME AND 1032 00:42:55,130 --> 00:42:58,030 NOBODY TOLD ME 1033 00:42:55,130 --> 00:42:58,030 ♪ ♪ 1034 00:42:58,030 --> 00:43:03,210 >> WINNER OF SIX EMMY AWARDS, 1035 00:42:58,030 --> 00:43:03,210 TWO PEABODY AWARDS AND THE 1036 00:43:03,210 --> 00:43:05,260 NATIONAL MEDAL OF ART AND 1037 00:43:03,210 --> 00:43:05,260 HUMANITIES 1038 00:43:05,260 --> 00:43:08,260 >> FOR CHANGING THE FACE OF ARTS 1039 00:43:05,260 --> 00:43:08,260 AND ENTERTAINMENT. 1040 00:43:08,260 --> 00:43:11,110 >> AND THE KENNEDY CENTER OF 1041 00:43:08,260 --> 00:43:11,110 HONOR. 1042 00:43:11,110 --> 00:43:15,010 AT 98 YEARS HE IS STILL MAKING 1043 00:43:11,110 --> 00:43:15,010 TELEVISION AND STILL MAKING 1044 00:43:15,010 --> 00:43:19,280 TROUBLE. 1045 00:43:15,010 --> 00:43:19,280 >> MASTERBATION IS A HEALTHY, 1046 00:43:19,280 --> 00:43:21,170 NORMAL PART OF LIFE. 1047 00:43:19,280 --> 00:43:21,170 >> NO IT IS NOT. 1048 00:43:21,170 --> 00:43:29,199 >> IT WAS NOT ME, IT WAS HER 1049 00:43:21,170 --> 00:43:29,199 ♪ ♪ 1050 00:43:29,199 --> 00:43:40,179 THE MOST INFLUENTIAL, 1051 00:43:29,199 --> 00:43:40,179 REVOLUTIONARY PRODUCER IN TV 1052 00:43:40,179 --> 00:43:52,010 HISTORY. 1053 00:43:40,179 --> 00:43:52,010 ♪ ♪ 1054 00:43:52,010 --> 00:44:02,150 >>> LADIES AND GENTLEMEN, THE -- 1055 00:43:52,010 --> 00:44:02,150 NORMAN LEAR. 1056 00:44:02,150 --> 00:44:15,000 ♪ ♪ 1057 00:44:02,150 --> 00:44:15,000 ♪ ♪ 1058 00:44:15,000 --> 00:44:18,280 >> HELLO, AND GOOD EVENING 1059 00:44:15,000 --> 00:44:18,280 EVERYONE, THANK YOU FOR THAT 1060 00:44:18,280 --> 00:44:22,000 WONDERFUL NIGHT. 1061 00:44:18,280 --> 00:44:22,000 IT KNOCKS ME OUT TO BE 1062 00:44:22,000 --> 00:44:27,159 INTRODUCED BY AMY POEHLER AND 1063 00:44:22,000 --> 00:44:27,159 TINA FEY AND TO ACCEPT AN AWARD, 1064 00:44:27,159 --> 00:44:31,079 THIS AWARD, IN THE NAME OF CAROL 1065 00:44:27,159 --> 00:44:31,079 BURNETT. 1066 00:44:31,079 --> 00:44:39,119 I COULD NOT FEEL NOR BLESSED 1067 00:44:31,079 --> 00:44:39,119 I AM CONVINCED THAT LAUGHTER 1068 00:44:39,119 --> 00:44:44,000 ADDS TIME TO ONE'S LIFE AND 1069 00:44:39,119 --> 00:44:44,000 NOBODY HAS MADE ME LAUGH HARDER 1070 00:44:44,000 --> 00:44:47,019 AND NOBODY I OWE MORE TIME TO 1071 00:44:44,000 --> 00:44:47,019 THAN CAROL BURNETT AND THE 1072 00:44:47,019 --> 00:44:52,050 BRILLIANT TEAM THAT HELPED HER 1073 00:44:47,019 --> 00:44:52,050 REALIZE HER COMEDIC GENIUS 1074 00:44:52,050 --> 00:44:57,130 SPEAKING OF TEAMS, I HAVE HAD A 1075 00:44:52,050 --> 00:44:57,130 LIFETIME OF PARTNERS, 1076 00:44:57,130 --> 00:45:03,210 PERFORMERS, ASSOCIATIONS, AND 1077 00:44:57,130 --> 00:45:03,210 CREATIVE TALENTS FOR WHICH I AM 1078 00:45:03,210 --> 00:45:06,110 ETERNALLY GRATEFUL 1079 00:45:03,210 --> 00:45:06,110 THERE WOULD BE AN ENTIRELY 1080 00:45:06,110 --> 00:45:10,010 DIFFERENT NORMAN LEAR HERE WITH 1081 00:45:06,110 --> 00:45:10,010 YOU TONIGHT, IF THERE HAD NOT 1082 00:45:10,010 --> 00:45:14,269 BEEN THOSE YEARS OF ED SIMMONS 1083 00:45:10,010 --> 00:45:14,269 AND NORMAN LEAR THAT WERE 1084 00:45:14,269 --> 00:45:21,050 RESPONSIBLE FOR THE DEAN MARTIN 1085 00:45:14,269 --> 00:45:21,050 AND JERRY LEWIS COMEDY HOUR AND 1086 00:45:21,050 --> 00:45:26,030 THE MARTHA RAY SHOW. 1087 00:45:21,050 --> 00:45:26,030 THAT WOULD BE TRUE OF EVERY STEP 1088 00:45:26,030 --> 00:45:30,070 OF MY CAREER 1089 00:45:26,030 --> 00:45:30,070 FOLLOWING ED SIMMONS THERE WAS 1090 00:45:30,070 --> 00:45:42,019 BUD YORKIN, BRILLIANT, AND 1091 00:45:30,070 --> 00:45:42,019 ROLAND GABE AND THE GREATEST 1092 00:45:42,019 --> 00:45:46,199 TALENT 1093 00:45:42,019 --> 00:45:46,199 JERRY PAREN, GOD BLESS HIM, ALL 1094 00:45:46,199 --> 00:45:51,059 OF WHOM AMONG OTHERS WERE MAJOR 1095 00:45:46,199 --> 00:45:51,059 PARTS OF THE LIFE AND CAREER 1096 00:45:51,059 --> 00:45:55,190 THAT BROUGHT ME TO THIS VERY 1097 00:45:51,059 --> 00:45:55,190 MOMENT 1098 00:45:55,190 --> 00:46:05,059 THEN THERE WERE ALL THE WRITERS, 1099 00:45:55,190 --> 00:46:05,059 THE NICHOLS, ROSS AND WEST, AND 1100 00:46:05,059 --> 00:46:10,269 MORE 1101 00:46:05,059 --> 00:46:10,269 CURRENTLY MIKE ROYCE AND GLORIA 1102 00:46:10,269 --> 00:46:13,230 CALDERON-COLLETTE AND LAST BUT 1103 00:46:10,269 --> 00:46:13,230 NOT LEAST, THE GUY THAT PULLS IT 1104 00:46:13,230 --> 00:46:19,159 ALL TOGETHER FOR ME, CURRENTLY, 1105 00:46:13,230 --> 00:46:19,159 MY FRIEND, AND MY PARTNER, THE 1106 00:46:19,159 --> 00:46:27,030 BRILLIANT BRENT MILLER 1107 00:46:19,159 --> 00:46:27,030 IT'S HIS BACK I ROADDE IN ON, AS 1108 00:46:27,030 --> 00:46:31,219 HE RODE IN ON MYINE TO GET HERE 1109 00:46:27,030 --> 00:46:31,219 TONIGHT. 1110 00:46:31,219 --> 00:46:34,219 I WANT TO THANK SONY PICTURES. 1111 00:46:31,219 --> 00:46:34,219 SONY PICTURES TELEVISION, ONE OF 1112 00:46:34,219 --> 00:46:39,119 THE GREATEST, MOST ABLE GROUP OF 1113 00:46:34,219 --> 00:46:39,119 EXECUTIVES I HAVE EVER WORKED 1114 00:46:39,119 --> 00:46:41,280 WITH 1115 00:46:39,119 --> 00:46:41,280 THEN OF COURSE, THERE'S MY 1116 00:46:41,280 --> 00:46:47,219 FAMILY 1117 00:46:41,280 --> 00:46:47,219 MY GLORIOUS WIFE, AND PARTNER OF 1118 00:46:47,219 --> 00:46:53,030 30 YEARS 1119 00:46:47,219 --> 00:46:53,030 THE FIVE GLORIOUS DAUGHTERS AND 1120 00:46:53,030 --> 00:46:58,050 MY WONDERFUL SON, RANGING IN 1121 00:46:53,030 --> 00:46:58,050 AGES FROM 26 TO 74 1122 00:46:58,050 --> 00:47:03,039 AND THEIR CHILDREN 1123 00:46:58,050 --> 00:47:03,039 MY FOUR FABULOUS GRANDCHILDREN 1124 00:47:03,039 --> 00:47:10,079 AT CLOSE TO 99, I CAN TELL YOU 1125 00:47:03,039 --> 00:47:10,079 THAT I HAVE NEVER LIVED ALONE. 1126 00:47:10,079 --> 00:47:16,219 I HAVE NEVER LAUGHED ALONE 1127 00:47:10,079 --> 00:47:16,219 AND THAT HAS AS MUCH TO DO WITH 1128 00:47:16,219 --> 00:47:20,159 MY BEING HERE TODAY AS ANYTHING 1129 00:47:16,219 --> 00:47:20,159 ELSE I KNOW. 1130 00:47:20,159 --> 00:47:24,030 THANK YOU HOLLYWOOD FOREIGN 1131 00:47:20,159 --> 00:47:24,030 PRESS. 1132 00:47:24,030 --> 00:47:26,289 THANK YOU EACH INDIVIDUAL 1133 00:47:24,030 --> 00:47:26,289 ATTENDING THIS VIRTUAL EVENT 1134 00:47:26,289 --> 00:47:33,190 WITH WHOM I HAVE WORKED AND BEEN 1135 00:47:26,289 --> 00:47:33,190 ENTERTAINED AND NURTURED BY AND 1136 00:47:33,190 --> 00:47:37,150 ENHANCED BY. 1137 00:47:33,190 --> 00:47:37,150 ONCE MORE, THANK YOU AND BLESS 1138 00:47:37,150 --> 00:47:42,179 YOU CAROL BURNETT, FOR 1139 00:47:37,150 --> 00:47:42,179 EVERYTHING YOU HAVE MEANT TO ME 1140 00:47:42,179 --> 00:47:47,110 BY WAY OF JOY, SURPRISE, DELIGHT 1141 00:47:42,179 --> 00:47:47,110 AND LAUGHTER 1142 00:47:47,110 --> 00:47:55,019 AS I THINK ABOUT YOU, AND 1143 00:47:47,110 --> 00:47:55,019 LAUGHTER AND THE JOY OF OUR 1144 00:47:55,019 --> 00:48:06,210 PARALLEL CAREERS, SO GLAD WE HAD 1145 00:47:55,019 --> 00:48:06,210 THISHA 1146 00:48:06,210 --> 00:48:07,090 THIS TIME TOGETHER 1147 00:48:06,210 --> 00:48:07,090 ♪ ♪ 1148 00:48:07,090 --> 00:48:27,159 ♪ ♪ 1149 00:48:07,090 --> 00:48:27,159 ♪ ♪ 1150 00:48:27,159 --> 00:48:34,050 IS. 1151 00:48:27,159 --> 00:48:34,050 >> WHERE'S THE CAT, EMMA 1152 00:48:34,050 --> 00:48:47,030 OH, I SAID IS WORD 1153 00:48:34,050 --> 00:48:47,030 ♪ ♪ 1154 00:48:47,030 --> 00:48:53,079 >>> WE ARE BACK AT THE BEVERLY 1155 00:48:47,030 --> 00:48:53,079 HILTON HOTEL AND NOW, FROM THE 1156 00:48:53,079 --> 00:49:02,159 "HITMAN'S WIFE'S BODYGUARD 1157 00:48:53,079 --> 00:49:02,159 KWAURD 1158 00:49:02,159 --> 00:49:08,150 GUARD" SELMA HYATT 1159 00:49:02,159 --> 00:49:08,150 >> OUR NEXT DRAMA IS A SOULFUL 1160 00:49:08,150 --> 00:49:12,030 PORTRAIT OF ONE WOMAN'S JOURNEY 1161 00:49:08,150 --> 00:49:12,030 THROUGH THE AMERICAN WEST, 1162 00:49:12,030 --> 00:49:19,110 EXPLORING THE STRUGGLES AND 1163 00:49:12,030 --> 00:49:19,110 TRIUMPHS OF MODERN DAY NOMADS. 1164 00:49:19,110 --> 00:49:24,030 THE BEAUTIFUL AND HEART FELT 1165 00:49:19,110 --> 00:49:24,030 FILM CAPTURES THE STORY OF THOSE 1166 00:49:24,030 --> 00:49:27,130 LIVING OUTSIDE OF TRADITIONAL 1167 00:49:24,030 --> 00:49:27,130 SOCIETY THROUGH THE TRAVELS OF 1168 00:49:27,130 --> 00:49:35,079 THE WOMAN NAMED FERN PLAYED BY 1169 00:49:27,130 --> 00:49:35,079 THE INCOMPARABLE FRANCIS 1170 00:49:35,079 --> 00:49:40,250 McDORMAND. 1171 00:49:35,079 --> 00:49:40,250 NOMINATED FOR FOUR GOLDEN 1172 00:49:40,250 --> 00:49:49,110 GLOBES, THIS IS "NOMADLAND." 1173 00:49:40,250 --> 00:49:49,110 >> I MAY BE SPENT TOO MUCH OF MY 1174 00:49:49,110 --> 00:49:52,280 LIFE JUST REMEMBERING. 1175 00:49:49,110 --> 00:49:52,280 >> FINDS ANYTHING INTERESTING? 1176 00:49:52,280 --> 00:49:56,179 >> ROCKS 1177 00:49:52,280 --> 00:49:56,179 >> WHAT THE NOMADS ARE DOING IS 1178 00:49:56,179 --> 00:49:59,239 NOT MUCH DIFFERENT THAN WHAT THE 1179 00:49:56,179 --> 00:49:59,239 PIONEERS DID 1180 00:49:59,239 --> 00:50:04,230 >> WHAT I LOVE MOST ABOUT THE 1181 00:49:59,239 --> 00:50:04,230 LIFE, THERE'S NO FINAL GOODBYE 1182 00:50:04,230 --> 00:50:08,250 THERE'S JUST SAY, I'LL SEE YOU 1183 00:50:04,230 --> 00:50:08,250 DOWN THE ROAD. 1184 00:50:08,250 --> 00:50:17,019 NOW, STAR OF "CALL YOUR MOTHER," 1185 00:50:08,250 --> 00:50:17,019 KIRA 1186 00:50:17,019 --> 00:50:26,130 KIRA SEDGEWICK AND KEVIN BACON 1187 00:50:17,019 --> 00:50:26,130 >> TONIGHT'S SHOW HAS PARTNERED 1188 00:50:26,130 --> 00:50:29,130 WITH FEEDING AMERICA, AN 1189 00:50:26,130 --> 00:50:29,130 ORGANIZATION WHO'S NETWORK OF 1190 00:50:29,130 --> 00:50:35,150 FOOD BANKS PROVIDE FOOD AND 1191 00:50:29,130 --> 00:50:35,150 SERVICES TO EVERY COUNTY IN 1192 00:50:35,150 --> 00:50:42,070 AMERICA. 1193 00:50:35,150 --> 00:50:42,070 IF YOU WOULD LIKE TO GIVE, 1194 00:50:42,070 --> 00:50:46,280 PLEASE GO TO FEEDING 1195 00:50:42,070 --> 00:50:46,280 AMERICA.ORG/GOLDEN GLOBES TO 1196 00:50:46,280 --> 00:50:50,289 LEARN HOW. 1197 00:50:46,280 --> 00:50:50,289 >> THESE FIVE ACTRESSES CREATED 1198 00:50:50,289 --> 00:50:53,070 CHARACTERS WITH EXTRAORDINARY 1199 00:50:50,289 --> 00:50:53,070 DEPTH YET, STILL REMAINED 1200 00:50:53,070 --> 00:50:54,280 TOTALLY RELATABLE. 1201 00:50:53,070 --> 00:50:54,280 >> HERE ARE THE NOMINEES FOR 1202 00:50:54,280 --> 00:51:00,039 BEST PERFORMANCE BY AN ACTRESS 1203 00:50:54,280 --> 00:51:00,039 IN A TELEVISION SERIES DRAMA 1204 00:51:00,039 --> 00:51:06,019 >> OLIVIA COLMAN, "THE CROWN." 1205 00:51:00,039 --> 00:51:06,019 JODIE COMER, "KILLING EVE. 1206 00:51:06,019 --> 00:51:12,030 EMMA CORRIN, "THE CROWN. 1207 00:51:06,019 --> 00:51:12,030 LAURA LINNEY, "OZARK." 1208 00:51:12,030 --> 00:51:24,119 SARAH PAULSON, "RATCHED. 1209 00:51:12,030 --> 00:51:24,119 >> AND THE GOLDEN GLOBE GOES 1210 00:51:24,119 --> 00:51:33,170 TO EMMA CORRIN, "THE CROWN." 1211 00:51:24,119 --> 00:51:33,170 [ CHEERS AND APPLAUSE 1212 00:51:33,170 --> 00:51:37,269 >>> THANK YOU. 1213 00:51:33,170 --> 00:51:37,269 UM, THANK YOU SO MUCH. 1214 00:51:37,269 --> 00:51:43,250 THANK YOU SO MUCH, HFPA FOR THIS 1215 00:51:37,269 --> 00:51:43,250 INCREDIBLE HONOR 1216 00:51:43,250 --> 00:51:46,269 WHAT 1217 00:51:43,250 --> 00:51:46,269 THANK YOU SO MUCH EVERYONE AT 1218 00:51:46,269 --> 00:51:54,190 LEFT BANK PICTURES 1219 00:51:46,269 --> 00:51:54,190 THANK YOU, SUSAN AND ROB AND BEN 1220 00:51:54,190 --> 00:51:56,139 AND PIZZA 1221 00:51:54,190 --> 00:51:56,139 PETER AND EVERYONE BELIEVING IN 1222 00:51:56,139 --> 00:51:58,090 ME 1223 00:51:56,139 --> 00:51:58,090 THANK YOU FOR MY CAST AND CREW 1224 00:51:58,090 --> 00:52:03,280 BEING BY MY SIDE 1225 00:51:58,090 --> 00:52:03,280 THANKS TO MY PRINCE GEORGE, AND 1226 00:52:03,280 --> 00:52:09,010 I COULD NOT DO IT WITHOUT YOU. 1227 00:52:03,280 --> 00:52:09,010 THANK YOU FOR MAKING EVERY DAY A 1228 00:52:09,010 --> 00:52:10,260 JOY. 1229 00:52:09,010 --> 00:52:10,260 THANK YOU MY INCREDIBLE TEAM AS 1230 00:52:10,260 --> 00:52:13,179 WELL 1231 00:52:10,260 --> 00:52:13,179 ALL OF YOU, I DON'T KNOW WHERE I 1232 00:52:13,179 --> 00:52:17,269 WOULD BE WITHOUT YOU 1233 00:52:13,179 --> 00:52:17,269 AND THANK YOU TO MY AGENT, ONE 1234 00:52:17,269 --> 00:52:26,219 OF MY BEST FRIENDS AND THANK YOU 1235 00:52:17,269 --> 00:52:26,219 TO DIANA, YOU HAVE PUT 1236 00:52:26,219 --> 00:52:30,199 COMPASSION AND EMPATHY BEYOND 1237 00:52:26,219 --> 00:52:30,199 ANYTHING I CAN UNDERSTAND. 1238 00:52:30,199 --> 00:52:46,280 THANK YOU. 1239 00:52:30,199 --> 00:52:46,280 [ CHEERS AND APPLAUSE 1240 00:52:46,280 --> 00:52:50,289 >>> OUR NEXT PRESENTER IS FOUR 1241 00:52:46,280 --> 00:52:50,289 AWARDS AWAY FROM AN EGOT, PLEASE 1242 00:52:50,289 --> 00:53:03,179 WELCOME TRACY MORGAN 1243 00:52:50,289 --> 00:53:03,179 >>> YEAH 1244 00:53:03,179 --> 00:53:06,050 HERE WE GO 1245 00:53:03,179 --> 00:53:06,050 I'M IN A GREAT MOOD TONIGHT. 1246 00:53:06,050 --> 00:53:12,280 I HEARD ON THE NEWS TODAY THAT 1247 00:53:06,050 --> 00:53:12,280 BY APRIL WE COULD BE, WE COULD 1248 00:53:12,280 --> 00:53:13,199 REACH HERD IMMUNITY FOR 1249 00:53:12,280 --> 00:53:13,199 COVID-19 1250 00:53:13,199 --> 00:53:23,199 YEAH, EVEN BETTER TONIGHT, I 1251 00:53:13,199 --> 00:53:23,199 HEARD FROM MY COUSIN MIKE, BY 1252 00:53:23,199 --> 00:53:31,150 MAY REACH HERD IMMUNITY FOR 1253 00:53:23,199 --> 00:53:31,150 GONNORHEA. 1254 00:53:31,150 --> 00:53:34,289 >> FROM "JUDAS AND THE BLACK 1255 00:53:31,150 --> 00:53:34,289 MESSIAH," "FIGHT FOR YOU," MUSIC 1256 00:53:34,289 --> 00:53:37,070 BY H.E.R., DERNST EMILE II 1257 00:53:34,289 --> 00:53:37,070 LYRICS BY H.E.R., TIARA THOMAS 1258 00:53:37,070 --> 00:53:55,090 FROM "THE TRIAL OF THE CHICAGO 1259 00:53:37,070 --> 00:53:55,090 -- AND THE GOLDEN GLOBE GOES TO 1260 00:53:55,090 --> 00:54:04,039 "THE LIFE AHEAD. 1261 00:53:55,090 --> 00:54:04,039 >> THANK YOU, EDUARDO FOR LET 1262 00:54:04,039 --> 00:54:07,130 WILLING US BE A PART OF YOUR 1263 00:54:04,039 --> 00:54:07,130 AMAZING MOVIE. 1264 00:54:07,130 --> 00:54:12,179 IT'S SUCH A BEAUTIFUL STORY. 1265 00:54:07,130 --> 00:54:12,179 ABOUT PEOPLE WHO ARE NOT REALLY 1266 00:54:12,179 --> 00:54:16,260 SEEN AND WHO SEE EACH OTHER AND 1267 00:54:12,179 --> 00:54:16,260 THEY SEE EACH OTHER THROUGH LOVE 1268 00:54:16,260 --> 00:54:19,190 AND THAT'S WHAT INSPIRED THIS 1269 00:54:16,260 --> 00:54:19,190 SONG, SO, THANK YOU AGAIN. 1270 00:54:19,190 --> 00:54:26,280 THANKS SO. 1271 00:54:19,190 --> 00:54:26,280 >> I FEEL SO PROUD, THANK YOU 1272 00:54:26,280 --> 00:54:30,280 VERY MUCH THE HOLLYWOOD FOREIGN 1273 00:54:26,280 --> 00:54:30,280 PRESS ASSOCIATION. 1274 00:54:30,280 --> 00:54:42,130 I HAVE GOOSE BUMPS EVERYWHERE. 1275 00:54:30,280 --> 00:54:42,130 GRACIA ONCE AGAIN, AND I LOVE 1276 00:54:42,130 --> 00:54:45,090 YOU VERY MUCH. 1277 00:54:42,130 --> 00:54:45,090 BONNIE GREENBURGH AND ALL THE 1278 00:54:45,090 --> 00:54:53,289 TEAM THAT HELP US TO BUILD THIS 1279 00:54:45,090 --> 00:54:53,289 AMAZING PROJECT OF "THE LIFE 1280 00:54:53,289 --> 00:54:56,099 AHEAD. 1281 00:54:53,289 --> 00:54:56,099 THANK YOU TO ALL OF YOU. 1282 00:54:56,099 --> 00:55:00,280 ♪ ♪ 1283 00:54:56,099 --> 00:55:00,280 [ CHEERS AND APPLAUSE 1284 00:55:00,280 --> 00:55:07,119 >> AND NOW, HERE ARE THE 1285 00:55:00,280 --> 00:55:07,119 NOMINEES FOR BEST ORIGINAL 1286 00:55:07,119 --> 00:55:16,179 SCORE. 1287 00:55:07,119 --> 00:55:16,179 "THE MIDNIGHT SKY," "NEWS OF THE 1288 00:55:16,179 --> 00:55:31,050 WORLD" JAMES NEWTON HOWARD, 1289 00:55:16,179 --> 00:55:31,050 "MANK," TRENT REZNOR 1290 00:55:31,050 --> 00:55:40,179 THE GOLDEN GLOBE GOES TO "SAL". 1291 00:55:31,050 --> 00:55:40,179 >> WE MUST FOLLOW OUR DREAMS 1292 00:55:40,179 --> 00:55:46,030 BECAUSE WE HAVE ONE LIFE TO LIFE 1293 00:55:40,179 --> 00:55:46,030 AND ONE SOUL AND THE SOUL IS 1294 00:55:46,030 --> 00:55:55,039 HAPPY TODAY TO BE RECOGNIZED 1295 00:55:46,030 --> 00:55:55,039 THANK YOU FOR THE WORK AND 1296 00:55:55,039 --> 00:55:58,070 COLLABORATION, AND EVERYONE 1297 00:55:55,039 --> 00:55:58,070 SOLVED IN CREATING THE MASTER 1298 00:55:58,070 --> 00:56:02,030 PIECE THAT TOUCHED PEOPLE ACROSS 1299 00:55:58,070 --> 00:56:02,030 THE WORLD AND I LIKE TO THANK 1300 00:56:02,030 --> 00:56:05,110 GOD FOR MUSIC AND FILM AND THE 1301 00:56:02,030 --> 00:56:05,110 TOGETHERNESS THAT IT BRINGS WHEN 1302 00:56:05,110 --> 00:56:08,059 PUT TOGETHER IN INNOVATIVE AND 1303 00:56:05,110 --> 00:56:08,059 COLLABORATIVE WAYS 1304 00:56:08,059 --> 00:56:15,239 >> THANKS, JOHN AND THANK YOU, 1305 00:56:08,059 --> 00:56:15,239 HOLLYWOOD FOREIGN PRESS 1306 00:56:15,239 --> 00:56:17,000 ASSOCIATION. 1307 00:56:15,239 --> 00:56:17,000 I WANT TO ADD TOM MACDOUGAL'S 1308 00:56:17,000 --> 00:56:20,019 NAME TO THAT LIST, THANK YOU FOR 1309 00:56:17,000 --> 00:56:20,019 SHEPPARDING US THROUGH THE 1310 00:56:20,019 --> 00:56:22,280 PROJECT AND IT'S THE FIRST PIECE 1311 00:56:20,019 --> 00:56:22,280 OF ART I HAVE MADE IN MY LIFE 1312 00:56:22,280 --> 00:56:27,170 THAT I CAN ACTUALLY SHOW MY KIDS 1313 00:56:22,280 --> 00:56:27,170 SO THANK YOU, PIXAR, HUGE THANKS 1314 00:56:27,170 --> 00:56:32,139 TO MY WIFE, MARY QUEEN AND ALL 1315 00:56:27,170 --> 00:56:32,139 OF OUR KIDS, I LOVE YOU GUYS 1316 00:56:32,139 --> 00:56:34,199 MORE THAN ANYTHING. 1317 00:56:32,139 --> 00:56:34,199 >> A BIG THANK YOU TO EVERYONE 1318 00:56:34,199 --> 00:56:38,289 WHO HAS BEEN THANKED AND I WANT 1319 00:56:34,199 --> 00:56:38,289 TO ADD MY WIFE CLAUDIA AND MY 1320 00:56:38,289 --> 00:56:43,119 CHILDREN, I LOVE YOU 1321 00:56:38,289 --> 00:56:43,119 THANK YOUS S 1322 00:56:43,119 --> 00:56:55,030 THANKS SO. 1323 00:56:43,119 --> 00:56:55,030 >> JUST SAL? 1324 00:56:55,030 --> 00:56:59,210 >> AND DON'T GET NERVOUS 1325 00:56:55,030 --> 00:56:59,210 >> IT'S SO FUNNY 1326 00:56:59,210 --> 00:57:07,269 >> DID SAL -- 1327 00:56:59,210 --> 00:57:07,269 >> LISTEN, LISTEN. 1328 00:57:07,269 --> 00:57:13,030 >> SOUL'S PIZZARIA 1329 00:57:07,269 --> 00:57:13,030 >> THESE HILARIOUS STARS FROM TV 1330 00:57:13,030 --> 00:57:18,150 COMEDIES ARE ON THE WAY, PLUS 1331 00:57:13,030 --> 00:57:18,150 MORE TINA AND AMY OF COURSE, THE 1332 00:57:18,150 --> 00:57:25,119 GOLDEN GLOBES ON NBC. 1333 00:57:18,150 --> 00:57:25,119 >> CAN 1334 00:57:25,119 --> 00:57:27,269 ♪ ♪ 1335 00:57:25,119 --> 00:57:27,269 >> Announcer: WELCOME BACK 1336 00:57:27,269 --> 00:57:29,210 AND NOW, GOLDEN GLOBE WINNER, 1337 00:57:27,269 --> 00:57:29,210 STAR OF MUSIC AND NOMINATED 1338 00:57:29,210 --> 00:57:35,269 TONIGHT, KATE HUDSON 1339 00:57:29,210 --> 00:57:35,269 >> IN OUR NEXT NOMINATED 1340 00:57:35,269 --> 00:57:40,130 MUSICAL, A NEWLY SOBER WOMAN 1341 00:57:35,269 --> 00:57:40,130 BECOMES THE SOLE GUARDIAN OF HER 1342 00:57:40,130 --> 00:57:43,070 HALF-SISTER, A TEENAGER ON THE 1343 00:57:40,130 --> 00:57:43,070 AUTISM SPECTRUM. 1344 00:57:43,070 --> 00:57:46,079 STRUGGLING WITH THIS NEW 1345 00:57:43,070 --> 00:57:46,079 RESPONSIBILITY, SHE LEARNS ABOUT 1346 00:57:46,079 --> 00:57:48,179 FINDING HER VOICE AND CREATING A 1347 00:57:46,079 --> 00:57:48,179 FAMILY WITH THE HELP OF A 1348 00:57:48,179 --> 00:57:51,280 NEIGHBOR 1349 00:57:48,179 --> 00:57:51,280 NOMINATED FOR TWO GOLDEN GLOBES, 1350 00:57:51,280 --> 00:57:57,269 THIS IS MUSIC. 1351 00:57:51,280 --> 00:57:57,269 >>> YOUR GRANDMOTHER LEFT THESE 1352 00:57:57,269 --> 00:58:02,260 PAPERS IN CASE OF EMERGENCY. 1353 00:57:57,269 --> 00:58:02,260 >> SHE DIDN'T HAPPEN TO MAENGZEN 1354 00:58:02,260 --> 00:58:05,179 A WILL, DID SHE? 1355 00:58:02,260 --> 00:58:05,179 >> THERE'S NO MONEY. 1356 00:58:05,179 --> 00:58:10,000 THERE'S HOWEVER, A MAGICAL 1357 00:58:05,179 --> 00:58:10,000 LITTLE GIRL, YOUR LITTLE SISTER, 1358 00:58:10,000 --> 00:58:14,159 ALL SHE HAS NOW IS YOU 1359 00:58:10,000 --> 00:58:14,159 >> SHE SEES THE WORLD IN A 1360 00:58:14,159 --> 00:58:15,159 COMPLETELY DIFFERENT WAY THAN 1361 00:58:14,159 --> 00:58:15,159 US 1362 00:58:15,159 --> 00:58:18,059 >> YOU CAN DO THIS HAD 1363 00:58:15,159 --> 00:58:18,059 >> I'M GOING TO HELP HER LIKE 1364 00:58:18,059 --> 00:58:20,130 SHE HELPS ME 1365 00:58:18,059 --> 00:58:20,130 AND I'M ACTUALLY LEARNING. 1366 00:58:20,130 --> 00:58:25,110 I LOVE HER 1367 00:58:20,130 --> 00:58:25,110 >> Announcer: FROM "THIS IS US," 1368 00:58:25,110 --> 00:58:26,179 GOLDEN GLOBE WINNER 1369 00:58:25,110 --> 00:58:26,179 STERLING K. BROWN, AND 1370 00:58:26,179 --> 00:58:38,079 SUSAN KELECHI WATSON 1371 00:58:26,179 --> 00:58:38,079 ♪ ♪ 1372 00:58:38,079 --> 00:58:43,039 >> THANK YOU, THANK YOU. 1373 00:58:38,079 --> 00:58:43,039 IT IS GREAT TO BE BLACK AT THE 1374 00:58:43,039 --> 00:58:45,119 GOLDEN GLOBES. 1375 00:58:43,039 --> 00:58:45,119 BACK AT THE GOLDEN GLOBES. 1376 00:58:45,119 --> 00:58:49,210 YEAH 1377 00:58:45,119 --> 00:58:49,210 >> YOU KNOW WHAT, IT'S GREAT TO 1378 00:58:49,210 --> 00:58:51,070 BE BLACK -- BACK ANYWHERE. 1379 00:58:49,210 --> 00:58:51,070 >> AMEN. 1380 00:58:51,070 --> 00:58:52,269 AMEN 1381 00:58:51,070 --> 00:58:52,269 >> THE ACTORS IN THIS CATEGORY 1382 00:58:52,269 --> 00:58:55,280 CAPTIVATED AND EXCITED US. 1383 00:58:52,269 --> 00:58:55,280 >> HERE ARE THE NOMINEES FOR 1384 00:58:55,280 --> 00:59:00,070 BEST ACTOR IN A TELEVISION 1385 00:58:55,280 --> 00:59:00,070 SERIES, MUSICAL OR COMEDY. 1386 00:59:00,070 --> 00:59:05,039 >> Announcer: DON CHEADLE, 1387 00:59:00,070 --> 00:59:05,039 "BLACK MONDAY. 1388 00:59:05,039 --> 00:59:11,150 NICHOLAS HOULT, "THE GREAT." 1389 00:59:05,039 --> 00:59:11,150 EUGENE LEVY, "SCHITT'S CREEK." 1390 00:59:11,150 --> 00:59:20,170 JASON SUDEIKIS, "TED LASSO." 1391 00:59:11,150 --> 00:59:20,170 RAMY YOUSSEF, "RAMY. 1392 00:59:20,170 --> 00:59:24,130 >> AND THE GOLDEN GLOBE GOES 1393 00:59:20,170 --> 00:59:24,130 TO -- 1394 00:59:24,130 --> 00:59:29,239 >> OKAY, ALL RIGHT WILL,, ALL RI 1395 00:59:24,130 --> 00:59:29,239 >> OKAY. 1396 00:59:29,239 --> 00:59:42,150 >> JASON SUDEIKIS, "TED LASSO. 1397 00:59:29,239 --> 00:59:42,150 >> WOW 1398 00:59:42,150 --> 00:59:43,289 ALL RIGHT. 1399 00:59:42,150 --> 00:59:43,289 CAN I TALK NOW 1400 00:59:43,289 --> 00:59:48,250 YEAH 1401 00:59:43,289 --> 00:59:48,250 BOY, OKAY. 1402 00:59:48,250 --> 00:59:56,150 YEAH, I MEAN, THAT'S NUTS. 1403 00:59:48,250 --> 00:59:56,150 THANK YOU TO THE HOLLYWOOD 1404 00:59:56,150 --> 01:00:00,139 FOREIGN PRESS. 1405 00:59:56,150 --> 01:00:00,139 I MEAN, THIS IS, FOR ME THE 1406 01:00:00,139 --> 01:00:06,010 COOLEST THING THAT A GROUP OF, 1407 01:00:00,139 --> 01:00:06,010 YOU KNOW, LIKE, THAT'S NUTS. 1408 01:00:06,010 --> 01:00:09,199 ESPECIALLY, THAT'S CRAZY 1409 01:00:06,010 --> 01:00:09,199 OKAY 1410 01:00:09,199 --> 01:00:10,269 ALL RIGHT. 1411 01:00:09,199 --> 01:00:10,269 WOW. 1412 01:00:10,269 --> 01:00:13,110 WELL, HERE'S WHAT I WILL SAY 1413 01:00:10,269 --> 01:00:13,110 I WILL SAY THIS. 1414 01:00:13,110 --> 01:00:16,079 I WANT TO THANK EVERYONE THAT 1415 01:00:13,110 --> 01:00:16,079 WORK ON THE SHOW 1416 01:00:16,079 --> 01:00:23,130 I READ THIS BOOK TO MY SON, 1417 01:00:16,079 --> 01:00:23,130 OTIS, CALLED "THE THREE 1418 01:00:23,130 --> 01:00:25,099 QUESTIONS. 1419 01:00:23,130 --> 01:00:25,099 IT'S THREE QUESTIONS 1420 01:00:25,099 --> 01:00:27,059 WHEN'S THE BEST TIME TO DO 1421 01:00:25,099 --> 01:00:27,059 THINGS 1422 01:00:27,059 --> 01:00:31,260 WHAT IS THE RIGHT THING TO DO? 1423 01:00:27,059 --> 01:00:31,260 AND THEN WHO IS THE MOST 1424 01:00:31,260 --> 01:00:34,159 IMPORTANT ONE? 1425 01:00:31,260 --> 01:00:34,159 AND THAT LAST QUESTION, WHO'S 1426 01:00:34,159 --> 01:00:37,199 THE MOST IMPORTANT ONE 1427 01:00:34,159 --> 01:00:37,199 IS LIKE WHOEVER THE PERSON YOU 1428 01:00:37,199 --> 01:00:41,070 ARE WITH 1429 01:00:37,199 --> 01:00:41,070 SO I KIND OF REJECT THE PREMISE 1430 01:00:41,070 --> 01:00:46,130 OF BEING THE BEST ACTOR, BECAUSE 1431 01:00:41,070 --> 01:00:46,130 IN MY HUMBLE OPINION THE BEST 1432 01:00:46,130 --> 01:00:50,139 ACTOR IS THE PERSON YOU ARE 1433 01:00:46,130 --> 01:00:50,139 ACTING WITH. 1434 01:00:50,139 --> 01:00:53,099 SO I WANT TO GIVE A SHOUTOUT TO 1435 01:00:50,139 --> 01:00:53,099 EVERYONE THAT I GET A CHANCE TO 1436 01:00:53,099 --> 01:00:55,150 ACT WITH ON THE SHOW 1437 01:00:53,099 --> 01:00:55,150 BECAUSE THEY ARE INCREDIBLE. 1438 01:00:55,150 --> 01:00:58,190 DO THEY MAKE ME THE BEST 1439 01:00:55,150 --> 01:00:58,190 NO, BUT I KNOW FOR A FACT THAT 1440 01:00:58,190 --> 01:01:00,250 THEY MAKE ME BETTER. 1441 01:00:58,190 --> 01:01:00,250 BETTER THAN I AM 1442 01:01:00,250 --> 01:01:04,110 BETTER THAN I THOUGHT I COULD 1443 01:01:00,250 --> 01:01:04,110 BE 1444 01:01:04,110 --> 01:01:10,090 BETTER THAN, YOU KNOW, THAN -- 1445 01:01:04,110 --> 01:01:10,090 YOU KNOW, THAN ANYTHING I COULD 1446 01:01:10,090 --> 01:01:13,170 DO 1447 01:01:10,090 --> 01:01:13,170 AND SO, I APPRECIATE EVERYBODY 1448 01:01:13,170 --> 01:01:15,130 LOOKING OUT. 1449 01:01:13,170 --> 01:01:15,130 AND DON'S RIGHT. 1450 01:01:15,130 --> 01:01:19,090 I HAVE TO WRAP IT UP 1451 01:01:15,130 --> 01:01:19,090 NEVER BEEN MY FORTE. 1452 01:01:19,090 --> 01:01:22,159 A LITTLE WINDY 1453 01:01:19,090 --> 01:01:22,159 A LITTLE WINDY 1454 01:01:22,159 --> 01:01:25,130 THANK YOU, I APPRECIATE YOU 1455 01:01:22,159 --> 01:01:25,130 GUYS 1456 01:01:25,130 --> 01:01:27,239 AND SHOUTOUT TO MY FELLOW 1457 01:01:25,130 --> 01:01:27,239 NOMINEE 1458 01:01:27,239 --> 01:01:28,090 NOMINEES 1459 01:01:27,239 --> 01:01:28,090 THANK YOU. 1460 01:01:28,090 --> 01:01:39,150 [ CHEERS AND APPLAUSE 1461 01:01:28,090 --> 01:01:39,150 >> LOVING ME SOME LAUGHTER AND 1462 01:01:39,150 --> 01:01:40,280 MUSSTASH 1463 01:01:39,150 --> 01:01:40,280 >> AND NOW HERE ARE THE NOMINEES 1464 01:01:40,280 --> 01:01:42,000 FOR BEST TV SERIES, MUSICAL OR 1465 01:01:40,280 --> 01:01:42,000 COMEDY 1466 01:01:42,000 --> 01:01:49,059 >> Announcer: "EMILY IN PARIS. 1467 01:01:42,000 --> 01:01:49,059 "THE FLIGHT ATTENDANT. 1468 01:01:49,059 --> 01:01:56,260 "THE GREAT." 1469 01:01:49,059 --> 01:01:56,260 "SCHITT'S CREEK. 1470 01:01:56,260 --> 01:02:10,010 "TED LASSO." 1471 01:01:56,260 --> 01:02:10,010 >> AND THE GOLDEN GLOBE GOES 1472 01:02:10,010 --> 01:02:19,099 TO -- "SCHITT'S CREEK. 1473 01:02:10,010 --> 01:02:19,099 >> OH, MY GOODNESS 1474 01:02:19,099 --> 01:02:22,269 ALL RIGHT. 1475 01:02:19,099 --> 01:02:22,269 UM, IS THIS, ARE WE ON 1476 01:02:22,269 --> 01:02:25,070 OKAY 1477 01:02:22,269 --> 01:02:25,070 I WOULD LIKE TO CONGRATULATE OUR 1478 01:02:25,070 --> 01:02:29,000 AMAZING CAST AND CREW, MOST OF 1479 01:02:25,070 --> 01:02:29,000 WHOM ARE IN CANADA RIGHT NOW, 1480 01:02:29,000 --> 01:02:33,010 LIKE MYSELF, WATCHING FROM HOME. 1481 01:02:29,000 --> 01:02:33,010 THE INCREDIBLE WORK YOU ALL DID 1482 01:02:33,010 --> 01:02:36,260 OVER THE PAST SIX SEASONS HAS 1483 01:02:33,010 --> 01:02:36,260 TAKEN US TO PLACES WE NEVER 1484 01:02:36,260 --> 01:02:41,059 THOUGHT POSSIBLE AND WE ARE SO 1485 01:02:36,260 --> 01:02:41,059 GRATEFUL TO ALL OF YOU FOR IT. 1486 01:02:41,059 --> 01:02:46,239 THANK YOU TO THE CBC AND POP TV 1487 01:02:41,059 --> 01:02:46,239 FOR MAKING THE ACTIVE CHOICE TO 1488 01:02:46,239 --> 01:02:49,090 KEEP THE LITTLE SHOW ON THE AIR 1489 01:02:46,239 --> 01:02:49,090 AND GIVE IT THE TIME AND SPACE 1490 01:02:49,090 --> 01:02:53,110 THAT IT NEEDED TO GROW LIKE SO 1491 01:02:49,090 --> 01:02:53,110 MANY TV SHOWS OUT THERE. 1492 01:02:53,110 --> 01:02:57,090 THIS ACKNOWLEDGMENT IS A LOVELY 1493 01:02:53,110 --> 01:02:57,090 VOTE OF CONFIDENCE IN THE 1494 01:02:57,090 --> 01:03:00,050 MESSAGES "SCHITT'S CREEK" HAS 1495 01:02:57,090 --> 01:03:00,050 COME TO STAND FOR. 1496 01:03:00,050 --> 01:03:03,110 THE IDEA THAT INCLUSION CAN 1497 01:03:00,050 --> 01:03:03,110 BRING ABOUT LOVE AND GROWTH TO A 1498 01:03:03,110 --> 01:03:06,139 COMMUNITY IN THE SPIRIT OF 1499 01:03:03,110 --> 01:03:06,139 INCLUSION, I HOPE THAT THIS TIME 1500 01:03:06,139 --> 01:03:13,199 NEXT YEAR, THIS CEREMONY 1501 01:03:06,139 --> 01:03:13,199 REFLECTS THE TRUE BREADTH AND 1502 01:03:13,199 --> 01:03:16,019 DIVERSITY OF TELEVISION BEING 1503 01:03:13,199 --> 01:03:16,019 MADE TODAY 1504 01:03:16,019 --> 01:03:25,199 THERE'S SO MUCH MORE TO BE 1505 01:03:16,019 --> 01:03:25,199 CELEBRATED, THANK YOU, VERY, 1506 01:03:25,199 --> 01:03:28,099 VERY MUCH. MUCH. 1507 01:03:25,199 --> 01:03:28,099 >> I HAVE A COUPLE OF YOUNG 1508 01:03:28,099 --> 01:03:30,210 FRIENDS AND I WILL QUIZ THEM AND 1509 01:03:28,099 --> 01:03:30,210 ASK THEM QUESTIONS ABOUT THE 1510 01:03:30,210 --> 01:03:38,179 GOLDEN GLOBES AND SEE WHAT THEY 1511 01:03:30,210 --> 01:03:38,179 KNOW 1512 01:03:38,179 --> 01:03:40,079 >> HAVE YOU SMART? 1513 01:03:38,179 --> 01:03:40,079 >> YES 1514 01:03:40,079 --> 01:03:43,119 >> WHAT DO PEOPLE DO IN THE 1515 01:03:40,079 --> 01:03:43,119 AWARD SHOWS? 1516 01:03:43,119 --> 01:03:46,199 >> THEY SIT ON THE COUCH AND 1517 01:03:43,119 --> 01:03:46,199 BRUSH THEIR TEETH. 1518 01:03:46,199 --> 01:03:53,010 >> WHAT IS HFPA STAND FOR? 1519 01:03:46,199 --> 01:03:53,010 >> IF YOU GET IN TROUBLE, JUST 1520 01:03:53,010 --> 01:03:56,280 LIKE GOING IN THE CORNER 1521 01:03:53,010 --> 01:03:56,280 >> WHO IS YOUR FAVORITE ACTOR? 1522 01:03:56,280 --> 01:03:59,170 >> CAPTAIN AMERICA 1523 01:03:56,280 --> 01:03:59,170 >> WHAT MOVIES HAS CAPTAIN 1524 01:03:59,170 --> 01:04:02,030 AMERICA BEEN IN, BESIDES CAPTAIN 1525 01:03:59,170 --> 01:04:02,030 AMERICA? 1526 01:04:02,030 --> 01:04:07,130 >> SPIDERMAN. 1527 01:04:02,030 --> 01:04:07,130 >> WHO IS LIN-MANUEL MIRANDA 1528 01:04:07,130 --> 01:04:11,110 >> CAPTAIN AMERICA. 1529 01:04:07,130 --> 01:04:11,110 >> WHO IS JANE FONDA 1530 01:04:11,110 --> 01:04:14,050 >> JANE FONDA IS A PERSON WHO 1531 01:04:11,110 --> 01:04:14,050 WALKS NORMALLY. 1532 01:04:14,050 --> 01:04:17,269 >> HOW ARE MOVIES MADE 1533 01:04:14,050 --> 01:04:17,269 >> THEY NEED A BRICK 1534 01:04:17,269 --> 01:04:20,150 >> BRICK 1535 01:04:17,269 --> 01:04:20,150 HOW MANY PEOPLE WERE IN THE 1536 01:04:20,150 --> 01:04:22,150 CHICAGO 7? 1537 01:04:20,150 --> 01:04:22,150 >> 500 1538 01:04:22,150 --> 01:04:27,250 >> WHAT IS QUEEN'S GAMBIT ABOUT? 1539 01:04:22,150 --> 01:04:27,250 >> FIGHTER. 1540 01:04:27,250 --> 01:04:31,139 >> WHAT IS OZARK 1541 01:04:27,250 --> 01:04:31,139 >> IT'S THE COOKIE MONSTER TO 1542 01:04:31,139 --> 01:04:33,260 THE COOKIE JAR 1543 01:04:31,139 --> 01:04:33,260 >> ARE YOU SMART 1544 01:04:33,260 --> 01:04:36,199 >> YES 1545 01:04:33,260 --> 01:04:36,199 >> WHERE DOES THE ROYAL FAMILY 1546 01:04:36,199 --> 01:04:40,170 LIVE 1547 01:04:36,199 --> 01:04:40,170 >> THEY LIVE IN A RAINFOREST 1548 01:04:40,170 --> 01:04:43,239 >> AND YOU HAVE TO CRAWL UP THE 1549 01:04:40,170 --> 01:04:43,239 STREET 1550 01:04:43,239 --> 01:04:47,170 >> I DIDN'T KNOW THAT, GOOD JOB. 1551 01:04:43,239 --> 01:04:47,170 >> ARE YOU SMART 1552 01:04:47,170 --> 01:04:50,050 >> YES 1553 01:04:47,170 --> 01:04:50,050 >> WHAT IS YOUR FAVORITE SONG 1554 01:04:50,050 --> 01:04:59,170 FROM "HAMILTON"? 1555 01:04:50,050 --> 01:04:59,170 >> I HAVE HORSES IN THE -- 1556 01:04:59,170 --> 01:05:03,230 >> WHO IS CHADWICK BOSEMAN 1557 01:04:59,170 --> 01:05:03,230 >> BLACK PANTHER 1558 01:05:03,230 --> 01:05:08,139 >> THE BLACK PANTHER. 1559 01:05:03,230 --> 01:05:08,139 >> THE BLACK PANTHER 1560 01:05:08,139 --> 01:05:12,269 >> HE IS A GOOD GUY. 1561 01:05:08,139 --> 01:05:12,269 >> HE IS A GOOD GUY FROM MOVIE 1562 01:05:12,269 --> 01:05:16,150 >> THE BLACK PANTHER 1563 01:05:12,269 --> 01:05:16,150 >> OKAY, GOOD JOB. 1564 01:05:16,150 --> 01:05:19,179 . 1565 01:05:16,150 --> 01:05:19,179 ♪ ♪ 1566 01:05:19,179 --> 01:05:23,090 >> HI, EVERYONE, NICE TO SEE 1567 01:05:19,179 --> 01:05:23,090 YOU. 1568 01:05:23,090 --> 01:05:29,110 >> HI, EVERYBODY 1569 01:05:23,090 --> 01:05:29,110 >> HI! 1570 01:05:29,110 --> 01:05:33,289 >> 1571 01:05:29,110 --> 01:05:33,289 >> HI! 1572 01:05:33,289 --> 01:05:35,070 EVERYBODY! 1573 01:05:33,289 --> 01:05:35,070 >> HELLO 1574 01:05:35,070 --> 01:05:38,030 >> HELLO. 1575 01:05:35,070 --> 01:05:38,030 >> HI! 1576 01:05:38,030 --> 01:05:40,010 >> HI! 1577 01:05:38,030 --> 01:05:40,010 >> I WISH WE WERE ALL TOGETHER 1578 01:05:40,010 --> 01:05:49,230 >> I KNOW. 1579 01:05:40,010 --> 01:05:49,230 >> HM-MM 1580 01:05:49,230 --> 01:05:53,139 >>> THE ACTRESSES NOMINATED FOR 1581 01:05:49,230 --> 01:05:53,139 MOTION PICTURE COMEDY ARE READY 1582 01:05:53,139 --> 01:06:04,099 FOR THEIR CLOSE UPS NEXT, THE 1583 01:05:53,139 --> 01:06:04,099 GOLDEN GLOBE ON NBC. 1584 01:06:04,099 --> 01:06:07,289 >> WELCOME BACK TO THE GOLDEN 1585 01:06:04,099 --> 01:06:07,289 GLOBES 1586 01:06:07,289 --> 01:06:16,090 >>> TO HELP IN THE FIGHT OF 1587 01:06:07,289 --> 01:06:16,090 COVID-19, THE HFPA WILL BE 1588 01:06:16,090 --> 01:06:26,230 MAKING A DONATION TO CORE. 1589 01:06:16,090 --> 01:06:26,230 TO ACCEPT THE DONATION IS SEAN 1590 01:06:26,230 --> 01:06:30,090 PEN. 1591 01:06:26,230 --> 01:06:30,090 >> THANK YOU FOR THAT 1592 01:06:30,090 --> 01:06:34,110 CONTRIBUTION TO CORE 1593 01:06:30,090 --> 01:06:34,110 CORE IS ADMINISTERED OVER 5 1594 01:06:34,110 --> 01:06:38,250 MILLION COVID-19 TESTS AT OUR 47 1595 01:06:34,110 --> 01:06:38,250 SITES NATIONWIDE 1596 01:06:38,250 --> 01:06:41,210 SINCE JANUARY, WE HAVE 1597 01:06:38,250 --> 01:06:41,210 ADMINISTERED 350,000 VACCINES. 1598 01:06:41,210 --> 01:06:46,019 THE EXPANDING SUPPLY COMING IN 1599 01:06:41,210 --> 01:06:46,019 OF VACCINES HAS MATCHED BY OUR 1600 01:06:46,019 --> 01:06:51,170 READINESS, BUT IT WILL TAKE MORE 1601 01:06:46,019 --> 01:06:51,170 THAN JUST HFPA'S GENEROUS 1602 01:06:51,170 --> 01:06:53,010 CONTRIBUTION TO SCALE UP THE 1603 01:06:51,170 --> 01:06:53,010 WORK 1604 01:06:53,010 --> 01:06:57,050 WE ASK YOU ALL AT HOME, PLEASE 1605 01:06:53,010 --> 01:06:57,050 HELP US DISARM THIS VIRUS AS 1606 01:06:57,050 --> 01:06:58,289 QUICKLY AS POSSIBLE TO GET OUR 1607 01:06:57,050 --> 01:06:58,289 COMMUNITIES AND BEYOND BACK ON 1608 01:06:58,289 --> 01:07:14,269 THEIR FEET 1609 01:06:58,289 --> 01:07:14,269 THANK YOU. 1610 01:07:14,269 --> 01:07:15,150 [ CHEERS AND APPLAUSE 1611 01:07:14,269 --> 01:07:15,150 AN 1612 01:07:15,150 --> 01:07:17,110 NOW, IN NEW YORK, HERE'S 1613 01:07:15,150 --> 01:07:17,110 BEN STILLER. 1614 01:07:17,110 --> 01:07:21,199 >> WOW 1615 01:07:17,110 --> 01:07:21,199 THANK YOU. 1616 01:07:21,199 --> 01:07:25,139 IT'S HARD TO BELIEVE THAT IT'S 1617 01:07:21,199 --> 01:07:25,139 BEEN A FULL YEAR SINCE LAST 1618 01:07:25,139 --> 01:07:28,010 GOLDEN GLOBES. 1619 01:07:25,139 --> 01:07:28,010 BUT LIKE MANY OF US, I HAVE USED 1620 01:07:28,010 --> 01:07:35,179 THAT TIME TO REALLY LOOK INWARD 1621 01:07:28,010 --> 01:07:35,179 AND GROW, I HAVE UNDERSTOOD THE 1622 01:07:35,179 --> 01:07:39,050 NATURE OF CRYPTO CURRENCY. 1623 01:07:35,179 --> 01:07:39,050 I READ A BOOK. 1624 01:07:39,050 --> 01:07:43,239 I FINALLY GOT AROUND TO DYEING 1625 01:07:39,050 --> 01:07:43,239 MY HAIR GRAY 1626 01:07:43,239 --> 01:07:47,059 AND LIKE SO MANY OTHER RESILIENT 1627 01:07:43,239 --> 01:07:47,059 AMERICANS I LEARNED TO BAKE. 1628 01:07:47,059 --> 01:08:01,019 A DELICIOUS BANANA BREAD IN THE 1629 01:07:47,059 --> 01:08:01,019 PERFECT FORM OF A GOLDEN GLOBE 1630 01:08:01,019 --> 01:08:07,099 YUM. 1631 01:08:01,019 --> 01:08:07,099 AND NOW, HERE ARE THE NOMINEES 1632 01:08:07,099 --> 01:08:13,050 FOR BEST ACTRESS IN A MOTION 1633 01:08:07,099 --> 01:08:13,050 PICTURE, MUSICAL OR COMEDY 1634 01:08:13,050 --> 01:08:16,100 MARIA BAKALOVA, "BORAT 1635 01:08:13,050 --> 01:08:16,100 SUBSEQUENT MOVIEFILM." 1636 01:08:16,100 --> 01:08:20,229 KATE HUDSON, "MUSIC. 1637 01:08:16,100 --> 01:08:20,229 MICHELLE PFEIFFER, "FRENCH 1638 01:08:20,229 --> 01:08:27,279 EXIT." 1639 01:08:20,229 --> 01:08:27,279 ROSAMUND PIKE, "I CARE A LOT." 1640 01:08:27,279 --> 01:08:29,069 ANYA TAYLOR-JOY, "EMMA." 1641 01:08:27,279 --> 01:08:29,069 AND THE GOLDEN GLOBE GOES TO - 1642 01:08:29,069 --> 01:08:35,020 >> PLEASE WELCOME PRODUCER OF 1643 01:08:40,239 --> 01:08:48,069 AND THE GOLDEN GLOBE GOES TO, 1644 01:08:40,239 --> 01:08:48,069 ROSMUND PIKE, "I CARE A LOT. 1645 01:08:48,069 --> 01:08:57,010 >> OH, MY GOSH 1646 01:08:48,069 --> 01:08:57,010 >> WELL, LADIES, I SALUTE YOU, 1647 01:08:57,010 --> 01:08:57,159 WOW. 1648 01:08:57,010 --> 01:08:57,159 WOW. 1649 01:08:57,159 --> 01:09:03,250 I BET IT LOOKS LIKE I CARE A 1650 01:08:57,159 --> 01:09:03,250 LOT. 1651 01:09:03,250 --> 01:09:06,069 I DO 1652 01:09:03,250 --> 01:09:06,069 I DO, I CARE A LOT 1653 01:09:06,069 --> 01:09:10,199 WOW, HFPA, THANK YOU, THANK YOU, 1654 01:09:06,069 --> 01:09:10,199 THANK YOU, FOR RECOGNIZING, I 1655 01:09:10,199 --> 01:09:18,069 SUPPOSE THE DARK SIDE OF COMEDY. 1656 01:09:10,199 --> 01:09:18,069 MY FELLOW NOMINEES I'M SO 1657 01:09:18,069 --> 01:09:19,159 HONORED TO BE IN THE ROOM WITH 1658 01:09:18,069 --> 01:09:19,159 YOU. 1659 01:09:19,159 --> 01:09:23,189 I MEAN, IN MY MOVIE, I HAD TO 1660 01:09:19,159 --> 01:09:23,189 SWIM UP FROM A SINKING CAR 1661 01:09:23,189 --> 01:09:27,050 I THINK I STILL WOULD RATHER DO 1662 01:09:23,189 --> 01:09:27,050 THAT, THAN HAVE BEEN IN A ROOM 1663 01:09:27,050 --> 01:09:31,069 WITH RUDY GIULIANI 1664 01:09:27,050 --> 01:09:31,069 MARIA, I SALUTE YOUR BRILLIANCE 1665 01:09:31,069 --> 01:09:36,029 AND YOUR BRAVERY 1666 01:09:31,069 --> 01:09:36,029 JAY BLAKESON WAS MY DIRECTOR AND 1667 01:09:36,029 --> 01:09:40,210 COLLABORATOR AND PARTNER IN 1668 01:09:36,029 --> 01:09:40,210 CRIME, IT WAS FROM HIS, THE 1669 01:09:40,210 --> 01:09:43,270 CORRIDORS OF HIS MIND THAT THIS 1670 01:09:40,210 --> 01:09:43,270 CHARACTER SPRANG 1671 01:09:43,270 --> 01:09:48,159 THANK YOU FOR THE WORDS. 1672 01:09:43,270 --> 01:09:48,159 THANK YOU FOR THE CAST, AND AZA, 1673 01:09:48,159 --> 01:09:51,029 MY WIFE. 1674 01:09:48,159 --> 01:09:51,029 I LOVE YOU 1675 01:09:51,029 --> 01:09:57,039 PETE ER DINKLEDGE, WHAT AN HONOR 1676 01:09:51,029 --> 01:09:57,039 AND IT WAS A CAREER HIGH TO BE 1677 01:09:57,039 --> 01:10:03,119 IN YOUR CHOKE HOLD 1678 01:09:57,039 --> 01:10:03,119 AND CHRIS MESSINA, THANK YOU TO 1679 01:10:03,119 --> 01:10:07,119 YOU AND YOUR SUITS AND NETFLIX, 1680 01:10:03,119 --> 01:10:07,119 THANK YOU FOR GIVING US AN 1681 01:10:07,119 --> 01:10:12,029 AUDIENCE AND FINALLY, MAYBE I 1682 01:10:07,119 --> 01:10:12,029 JUST HAVE TO THANK AMERICA'S 1683 01:10:12,029 --> 01:10:16,079 BROKEN LEGAL SYSTEM FOR MAKING 1684 01:10:12,029 --> 01:10:16,079 IT POSSIBLE TO MAKE STORIES LIKE 1685 01:10:16,079 --> 01:10:16,210 THIS 1686 01:10:16,079 --> 01:10:16,210 THANK YOU. 1687 01:10:16,210 --> 01:10:21,220 THANK YOU. 1688 01:10:16,210 --> 01:10:21,220 [ CHEERS AND APPLAUSE 1689 01:10:21,220 --> 01:10:23,140 ♪ ♪ 1690 01:10:21,220 --> 01:10:23,140 >> PLEASE WELCOME PRODUCER OF 1691 01:10:23,140 --> 01:10:37,060 "PROMISING YOUNG WOMAN," 1692 01:10:23,140 --> 01:10:37,060 MARGOT ROBBIE. 1693 01:10:37,060 --> 01:10:41,250 >> IN THE NEXT MOTION PICTURE 1694 01:10:37,060 --> 01:10:41,250 DRAMA, A WOMAN'S FUTURE IS 1695 01:10:41,250 --> 01:10:45,090 DERAILED BY A MYSTERIOUS, 1696 01:10:41,250 --> 01:10:45,090 TRAUMATIC EVENT. 1697 01:10:45,090 --> 01:10:48,149 WICKEDLY SMART AND TANTALIZINGLY 1698 01:10:45,090 --> 01:10:48,149 CUNNING, SHE LIVES A SECRET 1699 01:10:48,149 --> 01:10:58,060 DOUBLE LIFE AS SHE SEEKS 1700 01:10:48,149 --> 01:10:58,060 TO RIGHT THE WRONGS OF THE PAST. 1701 01:10:58,060 --> 01:11:02,119 WITH 4 GOLDEN GLOBE NOMINATIONS, 1702 01:10:58,060 --> 01:11:02,119 THIS IS "PROMISING YOUNG WOMAN." 1703 01:11:02,119 --> 01:11:08,170 >>> EVERY WEEK, I GO TO A CLUB 1704 01:11:02,119 --> 01:11:08,170 I ACT LIKE I'M TOO DRUNK TO 1705 01:11:08,170 --> 01:11:10,140 STAND. 1706 01:11:08,170 --> 01:11:10,140 AND EVERY WEEK A NICE GUY COMES 1707 01:11:10,140 --> 01:11:15,159 OVER TO SEE IF I'M OKAY. 1708 01:11:10,140 --> 01:11:15,159 I THOUGHT WE HAD A CONNECTION. 1709 01:11:15,159 --> 01:11:16,199 OKAY 1710 01:11:15,159 --> 01:11:16,199 HOW OLD AM I 1711 01:11:16,199 --> 01:11:22,100 WHAT ARE MY HOBBIES? 1712 01:11:16,199 --> 01:11:22,100 WHAT'S MY NAME 1713 01:11:22,100 --> 01:11:24,199 SORRY, MAYBE THAT ONE IS TOO 1714 01:11:22,100 --> 01:11:24,199 HARD 1715 01:11:24,199 --> 01:11:35,279 THE TEN DAY OF RECKONING FOR 1716 01:11:24,199 --> 01:11:35,279 EVERYONE 1717 01:11:35,279 --> 01:11:37,140 [ CHEERS AND APPLAUSE 1718 01:11:35,279 --> 01:11:37,140 >> HEY, GUYS 1719 01:11:37,140 --> 01:11:48,189 >> HOW ARE YOU 1720 01:11:37,140 --> 01:11:48,189 >> GOOD TO SEE YOU 1721 01:11:48,189 --> 01:11:55,069 >> VERY GOOD TO MEET YOU ON THE 1722 01:11:48,189 --> 01:11:55,069 SCREEN 1723 01:11:55,069 --> 01:12:00,109 >> HI, JOSH, ARE YOU WHO YOU 1724 01:11:55,069 --> 01:12:00,109 >> NEXT THE STARS OF TV DRAMAS 1725 01:12:00,109 --> 01:12:03,000 WILL TAKE THE SPOTLIGHT, IT'S 1726 01:12:00,109 --> 01:12:03,000 THE GOLDEN GLOBES RIGHT HERE ON 1727 01:12:03,000 --> 01:12:18,090 NBC. 1728 01:12:03,000 --> 01:12:18,090 ♪ ♪ 1729 01:12:18,090 --> 01:12:22,289 >>> THE GOLDEN GLOBES ARE BACK 1730 01:12:18,090 --> 01:12:22,289 AT THE BEVERLY HILTON HOTEL, 1731 01:12:22,289 --> 01:12:30,260 WITH THE PRODUCER AND STAR OF 1732 01:12:22,289 --> 01:12:30,260 "BLACKISH," ANTHONY ANDERSON 1733 01:12:30,260 --> 01:12:36,130 >> THANK YOU 1734 01:12:30,260 --> 01:12:36,130 NOW, BEFORE I PRESENT THE NEXT 1735 01:12:36,130 --> 01:12:40,270 AWARD, I WOULD LIKE TO REMIND 1736 01:12:36,130 --> 01:12:40,270 YOU ABOUT OUR CHARITY PARTNER 1737 01:12:40,270 --> 01:12:44,250 TONIGHT, FEEDING AMERICA'S 1738 01:12:40,270 --> 01:12:44,250 COVID-19 RESPONSE FUND 1739 01:12:44,250 --> 01:12:50,060 GO TO FEEDING AMERICA.ORG/GOLDEN 1740 01:12:44,250 --> 01:12:50,060 GLOBES IF YOU ARE INTERESTED IN 1741 01:12:50,060 --> 01:12:51,060 GIVING 1742 01:12:50,060 --> 01:12:51,060 >> THESE INSPIRED PERFORMANCES 1743 01:12:51,060 --> 01:12:54,140 COMMANDED OUR ATTENTION. 1744 01:12:51,060 --> 01:12:54,140 DRAWING US IN, SCENE AFTER 1745 01:12:54,140 --> 01:12:58,060 INCREDIBLE SCENE 1746 01:12:54,140 --> 01:12:58,060 HERE ARE THE NOMINEES FOR BEST 1747 01:12:58,060 --> 01:13:02,000 PERFORMANCE BY AN ACTOR IN A 1748 01:12:58,060 --> 01:13:02,000 TELEVISION SERIES DRAMA. 1749 01:13:02,000 --> 01:13:10,020 JASON BATEMAN, "OZARK. 1750 01:13:02,000 --> 01:13:10,020 JOSH O'CONNOR, "THE CROWN. 1751 01:13:10,020 --> 01:13:15,029 BOB ODENKIRK, "BETTER CALL 1752 01:13:10,020 --> 01:13:15,029 SAUL." 1753 01:13:15,029 --> 01:13:26,090 AL PACINO, "HUNTERS. 1754 01:13:15,029 --> 01:13:26,090 MATTHEW RHYS, "PERRY MASON." 1755 01:13:26,090 --> 01:13:42,220 AND THE GOLDEN GLOBE GOES TO - 1756 01:13:26,090 --> 01:13:42,220 JOSH O'CONNOR, "THE CROWN. 1757 01:13:42,220 --> 01:13:49,100 WELL 1758 01:13:42,220 --> 01:13:49,100 HELLO, EVERYONE, THAT'S QUITE A 1759 01:13:49,100 --> 01:13:50,090 SURPRISE 1760 01:13:49,100 --> 01:13:50,090 THANK YOU SO MUCH. 1761 01:13:50,090 --> 01:13:53,130 THANK YOU SO MUCH TO EVERYONE 1762 01:13:50,090 --> 01:13:53,130 WHO MAKES "THE CROWN" WHAT IT 1763 01:13:53,130 --> 01:13:56,029 IS 1764 01:13:53,130 --> 01:13:56,029 I HAVE HAD THE TIME OF MY LIFE 1765 01:13:56,029 --> 01:14:02,250 MAKING THIS, SO THANK YOU TO 1766 01:13:56,029 --> 01:14:02,250 EVERYONE AT NETFLIX AND ALL THE 1767 01:14:02,250 --> 01:14:07,119 PRODUCERS AND OUR BRILLIANT 1768 01:14:02,250 --> 01:14:07,119 WRITER AND DIRECTOR, AND OUR 1769 01:14:07,119 --> 01:14:09,279 INCREDIBLE CAST. 1770 01:14:07,119 --> 01:14:09,279 EVERY DAY WORKING WITH YOU IS A 1771 01:14:09,279 --> 01:14:17,029 MASTER CLASS 1772 01:14:09,279 --> 01:14:17,029 AND TO EMMA CORRIN, BEST ACTRESS 1773 01:14:17,029 --> 01:14:21,050 WINNER, YOU'RE EXTRAORDINARY, 1774 01:14:17,029 --> 01:14:21,050 TALENTED, FUNNY AND A BRILLIANT 1775 01:14:21,050 --> 01:14:27,029 PLAYER OF ROCK, PAPER SCISSORS, 1776 01:14:21,050 --> 01:14:27,029 I LOVE YOU TO DEATH. 1777 01:14:27,029 --> 01:14:32,020 TO MY TEAM, ZACH AND CHRIS 1778 01:14:27,029 --> 01:14:32,020 ANDREWS AND SARAH AND EMMA AND 1779 01:14:32,020 --> 01:14:35,090 JESSICA AND ALEX, YOU ARE ALL 1780 01:14:32,020 --> 01:14:35,090 INCREDIBLE 1781 01:14:35,090 --> 01:14:39,039 TO MY FELLOW NOMINEES, YOU ARE 1782 01:14:35,090 --> 01:14:39,039 MY HEROES. 1783 01:14:39,039 --> 01:14:43,029 TO MY MOM AND DAD, I LOVE YOU, 1784 01:14:39,039 --> 01:14:43,029 AND ALL THE BEST 1785 01:14:43,029 --> 01:14:46,220 AND FINALLY I WANT TO SAY, ONE 1786 01:14:43,029 --> 01:14:46,220 LITTLE THING, I WANT TO SAY I'M 1787 01:14:46,220 --> 01:14:51,039 VERY LUCKY TO BE ABLE TO WORK IN 1788 01:14:46,220 --> 01:14:51,039 THIS PERIOD AND THERE'S SO MANY 1789 01:14:51,039 --> 01:14:55,140 PEOPLE THAT ARE UNABLE TO WORK 1790 01:14:51,039 --> 01:14:55,140 AND ARE ALONE AND ISOLATED, AND 1791 01:14:55,140 --> 01:14:59,180 I HOPE THAT WE CAN ALL 1792 01:14:55,140 --> 01:14:59,180 COLLECTIVELY PUT MENTAL HEALTH 1793 01:14:59,180 --> 01:15:03,029 AT THE FOREFRONT OF OUR MINDS, 1794 01:14:59,180 --> 01:15:03,029 THANK YOU SO MUCH. 1795 01:15:03,029 --> 01:15:15,130 [ CHEERS AND APPLAUSE 1796 01:15:03,029 --> 01:15:15,130 >> WOW, WOW, WOW, AMY, WE ARE 1797 01:15:15,130 --> 01:15:21,079 STARTING TO GET SOME OF OUR GOOD 1798 01:15:15,130 --> 01:15:21,079 VIRAL GET ME MOMENTS 1799 01:15:21,079 --> 01:15:23,039 DON CHEADLE LIKE THIS. 1800 01:15:21,079 --> 01:15:23,039 PRETTY GOOD. 1801 01:15:23,039 --> 01:15:28,180 AND TRACY MORGAN BEING A 1802 01:15:23,039 --> 01:15:28,180 BEAUTIFUL -- THAT FEELS LIKE 1803 01:15:28,180 --> 01:15:32,069 HOME TO ME 1804 01:15:28,180 --> 01:15:32,069 THAT MAKES ME FEEL VERY AT HOME. 1805 01:15:32,069 --> 01:15:37,260 ALSO, IF ANYBODY WANTS TO KNOW 1806 01:15:32,069 --> 01:15:37,260 WHERE THEY CAN GET JASON 1807 01:15:37,260 --> 01:15:43,029 SUDEIKAS' HOODIE, GO TO 1808 01:15:37,260 --> 01:15:43,029 NBC.COM/GLOBE FASHION. 1809 01:15:43,029 --> 01:15:46,170 >> AMAZING, THOSE ARE THE MESSY 1810 01:15:43,029 --> 01:15:46,170 THINGS WE LOVE ABOUT THE GLOBES. 1811 01:15:46,170 --> 01:15:55,159 >> OH, BOY, OKAY 1812 01:15:46,170 --> 01:15:55,159 BACK IN THE BEFORE TIME., 1813 01:15:55,159 --> 01:16:03,039 CELEBRITIES WOULD LEAVE WITH A 1814 01:15:55,159 --> 01:16:03,039 BAG OF TREATS, TRUE STORY, I 1815 01:16:03,039 --> 01:16:09,090 HAVE A KITCHEN EN--AID MIXER WIT 1816 01:16:03,039 --> 01:16:09,090 DIAMONDS ON THE SIDE. 1817 01:16:09,090 --> 01:16:12,100 >> AND I GOT A BAG OF SOLID GOLD 1818 01:16:09,090 --> 01:16:12,100 DORITOS. 1819 01:16:12,100 --> 01:16:16,199 >> THIS YEAR, THEY GOT ACCESS TO 1820 01:16:12,100 --> 01:16:16,199 SOMETHING EVERYONE WANTS 1821 01:16:16,199 --> 01:16:22,020 ACCESS TO FREE TELE MEDICINE 1822 01:16:16,199 --> 01:16:22,020 >> I'M FINE NOW, THANK YOU 1823 01:16:22,020 --> 01:16:26,060 >> I WAS HAVING THESE GI ISSUES 1824 01:16:22,020 --> 01:16:26,060 FOR A WHILE AND I GOOGLED MY 1825 01:16:26,060 --> 01:16:27,199 SYMPTOMS 1826 01:16:26,060 --> 01:16:27,199 >> NEVER DO THAT 1827 01:16:27,199 --> 01:16:31,220 >> I KNOW, AT FIRST I THOUGHT I 1828 01:16:27,199 --> 01:16:31,220 HAD THE CROODS. 1829 01:16:31,220 --> 01:16:37,140 >> ONLY CHILDREN GET THE "CRO. 1830 01:16:31,220 --> 01:16:37,140 "CROODS". 1831 01:16:37,140 --> 01:16:42,010 >> I HEARD THAT IT'S BEEN GOING 1832 01:16:37,140 --> 01:16:42,010 AROUND CANADA, AND NOW IT'S 1833 01:16:42,010 --> 01:16:44,130 HERE 1834 01:16:42,010 --> 01:16:44,130 >> THAT'S "SCHITT'S CREEK," YOU 1835 01:16:44,130 --> 01:16:46,109 WILL BE FINE 1836 01:16:44,130 --> 01:16:46,109 >> THANK YOU FORESEEING ME 1837 01:16:46,109 --> 01:16:49,010 >> HI, WELCOME, WHAT CAN WE DO 1838 01:16:46,109 --> 01:16:49,010 FOR YOU? 1839 01:16:49,010 --> 01:16:54,220 >> I'M EXPERIENCING EVERYTHING 1840 01:16:49,010 --> 01:16:54,220 AS A TIME LOOP AND SO WHEN I GO 1841 01:16:54,220 --> 01:16:59,199 TO BED AT NIGHT, I GET UP AND 1842 01:16:54,220 --> 01:16:59,199 IT'S THE SAME DAY AS BEFORE. 1843 01:16:59,199 --> 01:17:03,170 >> SOUNDS LIKE EVERY DAY IN 1844 01:16:59,199 --> 01:17:03,170 LOCKDOWN, HAVE YOU TRIED TO 1845 01:17:03,170 --> 01:17:07,020 MURDER ANDY SANDBURG AGAIN AND 1846 01:17:03,170 --> 01:17:07,020 AGAIN AND HE WILL JUST NOT DIE 1847 01:17:07,020 --> 01:17:11,119 >> YES 1848 01:17:07,020 --> 01:17:11,119 >> THAT'S IT, THAT'S "PALM 1849 01:17:11,119 --> 01:17:16,149 SPRINGS," YOU DEFINITELY GOT IT. 1850 01:17:11,119 --> 01:17:16,149 >> HI, DR. GORMAN, I HAVE BEEN 1851 01:17:16,149 --> 01:17:19,069 FEELING WELL, A BIT HOT AND 1852 01:17:16,149 --> 01:17:19,069 BOTHERED LATELY. 1853 01:17:19,069 --> 01:17:23,159 >> YOU ARE EXPERIENCING 1854 01:17:19,069 --> 01:17:23,159 "BRIDGEERTON," VERY COMMON, IT'S 1855 01:17:23,159 --> 01:17:26,060 GOING AROUND 1856 01:17:23,159 --> 01:17:26,060 >> DO I DO ANYTHING ABOUT IT 1857 01:17:26,060 --> 01:17:28,239 >> JUST ENJOY IT 1858 01:17:26,060 --> 01:17:28,239 >> THANK YOU 1859 01:17:28,239 --> 01:17:33,180 >> WELL, HELLO, DOCTOR, I WANTED 1860 01:17:28,239 --> 01:17:33,180 TO THANK YOU FOR THE PHENOMENAL 1861 01:17:33,180 --> 01:17:39,239 WORK THAT YOU HAVE DONE DURING 1862 01:17:33,180 --> 01:17:39,239 THIS TERRIBLE PANDEMIC 1863 01:17:39,239 --> 01:17:44,180 >> YOU SOUND TERRIBLE. 1864 01:17:39,239 --> 01:17:44,180 >> I ACTUALLY FEEL PRETTY GOOD 1865 01:17:44,180 --> 01:17:47,180 IT'S JUST THAT MY VOICE KEEPS 1866 01:17:44,180 --> 01:17:47,180 DOING THIS 1867 01:17:47,180 --> 01:17:54,020 >> I THINK YOU HAVE -- 1868 01:17:47,180 --> 01:17:54,020 >> THANK YOU, I WILL CONTINUE TO 1869 01:17:54,020 --> 01:17:57,260 SELF MEDICATE. 1870 01:17:54,020 --> 01:17:57,260 >> HELLO, DOCTOR, IT'S GLENN 1871 01:17:57,260 --> 01:17:59,229 CLOSE. 1872 01:17:57,260 --> 01:17:59,229 >> HI, THERE 1873 01:17:59,229 --> 01:18:02,140 >> HI. 1874 01:17:59,229 --> 01:18:02,140 I'M OUT OF MONTANA AND IT'S A 1875 01:18:02,140 --> 01:18:05,250 BIG RURAL STATE AND IT'S BEEN A 1876 01:18:02,140 --> 01:18:05,250 LITTLE COMPLICATED TRYING TO 1877 01:18:05,250 --> 01:18:09,079 FIGURE OUT HOW TO GET A VACCINE. 1878 01:18:05,250 --> 01:18:09,079 I WAS WONDERING IF YOU CAN CATCH 1879 01:18:09,079 --> 01:18:11,130 ME UP. 1880 01:18:09,079 --> 01:18:11,130 >> IN MONTANA THEY ARE UP TO 1881 01:18:11,130 --> 01:18:17,279 GROUP 1-B, WHICH IS PERSONS 70 1882 01:18:11,130 --> 01:18:17,279 YEARS AND OLDER SO GOOD NEWS 1883 01:18:17,279 --> 01:18:20,020 >> GOOD NEWS 1884 01:18:17,279 --> 01:18:20,020 OH 1885 01:18:20,020 --> 01:18:24,159 WHY DO YOU THINK IT'S GOOD NEWS 1886 01:18:20,020 --> 01:18:24,159 FOR ME 1887 01:18:24,159 --> 01:18:33,180 I'M 45 1888 01:18:24,159 --> 01:18:33,180 >> UM, THEN, UM -- 1889 01:18:33,180 --> 01:18:35,109 >> HI, DOCTOR, I HAVE A QUICK 1890 01:18:33,180 --> 01:18:35,109 QUESTION 1891 01:18:35,109 --> 01:18:40,020 DO YOU THINK THAT MINARI IS 1892 01:18:35,109 --> 01:18:40,020 RIGHT FOR ME 1893 01:18:40,020 --> 01:18:42,050 >> THE BLOOD PRESSURE 1894 01:18:40,020 --> 01:18:42,050 MEDICATION 1895 01:18:42,050 --> 01:18:48,130 >> NO THE BEAUTIFUL MOVIE ABOUT 1896 01:18:42,050 --> 01:18:48,130 THE KOREAN FAMILY'S SEARCH FOR 1897 01:18:48,130 --> 01:18:53,010 AN AMERICAN DREAM. 1898 01:18:48,130 --> 01:18:53,010 >> GO FOR IT 1899 01:18:53,010 --> 01:18:58,050 SIDE AFFECTS ARE WATERY EYES, 1900 01:18:53,010 --> 01:18:58,050 INCREASED COMPASSION AND A BIT 1901 01:18:58,050 --> 01:19:00,000 OF WEIGHT GAIN. 1902 01:18:58,050 --> 01:19:00,000 >> WEIGHT GAIN 1903 01:19:00,000 --> 01:19:03,270 NO, I CAN'T DO THAT. 1904 01:19:00,000 --> 01:19:03,270 >> HEY, NURSE SOFIA, IT'S ANDREW 1905 01:19:03,270 --> 01:19:05,189 REYNOLDS 1906 01:19:03,270 --> 01:19:05,189 >> OKAY? 1907 01:19:05,189 --> 01:19:08,130 >> OKAY. 1908 01:19:05,189 --> 01:19:08,130 UM, SO, AS YOU KNOW, I AM A 1909 01:19:08,130 --> 01:19:13,000 METHOD ACTOR AND THE NEXT ROLE I 1910 01:19:08,130 --> 01:19:13,000 WILL BE PLAYING IS THAT OF A 1911 01:19:13,000 --> 01:19:14,279 DOCTOR 1912 01:19:13,000 --> 01:19:14,279 AND I, I WAS WONDERING -- 1913 01:19:14,279 --> 01:19:18,000 >> YOU CAN'T GET THE VACCINE 1914 01:19:14,279 --> 01:19:18,000 NOW. 1915 01:19:18,000 --> 01:19:21,130 >> OKAY. 1916 01:19:18,000 --> 01:19:21,130 BUT WHAT IF I TOLD YOU THE 1917 01:19:21,130 --> 01:19:25,159 DOCTOR ALSO HAS HEMOPHELIA. 1918 01:19:21,130 --> 01:19:25,159 >> YOU HAVE TO WAIT. 1919 01:19:25,159 --> 01:19:30,149 >> AND WHAT IF I TOLD YOU HE IS 1920 01:19:25,159 --> 01:19:30,149 ALSO A THOUSAND YEARS OLD. 1921 01:19:30,149 --> 01:19:33,289 >> WHAT KIND OF RYAN MURPHY 1922 01:19:30,149 --> 01:19:33,289 NONSENSE IS THIS 1923 01:19:33,289 --> 01:19:39,050 >> WELL, IT IS A VERY DARK 1924 01:19:33,289 --> 01:19:39,050 RE-TELLING OF THE CLASSIC 1925 01:19:39,050 --> 01:19:43,060 MADELINE, SARAH PAULSON IS 1926 01:19:39,050 --> 01:19:43,060 PLAYING -- SHE ISES VERY SEXY. 1927 01:19:43,060 --> 01:19:57,000 >> GET OUT OF HERE, PLEASE 1928 01:19:43,060 --> 01:19:57,000 [ CHEERS AND APPLAUSE 1929 01:19:57,000 --> 01:19:59,220 >> WOW 1930 01:19:57,000 --> 01:19:59,220 AMY, I GOT TO SAY, I'M GETTING 1931 01:19:59,220 --> 01:20:05,239 PRETTY TIRED OF RUN ARE IN TO 1932 01:19:59,220 --> 01:20:05,239 THIS NEXT PRESENTER AT EVERY 1933 01:20:05,239 --> 01:20:16,270 AUDITION 1934 01:20:05,239 --> 01:20:16,270 PLEASE WELCOME GAL GADOT 1935 01:20:16,270 --> 01:20:24,109 ♪ ♪ 1936 01:20:16,270 --> 01:20:24,109 >>> THESE FILMS FROM NATION'S 1937 01:20:24,109 --> 01:20:29,119 CROSS THE GLOBE CONVEY POWER AND 1938 01:20:24,109 --> 01:20:29,119 EMOTION THAT SPEAKS TO ALL OF 1939 01:20:29,119 --> 01:20:30,220 US 1940 01:20:29,119 --> 01:20:30,220 HERE ARE THIS YEAR'S NOMINEES 1941 01:20:30,220 --> 01:20:33,189 FOR BEST MOTION PICTURE, FOREIGN 1942 01:20:30,220 --> 01:20:33,189 LANGUAGE 1943 01:20:33,189 --> 01:20:39,210 >> "ANOTHER ROUND," DENMARK. 1944 01:20:33,189 --> 01:20:39,210 FOUR HIGH SCHOOL TEACHERS 1945 01:20:39,210 --> 01:20:42,250 "LA LLORONA," GUATEMALA/FRANCE 1946 01:20:39,210 --> 01:20:42,250 "THE LIFE AHEAD," ITALY. 1947 01:20:42,250 --> 01:20:48,250 "MINARI," USA. 1948 01:20:42,250 --> 01:20:48,250 "TWO OF US," FRANCE/USA. 1949 01:20:48,250 --> 01:20:56,189 >> AND THE GOLDEN GLOBE GOES 1950 01:20:48,250 --> 01:20:56,189 TO - 1951 01:20:56,189 --> 01:21:13,000 "MINARI. 1952 01:20:56,189 --> 01:21:13,000 >> I WANT TO, I WANT TO THANK 1953 01:21:13,000 --> 01:21:19,079 THE HFPA 1954 01:21:13,000 --> 01:21:19,079 I WANT TO THANK MY TEAM AT CAA, 1955 01:21:19,079 --> 01:21:26,289 ALL THE MINARI FAMILY. 1956 01:21:19,079 --> 01:21:26,289 THE ACTORS, STEVEN, YJ, ALL THE 1957 01:21:26,289 --> 01:21:34,130 CREATIVE TEAM. 1958 01:21:26,289 --> 01:21:34,130 CHRISTINA, LOCHI, AND ALL THE 1959 01:21:34,130 --> 01:21:37,260 COUSINS WATCHING 1960 01:21:34,130 --> 01:21:37,260 MY MOM AND DAD, MY SISTER, MY 1961 01:21:37,260 --> 01:21:41,149 WIFE WHO'S HIDING OVER THERE AND 1962 01:21:37,260 --> 01:21:41,149 THIS ONE HERE. 1963 01:21:41,149 --> 01:21:46,159 SHE IS THE REASON I MADE THIS 1964 01:21:41,149 --> 01:21:46,159 FILM 1965 01:21:46,159 --> 01:21:49,189 AND I JUST WANT TO SAY THAT 1966 01:21:46,159 --> 01:21:49,189 "MINARI" IS ABOUT A FAMILY, IT'S 1967 01:21:49,189 --> 01:21:54,180 A FAMILY TRYING TO LEARN TO 1968 01:21:49,189 --> 01:21:54,180 SPEAK A LANGUAGE OF ITS OWN. 1969 01:21:54,180 --> 01:21:57,029 IT GOES DEEPER THAN ANY AMERICAN 1970 01:21:54,180 --> 01:21:57,029 LANGUAGE AND FOREIGN LANGUAGE. 1971 01:21:57,029 --> 01:22:00,289 IT'S A LANGUAGE OF THE HEART 1972 01:21:57,029 --> 01:22:00,289 AND I'M TRYING TO LEARN IT 1973 01:22:00,289 --> 01:22:04,270 MYSELF AND TO PASS IT ON, AND I 1974 01:22:00,289 --> 01:22:04,270 HOPE WE WILL ALL LEARN HOW TO 1975 01:22:04,270 --> 01:22:08,079 SPEAK THIS LANGUAGE OF LOVE TO 1976 01:22:04,270 --> 01:22:08,079 EACH OTHER, ESPECIALLY THIS 1977 01:22:08,079 --> 01:22:14,050 YEAR 1978 01:22:08,079 --> 01:22:14,050 GOD BLESS YOU ALL AND THANK YOU. 1979 01:22:14,050 --> 01:22:23,060 ♪ ♪ 1980 01:22:14,050 --> 01:22:23,060 [ CHEERS AND APPLAUSE 1981 01:22:23,060 --> 01:22:35,189 >> Announcer: AURAWE PRESENT THE 1982 01:22:23,060 --> 01:22:35,189 >> WELCOME BACK TO THE GOLDEN 1983 01:22:35,189 --> 01:22:44,180 GLOBES 1984 01:22:35,189 --> 01:22:44,180 NOW STAR OF "KENAN," KENAN 1985 01:22:44,180 --> 01:22:51,010 THOMPSON 1986 01:22:44,180 --> 01:22:51,010 >>> ALL RIGHT, ALL RIGHT, GOOD 1987 01:22:51,010 --> 01:22:51,260 EVENING, GOOD EVENING, GOOD 1988 01:22:51,010 --> 01:22:51,260 EVENING. 1989 01:22:51,260 --> 01:22:55,050 ALL RIGHT. 1990 01:22:51,260 --> 01:22:55,050 >> A PSYCHIATRIC WARD, MODERN 1991 01:22:55,050 --> 01:22:59,119 DAY MISSOURI, OUTER SPACE, 20th 1992 01:22:55,050 --> 01:22:59,119 CENTURY ENGLAND, AND THE JIM 1993 01:22:59,119 --> 01:23:07,000 CROW SOUTH 1994 01:22:59,119 --> 01:23:07,000 HORRIBLE AIR BNB CHOICES 1995 01:23:07,000 --> 01:23:12,010 BUT GREAT LOCATIONS FOR OUR 1996 01:23:07,000 --> 01:23:12,010 TELEVISION SERIES NOMINEES 1997 01:23:12,010 --> 01:23:16,289 >> "THE CROWN. 1998 01:23:12,010 --> 01:23:16,289 "LOVECRAFT COUNTRY." 1999 01:23:16,289 --> 01:23:24,149 "THE MANDALORIAN." 2000 01:23:16,289 --> 01:23:24,149 "OZARK." 2001 01:23:24,149 --> 01:23:31,270 "RATCHED." 2002 01:23:24,149 --> 01:23:31,270 >> AND THE GOLDEN GLOBE GOES 2003 01:23:31,270 --> 01:23:38,260 TO - 2004 01:23:31,270 --> 01:23:38,260 "THE CROWN." 2005 01:23:38,260 --> 01:23:50,199 [ CHEERS AND APPLAUSE 2006 01:23:38,260 --> 01:23:50,199 >>> THANKS, THANK YOU SO MUCH. 2007 01:23:50,199 --> 01:23:55,039 THANK YOU, THANK YOU, THANK YOU. 2008 01:23:50,199 --> 01:23:55,039 THANK YOU SO MUCH, HFPA. 2009 01:23:55,039 --> 01:24:06,210 THANK YOU TO EVERYONE AT 2010 01:23:55,039 --> 01:24:06,210 NETFLIX, TED, BELLA, CINDY, 2011 01:24:06,210 --> 01:24:13,119 NINA, FORMERLYSONY 2012 01:24:06,210 --> 01:24:13,119 I'M SORRY THAT I'M SITTING HERE 2013 01:24:13,119 --> 01:24:18,189 IN MY TRAGIC LITTLE OFFICE 2014 01:24:13,119 --> 01:24:18,189 KNOCKED AROUND-- NOT SURROUNDED 2015 01:24:18,189 --> 01:24:22,180 PEOPLE THAT MAKE THE SHOW SO 2016 01:24:18,189 --> 01:24:22,180 SPECIAL. 2017 01:24:22,180 --> 01:24:26,189 OLIVIA, JOSH, AARON, THE 2018 01:24:22,180 --> 01:24:26,189 DIRECTOR, BEN, JESS, JULIAN, 2019 01:24:26,189 --> 01:24:31,039 PAUL, MY WONDERFUL PRODUCER, 2020 01:24:26,189 --> 01:24:31,039 SUSAN AND UNA AND MICHAEL, THE 2021 01:24:31,039 --> 01:24:35,229 EDITORS AND COMPOSER AND I MISS 2022 01:24:31,039 --> 01:24:35,229 NOT BEING WITH MY FELLOW 2023 01:24:35,229 --> 01:24:40,210 NOMINEES IN THAT WONDERFUL ROOM 2024 01:24:35,229 --> 01:24:40,210 IN THAT CRAZY ROOM AT THE 2025 01:24:40,210 --> 01:24:43,189 BEVERLY HILTON TONIGHT 2026 01:24:40,210 --> 01:24:43,189 I'M GLAD I'M NOT HAVING TO FACE 2027 01:24:43,189 --> 01:24:46,260 THE ROOM MAKING THIS SPEECH. 2028 01:24:43,189 --> 01:24:46,260 BUT IT ALWAYS IS THE MOST FUN 2029 01:24:46,260 --> 01:24:56,039 AWARD SHOW 2030 01:24:46,260 --> 01:24:56,039 AND ONE LAST INDULGENCE, MY 2031 01:24:56,039 --> 01:24:58,180 CHILDREN, FROM WHOM I HAVE BEEN 2032 01:24:56,039 --> 01:24:58,180 SEPARATED TOO MUCH IN THE 2033 01:24:58,180 --> 01:24:59,229 PANDEMIC, TO THEM, I SAY I'M 2034 01:24:58,180 --> 01:24:59,229 SORRY. 2035 01:24:59,229 --> 01:25:12,000 [ CHEERS AND APPLAUSE 2036 01:24:59,229 --> 01:25:12,000 >> JANE FONDA HAS DONE IT ALL. 2037 01:25:12,000 --> 01:25:17,090 DRAMA, SYFY, THRILLERS, AND 2038 01:25:12,000 --> 01:25:17,090 MORE 2039 01:25:17,090 --> 01:25:21,079 SHE FOLLOWED HER BELIEFS EVEN 2040 01:25:17,090 --> 01:25:21,079 WHEN IT THREW HER IN A FIRE 2041 01:25:21,079 --> 01:25:27,069 STORM OF CONTROVERSY 2042 01:25:21,079 --> 01:25:27,069 I HAD A PLEASURE OF PLAYING 2043 01:25:27,069 --> 01:25:30,189 JANE'S DAUGHTER ONCE, AND I 2044 01:25:27,069 --> 01:25:30,189 FOUND JANE TO BE SO MUCH MORE 2045 01:25:30,189 --> 01:25:34,039 THAN JUST A MOVIE STAR 2046 01:25:30,189 --> 01:25:34,039 SHE HAD WAS AN OPEN, GENEROUS, 2047 01:25:34,039 --> 01:25:38,239 HARD WORKING ACTOR 2048 01:25:34,039 --> 01:25:38,239 WITH THE ASS OF A 20-YEAR-OLD 2049 01:25:38,239 --> 01:25:40,279 BOY. 2050 01:25:38,239 --> 01:25:40,279 >> LET'S TAKE A LOOK AT WHAT 2051 01:25:40,279 --> 01:25:44,149 JAYNE HAS ACCOMPLISHED SO FAR 2052 01:25:40,279 --> 01:25:44,149 HERE AT WHAT IS PROBABLY JUST A 2053 01:25:44,149 --> 01:25:49,100 MID POINT OF HER ILLUSTRIOUS 2054 01:25:44,149 --> 01:25:49,100 CAREER 2055 01:25:49,100 --> 01:25:53,000 >> THERE'S A LOT OF GLASS ON THE 2056 01:25:49,100 --> 01:25:53,000 FLOOR FROM ALL OF THE CEILINGS 2057 01:25:53,000 --> 01:25:57,020 SHE HAS SHATTERED. 2058 01:25:53,000 --> 01:25:57,020 >> ACTRESS AND ACTIVIST. 2059 01:25:57,020 --> 01:26:00,220 >> SHE IS ALWAYS MARCHING ON THE 2060 01:25:57,020 --> 01:26:00,220 FRONT LINES OF THE GOOD FIGHT. 2061 01:26:00,220 --> 01:26:05,050 >> SHE IS MY ROLE MODEL. 2062 01:26:00,220 --> 01:26:05,050 A REAL LIFE SUPER HERO 2063 01:26:05,050 --> 01:26:08,279 >> SHE IS CONFIDENT. 2064 01:26:05,050 --> 01:26:08,279 >> ICONIC. 2065 01:26:08,279 --> 01:26:10,170 AND INDEPENDENT. 2066 01:26:08,279 --> 01:26:10,170 >> SHARP 2067 01:26:10,170 --> 01:26:12,270 >> BOLD. 2068 01:26:10,170 --> 01:26:12,270 >> SHE IS AN INSPIRATION 2069 01:26:12,270 --> 01:26:15,289 >> JANE'S IS A CAREER FOR THE 2070 01:26:12,270 --> 01:26:15,289 AGES 2071 01:26:15,289 --> 01:26:20,100 >> I LOVE YOU, JANE. 2072 01:26:15,289 --> 01:26:20,100 I'M SO PROUD TO KNOW YOU 2073 01:26:20,100 --> 01:26:22,180 I'M SO PROUD TO BE YOUR FRIEND 2074 01:26:20,100 --> 01:26:22,180 SENDING YOU SO MUCH LOVE 2075 01:26:22,180 --> 01:26:36,039 CONGRATULATIONS. 2076 01:26:22,180 --> 01:26:36,039 >> VISIONS AT THE PLAZA HOTEL. 2077 01:26:36,039 --> 01:26:49,250 >> WAIT A MINUTE, I'M NOT 2078 01:26:36,039 --> 01:26:49,250 FINISHED 2079 01:26:49,250 --> 01:26:59,279 >> I'M SORRY, I THOUGHT IT WAS 2080 01:26:49,250 --> 01:26:59,279 AIR FRESHENER. 2081 01:26:59,279 --> 01:27:04,109 >> THAT SOUNDS FANTASTIC 2082 01:26:59,279 --> 01:27:04,109 >> GEORGE. 2083 01:27:04,109 --> 01:27:09,039 WILL YOU PLEASES GET MY LITTLE 2084 01:27:04,109 --> 01:27:09,039 BLUE -- PLEASE 2085 01:27:09,039 --> 01:27:11,119 >> I WON'T BE HERE. 2086 01:27:09,039 --> 01:27:11,119 >> ALL RIGHT 2087 01:27:11,119 --> 01:27:15,000 I WILL GET IT MYSELF 2088 01:27:11,119 --> 01:27:15,000 >> IT SEEMS THAT YOU AND ME HAVE 2089 01:27:15,000 --> 01:27:17,000 BEEN MAD AT EACH OTHER FOR SO 2090 01:27:15,000 --> 01:27:17,000 LONG 2091 01:27:17,000 --> 01:27:22,239 >> I DIDN'T KNOW WE WERE MAD, I 2092 01:27:17,000 --> 01:27:22,239 THOUGHT WE JUST DIDN'T LIKE EACH 2093 01:27:22,239 --> 01:27:26,100 OTHER. 2094 01:27:22,239 --> 01:27:26,100 >> I WANT TO BE YOUR FRIEND. 2095 01:27:26,100 --> 01:27:31,149 >> EASY TO MANIPULATE MEN. 2096 01:27:26,100 --> 01:27:31,149 >> DO YOU MIND NOT DOING THAT? 2097 01:27:31,149 --> 01:27:36,010 >> YOU IN A GOOD MOOD? 2098 01:27:31,149 --> 01:27:36,010 I'M THE TOAST OF THE TOWN. 2099 01:27:36,010 --> 01:27:40,130 >> THE WINNER IS JANE FONDA. 2100 01:27:36,010 --> 01:27:40,130 >> THE WINNER IS JANE FONDA. 2101 01:27:40,130 --> 01:27:49,050 >> I'M GOING TO GET OFF THIS 2102 01:27:40,130 --> 01:27:49,050 MERRI-GO-ROUND 2103 01:27:49,050 --> 01:27:53,250 >> WHAT THING? 2104 01:27:49,050 --> 01:27:53,250 >> LIFE. 2105 01:27:53,250 --> 01:27:59,220 >> IT'S VERY HAVE SCARY FOR ME 2106 01:27:53,250 --> 01:27:59,220 TO THINK MAYBE IT'S NOT GOING TO 2107 01:27:59,220 --> 01:28:03,069 WORK ONUT 2108 01:27:59,220 --> 01:28:03,069 >> I KNOW. 2109 01:28:03,069 --> 01:28:08,050 >> MS. FONDA IS QUITE ACTIVE IN 2110 01:28:03,069 --> 01:28:08,050 THE PEACE MOVEMENT 2111 01:28:08,050 --> 01:28:12,270 CIVIL RIGHTS PEELED SS FIELD. 2112 01:28:08,050 --> 01:28:12,270 >> WE HAD TO RAISE SO MUCH MONEY 2113 01:28:12,270 --> 01:28:14,270 WE THOUGHT LET'S START A 2114 01:28:12,270 --> 01:28:14,270 BUSINESS THAT WILL FUND THE 2115 01:28:14,270 --> 01:28:17,010 WORK 2116 01:28:14,270 --> 01:28:17,010 AND THE REST IS HISTORY, AND ALL 2117 01:28:17,010 --> 01:28:18,189 THE PROFITS WENT IN TO THE 2118 01:28:17,010 --> 01:28:18,189 ORGANIZATION 2119 01:28:18,189 --> 01:28:23,119 >> I HAVE NOT SPOKEN IN AN 2120 01:28:18,189 --> 01:28:23,119 ANTI-WAR RALLY IN 34 YEARS BUT 2121 01:28:23,119 --> 01:28:27,210 SILENCE IS NO LONGER AN OPTION 2122 01:28:23,119 --> 01:28:27,210 >> RENEWABLES LIKE SOLAR AND 2123 01:28:27,210 --> 01:28:30,079 WIND ARE TAKING OFF. 2124 01:28:27,210 --> 01:28:30,079 >> WHEN PEOPLE CAN SAY THE 2125 01:28:30,079 --> 01:28:36,170 RACISM IN THE COUNTRY, MORE AND 2126 01:28:30,079 --> 01:28:36,170 MORE WHITE PEOPLE ARE GETTING 2127 01:28:36,170 --> 01:28:37,069 IT 2128 01:28:36,170 --> 01:28:37,069 ♪ ♪ 2129 01:28:37,069 --> 01:28:45,170 >> I DID IT MYSELF 2130 01:28:37,069 --> 01:28:45,170 I PAID MY DUES 2131 01:28:45,170 --> 01:28:49,119 ♪ ♪ 2132 01:28:45,170 --> 01:28:49,119 BARELY GETTING BY ♪ 2133 01:28:49,119 --> 01:28:50,260 ♪ 2134 01:28:49,119 --> 01:28:50,260 >> YOU THINK IT WOULD BE THIS 2135 01:28:50,260 --> 01:28:56,079 TOUGH TO GET RID OF A PAIN IN 2136 01:28:50,260 --> 01:28:56,079 THE ASS LIKE ME? 2137 01:28:56,079 --> 01:28:59,130 >> MA'AM, I HAD NO IDEA. 2138 01:28:56,079 --> 01:28:59,130 >> YOU ARE A LOT DIFFERENT THAN 2139 01:28:59,130 --> 01:29:02,090 I THOUGHT YOU WOULD BE 2140 01:28:59,130 --> 01:29:02,090 >> IF ANYBODY IS GOING TO SIT ON 2141 01:29:02,090 --> 01:29:07,270 RYAN GOSSLING'SES FACE, IT'S 2142 01:29:02,090 --> 01:29:07,270 GOING TO BE ME 2143 01:29:07,270 --> 01:29:10,020 >> SHE WALKED IN 2144 01:29:07,270 --> 01:29:10,020 FIVE SECONDS 2145 01:29:10,020 --> 01:29:13,140 >> IT'S MY STORY, IT'S MY 2146 01:29:10,020 --> 01:29:13,140 EXCLUSIVE, I WANT TO DO IT 2147 01:29:13,140 --> 01:29:19,199 JACK ODELL WAS GOING TO PRESENT 2148 01:29:13,140 --> 01:29:19,199 EVIDENCE THAT HE BELIEVED WOULD 2149 01:29:19,199 --> 01:29:20,270 SHOW THIS PLANT SHOULD BE SHUT 2150 01:29:19,199 --> 01:29:20,270 DOWN 2151 01:29:20,270 --> 01:29:24,260 >> I KNOW WHAT YOU ARE 2152 01:29:20,270 --> 01:29:24,260 I WILL BE THE ONE WHO DECIDES 2153 01:29:24,260 --> 01:29:27,119 WHAT IS, OR IS NOT IMPORTANT 2154 01:29:24,260 --> 01:29:27,119 HERE 2155 01:29:27,119 --> 01:29:30,220 >> I AIN'T NEVER HAD NO PARTNER. 2156 01:29:27,119 --> 01:29:30,220 >> IT'S NOT REAL HARD TO FIGURE 2157 01:29:30,220 --> 01:29:32,229 OUT WHY. 2158 01:29:30,220 --> 01:29:32,229 >> I'M NOT SUCH A BAD GUY. 2159 01:29:32,229 --> 01:29:41,069 >> YOU ARE A SEXIST EGOTISTIKAL, 2160 01:29:32,229 --> 01:29:41,069 HYPOCRITICAL, LYING BIGOT. 2161 01:29:41,069 --> 01:29:44,229 >> YOU MAKE ME SO PROUD. 2162 01:29:41,069 --> 01:29:44,229 >> THANKS AGAIN. 2163 01:29:44,229 --> 01:30:04,119 FOR EVERYTHING. 2164 01:29:44,229 --> 01:30:04,119 ♪ ♪ 2165 01:30:04,119 --> 01:30:09,159 [ CHEERS AND APPLAUSE 2166 01:30:04,119 --> 01:30:09,159 >> LADIES AND GENTLEMEN, JANE 2167 01:30:09,159 --> 01:30:24,260 FONDA. 2168 01:30:09,159 --> 01:30:24,260 ♪ ♪ 2169 01:30:24,260 --> 01:30:38,079 ♪ ♪ 2170 01:30:24,260 --> 01:30:38,079 >> OH, MY GOD. 2171 01:30:38,079 --> 01:30:41,020 THANK YOU. 2172 01:30:38,079 --> 01:30:41,020 THANK YOU ALL THE MEMBERS OF THE 2173 01:30:41,020 --> 01:30:43,210 HOLLYWOOD FOREIGN PRESS 2174 01:30:41,020 --> 01:30:43,210 ASSOCIATION. 2175 01:30:43,210 --> 01:30:47,250 I'M SO MOVED TO RECEIVE THIS 2176 01:30:43,210 --> 01:30:47,250 HONOR. 2177 01:30:47,250 --> 01:30:52,020 THANK YOU. 2178 01:30:47,250 --> 01:30:52,020 YOU KNOW, HI, AMY. 2179 01:30:52,020 --> 01:30:57,000 WE ARE A COMMUNITY OF STORY 2180 01:30:52,020 --> 01:30:57,000 TELLERS, AREN'T WE 2181 01:30:57,000 --> 01:31:01,119 AND IN TURBULENT, CRISIS-TORN 2182 01:30:57,000 --> 01:31:01,119 TIMES LIKE THIS, STORYTELLING 2183 01:31:01,119 --> 01:31:04,289 HAS ALWAYS BEEN ESSENTIAL. 2184 01:31:01,119 --> 01:31:04,289 YOU SEE STORIES HAVE A WAY TO, 2185 01:31:04,289 --> 01:31:08,109 THEY CAN CHANGE OUR HEARTS AND 2186 01:31:04,289 --> 01:31:08,109 OUR MINDS. 2187 01:31:08,109 --> 01:31:11,170 THEY CAN HELP US SEE EACH OUR IN 2188 01:31:08,109 --> 01:31:11,170 A NEW LIGHT. 2189 01:31:11,170 --> 01:31:17,060 TO HAVE EMPATHY, TO RECOGNIZE 2190 01:31:11,170 --> 01:31:17,060 THAT FOR ALL OF OUR DIVERSITY WE 2191 01:31:17,060 --> 01:31:20,279 ARE HUMANS FIRST, RIGHT? 2192 01:31:17,060 --> 01:31:20,279 YOU KNOW, I HAVE SEEN A LOT OF 2193 01:31:20,279 --> 01:31:25,149 DIVERSITY IN MY LONG LIFE AND AT 2194 01:31:20,279 --> 01:31:25,149 TIMES I HAVE BEEN CHALLENGED TO 2195 01:31:25,149 --> 01:31:27,159 UNDERSTAND SOME OF THE PEOPLE 2196 01:31:25,149 --> 01:31:27,159 I'VE MET 2197 01:31:27,159 --> 01:31:33,020 BUT INEVITABLY IF MY HEART IS 2198 01:31:27,159 --> 01:31:33,020 OPEN AND I LOOK BENEATH THE 2199 01:31:33,020 --> 01:31:39,140 SURFACE I FEEL KINSHIP 2200 01:31:33,020 --> 01:31:39,140 THAT'S WHY ALL OF THE GREAT 2201 01:31:39,140 --> 01:31:48,210 CONDUITS OF PERCEPTION, BUDDHA, 2202 01:31:39,140 --> 01:31:48,210 MOHAMMED 2203 01:31:48,210 --> 01:31:56,079 MOHAMMED, JESUS, THEY SPOKE TO 2204 01:31:48,210 --> 01:31:56,079 US IN METAPHOR, BECAUSE THEY 2205 01:31:56,079 --> 01:32:02,140 SPEAK ON A DIFFERENT FREQUENCY 2206 01:31:56,079 --> 01:32:02,140 AND THEY GENERATE A WAY FOR US 2207 01:32:02,140 --> 01:32:06,220 TO SEE AND HEAR WHAT WE MAY HAVE 2208 01:32:02,140 --> 01:32:06,220 BEEN AFRAID OF SEEING AND 2209 01:32:06,220 --> 01:32:12,050 HEARING. 2210 01:32:06,220 --> 01:32:12,050 JUST THIS YEAR, NOMADLAND HELPED 2211 01:32:12,050 --> 01:32:17,289 ME FEEL LOVE FOR THE WONDERERS 2212 01:32:12,050 --> 01:32:17,289 AMONG US AND "MINARI" HELPED TO 2213 01:32:17,289 --> 01:32:23,170 OPEN MY EYES TO THE REALITIES OF 2214 01:32:17,289 --> 01:32:23,170 IMMIGRANTS DEALING WITH LIFE IN 2215 01:32:23,170 --> 01:32:27,210 A NEW LAND 2216 01:32:23,170 --> 01:32:27,210 AND "JUDAS OF A BLACK MESSIAH," 2217 01:32:27,210 --> 01:32:32,270 AND "ONE NIGHT IN MIAMI" AND 2218 01:32:27,210 --> 01:32:32,270 OTHERS HAVE DEEPENED MY EMPATHY 2219 01:32:32,270 --> 01:32:46,039 FOR WHAT BEING BLACK HAS MEANT 2220 01:32:32,270 --> 01:32:46,039 AND RAM AMPT"I MAY DESTROY YOU," 2221 01:32:46,039 --> 01:32:48,289 CONSIDERING SEXUAL VIOLENCE IN A 2222 01:32:46,039 --> 01:32:48,289 NEW WAY. 2223 01:32:48,289 --> 01:32:52,069 WE ARE INSPIRED TO FIGHT TO 2224 01:32:48,289 --> 01:32:52,069 PRESERVE DEMOCRACY AND A LIFE ON 2225 01:32:52,069 --> 01:32:58,159 OUR PLANET SHOWS US HOW FRAGILE 2226 01:32:52,069 --> 01:32:58,159 OUR SMALL BLUE PLANET IS AND 2227 01:32:58,159 --> 01:33:01,220 INSPIRES US TO SAVE IT AND 2228 01:32:58,159 --> 01:33:01,220 OURSELVES. 2229 01:33:01,220 --> 01:33:05,199 STORIES, THEY REALLY ARE, THEY 2230 01:33:01,220 --> 01:33:05,199 REALLY CAN CHANGE PEOPLE 2231 01:33:05,199 --> 01:33:09,210 BUT THERE'S A STORY WE HAVE BEEN 2232 01:33:05,199 --> 01:33:09,210 AFRAID TO SEE AND HEAR ABOUT 2233 01:33:09,210 --> 01:33:13,000 OURSELVES AND THIS INDUSTRY. 2234 01:33:09,210 --> 01:33:13,000 THE STORY ABOUT WHICH VOICES WE 2235 01:33:13,000 --> 01:33:18,229 RESPECT AND ELEVATE AND WHICH WE 2236 01:33:13,000 --> 01:33:18,229 TUNE OUT 2237 01:33:18,229 --> 01:33:23,109 A STORY OF WHO IS OFFERED A SEAT 2238 01:33:18,229 --> 01:33:23,109 AT THE TABLE AND WHO IS KEPT OUT 2239 01:33:23,109 --> 01:33:25,039 OF THE ROOM WHERE DECISIONS ARE 2240 01:33:23,109 --> 01:33:25,039 MADE 2241 01:33:25,039 --> 01:33:28,170 LET'S ALL OF US, INCLUDING ALL 2242 01:33:25,039 --> 01:33:28,170 THE GROUPS THAT DECIDE WHO GETS 2243 01:33:28,170 --> 01:33:31,119 HIRED AND WHAT GETS MADE AND WHO 2244 01:33:28,170 --> 01:33:31,119 WINS AWARDS. 2245 01:33:31,119 --> 01:33:35,210 LET'S ALL OF US MAKE AN EFFORT 2246 01:33:31,119 --> 01:33:35,210 TO EXPAND THAT TENT, SO THAT 2247 01:33:35,210 --> 01:33:39,210 EVERYONE RISES AND EVERYONE'S 2248 01:33:35,210 --> 01:33:39,210 STORY HAS A CHANCE TO BE SEEN 2249 01:33:39,210 --> 01:33:43,000 AND HEARD. 2250 01:33:39,210 --> 01:33:43,000 I MEAN DOING THIS SIMPLY MEANS 2251 01:33:43,000 --> 01:33:45,210 ACKNOWLEDGING WHAT IS TRUE 2252 01:33:43,000 --> 01:33:45,210 BEING IN STEP WITH THE EMERGING 2253 01:33:45,210 --> 01:33:48,229 DIVERSITY THAT IS HAPPENING 2254 01:33:45,210 --> 01:33:48,229 BECAUSE OF ALL THOSE WHO MARCHED 2255 01:33:48,229 --> 01:33:53,130 AND FOUGHT IN THE PAST AND THOSE 2256 01:33:48,229 --> 01:33:53,130 WHO HAVE PICKED UP THE BATON 2257 01:33:53,130 --> 01:33:54,210 TODAY. 2258 01:33:53,130 --> 01:33:54,210 I MEAN, AFTER ALL, ART HAS 2259 01:33:54,210 --> 01:33:58,159 ALWAYS BEEN NOT JUST A IN STEP 2260 01:33:54,210 --> 01:33:58,159 WITH HISTORY BUT HAS LED THE 2261 01:33:58,159 --> 01:34:01,279 WAY. 2262 01:33:58,159 --> 01:34:01,279 SO LET'S BE LEADERS. 2263 01:34:01,279 --> 01:34:03,039 OKAY 2264 01:34:01,279 --> 01:34:03,039 THANK YOU. 2265 01:34:03,039 --> 01:34:05,079 THANK YOU SO MUCH. 2266 01:34:03,039 --> 01:34:05,079 [ CHEERS AND APPLAUSE 2267 01:34:05,079 --> 01:34:17,159 >> YES AND HAPPY BIRTHDAY -- 2268 01:34:05,079 --> 01:34:17,159 >> GO SEE THE GOLDEN GLOBES ON 2269 01:34:17,159 --> 01:34:26,239 INSTAGRAM, AND ON FACEBOOK 2270 01:34:17,159 --> 01:34:26,239 ♪ ♪ 2271 01:34:26,239 --> 01:34:29,170 >> Announcer: WELCOME BACK, AND 2272 01:34:26,239 --> 01:34:29,170 NOW GOLDEN GLOBE NOMINATED 2273 01:34:29,170 --> 01:34:35,180 DIRECTOR 2274 01:34:29,170 --> 01:34:35,180 AVA DUVERNAY 2275 01:34:35,180 --> 01:34:38,159 >>> IMAGINE BEING IN THE ROOM 2276 01:34:35,180 --> 01:34:38,159 WHERE IT HAPPENED. 2277 01:34:38,159 --> 01:34:43,159 WITNESSING THE DAWN OF DEMOCRACY 2278 01:34:38,159 --> 01:34:43,159 THROUGH PIONEERS, WITH THE HIP 2279 01:34:43,159 --> 01:34:46,180 HOP, JAZZ, AND R&B, AN 2280 01:34:43,159 --> 01:34:46,180 AND BROADWAY STYLES. 2281 01:34:46,180 --> 01:34:50,069 THIS REVOLUTIONARY MOMENT IN 2282 01:34:46,180 --> 01:34:50,069 THEATRE TELLS THE REAL-LIFE 2283 01:34:50,069 --> 01:34:51,109 STORY OF ONE OF AMERICA'S 2284 01:34:50,069 --> 01:34:51,109 FOREMOST FOUNDING FATHERS AND 2285 01:34:51,109 --> 01:34:53,000 FIRST SECRETARY OF THE TREASURY. 2286 01:34:51,109 --> 01:34:53,000 ALEXANDER HAMILTON 2287 01:34:53,000 --> 01:35:02,060 NOMINATED FOR 2 GOLDEN GLOBES, 2288 01:34:53,000 --> 01:35:02,060 THIS IS HAMILTON 2289 01:35:02,060 --> 01:35:09,130 ♪ ♪ 2290 01:35:02,060 --> 01:35:09,130 WE FOUGHT WITH HIM ♪ 2291 01:35:09,130 --> 01:35:16,189 ♪ ME, I DIED FOR HIM ♪ 2292 01:35:09,130 --> 01:35:16,189 ♪ MYE I TRUSTED HIM ♪ 2293 01:35:16,189 --> 01:35:18,189 ♪ AND ME, I'M THE DAMN FOOL THA 2294 01:35:16,189 --> 01:35:18,189 SHOT HIM ♪ 2295 01:35:18,189 --> 01:35:23,159 ♪ 2296 01:35:18,189 --> 01:35:23,159 ♪ ♪ 2297 01:35:23,159 --> 01:35:33,090 WHAT'S YOUR NAME, MAN ♪ 2298 01:35:23,159 --> 01:35:33,090 ♪ ALEXANDER HAMILTON ♪ 2299 01:35:33,090 --> 01:35:37,069 >> NOW, FROM THE UP COMING 2300 01:35:33,090 --> 01:35:37,069 "HALLOWEEN KILL, 2301 01:35:37,069 --> 01:35:43,250 JAMIE LEE CURTIS 2302 01:35:37,069 --> 01:35:43,250 [ CHEERS AND APPLAUSE 2303 01:35:43,250 --> 01:35:50,029 >> THANK YOU 2304 01:35:43,250 --> 01:35:50,029 I'M SO HONORED TO BE HERE IN A 2305 01:35:50,029 --> 01:35:55,069 ROOM WITH TRUE HEROES. GOD BLESS 2306 01:35:50,029 --> 01:35:55,069 EACH AND EVERY ONE OF YOU. 2307 01:35:55,069 --> 01:35:57,050 >> I'D BE HONORED TO PRESENT ANY 2308 01:35:55,069 --> 01:35:57,050 AWARD, AT ANY TIME, THAT 2309 01:35:57,050 --> 01:36:01,090 INCLUDES THESE FIVE NOMINEES FOR 2310 01:35:57,050 --> 01:36:01,090 BEST SUPPORTING ACTRESS IN A 2311 01:36:01,090 --> 01:36:09,260 MOTION PICTURE 2312 01:36:01,090 --> 01:36:09,260 GLENN CLOSE, "HILLBILLY ELEGY. 2313 01:36:09,260 --> 01:36:18,250 OLIVIA COLMAN, "THE FATHER." 2314 01:36:09,260 --> 01:36:18,250 JODIE FOSTER, "THE MAURITANIAN." 2315 01:36:18,250 --> 01:36:25,260 AMANDA SEYFRIED, "MANK." 2316 01:36:18,250 --> 01:36:25,260 HELENA ZENGEL, "NEWS OF THE 2317 01:36:25,260 --> 01:36:34,090 WORLD. 2318 01:36:25,260 --> 01:36:34,090 AND THE GOLDEN GLOBE GOES TO - 2319 01:36:34,090 --> 01:36:46,220 MY BESTY, JODIE FOSTER 2320 01:36:34,090 --> 01:36:46,220 >> WHOA! 2321 01:36:46,220 --> 01:36:49,100 >> ON OH, MY GOD, ARE YOU 2322 01:36:46,220 --> 01:36:49,100 KIDDING ME 2323 01:36:49,100 --> 01:36:57,010 I THINK YOU MADE A MISTAKE 2324 01:36:49,100 --> 01:36:57,010 UM, I AM -- UH, I'M A LITTLE 2325 01:36:57,010 --> 01:37:00,029 SPEECHLESS 2326 01:36:57,010 --> 01:37:00,029 I JUST NEVER EXPECTED TO EVER BE 2327 01:37:00,029 --> 01:37:06,060 HERE AGAIN AND UM, WOW 2328 01:37:00,029 --> 01:37:06,060 I HAVE TO THANK ALL OF MY 2329 01:37:06,060 --> 01:37:09,180 AMAZING FILM MAKERS -- OH, MY 2330 01:37:06,060 --> 01:37:09,180 FRIENDS ARE SCREAMING DOWN 2331 01:37:09,180 --> 01:37:14,170 STAIRS BECAUSE IT'S KIND OF 2332 01:37:09,180 --> 01:37:14,170 LATE 2333 01:37:14,170 --> 01:37:21,239 KEVIN DONALD, AND THE REAL LIFE 2334 01:37:14,170 --> 01:37:21,239 PEOPLE, AND MOST OF ALL THE 2335 01:37:21,239 --> 01:37:26,279 PERSON THAT WE ALL SERVE IS, WE 2336 01:37:21,239 --> 01:37:26,279 LOVE YOU -- YOU HAVE TAUGHT US 2337 01:37:26,279 --> 01:37:29,079 SO MUCH ABOUT BEING A HUMAN 2338 01:37:26,279 --> 01:37:29,079 BEING AND BEING JOYFUL AND 2339 01:37:29,079 --> 01:37:46,119 LOVING 2340 01:37:29,079 --> 01:37:46,119 AND AARON RODGERS, AND YOU KNOW, 2341 01:37:46,119 --> 01:37:56,079 THE -- THIS IS AWESOME 2342 01:37:46,119 --> 01:37:56,079 >> BACK IN THE RAINBOW ROOM IN 2343 01:37:56,079 --> 01:38:00,039 NEW YORK 2344 01:37:56,079 --> 01:38:00,039 STAR OF THE NEW NBC SERIOUS, 2345 01:38:00,039 --> 01:38:03,029 "LAW AND ORDER, ORGANIZED 2346 01:38:00,039 --> 01:38:03,029 CRIME, 2347 01:38:03,029 --> 01:38:09,180 CHRISTOPHER MELONI 2348 01:38:03,029 --> 01:38:09,180 >> HEY, GUYS 2349 01:38:09,180 --> 01:38:18,220 YEAH 2350 01:38:09,180 --> 01:38:18,220 YEAH 2351 01:38:18,220 --> 01:38:20,000 GOOD EVENING 2352 01:38:18,220 --> 01:38:20,000 GOOD EVENING 2353 01:38:20,000 --> 01:38:23,079 >> HERE ARE THE NOMINEES FOR 2354 01:38:20,000 --> 01:38:23,079 BEST ACTRESS IN A SUPPORTING 2355 01:38:23,079 --> 01:38:25,100 TELEVISION ROLE. 2356 01:38:23,079 --> 01:38:25,100 >> GILLIAN ANDERSON, "THE 2357 01:38:25,100 --> 01:38:29,020 CROWN. 2358 01:38:25,100 --> 01:38:29,020 HELENA BONHAM CARTER, "THE 2359 01:38:29,020 --> 01:38:35,000 CROWN. 2360 01:38:29,020 --> 01:38:35,000 JULIA GARNER, "OZARK." 2361 01:38:35,000 --> 01:38:43,050 ANNIE MURPHY, "SCHITT'S CREEK. 2362 01:38:35,000 --> 01:38:43,050 CYNTHIA NIXON, "RATCHED. 2363 01:38:43,050 --> 01:38:59,010 >> AND THE GOLDEN GLOBE GOES 2364 01:38:43,050 --> 01:38:59,010 TO - 2365 01:38:59,010 --> 01:39:00,100 GILLIAN 2366 01:38:59,010 --> 01:39:00,100 GILLIANANDERSON "THE CROWN." 2367 01:39:00,100 --> 01:39:03,109 >> OH, MY GOSH 2368 01:39:00,100 --> 01:39:03,109 I'M SO RELAXED EVERYTHING AND 2369 01:39:03,109 --> 01:39:07,140 THEN YOU ARE RELAXED AND YOU ARE 2370 01:39:03,109 --> 01:39:07,140 RELAXED AND THEN ALL OF A 2371 01:39:07,140 --> 01:39:11,199 SUDDEN, YOU START TO FREAK OUT 2372 01:39:07,140 --> 01:39:11,199 GEEZ, ON OKAY. 2373 01:39:11,199 --> 01:39:15,239 SO, FIRSTLY, THANK YOU VERY MUCH 2374 01:39:11,199 --> 01:39:15,239 ON TO THE HOLLYWOOD FOREIGN 2375 01:39:15,239 --> 01:39:19,180 PRESS AND MY FELLOW NOMINEES, 2376 01:39:15,239 --> 01:39:19,180 AND TO PETER MORGAN FOR 2377 01:39:19,180 --> 01:39:25,130 IMAGINING THAT I COULD INHABIT 2378 01:39:19,180 --> 01:39:25,130 MRS. G AND OUR CASTING DIRECTOR 2379 01:39:25,130 --> 01:39:36,210 WHO BELIEVED HIM OR VICE VERS IS 2380 01:39:25,130 --> 01:39:36,210 HOWEVER IT WORKS 2381 01:39:36,210 --> 01:39:40,260 FOR WRITING A MULTI-DIMENSIONAL 2382 01:39:36,210 --> 01:39:40,260 CHARACTER AGAINST THE ODDS AND 2383 01:39:40,260 --> 01:39:45,140 TO LEFT BANK PRODUCTIONS WHO RUN 2384 01:39:40,260 --> 01:39:45,140 AN INCREDIBLE PRODUCTION, THEIR 2385 01:39:45,140 --> 01:39:49,140 RESEARCH TEAM HEADED BY ANNIE 2386 01:39:45,140 --> 01:39:49,140 SALZBURGER, TO THE EXTRAORDINARY 2387 01:39:49,140 --> 01:39:55,000 HAIR AND MAKE UP TEAM HEADED BY 2388 01:39:49,140 --> 01:39:55,000 KATE HALL, WITH STACY HOLMAN 2389 01:39:55,000 --> 01:39:58,149 DOING MY DAY IN DAY OUT, HELMET 2390 01:39:55,000 --> 01:39:58,149 THING. 2391 01:39:58,149 --> 01:40:02,029 EXTRAORDINARY COSTUMES BY AMY 2392 01:39:58,149 --> 01:40:02,029 ROBERTS AND HER DAUGHTER SID AND 2393 01:40:02,029 --> 01:40:08,090 AN ARMY OF INCREDIBLY MAGICAL 2394 01:40:02,029 --> 01:40:08,090 WOMEN. 2395 01:40:08,090 --> 01:40:15,100 AND THE POSSE OF MOVEMENT AND 2396 01:40:08,090 --> 01:40:15,100 VOICE PEOPLE, AND MARTIN 2397 01:40:15,100 --> 01:40:20,050 LEGWITH, EXTRAORDINARY ACTING 2398 01:40:15,100 --> 01:40:20,050 COACH, AND JEFF HOBBS AND THE 2399 01:40:20,050 --> 01:40:26,229 MOST WONDERFUL TALENTED GOOFY 2400 01:40:20,050 --> 01:40:26,229 SUPPORTIVE CAST LED BY OLIVIA 2401 01:40:26,229 --> 01:40:34,109 COLMAN AND NETFLIX AND ANTHONY 2402 01:40:26,229 --> 01:40:34,109 ROBINSON AND MY BRITISH AGENT 2403 01:40:34,109 --> 01:40:37,229 WHO HAS PRETTY MUCH LANDED ME 2404 01:40:34,109 --> 01:40:37,229 EVERY SINGLE ROLE I HAVE HAD 2405 01:40:37,229 --> 01:40:40,170 OVER THE LAST 20 YEARS AND I 2406 01:40:37,229 --> 01:40:40,170 COULD NOT DO IT WITHOUT ANY OF 2407 01:40:40,170 --> 01:40:44,210 YOU AND I WILL SHUT UP NOW, 2408 01:40:40,170 --> 01:40:44,210 THANK YOU, VERY MUCH 2409 01:40:44,210 --> 01:40:49,270 >> THE GOLDEN GLOBES, THE 2410 01:40:44,210 --> 01:40:49,270 BIGGEST NAMES IN HOLLYWOOD ARE 2411 01:40:49,270 --> 01:40:57,109 HERE 2412 01:40:49,270 --> 01:40:57,109 ♪ ♪ 2413 01:40:57,109 --> 01:40:59,180 >> Announcer: WELCOME BACK 2414 01:40:57,109 --> 01:40:59,180 NOW, FROM "BORAT SUBSEQUENT 2415 01:40:59,180 --> 01:41:03,210 MOVIEFILM," HERE'S TUTAR'S 2416 01:40:59,180 --> 01:41:03,210 BABYSITTER, JEANISE JONES. 2417 01:41:03,210 --> 01:41:08,029 >> A YEAR AGO, I WAS A 2418 01:41:03,210 --> 01:41:08,029 GRANDMOTHER HERE IN OKLAHOMA AND 2419 01:41:08,029 --> 01:41:12,189 ACTIVE IN MY CHURCH. 2420 01:41:08,029 --> 01:41:12,189 THEN A MAN NAMED BORAT ASKED ME 2421 01:41:12,189 --> 01:41:18,119 TO BABYSIT HIS DAUGHTER. 2422 01:41:12,189 --> 01:41:18,119 I DID MY BEST TO TEACH HER THAT, 2423 01:41:18,119 --> 01:41:28,140 HERE IN AMERICA, WOMEN CAN BE 2424 01:41:18,119 --> 01:41:28,140 ANYTHING WE WANT TO BE 2425 01:41:28,140 --> 01:41:32,000 NOMINATED FOR THREE GOLDEN 2426 01:41:28,140 --> 01:41:32,000 GLOBES, THIS IS "BORAT 2427 01:41:32,000 --> 01:41:37,279 SUBSEQUENT MOVIEFILM." 2428 01:41:32,000 --> 01:41:37,279 >>> WHERE IS EVERYBODY 2429 01:41:37,279 --> 01:41:40,220 >> THEY ARE WANTING EVERYBODY TO 2430 01:41:37,279 --> 01:41:40,220 QUARANTINE SO THEY DON'T SPREAD 2431 01:41:40,220 --> 01:41:43,220 THIS VIRUS 2432 01:41:40,220 --> 01:41:43,220 >> I HOPE QUARANTINE NEVER ENDS. 2433 01:41:43,220 --> 01:41:47,250 >> WHAT IS MORE DANGEROUS THIS 2434 01:41:43,220 --> 01:41:47,250 VIRUS OR THE DEMOCRATS 2435 01:41:47,250 --> 01:41:49,109 >> DEMOCRATS 2436 01:41:47,250 --> 01:41:49,109 >> DEPARTMENTS 2437 01:41:49,109 --> 01:41:52,119 >> WHEN YOU CAN'T SEE THE VIRUS. 2438 01:41:49,109 --> 01:41:52,119 >> NO, YOU CAN CENA. 2439 01:41:52,119 --> 01:41:56,079 >> THE DADDY HAS A LOT TO LEARN. 2440 01:41:52,119 --> 01:41:56,079 >> MY DADDY IS THE SMART 2441 01:41:56,079 --> 01:41:58,220 ESTIMATE PERSON IN THE WHOLE 2442 01:41:56,079 --> 01:41:58,220 FLAT WORLD 2443 01:41:58,220 --> 01:42:01,260 >> YOU HAVE SOMEBODY STRAPPED TO 2444 01:41:58,220 --> 01:42:01,260 THE TOP OF THE CAR 2445 01:42:01,260 --> 01:42:07,050 ONLY MEN AND BEARS ARE ALLOWED 2446 01:42:01,260 --> 01:42:07,050 INSIDE CAR 2447 01:42:07,050 --> 01:42:14,210 >> NOW, AT THE RAINBOW ROOM IN 2448 01:42:07,050 --> 01:42:14,210 NEW YORK, THE STAR OF "FLIGHT 2449 01:42:14,210 --> 01:42:29,109 ATTENDANT," ROSIE PEREZ. 2450 01:42:14,210 --> 01:42:29,109 >> AND NOW, HERE ARE THE 2451 01:42:29,109 --> 01:42:30,170 NOMINEES FOR BEST TELEVISION 2452 01:42:29,109 --> 01:42:30,170 LIMITED SERIES, ANTHOLOGY SERIES 2453 01:42:30,170 --> 01:42:48,199 OR MOTION PICTURE MADE FOR 2454 01:42:30,170 --> 01:42:48,199 TELEVISION. 2455 01:42:48,199 --> 01:43:00,109 >> NICOLE KIDMAN "THE UNDOING, 2456 01:42:48,199 --> 01:43:00,109 "THE QUEEN'S GAMBIT. 2457 01:43:00,109 --> 01:43:21,130 ANDTHE GOLDEN GLOBE GOES TO. 2458 01:43:00,109 --> 01:43:21,130 ELLE FOR THE QUEEN'S GAMBIT. 2459 01:43:21,130 --> 01:43:28,050 >> NICOLE, CATE, THANK YOU 2460 01:43:21,130 --> 01:43:28,050 I FEEL LIKE I KNOW YOU, THANK 2461 01:43:28,050 --> 01:43:32,199 YOU SO MUCH FOR YOUR WORK. 2462 01:43:28,050 --> 01:43:32,199 I WOULD LOVE TO THANK NETFLIX 2463 01:43:32,199 --> 01:43:36,239 AND THANK YOU FOR LET WILLING US 2464 01:43:32,199 --> 01:43:36,239 MAKE THE SHOW THAT WE WANTED TO 2465 01:43:36,239 --> 01:43:38,130 MAKE 2466 01:43:36,239 --> 01:43:38,130 OUR BEAUTIFUL CAST, OUR 2467 01:43:38,130 --> 01:43:42,000 BEAUTIFUL CREW, THANK YOU SO 2468 01:43:38,130 --> 01:43:42,000 MUCH, AND UM, I WOULD BE REMISS 2469 01:43:42,000 --> 01:43:47,239 IF I DID NOT THANK MY WONDERFUL 2470 01:43:42,000 --> 01:43:47,239 MOVIE DAD, CHICAGO BILL. 2471 01:43:47,239 --> 01:43:50,180 SCOTT, FRANK, MY GOD, I LOVE 2472 01:43:47,239 --> 01:43:50,180 YOU. 2473 01:43:50,180 --> 01:43:55,039 THANK YOU FOR LETTING ME BE PART 2474 01:43:50,180 --> 01:43:55,039 OF THE JOURNEY AND THANK YOU FOR 2475 01:43:55,039 --> 01:43:58,229 TRUSTING ME AND BETH, I WOULD 2476 01:43:55,039 --> 01:43:58,229 DO, IT'S OBVIOUSLY WONDERFUL 2477 01:43:58,229 --> 01:44:02,029 THAT EVERYONE HAS SEEN THE SHOW. 2478 01:43:58,229 --> 01:44:02,029 BUT I WOULD DO THE PROJECT AGAIN 2479 01:44:02,029 --> 01:44:05,100 AND AGAIN AND AGAIN, I LEARNED 2480 01:44:02,029 --> 01:44:05,100 SO MUCH AND I'M SO GRATEFUL AND 2481 01:44:05,100 --> 01:44:08,170 THANK YOU SO THE AUDIENCES THAT 2482 01:44:05,100 --> 01:44:08,170 HAVE WATCHED IT AND SUPPORTED 2483 01:44:08,170 --> 01:44:10,189 THE CHARACTERS 2484 01:44:08,170 --> 01:44:10,189 IT MEANT THE WORLD 2485 01:44:10,189 --> 01:44:20,010 THANK YOU SO MUCH. 2486 01:44:10,189 --> 01:44:20,010 OKAY, I'M GOING TO -- THANK YOU. 2487 01:44:20,010 --> 01:44:28,029 AND NOW, HERE ARE THE NOMINEES 2488 01:44:20,010 --> 01:44:28,029 FOR BEST TELEVISION LIMITED 2489 01:44:28,029 --> 01:44:32,229 SERIES 2490 01:44:28,029 --> 01:44:32,229 >> Announcer: "NORMAL PEOPLE." 2491 01:44:32,229 --> 01:44:37,039 "THE QUEEN'S GAMBIT. 2492 01:44:32,229 --> 01:44:37,039 "SMALL AXE." 2493 01:44:37,039 --> 01:44:47,039 "THE UNDOING." 2494 01:44:37,039 --> 01:44:47,039 "UNORTHODOX. 2495 01:44:47,039 --> 01:44:59,170 AND THE GOLDEN GLOBE GOES TO - 2496 01:44:47,039 --> 01:44:59,170 "THE QUEEN'S GAMBIT" 2497 01:44:59,170 --> 01:45:04,109 ♪ ♪ 2498 01:44:59,170 --> 01:45:04,109 >> OH, MY GOSH 2499 01:45:04,109 --> 01:45:07,020 >> OH! 2500 01:45:04,109 --> 01:45:07,020 >> I WANT THOUGH THANK THE 2501 01:45:07,020 --> 01:45:12,170 HOLLYWOOD FOREIGN PRESS, BIG 2502 01:45:07,020 --> 01:45:12,170 RESPECT TO MY FELLOW NOMINEES. 2503 01:45:12,170 --> 01:45:16,060 I LOVED ALL YOUR LIMITED SERIES 2504 01:45:12,170 --> 01:45:16,060 THIS YEAR. 2505 01:45:16,060 --> 01:45:22,109 AND TO MY FRIEND WALTER SCOTT. 2506 01:45:16,060 --> 01:45:22,109 BIG THANKS TO OUR PARTNERS AT 2507 01:45:22,109 --> 01:45:35,250 NETFLIX, CINDY HOLLAND, PETER, 2508 01:45:22,109 --> 01:45:35,250 BLARE, LORAIN, MARK JOHNSON, TO 2509 01:45:35,250 --> 01:45:44,289 OUR GRAND MASTERS, MICK, STEVE, 2510 01:45:35,250 --> 01:45:44,289 MICHELLE, MANJA, SUS AN. 2511 01:45:44,289 --> 01:45:51,199 A COUPLE OF PROMISING UP AND 2512 01:45:44,289 --> 01:45:51,199 COME ERS, THANK YOUFOR THE BEST 2513 01:45:51,199 --> 01:45:59,109 GROUP OF ACTORS I HAVE WORKED 2514 01:45:51,199 --> 01:45:59,109 WITH 2515 01:45:59,109 --> 01:46:03,279 AND TAYLOR, JOY, MY HEART, HOW 2516 01:45:59,109 --> 01:46:03,279 CAN SOMEBODY WHO IS A JOY TO 2517 01:46:03,279 --> 01:46:10,039 WORK WITH, BE NAMED HYPHEN JOY 2518 01:46:03,279 --> 01:46:10,039 AND TO MY OLD FRIEND, MY PARTNER 2519 01:46:10,039 --> 01:46:14,029 AND CRIME, SCOTT FRANK, YOU ARE 2520 01:46:10,039 --> 01:46:14,029 THE ONLY ONE I KNOW WHO CAN 2521 01:46:14,029 --> 01:46:24,199 BRING THE SEX ISY BACK TO CHESS, 2522 01:46:14,029 --> 01:46:24,199 A DARK YEAR, YOU MANAGED TO 2523 01:46:24,199 --> 01:46:30,000 REFURBISH THE WORLD'S 2524 01:46:24,199 --> 01:46:30,000 TRANQUILITY, THANKS FOR PUTTING 2525 01:46:30,000 --> 01:46:34,189 UP WITH ME, PLAYING MY OWN 2526 01:46:30,000 --> 01:46:34,189 VERSION OF UP SIDE DOWN CHESS ON 2527 01:46:34,189 --> 01:46:38,119 THE CEILING AND TO MY MOM, I'M 2528 01:46:34,189 --> 01:46:38,119 SO GRATEFUL THAT YOU ARE STILL 2529 01:46:38,119 --> 01:46:41,130 HERE WITH US TO ENJOY THIS 2530 01:46:38,119 --> 01:46:41,130 MOMENT, LOVE YOU 2531 01:46:41,130 --> 01:46:47,069 THANKS, EVERYBODY, THANK YOU 2532 01:46:41,130 --> 01:46:47,069 VERY MUCH. 2533 01:46:47,069 --> 01:46:59,220 >> WHO WILL WIN BEST ACTOR IN A 2534 01:46:47,069 --> 01:46:59,220 MOTION PICTURE 2535 01:46:59,220 --> 01:47:04,100 ♪ ♪ 2536 01:46:59,220 --> 01:47:04,100 >>> WE ARE BACK AT THE BEVERLY 2537 01:47:04,100 --> 01:47:19,159 HILTON HOTEL, WITH FOUR-TIME 2538 01:47:04,100 --> 01:47:19,159 GOLDEN GLOBE WINNER. 2539 01:47:19,159 --> 01:47:24,279 RENEE ZELWEIGER. 2540 01:47:19,159 --> 01:47:24,279 >> TONIGHT'S PARTNER, FEEDING 2541 01:47:24,279 --> 01:47:31,239 AMERICA HAS BEEN THERE TO HELP 2542 01:47:24,279 --> 01:47:31,239 THOSE IN NEED, AND WE THANK 2543 01:47:31,239 --> 01:47:32,210 THEM 2544 01:47:31,239 --> 01:47:32,210 HERE ARE THE NOMINEES FOR BEST 2545 01:47:32,210 --> 01:47:34,050 PERFORMANCE BY AN ACTOR IN A 2546 01:47:32,210 --> 01:47:34,050 MOTION PICTURE DRAMA 2547 01:47:34,050 --> 01:47:35,130 >> Announcer: RIZ AHMED, "SOUND 2548 01:47:34,050 --> 01:47:35,130 OF METAL." 2549 01:47:35,130 --> 01:47:38,069 CHADWICK BOSEMAN, "MA RAINEY'S 2550 01:47:35,130 --> 01:47:38,069 BLACK BOTTOM." 2551 01:47:38,069 --> 01:47:44,140 ANTHONY HOPKINS, "THE FATHER." 2552 01:47:38,069 --> 01:47:44,140 GARY OLDMAN, "MANK." 2553 01:47:44,140 --> 01:47:52,170 TAHAR RAHIM, "THE MAURITANIAN. 2554 01:47:44,140 --> 01:47:52,170 >> AND THE GOLDEN GLOBE GOES 2555 01:47:52,170 --> 01:48:01,050 TO - 2556 01:47:52,170 --> 01:48:01,050 CHADWICK BOSEMAN, "MA RAINEY'S 2557 01:48:01,050 --> 01:48:03,159 BLACK BOTTOM". 2558 01:48:01,050 --> 01:48:03,159 >> ACCEPTING ON BEHALF OF 2559 01:48:03,159 --> 01:48:16,159 CHADWICK BOSEMAN, IS HIS WIFE 2560 01:48:03,159 --> 01:48:16,159 SIMONE BOSEMAN 2561 01:48:16,159 --> 01:48:21,020 >> HE WOULD THANK GOD. 2562 01:48:16,159 --> 01:48:21,020 HE WOULD THANK HIS PARENTS 2563 01:48:21,020 --> 01:48:28,060 HE WOULD THANK HIS ANCESTORS FOR 2564 01:48:21,020 --> 01:48:28,060 THEIR GUIDANCE AND THEIR 2565 01:48:28,060 --> 01:48:30,239 SACRIFICE. 2566 01:48:28,060 --> 01:48:30,239 HE WOULD THANK HIS INCREDIBLE 2567 01:48:30,239 --> 01:48:35,210 TEAM 2568 01:48:30,239 --> 01:48:35,210 MICHAEL GREENE, NICKY SERAVANTE, 2569 01:48:35,210 --> 01:48:41,289 AND CHRIS HUVANE, LOGAN COLE, HE 2570 01:48:35,210 --> 01:48:41,289 WOULD THANK HIS TEAM ON SET FOR 2571 01:48:41,289 --> 01:48:45,090 THE FILM 2572 01:48:41,289 --> 01:48:45,090 DIERDRA DIXON. 2573 01:48:45,090 --> 01:48:52,180 CRAIG ANTHONY AND ANDREW 2574 01:48:45,090 --> 01:48:52,180 CARLONE. 2575 01:48:52,180 --> 01:48:58,210 HE WOULD SAY SOMETHING 2576 01:48:52,180 --> 01:48:58,210 BEAUTIFUL, SOMETHING INSPIRING, 2577 01:48:58,210 --> 01:49:04,149 SOMETHING THAT WOULD AMPLIFY 2578 01:48:58,210 --> 01:49:04,149 THAT LITTLE VOICE THAT TELLS YOU 2579 01:49:04,149 --> 01:49:08,260 CAN, THAT TELLS YOU THE KEEP 2580 01:49:04,149 --> 01:49:08,260 GOING, THAT CALLS YOU BACK TO 2581 01:49:08,260 --> 01:49:12,210 WHAT YOU ARE MEANT TO BE DOING 2582 01:49:08,260 --> 01:49:12,210 AT THIS MOMENT IN HISTORY. 2583 01:49:12,210 --> 01:49:16,130 HE WOULD THANK MR. GEORGE C 2584 01:49:12,210 --> 01:49:16,130 WOLF 2585 01:49:16,130 --> 01:49:24,149 MR. DENZEL WASHINGTON. 2586 01:49:16,130 --> 01:49:24,149 LOTS OF PEOPLE AT NETFLIX. 2587 01:49:24,149 --> 01:49:28,239 HE WOULD THANK MS. VIOLA DAVIS, 2588 01:49:24,149 --> 01:49:28,239 MR. MICHAEL POTS 2589 01:49:28,239 --> 01:49:35,189 MR. COLEMAN DOMINGO, MS. TAYLOR 2590 01:49:28,239 --> 01:49:35,189 PAGE, MR. DUSAN BROWN. 2591 01:49:35,189 --> 01:49:41,079 AND I DON'T HAVE HIS WORDS 2592 01:49:35,189 --> 01:49:41,079 BUT WE HAVE TO TAKE ALL THE 2593 01:49:41,079 --> 01:49:46,239 MOMENTS TO CELEBRATE THOSE WE 2594 01:49:41,079 --> 01:49:46,239 LOVE, SO THANK YOU 2595 01:49:46,239 --> 01:49:55,199 HFPA FOR THIS OPPORTUNITY TO DO 2596 01:49:46,239 --> 01:49:55,199 EXACTLY THAT 2597 01:49:55,199 --> 01:50:04,220 AND YOU KEEP EM COMING 2598 01:49:55,199 --> 01:50:04,220 THANK YOU. 2599 01:50:04,220 --> 01:50:06,079 >> AT THE RAINBOW MOVIE IN NEW 2600 01:50:04,220 --> 01:50:06,079 YORK 2601 01:50:06,079 --> 01:50:08,069 A DIRECTOR O 2602 01:50:06,079 --> 01:50:08,069 "THE MANDALORIAN," 2603 01:50:08,069 --> 01:50:18,199 BRYCE DALLAS HOWARD. 2604 01:50:08,069 --> 01:50:18,199 >>> THANK YOU. 2605 01:50:18,199 --> 01:50:22,079 THANK YOU SO MUCH TO ALL OF OUR 2606 01:50:18,199 --> 01:50:22,079 VIEWERS WHO HAVE GRACIOUSLY 2607 01:50:22,079 --> 01:50:30,210 DONATED TO FEEDING AMERICA'S 2608 01:50:22,079 --> 01:50:30,210 COVID-19 RESPONSE FUND TONIGHT 2609 01:50:30,210 --> 01:50:33,250 4 IN 10 PEOPLE ARE TURNING TO 2610 01:50:30,210 --> 01:50:33,250 FOOD BANKS FOR THE FIRST TIME. 2611 01:50:33,250 --> 01:50:35,289 IF YOU NEED HELP GO TO FEEDING 2612 01:50:33,250 --> 01:50:35,289 AMERICA.ORG. 2613 01:50:35,289 --> 01:50:40,289 >> FOR THE FIRST TIME IN GOLDEN 2614 01:50:35,289 --> 01:50:40,289 GLOBES HISTORY, THERE ARE THREE 2615 01:50:40,289 --> 01:50:49,180 WOMEN NOMINATED FOR BEST MOTION 2616 01:50:40,289 --> 01:50:49,180 PICTURE DIRECTOR 2617 01:50:49,180 --> 01:50:58,079 [ CHEERS AND APPLAUSE 2618 01:50:49,180 --> 01:50:58,079 MAY THERE BE MANY, MANY MORE 2619 01:50:58,079 --> 01:51:02,140 RIGHT? 2620 01:50:58,079 --> 01:51:02,140 I AM SO HONORED TO PRESENT THIS 2621 01:51:02,140 --> 01:51:08,010 LIST OF REMARKABLE FILMMAKE ERS. 2622 01:51:02,140 --> 01:51:08,010 THE NOMINEES ARE 2623 01:51:08,010 --> 01:51:11,130 EMERALD FENNELL, "PROMISING 2624 01:51:08,010 --> 01:51:11,130 YOUNG WOMAN. 2625 01:51:11,130 --> 01:51:17,180 DAVID FINCHER, "MANK." 2626 01:51:11,130 --> 01:51:17,180 REGINA KING, "ONE NIGHT IN 2627 01:51:17,180 --> 01:51:23,010 MIAMI. 2628 01:51:17,180 --> 01:51:23,010 AARON SORKIN, "THE TRIAL OF THE 2629 01:51:23,010 --> 01:51:32,100 CHICAGO 7. 2630 01:51:23,010 --> 01:51:32,100 CHLOÉ ZHAO, "NOMADLAND. 2631 01:51:32,100 --> 01:51:51,130 AND THE GOLDEN GLOBE GOES TO - 2632 01:51:32,100 --> 01:51:51,130 CHLOE ZHAO, "NOMADLAND." 2633 01:51:51,130 --> 01:51:59,000 >> UM, THANKS SO EVERYONE. 2634 01:51:51,130 --> 01:51:59,000 THANK YOU HOLLYWOOD, THANK YOU 2635 01:51:59,000 --> 01:52:02,079 FOR MAKING BEAUTIFUL, BEAUTIFUL 2636 01:51:59,000 --> 01:52:02,079 MOVIES 2637 01:52:02,079 --> 01:52:06,260 THIS AWARD BELONGS TO THE WHOLE 2638 01:52:02,079 --> 01:52:06,260 TEAM 2639 01:52:06,260 --> 01:52:10,140 THE ENTIRE CAST AND CREW, ALL 2640 01:52:06,260 --> 01:52:10,140 THE PRODUCERS EVERYONE, YOU KNOW 2641 01:52:10,140 --> 01:52:12,180 WHO YOU ARE. 2642 01:52:10,140 --> 01:52:12,180 THANK YOU, THANK YOU SO MUCH 2643 01:52:12,180 --> 01:52:18,079 I WANT TO THANK MY PARTNER JOSH 2644 01:52:12,180 --> 01:52:18,079 AND MY FAMILY FOR KEEPING ME 2645 01:52:18,079 --> 01:52:21,260 SANE ALL THESE YEARS AND I 2646 01:52:18,079 --> 01:52:21,260 ESPECIALLY WANT TO THANK THE 2647 01:52:21,260 --> 01:52:26,140 NOMADS WHO SHARED THEIR STORIES 2648 01:52:21,260 --> 01:52:26,140 WITH US AND I ASKED ONE OF THEM 2649 01:52:26,140 --> 01:52:32,180 BOB WELL TO HELP ME OUT HERE 2650 01:52:26,140 --> 01:52:32,180 THIS IS WHAT HE SAID ABOUT 2651 01:52:32,180 --> 01:52:35,270 COMPASSION, IT'S THE BREAK DOWN 2652 01:52:32,180 --> 01:52:35,270 OF ALL THE BARRIERS BETWEEN US 2653 01:52:35,270 --> 01:52:41,140 A HEART TO HEART BONDING 2654 01:52:35,270 --> 01:52:41,140 YOUR PAIN IS MY PAIN 2655 01:52:41,140 --> 01:52:45,029 IT'S MINGLED AND SHARED BETWEEN 2656 01:52:41,140 --> 01:52:45,029 US 2657 01:52:45,029 --> 01:52:48,090 THIS IS WHY I FELL IN LOVE WITH 2658 01:52:45,029 --> 01:52:48,090 MAKING MOVIES AND TELLING 2659 01:52:48,090 --> 01:52:50,220 STORIES. 2660 01:52:48,090 --> 01:52:50,220 IT GIVES US A CHANCE TO LAUGH 2661 01:52:50,220 --> 01:52:55,029 AND CRY TOGETHER AND IT GIVES US 2662 01:52:50,220 --> 01:52:55,029 A CHANCE TO LEARN FROM EACH 2663 01:52:55,029 --> 01:52:58,140 OTHER AND HAVE MORE COMPASSION 2664 01:52:55,029 --> 01:52:58,140 FOR EACH OTHER 2665 01:52:58,140 --> 01:53:01,069 THANK YOU FOR EVERYONE WHO MADE 2666 01:52:58,140 --> 01:53:01,069 IT POSSIBLE FOR ME TO DO WHAT I 2667 01:53:01,069 --> 01:53:03,130 LOVE 2668 01:53:01,069 --> 01:53:03,130 THANK YOU VERY MUCH. 2669 01:53:03,130 --> 01:53:17,029 >> LADIES AND GENTLEMEN, FROM 2670 01:53:03,130 --> 01:53:17,029 "OVER THE MOON," HERE IS SANDRA 2671 01:53:17,029 --> 01:53:18,199 O 2672 01:53:17,029 --> 01:53:18,199 O. 2673 01:53:18,199 --> 01:53:25,180 >> CENTERED AROUND A WEDDING 2674 01:53:18,199 --> 01:53:25,180 GUEST AND MAID OF HONOR, IT 2675 01:53:25,180 --> 01:53:30,100 EXPLORES COMMITMENT, SELF 2676 01:53:25,180 --> 01:53:30,100 LOATHING AND FINDING SOMEONE 2677 01:53:30,100 --> 01:53:35,000 THAT YOU WANT TO SPEND EVERY DAY 2678 01:53:30,100 --> 01:53:35,000 WITH IS AS LIKELY AS SEEING 2679 01:53:35,000 --> 01:53:46,170 DINOSAURS IN THE DESERT. 2680 01:53:35,000 --> 01:53:46,170 NOMINATE D FOR TWO GOLDEN 2681 01:53:46,170 --> 01:53:51,180 GLOBES, THIS IS "PALM SPRINGS. 2682 01:53:46,170 --> 01:53:51,180 >> THE SECOND YOU FALL ASLEEP IT 2683 01:53:51,180 --> 01:53:55,260 ALL GOES BACK TO THE START. 2684 01:53:51,180 --> 01:53:55,260 >> WHAT IS THE POINT OF LIVING 2685 01:53:55,260 --> 01:53:57,279 >> WE HAVE NO CHOICE BUT TO 2686 01:53:55,260 --> 01:53:57,279 LIVE. 2687 01:53:57,279 --> 01:54:00,229 >> NO, I'M GETTING OUT OF THIS 2688 01:53:57,279 --> 01:54:00,229 EVERYTHING THAT WE ARE DOING 2689 01:54:00,229 --> 01:54:04,100 HERE IS MEANINGLESS. 2690 01:54:00,229 --> 01:54:04,100 >> AT LEAST YOU HAVE EACH OTHER. 2691 01:54:04,100 --> 01:54:10,119 >> WE ARE SICK OF EACH OTHER. 2692 01:54:04,100 --> 01:54:10,119 >> WE ARE ALREADY SICK OF EACH 2693 01:54:10,119 --> 01:54:19,119 OTHER. 2694 01:54:10,119 --> 01:54:19,119 >> THE AWARD FOR BEST MOTION 2695 01:54:19,119 --> 01:54:21,010 PICTURE MUSICAL COMEDY IS NEXT, 2696 01:54:19,119 --> 01:54:21,010 REQUEST 2697 01:54:21,010 --> 01:54:26,050 THE GOLDEN GLOBES ON NBC 2698 01:54:21,010 --> 01:54:26,050 GO TO GOLDEN GLOBES ON TWITTER 2699 01:54:26,050 --> 01:54:36,270 FO 2700 01:54:26,050 --> 01:54:36,270 ♪ ♪ 2701 01:54:36,270 --> 01:54:39,279 . 2702 01:54:36,270 --> 01:54:39,279 >>> WELCOME BACK TO THE GOLDEN 2703 01:54:39,279 --> 01:54:47,220 GLOBES, PLEASE WELCOME BARB AND 2704 01:54:39,279 --> 01:54:47,220 STAR 2705 01:54:47,220 --> 01:54:52,119 >>> OH, MY GOD 2706 01:54:47,220 --> 01:54:52,119 >> OH! 2707 01:54:52,119 --> 01:54:53,039 OH 2708 01:54:52,119 --> 01:54:53,039 WELL 2709 01:54:53,039 --> 01:54:58,159 OH, HECK NOW 2710 01:54:53,039 --> 01:54:58,159 HELLO, I'M BARBE. 2711 01:54:58,159 --> 01:55:02,220 >> I'M STAR. 2712 01:54:58,159 --> 01:55:02,220 WE FORGOT WE ARE WEARING OUR 2713 01:55:02,220 --> 01:55:05,029 SUNGLASSES 2714 01:55:02,220 --> 01:55:05,029 >> WE ARE WEARING THEM BECAUSE 2715 01:55:05,029 --> 01:55:08,130 WE ARE IN HOLLY ROAD 2716 01:55:05,029 --> 01:55:08,130 >> HEY, WE HAVE BEEN IN 2717 01:55:08,130 --> 01:55:12,039 HOLLYWOOD FOR TWO WEEKS AND I 2718 01:55:08,130 --> 01:55:12,039 HAVE TO SAY THE TRAFFIC. 2719 01:55:12,039 --> 01:55:17,220 >> HOLLYWOOD BOULEVARD IS THE 2720 01:55:12,039 --> 01:55:17,220 PLACE TO BE. 2721 01:55:17,220 --> 01:55:21,119 SO MANY SHOPS. 2722 01:55:17,220 --> 01:55:21,119 >> MY FAVORITES WERE HOLLYWOOD 2723 01:55:21,119 --> 01:55:24,140 T-SHIRT STORE AND HOLLYWOOD 2724 01:55:21,119 --> 01:55:24,140 SOUVENIR AND T-SHIRTS. 2725 01:55:24,140 --> 01:55:30,170 >> THAT IS RIGHT 2726 01:55:24,140 --> 01:55:30,170 MY FAVORITE WAS HOLLYWOOD 2727 01:55:30,170 --> 01:55:35,119 TRINKETS I GOT A GLASS OF THE 2728 01:55:30,170 --> 01:55:35,119 TAZMANIAN DEVIL. 2729 01:55:35,119 --> 01:55:36,289 >> HE IS TROUBLE 2730 01:55:35,119 --> 01:55:36,289 >> HE IS TROUBLE 2731 01:55:36,289 --> 01:55:40,000 >> HE IS MUSCULAR. 2732 01:55:36,289 --> 01:55:40,000 >> I NOTICED 2733 01:55:40,000 --> 01:55:48,239 >> YOU KNOW WHAT I GOT, AN OVER 2734 01:55:40,000 --> 01:55:48,239 SIZED $1 BILL WITH DARTH VADER 2735 01:55:48,239 --> 01:55:51,060 >> HE IS TROUBLE 2736 01:55:48,239 --> 01:55:51,060 >> ALL OVER THE GALAXY 2737 01:55:51,060 --> 01:55:54,079 >> OH, GOSH. 2738 01:55:51,060 --> 01:55:54,079 WE ARE SO EXCITED TO BE HERE 2739 01:55:54,079 --> 01:55:58,010 WE LOVE MOVIES 2740 01:55:54,079 --> 01:55:58,010 >> ESPECIALLY MUSICALS AND 2741 01:55:58,010 --> 01:56:00,100 COMEDIES 2742 01:55:58,010 --> 01:56:00,100 MUSICALS TELL A STORY THAT IS 2743 01:56:00,100 --> 01:56:03,250 MUSICAL WITH SINGING AND MUSIC 2744 01:56:00,100 --> 01:56:03,250 >> THAT'S RIGHT. 2745 01:56:03,250 --> 01:56:07,189 AND COMEDIES TELL A STORY THAT 2746 01:56:03,250 --> 01:56:07,189 IS HILARIOUS. 2747 01:56:07,189 --> 01:56:19,270 >> YEP 2748 01:56:07,189 --> 01:56:19,270 >> HERE ARE THE NOMINEES 2749 01:56:19,270 --> 01:56:26,000 "BORAT SUBSEQUENT MOVIE FILM," 2750 01:56:19,270 --> 01:56:26,000 "PALM SPRINGS. 2751 01:56:26,000 --> 01:56:28,229 "THE PROM". 2752 01:56:26,000 --> 01:56:28,229 >> LISTEN WILL, BEFORE I OPEN 2753 01:56:28,229 --> 01:56:31,189 THIS,IF WE DON'T SAY YOUR NAME, 2754 01:56:28,229 --> 01:56:31,189 THERE'S A STORE THAT YOU CAN GO 2755 01:56:31,189 --> 01:56:35,060 TO ON HOLLYWOOD BOULEVARD, I'M 2756 01:56:31,189 --> 01:56:35,060 NOT KIDDING. 2757 01:56:35,060 --> 01:56:39,229 YOU CAN BUY YOUR OWN 2758 01:56:35,060 --> 01:56:39,229 >> THERE'S LOADS OF TROPHY IFS 2759 01:56:39,229 --> 01:56:42,239 YOU ARE ALL WINNERS. 2760 01:56:39,229 --> 01:56:42,239 EVERYONE IS A WINNER 2761 01:56:42,239 --> 01:56:55,010 >> AND THE GOLDEN GLOBE GOES TO, 2762 01:56:42,239 --> 01:56:55,010 "BORAT SUBSEQUENT MOVIEFILM. 2763 01:56:55,010 --> 01:56:57,069 ♪ ♪ 2764 01:56:55,010 --> 01:56:57,069 [ CHEERS AND APPLAUSE 2765 01:56:57,069 --> 01:57:00,140 >> THANK YOU TO THE ALL WHITE 2766 01:56:57,069 --> 01:57:00,140 HOLLYWOOD FOREIGN PRESS. 2767 01:57:00,140 --> 01:57:03,109 GOING TO SAY THIS MOVIE COULD 2768 01:57:00,140 --> 01:57:03,109 NOT HAVE BEEN POSSIBLE WITHOUT 2769 01:57:03,109 --> 01:57:08,189 MY COSTAR, A FRESH NEW TALENT, 2770 01:57:03,109 --> 01:57:08,189 WHO CAME FROM NOWHERE, AND 2771 01:57:08,189 --> 01:57:14,170 TURNED OUT TO BE A COMEDY 2772 01:57:08,189 --> 01:57:14,170 GENIUS, I'M TALKING ABOUT RUDY 2773 01:57:14,170 --> 01:57:18,239 GIULIANI, WHO CAN GET MORE 2774 01:57:14,170 --> 01:57:18,239 LAUGHS OUT OF ONE UNZIPPING. 2775 01:57:18,239 --> 01:57:25,090 IT'S INCREDIBLE. 2776 01:57:18,239 --> 01:57:25,090 RUDY WENT ON TO STAR IN A STRING 2777 01:57:25,090 --> 01:57:29,069 OF COMEDY FILMS. 2778 01:57:25,090 --> 01:57:29,069 HAIR DYE OF THE DAY AND THE 2779 01:57:29,069 --> 01:57:32,090 COURTROOM DRAMA, A VERY PUBLIC 2780 01:57:29,069 --> 01:57:32,090 PATH 2781 01:57:32,090 --> 01:57:38,159 THE SENSATION WAS MARIA 2782 01:57:32,090 --> 01:57:38,159 BAKALOVA 2783 01:57:38,159 --> 01:57:49,140 THANK YOU TO MY FELLOW WRITERS, 2784 01:57:38,159 --> 01:57:49,140 AND NINA, THE DIRECTOR, JASON W 2785 01:57:49,140 --> 01:57:57,100 WALLENER, MY MOM, AND RICHARD 2786 01:57:49,140 --> 01:57:57,100 AND I WANT TO THANK MY CREW WHO 2787 01:57:57,100 --> 01:58:00,239 WERE AMAZINGLY BRAVE WHO HAD THE 2788 01:57:57,100 --> 01:58:00,239 RISK OF GETTING ARRESTED 2789 01:58:00,239 --> 01:58:04,029 THE RISK OF GETTING COVID AND 2790 01:58:00,239 --> 01:58:04,029 THEY DID IT BECAUSE WE ALL 2791 01:58:04,029 --> 01:58:09,029 BELIEVED SO DEEPLY IN RELEASING 2792 01:58:04,029 --> 01:58:09,029 THIS MOVIE BEFORE THE ELECTION 2793 01:58:09,029 --> 01:58:14,000 TO SHOW THE DANGER OF LIES, HATE 2794 01:58:09,029 --> 01:58:14,000 AND CONSPIRACIES AND THE POWER 2795 01:58:14,000 --> 01:58:20,100 OF TRUTH, EMPATHY AND DEMOCRACY, 2796 01:58:14,000 --> 01:58:20,100 MOST OF ALL THANK YOU TO MY 2797 01:58:20,100 --> 01:58:25,149 INCREDIBLY PATIENT WIFE, IYLA 2798 01:58:20,100 --> 01:58:25,149 WHO HAS PUT UP WITH ALL MY 2799 01:58:25,149 --> 01:58:27,239 MADNESS. 2800 01:58:25,149 --> 01:58:27,239 OKAY, BYE. 2801 01:58:27,239 --> 01:58:29,239 [ CHEERS AND APPLAUSE 2802 01:58:27,239 --> 01:58:29,239 >> COMING UP, WHICH ACTORS TAKE 2803 01:58:29,239 --> 01:58:45,180 THE AWARD FOR MOTION PICTURE 2804 01:58:29,239 --> 01:58:45,180 COMEDY, FIND OUT ON THGO 2805 01:58:45,180 --> 01:58:51,069 >>> OKAY 2806 01:58:45,180 --> 01:58:51,069 OUR NEXT PRESENTER IS NORAH FROM 2807 01:58:51,069 --> 01:58:56,039 QUEENS BUT SHE FLEW TO L.A. 2808 01:58:51,069 --> 01:58:56,039 BECAUSE SHE LIKES AMY BETTER. 2809 01:58:56,039 --> 01:59:06,210 >> OR WE FORGOT TO TELL HER SHE 2810 01:58:56,039 --> 01:59:06,210 COULD STAY IN NEW YORK 2811 01:59:06,210 --> 01:59:13,189 [ CHEERS AND APPLAUSE 2812 01:59:06,210 --> 01:59:13,189 >> LAST YEAR, I WON MY VERY 2813 01:59:13,189 --> 01:59:14,199 FIRST GOLDEN GLOBE 2814 01:59:13,189 --> 01:59:14,199 AND IT'S AN HONOR TO BE BACK TO 2815 01:59:14,199 --> 01:59:18,010 PRESENT THE AWARD FOR BEST 2816 01:59:14,199 --> 01:59:18,010 PERFORMANCE BY AN ACTOR IN A 2817 01:59:18,010 --> 01:59:19,029 MOTION PICTURE MUSICAL OR 2818 01:59:18,010 --> 01:59:19,029 COMEDY 2819 01:59:19,029 --> 01:59:20,199 HERE ARE THE NOMINEES. 2820 01:59:19,029 --> 01:59:20,199 SACHA BARON COHEN, "BORAT 2821 01:59:20,199 --> 01:59:26,260 SUBSEQUENT MOVIEFILM." 2822 01:59:20,199 --> 01:59:26,260 JAMES CORDEN, "THE PROM. 2823 01:59:26,260 --> 01:59:31,250 LIN-MANUEL MIRANDA, "HAMILTON. 2824 01:59:26,260 --> 01:59:31,250 DEV PATEL, "THE PERSONAL HISTORY 2825 01:59:31,250 --> 01:59:38,060 OF DAVID COPPERFIELD." 2826 01:59:31,250 --> 01:59:38,060 ANDY SAMBERG, "PALM SPRINGS. 2827 01:59:38,060 --> 01:59:50,050 AND THE GOLDEN GLOBE GOES TO - 2828 01:59:38,060 --> 01:59:50,050 SACHA 2829 01:59:50,050 --> 01:59:56,029 SACHA BARON COHEN "BORAT 2830 01:59:50,050 --> 01:59:56,029 SUBSEQUENT MOVIEFILM". 2831 01:59:56,029 --> 02:00:02,159 >> THANK YOU AGAIN FOR THE 2832 01:59:56,029 --> 02:00:02,159 HOLLYWOOD FOREIGN PRESS. 2833 02:00:02,159 --> 02:00:06,079 HOLD ON, DONALD TRUMP IS 2834 02:00:02,159 --> 02:00:06,079 CONTESTING THE RESULT. 2835 02:00:06,079 --> 02:00:11,079 HE CLAIMED A LOT OF DEAD PEOPLE 2836 02:00:06,079 --> 02:00:11,079 VOTED WHICH IS A VERY RUDE THING 2837 02:00:11,079 --> 02:00:18,100 TO SAY ABOUT THE HFPA, THANKS 2838 02:00:11,079 --> 02:00:18,100 AGAIN TO EVERYONE ELSE THE 2839 02:00:18,100 --> 02:00:23,189 BRILLIANT MAKE-UP TEAM, TO AARON 2840 02:00:18,100 --> 02:00:23,189 KNIGHT OF THE INCREDIBLE 2841 02:00:23,189 --> 02:00:25,279 EDITORS. 2842 02:00:23,189 --> 02:00:25,279 THE FIELD TEAM THAT LITERALLY 2843 02:00:25,279 --> 02:00:29,199 RISKED THEIR LIVES AND MOST OF 2844 02:00:25,279 --> 02:00:29,199 ALL TO MY BODYGUARD WHO STOPPED 2845 02:00:29,199 --> 02:00:32,279 ME GETTING SHOT. 2846 02:00:29,199 --> 02:00:32,279 YOU KNOW WHO YOU ARE 2847 02:00:32,279 --> 02:00:38,029 AND YOU KNOW I'M NOT ALLOWED TO 2848 02:00:32,279 --> 02:00:38,029 SAY YOUR NAME. 2849 02:00:38,029 --> 02:00:39,119 THANK YOU TO THE OTHER NOMINEES. 2850 02:00:38,029 --> 02:00:39,119 I LOVE YOU 2851 02:00:39,119 --> 02:00:41,100 >> 2852 02:00:39,119 --> 02:00:41,100 >> Announcer: NBC'S TELECAST OF 2853 02:00:41,100 --> 02:00:43,170 "THE 2021 GOLDEN GLOBE AWARDS" 2854 02:00:41,100 --> 02:00:43,170 IS SPONSORED IN PART BY -- 2855 02:00:43,170 --> 02:00:54,010 L'ORÉAL PARIS, BECAUSE YOU'RE 2856 02:00:43,170 --> 02:00:54,010 WORTH IT 2857 02:00:54,010 --> 02:01:05,170 >>> WINNING ACTRESS WILL BE 2858 02:00:54,010 --> 02:01:05,170 >>> HERE TO PRESENT THE AWARD 2859 02:01:05,170 --> 02:01:15,100 FOR BEST WITH ACTRESS IN A 2860 02:01:05,170 --> 02:01:15,100 DRAMA. 2861 02:01:15,100 --> 02:01:30,270 JOAQUIN PHOENIX. 2862 02:01:15,100 --> 02:01:30,270 Here THE NOMINEES FOR BEST 2863 02:01:30,270 --> 02:01:32,020 PERFORMANCE BY AN ACTRESS IN A 2864 02:01:30,270 --> 02:01:32,020 MOTION PICTURE DRAMA 2865 02:01:32,020 --> 02:01:34,079 >> Announcer: VIOLA DAVIS, "MA 2866 02:01:32,020 --> 02:01:34,079 RAINEY'S BLACK BOTTOM. 2867 02:01:34,079 --> 02:01:37,149 ANDRA DAY, "THE UNITED STATES 2868 02:01:34,079 --> 02:01:37,149 VS. BILLIE HOLIDAY." 2869 02:01:37,149 --> 02:01:40,239 VANESSA KIRBY, "PIECES OF A 2870 02:01:37,149 --> 02:01:40,239 WOMAN. 2871 02:01:40,239 --> 02:01:45,239 FRANCES McDORMAND, "NOMADLAND. 2872 02:01:40,239 --> 02:01:45,239 CAREY MULLIGAN, "PROMISING YOUNG 2873 02:01:45,239 --> 02:01:51,039 WOMAN. 2874 02:01:45,239 --> 02:01:51,039 >> AND THE GOLDEN GLOBE GOES 2875 02:01:51,039 --> 02:02:04,210 TO - 2876 02:01:51,039 --> 02:02:04,210 ANDRA DAY. 2877 02:02:04,210 --> 02:02:26,060 ♪ ♪ 2878 02:02:04,210 --> 02:02:26,060 [ CHEERS AND APPLAUSE 2879 02:02:26,060 --> 02:02:33,109 >> SORRY, Y'ALL, SO, OKAY. 2880 02:02:26,060 --> 02:02:33,109 CAN YOU JUST GIVE ME THE PAPER, 2881 02:02:33,109 --> 02:02:36,109 PLEASE 2882 02:02:33,109 --> 02:02:36,109 FIRST, I WOULD JUST WANT TO DO 2883 02:02:36,109 --> 02:02:41,050 SAY THANK YOU SO MUCH FOR -- 2884 02:02:36,109 --> 02:02:41,050 WITH NO SHAME, THANK YOU SO MUCH 2885 02:02:41,050 --> 02:02:43,140 FOR BRINGING ME THROUGH, GETTING 2886 02:02:41,050 --> 02:02:43,140 ME THROUGH 2887 02:02:43,140 --> 02:02:51,130 MOM, DAD, JOSH, JACKSON, MY 2888 02:02:43,140 --> 02:02:51,130 GREAT LOVE, MY FIRST LOVE, THE 2889 02:02:51,130 --> 02:02:55,239 SLP, MY COACH, AND ALL THE 2890 02:02:51,130 --> 02:02:55,239 PEOPLE AT THE HFPA, THANK YOU SO 2891 02:02:55,239 --> 02:03:08,210 MUCH FOR BEING SO ENGAGED IN THE 2892 02:02:55,239 --> 02:03:08,210 STORY, GARRETT, ROB, BLAKE, 2893 02:03:08,210 --> 02:03:15,039 ADRIAN AND LESLIE. 2894 02:03:08,210 --> 02:03:15,039 JOSH, VANESSA AND ALEXA, AND I'M 2895 02:03:15,039 --> 02:03:22,170 IN THE PRESENCE OF GIANTS WITH 2896 02:03:15,039 --> 02:03:22,170 VIOLA DAVIS, VANESSA KIRBY AND 2897 02:03:22,170 --> 02:03:29,149 YOU INSPIRE ME SO MUCH AND TO 2898 02:03:22,170 --> 02:03:29,149 THE AMAZING TRANSFORMATIVE, 2899 02:03:29,149 --> 02:03:33,180 DYNAMIC, BILLIE HOLIDAY THAT 2900 02:03:29,149 --> 02:03:33,180 JUST TRANSFORMED ME WITH THIS 2901 02:03:33,180 --> 02:03:41,189 ROLE, AND HER SPIRIT 2902 02:03:33,180 --> 02:03:41,189 I LOVE YOU ALL SO MUCH 2903 02:03:41,189 --> 02:03:44,289 THANK YOU SO EVERYONE WHO WAS A 2904 02:03:41,189 --> 02:03:44,289 PART OF THIS INCREDIBLE PROJECT 2905 02:03:44,289 --> 02:03:54,020 AND PRODUCTION AND TO PAM AND TO 2906 02:03:44,289 --> 02:03:54,020 HILLARY, JUST GOD BLESS Y'ALL, 2907 02:03:54,020 --> 02:03:56,060 THANK Y'ALL. 2908 02:03:54,020 --> 02:03:56,060 [ CHEERS AND APPLAUSE 2909 02:03:56,060 --> 02:04:13,119 >> AND NOW, AT THE RAINBOW ROOM, 2910 02:03:56,060 --> 02:04:13,119 MICHAEL DOUGLAS AND CATHERINE 2911 02:04:13,119 --> 02:04:14,079 ZETA JONES 2912 02:04:13,119 --> 02:04:14,079 >> EARLIER WE SHARED A FEW OF 2913 02:04:14,079 --> 02:04:17,060 THE BEST MOMENTS FROM THE FIVE 2914 02:04:14,079 --> 02:04:17,060 FILMS NOMINATED FOR BEST MOTION 2915 02:04:17,060 --> 02:04:18,279 PICTURE DRAMA. 2916 02:04:17,060 --> 02:04:18,279 >> ONCE AGAIN, HERE ARE THE 2917 02:04:18,279 --> 02:04:25,010 NOMINEES 2918 02:04:18,279 --> 02:04:25,010 >> Announcer: "THE FATHER. 2919 02:04:25,010 --> 02:04:29,140 "MANK. 2920 02:04:25,010 --> 02:04:29,140 "NOMADLAND." 2921 02:04:29,140 --> 02:04:37,109 "PROMISING YOUNG WOMAN." 2922 02:04:29,140 --> 02:04:37,109 "THE TRIAL OF THE CHICAGO 7. 2923 02:04:37,109 --> 02:04:45,159 >> AND THE GOLDEN GLOBE GOES 2924 02:04:37,109 --> 02:04:45,159 TO - 2925 02:04:45,159 --> 02:04:50,289 "NOMADLAND." 2926 02:04:45,159 --> 02:04:50,289 ♪ ♪ 2927 02:04:50,289 --> 02:04:53,039 [ CHEERS AND APPLAUSE 2928 02:04:50,289 --> 02:04:53,039 >> OH, MY GOD. 2929 02:04:53,039 --> 02:04:57,270 OH, MY GOD 2930 02:04:53,039 --> 02:04:57,270 OKAY 2931 02:04:57,270 --> 02:04:59,109 WOW. 2932 02:04:57,270 --> 02:04:59,109 FIRST OF ALL THANK YOU MY FELLOW 2933 02:04:59,109 --> 02:05:02,199 NOMINEES FOR YOUR BEAUTIFUL, 2934 02:04:59,109 --> 02:05:02,199 BEAUTIFUL MOVIES 2935 02:05:02,199 --> 02:05:10,020 I AM SPEECHLESS. 2936 02:05:02,199 --> 02:05:10,020 THANK YOU. 2937 02:05:10,020 --> 02:05:14,010 AND JESS WHO WROTE THE BOOK, 2938 02:05:10,020 --> 02:05:14,010 THANK YOU FOR YOUR PASSION AND 2939 02:05:14,010 --> 02:05:21,130 STARTING OUR JOURNEY AND THE 2940 02:05:14,010 --> 02:05:21,130 INCREDIBLE FRANCIS McDERMOTT 2941 02:05:21,130 --> 02:05:26,090 AND AGAIN, THE WHOLE TEAM, THANK 2942 02:05:21,130 --> 02:05:26,090 YOU SO MUCH. 2943 02:05:26,090 --> 02:05:35,229 THE NOMADS, AND EVERYONE, LOOK, 2944 02:05:26,090 --> 02:05:35,229 NOMADLAND AT ITS CORE FOR ME IS 2945 02:05:35,229 --> 02:05:39,260 A PILGRIMAGE THROUGH GRIEF AND 2946 02:05:35,229 --> 02:05:39,260 HEALING. 2947 02:05:39,260 --> 02:05:42,159 SO FOR EVERYONE WHO HAS GONE 2948 02:05:39,260 --> 02:05:42,159 THROUGH THIS DIFFICULT AND 2949 02:05:42,159 --> 02:05:46,220 BEAUTIFUL JOURNEY AT SOME POINT 2950 02:05:42,159 --> 02:05:46,220 IN THEIR LIVES, THIS IS FOR YOU. 2951 02:05:46,220 --> 02:05:49,079 WE DON'T SAY GOODBYE, WE SAY SEE 2952 02:05:46,220 --> 02:05:49,079 YOU DOWN THE ROAD. 2953 02:05:49,079 --> 02:05:55,250 THANK YOU. 2954 02:05:49,079 --> 02:05:55,250 [ CHEERS AND APPLAUSE 2955 02:05:55,250 --> 02:05:59,119 >> WOW 2956 02:05:55,250 --> 02:05:59,119 ANOTHER AMAZING, WEIRD, 2957 02:05:59,119 --> 02:06:06,159 WONDERFUL GOLDEN GLOBES. 2958 02:05:59,119 --> 02:06:06,159 >> YES, WHAT A GREAT NIGHT. 2959 02:06:06,159 --> 02:06:19,189 >> AND HAPPY BIRTHDAY -- 2960 02:06:06,159 --> 02:06:19,189 >> GOODNIGHT 2961 02:06:19,189 --> 02:06:30,239 [ CHEERS AND APPLAUSE 2962 02:06:19,189 --> 02:06:30,239 ♪ ♪ 2963 02:06:30,239 --> 02:06:33,020 >> THE NOMINATION BALLOTS ARE 2964 02:06:30,239 --> 02:06:33,020 SENT TO ALL ELIGIBLE MEMBERS OF 2965 02:06:33,020 --> 02:06:35,100 THE HOLLYWOOD FOREIGN PRESS 2966 02:06:33,020 --> 02:06:35,100 ASSOCIATION, WHO CHOOSE UP TO 2967 02:06:35,100 --> 02:06:37,229 FIVE NOMINEES IN EACH CATEGORY 2968 02:06:35,100 --> 02:06:37,229 ON THE FINAL BALLOT, THE SAME 2969 02:06:37,229 --> 02:06:39,279 MEMBERS VOTE FOR ONE NOMINEE IN 2970 02:06:37,229 --> 02:06:39,279 EACH CATEGORY. 2971 02:06:39,279 --> 02:06:42,199 INFORMATION CONCERNING THE FINAL 2972 02:06:39,279 --> 02:06:42,199 RESULTS IS KNOWN ONLY TO THE 2973 02:06:42,199 --> 02:06:46,060 ACCOUNTING FIRM OF ERNST & 2974 02:06:42,199 --> 02:06:46,060 YOUNG, L.L.P. PRIOR TO TONIGHT'S 2975 02:06:46,060 --> 02:06:50,239 OPENING OF THE SEALED ENVELOPES. 2976 02:06:46,060 --> 02:06:50,239 THIS IS SHAWN PARR 2977 02:06:50,239 --> 02:06:55,149 >> AND REBECCA REIDY FOR "THE 2978 02:06:50,239 --> 02:06:55,149 2021 GOLDEN GLOBE AWARDS."