1
00:00:09,793 --> 00:00:11,962
Go, go, go!
2
00:00:18,093 --> 00:00:19,928
- Doors closed!
- Stay inside!
3
00:00:23,182 --> 00:00:25,934
Oh my god, oh my god, oh my god!
4
00:00:25,934 --> 00:00:28,479
- Oh my god, oh my god...
- Help me, someone!
5
00:00:28,479 --> 00:00:30,105
We gotta get her!
I'm not leaving her here!
6
00:00:30,105 --> 00:00:31,773
‐ Oh, and I would?
‐ Of course you would!
7
00:00:31,773 --> 00:00:33,025
‐ Of course I would!
8
00:00:39,907 --> 00:00:42,493
‐ It's not what you think.
9
00:00:50,667 --> 00:00:52,544
Here's a thing I don't get.
10
00:00:52,544 --> 00:00:54,880
People who worry
about living in a big city
11
00:00:54,880 --> 00:00:56,965
because of all the crime.
12
00:00:56,965 --> 00:00:59,635
As any true crime
aficionado will tell you,
13
00:00:59,635 --> 00:01:02,638
it's the boondocks
you need to worry about.
14
00:01:02,638 --> 00:01:06,433
I mean, let's face it. Nobody ever
discovered 19 bodies buried
15
00:01:06,433 --> 00:01:10,229
in the backyard of
a 14‐story apartment building.
16
00:01:10,229 --> 00:01:12,981
There's eyes on you
all over the place here.
17
00:01:12,981 --> 00:01:16,151
And New Yorkers have a special
way of communicating.
18
00:01:16,944 --> 00:01:19,780
And by special, I mean direct.
19
00:01:19,780 --> 00:01:23,116
We're packed in tight and stacked
on top of each other
20
00:01:23,116 --> 00:01:24,576
like those of us who live...
21
00:01:25,119 --> 00:01:27,287
at the Arconia.
22
00:01:29,623 --> 00:01:31,166
‐ Hey, hold up. Wait, are you...
23
00:01:31,959 --> 00:01:34,586
‐ I'm Brazzos.
Oh shit, dude!
24
00:01:34,586 --> 00:01:36,588
I used to watch that show with my dad
25
00:01:36,588 --> 00:01:38,507
when I was a kid!
That was his favorite!
26
00:01:38,507 --> 00:01:39,967
Wait, what was that thing you always said?
27
00:01:41,844 --> 00:01:44,513
‐ This sends the investigation
into a whole new direction.
28
00:01:44,513 --> 00:01:46,056
That's it, man! That's it!
29
00:01:46,056 --> 00:01:48,058
Oh shit! So cool.
30
00:01:49,560 --> 00:01:51,478
Dad's got ALS now.
31
00:01:52,271 --> 00:01:54,481
He can't really talk or...
32
00:01:54,481 --> 00:01:56,692
feed himself anymore.
‐ I'm sorry.
33
00:01:57,693 --> 00:01:59,194
‐ He's in hospice, but...
34
00:02:00,821 --> 00:02:02,823
he just won't let go, you know?
35
00:02:03,574 --> 00:02:06,577
And, honestly, it'd be, like,
better for my whole family if...
36
00:02:07,619 --> 00:02:09,037
if he would.
37
00:02:11,415 --> 00:02:14,168
- ‐ You want a photo?
- Yes! Of course!
38
00:02:14,168 --> 00:02:16,420
Yes! That'd be awesome. Thanks, man!
39
00:02:19,089 --> 00:02:21,508
‐ Actually, could you do it landscape?
40
00:02:21,508 --> 00:02:23,719
- Turn it sideways.
- Better if you turn it there. Yeah.
41
00:02:23,719 --> 00:02:25,721
That's good, that's good. Yep.
42
00:02:27,514 --> 00:02:29,683
‐ You tell your dad
Brazzos took that picture.
43
00:02:29,683 --> 00:02:32,769
‐ I will, I will, but he won't
understand, you know?
44
00:02:32,769 --> 00:02:33,812
Not anymore.
45
00:02:36,064 --> 00:02:38,358
- ‐ Bye.
- Thanks, man. Thanks a lot.
46
00:02:41,862 --> 00:02:44,656
New York can be a fucking lot.
47
00:02:44,656 --> 00:02:47,034
All the eyes on you all the time.
48
00:02:47,034 --> 00:02:48,869
‐ Hey, baby. Where you going so tough?
49
00:02:48,869 --> 00:02:52,122
Two thousand women
report assaults here every year,
50
00:02:52,122 --> 00:02:54,416
so it's a place that
makes you binge Dateline
51
00:02:54,416 --> 00:02:57,169
to find out how not to end up on Dateline.
52
00:02:57,169 --> 00:02:59,004
I have this recurring dream.
53
00:02:59,004 --> 00:03:02,007
I'm in bed, I wake up,
54
00:03:02,007 --> 00:03:04,051
and there's a man standing over me.
55
00:03:04,384 --> 00:03:07,137
So, I kick him right in the nuts,
and I grab my knitting needle...
56
00:03:07,137 --> 00:03:09,223
...and I take him down
57
00:03:09,223 --> 00:03:10,516
to the bone with that thing.
58
00:03:10,516 --> 00:03:12,726
Sometimes, when I can't sleep,
59
00:03:12,726 --> 00:03:15,229
I imagine brutally murdering that dude.
60
00:03:16,063 --> 00:03:19,274
And I'm out like a light.
Works every time.
61
00:03:19,274 --> 00:03:22,861
As I said, it's a lot.
Don't be here if you don't like a lot.
62
00:03:26,907 --> 00:03:29,910
"NYC. What is it about you?"
63
00:03:30,536 --> 00:03:34,206
Which, of course, is a line from
a big hit show about an orphan.
64
00:03:34,206 --> 00:03:37,251
And don't we all feel like
orphans here at times,
65
00:03:37,251 --> 00:03:39,670
struggling to find our place?
66
00:03:39,670 --> 00:03:43,465
I saw this brilliant dance piece
on the worldwide web recently,
67
00:03:43,465 --> 00:03:45,425
set to Clair de Lune.
68
00:03:46,885 --> 00:03:49,471
A simple premise of a man trying to reach
69
00:03:49,471 --> 00:03:51,890
the top of a staircase and falling,
70
00:03:51,890 --> 00:03:54,434
but always trying to find some new way
71
00:03:54,434 --> 00:03:56,854
to bounce back up again.
72
00:03:56,854 --> 00:03:58,814
And I thought, isn't that each of us,
73
00:03:59,398 --> 00:04:01,733
every day in this big burg?
74
00:04:01,733 --> 00:04:03,026
That's life in New‐‐
75
00:04:03,026 --> 00:04:05,571
Really?!
76
00:04:05,571 --> 00:04:08,323
Do you not see this coat!?
77
00:04:08,323 --> 00:04:11,994
Still, one thing is certain in this town.
78
00:04:12,828 --> 00:04:15,664
Just when it's all starting
to feel the same,
79
00:04:15,664 --> 00:04:17,666
that's when you get hit by something
80
00:04:17,666 --> 00:04:20,127
you never saw coming.
81
00:05:14,473 --> 00:05:16,350
Hey, Lester.
82
00:05:17,184 --> 00:05:19,228
Oh, Ursula, my darling.
83
00:05:19,228 --> 00:05:22,147
Anything for me?
‐ Yep. Save me a trip.
84
00:05:23,106 --> 00:05:26,401
‐ Oh. Yeah, this is all research
for shows I'm developing.
85
00:05:26,401 --> 00:05:28,946
Some off‐, some off‐off, you know?
86
00:05:30,030 --> 00:05:33,116
Stay out of the theater if you
want a life, Ursula. Trust me.
87
00:05:37,663 --> 00:05:39,039
Hold it!
88
00:05:40,749 --> 00:05:43,252
Ah! Oh! Sorry. Thanks.
89
00:05:43,252 --> 00:05:44,753
I just‐‐ Ooh!
90
00:05:44,753 --> 00:05:46,088
Ah! Got it.
91
00:05:46,505 --> 00:05:48,090
Sorry, I'm just, uh, I‐I have
92
00:05:48,090 --> 00:05:50,592
an important thing a little bit later‐‐
‐ Yeah, me, too.
93
00:05:51,468 --> 00:05:52,970
‐ Oh, hello.
94
00:05:53,846 --> 00:05:56,557
Filming something today?
‐ I'm sorry?
95
00:05:56,557 --> 00:05:58,183
‐ All the makeup, I just assumed.
96
00:05:58,934 --> 00:06:00,936
‐ I'm not wearing makeup.
97
00:06:01,770 --> 00:06:03,772
‐ Oh. Okay.
98
00:06:03,772 --> 00:06:05,232
Me neither.
99
00:06:15,284 --> 00:06:16,827
Is it 5:00 yet, do you know?
100
00:06:16,827 --> 00:06:18,579
‐ No.
‐ No.
101
00:06:20,706 --> 00:06:22,541
‐ Tim Kono.
102
00:06:22,541 --> 00:06:24,418
With a K. Yes.
103
00:06:27,880 --> 00:06:29,506
Do you see anything you
got in today's packages?
104
00:06:30,382 --> 00:06:33,010
Okay. I don't know why
this keeps happening.
105
00:06:33,010 --> 00:06:35,012
Well, this one is very important to me.
106
00:06:35,846 --> 00:06:37,890
How early tomorrow?
‐
107
00:06:48,317 --> 00:06:50,110
‐ Do you like your Beats?
108
00:06:54,948 --> 00:06:58,076
I had a yellow pair.
I just loved them so much.
109
00:06:58,076 --> 00:06:59,787
And then, like an idiot,
110
00:06:59,787 --> 00:07:01,371
I leave them on the subway.
111
00:07:01,371 --> 00:07:03,290
The thing is, when you lose
something on the subway,
112
00:07:03,290 --> 00:07:05,542
you‐you don't know‐‐
Ding!
113
00:07:08,921 --> 00:07:11,173
Even the elevator wanted
that story to end.
114
00:07:13,383 --> 00:07:15,385
‐ Come on, Winnie.
115
00:07:17,930 --> 00:07:19,223
Winnie. No.
116
00:07:40,953 --> 00:07:42,788
Okay.
117
00:07:58,512 --> 00:08:01,515
You're listening to
All Is Not OK In Oklahoma,
118
00:08:01,515 --> 00:08:02,975
from Cinda Canning.
119
00:08:02,975 --> 00:08:05,394
Funding is provided by our sponsors,
120
00:08:05,394 --> 00:08:08,272
The Rand Corporation,
the Milton and Miriam Swann Foundation
121
00:08:08,272 --> 00:08:10,691
for the Arts and for
Dissolving the Federal Reserve,
122
00:08:10,691 --> 00:08:12,484
and Trader Joe's.
123
00:08:12,484 --> 00:08:14,862
With additional support
from Royal Crown Cruises,
124
00:08:14,862 --> 00:08:16,738
the Royal Crown Prince of Dubai,
125
00:08:16,738 --> 00:08:18,323
and listeners like you.
126
00:08:18,323 --> 00:08:20,117
And now, here's Cinda Canning
127
00:08:20,117 --> 00:08:23,412
with episode six of
All Is Not OK In Oklahoma.
128
00:08:27,666 --> 00:08:30,002
When Ray Butler walked me into the woods
129
00:08:30,002 --> 00:08:32,129
behind his barn that night in Chickasha
130
00:08:32,129 --> 00:08:34,548
I wasn't expecting to find anything
131
00:08:34,548 --> 00:08:36,842
related to the disappearance
of his niece, Becky.
132
00:08:38,552 --> 00:08:41,263
I was thinking more about
Ray's unorthodox clothing choice
133
00:08:41,263 --> 00:08:42,931
for farm living.
134
00:08:44,850 --> 00:08:47,478
But that all changed
because of what was going on
135
00:08:47,478 --> 00:08:49,646
next to the riverbed,
136
00:08:49,646 --> 00:08:52,065
where Ray's old Lab, Bo,
137
00:08:52,065 --> 00:08:54,943
was digging at something in the dirt.
138
00:08:57,029 --> 00:08:58,739
Once he got his dug‐up prize,
139
00:08:58,739 --> 00:09:02,117
Bo ran proudly to me with it
dangling in his mouth.
140
00:09:03,827 --> 00:09:06,997
It took a moment to absorb what it was,
141
00:09:06,997 --> 00:09:10,334
but then, it became all too clear.
142
00:09:10,334 --> 00:09:12,961
Bo had found...
143
00:09:14,379 --> 00:09:15,380
‐ Shit!
144
00:09:15,380 --> 00:09:17,591
‐ My gah... No.
145
00:09:20,385 --> 00:09:22,387
Yeah! That's good.
146
00:09:47,955 --> 00:09:50,582
‐ Lester, is this real?
‐ I don't know. We're finding out.
147
00:09:57,631 --> 00:10:00,134
Even in a steady Oklahoma rain,
148
00:10:00,134 --> 00:10:01,718
I was transfixed...
149
00:10:01,718 --> 00:10:04,721
‐ Well, look who got
the last booth!
150
00:10:06,431 --> 00:10:09,852
But all that changed because
of what was going on next to the riverbed.
151
00:10:09,852 --> 00:10:13,021
‐ Listen, if I've ever offended you
152
00:10:13,021 --> 00:10:15,899
during any of the many times
you've auditioned for me,
153
00:10:15,899 --> 00:10:18,735
then‐‐
‐ I've never auditioned for you.
154
00:10:20,028 --> 00:10:21,530
‐ Oh, you're not Scott Bakula?
155
00:10:22,447 --> 00:10:23,949
‐ I am not.
156
00:10:24,366 --> 00:10:27,327
‐ Oh! You're the other one. Got it.
157
00:10:27,744 --> 00:10:29,788
Well, listen, I‐I won't say a word,
158
00:10:29,788 --> 00:10:33,709
but my, uh, favorite podcast just
dropped a new episode tonight, and‐‐
159
00:10:40,757 --> 00:10:43,093
‐ What does Bo have in his mouth?
160
00:10:43,093 --> 00:10:44,761
‐ I don't know!
161
00:10:46,472 --> 00:10:47,764
Oh...
162
00:10:52,144 --> 00:10:54,146
Exc...
163
00:10:55,105 --> 00:10:57,900
‐ Do you know if there's any available?
‐ I'm sorry. We're totally booked...
164
00:10:57,900 --> 00:11:00,152
‐ Hey! Come over!
165
00:11:01,153 --> 00:11:02,905
‐ Thank you.
166
00:11:02,905 --> 00:11:04,823
‐ Yeah!
167
00:11:04,823 --> 00:11:07,284
Sit down! Half the building's in here.
168
00:11:07,284 --> 00:11:09,953
I'm Oliver, by the way. Oliver Putnam.
169
00:11:09,953 --> 00:11:12,122
‐ Charles. Charles‐Haden Savage.
170
00:11:12,122 --> 00:11:14,333
‐ Hey. I'm Mabel.
171
00:11:14,333 --> 00:11:16,585
‐ No, really. What is‐‐ Oh.
172
00:11:16,585 --> 00:11:18,086
A great old school name.
173
00:11:18,545 --> 00:11:20,589
‐ Get out.
174
00:11:20,589 --> 00:11:22,800
What the fuck is in Bo's mouth?
175
00:11:22,800 --> 00:11:24,635
Becky's panties!
176
00:11:24,635 --> 00:11:27,346
‐ It is not Ray. Too obvious.
‐ Exactly.
177
00:11:27,346 --> 00:11:29,223
‐ Absolutely.
Listen, I'm just relieved
178
00:11:29,223 --> 00:11:32,142
that something of Becky Butler
showed up somewhere.
179
00:11:32,142 --> 00:11:33,936
I almost forgot who went missing.
180
00:11:33,936 --> 00:11:35,687
They took too long with it.
181
00:11:35,687 --> 00:11:37,940
Student Council president,
182
00:11:37,940 --> 00:11:40,275
"she had a smile that would
light up a room," blah blah blah.
183
00:11:40,275 --> 00:11:42,611
Yeah, yeah. Listen,
I am all for a good peeling of the onion,
184
00:11:42,611 --> 00:11:45,113
but let's pace it up, people. Please.
185
00:11:46,657 --> 00:11:48,659
To that point...
186
00:11:50,160 --> 00:11:53,455
who are you, you fascinating creature?
187
00:11:53,455 --> 00:11:56,792
I mean, we got our places 30 years ago
when the Arconia was affordable,
188
00:11:56,792 --> 00:11:59,086
but you? Do your parents
have a place there‐‐
189
00:11:59,086 --> 00:12:02,047
‐ Good god! You don't have
to answer that, Mabel.
190
00:12:02,047 --> 00:12:05,384
I mean‐‐ I mean unless you
want to because I'm also curious.
191
00:12:07,302 --> 00:12:10,097
‐ How do I know you?
‐ Oh, Charles was in
192
00:12:10,097 --> 00:12:12,599
an old TV series, many, many years ago.
193
00:12:12,599 --> 00:12:15,519
What was it called? Uh, Bozos.
‐ Brazzos.
194
00:12:16,770 --> 00:12:19,189
‐ Oh... Okay.
195
00:12:19,189 --> 00:12:22,234
‐ As for me, uh,
196
00:12:22,234 --> 00:12:25,612
directing is my day job.
I'm sure you're aware.
197
00:12:27,364 --> 00:12:30,075
But, uh, my grandchildren...
198
00:12:32,286 --> 00:12:33,454
they're my passion.
199
00:12:33,912 --> 00:12:36,415
I just wish I had more time
to spend with them.
200
00:12:37,458 --> 00:12:39,334
That's really all we want, isn't it?
201
00:12:39,334 --> 00:12:41,462
More time with the people we love.
202
00:12:41,462 --> 00:12:44,214
‐ I literally pass him in the elevator
once a month, just so you know.
203
00:12:45,424 --> 00:12:46,508
Anyway,
204
00:12:46,508 --> 00:12:49,595
those are our proverbial onions.
205
00:12:49,595 --> 00:12:52,556
Raw and peeled. And yours?
206
00:12:52,556 --> 00:12:53,974
Care to peel for us?
207
00:12:54,975 --> 00:12:56,602
‐ I do not.
208
00:12:56,602 --> 00:12:58,353
- Can I?
- Absolutely not.
209
00:12:58,353 --> 00:13:01,356
‐ No, no. Thank you so much.
210
00:13:01,356 --> 00:13:02,441
‐ Thank you.
211
00:13:03,650 --> 00:13:05,360
Hi, baby.
212
00:13:05,360 --> 00:13:07,362
Oh! That's a real dog.
213
00:13:07,362 --> 00:13:08,405
Yeah, yeah.
214
00:13:18,373 --> 00:13:20,209
Look at this.
215
00:13:21,627 --> 00:13:24,213
Lester, what the hell?
‐ Found someone dead.
216
00:13:24,213 --> 00:13:25,506
‐ What?
217
00:13:25,506 --> 00:13:27,549
‐ Sounds like they offed themselves.
218
00:13:27,549 --> 00:13:29,259
- ‐ You're kidding me.
- Ninth floor.
219
00:13:29,259 --> 00:13:30,511
Can't let anyone in.
220
00:13:30,511 --> 00:13:32,971
‐ We can't go to our apartments?
‐ No, sir. Sorry.
221
00:13:36,350 --> 00:13:39,228
‐ Did he say the ninth floor?
‐ Yeah.
222
00:13:39,228 --> 00:13:42,397
‐ I could get us to the freight elevator,
223
00:13:42,397 --> 00:13:44,358
just to take a peek.
224
00:13:46,109 --> 00:13:47,986
‐ Just to see what's happening.
225
00:13:47,986 --> 00:13:50,364
‐ Okay. But, we should take it to eight.
226
00:13:50,364 --> 00:13:51,448
‐ Why?
227
00:13:52,115 --> 00:13:53,784
‐ They'll have cops posted on nine.
228
00:13:54,827 --> 00:13:56,495
‐ Ooh, you're good.
229
00:14:08,882 --> 00:14:11,426
‐ Tell the captain this is a suicide.
230
00:14:13,053 --> 00:14:16,056
Alright, guys, I need you
to canvass around the building.
231
00:14:37,661 --> 00:14:39,455
It's that guy from the elevator!
232
00:14:39,455 --> 00:14:42,249
Oh my god. Oh my god. It's that guy!
233
00:14:42,249 --> 00:14:44,376
It's that guy...
‐ His‐‐ His head was...
234
00:14:44,376 --> 00:14:47,671
I've seen TV dead bodies.
That was‐‐ Have you ever...
235
00:14:47,671 --> 00:14:49,923
He shot himself!
‐ No, he didn't.
236
00:14:49,923 --> 00:14:51,758
We saw him, what, like an hour ago?
237
00:14:51,758 --> 00:14:54,386
Did he seem like he was gonna
go do something like that?
238
00:14:57,514 --> 00:15:00,601
‐ Oh!
‐ Are you associated with the deceased?
239
00:15:00,601 --> 00:15:03,228
‐ No, no. We don't know him.
‐ We're neighbors in the building.
240
00:15:03,228 --> 00:15:04,646
We live in the building.
241
00:15:04,646 --> 00:15:06,857
‐ Mm‐hmm. So, you don't know him?
‐ Just in passing.
242
00:15:06,857 --> 00:15:08,484
‐ Not his passing.
‐ No, yes.
243
00:15:08,484 --> 00:15:10,110
When we pass by him.
244
00:15:10,110 --> 00:15:11,111
‐ Before he passed.
245
00:15:11,111 --> 00:15:13,822
‐ That's right. Um, but are y‐‐ are you,
246
00:15:13,822 --> 00:15:15,491
uh, sure that it was suicide?
247
00:15:15,908 --> 00:15:17,326
‐ It doesn't make sense.
248
00:15:17,326 --> 00:15:20,162
‐ I mean, even in passing,
he didn't seem the type.
249
00:15:20,162 --> 00:15:23,457
‐ So, you don't know him.
Look,
250
00:15:23,457 --> 00:15:25,042
you're probably just starting
your investigation,
251
00:15:25,042 --> 00:15:27,961
looking into all the forensics‐‐
‐ Goddammit.
252
00:15:27,961 --> 00:15:31,423
What fuckin' podcast are
you all hooked on? Huh?
253
00:15:31,423 --> 00:15:33,759
I swear to God, if I meet
254
00:15:33,759 --> 00:15:36,011
one more true crime nut...
255
00:15:36,011 --> 00:15:38,806
This is suicide. It's textbook.
256
00:15:38,806 --> 00:15:42,142
Residue powder on the hands,
evidence of financial stress.
257
00:15:42,142 --> 00:15:44,728
We even found a note on his
laptop saying he's outta here,
258
00:15:44,728 --> 00:15:48,565
which is exactly where you all need to be.
259
00:15:48,565 --> 00:15:50,359
‐ What if‐‐
‐ Nuh‐uh, it's not.
260
00:15:50,359 --> 00:15:53,570
‐ B‐b‐but, y‐y‐you‐‐
‐ No, no, no, no, no. It's not.
261
00:15:53,570 --> 00:15:57,324
So, go on ahead
and enjoy your cute little lives,
262
00:15:57,324 --> 00:15:59,368
and be glad that you still have one.
263
00:16:00,953 --> 00:16:04,456
You goddamn true crime fuckin' numb‐nuts.
264
00:16:44,163 --> 00:16:45,956
‐ The motherfucking garbage bag!
265
00:16:45,956 --> 00:16:47,624
‐ Why would he get on
the elevator with that?
266
00:16:47,624 --> 00:16:50,085
There's a chute on every floor.
What was in there?
267
00:16:55,174 --> 00:16:56,633
‐ We all have the same thought?
268
00:16:56,633 --> 00:16:58,844
The garbage bag!
269
00:16:59,428 --> 00:17:01,513
‐ Ah. Different thought.
270
00:17:01,513 --> 00:17:03,557
We should do our own podcast.
271
00:17:03,557 --> 00:17:07,436
I'm sure that every true crime podcaster
wishes that he was on the case
272
00:17:07,436 --> 00:17:08,562
right from the start.
273
00:17:08,562 --> 00:17:10,898
And here we are, w‐‐
274
00:17:10,898 --> 00:17:13,025
You know what?
I should be recording this right now.
275
00:17:13,025 --> 00:17:14,818
‐ Well right now, the only
thing that matters is that
276
00:17:14,818 --> 00:17:17,029
there's a killer on the loose
if we're right,
277
00:17:17,029 --> 00:17:19,364
and he could be living
somewhere in our building.
278
00:17:19,364 --> 00:17:21,533
‐ Oh, that is a very good line.
279
00:17:21,533 --> 00:17:24,578
Badly delivered, but a good line.
So, do it again for me,
280
00:17:24,578 --> 00:17:28,248
and this is what I need.
I want you to really hit killer.
281
00:17:28,248 --> 00:17:29,708
You know? Just killer.
282
00:17:29,708 --> 00:17:31,585
‐ There's a killer loose somewhere‐‐
283
00:17:31,585 --> 00:17:32,961
‐ No need to scream.
‐ That's too hard.
284
00:17:32,961 --> 00:17:35,339
‐ You know what I need you to do?
Really punch
285
00:17:35,339 --> 00:17:37,341
somewhere.
‐ There's a...
286
00:17:38,008 --> 00:17:40,010
Gimme an action.
‐ Action.
287
00:17:40,010 --> 00:17:42,095
‐ Killer on the loose somewhere.
288
00:17:42,095 --> 00:17:44,181
‐ Okay, do it again, but slower,
289
00:17:44,181 --> 00:17:45,557
and with, you know,
290
00:17:45,557 --> 00:17:47,351
like a human...
291
00:17:47,351 --> 00:17:49,728
‐ "If there's anyone left to care,
292
00:17:49,728 --> 00:17:51,855
there is nothing for me anymore."
293
00:17:57,319 --> 00:17:58,529
Is that...
294
00:17:59,029 --> 00:18:01,698
"I'm just tired of feeling lonely.
295
00:18:03,784 --> 00:18:06,453
I don't want to be lonely anymore."
296
00:18:07,496 --> 00:18:10,624
‐ This is his.
There's mail in here to Tim Kono.
297
00:18:10,624 --> 00:18:12,584
And other notes!
298
00:18:12,584 --> 00:18:15,295
Attempts to get his last words right?
299
00:18:17,089 --> 00:18:19,091
Looks like we have our answer.
300
00:18:20,384 --> 00:18:23,470
‐ So, that's it? We're done?
301
00:18:23,470 --> 00:18:25,722
No podcast.
302
00:18:25,722 --> 00:18:27,850
‐ Back to Oklahoma.
303
00:18:36,316 --> 00:18:38,735
I read the script.
My character has no lines,
304
00:18:38,735 --> 00:18:40,028
not one.
305
00:18:42,072 --> 00:18:45,159
Wait, they want someone
who looks like Brazzos,
306
00:18:45,159 --> 00:18:47,411
and they want me to audition for this?
307
00:19:01,383 --> 00:19:03,385
Well, I'm not that late.
308
00:19:04,011 --> 00:19:06,013
Can we get the four‐top by the window?
309
00:19:08,223 --> 00:19:11,518
I'll get the Caesar with the balsamic
and the double croutons.
310
00:19:12,144 --> 00:19:14,646
You need to ask for a bigger table.
311
00:19:16,106 --> 00:19:17,524
I have my grocery cart.
312
00:19:17,941 --> 00:19:20,402
Tell them it's Bunny. They know me.
313
00:19:22,821 --> 00:19:24,698
‐ I'm not always in here.
314
00:19:24,698 --> 00:19:26,784
‐ I was just coming up to get you.
315
00:19:26,784 --> 00:19:28,744
‐ I've got an audition. Wait a minute.
316
00:19:29,369 --> 00:19:31,038
- Is this about...
- ‐ Yes.
317
00:19:31,038 --> 00:19:33,624
‐ In or out, soft lips.
I got places to be.
318
00:19:35,459 --> 00:19:37,002
‐ Fuck 'em. I'm offer only.
319
00:19:37,002 --> 00:19:39,963
‐ Okay, so I know what
we found last night,
320
00:19:39,963 --> 00:19:42,466
but I also know me, and I can't
stop thinking about this.
321
00:19:42,466 --> 00:19:45,552
‐ Neither can I.
‐ A week ago, I saw Tim,
322
00:19:45,552 --> 00:19:49,181
the dead guy, at Bunny's apartment.
‐ Ooh, she's head of the board.
323
00:19:49,181 --> 00:19:51,934
‐ Okay, so he was asking
her about a package
324
00:19:51,934 --> 00:19:53,894
of his that she got by mistake.
325
00:19:53,894 --> 00:19:56,772
‐ That makes sense. They're on the A‐line.
I get mis‐delivered packages
326
00:19:56,772 --> 00:19:58,398
on the C‐line all the time.
327
00:19:58,398 --> 00:20:00,526
‐ Do you remember him
on the elevator saying...
328
00:20:00,526 --> 00:20:02,569
‐ Okay. I don't know why
this keeps happening.
329
00:20:02,569 --> 00:20:05,781
‐ And it was important,
and he couldn't get it...
330
00:20:05,781 --> 00:20:07,324
‐ Well, how early tomorrow?
331
00:20:07,324 --> 00:20:08,909
‐ Bunny's got the package.
332
00:20:08,909 --> 00:20:11,787
‐ I have a way in.
333
00:20:15,374 --> 00:20:17,960
‐ What the... Who are you?
334
00:20:17,960 --> 00:20:20,754
‐ I'm remodeling.
‐ This is a major‐‐
335
00:20:20,754 --> 00:20:22,589
How‐how many rooms are in this?
336
00:20:22,589 --> 00:20:24,800
You're living here in
the middle of a renovation?
337
00:20:24,800 --> 00:20:26,635
‐ Shh! Please focus.
338
00:20:28,011 --> 00:20:29,847
Look, there it is.
339
00:20:30,848 --> 00:20:32,850
A direct route into Bunny's.
340
00:20:32,850 --> 00:20:35,185
We just need to take off the grate.
341
00:20:35,185 --> 00:20:37,271
‐ No, no, no.
342
00:20:38,105 --> 00:20:39,481
Have you forgotten?
343
00:20:41,233 --> 00:20:43,068
I'm Brazzos.
344
00:21:01,795 --> 00:21:04,256
‐ Hey, Will! Surprise!
345
00:21:04,756 --> 00:21:06,633
Grandpa's here!
‐ Dad, it's...
346
00:21:06,633 --> 00:21:09,970
it's Sunday. Mom's got the kids.
They're at the zoo.
347
00:21:09,970 --> 00:21:11,680
‐ Oh. Right.
348
00:21:11,680 --> 00:21:14,516
Well then, I‐I'll just
leave these for them.
349
00:21:15,934 --> 00:21:18,020
New deck looks fantastic, Will.
350
00:21:18,020 --> 00:21:20,230
Yeah, the kids live out there.
351
00:21:20,230 --> 00:21:21,773
‐ Yeah, I'm sorry I missed them.
352
00:21:23,108 --> 00:21:25,611
But this is‐‐ this is a...
353
00:21:25,611 --> 00:21:27,321
good. You and I get a little...
354
00:21:28,363 --> 00:21:29,781
Jersey hang time.
355
00:21:30,449 --> 00:21:32,242
‐ Jersey hang time?
356
00:21:33,535 --> 00:21:35,537
So, what's up?
357
00:21:38,874 --> 00:21:40,375
‐ Do you have any milk?
358
00:21:41,001 --> 00:21:43,086
‐ Brazzos was the son of a locksmith,
359
00:21:43,086 --> 00:21:46,089
so the crew gave me these
jimmy keys as a wrap gift, season 5.
360
00:21:47,299 --> 00:21:49,927
‐ I watched a few of those. Brazzos.
361
00:21:51,178 --> 00:21:53,180
I like the early '90s stuff.
362
00:21:53,180 --> 00:21:55,182
Sometimes, you get to see Hammer pants.
363
00:21:59,186 --> 00:22:01,188
You were good. You're a good actor.
364
00:22:03,106 --> 00:22:05,818
Have you done any other shows?
‐ Uh, I did a few pilots,
365
00:22:05,818 --> 00:22:08,445
but they didn't move forward.
I don't think I test well.
366
00:22:08,445 --> 00:22:11,240
‐ Hm. I can see that.
‐ Yeah, thank you. Wait, what?
367
00:22:11,907 --> 00:22:13,450
‐ That's Bunny's.
368
00:22:15,077 --> 00:22:16,537
So, how's work?
369
00:22:17,955 --> 00:22:20,124
‐ Good. It's fine.
370
00:22:20,124 --> 00:22:22,251
You know, th‐th‐there's
some stuff out there.
371
00:22:22,251 --> 00:22:23,418
Yeah?
‐ Yeah.
372
00:22:24,086 --> 00:22:26,088
‐ Did you, uh, get your next project?
373
00:22:27,381 --> 00:22:30,259
‐ Well, I‐I thought I had
something, but, uh...
374
00:22:32,761 --> 00:22:34,721
it just went away.
375
00:22:37,808 --> 00:22:38,976
So...
376
00:22:39,518 --> 00:22:41,895
Will, I'm gonna need to, um...
377
00:22:41,895 --> 00:22:43,480
‐ Oh no...
378
00:22:44,106 --> 00:22:46,567
God...
‐ You know, I‐I‐I really did not
379
00:22:46,567 --> 00:22:48,610
want this to become
380
00:22:48,610 --> 00:22:50,571
a regular thing, but I am strapped.
381
00:22:50,571 --> 00:22:52,239
‐ Dad...
‐ Honey, I am so...
382
00:22:52,990 --> 00:22:56,493
close on a few things.
‐ Yeah, that's what you said last time.
383
00:22:57,703 --> 00:22:59,955
‐ How long have you lived here?
‐ Twenty‐eight years.
384
00:23:00,539 --> 00:23:02,291
‐ But not always by yourself.
385
00:23:03,417 --> 00:23:06,003
You've been alone for 28 years?
‐ Shh...
386
00:23:06,003 --> 00:23:08,130
Alone isn't so bad. I like alone.
387
00:23:09,631 --> 00:23:11,216
Give me that smaller pick.
388
00:23:15,095 --> 00:23:17,973
My father was a Charles. I‐I'm a Junior.
389
00:23:18,557 --> 00:23:21,602
It was the most consistent
refrain of my childhood
390
00:23:21,602 --> 00:23:24,354
was how much I was like him.
391
00:23:24,354 --> 00:23:26,231
And I really was.
392
00:23:26,231 --> 00:23:29,860
We were both right‐handed, but we used
scissors with our left hand.
393
00:23:30,611 --> 00:23:34,531
We could both pick up just about
any instrument and play it by ear.
394
00:23:34,531 --> 00:23:36,325
But give us...
395
00:23:36,325 --> 00:23:38,160
basic algebra? Forget about it.
396
00:23:39,369 --> 00:23:40,788
He turned gray at 47,
397
00:23:40,788 --> 00:23:43,081
white at 58, and, hm?
398
00:23:45,626 --> 00:23:47,544
People like my father.
399
00:23:48,253 --> 00:23:50,255
They meant it as a compliment...
400
00:23:50,923 --> 00:23:52,758
when they said I was like him, but...
401
00:23:54,718 --> 00:23:57,137
he was awful to my mother. Awful.
402
00:23:58,263 --> 00:24:00,307
He tried to make her feel...
403
00:24:00,307 --> 00:24:02,684
small. He seemed to get...
404
00:24:02,684 --> 00:24:04,603
pleasure out of it,
405
00:24:04,603 --> 00:24:06,855
making her feel silly.
406
00:24:07,731 --> 00:24:10,108
Making her feel unsure of herself.
407
00:24:12,027 --> 00:24:14,029
So, at a certain point...
408
00:24:15,072 --> 00:24:17,157
I thought, well,
409
00:24:17,157 --> 00:24:19,076
we use scissors the same way,
410
00:24:19,076 --> 00:24:21,745
and we can play
any instrument the same way.
411
00:24:21,745 --> 00:24:23,247
Odds are...
412
00:24:24,540 --> 00:24:26,166
Alone isn't so bad.
413
00:24:27,459 --> 00:24:28,877
Obviously, it's...
414
00:24:30,254 --> 00:24:31,964
mortifying...
415
00:24:32,923 --> 00:24:35,342
coming to you like this. I'm...
416
00:24:37,136 --> 00:24:39,471
revolted at myself.
417
00:24:41,140 --> 00:24:42,516
But, I...
418
00:24:42,516 --> 00:24:44,852
I can't get any work, you know?
419
00:24:44,852 --> 00:24:46,895
I mean, this is‐‐ it's been years now.
420
00:24:46,895 --> 00:24:48,355
And so, I just‐‐
421
00:24:48,355 --> 00:24:50,315
I need a little help from someone‐‐
422
00:24:50,315 --> 00:24:51,608
‐ You have to sell the apartment.
423
00:24:51,608 --> 00:24:53,360
‐ I can't do that.
‐ Dad,
424
00:24:53,360 --> 00:24:54,945
you cannot keep living like this.
425
00:24:54,945 --> 00:24:57,447
‐ It's all I have. It's who I am.
426
00:25:00,325 --> 00:25:03,745
‐ Yeah, well, obviously,
it makes me very sad to hear that.
427
00:25:06,623 --> 00:25:07,875
‐ I'm sorry.
428
00:25:08,667 --> 00:25:12,087
Really, I'm so sorry.
429
00:25:12,754 --> 00:25:14,756
For so many things.
430
00:25:15,883 --> 00:25:18,469
But, it is just a rough patch,
honey, and I just‐‐
431
00:25:18,469 --> 00:25:20,262
Stop, stop, stop, stop.
432
00:25:23,182 --> 00:25:25,392
I can't. Not again.
433
00:25:32,316 --> 00:25:33,775
‐ Well, I...
434
00:25:34,735 --> 00:25:37,446
I‐I certainly appreciate, um...
435
00:25:38,572 --> 00:25:40,407
you know, everything that you have done,
436
00:25:40,407 --> 00:25:43,327
and‐and‐and don't worry. This is just a...
437
00:25:45,204 --> 00:25:46,497
it's a rocky moment,
438
00:25:46,497 --> 00:25:48,665
that's all. I'll be fine.
‐ Dad. Stay for Sunday dinner.
439
00:25:48,665 --> 00:25:51,960
‐ No, no, no. I re‐‐
I do actually have to get back.
440
00:25:51,960 --> 00:25:54,296
I do. So, you know...
441
00:25:54,296 --> 00:25:56,256
gotta dig in.
Nose to the grindstone, right?
442
00:25:59,927 --> 00:26:01,929
Can I have my coat? Please?
443
00:26:03,639 --> 00:26:05,474
‐ It's my aunt's apartment.
444
00:26:05,891 --> 00:26:07,434
She asked me to redo it for her.
445
00:26:07,434 --> 00:26:09,269
You can see how well that's going.
446
00:26:10,187 --> 00:26:12,564
It's the first time
I've been alone in, like...
447
00:26:13,273 --> 00:26:15,067
ever.
448
00:26:15,067 --> 00:26:17,986
I tend to make packs wherever I go.
449
00:26:17,986 --> 00:26:20,197
When I was a kid,
I had my Hardy Boys pack.
450
00:26:20,823 --> 00:26:22,574
‐ That's too old a reference for you.
451
00:26:22,991 --> 00:26:26,078
‐ We were being old school
calling ourselves that.
452
00:26:26,495 --> 00:26:29,373
Anyway, me and my Hardy Boys...
453
00:26:29,373 --> 00:26:33,168
Well, there were four of us,
and two were actual boys, by the way.
454
00:26:33,877 --> 00:26:37,089
We would get into solving mysteries around
455
00:26:37,089 --> 00:26:39,133
the complex that we all lived in.
456
00:26:39,758 --> 00:26:41,802
‐ So, this stuff is not new to you.
457
00:26:42,678 --> 00:26:45,097
‐ I mean, those were made‐up mysteries.
458
00:26:46,014 --> 00:26:47,141
At least, most were.
459
00:26:48,225 --> 00:26:50,936
‐ And your Hardy Boys, where are they now?
460
00:26:52,396 --> 00:26:53,939
‐ Maybe you're right.
461
00:26:53,939 --> 00:26:56,400
Maybe going at it alone is better.
462
00:26:59,069 --> 00:27:00,404
Any luck with that?
463
00:27:01,155 --> 00:27:03,031
‐ Oh, I've been in for a while.
464
00:27:03,031 --> 00:27:05,284
‐ Yes! Good job, Brazzos.
465
00:27:11,415 --> 00:27:14,126
‐ Alright. This is
an A‐line three bedroom.
466
00:27:14,126 --> 00:27:16,503
You take the living, dining, spare.
467
00:27:16,503 --> 00:27:18,589
I'll take the kitchen
and the bedrooms on the side.
468
00:27:18,589 --> 00:27:21,467
Now, Bunny probably keeps
her packages in a hutch
469
00:27:21,467 --> 00:27:24,178
or a sideboard.
‐ Brazzos, look at your hand.
470
00:27:28,599 --> 00:27:30,392
We have our first clue.
471
00:27:30,392 --> 00:27:32,686
And we stole it from a neighbor to get it!
472
00:27:32,686 --> 00:27:34,813
Yeah. I know. I was there.
473
00:27:34,813 --> 00:27:36,523
You should open it.
474
00:27:36,857 --> 00:27:39,276
I can't tell if I want
it to be nothing or...
475
00:27:40,360 --> 00:27:41,778
for it to be something.
476
00:27:54,792 --> 00:27:56,293
What is it?
477
00:27:59,213 --> 00:28:01,715
‐ What kinda guy kills himself
478
00:28:01,715 --> 00:28:04,718
an hour after being
desperate to get his hands...
479
00:28:06,094 --> 00:28:07,679
on this?
480
00:29:42,232 --> 00:29:44,109
‐ Here's a thing I don't get.
481
00:29:44,109 --> 00:29:46,278
People who worry about
living in the big city
482
00:29:46,278 --> 00:29:47,821
because of all the crime.
483
00:29:47,821 --> 00:29:50,991
As any true crime
aficionado will tell you,
484
00:29:50,991 --> 00:29:53,994
it's the boondocks
you need to worry about.
485
00:29:54,995 --> 00:29:56,038
Nailed it.
486
00:29:56,038 --> 00:29:59,500
‐ I don't know. It‐it‐it's so PBSy.
487
00:29:59,500 --> 00:30:02,211
Like a Ken Burns documentary
in the history of boredom.
488
00:30:02,211 --> 00:30:04,963
Maybe Mabel should give it a try.
‐ I'd rather die.
489
00:30:04,963 --> 00:30:06,924
‐ And now, he's giving away my part.
490
00:30:06,924 --> 00:30:09,301
‐ So tomorrow, we lay out a timeline.
491
00:30:09,301 --> 00:30:11,470
‐ I have maps and I have full blueprints
492
00:30:11,470 --> 00:30:13,472
of each floor of the Arconia.
493
00:30:13,472 --> 00:30:15,516
‐ Oh. You fancy.
494
00:30:15,516 --> 00:30:18,519
‐ Hey, did you guys hear about that
mysterious death in the park last night?
495
00:30:19,102 --> 00:30:21,814
We could multitask a little bit.
496
00:30:21,814 --> 00:30:23,816
Silo out a second investigation,
497
00:30:23,816 --> 00:30:25,359
- do a second podcast.
- No.
498
00:30:25,776 --> 00:30:28,821
We need to focus.
Only murders in the building.
499
00:30:29,238 --> 00:30:31,990
‐ "Only murders in the building."
500
00:30:31,990 --> 00:30:33,283
Welcome to...
501
00:30:33,283 --> 00:30:36,203
Only Murders In The Building.
502
00:30:36,203 --> 00:30:38,872
A true crime podcast.
503
00:30:38,872 --> 00:30:40,582
I'm your host,
504
00:30:40,582 --> 00:30:43,752
Charles‐Haden Savage.
505
00:30:45,337 --> 00:30:47,131
‐ For right now.
506
00:30:51,301 --> 00:30:53,011
‐ Hey. How's it going?
507
00:30:53,011 --> 00:30:54,596
‐ Oh, good. All good. You?
508
00:30:54,596 --> 00:30:56,014
‐ Good.
509
00:30:56,723 --> 00:30:59,893
You know, sometimes I can
smell that omelet you make.
510
00:30:59,893 --> 00:31:02,729
‐ Oh! Sorry.
Next time, I'll turn the fan on.
511
00:31:02,729 --> 00:31:04,481
‐ No. I like it.
512
00:31:04,481 --> 00:31:05,524
Reminds me of Lucy.
513
00:31:07,151 --> 00:31:09,611
It was her favorite, right?
514
00:31:09,611 --> 00:31:11,113
Have you heard from her?
515
00:31:11,655 --> 00:31:13,657
‐ Here‐‐ Uh, here and there.
516
00:31:14,408 --> 00:31:16,410
‐ Well, tell her hi for me next time.
517
00:31:18,162 --> 00:31:21,665
A great true crime mystery unpeels itself
518
00:31:21,665 --> 00:31:23,459
like an onion.
519
00:31:24,376 --> 00:31:27,504
First the crime, then the characters,
520
00:31:27,504 --> 00:31:30,507
and then their secrets.
521
00:31:31,800 --> 00:31:33,635
The secrets are the fun part.
522
00:31:34,094 --> 00:31:36,638
Who is telling the truth?
523
00:31:36,638 --> 00:31:38,682
Who is lying?
524
00:31:38,682 --> 00:31:40,642
What are they hiding?
525
00:31:40,642 --> 00:31:42,895
Because, let's be honest.
526
00:31:42,895 --> 00:31:46,565
Sometimes it's easier to figure out
someone else's secret
527
00:31:47,149 --> 00:31:49,943
than it is to deal with your own.