1
00:00:01,210 --> 00:00:02,870
CHARLES:
My last relationship lasted six years.

2
00:00:02,870 --> 00:00:05,170
Emma, that's my ex, she moved in,

3
00:00:05,170 --> 00:00:08,920
and she brought with her
her 7‐year‐old daughter, Lucy.

4
00:00:08,920 --> 00:00:11,920
Emma thought a hard break
would be best for Lucy.

5
00:00:11,920 --> 00:00:14,260
Really haven't spoken to her since.

6
00:00:14,260 --> 00:00:17,680
‐ All in favor of evicting all three
members of Murder, She Wrote?

7
00:00:18,930 --> 00:00:21,350
Terrific!
CHARLES: My girlfriend's been stabbed.

8
00:00:21,350 --> 00:00:22,980
I'm losing my home now?

9
00:00:22,980 --> 00:00:25,100
‐ I have a big solo tomorrow night.

10
00:00:25,100 --> 00:00:27,020
‐ Would it be okay if I came
to see you tomorrow?

11
00:00:27,020 --> 00:00:29,650
I mean, after all,
I'm dating the first chair bassoonist,

12
00:00:29,650 --> 00:00:32,690
and I've never even seen you play.
JAN: I think it would make me too nervous.

13
00:00:32,690 --> 00:00:35,530
CONDUCTOR:
The youngest first chair bassoonist

14
00:00:35,530 --> 00:00:38,780
in our symphony's history.
Ms. Allison Tipton.

15
00:00:38,780 --> 00:00:42,080
‐ Tox report's back.
Tim Kono was poisoned!

16
00:00:42,080 --> 00:00:44,960
He was already dead when he was shot.
‐ This was a crime of passion.

17
00:00:44,960 --> 00:00:47,380
Romantic fury,
the desire to see someone suffer

18
00:00:47,380 --> 00:00:49,130
before you blow their brains out!

19
00:00:49,130 --> 00:00:51,090
‐ We certainly heard a late night visitor.

20
00:00:51,090 --> 00:00:52,420
‐ Tim was seeing someone?

21
00:00:52,420 --> 00:00:54,510
‐ I never heard a woman scream like that.

22
00:00:54,510 --> 00:00:57,340
OLIVER: You think his sex toys
could reveal anything?

23
00:00:57,340 --> 00:00:58,890
‐ I don't know. What is this?

24
00:00:58,890 --> 00:01:00,680
OLIVER:
Exotic Instruments...

25
00:01:00,680 --> 00:01:03,680
‐ Why is there a bassoon cleaner
in Tim's sex toy box?

26
00:01:03,680 --> 00:01:06,270
♪

27
00:01:09,980 --> 00:01:12,360
[elevator rumbling]

28
00:01:12,360 --> 00:01:15,530
[elevator dings, doors opening]

29
00:01:16,700 --> 00:01:18,320
TIM:
Twenty‐three seconds.

30
00:01:18,320 --> 00:01:19,370
♪

31
00:01:19,370 --> 00:01:22,740
That's the time I spent
when I was actually alive

32
00:01:22,740 --> 00:01:25,120
with three people on an elevator.
[elevator dings]

33
00:01:26,710 --> 00:01:29,840
[pushes button]
And it's lead to all this.

34
00:01:29,840 --> 00:01:31,840
Just 23 seconds.

35
00:01:32,880 --> 00:01:34,550
My name is Tim Kono.

36
00:01:34,550 --> 00:01:38,010
I lived in apartment 9A
here at the Arconia.

37
00:01:38,010 --> 00:01:40,140
Approximately 12 minutes from now,

38
00:01:40,140 --> 00:01:42,350
I will be murdered.

39
00:01:42,350 --> 00:01:44,560
But, let's not rush this.

40
00:01:44,560 --> 00:01:47,560
Get to know a fellow a little before
he tells you how he died, right?

41
00:01:48,310 --> 00:01:50,060
[elevator dings, doors open]

42
00:01:52,190 --> 00:01:53,190
[pushes button]

43
00:01:54,190 --> 00:01:55,940
I was never very good with people.

44
00:01:56,900 --> 00:01:58,860
Never really felt lonely though.

45
00:01:58,860 --> 00:02:00,820
That came later.

46
00:02:00,820 --> 00:02:02,330
After Mabel...
[shutter clicks]

47
00:02:02,330 --> 00:02:05,250
and Oscar and Zoe.

48
00:02:06,080 --> 00:02:08,790
The loneliness came
after I lost all of that.

49
00:02:11,130 --> 00:02:14,130
So, when someone
comes along and reminds you

50
00:02:14,130 --> 00:02:16,300
that we all deal with the same shit...

51
00:02:16,300 --> 00:02:17,300
[elevator dings]

52
00:02:17,300 --> 00:02:19,300
...sometimes, you welcome them in,

53
00:02:20,390 --> 00:02:21,720
with inhibitions lowered,

54
00:02:21,720 --> 00:02:24,220
with arms wide open.

55
00:02:24,970 --> 00:02:28,230
♪

56
00:02:28,230 --> 00:02:29,270
MABEL:
No fucking way!

57
00:02:29,940 --> 00:02:31,610
We have to tell Charles!

58
00:02:31,610 --> 00:02:34,400
He's gonna hate us!
‐ He already hates us.

59
00:02:34,400 --> 00:02:35,860
Mabel!
‐ What?

60
00:02:35,860 --> 00:02:39,070
‐ What a terrific goddamn
finale this is gonna be.

61
00:02:39,070 --> 00:02:42,660
‐ Oliver, he could be in danger.
‐ Right, right. For sure.

62
00:02:42,660 --> 00:02:44,910
But that might not be so bad either.
[elevator dings]

63
00:02:50,080 --> 00:02:52,080
‐ Charles!
‐ Charles!

64
00:02:52,920 --> 00:02:54,840
Okay, we‐we gotta break the door down.

65
00:02:54,840 --> 00:02:58,260
‐ Excuse me? We weigh 125 combined.

66
00:02:58,260 --> 00:03:00,760
‐ Oh, thank you. It's the dips. Come on.

67
00:03:02,010 --> 00:03:05,010
Okay. One... two...

68
00:03:05,010 --> 00:03:06,520
Go, Mabel, go!

69
00:03:06,850 --> 00:03:09,020
[panting]

70
00:03:09,020 --> 00:03:10,310
[snorts]

71
00:03:10,310 --> 00:03:11,270
Ow!

72
00:03:12,230 --> 00:03:13,230
[elevator dings]

73
00:03:14,980 --> 00:03:17,570
Oh my god, she's gotten to you already.

74
00:03:17,570 --> 00:03:18,740
‐ What's going on?

75
00:03:18,740 --> 00:03:20,610
‐ So, funny story...

76
00:03:20,610 --> 00:03:22,780
‐ You're sleeping with a murderer!

77
00:03:22,780 --> 00:03:25,780
♪ lively theme song playing ♪

78
00:03:25,780 --> 00:03:28,790
♪ vocalizing ♪

79
00:04:11,040 --> 00:04:14,330
♪ bassoon playing ♪

80
00:04:14,330 --> 00:04:16,750
‐ You two could not look
more crazy right now.

81
00:04:16,750 --> 00:04:18,300
‐ For the record,

82
00:04:18,300 --> 00:04:20,590
it's not fun for me
to tell you any of this.

83
00:04:20,590 --> 00:04:22,470
‐ Nor I. Nor does it give me pleasure

84
00:04:22,470 --> 00:04:24,130
to remind you that you're being recorded.

85
00:04:25,050 --> 00:04:27,430
He is dating the potential killer, Mabel!

86
00:04:27,430 --> 00:04:29,890
The rules are changing by the minute!

87
00:04:29,890 --> 00:04:32,430
‐ Jan lives on the sixth floor.

88
00:04:32,430 --> 00:04:34,770
Tim was carrying someone else's trash bag

89
00:04:34,770 --> 00:04:37,650
full of suicide notes and cocktail glasses

90
00:04:37,650 --> 00:04:40,400
from the sixth floor. So,

91
00:04:40,400 --> 00:04:43,450
I know this isn't easy to hear, but...

92
00:04:43,450 --> 00:04:45,610
we found out that Tim was having

93
00:04:45,610 --> 00:04:47,320
some sort of romantic thing with‐‐

94
00:04:47,320 --> 00:04:49,200
‐ Jan was fucking Tim Kono! I'm sorry,

95
00:04:49,200 --> 00:04:51,500
we're recordings.
You know, we gotta pace it up.

96
00:04:51,500 --> 00:04:53,500
‐ That's ridiculous.
OLIVER: I know,

97
00:04:53,500 --> 00:04:55,670
but before you look too
shocked by their age difference,

98
00:04:55,670 --> 00:04:57,000
maybe you wanna look at the two of you.

99
00:04:57,000 --> 00:05:00,130
‐ I am not going down
one of your idiotic rabbit holes.

100
00:05:00,130 --> 00:05:03,300
I searched all of Tim's cellphone.
Jan wasn't anywhere on it.

101
00:05:03,300 --> 00:05:06,510
‐ Well, maybe he deleted her,
or she deleted herself.

102
00:05:06,510 --> 00:05:10,140
‐ Are you forgetting someone stabbed her?
OLIVER: Oh, right.

103
00:05:10,140 --> 00:05:13,520
I forgot the real killer decided
not to kill Jan. By the way,

104
00:05:13,520 --> 00:05:16,100
I've had worse injuries shucking oysters!

105
00:05:16,100 --> 00:05:17,560
‐ You have to leave.

106
00:05:17,560 --> 00:05:20,690
I can't hear any more of your insanity.

107
00:05:20,690 --> 00:05:23,440
This is the first romantic
relationship I've had in years!

108
00:05:23,440 --> 00:05:26,070
Why are you trying to ruin it for me?
MABEL: We're not,

109
00:05:26,070 --> 00:05:27,570
but, Charles...

110
00:05:27,570 --> 00:05:29,410
Where is Jan right now?

111
00:05:29,990 --> 00:05:32,910
‐ She's a... she's a‐a‐at the symphony,

112
00:05:32,910 --> 00:05:34,960
still playing. I left early.

113
00:05:34,960 --> 00:05:36,710
‐ And why'd you do that?

114
00:05:36,710 --> 00:05:37,960
♪

115
00:05:37,960 --> 00:05:39,420
‐ Why are you still here?

116
00:05:40,040 --> 00:05:42,670
‐ [sighs] Just please...

117
00:05:42,670 --> 00:05:44,170
look at what's in front of you,

118
00:05:44,170 --> 00:05:46,130
and be careful.

119
00:05:47,760 --> 00:05:49,760
‐ [sighs] Jesus...
‐ [sighs]

120
00:05:50,760 --> 00:05:53,140
So, Jan is still at the symphony.

121
00:05:53,140 --> 00:05:55,140
‐ Mm‐hmm.
[pushes button]

122
00:05:57,640 --> 00:06:00,560
‐ Which means, she's not currently...

123
00:06:00,560 --> 00:06:02,070
‐ Mm‐hmm.

124
00:06:08,530 --> 00:06:09,780
[crinkling]

125
00:06:17,540 --> 00:06:18,580
[sighs]

126
00:06:20,080 --> 00:06:23,090
[inaudible]

127
00:06:24,210 --> 00:06:26,220
[knocking]
JAN: Charles?

128
00:06:28,970 --> 00:06:31,090
I raced here right at intermission.

129
00:06:31,090 --> 00:06:34,640
They won't notice I'm gone.
Which is, well,

130
00:06:34,640 --> 00:06:37,980
pretty devastating to say
out loud, honestly.

131
00:06:37,980 --> 00:06:40,770
Anyway, I'm mortified.

132
00:06:40,770 --> 00:06:44,070
I don't know why I lied to you
about being first chair.

133
00:06:45,940 --> 00:06:48,950
I think it has to do with
being beaten out by a child.

134
00:06:50,240 --> 00:06:53,950
Maybe this is why all the adult doctors
were always so mean to Doogie Howser.

135
00:06:54,910 --> 00:06:57,370
‐ I lost a Golden Globe to him once.

136
00:06:57,370 --> 00:06:59,290
‐ I'm sorry.

137
00:06:59,290 --> 00:07:01,380
About that Globe.

138
00:07:01,380 --> 00:07:02,670
And this.

139
00:07:03,750 --> 00:07:05,670
I should've told you.

140
00:07:05,670 --> 00:07:08,550
Then I could've invited you, which is what
I wanted to do in the first place,

141
00:07:08,550 --> 00:07:10,050
until I got weird.

142
00:07:11,220 --> 00:07:12,800
Charles, your nose.

143
00:07:14,430 --> 00:07:16,600
‐ It's from earlier.
JAN: Are you sure?

144
00:07:16,600 --> 00:07:18,430
That looks fresh.

145
00:07:18,430 --> 00:07:20,440
Can I get you some ice?

146
00:07:21,100 --> 00:07:22,600
Maybe we can have a drink?

147
00:07:23,480 --> 00:07:26,900
Maybe we can have 12 drinks?

148
00:07:28,820 --> 00:07:30,320
‐ Come on in.

149
00:07:30,320 --> 00:07:33,820
‐ You almost let me break
my scapula earlier, and you could do this?

150
00:07:33,820 --> 00:07:35,410
‐ Charles taught me.
[clicking]

151
00:07:35,410 --> 00:07:38,580
I taught him how to use Postmates,
and he taught me how to do this.

152
00:07:38,580 --> 00:07:40,540
‐ Aw. You two, I swear.

153
00:07:40,540 --> 00:07:43,540
It's like watching Paper Moon
for the first time all over again.

154
00:07:45,590 --> 00:07:48,590
‐ When I saw you in
the audience, I felt terrified.

155
00:07:51,050 --> 00:07:52,300
Here.

156
00:07:52,970 --> 00:07:55,010
‐ Oh, that's nice. Thank you.

157
00:07:55,010 --> 00:07:58,720
‐ And I thought, "That's it. He's just
always gonna think the worst of me now."

158
00:07:59,350 --> 00:08:00,390
‐ That could never happen.

159
00:08:01,480 --> 00:08:03,150
‐ Can we toast to that?

160
00:08:04,520 --> 00:08:06,020
[ice rattling]

161
00:08:07,070 --> 00:08:08,070
[clink]

162
00:08:12,030 --> 00:08:14,030
Oh. Did I leave that here?

163
00:08:14,950 --> 00:08:17,370
‐ Uh, we found that in
Tim Kono's apartment.

164
00:08:18,580 --> 00:08:21,580
‐ It's a bassoon cleaner.
Why would Tim have that?

165
00:08:22,830 --> 00:08:24,370
‐ No idea.

166
00:08:24,370 --> 00:08:28,000
‐ Hold on. The murdered guy
also played bassoon?

167
00:08:28,000 --> 00:08:30,010
I mean, what are the odds of that?

168
00:08:31,800 --> 00:08:34,800
Do you think the killer
is targeting bassoonists?

169
00:08:38,970 --> 00:08:39,970
Wait...

170
00:08:41,020 --> 00:08:42,890
You're not thinking that I‐‐

171
00:08:42,890 --> 00:08:45,100
‐ No. [laughs]

172
00:08:45,100 --> 00:08:46,270
Oliver and Mabel are.

173
00:08:47,940 --> 00:08:49,610
But not me.

174
00:08:49,610 --> 00:08:52,650
‐ [sigh, soft laugh] I would, too.

175
00:08:53,240 --> 00:08:54,740
Jeez. [laughs]

176
00:08:56,370 --> 00:08:58,370
So, do you think Tim Kono‐‐

177
00:08:58,370 --> 00:09:00,950
‐ Can we not talk about
Tim Kono right now?

178
00:09:02,540 --> 00:09:03,960
‐ Of course.

179
00:09:04,710 --> 00:09:06,210
What do you wanna talk about?

180
00:09:06,210 --> 00:09:09,210
♪

181
00:09:12,590 --> 00:09:15,130
‐ That I think I'm falling
in love with you.

182
00:09:16,430 --> 00:09:17,680
‐ Oh.

183
00:09:19,010 --> 00:09:20,760
Well, that's interesting.

184
00:09:26,650 --> 00:09:29,440
Because I think I'm falling
in love with you, too.

185
00:09:29,440 --> 00:09:31,070
‐ [sighs] Well...

186
00:09:31,820 --> 00:09:33,860
that is a relief. [laughs]

187
00:09:33,860 --> 00:09:35,450
‐ Yeah.

188
00:09:35,450 --> 00:09:37,870
It's usually less awkward when
it happens to both people.

189
00:09:39,910 --> 00:09:41,160
‐ Hm.

190
00:09:41,160 --> 00:09:44,080
Doesn't exactly scream killer, does it?
Where do we start?

191
00:09:44,080 --> 00:09:47,290
‐ Did you ever listen to that
podcast Baker's Dozen?

192
00:09:47,290 --> 00:09:48,580
‐ Oh, classic.

193
00:09:48,580 --> 00:09:50,500
Midwestern bake‐off winner

194
00:09:50,500 --> 00:09:52,630
dismembers 12 ladies
trying to take her title.

195
00:09:53,010 --> 00:09:55,550
‐ Kinda picture her place like this.
‐ Yeah.

196
00:09:55,550 --> 00:09:58,180
‐ Do you remember where they found
all the evidence she was hiding?

197
00:09:59,050 --> 00:10:00,430
[inhales]

198
00:10:01,640 --> 00:10:03,140
‐ But let me use it first. I need to go.

199
00:10:04,850 --> 00:10:07,060
‐ You know what's crazy?

200
00:10:07,060 --> 00:10:08,850
I think I would love you

201
00:10:08,850 --> 00:10:10,480
even if you did kill Tim Kono.

202
00:10:11,400 --> 00:10:14,110
Which is super crazy because
I've broken up with people

203
00:10:14,110 --> 00:10:16,150
for whispering loudly in movies.

204
00:10:16,150 --> 00:10:19,240
Or chewing weird. [laughs]

205
00:10:19,240 --> 00:10:20,740
‐ Wow, Charles.

206
00:10:21,620 --> 00:10:24,620
That's real love. Yeah.
‐ I know, right?

207
00:10:27,080 --> 00:10:28,370
‐ You're not drinking much.

208
00:10:33,090 --> 00:10:35,050
‐ Oh, I'm not drinking at all.

209
00:10:36,670 --> 00:10:39,010
I'm taking...
[ice rattling]

210
00:10:39,010 --> 00:10:40,760
stage sips.

211
00:10:41,970 --> 00:10:43,890
Because there's poison in it.

212
00:10:43,890 --> 00:10:46,890
♪

213
00:10:48,690 --> 00:10:50,480
It's what you did with Tim Kono, right?

214
00:10:51,270 --> 00:10:54,190
A breakup drink before you
shot him with his own gun?

215
00:10:54,650 --> 00:10:58,240
I'm still not sure why you
poisoned the cat though.

216
00:11:00,780 --> 00:11:02,030
‐ I didn't do that.

217
00:11:03,370 --> 00:11:05,870
All I can think is

218
00:11:05,870 --> 00:11:08,210
she came in the window afterwards,

219
00:11:08,210 --> 00:11:10,210
and maybe...

220
00:11:14,550 --> 00:11:16,300
I know, right?

221
00:11:16,300 --> 00:11:18,260
Ugh! [laughs]

222
00:11:18,260 --> 00:11:21,470
Oh god! This is so hot, Charles.

223
00:11:22,090 --> 00:11:24,300
Just super exciting to be

224
00:11:24,300 --> 00:11:25,600
totally open together,

225
00:11:25,600 --> 00:11:28,480
and just let it all hang out...

226
00:11:29,480 --> 00:11:30,390
Woof!

227
00:11:31,900 --> 00:11:33,400
‐ Hey, come here.

228
00:11:36,480 --> 00:11:37,990
She's a poisoner...

229
00:11:39,700 --> 00:11:41,150
[pills rattling]

230
00:11:45,740 --> 00:11:47,410
...who uses a label maker?

231
00:11:49,330 --> 00:11:51,330
[beep]
‐ The saddest thing about this

232
00:11:51,330 --> 00:11:54,130
is that if Jan weren't a murderous maniac

233
00:11:54,130 --> 00:11:57,130
she'd be perfect for Charles.
[metal rattling]

234
00:11:57,130 --> 00:11:59,590
♪

235
00:11:59,590 --> 00:12:01,380
[rattling]

236
00:12:01,380 --> 00:12:02,840
‐ So you were seeing Tim Kono?

237
00:12:04,010 --> 00:12:06,310
‐ Hello. I'm a sucker

238
00:12:06,310 --> 00:12:09,140
for lonely guys with
notable age differences

239
00:12:09,140 --> 00:12:11,560
I meet on elevators.
I think you know that.

240
00:12:11,560 --> 00:12:13,850
‐ And Tim came to see you the day he died.

241
00:12:13,850 --> 00:12:16,650
‐ He did. Which was also

242
00:12:16,650 --> 00:12:18,610
two days after he broke up with me.

243
00:12:18,610 --> 00:12:20,690
Not insignificant.

244
00:12:21,240 --> 00:12:24,820
I told him I had to give him
some things he left at my place.

245
00:12:24,820 --> 00:12:27,410
‐ I don't remember leaving anything here.

246
00:12:27,410 --> 00:12:29,540
‐ I just poured two Old Fashioneds.

247
00:12:30,700 --> 00:12:32,120
One more for old time's sake?

248
00:12:34,040 --> 00:12:36,080
And then a half‐hour later,

249
00:12:36,080 --> 00:12:37,960
I dumped the glasses in his bag...
[glasses rattling]

250
00:12:37,960 --> 00:12:40,460
and just sent him on his way.

251
00:12:42,840 --> 00:12:45,510
[rattling]
[echoing shut]

252
00:12:46,930 --> 00:12:50,220
And then I went back to my window
to practice my Pavane piece.

253
00:12:52,020 --> 00:12:53,770
‐ No. You didn't.

254
00:12:54,190 --> 00:12:55,810
I heard the bassoon that night.

255
00:12:55,810 --> 00:12:57,730
It sounded... different.

256
00:12:58,360 --> 00:13:00,980
You weren't playing live.
It was a recording.

257
00:13:01,360 --> 00:13:05,070
‐ Yay! [laughing] Oh, Charles!

258
00:13:05,070 --> 00:13:07,530
Do you see how good
we are together?

259
00:13:08,080 --> 00:13:09,910
And how great

260
00:13:09,910 --> 00:13:13,080
is an alibi where the whole building
can hear you playing?

261
00:13:13,910 --> 00:13:15,870
Oh, what else did you figure out about me?

262
00:13:15,870 --> 00:13:17,540
Tell me, tell me, tell me.

263
00:13:17,540 --> 00:13:20,800
When did you really
start locking in on me?

264
00:13:25,680 --> 00:13:27,180
CHARLES:
The notes.

265
00:13:28,470 --> 00:13:29,640
[stumbles]

266
00:13:33,100 --> 00:13:34,140
The J's...

267
00:13:35,060 --> 00:13:37,350
[slurring]
are similar.

268
00:13:37,350 --> 00:13:38,610
‐ Aw...

269
00:13:38,610 --> 00:13:41,110
[baby talk]
My cute little J's gave me away.

270
00:13:42,070 --> 00:13:43,280
[normal]
Good eye, kid.

271
00:13:43,280 --> 00:13:46,280
‐ [slurred]
I compared them side by side...

272
00:13:50,660 --> 00:13:51,950
JAN: Oh.
[bangs chair]

273
00:13:52,540 --> 00:13:54,040
There it goes.

274
00:13:54,960 --> 00:13:56,750
That's exactly how Tim sounded.

275
00:13:56,750 --> 00:13:59,540
♪

276
00:13:59,540 --> 00:14:01,630
‐ The handkerchief...

277
00:14:01,630 --> 00:14:03,420
‐ Yay. Handkerchief,

278
00:14:03,420 --> 00:14:06,180
not the glasses.
[stumbling]

279
00:14:06,180 --> 00:14:08,140
I mixed it up this time.

280
00:14:08,140 --> 00:14:10,850
You know, I'm not one of those
who always does it the same

281
00:14:10,850 --> 00:14:13,220
and has to carve a niche for themselves.

282
00:14:13,220 --> 00:14:16,770
Even though I did carve a niche in myself.

283
00:14:22,820 --> 00:14:24,820
‐ Wait, did she...

284
00:14:26,490 --> 00:14:28,490
‐ You stabbed yourself?

285
00:14:32,830 --> 00:14:34,080
‐ Wow...

286
00:14:37,620 --> 00:14:39,960
That's really kicked in, hasn't it?

287
00:14:39,960 --> 00:14:42,250
Your legs gone?

288
00:14:42,250 --> 00:14:44,460
‐ [indistinct mumbling]
‐ Oh, tongue, too.

289
00:14:45,920 --> 00:14:48,050
[baby talk]
Seen it before.

290
00:14:48,050 --> 00:14:50,840
[click, alarm blaring]

291
00:14:50,840 --> 00:14:53,850
[doors opening, shutting]
[hall chatter]

292
00:14:53,850 --> 00:14:56,850
♪

293
00:15:00,270 --> 00:15:01,900
[normal voice]
You know?

294
00:15:01,900 --> 00:15:04,400
You and Tim are a lot alike.

295
00:15:05,650 --> 00:15:09,910
I felt so lucky to be let into
your private, isolated worlds.

296
00:15:11,990 --> 00:15:14,490
But Tim messed up
by seeing somebody else,

297
00:15:14,490 --> 00:15:16,660
or that's what I thought.
‐ [mumbling]

298
00:15:16,660 --> 00:15:18,330
JAN:
This is the kicker. The day before,

299
00:15:18,330 --> 00:15:21,170
the day before we broke up,

300
00:15:21,170 --> 00:15:23,880
I found this emerald ring at his place.

301
00:15:23,880 --> 00:15:27,090
Just delivered. I mean,
clearly meant for somebody else, right?

302
00:15:27,090 --> 00:15:28,970
[Tim groaning]

303
00:15:28,970 --> 00:15:32,720
You know how I feel
about being made second.

304
00:15:32,720 --> 00:15:34,760
That's a big trigger for me.

305
00:15:39,230 --> 00:15:41,310
[Tim grunts]
JAN: It's so odd.

306
00:15:41,310 --> 00:15:43,310
[alarm blaring]
[coughs]

307
00:15:44,190 --> 00:15:45,520
When a person begs you

308
00:15:45,520 --> 00:15:48,190
for their life, it is such a tonic for me.

309
00:15:48,190 --> 00:15:51,200
♪

310
00:15:53,370 --> 00:15:57,120
And knowing, finally,
I am truly number one for someone.

311
00:15:57,120 --> 00:15:59,120
[gun clicking]

312
00:15:59,580 --> 00:16:00,660
[gunshot]

313
00:16:01,540 --> 00:16:04,540
You need me now more than ever, don't you?

314
00:16:05,630 --> 00:16:07,750
Charles, why does that feel so good?

315
00:16:08,420 --> 00:16:10,470
[Charles grunts]
How crazy is it

316
00:16:10,470 --> 00:16:14,340
that ring was actually the ring

317
00:16:14,340 --> 00:16:16,310
from the murder you solved.

318
00:16:16,310 --> 00:16:18,220
[laughs]

319
00:16:18,220 --> 00:16:19,640
Ironic.

320
00:16:19,640 --> 00:16:22,270
And tragic. My bad. I do own that.

321
00:16:22,270 --> 00:16:23,770
[metal clinking]

322
00:16:28,480 --> 00:16:30,490
‐ Oliver...
[rattling]

323
00:16:33,660 --> 00:16:36,660
♪

324
00:16:37,280 --> 00:16:38,700
‐ Oh god.

325
00:16:39,240 --> 00:16:40,750
Oh, Mabel, I...

326
00:16:41,830 --> 00:16:43,540
I'm so, so sorry.

327
00:16:43,540 --> 00:16:45,040
‐ She did it.

328
00:16:46,290 --> 00:16:48,630
She really killed him.

329
00:16:49,960 --> 00:16:51,840
‐ Yeah, she did. She did.

330
00:16:52,760 --> 00:16:53,840
‐ Charles!

331
00:16:56,470 --> 00:16:58,810
‐ The trick now, it's not just you.

332
00:16:58,810 --> 00:17:01,100
There are two others I have
to deal with and more.

333
00:17:01,100 --> 00:17:02,850
I mean, so many know about this

334
00:17:02,850 --> 00:17:04,940
because of your podcast.

335
00:17:04,940 --> 00:17:06,940
I've gotta think big here.

336
00:17:08,520 --> 00:17:12,190
Isn't it nice they opened
all these fireplaces back up?

337
00:17:12,190 --> 00:17:15,410
I mean, in a way, it makes us
all connected in the building.

338
00:17:16,200 --> 00:17:18,990
Should make for a fun finale.

339
00:17:18,990 --> 00:17:22,290
Too bad I'm gonna miss it.
It's gonna be a gas.

340
00:17:22,910 --> 00:17:25,330
[laughs]
[Charles groaning]

341
00:17:25,330 --> 00:17:27,130
I want you to know

342
00:17:27,130 --> 00:17:29,210
this is definitely

343
00:17:29,210 --> 00:17:31,460
one of my rougher breakups, Charles.

344
00:17:31,460 --> 00:17:32,970
♪

345
00:17:32,970 --> 00:17:34,510
I really did fall in love with you.

346
00:17:38,390 --> 00:17:40,010
Sadly,

347
00:17:40,010 --> 00:17:43,020
I will not be seeing you
bassooner or later.

348
00:17:51,480 --> 00:17:54,150
[door opens, shuts]

349
00:17:59,070 --> 00:18:00,080
[inhales]

350
00:18:00,080 --> 00:18:02,040
♪

351
00:18:02,040 --> 00:18:04,620
[snort, groan]

352
00:18:04,620 --> 00:18:06,620
[grunting]

353
00:18:07,790 --> 00:18:09,500
[groan, grunt]

354
00:18:10,460 --> 00:18:11,710
Oh...

355
00:18:13,510 --> 00:18:15,510
[panting]

356
00:18:15,970 --> 00:18:17,010
[groans]

357
00:18:21,140 --> 00:18:22,180
[sighs]

358
00:18:24,770 --> 00:18:27,270
Mm... [sighs]

359
00:18:28,850 --> 00:18:30,900
[beep]
[grunt, sigh]

360
00:18:31,650 --> 00:18:33,530
[sighs]

361
00:18:33,530 --> 00:18:36,110
[slurred] Siri...
[beep]

362
00:18:36,110 --> 00:18:38,280
I don't feel good...
[beep]

363
00:18:38,280 --> 00:18:40,820
SIRI:
Okay. Playing Fields of Gold by Sting.

364
00:18:40,820 --> 00:18:43,330
‐ [sighs] Oh...
[frustrated crying]

365
00:18:43,330 --> 00:18:45,500
♪ song playing ♪

366
00:18:46,500 --> 00:18:49,500
♪

367
00:18:49,500 --> 00:18:50,500
[elevator dings]

368
00:18:53,210 --> 00:18:54,710
[pushing button]
[dings]

369
00:19:01,720 --> 00:19:03,640
[unlocks door]

370
00:19:08,310 --> 00:19:11,310
♪ Fields of barley ♪

371
00:19:11,310 --> 00:19:13,610
♪ You'll forget the sun ♪

372
00:19:13,610 --> 00:19:15,860
♪ In his jealous sky ♪

373
00:19:15,860 --> 00:19:17,240
♪ As we walk in... ♪

374
00:19:17,240 --> 00:19:20,070
[echoing footsteps]

375
00:19:20,070 --> 00:19:22,620
♪ So she took her love ♪

376
00:19:22,620 --> 00:19:24,490
[elevator dings]
[sighs]

377
00:19:24,490 --> 00:19:26,750
[sighs, grunting]

378
00:19:26,750 --> 00:19:28,620
♪ Upon the fields of barley ♪

379
00:19:28,620 --> 00:19:30,000
[grunt]

380
00:19:30,000 --> 00:19:33,960
[grunting]
[alarm buzzing]

381
00:19:33,960 --> 00:19:35,840
[bell ringing]

382
00:19:35,840 --> 00:19:38,840
[struggling]
[elevator dings]

383
00:19:40,630 --> 00:19:41,970
‐ Why is his door open?

384
00:19:41,970 --> 00:19:44,180
Charles!
‐ Charles!

385
00:19:44,180 --> 00:19:47,180
♪ frantic music playing ♪

386
00:19:48,270 --> 00:19:50,730
‐ Look. Where is he?

387
00:19:50,730 --> 00:19:52,480
[elevator dings]
[song continues]

388
00:19:52,480 --> 00:19:55,070
‐ You overpay for your arugula

389
00:19:55,070 --> 00:19:57,480
every time, Uma.

390
00:19:57,480 --> 00:20:00,450
‐ You're one to talk,
Miss Fresh Basil in February.

391
00:20:00,450 --> 00:20:01,990
‐ Why'd you press all the buttons?

392
00:20:01,990 --> 00:20:04,200
‐ Oh, this asshole did it.

393
00:20:04,200 --> 00:20:06,620
You kick him out of the building,
he goes on a bender.

394
00:20:06,620 --> 00:20:10,040
‐ Oh god. I can't wait till he's gone.
[elevator dings]

395
00:20:10,620 --> 00:20:12,620
[excited squealing]

396
00:20:12,620 --> 00:20:15,170
BUNNY: Ah!
UMA: Oh my god!

397
00:20:15,170 --> 00:20:16,380
‐ I know, right? I just got her,

398
00:20:16,380 --> 00:20:18,050
and I love her so much.
‐ Meow...

399
00:20:18,050 --> 00:20:19,590
‐ [laughs] What's her name, Howard?

400
00:20:19,590 --> 00:20:22,220
‐ Evelyn Seven. Lucky number Sevelyn.
[meow]

401
00:20:22,220 --> 00:20:24,220
I feel like Evelyn's death wasn't in vain.

402
00:20:24,220 --> 00:20:26,680
Like, she really brought
everybody together, you know?

403
00:20:26,680 --> 00:20:28,430
CHARLES: Ah...
ALL: Shut it!

404
00:20:28,930 --> 00:20:30,730
HOWARD: If you guys would
like to come over some time

405
00:20:30,730 --> 00:20:32,520
and play Parcheesi and have a gab,

406
00:20:32,520 --> 00:20:34,520
Sevelyn and I would love to have you over.
[elevator dings]

407
00:20:35,810 --> 00:20:37,110
‐ Oh, is there room?

408
00:20:37,110 --> 00:20:39,610
‐ [overlapping]
Oh sure. Yeah, come on in. We can squeeze.

409
00:20:39,610 --> 00:20:41,070
GROVER:
Hi.

410
00:20:41,530 --> 00:20:42,570
Do you need help?

411
00:20:42,570 --> 00:20:44,570
‐ [indistinct gibberish]

412
00:20:44,570 --> 00:20:46,410
‐ You can schedule
an out‐patient with my girl.

413
00:20:46,410 --> 00:20:48,910
And I now take cryptocurrency.
[elevator dings]

414
00:20:52,370 --> 00:20:54,580
‐ There's a mess in there.

415
00:20:56,040 --> 00:20:58,500
[song continues]

416
00:20:58,500 --> 00:21:01,380
‐ Don't worry. This happened to Sting
when The Police broke up.

417
00:21:01,380 --> 00:21:03,180
Never said a word.
CHARLES: Augh...

418
00:21:04,220 --> 00:21:07,600
‐ I'm sending you back to your apartment.
Get into bed and sleep it off.

419
00:21:07,600 --> 00:21:10,020
Don't tell anyone I told you about Sting.

420
00:21:10,020 --> 00:21:12,640
‐ [garbled mumbling]

421
00:21:12,640 --> 00:21:14,650
Nah... [gurgles]

422
00:21:14,650 --> 00:21:15,400
[elevator dings]

423
00:21:15,400 --> 00:21:17,900
♪

424
00:21:17,900 --> 00:21:21,570
‐ Lester, have you seen Charles?
‐ Just sent him upstairs, flat on his can,

425
00:21:21,570 --> 00:21:24,110
struck down with the Irish Flu.
Didn't hear it from me.

426
00:21:24,110 --> 00:21:27,030
Same thing happened to Sting.
Don't tell anyone I told you.

427
00:21:28,030 --> 00:21:29,540
[clicking button, dings]

428
00:21:32,120 --> 00:21:33,580
[clicking]

429
00:21:33,580 --> 00:21:35,620
‐ How the hell does he...

430
00:21:36,250 --> 00:21:39,170
[banging, alarm buzzing]
[dings]

431
00:21:40,210 --> 00:21:41,840
‐ Oh my god, Charles!
[alarm ringing]

432
00:21:41,840 --> 00:21:44,260
‐ Wow, Lester was right!
‐ Grab him.

433
00:21:44,260 --> 00:21:46,180
‐ Okay, where did you get a Quaalude?

434
00:21:46,180 --> 00:21:47,550
[both grunt, sigh]

435
00:21:47,550 --> 00:21:49,640
‐ Turn him over!
[Oliver groans]

436
00:21:49,640 --> 00:21:51,470
‐ [garbled mumbling]
MABEL: Hey! Hey!

437
00:21:51,470 --> 00:21:53,980
Did Jan poison you?
‐ [slurred] Yes! She poisoned me...

438
00:21:53,980 --> 00:21:55,890
‐ We have to get him to a hospital.

439
00:21:55,890 --> 00:21:58,770
‐ Or! We get as much milk
into him as possible.

440
00:21:58,770 --> 00:22:00,320
It absorbs toxins.

441
00:22:01,570 --> 00:22:03,440
‐ Ah! [gargling]

442
00:22:03,440 --> 00:22:05,280
‐ And if that doesn't work,
I can urinate on him.

443
00:22:05,280 --> 00:22:06,950
‐ I think that's for jellyfish.

444
00:22:07,530 --> 00:22:10,330
Wait, what is he doing?
‐ Oh no, it's his phone!

445
00:22:10,330 --> 00:22:13,700
Is there something on your phone, buddy?
‐ What's your password?

446
00:22:13,700 --> 00:22:15,160
‐ [garbled nonsense]

447
00:22:15,160 --> 00:22:17,580
‐ Okay, put his face on it.
‐ Okay. Hold it.

448
00:22:19,250 --> 00:22:21,500
‐ It's not working!
‐ His facial muscles are too limp.

449
00:22:21,500 --> 00:22:23,130
[Charles groaning]
It's okay. I know what to do. Look.

450
00:22:23,130 --> 00:22:24,510
[click]

451
00:22:24,510 --> 00:22:26,970
‐ We're in!
‐ Ah! God, I'm clever. Okay.

452
00:22:27,550 --> 00:22:29,470
JAN [on phone]:
Should make for a fun finale.

453
00:22:30,510 --> 00:22:32,890
‐ It's Jan. Did you record Jan?

454
00:22:32,890 --> 00:22:35,770
‐ [mumbling]
JAN: Too bad I'm gonna miss it.

455
00:22:35,770 --> 00:22:38,310
It's gonna be a gas.
ARNAV: Oh, hey.

456
00:22:38,310 --> 00:22:40,060
Is anyone feeling dizzy?

457
00:22:40,060 --> 00:22:42,610
I was just about to start a fire,
but it's like there's

458
00:22:42,610 --> 00:22:44,570
fumes coming up from the basement.
‐ [gibberish]

459
00:22:44,570 --> 00:22:45,900
‐ Oh, my daughter's in there.

460
00:22:46,860 --> 00:22:48,700
‐ Gas.
[door shuts]

461
00:22:48,700 --> 00:22:50,370
‐ Wait, did Jan...
‐ Woof!

462
00:22:50,370 --> 00:22:52,990
‐ We have to go to the basement!
‐ Ah...

463
00:22:52,990 --> 00:22:55,330
‐ How are we gonna get him anywhere?

464
00:22:56,210 --> 00:22:58,670
So poetic. Closed for years

465
00:22:58,670 --> 00:23:00,830
because of an asthmatic Tim Kono,

466
00:23:00,830 --> 00:23:03,590
our fireplaces were opened again
because of his murder,

467
00:23:03,590 --> 00:23:05,760
only to lead to the death of thousands!

468
00:23:05,760 --> 00:23:07,760
‐ I don't think thousands live here.

469
00:23:07,760 --> 00:23:10,390
‐ Boy, you really don't
take the ride, do you?

470
00:23:10,390 --> 00:23:13,470
[stroller squeaking]

471
00:23:13,470 --> 00:23:15,890
[whispering]
The boiler room of the Arconia.

472
00:23:15,890 --> 00:23:17,730
The irritable bowel of the building.

473
00:23:17,730 --> 00:23:19,810
A perfect spot for a perfect ending.

474
00:23:19,810 --> 00:23:21,980
[machines humming]
[quiet alarm blaring]

475
00:23:21,980 --> 00:23:25,530
‐ Okay. I'll take the west side of
the building, you take the east.

476
00:23:25,530 --> 00:23:27,030
‐ Okay.

477
00:23:28,150 --> 00:23:31,450
Oh my god! Look what she's done!
[hissing]

478
00:23:31,450 --> 00:23:34,450
‐ What!?
OLIVER: The thing!

479
00:23:34,450 --> 00:23:37,790
‐ The duct! That wasn't
attached to the thing!

480
00:23:37,790 --> 00:23:40,670
That shouldn't be that way!
Do you see a duct attached

481
00:23:40,670 --> 00:23:42,080
to a thing it shouldn't be attached to?

482
00:23:42,080 --> 00:23:44,630
‐ What are you even saying?!

483
00:23:44,630 --> 00:23:45,880
‐ I'm pulling the thing out here...

484
00:23:45,880 --> 00:23:47,970
[hissing]
[coughing]

485
00:23:48,670 --> 00:23:51,970
Okay, pull down the top of your thing!

486
00:23:51,970 --> 00:23:54,760
[hissing]
[clanking]

487
00:23:54,760 --> 00:23:56,520
[whirring down]
Ah!

488
00:23:57,270 --> 00:23:58,520
We did it! I think.

489
00:23:58,520 --> 00:24:01,350
We‐we took down the thing,
so that the stuff won't go

490
00:24:01,350 --> 00:24:03,440
from the thing up into the...
Yeah, we did it!

491
00:24:03,440 --> 00:24:05,480
[gun cocks]
‐ Oh, you really did it.

492
00:24:07,280 --> 00:24:09,190
Get down here.

493
00:24:09,190 --> 00:24:11,200
♪

494
00:24:11,200 --> 00:24:12,530
[panting]

495
00:24:12,530 --> 00:24:14,070
Hey.

496
00:24:14,070 --> 00:24:16,080
Look at you still kicking.

497
00:24:16,740 --> 00:24:18,040
I was worried that hanky

498
00:24:18,040 --> 00:24:21,210
wouldn't do the full trick on Brazzos.

499
00:24:22,500 --> 00:24:25,500
Okay. Indulge me.
I've always wanted to do this.

500
00:24:28,010 --> 00:24:29,380
Roses are red...

501
00:24:30,970 --> 00:24:33,010
violets are blue...

502
00:24:33,010 --> 00:24:35,010
who shall I kill?

503
00:24:35,010 --> 00:24:36,260
Maybe it's you.

504
00:24:36,760 --> 00:24:37,810
CHARLES [clearly]
No.

505
00:24:39,980 --> 00:24:42,980
♪

506
00:24:43,980 --> 00:24:44,980
No.

507
00:24:46,020 --> 00:24:48,400
This ends now, Jan.

508
00:24:48,400 --> 00:24:50,780
You won't shoot my friends.

509
00:24:50,780 --> 00:24:53,160
Shoot me if you need to, but not them.

510
00:24:54,200 --> 00:24:56,990
Because I don't want to live
in a world without them anymore.

511
00:24:57,910 --> 00:25:00,120
There were parts of myself that were dead

512
00:25:00,870 --> 00:25:02,870
that they brought back to life.

513
00:25:04,080 --> 00:25:05,580
Before this...

514
00:25:06,420 --> 00:25:09,670
I was just a hollow shell walking around.

515
00:25:10,880 --> 00:25:12,880
And they made me alive.

516
00:25:14,300 --> 00:25:17,300
[slurred, garbled nonsense]

517
00:25:21,480 --> 00:25:24,770
[nonsense continues]

518
00:25:24,770 --> 00:25:26,100
♪

519
00:25:26,100 --> 00:25:28,270
‐ You're helping me get over you.

520
00:25:28,270 --> 00:25:29,780
‐ No!
[Jan grunts]

521
00:25:29,780 --> 00:25:30,650
[gunshot]
[clang]

522
00:25:33,780 --> 00:25:35,860
‐ This is for Tim.
[Jan grunts]

523
00:25:41,160 --> 00:25:44,670
‐ [mumbling]

524
00:25:46,710 --> 00:25:48,460
[lights buzzing]

525
00:25:48,840 --> 00:25:52,340
‐ This sends the investigation
into a whole new direction.

526
00:25:53,470 --> 00:25:55,590
‐ Good one, Brazzos.

527
00:25:55,590 --> 00:25:57,430
Now, let's go get your stomach pumped.

528
00:25:59,970 --> 00:26:01,430
‐ Eh...

529
00:26:02,430 --> 00:26:05,440
♪

530
00:26:05,440 --> 00:26:08,440
[quiet siren, police radio chatter]

531
00:26:15,650 --> 00:26:16,990
MABEL:
Is he gonna be okay?

532
00:26:16,990 --> 00:26:18,570
PARAMEDIC:
Three, two, one.

533
00:26:18,570 --> 00:26:20,160
‐ He's gonna be fine.

534
00:26:20,160 --> 00:26:22,580
[gurney rattling]

535
00:26:22,580 --> 00:26:24,120
‐ Oliver.

536
00:26:25,910 --> 00:26:29,500
It seems due to the events
of tonight, there's been

537
00:26:29,500 --> 00:26:33,050
a reversal in sentiment
regarding your tenancies

538
00:26:33,050 --> 00:26:35,220
here at the Arconia.

539
00:26:35,220 --> 00:26:37,590
‐ Oh, please, just say it, Bunny.

540
00:26:37,590 --> 00:26:40,930
"Welcome back, you sexy thing!"

541
00:26:40,930 --> 00:26:42,930
‐ I'll get you gone sooner or later.

542
00:26:44,350 --> 00:26:47,520
You're all idiots!
‐ Hey, Bunny.

543
00:26:47,520 --> 00:26:49,770
Congrats.
You're the most hated person

544
00:26:49,770 --> 00:26:52,230
in the building now, you cranky old bitch.

545
00:26:53,480 --> 00:26:55,740
[laughs]

546
00:26:55,740 --> 00:26:58,740
♪

547
00:26:58,740 --> 00:27:01,160
[street noise, chatter]

548
00:27:01,160 --> 00:27:03,410
WILL:
Dad? Your child's home.

549
00:27:03,410 --> 00:27:05,290
Oliver:
[laughs] Willie!

550
00:27:05,290 --> 00:27:08,750
And Winnie! My little girl!
I'm so glad you're back.

551
00:27:08,750 --> 00:27:11,670
[kissing] Hello. Hello, Winnie!

552
00:27:11,670 --> 00:27:13,170
‐ Jesus, what a ride you've been on, huh?

553
00:27:13,170 --> 00:27:14,250
‐ [laughs] You think?

554
00:27:14,840 --> 00:27:16,010
‐ I'm proud of you.

555
00:27:17,300 --> 00:27:19,300
I think. Um, I'm not even really clear

556
00:27:19,300 --> 00:27:21,800
what happened here,
but I wanted to stop by

557
00:27:21,800 --> 00:27:23,850
and give you this.

558
00:27:23,850 --> 00:27:25,930
It's a check for your next big thing.

559
00:27:25,930 --> 00:27:27,940
‐ No, no. I‐I don't want it.

560
00:27:27,940 --> 00:27:29,350
‐ You sure?

561
00:27:30,350 --> 00:27:32,860
‐ I'd take an awkward hug though.

562
00:27:33,860 --> 00:27:35,940
‐ Okay. [laughs]

563
00:27:35,940 --> 00:27:37,950
[Winnie panting]
[envelope crinkling]

564
00:27:38,950 --> 00:27:39,990
‐ Huh.

565
00:27:40,570 --> 00:27:43,080
‐ It's not so awkward, huh?
‐ No. That was nice.

566
00:27:43,700 --> 00:27:45,200
Well, I‐I can tell you what happened.

567
00:27:45,200 --> 00:27:49,000
You know, the whole insane story,
unless you need to get going.

568
00:27:49,000 --> 00:27:51,120
‐ No, no, no, no, no.
I would... I'd like to stay.

569
00:27:52,670 --> 00:27:55,210
‐ Oh, well. Okay, good. So,

570
00:27:55,210 --> 00:27:58,050
it‐it was very bizarre.
Get in the elevator...

571
00:27:58,050 --> 00:28:01,050
♪

572
00:28:04,100 --> 00:28:06,220
OSCAR:
This is incredible.

573
00:28:06,220 --> 00:28:08,980
‐ Took me long enough, I know.

574
00:28:08,980 --> 00:28:10,850
‐ Yeah, well...

575
00:28:10,850 --> 00:28:13,400
Some things are worth the wait.

576
00:28:13,400 --> 00:28:16,280
‐ Hm. Nice positive‐as‐fuck words

577
00:28:16,280 --> 00:28:18,030
from the man who just
got his good name back.

578
00:28:18,030 --> 00:28:20,030
‐ [laughs] Yeah.

579
00:28:22,660 --> 00:28:24,620
You okay?

580
00:28:26,790 --> 00:28:29,500
‐ Yeah. I am.

581
00:28:32,460 --> 00:28:33,710
‐ What?

582
00:28:35,710 --> 00:28:38,260
‐ It's just been a long time
since I've said that

583
00:28:38,260 --> 00:28:40,170
and actually meant it.

584
00:28:41,680 --> 00:28:43,090
‐ Come here.

585
00:28:44,180 --> 00:28:47,180
♪

586
00:28:49,350 --> 00:28:50,600
[typing]

587
00:29:05,120 --> 00:29:06,830
[typing]

588
00:29:08,790 --> 00:29:09,790
[drops phone]

589
00:29:14,920 --> 00:29:16,420
[sends text]

590
00:29:25,090 --> 00:29:26,090
[sighs]

591
00:29:27,430 --> 00:29:30,430
♪

592
00:29:34,190 --> 00:29:35,560
[sighs]

593
00:29:36,440 --> 00:29:37,440
[text whooshes]

594
00:29:45,110 --> 00:29:47,120
[typing, sends text]

595
00:29:50,040 --> 00:29:51,040
[sighs]

596
00:29:53,410 --> 00:29:56,500
‐ My story really ends with you.

597
00:29:57,750 --> 00:30:00,960
Even though I didn't get to know
all that went on once I left,

598
00:30:02,170 --> 00:30:04,220
a connection was made...

599
00:30:04,220 --> 00:30:06,550
TIM/CHARLES:
among three strangers...

600
00:30:06,550 --> 00:30:10,220
willing to embrace their own messes...

601
00:30:11,220 --> 00:30:13,640
CHARLES:
and to recognize

602
00:30:13,640 --> 00:30:16,560
we are all connected.

603
00:30:16,560 --> 00:30:18,560
We started with the question,

604
00:30:19,610 --> 00:30:21,610
"Who is Tim Kono?"

605
00:30:23,070 --> 00:30:26,070
The answer, as it turned out...

606
00:30:27,740 --> 00:30:29,740
we are all Tim Kono.

607
00:30:31,990 --> 00:30:33,660
‐ That was amazing.

608
00:30:33,660 --> 00:30:35,370
‐ I mean, I just...

609
00:30:35,370 --> 00:30:38,000
That‐that's the best
performance you've ever given.

610
00:30:38,000 --> 00:30:40,040
I have nothing left to teach you.

611
00:30:40,040 --> 00:30:43,920
‐ Really? So I can finally add
"voiceover acting" to my resume?

612
00:30:45,090 --> 00:30:47,090
‐ Well, let's not get ahead of ourselves.

613
00:30:48,180 --> 00:30:50,350
CHARLES: And one more toast to Mabel.
[laughter]

614
00:30:50,350 --> 00:30:51,890
OLIVER: To Mabel Mora.
MABEL: Oh stop.

615
00:30:51,890 --> 00:30:54,180
[clink]
‐ [laughs] Yeah‐‐ Oh, sorry.

616
00:30:54,180 --> 00:30:57,980
Hey, you know, I'm amazed how
spectacular that ring still looks after

617
00:30:57,980 --> 00:30:59,440
you knocked out a murderer.

618
00:30:59,440 --> 00:31:01,060
Or y‐‐ Charles' girlfriend.

619
00:31:01,060 --> 00:31:03,570
Or ex‐girlfriend. Not sure how you landed.

620
00:31:04,900 --> 00:31:07,400
‐ You're handling this pretty well.

621
00:31:07,400 --> 00:31:09,820
‐ You know, I'm thinking of
putting myself out there again.

622
00:31:09,820 --> 00:31:11,870
I mean, I slept with a murderer!

623
00:31:11,870 --> 00:31:14,540
That is a great story
to tell on a first date.

624
00:31:14,540 --> 00:31:15,790
[Oliver laughs]

625
00:31:16,870 --> 00:31:20,710
‐ Does anyone else feel like
there's still a couple of loose ends?

626
00:31:20,710 --> 00:31:22,590
[distant siren]
‐ Loose ends?

627
00:31:22,590 --> 00:31:24,590
‐ I don't know. Maybe it's just a feeling.

628
00:31:25,590 --> 00:31:27,630
‐ All I know is that
we've run out of champagne.

629
00:31:27,630 --> 00:31:30,300
‐ Mm. I will get some from my apartment.

630
00:31:30,300 --> 00:31:31,850
‐ Ah...
‐ Thank you, ma'am!

631
00:31:31,850 --> 00:31:33,350
‐ Yep.
[puts down glass]

632
00:31:35,020 --> 00:31:38,390
‐ So, I was thinking that maybe, uh,

633
00:31:38,390 --> 00:31:41,860
we should do something maybe
more salacious for the next case.

634
00:31:41,860 --> 00:31:43,110
What do you think?

635
00:31:43,110 --> 00:31:44,730
‐ What makes you think
I want to work with you again?

636
00:31:44,730 --> 00:31:47,740
‐ Oh, please. You're nothing without me.

637
00:31:47,740 --> 00:31:49,820
‐ We do make a decent team.

638
00:31:49,820 --> 00:31:52,490
I mean, we could, um,
talk about it tomorrow.

639
00:31:52,490 --> 00:31:53,990
If you're free.

640
00:31:53,990 --> 00:31:55,660
‐ Well, Charles‐Haden Savage,

641
00:31:55,660 --> 00:31:57,700
are you asking me to be your bestie?

642
00:31:57,700 --> 00:32:00,580
‐ "Bestie"? What are we, 14?

643
00:32:00,580 --> 00:32:02,540
‐ No, no, listen. I‐I'm flattered.

644
00:32:02,540 --> 00:32:05,380
So should we meet at 7, or you think...
[sirens getting louder]

645
00:32:05,380 --> 00:32:08,010
more of a coffee thing?
Or something like 4?

646
00:32:08,010 --> 00:32:10,430
‐ You‐you know, I'm starting
to regret this alread‐‐

647
00:32:10,430 --> 00:32:12,340
Is that getting louder?

648
00:32:12,340 --> 00:32:14,010
‐ Yeah. Closer, too.
[sirens blaring]

649
00:32:14,010 --> 00:32:16,010
[text chimes]

650
00:32:17,350 --> 00:32:19,230
‐ "Get out of the building now."

651
00:32:19,230 --> 00:32:21,520
‐ Exclamation point.
‐ Exclamation point.

652
00:32:21,520 --> 00:32:23,310
‐ Exclamation point.
‐ Three exclamation points.

653
00:32:23,310 --> 00:32:25,570
‐ Whose number is this?
‐ I don't know.

654
00:32:26,190 --> 00:32:28,610
‐ Okay, this is getting scary.
What is going on?

655
00:32:29,360 --> 00:32:30,780
‐ We gotta get Mabel.

656
00:32:30,780 --> 00:32:32,780
OLIVER: Mabel! Oh my god!
CHARLES: Oh my god!

657
00:32:32,780 --> 00:32:34,030
♪

658
00:32:34,030 --> 00:32:36,660
BOTH:
Oh my god! Oh my god! Oh my god!

659
00:32:36,660 --> 00:32:38,790
Oh my god! Oh my god! Oh my god!

660
00:32:38,790 --> 00:32:40,500
CHARLES: We gotta get her!
I'm not leaving her here!

661
00:32:40,500 --> 00:32:42,080
‐ Oh, and I would?
‐ Of course you would!

662
00:32:42,080 --> 00:32:43,330
‐ Of course I would!

663
00:32:50,590 --> 00:32:51,880
‐ It's not what you think.

664
00:32:54,390 --> 00:32:56,560
OLIVER: Bunny!
‐ I just opened the door,

665
00:32:56,560 --> 00:32:57,970
and she stumbled in on me!

666
00:32:58,600 --> 00:33:00,060
‐ Is that your knitting needle?

667
00:33:00,060 --> 00:33:01,390
‐ Yes.

668
00:33:01,390 --> 00:33:03,020
COP 1: Nobody move!

669
00:33:03,020 --> 00:33:04,980
COP 2: Hands up!
[Oliver gasps]

670
00:33:04,980 --> 00:33:06,860
[officers chattering]
[guns cocking]

671
00:33:06,860 --> 00:33:09,860
♪ Manhattan by The Supremes
playing ♪

672
00:33:13,280 --> 00:33:15,990
♪ We'll have Manhattan ♪

673
00:33:15,990 --> 00:33:18,290
♪ The Bronx and Staten... ♪

674
00:33:18,290 --> 00:33:21,080
‐ Don't say a fucking word.

675
00:33:21,750 --> 00:33:23,750
♪ It's lovely ♪

676
00:33:23,750 --> 00:33:27,040
♪ Going through ♪

677
00:33:27,040 --> 00:33:30,460
♪ The zoo ♪

678
00:33:33,800 --> 00:33:36,390
♪ It's very fancy ♪

679
00:33:36,390 --> 00:33:39,140
♪ On old Delancey Street ♪

680
00:33:39,140 --> 00:33:40,890
♪ You know ♪

681
00:33:42,100 --> 00:33:45,600
♪ The subway charms us so ♪

682
00:33:46,560 --> 00:33:48,570
♪ When balmy ♪

683
00:33:48,570 --> 00:33:51,530
♪ Breezes blow ♪

684
00:33:51,530 --> 00:33:54,030
♪ To and fro ♪

685
00:33:54,030 --> 00:33:55,200
♪ And tell me... ♪

686
00:33:55,200 --> 00:33:57,200
‐ This... could be interesting.

687
00:33:58,700 --> 00:34:00,330
‐ Coming this fall,

688
00:34:00,330 --> 00:34:03,330
Only Murderers in the Building.

689
00:34:04,160 --> 00:34:06,290
‐ That's good, Poppy.

690
00:34:06,290 --> 00:34:08,500
That's very good.

691
00:34:08,500 --> 00:34:09,500
I wrote that.

692
00:34:09,500 --> 00:34:12,010
♪ By ♪

693
00:34:12,010 --> 00:34:14,930
♪ The great big city's ♪

694
00:34:14,930 --> 00:34:18,350
♪ A wondrous toy ♪

695
00:34:18,350 --> 00:34:20,310
♪ Just made for ♪

696
00:34:20,310 --> 00:34:23,310
♪ A girl and boy ♪

697
00:34:25,190 --> 00:34:28,400
♪ We'll turn Manhattan ♪

698
00:34:28,400 --> 00:34:32,110
♪ Into an isle of ♪

699
00:34:32,110 --> 00:34:35,110
♪ Joy... ♪

700
00:34:38,160 --> 00:34:39,160
♪ song ends ♪

701
00:34:39,160 --> 00:34:42,080
From this moment on, that is mine.
Do you understand?

702
00:34:42,080 --> 00:34:44,710
Say otherwise, and you
will be stocking the NPR fridge

703
00:34:44,710 --> 00:34:47,210
with LaCroix until you're 50.
Do you fucking hear me?

704
00:34:47,210 --> 00:34:50,210
♪ theme song playing ♪

705
00:34:50,210 --> 00:34:53,210
♪ vocalizing ♪

706
00:35:20,120 --> 00:35:23,120
♪

707
00:35:43,140 --> 00:35:46,140
[fanfare]