1 00:00:01,001 --> 00:00:03,837 [Oliver Putnam] You know, I almost proposed to Loretta in LA, 2 00:00:03,837 --> 00:00:04,921 and then I didn't. 3 00:00:04,921 --> 00:00:06,006 Why not? 4 00:00:06,006 --> 00:00:07,757 [Oliver] One failed marriage, who hasn't been there? 5 00:00:07,757 --> 00:00:09,050 Two failed marriages? 6 00:00:09,050 --> 00:00:10,969 People start asking questions. 7 00:00:10,969 --> 00:00:14,556 I can't believe that you thought I killed your friend. 8 00:00:14,556 --> 00:00:17,142 I can't even kill this moderate to severe case 9 00:00:17,142 --> 00:00:19,227 of bacterial conjunctivitis. 10 00:00:19,227 --> 00:00:21,104 Sazz called Bev Melon 11 00:00:21,104 --> 00:00:23,273 and said that there was a problem on the movie, 12 00:00:23,273 --> 00:00:24,983 and right after that, she was shot! 13 00:00:24,983 --> 00:00:28,820 Someone on the movie killed Sazz to keep this problem a secret. 14 00:00:28,820 --> 00:00:32,866 [Bev Melon] The most brilliant directing team, the Brothers! 15 00:00:32,866 --> 00:00:35,118 These three should be in the photo shoot, too. [laughs] 16 00:00:35,118 --> 00:00:38,204 It's just that the timing. I'm just saying in order for it to happen, 17 00:00:38,204 --> 00:00:39,956 that would mean someone shot from the West Tower, 18 00:00:39,956 --> 00:00:42,292 came all the way over here, cleaned up the crime scene, 19 00:00:42,292 --> 00:00:44,544 and disposed of the body, all in 12 minutes? 20 00:00:44,544 --> 00:00:45,837 How am I doing? 21 00:00:45,837 --> 00:00:47,505 - It's been 38 minutes. - What?! 22 00:00:47,505 --> 00:00:51,092 What is this I'm standing on? It feels like fly paper. 23 00:00:51,092 --> 00:00:52,177 It's a tacky mat. 24 00:00:52,177 --> 00:00:55,555 [Mabel Mora] And that tacky mat matches the one from Dudenoff's apartment. 25 00:00:55,555 --> 00:00:57,849 The killer was up at the production offices, 26 00:00:57,849 --> 00:01:00,060 which means they're probably at the photo shoot. 27 00:01:00,060 --> 00:01:01,686 ♪ 28 00:01:01,686 --> 00:01:05,023 It wasn't one person who did the murder. It was two. 29 00:01:05,023 --> 00:01:08,026 One to shoot and one to clean up. 30 00:01:08,026 --> 00:01:10,695 You're totally right. They could've done this. 31 00:01:10,695 --> 00:01:12,113 Where's the other Brother sister? 32 00:01:12,113 --> 00:01:15,033 [♪ music swells] 33 00:01:15,033 --> 00:01:16,242 - [gunshot] - [people screaming] 34 00:01:16,242 --> 00:01:17,869 [Howard Morris] Oh, my God, they've been shot! 35 00:01:17,869 --> 00:01:19,079 [screams fading out] 36 00:01:22,165 --> 00:01:25,460 What you are about to see is a testimony of the accused, 37 00:01:25,460 --> 00:01:28,421 but in our native language, 38 00:01:28,421 --> 00:01:30,673 the language of... 39 00:01:30,673 --> 00:01:32,592 film. 40 00:01:32,592 --> 00:01:36,096 The footage is sourced from many different angles, cameras, and lenses 41 00:01:36,096 --> 00:01:38,807 to give a multi-dimensional perspective, 42 00:01:38,807 --> 00:01:42,560 as only cameras can, of the truth. 43 00:01:43,728 --> 00:01:46,731 [♪ gentle piano music playing] 44 00:02:01,329 --> 00:02:05,041 Tawny and I got our first camera at 9 years old. 45 00:02:05,041 --> 00:02:07,168 - [young Trina] Action. - [loud thud] 46 00:02:07,168 --> 00:02:10,463 {\an8}[Tawny Brothers] A Sony DCR-VX1000. 47 00:02:10,463 --> 00:02:12,882 {\an8}We saved all our money, but it wasn't enough. 48 00:02:14,092 --> 00:02:15,635 {\an8}So we stole it. 49 00:02:16,261 --> 00:02:17,971 {\an8}♪ 50 00:02:19,055 --> 00:02:21,766 Our aesthetic lived at the intersection of... 51 00:02:21,766 --> 00:02:24,269 voyeurism and body horror. 52 00:02:24,269 --> 00:02:26,437 ♪ 53 00:02:26,437 --> 00:02:28,982 For whatever reason, we didn't fit in in high school. 54 00:02:28,982 --> 00:02:32,569 {\an8}- [cafeteria chatter] - [Brothers Sisters chirping, cooing] 55 00:02:34,279 --> 00:02:35,280 {\an8}[student] So weird! 56 00:02:35,280 --> 00:02:37,407 {\an8}[chirping and cooing continues] 57 00:02:39,242 --> 00:02:40,243 {\an8}No. 58 00:02:40,702 --> 00:02:42,412 {\an8}[Trina Brothers] Then we met our film professor, 59 00:02:42,412 --> 00:02:44,789 and our lives were changed. 60 00:02:44,789 --> 00:02:47,917 He said what made us weird would make us successful. 61 00:02:47,917 --> 00:02:50,003 All we had to do was... 62 00:02:50,003 --> 00:02:51,880 [professor] Keep shooting. 63 00:02:51,880 --> 00:02:55,341 {\an8}If there's one thing you take away from my class, it's this. 64 00:02:56,259 --> 00:03:00,096 {\an8}Take your camera and cover the world and capture it all. 65 00:03:01,055 --> 00:03:03,766 And never, never censor yourself. 66 00:03:03,766 --> 00:03:06,060 Never look away. 67 00:03:06,060 --> 00:03:09,105 Unless it's an eclipse or Medusa, 68 00:03:09,105 --> 00:03:11,983 or that time that I stapled your exams to my shirt. 69 00:03:11,983 --> 00:03:13,943 [scattered laughter] 70 00:03:13,943 --> 00:03:15,528 No, but seriously. 71 00:03:17,447 --> 00:03:18,990 Keep it rolling. 72 00:03:19,991 --> 00:03:22,827 - [click, camera whirring] - Even when it's chaotic. 73 00:03:23,620 --> 00:03:26,122 Because chaos can be good. 74 00:03:27,081 --> 00:03:28,583 Chaos... 75 00:03:29,542 --> 00:03:31,044 can be art. 76 00:03:33,755 --> 00:03:36,382 We really took that to heart. 77 00:03:36,716 --> 00:03:38,718 - [gunshot] - [crowd screaming] 78 00:03:38,718 --> 00:03:40,220 [Howard] Oh God, they've been shot! 79 00:03:40,220 --> 00:03:42,180 - [Howard whimpers] - [Mabel] Oliver! 80 00:03:42,180 --> 00:03:43,681 - [Howard thuds] - [overlapping screaming] 81 00:03:43,681 --> 00:03:44,933 [panicked chatter] 82 00:03:44,933 --> 00:03:47,852 - Get me the fuck outta here! - [crew member] It came from over there! 83 00:03:47,852 --> 00:03:49,062 [panicked chatter continues] 84 00:03:49,062 --> 00:03:50,980 - There! Right there! - [shutter snaps] 85 00:03:50,980 --> 00:03:52,565 It's Glen, he's still alive! 86 00:03:52,774 --> 00:03:54,609 Which Oliver is that? 87 00:03:54,609 --> 00:03:56,903 - Uh... Zach? - [Zach groaning] 88 00:03:56,903 --> 00:03:59,113 - They got me in my fat! - [Mabel] Okay. 89 00:03:59,113 --> 00:04:00,657 - [Zach whimpering] - Here. 90 00:04:00,657 --> 00:04:03,326 Here, put pressure on it. Oliver! 91 00:04:03,326 --> 00:04:06,579 [screaming, panicked chatter continues] 92 00:04:06,579 --> 00:04:09,165 - Is it over? - [Charles-Haden Savage] He's okay! 93 00:04:10,500 --> 00:04:14,462 {\an8}- [♪ quirky, pretentious music playing] - [Tawny] Act one. The Inciting Incident. 94 00:04:15,672 --> 00:04:17,465 {\an8}- [panicked chatter, street noise] - [Oliver] Taxi! 95 00:04:17,465 --> 00:04:20,009 {\an8}[police radio chatter] 96 00:04:20,009 --> 00:04:21,094 {\an8}[Oliver] Drive, drive! 97 00:04:21,094 --> 00:04:24,722 Take us to the Upper West Side. Anywhere but the hell that is SoHo. 98 00:04:24,722 --> 00:04:27,141 - Are those guys gonna be okay? - They have to be. 99 00:04:27,141 --> 00:04:29,269 I can't have anyone else die because of us. 100 00:04:29,269 --> 00:04:30,937 - [Howard] Oh, my God! - Did you guys see Tawny 101 00:04:30,937 --> 00:04:32,188 when the shot was fired? 102 00:04:32,188 --> 00:04:35,525 No, no. All I saw was my life flash before my eyes. 103 00:04:36,276 --> 00:04:38,444 - Oh, I was a beautiful boy. - [Howard] Mm-hmm. 104 00:04:38,444 --> 00:04:40,154 Talented, even then. 105 00:04:40,154 --> 00:04:41,656 Innocent, 106 00:04:41,656 --> 00:04:43,157 and oh-so very good. [snorts] 107 00:04:43,157 --> 00:04:46,411 [Howard] So what's inside your heads? You thinking Tawny took that shot? 108 00:04:46,411 --> 00:04:48,413 [gasps] Oh! You think it was meant for Oliver? 109 00:04:48,413 --> 00:04:51,124 If it was, that means the shot that killed Sazz 110 00:04:51,124 --> 00:04:53,167 could've been meant for me, 111 00:04:53,167 --> 00:04:54,711 and... who knows? 112 00:04:54,711 --> 00:04:56,170 [traffic noise, cars honking] 113 00:04:56,170 --> 00:04:58,464 - Mabel could be next. - [Howard gasps] 114 00:04:58,464 --> 00:05:00,925 [dramatic] So you're all the target! 115 00:05:00,925 --> 00:05:02,969 [Mabel] Howard, why are you filming us? 116 00:05:02,969 --> 00:05:05,388 [Howard] Well, I'm the on-set documentarian-slash-talent liaison. 117 00:05:05,388 --> 00:05:07,098 I was told to never stop rolling 118 00:05:07,098 --> 00:05:09,183 by the, um, by the Brothers Sisters. 119 00:05:09,183 --> 00:05:11,269 The killers? Get out of this cab! 120 00:05:11,269 --> 00:05:13,396 [Howard] We're not even in Midtown! Wait, wait, you know what? 121 00:05:13,396 --> 00:05:15,481 I'll work for you. Fuck the Brothers Sisters. 122 00:05:15,481 --> 00:05:17,150 If anything happens to you, 123 00:05:17,150 --> 00:05:19,277 this will be evidence for the police. 124 00:05:19,277 --> 00:05:21,154 Okay, fine. Keep filming. 125 00:05:21,154 --> 00:05:24,115 But, uh, but, favor my left side. Slightly higher angles. 126 00:05:24,115 --> 00:05:25,742 - [Howard] Okay... - And no profiles! 127 00:05:25,742 --> 00:05:27,243 - [Howard] Oh boy. - [Mabel sighs] 128 00:05:27,243 --> 00:05:31,581 Why would the Brothers Sisters jeopardize their own film to kill Oliver? 129 00:05:31,581 --> 00:05:33,499 It doesn't make any sense. 130 00:05:33,499 --> 00:05:36,878 It makes perfect sense. We just can't make sense of it. 131 00:05:36,878 --> 00:05:38,212 [panting] 132 00:05:38,212 --> 00:05:41,632 Oh look, it's my famous neighbors who have ruined the building. 133 00:05:41,632 --> 00:05:44,135 [Oliver] Uma, step aside. I'm in a lunging mood. 134 00:05:44,135 --> 00:05:47,013 Look at this. Because of you, they've installed cameras everywhere 135 00:05:47,013 --> 00:05:49,057 {\an8}in case we're murdered. 136 00:05:49,057 --> 00:05:53,102 {\an8}Can't cut a fart or steal a newspaper anymore without being watched. 137 00:05:53,102 --> 00:05:54,312 Get the fuck away from me. 138 00:05:54,312 --> 00:05:56,356 Nobody around here shoots the right people. 139 00:05:56,356 --> 00:05:57,940 We need to get somewhere safe. 140 00:05:57,940 --> 00:06:00,526 Well, seeing as someone was killed in your apartment, 141 00:06:00,526 --> 00:06:03,112 and the shot came from mine, I'm feeling Oliver's. 142 00:06:03,112 --> 00:06:04,739 Yes, m-mine's the least murdery. 143 00:06:04,739 --> 00:06:06,574 Also, I have the most comfortable furniture. 144 00:06:06,574 --> 00:06:08,409 - [elevator dings] - If the shooter doesn't kill me, 145 00:06:08,409 --> 00:06:10,119 Charles' stiff sofa will. 146 00:06:10,119 --> 00:06:11,454 {\an8}[♪ suspenseful music playing] 147 00:06:11,454 --> 00:06:12,914 - Ah. - [button clicks] 148 00:06:12,914 --> 00:06:14,332 [whispers] Murderers in the building. 149 00:06:14,332 --> 00:06:16,125 - Hit the close button. - [Oliver] I am! I am. 150 00:06:16,125 --> 00:06:17,627 - [button clicking] - [Mabel] Hurry, Oliver! 151 00:06:17,627 --> 00:06:20,380 [Charles] Press it all you want, but most close buttons haven't been operational 152 00:06:20,380 --> 00:06:22,256 since the Americans with Disabilities Act of 1990. 153 00:06:22,256 --> 00:06:23,800 Charles, we could die at any moment. 154 00:06:23,800 --> 00:06:26,844 - Please make your fun facts funner! - [Super 8 cameras whirring] 155 00:06:26,844 --> 00:06:29,931 [♪ lively theme song playing] 156 00:06:29,931 --> 00:06:33,017 [♪ vocalizing] 157 00:07:10,388 --> 00:07:11,889 [♪ theme song fades out] 158 00:07:12,974 --> 00:07:15,977 - [projector whirring] - [♪ quirky music playing] 159 00:07:17,478 --> 00:07:20,565 - Oh God, the sisters are in the building! - [Howard] Ow! 160 00:07:20,565 --> 00:07:22,817 {\an8}And eerily calm! Are they toying with us? 161 00:07:22,817 --> 00:07:23,943 {\an8}[Oliver] I don't-- I don't know. 162 00:07:23,943 --> 00:07:25,862 {\an8}- [phone dings] - It's like killer whales and their prey. 163 00:07:25,862 --> 00:07:27,822 {\an8}Though, technically, killer whales aren't really whales. 164 00:07:27,822 --> 00:07:28,906 {\an8}[Oliver] Funner! 165 00:07:28,906 --> 00:07:30,825 {\an8}[Howard] Are you okay, Oliver? You seem upset. 166 00:07:32,285 --> 00:07:33,661 {\an8}- I seem upset? - [Howard] Mm-hmm. 167 00:07:33,661 --> 00:07:36,164 {\an8}I seem upset?! 168 00:07:36,164 --> 00:07:37,457 {\an8}Oh, I don't know. 169 00:07:37,457 --> 00:07:40,293 {\an8}I guess because I almost died today! 170 00:07:40,918 --> 00:07:42,712 {\an8}Oh, my God. 171 00:07:42,712 --> 00:07:44,714 {\an8}- I almost died today. - [Howard] Mm... 172 00:07:44,714 --> 00:07:46,090 {\an8}[glass bottle clanking, cork popping] 173 00:07:46,090 --> 00:07:49,051 {\an8}And as I was lying there, completely fine 174 00:07:49,051 --> 00:07:51,137 {\an8}- between two bleeding people... - [liquid pouring] 175 00:07:51,929 --> 00:07:53,931 {\an8}...all I could think of was Loretta. 176 00:07:55,349 --> 00:07:59,187 {\an8}Why am I living another moment without the love of my life by my side? 177 00:07:59,187 --> 00:08:00,271 {\an8}[Howard] Oh, hello. 178 00:08:00,271 --> 00:08:03,107 {\an8}[Oliver] I-- Look, I-I'm just one big tub of regret. 179 00:08:03,107 --> 00:08:05,526 {\an8}[Charles] How about a big tub of bourbon? 180 00:08:05,526 --> 00:08:07,195 - [Howard grumbles] - How about you, Charles? 181 00:08:07,195 --> 00:08:08,779 What are your regrets? 182 00:08:08,779 --> 00:08:10,281 Me? 183 00:08:10,281 --> 00:08:11,991 - Nothing, really. - [Oliver] You have regrets. 184 00:08:11,991 --> 00:08:15,077 I'll start you off. That ad campaign you did for saccharine. 185 00:08:15,077 --> 00:08:17,371 - [Howard] Hm. - Flashing that weird look 186 00:08:17,371 --> 00:08:20,041 whenever I give you the opportunity to pick up the bill. 187 00:08:20,041 --> 00:08:21,709 [Mabel] The moment you fell in love with Jan. 188 00:08:21,709 --> 00:08:23,044 - [Howard] True. - [Charles] Hey! 189 00:08:23,044 --> 00:08:24,795 She turned us on to Baked by Melissa, 190 00:08:24,795 --> 00:08:26,255 and we love that place! 191 00:08:26,255 --> 00:08:29,425 Oh, well that totally makes up for all the serial killing. 192 00:08:29,425 --> 00:08:31,761 - Although those cinnamon rolls are good. - [Howard] Yeah. 193 00:08:31,761 --> 00:08:32,845 [banging on door] 194 00:08:32,845 --> 00:08:35,473 [overlapping panicked yelling] 195 00:08:35,473 --> 00:08:38,559 - [Mabel] Oh my gosh... - [panicked mumbling] 196 00:08:39,101 --> 00:08:41,187 She just called from downstairs. 197 00:08:41,187 --> 00:08:43,523 - Come on, guys. What did I say? - [Howard] Oh, thank God. 198 00:08:43,523 --> 00:08:47,318 I had one request. One fuckin' request! 199 00:08:47,318 --> 00:08:49,946 Do not let anything happen to Galifianakis! 200 00:08:49,946 --> 00:08:52,698 Someone is trying to kill us, Detective! Kill me! 201 00:08:52,698 --> 00:08:54,909 As someone that's wanted to kill you for the past three years, 202 00:08:54,909 --> 00:08:56,077 - I understand. - [Howard] Rude. 203 00:08:56,077 --> 00:08:59,372 - [Mabel] How are Zach and Glen? - Well, Stubbins is stable but unconscious. 204 00:08:59,372 --> 00:09:02,375 The bullet struck the plate in his head and deflected to Gali-fine-akis, 205 00:09:02,375 --> 00:09:05,628 but don't worry. It did not hit any of his organs, oh no. 206 00:09:05,628 --> 00:09:08,422 That lucky piece of adorable comedy man-meat. 207 00:09:08,422 --> 00:09:10,883 - What is this? What's happening? - [Howard] Just pretend I'm not here. 208 00:09:10,883 --> 00:09:13,177 Yeah, nah, that's not happening. Shut that shit off. 209 00:09:14,637 --> 00:09:16,264 {\an8}-Shut that shit off. - [snaps monitor] 210 00:09:17,306 --> 00:09:19,392 {\an8}You oughta go upstairs and arrest the Brothers Sisters. 211 00:09:19,392 --> 00:09:23,396 {\an8}Tawny wears boots that match the footprint found in Dudenoff's apartment. 212 00:09:23,396 --> 00:09:24,564 {\an8}[excited] The exact same boots?! 213 00:09:24,564 --> 00:09:26,607 {\an8}Yes! So-- Oh, you're playing with me. 214 00:09:26,607 --> 00:09:29,944 {\an8}[normal] Listen, I need more than similar footwear to get a warrant. 215 00:09:29,944 --> 00:09:33,990 {\an8}Well, I saw Tawny carrying a long black case right before the shooting. 216 00:09:33,990 --> 00:09:35,908 {\an8}It's possible the murder weapon is in there. 217 00:09:35,908 --> 00:09:37,493 {\an8}[excited] Then, find it! 218 00:09:37,493 --> 00:09:39,036 {\an8}Okay-- Ugh, you did it again. 219 00:09:40,204 --> 00:09:42,164 {\an8}-Don't forget I'm hiding one here, too. - [Super 8 whirring] 220 00:09:42,164 --> 00:09:44,834 {\an8}Don't need to see my sister whacking off after hours. 221 00:09:44,834 --> 00:09:48,254 {\an8}Would give our film the NC-17 we've been waiting for. 222 00:09:49,046 --> 00:09:50,756 {\an8}- [click, camera stops] - Huh. 223 00:09:50,756 --> 00:09:52,842 {\an8}Listen, also, my little squatter, 224 00:09:52,842 --> 00:09:55,553 {\an8}Dudenoff? Not in Portugal. 225 00:09:55,553 --> 00:09:58,264 {\an8}Nope. He's been cashing social security checks 226 00:09:58,264 --> 00:10:00,266 {\an8}at a bodega on 125th Street. 227 00:10:01,350 --> 00:10:03,644 {\an8}-Dudenoff's back in New York? - [Detective Donna Williams] Mm-hmm. 228 00:10:03,644 --> 00:10:05,771 {\an8}And he was here around the time Sazz died. 229 00:10:05,771 --> 00:10:07,732 {\an8}He has to have something to do with this. 230 00:10:07,732 --> 00:10:09,900 {\an8}Well, what's Dudenoff have to do with the Brothers Sisters? 231 00:10:09,900 --> 00:10:11,652 {\an8}Come on, Brothers Sisters, Dudenoff, 232 00:10:11,652 --> 00:10:14,363 {\an8}Freddy, Chucky, Jigsaw. I don't give a fuck. The bottom line is 233 00:10:14,363 --> 00:10:16,782 {\an8}there is someone definitely after you guys, 234 00:10:16,782 --> 00:10:19,243 {\an8}so you all might wanna consider moving to fuckin' Portugal. 235 00:10:19,243 --> 00:10:20,328 {\an8}[text dings] 236 00:10:20,328 --> 00:10:23,122 {\an8}Oh. They want me to report back to the crime scene. 237 00:10:23,122 --> 00:10:25,458 {\an8}Apparently, someone else has also spotted 238 00:10:25,458 --> 00:10:29,045 {\an8}your [scoffs] escaped ex, Jan Bellows, 239 00:10:29,045 --> 00:10:30,630 {\an8}back in the city. 240 00:10:30,630 --> 00:10:32,590 {\an8}And lucky me, they want me on it. 241 00:10:33,507 --> 00:10:36,010 {\an8}Oh! Uh... 242 00:10:36,010 --> 00:10:37,637 {\an8}Charles, this is for you. 243 00:10:40,640 --> 00:10:42,683 {\an8}This is Sazz Pataki's remains. 244 00:10:43,517 --> 00:10:47,355 {\an8}I don't know. I thought it would be nice for her to be with you as opposed to, 245 00:10:47,355 --> 00:10:51,067 {\an8}you know, on some shelf in an evidence warehouse. 246 00:10:51,067 --> 00:10:52,985 {\an8}Oh. I... 247 00:10:54,236 --> 00:10:57,657 {\an8}I'll add these to my mason jar. Thank you. 248 00:10:58,491 --> 00:11:01,410 {\an8}Listen, guys, don't all be heroes, okay? 249 00:11:01,410 --> 00:11:04,497 {\an8}I really do not feel like identifying your parts. 250 00:11:07,291 --> 00:11:10,461 {\an8}-Do you hear me?! The fuck?! - [overlapping yeses] 251 00:11:17,426 --> 00:11:19,470 Howard, would you turn off the camera, please? 252 00:11:19,470 --> 00:11:23,474 [Howard] Sure. I mean, you make content out of other people's grief, but... 253 00:11:23,474 --> 00:11:24,600 Right. Sorry. 254 00:11:25,518 --> 00:11:27,019 - [phone dings] - Oh! 255 00:11:28,104 --> 00:11:31,607 {\an8}Bev Melon just called an emergency production meeting upstairs. 256 00:11:31,607 --> 00:11:33,984 {\an8}- [Oliver] Do we go up there? - No! 257 00:11:33,984 --> 00:11:36,570 {\an8}We stay away from the sisters and get outta town! 258 00:11:36,570 --> 00:11:39,031 {\an8}No, we can't run. We need to learn 259 00:11:39,031 --> 00:11:42,076 {\an8}why the Brothers Sisters are wanting us dead. 260 00:11:42,076 --> 00:11:44,328 {\an8}- [Oliver] Uh, jealous of my talent? - [Howard] Oh yeah. 261 00:11:44,328 --> 00:11:46,580 {\an8}[Oliver] You know, Rob Reiner once cut my brakes, 262 00:11:46,580 --> 00:11:48,582 {\an8}Thelma-and-Louise-ing me into the Potomac 263 00:11:48,582 --> 00:11:50,960 {\an8}and stole The Princess Bride from me. 264 00:11:50,960 --> 00:11:53,546 {\an8}Charles, what if we go upstairs, 265 00:11:53,546 --> 00:11:56,340 {\an8}but Howard keeps filming us? That'll keep us safe. 266 00:11:56,340 --> 00:11:59,135 {\an8}[Howard] Good idea. No one's ever killed on camera. 267 00:11:59,135 --> 00:12:01,178 {\an8}Don't google "someone killed on camera." 268 00:12:01,178 --> 00:12:04,557 {\an8}We solve the case, save our lives, and avenge Sazz. 269 00:12:05,975 --> 00:12:08,310 {\an8}Fine. I'll go up and look for that rifle case, 270 00:12:08,310 --> 00:12:10,020 {\an8}but keep the camera rolling. 271 00:12:10,020 --> 00:12:12,106 [Howard] Ooh! I get to save the day. 272 00:12:12,898 --> 00:12:14,817 With our lives on the line, 273 00:12:14,817 --> 00:12:17,987 it's a race against the clock to solve the case 274 00:12:17,987 --> 00:12:19,947 and get justice. 275 00:12:19,947 --> 00:12:21,824 [Howard] You're supposed to ignore the camera. 276 00:12:21,824 --> 00:12:23,826 It loves me. That would be wrong. 277 00:12:23,826 --> 00:12:25,411 - [Mabel] Putnam! - [Howard and Oliver yelp] 278 00:12:28,456 --> 00:12:30,332 - [elevator dings] - [production office chatter] 279 00:12:30,332 --> 00:12:31,417 [Trina] You're here! 280 00:12:31,417 --> 00:12:33,085 - We have so many questions. - [Howard] I got it. 281 00:12:33,085 --> 00:12:35,004 One, has the closeness of death made you feel more alive? 282 00:12:35,004 --> 00:12:36,380 - Absolutely. - [Charles] Uh-huh. 283 00:12:36,380 --> 00:12:38,799 Uh, uh, careful. Cameras. We have cameras. 284 00:12:38,799 --> 00:12:41,635 [Howard] Trina, Tawny, I'm back working for them, but it is not a big deal. 285 00:12:41,635 --> 00:12:43,304 It is nothing to murder about. 286 00:12:43,304 --> 00:12:46,932 [whistles] Okay, everyone! Circle around! 287 00:12:46,932 --> 00:12:48,100 Circle around. 288 00:12:48,100 --> 00:12:50,311 - Come on in. - [Super 8 whirring] 289 00:12:50,311 --> 00:12:51,437 [clapping] 290 00:12:51,437 --> 00:12:54,106 - [Howard] Sorry. - Um, I'm sure all of you may have heard 291 00:12:54,106 --> 00:12:57,109 about our little "firearms moment" at the photo shoot, 292 00:12:57,109 --> 00:12:59,361 but I'm here to assure you that, number one, 293 00:12:59,361 --> 00:13:01,405 the police are on it, number two, 294 00:13:01,405 --> 00:13:03,491 it will not affect the production one-- 295 00:13:03,491 --> 00:13:05,618 - [clattering] - [Marshall thuds] 296 00:13:05,618 --> 00:13:08,370 - I'm so sorry! - [Bev] Oh, God. So annoying. 297 00:13:08,370 --> 00:13:10,164 Okay, where was I? Um... 298 00:13:10,164 --> 00:13:12,541 Yes, I just came back from the hospital, 299 00:13:12,541 --> 00:13:16,504 and Zach has asked me to send all of you a little tiny message saying, 300 00:13:16,504 --> 00:13:20,090 -"The show must go on!" - Whoo! 301 00:13:20,090 --> 00:13:22,468 I told her I wanted out of the film. 302 00:13:22,468 --> 00:13:24,178 Then, she threatened to sue me. 303 00:13:24,178 --> 00:13:26,347 - [machines beeping] - Then, she pulled the tube 304 00:13:26,347 --> 00:13:29,642 out of my arm and sucked the pain meds 305 00:13:29,642 --> 00:13:33,521 out of the IV bag like a fuckin' Capri Sun! 306 00:13:34,188 --> 00:13:36,315 Oh, yes, and now-- Heather, um, please, 307 00:13:36,315 --> 00:13:40,820 I need you to all sign a waiver releasing me of all liability. 308 00:13:40,820 --> 00:13:43,072 She'll give you pens, if we could do that. 309 00:13:43,072 --> 00:13:46,575 And I'm feeling just a little bit tired, so I'm gonna take a quick cat nap. 310 00:13:46,575 --> 00:13:48,327 Snappy little nap. 311 00:13:48,327 --> 00:13:50,913 [quietly] There's the rifle case. Zoom, zoom! 312 00:13:50,913 --> 00:13:52,832 - [Howard] Okay, okay. - [Charles] Enhance! 313 00:13:52,832 --> 00:13:54,083 [Howard] Huh? 314 00:13:54,083 --> 00:13:56,001 - Did you get it? - [Howard] I zoomed. 315 00:13:56,001 --> 00:13:59,547 I'm gonna go check on Marshall. Get some dirt on the Brothers Sisters. 316 00:13:59,547 --> 00:14:01,382 Good idea. Spill the tea on 'em. 317 00:14:01,382 --> 00:14:04,134 Wait, no, that's not-- It's this-- What is it? It's something like-- 318 00:14:04,134 --> 00:14:07,221 No, but it's close. I-It's like a-a tea and spilling. 319 00:14:07,221 --> 00:14:09,181 Uh, no. Uh, this is gonna drive me nuts. 320 00:14:09,181 --> 00:14:11,183 - Spill the tea on 'em! - Bingo! 321 00:14:11,183 --> 00:14:13,060 - Yeah, yeah. Spill the tea. - Spill tea on 'em. 322 00:14:13,060 --> 00:14:14,436 - Nailed it. - Yeah. 323 00:14:17,106 --> 00:14:19,650 {\an8}-Hey. How you holding up? - Hey. 324 00:14:19,650 --> 00:14:21,151 {\an8}Um, you know, two people got shot, 325 00:14:21,151 --> 00:14:22,862 {\an8}and we're supposed to act like nothing happened. 326 00:14:22,862 --> 00:14:24,363 {\an8}How's Oliver? 327 00:14:24,363 --> 00:14:26,740 {\an8}You know, people think the killer was going after him. 328 00:14:26,740 --> 00:14:29,535 {\an8}-This is so crazy. - It is. 329 00:14:29,535 --> 00:14:33,414 The only ones who don't seem that thrown off are... 330 00:14:33,414 --> 00:14:34,999 The twins. 331 00:14:34,999 --> 00:14:38,794 I mean, above their normal baseline level of off. 332 00:14:38,794 --> 00:14:41,964 You think they're suspects? Wow. 333 00:14:41,964 --> 00:14:45,092 I'm not surprised actually. Have you seen their student film? 334 00:14:45,092 --> 00:14:47,469 {\an8}[Oliver humming] 335 00:14:47,469 --> 00:14:49,221 {\an8}Ah, yes. Yeah. 336 00:14:49,221 --> 00:14:51,140 {\an8}- [♪ muffled piano music playing] - [humming continues] 337 00:14:51,140 --> 00:14:53,559 {\an8}[Charles] Oliver, hurry up! We started the movie. 338 00:14:53,559 --> 00:14:55,519 {\an8}[♪ piano music playing on computer] 339 00:14:55,519 --> 00:14:57,104 {\an8}-What'd I miss? - [Charles] So much. 340 00:14:57,104 --> 00:14:59,148 {\an8}It's weird. 341 00:14:59,148 --> 00:15:01,317 {\an8}It's called The Desecration of Alice. 342 00:15:01,317 --> 00:15:03,110 It's about an elderly artist 343 00:15:03,110 --> 00:15:05,279 and identical twin sisters 344 00:15:05,279 --> 00:15:08,741 that he made out of clay, and they came to life. 345 00:15:08,741 --> 00:15:10,910 - It was a whole thing in the first scene. - [chip crunching] 346 00:15:10,910 --> 00:15:14,747 [dramatic] And as he is their creator, so they do his bidding. 347 00:15:14,747 --> 00:15:16,582 [normal] They make that point very clear. 348 00:15:16,582 --> 00:15:19,376 And there's some kind of anti-sugar message. 349 00:15:19,376 --> 00:15:22,963 {\an8}[♪ avant garde piano music playing] 350 00:15:24,924 --> 00:15:28,761 [in unison] Yes, creator. We will do your bidding. 351 00:15:28,761 --> 00:15:31,555 - [sharpening knives] - Say the word, and we'll spoil our blade 352 00:15:31,555 --> 00:15:33,641 in the flesh of your enemies. 353 00:15:33,641 --> 00:15:36,185 [♪ dramatic music playing] 354 00:15:36,185 --> 00:15:40,064 Go! Spill some blood in my name, girls. 355 00:15:40,064 --> 00:15:43,859 [♪ music swells] 356 00:15:43,859 --> 00:15:45,486 [wind whistling] 357 00:15:46,278 --> 00:15:47,738 [Charles] Vince Fish?! 358 00:15:50,324 --> 00:15:53,827 - [Tawny] Act two. The Rising Action. - [♪ quirky string music playing] 359 00:16:00,709 --> 00:16:02,711 {\an8}[Oliver clears throat, sniffs] 360 00:16:03,462 --> 00:16:05,506 {\an8}[Vince Fish] [muffled] Visitors! 361 00:16:06,382 --> 00:16:08,175 - [Charles] Hey-- Oh. - Hey, hey! 362 00:16:08,175 --> 00:16:10,928 [Charles] Wasn't your pink eye on the other side last time we were here? 363 00:16:10,928 --> 00:16:12,471 It hops. Come on in. 364 00:16:12,471 --> 00:16:14,932 Rudy and I are just playing with our new toy. 365 00:16:14,932 --> 00:16:16,016 [mouthing] Hops? 366 00:16:16,934 --> 00:16:20,813 We got it at this estate sale for this old lady. 367 00:16:20,813 --> 00:16:24,024 She was at that stop at the transverse, minding her own business... 368 00:16:24,024 --> 00:16:25,234 [Vince] Then, bam! 369 00:16:25,234 --> 00:16:27,736 Decapitated by the side-view mirror of the M86 bus. 370 00:16:27,736 --> 00:16:29,363 - [Vince] Bam! - The bus didn't even stop 371 00:16:29,363 --> 00:16:31,740 'cause it was pretty full, and there was another one right behind it. 372 00:16:31,740 --> 00:16:34,243 - [Howard] Oh, my God. - On the bright side, we got a drone! 373 00:16:34,243 --> 00:16:36,036 - [drone buzzing] - [laughs] It's working! 374 00:16:36,036 --> 00:16:39,289 - And it's a camera drone. - [Vince] So what's with the camera? 375 00:16:39,289 --> 00:16:42,292 [Howard] Oh, we're just shooting a little behind-the-scenes footage for the movie. 376 00:16:42,292 --> 00:16:43,752 [Vince] I love the movies! 377 00:16:43,752 --> 00:16:47,464 I lost my hand! I lost my bride! 378 00:16:47,464 --> 00:16:49,633 - [Charles and Rudy] Johnny has his hand! - Johnny has his hand! 379 00:16:49,633 --> 00:16:52,094 - [all three] Johnny has his bride! - [Oliver giggles excitedly] 380 00:16:52,094 --> 00:16:55,472 And then Cher Bono says, "Snap out of it!" 381 00:16:55,472 --> 00:16:56,682 [laughing] 382 00:16:56,682 --> 00:16:59,184 It's from Moonstruck, Mabel. You really should see it. 383 00:16:59,184 --> 00:17:01,061 Yeah, I think I've seen enough. 384 00:17:01,061 --> 00:17:04,231 - Ah. - Um, we also saw another movie recently. 385 00:17:04,231 --> 00:17:05,941 The Desecration of Alice. 386 00:17:05,941 --> 00:17:08,360 - I was in that. - [Oliver] We saw. 387 00:17:08,819 --> 00:17:11,113 We didn't realize you were an actor. 388 00:17:11,113 --> 00:17:13,824 Or that you knew the Brothers Sisters. 389 00:17:13,824 --> 00:17:15,659 Oh yeah, we didn't tell you? 390 00:17:15,659 --> 00:17:18,495 Yeah, w-we all took classes with Dudenoff. 391 00:17:18,495 --> 00:17:19,913 [Rudy Thurber] At different times. 392 00:17:19,913 --> 00:17:22,124 [Mabel] So, he was your...? 393 00:17:22,124 --> 00:17:25,002 Film professor. I wasn't much of an actor. 394 00:17:25,002 --> 00:17:27,713 You know-- No, no, no, I was just doing him a favor. 395 00:17:27,713 --> 00:17:30,090 He said I had "desecrator vibes," 396 00:17:30,090 --> 00:17:32,176 - but this guy, this guy... - [Rudy laughs] 397 00:17:32,176 --> 00:17:34,595 ...Mr. Spielberg movie. 398 00:17:34,595 --> 00:17:36,680 [sighs] Catch Me If You Can. 399 00:17:36,680 --> 00:17:38,599 I play an agent in Tom Hanks' office. 400 00:17:38,599 --> 00:17:40,476 - [Oliver] Oh! - At the 1:07 mark, 401 00:17:40,476 --> 00:17:43,062 you can see me in the far right cubicle making a phone call. 402 00:17:43,062 --> 00:17:45,647 - [Oliver] Really? - Yeah, and then he got up 403 00:17:45,647 --> 00:17:46,940 and walked to the bathroom! 404 00:17:47,691 --> 00:17:50,778 But Leo DiCaprio had it cut. Too threatened. 405 00:17:50,778 --> 00:17:52,821 Also, I kept looking in the lens. 406 00:17:52,821 --> 00:17:55,032 Okay, so there is a connection 407 00:17:55,032 --> 00:17:57,701 between the Brothers Sisters and Dudenoff. 408 00:17:57,701 --> 00:18:01,205 Oh yeah, he really made them. I mean, they were his favorites. 409 00:18:01,205 --> 00:18:03,957 Not ours. He would invite them to Oh Hell nights, 410 00:18:03,957 --> 00:18:06,043 and they would be kissing his ass. 411 00:18:06,043 --> 00:18:09,088 [mocking] "We don't love our daddy. Be our daddy, Dudy." 412 00:18:09,088 --> 00:18:10,798 [normal] They would do anything for him! 413 00:18:10,798 --> 00:18:13,383 [Vince] Alright, Rudy, alright. Come on, stop dwelling. 414 00:18:13,383 --> 00:18:15,385 - It's beneath you. Come on. - Thank you. 415 00:18:15,385 --> 00:18:17,054 Come on, help me pry open the window, 416 00:18:17,054 --> 00:18:20,015 so we can take our drone on its maiden voyage. 417 00:18:21,350 --> 00:18:23,060 [whispers] Did you hear that? 418 00:18:23,060 --> 00:18:25,312 Dudenoff made them. He gave them life. 419 00:18:25,312 --> 00:18:27,856 [whispers] So they do his bidding, just like in their movie. 420 00:18:27,856 --> 00:18:31,068 Oh, my God. Did they murder for him? 421 00:18:31,068 --> 00:18:34,488 - [Howard] Ooh, puppet master. - Guys, guys, we should slow down. 422 00:18:34,488 --> 00:18:37,783 We still don't even know why they would want us dead. 423 00:18:37,783 --> 00:18:40,536 I think we should finish watching The Desecration of Alice 424 00:18:40,536 --> 00:18:42,913 before we base our entire theory around it. 425 00:18:42,913 --> 00:18:44,832 Great, you do that. I'm phoning Loretta 426 00:18:44,832 --> 00:18:47,334 while I still feel the fleeting nature of my existence. 427 00:18:47,334 --> 00:18:49,044 She should be wrapping the set by now. 428 00:18:49,044 --> 00:18:52,131 Also, it's after 5:00, so it won't affect my rollover minutes. 429 00:18:52,131 --> 00:18:54,424 Yeah, that hasn't been a thing for, like, 15 years. 430 00:18:54,424 --> 00:18:56,009 - Really? - [window rattling] 431 00:18:56,009 --> 00:18:59,304 But, no one told me. I've been so precious with my minutes. 432 00:18:59,930 --> 00:19:01,306 [tapping on window] 433 00:19:01,306 --> 00:19:02,975 Charles, are you coming? 434 00:19:02,975 --> 00:19:05,561 I still wanna look inside that rifle case. 435 00:19:05,561 --> 00:19:08,105 But it's in the office. How will you get in there without being shot? 436 00:19:08,105 --> 00:19:09,731 - [Vince] There we go! - Through the window. 437 00:19:09,731 --> 00:19:11,817 - [cars honking outside] - That's, like, 15 stories up. 438 00:19:11,817 --> 00:19:13,360 [drone whirring] 439 00:19:13,360 --> 00:19:14,736 [Charles] Oh, don't worry about that. 440 00:19:14,736 --> 00:19:18,198 - [buzzing] - [Howard yelps] 441 00:19:18,198 --> 00:19:20,325 I have friends in high places. 442 00:19:20,325 --> 00:19:23,036 - [drone humming] - [Vince and Rudy laughing] 443 00:19:25,205 --> 00:19:27,040 [Howard] I'm rolling. 444 00:19:27,040 --> 00:19:29,960 Do you think you could get a look inside the Brothers Sisters' office 445 00:19:29,960 --> 00:19:32,629 - without anyone noticing? - Oh yeah. 446 00:19:32,629 --> 00:19:34,298 Absolutely. 447 00:19:34,298 --> 00:19:35,924 I am stealth. 448 00:19:35,924 --> 00:19:39,094 I am the African leopard on the Serengeti. 449 00:19:39,094 --> 00:19:41,638 Quiet, cunning, precise. 450 00:19:41,638 --> 00:19:44,016 I always knew those sisters were sickos. 451 00:19:44,016 --> 00:19:47,394 They'd film dying animals, they'd set things on fire, 452 00:19:47,394 --> 00:19:50,022 and when they eat an apple, they eat the whole thing. 453 00:19:50,022 --> 00:19:52,107 The seeds. The stem. 454 00:19:52,107 --> 00:19:54,401 - That little sticker. - [Vince] Ugh. They're nuts. 455 00:19:54,401 --> 00:19:56,987 Well, I had an aunt who ate cantaloupes like apples, 456 00:19:56,987 --> 00:19:59,281 and a scientist got a grant to study her teeth. 457 00:19:59,281 --> 00:20:01,742 - Wow, that's somethin'. - [Rudy] Mm. 458 00:20:01,742 --> 00:20:02,826 Okay, come on. 459 00:20:03,535 --> 00:20:05,954 - We have lift-off. - [drone buzzing] 460 00:20:05,954 --> 00:20:07,789 [Rudy] Oh, go easy on the upward thrust. 461 00:20:07,789 --> 00:20:09,374 - [Vince] I got it. I got it. - [Rudy] Huh? 462 00:20:09,374 --> 00:20:12,586 - [both laughing] - I got it. 463 00:20:12,586 --> 00:20:15,756 Hey, guys? D-Do you have any idea why the Brothers Sisters 464 00:20:15,756 --> 00:20:19,176 might dislike me or Oliver or, or Mabel? 465 00:20:19,176 --> 00:20:21,678 Oh, who knows anything with those two. 466 00:20:21,678 --> 00:20:23,972 [Rudy] Come on, halfway there. 467 00:20:23,972 --> 00:20:25,849 I hear Dudenoff's back in town. 468 00:20:25,849 --> 00:20:27,768 - What? What?! - What? No. He can't be. 469 00:20:27,768 --> 00:20:30,229 - Where did you hear that? - You must be mistaken. 470 00:20:30,229 --> 00:20:32,856 Dudenoff wouldn't come into town without saying hi. 471 00:20:32,856 --> 00:20:35,776 [drone buzzing] 472 00:20:36,652 --> 00:20:38,528 - Vince, watch out! - [Vince] I got it! 473 00:20:38,528 --> 00:20:41,907 - I got it! I got it! I got it... - [indistinct shouting] 474 00:20:41,907 --> 00:20:43,283 [thud, clattering] 475 00:20:43,283 --> 00:20:45,118 - [Charles groans] - I don't got it. 476 00:20:45,118 --> 00:20:46,828 [Uma Heller] [from below] What the fuck?! 477 00:20:46,828 --> 00:20:48,538 {\an8}[line ringing] 478 00:20:48,747 --> 00:20:49,748 {\an8}[sighs] 479 00:20:49,748 --> 00:20:51,750 {\an8}[line ringing, answering] 480 00:20:51,750 --> 00:20:53,252 {\an8}Loretta! Uh, 481 00:20:53,252 --> 00:20:55,712 {\an8}before you say anything, um... 482 00:20:56,672 --> 00:20:58,882 {\an8}something happened today 483 00:20:58,882 --> 00:21:02,469 {\an8}and it got me thinking and regretting things that I haven't done. 484 00:21:02,469 --> 00:21:04,972 {\an8}And I-I need to admit something. 485 00:21:05,806 --> 00:21:07,432 {\an8}In LA, 486 00:21:07,432 --> 00:21:09,935 {\an8}I was gonna propose to you. 487 00:21:09,935 --> 00:21:12,104 {\an8}And I choked. [stammering] 488 00:21:12,104 --> 00:21:13,689 {\an8}I'm an idiot. 489 00:21:14,773 --> 00:21:18,151 {\an8}So, I wanna spend whatever time I have left with you. 490 00:21:20,237 --> 00:21:21,655 {\an8}What do you say? 491 00:21:22,489 --> 00:21:23,991 {\an8}[Loretta Durkin] [on phone] Ugh... 492 00:21:26,034 --> 00:21:27,744 {\an8}Okay... 493 00:21:27,744 --> 00:21:30,330 {\an8}Well, y-you take it in. 494 00:21:30,330 --> 00:21:32,624 {\an8}I've said it. You've heard it. 495 00:21:32,624 --> 00:21:34,209 {\an8}And so... 496 00:21:34,209 --> 00:21:35,794 {\an8}[Loretta] Ugh! 497 00:21:39,756 --> 00:21:41,133 {\an8}[clicks tongue] Well-- 498 00:21:41,133 --> 00:21:42,718 {\an8}[hang up beeping] 499 00:21:43,635 --> 00:21:46,138 - [assistant director] Okay, quiet on set. - [director] Let's go again. 500 00:21:46,138 --> 00:21:48,473 - [sound mixer] Sound speed. - [director] Remember, you've been burned 501 00:21:48,473 --> 00:21:50,726 - both physically and emotionally. - [Loretta] Uh-huh. Uh... Ugh! 502 00:21:50,726 --> 00:21:52,060 [assistant director] Apple mark. 503 00:21:52,060 --> 00:21:53,437 {\an8}[♪ avant garde piano music playing] 504 00:21:53,437 --> 00:21:55,397 {\an8}[Mabel] Well, I finished The Desecration of Alice. 505 00:21:55,397 --> 00:21:57,774 {\an8}I was hoping for more clues, 506 00:21:57,774 --> 00:22:00,319 {\an8}but all I got is a deep fear of sugar. 507 00:22:00,319 --> 00:22:01,778 {\an8}How'd it go with the drone? 508 00:22:01,778 --> 00:22:03,905 {\an8}I'd say "crash and burn" sums it up. 509 00:22:03,905 --> 00:22:05,991 {\an8}Ditto with me and Loretta. 510 00:22:06,908 --> 00:22:10,162 {\an8}I said I regretted not proposing, and she went, "Ugh!" 511 00:22:11,288 --> 00:22:12,622 {\an8}Was it a... 512 00:22:12,622 --> 00:22:13,707 {\an8}[surprised] huh? 513 00:22:13,707 --> 00:22:14,875 {\an8}[normal] Or more of a... 514 00:22:14,875 --> 00:22:17,127 {\an8}- [disappointed] ugh? - The second one. 515 00:22:17,127 --> 00:22:20,630 {\an8}-Sorry. - Oh, it's our friends. 516 00:22:20,630 --> 00:22:22,716 {\an8}Guess who's accessorizing? 517 00:22:22,716 --> 00:22:25,302 Gravey's new collar... 518 00:22:25,302 --> 00:22:26,553 [Gravey sniffing] 519 00:22:26,553 --> 00:22:27,721 [Howard] ...is a doggy cam. 520 00:22:27,721 --> 00:22:29,931 She's a doggy spy. 521 00:22:29,931 --> 00:22:31,808 - I'm a cadaver dog. - [Gravey barks] 522 00:22:31,808 --> 00:22:33,852 {\an8}- [Charles] No, no, no, no, no! - [all gasp] 523 00:22:33,852 --> 00:22:35,979 {\an8}- Oh, Gravey that's my friend! - [Oliver] Oh, my God! 524 00:22:35,979 --> 00:22:38,815 - [Mabel] Oh shit, Gravey! - [Charles and Oliver] Oh! 525 00:22:38,815 --> 00:22:40,400 - [Oliver] Bad Gravey! - [Howard] She is not bad. 526 00:22:40,400 --> 00:22:42,903 {\an8}She is doing her job at being a cadaver dog 527 00:22:42,903 --> 00:22:44,821 {\an8}and being absolutely adorable. 528 00:22:44,821 --> 00:22:46,406 Yes, you are. You're a good girl. 529 00:22:46,406 --> 00:22:47,949 Howard! Bad! 530 00:22:47,949 --> 00:22:49,451 {\an8}[Gravey shaking] 531 00:22:49,451 --> 00:22:51,703 {\an8}[Charles] Sazz's replacement joints. 532 00:22:51,703 --> 00:22:53,413 {\an8}[Oliver] Here's her left shoulder. 533 00:22:54,164 --> 00:22:55,999 Thank you. Oh, no, it's not. 534 00:22:55,999 --> 00:22:59,211 - Yeah. See? It says "left." - No, this one says "left." 535 00:22:59,211 --> 00:23:01,004 In Bulgarian. 536 00:23:01,004 --> 00:23:04,424 I learned that when I dubbed Brazzos episodes for Macedonia. 537 00:23:05,384 --> 00:23:08,387 So, there's two left shoulders? 538 00:23:08,387 --> 00:23:10,972 - [Howard] What? - Who has two left shoulders? 539 00:23:12,057 --> 00:23:13,767 Guys... 540 00:23:13,767 --> 00:23:17,270 Sazz's body wasn't the only one in the incinerator. 541 00:23:17,270 --> 00:23:19,231 - [Oliver gasps] - Which means... 542 00:23:19,231 --> 00:23:21,024 [Howard] What? 543 00:23:21,024 --> 00:23:23,151 There was another murder in the building. 544 00:23:23,151 --> 00:23:24,903 [♪ suspenseful music plays] 545 00:23:28,073 --> 00:23:31,451 - [♪ quirky string music playing] - [Tawny] Act three. The Climax. 546 00:23:32,202 --> 00:23:35,580 {\an8}Well, okay. Sazz told Jan there was another murder in the building, 547 00:23:35,580 --> 00:23:37,666 and she was right! This was it! 548 00:23:37,666 --> 00:23:40,961 So, what if Dudenoff killed someone, 549 00:23:40,961 --> 00:23:42,629 put them in the incinerator, 550 00:23:42,629 --> 00:23:45,257 and then when we started podcasting 551 00:23:45,257 --> 00:23:48,635 - about murders in the building-- - [Charles] Dudenoff went into hiding. 552 00:23:48,635 --> 00:23:52,305 But, he still needed someone to stop us investigating. 553 00:23:52,305 --> 00:23:54,724 So he got the Brothers Sisters to do his bidding. 554 00:23:54,724 --> 00:23:57,102 [Howard] They spoiled their blades in the flesh of their enemies! 555 00:23:57,102 --> 00:23:58,979 - Yeah. - [Charles] They tried to kill me, 556 00:23:58,979 --> 00:24:02,357 but they got Sazz instead. They put her body in the incinerator, 557 00:24:02,357 --> 00:24:04,484 just like Dudenoff's first victim. 558 00:24:04,484 --> 00:24:06,695 Exactly! It's all so simple. 559 00:24:06,695 --> 00:24:09,239 Guys, let's not get ahead of ourselves. 560 00:24:09,239 --> 00:24:11,324 - Well, it doesn't make no sense. - [Mabel texting] 561 00:24:11,324 --> 00:24:13,952 I'm texting the serial number of this... 562 00:24:13,952 --> 00:24:16,580 second shoulder to Williams. 563 00:24:16,580 --> 00:24:18,915 See if she can ID the person 564 00:24:18,915 --> 00:24:20,333 - that was killed. - [sends text] 565 00:24:20,333 --> 00:24:22,002 [Charles] Okay, let's see. 566 00:24:22,002 --> 00:24:24,796 How do we get the Brothers Sisters to confess? 567 00:24:24,796 --> 00:24:27,007 - [Howard] Hm... - How do we get them to conf-- 568 00:24:27,007 --> 00:24:30,302 Howard! Point that somewhere else! I can't think with that in my face! 569 00:24:30,302 --> 00:24:33,054 - [Howard] Okay. - I agree! It's unnerving being filmed. 570 00:24:33,054 --> 00:24:35,223 - [Howard] Oh. - Turn it off, Werner Herzog. 571 00:24:35,932 --> 00:24:37,559 {\an8}- [Howard sighs] - That's it. 572 00:24:38,435 --> 00:24:39,811 {\an8}We go on the offense. 573 00:24:39,811 --> 00:24:42,397 {\an8}We turn the tables and the camera on them! 574 00:24:42,397 --> 00:24:44,816 See how they like it! We throw them off balance, 575 00:24:44,816 --> 00:24:47,194 so they just spill the tea everywhere! 576 00:24:47,194 --> 00:24:49,696 - In the... rugs and places. - [Oliver] Right. 577 00:24:49,696 --> 00:24:51,281 - [text dings] - Ooh! 578 00:24:53,158 --> 00:24:55,035 - [growls] - [Mabel] Is everything okay? 579 00:24:55,035 --> 00:24:59,414 Oh, no, no, it's fine. I just thought it might be from Loretta, but it's... 580 00:25:00,290 --> 00:25:04,252 from Carpets USA offering me a promo code for a free rug pad. 581 00:25:04,252 --> 00:25:07,464 [Howard] Just because you have regrets, doesn't mean you can fix all of them. 582 00:25:07,464 --> 00:25:09,633 And if you could send me that promo code at some point... 583 00:25:09,633 --> 00:25:11,843 - [Oliver growls] - [Mabel] Oliver, I'm sorry. 584 00:25:11,843 --> 00:25:15,305 No, no, no. it's fine. Listen, i-if my soulmate doesn't wanna be with me, 585 00:25:15,305 --> 00:25:18,099 I don't wanna be with her. Come on, let's go... 586 00:25:18,099 --> 00:25:21,186 confront our would-be assassins. I'm gonna get my video camera, too. 587 00:25:22,062 --> 00:25:24,439 - [Howard] Ooh, is it digital? - [Oliver] VHS. 588 00:25:24,439 --> 00:25:26,816 {\an8}- [Howard] Retro. - [Mabel sighs] 589 00:25:26,816 --> 00:25:29,194 {\an8}-Are you okay? - Uh... 590 00:25:29,945 --> 00:25:31,947 {\an8}Turns out, I do have a regret. 591 00:25:32,572 --> 00:25:35,575 {\an8}If our podcast really did get Sazz killed, 592 00:25:35,575 --> 00:25:37,410 {\an8}I'd never forgive myself. 593 00:25:37,410 --> 00:25:39,329 {\an8}We're gonna solve this case. 594 00:25:40,497 --> 00:25:42,290 {\an8}We have to solve this case. 595 00:25:43,375 --> 00:25:45,877 - [elevator dings] - [♪ slow piano music playing] 596 00:25:45,877 --> 00:25:47,754 [Oliver] Now, where's that zoom button? 597 00:25:47,754 --> 00:25:49,339 [Charles] [whispers] Okay, let's go. 598 00:25:50,173 --> 00:25:51,967 - [audio warbles] - [Super 8 camera whirring] 599 00:25:51,967 --> 00:25:53,593 [normal] Cameras down, ladies. 600 00:25:53,593 --> 00:25:55,679 It's time for us to ask the questions, and you to buckle 601 00:25:55,679 --> 00:25:57,222 - under the gaze of a lens. - [shoes sticking] 602 00:25:57,222 --> 00:25:59,349 - [Oliver] What's wrong with this thing? - [Trina] Are we suspects? 603 00:25:59,349 --> 00:26:01,268 - [Tawny] Oh, we have to film this. - [audio warbling] 604 00:26:01,268 --> 00:26:03,478 [Charles] Where were you the night Sazz Pataki was murdered? 605 00:26:03,478 --> 00:26:04,938 We were here in the Arconia. 606 00:26:04,938 --> 00:26:06,022 - What? - You were? 607 00:26:06,022 --> 00:26:07,232 [Trina] We came to visit a friend. 608 00:26:07,232 --> 00:26:10,944 - And that friend was Milton Dudenoff. - [Tawny] Yes. 609 00:26:10,944 --> 00:26:12,821 - Admit it! - [Trina] She just did. 610 00:26:12,821 --> 00:26:15,448 So, you were in his apartment that night? 611 00:26:15,448 --> 00:26:17,826 [Trina] Yes. We got in using the password he always used. 612 00:26:17,826 --> 00:26:20,036 - His favorite card game. - [Howard] Oh Hell? 613 00:26:20,036 --> 00:26:21,621 Exactly, but upside down. 614 00:26:21,621 --> 00:26:23,707 Seven-seven-three-four-four-zero. Yeah, we know. 615 00:26:23,707 --> 00:26:26,501 - Keep it moving, sister. - Dudenoff was your film professor, 616 00:26:26,501 --> 00:26:29,004 and you were his star pupils. 617 00:26:29,004 --> 00:26:32,215 As he was your creator, so you do his bidding! 618 00:26:32,215 --> 00:26:34,551 [Tawny] Of course. 619 00:26:34,551 --> 00:26:36,344 [Mabel] Even kill? 620 00:26:36,344 --> 00:26:38,513 [♪ avant garde piano music playing] 621 00:26:38,513 --> 00:26:40,807 - [student 1] Ugh. Creepy! - [student 2] So disturbing. 622 00:26:40,807 --> 00:26:42,475 [student 3] Is it too late to drop his course? 623 00:26:42,475 --> 00:26:45,645 [Tawny] Professor Dudenoff was the first person who ever believed in us. 624 00:26:46,563 --> 00:26:48,898 [Dudenoff] Well, those students were... 625 00:26:49,566 --> 00:26:51,234 pretty upset by your film. 626 00:26:52,360 --> 00:26:55,822 Ignore the critics and just keep shooting. 627 00:26:55,822 --> 00:26:58,408 - Okay? Wait... - [Trina sighs] 628 00:27:02,329 --> 00:27:03,830 These are for you. 629 00:27:04,581 --> 00:27:06,374 Professor Dudenoff, 630 00:27:06,374 --> 00:27:08,793 you're giving us your Super 8s? 631 00:27:08,793 --> 00:27:11,463 Well, my bones are too creaky 632 00:27:11,463 --> 00:27:13,632 to lug those things around anymore. Uh... 633 00:27:13,632 --> 00:27:15,717 How can we ever repay you? 634 00:27:17,761 --> 00:27:20,972 - [cameras whirring] - [♪ soft piano music playing] 635 00:27:22,182 --> 00:27:25,852 [Tawny] He was our mentor. Our everything. 636 00:27:25,852 --> 00:27:27,937 So would we kill for him? 637 00:27:29,689 --> 00:27:32,942 - [both] Abso-fucking-lutely. - [Howard gasps] 638 00:27:32,942 --> 00:27:35,403 [camera whirring] 639 00:27:35,403 --> 00:27:38,406 It's time to take a look inside that rifle case of yours. 640 00:27:38,907 --> 00:27:39,908 {\an8}[text dings] 641 00:27:40,992 --> 00:27:44,996 {\an8}Oh, my God. Guys, they just identified the other left shoulder. 642 00:27:44,996 --> 00:27:48,166 Was it the guy who used to scream in the lobby about loving Zabar's? 643 00:27:48,166 --> 00:27:51,544 I haven't seen him for ages. What was his name? 644 00:27:51,544 --> 00:27:53,254 It belongs... 645 00:27:53,254 --> 00:27:55,924 - to Dudenoff. - [group gasps] 646 00:28:00,345 --> 00:28:02,931 Dudenoff was in the incinerator. 647 00:28:02,931 --> 00:28:05,392 He w-- He's not in Portugal or New York. 648 00:28:05,392 --> 00:28:07,519 - Dudenoff was murdered. - [Sisters gasp] 649 00:28:07,519 --> 00:28:09,396 - [cameras clatter] - [Trina] No. 650 00:28:09,396 --> 00:28:11,481 - [♪ melancholy music playing] - He's dead? 651 00:28:11,481 --> 00:28:13,733 [Mabel] When was the last time you spoke to him? 652 00:28:13,733 --> 00:28:17,278 Uh, um, i-i-it's been a while. Three years? 653 00:28:17,278 --> 00:28:21,491 {\an8}We said we wanted to make bigger movies to earn real money. He hated that. 654 00:28:21,491 --> 00:28:24,577 We moved to LA, and he, he cut off all communication. 655 00:28:24,577 --> 00:28:26,162 It was devastating. 656 00:28:26,162 --> 00:28:29,332 Then, this movie set in the place he lived came up, and... 657 00:28:29,332 --> 00:28:31,501 I mean, it was beneath us, but-- 658 00:28:31,501 --> 00:28:34,838 We took it. To be close to him. 659 00:28:34,838 --> 00:28:37,173 But still, he didn't answer our calls. [gasps] 660 00:28:38,508 --> 00:28:40,009 Now, we know why. 661 00:28:40,009 --> 00:28:42,721 {\an8}Oh! [quietly sobs] 662 00:28:42,721 --> 00:28:46,766 {\an8}[affected crying] 663 00:28:46,766 --> 00:28:49,018 [Charles] Well, if you're not our killers, 664 00:28:49,018 --> 00:28:51,563 why have you been sneaking around with this rifle case? 665 00:28:51,563 --> 00:28:54,149 - This part is jammed badly. Oh. - [Mabel] Oliver! Just... 666 00:28:54,149 --> 00:28:56,234 [latches clicking] 667 00:28:57,569 --> 00:28:58,820 What? 668 00:28:59,821 --> 00:29:00,989 [Howard] Huh? 669 00:29:00,989 --> 00:29:04,701 It's a camera case. We've been making a film within our film, 670 00:29:04,701 --> 00:29:06,202 a behind-the-scenes thing. 671 00:29:06,202 --> 00:29:08,830 We put hidden cameras in our production office 672 00:29:08,830 --> 00:29:10,415 and in your apartments. 673 00:29:10,415 --> 00:29:13,084 That's an invasion of privacy. And it's illegal! 674 00:29:13,084 --> 00:29:17,130 Not really. You gave us permission in the life rights contract you signed. 675 00:29:17,130 --> 00:29:19,090 [scoffs] I seriously couldn't believe it. 676 00:29:19,090 --> 00:29:22,635 Oh, great. "Don't worry, guys. Uh, we don't need a lawyer. 677 00:29:22,635 --> 00:29:25,805 - I have signed millions of contracts." - [Oliver mutters] 678 00:29:25,805 --> 00:29:28,975 - [Howard] Saw that coming. - [Trina] Dudenoff always said, 679 00:29:28,975 --> 00:29:32,562 "Keep shooting, and the story will reveal itself." 680 00:29:33,605 --> 00:29:36,316 He would've been so proud of us. [gasps] 681 00:29:37,066 --> 00:29:38,526 - [Tawny whimpers] - Keep shooting. 682 00:29:38,526 --> 00:29:40,361 - [camera whirring] - Okay. 683 00:29:40,361 --> 00:29:42,155 We have two murders now. 684 00:29:42,906 --> 00:29:44,407 Who killed Sazz... 685 00:29:45,325 --> 00:29:46,701 and who killed Dudenoff? 686 00:29:46,701 --> 00:29:50,580 And who was pretending to be Dudenoff cashing the checks at the bodega? 687 00:29:50,580 --> 00:29:52,165 We need to look into that. 688 00:29:52,165 --> 00:29:53,917 Oh, my God, that's it! 689 00:29:53,917 --> 00:29:55,376 - [Mabel] What do you got? - Doug. 690 00:29:55,376 --> 00:29:58,129 The guy who used to love Zabar's, his name was Doug. 691 00:29:58,129 --> 00:29:59,464 Okay. 692 00:30:01,007 --> 00:30:04,010 - [♪ quirky piano music playing] - [Tawny] Act four. The Denouement. 693 00:30:05,303 --> 00:30:07,305 [Trina] You're slaying that jumpsuit, by the way. 694 00:30:07,305 --> 00:30:09,474 I got it at the Rikers Auction. 695 00:30:09,474 --> 00:30:13,394 Something about being swaddled in the dried sweat of the imprisoned... 696 00:30:14,020 --> 00:30:15,522 sets me free. 697 00:30:21,319 --> 00:30:24,322 {\an8}[Mabel] Make sure you get all of the cameras. 698 00:30:26,533 --> 00:30:27,534 {\an8}[gulps] 699 00:30:29,953 --> 00:30:30,954 {\an8}[sighs] 700 00:30:32,372 --> 00:30:35,625 {\an8}[Oliver] What's this? Oh! I found another camera! 701 00:30:38,002 --> 00:30:41,256 [Tawny] Ugh. Like we'd shoot in 720p. 702 00:30:41,256 --> 00:30:42,799 [Charles] Wait, wait, wait, wait, wait. 703 00:30:43,341 --> 00:30:44,425 So then... 704 00:30:45,677 --> 00:30:48,388 - whose camera is this? - [phone dings] 705 00:30:51,099 --> 00:30:52,642 What? 706 00:30:53,768 --> 00:30:55,603 It's from Sazz's phone. 707 00:30:55,603 --> 00:30:58,690 [♪ suspenseful music playing] 708 00:31:02,735 --> 00:31:03,945 [Howard] What? 709 00:31:03,945 --> 00:31:05,321 [phone dings] 710 00:31:05,321 --> 00:31:06,906 I got one, too. 711 00:31:08,449 --> 00:31:11,536 But this is from five days ago 'cause I'm wearing my Monday jammies. 712 00:31:11,536 --> 00:31:14,122 [Howard] Oh, my God. [gasps] 713 00:31:14,122 --> 00:31:15,206 [phone dings] 714 00:31:17,750 --> 00:31:19,252 Not you, too? 715 00:31:20,086 --> 00:31:22,088 - What the fuck? - [Howard gasps] 716 00:31:23,673 --> 00:31:25,884 These aren't from your cameras? 717 00:31:25,884 --> 00:31:27,677 - No. - [Howard] Oh. 718 00:31:27,677 --> 00:31:29,345 ♪ 719 00:31:29,345 --> 00:31:31,055 [Charles] Alright. 720 00:31:32,181 --> 00:31:36,144 - [cameras whirring] - The killer is watching us right now. 721 00:31:36,144 --> 00:31:38,897 Oh, they've been watching us. 722 00:31:38,897 --> 00:31:40,982 - For how long? - [phone dings] 723 00:31:41,649 --> 00:31:43,359 [Tawny] This is fucked. I got the wide shot. 724 00:31:43,359 --> 00:31:44,485 [Trina] Good. 725 00:31:45,945 --> 00:31:47,655 - I'm watching you. - [Howard gasps] 726 00:31:47,655 --> 00:31:48,740 [phone dings] 727 00:31:50,158 --> 00:31:52,827 [Howard gasping] 728 00:31:52,827 --> 00:31:53,912 [phone dings] 729 00:31:55,705 --> 00:31:57,707 - [gasps] - [Oliver] Okay, okay. 730 00:31:57,707 --> 00:32:00,209 - W-We are not safe in this building. - [Howard] You think? 731 00:32:00,209 --> 00:32:03,004 Charles, you were right. We have to get out of here now. 732 00:32:05,256 --> 00:32:06,257 [clatters] 733 00:32:06,549 --> 00:32:07,550 [glass shatters] 734 00:32:07,550 --> 00:32:10,011 {\an8}- [♪ suspenseful music continues] - [indistinct muttering] 735 00:32:10,720 --> 00:32:15,975 [Trina] What started as a defense for two innocents accused of being bad snipers 736 00:32:15,975 --> 00:32:18,937 turned into a found-footage film 737 00:32:18,937 --> 00:32:21,314 about the murder of our mentor. 738 00:32:21,314 --> 00:32:24,400 [Oliver's car "Aphrodite" roars] 739 00:32:25,526 --> 00:32:27,153 [street sound stops] 740 00:32:27,153 --> 00:32:29,864 [Tawny] Look. Did we murder? 741 00:32:29,864 --> 00:32:31,366 Sure. 742 00:32:31,366 --> 00:32:33,952 We murdered the rules of narrative storytelling. 743 00:32:34,869 --> 00:32:37,205 But nothing more. 744 00:32:37,914 --> 00:32:40,917 [♪ classical piano music playing] 745 00:33:02,438 --> 00:33:03,898 ♪ 746 00:33:30,967 --> 00:33:33,970 [♪ fanfare playing]