1 00:00:05,266 --> 00:00:07,964 [Sam humming "The Skye Boat Song"] 2 00:00:08,138 --> 00:00:09,748 ♪ 3 00:00:09,879 --> 00:00:11,315 Don't. 4 00:00:11,446 --> 00:00:14,101 [continues humming] 5 00:00:15,058 --> 00:00:15,841 Stop. 6 00:00:18,148 --> 00:00:19,062 Yes? 7 00:00:21,499 --> 00:00:24,241 [humming "The Skye Boat Song"] 8 00:00:24,328 --> 00:00:26,591 ♪ 9 00:00:26,722 --> 00:00:29,464 [vocalizing] 10 00:00:29,638 --> 00:00:32,945 ♪ 11 00:00:33,642 --> 00:00:35,818 -[Graham] ♪ Carry the lad ♪ -[Sam] Row! 12 00:00:35,992 --> 00:00:37,341 [Graham] ♪ That's born to be king ♪ 13 00:00:37,472 --> 00:00:38,734 [Sam] Faster! 14 00:00:38,908 --> 00:00:44,348 [both] ♪ Over the sea to Skye ♪ 15 00:00:49,005 --> 00:00:50,659 [Graham] We're going the wrong way. 16 00:00:50,789 --> 00:00:53,401 [upbeat fiddle music plays] 17 00:00:53,488 --> 00:00:56,360 ♪ 18 00:00:57,796 --> 00:01:00,321 [bright flute music plays] 19 00:01:00,495 --> 00:01:03,367 ♪ 20 00:01:04,760 --> 00:01:06,370 [Graham] Here we are on our way 21 00:01:06,501 --> 00:01:09,069 to begin the next chapter. 22 00:01:09,156 --> 00:01:10,853 Um, song and dance. 23 00:01:10,983 --> 00:01:12,855 Song and dance, which is 24 00:01:12,942 --> 00:01:14,683 a really big part of Scottish culture. 25 00:01:14,857 --> 00:01:16,859 ♪ 26 00:01:16,989 --> 00:01:18,687 Scotland: 27 00:01:18,817 --> 00:01:21,168 there is perhaps no other country 28 00:01:21,298 --> 00:01:23,822 where music has played such an important role, 29 00:01:23,953 --> 00:01:25,998 from celebration to battle 30 00:01:26,086 --> 00:01:27,565 and everything in between. 31 00:01:27,696 --> 00:01:30,177 Music and the dances that follow 32 00:01:30,264 --> 00:01:32,918 are forever entwined in the nation's history. 33 00:01:33,049 --> 00:01:35,573 And of course, there is one instrument 34 00:01:35,704 --> 00:01:38,272 that is synonymous with Scottish music: 35 00:01:38,359 --> 00:01:40,970 the bagpipe. 36 00:01:41,101 --> 00:01:42,754 The pipes are a part of everything, 37 00:01:42,885 --> 00:01:45,627 from Highland dancing to marching bands 38 00:01:45,714 --> 00:01:46,976 and even traditional folk parties 39 00:01:47,107 --> 00:01:48,978 like ceilidhs. 40 00:01:49,109 --> 00:01:50,806 There is a musical tradition 41 00:01:50,936 --> 00:01:52,590 that runs deep in Scotland, 42 00:01:52,721 --> 00:01:54,592 as song and dance are how Highlanders 43 00:01:54,679 --> 00:01:57,943 passed on their history and culture. 44 00:01:58,030 --> 00:02:00,381 We can truly feel it in the voices, 45 00:02:00,511 --> 00:02:02,339 the movement, and the passion of the people 46 00:02:02,470 --> 00:02:04,994 who carry on that legacy today. 47 00:02:07,344 --> 00:02:09,346 [solemn bagpipe music plays] 48 00:02:09,477 --> 00:02:12,001 We've set up camp in the heart of the Highlands, 49 00:02:12,088 --> 00:02:14,221 Glencoe. 50 00:02:14,308 --> 00:02:15,700 We'll be joined by one of the people 51 00:02:15,831 --> 00:02:19,008 keeping traditional Scottish music alive, 52 00:02:19,139 --> 00:02:21,619 Gillebride MacMillan, 53 00:02:21,750 --> 00:02:24,144 who plays Gwyllyn the Bard inOutlander. 54 00:02:24,231 --> 00:02:26,146 [singing in Gaelic] 55 00:02:26,320 --> 00:02:29,105 ♪ 56 00:02:32,804 --> 00:02:34,719 -Gillebride. -[Gillebride] Hello, my friend. 57 00:02:34,850 --> 00:02:36,417 Not a bad clearing you have here. 58 00:02:36,547 --> 00:02:37,679 -How are you, sir? -Not bad. Yourself? 59 00:02:37,809 --> 00:02:39,071 Excuse me. My mouth's full. 60 00:02:39,202 --> 00:02:40,203 -How you doing? -How are you? 61 00:02:40,334 --> 00:02:41,422 I'm just full of Sam's porridge. 62 00:02:41,552 --> 00:02:42,553 [grunts] 63 00:02:42,684 --> 00:02:43,815 -Um... -Looks good. 64 00:02:43,946 --> 00:02:44,425 [Sam] Please join us. Take a seat. 65 00:02:45,904 --> 00:02:47,732 So you're a Gaelic speaker. 66 00:02:47,819 --> 00:02:49,125 I am. Gaelic's my first language. 67 00:02:49,256 --> 00:02:50,953 Yes, I had no English before I went to school. 68 00:02:51,083 --> 00:02:52,650 And people still speak Gaelic in Scotland. 69 00:02:52,781 --> 00:02:54,304 We see a lot of the road signs are in Gaelic. 70 00:02:54,435 --> 00:02:55,827 There are about 70,000 71 00:02:55,958 --> 00:02:57,481 Gaelic speakers here in Scotland. 72 00:02:57,612 --> 00:02:59,483 Is it the first language of the western isles? 73 00:02:59,614 --> 00:03:01,311 It is, yeah. 74 00:03:01,442 --> 00:03:02,356 So when I was growing up, it would be the first language 75 00:03:02,486 --> 00:03:04,532 of about 90% of the population. 76 00:03:04,662 --> 00:03:05,881 It's very much alive and kicking. 77 00:03:05,968 --> 00:03:07,404 And then how it lives on, though, 78 00:03:07,535 --> 00:03:08,536 is through storytelling, isn't it? 79 00:03:08,666 --> 00:03:10,277 You must yourself hold a lot of... 80 00:03:10,407 --> 00:03:12,583 a lot of stories and songs. 81 00:03:12,670 --> 00:03:14,629 Yes, I suppose I've got any song for any occasion. 82 00:03:14,716 --> 00:03:15,978 Well, then we have an occasion. 83 00:03:16,108 --> 00:03:17,066 Give us a song. 84 00:03:17,153 --> 00:03:18,894 [plaintive music plays] 85 00:03:19,024 --> 00:03:21,462 [Gillebride singing in Gaelic] 86 00:03:21,636 --> 00:03:24,552 ♪ 87 00:03:37,652 --> 00:03:40,307 [Sam and Graham join in] 88 00:03:40,481 --> 00:03:43,266 ♪ 89 00:04:00,457 --> 00:04:03,286 [upbeat music plays] 90 00:04:03,417 --> 00:04:05,375 [Graham] So... curious. 91 00:04:05,506 --> 00:04:06,681 Were you much of a musical theater guy 92 00:04:06,811 --> 00:04:08,813 in your younger days, when you started out? 93 00:04:08,944 --> 00:04:10,032 Were you doing a lot of singing and dancing? 94 00:04:10,162 --> 00:04:11,860 -No. -No, none? 95 00:04:11,990 --> 00:04:12,948 -No, I have to admit-- -No musicals, no? 96 00:04:13,078 --> 00:04:14,602 No, no, I have to admit 97 00:04:14,732 --> 00:04:16,604 that I can't sing or dance. 98 00:04:16,734 --> 00:04:19,520 I need help... musically speaking. 99 00:04:19,607 --> 00:04:21,783 Well, I-I've had a terrible history with musicals, 100 00:04:21,913 --> 00:04:24,002 and I did sing in Outlander. 101 00:04:24,133 --> 00:04:25,482 -[exhales heavily] -Uh, that was-- 102 00:04:25,613 --> 00:04:26,875 it-it had a mixed reception. 103 00:04:27,005 --> 00:04:28,311 Yeah. 104 00:04:28,442 --> 00:04:29,443 "The Maid Get to the Mill by Nicht." 105 00:04:29,573 --> 00:04:30,835 Oh, God, here we go. 106 00:04:30,966 --> 00:04:32,228 No, I'm not gonna sing it. 107 00:04:32,402 --> 00:04:33,838 ♪ She would get the corn ground ♪ 108 00:04:34,012 --> 00:04:36,014 [men] ♪ Mill and multure free ♪ 109 00:04:36,101 --> 00:04:37,755 ♪ Oot and cam' the miller's lad ♪ 110 00:04:37,929 --> 00:04:39,670 ♪ Hey, hey, sae wonton ♪ 111 00:04:39,801 --> 00:04:40,976 -Yes, you know the one. -Yeah. 112 00:04:41,106 --> 00:04:42,673 If you ever travel the world... 113 00:04:42,804 --> 00:04:43,457 -Mm. -...no matter what country 114 00:04:43,587 --> 00:04:45,285 you go to, 115 00:04:45,415 --> 00:04:47,243 I-I always seem to encounter bagpipes somewhere, 116 00:04:47,330 --> 00:04:49,376 -in the most random places. -Yes, absolutely. 117 00:04:49,463 --> 00:04:51,595 I was--I remember Santa Monica in-in Los Angeles, 118 00:04:51,726 --> 00:04:53,118 and I remember hearing 119 00:04:53,249 --> 00:04:54,685 -just on the wind... -Yeah. 120 00:04:54,816 --> 00:04:56,426 ...the call of the bagpipes. 121 00:04:56,513 --> 00:04:58,994 Some people really do not like them at all. 122 00:04:59,124 --> 00:05:00,343 Well, I think we're gonna convert a lot of people, 123 00:05:00,430 --> 00:05:02,476 because they are magnificent. 124 00:05:02,563 --> 00:05:05,130 We're gonna meet fabulous Iain MacGillivray, 125 00:05:05,261 --> 00:05:07,219 -and he's such a great piper. -Isn't he? 126 00:05:07,350 --> 00:05:08,917 Such a wonderful ambassador 127 00:05:09,004 --> 00:05:11,093 for piping and for Scotland and for his clan. 128 00:05:11,223 --> 00:05:13,487 Is he not the youngest 129 00:05:13,574 --> 00:05:14,444 chief or commander-- 130 00:05:14,575 --> 00:05:16,751 -Clan-clan chief. -Clan chief, yes. 131 00:05:16,881 --> 00:05:18,318 And we're gonna meet him at Doune Castle. 132 00:05:21,190 --> 00:05:23,366 Ah, which holds very, very strong memories... 133 00:05:23,497 --> 00:05:24,976 Very good memories... 134 00:05:25,107 --> 00:05:26,021 -[Graham] ...for both of us. -[Sam] ..for both of us. 135 00:05:26,151 --> 00:05:27,936 [Graham] If those walls could speak... 136 00:05:30,765 --> 00:05:33,550 -This is Doune Castle. -Yes, it is, but... 137 00:05:33,681 --> 00:05:34,769 but is it Doune Castle? 138 00:05:34,899 --> 00:05:36,640 It's actually Castle Leoch. 139 00:05:36,727 --> 00:05:38,642 Castle Leoch, your-your home. 140 00:05:38,773 --> 00:05:39,904 My home, exactly. 141 00:05:40,035 --> 00:05:41,428 That was my room at the top there. 142 00:05:41,558 --> 00:05:42,777 Yeah, it's-yeah, it's the one that's been knocked off. 143 00:05:42,907 --> 00:05:43,952 Thanks. 144 00:05:44,082 --> 00:05:45,780 [Sam] But we're here to meet 145 00:05:45,910 --> 00:05:47,695 this fantastic piper, Iain MacGillivray. 146 00:05:47,825 --> 00:05:48,783 -[Graham] Iain. -Nice to meet you gentlemen. 147 00:05:48,913 --> 00:05:49,566 -How you doing, Graham? -[Graham] Ah. 148 00:05:49,697 --> 00:05:50,959 [Sam] Good to see you. 149 00:05:51,089 --> 00:05:52,787 Now, tell us about the pipes, though. 150 00:05:52,917 --> 00:05:55,659 [somber bagpipe music playing] 151 00:05:55,746 --> 00:05:57,357 [Iain] It's one of the most ancient forms of music 152 00:05:57,487 --> 00:05:59,054 in all of Europe and especially in Scotland. 153 00:05:59,184 --> 00:06:00,664 [Sam] And this is a big part 154 00:06:00,751 --> 00:06:02,318 of, obviously, Scottish culture as well. 155 00:06:02,405 --> 00:06:04,581 It's a, you know, quite iconic instrument 156 00:06:04,712 --> 00:06:06,801 and also was, uh, um, was an instrument of war. 157 00:06:06,931 --> 00:06:08,411 It became outlawed, or at least, 158 00:06:08,498 --> 00:06:09,586 you weren't allowed to use it unless it was 159 00:06:09,717 --> 00:06:10,718 part of the military; is that right? 160 00:06:10,805 --> 00:06:11,675 [Iain] I mean, the pipers were there 161 00:06:11,762 --> 00:06:13,155 to kind of drum the spirit, 162 00:06:13,242 --> 00:06:14,417 and it was meant to put fear into the enemies. 163 00:06:14,548 --> 00:06:15,897 -Totally. -A lot of these pipers 164 00:06:16,027 --> 00:06:17,507 would've been taken to the battlefield, 165 00:06:17,638 --> 00:06:19,117 and they would've marched into battle. 166 00:06:19,248 --> 00:06:20,684 And he would've piped for a bit, 167 00:06:20,771 --> 00:06:22,730 and then he would've handed the pipes to... 168 00:06:22,817 --> 00:06:24,645 whoever, and then... 169 00:06:24,775 --> 00:06:25,994 [Sam] "You hold these; I'm gonna go fight them." 170 00:06:26,124 --> 00:06:27,517 "I don't-- I hold them the last time. 171 00:06:27,648 --> 00:06:29,301 I'm not gonna hold them this time." 172 00:06:29,432 --> 00:06:30,912 When the British Empire started to spread, 173 00:06:31,042 --> 00:06:32,392 they used the Scots on the front line of battle. 174 00:06:32,522 --> 00:06:34,045 [Graham] Mm-hmm, yeah. 175 00:06:34,176 --> 00:06:35,656 [Iain] And rather than just being a lone piper, 176 00:06:35,786 --> 00:06:37,832 it became an orchestral set of bagpipes and drums, 177 00:06:37,962 --> 00:06:39,181 so multiple pipers, multiple drummers. 178 00:06:39,268 --> 00:06:40,487 [Graham] Mm. 179 00:06:40,574 --> 00:06:41,270 [Iain] And then suddenly, you come 180 00:06:41,401 --> 00:06:43,011 to this First World War. 181 00:06:43,098 --> 00:06:44,447 -Pipes are still being used. -[Graham] Yes. 182 00:06:44,578 --> 00:06:45,709 [Iain] Scots regiments are still in kilts. 183 00:06:45,796 --> 00:06:47,058 -Yes, the marching bands. -Then you get 184 00:06:47,189 --> 00:06:48,364 to the Second World War and this amazing story 185 00:06:48,495 --> 00:06:49,887 of Bill Millin. 186 00:06:50,018 --> 00:06:51,367 A piper stormed the beaches of Normandy 187 00:06:51,498 --> 00:06:52,934 playing his pipes, hurling himself 188 00:06:53,064 --> 00:06:54,196 -across the landing craft-- -[Sam] Yeah, yeah. 189 00:06:54,326 --> 00:06:55,153 The Germans thought he was crazy. 190 00:06:55,284 --> 00:06:56,024 They couldn't believe a piper-- 191 00:06:56,154 --> 00:06:57,765 I love it. 192 00:06:57,895 --> 00:06:58,592 And he marched up and down for, like, half an hour. 193 00:06:58,722 --> 00:07:00,202 Yeah, yeah. 194 00:07:00,332 --> 00:07:02,291 And the Germans stopped shooting at him 195 00:07:02,422 --> 00:07:03,553 because they couldn't believe 196 00:07:03,684 --> 00:07:04,946 that anybody would be this insane. 197 00:07:05,076 --> 00:07:06,687 [Iain] It-it's quite a remarkable story, that, yeah. 198 00:07:06,817 --> 00:07:07,775 -I mean, it's-- -Ah, it's fantastic. 199 00:07:07,905 --> 00:07:09,080 That-that-that symbolizes 200 00:07:09,211 --> 00:07:10,560 literally the essence of bagpiping 201 00:07:10,691 --> 00:07:12,867 in Scottish music as well as on the battlefield. 202 00:07:12,997 --> 00:07:15,130 Music is so embedded in the culture. 203 00:07:15,260 --> 00:07:16,174 It's in your blood. It's in your blood. 204 00:07:16,305 --> 00:07:17,828 It's-it's in our genes. 205 00:07:17,959 --> 00:07:19,264 That's gonna live with us with the rest of our days, 206 00:07:19,351 --> 00:07:20,614 -and I'm-I'm so proud of that. -[Graham] That's right. 207 00:07:20,744 --> 00:07:21,528 You've got a little bit of a surprise as well 208 00:07:21,658 --> 00:07:22,746 for Graham. 209 00:07:22,877 --> 00:07:25,793 Well, one of your great-relatives 210 00:07:25,923 --> 00:07:27,185 is Simon McTavish of the North West Company 211 00:07:27,272 --> 00:07:28,709 fur trade in Canada. 212 00:07:28,839 --> 00:07:31,625 -Right. -Well, one of our ancestors, 213 00:07:31,712 --> 00:07:33,453 Willie McGillivray, was his uncle, 214 00:07:33,583 --> 00:07:34,802 so we are distantly related... 215 00:07:34,932 --> 00:07:36,847 -Oh, my God. -...which is pretty amazing. 216 00:07:36,978 --> 00:07:38,022 That's fantastic. 217 00:07:38,153 --> 00:07:39,676 Ah! 218 00:07:39,763 --> 00:07:40,460 This is it, brothers in arms. 219 00:07:40,590 --> 00:07:42,200 [Graham] Brother. 220 00:07:42,287 --> 00:07:43,898 Full circle. Amazing. 221 00:07:44,028 --> 00:07:45,769 Thank you for telling me that. That's really wonderful. 222 00:07:45,856 --> 00:07:47,467 We wanna hear you play something for us. 223 00:07:47,597 --> 00:07:48,816 Would you mind? 224 00:07:48,946 --> 00:07:49,991 [Iain] It'd be a pleasure. 225 00:07:50,470 --> 00:07:53,124 [playing jaunty bagpipe music] 226 00:07:53,298 --> 00:07:56,084 ♪ 227 00:08:24,939 --> 00:08:26,810 [music stops] 228 00:08:26,897 --> 00:08:27,855 [applause] 229 00:08:27,942 --> 00:08:30,292 [upbeat music plays] 230 00:08:30,466 --> 00:08:33,077 ♪ 231 00:08:35,645 --> 00:08:38,169 [Graham] You know, it was really moving to hear, 232 00:08:38,300 --> 00:08:39,823 Iain play "The Black Bear," you know? 233 00:08:39,910 --> 00:08:42,696 It-it was my father's favorite pipe tune. 234 00:08:42,783 --> 00:08:46,264 They always make me cry a bit, you know, the bagpipes. 235 00:08:46,351 --> 00:08:49,137 [Sam] Now that we've learned a bit about Scottish music, 236 00:08:49,224 --> 00:08:50,573 I think it's time to put our dancing skills 237 00:08:50,660 --> 00:08:52,140 to the test. 238 00:08:52,270 --> 00:08:54,185 Have you done sword dancing before? 239 00:08:54,316 --> 00:08:56,231 I mean, obviously, I was very, very, very good 240 00:08:56,318 --> 00:08:57,928 when I was younger. 241 00:08:58,059 --> 00:08:59,103 It's been a few years 242 00:08:59,234 --> 00:09:00,888 since I've, uh, put on the pumps. 243 00:09:01,018 --> 00:09:01,932 -Right, yeah. -Um... 244 00:09:02,063 --> 00:09:03,717 Have you hung up your swords since? 245 00:09:03,847 --> 00:09:06,371 Well, yes, and then there was the ballet years... 246 00:09:06,502 --> 00:09:08,373 Ah, yes. 247 00:09:08,460 --> 00:09:09,723 ...when I danced with the Bolshoi. 248 00:09:09,853 --> 00:09:10,985 Yes, Swan Lake,was it? 249 00:09:11,072 --> 00:09:12,595 Yes, yes. 250 00:09:12,726 --> 00:09:14,249 Sugar Plum Fairy, I can imagine. 251 00:09:14,379 --> 00:09:16,338 Yes, you've never seen a dying swan like it, wouldn't you. 252 00:09:16,468 --> 00:09:19,776 I would pay good money to see you onstage, 253 00:09:19,863 --> 00:09:20,864 because I have seen you dance. 254 00:09:21,038 --> 00:09:22,083 ♪ I've got rhythm ♪ 255 00:09:22,257 --> 00:09:23,519 ♪ I've got music ♪ 256 00:09:23,650 --> 00:09:24,781 I've seen you dance. 257 00:09:24,868 --> 00:09:26,174 You have rhythm. That's for sure. 258 00:09:26,348 --> 00:09:27,044 ♪ Who could ask for anything more? ♪ 259 00:09:27,131 --> 00:09:29,481 [crowd cheering] 260 00:09:29,612 --> 00:09:31,266 [Sam] You've got hips as well. 261 00:09:31,396 --> 00:09:32,789 [somber bagpipe music playing] 262 00:09:32,920 --> 00:09:35,400 We're gonna meet a champion Highland dancer, 263 00:09:35,531 --> 00:09:37,794 who's gonna teach us the Scottish sword dance. 264 00:09:38,273 --> 00:09:39,622 Cerys Jones, what a pleasure. 265 00:09:39,753 --> 00:09:40,449 -I'm Graham. -Nice to meet you. 266 00:09:40,580 --> 00:09:42,712 Cerys, I'm Sam. 267 00:09:42,799 --> 00:09:44,496 I'm Graham. 268 00:09:44,627 --> 00:09:45,497 And you are a Highland dancer, Cerys. 269 00:09:45,628 --> 00:09:46,542 Yeah. 270 00:09:46,673 --> 00:09:48,936 [upbeat music plays] 271 00:09:49,066 --> 00:09:50,633 [Sam] So these are traditional dances. 272 00:09:50,764 --> 00:09:53,244 Do they date back, uh, many years? 273 00:09:53,375 --> 00:09:54,768 [Cerys] Yeah. 274 00:09:54,898 --> 00:09:56,770 Originally, it was for soldiers 275 00:09:56,900 --> 00:09:58,685 to get fit for going into battle. 276 00:09:58,815 --> 00:10:00,077 [Graham] What an interesting way 277 00:10:00,208 --> 00:10:02,166 -of getting fit, though. -Go dance. 278 00:10:02,297 --> 00:10:03,515 [Cerys] The soldiers would dance the swords 279 00:10:03,646 --> 00:10:05,213 before they went into battle. 280 00:10:05,343 --> 00:10:06,823 If they didn't touch the sword, 281 00:10:06,954 --> 00:10:07,955 they were gonna win. 282 00:10:08,042 --> 00:10:09,043 If they touched the sword, 283 00:10:09,173 --> 00:10:10,087 they were gonna be injured. 284 00:10:10,218 --> 00:10:11,393 And if they kicked it, 285 00:10:11,523 --> 00:10:12,524 they were gonna die in that battle. 286 00:10:12,612 --> 00:10:13,525 -Wow. -Yeah. 287 00:10:13,656 --> 00:10:14,570 So if you kick the sword... 288 00:10:14,657 --> 00:10:16,224 You would die in the battle. 289 00:10:16,354 --> 00:10:18,182 It's interesting; actually, I did have to do 290 00:10:18,313 --> 00:10:20,576 a-a dance in Outlander, 291 00:10:20,707 --> 00:10:22,099 and it was a sort of variation 292 00:10:22,230 --> 00:10:23,884 of the Highland fling with swords. 293 00:10:24,058 --> 00:10:26,843 ♪ 294 00:10:29,411 --> 00:10:30,804 You know, it was quite hard 295 00:10:30,934 --> 00:10:31,848 'cause we had these big boots on, 296 00:10:31,935 --> 00:10:33,589 but, um, I would love to see, actually, 297 00:10:33,720 --> 00:10:34,503 -how a professional does it. -Yeah, okay. 298 00:10:34,634 --> 00:10:35,765 [Sam] Show us what to do. 299 00:10:35,896 --> 00:10:38,420 -[Cerys] Okay. -[Sam] Ah, that is sharp. 300 00:10:38,550 --> 00:10:40,727 Wow, you're not mucking about, are you? 301 00:10:40,857 --> 00:10:42,119 Yet again, something I never quite imagined 302 00:10:42,206 --> 00:10:44,121 I'd ever be doing, but... 303 00:10:44,252 --> 00:10:46,036 I'm sorry for whatever... 304 00:10:46,167 --> 00:10:47,037 [Graham] You are about to witness. 305 00:10:47,168 --> 00:10:48,735 ...you're about to see. 306 00:10:48,865 --> 00:10:50,258 Uh, you might not be able to wipe it from your memory. 307 00:10:50,388 --> 00:10:51,912 [Cerys laughs] 308 00:10:52,042 --> 00:10:53,914 And so is this-is this a complicated step 309 00:10:54,044 --> 00:10:54,871 that we're gonna learn, or... 310 00:10:55,002 --> 00:10:57,395 This shouldn't be too complicated. 311 00:10:57,526 --> 00:10:59,920 It's a traditional step, and usually, 312 00:11:00,050 --> 00:11:01,748 the four-, five-, and six-year-old dancers 313 00:11:01,878 --> 00:11:03,271 would be competing in this one. 314 00:11:03,401 --> 00:11:04,838 Mm, good luck with that, mate. 315 00:11:04,968 --> 00:11:06,361 Right. 316 00:11:06,491 --> 00:11:08,189 -Okay, so-- -Okay, so literally, 317 00:11:08,276 --> 00:11:09,886 -tiny children do this. -Yeah. 318 00:11:09,973 --> 00:11:11,714 So the very first thing: 319 00:11:11,845 --> 00:11:12,976 you're gonna do two pas de basque, 320 00:11:13,063 --> 00:11:14,456 which is nice and simple. 321 00:11:14,586 --> 00:11:17,546 It's just jump in and beat, 322 00:11:17,677 --> 00:11:20,244 jump in and beat. 323 00:11:20,375 --> 00:11:21,158 [Graham] Okay, you'll have to show me that again. 324 00:11:21,289 --> 00:11:23,291 So-so lift up 325 00:11:23,421 --> 00:11:25,336 that back foot up and down. 326 00:11:25,423 --> 00:11:26,555 -[Sam] And that goes-- -So you're standing on... 327 00:11:26,686 --> 00:11:27,774 you're standing on this foot? 328 00:11:27,904 --> 00:11:29,340 Yeah, right up on the toes of it. 329 00:11:29,471 --> 00:11:30,428 -That's it. -[Sam] Yeah. 330 00:11:30,559 --> 00:11:31,865 And then you jump over the other side 331 00:11:31,952 --> 00:11:34,650 of the sword and change your feet... 332 00:11:34,781 --> 00:11:37,087 and then lift the back one up and down again. 333 00:11:37,218 --> 00:11:39,046 -[Graham] Mm. -Okay, so we're gonna go 334 00:11:39,176 --> 00:11:40,525 -beat... -[Sam] Oh. 335 00:11:40,656 --> 00:11:42,179 -[Cerys] ...two, beat. -[Sam] Oh, God. 336 00:11:42,310 --> 00:11:43,964 Oh, I'm absolute balls-up, completely awful. 337 00:11:44,094 --> 00:11:45,182 Yeah. 338 00:11:45,313 --> 00:11:47,141 So you jump... like that? 339 00:11:47,271 --> 00:11:48,882 That's it, and then over the other side 340 00:11:48,969 --> 00:11:50,144 and then the back leg. 341 00:11:50,231 --> 00:11:51,536 -[Sam] Right, what's next? -So-- 342 00:11:51,667 --> 00:11:52,537 -I've kicked the sword! -Ah, you're gonna die 343 00:11:52,668 --> 00:11:53,756 -in battle. -I'm going to die! 344 00:11:53,887 --> 00:11:56,193 -You're gonna die. -I'm gonna die. 345 00:11:56,280 --> 00:11:58,152 So you can just imagine them gathered around the fire. 346 00:11:58,282 --> 00:12:00,371 -Ah! -"Ah, go on, McTavish. 347 00:12:00,502 --> 00:12:02,025 "Show them--oh, dear. 348 00:12:02,112 --> 00:12:03,287 -Oh, dear, he's gonna die." -[Sam] McTavish is dead. 349 00:12:03,374 --> 00:12:05,637 Okay, nice and easy, the next part. 350 00:12:05,768 --> 00:12:07,683 You're gonna jump and point your foot out to the side. 351 00:12:07,814 --> 00:12:08,989 Aye, that way. 352 00:12:09,119 --> 00:12:10,773 Oh, sorry. You just jump across. 353 00:12:10,860 --> 00:12:12,470 -Yeah, that's it. -I like that. 354 00:12:12,557 --> 00:12:13,384 [Cerys] Then it goes over the way, 355 00:12:13,515 --> 00:12:14,951 so it's just... 356 00:12:15,082 --> 00:12:18,041 out, in, over, in. 357 00:12:18,172 --> 00:12:19,173 -[Sam] Out... -[Cerys] Uh, yeah. 358 00:12:19,303 --> 00:12:21,349 [Cerys and Sam] In, over, in. 359 00:12:21,479 --> 00:12:22,742 That's it. 360 00:12:22,872 --> 00:12:24,221 [Sam] You managed not to--oh, God. 361 00:12:24,352 --> 00:12:26,180 [laughs] Wounded! 362 00:12:26,310 --> 00:12:27,442 -Sorry, that was really petty. -Not dead yet. 363 00:12:27,572 --> 00:12:28,530 -Sorry. -Right. 364 00:12:28,660 --> 00:12:29,618 Right, well, start the music, 365 00:12:29,749 --> 00:12:31,359 and, uh, let's do it, shall we? 366 00:12:31,489 --> 00:12:33,187 [Graham] What, we're doing it to music? 367 00:12:33,317 --> 00:12:35,885 Okay, bow, 368 00:12:36,016 --> 00:12:37,234 rise up on your feet, 369 00:12:37,365 --> 00:12:38,540 and go. 370 00:12:38,670 --> 00:12:41,195 [somber bagpipe music plays] 371 00:12:41,369 --> 00:12:44,285 ♪ 372 00:12:54,730 --> 00:12:57,124 And turn over--that's it. 373 00:12:57,254 --> 00:12:59,996 [Graham laughs] Ah, no! 374 00:13:00,083 --> 00:13:02,303 ♪ 375 00:13:02,433 --> 00:13:03,739 Oh, no, I've got my back to you now. 376 00:13:03,870 --> 00:13:05,045 I can't see anything! 377 00:13:05,175 --> 00:13:07,264 [Sam laughs] 378 00:13:07,395 --> 00:13:08,352 Ah, it's an easy one. You can pick it up. 379 00:13:08,439 --> 00:13:10,398 Oh, oh, and I've killed myself again! 380 00:13:10,528 --> 00:13:12,095 Well done. Oh. 381 00:13:12,182 --> 00:13:14,271 Oh! Well done? Are you kidding? 382 00:13:14,402 --> 00:13:15,795 Sorry. I'm so sorry. 383 00:13:15,925 --> 00:13:17,187 -[Sam] Three deaths... -You did really well. 384 00:13:17,318 --> 00:13:19,059 ...to one death. That was, uh, fantastic. 385 00:13:19,189 --> 00:13:20,103 Thought I would be much better than that. 386 00:13:20,234 --> 00:13:21,888 Thank you so much for teaching us that. 387 00:13:21,975 --> 00:13:23,715 It's really difficult. 388 00:13:23,803 --> 00:13:25,021 I think the bow went well. 389 00:13:25,108 --> 00:13:26,414 [Sam] The bow was good, wasn't it? 390 00:13:26,544 --> 00:13:27,415 -The bow was brilliant. -[Sam] That's-- 391 00:13:27,545 --> 00:13:28,590 I was really happy with the bow. 392 00:13:28,720 --> 00:13:30,026 [Sam] I felt pretty confident, yeah. 393 00:13:30,157 --> 00:13:31,767 Cerys, thank you so much. 394 00:13:31,898 --> 00:13:33,247 I think I'd rather stick 395 00:13:33,377 --> 00:13:35,815 to wielding swords than dancing over them. 396 00:13:35,945 --> 00:13:37,164 There's the Highland fling, and then there was 397 00:13:37,251 --> 00:13:39,209 the Highland fiasco, which I did, uh... 398 00:13:39,296 --> 00:13:40,950 -Mm. -...which I do apologize for. 399 00:13:41,081 --> 00:13:41,777 -I'm so sorry. -Would he get any points 400 00:13:41,908 --> 00:13:43,779 for freestyle? 401 00:13:44,519 --> 00:13:46,260 -Probably not, but... -[Sam] Okay. 402 00:13:46,390 --> 00:13:47,827 ...I'm gonna say he's done pretty good. 403 00:13:47,957 --> 00:13:49,611 -You're very kind. -[Graham] You are very kind. 404 00:13:49,741 --> 00:13:52,222 Thank you so much for showing us this. 405 00:13:52,353 --> 00:13:53,354 [laughs] 406 00:13:53,484 --> 00:13:55,878 [jaunty music plays] 407 00:13:56,052 --> 00:13:59,403 ♪ 408 00:14:00,317 --> 00:14:00,883 [Sam with American accent] "I love Scotland." 409 00:14:00,970 --> 00:14:02,363 "Okay, Fred." "Hmm." 410 00:14:02,493 --> 00:14:03,668 That was very good. I like that. 411 00:14:03,799 --> 00:14:05,061 "Okay, Barney." 412 00:14:05,148 --> 00:14:07,020 Wow, I'm with Fred Flintstone. 413 00:14:07,107 --> 00:14:08,195 It's amazing; I expect to look down 414 00:14:08,325 --> 00:14:09,631 and see your feet just sort of 415 00:14:09,761 --> 00:14:10,458 pedaling underneath the car. 416 00:14:10,545 --> 00:14:11,807 [trilling] 417 00:14:11,938 --> 00:14:14,027 Wilma! 418 00:14:14,157 --> 00:14:16,507 -I loved that show so much. -[normally] So did I. 419 00:14:16,594 --> 00:14:18,335 So did I. It was brilliant. 420 00:14:18,509 --> 00:14:21,034 ♪ When you're with the Flintstones ♪ 421 00:14:21,208 --> 00:14:23,036 [both] ♪ Have a yabba-dabba-doo time ♪ 422 00:14:23,210 --> 00:14:24,646 ♪ We'll have a day old-- ♪ 423 00:14:24,776 --> 00:14:25,690 We'll-we'll have a-- 424 00:14:25,777 --> 00:14:26,996 "Gay old time"? 425 00:14:27,127 --> 00:14:28,084 -Is it "a gay old time"? -I don't know. 426 00:14:28,215 --> 00:14:29,869 [dramatic music plays] 427 00:14:29,956 --> 00:14:32,175 Where are we off to now? 428 00:14:32,306 --> 00:14:33,307 [Graham] We've got the marching band 429 00:14:33,437 --> 00:14:34,569 that we're joining at Calton Hill 430 00:14:34,699 --> 00:14:35,700 in Edinburgh. 431 00:14:35,787 --> 00:14:36,788 There is... 432 00:14:36,919 --> 00:14:38,355 one of the largest tattoos 433 00:14:38,486 --> 00:14:39,922 held at Edinburgh Castle. 434 00:14:40,053 --> 00:14:42,142 [with American accent] Sam, what is a tattoo? 435 00:14:42,272 --> 00:14:44,492 A tattoo, Mr. McTavish, is a, I guess, 436 00:14:44,579 --> 00:14:48,017 what, a celebration of military tradition and music? 437 00:14:48,148 --> 00:14:49,801 [Graham] Yeah, I think that's a very good description. 438 00:14:49,932 --> 00:14:51,281 [Sam] And they have mass bands 439 00:14:51,412 --> 00:14:53,109 from different regiments playing, 440 00:14:53,240 --> 00:14:56,156 uh, and it really is a dramatic, wonderful sight. 441 00:14:56,286 --> 00:14:58,201 [normally] It's like the sort of Soviet display 442 00:14:58,332 --> 00:14:59,376 of armaments. 443 00:14:59,507 --> 00:15:00,725 With bagpipes instead. 444 00:15:00,856 --> 00:15:02,075 -With bagpipes. -Yeah. 445 00:15:02,205 --> 00:15:04,207 When we meet them, I really wanna, uh-- 446 00:15:04,338 --> 00:15:06,775 we need to be respectful. 447 00:15:06,906 --> 00:15:08,864 You know, getting a place in a marching band 448 00:15:08,995 --> 00:15:11,519 is-is something that people work towards 449 00:15:11,649 --> 00:15:12,955 -for-for many years. -Yeah, well, I-I-- 450 00:15:13,086 --> 00:15:14,391 we will take it-we'll take it very seriously. 451 00:15:14,522 --> 00:15:15,784 Yeah, I just-- you know, I just wanna-- 452 00:15:15,871 --> 00:15:17,220 Just don't mess around, all right? 453 00:15:20,310 --> 00:15:23,052 [bagpipes playing march] 454 00:15:23,226 --> 00:15:26,012 ♪ 455 00:15:53,561 --> 00:15:55,955 [pipers murmuring] 456 00:15:56,085 --> 00:15:57,434 [Sam] Uh... 457 00:15:57,521 --> 00:15:59,349 okay, guys, thanks, guys. 458 00:15:59,436 --> 00:16:01,438 -Bye. -[pipers laugh] 459 00:16:01,569 --> 00:16:04,311 [gentle music plays] 460 00:16:04,398 --> 00:16:07,662 ♪ 461 00:16:07,792 --> 00:16:09,881 -Yes, okay, we've stopped now. -Oh. 462 00:16:10,012 --> 00:16:11,057 You don't need to keep doing it. 463 00:16:11,144 --> 00:16:11,927 -Yeah, sorry. -Yeah, listen. 464 00:16:12,058 --> 00:16:13,755 Apologies, by the way, 465 00:16:13,842 --> 00:16:15,713 is for what you witnessed just now... 466 00:16:15,844 --> 00:16:17,237 -[laughs] -[Graham] ...when Sam was 467 00:16:17,367 --> 00:16:18,629 getting a bit carried away with the, uh... 468 00:16:18,760 --> 00:16:20,805 The-the stick thing. 469 00:16:20,936 --> 00:16:22,155 W--[sighs] Please don't call it a stick thing. 470 00:16:22,285 --> 00:16:24,157 I think it needs, like, more glitter and feathers 471 00:16:24,287 --> 00:16:25,593 -and things. -No, no, it really doesn't. 472 00:16:25,680 --> 00:16:27,682 [Sam] Gentlemen, you're from the Glencorse Pipe Band. 473 00:16:27,812 --> 00:16:29,118 -That's right. -Yeah. 474 00:16:29,249 --> 00:16:30,337 And, um, I believe you're gonna play a-a song 475 00:16:30,467 --> 00:16:31,512 for us now; is that right? 476 00:16:31,642 --> 00:16:32,600 Yes. Which ones are you gonna play? 477 00:16:32,730 --> 00:16:33,949 It's called "Scotland For Me." 478 00:16:34,036 --> 00:16:35,516 -That could be-- -If you need, uh, 479 00:16:35,646 --> 00:16:37,300 any more members, we're-we're more than happy to-- 480 00:16:37,387 --> 00:16:40,695 If you're short of a big bass drummer... 481 00:16:40,825 --> 00:16:42,827 -Or one of these guys. -...I'll give you my number. 482 00:16:42,958 --> 00:16:44,220 Gentlemen, we'll leave you to it, and, uh... 483 00:16:44,351 --> 00:16:45,265 Yeah, we're looking forward to it. 484 00:16:45,352 --> 00:16:47,441 -Okay. -...we'll be over there. 485 00:16:47,571 --> 00:16:49,008 -Yes, out of your way. -[Pete] Thanks, guys. 486 00:16:49,138 --> 00:16:50,139 Thanks very much, guys. 487 00:16:50,270 --> 00:16:51,662 -Thank you. -Thank you. 488 00:16:51,749 --> 00:16:54,404 [Tam] Ready, quick march. 489 00:16:54,535 --> 00:16:57,320 [snare drum flourishes] 490 00:16:57,407 --> 00:16:59,975 [playing somber bagpipe music] 491 00:17:00,149 --> 00:17:03,022 ♪ 492 00:17:59,078 --> 00:18:01,080 [music stops] 493 00:18:01,210 --> 00:18:03,647 All right, band, pipe down. 494 00:18:03,734 --> 00:18:06,259 [sweeping big band music plays] 495 00:18:06,433 --> 00:18:09,262 ♪ 496 00:18:16,312 --> 00:18:17,139 -[dull bumping] -Oh. 497 00:18:17,270 --> 00:18:19,228 -Oh. -Oh, God. 498 00:18:19,359 --> 00:18:21,535 This, uh, camper van has a tail now. 499 00:18:21,665 --> 00:18:23,711 I think it's a large piece of bog myrtle 500 00:18:23,841 --> 00:18:25,234 that is hanging out the back of it, 501 00:18:25,365 --> 00:18:26,714 and in the camera, 502 00:18:26,844 --> 00:18:28,890 it looks like we have a-a bushy tail. 503 00:18:29,020 --> 00:18:31,153 So it's the--it's bog myrtle 504 00:18:31,284 --> 00:18:33,068 hanging out the back to protect you from midges. 505 00:18:33,199 --> 00:18:34,852 That's right. 506 00:18:34,983 --> 00:18:37,028 Maybe we should rename this camper van Bog Myrtle. 507 00:18:37,159 --> 00:18:38,291 Bog Myrtle. 508 00:18:38,421 --> 00:18:40,119 Bog Myrtle and the boys. 509 00:18:40,249 --> 00:18:42,643 You know, we do a lot of driving, and, um, 510 00:18:42,773 --> 00:18:44,819 it doesn't get boring or tedious 511 00:18:44,949 --> 00:18:46,908 because I feel like I have 512 00:18:47,038 --> 00:18:49,824 just a man of many, many voices. 513 00:18:49,954 --> 00:18:51,304 [with high-pitched voice] When you first saw me naked, 514 00:18:51,434 --> 00:18:53,001 what were you thinking, 515 00:18:53,132 --> 00:18:55,264 and what are you thinking now? 516 00:18:55,395 --> 00:18:58,180 [normally] I really think my favorite... 517 00:18:58,311 --> 00:18:59,181 [with Southern American accent] ...is Lil' Red. 518 00:18:59,312 --> 00:19:00,704 I call him Lil' Red 519 00:19:00,835 --> 00:19:02,619 'cause he has a barn, you know? 520 00:19:02,750 --> 00:19:05,100 He likes to-he likes to live in the barn. 521 00:19:05,231 --> 00:19:06,667 Are you gonna do this the whole way there? 522 00:19:06,797 --> 00:19:08,364 Listen, son, 523 00:19:08,495 --> 00:19:10,584 I don't know, uh, where in Scotch-land 524 00:19:10,714 --> 00:19:13,761 we're going now, but so far, 525 00:19:13,891 --> 00:19:16,111 I've gotta say, there's a lot of skirts. 526 00:19:16,242 --> 00:19:18,374 I don't like to wear those skirts. 527 00:19:18,505 --> 00:19:20,420 I wear men's pants. 528 00:19:20,550 --> 00:19:22,857 I like to let the fly open 529 00:19:22,987 --> 00:19:24,467 just to let the air in, 530 00:19:24,598 --> 00:19:26,774 but I think what you do is just excessive. 531 00:19:26,904 --> 00:19:28,645 Well, I think you'll find that the, uh, 532 00:19:28,776 --> 00:19:30,691 kilt is very airy. 533 00:19:30,821 --> 00:19:32,562 A lot of ventilation. 534 00:19:32,693 --> 00:19:34,738 When I see you in one of them, I wanna run the other way. 535 00:19:34,869 --> 00:19:36,218 I'll be running after you. 536 00:19:36,305 --> 00:19:39,134 ♪ 537 00:19:41,702 --> 00:19:43,312 [Graham, normally] Where are we off to now? 538 00:19:43,443 --> 00:19:45,271 We're gonna round it off with a ceilidh. 539 00:19:45,401 --> 00:19:46,881 Aye. 540 00:19:47,011 --> 00:19:47,708 You've been to a few ceilidhs, haven't you? 541 00:19:47,838 --> 00:19:49,318 I've been to a few ceilidhs. 542 00:19:49,449 --> 00:19:50,667 Now, for those people that don't know, 543 00:19:50,798 --> 00:19:52,887 a ceilidh is usually a meeting of people 544 00:19:53,017 --> 00:19:55,237 where they sing and play music. 545 00:19:55,368 --> 00:19:56,630 [Graham] Yeah. 546 00:19:56,760 --> 00:19:57,979 Uh, it's a bit of a gathering, really. 547 00:19:58,109 --> 00:19:59,981 Yes. I went to one on the Isle of Mull, 548 00:20:00,111 --> 00:20:01,548 a New Year's ceilidh. 549 00:20:01,678 --> 00:20:04,115 -Oh, wow. -And it was... 550 00:20:04,246 --> 00:20:05,595 -it was a madhouse. -Yeah. 551 00:20:05,726 --> 00:20:07,162 They were six deep at the bar 552 00:20:07,293 --> 00:20:09,208 at seven o'clock in the evening, 553 00:20:09,295 --> 00:20:11,732 and they weren't even t-getting the whisky in glasses. 554 00:20:11,862 --> 00:20:13,124 They were just drinking it straight from the bottle. 555 00:20:13,212 --> 00:20:14,691 -Ah. -If I must... 556 00:20:14,822 --> 00:20:15,692 may as well join in. 557 00:20:15,823 --> 00:20:16,867 Ooh! [laughs] 558 00:20:16,998 --> 00:20:18,478 [claps] 559 00:20:18,608 --> 00:20:22,046 Now, that's more in the spirit. 560 00:20:22,177 --> 00:20:23,483 [lively music plays] 561 00:20:23,613 --> 00:20:25,572 [Sam] We're here at Borthwick Castle, 562 00:20:25,702 --> 00:20:26,616 just outside of Edinburgh. 563 00:20:29,097 --> 00:20:31,142 We are with, uh, Finlay Lockie, 564 00:20:31,273 --> 00:20:33,188 and, uh, we're at our own ceilidh. 565 00:20:33,319 --> 00:20:35,190 We have at that, and your sporran's all aquiver. 566 00:20:35,321 --> 00:20:37,410 I can see it's ready to-ready to dance. 567 00:20:37,497 --> 00:20:39,673 I'm feeling quite sprightly myself. 568 00:20:39,760 --> 00:20:41,675 [Graham] So please, Finlay, tell us a little bit 569 00:20:41,805 --> 00:20:44,765 about the history of ceilidh dancing. 570 00:20:44,895 --> 00:20:47,420 The essence of a ceilidh, going back 571 00:20:47,507 --> 00:20:48,986 really into the mists of prehistory, 572 00:20:49,117 --> 00:20:51,162 was a gathering of villages. 573 00:20:51,250 --> 00:20:53,643 So it was a-a big party in which everybody took place. 574 00:20:53,774 --> 00:20:55,297 But a lot of the dances that are best known, 575 00:20:55,384 --> 00:20:57,125 like the Reel of the 51st Division, 576 00:20:57,256 --> 00:20:59,649 was actually invented by a prisoner of war 577 00:20:59,736 --> 00:21:01,521 in one of the German prisoner of war camps 578 00:21:01,651 --> 00:21:02,870 during the Second World War. 579 00:21:03,000 --> 00:21:04,828 -Right. -[Finlay] And part of the idea 580 00:21:04,959 --> 00:21:06,874 was that they would dance in order to stay warm, 581 00:21:07,004 --> 00:21:08,484 -because it was freezing. -Yes. 582 00:21:08,571 --> 00:21:09,485 [Finlay] But the dance is rather beautiful 583 00:21:09,616 --> 00:21:11,226 because part of it involves 584 00:21:11,357 --> 00:21:12,575 forming a Saint Andrew's cross 585 00:21:12,706 --> 00:21:14,229 across the dance, 586 00:21:14,316 --> 00:21:16,318 and that was meant to be an-a gesture of defiance... 587 00:21:16,449 --> 00:21:17,537 -[Sam and Graham] Right. -...a symbol of Scotland 588 00:21:17,667 --> 00:21:18,407 in adversity of being in a German war. 589 00:21:18,538 --> 00:21:19,539 [Sam] That's fascinating. 590 00:21:19,669 --> 00:21:21,889 Because it really is part of our-our-our-- 591 00:21:22,019 --> 00:21:23,847 sort of our heritage and our culture, this. 592 00:21:23,978 --> 00:21:26,110 I mean, I--at school, you know, I remember being dragged along 593 00:21:26,241 --> 00:21:27,373 to the school hall and being forced 594 00:21:27,460 --> 00:21:29,113 to pick a partner, 595 00:21:29,200 --> 00:21:30,767 and I hated-- I absolutely hated it. 596 00:21:30,898 --> 00:21:32,595 -Really? -Now I cannot wait 597 00:21:32,726 --> 00:21:34,293 to get to a ceilidh. 598 00:21:34,423 --> 00:21:36,251 And it really is just an excuse for a good old party. 599 00:21:36,382 --> 00:21:37,165 -[Graham] Yeah. -It is, and there's 600 00:21:37,296 --> 00:21:38,558 absolutely no room for... 601 00:21:38,688 --> 00:21:40,473 British or Scottish reserve. 602 00:21:40,603 --> 00:21:42,083 It just has to go out to the wind, doesn't it? 603 00:21:42,213 --> 00:21:43,389 -Yeah, yeah. -You've got to throw yourself 604 00:21:43,519 --> 00:21:44,955 into it with all your heart. 605 00:21:45,042 --> 00:21:46,130 I can't--I cannot wait to get going. 606 00:21:46,217 --> 00:21:47,567 Right, so let's-let's get stuck in. 607 00:21:47,697 --> 00:21:49,090 Well, we look forward to that very much. 608 00:21:49,220 --> 00:21:50,439 Now, is--am I right in thinking 609 00:21:50,570 --> 00:21:51,658 that Sophie's going to teach you to... 610 00:21:51,788 --> 00:21:52,833 [Sam] Is Sophie gonna teach us? 611 00:21:52,920 --> 00:21:55,531 [upbeat music plays] 612 00:21:55,705 --> 00:21:57,316 ♪ 613 00:21:57,446 --> 00:21:58,447 [Sophie] Okay, guys, I'm gonna teach you 614 00:21:58,534 --> 00:22:00,449 the Dashing White Sergeant. 615 00:22:00,580 --> 00:22:01,755 So it could be two men, one woman... 616 00:22:01,885 --> 00:22:02,799 -Oh, right. -Two men, one woman. 617 00:22:02,886 --> 00:22:04,279 ...or two women, one man. 618 00:22:04,410 --> 00:22:05,498 -Two women, one man? -[Sam] Oh, even better. 619 00:22:05,585 --> 00:22:07,064 What you do is, you join hands... 620 00:22:07,195 --> 00:22:08,239 -We're joining hands? -...in a circle. 621 00:22:08,327 --> 00:22:09,328 And you would take eight steps to the left, 622 00:22:09,458 --> 00:22:10,720 trying to do eight steps, 623 00:22:10,807 --> 00:22:12,287 and then you go eight steps to the right. 624 00:22:12,418 --> 00:22:14,071 -Uh-huh. -As the leader in the middle... 625 00:22:14,202 --> 00:22:15,029 -You're the leader. -I'm the leader. 626 00:22:15,159 --> 00:22:16,422 ...I turn to my right. 627 00:22:16,509 --> 00:22:17,858 -Ah. -Yes? And I turn to my left? 628 00:22:17,988 --> 00:22:19,163 -And you turn to your left. -Yes. 629 00:22:19,294 --> 00:22:20,426 And then we... 630 00:22:20,600 --> 00:22:21,949 ♪ Doo-doo-doo, doo-doo-doo ♪ 631 00:22:22,079 --> 00:22:23,254 Oh, you're doing a do-si-do. 632 00:22:23,385 --> 00:22:25,126 Bit of a do-si-do to one another. 633 00:22:25,256 --> 00:22:26,388 And is this the way you do the do-si-do, 634 00:22:26,475 --> 00:22:27,607 or is this kind of freestyle? 635 00:22:27,737 --> 00:22:28,912 [Sophie] I'm making it a bit of a... 636 00:22:29,043 --> 00:22:29,739 [Sam] I think you can freestyle, can't you? 637 00:22:29,826 --> 00:22:30,784 ...freestyle. That's perfect. 638 00:22:30,914 --> 00:22:32,089 -Oh, there it is. -Too much? 639 00:22:32,220 --> 00:22:33,308 -[laughs] -[Sam] No, more, more, more. 640 00:22:33,439 --> 00:22:34,831 It's okay. I won't do it. 641 00:22:34,962 --> 00:22:36,877 And then we clap, 642 00:22:37,007 --> 00:22:38,269 and then we take each other's hands, 643 00:22:38,400 --> 00:22:40,010 and we spin. 644 00:22:40,097 --> 00:22:41,882 What am I doing while you're doing that? 645 00:22:42,012 --> 00:22:43,057 -You're... -Looking awkward? 646 00:22:43,187 --> 00:22:44,145 ...looking awkward. 647 00:22:44,275 --> 00:22:45,407 -Oh, okay, I can do that. -Exactly, 648 00:22:45,538 --> 00:22:46,930 you're looking awkward and smiling. 649 00:22:47,061 --> 00:22:47,757 -Sort of like a-- -It's gonna go 650 00:22:47,888 --> 00:22:49,193 so horribly wrong. 651 00:22:49,324 --> 00:22:50,543 And so we take each other's hands, 652 00:22:50,673 --> 00:22:51,674 and we step forwards, one, two, three. 653 00:22:51,805 --> 00:22:53,415 One, two, three. 654 00:22:53,546 --> 00:22:54,764 -Stamp, stamp. -[Graham and Sam] Stamp, stamp. 655 00:22:54,895 --> 00:22:56,200 -Back. -Two, three. 656 00:22:56,287 --> 00:22:57,637 Clap, clap, clap, 657 00:22:57,767 --> 00:22:59,552 and then we go forwards as a three, 658 00:22:59,682 --> 00:23:01,162 holding hands, and we duck under... 659 00:23:01,292 --> 00:23:02,642 [Sam] Oh, God. 660 00:23:02,772 --> 00:23:03,904 ...the group that's coming towards us. 661 00:23:04,034 --> 00:23:05,688 [Graham] What could possibly go wrong? 662 00:23:05,819 --> 00:23:06,646 -I think we've got it, right? -What could possibly go wrong? 663 00:23:06,776 --> 00:23:07,690 -I think we've got it. -Let's dance. 664 00:23:07,821 --> 00:23:08,735 [Graham] Come on. 665 00:23:08,822 --> 00:23:09,779 Come on in! 666 00:23:09,910 --> 00:23:11,041 [Graham] Come on in. 667 00:23:11,172 --> 00:23:12,695 Good luck, everybody. 668 00:23:12,826 --> 00:23:14,001 [jaunty music plays] 669 00:23:14,088 --> 00:23:15,394 -Whoo! -[Sophie] Whoo! Eight. 670 00:23:15,481 --> 00:23:18,266 ♪ 671 00:23:18,397 --> 00:23:20,964 [Sam] Eight. One, two, three four, 672 00:23:21,095 --> 00:23:22,662 five, six, seven, eight. 673 00:23:22,792 --> 00:23:24,446 One. 674 00:23:24,577 --> 00:23:25,708 -I go right. They go-- -Hey! 675 00:23:25,882 --> 00:23:26,970 ♪ 676 00:23:27,101 --> 00:23:28,145 I go right. I go right. 677 00:23:28,319 --> 00:23:31,410 ♪ 678 00:23:31,540 --> 00:23:33,107 -[grunts] -[Sophie whoops] 679 00:23:33,194 --> 00:23:36,153 ♪ 680 00:23:36,284 --> 00:23:38,417 Oh, yes, I bowed 681 00:23:38,547 --> 00:23:39,766 -when I should have not. -Ah! 682 00:23:39,853 --> 00:23:41,376 ♪ 683 00:23:41,507 --> 00:23:42,899 Ah, every time. 684 00:23:43,073 --> 00:23:45,162 ♪ 685 00:23:45,293 --> 00:23:46,860 Oh! 686 00:23:47,034 --> 00:23:49,863 ♪ 687 00:23:52,953 --> 00:23:54,737 [Graham] Whoo! 688 00:23:54,868 --> 00:23:56,609 [growls] 689 00:23:56,783 --> 00:23:59,220 ♪ 690 00:23:59,350 --> 00:24:00,221 We got it now. 691 00:24:00,308 --> 00:24:01,352 ♪ 692 00:24:01,483 --> 00:24:02,876 Oh, hey! 693 00:24:03,006 --> 00:24:04,225 My shoelace! 694 00:24:04,312 --> 00:24:06,880 [Graham] I know. Mine too! Mine too! 695 00:24:07,054 --> 00:24:09,883 ♪ 696 00:24:18,674 --> 00:24:19,980 [Sam] Oh-ho! 697 00:24:20,154 --> 00:24:22,983 ♪ 698 00:24:23,113 --> 00:24:26,247 Carry on without me! Just go! 699 00:24:26,421 --> 00:24:29,293 ♪ 700 00:24:31,513 --> 00:24:33,602 Hey! Ah! 701 00:24:33,776 --> 00:24:36,605 ♪ 702 00:24:36,736 --> 00:24:38,912 Whoo! 703 00:24:39,086 --> 00:24:41,871 ♪ 704 00:24:54,580 --> 00:24:56,756 Oh, ah! 705 00:24:56,886 --> 00:24:58,148 Ah! Ah! 706 00:24:58,279 --> 00:24:59,410 Whoo! 707 00:24:59,541 --> 00:25:01,543 Yes! 708 00:25:01,630 --> 00:25:04,241 -Yee-hoo! -No, no more! 709 00:25:04,372 --> 00:25:06,026 No more. 710 00:25:06,156 --> 00:25:09,203 -[panting] -[Graham] I know. 711 00:25:09,333 --> 00:25:11,292 I came completely undone. 712 00:25:11,422 --> 00:25:13,512 Completely undone. 713 00:25:13,599 --> 00:25:15,165 -Look at that. -[Sam] Oh, that's the way to do it. 714 00:25:15,296 --> 00:25:17,951 [gentle music plays] 715 00:25:18,125 --> 00:25:20,997 ♪ 716 00:25:28,309 --> 00:25:30,137 [exhales heavily] 717 00:25:30,311 --> 00:25:32,487 ♪ 718 00:25:32,618 --> 00:25:33,662 [Sam] Hair of the dog. 719 00:25:33,793 --> 00:25:35,142 Here's to Scotland. 720 00:25:35,272 --> 00:25:36,883 To the music. 721 00:25:37,013 --> 00:25:39,102 Dancing... 722 00:25:39,233 --> 00:25:41,191 -with... -Yeah. 723 00:25:41,278 --> 00:25:42,628 -With--yeah. -...I don't know, everyone. 724 00:25:42,802 --> 00:25:45,587 ♪ 725 00:25:47,284 --> 00:25:48,285 [easy listening music plays] 726 00:25:48,372 --> 00:25:52,028 I used to sing "Greensleeves." 727 00:25:52,159 --> 00:25:53,943 [vocalizing] 728 00:25:54,117 --> 00:25:57,033 ♪ Greensleeves and a shiny head, he-- ♪ 729 00:25:57,164 --> 00:25:58,078 [vocalizing] 730 00:25:58,252 --> 00:25:59,470 ♪ Greensleeves ♪ 731 00:25:59,601 --> 00:26:00,863 Blah, blah, blah, and, um-- 732 00:26:01,037 --> 00:26:02,648 ♪ And a bald head ♪ 733 00:26:02,778 --> 00:26:04,606 Bald head, no, there's no line about bald head. 734 00:26:04,737 --> 00:26:06,042 There's no line about-- 735 00:26:06,129 --> 00:26:07,478 But you know who wrote "Greensleeves"? 736 00:26:07,566 --> 00:26:09,393 -Who wrote it? -Okay, let's see if you can-- 737 00:26:09,524 --> 00:26:10,351 Do you have any idea? 738 00:26:10,438 --> 00:26:12,222 Um... 739 00:26:12,353 --> 00:26:13,267 If you have no idea, you will never guess. 740 00:26:13,354 --> 00:26:15,095 Elton John. 741 00:26:15,182 --> 00:26:17,750 [laughs] 742 00:26:17,880 --> 00:26:19,926 Yes, one of his lesser-known tracks. 743 00:26:20,056 --> 00:26:21,841 Uh, no, Henry VIII. 744 00:26:21,928 --> 00:26:23,669 -He wrote it? -Henry VIII wrote-- 745 00:26:23,799 --> 00:26:25,018 he-he wrote it to Anne Boleyn. 746 00:26:25,148 --> 00:26:27,324 Obviously, he didn't sing it to her 747 00:26:27,455 --> 00:26:28,543 just before she had her head cut off. 748 00:26:28,717 --> 00:26:30,589 ♪