[upbeat rock music]
♪
[engine rumbling]
-Forward! -Uh-oh.
-No. -Come on!
-Come on. -Come on!
Come on. Come on.
-[engine sputters] -Ugh.
-[engine dies] -Yeah.
♪
[lively instrumental music]
♪
[Sam] Edinburgh City.
[Graham] One of the most beautiful cities in the world.
One of my favorite, favorite places in the world.
Yes, we've just walked past the Edinburgh Castle there
in The Old town.
Well, The Old Town are never in The New Town.
The New Town being a strange name for a place
that was built in the late 18th, early 19th century,
-which is pretty incredible. -Strange.
Edinburgh, which is also steeped in tradition,
and I think Scottish people, they love being Scottish.
Don't we? We hold on to these traditions.
Celebrate it, yeah, yeah.
-Yeah. -They do.
♪
[Graham] Few counties rival Scotland
when it comes to tradition.
In fact, most of Scotland's ancient traditions
are still celebrated today.
[Sam] Whether it's working the land
and all it has to offer,
speaking Gaelic,
a language as ancient as the mountains themselves
and at one time
seen as a language of rebellion...
[Graham] Or embracing Harris Tweed,
a fabric so important to Scottish style
that a parliamentary act
actually defines its standards.
[Sam] You see, Scotland is a land of many delights.
[Graham] But nearly all of them can be traced back
to a single idea:
tradition.
[Sam] And of course, there's nothing more traditional
than a well-dressed Scotsman.
That's why we're here at Stewart Christie.
Oldest tailors in Scotland.
[Graham] Established 1720.
That's 26 years before Culloden, that makes it old.
[Sam] That's a couple of years before you were born, hmm?
-After you. -Thank you.
No, actually, after me.
Age before beauty.
Ah.
Thank you.
[Vixy] Afternoon, gentlemen.
-Afternoon. -Welcome.
Thank you for inviting us
into your utterly stunning shop.
It's like stepping back in time.
I was gonna say it's like stepping back in time.
We are 300 years old.
I dream of having a wardrobe like this.
I mean, this is like paradise for me.
What would it have been like
coming to Stewart Christie in 1720, I wonder?
[Vixy] Actually, the original shop was on the Royal Mile
across from St Giles' Cathedral.
I imagine the Jacobites coming up the-the Royal Mile...
-Totally, mm-hmm. -...and passing the store.
So we've really looked after a lot of nobility
and gentry and--
-And these-are there for-- -We still use them.
-And we have them-- -For discipline?
They're yard sticks.
[Sam] What would be measured in a yard,
apart from a yard of ale?
Uh, tartan a-and tweed for the-for the kilts.
-Of course. -Nine yards.
[Graham] It's wonderful. It's so non-digital.
Yeah, I like to keep everything
very much the traditional methods.
[Graham] Everything here made in Scotland?
[Vixy] Yeah, we're really proud
to try and support local economy.
A lot of our mills and weavers are across Scotland,
and we're one of the handful of tailors
that still makes on the premises.
We make full bespoke suits upstairs.
[light music]
[Sam] There's a sort of move away from this fashion
that's sort of discarded, you know, and cheap.
You know, people are wanting to invest more in--
[Vixy] Well, it's just the beast, isn't it?
The fast fashion sort of beast,
and we're trying to just slow it down a little bit.
And I think when you come in here,
you really appreciate the cut, make, and trim of garments.
♪
[Sam] Well, what do you say we get ourselves some suits?
♪
[Daniel] Ah. Looking great so far.
Thank you.
I feel like a discerning gentlemen.
I-I'm standing taller. I feel--
It's amazing what clothes can do.
[Daniel] It's quite a transformation.
Isn't it? It's, uh--
[Daniel] Would you like to pop the jacket on?
Ooh, right. Yes, of course.
-Finish it all off. -The finishing touches.
Ooh, there we go.
♪
[Graham] Oh, yeah. Wow.
[Sam] That is a great color on you.
Thank you, Sam.
It brings out the-the-the red of your eyes.
Careful.
♪
Ooh. Mm.
Feeling good, gents?
[Graham] I'm feeling very good.
I feel like we should change the name of the show
-to Men in Tweed. -Mm.
These are the most gigantic scissors
I've ever seen, by the way.
[Vixy] They are 200 years old.
[Daniel] The other ones are older.
[Graham] These are older?
[Daniel] Yeah, those are probably
from the original shop.
[Vixy] We still use these to cut all of our fabric.
Do you, uh, need any tailoring done, sir?
I don't. Thank you.
Yeah, I could take-- take it in at the waist.
Really, please, don't.
♪
[woman vocalizing]
[Sam] It's time to learn some Gaelic.
Can you believe only one percent of the population
can actually speak it?
[Graham] Really?
Well, I say we do our part
in reviving this old tradition.
♪
[Graham] We're here for a Gaelic lesson.
Now, we are surrounded by tradition at the moment.
-We're sounded by midges. -Midges.
[Graham] Traditional in Scotland.
-There's no point in hiding it. -No.
-We're surrounded by midges. -Oh. Trying--
Is there a Gaelic word for midge?
[speaking Gaelic]
Melo-what?
[all speaking Gaelic]
[repeats word angrily]
Wrong.
How would you say, "Go away, midges"
in a really...
Well, you haven't even got midges right.
...disrespectful way?
Yeah. Start with midges.
We obviously spoke, uh, Gaelic, uh, in Outlander.
-We learnt it phonetically. -Mm.
But it was somewhat of a fraud on our part.
Eh--which I'm ashamed of
because my great-great-great-grandfather
would have spoken Gaelic.
Um, but as with a lot of Scotspeople,
I imagine, from the Highlands...
-Mm-hmm. -...it was discouraged.
[Morag] Some generations prior to our generations,
Gaelic was forbidden to be spoken.
-[Graham] Really? -Yes.
-Is it-- -Is it your first language?
[Morag] It is my first language,
and it's a language I speak every day to my family,
to my children, in the home, all the time.
[Graham] It is a beautiful language.
It is.
It's a very descriptive language.
Uisce,obviously water.
-Uisce. -And whisky?
-Uisce beatha. -Uisce beatha.
Water of life.
Indeed. I knew that one.
-You did know that one. -I did. I did.
[Graham] But I wish--I wish I knew more.
-We're on the road, of course. -Yes.
It would be really handy to know, um,
certain phrases, words...
-[Morag] Yep. -[Sam] Mm.
[Graham] ...applicable to driving.
One in particular is, "Watch what you're doing"
is what I need to say a lot.
[speaking Gaelic]
Oh, boy.
[all speaking Gaelic]
-What about stop? -Mm.
-Stad. -[both] Stad.
-Stad. -That's an easy one.
Oh, that's an easy one. You got that one.
Yes, I used to say it to my horse.
[Morag] Stad.
And I would say it to these midges.
Stad!
[Graham] Stad.
Well, there are ones that are definitely gonna come in handy.
-Yes, um, left? -Um...
If you were asking to turn left...
-Mm. -[Morag]...you would say...
[speaking Gaelic]
[both speaking Gaelic]
-[Morag] Excellent. -Now right.
[speaking Gaelic]
Ah.
[both speaking Gaelic]
[Morag] And again.
[both speaking Gaelic]
-Excellent. -Straight ahead.
[speaking Gaelic]
[both speaking Gaelic]
And again.
[both speaking Gaelic]
Nearly.
-Are there swear words, or-- -Oh, I knew you-
I knew you were gonna get onto that.
I can't tell you those ones.
[Sam] Ugh, Morag,
I'm sorry we haven't been very good pupils,
but we will come back and learn more Gaelic...
[Morag] Okay.
...When it is less midge-midgey.
I'm enjoying all the midges here.
-Yes. -How do you say goodbye?
-Feasgar math. -Feasgar math.
Feasgar math is good afternoon.
Feasgar math.
I'll leave you to it.
I apologize for my, uh, midge-averse friend.
-Um, how do you say thank you? -Tapadh leat.
Tapadh leat.
[speaks Gaelic]
-"You're welcome." -[Morag] You're welcome.
-See, I'm learning already. -[laughs]
[Graham] Thank you very much, Morag.
-You're very welcome. -[Graham] Thank you.
[Sam] That was intense.
Yeah. There was a lot to take in.
I mean, it's-it is an utterly beautiful language.
I wanted to do it justice, and to be honest,
-your midgey farm... -Ah, yes.
...your midgey little minions...
My plan worked.
...they really got to me.
It was--it was--it was intense.
Yes, I delighted in watching you
slapping your own face.
[breathy laughter]
[Sam] I don't know where we're going.
Uh-oh, crossroads. Um...
[speaking Gaelic]
"Ceart." Uh, ceart, ceart, ceart.
Ceart.
-Left. -[imitates buzzer]
-Wrong. -Oh.
Okay. Uh...
That was Gaelic for "wrong."
Okay, so right. That must have been--
Ceart. Ceartis right.
Got it.
[exhales] Got it.
So you did quite a few scenes of Outlander
in Gaelic, as did I,
but I seem to remember I learnt mine.
You had dummy boards.
I had dummy boards in one scene
because I had a, I think,
a six-page speech.
[speaking Gaelic]
But I also remember that they wrote the dummy boards,
but you didn't have your glasses on,
because Dougal doesn't wear glasses,
so they had to write them in very large letters
so you could read them.
Díreach.
Yes, obviously, I'm going díreach.
I mean, there's no other direction to go in that--
other than off-road, so I'm gonna díreach.
-Díreach. -Díreach.
I wish you'd díreach.
"Dír-off."
♪
"Warm-reekin, rich!
"But mark the Rustic, haggis-fed,
"The trembling earth resounds his tread,
"Clap in his walie nieve a blade,
"He'll make it whissle;
"An legs an arms, an heads will sned,
"Like taps o thrissle.
"Auld Scotland wants nae skinking ware
"That laups in juggies:
"But, if ye wish,
"Her grateful prayer,
Gie her a Haggis."
[light guitar music]
♪
[Sam] It's a beautiful day.
We're in this amazing, amazing herb garden.
It smells incredible.
You were the advisor on Outlander
for Claire Beauchamp Fraser, who is a nurse.
♪
[Sam] She uses a lot of the traditional forms of medicine
that comes from nature in the show.
[Claire] Absolutely.
[Claire Fraser] While the caps of these mushrooms
are poisonous,
you can make a powder out of the dried fungi.
It's very effective in stopping bleeding
when applied topically.
I taught her what she knew in-in those first few seasons.
[Sam] Looking around, we see a garden.
You see powerful treatments.
Absolutely.
I mean, before pharmaceuticals,
knowledge of herbs was a matter of life or death.
Even past the 20th century,
when the first antibiotics and penicillin were created,
the bulk of medicines were still plant-based,
and in fact, most modern medicines today
are derived from plants.
For instance, garlic, I think, is-is a pretty strong...
Garlic is actually one of the herbs
that was an antibiotic before antibiotics were created.
Garlic would have been used even on the battlefield
for wounds and gangrene and--
-For gangrene? -Yeah.
Yeah, no. I mean, it's potent.
[Sam] Are there any herbs here
you can show us that were maybe used in the show?
Yeah, well, as a matter of fact,
we're standing right beside one.
-Ah-ha. -Who would've thought it?
[Sam] Let's have a look. What is this, Claire?
So this is Saint-John's-wort.
This is actually one of the first herbs
that features in the Outlanderseries.
And it's one of the first herbs used on Jamie Fraser.
It's a really good pain reliever.
It's used to treat nerve pain in particular,
and it's a herb that helped to stop bleeding.
These wonderful things that you know about,
would they have been common knowledge then?
I mean, would that have been...
-Or are you a witch? -The province of--
-[laughs] -She's not a witch.
[Sam] In the fact that she's- she's a-
she's a very knowledgeable, powerful person.
-Oh, but back in the day-- -And in the time may have--
-They may have... -They may have looked upon her.
...been very suspicious of someone of your character.
-Well, yeah. -Really?
I'm not sure I'd want to go through
a stone circle back in time, actually...
-Mm. -...'cause I don't know
if I would survive very easily.
I noticed this purple one here.
I don't wanna talk about it too much,
-but that--that's lavender. -[laughing]
[Claire] I've been instructed not to mention lavender.
[Sam] It smells lovely,
but, um, I was just wondering if you had anything for, um...
Are you really--is this-- is this happening?
-Oh, you mean... -Mm. Right.
-[laughs] -Hair loss.
One that you might be willing to try, um,
is the juice of an onion
massaged into the area
which is a rubbing fashion.
-Which means it, uh... -Encourages.
...draws the circulation to the--the peripheral areas.
So you actually--
but it actually will have some sort of effect
because it will actually draw some sort of hair.
Yeah, I mean, I'm really confident.
Do you have anything for midgies?
[Graham] Oh, yes. Poor man.
-He is being harvested... -[Sam] Just to keep them away.
-...by midges. -Wow.
I happened to notice over here that we have some bog myrtle.
[Claire] It's got a very sweet smell that deter--
The notorious midge.
Stick that somewhere.
Oh, uh, thank you. I will.
Here we go. Perfect.
I'm gonna grab a couple of onions.
[Sam] Yeah, and I've gotta get some of this.
So we'll leave you to it, Claire, thanks a lot.
And I tell you, I like the look
of the Saint-John's-wort as well.
I'm just gonna start, you know, stealing from you.
[Graham] Thank you so much, Claire.
It really has been a pleasure.
I-I actually learned a lot.
[Claire] Oh, good. [laughs]
Don't even think
about rubbing an onion on my head.
[exhales sharply]
[lively rock and roll music]
♪
[Graham] Where are we going next?
[Sam] Oh, we're gonna experience
another ancient Scottish tradition.
Basket weaving.
-Basket weaving? -Yes.
I have a great-great-grandfather
who was a basket weaver.
He w-he was in Argyll and moved to Edinburgh,
I think, like, at the end of the 18th century,
early 19th century.
The only skill he had--
Well, the only skill they would allow him to do in Edinburgh.
I mean, he could have been brilliant
at many other things but--
Yeah, he might have been an amazing accountant or--
Yeah, yeah, all the things that he wasn't allowed to do.
-Scholar, but no, no. -Basket weaving.
What if he was, like, the worst basket weaver in Edinburgh?
-Yeah, like, famous. -In fact, in Scotland. Yes.
Famous for his awful basket weaving.
-Renowned. -If you want a basket woven
that is not fit for purpose, go to McTavish.
[laughs] McTavish's fine baskets.
-Well, not so fine. -They dinnae work.
Absolutely terrible, awful baskets.
[Sam] Ah.
My uncle is indeed also a basket weaver.
It sounds like everyone in Scotland
is a basket weaver, but they're not.
But my uncle is a basket weaver.
They're everywhere.
Look, there's a basket weaver.
Oh. There's another.
Oh, God, they're everywhere.
Actually, he created- uh, he makes
a lot of, um, wicker structures,
and he did a couple for Outlander.
[Graham] Did he?
[Sam] He did the stag and the--
I don't remember the stag.
-Was I in that scene? No. -No, you weren't.
No, then I don't even know it existed.
[Sam] And the fiery cross in season five.
So both-both of which were burnt,
so basically everything of his gets burnt.
[Graham] Everything he makes is immolated.
Immolated?
-That's a big word, isn't it? -It is.
♪
Ah, wow.
♪
[Graham] This is amazing.
And in the garden, we have Lise and Anna.
[Sam] I deduce that you're basket weavers.
-Genius, well done. -Thank you very much.
And, um, here's some of your handiwork.
[Sam] It's fascinating.
And it's, so we said, and ancient craft, right?
-As old as humans, really. -Yeah.
Yeah, as old as humans, that's right.
It probably was the first vessel, the first container.
Ceramic imprints uh, show that the clay
was pushed into a basket...
-Right. -...and then fired,
and I think that baskets came first.
-Yeah, baskets. -Mm.
That's what basket makers say.
I bet.
[Graham] Yeah, I always wonder when you hear
about these things how
you know who the first person was,
who the first group was that sat around and said,
"We really need something to carry things around in."
I think, maybe, people copy
the plans of nature, to start with.
[Lise] But I--I think it was probably women
who were fashioning leaves or something
-to carry home berries and... -Yeah.
-...food for the family. -Mm.
And is it traditionally willow?
[Anna] What we're working with is willow
that we grew in Scotland ourselves.
-[Graham] The smell-- -[Anna] Oh, it does
-smell amazing. -[Graham] The smell is-
it's, like, fresh, very green.
-Yeah. -A hat for you.
-Please. -[laughs]
[Lise] One of its uses was at mealtimes
as a colander...
-[Graham] That's brilliant. -[Lise] ...and a sieve.
Would you like a potato?
I actually would like a potato because I'm--I'm actually--
-Home grown. -Are they really?
Would you like a potato?
I--I would absolutely love a potato.
-Small or large? -I'll go for a small potato.
Ah, it's a hot potato.
♪
[Graham] Well, let's get to it. Let's see--
-[Sam] Okay. All right. -[Anna] Yeah.
Let's see you do some, Sam, and then I'm gonna
-try it as well. -[both] So...
What we're going to take is...
one of the biggest bits of basket making
is sorting your materials.
So I'm gonna start with some of the finer ones.
So this will go in here,
sort of taking over from the strokes that that one did.
-It'll go in and out. -Yes.
As well as going in and out,
each one, when it gets to the main hoop here,
it does a whole loop around.
-I could do that for you. -Go on then.
Come on, then.
And sort of--you've gone under this one...
-Yeah. -...and then go over this one?
-Yeah. -And then under--oh, dear.
Oh, okay. Under this one. And then over this one.
Yeah. Yeah.
God, this is tough.
You make it look so easy, but-- ooh, sorry.
-It's okay. -[Graham] No, no.
-Taking her eye out. -It's just going in her eye.
You don't need that, do you?
[Graham] No. That's fine.
Under here, over this one.
Meanwhile, the uh- the tribe is starving.
Well, all the potatoes have gone, so--
But he is the only basket weaver of the tribe.
Why is it taking him so long?
Look. Man make basket.
[Lise] So now you got to that end, you want to get...
-Ah, I've got the hang of this. -...a whole circle round...
-I could do this all day. -...and then back over.
[Graham] Well, it will take you all day.
-It will, yeah. -Yeah, huh?
All right, let me have a go, darling.
I'll have a go at this one.
-Are you ready? -Yes, I'm ready.
I'm gonna--I'm just gonna go--
I'm just gonna dive in
and just dazzle you with my
inherited basket weaving abilities.
♪
It is so fun, isn't it?
-It actually really is. -[Graham] It is, really.
-I mean, I'm-- -It's really enjoyable.
♪
-He's doing very, very well. -Yeah, thank you.
-[Sam] Yeah. -Thank you.
-Did you hear that, Sam, by the way? -What's that?
You just--I think you missed
that crucial little thing there.
I-I commented that his was excellent.
Excellent.
I knew this would happen, it'd become a competition.
Even lefthanded. Are you lefthanded?
No, I'm not lefthanded, actually, no.
So you--you've become fairly ambidextrous
when you're weaving.
Slightly embarrassed by my handiwork.
♪
[engine starts]
♪
[Sam] For our next stop, we're headed to the isle of Skye.
[Graham] Ah, yes, such a beautiful place.
The mountains, the sea cliffs, the rolling hills,
and sheep--so many sheep.
[Sam] Did you know that in Scotland,
there are more sheep than people?
[Graham] I did know that.
Look, why don't we go and meet
some furry friends of our own?
Try our hand at another centuries-old tradition.
♪
What is a crofter?
People with small holdings.
You know, it's a step down from being farming.
Farmers just have a bigger scale.
These fields you can see here, long term, my father,
first you saw the hills,
you can see round about here, usually filled with sheep,
which we try to gather in.
-[laughter] -[Graham] So how far back
do you go with crofting?
I suppose going back a hundred years, I suppose.
-Yeah? -Yeah, aye. Yeah.
The idea of being here in this place,
just bonded to the land in this way
is just, I think, absolutely--
Come back here in January, December.
[laughter, overlapping speech]
-It's not so pleasant. -Seasons change, yeah.
-Now, let's-- -Yes.
We need to get some sheep in here.
Well, yeah, where are your sheep?
-Well, the sheep-- -The sheep are in the back.
Somewhere--see, through the trees,
we're gonna try and herd them in.
♪
[Alasdair] Ollie, go.
-[whistling] -Nellie.
Here they go, look.
-[Alasdair] Ollie, dog-- -Look, look, look!
-Way-- -See that one going up there?
-[Sam] Oh, wow. -[Graham] The guys, they're using signals
to make the dogs herd the sheep into the pen.
So you see them now,
the-the sheep are-are beginning to sort of cluster together.
The dog's gone right, right back.
-Oh, yes. All right, look. -They're putting up
-some movement. -He's way up there.
[Donald whistles] Walk on, Nellie, walk on.
[Graham] They are so fast.
[Sam] They are clever, aren't they, these dogs?
I mean, they are working dogs.
They're not, you know, pets.
They're not pets. They're not pets,
and they're treated as working dogs.
[Donald] Get up, Billie, get up.
[Graham] It's amazing how they know to sort of circle
-right round the pack. -[Donald] Come on, Wille.
Walk on.
-[Graham] Isn't that incredible?
[Sam] That's amazing. -[Graham] It's just--
-[Sam] Look, they're walking to 'em.
-[whooshing] -That'll do.
-Coming in. -[whistling]
♪
[Sam] To be honest, I think we could do a better job.
[Graham] Oh, here they come. Look. Sam!
-That'll do. -There they go.
Wow. This is so cool.
-Wait, sit. -Look, look.
-Into the pen. -Come by, Millie.
They've done it. This is amazing.
-[shouting] -Don't, that'll do.
Don't, that'll do.
[Graham] They make it look so easy.
[clapping]
-[Graham] Wow. -[Sam] Well done, gentlemen.
-[Graham] Well done. -[Sam] Fantastic.
[Donald] It doesn't always work like that.
-[Sam] Experts. -Aye, yeah.
-[Graham] That was amazing. -[Sam] Yes.
And you do it with 300 at a time.
-Oh, yeah. Yeah. -Yeah, sometimes, yeah.
Sometimes a lot more, too, depending on where you are.
-Yeah. -We've gotta have a go,
'cause I'm feeling extremely confident.
Uh-huh.
-Key phrases-- -How do you control the dogs?
To your right hand side is "away."
[both] Away.
And to your left hand side is "come by."
And a sharp whistle usually stops them.
♪
[Graham] They are just itching to work.
-[Sam] Yeah-- -[Donald] That's right.
-[Sam] Constantly circling. -[Donald] That's right.
[Graham] Yeah.
[clock ticking]
♪
Bring out the sheep.
[Graham] Hey!
All right, boys, let's go now.
[Sam] Hey!
Okay.
You need to get behind them.
You're coming this way, brother.
You need to get behind them.
Oh. Oh, my God.
Go this way.
[Donald] Let the dogs do the running.
[laughter]
[Sam] Oh, God!
That's it.
I feel like we've really got a handle on this.
That's it.
[both] Come by!
-Come by! -That's it. Come by.
We have to make them--look--
[laughter]
-[shouting] -[Graham] Come away, Sam.
Come away.
Okay. You're doing terribly well.
♪
Oh, oh.
-Oh, no! -Ahh!
-We didn't even-- -No! It was so close.
[struggling efforts]
-Shall I get these ones, Sam? -Yeah.
Hang on, if you come back-- come back this way a wee bit.
Look at that, they're gonna go.
[indistinct shouting]
[whistling]
-[Graham] Quick! -[Sam] Nice one.
-Yeah! [laughs] -Yes!
-We did it! -Yes, Gods!
-Christ above. -[laughs]
-Oh. -Well done, boys.
I'm gonna pretend that we had something to do with that.
[laughter]
-Fantastic. -Thank you so much.
That was honestly wonderful,
even though we made a terrible mess of most of it.
Not at all. That happens to us all.
-It's hard work. -Yeah, that is hard work.
You keep your-- keep you fit doing this.
-[laughter] -I don't know who's
more out of breath right now, the sheep or--
-Or us? -[laughter]
So now we need to do something else here, don't we?
-That's right. -Because the sheep
don't shear themselves.
-They don't shear themselves. -That's right. Yeah.
Do you have anything to shear a sheep with?
-Yes, I certainly do. -I take you don't use clippers.
Do you?
♪
-Here she comes. -Does this sheep have a name,
-or just-- -Dolly. Dolly.
-Dolly. -Dolly.
-Dolly the sheep. -Not breeding, yeah.
My word, that's some strength, there, right there.
-Wow. -Yeah.
-Okay, let's get down. -Yeah. Go like--
Let's get down.
All right.
So they're perfectly okay having this done to them.
-They don't feel... -Ehh.
-...any distress at all? -No.
-No, no. -They're just very relaxed.
You've got to take it off them, I--
-Oh, absolutely. -There's a lot more harm
-leaving it on them. -Yeah, yeah, of course.
They've got the electric shears, too,
nowadays, obviously, as well, but--
-This is the way to-- -This is the way
-they used to do it. -Yeah, they'd do this
before electric.
Yeah, so this has been done this way for--
-Generations. -Generations.
-Decades. -So long, yeah.
♪
-That's an amazing thing, too. -Yeah.
Yeah, long may it continue. It's--it's wonderful.
♪
What a great way to end today.
Yeah, it was fantastic.
I feel like we've experienced
just so many different traditions.
Oh, yeah. I think I've learned a lot.
I mean, things--
not necessarily things that I will pursue professionally.
You were really good at the basket weaving, I thought.
-Thank you, Sam. -Yeah.
I-I felt like I connected with my past,
my ancestral past with the basket weaving,
and I connected while I was wearing some beautiful things
-from Stewart Christie. -Stewart Christie.
Well, I think those-those tweeds really suit you.
My, you're just full of it today, aren't you?
What--what's up? What are you gonna do?
-Nothing. -Yeah, you are.
Oh, I've got something planned.
Oh, okay.
-To Scottish traditions. -To Scottish traditions,
and to sheepdogs.
-Ah. -Oh, that doesn't--
it just gets better.
-[exhales] -[chuckles]
I pull out in front of this car.
Watch me just pull out.
No, he's not gonna let me.
Go on, let me out.
-Let me out, go on. -So are we leaving, or--
You should've let me out.
You should--you-- oh, you're--
-I'm gonna get you first-- -Oi!
Oh, there's another car. Now we're miles back.
-What is your problem? -Now we've got
-an entire convoy of cars. -[laughs]
Oh, now you're letting me out, are you?
Is he letting me out? No, he's not.
Nobody's ever gonna let you out, Sam.
How about this guy? I'm going.
-There you go. -Oh, there's a tractor.
-[beeping] -Shut up.
Oh, my God. What's the-what's beeping?
-Oh, it's just the handbrake. -What's the the beeping?
Don't worry. Nothing to worry about.
Good God.