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COMING TO YOU LIVE FROM
SIX ICONIC STAGES
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Downloaded from
YTS.MX
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ACROSS NASHVILLE INCLUDING THE
GRAND OLE OPRY, RYMAN AUDITORIUM
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Official YIFY movies site:
YTS.MX
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AND BLUEBIRD CAFE, CBS PRESENTS
THE 56th ACM AWARDS WITH
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ALL-STAR PERFORMANCES AND
PERFORMANCES BY MIR ANA LAMBERT,
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DOLLY PARTON, BLAKE SHELTON,
CARRIE UNDERWOOD, CECE WINS,
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MAREN MORRIS AND LUKE COMBS,
CHRIS STAPLETON, CARLY PEARSZE,
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00:00:34,234 --> 00:00:37,937
KELSEY BALLERINI, KENNY CHESNEY,
LITTLE BIGTOWN, ALAN JACKSON,
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AMY GRANT, CHRIS YOUNG AND KANE
BROWN, ASHLEY McBRYDE, BLANCO
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BROWN, ERIC CHURCH, DARIUS
RUCKER, DAN + SHAY, JIMMY ALLEN,
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00:00:48,281 --> 00:00:52,485
BROTHERS OSBORNE, THOMAS RHETT,
DIERKS BENTLEY WITH THE WAR ON
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TREATY AND MORE HOSTED BY MICKEY
GUYTON AND KEERT YOU ARE KEITH
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URBAN.
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♪ ♪ ♪
( CHEERS AND APPLAUSE )
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♪ I GOT SOME MONEY IN MY POCKET
GOT SOME TROUBLE ON MY TAIL
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♪ I CAN HEAR THE DOORS
ARE KNOCKING, GUESS I'M
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♪ HEADING OFF THE RAILS
SINGING OOH-OOH-OOH-OOH
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♪ OOH-OOH-OOH
I'M TALKING 'BOUT YOU
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♪ OOH-OOH-OOH, OOH-OOH-OOH
I GOT SOME NEW BEST FRIENDS
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♪ FOREVER, SEE, I MET 'EM
AT THE BAR
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♪ WHERE THE WHISKEY GOES DOWN
BETTER, WHEN THEY
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♪ DON'T KNOW WHO YOU ARE
SINGING OOH-OOH-OOH-OOH
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♪ OOH-OOH-OOH
I'M TALKING 'BOUT YOU
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♪ OOH-OOH-OOH, OOH-OOH-OOH
OOH, GONNA FEEL THIS
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♪ IN THE MORNING
OOH-OOH
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♪ 'CAUSE I'M GOING HARD TONIGHT
SO BARTENDER, TAKE MY KEYS
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♪ WHAT DO YOU WANT FROM ME
BABY, I'M DRUNK AND
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♪ I DON'T WANNA GO HOME
NOT STAYING IN TO FIGHT
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♪ I'M STAYING OUT ALL NIGHT
BABY, I'M DRUNK AND
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♪ I DON'T WANNA GO HOME
WE DON'T GOTTA WAIT
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♪ UNTIL THE WEEKEND
THERE'S ALWAYS TIME FOR
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♪ JUMPING OFF THE DEEP END
SO DON'T YOU WAIT UP TONIGHT
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♪ DON'T WORRY, I'LL BE FINE
BABY, I'M DRUNK AND
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♪ I DON'T WANNA GO HOME, YEAH
( CHEERS AND APPLAUSE )
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WE'RE IN THE BATHROOM
♪ GETTIN' TATTED
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THERE'S A LINE OUT IN THE HALL
♪ TRYNA BE MY SUGAR DADDY
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GETTIN' HANDSY IN THE STALLS
♪ SINGING OOH-OOH-OOH-OOH
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OOH-OOH-OOH
♪ I'M TALKING 'BOUT YOU
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OOH-OOH-OOH, OOH-OOH-OOH
♪ YOU LIKE MY GIN AND TONIC
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KISSES, 'CAUSE YOU
♪ KNOW THEY TASTE SO SWEET
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AND I KNOW YOU GOT YOUR
♪ MISSUS, BUT THERE
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AIN'T NO ONE LIKE ME
♪ TALKIN' 'BOUT YOU
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OOH-OOH-OOH-OOH, OOH-OOH-OOH
♪ MMM, I'M TALKING 'BOUT YOU
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OOH-OOH-OOH, OOH-OOH-OOH
♪ OOH, GONNA FEEL THIS
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IN THE MORNING
♪ OOH-OOH
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'CAUSE I'M GOING HARD TONIGHT
♪ SO BARTENDER, TAKE MY KEYS
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WHAT DO YOU WANT FROM ME
♪ BABY, I'M DRUNK AND
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I DON'T WANNA GO HOME
♪ NOT STAYING IN TO FIGHT
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I'M STAYING OUT ALL NIGHT
♪ BABY, I'M DRUNK AND
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I DON'T WANNA GO HOME
♪ WE DON'T GOTTA WAIT
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UNTIL THE WEEKEND
♪ THERE'S ALWAYS TIME FOR
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JUMPING OFF THE DEEP END
♪ SO DON'T YOU WAIT UP TONIGHT
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DON'T WORRY, I'LL BE FINE
♪ BABY, I'M DRUNK AND
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I DON'T WANNA GO HOME, YEAH
♪ OH-OH, I DON'T WANNA
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OH-OH-OH
♪ DON'T WANNA GO HOME
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SO BARTENDER, TAKE MY KEYS
♪ WHAT DO YOU WANT FROM ME
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BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME
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NOT STAYING IN TO FIGHT
♪ I'M STAYING OUT ALL NIGHT
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BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME
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WE DON'T GOTTA WAIT
♪ UNTIL THE WEEKEND
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♪ THERE'S ALWAYS TIME FOR
JUMPING OFF THE DEEP END
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SO DON'T YOU WAIT UP TONIGHT
♪ DON'T WORRY, I'LL BE FINE
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BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME, YEAH
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OH-OH, I DON'T WANNA
♪ OH-OH-OH
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DON'T WANNA GO HOME
♪ OH-OH, I DON'T WANNA
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( CHEERS AND APPLAUSE )
>> PLEASE WELCOME YOUR HOSTS FOR
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TONIGHT, KEITH URBAN AND MICKEY
GUYTON.
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LOVE Y'ALL!
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(APPLAUSE)
>> MICKEY MICKEY!
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HEY!
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>> OH MY GOSH.
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>> HOW ARE YOU?
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>> I'M SO GOOD.
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>> SO GOOD TO SEE YOU.
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>> SO GOOD TO SEEYOU HERE.
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>> OH MY GOSH.
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>> Keith: WELCOME TO THE 56th
ACADEMY OF COUNTRY MUSIC AWARDS!
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NASHVILLE IS BACK AND IT'S GREAT
( CHEERS AND APPLAUSE )
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TO BE BACK HERE LIVE AT THE
GRAND OLE OPRY HOUSE WITH MICKEY
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GUYTON.
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>> Mickey: AND WHAT A FANTASTIC
WAY TO KICK OFF THE SHOW WITH
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MIRANDA AND ELLE.
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BIG THANKS.
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>> Keith: THEY WERE AMAZING.
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>> AMAZING, I LOVE THAT SONG
>> Mickey: I'M JUST GLAD MIRANDA
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HAS THAT CAR OUTSIDE BECAUSE
WE'RE GONNA SEE HER ALL OVER
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TOWN TONIGHT.
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>> Keith: TONIGHT, WHILE WE
CELEBRATE THE BEST IN COUNTRY
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00:05:58,257 --> 00:06:02,428
MUSIC, WE'RE ALSO CELEBRATING
THE PROGRESS MADE BY THIS
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GREAT CITY AND CITIES ACROSS THE
COUNTRY.
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( APPLAUSE )
WE'VE ALL BEEN THROUGH SO MUCH,
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BUT I'M PROUD TO SAY WE'RE ALL
ON OUR WAY BACK.
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AND WE'VE DONE IT WITH A LOT OF
FIGHT AND A LOT OF HELP.
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>> Mickey: AND SPEAKING OF HELP,
UP THERE IN THEIR MASKS,
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SOCIALLY DISTANCED AND
VACCINATED, ARE HEALTHCARE
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WORKERS FROM VANDERBILT HEALTH.
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( CHEERS AND APPLAUSE )
A.C.M.'s CHARITABLE ARM,“
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LIFTING LIVES,” HAS A LONG-
STANDING PARTNERSHIP WITH
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VANDERBILT, AND WE WANT TO THANK
EVERYONE THERE FOR THEIR SUPPORT
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TONIGHT.
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YOU GUYS ARE OUR ARMY RIGHT NOW
AND THIS WOULD NOT BE POSSIBLE
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WITHOUT YOU SO THANK YOU ALL SO,
SO, MUCH
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>> Keith: I'M SO HAPPY WE'RE
DOING THIS TOGETHER, MICKEY.
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>> ME TOO.
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00:07:01,053 --> 00:07:04,490
>> YOU'VE HAD AN IMPRESSIVE YEAR
SINCE THE LAST TIME WE SHARED
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00:07:04,557 --> 00:07:09,896
THIS STAGE, WITH A LOT OF
FIRSTS-- FIRST GRAMMY NOMINATION
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00:07:09,962 --> 00:07:11,597
YOU GOT TO PLAY ON
THE GRAMMY FOR THE FIRST TIME,
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00:07:11,664 --> 00:07:15,802
FIRST TIME HOSTING THE ACM'S,
ONE OF THE MOST IMPORTANT, YOU
110
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HAD A BABY FOR THE FIRST TIME.
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>> HI A BABY.
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I LOVE HIM SO MUCH.
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IT HAS BEEN A CRAZY YEAR AND
THIS IS THE MOST ADULT
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INTERACTION I'VE HAD IN THREE
MONTHS SO I AM VERY EXCITED TO
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BE HERE.
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WITHOUT THE DIAPERS.
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>> ME TOO.
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I WILL TRY TO BE AS ADULT AS CAN
I BE TONIGHT.
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THIS SHOW IS SPECIAL BECAUSE NOT
ONLY ARE WE BACK IN THE ICONIC
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GRAND OLE OPRY HOUSE, WE'LL ALSO
BE AT THE LEGENDARY BLUEBIRD
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CAFÉ, THE STATION INN, AND A FEW
OTHER COUNTRY MUSIC TREASURES
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ALL AROUND NASHVILLE.
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>> Mickey: AND IN A LITTLE
WHILE, I'LL BE HEADING OVER
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TO ONE OF MY FAVORITE PLACES,
THE MOTHER CHURCH OF COUNTRY
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MUSIC, THE HISTORIC RYMAN
AUDITORIUM.
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AND I CAN'T WAIT TO GET TOGETHER
WITH THE ARTISTS THAT ARE
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OVER THERE.
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>> Keith: SO, LET'S GET THINGS
STARTED OVER AT THE RYMAN RIGHT
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NOW.
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HERE TO KICK THINGS OFF WITH
THEIR HIT SONG, “FAMOUS
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WITH OUR FAVORITE
FRIENDS, THEY HAVE A HIT SONG,
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ACTUALLY.
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>> THEY DO.
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JOINED BY CHRIS
>> Mickey: CHRIS YOUNG, JOINED
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BY A WINNER TONIGHT FOR VIDEO OF
THE YEAR, KANE BROWN.
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>> THANK YOU MICKEY AND KEITH.
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IT'S GREAT TO BE BACK AT THESE
ACM AWARDS PLAYING AGAIN TO A
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LIVE AUDIENCE.
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♪ ♪ ♪
♪ MY BUDDY BRANDON
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HOLDS A RECORD
♪ FOR SINGLE SEASON
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TOUCHDOWN THROWS
♪ AND GOOD OLD JOHNNY
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HE'S THE LIFE OF EVERY PARTY
♪ IT'S LIKE "CHEERS"
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THEY KNOW HIM EVERYWHERE HE GOES
♪ I'VE GOT SOME FAMOUS FRIENDS
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YOU'VE PROBABLY NEVER HEARD OF
♪ BUT BACK IN RUTHERFORD COUNTY
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00:08:56,035 --> 00:09:02,141
OUR CROWD IS SECOND TO NONE
♪ YOU MIGHT NOT KNOW 'EM HERE
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IN THIS BIG CITY WE'RE IN
♪ BUT WHEN I GO BACK HOME
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I'VE GOT SOME FAMOUS FRIENDS
♪ YEAH, I DO
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♪ ♪ ♪
( CHEERS AND APPLAUSE )
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HOW WE FEELING?
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♪ MY BUDDY JASON
HE'S THE SHERIFF
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♪ HE'LL FLASH HIS LIGHTS
BUT LET ME GO
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♪ MY BOY RANDY, HE'S A PREACHER
MY GIRL MEGAN, SHE'S BEEN
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♪ TEACHER OF THE YEAR
I SWEAR FOR FIVE YEARS IN A ROW
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♪ I'VE GOT SOME FAMOUS FRIENDS
YOU'VE PROBABLY NEVER HEARD OF
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00:09:38,210 --> 00:09:42,782
♪ BUT BACK IN HAMILTON COUNTY
OUR CROWD IS SECOND TO NONE
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00:09:42,848 --> 00:09:48,154
♪ YOU MIGHT NOT KNOW 'EM HERE
IN THIS BIG CITY WE'RE IN
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00:09:48,220 --> 00:09:53,926
♪ BUT WHEN I GO BACK HOME
I'VE GOT SOME FAMOUS FRIENDS
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♪ YEAH, I DO, OOH
♪ ♪ ♪
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♪ ♪ ♪
♪ I GOT FRIENDS IN HIGH PLACES
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ON THESE SMALL-TOWN ROADS
♪ 'CAUSE 'ROUND HERE IT'S ALL
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ABOUT THE PEOPLE THAT YOU KNOW
♪ AND I'VE GOT SOME
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00:10:14,480 --> 00:10:20,052
FAMOUS FRIENDS YOU'VE PROBABLY
♪ NEVER HEARD OF
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00:10:20,119 --> 00:10:24,023
BUT BACK IN DAVIDSON COUNTY
♪ OUR CROWD IS SECOND TO NONE
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YOU MIGHT NOT KNOW 'EM HERE
♪ IN THIS BIG CITY WE'RE IN
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00:10:28,094 --> 00:10:32,398
BUT WHEN I GO BACK HOME
♪ I'VE GOT SOME FAMOUS FRIENDS
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00:10:32,465 --> 00:10:43,642
YEAH, I DO, OOH
♪ YEAH, I DO
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00:10:43,709 --> 00:10:48,047
MIGHT NOT KNOW 'EM HERE
♪ IN THIS BIG CITY WE'RE IN
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00:10:48,114 --> 00:10:50,249
BUT WHEN I GO BACK HOME
♪ I GOT SOME
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00:10:50,316 --> 00:10:55,554
FAMOUS FRIENDS, YEAH
♪ ♪ ♪
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00:10:55,621 --> 00:11:00,026
( CHEERS AND APPLAUSE )
♪ I'VE GOT SOME FAMOUS FRIENDS
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00:11:00,092 --> 00:11:03,329
I'VE GOT SOME FAMOUS FRIENDS
♪ YEAH ♪
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00:11:03,396 --> 00:11:12,038
( CHEERS AND APPLAUSE )
>> Keith: WOO!
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00:11:12,104 --> 00:11:15,274
>> WELL DONE BOYS, FROM THE
RYMAN AUDITORIUM, OF COURSE.
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00:11:15,341 --> 00:11:16,909
LAST YEAR, AT THE TIME OF OUR
175
00:11:16,976 --> 00:11:23,282
SHOW, BLANCO BROWN WAS INVOLVED
IN A VERY SERIOUS ACCIDENT, AND
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00:11:23,349 --> 00:11:24,517
I'M TALKING SERIOUS TO
THE POINT WHERE THEY WEREN'T
177
00:11:24,583 --> 00:11:27,286
EVEN SURE IF BLANCO WAS GOING TO
WALK AGAIN.
178
00:11:27,353 --> 00:11:30,890
WE WERE SENDING HIM OUR PRAYERS
AND LIGHT AND HOPE THAT HE WOULD
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00:11:30,956 --> 00:11:32,058
HAVE A RECOVERY.
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00:11:32,124 --> 00:11:34,960
HE NOT ONLY HAS HAD A SPEEDY
RECOVERY BUT I'M HAPPY TO SAY
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00:11:35,027 --> 00:11:37,696
THAT HE IS ACTUALLY BACK WITH US
TONIGHT.
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00:11:37,763 --> 00:11:40,633
HERE TO PRESENT THE FIRST AWARD
OF THE EVENING, IN HIS SWRE
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00:11:40,699 --> 00:11:47,973
FIRST PUBLIC APPEARANCE, PLEASE
MAKE HIM WELCOME, BLANCO
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00:11:48,040 --> 00:11:55,981
( CHEERS AND APPLAUSE )
♪ ♪ ♪
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00:11:56,048 --> 00:12:00,052
( CHEERS AND APPLAUSE )
>> I'M SO BLESSED TO BE BACK ON
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00:12:00,119 --> 00:12:03,956
THIS STAGE, AND I WANT TO THANK
EVERYONE IN THE COUNTRY
187
00:12:04,023 --> 00:12:10,296
COMMUNITY FOR THEIR LOVE
AND SUPPORT.
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00:12:10,362 --> 00:12:13,666
AND TO ALL THE LIFESAVING FIRST
RESPONDERS, WORDS ARE NOT
189
00:12:13,732 --> 00:12:15,468
ENOUGH.
190
00:12:15,534 --> 00:12:18,471
AND NOW, IT'S MY PLEASURE TO
PRESENT THE NOMINEES FOR GROUP
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00:12:18,537 --> 00:12:22,475
OF THE YEAR.
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00:12:22,541 --> 00:12:24,677
>> Announcer: LADY A.
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00:12:24,743 --> 00:12:30,449
LITTLE BIG TOWN.
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00:12:30,516 --> 00:12:34,453
OLD DOMINION.
195
00:12:34,520 --> 00:12:36,689
THE CADILLAC THREE.
196
00:12:36,755 --> 00:12:41,694
THE HIGHWOMEN.
197
00:12:41,760 --> 00:12:53,906
>> AND THE A.C.M. GROUP OF THE
YEAR GOES TO:
198
00:12:53,973 --> 00:12:58,477
OLD DOMINION.
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00:12:58,544 --> 00:13:10,456
( CHEERS AND APPLAUSE )
♪ ♪ ♪
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00:13:10,523 --> 00:13:22,468
( CHEERS AND APPLAUSE )
♪.
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00:13:22,535 --> 00:13:28,807
>> WOW, HEY, THANK YOU, I MEAN
IF WE LOOK SURPRISED, IT IS
202
00:13:28,874 --> 00:13:31,777
BECAUSE, YOU KNOW, OBVIOUSLY
EVERYONE IN THIS CATEGORY
203
00:13:31,844 --> 00:13:35,848
ESPECIALLY THIS YEAR, REALLY,
REALLY, IT COULD BE ANYONE.
204
00:13:35,915 --> 00:13:40,519
SO WE'RE JUST VERY FORTUNATE TO
BE STANDING HERE THIS YEAR.
205
00:13:40,586 --> 00:13:44,089
THIS CRAZY YEAR, A LOT OF SILVER
LININGS THAT WE HAVE ALL
206
00:13:44,156 --> 00:13:47,193
SEARCHED FOR, YOU GUYS ARE
CERTAINLY ONE, THE FRONT LINE UP
207
00:13:47,259 --> 00:13:51,130
THERE, SO THANK YOU FOR ALL THAT
YOU HAVE DONE.
208
00:13:51,197 --> 00:13:57,303
THANK YOU GUYS FOR BEING AMAZING
GROUPS THAT INSPIRE US
209
00:13:57,369 --> 00:14:02,942
CONSTANTLY WITH JUST, NOW HERE
WE ARE JUST AMONG SUCH BAD
210
00:14:03,008 --> 00:14:06,278
ASSES, THANK YOU FOR INCLUDING
NEWS THAT CATEGORY AND THANK YOU
211
00:14:06,345 --> 00:14:09,315
GUYS FOR BEING IN MY BAND.
212
00:14:09,381 --> 00:14:11,517
>> THANKS.
213
00:14:11,584 --> 00:14:16,555
(APPLAUSE)
>> Announcer: NEXT, WE'RE AT THE
214
00:14:16,622 --> 00:14:18,824
RYMAN AUDITORIUM FOR MAREN
MORRIS AND RYAN HURD.
215
00:14:18,891 --> 00:14:26,465
AND THEN, A SPECIAL MEDLEY FROM
CARRIE UNDERWOOD.
216
00:14:26,532 --> 00:14:29,935
WHERE SHE WILL BE JOINED BY CECE
PLUS, THANKS TO FORD, WE HEAD TO
217
00:14:30,002 --> 00:14:33,305
THE ICONIC NASHVILLE RIVERFRONT
FOR A PERFORMANCE FROM LADY A.
218
00:14:33,372 --> 00:14:46,151
THIS IS CBS.
219
00:14:46,218 --> 00:14:47,853
WINANS, SUB VIBE TO PARAMOUNT
PLUS FOR BREAKING NEWS AND A
220
00:14:47,920 --> 00:14:52,458
MOUNTAIN OF ENTERTAINMENT.
221
00:14:52,524 --> 00:14:57,296
>> THE 56th ACM AWARDS
SPONSORED BY FORD, BUILT FORD
222
00:14:57,363 --> 00:14:57,763
PROUD.
223
00:15:04,870 --> 00:15:09,775
♪ ♪ ♪
( CHEERS AND APPLAUSE )
224
00:15:09,842 --> 00:15:11,744
>> Keith: WELCOME BACK.
225
00:15:11,810 --> 00:15:15,414
NOW, I HAD THE PLEASURE OF
WORKING WITH THIS ARTIST ON A
226
00:15:15,481 --> 00:15:17,950
SONG NOMINATED FOR VOCAL EVENT
OF THE YEAR.
227
00:15:18,017 --> 00:15:21,954
HE'S ALSO ONE OF OUR REIGNING
ENTERTAINERS OF THE YEAR.
228
00:15:22,021 --> 00:15:23,856
PLEASE MAKE HIM
WELCOME, THOMAS RHETT.
229
00:15:23,922 --> 00:15:37,002
( APPLAUSE )
♪ ♪ ♪
230
00:15:37,069 --> 00:15:43,442
♪ I QUIT HUNTING WITH MY DADDY
GUESS I DIDN'T MAKE THE TIME
231
00:15:43,509 --> 00:15:46,111
♪ AND ITS BEEN A YEAR
SINCE I'VE SEEN A DEER
232
00:15:46,178 --> 00:15:52,518
♪ HAD A SMALLMOUTH ON THE LINE
THE OTHER DAY
233
00:15:52,584 --> 00:15:55,254
♪ I HOOKED A MONSTER
AND AS I REELED HIM IN
234
00:15:55,321 --> 00:16:05,197
♪ I THOUGHT 'MAN IT FEELS GOOD
TO BE COUNTRY AGAIN'
235
00:16:05,264 --> 00:16:07,433
♪ I SPENT WAY LESS TIME
IN NASHVILLE
236
00:16:07,499 --> 00:16:10,703
♪ AND MORE TIME IN L.A.
237
00:16:10,769 --> 00:16:13,205
MY BACK HOME BUDDIES
♪ THEY QUIT CALLIN'
238
00:16:13,272 --> 00:16:16,742
THOUGHT I HAD TOO MUCH
♪ ON MY PLATE
239
00:16:16,809 --> 00:16:19,445
BUT LAST NIGHT, WE
♪ CRACKED SOME COLD BEERS
240
00:16:19,511 --> 00:16:25,217
AND CRACKED ERIC CHURCH TO TEN
♪ THOUGHT, MAN, IT FEELS GOOD
241
00:16:25,284 --> 00:16:29,221
TO BE COUNTRY AGAIN
♪ YEAH, I LOVE ME SOME
242
00:16:29,288 --> 00:16:33,192
CALIFORNIA
♪ BUT IT SURE AIN'T
243
00:16:33,258 --> 00:16:36,528
TENNESSEE
♪ AND MY ROOTS DOWN THERE
244
00:16:36,595 --> 00:16:41,200
IN GEORGIA
♪ YEAH THEY STARTED MISSIN' ME
245
00:16:41,266 --> 00:16:43,702
AND I WOULDN'T CHANGE
♪ THE THINGS I'VE DONE
246
00:16:43,769 --> 00:16:49,208
OR THE PLACES THAT I'VE BEEN
♪ MAN, IT FEELS GOOD TO BE
247
00:16:49,274 --> 00:16:55,447
COUNTRY AGAIN
♪ ♪ ♪
248
00:16:55,514 --> 00:17:01,220
♪ MAN, IT FEELS GOOD TO BE
COUNTRY AGAIN ♪
249
00:17:01,286 --> 00:17:09,194
♪ ♪ ♪
♪ ♪ ♪
250
00:17:09,261 --> 00:17:16,235
♪ ♪ ♪
HOW WE FEELING
251
00:17:16,301 --> 00:17:19,438
♪ ♪ ♪
♪ DID YOU GROW UP ON A TRACTOR
252
00:17:19,505 --> 00:17:24,376
DID YOUR DADDY LET YOU DRIVE
♪ ARE YOU WHISKEY-BENT AND
253
00:17:24,443 --> 00:17:27,112
HELL-BOUND
♪ EVEN THOUGH YOUR MAMA TRIED
254
00:17:27,179 --> 00:17:33,218
DID YOU CRUISE DOWN A BACK ROAD
♪ WITH YOUR DIXIELAND DELIGHT
255
00:17:33,285 --> 00:17:39,425
ARE YOU ON THE CHATTAHOOCHEE
♪ ON A BAREFOOT, BLUE JEAN NIGHT
256
00:17:39,491 --> 00:17:41,593
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
257
00:17:41,660 --> 00:17:48,033
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
258
00:17:48,100 --> 00:17:50,536
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
259
00:17:50,602 --> 00:17:53,205
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
260
00:17:53,272 --> 00:17:57,976
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
261
00:17:58,043 --> 00:18:07,453
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH, WHAT'S YOUR COUNTRY SONG
262
00:18:07,519 --> 00:18:09,488
♪ DO YOUR EXES LIVE IN TEXAS
ARE YOU SO LONESOME
263
00:18:09,555 --> 00:18:13,192
♪ YOU COULD CRY
ARE YOU HEARTBROKE
264
00:18:13,258 --> 00:18:16,395
♪ 'CAUSE YOU KNOW
THAT AIN'T YOUR TRUCK
265
00:18:16,462 --> 00:18:19,331
♪ IN HER DRIVE
ARE YOUR FRIENDS
266
00:18:19,398 --> 00:18:25,037
♪ ALL IN LOW PLACES
UNDERNEATH THE NEON MOON
267
00:18:25,103 --> 00:18:29,074
♪ WERE YOU ALREADY COUNTRY
BACK WHEN COUNTRY WASN'T COOL
268
00:18:29,141 --> 00:18:31,009
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
269
00:18:31,076 --> 00:18:36,949
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
270
00:18:37,015 --> 00:18:40,185
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
271
00:18:40,252 --> 00:18:43,455
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
272
00:18:43,522 --> 00:18:47,559
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
273
00:18:47,626 --> 00:18:54,366
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH WHAT'S YOUR COUNTRY SONG
274
00:18:54,433 --> 00:19:00,873
MAKE SOME NOISE AT THE ACM'S
♪ ♪ ♪
275
00:19:00,939 --> 00:19:05,210
♪ ♪ ♪
♪ WHO'S YOUR STRAWBERRY WINE
276
00:19:05,277 --> 00:19:09,214
WHAT'S YOUR FAMILY TRADITION
♪ WHAT MAKES YOU TURN IT UP
277
00:19:09,281 --> 00:19:13,218
MAKES YOU RAISE YOUR CUP
♪ EVERY TIME YOU LISTEN
278
00:19:13,285 --> 00:19:15,454
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
279
00:19:15,521 --> 00:19:21,326
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
280
00:19:21,393 --> 00:19:24,329
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
281
00:19:24,396 --> 00:19:26,098
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
282
00:19:26,164 --> 00:19:31,803
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
283
00:19:31,870 --> 00:19:45,217
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH, WHAT'S YOUR COUNTRY SONG ♪
284
00:19:45,284 --> 00:19:49,955
♪ ♪ ♪
( CHEERS AND APPLAUSE )
285
00:19:50,022 --> 00:19:53,191
>> THANK YOU SO MUCH, LOVE
Y'ALL.
286
00:19:53,258 --> 00:19:55,861
>> AND NOW TO
>> AND NOW, OVER TO THE
287
00:19:55,928 --> 00:20:01,600
LEGENDARY BLUEBIRD CAFÉ FOR
MIRANDA LAMBERT AND CHRIS
288
00:20:01,667 --> 00:20:04,836
STAPLETON.
289
00:20:04,903 --> 00:20:09,207
♪ LET ME TELL YOU A STORY
ABOUT AN OLD FRIEND OF MINE
290
00:20:09,274 --> 00:20:12,811
♪ SOMEBODY LEFT HER IN
A SHOPPING CART
291
00:20:12,878 --> 00:20:15,981
♪ IN A PARKING LOT
FOR US TO FIND
292
00:20:16,048 --> 00:20:23,522
♪ JUST A FUZZY BLACK PUP
SHE WAS HUNGRY AND FEELING ALONE
293
00:20:23,589 --> 00:20:31,430
♪ WE PUT HER IN THE BACK SEAT
TOLD HER WE WERE TAKING HER HOME
294
00:20:31,496 --> 00:20:37,202
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
295
00:20:37,269 --> 00:20:48,180
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
296
00:20:48,246 --> 00:20:53,218
♪ A FEW KIDS LATER
WE MOVED OUT ON THE FARM
297
00:20:53,285 --> 00:20:55,854
♪ AND SHE FOLLOWED THOSE
KIDS AROUND, YEAH
298
00:20:55,921 --> 00:21:02,894
♪ SHE KEPT THEM SAFE FROM HARM
AND SHE LOVED TO CHASE SQUIRRELS
299
00:21:02,961 --> 00:21:10,969
♪ AND PLAYING OUT IN THE SNOW
SHE'D TAKE OFF LIKE A BULLET
300
00:21:11,036 --> 00:21:17,109
♪ MAN, YOU SHOULD HAVE
SEEN HER GO
301
00:21:17,175 --> 00:21:21,279
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
302
00:21:21,346 --> 00:21:29,221
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
303
00:21:29,287 --> 00:21:37,195
♪ ♪ ♪
♪ ♪ ♪
304
00:21:37,262 --> 00:21:45,203
♪ ♪ ♪
♪ ♪ ♪
305
00:21:45,270 --> 00:21:52,544
♪ IT WAS RAINING ON A MONDAY
THE DAY THAT MAGGIE DIED
306
00:21:52,611 --> 00:21:54,713
♪SHE WOKE UP AND COULDN'T
USE HER LEGS
307
00:21:54,780 --> 00:22:01,787
♪ SO I LAID DOWN BY HER SIDE
SHE PUT HER HEAD ON MY HAND
308
00:22:01,853 --> 00:22:09,227
♪ LIKE SHE'D DONE SO MANY TIMES
I TOLD HER SHE WAS A GOOD DOG
309
00:22:09,294 --> 00:22:17,135
♪ THEN I TOLD HER GOODBYE
RUN, MAGGIE, RUN
310
00:22:17,202 --> 00:22:19,938
♪ WITH THE HEART
OF A REBEL CHILD
311
00:22:20,005 --> 00:22:29,214
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
312
00:22:29,281 --> 00:22:37,222
♪ I HAD A REVELATION
AS THE TRACTOR DUG A HOLE
313
00:22:37,289 --> 00:22:43,462
♪ I CAN TELL YOU RIGHT NOW
THAT A DOG HAS A SOUL
314
00:22:43,528 --> 00:22:50,135
♪ AND I THOUGHT TO MYSELF
AS WE BURIED HER ON THE HILL
315
00:22:50,202 --> 00:22:57,209
♪ I NEVER KNEW ME A BETTER DOG
AND I GUESS I NEVER WILL
316
00:22:57,275 --> 00:23:05,217
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
317
00:23:05,283 --> 00:23:13,191
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
318
00:23:13,258 --> 00:23:19,464
♪ OH, RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
319
00:23:19,531 --> 00:23:25,203
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE
320
00:23:25,270 --> 00:23:34,079
♪ AS YOU ARE WILD ♪
( APPLAUSE )
321
00:23:34,146 --> 00:23:35,547
>> Mickey: HEY, Y'ALL.
322
00:23:35,614 --> 00:23:37,182
I'M AT THE HISTORIC RYMAN
AUDITORIUM FOR A VERY SPECIAL
323
00:23:37,249 --> 00:23:40,318
PERFORMANCE.
324
00:23:40,385 --> 00:23:42,587
MAREN MORRIS AND RYAN HURD
RECENTLY COLLABORATED ON TWO
325
00:23:42,654 --> 00:23:44,289
GREAT PROJECTS.
326
00:23:44,356 --> 00:23:49,060
FIRST WAS THEIR BABY, HAYES
ANDREW HURD; AND SECOND IS THEIR
327
00:23:49,127 --> 00:23:52,230
FIRST EVER DUET, “CHASING AFTER
YOU.”
328
00:23:52,297 --> 00:23:55,433
THEY'RE ONE OF MY FAVORITE
MARRIED COUPLES.
329
00:23:55,500 --> 00:23:57,869
THEY'RE BOTH SO TALENTED, AND
SHE'S ALWAYS BEEN THERE FOR ME.
330
00:23:57,936 --> 00:24:05,010
HERE ARE MAREN MORRIS AND RYAN
HURD.
331
00:24:05,076 --> 00:24:12,784
( APPLAUSE )
♪ ♪ ♪
332
00:24:12,851 --> 00:24:19,157
♪ ♪ ♪
♪ ♪ ♪
333
00:24:19,224 --> 00:24:21,326
♪ ♪ ♪
♪ YOU COME OVER WHEN
334
00:24:21,393 --> 00:24:25,163
YOUR WINE'S ALL GONE
♪ ALWAYS CATCH ME WHEN I'M
335
00:24:25,230 --> 00:24:29,167
NOT THAT STRONG
♪ THEN YOU WIND UP STAYIN'
336
00:24:29,234 --> 00:24:34,573
ALL NIGHT LONG
♪ AIN'T NOTHIN' NEW
337
00:24:34,639 --> 00:24:37,175
THEN I WAKE UP WITH YOU
♪ ON MY CHEST
338
00:24:37,242 --> 00:24:41,179
YOU GOT A WAY OF
♪ MAKIN' ME FORGET
339
00:24:41,246 --> 00:24:45,183
GIRL, WITH YOU THE ANSWER'S
♪ ALWAYS YES
340
00:24:45,250 --> 00:24:49,187
EVERY TIME YOU CALL
♪ BUT I KNOW, YEAH I KNOW
341
00:24:49,254 --> 00:24:51,957
IT'S A MATTER OF TIME
♪ 'TIL YOU WALK, 'TIL YOU WALK
342
00:24:52,023 --> 00:24:57,162
BACK OUTTA MY LIFE
♪ LEAVE ME STANDIN' HERE LONELY
343
00:24:57,229 --> 00:25:05,170
FEELIN' LIKE A FOOL, MM-MM
♪ EVERY TIME, EVERY TIME
344
00:25:05,237 --> 00:25:07,439
YOU SAY WE'RE DONE
♪ YOU COME BACK TO THE LOVE
345
00:25:07,505 --> 00:25:13,178
YOU WERE RUNNIN' FROM
♪ DON'T KNOW WHY, DON'T KNOW WHY
346
00:25:13,245 --> 00:25:17,182
I LET YOU, BUT I DO
♪ GUESS I LOVE CHASIN'
347
00:25:17,249 --> 00:25:25,190
AFTER YOU, MM-MM
♪ LISTEN, WISH I COULD QUIT YOU
348
00:25:25,257 --> 00:25:29,461
BUT IT FEEL TOO GOOD
♪ IF I COULD TURN IT OFF
349
00:25:29,527 --> 00:25:33,164
YOU KNOW I WOULD
♪ BUT SOMETHIN' 'BOUT YOU
350
00:25:33,231 --> 00:25:39,537
MAKES ME THINK WE COULD
♪ MAKE IT AFTER ALL
351
00:25:39,604 --> 00:25:43,008
BUT I KNOW, YEAH I KNOW
♪ IT'S A MATTER OF TIME
352
00:25:43,074 --> 00:25:45,176
'TIL YOU WALK, 'TIL YOU WALK
♪ BACK OUTTA MY LIFE
353
00:25:45,243 --> 00:25:53,184
LEAVE ME STANDIN' HERE LONELY
♪ FEELIN' LIKE A FOOL
354
00:25:53,251 --> 00:25:57,188
EVERY TIME, EVERY TIME
♪ YOU SAY WE'RE DONE
355
00:25:57,255 --> 00:25:59,991
YOU COME BACK TO THE LOVE
♪ YOU WERE RUNNIN' FROM
356
00:26:00,058 --> 00:26:05,196
DON'T KNOW WHY, DON'T KNOW WHY
♪ I LET YOU BUT I DO
357
00:26:05,263 --> 00:26:12,671
'CAUSE I LOVE CHASIN'
AFTER YOU
358
00:26:12,737 --> 00:26:17,175
♪ ♪ ♪
OOOH
359
00:26:17,242 --> 00:26:25,183
OH, YEAH
OOOH
360
00:26:25,250 --> 00:26:29,187
♪ YOU COME OVER WHEN
YOUR WINE'S ALL GONE
361
00:26:29,254 --> 00:26:32,691
♪ ALWAYS CATCH ME WHEN I'M
NOT THAT STRONG
362
00:26:32,757 --> 00:26:37,162
♪ THEN YOU WIND UP STAYIN'
ALL NIGHT LONG
363
00:26:37,228 --> 00:26:41,166
♪ AIN'T NOTHIN' NEW
BUT I KNOW, YEAH I KNOW
364
00:26:41,232 --> 00:26:45,170
♪ IT'S A MATTER OF TIME
'TIL YOU WALK, 'TIL YOU WALK
365
00:26:45,236 --> 00:26:49,174
♪ BACK OUTTA MY LIFE
LEAVE ME STANDIN' HERE LONELY
366
00:26:49,240 --> 00:26:53,178
♪ FEELIN' LIKE A FOOL
YEAH
367
00:26:53,244 --> 00:26:57,182
♪ EVERY TIME, EVERY TIME
YOU SAY WE'RE DONE
368
00:26:57,248 --> 00:27:00,085
♪ YOU COME BACK TO THE LOVE
YOU WERE RUNNIN' FROM
369
00:27:00,151 --> 00:27:05,390
♪ DON'T KNOW WHY, DON'T KNOW WHY
I LET YOU DO, BUT I DO
370
00:27:05,457 --> 00:27:10,595
♪ GUESS I LOVE CHASIN'
AFTER YOU
371
00:27:10,662 --> 00:27:21,206
♪ I LOVE CHASIN' AFTER YOU ♪
♪ ♪ ♪
372
00:27:21,272 --> 00:27:31,249
♪ OOOH ♪
( CHEERS AND APPLAUSE )
373
00:27:31,316 --> 00:27:38,757
♪ OOOH ♪
( CHEERS AND APPLAUSE )
374
00:27:38,823 --> 00:27:43,762
>> Announcer: AND NOW, LET'S GO
DOWN TO THE RIVERFRONT FOR A
375
00:27:43,828 --> 00:27:49,167
PERFORMANCE BY NOMINEE TONIGHT,
LADY A.
376
00:27:49,234 --> 00:27:55,440
♪ LADY
♪ ♪ ♪
377
00:27:55,507 --> 00:27:59,778
LADY
♪ BOY
378
00:27:59,844 --> 00:28:05,083
I'M NOT THE KIND OF GIRL
♪ TO GO AND FIGHT FOR
379
00:28:05,150 --> 00:28:09,187
ALL YOUR ATTENTION
MMM, MMM
380
00:28:09,254 --> 00:28:12,424
♪ I'M NOT TOO AFRAID
TO CALL THIS OFF
381
00:28:12,490 --> 00:28:17,162
♪ AND GO SEE
WHAT I'VE BEEN MISSING
382
00:28:17,228 --> 00:28:20,165
MMM, MMM
♪ LEAVE THE DRESS AT HOME
383
00:28:20,231 --> 00:28:25,437
'CAUSE IT MAKES ME TOO POLITE
♪ NO MORE WAITIN' BY THE PHONE
384
00:28:25,503 --> 00:28:31,443
I'M STEPPIN' OUT TONIGHT
♪ 'CAUSE I FEEL LIKE A LADY
385
00:28:31,509 --> 00:28:33,578
SIPPIN' ON TEQUILA
♪ WITH MY LEVI'S ON
386
00:28:33,645 --> 00:28:37,315
A LADY
♪ SINGIN' TO THE MUSIC
387
00:28:37,382 --> 00:28:40,652
PLAYIN' ALL NIGHT LONG
♪ YEAH, I'M FEELIN' RIGHT
388
00:28:40,718 --> 00:28:43,455
I'M LIVIN' MY LIFE
♪ I DO WHAT I LIKE
389
00:28:43,521 --> 00:28:49,160
'CAUSE I FEEL LIKE A LADY
LADY
390
00:28:49,227 --> 00:28:53,164
♪ TREAT MYSELF TO
WHAT'S UP ON THE HIGHEST SHELF
391
00:28:53,231 --> 00:28:58,603
♪ I WANT IT, I GET IT
MMM, MMM
392
00:28:58,670 --> 00:29:05,176
♪ I MIGHT LOOK LIKE I'M LONELY
BUT I'M ONLY
393
00:29:05,243 --> 00:29:08,546
♪ LOVING EVERY MINUTE
OOH, BABY
394
00:29:08,613 --> 00:29:13,518
♪ LEAVE THE HEELS AT HOME
'CAUSE THEY NEVER DO ME RIGHT
395
00:29:13,585 --> 00:29:19,457
♪ GO OUT DANCING ON MY OWN
MAN, THESE HIPS DON'T LIE
396
00:29:19,524 --> 00:29:23,194
♪ 'CAUSE I FEEL LIKE A LADY
SIPPIN' ON TEQUILA
397
00:29:23,261 --> 00:29:26,898
♪ WITH MY LEVI'S ON
A LADY
398
00:29:26,965 --> 00:29:29,067
♪ SINGIN' TO THE MUSIC
PLAYIN' ALL NIGHT LONG
399
00:29:29,134 --> 00:29:31,336
♪ YEAH, I'M FEELIN' RIGHT
I'M LIVIN' MY LIFE
400
00:29:31,402 --> 00:29:37,075
♪ I DO WHAT I LIKE
'CAUSE I FEEL LIKE A LADY
401
00:29:37,142 --> 00:29:41,479
LADY
♪ FEEL LIKE A LADY
402
00:29:41,546 --> 00:29:49,087
A LADY, YEAH
♪ ♪ ♪
403
00:29:49,154 --> 00:29:55,326
♪ ♪ ♪
♪ ♪ ♪
404
00:29:55,393 --> 00:29:57,295
♪ MIGHT CHANGE MY HAIR
AND CHANGE MY MIND
405
00:29:57,362 --> 00:29:59,531
♪ MIGHT CHANGE YOUR
WHOLE DAMN LIFE
406
00:29:59,597 --> 00:30:03,368
♪ I MIGHT BREAK YOUR HEART
AND NOT THINK TWICE
407
00:30:03,434 --> 00:30:06,137
♪ THAT'S RIGHT
I'M A LADY
408
00:30:06,204 --> 00:30:09,073
♪ SIPPIN' ON TEQUILA
WITH MY LEVI'S ON
409
00:30:09,140 --> 00:30:13,344
♪ A LADY
SINGIN' TO THE MUSIC
410
00:30:13,411 --> 00:30:16,915
♪ PLAYIN' ALL NIGHT LONG
YEAH, I'M FEELIN' RIGHT
411
00:30:16,981 --> 00:30:18,183
♪ I'M LIVIN' MY LIFE
I DO WHAT I LIKE
412
00:30:18,249 --> 00:30:25,723
♪ 'CAUSE I FEEL LIKE A LADY
LADY, YEAH
413
00:30:25,790 --> 00:30:29,827
♪ I FEEL LIKE
FEEL LIKE A LADY
414
00:30:29,894 --> 00:30:37,001
♪ I FEEL LIKE
I FEEL LIKE A LADY
415
00:30:37,068 --> 00:30:41,706
♪ LIKE A LADY
I FEEL LIKE A LADY ♪
416
00:30:41,773 --> 00:30:45,710
I FEEL LIKE A LADY
I FEEL LIKE A LADY ♪
417
00:30:45,777 --> 00:30:49,714
( CHEERS AND APPLAUSE )
>> Announcer: DIERKS BENTLEY IS
418
00:30:49,781 --> 00:30:53,084
COMING UP WITH THE WAR AND
TREATY, PLUS DOLLY PARTON.
419
00:30:53,151 --> 00:30:56,654
THEN, CARRIE UNDERWOOD TAKES THE
GRAND OLE OPRY HOUSE STAGE.
420
00:30:56,721 --> 00:31:00,858
WITH C.E.O. C.E.O. WINANS,
LATER, THANKS TO FORD, AN
421
00:31:00,925 --> 00:31:03,995
EMOTIONAL PERFORMANCE BY LUKE
COMBS.
422
00:31:04,062 --> 00:31:08,466
THIS IS CBS.
423
00:31:08,533 --> 00:31:09,634
>> THERE ARE MORE THAN 2,000
COUNTRY RADIO STATIONS ACROSS
424
00:31:09,701 --> 00:31:13,304
THE U.S. AND MORE THAN 76
MILLION LYAL LISTENERS.
425
00:31:13,371 --> 00:31:17,909
THE ACADEMY SALUTES THIS YEAR'S
WINNERS FOR ON AIR PERSONALITIES
426
00:31:17,976 --> 00:31:26,751
OF THE YEAR.
427
00:31:26,818 --> 00:31:28,186
>> I AM SO EXCITED.
428
00:31:28,253 --> 00:31:30,154
>> BUZZ JACKSON.
429
00:31:30,221 --> 00:31:31,256
>> THANK YOU SO MUCH.
430
00:31:31,322 --> 00:31:32,490
>> STEVE, BEN AND NIKKI.
431
00:31:32,557 --> 00:31:36,728
>> THANK YOU SO MUCH, WE LOVE
IT, MAN.
432
00:31:36,794 --> 00:31:39,597
>> Announcer: THE 56th ACM
AWARDS
433
00:31:39,664 --> 00:31:42,400
SPONSORED BY EMGALITY.
434
00:31:47,472 --> 00:31:50,541
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
435
00:31:50,608 --> 00:31:50,708
CONTINUE.
THIS IS CBS.
436
00:31:56,914 --> 00:31:59,584
>> Announcer: WELCOME BACK TO
THE A.C.M. AWARDS.
437
00:31:59,651 --> 00:32:03,721
AND NOW, FROM NASHVILLE'S FAMOUS
BLUEBIRD CAFÉ, HERE'S NEW FEMAL
438
00:32:03,788 --> 00:32:07,225
ARTIST WINNER, GABBY BARRETT.
439
00:32:07,292 --> 00:32:15,233
♪ ♪ ♪
♪ HE'S A PHONE CALL TO
440
00:32:15,300 --> 00:32:19,237
HIS PARENTS
♪ HE'S A BIBLE BY THE BED
441
00:32:19,304 --> 00:32:23,241
HE'S THE TEE SHIRT
♪ THAT I'M WEARIN'
442
00:32:23,308 --> 00:32:30,448
HE'S THE SONG STUCK IN MY HEAD
♪ HE'S SOLID AND HE'S STEADY
443
00:32:30,515 --> 00:32:33,184
LIKE THE ALLEGHENY RUNS
♪ HE KNOWS JUST WHERE
444
00:32:33,251 --> 00:32:35,219
HE'S GOIN'
♪ AND HE'S PROUD OF
445
00:32:35,286 --> 00:32:42,860
WHERE HE'S FROM
♪ ONE OF THE GOOD ONES
446
00:32:42,927 --> 00:32:47,231
HE'S ONE OF THE GOOD ONES
♪ A LOVE-ME-LIKE-HE-SHOULD ONE
447
00:32:47,298 --> 00:32:51,235
LIKE-HE-WROTE-THE-BOOK ONE
♪ THE KIND YOU FIND WHEN YOU
448
00:32:51,302 --> 00:32:59,210
DON'T EVEN LOOK ONE
♪ ANYBODY CAN BE GOOD ONCE
449
00:32:59,277 --> 00:33:07,218
BUT HE'S GOOD ALL THE TIME
♪ HE'S ONE OF THE GOOD ONES
450
00:33:07,285 --> 00:33:09,954
AND HE'S ALL MINE
♪ WE SHOULD ALL
451
00:33:10,021 --> 00:33:15,693
FIND US ONE
♪ THEY'RE OUT THERE
452
00:33:15,760 --> 00:33:25,336
MINUS ONE
♪ SOME OF THE GOOD ONES
453
00:33:25,403 --> 00:33:32,643
YEAH, I GOT A GOOD ONE
♪ A LOVE-ME-LIKE-HE-SHOULD ONE
454
00:33:32,710 --> 00:33:39,083
LIKE-HE-WROTE-THE-BOOK ONE
♪ THE KIND YOU FIND WHEN YOU
455
00:33:39,150 --> 00:33:47,024
DON'T EVEN LOOK
♪ ANYBODY CAN BE GOOD ONCE
456
00:33:47,091 --> 00:33:59,036
BUT HE'S GOOD ALL THE TIME
♪ HE'S ONE OF THE GOOD ONES
457
00:33:59,103 --> 00:34:11,182
AND HE'S ALL MINE ♪
( APPLAUSE )
458
00:34:11,249 --> 00:34:15,019
>> AND NOW, LET'S GO BACK TO
THE GRAND OLE OPRY HOUSE.
459
00:34:15,086 --> 00:34:21,492
AND TO PRESENT OUR NEXT AWARD,
DARIUS RUCKER.
460
00:34:21,559 --> 00:34:24,429
♪ ♪ ♪
( CHEERS AND APPLAUSE )
461
00:34:24,495 --> 00:34:27,031
>> THESE ARE THE SONGS GAVE US
GREAT EMOTIONAL CONNECTIONS AND
462
00:34:27,098 --> 00:34:28,299
REASONS TO SMILE.
463
00:34:28,366 --> 00:34:32,270
HERE ARE THE NOMINEES FOR SONG
OF THE YEAR.
464
00:34:32,336 --> 00:34:35,473
>> Announcer: “BLUEBIRD,” BY
MIRANDA LAMBERT.
465
00:34:35,540 --> 00:34:46,050
SONGWRITERS: LUKE DICK, MIRANDA
LAMBERT, NATALIE HEMBY“
466
00:34:46,117 --> 00:34:49,487
ONE NIGHT STANDARDS,” BY ASHLEY
McBRYDE.
467
00:34:49,554 --> 00:34:55,026
SONGWRITERS: ASHLEY McBRYDE,
NICOLETTE HAYFORD, SHANE
468
00:34:55,092 --> 00:35:06,204
McANALLY.“
SOME PEOPLE DO,” BY OLD
469
00:35:06,270 --> 00:35:07,405
DOMINION.
470
00:35:07,472 --> 00:35:11,042
SONGWRITERS: JESSE FRASURE, MATT
RAMSEY, THOMAS RHETT, SHANE
471
00:35:11,108 --> 00:35:21,052
McANALLY.“
STARTING OVER,” BY CHRIS
472
00:35:21,118 --> 00:35:22,753
STAPLETON.
473
00:35:22,820 --> 00:35:31,662
SONGWRITERS: CHRIS STAPLETON,
MIKE HENDERSON.“
474
00:35:31,729 --> 00:35:35,032
THE BONES,” BY MAREN MORRIS.
475
00:35:35,099 --> 00:35:44,809
SONGWRITERS: JIMMY ROBBINS,
MAREN MORRIS, LAURA VELTZ.
476
00:35:44,876 --> 00:35:51,148
>> AND THE A.C.M. SONG OF THE
YEAR GOES TO:“
477
00:35:51,215 --> 00:35:55,019
THE BONES,” BY MAREN MORRIS.
478
00:35:55,086 --> 00:36:03,895
♪ ♪ ♪
( CHEERS AND APPLAUSE )
479
00:36:03,961 --> 00:36:13,938
♪ ♪ ♪
( CHEERS AND APPLAUSE )
480
00:36:14,005 --> 00:36:19,010
♪ ♪ ♪
( CHEERS AND APPLAUSE )
481
00:36:19,076 --> 00:36:21,178
>> THANK YOU.
482
00:36:21,245 --> 00:36:24,916
THIS IS, THIS IS REALLY
BITTERSWEET BECAUSE I DIDN'T
483
00:36:24,982 --> 00:36:28,019
WRITE THIS JUST BY MYSELF, AND
EACH TIME I'VE BEEN SO LUCKY TO
484
00:36:28,085 --> 00:36:35,760
ACCEPT AN AWARD FOR THIS SONG,
MY COWRITERS LAURA VELTZ AND
485
00:36:35,826 --> 00:36:41,198
JIMMY ROBYNS HAVE NOT BEEN ABLE
TO BE HERE, THANK YOU FOR THE
486
00:36:41,265 --> 00:36:42,366
ACMS FOR KEEPING US SAFE, THIS
SO MEANINGFUL TO ME, SONG OF THE
487
00:36:42,433 --> 00:36:44,969
YEAR IS SOMETHING THAT I HAVE
JUST DREAMT OF FOR SO LONG.
488
00:36:45,036 --> 00:36:50,107
AND I FEEL LIKE WITH THIS SONG,
WITH "THE BONES" I WROTE T I WAS
489
00:36:50,174 --> 00:36:57,248
DATING MY NOW HUSBAND, AND IT
WAS JUST A SONG TO HIM.
490
00:36:57,315 --> 00:37:00,051
AND I FEEL SOMETIMES LIKE SONGS
KNOW YOU BETTER THAN YOU KNOW
491
00:37:00,117 --> 00:37:01,252
THEM AT THE TIME.
492
00:37:01,319 --> 00:37:03,688
AND I FEEL LIKE THIS SONG HAS
REVEALED SO MANY NEW THINGS TO
493
00:37:03,754 --> 00:37:07,858
ME THAT I DIDN'T KNOW WERE
POSSIBLE THE DAY I WROTE IT.
494
00:37:07,925 --> 00:37:10,928
AND THIS HAS JUST BEEN A HELL OF
A YEAR.
495
00:37:10,995 --> 00:37:15,499
AND HOPEFULLY COUNTRY MUSIC AND
MAYBE EVEN THIS SONG BROUGHT YOU
496
00:37:15,566 --> 00:37:18,069
AND YOUR FAMILY AND FRIENDS SOME
PEACE.
497
00:37:18,135 --> 00:37:21,739
SO THANK YOU SO MUCH.
498
00:37:21,806 --> 00:37:23,341
( CHEERS AND APPLAUSE )
>> Announcer: LET'S GO TO
499
00:37:23,407 --> 00:37:25,176
NASHVILLE'S FAMOUS STATION INN
AND MALE ARTIST OF THE YEAR
500
00:37:25,242 --> 00:37:32,850
NOMINEE, DIERKS BENTLEY, JOINED
BY THE WAR AND TREATY.
501
00:37:32,917 --> 00:37:35,953
WELCOME
TO THE STAKES INN.
502
00:37:36,020 --> 00:37:39,790
I FIRST CAME IN THIS BAR WHEN I
WAS ABOUT 19 YEARS OLD LOOKING
503
00:37:39,857 --> 00:37:41,058
FOR SOMETHING.
504
00:37:41,125 --> 00:37:43,995
AND I FOUND IT IN THE MUSIC HERE
AND I FOUND IT IN THE BLUEGRASS
505
00:37:44,061 --> 00:37:46,897
COMMUNITY AND WE RECENTLY LOST
THE LEADER OF THAT BLUEGRASS
506
00:37:46,964 --> 00:37:51,002
COMMUNITY AND THE OWNER OF THIS
BAR, MR. JT GRAY SO WE WILL BE
507
00:37:51,068 --> 00:38:01,712
THINKING OF HIM TONIGHT AS WE
SING THIS SONG.
508
00:38:01,779 --> 00:38:12,056
♪ ♪ ♪
♪ ♪ ♪
509
00:38:12,123 --> 00:38:16,293
♪ ♪ ♪
♪ ONE MAN COME
510
00:38:16,360 --> 00:38:21,732
IN THE NAME OF LOVE
♪ ONE MAN COME AND GO
511
00:38:21,799 --> 00:38:25,736
ONE MAN COME
♪ HERE TO JUSTIFY
512
00:38:25,803 --> 00:38:33,711
ONE MAN TO OVERTHROW
♪ IN THE NAME OF LOVE
513
00:38:33,778 --> 00:38:40,918
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
514
00:38:40,985 --> 00:38:49,727
WHAT MORE IN THE NAME OF LOVE
♪ ONE MAN CAUGHT
515
00:38:49,794 --> 00:38:54,065
ON A BARBED WIRE FENCE
♪ ONE MAN, HE RESIST
516
00:38:54,131 --> 00:39:00,037
ONE MAN WASHED
♪ ON AN EMPTY BEACH
517
00:39:00,104 --> 00:39:06,177
ONE MAN BETRAYED WITH A KISS
♪ IN THE NAME OF LOVE
518
00:39:06,243 --> 00:39:17,722
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
519
00:39:17,788 --> 00:39:25,730
WHAT MORE IN THE NAME OF LOVE
♪ ♪ ♪
520
00:39:25,796 --> 00:39:36,040
♪ ♪ ♪
♪ ♪ ♪
521
00:39:36,107 --> 00:39:45,716
♪ ♪ ♪
♪ ♪ ♪
522
00:39:45,783 --> 00:39:53,724
♪ ♪ ♪
♪ ♪ ♪
523
00:39:53,791 --> 00:40:01,732
♪ ♪ ♪
OOH,OOH
524
00:40:01,799 --> 00:40:09,006
♪ OOH, OOH
♪ EARLY EVENING, APRIL 4
525
00:40:09,073 --> 00:40:10,174
SHOT RINGS OUT
♪ IN THE MEMPHIS SKY
526
00:40:10,241 --> 00:40:14,245
YEAH
♪ FREE AT LAST
527
00:40:14,311 --> 00:40:19,717
THEY TOOK YOUR LIFE
♪ BUT THEY COULD NOT TAKE
528
00:40:19,784 --> 00:40:23,921
YOUR PRIDE
♪ IN THE NAME OF LOVE
529
00:40:23,988 --> 00:40:32,429
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
530
00:40:32,496 --> 00:40:43,707
WHAT MORE IN THE NAME OF LOVE ♪
♪ ♪ ♪
531
00:40:43,774 --> 00:40:51,715
♪ ♪ ♪
♪ ♪ ♪
532
00:40:51,782 --> 00:40:59,123
♪ ♪ ♪
♪ ♪ ♪
533
00:40:59,190 --> 00:41:03,727
♪ ♪ ♪
♪ ♪ ♪
534
00:41:03,794 --> 00:41:11,735
♪ ♪ ♪
♪ ♪ ♪
535
00:41:11,802 --> 00:41:18,375
♪ ♪ ♪
( CHEERS AND APPLAUSE )
536
00:41:18,442 --> 00:41:22,146
>> Announcer: CARRIE UNDERWOOD
WITH A SPECIAL PERFORMANCE
537
00:41:22,213 --> 00:41:23,714
FEATURING CECE WINANS.
AND ERIC CHURCH AT THE RYMAN
538
00:41:23,781 --> 00:41:25,282
AUDITORIUM.
539
00:41:25,349 --> 00:41:27,718
PLUS, DAN + SHAY.
LATER, THANKS TO FORD, WE RETURN
540
00:41:27,785 --> 00:41:30,988
TO THE NASHVILLE RIVERFRONT FOR
A PERFORMANCE FROM ASHLEY
541
00:41:31,055 --> 00:41:35,125
McBRYDE.
THIS IS CBS.
542
00:41:35,192 --> 00:41:37,862
>> VACCINE, VACCINE, VACCINE,
VACCINE!
543
00:41:37,928 --> 00:41:41,765
I'M BEGGING OF YOU, PLEASE DON'T
HESITATE.
544
00:41:41,832 --> 00:41:46,604
I KNOW I'M TRYING TO BEING FUNNY
NOW, BUT I'M DEAD SERIOUS ABOUT
545
00:41:46,670 --> 00:41:47,805
THE VACCINE.
546
00:41:47,872 --> 00:41:49,306
I JUST WANT TO TO ENCOURAGE
EVERYBODY BECAUSE THE SOONER WE
547
00:41:49,373 --> 00:41:53,110
GET TO FEELING BETTER, THE
SOONER WE ARE GOING TO GET BACK
548
00:41:53,177 --> 00:41:56,814
TO BEING NORMAL.
549
00:41:56,881 --> 00:41:58,816
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS,
550
00:41:58,883 --> 00:42:01,952
SPONSORED BY: T-MOBILE, THE
LEADER IN 5G.
551
00:42:02,019 --> 00:42:06,390
AMERICA'S LARGEST, FASTEST, AND
NOW MOST RELIABLE 5G NETWORK.
552
00:42:09,193 --> 00:42:12,396
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
553
00:42:12,463 --> 00:42:14,164
CONTINUE.
THIS IS CBS
554
00:42:17,301 --> 00:42:19,003
>> WELL, HEY, EVERYBODY.
555
00:42:19,069 --> 00:42:23,340
I AM SO PLEASED AND PROUD TO
INTRODUCE MY DEAR FRIEND, CARRIE
556
00:42:23,407 --> 00:42:24,575
UNDERWOOD, TONIGHT.
557
00:42:24,642 --> 00:42:29,613
I HAVE ALWAYS ADMIRED CARRIE'S
INCREDIBLE TALENT, BUT I AM JUST
558
00:42:29,680 --> 00:42:31,916
AS IMPRESSED WITH HER PERSONAL
QUALITIES-- HER COMPASSION,
559
00:42:31,982 --> 00:42:37,721
KINDNESS, GENEROSITY, AND, MOST
OF ALL, THE POWERFUL FAITH THAT
560
00:42:37,788 --> 00:42:38,923
WE BOTH SHARE.
561
00:42:38,989 --> 00:42:42,860
NOW, HER PERFORMANCE TONIGHT
SPEAKS TO THAT FAITH IN A MEDLEY
562
00:42:42,927 --> 00:42:47,131
FROM HER NEW GOSPEL HYMNS ALBUM,
"MY SAVIOR," WHICH I KNOW IS A
563
00:42:47,197 --> 00:42:51,335
TRUE PASSION PROJECT FOR HER.
564
00:42:51,402 --> 00:42:56,874
LADIES AND GENTLEMEN, CARRIE
UNDERWOOD.
565
00:42:56,941 --> 00:43:07,351
( CHEERS AND APPLAUSE )
♪ AMAZING GRACE
566
00:43:07,418 --> 00:43:19,363
HOW SWEET THE SOUND
♪ THAT SAVED A WRETCH
567
00:43:19,430 --> 00:43:31,709
LIKE ME
♪ I ONCE WAS LOST
568
00:43:31,775 --> 00:43:41,752
BUT NOW I'M FOUND
♪ WAS BLIND, BUT NOW
569
00:43:41,819 --> 00:43:47,358
BUT NOW I'M FOUND
♪ WAS BLIND, BUT NOW
570
00:43:47,424 --> 00:43:59,236
I SEE
♪ ♪ ♪
571
00:43:59,303 --> 00:44:03,107
♪ GREAT IS THY FAITHFULNESS
O GOD MY FATHER
572
00:44:03,173 --> 00:44:11,348
♪ THERE IS NO SHADOW
OF TURNING WITH THEE
573
00:44:11,415 --> 00:44:19,323
♪ THOU CHANGEST NOT
THY COMPASSIONS
574
00:44:19,390 --> 00:44:23,360
♪ THEY FAIL NOT
AS THOU HAST BEEN
575
00:44:23,427 --> 00:44:31,802
♪ THOU FOREVER WILL BE
GREAT IS THY FAITHFULNESS
576
00:44:31,869 --> 00:44:39,343
♪ GREAT IS THY FAITHFULNESS
MORNING BY MORNING
577
00:44:39,410 --> 00:44:47,351
♪ NEW MERCIES I SEE
ALL I HAVE NEEDED
578
00:44:47,418 --> 00:44:55,359
♪ THY HAND HATH PROVIDED
GREAT IS THY FAITHFULNESS
579
00:44:55,426 --> 00:45:05,402
♪ LORD, UNTO ME
SUMMER AND WINTER
580
00:45:05,469 --> 00:45:11,675
♪ LORD, UNTO ME
SUMMER AND WINTER
581
00:45:16,547 --> 00:45:19,349
♪ SPRINGTIME AND HARVEST
SUN, MOON AND STARS
582
00:45:19,416 --> 00:45:25,722
♪ IN THEIR COURSES ABOVE
JOIN WITH ALL NATURE
583
00:45:25,789 --> 00:45:35,332
♪ IN MANIFOLD WITNESS
T THY GREAT FAITHFULNESS
584
00:45:35,399 --> 00:45:43,340
♪ MERCY, AND LOVE
GREAT IS THY FAITHFULNESS
585
00:45:43,407 --> 00:45:47,044
♪ GREAT IS THY FAITHFULNESS
MORNING BY MORNING
586
00:45:47,111 --> 00:45:59,356
♪ NEW MERCIES I SEE
ALL I HAVE NEEDED
587
00:45:59,423 --> 00:46:05,429
♪ THY HAND HATH PROVIDED
GREAT IS THY FAITHFULNESS
588
00:46:05,496 --> 00:46:19,109
GREAT IS THY FAITHFULNESS
♪ GREAT IS THY FAITHFULNESS
589
00:46:19,176 --> 00:46:30,754
( CHEERS AND APPLAUSE )
♪ LORD, UNTO ME
590
00:46:30,821 --> 00:46:31,822
♪ SO I'LL CHERISH
THE OLD RUGGED CROSS
591
00:46:31,889 --> 00:46:37,728
♪ 'TIL MY TROPHIES AT LAST
I LAY DOWN
592
00:46:37,794 --> 00:46:42,966
♪ I WILL CLING TO THE
OLD RUGGED CROSS
593
00:46:43,033 --> 00:46:54,878
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN
594
00:46:54,945 --> 00:46:59,349
♪ OOH, OOH
YEAH, AH
595
00:46:59,416 --> 00:47:06,223
♪ OOH, OOH
YEAH, AH
596
00:47:06,290 --> 00:47:07,524
♪ OOH, OOH
♪ YES, I'LL CHERISH THE
597
00:47:07,591 --> 00:47:18,869
OLD RUGGED CROSS
♪ THANK YOU, JESUS
598
00:47:18,936 --> 00:47:21,338
♪ YES, I'LL CHERISH THE
OLD RUGGED CROSS
599
00:47:21,405 --> 00:47:27,444
♪ 'TIL MY TROPHIES AT LAST
I LAY DOWN
600
00:47:27,511 --> 00:47:35,419
♪ I WILL CLING TO THE
OLD RUGGED CROSS
601
00:47:35,485 --> 00:47:38,855
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN
602
00:47:38,922 --> 00:47:47,397
♪ YES, I'LL CHERISH THE
OLD RUGGED CROSS
603
00:47:47,464 --> 00:47:59,409
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN ♪
604
00:47:59,476 --> 00:48:10,020
( CHEERS AND APPLAUSE )
♪ WHEN CHRIST SHALL COME
605
00:48:10,087 --> 00:48:19,429
WITH SHOUT OF ACCLAMATION
♪ AND TAKE ME HOME
606
00:48:19,496 --> 00:48:31,408
WHAT JOY SHALL FILL MY HEART
♪ THEN I SHALL BOW
607
00:48:31,475 --> 00:48:39,416
IN HUMBLE ADORATION
♪ AND THEN PROCLAIM, MY GOD
608
00:48:39,483 --> 00:48:47,424
HOW GREAT THOU ART
♪ THEN SINGS MY SOUL
609
00:48:47,491 --> 00:48:58,502
MY SAVIOR GOD TO THEE
♪ HOW GREAT THOU ART
610
00:48:58,568 --> 00:49:11,415
HOW GREAT THOU ART
♪ THEN SINGS MY SOUL
611
00:49:11,481 --> 00:49:19,423
MY SAVIOR GOD TO THEE
♪ HOW GREAT THOU ART
612
00:49:19,489 --> 00:49:29,466
HOW GREAT THOU ART
♪ HOW GREAT THOU ART
613
00:49:29,533 --> 00:49:35,372
HOW GREAT THOU ART
♪ HOW GREAT THOU ART
614
00:49:35,439 --> 00:49:43,580
( CHEERS AND APPLAUSE )
HOW GREAT THOU ART ♪
615
00:49:43,647 --> 00:49:55,425
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
616
00:49:55,492 --> 00:50:07,003
♪ ♪ ♪
( CHEERS AND APPLAUSE )
617
00:50:07,070 --> 00:50:19,583
( CHEERS AND APPLAUSE )
UNBELIEVABLE.
618
00:50:19,649 --> 00:50:23,487
OH MY GOSH. WHAT CAN I SAY
ABOUT ARTISTS LIKE CARRIE
619
00:50:23,553 --> 00:50:27,257
UNDERWOOD, ONE OF OUR REIGNING
ENTS TIERNS OF THE YEAR AND
620
00:50:27,324 --> 00:50:30,227
GOSPEL ICON CECE WINANS OTHER
THAN THE FACT THAT THE ONLY
621
00:50:30,293 --> 00:50:34,564
THING MORE REMARKABLE THAN THEIR
TALENT ARE THE WOMEN THEMSELVES.
622
00:50:34,631 --> 00:50:37,534
THANK YOU SO MUCH CARRIE AND
C.E.O. C.E.O. FOR SHARING THOSE
623
00:50:37,601 --> 00:50:38,435
SONGS WITH US.
624
00:50:38,502 --> 00:50:39,336
MY WORD.
625
00:50:39,403 --> 00:50:42,706
SO GOOD. ALL RIGHT.
626
00:50:42,773 --> 00:50:46,376
HERE'S NOWR GUY THAT LIGHTS UP
EVERY STAGE, WHAT AM I TALKING
627
00:50:46,443 --> 00:50:49,045
ABOUT, HE BURNS THEM DOWN,
WHETHER PLAYING AN INTIMATE
628
00:50:49,112 --> 00:50:52,149
CLUB, WHETHER HE'S PLAYING THE
SUPER BOWL.
629
00:50:52,215 --> 00:50:55,252
HE IS THE REAL DEAL, HE IS JUST
PHENOMENAL AND HIS AUDIENCE, OF
630
00:50:55,318 --> 00:50:59,556
COURSE, ARE AS INTENTION AND
IMPASSIONED AS HE IS.
631
00:50:59,623 --> 00:51:02,793
COMING FROM THE RYMAN AUDITORIUM
WITH A BRAND NEW SONG CALLED A
632
00:51:02,859 --> 00:51:06,797
BUNCH OF NOTHING, ALSO NOMINATED
FOR ENTERTAINER OF THE YEAR, MY
633
00:51:06,863 --> 00:51:13,003
GOOD BUDDY ERIC CHURCH.
634
00:51:13,069 --> 00:51:21,011
♪ ♪ ♪
♪ ♪ ♪
635
00:51:21,077 --> 00:51:26,283
♪ WHY THE LONG FACE THERE, SAMMY
WHY'D YOU COME DRAGGIN' IN HERE
636
00:51:26,349 --> 00:51:28,685
♪ NOW SIT DOWN, BOY
BEFORE YOU HURT YOURSELF
637
00:51:28,752 --> 00:51:32,489
♪ AND I'LL LET YOU
BEND MY EAR
638
00:51:32,556 --> 00:51:33,857
♪ LOVE IS A BITCH
AIN'T IT, BUDDY
639
00:51:33,924 --> 00:51:37,027
♪ WHEN BABY TURNS THE TABLES ON
YOUR HEAD
640
00:51:37,093 --> 00:51:40,096
♪ I KNOW YOU CAME IN HERE TO
BRING BACK HER LEAVING
641
00:51:40,163 --> 00:51:45,335
♪ I'LL LEAVE YOU WITH THIS
INSTEAD
642
00:51:45,402 --> 00:51:47,204
♪ I KNOW EVERY HOLE IN THE
CLINCH RIVER
643
00:51:47,270 --> 00:51:49,739
♪ AND I KNOW HOW TO FIND
THEM BASS
644
00:51:49,806 --> 00:51:53,944
♪ I KNOW HOW TO TUNE A
SIX-STRING MARTIN
645
00:51:54,010 --> 00:51:55,312
♪ AND KICK SATURDAY IN
THE ASS
646
00:51:55,378 --> 00:51:58,648
♪ I KNOW HOW TO MAKE
THAT MOON SHINE
647
00:51:58,715 --> 00:52:00,717
♪ I KNOW YOU WANT YOUR
SUNSHINE BACK
648
00:52:00,784 --> 00:52:04,354
♪ I KNOW A WHOLE LOTTA 'BOUT
A LIL' SOMETHIN', SOMETHIN'
649
00:52:04,421 --> 00:52:07,224
♪ AND A WHOLE BUNCH OF NOTHING
'BOUT THAT
650
00:52:07,290 --> 00:52:13,597
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT
651
00:52:13,663 --> 00:52:15,265
♪ ♪ ♪
♪ ♪ ♪
652
00:52:15,332 --> 00:52:19,936
♪ BEFORE MY MIND TOOK A VACATION
I HAD A SITUATION LIKE YOU GOT
653
00:52:20,003 --> 00:52:23,206
♪ THEY TELL ME THAT I HAD A
GOOD WOMAN GONE BAD
654
00:52:23,273 --> 00:52:25,942
♪ BUT I CAN'T REMEMBER
WHAT I FORGOT
655
00:52:26,009 --> 00:52:29,045
♪ NOW JUST KICK BACK AND
LISTEN UP, SON
656
00:52:29,112 --> 00:52:31,248
♪ I'LL HELP YOU GET TO
WHERE I AM
657
00:52:31,314 --> 00:52:35,218
♪ GET YOU GOING FULL THROTTLE
AND LEANIN' ON THE BOTTLE
658
00:52:35,285 --> 00:52:37,587
♪ AND SOME BAIT IN A COFFEE CAN
WELL
659
00:52:37,654 --> 00:52:39,256
♪ I KNOW EVERY HOLE IN THE
CLINCH RIVER
660
00:52:39,322 --> 00:52:43,059
♪ AND I KNOW HOW TO FIND
THEM BASS
661
00:52:43,126 --> 00:52:45,562
♪ I KNOW HOW TO TUNE A
SIX-STRING MARTIN
662
00:52:45,629 --> 00:52:48,431
♪ AND KICK SATURDAY IN
THE ASS
663
00:52:48,498 --> 00:52:50,901
♪ I KNOW HOW TO MAKE
THAT MOON SHINE
664
00:52:50,967 --> 00:52:54,404
♪ I KNOW YOU WANT YOUR
SUNSHINE BACK
665
00:52:54,471 --> 00:52:55,772
♪ I KNOW A WHOLE LOTTA 'BOUT
A LIL' SOMETHIN', SOMETHIN'
666
00:52:55,839 --> 00:52:59,209
♪ AND A WHOLE BUNCH OF NOTHING
'BOUT THAT
667
00:52:59,276 --> 00:53:03,213
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT
668
00:53:03,280 --> 00:53:07,717
♪ I KNOW WHERE TO GO
AND YOU KNOW HOW TO GET THERE
669
00:53:07,784 --> 00:53:12,322
♪ OFF YOU GO, HIT THE ROAD
BUZZ AND A POLE
670
00:53:12,389 --> 00:53:22,933
♪ A WING AND A PRAYER
♪ ♪ ♪
671
00:53:22,999 --> 00:53:29,306
♪ ♪ ♪
♪ ♪ ♪
672
00:53:29,372 --> 00:53:31,207
>> NOW, COME ON, CHILDREN!
673
00:53:31,274 --> 00:53:37,614
♪ ♪ ♪
♪ ♪ ♪
674
00:53:37,681 --> 00:53:40,650
♪ ♪ ♪
♪ I KNOW EVERY HOLE IN THE
675
00:53:40,717 --> 00:53:43,219
CLINCH RIVER
♪ AND I KNOW HOW TO FIND
676
00:53:43,286 --> 00:53:46,189
THEM BASS
♪ I KNOW HOW TO TUNE A
677
00:53:46,256 --> 00:53:49,059
SIX-STRING MARTIN
♪ AND KICK SATURDAY IN
678
00:53:49,125 --> 00:53:51,227
THE ASS
♪ I KNOW HOW TO MAKE
679
00:53:51,294 --> 00:53:54,764
THAT MOON SHINE
♪ I KNOW YOU WANT YOUR
680
00:53:54,831 --> 00:53:57,100
SUNSHINE BACK
♪ I KNOW A WHOLE LOTTA 'BOUT
681
00:53:57,167 --> 00:53:59,202
A LIL' SOMETHIN', SOMETHIN'
♪ AND A WHOLE BUNCH OF NOTHING
682
00:53:59,269 --> 00:54:01,605
'BOUT THAT
♪ A WHOLE BUNCH OF NOTHING
683
00:54:01,671 --> 00:54:11,214
'BOUT THAT ♪
♪ ♪ ♪
684
00:54:11,281 --> 00:54:13,917
♪ A WHOLE BUNCH OF NOTHING
♪ ♪ ♪
685
00:54:13,984 --> 00:54:18,722
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT ♪
686
00:54:18,788 --> 00:54:21,424
♪ ♪ ♪
♪ ♪ ♪
687
00:54:21,491 --> 00:54:32,969
♪ A WHOLE BUNCH OF NOTHING
♪ ♪ ♪
688
00:54:33,036 --> 00:54:42,178
( CHEERS AND APPLAUSE )
>> Announcer: NOW, TAKING THE
689
00:54:42,245 --> 00:54:47,217
STAGE AT THE BLUEBIRD CAFÉ,
VOCAL DUO NOMINEES DAN + SHAY.
690
00:54:47,283 --> 00:54:50,820
♪ ♪ ♪
♪ HERE'S TO ALL
691
00:54:50,887 --> 00:54:52,722
THE LATE NIGHT DRUNK PHONE CALLS
♪ THAT YOU PICKED UP
692
00:54:52,789 --> 00:54:59,062
HERE'S TO ALL THE BAD DECISIONS
♪ THAT YOU DIDN'T JUDGE
693
00:54:59,129 --> 00:55:00,463
ALL THE "LOVE YOUs" AND
♪ THE "HATE YOUs" AND THE
694
00:55:00,530 --> 00:55:01,931
SECRETS THAT YOU TOLD ME
♪ HERE'S TO EVERYONE
695
00:55:07,103 --> 00:55:09,372
BUT MOSTLY US
♪ THERE'S A COUPLE BILLION
696
00:55:09,439 --> 00:55:14,878
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
697
00:55:14,944 --> 00:55:17,580
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
698
00:55:17,647 --> 00:55:23,620
TAKE A MOMENT JUST TO TAKE IT IN
♪ 'CAUSE EVERY HIGH
699
00:55:23,687 --> 00:55:24,821
AND EVERY LOW
♪ LED TO THIS
700
00:55:24,888 --> 00:55:36,466
I'M JUST SO GLAD YOU EXIST
OOOH
701
00:55:36,533 --> 00:55:38,868
OOOH
♪ HEY, LOOK WHAT A HELLO FROM A
702
00:55:38,935 --> 00:55:42,138
STRANGER TURNED INTO
♪ CAUGHT UP IN A MOMENT
703
00:55:42,205 --> 00:55:47,310
LIKE IT'S JUST US IN THIS ROOM
♪ ALL THE RIGHT WORDS
704
00:55:47,377 --> 00:55:48,511
AT THE RIGHT TIME
♪ AND YOU KNOW 'EM
705
00:55:48,578 --> 00:55:51,881
'CAUSE YOU KNOW ME
♪ BETTER THAN ANYONE ELSE
706
00:55:51,948 --> 00:55:56,486
WE DON'T NEED ANYONE ELSE
♪ THERE'S A COUPLE BILLION
707
00:55:56,553 --> 00:56:00,623
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
708
00:56:00,690 --> 00:56:03,793
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
709
00:56:03,860 --> 00:56:08,865
TAKE A MOMENT JUST TO TAKE IT IN
♪ 'CAUSE EVERY HIGH
710
00:56:08,932 --> 00:56:11,334
AND EVERY LOW
♪ LED TO THIS
711
00:56:11,401 --> 00:56:16,473
I'M JUST SO GLAD YOU EXIST
♪ OOOH
712
00:56:16,539 --> 00:56:20,477
OOOH
♪ OOOH
713
00:56:20,543 --> 00:56:24,481
OOOH
♪ DON'T YOU EVER GO
714
00:56:24,547 --> 00:56:27,150
DON'T YOU EVER GO
♪ DON'T YOU EVER GO CHANGING
715
00:56:27,217 --> 00:56:31,521
NEVER LET ME GO
♪ NEVER LET ME GO
716
00:56:31,588 --> 00:56:32,689
NEVER LET ME GO, BABY
♪ DON'T YOU EVER GO
717
00:56:32,756 --> 00:56:36,493
DON'T YOU EVER GO
♪ DON'T YOU EVER GO CHANGING
718
00:56:36,559 --> 00:56:38,461
NEVER LET ME GO
♪ NEVER, EVER LET ME GO
719
00:56:38,528 --> 00:56:44,400
NEVER LET ME GO, BABY
♪ THERE'S A COUPLE BILLION
720
00:56:44,467 --> 00:56:46,636
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
721
00:56:46,703 --> 00:56:49,606
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
722
00:56:49,672 --> 00:56:55,178
TAKE A MOMENT JUST TO TAKE IT IN
♪ JUST TO TAKE IT IN
723
00:56:55,245 --> 00:56:57,046
'CAUSE EVERY HIGH AND EVERY LOW
♪ LED TO THIS
724
00:56:57,113 --> 00:57:06,990
I'M JUST SO GLAD YOU EXIST
♪ OOOH
725
00:57:07,056 --> 00:57:11,694
OOOH
I'M GLAD YOU EXIST
726
00:57:11,761 --> 00:57:12,929
( CHEERS AND APPLAUSE )
>> Announcer: ALAN JACKSON WITH
727
00:57:12,996 --> 00:57:16,833
A CLASSIC HIT, AND A PERFORMANCE
BY MIRANDA LAMBERT ARE ON THE
728
00:57:16,900 --> 00:57:18,635
WAY.
729
00:57:18,701 --> 00:57:21,271
PLUS, NEW MALE ARTIST WINNER,
JIMMIE ALLEN; AND NEXT, A
730
00:57:21,337 --> 00:57:24,908
SPECIAL MOMENT FEATURING
A DESERVING NASHVILLE VETERAN
731
00:57:24,974 --> 00:57:31,447
WHEN LUKE COMBS TEAMS UP WITH
FORD.
732
00:57:31,514 --> 00:57:32,549
THIS IS CBS.
733
00:57:32,615 --> 00:57:34,884
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS.
734
00:57:34,951 --> 00:57:37,987
SPONSORED BY: SWIFFER-- STOP
CLEANING, START SWIFFERING.
735
00:57:45,128 --> 00:57:47,564
>> Announcer: WE'RE BACK AT THE
GRAND OLE OPRY HOUSE WITH
736
00:57:47,630 --> 00:57:50,900
ENTERTAINER OF THE YEAR NOMINEE
LUKE COMBS.
737
00:57:50,967 --> 00:57:54,137
>> THANKS TO FORD, I RECENTLY
MET UP WITH A TALENTED VETERAN
738
00:57:54,204 --> 00:57:56,539
NAMED DAMON WILLIAMS FROM THE
"GUITARS FOR VETS" PROGRAM.
739
00:57:56,606 --> 00:57:58,374
IT WAS AN HONOR AND A GREAT
EXPERIENCE.
740
00:57:58,441 --> 00:58:04,814
TAKE A LOOK.
741
00:58:04,881 --> 00:58:06,149
LAST
YEAR, A PARTNERSHIP OF THE BEST,
742
00:58:06,216 --> 00:58:09,018
IT IS A GREAT ORGANIZATION THAT
HELPS VETERANS COPE WITH PTSD
743
00:58:09,085 --> 00:58:12,222
THROUGH MUSIC BY TEACHING THEM
HOW TO PLAY GUITAR.
744
00:58:12,288 --> 00:58:16,492
>> FORD RECENTLY DONATED 500,000
TO GUITARS FOR VETS TO HELP THEM
745
00:58:16,559 --> 00:58:17,694
CONTINUE THEIR GREAT WORK.
746
00:58:17,760 --> 00:58:21,531
>> WE'RE VERY PROUD OF GUITARS
FOR VETS FOR HAVING GRADUATED
747
00:58:21,598 --> 00:58:23,299
OVER 5,000 VETERANS FROM THE
PROGRAM.
748
00:58:23,366 --> 00:58:27,871
THE DONATIONS FROM FORD ALLOW US
TO BUY THOUSANDS OF GUITARS SO
749
00:58:27,937 --> 00:58:31,574
MORE VETERAN-- VETERANS CAN
EXPERIENCE THE HEALING POWER OF
750
00:58:31,641 --> 00:58:32,842
MUSIC.
751
00:58:32,909 --> 00:58:35,178
>> WITH THE HELP OF GUITARS FOR
VETS HAVE I BEEN ABLE TO TAKE A
752
00:58:35,245 --> 00:58:37,247
SONG THAT I HAVE WRITTEN AND
SING TO MY DAUGHTER.
753
00:58:37,313 --> 00:58:39,482
>> I JUST COULDN'T HAVE DONE IT
WITHOUT THE PROGRAM.
754
00:58:39,549 --> 00:58:42,952
>> WE OWE SO MUCH TO OUR TROOPS
AND VETERANS SO I'M HONORED TO
755
00:58:43,019 --> 00:58:47,857
MEET UP AGAIN WITH SOME FOLKS
FROM GUITARS FOR VETS AND PLAY
756
00:58:47,924 --> 00:58:52,896
SOME MUSIC TOGETHER.
757
00:58:52,962 --> 00:58:55,231
>> HEY Y'ALL, HOW ARE YOU DOING.
758
00:58:55,298 --> 00:58:55,899
>> HEY, LUKE.
759
00:58:55,965 --> 00:58:57,433
>> GOOD TO SEE Y'ALL.
760
00:58:57,500 --> 00:58:59,102
>> I HEARD YOU WROTE A SONG.
761
00:58:59,168 --> 00:59:00,103
>> I WROTE A LITTLE SOMETHING.
762
00:59:00,169 --> 00:59:02,405
>> I BROWTS A GUITAR IF YOU WANT
TO PLAY IT.
763
00:59:02,472 --> 00:59:08,611
>> PLUG ME IN, COME ON.
764
00:59:08,678 --> 00:59:15,218
♪ HOLD ON.
765
00:59:15,285 --> 00:59:20,590
♪
♪ IT'S ALL RIGHT.
766
00:59:20,657 --> 00:59:21,758
♪.
767
00:59:21,824 --> 00:59:23,559
>> TO LEARN MORE ABOUT MY
PARTNERSHIP WITH GUITAR FOR VETS
768
00:59:23,626 --> 00:59:31,868
AND HOW YOU CAN HELP GO TO
FORDPROUDTOHODGE OR-- HONOR.COM.
769
00:59:31,935 --> 00:59:39,876
>> ALL RIGHT.
770
00:59:39,943 --> 00:59:50,253
♪ ♪ ♪
♪ A COLD BEER'S GOT 12 OUNCES
771
00:59:50,320 --> 00:59:55,058
A GOOD TRUCK'S GOT MAYBE 300,000
♪ YOU ONLY GET SO MUCH
772
00:59:55,124 --> 01:00:02,598
UNTIL IT'S GONE
♪ DURACELLS IN A MAGLITE
773
01:00:02,665 --> 01:00:07,837
A NEEDLE DROP ON A 45
♪ ARE THE KIND OF THINGS THAT
774
01:00:07,904 --> 01:00:14,644
ONLY LAST SO LONG
♪ WHEN THE NEW WEARS OFF
775
01:00:14,711 --> 01:00:21,551
AND THEY GET TO GETTING OLD
♪ SOONER OR LATER
776
01:00:21,617 --> 01:00:28,057
TIME'S GONNA TAKE ITS TOLL
♪ THEY SAY NOTHING LASTS FOREVER
777
01:00:28,124 --> 01:00:33,196
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
778
01:00:33,262 --> 01:00:43,172
DANCES IN YOUR EYES
♪ JUST A T-SHIRT IN THE KITCHEN
779
01:00:43,239 --> 01:00:47,176
WITH NO MAKE-UP AND A MILLION
♪ OTHER THINGS THAT I COULD
780
01:00:47,243 --> 01:00:52,382
LOOK AT MY WHOLE LIFE
♪ A LOVE LIKE THAT MAKES A MAN
781
01:00:52,448 --> 01:00:59,288
HAVE SECOND THOUGHTS
♪ MAYBE SOME THINGS LAST FOREVER
782
01:00:59,355 --> 01:01:09,332
AFTER ALL
♪ FM STATION ON THE OUTSKIRTS
783
01:01:09,399 --> 01:01:14,771
BLUE JEANS, AFTER YEARS OF
♪ SHIFT WORK
784
01:01:14,837 --> 01:01:18,775
ALL FADING OUT LIKE I ALWAYS
♪ KNEW THEY WOULD
785
01:01:18,841 --> 01:01:23,613
THE STRINGS ON THIS GUITAR
♪ THE FIRST LOVE LOST
786
01:01:23,679 --> 01:01:27,817
ON A YOUNG HEART
♪ THOSE THINGS ARE GONNA BREAK
787
01:01:27,884 --> 01:01:33,456
AFTER THE GETTING'S GOOD
♪ 'CAUSE THE NEW WEARS OFF
788
01:01:33,523 --> 01:01:43,166
AND THEY GET TO GETTING OLD
♪ YEAH, SOONER OR LATER
789
01:01:43,232 --> 01:01:47,036
TIME'S GONNA TAKE ITS TOLL
♪ THEY SAY NOTHING LASTS FOREVER
790
01:01:47,103 --> 01:01:55,144
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
791
01:01:55,211 --> 01:01:59,282
DANCES IN YOUR EYES
♪ JUST A T-SHIRT IN THE KITCHEN
792
01:01:59,348 --> 01:02:04,787
WITH NO MAKE-UP AND A MILLION
♪ OTHER THINGS THAT I COULD LOOK
793
01:02:04,854 --> 01:02:11,527
AT MY WHOLE LIFE
♪ A LOVE LIKE THAT MAKES A MAN
794
01:02:11,594 --> 01:02:17,967
HAVE SECOND THOUGHTS
♪ MAYBE SOME THINGS LAST FOREVER
795
01:02:18,034 --> 01:02:27,176
AFTER ALL
♪ ♪ ♪
796
01:02:27,243 --> 01:02:34,250
♪ ♪ ♪
♪ THEY SAY NOTHING LASTS FOREVER
797
01:02:34,317 --> 01:02:39,422
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
798
01:02:39,489 --> 01:02:45,595
DANCES IN YOUR EYES
♪ AND I KNOW THERE'LL BE
799
01:02:45,661 --> 01:02:49,932
THAT MOMENT
♪ THE GOOD LORD CALLS ONE OF US
800
01:02:49,999 --> 01:02:52,869
HOME, AND
♪ ONE WON'T HAVE THE OTHER
801
01:02:52,935 --> 01:02:56,939
BY THEIR SIDE
♪ BUT HEAVEN KNOWS THAT THAT
802
01:02:57,006 --> 01:03:04,881
WON'T LAST TOO LONG
♪ MAYBE SOME THINGS LAST FOREVER
803
01:03:04,947 --> 01:03:14,924
AFTER ALL
♪ AFTER ALL ♪
804
01:03:14,991 --> 01:03:20,830
AFTER ALL
♪ AFTER ALL ♪
805
01:03:20,897 --> 01:03:28,604
( CHEERS AND APPLAUSE )
>> Mickey: SO, SO GOOD.
806
01:03:28,671 --> 01:03:31,207
MY FELLOW TEXAN, MIRANDA
LAMBERT, IS THE MOST AWARDED
807
01:03:31,274 --> 01:03:39,248
ARTIST IN A.C.M. AWARDS HISTORY.
808
01:03:39,315 --> 01:03:40,283
I'M GOING TO SAY THAT AGAIN.
809
01:03:40,349 --> 01:03:42,051
MIRANDA LAMBERT IS THE MOST
AWARDED ARTIST IN ACM
810
01:03:42,118 --> 01:03:44,887
MIRANDA LAMBERT, IS THE MOST
AWARDED ARTIST IN A.C.M. AWARDS
811
01:03:44,954 --> 01:03:46,889
HISTORY.
812
01:03:46,956 --> 01:03:48,224
( CHEERS AND APPLAUSE )
I LOVE HOW SHE DESCRIBED HOW
813
01:03:48,291 --> 01:03:51,727
THE SONGS ON “THE MARFA TAPES”
COLLABORATION WITH JACK INGRAM
814
01:03:51,794 --> 01:03:55,231
AND JON RANDALL CAME ABOUT.
SHE SAID THE THREE OF THEM WOULD
815
01:03:55,298 --> 01:04:01,571
GET TOGETHER OUTDOORS IN MARFA,
TEXAS, SIT AROUND THE CAMPFIRE,
816
01:04:01,637 --> 01:04:02,805
UNWIND AND WRITE SONGS TOGETHER.
817
01:04:02,872 --> 01:04:06,309
THE END RESULT FROM THEIR TIME
TOGETHER: A MASTERPIECE.
818
01:04:06,375 --> 01:04:08,878
AND NOW, WITH A SPECIAL
PERFORMANCE OF “IN HIS ARMS,”
819
01:04:08,945 --> 01:04:14,817
THE FIRST SONG FROM “THE MARFA
TAPES” ALBUM, HERE ARE JACK, JON
820
01:04:14,884 --> 01:04:18,821
AND MIRANDA.
821
01:04:18,888 --> 01:04:28,864
( CHEERS AND APPLAUSE )
♪ ♪ ♪
822
01:04:28,931 --> 01:04:37,373
( CHEERS AND APPLAUSE )
♪ ♪ ♪
823
01:04:37,440 --> 01:04:42,511
♪ I'VE SEEN EL PASO
WHEN THE SKY WAS ON FIRE
824
01:04:42,578 --> 01:04:45,214
♪ LOST A NIGHT IN JUAREZ
A COUPLE OF TIMES
825
01:04:45,281 --> 01:04:50,152
♪ DANCED WITH A COWBOY
ON A STRAIGHT TEQUILA HIGH
826
01:04:50,219 --> 01:04:54,824
♪ I WISH I WAS
IN HIS ARMS TONIGHT
827
01:04:54,890 --> 01:05:06,802
♪ ♪ ♪
♪ I'VE BEEN A ROLLING STONE
828
01:05:06,869 --> 01:05:10,806
A TUMBLEWEED
♪ WAITING FOR THE RIGHT ONE
829
01:05:10,873 --> 01:05:17,480
TO COME FIND ME
♪ BUT THE WRONG ONE
830
01:05:17,546 --> 01:05:18,881
ALWAYS SET ME FREE
♪ I WISH I WAS
831
01:05:18,948 --> 01:05:26,789
IN HIS ARMS TONIGHT
♪ IS HE PLAYING IN SOME
832
01:05:26,856 --> 01:05:30,760
HOUSE BAND IN DALLAS
♪ IS HE BREAKING HORSES
833
01:05:30,826 --> 01:05:34,830
IN SAN ANTONE
♪ IS HE ALL ALONE
834
01:05:34,897 --> 01:05:38,801
IN THE NEON LIGHT
♪ I WISH I WAS
835
01:05:38,868 --> 01:05:48,844
IN HIS ARMS TONIGHT
♪ ♪ ♪
836
01:05:48,911 --> 01:05:54,817
IN HIS ARMS TONIGHT
♪ ♪ ♪
837
01:05:54,884 --> 01:06:02,792
♪ ♪ ♪
♪ IS HE PRAYING FOR RAIN
838
01:06:02,858 --> 01:06:08,364
OUT IN WEST TEXAS
♪ IS HE LOST IN THE MARFA LIGHTS
839
01:06:08,431 --> 01:06:14,804
IS HE OUT THERE LOOKING FOR ME
♪ WISHING I WAS IN
840
01:06:14,870 --> 01:06:19,208
HIS ARMS TONIGHT
♪ I WISH I WAS IN
841
01:06:19,275 --> 01:06:30,820
HIS ARMS TONIGHT
♪ ♪ ♪
842
01:06:30,886 --> 01:06:40,162
♪ ♪ ♪
( CHEERS AND APPLAUSE )
843
01:06:40,229 --> 01:06:42,898
>> Mickey: WHAT A BEAUTIFUL
PERFORMANCE.
844
01:06:42,965 --> 01:06:46,102
COMING UP NEXT AT THE RYMAN
AUDITORIUM IS COUNTRY LEGEND
845
01:06:46,168 --> 01:06:48,771
ALAN JACKSON.
PLUS, KENNY CHESNEY IN A
846
01:06:48,838 --> 01:06:50,573
PERFORMANCE YOU WON'T WANT TO
MISS.
847
01:06:50,639 --> 01:06:54,276
THIS IS CBS.
848
01:06:54,343 --> 01:06:56,946
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS,
849
01:06:57,012 --> 01:06:58,080
SPONSORED BY: FORD.
850
01:06:58,147 --> 01:07:00,383
TO LEARN MORE ABOUT FORD-- PROUD
TO HONOR AND SUPPORT ITS
851
01:07:00,449 --> 01:07:02,618
PARTNERS, INCLUDING GUITARS 4
VETS-- VISIT:
852
01:07:02,685 --> 01:07:04,220
www.fordproudtohoor.com.
853
01:07:07,156 --> 01:07:09,992
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
854
01:07:10,059 --> 01:07:11,961
CONTINUE.
THIS IS CBS
855
01:07:15,297 --> 01:07:16,532
>> HEY FOLKS, BRAD PAISLEY HERE.
856
01:07:16,599 --> 01:07:20,736
SO, I'M OUTSIDE THE BLUEBIRD
JIMMIE ALLEN, THE ACM NEW MALE
857
01:07:20,803 --> 01:07:22,538
ARTIST WINNER, IS ABOUT TO SING
OUR NEW DUET, "FREEDOM WAS A
858
01:07:22,605 --> 01:07:27,543
HIGHWAY," BUT HE THINKS I'M OUT
OF TOWN.
859
01:07:27,610 --> 01:07:30,713
SO, I HAVE DRIVEN UP HERE AND
I'M GONNA SURPRISE HIM AND GO IN
860
01:07:30,780 --> 01:07:31,747
AND JUST START SINGING.
861
01:07:31,814 --> 01:07:32,915
I HOPE THAT'S OKAY.
862
01:07:32,982 --> 01:07:36,752
WATCH THIS.
863
01:07:36,819 --> 01:07:38,454
>> Announcer: LADIES AND
GENTLEMEN, NEW MALE ARTIST
864
01:07:38,521 --> 01:07:42,458
WINNER JIMMIE ALLEN.
865
01:07:42,525 --> 01:07:45,227
♪ ♪ ♪
♪ ♪ ♪
866
01:07:45,294 --> 01:07:48,631
♪ SUNSET THROUGH A WINDSHIELD
I CAN SEE IT NOW
867
01:07:48,697 --> 01:07:58,307
♪ LIKE A PICTURE IN A FRAME
OOH
868
01:07:58,374 --> 01:08:02,478
♪ BLUE JEANS AND T-SHIRTS
WHO WE WERE
869
01:08:02,545 --> 01:08:04,346
♪ WE WORE IT LIKE A NAME
♪ I WISH I COULD GO
870
01:08:04,413 --> 01:08:06,449
BACK TO THOSE DAYS
♪ WHEN THE TOWN
871
01:08:06,515 --> 01:08:08,884
WAS THE WHOLE WORLD
♪ AND LOVE WAS
872
01:08:08,951 --> 01:08:12,621
THE GIRL NEXT DOOR
♪ SOUNDTRACK WAS
873
01:08:12,688 --> 01:08:15,591
A SONG IN THE DARK
♪ I MISS THOSE DAYS WHEN OUR
874
01:08:15,658 --> 01:08:21,864
DREAMS WERE THERE FOR CHASIN'
♪ BUT TIME WAS BETTER WASTED
875
01:08:21,931 --> 01:08:27,603
WE WERE SUMMER YOUNG
♪ AND LIVIN' FOR A FRIDAY
876
01:08:27,670 --> 01:08:37,246
AND FREEDOM WAS A HIGHWAY, OH
♪ FREEDOM WAS A HIGHWAY, OH
877
01:08:37,313 --> 01:08:39,348
♪ ♪ ♪
BARBWIRE ON A FENCE POST
878
01:08:39,415 --> 01:08:46,021
♪ WITH A CROSSWIND
ON A ROAD NO ONE WAS ON
879
01:08:46,088 --> 01:08:49,358
YEAH, YEAH, YEAH
♪ FIVE-DEEP WITH OUR HANDS UP
880
01:08:49,425 --> 01:08:55,130
JUST SINGIN' ALONG
♪ TO A HIP-HOP SONG
881
01:08:55,197 --> 01:08:56,799
I WISH I COULD REWIND AND REPLAY
♪ WHEN THE TOWN WAS
882
01:08:56,866 --> 01:09:00,236
THE WHOLE WORLD
♪ AND LOVE WAS
883
01:09:00,302 --> 01:09:02,371
THE GIRL NEXT DOOR
♪ SOUNDTRACK WAS
884
01:09:02,438 --> 01:09:04,273
A SONG IN THE DARK
♪ I MISS THOSE DAYS WHEN OUR
885
01:09:04,340 --> 01:09:07,276
DREAMS WERE THERE FOR CHASIN'
♪ BUT TIME WAS BETTER WASTED
886
01:09:07,343 --> 01:09:14,350
WE WERE SUMMER YOUNG AND
♪ LIVIN' FOR A FRIDAY
887
01:09:14,416 --> 01:09:26,795
AND FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
888
01:09:26,862 --> 01:09:36,839
FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
889
01:09:36,906 --> 01:09:42,344
FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
890
01:09:42,411 --> 01:09:45,481
( CHEERS AND APPLAUSE )
>> PRESENTING OUR NEXT AWARD AT
891
01:09:45,548 --> 01:09:50,386
THE GRAND OLE OPRY HOUSE, HERE'S
THE GREAT MARTINA McBRIDE.
892
01:09:50,452 --> 01:09:54,924
♪ ♪ ♪
>> THANKS, BRAD.
893
01:09:54,990 --> 01:09:58,360
I AM SO PROUD TO GIVE THIS AWARD
TONIGHT BECAUSE, FOR THE FIRST
894
01:09:58,427 --> 01:10:01,564
TIME IN A.C.M. AWARD
SHOW HISTORY, EVERY NOMINATED
895
01:10:01,630 --> 01:10:04,767
SONG IS PERFORMED BY A WOMAN!
896
01:10:04,833 --> 01:10:08,804
THAT'S RIGHT, THIS ONE'S FOR THE
GIRLS!
897
01:10:08,871 --> 01:10:10,239
( CHEERS AND APPLAUSE )
YEAH!
898
01:10:10,306 --> 01:10:13,809
HERE ARE THE NOMINEES FOR SINGLE
OF THE YEAR.
899
01:10:13,876 --> 01:10:18,380
>> Announcer: “BLUEBIRD,” BY
MIRANDA LAMBERT.“
900
01:10:18,447 --> 01:10:24,153
I HOPE,” BY GABBY BARRETT.“
I HOPE YOU'RE HAPPY NOW,” BY
901
01:10:24,219 --> 01:10:31,827
CARLY PEARCE AND LEE BRICE.“
MORE HEARTS THAN MINE," BY
902
01:10:31,894 --> 01:10:38,834
INGRID ANDRESS.“
THE BONES,” BY MAREN MORRIS.
903
01:10:38,901 --> 01:10:45,841
>> AND THE A.C.M. SINGLE OF THE
YEAR GOES TO:“
904
01:10:45,908 --> 01:10:51,180
I HOPE YOU'RE HAPPY NOW,” BY
CARLY PEARCE AND LEE BRICE.
905
01:10:51,246 --> 01:10:59,822
( CHEERS AND APPLAUSE )
♪ ♪ ♪
906
01:10:59,888 --> 01:11:07,830
♪ ♪ ♪
♪ I HOPE.
907
01:11:07,896 --> 01:11:10,332
♪.
908
01:11:10,399 --> 01:11:13,502
>> I CANNOT EVEN BELIEVE THIS,
OH MY GOODNESS.
909
01:11:13,569 --> 01:11:15,337
I'M GOING TO TRY REALLY HARD NOT
TO CRY.
910
01:11:15,404 --> 01:11:18,173
I LOVE COUNTRY MUSIC MORE THAN
ANYTHING IN THE WHOLE WORLD.
911
01:11:18,240 --> 01:11:21,910
YOU WANT TO THANK MY COWRITERS
LUKE COMBS, JONATHAN SINGLETON
912
01:11:21,977 --> 01:11:24,913
AND RANDY, WE WROTE THIS SONG
ABOUT MY STORY.
913
01:11:24,980 --> 01:11:27,182
AND I GUESS IT RESONATED WITH
EVERYBODY.
914
01:11:27,249 --> 01:11:30,285
THANK YOU SO MUCH, FOR
EVERYTHING, THANK YOU TO MY
915
01:11:30,352 --> 01:11:35,024
MANAGEMENT, MY RECORD LABEL AND
BUSBY, THIS-- BUSBEE, STH THE
916
01:11:35,090 --> 01:11:38,427
LAST SONG MY PRODUCER WORKED ON,
THANK YOU BUSBEE.
917
01:11:38,494 --> 01:11:40,229
>> I JUST WANT TO SAY THANK YOU.
918
01:11:40,295 --> 01:11:44,867
GOD PUTS PEOPLE IN YOUR LIVES,
FROM MY MANAGEMENT TO MY WIFE,
919
01:11:44,933 --> 01:11:48,504
WITHOUT PUTS UP WITH EVERYTHING,
EF RADIO HE DAY AND HELPS ME AND
920
01:11:48,570 --> 01:11:49,772
SUPPORTS ME.
921
01:11:49,838 --> 01:11:55,244
RECORD LABELS AND EVERYTHING BUT
PEOPLE, HE PUT PEOPLE IN MY LIFE
922
01:11:55,310 --> 01:11:58,881
SO THIS KIND OF STUFF CAN
HAPPEN, THANK YOU ALL, THANK YOU
923
01:11:58,947 --> 01:11:59,548
CARLY.
924
01:11:59,615 --> 01:12:03,052
>> THANK YOU FANS, THANK YOU!
925
01:12:03,118 --> 01:12:12,394
>> Announcer: WITH HIS SMASH H“"
KNOWING YOU," PLEASE WELCOME
926
01:12:12,461 --> 01:12:16,498
FOUR-TIME A.C.M. ENTERTAINER OF
THE YEAR, KENNY CHESNEY.
927
01:12:16,565 --> 01:12:23,205
♪ ♪ ♪
♪ ♪ ♪
928
01:12:23,272 --> 01:12:24,640
♪ KNOWIN' YOU
YOU PROBABLY GOT
929
01:12:24,707 --> 01:12:30,913
♪ YOUR TOES IN THE SAND
AT A BAR ON A BEACH
930
01:12:30,979 --> 01:12:37,486
♪ IN THE SUN SOMEWHERE
KNOWIN' YOU
931
01:12:37,553 --> 01:12:39,521
♪ YOU GOT SOMETHING COLD
IN YOUR HAND
932
01:12:39,588 --> 01:12:46,061
♪ CHATTIN' UP A STRANGER
WITHOUT A CARE
933
01:12:46,128 --> 01:12:52,534
♪ KNOWIN' YOU
YOU'RE STILL WILD AND FREE
934
01:12:52,601 --> 01:12:59,241
♪ AND KNOWIN' YOU
YOU'RE PROBABLY WAY OVER ME
935
01:12:59,308 --> 01:13:05,981
♪ BUT GOD, WE WERE
SO ALIVE
936
01:13:06,048 --> 01:13:09,985
♪ I WAS A KID ON A
CARNIVAL RIDE
937
01:13:10,052 --> 01:13:14,289
♪ HOLDIN' MY BREATH
'TIL THE MOMENT
938
01:13:14,356 --> 01:13:20,429
♪ WHEN YOU WERE GONNA LEAVE ME
TOO SOON
939
01:13:20,496 --> 01:13:26,001
♪ BUT I'D DO IT ALL OVER
'CAUSE DAMN
940
01:13:26,068 --> 01:13:31,807
♪ IT WAS GOOD KNOWIN' YOU
♪ ♪ ♪
941
01:13:31,874 --> 01:13:34,009
♪ ♪ ♪
♪ KNOWIN' YOU WAS A FREE FALL
942
01:13:34,076 --> 01:13:41,984
FROM A HUNDRED THOUSAND FEET
♪ WHEN YOU DON'T EVEN CARE
943
01:13:42,050 --> 01:13:45,888
WHERE YOU LAND
♪ AND KNOWIN' YOU
944
01:13:45,954 --> 01:13:49,324
WAS THE KIND OF RUSH
♪ THAT YOU FEEL
945
01:13:49,391 --> 01:13:55,964
WHEN YOU FINALLY
♪ GET TO SIT IN WITH THE BAND
946
01:13:56,031 --> 01:14:01,770
AND KNOWIN' YOU
♪ YOU'RE STILL A TUMBLEWEED
947
01:14:01,837 --> 01:14:08,143
I ONLY WISH THAT YOU WOULD
♪ TUMBLE BACK TO ME
948
01:14:08,210 --> 01:14:13,982
BUT GOD, WE WERE
♪ SO ALIVE
949
01:14:14,049 --> 01:14:18,353
I WAS A KID ON A
♪ CARNIVAL RIDE
950
01:14:18,420 --> 01:14:22,324
HOLDIN' MY BREATH
♪ 'TIL THE MOMENT
951
01:14:22,391 --> 01:14:29,998
WHEN YOU WERE GONNA LEAVE ME
♪ TOO SOON
952
01:14:30,065 --> 01:14:34,002
BUT I'D DO IT ALL OVER
♪ 'CAUSE DAMN, IT WAS GOOD
953
01:14:34,069 --> 01:14:38,407
KNOWIN' YOU
♪ ♪ ♪
954
01:14:38,473 --> 01:14:44,413
♪ ♪ ♪
♪ ♪ ♪
955
01:14:44,479 --> 01:14:47,349
♪ ♪ ♪
♪ ♪ ♪
956
01:14:47,416 --> 01:14:50,419
♪ KNOWIN' YOU
YOU'RE STILL A TUMBLEWEED
957
01:14:50,485 --> 01:14:57,993
♪ I ONLY WISH THAT YOU WOULD
TUMBLE BACK TO ME
958
01:14:58,060 --> 01:15:06,001
♪ 'CAUSE GOD, WE WERE
SO ALIVE
959
01:15:06,068 --> 01:15:10,005
♪ I WAS A KID ON A
CARNIVAL RIDE
960
01:15:10,072 --> 01:15:14,142
♪ HOLDIN' MY BREATH
'TIL THE MOMENT
961
01:15:14,209 --> 01:15:20,415
♪ WHEN YOU WERE GONNA LEAVE ME
TOO SOON
962
01:15:20,482 --> 01:15:25,988
♪ BUT I'D DO IT ALL OVER
'CAUSE DAMN, IT WAS GOOD
963
01:15:26,054 --> 01:15:29,992
♪ I'D DO IT ALL OVER
'CAUSE DAMN
964
01:15:30,058 --> 01:15:38,000
♪ IT WAS GOOD KNOWIN' YOU ♪
♪ ♪ ♪
965
01:15:38,066 --> 01:15:46,108
♪ ♪ ♪
♪ ♪ ♪
966
01:15:46,174 --> 01:15:53,282
♪ ♪ ♪
♪ ♪ ♪
967
01:15:53,348 --> 01:15:57,986
♪ ♪ ♪
♪ ♪ ♪
968
01:15:58,053 --> 01:16:05,994
♪ ♪ ♪
♪ ♪ ♪
969
01:16:06,061 --> 01:16:12,200
♪ ♪ ♪
♪ ♪ ♪
970
01:16:12,267 --> 01:16:18,006
♪ ♪ ♪
♪ ♪ ♪
971
01:16:18,073 --> 01:16:21,710
♪ ♪ ♪
♪ ♪ ♪
972
01:16:37,926 --> 01:16:41,330
>> THE THING I MISSED THE MOST
DURING THIS ENTIRE TIME IN THE
973
01:16:41,396 --> 01:16:42,531
PANDEMIC IS THE MUSIC.
974
01:16:42,597 --> 01:16:47,102
>> I LOVE PLAYING TO A LIVE
AUDIENCE, THERE IS NOTHING LIKE
975
01:16:47,169 --> 01:16:48,337
IT.
976
01:16:48,403 --> 01:16:51,073
>> THE COVID-19 VACCINE IS GOING
TO HELP US ALL GET BACK TO THE
977
01:16:51,139 --> 01:16:51,974
MOMENT WE MISSED.
978
01:16:52,040 --> 01:16:54,810
>> IT IS TOTALLY NORMAL TO HAVE
QUESTIONS.
979
01:16:54,876 --> 01:16:55,911
I DO TOO.
980
01:16:55,978 --> 01:16:58,213
>> THAT IS WHY IT IS SO
IMPORTANT TO GET INVOLVED, TO
981
01:16:58,280 --> 01:17:04,720
ASK YOUR DOCTOR, TO GET THE
>> Announcer: WE'RE BACK, FROM
982
01:17:04,786 --> 01:17:09,091
NASHVILLE, WITH FEMALE ARTIST
AND ALBUM OF THE YEAR NOMINEE,
983
01:17:09,157 --> 01:17:14,830
ASHLEY McBRYDE.
984
01:17:14,896 --> 01:17:17,199
♪ ♪ ♪
♪ I'VE GOT THIS FEELING
985
01:17:17,265 --> 01:17:24,439
AND I GOT THIS SHOVEL
♪ BETWEEN ME AND YOU AND IT
986
01:17:24,506 --> 01:17:30,312
YOU'RE IN A LITTLE TROUBLE
♪ I SAW YOU SNEAKING
987
01:17:30,379 --> 01:17:37,452
AND I KNOW WHAT HAPPENED
♪ I THINK IT'S KINDA FUNNY
988
01:17:37,519 --> 01:17:40,822
YOU GOT CAUGHT ONLY
♪ I AIN'T LAUGHING
989
01:17:40,889 --> 01:17:47,529
MARTHA DIVINE
♪ MARTHA DIVINE
990
01:17:47,596 --> 01:17:56,805
YOU PUT YOUR HANDS ON THE
♪ WRONG DAMN MAN THIS TIME
991
01:17:56,872 --> 01:18:02,644
JEZEBEL
♪ YOU'RE BOUND FOR HELL
992
01:18:02,711 --> 01:18:06,081
BUT EVIDENTLY
♪ THE DEVIL WAS BUSY
993
01:18:06,148 --> 01:18:12,654
SO I MOVED YOU UP IN LINE
♪ MARTHA DIVINE
994
01:18:12,721 --> 01:18:20,395
WELL, YOU CALL HIM DARLING
♪ AND I CALL HIM DADDY
995
01:18:20,462 --> 01:18:26,168
AND DADDY SAYS HE'LL WHUP ME
♪ IF I DON'T KEEP MAMA HAPPY
996
01:18:26,234 --> 01:18:33,675
HONOR THY FATHER
♪ HONOR THY MOTHER
997
01:18:33,742 --> 01:18:38,346
BUT THE BIBLE DOESN'T SAY
♪ A DAMN THING ABOUT
998
01:18:38,413 --> 01:18:44,786
YOUR DADDY'S LOVER
♪ MARTHA DIVINE
999
01:18:44,853 --> 01:18:50,625
MARTHA DIVINE
♪ PUT YOUR HANDS ON THE WRONG
1000
01:18:50,692 --> 01:18:57,899
DAMN MAN THIS TIME
♪ JEZEBEL
1001
01:18:57,966 --> 01:19:05,540
YOU'RE BOUND FOR HELL
♪ BUT EVIDENTLY
1002
01:19:05,607 --> 01:19:08,810
THE DEVIL WAS BUSY
♪ SO I MOVED YOU UP IN LINE
1003
01:19:08,877 --> 01:19:14,349
MARTHA DIVINE
♪ ♪ ♪
1004
01:19:14,416 --> 01:19:26,161
♪ ♪ ♪
♪ ♪ ♪
1005
01:19:26,228 --> 01:19:29,464
♪ ♪ ♪
♪ ♪ ♪
1006
01:19:29,531 --> 01:19:32,801
♪ ♪ ♪
♪ MAMA'S AN ANGEL
1007
01:19:32,868 --> 01:19:38,507
MY DADDY ISN'T
♪ LOOKS LIKE A LITTLE MORE
1008
01:19:38,573 --> 01:19:43,545
OF HIM RUBBED OFF ON ME
♪ THAN DIDN'T
1009
01:19:43,612 --> 01:19:50,352
WELL, I'LL LEAVE YOU TO IT
♪ THEY'LL NEVER PROVE IT
1010
01:19:50,418 --> 01:19:54,356
AND IF THEY EVER
♪ FIND OUT I'LL SAY
1011
01:19:54,422 --> 01:20:02,364
"THE DEVIL MADE ME DO IT"
♪ MARTHA DIVINE
1012
01:20:02,430 --> 01:20:08,336
MARTHA DIVINE
♪ YOU PUT YOUR HANDS ON THE
1013
01:20:08,403 --> 01:20:18,346
WRONG DAMN MAN THIS TIME
♪ MARTHA DIVINE
1014
01:20:18,413 --> 01:20:21,216
YOUR ASS IS MINE
♪ AND IT AIN'T MURDER
1015
01:20:21,283 --> 01:20:30,192
IF I BURY YOU ALIVE
♪ MARTHA DIVINE ♪
1016
01:20:30,258 --> 01:20:34,329
>> NOW, AT THE RYMAN AUDITORIUM,
HERE'S SEVEN-TIME A.C.M. WINNER,
1017
01:20:34,396 --> 01:20:38,366
ALAN JACKSON.
1018
01:20:38,433 --> 01:20:40,835
♪ ♪ ♪
♪ IT'S PAINTED RED
1019
01:20:40,902 --> 01:20:43,772
THE STRIPE WAS WHITE
♪ IT WAS 18 FEET
1020
01:20:43,838 --> 01:20:47,809
FROM THE BOW TO STERN LIGHT
♪ SECONDHAND
1021
01:20:47,876 --> 01:20:51,646
FROM A DEALER IN ATLANTA
♪ I RODE UP WITH DADDY
1022
01:20:51,713 --> 01:20:56,818
WHEN HE WENT THERE TO GET HER
♪ PUT ON A SHINE
1023
01:20:56,885 --> 01:20:59,154
PUT ON A MOTOR
♪ BUILT OUT OF LOVE
1024
01:20:59,221 --> 01:21:02,991
MADE FOR THE WATER
♪ RAN HER FOR YEARS
1025
01:21:03,058 --> 01:21:06,895
'TIL THE TRANSOM GOT ROTTEN
♪ A PIECE OF MY CHILDHOOD
1026
01:21:06,962 --> 01:21:09,931
WILL NEVER BE FORGOTTEN
♪ IT WAS
1027
01:21:09,998 --> 01:21:14,603
JUST AN OLD PLYWOOD BOAT
♪ A '75 JOHNSON
1028
01:21:14,669 --> 01:21:18,406
WITH ELECTRIC CHOKE
♪ A YOUNG BOY
1029
01:21:18,473 --> 01:21:22,344
TWO HANDS ON THE WHEEL
♪ I CAN'T REPLACE THE WAY
1030
01:21:22,410 --> 01:21:26,348
IT MADE ME FEEL
♪ AND I WOULD TURN HER SHARP
1031
01:21:26,414 --> 01:21:29,718
AND I WOULD MAKE IT WHINE
♪ HE'D SAY, YOU CAN'T BEAT
1032
01:21:29,784 --> 01:21:33,588
THE WAY AN OLD WOOD BOAT RIDES
♪ JUST A LITTLE LAKE
1033
01:21:33,655 --> 01:21:37,192
ACROSS THE ALABAMA LINE
♪ BUT I WAS KING OF THE OCEAN
1034
01:21:37,259 --> 01:21:44,799
WHEN DADDY LET ME DRIVE
♪ ♪ ♪
1035
01:21:44,866 --> 01:21:56,244
♪ ♪ ♪
♪ I'M GROWN UP NOW
1036
01:21:56,311 --> 01:21:57,946
THREE DAUGHTERS OF MY OWN
♪ I LET THEM DRIVE MY OLD JEEP
1037
01:21:58,013 --> 01:21:59,347
ACROSS THE PASTURE AT OUR HOME
♪ MAYBE ONE DAY THEY'LL
1038
01:21:59,414 --> 01:22:02,751
REACH BACK IN THEIR FILE
♪ AND PULL OUT THAT OLD MEMORY
1039
01:22:02,817 --> 01:22:05,854
AND THINK OF ME AND SMILE
♪ AND SAY
1040
01:22:05,920 --> 01:22:10,358
IT WAS JUST AN OLD WORN OUT JEEP
♪ RUSTY OLD FLOOR BOARDS
1041
01:22:10,425 --> 01:22:14,329
HOT ON MY FEET
♪ A YOUNG GIRL
1042
01:22:14,396 --> 01:22:17,699
TWO HANDS ON THE WHEEL
♪ I CAN'T REPLACE THE WAY
1043
01:22:17,766 --> 01:22:22,370
IT MADE ME FEEL
♪ AND HE'D SAY TURN IT LEFT
1044
01:22:22,437 --> 01:22:25,573
AND STEER IT RIGHT
♪ STRAIGHTEN UP GIRL NOW
1045
01:22:25,640 --> 01:22:29,711
YOU'RE DOING JUST FINE
♪ JUST A LITTLE VALLEY BY
1046
01:22:29,778 --> 01:22:33,348
THE RIVER WHERE WE'D RIDE
♪ BUT I WAS HIGH ON A MOUNTAIN
1047
01:22:33,415 --> 01:22:46,161
WHEN DADDY LET ME DRIVE
♪ ♪ ♪
1048
01:22:46,227 --> 01:22:49,230
♪ ♪ ♪
♪ FIRST STEPS
1049
01:22:49,297 --> 01:22:51,766
FIRST WORDS
♪ SEEMS LIKE YESTERDAY
1050
01:22:51,833 --> 01:23:01,876
YOU WERE JUST A GIRL
♪ SKINNED KNEES
1051
01:23:01,943 --> 01:23:04,079
CLIMBIN' TREES
♪ ALL THOSE MEMORIES
1052
01:23:04,145 --> 01:23:12,087
SO CLOSE TO ME
♪ NOW YOU'RE A WOMAN
1053
01:23:12,153 --> 01:23:18,526
ON YOUR OWN
♪ ALL IN LOVE
1054
01:23:18,593 --> 01:23:25,266
AND NEARLY GONE
♪ BUT YOU'LL ALWAYS BE MY BABY
1055
01:23:25,333 --> 01:23:40,081
NO MATTER WHERE YOU ARE
♪ YOU'LL ALWAYS BE MY BABY
1056
01:23:40,148 --> 01:23:51,192
FOREVER IN MY HEART
♪ SO I SAY A PRAYER EVERYDAY
1057
01:23:51,259 --> 01:24:00,001
THAT GOD WILL GUIDE YOU
♪ AS YOU FIND YOUR WAY
1058
01:24:00,068 --> 01:24:10,278
YOU KNOW THAT I'M NEAR
♪ ANYTIME MY LOVE IS ALWAYS HERE
1059
01:24:10,345 --> 01:24:22,724
CAUSE YOU'LL ALWAYS BE MY BABY
♪ NO MATTER WHERE YOU ARE
1060
01:24:22,791 --> 01:24:35,437
YOU'LL ALWAYS BE MY BABY
♪ O FOREVER IN MY HEART
1061
01:24:35,503 --> 01:24:45,480
FOREVER IN MY HEART ♪
( CHEERS AND APPLAUSE )
1062
01:24:45,547 --> 01:24:52,353
FOREVER IN MY HEART ♪
( CHEERS AND APPLAUSE )
1063
01:24:57,459 --> 01:24:58,593
>> Announcer: BLAKE SHELTON
PERFORMS ON THE GRAND OLE OPRY
1064
01:24:58,660 --> 01:25:00,261
HOUSE STAGE, NEXT.
1065
01:25:00,328 --> 01:25:06,034
CARLY PEARCE DUETS WITH LEE
BRICE, AND, COMING UP, A BREATH-
1066
01:25:06,100 --> 01:25:09,070
TAKING PERFORMANCE BY HOST
MICKEY GUYTON.
1067
01:25:09,137 --> 01:25:10,638
THIS IS CBS.
1068
01:25:40,869 --> 01:25:43,771
>> Announcer: WE'RE BACK, IN
NASHVILLE, AT THE GRAND OLE OPRY
1069
01:25:43,838 --> 01:25:48,977
HOUSE WITH SIX-TIME A.C.M. AWARD
WINNER, BLAKE SHELTON.
1070
01:25:49,043 --> 01:25:54,749
♪ ♪ ♪
♪ ♪ ♪
1071
01:25:54,816 --> 01:25:58,786
♪ SHE LEFT WITHOUT
LEAVIN' A NUMBER
1072
01:25:58,853 --> 01:26:03,157
♪ SAID SHE NEEDED
TO CLEAR HER MIND
1073
01:26:03,224 --> 01:26:06,461
♪ HE FIGURED SHE'D
GONE BACK TO AUSTIN
1074
01:26:06,528 --> 01:26:11,332
♪ 'CAUSE SHE TALKED ABOUT IT
ALL THE TIME
1075
01:26:11,399 --> 01:26:19,073
♪ IT WAS ALMOST A YEAR
BEFORE SHE CALLED HIM UP
1076
01:26:19,140 --> 01:26:23,578
♪ THREE RINGS AND AN
ANSWERING MACHINE
1077
01:26:23,645 --> 01:26:30,451
♪ IS WHAT SHE GOT
IF YOU'RE CALLIN' 'BOUT THE CAR
1078
01:26:30,518 --> 01:26:34,455
♪ I SOLD IT
IF THIS IS TUESDAY NIGHT
1079
01:26:34,522 --> 01:26:37,692
♪ I'M BOWLIN'
IF YOU'VE GOT SOMETHIN' TO SELL
1080
01:26:37,759 --> 01:26:42,664
♪ YOUR WASTIN' YOUR TIME
I'M NOT BUYIN'
1081
01:26:42,730 --> 01:26:47,702
♪ IF IT'S ANYBODY ELSE
WAIT FOR THE TONE
1082
01:26:47,769 --> 01:26:54,475
♪ YOU KNOW WHAT TO DO
AND P.S.
1083
01:26:54,542 --> 01:27:02,450
♪ IF THIS IS AUSTIN
I STILL LOVE YOU
1084
01:27:02,517 --> 01:27:07,956
♪ ♪ ♪
♪ THE TELEPHONE
1085
01:27:08,022 --> 01:27:11,893
FELL TO THE COUNTER
♪ SHE HEARD
1086
01:27:11,960 --> 01:27:17,065
BUT SHE COULDN'T BELIEVE
♪ WHAT KIND OF MAN
1087
01:27:17,131 --> 01:27:22,937
WOULD HANG ON THAT LONG
♪ WHAT KIND OF LOVE THAT MUST BE
1088
01:27:23,004 --> 01:27:31,346
SHE WAITED THREE DAYS
♪ AND THEN SHE TRIED AGAIN
1089
01:27:31,412 --> 01:27:37,185
SHE DIDN'T KNOW WHAT SHE'D SAY
♪ BUT SHE HEARD
1090
01:27:37,251 --> 01:27:42,156
THREE RINGS AND THEN
♪ IF IT'S FRIDAY NIGHT
1091
01:27:42,223 --> 01:27:48,162
I'M AT THE BALL GAME
♪ AND FIRST THING SATURDAY
1092
01:27:48,229 --> 01:27:52,166
IF IT DON'T RAIN
♪ I'M HEADED OUT TO THE LAKE
1093
01:27:52,233 --> 01:27:56,204
AND I'LL BE GONE
♪ ALL WEEKEND LONG
1094
01:27:56,270 --> 01:28:00,174
BUT I'LL CALL YOU BACK
♪ WHEN I GET HOME
1095
01:28:00,241 --> 01:28:08,182
ON SUNDAY AFTERNOON
♪ AND P.S.
1096
01:28:08,249 --> 01:28:17,425
IF THIS IS AUSTIN
♪ I STILL LOVE YOU
1097
01:28:17,492 --> 01:28:20,294
WELL THIS TIME
♪ SHE LEFT HER NUMBER
1098
01:28:20,361 --> 01:28:26,668
BUT NOT ANOTHER WORD
♪ THEN SHE WAITED BY THE PHONE
1099
01:28:26,734 --> 01:28:36,244
ON SUNDAY EVENING
♪ AND THIS IS WHAT HE HEARD
1100
01:28:36,310 --> 01:28:41,182
IF YOUR CALLIN' 'BOUT MY HEART
♪ IT'S STILL YOURS
1101
01:28:41,249 --> 01:28:45,086
I SHOULD HAVE LISTENED
♪ TO IT A LITTLE MORE
1102
01:28:45,153 --> 01:28:49,424
THEN IT WOULDN'T HAVE
♪ TAKEN ME SO LONG
1103
01:28:49,490 --> 01:28:56,164
TO KNOW WHERE I BELONG
♪ AND BY THE WAY BOY
1104
01:28:56,230 --> 01:29:02,670
THIS IS NO MACHINE
♪ YOUR TALKIN' TO
1105
01:29:02,737 --> 01:29:07,642
CAN'T YOU TELL
♪ THIS IS AUSTIN
1106
01:29:07,709 --> 01:29:20,188
AND I STILL LOVE YOU
♪ ♪ ♪
1107
01:29:20,254 --> 01:29:25,226
♪ ♪ ♪
♪ ♪ ♪
1108
01:29:25,293 --> 01:29:26,694
♪ YEAH, I MET YOU 'FORE
ANYBODY KNEW MY NAME
1109
01:29:26,761 --> 01:29:29,063
♪ PLAYING FOR PENNIES
ON THE DIVE BAR STAGE
1110
01:29:29,130 --> 01:29:32,467
♪ SPLIT AN ALL-STAR SPECIAL
ON OUR FIRST DATE
1111
01:29:32,533 --> 01:29:35,403
♪ IN A WAFFLE HOUSE BOOTH
YOUR DADDY WAS CRYING
1112
01:29:35,470 --> 01:29:38,673
♪ WHEN HE GAVE YOU AWAY
'CAUSE ALL THOSE COUNTRY
1113
01:29:38,740 --> 01:29:44,178
SONGS I PLAYED
THEY DIDN'T COME WITH A 401K
1114
01:29:44,245 --> 01:29:46,247
♪ BUT HEY, I HAD YOU
YOU CAN MAKE A SIX PACK ON
1115
01:29:46,314 --> 01:29:50,685
♪ THE CARPET TASTE LIKE A
MILLION DOLLAR BILL
1116
01:29:50,752 --> 01:29:52,587
♪ YOU CAN MAKE A
ONE BEDROOM APARTMENT
1117
01:29:52,653 --> 01:29:55,256
♪ FEEL LIKE A HOUSE
UP ON THE HILL
1118
01:29:55,323 --> 01:29:58,893
♪ YOU CAN MAKE MY TRUCK
OUT IN THE DRIVEWAY
1119
01:29:58,960 --> 01:30:00,962
♪ ROLL LIKE A
CLEANED UP CADILLAC
1120
01:30:01,028 --> 01:30:03,498
♪ GIRL, LOOKIN' AT YOU
LOOKIN' AT ME THAT WAY
1121
01:30:03,564 --> 01:30:08,169
♪ CAN MAKE A MAN FEEL RICH
ON MINIMUM WAGE
1122
01:30:08,236 --> 01:30:14,375
♪ GIRL, YOUR LOVE IS MONEY
YOUR LOVE IS MONEY
1123
01:30:14,442 --> 01:30:15,443
♪ YEAH, YOUR LOVE
CAN MAKE A MAN FEEL RICH
1124
01:30:15,510 --> 01:30:21,048
♪ ON MINIMUM WAGE
GIRL, YOUR LOVE IS MONEY
1125
01:30:21,115 --> 01:30:24,752
♪ YOUR LOVE IS MONEY
YEAH, YOUR LOVE
1126
01:30:24,819 --> 01:30:32,260
♪ CAN MAKE A MAN FEEL RICH
ON MINIMUM WAGE
1127
01:30:32,326 --> 01:30:35,496
GIRL, YOUR LOVE IS MONEY
♪ YOUR LOVE IS MONEY
1128
01:30:35,563 --> 01:30:38,699
YEAH, YOUR LOVE
♪ CAN MAKE A MAN FEEL RICH
1129
01:30:38,766 --> 01:30:48,042
ON MINIMUM WAGE
( CHEERS AND APPLAUSE )
1130
01:30:48,109 --> 01:30:53,848
>> NOW, WELCOME BACK MISS DOLLY
PARTON.
1131
01:30:53,915 --> 01:30:58,719
>> TO PRESENT OUR NEXT AWARD IS
AN ACTOR, WRITER, INSTAGRAM
1132
01:30:58,786 --> 01:31:02,557
STAR, FUNNIEST PERSON IN THE
WHOLE WIDE WORLD, BEEN A FRIEND
1133
01:31:02,623 --> 01:31:03,591
OF MINE FOR YEARS.
1134
01:31:03,658 --> 01:31:06,527
I GOT TO SING A SONG ON HIS
UPCOMING GOSPEL ALBUM.
1135
01:31:06,594 --> 01:31:08,863
THE ALBUM IS CALLED "COMPANY'S
COMING."
1136
01:31:08,930 --> 01:31:11,165
I DON'T KNOW WHAT HE'S GOING TO
DO TONIGHT.
1137
01:31:11,232 --> 01:31:14,068
MAYBE ONE DAY WE'LL GET TO SING
OUR SONG ON A TV SHOW.
1138
01:31:14,135 --> 01:31:24,111
WOULD YOU PLEASE MAKE WELCOME MY
BUDDY, LESLIE JORDAN?
1139
01:31:24,178 --> 01:31:33,354
WOULD YOU PLEASE MAKE WELCOME MY
BUDDY, LESLIE JORDAN?
1140
01:31:33,421 --> 01:31:34,789
>> WOAH.
1141
01:31:34,856 --> 01:31:38,693
I NEVER DREAMED I'D BE ON THIS
STAGE AND BE INTRODUCED BY DOLLY
1142
01:31:38,759 --> 01:31:40,628
PARTON.
1143
01:31:40,695 --> 01:31:50,071
AND HERE ARE THE NOMINEES FOR
THE DUO OF THE YEAR.
1144
01:31:50,137 --> 01:31:51,305
>> Announcer: BROOKS & DUNN.
1145
01:31:51,372 --> 01:31:51,839
BROTHERS OSBORNE.
1146
01:31:51,906 --> 01:31:52,740
DAN + SHAY.
1147
01:31:52,807 --> 01:31:55,843
FLORIDA GEORGIA LINE.
1148
01:31:55,910 --> 01:32:03,784
MADDIE & TAE.
1149
01:32:03,851 --> 01:32:11,826
>> AND THE A.C.M. DUO OF THE
YEAR GOES TO:
1150
01:32:11,893 --> 01:32:19,834
DAN + SHAY.
1151
01:32:19,901 --> 01:32:26,807
♪ ♪ ♪
TELY INCREDIBLE TO
1152
01:32:26,874 --> 01:32:28,509
STAND ON STAGE AT THE BLUE BIRD.
1153
01:32:28,576 --> 01:32:31,512
I REMEMBER VISITING THIS PLACE
OVER TEN YEARS AGO BEFORE I
1154
01:32:31,579 --> 01:32:34,348
MOVED TO NASHVILLE AND DREAMED
OF BEING A SONGWRITER IN THIS
1155
01:32:34,415 --> 01:32:35,549
TOWN.
1156
01:32:35,616 --> 01:32:39,320
STILL JUST AS EXCITED EVERY DAY
TO WAKE UP AND WRITE COUNTRY
1157
01:32:39,387 --> 01:32:40,521
MUSIC.
1158
01:32:40,588 --> 01:32:43,824
THANK YOU SO TO THE ACM, THE
OTHER NOMINEES IN OUR CATEGORY,
1159
01:32:43,891 --> 01:32:48,362
WE LOVE Y'ALL, EVERYBODY IS
DESERVING OF THIS AWARD.
1160
01:32:48,429 --> 01:32:51,432
OUR TEAM, THANK YOU SO MUCH AND
MY WIFE ABBY, I LOVE YOU.
1161
01:32:51,499 --> 01:32:54,969
>> THIS IS SO SPECIAL, I WANT TO
THANK GOD FOR THIS GUY.
1162
01:32:55,036 --> 01:32:58,839
MY WIFE HANNA, MY BOYS AN
COUNTRY RADIO.
1163
01:32:58,906 --> 01:33:00,641
COUNTRY FANS THANK YOU FOR BEING
WITH US.
1164
01:33:00,708 --> 01:33:05,413
LOVE YOU GUYS.
1165
01:33:05,479 --> 01:33:06,681
>> LOVE
>> Announcer: WITH “I HOPE
1166
01:33:06,747 --> 01:33:12,253
YOU'RE HAPPY NOW,” THE SONG THAT
WON THEM THE A.C.M. AWARD FOR
1167
01:33:12,320 --> 01:33:13,955
MUSIC EVENT AND SINGLE OF THE
YEAR, HERE ARE CARLY PEARCE AND
1168
01:33:14,021 --> 01:33:17,658
LEE BRICE.
1169
01:33:17,725 --> 01:33:20,795
♪ ♪ ♪
♪ IT'S ALL ON ME
1170
01:33:20,861 --> 01:33:24,165
IT'S MY MISTAKE
♪ I SAID I DON'T LOVE YOU
1171
01:33:24,231 --> 01:33:29,136
A LITTLE TOO LATE
♪ BUT I GUESS THERE AIN'T
1172
01:33:29,203 --> 01:33:30,271
EVER A RIGHT TIME
♪ AND I DON'T KNOW WHY
1173
01:33:30,338 --> 01:33:37,678
IT'S CALLED A GOOD-BYE
♪ GO RUN MY NAME
1174
01:33:37,745 --> 01:33:41,482
INTO THE GROUND
♪ TELL EVERYONE YOU KNOW
1175
01:33:41,549 --> 01:33:48,189
JUST HOW, HOW I SLAMMED
♪ THE DOOR ON OUR FOREVER
1176
01:33:48,255 --> 01:33:53,661
BUT I PROMISE YOU
♪ IT'S FOR THE BETTER
1177
01:33:53,728 --> 01:34:01,669
I HOPE YOU FIND
♪ WHAT YOU WERE LOOKING FOR
1178
01:34:01,736 --> 01:34:08,242
I HOPE YOUR HEART
♪ AIN'T HURTING ANYMORE
1179
01:34:08,309 --> 01:34:15,750
AND YOU GET MOVING ON
♪ I FIGURED IT OUT
1180
01:34:15,816 --> 01:34:23,958
AND YOU DON'T HATE ME SOMEHOW
♪ 'CAUSE I HOPE
1181
01:34:24,025 --> 01:34:35,503
YOU'RE HAPPY NOW
MY FRIEND
1182
01:34:35,569 --> 01:34:36,704
♪ WHO KNEW THIS HEART
COULD BREAK THIS HARD
1183
01:34:36,771 --> 01:34:40,741
♪ OR LOVE LIKE OURS
COULD FALL APART
1184
01:34:40,808 --> 01:34:46,047
♪ WITHOUT SO MUCH AS A WARNING
I THOUGHT THAT I
1185
01:34:46,113 --> 01:34:52,853
♪ WAS WHAT YOU WANTED
WELL, I GUESS YOU FOUND
1186
01:34:52,920 --> 01:35:01,662
♪ WHAT YOU WERE LOOKING FOR
I GUESS MY HEART
1187
01:35:01,729 --> 01:35:10,938
♪ AIN'T WORTH IT ANYMORE
I'M A WRECK, I'M A MESS
1188
01:35:11,005 --> 01:35:20,681
♪ AND I AIN'T GOT NOTHING LEFT
AND SO I HOPE
1189
01:35:20,748 --> 01:35:24,652
♪ YOU'RE HAPPY NOW
♪ ♪ ♪
1190
01:35:24,718 --> 01:35:32,326
♪ ♪ ♪
♪ ♪ ♪
1191
01:35:32,393 --> 01:35:39,200
I HOPE YOU FOUND
♪ WHAT YOU WERE LOOKING FOR
1192
01:35:39,266 --> 01:35:45,706
I GUESS MY HEART
♪ AIN'T WORTH IT ANYMORE
1193
01:35:45,773 --> 01:35:50,444
HOPE YOU BEEN MOVING ON
♪ ALL FIGURED OUT
1194
01:35:50,511 --> 01:35:57,551
AND YOU DON'T HATE ME SOMEHOW
♪ I'M A WRECK, I'M A MESS
1195
01:35:57,618 --> 01:36:08,662
AND I AIN'T GOT NOTHING LEFT
♪ SO I HOPE
1196
01:36:08,729 --> 01:36:12,800
YOU'RE HAPPY NOW
♪ HAPPY NOW
1197
01:36:12,867 --> 01:36:20,674
OH, I HOPE
♪ YOU'RE HAPPY NOW ♪
1198
01:36:20,741 --> 01:36:33,120
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1199
01:36:33,187 --> 01:36:35,322
>> Announcer: UP NEXT, AN
UNFORGETTABLE PERFORMANCE
1200
01:36:35,389 --> 01:36:36,257
BY MICKEY GUYTON.
1201
01:36:36,323 --> 01:36:39,126
PLUS, THE AWARD FOR MALE ARTIST
OF THE YEAR.
1202
01:36:39,193 --> 01:36:43,330
THEN, KEITH URBAN TAKES THE
GRAND OLE OPRY HOUSE STAGE.
1203
01:36:43,397 --> 01:36:46,934
THIS IS CBS.
1204
01:36:47,001 --> 01:36:51,805
AND NOW, A SPECIAL MESSAGE FROM
T-MOBILE AND 11-TIME A.C.M.
1205
01:36:51,872 --> 01:36:54,508
AWARD WINNERS, FLORIDA GEORGIA
LINE!
1206
01:37:00,881 --> 01:37:02,883
>> Mickey: WELCOME BACK.
1207
01:37:02,950 --> 01:37:05,920
I'M SO THANKFUL TO THE ACADEMY
FOR THE SUPPORT THEY HAVE GIVEN
1208
01:37:05,986 --> 01:37:09,323
ME OVER THE LAST FEW YEARS, AND
I'M ALSO PROUD OF THEIR WORK ON
1209
01:37:09,390 --> 01:37:12,426
BEHALF OF SO MANY DIFFERENT
GROUPS IN OUR COMMUNITY.
1210
01:37:12,493 --> 01:37:15,129
ONE OF THE WAYS THEY PROVIDE
THAT HELP IS THROUGH THE “A.C.M.
1211
01:37:15,196 --> 01:37:17,998
LIFTING LIVES COVID-19 RESPONSE
FUND."
1212
01:37:18,065 --> 01:37:23,837
LET'S TAKE A LOOK.
1213
01:37:23,904 --> 01:37:26,240
IN MARCH 2020
COVID PANDEMIC HIT, LIVE MUSIC
1214
01:37:26,307 --> 01:37:28,175
AS WE KNOW IT SHUT DOWN.
1215
01:37:28,242 --> 01:37:30,277
>> NOBODY COULD SEE THIS
DRAGGING OUT FOR A YEAR.
1216
01:37:30,344 --> 01:37:33,914
>> HOW ARE OUR FANS SUPPOSED TO
TAKE CARE OF THEIR FAMILIES.
1217
01:37:33,981 --> 01:37:35,616
>> HOW WOULD THEY PAY THEIR
BILLS.
1218
01:37:35,683 --> 01:37:39,720
>> WITHOUT THOSE GUYS, I DON'T
GET TO HAPPEN.
1219
01:37:39,787 --> 01:37:44,525
>> ACM LIFTING LIVES COVID-19
RESPONSE FUND HAS GIVEN AWAY 3.9
1220
01:37:44,592 --> 01:37:47,061
MILLION FOR PEOPLE IN OUR
COUNTRY WHO NEED IT.
1221
01:37:47,127 --> 01:37:48,996
>> IT PAID OUR MORTGAGE THAT
MONTH.
1222
01:37:49,063 --> 01:37:51,498
>> IT CAME AT THE EXACT RIGHT
TIME I NEEDED IT TO COME.
1223
01:37:51,565 --> 01:37:54,702
>> THE FUNDS HAVE BEEN DEPLETED
BECAUSE THEY HAVE GIVEN O SO
1224
01:37:54,768 --> 01:37:55,970
MANY PEOPLE IN NEED.
1225
01:37:56,036 --> 01:37:58,405
>> IF YOU WANT THAT FEELING OF A
CONCERT AGAIN, YOU HAVE TO KEEP
1226
01:37:58,472 --> 01:37:59,640
THESE PEOPLE GOING.
1227
01:37:59,707 --> 01:38:09,316
>> WHETHER YOU CAN GIVE $1, $10
OR $100, YOUR DONATION MAKES A
1228
01:38:09,383 --> 01:38:10,618
>> Mickey: THANK YOU, "LIFTING
LIVES," FOR HELPING US GET
1229
01:38:10,684 --> 01:38:12,019
THROUGH SOME VERY TOUGH TIMES.
1230
01:38:12,086 --> 01:38:13,887
I WROTE THIS NEXT SONG AS A
PRAYER.
1231
01:38:13,954 --> 01:38:16,857
WHEN FACED WITH PAIN AND
UNCERTAINTY, I HOPE IT INSPIRES
1232
01:38:16,924 --> 01:38:21,996
YOU TO HOLD ON.
1233
01:38:22,062 --> 01:38:24,698
♪ ♪ ♪
♪ WHEN YOU'RE AFRAID
1234
01:38:24,765 --> 01:38:30,638
I'M RIGHT BESIDE YOU
♪ WHEN YOU'RE IN THE DARK
1235
01:38:30,704 --> 01:38:36,777
I'LL COME AND FIND YOU
♪ THERE IS NO DOOR
1236
01:38:36,844 --> 01:38:43,183
I'LL LEAVE UNOPENED
♪ AND THERE IS NO CHANCE
1237
01:38:43,250 --> 01:38:54,495
I'LL LEAVE IT BROKEN
♪ SO, HOLD ON, HOLD ON
1238
01:38:54,561 --> 01:39:00,401
DON'T LET GO
♪ HOLD ON, HOLD ON
1239
01:39:00,467 --> 01:39:05,205
I'LL BE YOUR HOPE
♪ I'LL BE YOUR LIFELINE
1240
01:39:05,272 --> 01:39:14,882
I'LL NEVER STOP FIGHTING
♪ SO HOLD ON, HOLD ON
1241
01:39:14,948 --> 01:39:27,261
HOLD ON TO ME
♪ HOLD ON TO ME
1242
01:39:27,328 --> 01:39:35,869
IF THERE'S A PRAYER
♪ I'M GONNA PRAY IT
1243
01:39:35,936 --> 01:39:42,276
WHEN THERE'S AN ANSWER
♪ I'LL BE RIGHT HERE WAITING
1244
01:39:42,343 --> 01:39:46,380
AND THERE AIN'T A STONE
♪ I WON'T TURN OVER
1245
01:39:46,447 --> 01:39:49,616
A WEIGHT TOO HEAVY
♪ ON MY SHOULDER
1246
01:39:49,683 --> 01:39:55,989
A FIRE THAT I WON'T WALK THROUGH
♪ YOU KNOW I GOT YOU, I GOT YOU
1247
01:39:56,056 --> 01:40:02,863
SO HOLD ON, HOLD ON
♪ AND DON'T LET GO
1248
01:40:02,930 --> 01:40:07,835
HOLD ON, HOLD ON
♪ I'LL BE YOUR HOPE
1249
01:40:07,901 --> 01:40:13,040
I'LL BE YOUR LIFELINE
♪ I'LL NEVER STOP FIGHTING
1250
01:40:13,107 --> 01:40:20,047
BELIEVING
♪ SO HOLD ON, HOLD ON
1251
01:40:20,114 --> 01:40:27,121
HOLD ON TO ME, YEAH
♪ HOLD ON TO ME, YEAH
1252
01:40:27,187 --> 01:40:38,832
HOLD ON TO ME, YEAH
♪ HOLD ON TO ME, YEAH
1253
01:40:38,899 --> 01:40:43,103
DON'T KNOW IF YOU'RE LISTENING
♪ BUT IF YOU CAN HERE ME
1254
01:40:43,170 --> 01:40:49,510
JUST HOLD ON, HOLD ON
♪ AND DON'T LET GO
1255
01:40:49,576 --> 01:40:55,249
HOLD ON, HOLD ON
♪ I'LL BE YOUR HOPE
1256
01:40:55,315 --> 01:41:02,856
I'LL BE YOUR LIFELINE
♪ AND I'LL NEVER STOP FIGHTING
1257
01:41:02,923 --> 01:41:10,998
BELIEVING
♪ JUST HOLD ON, HOLD ON
1258
01:41:11,064 --> 01:41:22,543
HOLD ON TO ME ♪
( CHEERS AND APPLAUSE )
1259
01:41:22,609 --> 01:41:25,279
>> Announcer: COMING TO THE
STAGE WITH OUR NEXT AWARD,
1260
01:41:25,345 --> 01:41:39,726
HERE'S THREE-TIME NOMINEE
TONIGHT, INGRID ANDRESS.
1261
01:41:39,793 --> 01:41:40,794
>> WHAT'S UP, FAM?
1262
01:41:40,861 --> 01:41:42,629
A LOT OF GREAT THINGS HAVE
HAPPENED TO ME EARLY IN MY
1263
01:41:42,696 --> 01:41:45,032
CAREER, AND SOMETIMES I REALLY
WONDER HOW I LITERALLY GOT HERE.
1264
01:41:45,098 --> 01:41:47,901
SO, THIS IS A SPECIAL MOMENT.
1265
01:41:47,968 --> 01:41:52,339
I'M HONORED TO PRESENT THIS
AWARD TO ONE OF THESE FIVE
1266
01:41:52,406 --> 01:41:55,075
SUPERSTARS, ALL MEN I RESPECT
AND ADMIRE.
1267
01:41:55,142 --> 01:42:01,281
HERE ARE THE INCREDIBLE NOMINEES
FOR MALE ARTIST OF THE YEAR.
1268
01:42:01,348 --> 01:42:11,892
>> Announcer: DIERKS BENTLEY.
1269
01:42:11,959 --> 01:42:22,035
ERIC CHURCH.
1270
01:42:22,102 --> 01:42:30,777
LUKE COMBS.
1271
01:42:30,844 --> 01:42:41,688
THOMAS RHETT.
1272
01:42:41,755 --> 01:42:55,903
CHRIS STAPLETON.
1273
01:42:55,969 --> 01:42:59,406
( APPLAUSE )
>> AND THE A.C.M. MALE ARTIST OF
1274
01:42:59,473 --> 01:43:12,319
THE YEAR GOES TO:
THOMAS RHETT.
1275
01:43:12,386 --> 01:43:19,860
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1276
01:43:19,927 --> 01:43:29,903
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1277
01:43:29,970 --> 01:43:35,742
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1278
01:43:35,809 --> 01:43:38,845
>> MAN, THIS IS ABSOLUTELY
UNBELIEVABLE, ESPECIALLY SITTING
1279
01:43:38,912 --> 01:43:44,618
HERE NEXT TO DIERKS, HOLLERING
HIS SHENANIGANS OVER HERE, I
1280
01:43:44,685 --> 01:43:48,822
WANT TO SAY THANK YOU SO MUCH TO
THE ACMS, THIS IS INCREDIBLE.
1281
01:43:48,889 --> 01:43:51,992
TO MY WIFE, MY THREE BABY GIRLS
WATCHING THIS AT HOME ON THE TV,
1282
01:43:52,059 --> 01:43:55,596
I LOVE Y'ALL SO MUCH, ALL THE
HEALTH CARE WORKERS SITTING UP
1283
01:43:55,662 --> 01:43:56,330
HERE, THANK YOU, THANK YOU.
1284
01:43:56,396 --> 01:43:59,132
COME ON!
1285
01:43:59,199 --> 01:44:02,736
IT JUST FEELS
INVEDDABLE-- INCREDIBLE TO BE IN
1286
01:44:02,803 --> 01:44:06,006
THIS CATEGORY, TO BE HONEST,
THESE ARE LITERALLY MY HEROES
1287
01:44:06,073 --> 01:44:09,309
SITTING RIGHT HERE IN THESE
SEATS, SO THANK YOU LORD, LORD
1288
01:44:09,376 --> 01:44:10,344
JESUS, WE LOVE YOU.
1289
01:44:10,410 --> 01:44:13,513
THANK YOU FOR THIS AWARD.
1290
01:44:13,580 --> 01:44:16,316
THANK YOU.
1291
01:44:16,383 --> 01:44:20,387
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1292
01:44:20,454 --> 01:44:23,857
>> Keith: CONGRATULATIONS TO
YOU.
1293
01:44:23,924 --> 01:44:24,291
PUT IT THERE, MAN.
1294
01:44:24,358 --> 01:44:25,392
TELL YOU WHAT.
1295
01:44:25,459 --> 01:44:26,960
TROPHY ROOM IS GETTING
THE TROPHY ROOM, YOU'RE GOING TO
1296
01:44:27,027 --> 01:44:31,231
NEED A TROPHY HOUSE IF YOU KEEP
KEEP THAT UP.
1297
01:44:31,298 --> 01:44:38,171
STILL TO COME, KELSEY BALLERINI
FEATURE-- FEATURING KENNY
1298
01:44:38,238 --> 01:44:40,674
CHESNEY, THIS IS
>> Announcer: YOU CAN "STREAM
1299
01:44:40,741 --> 01:44:42,509
FOR A CAUSE" WITH THE OFFICIAL
56th A.C.M. AWARDS PLAYLISTS,
1300
01:44:42,576 --> 01:44:47,014
FEATURING SONGS FROM EVERY
NOMINEE, AND RAISE VALUABLE
1301
01:44:47,080 --> 01:44:48,115
FUNDS FOR A.C.M. LIFTING LIVES.
1302
01:44:48,181 --> 01:44:50,817
VISIT www.acmliftinglives.org.
1303
01:44:50,884 --> 01:44:53,754
THE 56th ACADEMY OF COUNTRY
MUSIC AWARDS, SPONSORED BY:
1304
01:44:53,820 --> 01:44:56,189
THE ALL-NEW BRONCO SPORT, BUILT
WILD.
1305
01:44:59,459 --> 01:45:02,663
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
1306
01:45:02,729 --> 01:45:03,397
CONTINUE.
1307
01:45:03,463 --> 01:45:03,797
THIS IS CBS.
1308
01:45:08,368 --> 01:45:15,342
♪ ♪ ♪
1309
01:45:15,409 --> 01:45:18,612
>> Keith: WELCOME BACK.
WHAT AN AMAZING NIGHTK MICKEY.
1310
01:45:18,679 --> 01:45:19,446
>> I'M HAVING AN AMAZING TIME.
1311
01:45:19,513 --> 01:45:20,847
SO WHAT HAVE YOU GOT THERE?
1312
01:45:20,914 --> 01:45:24,951
>> I'M GOING TO PLAY.
1313
01:45:25,018 --> 01:45:25,919
>> PLAYING WHAT.
1314
01:45:25,986 --> 01:45:27,120
>> LIKE WITH MY BAND.
1315
01:45:27,187 --> 01:45:30,457
>> SO WHERE YOU GOING AND I'VE
NEVER PLAYED THIS SONG WITH MY
1316
01:45:30,524 --> 01:45:32,926
BAND BEFORE SO IT WILL BE NICE
TO ACTUALLY FINALLY PLAY.
1317
01:45:32,993 --> 01:45:39,399
>> SO YOU ARE LEAVING ME RIGHT
NOW.
1318
01:45:39,466 --> 01:45:39,833
>> YEAH.
1319
01:45:39,900 --> 01:45:40,667
>> KEITH URBAN.
1320
01:45:40,734 --> 01:45:42,035
HERE TO
>> Mickey: HERE TO PERFORM HIS
1321
01:45:42,102 --> 01:45:48,308
HIT SONG, “TUMBLEWEED,” IS MY
TUMBLEWEED, IS MY DEAR FRIEND 15
1322
01:45:48,375 --> 01:45:58,652
TIME ACM AWARD WINNER, KEITH
FREAKING URBAN.
1323
01:45:58,719 --> 01:46:04,124
♪ ♪ ♪
♪ ♪ ♪
1324
01:46:04,191 --> 01:46:09,763
♪ ♪ ♪
♪ ♪ ♪
1325
01:46:09,830 --> 01:46:10,864
♪ HOTTER THAN A $2
SHOT OF WHISKEY
1326
01:46:10,931 --> 01:46:13,200
♪ LOOKING PRETTY
SITTING AT THE BAR
1327
01:46:13,266 --> 01:46:15,702
♪ LOOKING 'ROUND THE ROOM
WITH THE DEVIL ON YOUR SHOULDER
1328
01:46:15,769 --> 01:46:17,637
♪ LIKE YOU'RE 'BOUT TO
STEAL A COWBOY'S HEART
1329
01:46:17,704 --> 01:46:21,942
♪ I'M YOUR BILLY THE KID
SO BABY, LET'S GIDDY-UP, GONE
1330
01:46:22,008 --> 01:46:24,211
♪ I AIN'T EVEN SURE JUST A
WHERE YOU'RE HEADED
1331
01:46:24,277 --> 01:46:29,750
♪ BUT I'D SURE LIKE TO TAG ALONG
HEY, MISS TUMBLEWEED
1332
01:46:29,816 --> 01:46:35,689
♪ WELL, I BELIEVE TWO
TUMBLEWEEDS IS BETTER THAN ONE
1333
01:46:35,756 --> 01:46:37,991
♪ EVERYBODY NEEDS A BUDDY
WHEN THEY'RE ON THE RUN
1334
01:46:38,058 --> 01:46:42,262
♪ HEY, MISS TUMBLEWEED
LET'S RIDE THE BREEZE
1335
01:46:42,329 --> 01:46:44,431
♪ TOWN TO TOWN
JUST A-KICKING UP DUST
1336
01:46:44,498 --> 01:46:49,536
♪ MAKE A LITTLE TROUBLE
MIGHT MAKE A LITTLE LOVE
1337
01:46:49,603 --> 01:46:54,508
♪ ♪ ♪
♪ ♪ ♪
1338
01:46:54,574 --> 01:46:57,944
♪ TEACH ME YOUR GYPSY WAYS
COME ON, BABY, SHOW ME THE ROPES
1339
01:46:58,011 --> 01:46:59,479
♪ THE REAL WORLD
CAN CHASE US, GIRL
1340
01:46:59,546 --> 01:47:01,782
♪ BUT WE'LL LEAVE 'EM IN
A CLOUD OF SMOKE
1341
01:47:01,848 --> 01:47:04,184
♪ NO TELLING WHERE
WE MIGHT END UP
1342
01:47:04,251 --> 01:47:07,487
♪ REBELS LIKE YOU AND ME
NOWHERE, ANYWHERE
1343
01:47:07,554 --> 01:47:10,724
♪ EVERYWHERE, OUT THERE
SOMEWHERE IN BETWEEN
1344
01:47:10,791 --> 01:47:15,328
♪ HEY, MISS TUMBLEWEED
WELL, I BELIEVE TWO TUMBLEWEEDS
1345
01:47:15,395 --> 01:47:18,298
♪ IS BETTER THAN ONE
EVERYBODY NEEDS A BUDDY
1346
01:47:18,365 --> 01:47:22,435
♪ WHEN THEY'RE ON THE RUN
HEY, MISS TUMBLEWEED
1347
01:47:22,502 --> 01:47:24,738
♪ LET'S RIDE THE BREEZE
TOWN TO TOWN
1348
01:47:24,805 --> 01:47:26,940
♪ JUST A-KICKING UP DUST
MAKE A LITTLE TROUBLE
1349
01:47:27,007 --> 01:47:31,545
♪ MIGHT MAKE A LITTLE LOVE
♪ ♪ ♪
1350
01:47:31,611 --> 01:47:37,551
♪ ♪ ♪
♪ ♪ ♪
1351
01:47:37,617 --> 01:47:46,993
♪ ♪ ♪
♪ ♪ ♪
1352
01:47:47,060 --> 01:47:57,804
♪ ♪ ♪
♪ OH, YEAH, THAT'S RIGHT
1353
01:47:57,871 --> 01:47:58,738
OPRY HOUSE!
1354
01:47:58,805 --> 01:48:01,007
TUMBLEWEED, TUMBLEWEED
♪ I'LL ROLL WITH YOU
1355
01:48:01,074 --> 01:48:02,676
YOU ROLL WITH ME
♪ TUMBLEWEED, TUMBLEWEED
1356
01:48:02,742 --> 01:48:05,712
I'LL ROLL WITH YOU
♪ YOU ROLL WITH ME HEY
1357
01:48:05,779 --> 01:48:08,348
TUMBLEWEED, TUMBLEWEED
♪ I'LL ROLL WITH YOU
1358
01:48:08,415 --> 01:48:11,551
YOU ROLL WITH ME
♪ TUMBLEWEED, TUMBLEWEED
1359
01:48:11,618 --> 01:48:14,120
I'LL ROLL WITH YOU
♪ YOU ROLL WITH ME
1360
01:48:14,187 --> 01:48:18,625
HEY, MISS TUMBLEWEED
♪ WELL, I BELIEVE TWO
1361
01:48:18,692 --> 01:48:22,562
TUMBLEWEEDS IS BETTER THAN ONE
♪ EVERYBODY NEEDS A BUDDY
1362
01:48:22,629 --> 01:48:25,465
WHEN THEY'RE ON THE RUN
♪ HEY, MISS TUMBLEWEED
1363
01:48:25,532 --> 01:48:29,102
LET'S RIDE THE BREEZE
♪ TOWN TO TOWN
1364
01:48:29,169 --> 01:48:30,437
JUST A-KICKING UP DUST
♪ MAKE A LITTLE TROUBLE
1365
01:48:30,503 --> 01:48:43,850
MIGHT MAKE A LITTLE LOVE ♪
( CHEERS AND APPLAUSE )
1366
01:48:43,917 --> 01:48:45,385
>> Keith: THANK YOU SO MUCH.
1367
01:48:45,452 --> 01:48:46,953
NOW, LET'S HEAD BACK LIVE TO THE
RYMAN AUDITORIUM FOR DOUBLE
1368
01:48:47,020 --> 01:48:50,991
NOMINEES TONIGHT, BROTHERS
OSBORNE.
1369
01:48:51,057 --> 01:49:01,501
♪ ♪ ♪
♪ ♪ ♪
1370
01:49:01,568 --> 01:49:04,237
♪ SOME PEOPLE CLAP
ON THE ONE AND THE THREE
1371
01:49:04,304 --> 01:49:07,407
♪ SOME PEOPLE CLAP
ON THE TWO AND FOUR
1372
01:49:07,474 --> 01:49:11,278
♪ SOME PEOPLE DON'T JOIN AT ALL
'CAUSE THEY GOT NO RHYTHM
1373
01:49:11,344 --> 01:49:15,982
♪ AND THAT'S ALRIGHT
SOME PEOPLE, THEY DRINK TOO MUCH
1374
01:49:16,049 --> 01:49:22,355
♪ SOME PEOPLE DON'T DRINK ENOUGH
SOME PEOPLE ARE JUST LIKE ME
1375
01:49:22,422 --> 01:49:25,792
♪ I HOPE Y'ALL FORGIVE 'EM
I'M LIKE SCOTCH
1376
01:49:25,859 --> 01:49:28,595
♪ AND ZYDECO BANDS
I'M LIKE B-SIDE
1377
01:49:28,662 --> 01:49:31,932
♪ TOWNES VAN ZANDT
I'M ALWAYS SPEAKING MY MIND
1378
01:49:31,998 --> 01:49:35,969
♪ WHEN I'M BETTER OFF
BIING MY TONGUE
1379
01:49:36,036 --> 01:49:39,139
♪ I'M A BAD JOKE
AT THE WRONG TIME
1380
01:49:39,205 --> 01:49:41,975
♪ HELL, I'M A LEGEND
IN MY OWN MIND
1381
01:49:42,042 --> 01:49:50,984
♪ I'M GOOD FOR SOME
BUT I'M NOT FOR EVERYONE
1382
01:49:51,051 --> 01:49:53,586
♪ IF I WAS SWEET TEA
IT'D BE A BIT BITTER
1383
01:49:53,653 --> 01:49:56,556
♪ IF YOU TOOK A DRINK
YOU MIGHT RECONSIDER
1384
01:49:56,623 --> 01:49:59,559
♪ IF I WAS A CHURCH
I'D BE HANGING WITH THE SINNERS
1385
01:49:59,626 --> 01:50:03,129
♪ TALKING 'BOUT
HENDRIX AND HEAVEN
1386
01:50:03,196 --> 01:50:06,733
♪ IF I WAS A BAR
I'D BE A DIVE
1387
01:50:06,800 --> 01:50:08,501
♪ A FREE JUKEBOX
IN A DOUBLE-WIDE
1388
01:50:08,568 --> 01:50:11,538
♪ NEON LIGHTS SAYING
"COME INSIDE"
1389
01:50:11,604 --> 01:50:15,508
♪ AND I'D BE "OPEN 24/7"
I'M LIKE SCOTCH
1390
01:50:15,575 --> 01:50:18,378
♪ AND ZYDECO BANDS
I'M LIKE B-SIDE
1391
01:50:18,445 --> 01:50:22,048
♪ TOWNES VAN ZANDT
I'M ALWAYS SPEAKING MY MIND
1392
01:50:22,115 --> 01:50:25,685
♪ WHEN I'M BETTER OFF
BITING MY TONGUE
1393
01:50:25,752 --> 01:50:28,955
♪ I'M A BAD JOKE
AT THE WRONG TIME
1394
01:50:29,022 --> 01:50:31,624
♪ HELL, I'M A LEGEND
IN MY OWN MIND
1395
01:50:31,691 --> 01:50:37,263
♪ I'M GOOD FOR SOME
BUT I'M NOT FOR EVERYONE
1396
01:50:37,330 --> 01:50:43,269
♪ ♪ ♪
♪ ♪ ♪
1397
01:50:43,336 --> 01:50:47,107
♪ ♪ ♪
♪ ♪ ♪
1398
01:50:47,173 --> 01:50:49,609
♪ YEAH, I'M HARD TO LOVE
IT'S TRUE
1399
01:50:49,676 --> 01:50:52,612
♪ I'M A LITTLE MORE
ROUGH THAN SMOOTH
1400
01:50:52,679 --> 01:50:58,151
♪ IT'S A WONDER I FOUND
SOMEBODY LIKE ME, LIKE YOU
1401
01:50:58,218 --> 01:51:00,987
♪ I'M LIKE SCOTCH
AND ZYDECO BANDS
1402
01:51:01,054 --> 01:51:03,923
♪ I'M LIKE B-SIDE
TOWNES VAN ZANDT
1403
01:51:03,990 --> 01:51:06,793
♪ I'M ALWAYS SPEAKING MY MIND
WHEN I'M BETTER OFF
1404
01:51:06,860 --> 01:51:11,097
♪ BITING MY TONGUE
I'M A BAD JOKE
1405
01:51:11,164 --> 01:51:13,867
♪ AT THE WRONG TIME
HELL, I'M A LEGEND
1406
01:51:13,933 --> 01:51:17,704
♪ IN MY OWN MIND
I'M GOOD FOR SOME
1407
01:51:17,771 --> 01:51:23,443
♪ BUT I'M NOT FOR EVERYONE
YEAH, I'M GOOD FOR SOME
1408
01:51:23,510 --> 01:51:36,523
♪ BUT I'M NOT FOR EVERYONE ♪
♪ ♪ ♪
1409
01:51:36,589 --> 01:51:42,328
( CHEERS AND APPLAUSE )
>> Announcer: XFINITY CUSTOMERS,
1410
01:51:42,395 --> 01:51:44,831
CATCH THE EXCLUSIVE PREMIERE O“"
YOUNGER ME."
1411
01:51:44,898 --> 01:51:50,937
JUST SAY "A.C.M. AWARDS" INTO
YOUR XFINITY VOICE REMOTE.
1412
01:51:51,004 --> 01:51:53,940
KELSEA BALLERINI PERFORMS WITH
KENNY CHESNEY, NEXT.
1413
01:51:54,007 --> 01:51:56,576
PLUS, THE AWARD FOR ALBUM OF THE
YEAR.
1414
01:51:56,643 --> 01:52:01,214
AND STILL TO COME FROM THE HEART
OF NASHVILLE, LITTLE BIG TOWN.
1415
01:52:01,281 --> 01:52:04,150
THIS IS CBS.
1416
01:52:04,217 --> 01:52:07,720
LAST YEAR, A.C.M. AWARD WINNER
DARIUS RUCKER TOLD US ABOUT AN
1417
01:52:07,787 --> 01:52:10,390
EXCITING MUSEUM COMING TO
NASHVILLE.
1418
01:52:10,457 --> 01:52:13,326
WE ARE HAPPY TO SAY THAT THE
NATIONAL MUSEUM OF AFRICAN-
1419
01:52:13,393 --> 01:52:16,996
AMERICAN MUSIC IS NOW OFFICIALLY
OPEN ON LOWER BROADWAY AND
1420
01:52:17,063 --> 01:52:20,867
SHARING ITS MISSION TO EDUCATE
AND PRESERVE.
1421
01:52:20,934 --> 01:52:22,402
THE ACADEMY SHARES THAT MISSION
THROUGH IT'S DIVERSITY AND
1422
01:52:22,469 --> 01:52:25,271
INCLUSION TASK FORCE, WHICH IS
COMMITTED TO CREATING A MORE
1423
01:52:25,338 --> 01:52:28,174
INCLUSIVE ENVIRONMENT FOR
UNDERREPRESENTED GROUPS IN
1424
01:52:28,241 --> 01:52:30,510
COUNTRY MUSIC, FROM THE
BOARDROOM TO THE STAGE.
1425
01:52:33,580 --> 01:52:36,816
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
1426
01:52:36,883 --> 01:52:38,518
CONTINUE.
THIS IS CBS
1427
01:52:43,389 --> 01:52:44,524
>> Announcer: WE'RE BACK IN
1428
01:52:44,591 --> 01:52:47,594
NASHVILLE AT THE GRAND OLE OPRY
HOUSE WITH KELSEA BALLERINI,
1429
01:52:47,660 --> 01:52:51,898
FEATURING KENNY CHESNEY.
1430
01:52:51,965 --> 01:52:57,537
♪ ♪ ♪
♪ ♪ ♪
1431
01:52:57,604 --> 01:53:00,640
♪ HALF OF MY HIGH SCHOOL
GOT TOO DRUNK
1432
01:53:00,707 --> 01:53:04,978
♪ HALF OF MY HIGH SCHOOL
FELL IN LOVE
1433
01:53:05,044 --> 01:53:10,884
♪ WITH THE GIRL NEXT DOOR
IN THEIR DADDY'S FORD
1434
01:53:10,950 --> 01:53:15,522
♪ HALF OF MY MAIN STREET'S
MINI SKIRTS
1435
01:53:15,588 --> 01:53:20,026
♪ HALF OF MY MAIN STREET'S
DRESSED FOR CHURCH
1436
01:53:20,093 --> 01:53:23,263
♪ IT COULD USE SOME RAIN
AND A FRESH COAT OF PAINT
1437
01:53:23,329 --> 01:53:26,799
♪ HALF OF MY HOMETOWN'S
STILL HANGIN' AROUND
1438
01:53:26,866 --> 01:53:30,403
♪ STILL TALKIN' ABOUT
THAT ONE TOUCHDOWN
1439
01:53:30,470 --> 01:53:33,473
♪ THEY'RE STILL WEARIN'
RED AND BLACK
1440
01:53:33,540 --> 01:53:37,010
♪ GO BOBCATS
WHILE THE OTHER HALF
1441
01:53:37,076 --> 01:53:40,547
♪ OF MY HOMETOWN
THEY ALL GOT OUT
1442
01:53:40,613 --> 01:53:44,684
♪ SOME WENT NORTH
SOME WENT SOUTH
1443
01:53:44,751 --> 01:53:51,057
♪ STILL LOOKIN' FOR A FEELIN'
HALF OF US AIN'T FOUND
1444
01:53:51,124 --> 01:53:54,294
♪ SO STAY OR LEAVE
PART OF ME
1445
01:53:54,360 --> 01:54:03,870
♪ WILL ALWAYS BE
HALF OF MY HOMETOWN
1446
01:54:03,937 --> 01:54:06,105
♪ HALF OF OUR PROM QUEENS
CUT THEIR HAIR
1447
01:54:06,172 --> 01:54:09,676
♪ HALF OF THEM THINK
THAT IT AIN'T FAIR
1448
01:54:09,742 --> 01:54:17,584
♪ THE QUARTERBACK MOVED AWAY
AND NEVER CAME BACK
1449
01:54:17,650 --> 01:54:22,522
♪ OH, HALF OF MY FAMILY
IS HAPPY I LEFT
1450
01:54:22,589 --> 01:54:23,690
♪ THE OTHER HALF WORRIES
I'LL JUST FORGET
1451
01:54:23,756 --> 01:54:27,060
♪ WHERE I CAME FROM
THE SAME PLACE
1452
01:54:27,126 --> 01:54:31,231
♪ WHERE THEY CAME FROM
HALF OF MY HOMETOWN'S
1453
01:54:31,297 --> 01:54:34,634
♪ STILL HANGIN' AROUND
STILL TALKIN' ABOUT
1454
01:54:34,701 --> 01:54:38,171
♪ THAT ONE TOUCHDOWN
THEY'RE STILL WEARIN'
1455
01:54:38,238 --> 01:54:41,207
♪ RED AND BLACK
GO BOBCATS
1456
01:54:41,274 --> 01:54:44,844
♪ WHILE THE OTHER HALF
OF MY HOMETOWN
1457
01:54:44,911 --> 01:54:48,481
♪ THEY ALL GOT OUT
SOME WENT NORTH
1458
01:54:48,548 --> 01:54:53,519
♪ SOME WENT SOUTH
STILL LOOKIN' FOR A FEELIN'
1459
01:54:53,586 --> 01:54:59,058
♪ HALF OF US AIN'T FOUND
SO STAY OR LEAVE
1460
01:54:59,125 --> 01:55:06,633
♪ PART OF ME WILL ALWAYS BE
HALF OF MY HOMETOWN
1461
01:55:06,699 --> 01:55:08,601
♪ HALF OF MY HOMETOWN
BACK ROADS RAISE US
1462
01:55:08,668 --> 01:55:14,907
♪ HIGHWAYS TAKE US
MEMORIES MAKE US
1463
01:55:14,974 --> 01:55:19,979
♪ WANNA GO BACK
TO OUR HOMETOWN
1464
01:55:20,046 --> 01:55:23,182
♪ SETTLE DOWN
TALK ABOUT
1465
01:55:23,249 --> 01:55:28,254
♪ THAT ONE TOUCHDOWN
RAISE SOME KIDS
1466
01:55:28,321 --> 01:55:30,256
♪ IN RED AND BLACK
GO BOBCATS
1467
01:55:30,323 --> 01:55:33,526
♪ WHILE THE OTHER HALF
OF MY HOMETOWN
1468
01:55:33,593 --> 01:55:36,996
♪ WAS IN THE CROWD
THEY KNEW THE WORDS
1469
01:55:37,063 --> 01:55:42,235
♪ THEY SANG THEM LOUD
AND ALL I WANNA DO
1470
01:55:42,302 --> 01:55:47,707
♪ IS MAKE THEM PROUD
'CAUSE HALF OF ME
1471
01:55:47,774 --> 01:55:56,049
♪ WILL ALWAYS BE
FROM KNOXVILLE, TENNESSEE
1472
01:55:56,115 --> 01:56:00,720
( CHEERS AND APPLAUSE )
♪ MY HOMETOWN
1473
01:56:00,787 --> 01:56:10,763
YEAH, MY HOMETOWN
( CHEERS AND APPLAUSE )
1474
01:56:10,830 --> 01:56:17,170
YEAH, MY HOMETOWN
( CHEERS AND APPLAUSE )
1475
01:56:17,236 --> 01:56:20,573
>> AND NOW, TO PRESENT THE NEXT
AWARD OF THE NIGHT, IT'S MY
1476
01:56:20,640 --> 01:56:26,579
PLEASURE TO INTRODUCE CLAY
WALKER.
1477
01:56:26,646 --> 01:56:36,322
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1478
01:56:36,389 --> 01:56:41,661
>> WHEN AN ARTIST GOES INTO THE
RECORDING STUDIO, THEIR DREAM IS
1479
01:56:41,728 --> 01:56:44,397
THAT ONE DAY THEIR ALBUM WILL BE
INCLUDED IN THIS CATEGORY.
1480
01:56:44,464 --> 01:56:47,734
FOR THESE FIVE ARTISTS, THAT
DREAM CAME TRUE.
1481
01:56:47,800 --> 01:56:52,805
HERE ARE THE NOMINEES FOR ALBUM
OF THE YEAR.
1482
01:56:52,872 --> 01:56:59,312
>> Announcer: “BORN HERE, LIVE
HERE, DIE HERE,” BY LUKE BRYAN“"
1483
01:56:59,379 --> 01:57:07,320
MIXTAPE VOL. 1,” BY KANE BROWN“"
NEVER WILL,” BY ASHLEY McBRYDE“"
1484
01:57:07,387 --> 01:57:11,524
SKELETONS,” BY BROTHERS
OSBORNE.“
1485
01:57:11,591 --> 01:57:18,664
STARTING OVER,” BY CHRIS
STAPLETON.
1486
01:57:18,731 --> 01:57:27,173
>> AND THE A.C.M. ALBUM OF THE
YEAR GOES TO:
1487
01:57:27,240 --> 01:57:28,441
SO DESERVING.
1488
01:57:28,508 --> 01:57:33,446
CHRIS STAPLETON.
1489
01:57:33,513 --> 01:57:34,981
♪ ♪ ♪
( APPLAUSE )
1490
01:57:35,047 --> 01:57:43,189
>> I WANT TO THANK EVERYBODY FOR
GIVING US THIS AWARD TONIGHT.
1491
01:57:43,256 --> 01:57:48,628
WE WORKED REALLY HARD MAKING
MUSIC AND THINK A LOT ABOUT IT.
1492
01:57:48,694 --> 01:57:55,201
I WANT TO THANK MY WIFE AND
JAIK, NIXON, EVERYBODY PLAY ON
1493
01:57:55,268 --> 01:57:56,602
THIS RECORD.
1494
01:57:56,669 --> 01:58:00,273
MIKE CAMPBELL, FINCH, MIKE
HENDERSON AND ALL THOSE FOLKS
1495
01:58:00,339 --> 01:58:03,643
HAVE I WRITTEN SONGS WITH ON
THIS RECORD.
1496
01:58:03,709 --> 01:58:07,180
IT MEANS A LOT TO US, IT REALLY
DOES, THANK YOU, THANK YOU VERY
1497
01:58:07,246 --> 01:58:09,081
MUCH.
1498
01:58:09,148 --> 01:58:15,221
( APPLAUSE )
>> Mickey: WHAT A GREAT GROUP OF
1499
01:58:15,288 --> 01:58:16,055
ARTISTS UP FOR THAT AWARD.
1500
01:58:16,122 --> 01:58:18,791
CONGRATULATIONS TO
CHRIS STAPLETON.
1501
01:58:18,858 --> 01:58:22,895
NEXT, A BIG AWARD FOR FEMALE
ARTIST OF THE YEAR, AND WE GET
1502
01:58:22,962 --> 01:58:29,836
TO ENJOY SOME “WINE, BEER,
WHISKEY” WITH LITTLE BIG TOWN.
1503
01:58:29,902 --> 01:58:32,405
>> Announcer: STREAM THE LATEST
EPISODES OF YOUR FAVORITE CBS
1504
01:58:32,472 --> 01:58:37,109
ORIGINALS FOR FREE ON THE CBS
APP AND SUBSCRIBE TO PARAMOUNT+
1505
01:58:37,176 --> 01:58:40,613
FOR MORE LIVE SPORTS, BREAKING
NEWS AND A MODEM OF
1506
01:58:40,680 --> 01:58:41,647
ENTERTAINMENT.
1507
01:58:47,487 --> 01:58:52,959
♪ ♪ ♪
>> Announcer: AND NOW, WITH OUR
1508
01:58:53,025 --> 01:58:56,963
NEXT AWARD OF THE NIGHT, HERE'S
POP AND CHRISTIAN MUSIC
1509
01:58:57,029 --> 01:59:03,236
SUPERSTAR, AMY GRANT.
1510
01:59:03,302 --> 01:59:07,240
( CHEERS AND APPLAUSE )
>> HERE ARE SOME LYRICS FROM A
1511
01:59:07,306 --> 01:59:13,446
SONG BY A.C.M. AWARD WINNER
LAUREN ALAINA CALLED “THE ROAD
1512
01:59:13,513 --> 01:59:16,449
LESS TRAVELED”:“
YOU WON'T MAKE YOURSELF A NAME
1513
01:59:16,516 --> 01:59:20,953
IF YOU FOLLOW THE RULES.
1514
01:59:21,020 --> 01:59:22,688
IF YOU TRUST YOUR REBEL HEART,
RIDE IT INTO BATTLE.
1515
01:59:22,755 --> 01:59:30,563
DON'T BE AFRAID, TAKE THE ROAD
LESS TRAVELED.”
1516
01:59:30,630 --> 01:59:33,032
THESE WORDS COULD BE SAID ABOUT
ALL OF YOU LADIES.
1517
01:59:33,099 --> 01:59:36,135
YOU HAVE DONE THAT
OUR NOMINEES FOR FEMALE ARTIST
1518
01:59:36,202 --> 01:59:36,836
OF THE YEAR.
1519
01:59:36,903 --> 01:59:46,879
>> Announcer: KELSEA BALLERINI.
1520
01:59:46,946 --> 01:59:52,084
>> Announcer: KELSEA BALLERINI.
1521
01:59:52,151 --> 02:00:02,728
MIRANDA LAMBERT.
1522
02:00:02,795 --> 02:00:11,771
ASHLEY McBRYDE.
1523
02:00:11,837 --> 02:00:22,114
MAREN MORRIS.
1524
02:00:22,181 --> 02:00:32,158
CARLY PEARCE.
1525
02:00:32,224 --> 02:00:38,731
CARLY PEARCE.
1526
02:00:39,231 --> 02:00:40,499
( CHEERS AND APPLAUSE )
>> AND THE A.C.M. FEMALE ARTIST
1527
02:00:40,566 --> 02:00:50,610
OF THE YEAR GOES TO:
MAREN MORRIS.
1528
02:00:50,676 --> 02:00:57,049
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1529
02:00:57,116 --> 02:01:08,494
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1530
02:01:08,561 --> 02:01:10,696
>> THANK YOU GUYS SO MUCH.
1531
02:01:10,763 --> 02:01:13,499
ME AND THE LADIES WERE JUST
LAUGHING OUR BUTTS OFF DURING
1532
02:01:13,566 --> 02:01:16,235
THE COMMERCIAL BREAK SO I FEEL
REALLY, REALLY JUST HAPPY TO BE
1533
02:01:16,302 --> 02:01:20,172
IN A CATEGORY WITH WOMEN THAT
WERE NOT ABLE TO TOUR THIS YEAR
1534
02:01:20,239 --> 02:01:24,443
BUT BROUGHT SO MUCH PEACE TO THE
GAME, TO COUNTRY MUSIC THIS
1535
02:01:24,510 --> 02:01:28,180
YEAR, YOU HAVE INSPIRED ME SO
MUCH TO KNOW END, AND EVEN IN A
1536
02:01:28,247 --> 02:01:32,718
YEAR WHERE NO ONE HAS GOTTEN TO
PLAY SHOWS, I HAVE HEARD SOME OF
1537
02:01:32,785 --> 02:01:35,655
THE BEST MUSIC OUT OF ALL OF YOU
THIS PAST YEAR.
1538
02:01:35,721 --> 02:01:43,562
SO THANK YOU SO MUCH FOR
INSPIRING ME.
1539
02:01:43,629 --> 02:01:50,169
THIS CATEGORY IS NOT ABOUT WHO
CAN SING THEIR AS OFF OR
1540
02:01:50,236 --> 02:01:51,437
ENTERTAINS THE BEST EVEN.
1541
02:01:51,504 --> 02:01:57,209
I KIND OF CONSIDER THIS CATEGORY
TO JUST BE WHO TRIED THEIR BEST
1542
02:01:57,276 --> 02:02:00,613
IN A YEAR WHERE IT WAS VERY
WEIRD AND NO ONE COULD REALLY DO
1543
02:02:00,680 --> 02:02:03,115
WHAT THEY WERE MADE TO DO.
1544
02:02:03,182 --> 02:02:07,119
BUT I REALLY APPRECIATE ALL OF
MY PEERS FOR VOTING FOR ME IN
1545
02:02:07,186 --> 02:02:07,653
THIS.
1546
02:02:07,720 --> 02:02:09,288
IT MEANS SO MUCH.
1547
02:02:09,355 --> 02:02:14,960
AND I WANT TO THANK, BECAUSE I
ALWAYS FORGET TO, MY MANAGER
1548
02:02:15,027 --> 02:02:18,698
JANET WEIR, SHE HAS BEEN WITH ME
THROUGH EVERYTHING FROM THE
1549
02:02:18,764 --> 02:02:23,469
BEGINNINGK RANDY GOODMAN, TAYLOR
LINDSAY, STEVE HODGE KSZ ALL AT
1550
02:02:23,536 --> 02:02:27,306
SONY FOR HELPING A SONG LIKE THE
BONES GO IN A YEAR WHERE THE
1551
02:02:27,373 --> 02:02:30,810
WORLD SHUT DOWN, I JUST REALLY
CAN'T THANK YOU ENOUGH.
1552
02:02:30,876 --> 02:02:35,614
I LOVE YOU COUNTRY MUSIC.
1553
02:02:35,681 --> 02:02:36,682
THANK Y'ALL.
1554
02:02:36,749 --> 02:02:38,317
>> HEY, EVERYBODY, THIS
>> HI, I'M PHILLIP SWEET OF
1555
02:02:38,384 --> 02:02:40,953
LITTLE BIG TOWN.
1556
02:02:41,020 --> 02:02:42,555
I WISH I COULD BE WITH ALL OF
YOU TONIGHT BUT I'M AT HOME
1557
02:02:42,621 --> 02:02:45,624
BECAUSE I RECENTLY TESTED
POSITIVE FOR COVID.
1558
02:02:45,691 --> 02:02:47,893
BUT I'M ON MY WAY TO A FULL
RECOVERY.
1559
02:02:47,960 --> 02:02:49,261
EVERYONE STAY HEALTHY.
1560
02:02:49,328 --> 02:02:53,199
WEAR YOUR MASK, GET VACCINATED
AND LET'S ALL GET BACK TO LIVE
1561
02:02:53,265 --> 02:02:54,433
MUSIC.
1562
02:02:54,500 --> 02:02:57,269
AND SPEAKING OF LIVE MUSIC FROM
DOWNTOWN NASHVILLE RIGHT HERE,
1563
02:02:57,336 --> 02:03:02,908
MY FRIEND AND BAND MATES KAREN,
KIMBERLY AND JIMMIE, HERE'S
1564
02:03:02,975 --> 02:03:09,448
LITTLE BIG TOWN.
1565
02:03:09,515 --> 02:03:11,150
♪ ♪ ♪
♪ MY FRIEND NAMED JACK
1566
02:03:11,217 --> 02:03:18,424
HE'S GOT MY BACK
♪ HE ALWAYS SEEMS TO KNOW
1567
02:03:18,491 --> 02:03:22,561
RIGHT WHERE I'M AT
♪ MY FRIEND JOSE
1568
02:03:22,628 --> 02:03:27,166
HE LIKES TO PLAY
♪ HE'S ALWAYS UP FOR
1569
02:03:27,233 --> 02:03:33,139
ANYTHING I SAY
♪ LITTLE BIT OF RED
1570
02:03:33,205 --> 02:03:35,941
LOTTA BIT OF CROWN
♪ DON'T MATTER WHAT IT IS
1571
02:03:36,008 --> 02:03:39,378
I'M GONNA DRINK IT
♪ DOWN, DOWN, DOWN
1572
02:03:39,445 --> 02:03:46,585
THE WINE, THE BEER, THE WHISKEY
♪ ARE THE ONLY THINGS
1573
02:03:46,652 --> 02:03:50,589
THAT FIX ME
♪ I'M NOT SAYING IT'S A PROBLEM
1574
02:03:50,656 --> 02:03:56,796
I CAN STOP IT IF I WANNA
♪ BUT THE WINE, THE BEER
1575
02:03:56,862 --> 02:03:58,597
THE WHISKEY
♪ THEY ALWAYS GET ME
1576
02:03:58,664 --> 02:04:03,435
♪ ♪ ♪
♪ MY FRIEND NAMED GIN
1577
02:04:03,502 --> 02:04:07,673
SHE'S GOT SOME FRIENDS
♪ I'M TALKING BRANDY, SHERRY
1578
02:04:07,740 --> 02:04:12,711
AND THEIR BROTHER JIM
♪ MY FRIEND, THE CAPTAIN
1579
02:04:12,778 --> 02:04:16,849
WE CALL HIM MORGAN
♪ HE LIKES TO ANCHOR DOWN
1580
02:04:16,916 --> 02:04:21,754
AND HANG OVER 'TIL MORNIN'
♪ LITTLE BIT OF RED
1581
02:04:21,821 --> 02:04:25,958
LOTTA BIT OF WHITE
♪ DON'T MATTER WHAT IT IS
1582
02:04:26,025 --> 02:04:33,132
IT'S GONNA MAKE IT ALL ALRIGHT
♪ THE WINE, THE BEER
1583
02:04:33,199 --> 02:04:35,534
THE WHISKEY
♪ ARE THE ONLY THINGS
1584
02:04:35,601 --> 02:04:39,905
THAT FIX ME
♪ I'M NOT SAYING IT'S A PROBLEM
1585
02:04:39,972 --> 02:04:44,543
I CAN STOP IT IF I WANNA
♪ BUT THE WINE, THE BEER
1586
02:04:44,610 --> 02:04:47,880
THE WHISKEY
♪ THEY ALWAYS GET ME
1587
02:04:47,947 --> 02:04:54,587
♪ ♪ ♪
♪ ♪ ♪
1588
02:04:54,653 --> 02:04:58,591
♪ ♪ ♪
♪ ♪ ♪
1589
02:04:58,657 --> 02:05:04,129
♪ ♪ ♪
♪ ♪ ♪
1590
02:05:04,196 --> 02:05:10,603
♪ MY FRIEND NAMED TITO
HE'S MY AMIGO
1591
02:05:10,669 --> 02:05:14,540
♪ I'M GONNA FOLLOW HIM AROUND
WHEREVER HE GO
1592
02:05:14,607 --> 02:05:18,611
♪ THE WINE, THE BEER
THE WHISKEY
1593
02:05:18,677 --> 02:05:23,215
♪ YEAH, I GOT ALL MY
FRIENDS HERE WITH ME
1594
02:05:23,282 --> 02:05:27,553
♪ I'M NOT SAYING IT'S A PROBLEM
I CAN STOP IT IF I WANNA
1595
02:05:27,620 --> 02:05:33,192
♪ BUT WHO WOULD WANNA
WHEN THE WINE, THE BEER
1596
02:05:33,259 --> 02:05:38,797
♪ THE WHISKEY
THEY ALWAYS GET ME
1597
02:05:38,864 --> 02:05:49,508
♪ THEY ALWAYS GET ME
THEY ALWAYS GET ME
1598
02:05:49,575 --> 02:05:59,785
♪ YEAH, THEY ALWAYS GET ME ♪
♪ ♪ ♪
1599
02:05:59,852 --> 02:06:02,821
( CHEERS AND APPLAUSE )
IS WE MISS YOU
1600
02:06:02,888 --> 02:06:06,859
PHILLIP.
1601
02:06:06,926 --> 02:06:09,595
>> Mickey: WOO!
1602
02:06:09,662 --> 02:06:10,896
THIS IS NOT THE FIRST TIME THESE
ARTISTS HAVE BEEN IN THIS
1603
02:06:10,963 --> 02:06:12,531
LEGENDARY VENUE.
1604
02:06:12,598 --> 02:06:15,100
>> ST NOT, BUT IT IS A NIGHT
THEY WILL REMEMBER FOR THE REST
1605
02:06:15,167 --> 02:06:17,036
OF THEIR LIVES.
1606
02:06:17,102 --> 02:06:22,007
>> Mickey: HERE ARE THE NOMINEES
FOR ENTERTAINER OF THE YEAR.
1607
02:06:22,074 --> 02:06:25,210
>> Announcer: LUKE BRYAN.
1608
02:06:25,277 --> 02:06:29,181
ERIC CHURCH.
1609
02:06:29,248 --> 02:06:31,817
LUKE COMBS.
1610
02:06:31,884 --> 02:06:34,253
THOMAS RHETT.
1611
02:06:34,320 --> 02:06:38,724
CHRIS STAPLETON.
1612
02:06:38,791 --> 02:06:41,427
>> Keith: AND THE A.C.M.
1613
02:06:41,493 --> 02:06:51,470
ENTERTAINER OF THE YEAR GOES TO:
LUKE BRYAN.
1614
02:06:51,537 --> 02:06:58,143
ENTERTAINER OF THE YEAR GOES TO:
LUKE BRYAN.
1615
02:06:58,210 --> 02:07:01,914
♪ ♪ ♪
>> Keith: CONGRATULATIONS LUKE.
1616
02:07:01,981 --> 02:07:05,451
NOW, LUKE ISN'T HERE SO WE SET
CONGRATULATIONS, LUKE, LUKEY
1617
02:07:05,517 --> 02:07:06,318
LUKE.
1618
02:07:06,385 --> 02:07:07,186
HE CAN'T BE HERE TONIGHT, IS HE
AT HOME.
1619
02:07:07,252 --> 02:07:07,753
>> HEY GUYS.
1620
02:07:07,820 --> 02:07:08,787
>> BUT WE'VE GOT A ZOOM.
1621
02:07:08,854 --> 02:07:10,122
WHERE ARE YOU, LUKE?
1622
02:07:10,189 --> 02:07:13,993
>> I'M IN L.A
OH MY GOD, Y'ALL GOT ME.
1623
02:07:14,059 --> 02:07:20,332
I AM AMAZINGLY SURPRISEED.
1624
02:07:20,399 --> 02:07:25,437
WHAT AN AN HONOR, TO THE ACM'S,
I'M SO SORRY I COULD NOT BE
1625
02:07:25,504 --> 02:07:26,705
THERE.
1626
02:07:26,772 --> 02:07:30,175
I MISSED CERTAINLY BEING ABLETO
DO MY SONGS AND ALL THE WINNERS
1627
02:07:30,242 --> 02:07:31,977
TONIGHT, CONGRATULATIONS.
1628
02:07:32,044 --> 02:07:34,646
OH MY GOD, Y'ALL GOT ME.
1629
02:07:34,713 --> 02:07:38,484
EVERYBODY AT MY RECORD LABEL,
AND MY BOOKING AGENT JAY
1630
02:07:38,550 --> 02:07:45,824
WILLIAMS, OH MY GOD, ROYCE, DOUG
AND CINDY, MY MANAGEMENT, CARRIE
1631
02:07:45,891 --> 02:07:48,660
EDWARDS WHO IS OFF CAMERA
FREAKING OUT RIGHT NOW.
1632
02:07:48,727 --> 02:07:57,469
MY WIFE AT HOME AND MY BOYS AND
OH MY GOD, CONGRATS.
1633
02:07:57,536 --> 02:08:01,240
MICKEY AND KEITH, WHAT A GREAT
NIGHT YOU HAVE DONE.
1634
02:08:01,306 --> 02:08:04,910
TO ALL MY FANS OUT THERE, AND
COUNTRY RADIO, WE'VE MISSED
1635
02:08:04,977 --> 02:08:06,145
TOURING.
1636
02:08:06,211 --> 02:08:10,282
WE'VE MISSED BEING ON THE ROAD
WITH EVERYBODY THAT MAKES ME AN
1637
02:08:10,349 --> 02:08:10,983
ENTERTAINER.
1638
02:08:11,050 --> 02:08:13,519
MY BUS DRIVER, MY BAND, MY CREW.
1639
02:08:13,585 --> 02:08:17,289
WHAT A CHALLENGING YEAR BUT TO
ALL THE FANS AND EVERYBODY,
1640
02:08:17,356 --> 02:08:22,728
WE'LL BE BACK OUT ON THE ROAD
DOING WHAT WE LOVE AND WHAT AN
1641
02:08:22,795 --> 02:08:23,262
AMAZING HONOR.
1642
02:08:23,328 --> 02:08:26,231
I LOVE YOU GUYS.
1643
02:08:26,298 --> 02:08:31,837
>> THANK YOU, LUKE, CONGRATS,
WHAT AN AMAZING NIGHT TONIGHT.
1644
02:08:31,904 --> 02:08:35,808
AND JUST A REMINDER, AS YOU HAVE
SEEN ON THIS STAGE, PRESENTED
1645
02:08:35,874 --> 02:08:40,412
TONIGHT, COUNTRY MUSIC IS A
HUGE, BIG FAMILY WHERE EVERYONE
1646
02:08:40,479 --> 02:08:41,980
IS WELCOME.
1647
02:08:42,047 --> 02:08:45,350
>> AND CONGRATULATIONS TO ALL OF
OUR WINNERS AND A BIG THANK YOU
1648
02:08:45,417 --> 02:08:47,920
TO THE COUNTRY MUSIC FANS OUT
THERE.
1649
02:08:47,986 --> 02:08:48,887
WE LOVE YOU SO MUCH.
1650
02:08:48,954 --> 02:08:51,857
>> AND WE WANT A TOUR AS SOON AS
WE CAN.
1651
02:08:51,924 --> 02:08:54,326
NOW PLEASE MICKEY, I HAD THE
BEST NIGHT TONIGHT.
1652
02:08:54,393 --> 02:08:56,895
>> I I HAD THE BEST NIGHT TOO.
1653
02:08:56,962 --> 02:08:58,130
TAKE US HOME.
1654
02:08:58,197 --> 02:09:00,799
BY GOING TO THE RYMAN AND ONCE
AGAIN HERE ARE BROTHERS OSBORNE,
1655
02:09:00,866 --> 02:09:07,072
GOD BLESS Y'ALL, GOOD NIGHT.
1656
02:09:07,139 --> 02:09:14,113
♪ ♪ ♪
♪ GRANDADDY CALLED HER PRINCESS
1657
02:09:14,179 --> 02:09:16,682
COUNTY FAIR CALLED HER QUEEN
♪ HIGH SCHOOL CALLED
1658
02:09:16,748 --> 02:09:18,984
HER CUM LAUDE, MOST LIKELY
♪ TO SUCCEED
1659
02:09:19,051 --> 02:09:21,954
HER DADDY'S BACKWOOD CRAZY
♪ SHE'S GOT TWO 6'4" BROTHERS
1660
02:09:22,020 --> 02:09:25,724
YOU TAKE ONE STEP
♪ ONTO THAT FRONT PORCH
1661
02:09:25,791 --> 02:09:26,959
AND YOU ONE CRAZY MOTHER--
♪ CHASE WILL LEAVE
1662
02:09:27,025 --> 02:09:29,294
YOU BREATHLESS
♪ EVERY BACK ROAD IN THIS TOWN
1663
02:09:29,361 --> 02:09:30,696
SHE'LL LOVE YOU
♪ LIKE A SUNDAY DRIVE
1664
02:09:30,762 --> 02:09:32,698
AND SHE'LL TAKE YOUR
♪ POOR HEART DOWN
1665
02:09:32,764 --> 02:09:34,366
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1666
02:09:34,433 --> 02:09:37,169
NO REDEMPTION, NO RETURN
♪ GOOD GOD, I'M EITHER GONNA
1667
02:09:37,236 --> 02:09:38,537
CRASH OR BURN DOWN
♪ DEAD MAN'S CURVE
1668
02:09:38,604 --> 02:09:41,039
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1669
02:09:41,106 --> 02:09:42,808
COUNTRY BOYS AIN'T
♪ NEVER GONNA LEARN
1670
02:09:42,875 --> 02:09:44,476
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1671
02:09:44,543 --> 02:09:50,182
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE, OH
1672
02:09:50,249 --> 02:09:54,786
♪ ♪ ♪
♪ EVERY MAN'S BEEN TEMPTED
1673
02:09:54,853 --> 02:09:57,923
GREATER MEN HAVE TRIED
♪ AT BEST YOU'LL WIND UP DINNER
1674
02:09:57,990 --> 02:10:00,626
IF YOU'RE LUCKY ENOUGH
♪ TO SURVIVE
1675
02:10:00,692 --> 02:10:01,927
NOW SHE'S THE FINGER
♪ THAT YOU'RE WRAPPED AROUND
1676
02:10:01,994 --> 02:10:03,195
SHE'S WHAT EVERY
♪ COUNTRY SONG'S ABOUT
1677
02:10:03,262 --> 02:10:05,330
SHE'S THE TROUBLE
♪ THAT YOU'RE LOOKING FOR
1678
02:10:05,397 --> 02:10:06,899
SHE'S GONNA TAKE YOU DOWN AND
♪ LEAVE YOU COMING BACK FOR MORE
1679
02:10:06,965 --> 02:10:08,667
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1680
02:10:08,734 --> 02:10:12,037
NO REDEMPTION, NO RETURN
♪ GOOD GOD, I'M EITHER GONNA
1681
02:10:12,104 --> 02:10:13,639
CRASH OR BURN
♪ DOWN DEAD MAN'S CURVE
1682
02:10:13,705 --> 02:10:15,541
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1683
02:10:15,607 --> 02:10:17,509
COUNTRY BOYS AIN'T
♪ NEVER GONNA LEARN
1684
02:10:17,576 --> 02:10:19,178
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1685
02:10:19,244 --> 02:10:22,181
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1686
02:10:22,247 --> 02:10:26,818
♪ ♪ ♪
♪ ♪ ♪
1687
02:10:26,885 --> 02:10:30,155
♪ ♪ ♪
♪ ♪ ♪
1688
02:10:30,222 --> 02:10:33,492
>> WHAT YOU DOING WADDLIN' UP
HERE?
1689
02:10:33,559 --> 02:10:38,230
YOU A DEAD MAN
♪ ♪ ♪
1690
02:10:38,297 --> 02:10:42,301
♪ ♪ ♪
♪ ♪ ♪
1691
02:10:42,367 --> 02:10:47,239
♪ ♪ ♪
♪ ♪ ♪
1692
02:10:47,306 --> 02:10:49,708
♪ ♪ ♪
♪ YEAH, DEAD MAN'S CURVE
1693
02:10:49,775 --> 02:10:52,477
DEAD MAN'S CURVE
♪ NO REDEMPTION, NO RETURN
1694
02:10:52,544 --> 02:10:53,579
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1695
02:10:53,645 --> 02:10:56,081
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1696
02:10:56,148 --> 02:10:57,983
DEAD MAN'S CURVE
♪ COUNTRY BOYS AIN'T
1697
02:10:58,050 --> 02:10:59,718
NEVER GONNA LEARN
♪ NOBODY EVER MAKES IT
1698
02:10:59,785 --> 02:11:01,253
THROUGH THAT TURN
♪ DEAD MAN'S CURVE
1699
02:11:01,320 --> 02:11:05,557
DEAD MAN'S CURVE
♪ ♪ ♪
1700
02:11:05,624 --> 02:11:09,795
♪ DEAD MAN'S CURVE, OH
♪ ♪ ♪
1701
02:11:09,861 --> 02:11:12,831
YOU'RE COMIN' IN WAY TOO HOT
♪ YOU DONE HIT
1702
02:11:12,898 --> 02:11:15,834
THE WRONG TURN, BOY
♪ YOU'RE A DEAD MAN ♪