1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:13,764 --> 00:00:17,309 One, two, three, four. 4 00:01:23,250 --> 00:01:26,920 I'm in the middle of a 45-year conversation 5 00:01:27,004 --> 00:01:31,091 with these men and women I'm surrounded by and with some of you. 6 00:01:31,967 --> 00:01:35,762 Now, with some of you, I suppose, we've only recently started speaking. 7 00:01:37,055 --> 00:01:38,056 But either way, 8 00:01:38,140 --> 00:01:43,020 I've tried to make that conversation essential, fun and entertaining. 9 00:01:43,729 --> 00:01:46,481 I started playing the guitar 10 00:01:46,565 --> 00:01:50,652 because I was looking for someone to speak to and correspond with. 11 00:01:51,403 --> 00:01:55,115 I guess that worked out better than my wildest dreams. 12 00:01:55,657 --> 00:01:59,036 All I know is after all this time, 13 00:01:59,661 --> 00:02:03,498 I still feel that burning need to communicate. 14 00:02:03,957 --> 00:02:06,502 It's there when I wake every morning. 15 00:02:06,585 --> 00:02:09,755 It walks alongside of me throughout the day. 16 00:02:10,756 --> 00:02:13,842 And it's there when I go to sleep each night. 17 00:02:15,093 --> 00:02:19,598 Over the past 50 years, it's never once ceased. 18 00:02:19,681 --> 00:02:22,267 Owing to what, I don't really know. 19 00:02:22,893 --> 00:02:28,982 Is it loneliness, hunger, ego, ambition, desire, 20 00:02:29,066 --> 00:02:34,112 a need to be felt and heard, recognized, 21 00:02:34,696 --> 00:02:35,822 all of the above? 22 00:02:36,823 --> 00:02:42,496 All I know is that it's one of the most consistent impulses in my life. 23 00:02:43,163 --> 00:02:47,876 As reliable as the rhythmic beating of my own heart 24 00:02:48,669 --> 00:02:50,921 is my need to talk to you. 25 00:02:51,004 --> 00:02:54,383 Gentlemen, congregate. 26 00:02:56,677 --> 00:02:58,846 Get your notepads. Start your notepads. 27 00:02:58,929 --> 00:03:00,806 Get your notepads and congregate. 28 00:03:00,889 --> 00:03:02,266 My notepad. Got it. 29 00:03:02,349 --> 00:03:03,642 Better than yours. 30 00:03:05,060 --> 00:03:07,271 Man, it's snowing. 31 00:03:07,354 --> 00:03:09,314 -It is. -It's snowing. 32 00:03:09,940 --> 00:03:16,029 Last night I was sitting outside till nine o'clock in my front yard by the fire. 33 00:03:16,113 --> 00:03:18,198 Today, it's snowing. 34 00:03:18,907 --> 00:03:20,784 That's Jersey weather in the fall. 35 00:03:20,868 --> 00:03:22,119 The end of it, anyway. 36 00:03:22,202 --> 00:03:24,371 -Eight bars of one, right? -Yes. 37 00:03:24,454 --> 00:03:27,457 Then two bars of six, two bars of one, two bars of four. 38 00:03:27,541 --> 00:03:30,085 Neath a crowd of mongrel trees 39 00:03:30,169 --> 00:03:32,754 I pulled that bothersome thread 40 00:03:35,716 --> 00:03:41,388 Got down on my knees Grabbed my pen and bowed my head 41 00:03:44,266 --> 00:03:51,190 Tried to summon All that my heart finds true 42 00:03:53,233 --> 00:03:59,406 And send it in my letter to you 43 00:04:01,867 --> 00:04:03,118 All right, try it. 44 00:04:03,202 --> 00:04:07,456 One, two. One, two, three, four. 45 00:04:09,166 --> 00:04:10,334 No foot yet. 46 00:04:14,630 --> 00:04:16,964 I think we're going too long there, Roy. 47 00:04:17,048 --> 00:04:21,220 I think it's one, two, three, four. One chord. 48 00:04:21,928 --> 00:04:24,556 Roy, you're going to the E minor too soon. 49 00:04:24,640 --> 00:04:26,433 -That's the breakdown. -No-- 50 00:04:26,517 --> 00:04:27,351 Not-- 51 00:04:27,434 --> 00:04:32,189 Yeah, there-- Yeah, there's... eight bars of one. 52 00:04:32,272 --> 00:04:35,275 The E Street Band is a finely tuned instrument 53 00:04:35,359 --> 00:04:37,569 of great flexibility and power. 54 00:04:37,653 --> 00:04:39,154 One, two, three. One chord. 55 00:04:41,949 --> 00:04:45,869 They can float like a butterfly and sting like a bee. 56 00:04:46,620 --> 00:04:48,288 Our years of playing together 57 00:04:48,372 --> 00:04:52,209 have created a shorthand and an efficiency in the studio 58 00:04:52,292 --> 00:04:55,671 comparable to that of a finely tuned racing engine. 59 00:04:58,799 --> 00:04:59,842 Foot. 60 00:04:59,925 --> 00:05:05,138 We are a unit 45 years in the making, decades in the refining, 61 00:05:05,222 --> 00:05:09,268 and we bring that power to bear when we engage with you. 62 00:05:11,937 --> 00:05:17,359 Neath a crowd of mongrel trees I pulled that bothersome thread 63 00:05:19,570 --> 00:05:20,696 Wait, wait, wait. 64 00:05:20,779 --> 00:05:24,324 The intro progression is only the intro progression. 65 00:05:24,408 --> 00:05:27,452 It never happens again. Then you gotta stick with the song. 66 00:05:27,536 --> 00:05:29,705 We perform in service to our audience. 67 00:05:29,788 --> 00:05:32,833 The pay is great, but you're the reason we're here. 68 00:05:32,916 --> 00:05:34,626 That's big news. 69 00:05:35,335 --> 00:05:37,212 Now, there's one thing we could try. 70 00:05:37,296 --> 00:05:40,340 In my letter to you 71 00:05:41,049 --> 00:05:44,595 It is our commitment that hardens our purpose, 72 00:05:44,678 --> 00:05:46,638 our sense of do or die. 73 00:05:46,722 --> 00:05:49,641 It's a little extra riff, but I don't know if it's in the way. 74 00:05:49,725 --> 00:05:55,189 The E Street Band is not a job. It is a vocation, a calling. 75 00:05:55,272 --> 00:05:58,984 It is both one of the most important things in your life, 76 00:05:59,067 --> 00:06:01,987 and, of course, it's only rock and roll. 77 00:06:02,070 --> 00:06:04,656 All right, E Streeters! Let's do this thing. 78 00:06:22,466 --> 00:06:26,720 These are my friends, the men and women I work with: 79 00:06:27,554 --> 00:06:29,181 Steve Van Zandt... 80 00:06:30,390 --> 00:06:31,725 Max Weinberg... 81 00:06:33,185 --> 00:06:34,478 Roy Bittan... 82 00:06:35,479 --> 00:06:36,605 Garry Tallent... 83 00:06:38,023 --> 00:06:39,358 Patti Scialfa... 84 00:06:40,359 --> 00:06:41,485 Nils Lofgren... 85 00:06:43,153 --> 00:06:44,363 Charlie Giordano... 86 00:06:45,906 --> 00:06:47,157 Soozie Tyrell... 87 00:06:48,450 --> 00:06:50,202 Jake Clemons. 88 00:06:50,285 --> 00:06:53,038 And there are two members in absentia... 89 00:06:54,164 --> 00:06:57,876 Danny Federici and Clarence Clemons. 90 00:06:59,127 --> 00:07:00,921 This is the E Street Band. 91 00:07:21,567 --> 00:07:27,072 Neath a crowd of mongrel trees I pulled that bothersome thread 92 00:07:29,950 --> 00:07:35,914 Got down on my knees Grabbed my pen and bowed my head 93 00:07:37,791 --> 00:07:44,381 Tried to summon All that my heart finds true 94 00:07:46,466 --> 00:07:51,763 And send it in my letter to you 95 00:07:52,848 --> 00:07:53,849 Oh! 96 00:07:54,683 --> 00:07:59,438 Things I found out Through hard times and good 97 00:08:02,482 --> 00:08:07,946 I wrote 'em all out in ink and blood 98 00:08:10,407 --> 00:08:17,164 Dug deep in my soul And signed my name true 99 00:08:18,916 --> 00:08:24,671 And sent it in my letter to you 100 00:08:26,340 --> 00:08:29,676 In my letter to you 101 00:08:29,760 --> 00:08:33,972 I took all my fears and doubts 102 00:08:34,556 --> 00:08:37,142 In my letter to you 103 00:08:38,059 --> 00:08:41,730 All the hard things I found out 104 00:08:42,648 --> 00:08:45,484 In my letter to you 105 00:08:46,485 --> 00:08:49,863 All that I've found true 106 00:08:51,198 --> 00:08:57,079 And I sent it in my letter to you 107 00:09:40,581 --> 00:09:45,544 I took all the sunshine and rain 108 00:09:48,672 --> 00:09:53,719 All my happiness and all my pain 109 00:09:56,013 --> 00:10:02,895 The dark evening stars And the morning sky of blue 110 00:10:12,613 --> 00:10:18,952 And I sent it in my letter to you 111 00:10:20,329 --> 00:10:23,540 In my letter to you 112 00:10:23,624 --> 00:10:27,920 I took all my fears and doubts 113 00:10:28,462 --> 00:10:31,089 In my letter to you 114 00:10:32,007 --> 00:10:35,552 All the hard things I found out 115 00:10:36,595 --> 00:10:39,431 In my letter to you 116 00:10:40,182 --> 00:10:43,977 All that I've found true 117 00:10:45,229 --> 00:10:51,360 And I sent it in my letter to you 118 00:10:53,612 --> 00:10:59,201 I sent it in my letter to you 119 00:11:11,380 --> 00:11:13,257 Sounds good. Really good. 120 00:11:13,757 --> 00:11:15,050 -Should we listen? -Yep. 121 00:11:15,133 --> 00:11:17,553 One, two, three, four. 122 00:11:19,179 --> 00:11:21,473 Roy, give it more music box, pal. 123 00:11:22,057 --> 00:11:23,392 E Street, E Street, E Street! 124 00:11:23,475 --> 00:11:25,143 Want me to play it up higher? 125 00:11:25,227 --> 00:11:26,603 -Don't play it up higher. -Okay. 126 00:11:26,687 --> 00:11:27,980 Just don't play so low. 127 00:11:30,107 --> 00:11:31,817 We're having fun, damn it. 128 00:11:32,442 --> 00:11:34,194 Is there a waiter in this joint? 129 00:11:34,278 --> 00:11:35,195 Nope. 130 00:11:35,279 --> 00:11:37,489 Well, we gotta get back on our Beatles schedule. 131 00:11:39,157 --> 00:11:41,743 Three hours a song, that's it. It's what the Beatles did. 132 00:11:42,536 --> 00:11:43,537 That's a good call. 133 00:11:44,913 --> 00:11:47,958 If we work Saturday and Sunday, we'll get a double album. 134 00:11:49,543 --> 00:11:53,672 My letter to you 135 00:11:55,883 --> 00:11:57,217 All right, hold on. 136 00:11:57,301 --> 00:12:01,263 For some reason my guitar is roaring, and I have no control over it. 137 00:12:02,806 --> 00:12:06,018 It's just 30 times the volume of yesterday. 138 00:12:07,102 --> 00:12:08,770 -We lost it. -All right, hold on. 139 00:12:08,854 --> 00:12:09,855 Garry's got a problem. 140 00:12:09,938 --> 00:12:12,774 All right, well, let's take a few minutes and work on it. 141 00:12:13,317 --> 00:12:15,444 It's thin today. It sounds thin. 142 00:12:16,778 --> 00:12:19,198 -You can just scoot those over. -Yeah. 143 00:12:19,281 --> 00:12:21,116 I like it when I "doo" with him, 144 00:12:21,200 --> 00:12:23,785 and then he's alone, and then I come in on top of him. 145 00:12:23,869 --> 00:12:26,705 Um, was that-- Can I just hear that entrance again? 146 00:12:26,788 --> 00:12:30,292 We wanna hear the harmony that's on when Bruce sings, um... 147 00:12:30,375 --> 00:12:32,336 I'll see you in my dreams 148 00:12:32,419 --> 00:12:35,464 This is my cousin Frank. See, make sure we get this. 149 00:12:35,547 --> 00:12:36,798 Hi, guys. How are ya? 150 00:12:36,882 --> 00:12:42,304 Championship jitterbug dancer of the entire Jersey Shore 151 00:12:42,387 --> 00:12:46,016 and the man who taught me my first chords on the guitar. 152 00:12:46,099 --> 00:12:47,184 Wow. 153 00:12:50,270 --> 00:12:52,314 These are all my original guitars. 154 00:12:52,397 --> 00:12:54,107 My Kent, first guitar. 155 00:12:54,191 --> 00:12:56,902 You had one of those Sears and Roebuck ones, didn't you? 156 00:12:56,985 --> 00:12:58,362 Uh... 157 00:12:58,445 --> 00:13:00,322 George Theiss had one in the case. 158 00:13:00,405 --> 00:13:01,823 Yeah. One of the-- 159 00:13:01,907 --> 00:13:04,660 George Theiss had one where the speaker was in the guitar. 160 00:13:04,743 --> 00:13:06,286 Oh, in the guitar? 161 00:13:06,370 --> 00:13:08,705 But we also had one where it was in the case. 162 00:13:08,789 --> 00:13:10,999 You know, you got the Sears and Roebuck's old... 163 00:13:11,083 --> 00:13:12,084 Oh, Sears. 164 00:13:14,169 --> 00:13:16,213 Both horrible. The one in the guitar with-- 165 00:13:16,296 --> 00:13:18,298 Look, it's a speaker right here. 166 00:13:18,382 --> 00:13:19,633 Horrible-sounding. 167 00:13:19,716 --> 00:13:21,051 We all had one of those. 168 00:13:50,664 --> 00:13:52,457 On a sunny July day, 169 00:13:52,541 --> 00:13:57,171 there I stood at the bedside of my old bandmate from the Castiles, 170 00:13:57,254 --> 00:13:58,589 George Theiss. 171 00:13:59,131 --> 00:14:05,095 George, at 68, was in the final stages of lung cancer and lay very near death. 172 00:14:05,596 --> 00:14:08,223 George was the man who dated my sister Ginny 173 00:14:08,307 --> 00:14:11,643 and pulled me from my house on South Street one afternoon, 174 00:14:11,727 --> 00:14:15,606 where I would embark on one of the greatest adventures of my life. 175 00:14:16,064 --> 00:14:20,527 I'd join my first real band, the Castiles. 176 00:14:21,653 --> 00:14:26,783 The Castiles lasted for three critical, historically explosive years 177 00:14:27,367 --> 00:14:30,996 from 1965 to 1968, 178 00:14:31,663 --> 00:14:34,166 an eternity in the '60s 179 00:14:34,249 --> 00:14:38,378 and an epic three years of historical and cultural events. 180 00:14:39,171 --> 00:14:43,509 It was a powder keg of a moment to be in a young rock and roll band. 181 00:14:44,676 --> 00:14:47,262 That was a long time ago. 182 00:14:48,889 --> 00:14:53,268 But some things imprint themselves on you and never let you go. 183 00:14:53,894 --> 00:14:55,771 They're a life sentence. 184 00:15:06,490 --> 00:15:08,075 With George's death, 185 00:15:08,158 --> 00:15:13,539 I was the last living member of the mighty Castiles... 186 00:15:14,581 --> 00:15:17,668 the last living member. 187 00:15:19,753 --> 00:15:23,131 I thought about it... for a long time. 188 00:15:23,215 --> 00:15:28,887 And those meditations ended up being the songs I've written 189 00:15:28,971 --> 00:15:30,389 for Letter To You. 190 00:15:36,103 --> 00:15:39,189 Music just comes. 191 00:15:39,857 --> 00:15:44,361 Sometimes... and only sometimes, 192 00:15:44,444 --> 00:15:46,154 this is the way it happens. 193 00:15:47,281 --> 00:15:50,409 This music, these songs, 194 00:15:51,285 --> 00:15:57,916 reminded me of the debt that I still owed my Freehold brothers-in-arms. 195 00:15:59,459 --> 00:16:05,048 So this goes out as a deep and heartfelt thank you to Diana and George Theiss, 196 00:16:05,132 --> 00:16:09,219 Bart Haynes, Frank Marziotti, Curt Fluhr, 197 00:16:09,303 --> 00:16:13,974 Paul Popkin, Bob Alfano and Vinny Maniello. 198 00:16:14,057 --> 00:16:18,979 My friends, bandmates and fellow students 199 00:16:19,062 --> 00:16:25,110 in my first and greatest school of rock, the Castiles. 200 00:16:25,194 --> 00:16:27,529 This is "Last Man Standing." 201 00:16:36,663 --> 00:16:39,708 Faded pictures in an old scrapbook 202 00:16:40,918 --> 00:16:43,962 Faded pictures that somebody took 203 00:16:44,922 --> 00:16:48,383 When you were hard and young and proud 204 00:16:48,759 --> 00:16:52,804 Backed against the wall Running raw and loud 205 00:16:57,684 --> 00:17:01,146 Snakeskin vest and a sharkskin suit 206 00:17:02,356 --> 00:17:05,567 Cuban heels on your boots 207 00:17:05,651 --> 00:17:09,820 You kick in the band and side by side 208 00:17:10,656 --> 00:17:14,201 You take the crowd on their mystery ride 209 00:17:32,261 --> 00:17:35,430 Knights of Columbus and the Firemen's Ball 210 00:17:36,515 --> 00:17:39,893 Friday night at the Union Hall 211 00:17:40,477 --> 00:17:43,897 Black-leather clubs all along Route 9 212 00:17:43,981 --> 00:17:48,485 You count the names of the missing As you count off time 213 00:17:53,699 --> 00:17:57,077 Rock of ages lift me somehow 214 00:17:58,120 --> 00:18:01,206 Somewhere high and hard and loud 215 00:18:02,124 --> 00:18:05,752 Somewhere deep Into the heart of the crowd 216 00:18:10,799 --> 00:18:14,136 I'm the last man standing now 217 00:18:32,446 --> 00:18:35,449 Out of school and out of work 218 00:18:36,325 --> 00:18:40,120 Thrift-store jeans and flannel shirts 219 00:18:40,579 --> 00:18:44,374 The lights go down As you face the crowd 220 00:18:45,459 --> 00:18:48,462 The last man standing now 221 00:18:53,717 --> 00:18:57,054 Lights come up at the Legion Hall 222 00:18:57,846 --> 00:19:01,475 Pool cues go back up on the wall 223 00:19:02,100 --> 00:19:05,562 Pack your guitar And have one last beer 224 00:19:06,438 --> 00:19:10,275 With just the ringin' in your ears 225 00:19:15,447 --> 00:19:18,534 Rock of ages lift me somehow 226 00:19:19,576 --> 00:19:22,955 Somewhere high and hard and loud 227 00:19:23,622 --> 00:19:27,209 Somewhere deep into the heart of the crowd 228 00:19:36,677 --> 00:19:40,222 I'm the last man standing now 229 00:19:57,573 --> 00:19:59,658 One, two, three, four! 230 00:20:15,465 --> 00:20:16,466 Hey! 231 00:20:30,689 --> 00:20:32,900 That sounded like a good take. Yeah, that's good. 232 00:20:34,026 --> 00:20:36,278 What do you say, bro? What do you say? 233 00:20:36,361 --> 00:20:38,530 -Welcome. Welcome! -Two times was good. 234 00:20:38,614 --> 00:20:42,534 The king, Jonny Boy Landau. 235 00:20:42,618 --> 00:20:43,702 Ah. 236 00:20:44,244 --> 00:20:45,537 Live and in person. 237 00:20:46,872 --> 00:20:50,834 Gentlemen and ladies, here's to the road! 238 00:20:50,918 --> 00:20:52,503 Yeah. 239 00:20:53,295 --> 00:20:55,589 -San Siro! -San Siro! 240 00:20:55,672 --> 00:20:58,842 -Opening in San Siro. -Oh, San Siro. Here you go. 241 00:20:58,926 --> 00:21:01,428 -First of four nights. -First of four nights. 242 00:21:01,512 --> 00:21:03,430 -Oh! I like that. -Right? 243 00:21:03,514 --> 00:21:05,182 Four nights in San Siro. 244 00:21:06,058 --> 00:21:07,726 -That's half the Italian population. -Why not? 245 00:21:07,809 --> 00:21:09,019 Whoo! 246 00:21:09,102 --> 00:21:11,897 -It's the entire population-- -And that's just the matinee. 247 00:21:13,106 --> 00:21:14,983 -Here we go, everybody! -Yeah. 248 00:21:15,067 --> 00:21:18,153 I remember one time they were singing "Promised Land" when we stopped, 249 00:21:18,237 --> 00:21:20,531 and you had trouble starting the next song, 250 00:21:20,614 --> 00:21:24,618 because when you hear that all together, who wants to stop that? 251 00:21:24,701 --> 00:21:26,203 We played in Naples. 252 00:21:26,286 --> 00:21:29,957 They were singing internal riffs of "Rosalita." 253 00:21:30,040 --> 00:21:34,127 Like, the internal-- little, weird internal earworms. 254 00:21:34,211 --> 00:21:37,047 Not-- You know, not the obvious ones. 255 00:21:37,130 --> 00:21:40,884 Weird little ones inside the song, you know, you heard people singing. 256 00:21:40,968 --> 00:21:45,097 The entire population down there is so incredibly musical. 257 00:21:45,681 --> 00:21:49,059 That's where Mom and Dora and Eda and-- 258 00:21:49,142 --> 00:21:52,145 We are sitting here today because those are our people. 259 00:21:52,229 --> 00:21:53,772 Yeah. 260 00:21:53,856 --> 00:21:55,607 Frank, did you play guitar? 261 00:21:55,691 --> 00:21:57,860 Uh, little bit. Not much. I'm starting back. 262 00:21:57,943 --> 00:22:00,529 He's-- He's got a new guitar. 263 00:22:00,612 --> 00:22:03,782 There'll be a spot for him onstage with the E Street Band one day. 264 00:22:05,242 --> 00:22:07,035 If I were you, I would take advantage of that. 265 00:22:07,119 --> 00:22:08,120 I know. 266 00:22:22,801 --> 00:22:28,849 For me, from the beginning, pop was always a raucous meditation. 267 00:22:29,725 --> 00:22:33,270 We all have our own ways of praying. 268 00:22:34,188 --> 00:22:40,068 I restricted my prayers to three minutes and a 45-rpm record. 269 00:22:41,028 --> 00:22:45,824 The power of pure pop, the beautiful simplicity of melody. 270 00:22:46,909 --> 00:22:51,246 A complete character study in a matter of minutes. 271 00:22:52,080 --> 00:22:57,461 Life in 180 seconds or less. 272 00:22:58,378 --> 00:23:02,341 If you get it right, it has the power of prayer. 273 00:23:32,913 --> 00:23:36,166 Dreamy afternoon neath the summer sun 274 00:23:37,042 --> 00:23:40,921 We'd lie by the lake Till the evening comes 275 00:23:41,421 --> 00:23:45,092 I run my fingers Through your sun-streaked hair 276 00:23:45,175 --> 00:23:49,012 Baby, that's the power of prayer 277 00:23:50,013 --> 00:23:53,433 Summer nights, summer's in the air 278 00:23:54,184 --> 00:23:58,021 I stack the tables with the chairs 279 00:23:58,397 --> 00:24:02,067 It's closing time Then you're standing there 280 00:24:02,150 --> 00:24:06,113 Baby, that's the power of prayer 281 00:24:07,155 --> 00:24:11,368 It's a fixed game without any rules 282 00:24:11,451 --> 00:24:15,622 An empty table on a ship of fools 283 00:24:15,706 --> 00:24:20,085 I'm holding hearts, I'll play the pair 284 00:24:20,169 --> 00:24:25,674 Darling, it's just the power of prayer 285 00:24:45,485 --> 00:24:49,364 It's a fixed game without any rules 286 00:24:49,781 --> 00:24:53,827 An empty table on a ship of fools 287 00:24:53,911 --> 00:24:58,165 I'm holding hearts, I'll play the pair 288 00:24:58,248 --> 00:25:02,211 I'm going all in 'cause I don't care 289 00:25:02,294 --> 00:25:06,590 They say that love Love comes and goes 290 00:25:06,673 --> 00:25:10,552 But, darling, what, what do they know? 291 00:25:10,969 --> 00:25:15,307 I'm reaching for heaven We'll make it there 292 00:25:15,390 --> 00:25:19,394 Darling, it's just the power of prayer 293 00:25:19,478 --> 00:25:23,815 Baby, it's just the power of prayer 294 00:25:23,899 --> 00:25:28,695 Darling, it's just the power of prayer 295 00:25:31,823 --> 00:25:35,410 Last call, the bouncer shuts the door 296 00:25:36,119 --> 00:25:39,706 "This Magic Moment" Drifts across the floor 297 00:25:40,457 --> 00:25:44,002 As Ben E. King's voice fills the air 298 00:25:44,086 --> 00:25:48,465 Baby, that's the power of prayer 299 00:26:39,600 --> 00:26:41,143 Great work, gents. 300 00:26:42,436 --> 00:26:43,437 E. 301 00:26:44,271 --> 00:26:45,272 A. 302 00:26:46,231 --> 00:26:47,441 C-sharp minor. 303 00:26:48,233 --> 00:26:49,234 G-flat. 304 00:26:49,318 --> 00:26:52,279 I think we should come right out of the sax solo into the, uh... 305 00:26:52,821 --> 00:26:55,532 the verse where you sing every line. 306 00:26:55,616 --> 00:26:58,410 We got the-- We got the-- a different lick on it, is all. 307 00:26:58,493 --> 00:27:01,371 An opening for "Letter To You," we're talking about? 308 00:27:01,914 --> 00:27:03,749 Neath a crowd of mongrel trees 309 00:27:03,832 --> 00:27:06,084 -Like that? -You can even do it shorter. 310 00:27:06,168 --> 00:27:08,837 It's a build and then a big crescendo. You know what I mean? 311 00:27:12,132 --> 00:27:14,760 Big crescendo into-- 'Cause he's coming in singing hard. 312 00:27:14,843 --> 00:27:16,720 -On the cymbal? -Yeah, yeah. 313 00:27:21,934 --> 00:27:23,560 Yeah, let it go in. Let it go. 314 00:27:43,830 --> 00:27:49,670 The E Street Band makes me dream, think and write big. 315 00:27:50,462 --> 00:27:53,006 When I am amongst my friends, 316 00:27:53,090 --> 00:27:59,304 I allow a certain part of my mind that seems to be reserved for only them 317 00:28:00,055 --> 00:28:01,890 to be set free, 318 00:28:01,974 --> 00:28:06,395 and I dwell in a house of a thousand dreams. 319 00:28:07,396 --> 00:28:10,566 What happens in this house matters to me. 320 00:28:11,859 --> 00:28:14,361 We've not been made perfect by God, 321 00:28:15,153 --> 00:28:19,324 but here I try to speak in the voice of my better angels. 322 00:28:20,576 --> 00:28:25,664 We have been given the tools and the property of the soul 323 00:28:26,248 --> 00:28:28,625 to be attended to and accountable for. 324 00:28:30,085 --> 00:28:31,712 And that takes work. 325 00:28:33,213 --> 00:28:39,928 Work that we might build on the principles of love, liberty, fraternity, 326 00:28:40,512 --> 00:28:45,893 ancient ideas that still form the basis for a good life 327 00:28:45,976 --> 00:28:48,020 and a humane society. 328 00:28:48,604 --> 00:28:52,524 What happens in this house matters. 329 00:28:54,067 --> 00:28:57,029 So, brothers and sisters, wherever you are... 330 00:28:59,489 --> 00:29:01,325 let's light up this house. 331 00:29:22,846 --> 00:29:26,767 The blood moon shines across the vale 332 00:29:28,185 --> 00:29:32,439 Bells ring out Through churches and jails 333 00:29:32,981 --> 00:29:37,569 I tally my wounds and count the scars 334 00:29:38,362 --> 00:29:42,282 Here in The house of a thousand guitars 335 00:29:43,158 --> 00:29:47,412 The criminal clown Has stolen the throne 336 00:29:48,163 --> 00:29:52,417 He steals what he can never own 337 00:29:53,043 --> 00:29:57,506 May the truth ring out From every small-town bar 338 00:29:58,382 --> 00:30:02,970 We'll light up The house of a thousand guitars 339 00:30:03,512 --> 00:30:07,349 Well, it's all right Yeah, it's all right 340 00:30:08,892 --> 00:30:12,771 Meet me, darling, come Saturday night 341 00:30:13,689 --> 00:30:17,818 All good souls from near and far 342 00:30:18,652 --> 00:30:23,156 We'll meet in The house of a thousand guitars 343 00:30:24,032 --> 00:30:27,953 Here the bitter and the bored 344 00:30:29,371 --> 00:30:33,041 Wake in search of the lost chord 345 00:30:33,709 --> 00:30:38,463 That'll band us together For as long as there's stars 346 00:30:39,047 --> 00:30:43,594 Here in The house of a thousand guitars 347 00:30:44,344 --> 00:30:48,265 Yeah, it's all right Yeah, it's all right 348 00:30:49,474 --> 00:30:53,061 Meet me, darling, come Saturday night 349 00:30:54,438 --> 00:30:58,817 Brother and sister, wherever you are 350 00:30:59,484 --> 00:31:03,780 We'll meet in The house of a thousand guitars 351 00:31:24,760 --> 00:31:28,972 So wake and shake off Your troubles, my friend 352 00:31:29,932 --> 00:31:34,394 We'll go where the music never ends 353 00:31:34,937 --> 00:31:39,233 From the stadiums To the small-town bars 354 00:31:40,025 --> 00:31:44,571 We'll light up The house of a thousand guitars 355 00:31:44,655 --> 00:31:49,660 House of a thousand guitars House of a thousand guitars 356 00:31:50,577 --> 00:31:54,414 Brother and sister, wherever you are 357 00:31:55,374 --> 00:31:59,586 We'll rise together Till we fire the spark 358 00:32:00,170 --> 00:32:04,925 That'll light up The house of a thousand guitars 359 00:32:05,759 --> 00:32:09,763 Well, it's all right Yeah, it's all right 360 00:32:10,722 --> 00:32:14,810 Meet me, darling, come Saturday night 361 00:32:15,769 --> 00:32:19,773 All good souls from near and far 362 00:32:20,691 --> 00:32:25,237 We'll meet in The house of a thousand guitars 363 00:32:46,300 --> 00:32:50,804 La, la, la, la, la, la, la, la 364 00:32:51,513 --> 00:32:55,767 La, la, la, la, la, la, la, la, la 365 00:32:56,685 --> 00:33:00,606 La, la, la, la, la, la, la, la 366 00:33:01,648 --> 00:33:05,694 La, la, la, la, la, la, la, la, la 367 00:33:06,361 --> 00:33:11,200 A thousand guitars A thousand guitars 368 00:33:11,617 --> 00:33:16,246 A thousand guitars A thousand guitars 369 00:33:16,788 --> 00:33:21,418 A thousand guitars A thousand guitars 370 00:33:21,835 --> 00:33:26,798 A thousand guitars A thousand guitars 371 00:33:31,303 --> 00:33:33,805 -It's good. -You wanna listen to it? 372 00:33:33,889 --> 00:33:35,516 Yeah, let's listen to it. 373 00:33:37,601 --> 00:33:41,104 What a group sound we got going here on this stuff. 374 00:33:41,188 --> 00:33:42,272 Just sounds great. 375 00:33:42,356 --> 00:33:44,233 -Thank you. -Feel like we never left. 376 00:33:44,316 --> 00:33:46,610 Well, we left, but just to get better. Then we came back. 377 00:33:46,693 --> 00:33:47,694 That's right. 378 00:33:49,821 --> 00:33:53,534 Professor, do what you were born to do. 379 00:33:53,617 --> 00:33:55,285 Play the glockenspiel. 380 00:33:58,121 --> 00:33:59,164 Play that glockenspiel. 381 00:33:59,248 --> 00:34:01,416 I will as soon as I get some headphones. 382 00:34:02,167 --> 00:34:04,837 In the spirit of Dan Federici, please. 383 00:34:07,005 --> 00:34:08,297 Dan Federici. 384 00:34:09,882 --> 00:34:11,385 Ghost is haunting us. 385 00:34:13,303 --> 00:34:16,723 Tomorrow we will be cutting songs that are 50 years old. 386 00:34:16,806 --> 00:34:21,687 Uh, I recorded them acoustically at the time for the John Hammond demo, 387 00:34:21,770 --> 00:34:24,022 pre-Greetings from Asbury Park. 388 00:34:24,106 --> 00:34:27,734 -Get ready for some wild lyrics. -Yeah. 389 00:34:27,818 --> 00:34:30,112 -I got one idea, Bruce, for you. -Go ahead. 390 00:34:30,195 --> 00:34:33,699 On the chorus where you're going, "And Papa rode shotgun for the Fargo line," 391 00:34:33,782 --> 00:34:36,326 then they hold, how about you just play, 392 00:34:36,409 --> 00:34:38,871 "There's still too many bad boys," and then they come in on, 393 00:34:38,954 --> 00:34:40,038 "Work the same line." 394 00:34:40,121 --> 00:34:41,581 So it's just you there. 395 00:34:41,665 --> 00:34:44,918 Papa rode shotgun on the Fargo 396 00:34:47,462 --> 00:34:51,925 There's still too many bad boys Trying to work the same 397 00:34:52,009 --> 00:34:54,178 -Bam. We can do that. -Exactly. 398 00:34:54,761 --> 00:34:59,600 There's a light on yonder mountain 399 00:35:00,809 --> 00:35:04,771 And it's calling me to shine 400 00:35:06,648 --> 00:35:11,653 There's a girl O'er by the water fountain 401 00:35:12,654 --> 00:35:17,242 And she's asking to be mine 402 00:35:18,660 --> 00:35:23,707 And Jesus is standing in a doorway 403 00:35:24,208 --> 00:35:28,795 In a buckskin jacket, boots And spurs so fine 404 00:35:30,339 --> 00:35:34,635 Says, "We need you, son Tonight up in Dodge City 405 00:35:36,428 --> 00:35:42,351 'Cause there's just too many outlaws Trying to work the same line" 406 00:35:52,319 --> 00:35:58,867 Now if Jesus was a sheriff And I was the priest 407 00:35:58,951 --> 00:36:04,039 If my lady was an heiress And my mama was a thief 408 00:36:04,456 --> 00:36:09,294 If Papa rode shotgun on the Fargo line 409 00:36:10,420 --> 00:36:16,426 There's still too many bad boys Trying to work the same line 410 00:36:20,848 --> 00:36:26,770 Well, sweet Virgin Mary Runs the Holy Grail Saloon 411 00:36:26,854 --> 00:36:29,189 Where for a nickel She'll give you a whiskey 412 00:36:29,815 --> 00:36:32,442 And a personally blessed balloon 413 00:36:32,860 --> 00:36:35,946 And the Holy Ghost Is the host with the most 414 00:36:36,029 --> 00:36:38,699 He runs the burlesque show 415 00:36:38,782 --> 00:36:41,159 Where they let you in for free 416 00:36:41,577 --> 00:36:43,871 And they hit you when you go 417 00:36:44,288 --> 00:36:47,207 Mary's serving Mass on Sunday 418 00:36:47,291 --> 00:36:50,794 And she sells her body on Monday 419 00:36:50,878 --> 00:36:55,090 To the bootlegger Who paid the highest price 420 00:36:56,091 --> 00:36:59,052 Well, he don't know He got stuck with a loser 421 00:36:59,136 --> 00:37:02,806 She's a stone junkie What's more, she's a user 422 00:37:02,890 --> 00:37:06,894 She's only been made once or twice 423 00:37:07,477 --> 00:37:09,521 By some kind of magic 424 00:37:11,481 --> 00:37:16,778 Yeah, if Jesus was a sheriff And I was the priest 425 00:37:17,362 --> 00:37:22,492 If my lady was an heiress And my mama was a thief 426 00:37:23,285 --> 00:37:27,748 If Papa rode shotgun on the Fargo line 427 00:37:28,957 --> 00:37:34,755 There's still too many outlaws Trying to work the same line 428 00:37:45,474 --> 00:37:48,101 Well, things ain't been the same In heaven 429 00:37:48,185 --> 00:37:51,104 Since big, bad Bobby came to town 430 00:37:51,647 --> 00:37:56,652 He's been known to down eleven Then ask for another round 431 00:37:57,694 --> 00:38:02,658 Me, I got scabs on my knees From kneeling way too long 432 00:38:03,075 --> 00:38:08,580 It's about time I played the man Took a stand where I belong 433 00:38:08,664 --> 00:38:13,961 Yeah, forget about the old friends And the old times 434 00:38:14,962 --> 00:38:20,425 There's just too many new boys Trying to work the same line 435 00:38:24,805 --> 00:38:31,103 Well, if Jesus was a sheriff And I was the priest 436 00:38:31,436 --> 00:38:36,817 If my lady was an heiress And my mama was a thief 437 00:38:37,359 --> 00:38:41,780 And if Papa rode shotgun On the Fargo line 438 00:38:43,031 --> 00:38:49,246 There's just too many outlaws Trying to work the same line 439 00:38:53,083 --> 00:38:58,547 Well, there's a light on yonder mountain 440 00:38:59,339 --> 00:39:03,677 And it's calling me to shine 441 00:39:05,762 --> 00:39:10,058 There's a girl O'er by the water fountain 442 00:39:11,185 --> 00:39:15,647 And she's asking to be mine 443 00:39:17,482 --> 00:39:22,154 Jesus is standing in a doorway 444 00:39:22,738 --> 00:39:27,576 Six-gun drawn and ready to fan 445 00:39:29,161 --> 00:39:33,749 Said, "We need you tonight, son Up in Dodge City" 446 00:39:34,541 --> 00:39:40,339 Told him I was already overdue For Cheyenne 447 00:39:44,426 --> 00:39:50,307 Yeah, if Jesus was the sheriff And I was the priest 448 00:39:50,849 --> 00:39:56,021 If my lady was an heiress And my mama was a thief 449 00:39:56,480 --> 00:40:01,318 And Papa rode shotgun On the Fargo line 450 00:40:02,402 --> 00:40:07,574 There's still too many bad boys Trying to work the same line 451 00:40:07,658 --> 00:40:12,538 If Jesus was the sheriff And I was the priest 452 00:40:13,163 --> 00:40:18,252 If my lady was an heiress And my mama was a thief 453 00:40:18,669 --> 00:40:23,590 And Papa rode shotgun On the Fargo line 454 00:40:24,508 --> 00:40:28,762 There's still too many bad boys Trying to work the same 455 00:40:28,846 --> 00:40:35,060 Yeah, if Jesus was the sheriff And I was the priest 456 00:41:35,704 --> 00:41:39,583 In the summer, it had an outside patio. You'd play outside. It was beautiful. 457 00:41:39,666 --> 00:41:43,837 It was the first teenage nightclub anyone ever heard of. 458 00:41:43,921 --> 00:41:45,881 -Who ever heard of that? -Unbelievable. 459 00:41:45,964 --> 00:41:48,717 It was like a country club for teenagers. 460 00:41:48,800 --> 00:41:52,596 Kids were all solidly middle and upper class, you know? 461 00:41:52,679 --> 00:41:53,847 You had rah-rahs. 462 00:41:53,931 --> 00:41:57,893 So if you got a gig, particularly from where we were from, 463 00:41:57,976 --> 00:41:59,895 it was-- it was a deal. 464 00:41:59,978 --> 00:42:02,397 Freehold band that got into Teendezvous? 465 00:42:03,649 --> 00:42:06,693 You were legit. You were legitimized. 466 00:42:06,777 --> 00:42:09,947 To have that and then six other hullabaloo clubs you could play at 467 00:42:10,030 --> 00:42:11,114 on the same weekend, 468 00:42:11,198 --> 00:42:14,493 -not to mention the VFW halls... -The beach clubs. 469 00:42:14,576 --> 00:42:18,956 ...the union halls, the Legion halls, CYOs. 470 00:42:19,039 --> 00:42:23,794 -These were all venues for rock bands. -Common dances, fraternity dances. 471 00:42:32,302 --> 00:42:33,637 "Ghosts." 472 00:42:34,304 --> 00:42:36,974 A rock band is a social unit 473 00:42:37,057 --> 00:42:39,893 based on the premise that all of us together 474 00:42:39,977 --> 00:42:43,647 are greater than the sum of our individual parts, 475 00:42:44,398 --> 00:42:49,194 that we can achieve something that we could not achieve alone 476 00:42:49,278 --> 00:42:52,990 and that, together, higher ground awaits. 477 00:42:53,740 --> 00:42:58,203 While, in our band, the songs and individual vision are mine, 478 00:42:58,287 --> 00:43:01,456 the physical creation of that vision 479 00:43:01,540 --> 00:43:07,129 into a real-world presence belongs to all of us. 480 00:43:08,380 --> 00:43:10,340 We are a band. 481 00:43:10,424 --> 00:43:16,722 The joy I feel when I work with my band is a hard thing to describe. 482 00:43:16,805 --> 00:43:19,558 Ideas tumble around the room. 483 00:43:19,641 --> 00:43:25,147 People talk over one another. There are false starts and stops. 484 00:43:25,230 --> 00:43:28,525 Confusion often reigns. 485 00:43:28,609 --> 00:43:29,776 And then suddenly... 486 00:43:31,028 --> 00:43:32,654 dynamite. 487 00:43:33,322 --> 00:43:38,952 "Ghosts" is about the beauty and joy of being in a band, 488 00:43:39,703 --> 00:43:45,083 and the pain of losing one another to illness and time. 489 00:43:46,585 --> 00:43:50,756 "Ghosts" tries to speak to the spirit of the music itself... 490 00:43:52,090 --> 00:43:58,305 something none of us owns but can only discover and share together. 491 00:43:59,348 --> 00:44:04,603 In the E Street Band, it resides in our collective soul... 492 00:44:05,771 --> 00:44:06,980 powered by the heart. 493 00:44:10,234 --> 00:44:14,029 I hear the sound of your guitar 494 00:44:17,824 --> 00:44:21,411 Ringing in from the mystic far 495 00:44:25,290 --> 00:44:29,545 Stone and the gravel in your voice 496 00:44:33,173 --> 00:44:37,052 Run through the dreams and I rejoice 497 00:44:39,680 --> 00:44:41,765 It's your ghost 498 00:44:42,766 --> 00:44:45,060 Leading through the night 499 00:44:46,228 --> 00:44:48,981 Spirits filled with light 500 00:44:49,439 --> 00:44:52,693 That chorus before the break you don't need, I think. 501 00:44:52,776 --> 00:44:55,571 You can go from "ghosts" right to the break, then the buildup. 502 00:44:55,654 --> 00:44:57,197 You mean that drumbeat buildup. 503 00:44:57,281 --> 00:44:59,199 -Yep. -You're leaving out this chorus? 504 00:44:59,283 --> 00:45:01,076 Sixteen bars of chorus to the drumbeat buildup. 505 00:45:01,159 --> 00:45:03,412 -So it goes, A, AB, AB, C. -B, C. 506 00:45:03,495 --> 00:45:06,999 That's the verse. B is the ghosts. C is the chorus. 507 00:45:07,082 --> 00:45:08,667 Yes, and again. 508 00:45:08,750 --> 00:45:12,671 A is the verse, B is the ghost, C is the chorus. 509 00:45:12,754 --> 00:45:15,674 We still have the stop before the third verse. 510 00:45:15,757 --> 00:45:18,677 -No, we stop before-- -Third verse. 511 00:45:18,760 --> 00:45:21,346 -The third verse is-- -That line alone, 512 00:45:21,430 --> 00:45:23,140 and then the stop at the end there. 513 00:45:23,223 --> 00:45:25,809 There's still a third verse with those stops. 514 00:45:25,893 --> 00:45:28,562 Anybody wonders where the stop is, watch me. 515 00:45:28,645 --> 00:45:30,314 I'll give you a cue, all right? 516 00:45:30,939 --> 00:45:32,566 Otherwise, don't stop. 517 00:45:33,025 --> 00:45:36,570 Old buckskin jacket you always wore 518 00:45:36,653 --> 00:45:37,779 Yeah. 519 00:45:38,280 --> 00:45:39,740 Good time there. 520 00:45:41,825 --> 00:45:43,327 There. Now. 521 00:45:45,829 --> 00:45:48,081 -Yeah, so the opposite. -Yeah. 522 00:45:48,707 --> 00:45:49,750 Take me here. 523 00:45:51,126 --> 00:45:52,211 All right. Try it. 524 00:45:52,294 --> 00:45:54,505 Just to have it. Then they can **** around with it. 525 00:45:56,298 --> 00:45:57,883 Alive 526 00:46:01,094 --> 00:46:02,095 All right. 527 00:46:03,013 --> 00:46:05,807 I'm alive 528 00:46:05,891 --> 00:46:08,519 And I'm coming home 529 00:46:09,728 --> 00:46:12,731 Yeah, I'm coming home 530 00:46:15,526 --> 00:46:18,070 One, two. One, two-- 531 00:46:18,153 --> 00:46:19,404 Clap. 532 00:46:23,075 --> 00:46:26,078 Let's get the claps and get the la-da-das. 533 00:46:33,836 --> 00:46:37,673 I hear the sound of your guitar 534 00:46:41,593 --> 00:46:45,055 Coming from the mystic far 535 00:46:49,017 --> 00:46:53,188 Stone and the gravel in your voice 536 00:46:56,942 --> 00:47:00,904 Come in my dreams and I rejoice 537 00:47:03,407 --> 00:47:05,534 It's your ghost 538 00:47:06,577 --> 00:47:09,162 Moving through the night 539 00:47:10,080 --> 00:47:13,125 Your spirit filled with light 540 00:47:15,460 --> 00:47:16,795 I need 541 00:47:18,088 --> 00:47:20,883 Need you by my side 542 00:47:21,383 --> 00:47:25,012 Your love and I'm alive 543 00:47:25,095 --> 00:47:29,558 I can feel the blood shiver In my bones 544 00:47:30,601 --> 00:47:33,145 I'm alive 545 00:47:33,228 --> 00:47:36,899 And I'm out here on my own 546 00:47:38,275 --> 00:47:41,069 I'm alive 547 00:47:41,153 --> 00:47:44,031 And I'm coming home 548 00:47:46,867 --> 00:47:50,787 Old buckskin jacket you always wore 549 00:47:54,249 --> 00:47:58,086 Hangs on the back of my bedroom door 550 00:48:02,424 --> 00:48:06,136 Boots and the spurs you used to ride 551 00:48:09,848 --> 00:48:13,435 Click down the hall but never arrive 552 00:48:15,938 --> 00:48:18,732 It's just your ghost 553 00:48:19,441 --> 00:48:21,818 Moving through the night 554 00:48:22,945 --> 00:48:25,906 Your spirit filled with light 555 00:48:28,408 --> 00:48:29,868 I need 556 00:48:30,911 --> 00:48:33,747 Need you by my side 557 00:48:34,331 --> 00:48:38,001 Your love and I'm alive 558 00:48:38,085 --> 00:48:42,422 I can feel the blood shiver In my bones 559 00:48:43,549 --> 00:48:46,134 I'm alive 560 00:48:46,218 --> 00:48:49,930 And I'm out here on my own 561 00:48:51,223 --> 00:48:53,934 I'm alive 562 00:48:54,017 --> 00:48:56,812 And I'm coming home 563 00:48:59,731 --> 00:49:03,735 Your old Fender Twin From Johnny's Music downtown 564 00:49:07,239 --> 00:49:11,243 Still set on ten To burn this house down 565 00:49:14,955 --> 00:49:19,126 Count the band in Then kick into overdrive 566 00:49:22,379 --> 00:49:26,466 By the end of the set We leave no one alive 567 00:49:26,550 --> 00:49:31,054 Ghosts running through the night 568 00:49:31,889 --> 00:49:35,100 Our spirits filled with light 569 00:49:37,436 --> 00:49:38,854 I need 570 00:49:40,105 --> 00:49:42,774 Need you by my side 571 00:49:43,400 --> 00:49:47,321 Your love and I'm alive 572 00:49:53,243 --> 00:49:58,415 I shoulder your Les Paul And finger the fretboard 573 00:50:00,584 --> 00:50:05,005 I make my vows To those who've come before 574 00:50:08,509 --> 00:50:13,430 I turn up the volume Let the spirits be my guide 575 00:50:16,016 --> 00:50:20,771 Meet you, brother and sister On the other side 576 00:50:23,315 --> 00:50:25,817 I'm alive 577 00:50:25,901 --> 00:50:29,571 I can feel the blood shiver In my bones 578 00:50:31,073 --> 00:50:33,742 I'm alive 579 00:50:33,825 --> 00:50:37,412 And I'm out here on my own 580 00:50:38,914 --> 00:50:41,667 I'm alive 581 00:50:41,750 --> 00:50:44,294 And I'm coming home 582 00:50:45,379 --> 00:50:48,423 Yeah, I'm coming home 583 00:50:51,176 --> 00:50:55,013 One, two One, two, three, four 584 00:51:25,836 --> 00:51:29,381 La, da, da, da Da, da, da, da, da 585 00:51:29,464 --> 00:51:33,177 La, da, da, da Da, da, da, da 586 00:51:33,260 --> 00:51:36,972 La, da, da, da Da, da, da, da, da 587 00:51:37,055 --> 00:51:40,976 La, da, da, da Da, da, da, da 588 00:51:41,059 --> 00:51:44,813 La, da, da, da Da, da, da, da, da 589 00:51:44,897 --> 00:51:48,150 La, da, da, da Da, da, da, da 590 00:51:48,817 --> 00:51:52,487 La, da, da, da Da, da, da, da, da 591 00:51:52,571 --> 00:51:56,158 La, da, da, da Da, da, da, da 592 00:51:56,241 --> 00:52:00,204 La, da, da, da Da, da, da, da, da 593 00:52:00,287 --> 00:52:03,707 La, da, da, da Da, da, da, da 594 00:52:04,124 --> 00:52:07,878 La, da, da, da Da, da, da, da, da 595 00:52:07,961 --> 00:52:12,341 La, da, da, da Da, da, da, da 596 00:52:13,967 --> 00:52:15,636 Perfect! Perfect! 597 00:52:25,229 --> 00:52:27,856 The songs from 1972... 598 00:52:29,525 --> 00:52:33,153 were and remain a mystery to me. 599 00:52:33,237 --> 00:52:37,991 They were just the way I wrote back then. A lot of words. 600 00:52:38,075 --> 00:52:40,035 Matter of fact, Clive Davis, 601 00:52:40,118 --> 00:52:44,581 the man who signed me to Columbia Records with John Hammond, 602 00:52:44,665 --> 00:52:49,586 called me briefly after our record Greetings from Asbury Park was released 603 00:52:49,670 --> 00:52:53,632 and said someone had called him and told him if I wasn't careful, 604 00:52:53,715 --> 00:52:57,553 I was going to use up the entire English language. 605 00:52:58,554 --> 00:53:01,265 And he said that that was Bob Dylan. 606 00:53:01,348 --> 00:53:05,018 Now, Bob was always my mentor and the brother that I never had, 607 00:53:05,102 --> 00:53:08,230 so I took these words quite seriously. 608 00:53:09,273 --> 00:53:15,863 But all I know is these songs hold a very warm place in my heart. 609 00:53:16,488 --> 00:53:20,284 "Song for Orphans" is about someone overcoming their fears, 610 00:53:20,367 --> 00:53:22,911 their doubts, their times. 611 00:53:22,995 --> 00:53:25,747 It's about fighting for a place of their own. 612 00:53:25,831 --> 00:53:31,461 And, for a kid, I thought a lot of myself in 1972, 613 00:53:31,545 --> 00:53:34,840 despite my towering insecurities. 614 00:53:36,091 --> 00:53:40,470 I was an experienced guitar-playing young lion, 615 00:53:40,554 --> 00:53:43,307 and I felt I had a job to do, 616 00:53:43,390 --> 00:53:47,311 demons to vanquish, a world to claim. 617 00:53:47,394 --> 00:53:50,355 My world, whatever that might be. 618 00:53:50,439 --> 00:53:56,945 And that time I felt I was on the Earth for one thing and one thing only: 619 00:53:57,029 --> 00:54:02,326 to meet, confront and confirm my destiny. 620 00:54:02,409 --> 00:54:07,039 To come out on that stage and change your life, 621 00:54:07,623 --> 00:54:08,999 if I could. 622 00:54:09,082 --> 00:54:12,211 I'd overcome my own emotional abandonment, 623 00:54:12,294 --> 00:54:14,421 my late teenage orphaning, 624 00:54:14,505 --> 00:54:19,176 and I was building with my own hands, and some help, 625 00:54:19,259 --> 00:54:21,303 a place that was mine. 626 00:54:22,638 --> 00:54:25,307 The confederacy is in my name now, 627 00:54:25,390 --> 00:54:30,270 and I would take the responsibility and the accountability for it. 628 00:54:30,354 --> 00:54:32,105 This would be done. 629 00:54:32,731 --> 00:54:39,112 Because I was young and hard and hungry, and I needed it. 630 00:54:40,322 --> 00:54:41,740 I was 22. 631 00:55:14,439 --> 00:55:17,651 Well, the multitude assembled 632 00:55:17,734 --> 00:55:21,029 And tried to make the noise 633 00:55:21,113 --> 00:55:24,366 And black blind poet generals 634 00:55:24,449 --> 00:55:27,244 And restless loud white boys 635 00:55:28,161 --> 00:55:34,126 Times grew thin And the axis grew somehow incomplete 636 00:55:34,585 --> 00:55:37,754 Where instead of child lions 637 00:55:37,838 --> 00:55:40,924 We had aging junkie sheep 638 00:55:41,341 --> 00:55:44,678 Well, how many wasted have I seen 639 00:55:44,761 --> 00:55:47,764 Signed "Hollywood or bust" 640 00:55:48,307 --> 00:55:54,771 They're left to ride Them ever-ghostly Arizona gusts 641 00:55:55,230 --> 00:55:58,609 Cheerleader tramps And kids with big amps 642 00:55:58,692 --> 00:56:00,903 Sounding in the void 643 00:56:01,612 --> 00:56:05,240 High society vamps Ex-heavyweight champs 644 00:56:05,908 --> 00:56:08,035 Mistaking soot for soil 645 00:56:08,118 --> 00:56:11,121 So break me now, Big Mama 646 00:56:11,705 --> 00:56:14,499 As Old Faithful breaks the day 647 00:56:15,501 --> 00:56:18,170 Believe me, my good Linda 648 00:56:18,962 --> 00:56:21,924 The aurora will shine your way 649 00:56:22,007 --> 00:56:25,344 The confederacy is in my name now 650 00:56:25,427 --> 00:56:28,555 The hounds are held at bay 651 00:56:29,056 --> 00:56:32,017 The axis needs a stronger arm 652 00:56:32,100 --> 00:56:35,187 Do you feel your muscles play? 653 00:56:40,734 --> 00:56:46,740 Well, the doorstep blanket weaver Madonna pushes bells 654 00:56:47,449 --> 00:56:49,868 From house to house I see her 655 00:56:49,952 --> 00:56:54,081 Giving last kisses and wishing well 656 00:56:54,164 --> 00:57:00,712 Tell every gypsy mystic hero That the kids might find a place 657 00:57:00,796 --> 00:57:04,132 Who've been lost forever To mom and pop 658 00:57:04,216 --> 00:57:07,219 On their weekends out in space 659 00:57:07,302 --> 00:57:10,806 Well, sons, they search for fathers 660 00:57:10,889 --> 00:57:14,101 But the fathers are all gone 661 00:57:14,518 --> 00:57:17,771 The lost souls search for saviors 662 00:57:17,855 --> 00:57:20,566 But saviors don't last long 663 00:57:21,024 --> 00:57:24,695 Those nameless, quest-less Renegade brats 664 00:57:24,778 --> 00:57:27,948 Who live their lives in song 665 00:57:28,031 --> 00:57:30,409 They run the length of a candle 666 00:57:30,492 --> 00:57:34,246 With a good night whisper Then they're gone 667 00:57:34,580 --> 00:57:37,416 So break me now, Big Mama 668 00:57:37,958 --> 00:57:40,544 As Old Faithful breaks the day 669 00:57:41,628 --> 00:57:44,464 Believe me, my good Linda 670 00:57:44,923 --> 00:57:47,718 The aurora will shine your way 671 00:57:48,135 --> 00:57:51,555 The confederacy is in my name now 672 00:57:51,638 --> 00:57:54,725 The hounds are held at bay 673 00:57:55,267 --> 00:57:58,312 The axis needs a stronger arm 674 00:57:58,395 --> 00:58:01,315 Do you feel your muscles play? 675 00:58:06,028 --> 00:58:07,029 Whoo! 676 00:58:38,894 --> 00:58:42,022 Well, the missions Are filled with hermits 677 00:58:42,105 --> 00:58:45,108 They're looking for a friend 678 00:58:45,776 --> 00:58:48,904 The terraces are filled with cat-men 679 00:58:48,987 --> 00:58:51,698 Just looking for a way in 680 00:58:52,449 --> 00:58:55,661 There's orphans Junked on silver mountains 681 00:58:55,744 --> 00:58:58,539 Lost in celestial alleyways 682 00:58:58,622 --> 00:59:02,417 They wait for that Old tramp dog man Moses 683 00:59:02,501 --> 00:59:05,712 He takes in all the strays 684 00:59:05,796 --> 00:59:09,299 Now don't you grow on empty legends 685 00:59:09,383 --> 00:59:12,511 Or lonely cradle songs 686 00:59:13,220 --> 00:59:15,806 Billy the Kid was just a Bowery boy 687 00:59:15,889 --> 00:59:18,767 Who made a living twirling his guns 688 00:59:19,518 --> 00:59:22,563 The night, she's long and lanky 689 00:59:22,646 --> 00:59:25,816 And she speaks in a mother tongue 690 00:59:26,316 --> 00:59:32,781 She lullabies her refugees With an amplifier's hum 691 00:59:32,865 --> 00:59:36,159 So break me now, Big Mama 692 00:59:36,243 --> 00:59:38,996 As Old Faithful breaks the day 693 00:59:40,247 --> 00:59:43,125 Believe me, my good Linda 694 00:59:43,208 --> 00:59:45,794 The aurora will shine your way 695 00:59:46,587 --> 00:59:49,923 The confederacy's in my name now 696 00:59:50,007 --> 00:59:53,093 The hounds are held at bay 697 00:59:53,594 --> 00:59:56,638 The axis needs a stronger arm 698 00:59:56,722 --> 00:59:59,725 Do you feel your muscles play? 699 00:59:59,808 --> 01:00:03,437 The confederacy's in my name now 700 01:00:03,520 --> 01:00:06,231 The hounds are held at bay 701 01:00:07,065 --> 01:00:10,152 The axis needs a stronger arm 702 01:00:10,235 --> 01:00:14,406 Do you feel your muscles play? 703 01:00:53,278 --> 01:00:56,823 Another masterful day in the studio. 704 01:00:57,449 --> 01:00:59,993 Cheers to the mighty E Street Band. 705 01:01:00,077 --> 01:01:01,245 Halfway done. 706 01:01:01,995 --> 01:01:03,205 More, I think. 707 01:01:08,293 --> 01:01:09,711 -Nice. -Ah. 708 01:01:33,360 --> 01:01:36,738 There were trains, passenger and freight, 709 01:01:37,197 --> 01:01:40,242 that came through Freehold in the '50s. 710 01:01:40,951 --> 01:01:43,954 During long summer afternoons, 711 01:01:44,037 --> 01:01:49,042 we waited for them to jump and ride from one end of town to the other 712 01:01:49,126 --> 01:01:53,589 or just to lay our pennies down on the rails 713 01:01:53,672 --> 01:01:56,592 and pick them up hot and flat. 714 01:01:58,552 --> 01:02:02,181 Those trains came and went as sudden as death. 715 01:02:03,348 --> 01:02:06,310 When I was a child, I got pretty used to death 716 01:02:06,393 --> 01:02:10,063 due to the many Irish and Italian wakes in our family. 717 01:02:10,856 --> 01:02:14,735 By six or seven, you were expected to go with your parents 718 01:02:14,818 --> 01:02:19,156 through the doors of the funeral home with your hand in theirs, 719 01:02:19,239 --> 01:02:22,826 make your way through the crowded room to the coffin. 720 01:02:23,535 --> 01:02:28,332 Then kneel at its side and stare death briefly in the eye. 721 01:02:29,750 --> 01:02:31,960 Your parents would raucously mingle. 722 01:02:32,669 --> 01:02:33,670 Then after a while, 723 01:02:33,754 --> 01:02:39,009 you rode home with a strange sense of terror-filled accomplishment... 724 01:02:40,010 --> 01:02:41,637 filling your young soul. 725 01:02:43,347 --> 01:02:47,309 Back home, you knelt at your bedside and recited, 726 01:02:47,935 --> 01:02:53,899 "Now I lay me down to sleep, I pray to God my soul to keep. 727 01:02:54,399 --> 01:02:57,778 And if I die before I wake, 728 01:02:58,362 --> 01:03:01,740 I pray to God my soul to take." 729 01:03:03,033 --> 01:03:05,786 "For if I die before I wake." 730 01:03:07,621 --> 01:03:09,540 I never cared for that part. 731 01:03:12,125 --> 01:03:15,170 It impressed upon my young mind... 732 01:03:16,380 --> 01:03:19,258 that someday we will close our eyes 733 01:03:19,341 --> 01:03:23,220 and the gray evening sky will unfold above us... 734 01:03:24,429 --> 01:03:27,015 bringing that long and endless sleep. 735 01:04:12,728 --> 01:04:16,231 Big black train comin' down the track 736 01:04:17,274 --> 01:04:20,903 Blow your whistle long and long 737 01:04:22,738 --> 01:04:24,573 One minute you're here 738 01:04:27,409 --> 01:04:29,286 Next minute you're gone 739 01:04:33,207 --> 01:04:37,211 I lay my penny down on the rails 740 01:04:37,878 --> 01:04:41,965 The summer wind sings its last song 741 01:04:43,509 --> 01:04:45,511 One minute you're here 742 01:04:48,180 --> 01:04:50,098 Next minute you're gone 743 01:04:54,269 --> 01:04:57,189 Baby, baby, baby 744 01:04:57,689 --> 01:05:01,193 I'm so alone 745 01:05:02,861 --> 01:05:06,031 Baby, baby, baby 746 01:05:07,115 --> 01:05:10,327 I'm coming home 747 01:05:12,663 --> 01:05:16,041 Autumn carnival on the edge of town 748 01:05:16,124 --> 01:05:20,921 We walk down the midway arm in arm 749 01:05:22,798 --> 01:05:24,633 One minute you're here 750 01:05:27,386 --> 01:05:29,054 Next minute you're gone 751 01:05:33,225 --> 01:05:37,229 I thought I knew just who I was 752 01:05:37,980 --> 01:05:42,067 And what I'd do, but I was wrong 753 01:05:43,527 --> 01:05:45,529 One minute you're here 754 01:05:48,115 --> 01:05:50,117 Next minute you're gone 755 01:05:54,288 --> 01:06:02,212 Red river runnin' along The edge of town 756 01:06:04,131 --> 01:06:09,511 On the muddy banks I lay my body down 757 01:06:09,595 --> 01:06:12,681 This body down 758 01:06:14,933 --> 01:06:18,187 Footsteps crackling on a gravel road 759 01:06:18,270 --> 01:06:23,400 Stars vanish in a sky As black as stone 760 01:06:25,068 --> 01:06:27,070 One minute you're here 761 01:06:29,698 --> 01:06:31,783 Next minute you're gone 762 01:06:34,328 --> 01:06:36,455 One minute you're here 763 01:06:38,999 --> 01:06:41,001 Next minute you're gone 764 01:06:43,587 --> 01:06:45,422 One minute you're here 765 01:07:19,414 --> 01:07:21,834 We've been here for-- This is our fourth day. 766 01:07:21,917 --> 01:07:23,752 I was gonna come earlier, but I had a cold. 767 01:07:23,836 --> 01:07:27,714 -Said, "No. Wait, wait, wait." -No sweat. Anytime is good. 768 01:07:28,590 --> 01:07:32,386 We're just... recording them and listening to them. 769 01:07:32,886 --> 01:07:33,887 That's good. 770 01:07:39,309 --> 01:07:42,646 Jake Clemons involved in his first official recording, 771 01:07:43,397 --> 01:07:46,316 -solo with the E Street Band. -Wow. 772 01:07:46,400 --> 01:07:47,401 No pressure. 773 01:07:49,695 --> 01:07:51,530 You guys played beautifully. 774 01:07:51,613 --> 01:07:54,908 You hear these tracks back, they sound incredible. 775 01:07:55,534 --> 01:07:58,161 So hopeful. You guys deliver it. 776 01:07:58,996 --> 01:08:00,330 -Yeah. -Cheers. 777 01:08:00,414 --> 01:08:01,498 To my new boss. 778 01:08:01,582 --> 01:08:03,208 -Yeah, baby. -Here's to hope. 779 01:08:03,667 --> 01:08:05,502 -Let's not forget The Big Man. -Big Man. 780 01:08:05,586 --> 01:08:07,087 -To The Big Man. -The Big Man. 781 01:08:07,171 --> 01:08:08,255 -Danny Federici. -Danny. 782 01:08:08,338 --> 01:08:10,465 -Danny Federici. -Danny Federici. 783 01:08:20,893 --> 01:08:22,978 Where do we go when we die? 784 01:08:24,354 --> 01:08:25,772 Maybe we go nowhere... 785 01:08:26,773 --> 01:08:29,109 or maybe everywhere. 786 01:08:30,359 --> 01:08:33,404 Maybe our soul resides in the ether, 787 01:08:33,488 --> 01:08:36,116 in the starless part of the sky 788 01:08:36,742 --> 01:08:41,412 and resonates outward like a stone dropped into a still lake 789 01:08:41,496 --> 01:08:45,667 whose circles are the lives of people we've touched 790 01:08:45,751 --> 01:08:48,170 over the course of our lives. 791 01:08:49,505 --> 01:08:56,178 No one knows where or how far their soul may sound, may travel. 792 01:08:57,595 --> 01:09:04,185 Or maybe it's all just bones, dirt, clay and turtles all the way down. 793 01:09:05,520 --> 01:09:06,647 I don't know. 794 01:09:07,481 --> 01:09:09,149 But I've grieved at the thought 795 01:09:09,233 --> 01:09:13,487 of never seeing some of those I've loved and lost again. 796 01:09:14,821 --> 01:09:18,492 But those passed never completely disappear. 797 01:09:19,326 --> 01:09:21,745 We see them on familiar streets, 798 01:09:22,328 --> 01:09:23,830 in empty clubs... 799 01:09:24,915 --> 01:09:27,334 and in late nights of long ago. 800 01:09:28,210 --> 01:09:33,966 They move in shadow, glimpsed only from the corner of our eyes. 801 01:09:35,300 --> 01:09:37,594 We see them in our dreams. 802 01:10:00,951 --> 01:10:02,828 See you in my dreams 803 01:10:03,495 --> 01:10:06,874 When all our summers Have come to an end 804 01:10:08,041 --> 01:10:10,627 I'll see you in my dreams 805 01:10:11,461 --> 01:10:15,215 We'll meet and laugh again, my friend 806 01:10:16,049 --> 01:10:19,052 I'll see you in my dreams 807 01:10:19,511 --> 01:10:22,806 Yeah, up around the river bend 808 01:10:22,890 --> 01:10:25,893 For death is not the end 809 01:10:27,686 --> 01:10:33,692 And I'll see you in my dreams 810 01:11:01,803 --> 01:11:02,846 Chorus. 811 01:11:02,930 --> 01:11:06,433 I'll see you in my dreams 812 01:11:06,517 --> 01:11:10,562 We'll live and laugh again, my friend 813 01:11:11,230 --> 01:11:14,483 I'll see you in my dreams 814 01:11:14,900 --> 01:11:18,278 Yeah, up around the river bend 815 01:11:18,362 --> 01:11:21,532 For death is not the end 816 01:11:23,158 --> 01:11:29,289 And I'll see you in my dreams 817 01:11:31,458 --> 01:11:34,670 That's the whole deal. Very basic, all right? 818 01:11:34,753 --> 01:11:36,922 The road is long 819 01:11:38,799 --> 01:11:40,801 And seeming without end 820 01:11:43,011 --> 01:11:45,472 The days go on 821 01:11:47,140 --> 01:11:49,476 I remember you, my friend 822 01:11:51,353 --> 01:11:53,438 And though you're gone 823 01:11:53,939 --> 01:11:58,277 And my heart's been emptied it seems 824 01:11:58,360 --> 01:12:01,989 I'll see you in my dreams 825 01:12:03,407 --> 01:12:05,617 I got your guitar 826 01:12:08,078 --> 01:12:10,330 Here by the bed 827 01:12:11,290 --> 01:12:14,334 All your favorite records 828 01:12:15,377 --> 01:12:18,839 And all the books that you read 829 01:12:20,257 --> 01:12:22,759 And though my soul 830 01:12:22,843 --> 01:12:27,055 Feels like it's been split At the seams 831 01:12:32,186 --> 01:12:35,480 I'll see you in my dreams 832 01:12:35,564 --> 01:12:39,610 When all our summers Have come to an end 833 01:12:40,485 --> 01:12:43,322 I'll see you in my dreams 834 01:12:43,947 --> 01:12:47,910 We'll meet and live and laugh again 835 01:12:48,619 --> 01:12:51,872 I'll see you in my dreams 836 01:12:52,289 --> 01:12:55,584 Yeah, up around the river bend 837 01:12:55,667 --> 01:12:58,837 For death is not the end 838 01:13:00,547 --> 01:13:06,678 And I'll see you in my dreams 839 01:13:36,250 --> 01:13:39,044 I'll see you in my dreams 840 01:13:39,711 --> 01:13:43,590 When all our summers Have come to an end 841 01:13:44,550 --> 01:13:47,469 I'll see you in my dreams 842 01:13:48,220 --> 01:13:52,099 We'll meet and live and laugh again 843 01:13:52,808 --> 01:13:55,769 I'll see you in my dreams 844 01:13:55,853 --> 01:13:59,690 Yeah, up around the river bend 845 01:13:59,773 --> 01:14:03,026 For death is not the end 846 01:14:04,611 --> 01:14:09,032 And I'll see you in my 847 01:14:09,116 --> 01:14:13,161 See you in my 848 01:14:13,245 --> 01:14:19,084 See you in my dreams 849 01:14:19,751 --> 01:14:20,752 Oh! 850 01:14:22,838 --> 01:14:27,509 La, da, da, la, la, la, la, la, la 851 01:14:31,180 --> 01:14:35,767 La, la la, la La, la, la, la, la, la 852 01:14:39,605 --> 01:14:44,318 La, la, la, la, la La, la, la, la 853 01:14:47,821 --> 01:14:55,579 And I'll see you in my dreams 854 01:15:01,376 --> 01:15:02,377 Nice. 855 01:15:04,213 --> 01:15:05,380 It's, uh... 856 01:15:06,173 --> 01:15:08,217 It's got that magnificence to it. 857 01:15:17,059 --> 01:15:18,352 -Steven? -I'm good. 858 01:15:18,936 --> 01:15:19,937 -Everybody's good? -I'm good. 859 01:15:20,020 --> 01:15:23,106 -We're good. -All right, what can I say? 860 01:15:25,025 --> 01:15:28,028 We're taking this thing till we're all in the box, boys. 861 01:15:31,490 --> 01:15:33,867 Till the wheels come off. 862 01:15:33,951 --> 01:15:36,328 -There you go. -Till we're all in the box. 863 01:15:36,411 --> 01:15:41,083 All I can say is the greatest... thrill 864 01:15:41,166 --> 01:15:43,710 continues to be that the greatest thrills in my life 865 01:15:43,794 --> 01:15:49,049 is standing behind that microphone with-- with you guys behind me. 866 01:15:49,132 --> 01:15:52,886 This is the best playing on record, I think-- 867 01:15:53,971 --> 01:15:55,931 It's just gotten better. Blows my mind. 868 01:15:56,014 --> 01:15:59,768 To have everybody playing together at the same time in the same room 869 01:15:59,852 --> 01:16:03,146 and to have it just come out sounding like that. 870 01:16:03,730 --> 01:16:05,649 You know, uh, it's-- 871 01:16:07,901 --> 01:16:11,113 it's just one of the deepest experiences of my life. 872 01:16:11,196 --> 01:16:14,741 -I love all of you beyond words. -Thank you. 873 01:16:14,825 --> 01:16:16,702 -Beyond words. -Starts with the songs. 874 01:16:16,785 --> 01:16:18,787 It's all about the songs. Right? 875 01:16:18,871 --> 01:16:20,622 And the inspiration for those songs 876 01:16:20,706 --> 01:16:23,500 comes from what I know you guys are gonna be playing. 877 01:16:23,584 --> 01:16:25,544 We're gonna have a lot of fun. 878 01:16:26,128 --> 01:16:29,089 Mr. Landau, you don't do such a bad job either. 879 01:16:29,756 --> 01:16:30,591 All right. 880 01:16:31,800 --> 01:16:34,094 Sitting here and listening, you know. It's tough work. 881 01:16:34,178 --> 01:16:35,762 -Let's do it. -Let's do it. 882 01:16:37,139 --> 01:16:37,973 Mm. 883 01:16:51,069 --> 01:16:52,070 Age. 884 01:16:53,947 --> 01:16:59,620 Age brings perspective in the fine clarity one gets at midnight 885 01:17:00,412 --> 01:17:05,292 on the tracks looking into the lights of an oncoming train. 886 01:17:07,294 --> 01:17:09,463 It dawns on you rather quickly... 887 01:17:10,672 --> 01:17:13,258 there's only so much time left. 888 01:17:15,052 --> 01:17:19,473 Only so many star-filled nights, snowfalls... 889 01:17:20,891 --> 01:17:26,063 brisk fall afternoons, rainy midsummer days. 890 01:17:27,022 --> 01:17:31,944 So how you conduct yourself and do your work matters. 891 01:17:33,111 --> 01:17:37,616 How you treat your friends, your family, your lover. 892 01:17:38,909 --> 01:17:42,538 On good days, a blessing falls over you. 893 01:17:43,205 --> 01:17:45,541 It wraps its arms around you, 894 01:17:45,624 --> 01:17:50,504 and you're free and deeply in and of this world. 895 01:17:51,213 --> 01:17:55,217 That's your reward: being here. 896 01:17:57,469 --> 01:18:00,305 That's what gets you up the next morning... 897 01:18:01,306 --> 01:18:04,434 a new chance to receive that benediction. 898 01:18:05,435 --> 01:18:11,650 While you're buttering your toast, getting dressed or driving home from work, 899 01:18:11,733 --> 01:18:14,361 you stumble into those moments 900 01:18:14,444 --> 01:18:19,700 when you can feel the hand of God gently rest upon your shoulder. 901 01:18:20,701 --> 01:18:24,329 And you realize how lucky you are. 902 01:18:24,913 --> 01:18:27,040 Lucky to be alive, 903 01:18:27,124 --> 01:18:33,505 lucky to be breathing in this world of beauty, horror and hope. 904 01:18:34,923 --> 01:18:39,636 Because this is what there is: a chance. 905 01:18:39,720 --> 01:18:44,892 A world where it's lucky to love, lucky to be loved. 906 01:18:45,893 --> 01:18:49,479 So you go until it fills you, 907 01:18:50,272 --> 01:18:54,359 until the sweat, blood and hard tears make sense. 908 01:18:54,985 --> 01:18:59,364 You go until the light from the fading distant stars 909 01:18:59,448 --> 01:19:01,366 fall at your feet. 910 01:19:02,951 --> 01:19:06,079 Go, and may God bless you. 911 01:20:11,854 --> 01:20:13,647 Zero's my number 912 01:20:15,274 --> 01:20:17,276 Time is my hunter 913 01:20:19,653 --> 01:20:24,867 I wanted you to heal me But instead you set me on fire 914 01:20:25,993 --> 01:20:28,078 We were out over the border 915 01:20:28,954 --> 01:20:31,164 I washed you in holy water 916 01:20:34,209 --> 01:20:38,839 We whispered our black prayers And rose up in flames 917 01:20:42,551 --> 01:20:45,762 Take me on your burnin' train 918 01:20:47,890 --> 01:20:50,058 White sun burnin' 919 01:20:51,727 --> 01:20:53,187 Black wings beatin' 920 01:20:55,355 --> 01:20:58,859 I ran my fingers 'cross The hollow of your stomach 921 01:20:58,942 --> 01:21:01,403 As you lay breathing 922 01:21:02,446 --> 01:21:04,448 With our shared faith 923 01:21:05,782 --> 01:21:08,535 Rising dark and decayed 924 01:21:10,746 --> 01:21:15,250 Take me and shake me From this mortal cage 925 01:21:18,962 --> 01:21:22,549 Take me on your burnin' train 926 01:21:25,636 --> 01:21:29,806 Something's shining In the light neath your breast 927 01:21:29,890 --> 01:21:34,228 The thick smell of you on my chest 928 01:22:11,765 --> 01:22:14,184 On your bed of thorns 929 01:22:14,768 --> 01:22:17,271 I brought you shining gifts 930 01:22:19,481 --> 01:22:25,320 Wiped the sweat from your brow And I touched your lips 931 01:22:26,446 --> 01:22:28,532 Sheets stained with sweat 932 01:22:29,032 --> 01:22:31,994 Outside the endless rain 933 01:22:34,496 --> 01:22:38,917 Darling, I'm blessed in your blood And marked by Cain 934 01:22:46,341 --> 01:22:50,262 Take me on your burnin' train 935 01:24:38,453 --> 01:24:39,621 Yeah. 936 01:24:41,707 --> 01:24:43,125 All right, this was-- 937 01:24:43,625 --> 01:24:46,712 this was the first song George and I wrote, I think, 938 01:24:46,795 --> 01:24:48,463 called "Baby I." 939 01:24:50,048 --> 01:24:53,886 Baby, I don't need your tender kiss 940 01:24:53,969 --> 01:24:57,639 Baby, I you'll never miss 941 01:24:57,723 --> 01:24:59,391 Baby, I 942 01:25:00,684 --> 01:25:01,685 Something. 943 01:25:16,617 --> 01:25:19,161 Baby, I 944 01:25:19,661 --> 01:25:21,288 'Cause I got someone new 945 01:25:23,165 --> 01:25:25,167 Somebody better than you 946 01:25:27,002 --> 01:25:29,171 Somebody who'll be true 947 01:25:30,756 --> 01:25:32,925 Somebody better than you 948 01:25:37,221 --> 01:25:39,223 I'll have to go home and practice that.