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(ominous music)
- Cheers.
- It's a beautiful day.
- It's cold is what it is.
- Yeah, well, welcome to Scotland.
You finish cleaning the car yet?
- Yeah.
Thanks for the help, by the way.
- There's no rush, man.
Fancy the lie in after last night.
- Glad you had fun.
- What, you saying you didn't?
- I don't know, mate.
It's losing the appeal.
- You just don't like going second.
(man laughing)
Is the car spotless?
- CSI wouldn't find a thing, mate.
- Cool.
I'm doing this thing in a bit then we can move on.
- Where we heading?
- Grab the map.
- Could you not use your phone?
- Tommy, if I could get a signal in my phone out here,
I'd be on the toilet having a wank right now.
- Fine.
(ominous music)
You sure you can read that thing?
- Aye, I'm no woman, Thomas.
People have forgotten self-sufficiency.
We're too reliant on phones.
What if it dies or it breaks
or you have to toss it so you can't be tracked?
What're you gonna do then?
- It's Scotland.
It's not that big, mate.
- The hills are over 16 thousand square miles, mate.
I've seen you get lost in the supermarket.
- So, Columbus, where are we?
- So,
we're here right now.
If we drive past this village, past the next couple of jobs,
park up here,
we'll double back in the moor,
hit a couple of big country houses, both remote,
nothing but a bunch of rich, old inbreds
too cheap to set up any decent security.
- How much you reckon we'll get?
- Yeah, we're going for cash only,
but I figure we're looking at a hundred K, easy.
See, some of these old boys are traditionalists
and they hate banks.
Always pissed of paper money to hand if you need it.
- Good, then that's it for Scotland.
- Yeah, we've walked our way across
and we don't wanna push our luck.
Park up at the new spot,
scout for a couple of weeks.
I'd say three or four weeks and we're done here.
- Good, good.
I could do with a holiday.
Get bit a sun.
- You've got sun, mate.
- Yeah but it's minus five.
- Soft southern shit.
- I just wanna get the feeling back in my dick, mate.
- Well,
we can hit a couple of the villages
near the new parking spot, look for some local tail
and that'll get it going again.
- No, I don't think that's a good idea.
- Why is that?
- Well look, the first couple of times they were fun, yeah?
But this one could really come back
to bite us on the ass, mate.
I mean, what if we get found out?
- And who's gonna find out?
- It's a unnecessary distraction.
- Tommy,
I've been traveling around with you alone in the car
for three months.
Either we get some fucking Scott,
I'm gonna start looking at you funny.
- Getting it is one thing but it's how we're doing it.
- You're growing a conscience there, big man.
- I could not give a shit, mate, but we have to be careful.
I mean, what if one of these women remembers something?
What then?
We've got heap of trouble.
- And what are they gonna remember, eh?
They ain't gonna know the name of their dog
after the shit we've pumped them full of.
- Gobshot you may be, Nate,
but a doctor of pharmacy you are not.
I just don't...
don't like it when it, when they're like that, you know?
- What's to like?
You stick it in and that's it.
- She wasn't even awake.
- Yeah, but most birds fall asleep
when you're shagging them anyway.
(Nate laughing)
Look, we're not a couple of saints here, man, all right?
The reason we've gotten away with it for so long
is because we're good at it.
- So where's that bird?
- I put her in the bath, she'd been spewing again.
- She best not die.
- She'll be fine.
We'll just double back, dump her in the village,
someone will pick her up, she won't remember a thing.
- You use a rubber?
- Aye, I'm not thick.
- You sure about that?
(ominous music)
- For fuck sake!
- Go on, get after her then, clever bollocks.
- I ain't got any trainers on, man.
Come on, go after her, go on!
- Prick!
(lively tempo music)
- Come on, my nan runs faster than that
and she's got a wooden leg.
Fuck me.
(eerie music)
(intense music)
(music intensifying)
(suspenseful music)
(Tommy huffing)
(suspenseful music)
(ominous music)
(Tommy groaning)
(kick thudding) (Tommy groaning)
(Tommy grunting)
(water sloshing)
(woman gasping)
(lively tempo music)
(stones crunching)
(water sloshing)
- Let's skinny dip.
- Are you crazy?
- Yeah, you better believe it.
- You go.
If you want hyperthermia, be my guest.
It's about 10 degrees right now.
The water is probably barely above freezing.
- Come on, live a little.
- That's my point, Andrea.
I'd like to live long enough
to finish this trekking holiday.
We've still got 80 miles left to do.
- "We've still got 80 miles left to do."
(Andrea chuckling)
- Let's cover another 10 miles today before we set up camp
and then we can wake up early tomorrow
and hit another village another 10 miles away.
- Who died and made you scout leader?
- I'm sorry but we have to be practical.
- Look, I planned the trip.
I invited you but I want you to let loose a bit.
I want you to go head first into the unknown.
You need it.
- I don't need it.
I need--
- Sex.
(water plopping)
Three bounces!
Boom!
(Andrea giggling)
- Andrea,
take a look.
I reckon we're here.
We go across to here, save four hours to make good time,
camp for the night and then wake up early
to make it time for lunch at this little village here.
Which is halfway between where we are now
and that old farmland you wanted to visit.
- That sounds like a plan.
- I'm sorry if I'm getting a bit bossy sometimes.
I just feel like you whisked me away for this
and I was reluctant, kind of stuff-offish.
I just want to be involved,
not just follow you blindly.
- Look, I get it, Jess.
Don't worry.
Just remember,
this is about having fun too.
I plan on letting go of all my inhibitions on this trip.
I'm gonna let loose.
(paper rustling)
- Fucking hell.
(Andrea laughing)
- Calm down, babe.
- This is why people have sat maps and mobile phones.
It's the 21st century. - See,
that's a bullshit attitude.
People just don't wanna get their hands dirty anymore,
engage their logic a bit.
- I can't believe I let you persuade me
into leaving my fucking phone behind.
- Because you can't properly escape
and like switch off otherwise.
Anyway, you'd spend half the time climbing hills
trying to get a signal.
Trust me, old school is the best way.
(wind howling)
If we get any problems, we can use this.
You know,
if we need a helicopter
to wench us out of a ravine or something.
- That's reassuring.
(Andrea chuckling)
- I guess we better get walking.
We got a lot of ground to cover.
(pleasant tempo music)
(exciting tempo music)
(wind howling)
- Amazing.
Thank you, Andrea.
- For what?
- For dragging me out of my rut and bringing me here.
I didn't get why you picked Scotland, of all places,
but now that I'm here,
it's pretty cool.
- Once we set up camp, we can toast.
- [Jess] Really?
- Hey, when in Rome.
- We're not in Rome.
- Hey, do you see this? (ominous music)
- What?
- There's a guy watching us.
- Oh, that's creepy. (eerie music)
He's even got binoculars by the looks of it.
Are you sure we should camp here tonight?
Maybe we should double back a half a mile or so.
- Hell no.
It's just some nosy asshole farmer or something.
(eerie music)
(Andrea laughing)
- Come on.
That's enough.
- Enjoy the view, buddy!
- Jesus, you're crazy.
(Andrea laughing)
(eerie music)
- He waved.
What a Dick.
- Having fun?
- What, I probably made his day.
- Real classy, Andrea.
- Hey, listen. if you've got it, flaunt it.
I'll get used stripping off before this trip is over.
- Okay, well now I'm disturbed.
Let's head to lower ground and set up the tent.
(unsettling music)
(birds chirping)
(gentle tempo music)
- That'll put hairs on your chest.
- That'll improve my love life.
- It might.
Men are into some weird shit.
(Jess laughing)
Suit yourself.
- I'm sorry I've been caught up in my own thoughts.
I've not even asked you if you're enjoying the trip so far.
- Of course I am.
- I just feel like I'm a stick in the mud.
Like I'm a third wheel.
- A third wheel, when there's two of us?
(Jess laughing)
- More scotch for me.
(Andrea laughing)
I just don't want you to feel like I'm a burden.
- Jess,
I asked you here for a reason, okay?
I want you here.
I wouldn't have come without you.
I wouldn't have taken no for an answer.
- I don't get it.
- What's to get?
- Well, we recently reconnected after high school,
but aside from partnering up in study hall,
we didn't really spend much time.
- Yeah but, look, you got me through.
Look, my ass barely scraped through those fucking exams
enough to get me into college.
I know high school clicks and politics
made things difficult before,
but now...
You see me in a coffee shop and you know what you did?
- What?
- You were just natural. (Jess chuckling)
And you were warm.
You make conversation and...
you didn't look down on me.
I saw people I considered closer friends
from high school at my job,
and their fancy suits, and...
they either look down on me
or worse...
with pity.
- Because, you know what?
People, people are shit.
- Well, I thought you were cool then.
And I still do.
(Jess chuckling)
- I'm glad.
Everyone has two faces, you know?
But I feel like you're some without a nasty one.
You see the good in people, pure of heart.
- Okay, you've had too much to drink.
- Oh, fuck off, I'm serious.
- Are you happy with our plan?
- You know me, I like to wing it.
So as long as we're not so rigid,
there's just that one farm I wanna see.
- The one you saw in the picture.
- It was years ago but it always stuck with me.
It's not the Hanging Gardens of Babylon
but it's like a mission
I have to complete.
- Should we go to bed?
A little long day ahead tomorrow.
- Sure.
(crickets chirping)
(ominous tempo music)
(somber tempo music)
Okay, it's just past 11AM.
There's gotta be a bar opening soon.
- I'd Google it if I had my phone.
- Dick head.
- Why do you wanna bar?
Let's find a local Walmart and grab some food.
- Walmart?
Where do you think we are, babe?
This is rural Scotland.
- You know what I mean, like a grocery store.
- I dunno about that.
There might be a small one
but there's gotta be a bar opening soon
and I want to drink and some local cuisine.
- Fine.
We're in, out and on our way.
- Sure.
Just a quick beer.
(ominous music)
(gentle music)
(man coughing)
- [Man] Oh Jesus.
- You want some food?
- No.
- What you after?
- Drinks.
- We don't do cocktails here, ladies.
- You do beer though, yes?
- Yes.
- Do you do food?
- Aye.
There's the menu.
- Beer is fine.
- I'll have half of something light.
- We'll have two pints of something local.
- Local?
I've got Irish,
I've got Australian
and I've got English.
- Just two pints of your cheapest.
- Cheapest.
English, typical.
- You find a seat and I'll bring them over.
- All right, chief.
- You want?
- Couple of pints.
Forget it.
(Nate sighing) Come on now, Tommy.
Let's take them for the charm offensive.
- Oh charm, is that what you're calling it now?
- Six pound.
- You're in, Tommy.
- Don't even think it.
- What?
- No.
- We ain't got the time.
- Make time.
- Look, we've got work to do.
That takes planning, mate.
We don't need a distraction, not even a welcome one.
- Mate, if anyone needs it, it's you.
Uptight or what?
Fucking hell.
They're fit, aren't they?
All right, so let's lay on the charm.
If that doesn't work, we'll speed things along.
You in?
Good.
- All right.
- Relax, Jess.
- Andrea.
- [Nate] Hey,
mind, if we join you?
- Looks like you already have.
- Oh, you're American.
- Good spot.
I'm Andrea and this is Jessica.
- Awesome.
- So I take it you boys are local.
- Nah, well, yeah, I'm from Scotland but from Glasgow.
Thomas is from London.
- Yeah, well just south of London, actually.
- So, you American too?
- Yeah.
- So are you guys just passing through?
- Aye.
- That means, "yes".
- Yeah, I got that.
- So what about you two?
- We are trekking across the Highlands.
- [Nate] Really?
- Yeah.
- Wow, that's brave.
They're bigger than people think.
- 16 thousand square miles, apparently.
- Is it just the two of you?
- Yep.
Just us.
- Nice.
So, you got time to stick around for a bit?
- No.
Sorry.
We need to make time up.
- No, we can stay a bit.
- Me and Tommy travel a lot for work.
Last few weeks we've been across north of the Highland,
so it's nice to run into a couple of human beings
that aren't half dead.
(Andrea giggling)
- Yeah, we are the same so far.
- If you don't mind me saying,
you are both absolutely stunning.
- I don't mind at all.
- Andrea,
can I have a word quickly?
- Just a second.
(ominous music)
Okay, what's the problem?
- These guys are a pair of assholes.
- We've just met them.
- Yeah, well I know the type.
- The type?
- The type that invite themselves to sit down at your table.
- Come on, man.
She's gonna leave.
- Oh, come on, just have some fun.
- I wanna get walking again.
Please.
Let's go.
- Look, you know which way we're heading, right?
- Yeah.
- So, either stay with me
and scam a few free drinks off these two morons
or go ahead and wait but I'm staying.
- Andrea. - I'm staying.
(eerie music)
(ominous tempo music)
- All right.
Tommy.
It's fine.
- Fine.
- You're staying? - No.
I'll meet you at Harrison's Viewpoint
and then we'll head to the bothy.
(Andrea sighing)
- So, handsome,
where were we?
- Where's your friend?
- Oh, forget her, she's in a rush to get back
out on the fields, I guess.
- Yeah,
I'm heading up the road.
Need to get some oil for the car.
Be back in five minutes.
- So she won't be coming back?
- Probably not.
- You may as well have drink too then.
- Yeah.
(Andrea giggling)
- Lucky us, eh?
(Andrea giggling)
- So, where you staying? (ominous tempo music)
- We've got a little cottage about six miles out.
Why?
- Just curious.
- Just curious?
(eerie music)
You'll see.
- Oh, will I?
(Nate chuckling)
- Oh yeah.
(Nate chuckling)
(ominous beat music)
(foreboding music)
(ominous music)
(eerie music)
- [Tommy] Where's that bird?
- [Nate] I put her in the bath, she'd been spewing again.
- [Tommy] She best not die.
- [Nate] She'll be fine.
- [Tommy] Go on, get after her then, clever bollocks.
- [Nate] I ain't got any trainers on, man.
Come on, go after her, go on!
(Andrea laughing)
- No way.
- I swear.
(phone buzzing)
- You all right?
- Yeah.
What the fuck is that?
- It's a radio,
in case we get caught in a ravine.
- A ravine?
- Yeah.
I need to get wenched out.
(Nate laughing)
- You do realize that "wenching"
means something else in these parts.
- Really?
- Yeah.
- Go on then, do tell.
- Well, it means...
a snog.
- Really?
- No bullshit.
- Well,
if I need a wench, I'll know who to radio.
(Nate laughing)
Hey, come on, you gotta keep pace.
I'm just gonna go powder my nose.
Oh.
- Whoa.
Take it easy, babe.
- How about you take it easy, babe?
(Nate chuckling)
- Okay.
I'll keep pace with you.
(somber music)
- What do you want?
You're following me, why?
- It seems to me like your friend and my friend
are getting on pretty well together, so I figured--
- Figured what?
That we'd double date?
- Look, if you don't want to chat, that's fine.
I just think you should stay.
- I'm going.
- You don't fancy your little company, do you?
(Jess laughing)
- If you see any good company around you,
be sure to let me know.
- You're not as much fun as your mate.
(ominous tempo music)
(bird squawking)
- Stop it.
(foreboding music)
- Just tell me where you want to go
and I'll drive you there, it's no trouble.
- No.
- Look,
just come with me to the car,
save yourself the walk.
- Leave me alone.
- You okay, miss?
- Yeah.
Just passing through.
I'm okay.
- What's up with your friend?
- I don't know him.
- Watch yourself around here.
This isn't a tourist village.
- Like I said, I'm just passing through.
- A lot of people just passing through lately.
- He's not local?
- I've seen him and his friend
around the village the last few days but they're not local.
Look like got the idiots.
Where you heading?
- East, past here.
- The old Norris Farm Estate?
- [Jess] Yeah.
- There's not much to see up there.
Not far, some nice lakes.
Quicker to go to through the valley.
Watch though, it's quite marshy.
Keep on the outside of it, through the old rail yard,
that should bring you back down
to the old Norris Farm Estate.
- Thanks.
- See you later.
(bird squawking)
(foreboding music)
- [Jess] I'll meet you at Harrison's Viewpoint
and then we'll head to the bothy.
(ambient music)
(ominous tempo music)
(gentle music)
- Hey.
- What?
- Have you seen my friend?
- Your friend?
How the hell would I know where she is?
- I left her here four hours ago.
She was with two guys.
- Ah, left a couple of hours ago.
- [Jess] Together?
- How would I know?
I was in back, came in and they were gone.
- Well, did you catch what they were planning?
- Planning?
What, am I the fucking Stasi?
- Do you have cameras here?
- I ain't got no cameras, miss, sorry.
- Well, what can I do, I'm worried.
Can I use your phone?
- What?
What do you want my phone for?
- To call the cops.
- After three hours?
Listen, flower,
you're beginning to get on my nerves now.
Are you gonna order a drink or not?
- What about the cops?
- The police?
The police are a waste of time.
They come up from the nearest big town.
It's over 50 mile away and that will not be till tomorrow.
See that guy over there?
John Beck.
He's a cop.
- He's a cop?
- Aye, go bug him.
- You.
- Sorry to disturb you.
- What do you want?
- My friend's gone.
- Aye, and I can help you how?
- 'Cause you're a cop.
(Beck chuckling)
- Who told you that?
- The bar man.
- I'm not.
- Well, why did he tell me that you were?
- I was a cop.
I left the force 10 years ago.
- I'm worried.
I don't know what to do.
- You're meeting her, right?
- Yeah.
Harrison's Viewpoint.
- Well, you're not gonna get there before dark.
- [Jess] I'm worried about those guys.
- The guys?
- There was something funny about them.
- I saw them leaving when I got here.
- Was Andrea with them?
- I didn't see her.
She must have left.
Wouldn't surprise me if you passed her on the way.
Look, she'll get to the viewpoint,
find that you're not there and double back
when she can't find you.
Be dark in a couple of hours.
Where were you staying tonight?
Had you planned?
- Yeah.
In between here and the farm.
Either in a tent or a bothy.
- Have you got a map?
- Yeah.
- We'll get it out.
(ominous music)
Right.
So there's the bothy here
and it's at the midpoint between here
and where you're going.
All right, off you go.
Don't wanna still be walking around up there
when darkness falls.
(ominous music)
- What if she's not there?
- Well then it's best to look again in the morning.
Chances are she'll get to where you're going.
- I don't suppose you could give me a lift.
- I'm meeting someone here in half an hour.
I haven't got the time.
Sorry.
- Fine.
Thank you.
- I hope you find her.
- Thanks.
(ominous music)
(somber music)
(wind howling)
(Jess sobbing)
- Andrea!
- [Andrea] Hey, what's the problem?
- [Jess] These guys are a pair of assholes.
- [Andrea] We've just met them.
- [Jess] Yeah, well I know the type.
- [Andrea] The type?
- [Jess] The type that invite themselves
to sit down at your table.
- [Andrea] Come on, just have some fun.
- [Jess] I wanna get walking again.
Please.
Let's go.
- [Andrea] Look, you know which way we're heading, right?
- [Jess] Yeah?
- [Andrea] So, either stay with me
and scam a few free drinks off these two morons
or go ahead and wait but I'm staying.
- Andrea. - I'm staying!
(eerie music)
You staying? - No.
- [Jess] I'll meet you at Harrison's Viewpoint
and then we'll head to the bothy.
(intense music)
- Where are you?
(gentle music)
(match sizzling)
(candle crackling)
(ominous music)
(crickets chirping)
(engine revving)
(eerie music)
(Andrea huffing)
(unsettling music)
- [Nate] Oh, you're American.
- [Andrea] Good spot.
I'm Andrea and this is Jessica.
- [Nate] So, you're American too?
- [Andrea] We are trekking across the Highlands.
- [Nate] So, you got time to stick around for a bit?
- [Jess] Sorry.
We need to make time up.
- [Andrea] No, we can stay a bit.
- Don't hurt me!
- [Jess] Andrea.
- Don't worry,
it won't hurt you. - Can I have a word quickly?
- Okay, what's the problem? - What're you doing?
Help! - These guys
are a pair of assholes.
- Let me go, please! - I know the type.
- Please! - The type?
- [Jess] The type that invite themselves
to sit down at your table.
- Let me go first.
- [Andrea] Oh, come on, just have some fun.
- [Jess] I wanna get walking again.
(Nate groaning)
(unsettling music)
(Tommy groaning)
(blood squelching) (music intensifying)
- [Andrea] So, either stay with me
and scam a few free drinks off these two morons
or go ahead and wait but I'm staying.
- Andrea. - I'm staying.
- [Andrea] You're staying?
- [Jess] No.
I'll meet you at Harrison's Viewpoint
and then we'll head to the bothy.
- [Nate] Where's your friend?
- [Andrea] Oh, forget her,
she's in a rush to get back out on the fields, I guess.
(Andrea laughing)
No way.
- [Nate] I swear.
(eerie music)
- Why did you leave me?
You fucking bitch.
- I'm sorry I left you.
(unsettling music)
(Jess gasping)
- [Jess] I'm sorry I left you.
(foreboding music)
(distant crows squawking)
(ominous music)
(unsettling music)
- Hi Tommy, mate, it's Nate.
I blew a fucking tire a couple of miles up the road
so I'm running a little bit late.
What I'm gonna do is I'm gonna head to the nearest garage
and see if I can get it swapped out for another one.
And then I may as well just go to the next target
while I'm here.
So I need you to make sure
that the girl's dosed up, all right?
And yeah, text me back to confirm once you've done it,
okay, as soon as possible.
All right, we need to move on tonight, man,
so we'll clear up the cottage, we'll dump her and that's it.
All right, see you a bit, mate.
(ominous music)
(engine rumbling)
(eerie music)
(ominous music)
(water trickling)
(sinister music)
(clock ticking)
(utensil clinking)
(Tommy gagging)
(suspenseful music)
(Tommy groaning)
(Jess gasping)
(music intensifying)
(ominous music)
(suspenseful music) (Tommy groaning)
(Tommy gagging)
- What's going on?
Who did this?
- I'm sorry.
- [Jess] Who did this?
- Sorry.
(unsettling music)
(Jess crying)
(ominous music)
- Oh, fucking hell.
Oh, fucking hell, Tommy.
(lively tempo music)
(gun cranking)
(Jess gasping)
Surely not.
(ominous music)
(door banging)
(eerie music)
(Jess gasping)
(music intensifying)
(door thudding)
(Nate groaning)
(eerie music)
- You don't know what you're doing.
- Step back.
(Nate chuckling)
- Do you know how to use that thing?
(gunshot booming)
You fucking, stupid bitch.
What the hell did you do?
- Me?
- No way, that's not possible.
- Where is she?
- Who?
- Where the hell is Andrea?
What did you do to her?
- You tell me.
- Stop playing around.
- I'm not playing around.
What happened to the bag that was under the bed?
- Stop!
Enough!
- Where's Andrea, did she take it?
- What?
- The fucking money!
- I don't know about your fucking money, I just got here!
- You just got here?
- Yeah.
- Yeah, bullshit.
So you didn't kill Tommy, that's not his blood all over you.
- He was already half dead when I arrived.
There was nothing I could do.
- Andrea did it.
- No.
She wouldn't.
- Oh yeah, says who?
I don't think you know your friend
as well as you think you do.
- Don't.
I'm warning you.
- She was here when I left, all right?
And now she's gone and there's two dead bodies
and a missing bag full of our money,
so you do the math here, Jessica.
- What did you do to her?
- It's none of your business, we were two consenting adults.
- And what about her?
Looks like you knew her as well.
- Yeah, I've seen her before but I didn't kill her.
Neither did Tommy.
What I'm trying to work out
is how she ended up in that wardrobe
when I last saw her 50 miles from here.
- Bullshit, you killed her!
- How do you even know she's dead?
Check her pulse, did you?
- Don't move.
(ominous music)
- Of course she's dead.
Use your nose, you daft bitch.
Andrea mentioned something about some farm.
What farm?
- Fuck you.
(punch thudding)
- I just want my money.
She still breathing, she's still got my money.
- You don't know.
- Did you two know anyone else around here?
Only explanation is there's no Andrea and no money.
Now she may have seen me or Tommy near the bag
and knew where it was.
She's gone, it's gone.
She may have made a run for you.
- I'm not telling you.
- So you got a choice now, Jessica,
you can tell me where you and Andrea were both headed
and when we find her, I'll let you both go.
I might break her fucking nose first
but I'll let you both go or...
- East.
Past an old rail yard.
- All right, get in the car, we're going.
Listen, I can't keep pointing this gun at you, Jess,
but I'd like a little assurance you're not gonna piss around
and try something stupid.
- I'm not.
I just wanna find Andrea.
- Good.
'Cause if we can be civil about this,
it makes it easier for both of us.
I'll get my money and I'll get out of your way.
- Fine.
- So where are we headed?
- The rail yard is here and the farmland is here.
- What, and this farm is vacant, is it?
- That's what Andrea said.
- You got any binoculars?
- Yeah.
(ominous music)
- Either you're looking at my gun or my dick.
Either way, I'm not in the mood
for you to make a grab for it.
- You're a pig.
- That's what they tell me.
Hey,
where are you going?
- We're playing the trust game, remember.
I'm gonna get my binoculars.
- It's truce, not trust.
Just remember that.
(ominous music)
- What did you and Tommy do?
To Andrea.
To the other girl.
- Listen, I'm guessing you've already come
to the conclusion I'm a no good piece of shit, right?
- Pretty much, yeah.
- Yeah, good, so let's just leave it that, yeah?
So what's your story then?
- Me?
- Yeah.
Of all places, why did you guys come here?
- It was Andrea's idea.
- Christ, I'll be honest,
from my brief exchanges with both of you,
you seem like the smart one.
- Don't talk about my friend like that.
- So why did you go along with it then?
- We reconnected recently.
I've been wanting to travel around.
I shouldn't have left her.
- No, you shouldn't.
'Cause I'll be honest, two girls would've been difficult.
Tommy knew to try to talk me out of it.
And your winning personality
would probably have killed the mood.
- Fuck you.
What do you gain from this?
From any of it.
- Listen, I'm not gonna say anything that you'll understand.
I'm not gonna justify why we're here and what we're doing.
- What about your friend?
He's dead.
You don't seem cut up about it.
How do I know you won't be looking to get back at Andrea?
- 'Cause if I was gonna kill you, I'd just fucking say it.
I'm not gonna waste my I'm sweet-talking you
into a false sense of security.
Do I blame her for taking an opportune moment
to stick a blade in Tommy?
Nah.
We're all humans, we'd all do the same, so would you.
But if and when we find Andrea,
you best talk some sense into her, I just want the money.
I've already got one fucking dead body to dispose of
and that still would need an explanation.
Yeah.
(ominous music)
(lively tempo music)
(foreboding music)
- Why are we stopping here?
Why not go straight into the farm?
- Because what if she hears a car approach and runs?
Maybe she's not alone.
Listen, I ain't going anywhere near that farm
until we do a proper scout of the area.
I know what we're going in to.
All right, come on, it's just up beyond those woods.
(ominous music)
Binoculars.
- "Please" would it be nice.
- I don't see any signs of life.
Oh, wait, there's a guy.
(eerie music)
- Are you sure it's not Andrea?
- Well, unless she's put one 50 pounds
and grown a fucking beard, I wouldn't have thought so.
I can't really see what he looks like right now.
(ominous music)
- Get back.
- What is it?
- I thought he was looking.
He's gone back inside.
So what do we do?
- We need to draw him out.
- [Jess] How?
- I've got an idea, all right?
You stay here and stay hiding.
When he comes out,
go up to the house and trying to find Andrea.
- What if he doesn't come out?
- He will.
- It's too dangerous.
- Just do it.
All right, go in the house, try and find Andrea
and get my money and then double back to the rail yard.
I'll take care of this guy.
- Okay.
- And don't do a runner with my money.
- I won't.
- All right, stay hidden.
(ominous tempo music)
(car horn blowing)
(foreboding music)
(eerie music)
(car horn blowing)
(ominous tempo music)
(eerie music)
(ominous music)
- I don't know who you are
but you best turn around and go back where you came from.
I know you're here.
I can see your car.
(foreboding music)
(gentle music)
(door creaking)
(wood creaking)
I know who you are.
I've seen you two around town.
Is it the pair of you?
Or just the one?
- Fuck.
Put it down.
(Beck chuckling)
(ominous music)
(eerie music)
- I don't suppose you know anything
about a missing girl, do you?
Andrea?
- No idea.
You tell me.
You best take it easy there, pal.
I haven't got a clue what you're talking about.
- Well, it's about a coincidence.
You're hold up in a farmhouse these two girls are headed to.
- You're not interested in the girls.
I bumped into your mate, you barely even know them.
- Tommy.
It was you at the cottage.
- I met him in the road, following that poor lass.
- Turn around.
We're gonna take a little of walk back to the farm.
- You're making a mistake.
(ominous music)
(eerie music)
(Jess gasping)
- Andrea.
Andrea.
Andrea, wake up.
Oh, thank God.
Come on.
- Jess,
how'd you find me?
- Where at the farm, Andrea.
- Where's John?
- John?
He's at the rail yard.
Why?
- He rescued me from,
from those two.
- The guys at the bar.
- Yeah.
- Look, we need to go.
- Why, what's wrong?
- There's something not right about this guy.
Okay?
I just need to find something first, okay?
Come on.
(ominous music)
(door creaking)
Here.
Andrea,
did you take a bag from the cottage?
- No.
- Well, have you seen one?
- I don't remember.
I was drowsy.
- Don't worry, okay?
We're going soon.
(eerie music)
(ominous music)
Oh God.
- What are you looking for?
(sinister music)
(Jess groaning)
(unsettling music)
- How, how the hell?
- [Jess] Are you crazy?
- [Andrea] Yeah, you better believe it.
- [Jess] I can't believe I let you persuade me
into leaving my fucking phone behind.
I didn't get why you picked Scotland of all places,
but now that I'm here...
(eerie music)
- [Andrea] Everyone has two faces.
(Jess gasping) (blood squelching)
(suspenseful tempo music)
(Jess clattering)
- I don't know what you're hoping to find, mate.
All this nonsense and you're just gonna end up dead.
- I want to find my bag.
The one you took...
after you killed Tommy.
- Who?
(punch thudding)
(Beck groaning)
You do that against, son, I'll fucking kill you.
(Beck growling)
(Nate groaning)
(suspenseful music)
(Beck laughing)
(Nate coughing)
(Beck groaning)
- [Nate] Fuck.
(Nate groaning)
(Beck laughing)
(Nate yelling)
(ominous music)
(suspenseful music)
(metal clanking)
(punches thudding)
(Nate groaning)
(music intensifying)
(gunshots banging)
(eerie music)
(sinister music)
(Nate gagging)
(blood squelching)
(Nate gurgling)
(metal scraping)
(sinister music)
- What happened?
- He's dead.
- We had a visitor.
- What did you do?
(Beck sighing)
- I couldn't help it.
She found our letters.
- She was mine.
You were supposed to bring her to me.
- But it was-- - But nothing!
- John,
please...
calm down.
- Did you really think that I wanted you?
- You said you loved me. (eerie music)
- You were so proud of yourself
about the way you played Jessica.
You didn't realize I was playing you.
I didn't have to do any work.
I get two little girls come straight to my fucking door.
(suspenseful music)
(Beck laughing)
(Beck groaning)
(suspenseful music)
(ominous music)
(music intensifying)
(eerie music)
- Andrea.
(unsettling music)
(Andrea gasping)
(music intensifying)
(sinister music)
(Beck laughing)
(sinister music)
(intense rock beat music)
- Get back!
Get back!
- Ha!
(Beck groaning)
(ominous music)
(Beck yelling)
(Beck laughing)
(unsettling music)
(metal clanking) (blood squelching)
(unsettling music)
(crowbar clattering)
(Andrea gasping)
(eerie music)
(Andrea laughing)
(rocks crunching)
(birds chirping)
(foreboding music)
(ominous music)
- Jess.
Wait.
I can explain.
(blood splattering)
(eerie music)
(Jess gasping)
(ominous music)
(dramatic music)
(Jess gasping)
(gentle music)
(engine puttering)
(somber music)
(engine puttering)
(horn blowing)
(engine puttering)