1 00:00:05,059 --> 00:00:05,080 . 2 00:00:05,259 --> 00:00:08,279 ♪♪♪ 3 00:00:08,279 --> 00:00:12,189 Announcer: Ladies and gentlemen, 4 00:00:08,279 --> 00:00:12,189 Tony winner for Best Musical, 5 00:00:12,189 --> 00:00:15,080 "Jersey Boys." 6 00:00:15,080 --> 00:00:18,179 ♪ Who loves you, pretty baby ♪ 7 00:00:18,179 --> 00:00:21,289 ♪ Who's gonna help you 8 00:00:18,179 --> 00:00:21,289 through the night? ♪ 9 00:00:21,289 --> 00:00:25,109 ♪ Who loves you, pretty mama ♪ 10 00:00:25,109 --> 00:00:28,179 ♪ Who's always there 11 00:00:25,109 --> 00:00:28,179 to make it right? ♪ 12 00:00:28,179 --> 00:00:32,030 ♪ Who loves you, pretty baby ♪ 13 00:00:32,030 --> 00:00:35,130 ♪ Who's gonna help you 14 00:00:32,030 --> 00:00:35,130 through the night? ♪ 15 00:00:35,130 --> 00:00:38,270 ♪ Who loves you, pretty mama ♪ 16 00:00:38,270 --> 00:00:42,060 ♪ Who's always there 17 00:00:38,270 --> 00:00:42,060 to make it right? ♪ 18 00:00:42,060 --> 00:00:43,289 ♪ Who loves you ♪ 19 00:00:43,289 --> 00:00:47,109 ♪ Who loves you, pretty baby? ♪ 20 00:00:47,109 --> 00:00:49,000 ♪ Who's gonna love you, mama? ♪ 21 00:00:49,000 --> 00:00:50,240 ♪ Who loves you ♪ 22 00:00:50,240 --> 00:00:53,090 ♪ Who loves you, pretty baby? ♪ 23 00:00:53,090 --> 00:00:57,090 ♪♪♪ 24 00:00:57,090 --> 00:01:04,040 ♪ When tears are in your eyes, 25 00:00:57,090 --> 00:01:04,040 and you can't find the way ♪ 26 00:01:04,040 --> 00:01:10,189 ♪ It's hard to make believe 27 00:01:04,040 --> 00:01:10,189 you're happy when you're gray ♪ 28 00:01:10,189 --> 00:01:13,109 ♪ Baby, when you're 29 00:01:10,189 --> 00:01:13,109 feelin' like ♪ 30 00:01:13,109 --> 00:01:17,280 ♪ You'll never see 31 00:01:13,109 --> 00:01:17,280 the morning light ♪ 32 00:01:17,280 --> 00:01:20,219 ♪ Come to me ♪ 33 00:01:20,219 --> 00:01:22,260 ♪ Baby, you'll see ♪ 34 00:01:22,260 --> 00:01:26,039 ♪ Who loves you, pretty baby ♪ 35 00:01:26,039 --> 00:01:29,150 ♪ Who's gonna help you 36 00:01:26,039 --> 00:01:29,150 through the night? ♪ 37 00:01:29,150 --> 00:01:32,280 ♪ Who loves you, pretty mama ♪ 38 00:01:32,280 --> 00:01:36,099 ♪ Who's always there 39 00:01:32,280 --> 00:01:36,099 to make it ♪ 40 00:01:36,099 --> 00:01:37,289 ♪ Who loves you ♪ 41 00:01:37,289 --> 00:01:39,229 ♪ Who loves you, pretty baby? ♪ 42 00:01:39,229 --> 00:01:41,159 ♪ Who's gonna 43 00:01:39,229 --> 00:01:41,159 love you, love you ♪ 44 00:01:41,159 --> 00:01:43,069 ♪ Who's gonna love you, mama? ♪ 45 00:01:43,069 --> 00:01:44,229 ♪ Who loves you ♪ 46 00:01:44,229 --> 00:01:46,150 ♪ Who loves you, pretty baby? ♪ 47 00:01:46,150 --> 00:01:47,289 ♪ Who's gonna 48 00:01:46,150 --> 00:01:47,289 love you, love you ♪ 49 00:01:47,289 --> 00:01:49,189 [ All vocalizing ] 50 00:01:49,189 --> 00:01:55,289 ♪♪♪ 51 00:01:55,289 --> 00:02:02,090 ♪♪♪ 52 00:02:02,090 --> 00:02:05,099 ♪ Oh, what a night ♪ 53 00:02:05,099 --> 00:02:09,199 ♪ Late December 54 00:02:05,099 --> 00:02:09,199 back in '63 ♪ 55 00:02:09,199 --> 00:02:13,259 ♪ What a very special 56 00:02:09,199 --> 00:02:13,259 time for me ♪ 57 00:02:13,259 --> 00:02:17,020 ♪ 'Cause I remember 58 00:02:13,259 --> 00:02:17,020 what a night ♪ 59 00:02:17,020 --> 00:02:19,210 ♪♪♪ 60 00:02:19,210 --> 00:02:22,129 ♪ Oh, what a night ♪ 61 00:02:22,129 --> 00:02:26,219 ♪ You know, I didn't even 62 00:02:22,129 --> 00:02:26,219 know her name ♪ 63 00:02:26,219 --> 00:02:31,090 ♪ But I was never gonna 64 00:02:26,219 --> 00:02:31,090 be the same ♪ 65 00:02:31,090 --> 00:02:34,280 ♪ What a lady, 66 00:02:31,090 --> 00:02:34,280 what a night ♪ 67 00:02:34,280 --> 00:02:37,069 ♪♪♪ 68 00:02:37,069 --> 00:02:39,229 ♪ Oh, I ♪ 69 00:02:39,229 --> 00:02:45,180 ♪ I got a funny feeling 70 00:02:39,229 --> 00:02:45,180 when she walked in the room 71 00:02:45,180 --> 00:02:48,159 ♪ Yeah, and I ♪ 72 00:02:48,159 --> 00:02:54,090 ♪ As I recall, 73 00:02:48,159 --> 00:02:54,090 it ended much too soon ♪ 74 00:02:54,090 --> 00:02:57,079 ♪ Oh, what a night ♪ 75 00:02:57,079 --> 00:03:01,139 ♪ Why'd it take so long 76 00:02:57,079 --> 00:03:01,139 to see the light? ♪ 77 00:03:01,139 --> 00:03:05,210 ♪ Seemed so wrong, 78 00:03:01,139 --> 00:03:05,210 but now it seems so right ♪ 79 00:03:05,210 --> 00:03:08,080 ♪ Sweet surrender, 80 00:03:05,210 --> 00:03:08,080 what a night ♪ 81 00:03:08,080 --> 00:03:12,180 ♪ I felt a rush 82 00:03:08,080 --> 00:03:12,180 like a rolling bolt of thunder ♪ 83 00:03:12,180 --> 00:03:15,280 ♪ Spinnin' my head around 84 00:03:12,180 --> 00:03:15,280 and taking my body under ♪ 85 00:03:15,280 --> 00:03:17,060 ♪ What a night ♪ 86 00:03:17,060 --> 00:03:20,079 ♪ Do, do, do, do, do, 87 00:03:17,060 --> 00:03:20,079 do, do, do, do, do, do ♪ 88 00:03:20,079 --> 00:03:21,159 ♪ Oh, what a night ♪ 89 00:03:21,159 --> 00:03:24,159 ♪ Do, do, do, do, do, 90 00:03:21,159 --> 00:03:24,159 do, do, do, do, do, do ♪ 91 00:03:24,159 --> 00:03:25,240 ♪ Oh, what a night ♪ 92 00:03:25,240 --> 00:03:28,210 ♪ Do, do, do, do, do, 93 00:03:25,240 --> 00:03:28,210 do, do, do, do, do, do ♪ 94 00:03:28,210 --> 00:03:29,289 ♪ Oh, what a night ♪ 95 00:03:29,289 --> 00:03:33,039 ♪ Do, do, do, do, do, 96 00:03:29,289 --> 00:03:33,039 do, do, do, do, do, do ♪ 97 00:03:33,039 --> 00:03:35,110 ♪ Oh, what a night ♪ 98 00:03:35,110 --> 00:03:37,159 ♪♪♪ 99 00:03:37,159 --> 00:03:38,170 Announcer: From the heart 100 00:03:38,170 --> 00:03:40,210 of New York City's 101 00:03:38,170 --> 00:03:40,210 Theater District, 102 00:03:40,210 --> 00:03:45,139 it's "One Night Only: 103 00:03:40,210 --> 00:03:45,139 The Best of Broadway," 104 00:03:45,139 --> 00:03:47,210 with the casts 105 00:03:45,139 --> 00:03:47,210 of "A Chorus Line," 106 00:03:47,210 --> 00:03:51,099 "Ain't Too Proud: The Life 107 00:03:47,210 --> 00:03:51,099 and Times of The Temptations," 108 00:03:51,099 --> 00:03:54,060 "Chicago," 109 00:03:51,099 --> 00:03:54,060 "Diana: A New Musical," 110 00:03:54,060 --> 00:03:56,110 "Harry Potter 111 00:03:54,060 --> 00:03:56,110 and the Cursed Child," 112 00:03:56,110 --> 00:03:58,259 "Jagged Little Pill," 113 00:03:56,110 --> 00:03:58,259 "Jersey Boys," 114 00:03:58,259 --> 00:04:02,280 "Mean Girls," 115 00:03:58,259 --> 00:04:02,280 and a classic from "Rent." 116 00:04:02,280 --> 00:04:07,120 Performances by international 117 00:04:02,280 --> 00:04:07,120 superstar Antonio Banderas, 118 00:04:07,120 --> 00:04:09,020 pop great Kelly Clarkson, 119 00:04:09,020 --> 00:04:11,110 country recording artist 120 00:04:09,020 --> 00:04:11,110 Brett Eldredge, 121 00:04:11,110 --> 00:04:13,229 R&B icon Patti LaBelle, 122 00:04:13,229 --> 00:04:17,170 and the legendary 123 00:04:13,229 --> 00:04:17,170 Barbra Streisand. 124 00:04:17,170 --> 00:04:19,269 Appearances 125 00:04:17,170 --> 00:04:19,269 by Annaleigh Ashford, 126 00:04:19,269 --> 00:04:23,009 Lance Bass, Kristen Bell, 127 00:04:19,269 --> 00:04:23,009 Jesse Tyler Ferguson, 128 00:04:23,009 --> 00:04:26,269 Sutton Foster, Peter Gallagher, 129 00:04:23,009 --> 00:04:26,269 Josh Groban, Jake Gyllenhaal, 130 00:04:26,269 --> 00:04:29,079 Sean Hayes, Ron Cephas Jones, 131 00:04:29,079 --> 00:04:30,259 Nathan Lane, Brittney Mack, 132 00:04:30,259 --> 00:04:32,000 Camryn Manheim, 133 00:04:32,000 --> 00:04:34,000 Alanis Morissette, Rob McClure, 134 00:04:34,000 --> 00:04:36,050 Leslie Odom Jr, Jerry O'Connell, 135 00:04:36,050 --> 00:04:37,100 Mary-Louise Parker, 136 00:04:37,100 --> 00:04:39,009 Billy Porter, John Stamos, 137 00:04:39,009 --> 00:04:40,240 Aaron Tveit, Blair Underwood, 138 00:04:40,240 --> 00:04:42,100 Susan Kelechi Watson, 139 00:04:42,100 --> 00:04:45,050 and Vanessa Williams. 140 00:04:45,050 --> 00:04:49,170 And now our host Tina Fey. 141 00:04:49,170 --> 00:04:52,040 Tonight is a one-night-only 142 00:04:49,170 --> 00:04:52,040 salute to an art form 143 00:04:52,040 --> 00:04:54,060 that has been a driving force 144 00:04:52,040 --> 00:04:54,060 in American life 145 00:04:54,060 --> 00:04:56,259 for over a century -- 146 00:04:54,060 --> 00:04:56,259 the Broadway show. 147 00:04:56,259 --> 00:05:00,029 Over 14 million people came here 148 00:04:56,259 --> 00:05:00,029 to see live performances 149 00:05:00,029 --> 00:05:02,240 in the Theater District 150 00:05:00,029 --> 00:05:02,240 during the last Broadway season. 151 00:05:02,240 --> 00:05:05,019 But as we all know, 152 00:05:02,240 --> 00:05:05,019 for health and safety reasons, 153 00:05:05,019 --> 00:05:06,149 last March 12th, 154 00:05:06,149 --> 00:05:09,060 the doors of these 155 00:05:06,149 --> 00:05:09,060 lovely theaters were shuttered. 156 00:05:09,060 --> 00:05:11,189 The impact on Broadway 157 00:05:09,060 --> 00:05:11,189 has been devastating -- 158 00:05:11,189 --> 00:05:13,170 thousands of theater jobs lost, 159 00:05:13,170 --> 00:05:15,019 and each week 160 00:05:13,170 --> 00:05:15,019 Broadway is closed, 161 00:05:15,019 --> 00:05:18,220 it loses tens of millions 162 00:05:15,019 --> 00:05:18,220 in ticket sales. 163 00:05:18,220 --> 00:05:22,009 But one day soon, Broadway will 164 00:05:18,220 --> 00:05:22,009 be back and better than ever. 165 00:05:22,009 --> 00:05:24,129 But until that time, 166 00:05:22,009 --> 00:05:24,129 theater professionals 167 00:05:24,129 --> 00:05:27,050 are turning to Broadway Cares 168 00:05:24,129 --> 00:05:27,050 to stay afloat. 169 00:05:27,050 --> 00:05:29,060 Throughout the night, we'll be 170 00:05:27,050 --> 00:05:29,060 sharing more of their work 171 00:05:29,060 --> 00:05:33,009 and how you can join in 172 00:05:29,060 --> 00:05:33,009 and support this great cause. 173 00:05:33,009 --> 00:05:36,189 Thank you, Tina. And by the way, 174 00:05:33,009 --> 00:05:36,189 I loved you in "The Crown." 175 00:05:36,189 --> 00:05:40,180 As you may or may not know, 176 00:05:36,189 --> 00:05:40,180 I made my Broadway debut in 1982 177 00:05:40,180 --> 00:05:42,149 at the Circle 178 00:05:40,180 --> 00:05:42,149 in the Square Theatre 179 00:05:42,149 --> 00:05:45,100 in a revival of Noel Coward's 180 00:05:42,149 --> 00:05:45,100 "Present Laughter" 181 00:05:45,100 --> 00:05:49,079 starring and directed by the 182 00:05:45,100 --> 00:05:49,079 late, great George C. Scott. 183 00:05:49,079 --> 00:05:52,250 I've appeared in 184 00:05:49,079 --> 00:05:52,250 23 Broadway shows since then 185 00:05:52,250 --> 00:05:54,149 and at least as many 186 00:05:52,250 --> 00:05:54,149 off-Broadway, 187 00:05:54,149 --> 00:05:57,019 so my connection 188 00:05:54,149 --> 00:05:57,019 to the New York theater 189 00:05:57,019 --> 00:05:59,079 and its people runs deep. 190 00:05:59,079 --> 00:06:01,259 One of the many reasons 191 00:05:59,079 --> 00:06:01,259 I love theater people 192 00:06:01,259 --> 00:06:06,189 is because you can always 193 00:06:01,259 --> 00:06:06,189 count on them to be there, 194 00:06:06,189 --> 00:06:10,100 which brings me to Broadway 195 00:06:06,189 --> 00:06:10,100 Cares/Equity Fights AIDS. 196 00:06:10,100 --> 00:06:13,050 It's the philanthropic heart 197 00:06:10,100 --> 00:06:13,050 of Broadway. 198 00:06:13,050 --> 00:06:15,079 When the theater community 199 00:06:13,050 --> 00:06:15,079 is hurting, 200 00:06:15,079 --> 00:06:17,139 we turn to Broadway Cares. 201 00:06:17,139 --> 00:06:19,060 They're the helping hand 202 00:06:17,139 --> 00:06:19,060 we reach for 203 00:06:19,060 --> 00:06:20,259 and the shoulder we lean on. 204 00:06:20,259 --> 00:06:23,139 I've been a part of Broadway 205 00:06:20,259 --> 00:06:23,139 Cares/Equity Fights AIDS 206 00:06:23,139 --> 00:06:27,019 for 25 years as a member 207 00:06:23,139 --> 00:06:27,019 of its Board of Trustees 208 00:06:27,019 --> 00:06:30,160 and as an actor holding 209 00:06:27,019 --> 00:06:30,160 one of these iconic red buckets 210 00:06:30,160 --> 00:06:34,050 asking for donations 211 00:06:30,160 --> 00:06:34,050 as folks leave the theater. 212 00:06:34,050 --> 00:06:37,120 Today, though, 213 00:06:34,050 --> 00:06:37,120 those theaters are closed. 214 00:06:37,120 --> 00:06:41,009 That has left friends 215 00:06:37,120 --> 00:06:41,009 and colleagues out of work, 216 00:06:41,009 --> 00:06:43,129 no paycheck since March. 217 00:06:43,129 --> 00:06:45,209 But thanks 218 00:06:43,129 --> 00:06:45,209 to this incredible evening, 219 00:06:45,209 --> 00:06:47,240 you can be in the spotlight. 220 00:06:47,240 --> 00:06:51,240 You can be the star that helps 221 00:06:47,240 --> 00:06:51,240 an actor or stage manager 222 00:06:51,240 --> 00:06:53,209 get groceries next week 223 00:06:53,209 --> 00:06:57,230 or an usher or musician 224 00:06:53,209 --> 00:06:57,230 see a doctor next month. 225 00:06:57,230 --> 00:07:00,230 Help make someone's tomorrow 226 00:06:57,230 --> 00:07:00,230 brighter than their today. 227 00:07:00,230 --> 00:07:04,269 Go to broadwaycares.org/help2020 228 00:07:04,269 --> 00:07:07,269 and donate whatever you can. 229 00:07:07,269 --> 00:07:09,250 Thank you. 230 00:07:09,250 --> 00:07:11,129 Announcer: Ladies and gentlemen, 231 00:07:11,129 --> 00:07:14,250 "Ain't Too Proud: The Life 232 00:07:11,129 --> 00:07:14,250 and Times of The Temptations." 233 00:07:14,250 --> 00:07:17,000 ♪♪♪ 234 00:07:17,000 --> 00:07:20,199 ♪ You've got a smile so bright ♪ 235 00:07:20,199 --> 00:07:24,069 ♪ You know 236 00:07:20,199 --> 00:07:24,069 you could have been a candle ♪ 237 00:07:24,069 --> 00:07:27,250 ♪ I'm holding you so tight ♪ 238 00:07:27,250 --> 00:07:31,110 ♪ You know 239 00:07:27,250 --> 00:07:31,110 you could have been a handle ♪ 240 00:07:31,110 --> 00:07:35,019 ♪ The way you swept me 241 00:07:31,110 --> 00:07:35,019 off my feet ♪ 242 00:07:35,019 --> 00:07:38,180 ♪ You know 243 00:07:35,019 --> 00:07:38,180 you could have been a broom ♪ 244 00:07:38,180 --> 00:07:42,060 ♪ The way you smell so sweet ♪ 245 00:07:42,060 --> 00:07:46,009 ♪ You know you could have been 246 00:07:42,060 --> 00:07:46,009 some perfume ♪ 247 00:07:46,009 --> 00:07:50,110 ♪ Well, you could have been 248 00:07:46,009 --> 00:07:50,110 anything that you wanted to ♪ 249 00:07:50,110 --> 00:07:53,040 ♪ And I can tell ♪ 250 00:07:53,040 --> 00:07:54,279 ♪ The way you do 251 00:07:53,040 --> 00:07:54,279 the things you do ♪ 252 00:07:54,279 --> 00:07:56,250 ♪ The way you do 253 00:07:54,279 --> 00:07:56,250 the things you do ♪ 254 00:07:54,279 --> 00:07:56,250 ♪ Oh, yeah ♪ 255 00:07:56,250 --> 00:07:58,230 ♪ The way you do 256 00:07:56,250 --> 00:07:58,230 the things you do ♪ 257 00:07:58,230 --> 00:08:02,069 ♪ As pretty as you are ♪ 258 00:08:02,069 --> 00:08:05,220 ♪ You know 259 00:08:02,069 --> 00:08:05,220 you could have been a flower ♪ 260 00:08:05,220 --> 00:08:09,100 ♪ If good looks was a minute ♪ 261 00:08:09,100 --> 00:08:12,170 ♪ You know 262 00:08:09,100 --> 00:08:12,170 you could have been an hour ♪ 263 00:08:12,170 --> 00:08:16,160 ♪ Oh, the way 264 00:08:12,170 --> 00:08:16,160 you stole my heart ♪ 265 00:08:16,160 --> 00:08:20,050 ♪ You know you could have been 266 00:08:16,160 --> 00:08:20,050 a cool crook ♪ 267 00:08:20,050 --> 00:08:23,250 ♪ And, baby, you're so smart ♪ 268 00:08:23,250 --> 00:08:27,209 ♪ You know you should have been 269 00:08:23,250 --> 00:08:27,209 a schoolbook ♪ 270 00:08:27,209 --> 00:08:31,290 ♪ Well, you could have been 271 00:08:27,209 --> 00:08:31,290 anything that you wanted to ♪ 272 00:08:31,290 --> 00:08:34,200 ♪ And I can tell ♪ 273 00:08:34,200 --> 00:08:36,129 ♪ The way you do 274 00:08:34,200 --> 00:08:36,129 the things you do ♪ 275 00:08:36,129 --> 00:08:38,250 ♪ The way you do 276 00:08:36,129 --> 00:08:38,250 the things you do ♪ 277 00:08:38,250 --> 00:08:45,149 ♪♪♪ 278 00:08:45,149 --> 00:08:52,049 ♪♪♪ 279 00:08:52,049 --> 00:08:54,269 ♪ I know you wanna leave me ♪ 280 00:08:54,269 --> 00:08:58,120 ♪ But I refuse to let you go ♪ 281 00:08:58,120 --> 00:09:02,059 ♪ If I have to beg and plead 282 00:08:58,120 --> 00:09:02,059 for your sympathy ♪ 283 00:09:02,059 --> 00:09:06,000 ♪ I don't mind 'cause 284 00:09:02,059 --> 00:09:06,000 you mean that much to me ♪ 285 00:09:06,000 --> 00:09:08,049 ♪ Ain't too proud to beg ♪ 286 00:09:08,049 --> 00:09:09,220 ♪ And you know that ♪ 287 00:09:08,049 --> 00:09:09,220 ♪ Sweet darlin' ♪ 288 00:09:09,220 --> 00:09:13,070 ♪ Please don't leave me, girl ♪ 289 00:09:09,220 --> 00:09:13,070 ♪ Don't you go ♪ 290 00:09:13,070 --> 00:09:17,070 ♪ Ain't too proud 291 00:09:13,070 --> 00:09:17,070 to plead, baby, baby ♪ 292 00:09:17,070 --> 00:09:21,080 ♪ Please don't leave me, girl ♪ 293 00:09:17,070 --> 00:09:21,080 ♪ Don't you go ♪ 294 00:09:21,080 --> 00:09:25,179 ♪ Now I heard a cryin' man 295 00:09:21,080 --> 00:09:25,179 is half a man ♪ 296 00:09:25,179 --> 00:09:28,139 ♪ With no sense of pride ♪ 297 00:09:28,139 --> 00:09:31,070 ♪ But if I have to cry 298 00:09:28,139 --> 00:09:31,070 to keep you ♪ 299 00:09:31,070 --> 00:09:36,000 ♪ I don't mind weepin' 300 00:09:31,070 --> 00:09:36,000 if it keeps you by my side ♪ 301 00:09:36,000 --> 00:09:39,220 ♪ Ain't too proud to beg, 302 00:09:36,000 --> 00:09:39,220 sweet darlin' ♪ 303 00:09:39,220 --> 00:09:43,139 ♪ Please don't leave me, girl, 304 00:09:39,220 --> 00:09:43,139 don't you go ♪ 305 00:09:43,139 --> 00:09:47,129 ♪ Ain't too proud 306 00:09:43,139 --> 00:09:47,129 to plead, baby, baby ♪ 307 00:09:47,129 --> 00:09:51,110 ♪ Please don't leave me, girl ♪ 308 00:09:47,129 --> 00:09:51,110 ♪ Don't you go ♪ 309 00:09:51,110 --> 00:09:55,240 ♪ Now, I've got a love so deep 310 00:09:51,110 --> 00:09:55,240 in the pit of my heart ♪ 311 00:09:55,240 --> 00:09:59,009 ♪ And each day 312 00:09:55,240 --> 00:09:59,009 it grows more and more ♪ 313 00:09:59,009 --> 00:10:03,139 ♪ I'm not ashamed 314 00:09:59,009 --> 00:10:03,139 to come and plead to you, baby ♪ 315 00:10:03,139 --> 00:10:07,049 ♪ If pleadin' keeps you 316 00:10:03,139 --> 00:10:07,049 from walkin' out that door ♪ 317 00:10:07,049 --> 00:10:09,279 ♪ Ain't too proud to beg, 318 00:10:07,049 --> 00:10:09,279 sweet darlin' ♪ 319 00:10:09,279 --> 00:10:13,269 ♪ Please don't leave me, girl, 320 00:10:09,279 --> 00:10:13,269 don't you go ♪ 321 00:10:13,269 --> 00:10:17,210 ♪ Ain't too proud 322 00:10:13,269 --> 00:10:17,210 to plead, baby, baby ♪ 323 00:10:17,210 --> 00:10:21,049 ♪ Please don't leave me, girl ♪ 324 00:10:17,210 --> 00:10:21,049 ♪ Don't you go ♪ 325 00:10:21,049 --> 00:10:28,100 ♪♪♪ 326 00:10:28,100 --> 00:10:30,129 Announcer: 327 00:10:28,100 --> 00:10:30,129 Pop superstar Kelly Clarkson, 328 00:10:30,129 --> 00:10:33,019 15-time Tony nominee, 329 00:10:30,129 --> 00:10:33,019 "Jagged Little Pill," 330 00:10:33,019 --> 00:10:35,220 and a performance 331 00:10:33,019 --> 00:10:35,220 from the cast of "Mean Girls," 332 00:10:35,220 --> 00:10:38,210 when "One Night Only: 333 00:10:35,220 --> 00:10:38,210 The Best of Broadway" returns. 334 00:10:38,210 --> 00:10:40,120 ♪ On the nights on Broadway ♪ 335 00:10:40,120 --> 00:10:41,200 ♪ Blame it 336 00:10:40,120 --> 00:10:41,200 on the nights on Broadway ♪ 337 00:10:41,200 --> 00:10:42,230 ♪ Singin' them love ♪ 338 00:10:46,070 --> 00:10:46,090 . 339 00:10:47,070 --> 00:10:51,110 ♪♪♪ 340 00:10:55,070 --> 00:10:57,019 Welcome back to 341 00:10:55,070 --> 00:10:57,019 "The Best of Broadway." 342 00:10:57,019 --> 00:10:58,279 Our next performer 343 00:10:57,019 --> 00:10:58,279 is the nicest, 344 00:10:58,279 --> 00:11:01,049 hardest-working person 345 00:10:58,279 --> 00:11:01,049 on television. 346 00:11:01,049 --> 00:11:02,279 She's on "The Voice," 347 00:11:01,049 --> 00:11:02,279 has her own talk show, 348 00:11:02,279 --> 00:11:04,230 just hosted 349 00:11:02,279 --> 00:11:04,230 the "Billboard Music Awards," 350 00:11:04,230 --> 00:11:07,070 and is one of the biggest stars 351 00:11:04,230 --> 00:11:07,070 in the world of music. 352 00:11:07,070 --> 00:11:09,240 Here is Kelly Clarkson. 353 00:11:09,240 --> 00:11:12,169 I have always loved the song 354 00:11:09,240 --> 00:11:12,169 "White Christmas." 355 00:11:12,169 --> 00:11:14,169 It was originally written 356 00:11:12,169 --> 00:11:14,169 by Irving Berlin 357 00:11:14,169 --> 00:11:17,070 for the 1942 film "Holiday Inn," 358 00:11:17,070 --> 00:11:19,149 and it went on 359 00:11:17,070 --> 00:11:19,149 to win an Oscar that year. 360 00:11:19,149 --> 00:11:22,149 The film was later adapted for 361 00:11:19,149 --> 00:11:22,149 the bright lights of Broadway, 362 00:11:22,149 --> 00:11:23,230 and the song "White Christmas" 363 00:11:23,230 --> 00:11:27,190 is still one of the most 364 00:11:23,230 --> 00:11:27,190 beloved songs of all time. 365 00:11:27,190 --> 00:11:34,240 ♪♪♪ 366 00:11:34,240 --> 00:11:46,029 ♪ I'm dreaming 367 00:11:34,240 --> 00:11:46,029 of a white Christmas ♪ 368 00:11:46,029 --> 00:11:54,049 ♪ Just like the ones 369 00:11:46,029 --> 00:11:54,049 I used to know ♪ 370 00:11:54,049 --> 00:11:59,230 ♪ Where the tree tops glisten ♪ 371 00:11:59,230 --> 00:12:04,149 ♪ And children listen ♪ 372 00:12:04,149 --> 00:12:13,169 ♪ To hear sleigh bells 373 00:12:04,149 --> 00:12:13,169 in the snow ♪ 374 00:12:13,169 --> 00:12:24,169 ♪ I'm dreaming 375 00:12:13,169 --> 00:12:24,169 of a white Christmas ♪ 376 00:12:24,169 --> 00:12:32,169 ♪ With every Christmas card 377 00:12:24,169 --> 00:12:32,169 I write ♪ 378 00:12:32,169 --> 00:12:43,159 ♪ May your days be merry 379 00:12:32,169 --> 00:12:43,159 and bright ♪ 380 00:12:43,159 --> 00:12:53,169 ♪ And may all your Christmases 381 00:12:43,159 --> 00:12:53,169 be white ♪ 382 00:12:53,169 --> 00:13:02,080 ♪♪♪ 383 00:13:02,080 --> 00:13:10,279 ♪♪♪ 384 00:13:10,279 --> 00:13:24,070 ♪ May your days be merry 385 00:13:10,279 --> 00:13:24,070 and bright ♪ 386 00:13:25,179 --> 00:13:39,100 ♪ And may all your Christmases 387 00:13:25,179 --> 00:13:39,100 be white ♪ 388 00:13:39,100 --> 00:13:42,090 ♪♪♪ 389 00:13:42,090 --> 00:13:46,059 Whoo-whoo! Happy holidays! 390 00:13:46,059 --> 00:13:48,000 Happy holi-Broadway! 391 00:13:48,000 --> 00:13:51,029 Nope, doesn't work. 392 00:13:51,029 --> 00:13:53,190 Just hap-happy holidays, 393 00:13:51,029 --> 00:13:53,190 plus Broadway. 394 00:13:53,190 --> 00:13:55,120 So much goes on 395 00:13:53,190 --> 00:13:55,120 behind the scenes 396 00:13:55,120 --> 00:13:58,080 to get a Broadway show 397 00:13:55,120 --> 00:13:58,080 ready for a big premiere. 398 00:13:58,080 --> 00:13:59,279 You're in rehearsals 399 00:13:58,080 --> 00:13:59,279 for six weeks, 400 00:13:59,279 --> 00:14:01,259 two weeks of tech 401 00:13:59,279 --> 00:14:01,259 in the theater, 402 00:14:01,259 --> 00:14:04,240 four weeks of previews before 403 00:14:01,259 --> 00:14:04,240 you make it to opening night. 404 00:14:04,240 --> 00:14:07,070 There's the run-through, 405 00:14:04,240 --> 00:14:07,070 and you got to be off-book 406 00:14:07,070 --> 00:14:08,120 and have all your lines 407 00:14:07,070 --> 00:14:08,120 together. 408 00:14:08,120 --> 00:14:09,200 Then we're going to layer in 409 00:14:08,120 --> 00:14:09,200 the audience, 410 00:14:09,200 --> 00:14:10,279 and then the critics are coming. 411 00:14:10,279 --> 00:14:13,000 All of those steps 412 00:14:10,279 --> 00:14:13,000 leading up to opening night 413 00:14:13,000 --> 00:14:14,129 was a wonderful tightrope walk, 414 00:14:14,129 --> 00:14:17,080 and it's such 415 00:14:14,129 --> 00:14:17,080 an incredible community. 416 00:14:17,080 --> 00:14:19,200 We all keep each other 417 00:14:17,080 --> 00:14:19,200 from falling off the rope. 418 00:14:19,200 --> 00:14:22,000 ♪♪♪ 419 00:14:22,000 --> 00:14:23,259 There's nothing like 420 00:14:22,000 --> 00:14:23,259 an opening night on Broadway. 421 00:14:23,259 --> 00:14:25,230 We're at the opening 422 00:14:23,259 --> 00:14:25,230 of "Girl from the North Country" 423 00:14:25,230 --> 00:14:27,019 on Broadway. 424 00:14:27,019 --> 00:14:28,159 Ferguson: That's when 425 00:14:27,019 --> 00:14:28,159 all the famous people come. 426 00:14:28,159 --> 00:14:30,019 It's just -- It's really, 427 00:14:28,159 --> 00:14:30,019 really special. 428 00:14:30,019 --> 00:14:32,110 -[ Chanting ] Tina! Tina! 429 00:14:30,019 --> 00:14:32,110 -[ Chanting ] Tina! Tina! 430 00:14:32,110 --> 00:14:34,279 I could never be as happy 431 00:14:32,110 --> 00:14:34,279 as I am now. 432 00:14:34,279 --> 00:14:38,110 One of my cast mates, Tina Ou, 433 00:14:34,279 --> 00:14:38,110 she said, you know, 434 00:14:38,110 --> 00:14:41,169 "You only make 435 00:14:38,110 --> 00:14:41,169 your Broadway debut once. 436 00:14:41,169 --> 00:14:45,019 Remember this moment. 437 00:14:41,169 --> 00:14:45,019 Honor this moment." 438 00:14:45,019 --> 00:14:47,009 I was 24 years old, 439 00:14:47,009 --> 00:14:50,090 and I still have the earrings 440 00:14:47,009 --> 00:14:50,090 that I wore that night. 441 00:14:50,090 --> 00:14:54,039 I remember my parents being 442 00:14:50,090 --> 00:14:54,039 there and, yeah, it was magic. 443 00:14:54,039 --> 00:14:55,230 Opening night 444 00:14:54,039 --> 00:14:55,230 of "The Great Comet" was -- 445 00:14:55,230 --> 00:14:57,230 It was just such a par-- 446 00:14:55,230 --> 00:14:57,230 It was such a party. 447 00:14:57,230 --> 00:15:01,080 But we all knew that reviews 448 00:14:57,230 --> 00:15:01,080 were going to be coming in, 449 00:15:01,080 --> 00:15:02,190 which is such a cruel thing. 450 00:15:02,190 --> 00:15:04,029 To any reviewer watching, 451 00:15:02,190 --> 00:15:04,029 I love you. 452 00:15:04,029 --> 00:15:06,169 I respect what you do. 453 00:15:04,029 --> 00:15:06,169 You are so necessary. 454 00:15:06,169 --> 00:15:08,009 But do they have to come in 455 00:15:06,169 --> 00:15:08,009 at intermission? 456 00:15:08,009 --> 00:15:09,149 We're opening tonight! 457 00:15:09,149 --> 00:15:11,110 -Aah! 458 00:15:09,149 --> 00:15:11,110 -♪ Opening night ♪ 459 00:15:11,110 --> 00:15:13,269 ♪ Finally ♪ 460 00:15:13,269 --> 00:15:17,120 I was really nervous 461 00:15:13,269 --> 00:15:17,120 my first Broadway opening night. 462 00:15:17,120 --> 00:15:21,080 You get a bad review, 463 00:15:17,120 --> 00:15:21,080 you open, and you close. 464 00:15:21,080 --> 00:15:24,059 There's no gentle hand-holding 465 00:15:21,080 --> 00:15:24,059 on Broadway. 466 00:15:24,059 --> 00:15:29,009 I remember before I stepped out 467 00:15:24,059 --> 00:15:29,009 there on opening night thinking, 468 00:15:29,009 --> 00:15:32,070 "My God. I'm on Broadway." 469 00:15:32,070 --> 00:15:36,169 I made my Broadway debut 470 00:15:32,070 --> 00:15:36,169 in the first revival of "Hair." 471 00:15:36,169 --> 00:15:37,279 I remember my mother 472 00:15:36,169 --> 00:15:37,279 was out there, 473 00:15:37,279 --> 00:15:39,129 and I was going to be naked! 474 00:15:39,129 --> 00:15:41,000 [ Laughs ] 475 00:15:41,000 --> 00:15:43,000 My dad, too! 476 00:15:43,000 --> 00:15:45,279 It was a dilemma 477 00:15:43,000 --> 00:15:45,279 I hadn't quite anticipated. 478 00:15:45,279 --> 00:15:48,220 The opening night jitters 479 00:15:45,279 --> 00:15:48,220 are no joke. 480 00:15:48,220 --> 00:15:51,179 When I was in "Tom Sawyer," 481 00:15:48,220 --> 00:15:51,179 my first Broadway show, 482 00:15:51,179 --> 00:15:54,250 I remember, like, coming 483 00:15:51,179 --> 00:15:54,250 offstage after my first number, 484 00:15:54,250 --> 00:15:56,269 and I just was kind of 485 00:15:54,250 --> 00:15:56,269 having a panic attack, 486 00:15:56,269 --> 00:15:59,090 and I had to have the costumer 487 00:15:56,269 --> 00:15:59,090 rip off my corset 488 00:15:59,090 --> 00:16:00,220 so I could breathe. 489 00:16:00,220 --> 00:16:03,070 Ashford: I remember the first 490 00:16:00,220 --> 00:16:03,070 night of my Broadway debut, 491 00:16:03,070 --> 00:16:04,159 it was crazy. 492 00:16:04,159 --> 00:16:08,190 I cried, and I think I peed 493 00:16:04,159 --> 00:16:08,190 a little bit in my pants. 494 00:16:08,190 --> 00:16:10,049 It's like being shot 495 00:16:08,190 --> 00:16:10,049 out of a cannon, 496 00:16:10,049 --> 00:16:12,220 and it just keeps going 497 00:16:10,049 --> 00:16:12,220 and going and going. 498 00:16:12,220 --> 00:16:14,220 It's a runaway train, 499 00:16:12,220 --> 00:16:14,220 and you jump on it, 500 00:16:14,220 --> 00:16:18,059 and you hold on for dear life, 501 00:16:14,220 --> 00:16:18,059 'cause it doesn't stop. 502 00:16:18,059 --> 00:16:20,080 But it was the most -- 503 00:16:18,059 --> 00:16:20,080 one of the most fulfilling, 504 00:16:20,080 --> 00:16:22,200 gratifying moments 505 00:16:20,080 --> 00:16:22,200 of my life ever. 506 00:16:22,200 --> 00:16:25,019 [ Cheers and applause ] 507 00:16:25,019 --> 00:16:27,279 ♪♪♪ 508 00:16:27,279 --> 00:16:30,100 [ Cheers and applause continue ] 509 00:16:35,090 --> 00:16:43,059 ♪♪♪ 510 00:16:43,059 --> 00:16:45,000 Now for our next performance, 511 00:16:45,000 --> 00:16:47,149 it's from a show 512 00:16:45,000 --> 00:16:47,149 that is definitely my favorite, 513 00:16:47,149 --> 00:16:51,210 "Mean Girls" is a musical comedy 514 00:16:47,149 --> 00:16:51,210 sociology class about queen bees 515 00:16:51,210 --> 00:16:53,070 and why we fear them. 516 00:16:53,070 --> 00:16:56,090 This 12-time Tony nominee 517 00:16:53,070 --> 00:16:56,090 is packed with jokes, 518 00:16:56,090 --> 00:16:58,110 dance, and show-stopping songs. 519 00:16:58,110 --> 00:17:01,009 We opened at the August Wilson 520 00:16:58,110 --> 00:17:01,009 Theatre in 2018, 521 00:17:01,009 --> 00:17:02,059 and the national tour 522 00:17:02,059 --> 00:17:04,109 will hopefully be 523 00:17:02,059 --> 00:17:04,109 hitting the road again soon. 524 00:17:04,109 --> 00:17:06,150 Let's take a look at 525 00:17:04,109 --> 00:17:06,150 some behind-the-scenes footage 526 00:17:06,150 --> 00:17:09,019 from "Mean Girls" and then 527 00:17:06,150 --> 00:17:09,019 a performance by Dani Wade, 528 00:17:09,019 --> 00:17:11,019 Adante Carter, 529 00:17:09,019 --> 00:17:11,019 and Catherine Brunell 530 00:17:11,019 --> 00:17:12,220 of the song "Stupid with Love." 531 00:17:12,220 --> 00:17:18,029 I remember the audition process 532 00:17:12,220 --> 00:17:18,029 being so, so nervous 533 00:17:18,029 --> 00:17:19,289 and then when I got 534 00:17:18,029 --> 00:17:19,289 the part, feeling like, 535 00:17:19,289 --> 00:17:22,279 "How am I going to do this?" 536 00:17:19,289 --> 00:17:22,279 But as soon as we got a week in, 537 00:17:22,279 --> 00:17:25,269 I felt all these people 538 00:17:22,279 --> 00:17:25,269 just holding me and saying, 539 00:17:25,269 --> 00:17:28,119 like, "This is a collaboration. 540 00:17:25,269 --> 00:17:28,119 We're going to work together." 541 00:17:28,119 --> 00:17:31,150 Playing a high-schooler 542 00:17:28,119 --> 00:17:31,150 every night, 543 00:17:31,150 --> 00:17:34,269 and that was the exact time 544 00:17:31,150 --> 00:17:34,269 in my life 545 00:17:34,269 --> 00:17:37,049 where I was kind of deciding 546 00:17:34,269 --> 00:17:37,049 whether or not, like, 547 00:17:37,049 --> 00:17:39,240 this was going to be something 548 00:17:37,049 --> 00:17:39,240 that I was going to pursue. 549 00:17:39,240 --> 00:17:41,289 And so it just feels 550 00:17:39,240 --> 00:17:41,289 very full circle right now. 551 00:17:41,289 --> 00:17:43,109 Henson: 552 00:17:41,289 --> 00:17:43,109 It's such an amazing company, 553 00:17:43,109 --> 00:17:45,190 and there's so many newbies 554 00:17:43,109 --> 00:17:45,190 and so many Broadway debuts, 555 00:17:45,190 --> 00:17:48,109 and it's just -- 556 00:17:45,190 --> 00:17:48,109 It's unbelievable. 557 00:17:48,109 --> 00:17:50,250 ♪♪♪ 558 00:17:50,250 --> 00:17:54,279 Okay, friends, Chapter 1 -- 559 00:17:50,250 --> 00:17:54,279 "Limits and their properties." 560 00:17:54,279 --> 00:17:57,009 Now, if I write out 561 00:17:54,279 --> 00:17:57,009 this equation, 562 00:17:57,009 --> 00:17:59,240 the limit as X approaches 563 00:17:57,009 --> 00:17:59,240 2 of X plus 1, 564 00:17:59,240 --> 00:18:02,109 the function is what 565 00:17:59,240 --> 00:18:02,109 we're taking the limit of. 566 00:18:02,109 --> 00:18:04,230 X equals 3. 567 00:18:02,109 --> 00:18:04,230 That's right, actually. 568 00:18:04,230 --> 00:18:07,119 Wow, okay, 569 00:18:04,230 --> 00:18:07,119 let's try another one. 570 00:18:07,119 --> 00:18:10,279 Find the value of K for which 571 00:18:07,119 --> 00:18:10,279 the following limit exists. 572 00:18:10,279 --> 00:18:12,220 K equals negative-3. 573 00:18:12,220 --> 00:18:15,140 Wow. Are you trying to make 574 00:18:12,220 --> 00:18:15,140 the rest of us feel dumb? 575 00:18:15,140 --> 00:18:18,289 No, I'm not trying to. 576 00:18:15,140 --> 00:18:18,289 It's just happening. 577 00:18:18,289 --> 00:18:21,210 I'm Aaron. 578 00:18:18,289 --> 00:18:21,210 Hey, it's nice to meet -- 579 00:18:21,210 --> 00:18:25,150 ♪ When I was five, 580 00:18:21,210 --> 00:18:25,150 I fell in love ♪ 581 00:18:25,150 --> 00:18:29,039 ♪ It didn't last ♪ 582 00:18:29,039 --> 00:18:32,279 ♪ He ran from me, 583 00:18:29,039 --> 00:18:32,279 literally ran from me ♪ 584 00:18:32,279 --> 00:18:37,009 ♪ And being Kenyan, 585 00:18:32,279 --> 00:18:37,009 he ran fast ♪ 586 00:18:37,009 --> 00:18:40,259 ♪ When I was ten, 587 00:18:37,009 --> 00:18:40,259 in love again ♪ 588 00:18:40,259 --> 00:18:43,089 ♪ This Peace Corps guy ♪ 589 00:18:43,089 --> 00:18:44,220 [ Laughs ] 590 00:18:44,220 --> 00:18:48,079 ♪ I waited hours 591 00:18:44,220 --> 00:18:48,079 inside his tent with flowers ♪ 592 00:18:48,079 --> 00:18:51,289 ♪ Which made him laugh, 593 00:18:48,079 --> 00:18:51,289 which made me cry ♪ 594 00:18:51,289 --> 00:18:54,180 ♪ By thirteen, 595 00:18:51,289 --> 00:18:54,180 I gave up trying ♪ 596 00:18:54,180 --> 00:18:58,170 ♪ I decided I would be 597 00:18:54,180 --> 00:18:58,170 a mathematician ♪ 598 00:18:58,170 --> 00:19:00,289 ♪ Because math is real ♪ 599 00:19:00,289 --> 00:19:03,029 ♪ I memorized a lot of pi ♪ 600 00:19:03,029 --> 00:19:06,119 ♪ Because addition 601 00:19:03,029 --> 00:19:06,119 and subtraction and division ♪ 602 00:19:06,119 --> 00:19:10,250 ♪ Would never make me feel 603 00:19:06,119 --> 00:19:10,250 so stupid with love ♪ 604 00:19:10,250 --> 00:19:12,240 ♪ Like I didn't get it ♪ 605 00:19:12,240 --> 00:19:16,220 ♪ I didn't get it somehow ♪ 606 00:19:16,220 --> 00:19:20,220 ♪ Smart with math 607 00:19:16,220 --> 00:19:20,220 but stupid with love ♪ 608 00:19:20,220 --> 00:19:23,029 ♪ I didn't get it ♪ 609 00:19:23,029 --> 00:19:25,000 ♪ I didn't get it till now ♪ 610 00:19:25,000 --> 00:19:26,009 Do you have an eraser? 611 00:19:26,009 --> 00:19:28,230 I would love to. 612 00:19:28,230 --> 00:19:32,200 ♪ So, thank you, math, 613 00:19:28,230 --> 00:19:32,200 for being there ♪ 614 00:19:32,200 --> 00:19:34,210 ♪ To bring me joy ♪ 615 00:19:34,210 --> 00:19:36,210 ♪♪♪ 616 00:19:36,210 --> 00:19:38,119 ♪ And thank you, math ♪ 617 00:19:38,119 --> 00:19:41,190 ♪ 'Cause now brought me 618 00:19:38,119 --> 00:19:41,190 this cute boy ♪ 619 00:19:41,190 --> 00:19:43,029 Is it 2? 620 00:19:41,190 --> 00:19:43,029 Norbury: Yes. 621 00:19:43,029 --> 00:19:45,049 Good. Nice. 622 00:19:43,029 --> 00:19:45,049 ♪ He's like someone from TV ♪ 623 00:19:45,049 --> 00:19:49,200 ♪ He's like that guy who 624 00:19:45,049 --> 00:19:49,200 gives out roses to those women ♪ 625 00:19:49,200 --> 00:19:52,029 ♪ His clothes, his grooming ♪ 626 00:19:52,029 --> 00:19:54,029 ♪ And he's a foot away from me ♪ 627 00:19:54,029 --> 00:19:57,170 ♪ With dreamy smile and shiny 628 00:19:54,029 --> 00:19:57,170 eyes that I could swim in ♪ 629 00:19:57,170 --> 00:20:00,000 ♪ He's livening the room ♪ 630 00:20:00,000 --> 00:20:03,289 ♪ And I'm stupid with love ♪ 631 00:20:03,289 --> 00:20:09,250 ♪ I wanna get it, 632 00:20:03,289 --> 00:20:09,250 I wanna get it, but how? ♪ 633 00:20:09,250 --> 00:20:13,200 ♪ Smart with math 634 00:20:09,250 --> 00:20:13,200 but stupid with love ♪ 635 00:20:13,200 --> 00:20:18,009 ♪ I wanna get it, 636 00:20:13,200 --> 00:20:18,009 I didn't get it till now ♪ 637 00:20:18,009 --> 00:20:19,250 2 over zero is undefined. 638 00:20:18,009 --> 00:20:19,250 2 over zero is undefined. 639 00:20:19,250 --> 00:20:21,150 Jinx. 640 00:20:21,150 --> 00:20:25,109 ♪ I'm astounded and nonplussed, 641 00:20:21,150 --> 00:20:25,109 I am filled with "calculust" ♪ 642 00:20:25,109 --> 00:20:29,150 ♪ Does this guy work out? 643 00:20:25,109 --> 00:20:29,150 He must, all sweaty at the gym ♪ 644 00:20:29,150 --> 00:20:33,099 ♪ Could that image be more hot? 645 00:20:29,150 --> 00:20:33,099 Let me just enjoy that thought ♪ 646 00:20:33,099 --> 00:20:36,009 ♪ School was rough, 647 00:20:33,099 --> 00:20:36,009 but now it's not ♪ 648 00:20:36,009 --> 00:20:40,000 ♪ 'Cause now there's him ♪ 649 00:20:40,000 --> 00:20:43,109 ♪ It's all so simple ♪ 650 00:20:43,109 --> 00:20:47,170 ♪ Stupid with love, 651 00:20:43,109 --> 00:20:47,170 but I can get it ♪ 652 00:20:47,170 --> 00:20:51,140 ♪ Watch this girl self-educate ♪ 653 00:20:51,140 --> 00:20:55,269 ♪ I learned math, 654 00:20:51,140 --> 00:20:55,269 so I can learn love ♪ 655 00:20:55,269 --> 00:20:57,250 ♪ You wanna bet it ♪ 656 00:20:57,250 --> 00:21:00,190 ♪ That I can get it, just wait ♪ 657 00:21:00,190 --> 00:21:02,190 ♪♪♪ 658 00:21:02,190 --> 00:21:06,150 ♪ Just wait ♪ 659 00:21:06,150 --> 00:21:14,190 ♪ Just wait ♪ 660 00:21:18,000 --> 00:21:20,210 ♪♪♪ 661 00:21:20,210 --> 00:21:22,240 Announcer: 662 00:21:20,210 --> 00:21:22,240 The legendary Barbra Streisand, 663 00:21:22,240 --> 00:21:25,240 15-time Tony nominee 664 00:21:22,240 --> 00:21:25,240 "Jagged Little Pill," 665 00:21:25,240 --> 00:21:28,259 and a special performance 666 00:21:25,240 --> 00:21:28,259 of a classic from "Rent" 667 00:21:28,259 --> 00:21:32,119 when "One Night Only: 668 00:21:28,259 --> 00:21:32,119 The Best of Broadway" continues. 669 00:21:32,119 --> 00:21:33,230 ♪ Blame it 670 00:21:32,119 --> 00:21:33,230 on the nights on Broadway ♪ 671 00:21:33,230 --> 00:21:37,069 ♪ Singin' them love songs, 672 00:21:33,230 --> 00:21:37,069 singin' them ♪ 673 00:21:40,059 --> 00:21:40,079 . 674 00:21:41,119 --> 00:21:41,150 ♪♪♪ 675 00:21:44,160 --> 00:21:46,200 When COVID hit, I -- 676 00:21:46,200 --> 00:21:49,240 After the initial 677 00:21:46,200 --> 00:21:49,240 shock and sadness 678 00:21:49,240 --> 00:21:51,059 for what was happening 679 00:21:49,240 --> 00:21:51,059 in the world, 680 00:21:51,059 --> 00:21:53,009 then I just thought, 681 00:21:51,059 --> 00:21:53,009 "Oh my theater friends. 682 00:21:53,009 --> 00:21:54,259 Like, how is this 683 00:21:53,009 --> 00:21:54,259 ever going to -- 684 00:21:54,259 --> 00:21:56,130 How are they ever 685 00:21:54,259 --> 00:21:56,130 going to recover?" 686 00:21:56,130 --> 00:21:59,119 O'Connell: It not only affects 687 00:21:56,130 --> 00:21:59,119 my performer friends. 688 00:21:59,119 --> 00:22:02,289 It affects all the customers, 689 00:22:02,289 --> 00:22:07,089 all the crew people 690 00:22:02,289 --> 00:22:07,089 who work on a show, 691 00:22:07,089 --> 00:22:10,170 all the ushers, 692 00:22:07,089 --> 00:22:10,170 the box office people, 693 00:22:10,170 --> 00:22:13,049 the ticket people. 694 00:22:10,170 --> 00:22:13,049 TV still goes on. 695 00:22:13,049 --> 00:22:16,220 Streaming services 696 00:22:13,049 --> 00:22:16,220 still release things. 697 00:22:16,220 --> 00:22:19,109 But in order 698 00:22:16,220 --> 00:22:19,109 for Broadway to go on, 699 00:22:19,109 --> 00:22:21,039 there has to be butts in seats. 700 00:22:21,039 --> 00:22:25,019 Manheim: I do have a very soft 701 00:22:21,039 --> 00:22:25,019 spot in my heart for theater. 702 00:22:25,019 --> 00:22:28,259 It is my first and truest love, 703 00:22:28,259 --> 00:22:32,029 and I could actually 704 00:22:28,259 --> 00:22:32,029 get emotional about it, 705 00:22:32,029 --> 00:22:34,170 knowing that it's 706 00:22:32,029 --> 00:22:34,170 in peril right now. 707 00:22:36,269 --> 00:22:40,240 Banderas: I wanted "A Chorus 708 00:22:36,269 --> 00:22:40,240 Line" to be the first company 709 00:22:40,240 --> 00:22:43,190 that can perform 710 00:22:40,240 --> 00:22:43,190 an American play, 711 00:22:43,190 --> 00:22:46,099 but to do it in Spanish 712 00:22:43,190 --> 00:22:46,099 on Broadway. 713 00:22:46,099 --> 00:22:48,190 Producer with me, John Breglio, 714 00:22:46,099 --> 00:22:48,190 called me 715 00:22:48,190 --> 00:22:50,009 and said to me, "It's done. 716 00:22:50,009 --> 00:22:53,079 We are going to be on Broadway 717 00:22:50,009 --> 00:22:53,079 with the show." 718 00:22:53,079 --> 00:22:57,200 Two weeks after, 719 00:22:53,079 --> 00:22:57,200 everything was shut down. 720 00:22:57,200 --> 00:23:00,079 When we found out "Moulin Rouge" 721 00:22:57,200 --> 00:23:00,079 was going to temporary close 722 00:23:00,079 --> 00:23:02,150 because of 723 00:23:00,079 --> 00:23:02,150 the COVID-19 pandemic, 724 00:23:02,150 --> 00:23:06,009 our company had been about 725 00:23:02,150 --> 00:23:06,009 eight months into our run. 726 00:23:06,009 --> 00:23:08,059 It was -- Yeah, it was -- 727 00:23:06,009 --> 00:23:08,059 It was devastating, 728 00:23:08,059 --> 00:23:10,039 for every reason 729 00:23:08,059 --> 00:23:10,039 you can imagine. 730 00:23:10,039 --> 00:23:11,160 You get to your opening night, 731 00:23:11,160 --> 00:23:17,210 and something like 732 00:23:11,160 --> 00:23:17,210 the COVID-19 pandemic, 733 00:23:17,210 --> 00:23:19,269 this virus, happens. 734 00:23:19,269 --> 00:23:21,089 I was the only one 735 00:23:19,269 --> 00:23:21,089 at the theater, 736 00:23:21,089 --> 00:23:24,130 and I had never felt so alone 737 00:23:24,130 --> 00:23:28,049 when I found out 738 00:23:24,130 --> 00:23:28,049 that we would not be having 739 00:23:28,049 --> 00:23:30,289 our big opening night 740 00:23:28,049 --> 00:23:30,289 on Broadway. 741 00:23:30,289 --> 00:23:32,200 I will never forget it 742 00:23:30,289 --> 00:23:32,200 as long as I live. 743 00:23:32,200 --> 00:23:34,089 We were in the middle 744 00:23:32,200 --> 00:23:34,089 of rehearsal 745 00:23:34,089 --> 00:23:35,220 in the Stephen Sondheim theater, 746 00:23:35,220 --> 00:23:38,190 implementing changes 747 00:23:35,220 --> 00:23:38,190 to go in that night. 748 00:23:38,190 --> 00:23:41,130 And our producer came into 749 00:23:38,190 --> 00:23:41,130 the theater, sat us all down, 750 00:23:41,130 --> 00:23:46,029 told us to leave everything 751 00:23:41,130 --> 00:23:46,029 where it is, and go home. 752 00:23:46,029 --> 00:23:49,119 Mrs. Doubtfire's face is sitting 753 00:23:46,029 --> 00:23:49,119 on my dressing room station 754 00:23:49,119 --> 00:23:51,059 next to a picture of my family. 755 00:23:51,059 --> 00:23:52,279 Morissette: 756 00:23:51,059 --> 00:23:52,279 This pandemic is so serious 757 00:23:52,279 --> 00:23:54,049 that Broadway's going dark. 758 00:23:54,049 --> 00:23:56,019 I mean, Broadway 759 00:23:54,049 --> 00:23:56,019 doesn't go dark. 760 00:23:56,019 --> 00:23:57,119 [ Laughing ] 761 00:23:56,019 --> 00:23:57,119 You know? It's like -- 762 00:23:57,119 --> 00:23:59,009 So it was really shocking. 763 00:23:59,009 --> 00:24:00,269 And it really brought home 764 00:23:59,009 --> 00:24:00,269 the reality 765 00:24:00,269 --> 00:24:04,130 of how many people's lives 766 00:24:00,269 --> 00:24:04,130 are being affected. 767 00:24:04,130 --> 00:24:05,250 Performed by Broadway actors 768 00:24:05,250 --> 00:24:07,230 who represent the entire 769 00:24:05,250 --> 00:24:07,230 theater community, 770 00:24:07,230 --> 00:24:11,029 from "Rent," 771 00:24:07,230 --> 00:24:11,029 here is "Seasons of Love." 772 00:24:11,029 --> 00:24:16,190 ♪♪♪ 773 00:24:16,190 --> 00:24:22,049 ♪♪♪ 774 00:24:22,049 --> 00:24:27,180 ♪ Five hundred twenty-five 775 00:24:22,049 --> 00:24:27,180 thousand six hundred minutes ♪ 776 00:24:27,180 --> 00:24:33,000 ♪ Five hundred twenty-five 777 00:24:27,180 --> 00:24:33,000 thousand moments so dear ♪ 778 00:24:33,000 --> 00:24:38,140 ♪ Five hundred twenty-five 779 00:24:33,000 --> 00:24:38,140 thousand six hundred minutes ♪ 780 00:24:38,140 --> 00:24:43,049 ♪ How do you measure, 781 00:24:38,140 --> 00:24:43,049 measure a year? ♪ 782 00:24:43,049 --> 00:24:49,059 ♪ In daylights, in sunsets, in 783 00:24:43,049 --> 00:24:49,059 midnights, in cups of coffee ♪ 784 00:24:49,059 --> 00:24:53,279 ♪ In inches, in miles, 785 00:24:49,059 --> 00:24:53,279 in laughter, in strife ♪ 786 00:24:53,279 --> 00:24:59,089 ♪ In five hundred twenty-five 787 00:24:53,279 --> 00:24:59,089 thousand six hundred minutes ♪ 788 00:24:59,089 --> 00:25:04,130 ♪ How do you measure 789 00:24:59,089 --> 00:25:04,130 a year in the life? ♪ 790 00:25:04,130 --> 00:25:09,250 ♪ How about love? ♪ 791 00:25:09,250 --> 00:25:15,049 ♪ How about love? ♪ 792 00:25:15,049 --> 00:25:20,160 ♪ How about love? ♪ 793 00:25:20,160 --> 00:25:24,160 ♪ Measure in love ♪ 794 00:25:24,160 --> 00:25:27,140 ♪ Seasons of love ♪ 795 00:25:27,140 --> 00:25:31,009 ♪ Love ♪ 796 00:25:31,009 --> 00:25:32,240 ♪ Seasons of love ♪ 797 00:25:32,240 --> 00:25:37,250 ♪ Love ♪ 798 00:25:37,250 --> 00:25:43,059 ♪ Five hundred twenty-five 799 00:25:37,250 --> 00:25:43,059 thousand six hundred minutes ♪ 800 00:25:43,059 --> 00:25:48,170 ♪ Five hundred twenty-five 801 00:25:43,059 --> 00:25:48,170 thousand journeys to plan ♪ 802 00:25:48,170 --> 00:25:53,099 ♪ Five hundred twenty-five 803 00:25:48,170 --> 00:25:53,099 thousand six hundred minutes ♪ 804 00:25:53,099 --> 00:25:58,230 ♪ How do you measure the life 805 00:25:53,099 --> 00:25:58,230 of a woman or a man? ♪ 806 00:25:58,230 --> 00:26:04,109 ♪ In truths that she learned 807 00:25:58,230 --> 00:26:04,109 or in times that he cried ♪ 808 00:26:04,109 --> 00:26:09,170 ♪ The bridges he burned 809 00:26:04,109 --> 00:26:09,170 or the way that she died ♪ 810 00:26:09,170 --> 00:26:14,269 ♪ It's time now to sing out, 811 00:26:09,170 --> 00:26:14,269 though the story never ends ♪ 812 00:26:14,269 --> 00:26:19,269 ♪ Let's celebrate, remember 813 00:26:14,269 --> 00:26:19,269 a year in the life of friends ♪ 814 00:26:19,269 --> 00:26:23,059 ♪ Remember the love ♪ 815 00:26:23,059 --> 00:26:25,099 ♪ You got to, you got to 816 00:26:23,059 --> 00:26:25,099 remember the love ♪ 817 00:26:25,099 --> 00:26:27,220 ♪ Remember the love ♪ 818 00:26:27,220 --> 00:26:30,230 ♪ You know that life 819 00:26:27,220 --> 00:26:30,230 is a gift from up above ♪ 820 00:26:30,230 --> 00:26:32,170 ♪ Remember the love ♪ 821 00:26:32,170 --> 00:26:36,039 ♪ Give love, 822 00:26:32,170 --> 00:26:36,039 share love, celebrate ♪ 823 00:26:36,039 --> 00:26:37,160 ♪ Measure in love ♪ 824 00:26:37,160 --> 00:26:42,279 ♪ Measure your life in, 825 00:26:37,160 --> 00:26:42,279 measure your life in love ♪ 826 00:26:42,279 --> 00:26:45,220 ♪ Seasons of love ♪ 827 00:26:45,220 --> 00:26:49,109 ♪ Love ♪ 828 00:26:49,109 --> 00:26:51,029 ♪ Seasons of love ♪ 829 00:26:51,029 --> 00:26:53,009 ♪ Love ♪ 830 00:26:53,009 --> 00:26:57,269 ♪ Measure your life 831 00:26:53,009 --> 00:26:57,269 in love ♪ 832 00:26:57,269 --> 00:27:03,180 ♪♪♪ 833 00:27:03,180 --> 00:27:05,190 Announcer: 834 00:27:03,180 --> 00:27:05,190 Broadway great Billy Porter, 835 00:27:05,190 --> 00:27:08,099 a sneak peek from "Diana," 836 00:27:05,190 --> 00:27:08,099 the new musical, 837 00:27:08,099 --> 00:27:11,009 and the legendary 838 00:27:08,099 --> 00:27:11,009 Barbra Streisand, 839 00:27:11,009 --> 00:27:14,230 when "One Night Only: 840 00:27:11,009 --> 00:27:14,230 The Best of Broadway" returns. 841 00:27:14,230 --> 00:27:16,029 ♪ Blame it 842 00:27:14,230 --> 00:27:16,029 on the nights on Broadway ♪ 843 00:27:16,029 --> 00:27:17,059 ♪ Singin' them love ♪ 844 00:27:20,049 --> 00:27:20,069 . 845 00:27:21,099 --> 00:27:21,130 ♪♪♪ 846 00:27:24,140 --> 00:27:27,269 My first time seeing a Broadway 847 00:27:24,140 --> 00:27:27,269 show was "Dreamgirls." 848 00:27:27,269 --> 00:27:29,099 I was in New York, 849 00:27:29,099 --> 00:27:32,000 and it was my first time, 850 00:27:29,099 --> 00:27:32,000 really, in the big city, 851 00:27:32,000 --> 00:27:35,009 and I said, I just want to be 852 00:27:32,000 --> 00:27:35,009 around kind of Broadway and what 853 00:27:32,000 --> 00:27:35,009 it's like." 854 00:27:35,009 --> 00:27:37,230 And I went by 855 00:27:35,009 --> 00:27:37,230 the Dreamgirls theater, 856 00:27:37,230 --> 00:27:39,000 and I saw the backstage door, 857 00:27:39,000 --> 00:27:40,220 and I knocked 858 00:27:39,000 --> 00:27:40,220 on the backstage door. 859 00:27:40,220 --> 00:27:42,109 And one of the actors came out 860 00:27:40,220 --> 00:27:42,109 by the name of -- 861 00:27:42,109 --> 00:27:44,200 the great Obba Babatunde, 862 00:27:44,200 --> 00:27:46,190 and he came in -- 863 00:27:44,200 --> 00:27:46,190 He didn't know me from Adam. 864 00:27:46,190 --> 00:27:48,119 I didn't know him, either. 865 00:27:46,190 --> 00:27:48,119 I said, "Listen, man, 866 00:27:48,119 --> 00:27:51,160 I'm college right now, 867 00:27:48,119 --> 00:27:51,160 and I just want to kind of see 868 00:27:51,160 --> 00:27:53,200 kind of 869 00:27:51,160 --> 00:27:53,200 what Broadway feels like. 870 00:27:53,200 --> 00:27:54,269 Is it possible? 871 00:27:53,200 --> 00:27:54,269 Can I just peek in?" 872 00:27:54,269 --> 00:27:56,049 He said, 873 00:27:54,269 --> 00:27:56,049 "Yeah, man, come on in." 874 00:27:56,049 --> 00:27:57,250 He showed me the stage 875 00:27:56,049 --> 00:27:57,250 and everything. 876 00:27:57,250 --> 00:28:00,160 And I think Obba saw 877 00:27:57,250 --> 00:28:00,160 just the eagerness in my eyes 878 00:28:00,160 --> 00:28:01,220 and just the naivete, 879 00:28:01,220 --> 00:28:03,190 and he's like, 880 00:28:01,220 --> 00:28:03,190 "Ah, let me help this kid out. 881 00:28:03,190 --> 00:28:07,230 First experience with musical 882 00:28:03,190 --> 00:28:07,230 theater was going to see "Cats." 883 00:28:07,230 --> 00:28:09,250 I was like, 884 00:28:09,250 --> 00:28:13,039 "What is happening? 885 00:28:09,250 --> 00:28:13,039 [ Chuckles ] 886 00:28:13,039 --> 00:28:17,059 These are adults, and 887 00:28:13,039 --> 00:28:17,059 they're in spandex and makeup, 888 00:28:17,059 --> 00:28:20,089 and they're just being 889 00:28:17,059 --> 00:28:20,089 kitty-cats onstage, 890 00:28:20,089 --> 00:28:22,250 and that's a job? 891 00:28:22,250 --> 00:28:24,059 I want that job." 892 00:28:24,059 --> 00:28:28,240 I saw "Rent" 893 00:28:24,059 --> 00:28:28,240 when they came to Philadelphia, 894 00:28:28,240 --> 00:28:32,119 The top of Act II starts, 895 00:28:32,119 --> 00:28:35,170 and a guy enters 896 00:28:32,119 --> 00:28:35,170 from stage left, 897 00:28:35,170 --> 00:28:39,269 and he winks at this girl 898 00:28:35,170 --> 00:28:39,269 entering from stage right. 899 00:28:39,269 --> 00:28:44,049 I can't even tell you 900 00:28:39,269 --> 00:28:44,049 the light bulbs that went off. 901 00:28:44,049 --> 00:28:46,150 I was interested in the life 902 00:28:44,049 --> 00:28:46,150 that was happening 903 00:28:46,150 --> 00:28:48,150 before they came on the stage. 904 00:28:48,150 --> 00:28:50,049 I didn't just want to be 905 00:28:48,150 --> 00:28:50,049 onstage with them. 906 00:28:50,049 --> 00:28:52,029 I wanted to be offstage 907 00:28:50,049 --> 00:28:52,029 with them, too. 908 00:28:52,029 --> 00:28:55,039 A little wink changed my life. 909 00:28:55,039 --> 00:28:57,130 There are stars, 910 00:28:55,039 --> 00:28:57,130 and there are superstars, 911 00:28:57,130 --> 00:28:59,079 and then there are 912 00:28:57,130 --> 00:28:59,079 a select few artists 913 00:28:59,079 --> 00:29:01,190 who transcend 914 00:28:59,079 --> 00:29:01,190 even those descriptions. 915 00:29:01,190 --> 00:29:03,039 She is one of 916 00:29:01,190 --> 00:29:03,039 the greatest performers 917 00:29:03,039 --> 00:29:04,180 in the history of Broadway 918 00:29:04,180 --> 00:29:07,259 and a recipient of an Emmy, 919 00:29:04,180 --> 00:29:07,259 Grammy, Oscar, and Tony. 920 00:29:07,259 --> 00:29:10,230 She was Miss Marmelstein 921 00:29:07,259 --> 00:29:10,230 and Fanny Brice onstage, 922 00:29:10,230 --> 00:29:13,210 but the world knows her better 923 00:29:10,230 --> 00:29:13,210 as Barbra Streisand. 924 00:29:13,210 --> 00:29:20,089 ♪♪♪ 925 00:29:20,089 --> 00:29:22,069 ♪ People ♪ 926 00:29:22,069 --> 00:29:25,089 [ Cheers and applause ] 927 00:29:25,089 --> 00:29:32,000 ♪ People who need people ♪ 928 00:29:32,000 --> 00:29:37,029 ♪ Are the luckiest people ♪ 929 00:29:37,029 --> 00:29:43,160 ♪ In the world ♪ 930 00:29:43,160 --> 00:29:48,009 ♪ A feeling deep in your soul ♪ 931 00:29:48,009 --> 00:29:52,170 ♪ Says you were half, 932 00:29:48,009 --> 00:29:52,170 now you're whole ♪ 933 00:29:52,170 --> 00:29:56,240 ♪ No more hunger and thirst ♪ 934 00:29:56,240 --> 00:30:03,089 ♪ But first be a person 935 00:29:56,240 --> 00:30:03,089 who needs people ♪ 936 00:30:03,089 --> 00:30:10,009 ♪ People who need people ♪ 937 00:30:10,009 --> 00:30:15,269 ♪ Are the luckiest people ♪ 938 00:30:15,269 --> 00:30:29,000 ♪ In the world ♪ 939 00:30:29,000 --> 00:30:31,170 [ Cheers and applause ] 940 00:30:31,170 --> 00:30:33,190 ♪♪♪ 941 00:30:33,190 --> 00:30:36,000 Thank you. 942 00:30:36,000 --> 00:30:37,279 Thank you. 943 00:30:37,279 --> 00:30:40,130 ♪♪♪ 944 00:30:40,130 --> 00:30:43,279 Good words that are 945 00:30:40,130 --> 00:30:43,279 just as relevant today. 946 00:30:43,279 --> 00:30:47,210 That song brings back 947 00:30:43,279 --> 00:30:47,210 a lot of memories to me. 948 00:30:47,210 --> 00:30:50,190 My love affair with Broadway 949 00:30:50,190 --> 00:30:54,200 started when I was actually 950 00:30:50,190 --> 00:30:54,200 14 years old, 951 00:30:54,200 --> 00:30:56,240 and I saw 952 00:30:54,200 --> 00:30:56,240 my first Broadway show, 953 00:30:56,240 --> 00:30:59,140 "The Diary of Anne Frank." 954 00:30:59,140 --> 00:31:01,220 I remember the price 955 00:30:59,140 --> 00:31:01,220 of the ticket. 956 00:31:01,220 --> 00:31:04,259 It was a $1.89 957 00:31:01,220 --> 00:31:04,259 for a balcony seat. 958 00:31:04,259 --> 00:31:06,160 From then on, every Saturday, 959 00:31:06,160 --> 00:31:09,089 I took the subway 960 00:31:06,160 --> 00:31:09,089 from Brooklyn to Manhattan 961 00:31:09,089 --> 00:31:10,250 to see another show. 962 00:31:10,250 --> 00:31:14,160 After I moved to Manhattan 963 00:31:10,250 --> 00:31:14,160 when I was 16, 964 00:31:14,160 --> 00:31:18,150 I was so happy to get a job 965 00:31:14,160 --> 00:31:18,150 on New Year's Eve 966 00:31:18,150 --> 00:31:21,059 as an usher 967 00:31:18,150 --> 00:31:21,059 in a Broadway theater, 968 00:31:21,059 --> 00:31:23,259 where I was paid -- I remember 969 00:31:21,059 --> 00:31:23,259 that, too -- 970 00:31:23,259 --> 00:31:26,259 $4.15 an hour 971 00:31:26,259 --> 00:31:29,210 and got to see the show 972 00:31:26,259 --> 00:31:29,210 for free. 973 00:31:29,210 --> 00:31:32,049 Little did they know 974 00:31:29,210 --> 00:31:32,049 I would have paid them. 975 00:31:32,049 --> 00:31:34,289 When I was 19, 976 00:31:34,289 --> 00:31:39,019 I was lucky to be cast 977 00:31:34,289 --> 00:31:39,019 in my first Broadway role, 978 00:31:39,019 --> 00:31:43,049 as the lovelorn secretary 979 00:31:39,019 --> 00:31:43,049 Miss Marmelstein 980 00:31:43,049 --> 00:31:45,289 in "I Can Get It 981 00:31:43,049 --> 00:31:45,289 For You Wholesale." 982 00:31:45,289 --> 00:31:48,240 Two years later, 983 00:31:45,289 --> 00:31:48,240 I found myself playing 984 00:31:48,240 --> 00:31:52,019 the lead role of Fanny Brice 985 00:31:48,240 --> 00:31:52,019 in "Funny Girl." 986 00:31:52,019 --> 00:31:54,059 What I think about it, 987 00:31:52,019 --> 00:31:54,059 I can still feel 988 00:31:54,059 --> 00:31:57,059 the excitement 989 00:31:54,059 --> 00:31:57,059 of the creative process, 990 00:31:57,059 --> 00:32:00,099 working on the script, 991 00:31:57,059 --> 00:32:00,099 or rehearsing the songs. 992 00:32:00,099 --> 00:32:04,289 And it makes me think 993 00:32:00,099 --> 00:32:04,289 of all the young people today 994 00:32:04,289 --> 00:32:07,210 who dream of being on the stage 995 00:32:07,210 --> 00:32:12,069 but have no outlet for their 996 00:32:07,210 --> 00:32:12,069 talent and creative energy. 997 00:32:12,069 --> 00:32:17,150 I'm worried about the thousands 998 00:32:12,069 --> 00:32:17,150 of dedicated professionals 999 00:32:17,150 --> 00:32:22,099 who have lost their jobs -- 1000 00:32:17,150 --> 00:32:22,099 actors, writers, directors, 1001 00:32:22,099 --> 00:32:24,210 choreographers, costume people, 1002 00:32:24,210 --> 00:32:28,079 set designers, 1003 00:32:24,210 --> 00:32:28,079 sound and lighting technicians, 1004 00:32:28,079 --> 00:32:32,140 makeup artists, 1005 00:32:28,079 --> 00:32:32,140 musicians, stagehands. 1006 00:32:32,140 --> 00:32:35,029 And what about the audience -- 1007 00:32:32,140 --> 00:32:35,029 all of the people 1008 00:32:35,029 --> 00:32:39,079 who simply want a break 1009 00:32:35,029 --> 00:32:39,079 from their daily lives, 1010 00:32:39,079 --> 00:32:42,000 who go to a show 1011 00:32:39,079 --> 00:32:42,000 to be transported 1012 00:32:42,000 --> 00:32:45,210 into another reality 1013 00:32:42,000 --> 00:32:45,210 for a few hours? 1014 00:32:45,210 --> 00:32:50,240 Because there is nothing more 1015 00:32:45,210 --> 00:32:50,240 exhilarating than live theater, 1016 00:32:50,240 --> 00:32:53,170 when we're all 1017 00:32:50,240 --> 00:32:53,170 in a moment together. 1018 00:32:53,170 --> 00:32:55,279 That's why I'm such 1019 00:32:53,170 --> 00:32:55,279 a passionate believer 1020 00:32:55,279 --> 00:32:58,279 in the mission 1021 00:32:55,279 --> 00:32:58,279 of Broadway Cares. 1022 00:32:58,279 --> 00:33:00,059 For decades, 1023 00:33:00,059 --> 00:33:03,220 it has been a resource 1024 00:33:00,059 --> 00:33:03,220 for the theater community. 1025 00:33:03,220 --> 00:33:06,079 Your donations 1026 00:33:03,220 --> 00:33:06,079 during this broadcast 1027 00:33:06,079 --> 00:33:11,019 will help provide medications, 1028 00:33:06,079 --> 00:33:11,019 groceries, healthcare, 1029 00:33:11,019 --> 00:33:14,049 and emergency 1030 00:33:11,019 --> 00:33:14,049 financial assistance 1031 00:33:14,049 --> 00:33:17,069 to those struggling 1032 00:33:14,049 --> 00:33:17,069 through a pandemic 1033 00:33:17,069 --> 00:33:20,289 that will have shut down this 1034 00:33:17,069 --> 00:33:20,289 industry for more than a year. 1035 00:33:20,289 --> 00:33:23,269 So if you love Broadway 1036 00:33:23,269 --> 00:33:29,000 and want to support the people 1037 00:33:23,269 --> 00:33:29,000 who are its lifeblood, 1038 00:33:29,000 --> 00:33:34,049 please give what you can 1039 00:33:29,000 --> 00:33:34,049 and donate today. 1040 00:33:34,049 --> 00:33:40,079 ♪♪♪ 1041 00:33:40,079 --> 00:33:43,240 Chicago opened 45 years ago 1042 00:33:40,079 --> 00:33:43,240 at the 46th Street Theatre, 1043 00:33:43,240 --> 00:33:46,240 now called the Richard Rodgers 1044 00:33:43,240 --> 00:33:46,240 Theatre, to huge acclaim, 1045 00:33:46,240 --> 00:33:49,140 and its 1996 production 1046 00:33:46,240 --> 00:33:49,140 holds the record 1047 00:33:49,140 --> 00:33:52,220 as the longest running American 1048 00:33:49,140 --> 00:33:52,220 musical in Broadway history, 1049 00:33:52,220 --> 00:33:55,210 celebrating its 25th 1050 00:33:52,220 --> 00:33:55,210 anniversary next year. 1051 00:33:55,210 --> 00:33:57,099 I'm going to guess 1052 00:33:55,210 --> 00:33:57,099 that when Broadway reopens, 1053 00:33:57,099 --> 00:33:59,119 it'll pick up 1054 00:33:57,099 --> 00:33:59,119 right where it left off. 1055 00:33:59,119 --> 00:34:01,279 Here with "All That Jazz" 1056 00:33:59,119 --> 00:34:01,279 is Lana Gordon 1057 00:34:01,279 --> 00:34:04,059 and the cast of "Chicago." 1058 00:34:04,059 --> 00:34:11,050 ♪♪♪ 1059 00:34:11,050 --> 00:34:18,039 ♪♪♪ 1060 00:34:18,039 --> 00:34:25,030 ♪♪♪ 1061 00:34:25,030 --> 00:34:29,019 ♪ Come on, babe, 1062 00:34:25,030 --> 00:34:29,019 why don't we paint the town? ♪ 1063 00:34:29,019 --> 00:34:31,070 ♪♪♪ 1064 00:34:31,070 --> 00:34:32,219 ♪ And all that jazz ♪ 1065 00:34:32,219 --> 00:34:37,130 ♪ I'm gonna rouge my knees 1066 00:34:32,219 --> 00:34:37,130 and roll my stockings down ♪ 1067 00:34:37,130 --> 00:34:39,150 ♪♪♪ 1068 00:34:39,150 --> 00:34:41,139 ♪ And all that jazz ♪ 1069 00:34:41,139 --> 00:34:45,119 ♪ Start the car, 1070 00:34:41,139 --> 00:34:45,119 I know a whoopee spot ♪ 1071 00:34:45,119 --> 00:34:49,110 ♪ Where the gin is cold 1072 00:34:45,119 --> 00:34:49,110 but the piano's hot ♪ 1073 00:34:49,110 --> 00:34:53,170 ♪ It's just a noisy hall 1074 00:34:49,110 --> 00:34:53,170 where there's a nightly brawl ♪ 1075 00:34:53,170 --> 00:35:03,150 ♪ And all that jazz ♪ 1076 00:35:03,150 --> 00:35:05,280 ♪♪♪ 1077 00:35:05,280 --> 00:35:11,219 ♪ Slick your hair, 1078 00:35:05,280 --> 00:35:11,219 wear your buckled shoes ♪ 1079 00:35:11,219 --> 00:35:13,050 ♪ And all that jazz ♪ 1080 00:35:13,050 --> 00:35:19,170 ♪ I hear that Father Dip 1081 00:35:13,050 --> 00:35:19,170 is gonna blow the blues ♪ 1082 00:35:19,170 --> 00:35:21,210 ♪ And all that jazz ♪ 1083 00:35:21,210 --> 00:35:25,000 ♪ Hold on, hon, 1084 00:35:21,210 --> 00:35:25,000 we're gonna bunny hug ♪ 1085 00:35:25,000 --> 00:35:28,230 ♪ I bought some aspirin 1086 00:35:25,000 --> 00:35:28,230 down at United Drug ♪ 1087 00:35:28,230 --> 00:35:32,250 ♪ In case you shake apart 1088 00:35:28,230 --> 00:35:32,250 and want a brand new start ♪ 1089 00:35:32,250 --> 00:35:43,039 ♪ To do that jazz-skeedo ♪ 1090 00:35:43,039 --> 00:35:45,050 ♪ And all that jazz ♪ 1091 00:35:45,050 --> 00:35:47,050 ♪ Watch out ♪ 1092 00:35:47,050 --> 00:35:49,030 ♪ Whoopee! ♪ 1093 00:35:49,030 --> 00:35:50,250 ♪♪♪ 1094 00:35:50,250 --> 00:35:54,179 ♪ And all that jazz ♪ 1095 00:35:54,179 --> 00:35:59,239 ♪♪♪ 1096 00:35:59,239 --> 00:36:04,079 ♪ It's just a noisy hall where 1097 00:35:59,239 --> 00:36:04,079 there's a nightly brawl and ♪ 1098 00:36:04,079 --> 00:36:11,280 ♪ All that jazz ♪ 1099 00:36:11,280 --> 00:36:16,150 ♪ Oh, you're gonna see 1100 00:36:11,280 --> 00:36:16,150 your Sheba shimmy shake ♪ 1101 00:36:16,150 --> 00:36:18,250 ♪ And all that jazz ♪ 1102 00:36:18,250 --> 00:36:22,280 ♪ Oh, she's gonna shimmy 1103 00:36:18,250 --> 00:36:22,280 till her garters break ♪ 1104 00:36:22,280 --> 00:36:25,210 ♪ Oh, and all that jazz ♪ 1105 00:36:25,210 --> 00:36:29,059 ♪ Show her 1106 00:36:25,210 --> 00:36:29,059 where to park her girdle ♪ 1107 00:36:29,059 --> 00:36:32,059 ♪ Oh, her mother's 1108 00:36:29,059 --> 00:36:32,059 blood'll curdle ♪ 1109 00:36:32,059 --> 00:36:35,059 ♪ If she'd hear 1110 00:36:32,059 --> 00:36:35,059 her baby's queer ♪ 1111 00:36:35,059 --> 00:36:42,219 ♪ For all that jazz ♪ 1112 00:36:42,219 --> 00:36:46,000 ♪ Come on, babe, 1113 00:36:42,219 --> 00:36:46,000 why don't we paint the town? ♪ 1114 00:36:42,219 --> 00:36:46,000 ♪ Oh, you're gonna see 1115 00:36:42,219 --> 00:36:46,000 your Sheba ♪ 1116 00:36:46,000 --> 00:36:48,260 ♪ And all that jazz ♪ 1117 00:36:46,000 --> 00:36:48,260 ♪ Shimmy shake, 1118 00:36:46,000 --> 00:36:48,260 and all that jazz ♪ 1119 00:36:48,260 --> 00:36:52,139 ♪ I'm gonna rouge my knees 1120 00:36:48,260 --> 00:36:52,139 and roll my stockings down ♪ 1121 00:36:48,260 --> 00:36:52,139 ♪ Oh, she's gonna shimmy ♪ 1122 00:36:52,139 --> 00:36:56,039 ♪ And all that jazz ♪ 1123 00:36:52,139 --> 00:36:56,039 ♪ Till her garters break 1124 00:36:52,139 --> 00:36:56,039 and all that jazz ♪ 1125 00:36:56,039 --> 00:36:59,079 ♪ Start the car, 1126 00:36:56,039 --> 00:36:59,079 I know a whoopee spot ♪ 1127 00:36:56,039 --> 00:36:59,079 ♪ Show her where 1128 00:36:56,039 --> 00:36:59,079 to park her girdle ♪ 1129 00:36:59,079 --> 00:37:02,179 ♪ Where the gin is cold 1130 00:36:59,079 --> 00:37:02,179 but the piano's hot ♪ 1131 00:36:59,079 --> 00:37:02,179 ♪ Oh, her mother's 1132 00:36:59,079 --> 00:37:02,179 blood'll curdle ♪ 1133 00:37:02,179 --> 00:37:05,289 ♪ It's just a noisy hall 1134 00:37:02,179 --> 00:37:05,289 where there's a nightly brawl ♪ 1135 00:37:02,179 --> 00:37:05,289 ♪ If she'd hear 1136 00:37:02,179 --> 00:37:05,289 her baby's queer ♪ 1137 00:37:05,289 --> 00:37:09,019 ♪ And all that ♪ 1138 00:37:05,289 --> 00:37:09,019 ♪ For all that ♪ 1139 00:37:09,019 --> 00:37:11,269 ♪♪♪ 1140 00:37:11,269 --> 00:37:14,119 ♪ No, I'm no one's wife ♪ 1141 00:37:14,119 --> 00:37:18,199 ♪ But, oh, I love my life ♪ 1142 00:37:18,199 --> 00:37:24,289 ♪ And all that ♪ 1143 00:37:24,289 --> 00:37:30,139 ♪ Jazz ♪ 1144 00:37:30,139 --> 00:37:33,289 ♪ That jazz ♪ 1145 00:37:33,289 --> 00:37:36,159 ♪♪♪ 1146 00:37:36,159 --> 00:37:39,039 Announcer: A performance 1147 00:37:36,159 --> 00:37:39,039 from the 15-time Tony nominee 1148 00:37:39,039 --> 00:37:41,019 "Jagged Little Pill" 1149 00:37:39,039 --> 00:37:41,019 and more from 1150 00:37:41,019 --> 00:37:44,059 "Ain't Too Proud: The Life 1151 00:37:41,019 --> 00:37:44,059 and Times of The Temptations," 1152 00:37:44,059 --> 00:37:48,090 when "One Night Only: 1153 00:37:44,059 --> 00:37:48,090 The Best of Broadway" continues. 1154 00:37:48,090 --> 00:37:50,070 ♪ Blame it 1155 00:37:48,090 --> 00:37:50,070 on the nights on Broadway ♪ 1156 00:37:53,039 --> 00:37:53,059 . 1157 00:37:54,090 --> 00:37:54,250 ♪♪♪ 1158 00:37:58,139 --> 00:38:00,010 Inspired by Alanis Morissette's 1159 00:38:00,010 --> 00:38:02,170 legendary 1995 1160 00:38:00,010 --> 00:38:02,170 Grammy-winning album, 1161 00:38:02,170 --> 00:38:05,269 this powerful and empowering 1162 00:38:02,170 --> 00:38:05,269 story of pain and hurt, 1163 00:38:05,269 --> 00:38:09,000 joy, and redemption 1164 00:38:05,269 --> 00:38:09,000 opened on Broadway in 2019 1165 00:38:09,000 --> 00:38:11,130 and received 1166 00:38:09,000 --> 00:38:11,130 15 Tony nominations. 1167 00:38:11,130 --> 00:38:13,070 With the song "You Oughta Know," 1168 00:38:13,070 --> 00:38:15,230 here is the cast 1169 00:38:13,070 --> 00:38:15,230 of "Jagged Little Pill." 1170 00:38:15,230 --> 00:38:20,250 ♪ I want you to know ♪ 1171 00:38:20,250 --> 00:38:27,079 ♪ That I'm happy for you ♪ 1172 00:38:27,079 --> 00:38:31,289 ♪ I wish nothing but ♪ 1173 00:38:31,289 --> 00:38:37,090 ♪ The best for you both ♪ 1174 00:38:37,090 --> 00:38:42,000 ♪ The perfect version of me, 1175 00:38:37,090 --> 00:38:42,000 is he perverted like me? ♪ 1176 00:38:42,000 --> 00:38:46,210 ♪ Would he go down 1177 00:38:42,000 --> 00:38:46,210 in a theater? ♪ 1178 00:38:46,210 --> 00:38:51,139 ♪ So he speaks eloquently 1179 00:38:46,210 --> 00:38:51,139 and you can have his baby? ♪ 1180 00:38:51,139 --> 00:38:56,269 ♪ I'm sure you'd make 1181 00:38:51,139 --> 00:38:56,269 a really excellent mother ♪ 1182 00:38:56,269 --> 00:38:58,179 ♪ 'Cause the love 1183 00:38:56,269 --> 00:38:58,179 that you gave that we made ♪ 1184 00:38:58,179 --> 00:39:03,070 ♪ Wasn't able to make it enough 1185 00:38:58,179 --> 00:39:03,070 for you to be open wide ♪ 1186 00:39:03,070 --> 00:39:06,090 ♪♪♪ 1187 00:39:06,090 --> 00:39:08,150 ♪ And every time 1188 00:39:06,090 --> 00:39:08,150 you speak his name ♪ 1189 00:39:08,150 --> 00:39:12,030 ♪ Does he know why you told me 1190 00:39:08,150 --> 00:39:12,030 you'd be there until you died ♪ 1191 00:39:12,030 --> 00:39:15,000 ♪ Till you died, 1192 00:39:12,030 --> 00:39:15,000 but you're still alive ♪ 1193 00:39:15,000 --> 00:39:19,230 ♪ And I'm here to remind you ♪ 1194 00:39:19,230 --> 00:39:24,159 ♪ Of the mess you left 1195 00:39:19,230 --> 00:39:24,159 when you went away ♪ 1196 00:39:24,159 --> 00:39:29,050 ♪ It's not fair to deny me ♪ 1197 00:39:29,050 --> 00:39:33,059 ♪ Of the cross I bear 1198 00:39:29,050 --> 00:39:33,059 that you gave to me ♪ 1199 00:39:33,059 --> 00:39:37,039 ♪ You, you, you oughta know ♪ 1200 00:39:37,039 --> 00:39:41,219 ♪ You seem very well ♪ 1201 00:39:41,219 --> 00:39:46,150 ♪ Things look peaceful ♪ 1202 00:39:46,150 --> 00:39:50,179 ♪ I'm not quite as well ♪ 1203 00:39:50,179 --> 00:39:55,030 ♪ I thought you should know ♪ 1204 00:39:55,030 --> 00:39:59,190 ♪ Did you forget about me, 1205 00:39:55,030 --> 00:39:59,190 Mrs. Duplicity? ♪ 1206 00:39:59,190 --> 00:40:04,130 ♪ I hate to give him 1207 00:39:59,190 --> 00:40:04,130 so much to live up to ♪ 1208 00:40:04,130 --> 00:40:09,039 ♪ It was a slap in the face 1209 00:40:04,130 --> 00:40:09,039 how quickly I was replaced ♪ 1210 00:40:09,039 --> 00:40:13,269 ♪ And are you thinking of me 1211 00:40:09,039 --> 00:40:13,269 when he ♪ 1212 00:40:13,269 --> 00:40:18,159 ♪ And I'm here to remind you ♪ 1213 00:40:18,159 --> 00:40:23,090 ♪ Of the mess you left 1214 00:40:18,159 --> 00:40:23,090 when you went away ♪ 1215 00:40:23,090 --> 00:40:27,260 ♪ It's not fair to deny me ♪ 1216 00:40:27,260 --> 00:40:32,019 ♪ Of the cross I bear 1217 00:40:27,260 --> 00:40:32,019 that you gave to me ♪ 1218 00:40:32,019 --> 00:40:36,039 ♪ You, you, you oughta know ♪ 1219 00:40:36,039 --> 00:40:37,260 ♪♪♪ 1220 00:40:37,260 --> 00:40:40,269 [ All vocalizing ] 1221 00:40:40,269 --> 00:40:47,190 ♪♪♪ 1222 00:40:47,190 --> 00:40:54,110 ♪♪♪ 1223 00:40:54,110 --> 00:40:56,230 ♪ 'Cause the joke that you laid 1224 00:40:54,110 --> 00:40:56,230 in the bed, that was me ♪ 1225 00:40:56,230 --> 00:41:00,250 ♪ And I'm not gonna fade 1226 00:40:56,230 --> 00:41:00,250 as soon as you close your eyes ♪ 1227 00:41:00,250 --> 00:41:02,019 ♪ And you know it ♪ 1228 00:41:02,019 --> 00:41:04,000 ♪ And you know it, 1229 00:41:02,019 --> 00:41:04,000 and you know ♪ 1230 00:41:04,000 --> 00:41:06,050 ♪ And every time 1231 00:41:04,000 --> 00:41:06,050 I scratch my nails ♪ 1232 00:41:06,050 --> 00:41:10,090 ♪ Down someone else's back, 1233 00:41:06,050 --> 00:41:10,090 I hope you feel it ♪ 1234 00:41:10,090 --> 00:41:12,210 ♪ Well, can you feel it? ♪ 1235 00:41:12,210 --> 00:41:17,099 ♪ And I'm here to remind you ♪ 1236 00:41:17,099 --> 00:41:21,099 ♪ Of the mess you left 1237 00:41:17,099 --> 00:41:21,099 when you went away ♪ 1238 00:41:21,099 --> 00:41:24,119 ♪ You, you, you oughta know ♪ 1239 00:41:24,119 --> 00:41:28,260 ♪ That I'm here to remind you ♪ 1240 00:41:28,260 --> 00:41:33,179 ♪ Of the mess you left 1241 00:41:28,260 --> 00:41:33,179 when you went away ♪ 1242 00:41:33,179 --> 00:41:38,059 ♪ It's not fair to deny me ♪ 1243 00:41:38,059 --> 00:41:42,099 ♪ Of the cross I bear 1244 00:41:38,059 --> 00:41:42,099 that you gave to me ♪ 1245 00:41:42,099 --> 00:41:46,210 ♪ You, you, you oughta know ♪ 1246 00:41:49,210 --> 00:41:51,269 "Ain't Too Proud," 1247 00:41:49,210 --> 00:41:51,269 the electrifying musical 1248 00:41:51,269 --> 00:41:54,130 about the life and times 1249 00:41:51,269 --> 00:41:54,130 of the Temptations, opened 1250 00:41:54,130 --> 00:41:57,239 at Broadway's Imperial Theatre 1251 00:41:54,130 --> 00:41:57,239 in March of 2019. 1252 00:41:57,239 --> 00:41:59,269 It won the Tony Award 1253 00:41:57,239 --> 00:41:59,269 for Best Choreography. 1254 00:41:59,269 --> 00:42:02,059 And if you're a fan of Motown, 1255 00:41:59,269 --> 00:42:02,059 like my friend Laura, 1256 00:42:02,059 --> 00:42:04,219 who's obsessed with this show, 1257 00:42:02,059 --> 00:42:04,219 you will love hearing 1258 00:42:04,219 --> 00:42:08,019 the cast's performances 1259 00:42:04,219 --> 00:42:08,019 of the group's greatest songs. 1260 00:42:08,019 --> 00:42:11,219 I think that the place that The 1261 00:42:08,019 --> 00:42:11,219 Temptations have in our history 1262 00:42:11,219 --> 00:42:13,090 is a really unique one. 1263 00:42:13,090 --> 00:42:15,230 One of the wonderful things 1264 00:42:13,090 --> 00:42:15,230 about Motown was the start 1265 00:42:15,230 --> 00:42:18,030 of the intersection 1266 00:42:15,230 --> 00:42:18,030 of arts and activism. 1267 00:42:18,030 --> 00:42:21,019 These young men were 1268 00:42:18,030 --> 00:42:21,019 at the precipice of something, 1269 00:42:21,019 --> 00:42:23,099 not knowing what the other end 1270 00:42:21,019 --> 00:42:23,099 of it looks like, 1271 00:42:23,099 --> 00:42:24,289 but knowing they got 1272 00:42:23,099 --> 00:42:24,289 to say something. 1273 00:42:24,289 --> 00:42:26,050 There's speaking the message, 1274 00:42:26,050 --> 00:42:27,250 and then there's just 1275 00:42:26,050 --> 00:42:27,250 being the message. 1276 00:42:27,250 --> 00:42:29,219 And this show is the message. 1277 00:42:29,219 --> 00:42:32,260 Jackson: You know, it's just 1278 00:42:29,219 --> 00:42:32,260 so much history with this music, 1279 00:42:32,260 --> 00:42:35,199 and it's through everything 1280 00:42:32,260 --> 00:42:35,199 that's going on in America, 1281 00:42:35,199 --> 00:42:38,159 The Temptations 1282 00:42:35,199 --> 00:42:38,159 are a blueprint of that. 1283 00:42:38,159 --> 00:42:43,190 Singing "Rain" 1284 00:42:38,159 --> 00:42:43,190 is a cathartic moment for me, 1285 00:42:43,190 --> 00:42:47,099 that moment of when everyone 1286 00:42:43,190 --> 00:42:47,099 finds out the terrible news 1287 00:42:47,099 --> 00:42:50,159 that Martin Luther King Jr. 1288 00:42:47,099 --> 00:42:50,159 has been shot. 1289 00:42:50,159 --> 00:42:53,059 I feel responsible 1290 00:42:50,159 --> 00:42:53,059 in that moment of caring, 1291 00:42:53,059 --> 00:42:57,110 and I'm hoping somebody walks 1292 00:42:53,059 --> 00:42:57,110 away with an answer to something 1293 00:42:57,110 --> 00:43:00,250 or or at least hope 1294 00:42:57,110 --> 00:43:00,250 that they're not alone. 1295 00:43:00,250 --> 00:43:09,170 ♪♪♪ 1296 00:43:09,170 --> 00:43:18,099 ♪♪♪ 1297 00:43:18,099 --> 00:43:24,050 ♪ Sunshine, blue skies, 1298 00:43:18,099 --> 00:43:24,050 please go away ♪ 1299 00:43:24,050 --> 00:43:29,070 ♪ My girl has found another 1300 00:43:24,050 --> 00:43:29,070 and gone away ♪ 1301 00:43:29,070 --> 00:43:34,099 ♪ With her went my future, 1302 00:43:29,070 --> 00:43:34,099 my life is filled with gloom ♪ 1303 00:43:34,099 --> 00:43:39,130 ♪ So day after day, 1304 00:43:34,099 --> 00:43:39,130 I stay locked up in my room ♪ 1305 00:43:39,130 --> 00:43:44,050 ♪ I know to you, 1306 00:43:39,130 --> 00:43:44,050 it might sound strange ♪ 1307 00:43:44,050 --> 00:43:45,179 ♪ But I wish it would rain ♪ 1308 00:43:45,179 --> 00:43:50,280 ♪ Oh, how I wish 1309 00:43:45,179 --> 00:43:50,280 that it would rain ♪ 1310 00:43:50,280 --> 00:43:54,250 ♪ 'Cause so badly 1311 00:43:50,280 --> 00:43:54,250 I wanna go outside ♪ 1312 00:43:54,250 --> 00:43:56,079 ♪ Such a lovely day ♪ 1313 00:43:56,079 --> 00:44:00,139 ♪ But everyone knows that a man 1314 00:43:56,079 --> 00:44:00,139 ain't supposed to cry ♪ 1315 00:44:00,139 --> 00:44:02,010 ♪ But listen ♪ 1316 00:44:02,010 --> 00:44:11,059 ♪ I gotta cry 'cause crying 1317 00:44:02,010 --> 00:44:11,059 eases the pain, oh, yeah ♪ 1318 00:44:11,059 --> 00:44:14,000 ♪ People, this hurt 1319 00:44:11,059 --> 00:44:14,000 I feel inside ♪ 1320 00:44:14,000 --> 00:44:17,199 ♪ Words could never explain, 1321 00:44:14,000 --> 00:44:17,199 I wish it would rain ♪ 1322 00:44:17,199 --> 00:44:22,070 ♪ Oh, how I wish 1323 00:44:17,199 --> 00:44:22,070 that it would rain ♪ 1324 00:44:22,070 --> 00:44:25,070 ♪ Day in, day out, 1325 00:44:22,070 --> 00:44:25,070 my tear-stained face ♪ 1326 00:44:25,070 --> 00:44:27,199 ♪ Pressed against 1327 00:44:25,070 --> 00:44:27,199 the window pane ♪ 1328 00:44:27,199 --> 00:44:32,179 ♪ My eyes search the skies 1329 00:44:27,199 --> 00:44:32,179 desperately for rain ♪ 1330 00:44:32,179 --> 00:44:35,159 ♪ 'Cause rain drops 1331 00:44:32,179 --> 00:44:35,159 will hide my tear drops ♪ 1332 00:44:35,159 --> 00:44:39,079 ♪ And no one will ever know 1333 00:44:35,159 --> 00:44:39,079 that I'm crying ♪ 1334 00:44:39,079 --> 00:44:40,250 ♪ Crying, crying ♪ 1335 00:44:40,250 --> 00:44:43,159 ♪ When I go outside ♪ 1336 00:44:43,159 --> 00:44:47,280 ♪ To the world outside my tears, 1337 00:44:43,159 --> 00:44:47,280 I refuse to explain ♪ 1338 00:44:47,280 --> 00:44:49,179 ♪ Ooh, I wish it would rain ♪ 1339 00:44:49,179 --> 00:44:53,130 ♪ Oh, how I wish 1340 00:44:49,179 --> 00:44:53,130 that it would rain ♪ 1341 00:44:53,130 --> 00:44:56,289 ♪♪♪ 1342 00:44:56,289 --> 00:45:00,010 There was nowhere for sanctuary. 1343 00:45:00,010 --> 00:45:02,119 Outside, the world 1344 00:45:00,010 --> 00:45:02,119 was exploding, 1345 00:45:02,119 --> 00:45:05,230 and inside, so were we. 1346 00:45:05,230 --> 00:45:08,239 ♪ Ooh, baby ♪ 1347 00:45:08,239 --> 00:45:12,210 ♪ Let it rain, let it rain ♪ 1348 00:45:08,239 --> 00:45:12,210 ♪ Let it rain ♪ 1349 00:45:12,210 --> 00:45:19,110 ♪ I need rain to disguise 1350 00:45:12,210 --> 00:45:19,110 the tears in my eyes, whoa ♪ 1351 00:45:19,110 --> 00:45:23,099 ♪ Let it rain, let it rain ♪ 1352 00:45:19,110 --> 00:45:23,099 ♪ Let it rain ♪ 1353 00:45:23,099 --> 00:45:27,230 ♪ I'm a man, and I got my pride, 1354 00:45:23,099 --> 00:45:27,230 I'm a man ♪ 1355 00:45:27,230 --> 00:45:31,079 ♪♪♪ 1356 00:45:31,079 --> 00:45:34,230 ♪ Let it rain ♪ 1357 00:45:34,230 --> 00:45:38,260 ♪♪♪ 1358 00:45:41,019 --> 00:45:43,250 ♪♪♪ 1359 00:45:43,250 --> 00:45:46,230 Announcer: Broadway superstar 1360 00:45:43,250 --> 00:45:46,230 Billy Porter and a performance 1361 00:45:46,230 --> 00:45:49,139 from the upcoming "Diana," 1362 00:45:46,230 --> 00:45:49,139 the new musical, 1363 00:45:49,139 --> 00:45:52,260 when "One Night Only: 1364 00:45:49,139 --> 00:45:52,260 The Best of Broadway" returns. 1365 00:45:52,260 --> 00:45:55,170 ♪ Blame it all ♪ 1366 00:45:52,260 --> 00:45:55,170 ♪ On the nights on Broadway ♪ 1367 00:45:55,170 --> 00:45:57,050 ♪ Blame it 1368 00:45:55,170 --> 00:45:57,050 on the nights on Broadway ♪ 1369 00:46:00,039 --> 00:46:00,059 . 1370 00:46:01,079 --> 00:46:01,110 ♪♪♪ 1371 00:46:04,130 --> 00:46:07,130 Hey, everybody. 1372 00:46:04,130 --> 00:46:07,130 Billy Porter here. 1373 00:46:07,130 --> 00:46:11,150 So, I made my Broadway debut 1374 00:46:07,130 --> 00:46:11,150 back in 1991 1375 00:46:11,150 --> 00:46:15,190 in the ensemble 1376 00:46:11,150 --> 00:46:15,190 of the musical "Miss Saigon." 1377 00:46:15,190 --> 00:46:20,000 At the time, our nation 1378 00:46:15,190 --> 00:46:20,000 was facing the scourge 1379 00:46:20,000 --> 00:46:21,159 of another pandemic. 1380 00:46:21,159 --> 00:46:25,090 That's when, from the hearts of 1381 00:46:21,159 --> 00:46:25,090 those in the theater community, 1382 00:46:25,090 --> 00:46:29,010 Broadway Cares/Equity 1383 00:46:25,090 --> 00:46:29,010 Fights AIDS was born. 1384 00:46:29,010 --> 00:46:32,239 And now here we are today in 1385 00:46:29,010 --> 00:46:32,239 the midst of another pandemic, 1386 00:46:32,239 --> 00:46:35,139 one that has shut down 1387 00:46:32,239 --> 00:46:35,139 our beloved theaters 1388 00:46:35,139 --> 00:46:37,190 for what will be 1389 00:46:35,139 --> 00:46:37,190 more than a year, 1390 00:46:37,190 --> 00:46:39,269 leaving many without a paycheck, 1391 00:46:39,269 --> 00:46:42,090 with health insurance 1392 00:46:39,269 --> 00:46:42,090 in jeopardy, 1393 00:46:42,090 --> 00:46:44,019 and with futures uncertain. 1394 00:46:44,019 --> 00:46:47,019 So again, 1395 00:46:44,019 --> 00:46:47,019 led by Broadway Cares, 1396 00:46:47,019 --> 00:46:50,210 we're turning our anger 1397 00:46:47,019 --> 00:46:50,210 and our sorrow into action 1398 00:46:50,210 --> 00:46:54,110 to help those struggling 1399 00:46:50,210 --> 00:46:54,110 during this pandemic. 1400 00:46:54,110 --> 00:46:56,119 When we're in the theater, 1401 00:46:56,119 --> 00:46:59,079 we have little red buckets 1402 00:46:56,119 --> 00:46:59,079 like these from Broadway Cares 1403 00:46:59,079 --> 00:47:01,269 that symbolize help and hope. 1404 00:47:01,269 --> 00:47:03,219 It's how audiences 1405 00:47:01,269 --> 00:47:03,219 make a difference 1406 00:47:03,219 --> 00:47:06,210 by donating on their way 1407 00:47:03,219 --> 00:47:06,210 out of the theater. 1408 00:47:06,210 --> 00:47:10,090 Tonight, your contribution 1409 00:47:06,210 --> 00:47:10,090 to the online red bucket 1410 00:47:10,090 --> 00:47:13,210 ensures those onstage 1411 00:47:10,090 --> 00:47:13,210 and behind the scenes 1412 00:47:13,210 --> 00:47:15,099 can pay for groceries, 1413 00:47:15,099 --> 00:47:17,199 see a doctor, 1414 00:47:15,099 --> 00:47:17,199 and get emergency help. 1415 00:47:17,199 --> 00:47:19,219 So join me by going to 1416 00:47:19,219 --> 00:47:24,210 broadwaycares.org/help2020. 1417 00:47:24,210 --> 00:47:28,159 And we thank you in advance 1418 00:47:24,210 --> 00:47:28,159 for your help 1419 00:47:28,159 --> 00:47:31,030 and your love 1420 00:47:28,159 --> 00:47:31,030 and your generosity. 1421 00:47:31,030 --> 00:47:33,210 God bless you all. 1422 00:47:33,210 --> 00:47:37,130 Just 19 days before its 1423 00:47:33,210 --> 00:47:37,130 scheduled March 31st opening, 1424 00:47:37,130 --> 00:47:40,239 the much-anticipated musical 1425 00:47:37,130 --> 00:47:40,239 about Diana, Princess of Wales, 1426 00:47:40,239 --> 00:47:43,090 was shut down 1427 00:47:40,239 --> 00:47:43,090 like so many other productions. 1428 00:47:43,090 --> 00:47:45,150 But tonight, we are lucky 1429 00:47:43,090 --> 00:47:45,150 to be able to bring you 1430 00:47:45,150 --> 00:47:48,199 one of its big numbers, a song 1431 00:47:45,150 --> 00:47:48,199 about Diana's relief and joy 1432 00:47:48,199 --> 00:47:51,050 about being freed 1433 00:47:48,199 --> 00:47:51,050 from the royal family. 1434 00:47:51,050 --> 00:47:53,190 Accompanied by Tony Award 1435 00:47:51,050 --> 00:47:53,190 winner David Bryan, 1436 00:47:53,190 --> 00:47:56,289 with the song "If," 1437 00:47:53,190 --> 00:47:56,289 here is Jeanna de Waal. 1438 00:47:56,289 --> 00:48:03,039 ♪♪♪ 1439 00:48:03,039 --> 00:48:09,090 ♪♪♪ 1440 00:48:09,090 --> 00:48:15,050 ♪ I offer my goodbyes 1441 00:48:09,090 --> 00:48:15,050 without compromise ♪ 1442 00:48:15,050 --> 00:48:21,139 ♪ A princess moving on ♪ 1443 00:48:21,139 --> 00:48:26,190 ♪ Beyond the palace staffs, 1444 00:48:21,139 --> 00:48:26,190 beyond the photographs ♪ 1445 00:48:26,190 --> 00:48:33,030 ♪ A fairy tale come and gone ♪ 1446 00:48:33,030 --> 00:48:39,010 ♪ All I shall do again, 1447 00:48:33,030 --> 00:48:39,010 stand in a queue again ♪ 1448 00:48:39,010 --> 00:48:45,050 ♪ Here's to not making news ♪ 1449 00:48:45,050 --> 00:48:50,139 ♪ A mother full of pride, 1450 00:48:45,050 --> 00:48:50,139 her prince is by her side ♪ 1451 00:48:50,139 --> 00:48:56,170 ♪ Her life finally hers 1452 00:48:50,139 --> 00:48:56,170 to choose ♪ 1453 00:48:56,170 --> 00:49:01,159 ♪ And I choose happiness, 1454 00:48:56,170 --> 00:49:01,159 I choose a fresh new start ♪ 1455 00:49:01,159 --> 00:49:08,090 ♪ I choose whatever lies ahead ♪ 1456 00:49:08,090 --> 00:49:11,119 ♪ If ♪ 1457 00:49:08,090 --> 00:49:11,119 ♪ If I can carry on ♪ 1458 00:49:11,119 --> 00:49:14,130 ♪ If ♪ 1459 00:49:11,119 --> 00:49:14,130 ♪ Stay calm and simply breathe ♪ 1460 00:49:14,130 --> 00:49:17,119 ♪ If ♪ 1461 00:49:14,130 --> 00:49:17,119 ♪ If I devote my soul ♪ 1462 00:49:17,119 --> 00:49:20,099 ♪ If ♪ 1463 00:49:17,119 --> 00:49:20,099 ♪ To every child in need ♪ 1464 00:49:20,099 --> 00:49:23,119 ♪ If ♪ 1465 00:49:20,099 --> 00:49:23,119 ♪ The Queen bestows her grace ♪ 1466 00:49:23,119 --> 00:49:26,099 ♪ If ♪ 1467 00:49:23,119 --> 00:49:26,099 ♪ And places me in charge ♪ 1468 00:49:26,099 --> 00:49:29,119 ♪ If ♪ 1469 00:49:26,099 --> 00:49:29,119 ♪ To represent the crown ♪ 1470 00:49:29,119 --> 00:49:32,150 ♪ If ♪ 1471 00:49:29,119 --> 00:49:32,150 ♪ Ambassador at large ♪ 1472 00:49:32,150 --> 00:49:35,119 ♪ If ♪ 1473 00:49:32,150 --> 00:49:35,119 ♪ I'll be their English rose ♪ 1474 00:49:35,119 --> 00:49:38,119 ♪ If ♪ 1475 00:49:35,119 --> 00:49:38,119 ♪ Their proudest 1476 00:49:35,119 --> 00:49:38,119 shining knight ♪ 1477 00:49:38,119 --> 00:49:39,139 ♪ If ♪ 1478 00:49:39,139 --> 00:49:42,260 ♪ And I'll light the world ♪ 1479 00:49:42,260 --> 00:49:45,139 ♪ I'll light the world ♪ 1480 00:49:45,139 --> 00:49:48,110 ♪♪♪ 1481 00:49:48,110 --> 00:49:54,010 ♪ But how does one begin 1482 00:49:48,110 --> 00:49:54,010 to shed her royal skin ♪ 1483 00:49:54,010 --> 00:49:57,289 ♪ Be better than before ♪ 1484 00:49:57,289 --> 00:50:00,099 ♪♪♪ 1485 00:50:00,099 --> 00:50:05,110 ♪ She discards her past, 1486 00:50:00,099 --> 00:50:05,110 all that she's amassed ♪ 1487 00:50:05,110 --> 00:50:11,190 ♪ Set free, 1488 00:50:05,110 --> 00:50:11,190 she'll do even more ♪ 1489 00:50:11,190 --> 00:50:16,150 ♪ I choose happiness, 1490 00:50:11,190 --> 00:50:16,150 I choose a fresh new start ♪ 1491 00:50:16,150 --> 00:50:23,099 ♪ I choose whatever lies ahead ♪ 1492 00:50:23,099 --> 00:50:26,099 ♪ If ♪ 1493 00:50:23,099 --> 00:50:26,099 ♪ I'll have another child ♪ 1494 00:50:26,099 --> 00:50:29,110 ♪ If ♪ 1495 00:50:26,099 --> 00:50:29,110 ♪ An answer to my prayer ♪ 1496 00:50:29,110 --> 00:50:32,130 ♪ If ♪ 1497 00:50:29,110 --> 00:50:32,130 ♪ Perhaps a baby girl ♪ 1498 00:50:32,130 --> 00:50:35,099 ♪ If ♪ 1499 00:50:32,130 --> 00:50:35,099 ♪ Or better yet a pair ♪ 1500 00:50:35,099 --> 00:50:38,119 ♪ If ♪ 1501 00:50:35,099 --> 00:50:38,119 ♪ If Charles steps aside ♪ 1502 00:50:38,119 --> 00:50:41,110 ♪ If ♪ 1503 00:50:38,119 --> 00:50:41,110 ♪ And lets my William reign ♪ 1504 00:50:41,110 --> 00:50:44,110 ♪ If ♪ 1505 00:50:41,110 --> 00:50:44,110 ♪ Then all this suffering ♪ 1506 00:50:44,110 --> 00:50:47,099 ♪ If ♪ 1507 00:50:44,110 --> 00:50:47,099 ♪ Will not have been in vain ♪ 1508 00:50:47,099 --> 00:50:50,110 ♪ If ♪ 1509 00:50:47,099 --> 00:50:50,110 ♪ My future's my design ♪ 1510 00:50:50,110 --> 00:50:53,099 ♪ If ♪ 1511 00:50:50,110 --> 00:50:53,099 ♪ My story's finally mine ♪ 1512 00:50:53,099 --> 00:50:54,150 ♪ If ♪ 1513 00:50:54,150 --> 00:50:59,139 ♪ And I'll light the world ♪ 1514 00:51:00,289 --> 00:51:04,150 ♪ I'll light the world ♪ 1515 00:51:04,150 --> 00:51:11,260 ♪♪♪ 1516 00:51:11,260 --> 00:51:14,159 ♪ Blame it all ♪ 1517 00:51:11,260 --> 00:51:14,159 ♪ On the nights on Broadway ♪ 1518 00:51:14,159 --> 00:51:16,039 ♪ Blame it 1519 00:51:14,159 --> 00:51:16,039 on the nights on Broadway ♪ 1520 00:51:19,059 --> 00:51:19,079 . 1521 00:51:20,110 --> 00:51:20,139 ♪♪♪ 1522 00:51:23,179 --> 00:51:25,250 Sometimes the most 1523 00:51:23,179 --> 00:51:25,250 painful breakup 1524 00:51:25,250 --> 00:51:27,139 is a friendship breakup. 1525 00:51:27,139 --> 00:51:28,280 Here with a fiery anthem 1526 00:51:28,280 --> 00:51:31,210 about that very specific 1527 00:51:28,280 --> 00:51:31,210 kind of heartbreak 1528 00:51:31,210 --> 00:51:34,110 is Mary Kate Morrissey 1529 00:51:31,210 --> 00:51:34,110 from the cast of "Mean Girls" 1530 00:51:34,110 --> 00:51:36,190 singing "I'd Rather Be Me." 1531 00:51:36,190 --> 00:51:43,090 ♪♪♪ 1532 00:51:43,090 --> 00:51:44,210 ♪ So your best friend 1533 00:51:43,090 --> 00:51:44,210 screwed you over ♪ 1534 00:51:44,210 --> 00:51:46,190 ♪ Acted nice when she not nice ♪ 1535 00:51:46,190 --> 00:51:48,090 ♪ Well, I have some advice ♪ 1536 00:51:48,090 --> 00:51:50,010 ♪ 'Cause it's happened 1537 00:51:48,090 --> 00:51:50,010 to me twice ♪ 1538 00:51:50,010 --> 00:51:53,190 ♪ Here's my secret strategy, 1539 00:51:50,010 --> 00:51:53,190 it always works because ♪ 1540 00:51:53,190 --> 00:51:56,179 ♪ The world doesn't end, 1541 00:51:53,190 --> 00:51:56,179 it just feels like it does ♪ 1542 00:51:56,179 --> 00:52:00,070 ♪ So raise your right finger ♪ 1543 00:52:00,070 --> 00:52:03,250 ♪ And solemnly swear ♪ 1544 00:52:03,250 --> 00:52:07,070 ♪ "Whatever they say about me ♪ 1545 00:52:07,070 --> 00:52:10,170 ♪ I don't care!" ♪ 1546 00:52:10,170 --> 00:52:12,099 ♪ I won't twist in knots 1547 00:52:10,170 --> 00:52:12,099 to join your game ♪ 1548 00:52:12,099 --> 00:52:13,260 ♪ I will say, 1549 00:52:12,099 --> 00:52:13,260 "You make me mad" ♪ 1550 00:52:13,260 --> 00:52:17,110 ♪ And if you treat me bad, 1551 00:52:13,260 --> 00:52:17,110 I'll say "you're bad" ♪ 1552 00:52:17,110 --> 00:52:19,070 ♪ And if I eat alone 1553 00:52:17,110 --> 00:52:19,070 from this moment on ♪ 1554 00:52:19,070 --> 00:52:20,280 ♪ That's just what I'll do ♪ 1555 00:52:20,280 --> 00:52:24,130 ♪ 'Cause I'd rather be me, 1556 00:52:20,280 --> 00:52:24,130 I'd rather be me ♪ 1557 00:52:24,130 --> 00:52:29,070 ♪ I'd rather be me 1558 00:52:24,130 --> 00:52:29,070 than be with you ♪ 1559 00:52:29,070 --> 00:52:30,159 [ Laughs ] 1560 00:52:30,159 --> 00:52:32,239 Oh, we're supposed 1561 00:52:30,159 --> 00:52:32,239 to all be ladies 1562 00:52:32,239 --> 00:52:34,219 and be nurturing and care. 1563 00:52:34,219 --> 00:52:35,269 But is that really fair? 1564 00:52:35,269 --> 00:52:38,010 Boys get to fight, 1565 00:52:35,269 --> 00:52:38,010 and we have to share. 1566 00:52:38,010 --> 00:52:39,119 Here's the way that turns out. 1567 00:52:39,119 --> 00:52:41,139 ♪ We always understand ♪ 1568 00:52:41,139 --> 00:52:44,170 ♪ How to slap someone down 1569 00:52:41,139 --> 00:52:44,170 with our underhand ♪ 1570 00:52:44,170 --> 00:52:48,099 ♪ So here's my right finger ♪ 1571 00:52:48,099 --> 00:52:52,019 ♪ To how girls should behave ♪ 1572 00:52:52,019 --> 00:52:55,070 ♪ Sometimes what's meant 1573 00:52:52,019 --> 00:52:55,070 to break you ♪ 1574 00:52:55,070 --> 00:52:58,190 ♪ Makes you brave ♪ 1575 00:52:58,190 --> 00:53:00,090 ♪ So I will not act 1576 00:52:58,190 --> 00:53:00,090 all innocent ♪ 1577 00:53:00,090 --> 00:53:01,250 ♪ I won't fake apologize ♪ 1578 00:53:01,250 --> 00:53:05,159 ♪ Let's just fight and then 1579 00:53:01,250 --> 00:53:05,159 make up, not tell these lies ♪ 1580 00:53:05,159 --> 00:53:07,000 ♪ Let's call our damage even ♪ 1581 00:53:07,000 --> 00:53:08,280 ♪ Clean the slate 1582 00:53:07,000 --> 00:53:08,280 till it's like new ♪ 1583 00:53:08,280 --> 00:53:12,139 ♪ It's a new life for me 1584 00:53:08,280 --> 00:53:12,139 where I'd rather be me ♪ 1585 00:53:12,139 --> 00:53:17,230 ♪ I'd rather be me 1586 00:53:12,139 --> 00:53:17,230 than be with you ♪ 1587 00:53:17,230 --> 00:53:18,289 [ Chuckles ] 1588 00:53:18,289 --> 00:53:20,280 ♪ I'll say no, 1589 00:53:18,289 --> 00:53:20,280 I'll say knock it off ♪ 1590 00:53:20,280 --> 00:53:22,179 ♪ With your notes and your rules 1591 00:53:20,280 --> 00:53:22,179 and your games ♪ 1592 00:53:22,179 --> 00:53:24,090 ♪ And those sycophants 1593 00:53:22,179 --> 00:53:24,090 who follow you ♪ 1594 00:53:24,090 --> 00:53:25,250 ♪ I'll remember 1595 00:53:24,090 --> 00:53:25,250 all their names ♪ 1596 00:53:25,250 --> 00:53:29,199 ♪ And when they drag you down 1597 00:53:25,250 --> 00:53:29,199 as they inevitably do ♪ 1598 00:53:29,199 --> 00:53:31,090 ♪ I will not laugh 1599 00:53:29,199 --> 00:53:31,090 along with them ♪ 1600 00:53:31,090 --> 00:53:34,110 ♪ And approve their palace coup 1601 00:53:31,090 --> 00:53:34,110 'cause that's not me ♪ 1602 00:53:34,110 --> 00:53:36,070 [ Giggles ] 1603 00:53:36,070 --> 00:53:37,280 ♪ I don't need 1604 00:53:36,070 --> 00:53:37,280 their good opinions ♪ 1605 00:53:37,280 --> 00:53:39,260 ♪ I've got plenty of opinions ♪ 1606 00:53:39,260 --> 00:53:43,079 ♪ Everybody has opinions, 1607 00:53:39,260 --> 00:53:43,079 but it doesn't make them true ♪ 1608 00:53:43,079 --> 00:53:46,210 ♪ What's true is being me 1609 00:53:43,079 --> 00:53:46,210 and I'd rather be me ♪ 1610 00:53:46,210 --> 00:53:53,079 ♪ I'd rather be me 1611 00:53:46,210 --> 00:53:53,079 than be with you ♪ 1612 00:53:53,079 --> 00:53:56,199 ♪ So raise them high, 1613 00:53:53,079 --> 00:53:56,199 'cause playing nice and shy ♪ 1614 00:53:56,199 --> 00:54:01,079 ♪ Is insulting my IQ ♪ 1615 00:54:01,079 --> 00:54:04,190 ♪ I'd rather be me, 1616 00:54:01,079 --> 00:54:04,190 I'd rather be me ♪ 1617 00:54:04,190 --> 00:54:08,039 ♪ I'd rather be me 1618 00:54:04,190 --> 00:54:08,039 than be with you ♪ 1619 00:54:08,039 --> 00:54:11,139 ♪ I'd rather be me, 1620 00:54:08,039 --> 00:54:11,139 I'd rather be me ♪ 1621 00:54:11,139 --> 00:54:16,039 ♪ I'd rather be me than be ♪ 1622 00:54:16,039 --> 00:54:23,250 ♪ With you ♪ 1623 00:54:25,159 --> 00:54:30,070 My whole career has been 1624 00:54:25,159 --> 00:54:30,070 about being a Bro-- 1625 00:54:30,070 --> 00:54:33,000 It wasn't about being 1626 00:54:30,070 --> 00:54:33,000 a television or TV star. 1627 00:54:33,000 --> 00:54:35,019 It was about being 1628 00:54:33,000 --> 00:54:35,019 a Broadway star. 1629 00:54:35,019 --> 00:54:39,110 It was about being Broadway. 1630 00:54:35,019 --> 00:54:39,110 doing August Wilson on Broadway. 1631 00:54:39,110 --> 00:54:42,059 I was doing "Sunday in the Park" 1632 00:54:39,110 --> 00:54:42,059 with George 1633 00:54:42,059 --> 00:54:45,119 at the Hudson Theater. 1634 00:54:45,119 --> 00:54:47,269 I didn't know that Mandy 1635 00:54:45,119 --> 00:54:47,269 Patinkin was in the audience. 1636 00:54:47,269 --> 00:54:49,199 And sure enough, 1637 00:54:47,269 --> 00:54:49,199 at the end of the show, 1638 00:54:49,199 --> 00:54:52,050 Mandy came backstage. 1639 00:54:52,050 --> 00:54:54,150 And we said nothing. 1640 00:54:54,150 --> 00:54:57,070 He just opened his arms 1641 00:54:54,150 --> 00:54:57,070 and threw them around me. 1642 00:54:57,070 --> 00:55:00,230 To be there onstage playing 1643 00:54:57,070 --> 00:55:00,230 a role that he originated 1644 00:55:00,230 --> 00:55:02,019 and to have him see me in it 1645 00:55:02,019 --> 00:55:06,199 and to have him be moved 1646 00:55:02,019 --> 00:55:06,199 as much as he was, 1647 00:55:06,199 --> 00:55:10,019 I will never, ever 1648 00:55:06,199 --> 00:55:10,019 forget that moment. 1649 00:55:10,019 --> 00:55:11,170 Foster: There's nothing like 1650 00:55:10,019 --> 00:55:11,170 performing live. 1651 00:55:11,170 --> 00:55:14,099 There's nothing like 1652 00:55:11,170 --> 00:55:14,099 sharing an experience 1653 00:55:14,099 --> 00:55:18,019 with 1,000 other people. 1654 00:55:18,019 --> 00:55:20,139 Tveit: I grew up only about an 1655 00:55:18,019 --> 00:55:20,139 hour outside of New York City. 1656 00:55:20,139 --> 00:55:23,070 And so when I joined the 1657 00:55:20,139 --> 00:55:23,070 Broadway "Hairspray" company, 1658 00:55:23,070 --> 00:55:26,280 I found out that about 75 people 1659 00:55:23,070 --> 00:55:26,280 from my hometown 1660 00:55:26,280 --> 00:55:28,269 were coming to my opening night. 1661 00:55:28,269 --> 00:55:30,289 My high school chorus teacher 1662 00:55:28,269 --> 00:55:30,289 actually chartered a bus, 1663 00:55:30,289 --> 00:55:33,139 and a bunch of people piled in 1664 00:55:30,289 --> 00:55:33,139 and came down and supported. 1665 00:55:33,139 --> 00:55:37,159 I got entrance applause. 1666 00:55:33,139 --> 00:55:37,159 People were just going berserk. 1667 00:55:37,159 --> 00:55:39,050 Stamos: You don't want to know 1668 00:55:37,159 --> 00:55:39,050 who's in the audience. 1669 00:55:39,050 --> 00:55:41,070 Early on, it was like, 1670 00:55:39,050 --> 00:55:41,070 "Henry Kissinger's here." 1671 00:55:41,070 --> 00:55:43,039 It was like, "Oh --" 1672 00:55:41,070 --> 00:55:43,039 I said, "I'm nervous --" 1673 00:55:43,039 --> 00:55:45,110 "Just don't look at him. 1674 00:55:43,039 --> 00:55:45,110 Don't let the Secret Serv-- 1675 00:55:45,110 --> 00:55:46,219 You know, don't, 1676 00:55:45,110 --> 00:55:46,219 whatever you do --" 1677 00:55:46,219 --> 00:55:49,179 And I got through the first act 1678 00:55:46,219 --> 00:55:49,179 pretty well without -- 1679 00:55:49,179 --> 00:55:51,210 I didn't look. I was just -- 1680 00:55:49,179 --> 00:55:51,210 But I knew he was over there. 1681 00:55:51,210 --> 00:55:52,289 The second act comes up, 1682 00:55:52,289 --> 00:55:54,219 and I said, 1683 00:55:52,289 --> 00:55:54,219 "I got to look at Henry." 1684 00:55:54,219 --> 00:55:57,179 I look. He's like [Snoring] 1685 00:55:57,179 --> 00:56:02,260 ♪♪♪ 1686 00:56:02,260 --> 00:56:04,000 Announcer: Please welcome 1687 00:56:04,000 --> 00:56:07,010 country music superstar 1688 00:56:04,000 --> 00:56:07,010 Brett Eldredge. 1689 00:56:07,010 --> 00:56:09,280 I'm originally from Illinois, 1690 00:56:07,010 --> 00:56:09,280 but I love "Oklahoma." 1691 00:56:09,280 --> 00:56:11,059 Although the state is fine, 1692 00:56:11,059 --> 00:56:13,119 I'm talking about 1693 00:56:11,059 --> 00:56:13,119 the musical "Oklahoma." 1694 00:56:13,119 --> 00:56:15,179 Who doesn't love it? 1695 00:56:13,119 --> 00:56:15,179 It changed Broadway forever. 1696 00:56:15,179 --> 00:56:17,030 It was the first 1697 00:56:15,179 --> 00:56:17,030 American musical 1698 00:56:17,030 --> 00:56:18,210 to play around the world 1699 00:56:18,210 --> 00:56:21,119 and had its fifth revival 1700 00:56:18,210 --> 00:56:21,119 in 2019. 1701 00:56:21,119 --> 00:56:23,190 It has one of the greatest 1702 00:56:21,119 --> 00:56:23,190 Broadway opening numbers 1703 00:56:23,190 --> 00:56:25,139 of all time. 1704 00:56:25,139 --> 00:56:33,050 ♪♪♪ 1705 00:56:33,050 --> 00:56:40,010 ♪ There's a bright golden haze 1706 00:56:33,050 --> 00:56:40,010 on the meadow ♪ 1707 00:56:40,010 --> 00:56:46,079 ♪ There's a bright golden 1708 00:56:40,010 --> 00:56:46,079 haze on the meadow ♪ 1709 00:56:46,079 --> 00:56:53,289 ♪ The corn is as high 1710 00:56:46,079 --> 00:56:53,289 as an elephant's eye ♪ 1711 00:56:53,289 --> 00:57:02,260 ♪ And looks like its climbin' 1712 00:56:53,289 --> 00:57:02,260 clear up to the sky ♪ 1713 00:57:02,260 --> 00:57:08,050 ♪ Oh, what a beautiful morning ♪ 1714 00:57:08,050 --> 00:57:13,260 ♪ Oh, what a beautiful day ♪ 1715 00:57:13,260 --> 00:57:19,280 ♪ I got a beautiful feeling ♪ 1716 00:57:19,280 --> 00:57:25,250 ♪ Everything's going my way ♪ 1717 00:57:25,250 --> 00:57:30,280 ♪♪♪ 1718 00:57:30,280 --> 00:57:36,230 ♪ All the cattle are standing 1719 00:57:30,280 --> 00:57:36,230 like statues ♪ 1720 00:57:36,230 --> 00:57:42,039 ♪ All the cattle 1721 00:57:36,230 --> 00:57:42,039 are standing like statues ♪ 1722 00:57:42,039 --> 00:57:49,210 ♪ They don't turn their heads 1723 00:57:42,039 --> 00:57:49,210 as they see me ride by ♪ 1724 00:57:49,210 --> 00:57:59,010 ♪ But a little brown mav'rick 1725 00:57:49,210 --> 00:57:59,010 is winking her eye ♪ 1726 00:57:59,010 --> 00:58:04,269 ♪ Oh, what a beautiful morning ♪ 1727 00:58:04,269 --> 00:58:10,250 ♪ Oh, what a beautiful day ♪ 1728 00:58:10,250 --> 00:58:16,139 ♪ I got a beautiful feeling ♪ 1729 00:58:16,139 --> 00:58:22,199 ♪ Everything's going my way ♪ 1730 00:58:22,199 --> 00:58:25,099 [ Humming ] 1731 00:58:25,099 --> 00:58:27,150 ♪♪♪ 1732 00:58:27,150 --> 00:58:33,159 ♪ All the sounds of the earth 1733 00:58:27,150 --> 00:58:33,159 are like music ♪ 1734 00:58:33,159 --> 00:58:39,039 ♪ All the sounds 1735 00:58:33,159 --> 00:58:39,039 of the earth are like music ♪ 1736 00:58:39,039 --> 00:58:46,019 ♪ The breeze is so busy 1737 00:58:39,039 --> 00:58:46,019 it don't miss a tree ♪ 1738 00:58:46,019 --> 00:58:54,199 ♪ And an ol' Weepin' Willer 1739 00:58:46,019 --> 00:58:54,199 is laughin' at me ♪ 1740 00:58:54,199 --> 00:59:00,079 ♪ Oh, what a beautiful morning ♪ 1741 00:59:00,079 --> 00:59:05,250 ♪ Oh, what a beautiful day ♪ 1742 00:59:05,250 --> 00:59:11,030 ♪ I got a beautiful feeling ♪ 1743 00:59:11,030 --> 00:59:17,239 ♪ Everything's going my way ♪ 1744 00:59:17,239 --> 00:59:24,170 ♪ Oh, what a beautiful ♪ 1745 00:59:24,170 --> 00:59:34,070 ♪ Day ♪ 1746 00:59:34,070 --> 00:59:38,139 ♪♪♪ 1747 00:59:40,059 --> 00:59:42,260 ♪♪♪ 1748 00:59:42,260 --> 00:59:44,219 Announcer: A number 1749 00:59:42,260 --> 00:59:44,219 from Broadway's longest running 1750 00:59:44,219 --> 00:59:47,039 American musical "Chicago," 1751 00:59:47,039 --> 00:59:49,130 jukebox classic "Jersey Boys," 1752 00:59:49,130 --> 00:59:51,250 and a message from Sean Hayes, 1753 00:59:51,250 --> 00:59:55,250 when "One Night Only: 1754 00:59:51,250 --> 00:59:55,250 The Best of Broadway" continues. 1755 00:59:55,250 --> 00:59:59,059 ♪ Singin' them love songs, 1756 00:59:55,250 --> 00:59:59,059 singin' them ♪ 1757 01:00:02,070 --> 01:00:02,090 . 1758 01:00:03,119 --> 01:00:03,150 ♪♪♪ 1759 01:00:07,110 --> 01:00:09,039 We're back in New York's 1760 01:00:07,110 --> 01:00:09,039 Theater District 1761 01:00:09,039 --> 01:00:11,190 on "One Night Only: 1762 01:00:09,039 --> 01:00:11,190 The Best of Broadway." 1763 01:00:11,190 --> 01:00:13,289 One of the most iconic 1764 01:00:11,190 --> 01:00:13,289 characters ever to appear 1765 01:00:13,289 --> 01:00:15,239 on a Broadway stage 1766 01:00:13,289 --> 01:00:15,239 is Mama Morton, 1767 01:00:15,239 --> 01:00:19,000 the matron of the Cook County 1768 01:00:15,239 --> 01:00:19,000 Jail in the musical "Chicago." 1769 01:00:19,000 --> 01:00:21,219 Here to show exactly why 1770 01:00:19,000 --> 01:00:21,219 "Chicago" is the longest running 1771 01:00:21,219 --> 01:00:23,250 American musical 1772 01:00:21,219 --> 01:00:23,250 in Broadway history 1773 01:00:23,250 --> 01:00:26,019 is NaTasha Yvette Williams 1774 01:00:23,250 --> 01:00:26,019 performing 1775 01:00:26,019 --> 01:00:28,119 "When You're Good to Mama." 1776 01:00:28,119 --> 01:00:34,000 ♪♪♪ 1777 01:00:34,000 --> 01:00:39,190 ♪♪♪ 1778 01:00:39,190 --> 01:00:44,130 ♪ Ask any of the chickies 1779 01:00:39,190 --> 01:00:44,130 in my pen ♪ 1780 01:00:44,130 --> 01:00:50,119 ♪ They'll tell you 1781 01:00:44,130 --> 01:00:50,119 I'm the biggest mother hen ♪ 1782 01:00:50,119 --> 01:00:55,039 ♪ I love them all 1783 01:00:50,119 --> 01:00:55,039 and all of them love me ♪ 1784 01:00:55,039 --> 01:00:59,170 ♪ 'Cause the system works, 1785 01:00:55,039 --> 01:00:59,170 the system called ♪ 1786 01:00:59,170 --> 01:01:06,219 ♪ Reciprocity ♪ 1787 01:01:06,219 --> 01:01:09,079 ♪♪♪ 1788 01:01:09,079 --> 01:01:12,130 [ Laughs ] 1789 01:01:12,130 --> 01:01:15,139 ♪ Got a little motto ♪ 1790 01:01:15,139 --> 01:01:18,139 ♪ Always sees me through ♪ 1791 01:01:18,139 --> 01:01:21,119 ♪ When you're good to Mama ♪ 1792 01:01:21,119 --> 01:01:26,010 ♪ Mama's good to you ♪ 1793 01:01:26,010 --> 01:01:29,019 ♪ There's a lot of favors ♪ 1794 01:01:29,019 --> 01:01:32,030 ♪ I'm prepared to do ♪ 1795 01:01:32,030 --> 01:01:35,039 ♪ You do one for Mama ♪ 1796 01:01:35,039 --> 01:01:39,090 ♪ She'll do one for you ♪ 1797 01:01:39,090 --> 01:01:42,219 ♪ They say that life 1798 01:01:39,090 --> 01:01:42,219 is tit for tat ♪ 1799 01:01:42,219 --> 01:01:45,230 ♪ And that's the way I live ♪ 1800 01:01:45,230 --> 01:01:48,219 ♪ So I deserve a lot of tat ♪ 1801 01:01:48,219 --> 01:01:51,269 ♪ For what I got to give ♪ 1802 01:01:51,269 --> 01:01:54,260 ♪ Don't you know 1803 01:01:51,269 --> 01:01:54,260 that this hand ♪ 1804 01:01:54,260 --> 01:01:57,269 ♪ Washes that one, too? ♪ 1805 01:01:57,269 --> 01:02:00,269 ♪ When you're good to Mama ♪ 1806 01:02:00,269 --> 01:02:09,219 ♪ Mama's good to you ♪ 1807 01:02:09,219 --> 01:02:15,219 ♪ The folks atop the ladder 1808 01:02:09,219 --> 01:02:15,219 are the ones the world adores ♪ 1809 01:02:15,219 --> 01:02:19,050 ♪ So boost me 1810 01:02:15,219 --> 01:02:19,050 up my ladder, kid ♪ 1811 01:02:19,050 --> 01:02:22,079 ♪ And I'll boost you up yours ♪ 1812 01:02:22,079 --> 01:02:25,070 ♪ Let's all stroke together ♪ 1813 01:02:25,070 --> 01:02:28,090 ♪ Like the Princeton crew ♪ 1814 01:02:28,090 --> 01:02:31,150 ♪ When you're strokin' Mama ♪ 1815 01:02:31,150 --> 01:02:38,050 ♪ Mama's strokin' you ♪ 1816 01:02:38,050 --> 01:02:40,179 ♪ What's the one conclusion ♪ 1817 01:02:40,179 --> 01:02:45,239 ♪ I can bring this number to? ♪ 1818 01:02:45,239 --> 01:02:53,079 ♪ When you're good to Mama ♪ 1819 01:02:53,079 --> 01:02:57,190 ♪ Mama's good ♪ 1820 01:02:57,190 --> 01:03:03,130 ♪ To you ♪ 1821 01:03:03,130 --> 01:03:07,269 ♪ To you ♪ 1822 01:03:09,269 --> 01:03:15,059 When I got my first 1823 01:03:09,269 --> 01:03:15,059 Broadway show, I was thrilled. 1824 01:03:15,059 --> 01:03:18,159 I wanted to do 1825 01:03:15,059 --> 01:03:18,159 just a decent-enough job 1826 01:03:18,159 --> 01:03:21,179 to make my mom 1827 01:03:18,159 --> 01:03:21,179 not embarrassed of me. 1828 01:03:21,179 --> 01:03:23,199 But what was more important 1829 01:03:21,179 --> 01:03:23,199 than that 1830 01:03:23,199 --> 01:03:25,079 and any success I might achieve 1831 01:03:25,079 --> 01:03:28,260 was the way that the Broadway 1832 01:03:25,079 --> 01:03:28,260 community embraced me 1833 01:03:28,260 --> 01:03:30,150 and made me feel accepted. 1834 01:03:30,150 --> 01:03:31,280 They made me feel safe. 1835 01:03:31,280 --> 01:03:34,230 They made me feel taken care of. 1836 01:03:34,230 --> 01:03:37,010 So you can't know 1837 01:03:34,230 --> 01:03:37,010 how awesome it feels 1838 01:03:37,010 --> 01:03:40,019 to be a part of Broadway 1839 01:03:37,010 --> 01:03:40,019 Cares/Equity Fights AIDS 1840 01:03:40,019 --> 01:03:43,010 and return the favor 1841 01:03:40,019 --> 01:03:43,010 and take care of those people 1842 01:03:43,010 --> 01:03:45,250 that welcomed me 1843 01:03:43,010 --> 01:03:45,250 into their lives. 1844 01:03:45,250 --> 01:03:49,079 During the year, the casts 1845 01:03:45,250 --> 01:03:49,079 and crews of Broadway shows 1846 01:03:49,079 --> 01:03:51,119 will appeal to our inner good 1847 01:03:51,119 --> 01:03:54,239 and ask for donations 1848 01:03:51,119 --> 01:03:54,239 from the audience 1849 01:03:54,239 --> 01:03:58,039 in this little red bucket 1850 01:03:54,239 --> 01:03:58,039 as they leave the theater. 1851 01:03:58,039 --> 01:04:01,000 And tonight, 1852 01:03:58,039 --> 01:04:01,000 I'm asking you to help me 1853 01:04:01,000 --> 01:04:03,139 fill this red bucket again. 1854 01:04:03,139 --> 01:04:05,199 Broadway is closed, 1855 01:04:05,199 --> 01:04:10,280 and those people who make 1856 01:04:05,199 --> 01:04:10,280 Broadway so magical need us. 1857 01:04:10,280 --> 01:04:15,170 So please help 1858 01:04:10,280 --> 01:04:15,170 and make a donation if you can. 1859 01:04:15,170 --> 01:04:19,130 You'll be providing groceries, 1860 01:04:15,170 --> 01:04:19,130 medicine, and hope 1861 01:04:19,130 --> 01:04:22,079 to all of those people 1862 01:04:19,130 --> 01:04:22,079 working offstage, onstage, 1863 01:04:22,079 --> 01:04:24,039 backstage, behind the scenes. 1864 01:04:24,039 --> 01:04:26,230 This entire awesome 1865 01:04:24,039 --> 01:04:26,230 community needs it. 1866 01:04:26,230 --> 01:04:28,230 So let's fill 1867 01:04:26,230 --> 01:04:28,230 this red bucket together 1868 01:04:28,230 --> 01:04:30,269 for the most awesome people 1869 01:04:28,230 --> 01:04:30,269 on the planet. 1870 01:04:30,269 --> 01:04:38,070 Please go to 1871 01:04:30,269 --> 01:04:38,070 broadwaycares.org/help2020 1872 01:04:38,070 --> 01:04:40,119 And now it's time 1873 01:04:38,070 --> 01:04:40,119 for our next performance. 1874 01:04:40,119 --> 01:04:42,070 It's from "Jersey Boys," 1875 01:04:40,119 --> 01:04:42,070 which might just be 1876 01:04:42,070 --> 01:04:45,110 the perfect jukebox musical, 1877 01:04:42,070 --> 01:04:45,110 bringing to the stage the songs 1878 01:04:45,110 --> 01:04:47,269 and story of Frankie Valli 1879 01:04:45,110 --> 01:04:47,269 and the Four Seasons, 1880 01:04:47,269 --> 01:04:50,030 whose talents took them 1881 01:04:47,269 --> 01:04:50,030 from the streets of New Jersey 1882 01:04:50,030 --> 01:04:52,010 to the Rock & Roll Hall of Fame. 1883 01:04:52,010 --> 01:04:54,110 The show opened 1884 01:04:52,010 --> 01:04:54,110 on Broadway in 2005 1885 01:04:54,110 --> 01:04:59,000 and ran for an incredible 1886 01:04:54,110 --> 01:04:59,000 4,642 performances 1887 01:04:59,000 --> 01:05:01,039 and will continue to play 1888 01:04:59,000 --> 01:05:01,039 at the New World Stages 1889 01:05:01,039 --> 01:05:03,269 in New York City 1890 01:05:01,039 --> 01:05:03,269 when theaters can reopen. 1891 01:05:03,269 --> 01:05:11,090 ♪♪♪ 1892 01:05:11,090 --> 01:05:15,000 ♪ Sherry, Sherry, baby ♪ 1893 01:05:15,000 --> 01:05:18,210 ♪ Sherry, Sherry, baby ♪ 1894 01:05:18,210 --> 01:05:22,130 ♪ Sherry ♪ 1895 01:05:18,210 --> 01:05:22,130 ♪ Sherry, Sherry, baby ♪ 1896 01:05:22,130 --> 01:05:24,210 ♪ Baby ♪ 1897 01:05:24,210 --> 01:05:26,010 ♪ Sherry, baby ♪ 1898 01:05:26,010 --> 01:05:30,070 ♪ Sherry, can you 1899 01:05:26,010 --> 01:05:30,070 come out tonight? ♪ 1900 01:05:30,070 --> 01:05:33,119 ♪ Come, come, come out tonight ♪ 1901 01:05:33,119 --> 01:05:39,139 ♪ Sherry, baby ♪ 1902 01:05:39,139 --> 01:05:40,250 ♪ Sherry, baby ♪ 1903 01:05:40,250 --> 01:05:46,269 ♪ Sherry, can you 1904 01:05:40,250 --> 01:05:46,269 come out tonight? ♪ 1905 01:05:46,269 --> 01:05:49,039 ♪ Why don't you come out ♪ 1906 01:05:49,039 --> 01:05:51,280 ♪ Come to my twist party ♪ 1907 01:05:51,280 --> 01:05:53,030 ♪ Come out ♪ 1908 01:05:53,030 --> 01:05:55,170 ♪ Where the bright moon shines ♪ 1909 01:05:55,170 --> 01:05:57,000 ♪ Come out ♪ 1910 01:05:57,000 --> 01:05:59,150 ♪ We'll dance the night away ♪ 1911 01:05:59,150 --> 01:06:03,030 ♪ I'm gonna make you mine ♪ 1912 01:06:03,030 --> 01:06:04,250 ♪♪♪ 1913 01:06:04,250 --> 01:06:12,030 ♪ Big girls don't cry, 1914 01:06:04,250 --> 01:06:12,030 big girls don't cry ♪ 1915 01:06:12,030 --> 01:06:14,269 ♪ Big girls ♪ 1916 01:06:14,269 --> 01:06:17,159 ♪ Don't cry ♪ 1917 01:06:17,159 --> 01:06:19,119 ♪ They don't cry ♪ 1918 01:06:19,119 --> 01:06:23,150 ♪ Big girls don't cry ♪ 1919 01:06:23,150 --> 01:06:26,179 ♪ Who said they don't cry ♪ 1920 01:06:26,179 --> 01:06:32,010 ♪ My girl said goodbye ♪ 1921 01:06:32,010 --> 01:06:33,230 ♪ My, oh, my ♪ 1922 01:06:33,230 --> 01:06:37,289 ♪ My girl didn't cry ♪ 1923 01:06:37,289 --> 01:06:40,030 ♪ I wonder why ♪ 1924 01:06:40,030 --> 01:06:41,190 ♪ Silly girl ♪ 1925 01:06:41,190 --> 01:06:43,269 ♪ Shame on you, 1926 01:06:41,190 --> 01:06:43,269 your mama said ♪ 1927 01:06:43,269 --> 01:06:45,079 ♪ Silly girl ♪ 1928 01:06:45,079 --> 01:06:47,159 ♪ Shame on you, 1929 01:06:45,079 --> 01:06:47,159 you cried in bed ♪ 1930 01:06:47,159 --> 01:06:48,280 ♪ Silly girl ♪ 1931 01:06:48,280 --> 01:06:52,019 ♪ Shame on you, you told a lie ♪ 1932 01:06:52,019 --> 01:06:55,230 ♪ Big girls do cry ♪ 1933 01:06:55,230 --> 01:06:58,159 ♪ Big girls ♪ 1934 01:06:58,159 --> 01:07:01,050 ♪ Don't cry ♪ 1935 01:07:01,050 --> 01:07:03,010 ♪ They don't cry ♪ 1936 01:07:03,010 --> 01:07:07,030 ♪ Big girls don't cry ♪ 1937 01:07:07,030 --> 01:07:10,090 ♪ That's just an alibi ♪ 1938 01:07:10,090 --> 01:07:18,030 ♪ Big girls don't cry, 1939 01:07:10,090 --> 01:07:18,030 big girls don't cry ♪ 1940 01:07:18,030 --> 01:07:21,219 [ High-pitched vocalizing ] 1941 01:07:21,219 --> 01:07:25,110 ♪ Walk, walk, walk, walk ♪ 1942 01:07:25,110 --> 01:07:28,119 [ High-pitched vocalizing ] 1943 01:07:28,119 --> 01:07:35,219 ♪ Walk like a man ♪ 1944 01:07:35,219 --> 01:07:39,110 ♪ Oh, how you tried 1945 01:07:35,219 --> 01:07:39,110 to cut me down to size ♪ 1946 01:07:39,110 --> 01:07:43,010 ♪ Tellin' dirty lies 1947 01:07:39,110 --> 01:07:43,010 to my friends ♪ 1948 01:07:43,010 --> 01:07:46,110 ♪ My own father said, 1949 01:07:43,010 --> 01:07:46,110 "Give her up, don't bother ♪ 1950 01:07:46,110 --> 01:07:48,269 ♪ The world isn't 1951 01:07:46,110 --> 01:07:48,269 comin' to an end" ♪ 1952 01:07:48,269 --> 01:07:50,070 ♪ He said ♪ 1953 01:07:50,070 --> 01:07:53,280 ♪ Walk like a man, 1954 01:07:50,070 --> 01:07:53,280 talk like a man ♪ 1955 01:07:53,280 --> 01:07:57,159 ♪ Walk like a man, my son ♪ 1956 01:07:57,159 --> 01:08:00,289 ♪ No woman's worth 1957 01:07:57,159 --> 01:08:00,289 crawlin' on the earth ♪ 1958 01:08:00,289 --> 01:08:05,090 ♪ So walk like a man, my son ♪ 1959 01:08:05,090 --> 01:08:08,280 [ High-pitched vocalizing ] 1960 01:08:08,280 --> 01:08:12,170 ♪ Walk, walk, walk, walk ♪ 1961 01:08:12,170 --> 01:08:15,199 [ High-pitched vocalizing ] 1962 01:08:15,199 --> 01:08:22,279 ♪ Walk like a man ♪ 1963 01:08:22,279 --> 01:08:32,060 ♪ Like a man ♪ 1964 01:08:32,060 --> 01:08:34,100 ♪♪♪ 1965 01:08:36,060 --> 01:08:39,029 ♪♪♪ 1966 01:08:39,029 --> 01:08:42,170 Announcer: Antonio Banderas in a 1967 01:08:39,029 --> 01:08:42,170 performance from "A Chorus Line" 1968 01:08:42,170 --> 01:08:45,119 and the magic of "Harry Potter 1969 01:08:42,170 --> 01:08:45,119 and the Cursed Child," 1970 01:08:45,119 --> 01:08:48,250 when "One Night Only: 1971 01:08:45,119 --> 01:08:48,250 The Best of Broadway" returns. 1972 01:08:48,250 --> 01:08:50,189 ♪ On the nights on Broadway ♪ 1973 01:08:50,189 --> 01:08:52,000 ♪ Blame it 1974 01:08:50,189 --> 01:08:52,000 on the nights on Broadway ♪ 1975 01:08:52,000 --> 01:08:54,079 ♪ Singin' them love songs ♪ 1976 01:08:57,050 --> 01:08:57,069 . 1977 01:08:58,060 --> 01:09:02,020 ♪♪♪ 1978 01:09:06,020 --> 01:09:08,189 For "Harry Potter" fans, 1979 01:09:06,020 --> 01:09:08,189 it was a dream come true 1980 01:09:08,189 --> 01:09:11,039 when "Harry Potter and the 1981 01:09:08,189 --> 01:09:11,039 Cursed Child" opened on Broadway 1982 01:09:11,039 --> 01:09:12,189 in 2018. 1983 01:09:12,189 --> 01:09:15,130 The play, the eighth story in 1984 01:09:12,189 --> 01:09:15,130 the series, was a huge success, 1985 01:09:15,130 --> 01:09:16,239 winning six Tony Awards, 1986 01:09:16,239 --> 01:09:19,090 and it gave fans of the books 1987 01:09:16,239 --> 01:09:19,090 and movies a chance 1988 01:09:19,090 --> 01:09:22,020 to see the magic 1989 01:09:19,090 --> 01:09:22,020 of "Harry Potter" live onstage. 1990 01:09:22,020 --> 01:09:23,289 And now let's check in 1991 01:09:22,020 --> 01:09:23,289 with three of the stars 1992 01:09:23,289 --> 01:09:26,189 of "Harry Potter and 1993 01:09:23,289 --> 01:09:26,189 the Cursed Child," James Romney, 1994 01:09:26,189 --> 01:09:29,069 Brady Dalton Richards, 1995 01:09:26,189 --> 01:09:29,069 and Nadia Brown. 1996 01:09:29,069 --> 01:09:30,260 Hi, Tina. 1997 01:09:29,069 --> 01:09:30,260 Hi, Tina. 1998 01:09:29,069 --> 01:09:30,260 Hi, Tina. 1999 01:09:30,260 --> 01:09:32,210 We are honored to be here 2000 01:09:32,210 --> 01:09:34,020 to help celebrate 2001 01:09:32,210 --> 01:09:34,020 Broadway tonight. 2002 01:09:34,020 --> 01:09:36,170 Guys, I'm having trouble 2003 01:09:34,020 --> 01:09:36,170 reading the teleprompter. 2004 01:09:36,170 --> 01:09:38,060 I should be wearing 2005 01:09:36,170 --> 01:09:38,060 my glasses. 2006 01:09:38,060 --> 01:09:40,079 James, 2007 01:09:38,060 --> 01:09:40,079 those aren't glasses. 2008 01:09:40,079 --> 01:09:42,260 [ Chuckles ] 2009 01:09:40,079 --> 01:09:42,260 Wait for it, Nadia. 2010 01:09:42,260 --> 01:09:44,289 James? 2011 01:09:42,260 --> 01:09:44,289 Brady? 2012 01:09:44,289 --> 01:09:47,189 Incendio! 2013 01:09:47,189 --> 01:09:49,289 Oh, he's -- 2014 01:09:49,289 --> 01:09:51,130 Ah. 2015 01:09:49,289 --> 01:09:51,130 He did it. Wow. 2016 01:09:51,130 --> 01:09:53,199 Now, that's more like it. 2017 01:09:53,199 --> 01:09:54,270 [ Laughing ] 2018 01:09:53,199 --> 01:09:54,270 No way. 2019 01:09:54,270 --> 01:09:56,119 As Tina mentioned, 2020 01:09:54,270 --> 01:09:56,119 our show 2021 01:09:56,119 --> 01:09:58,159 tells the eighth story 2022 01:09:56,119 --> 01:09:58,159 in the "Harry Potter" series. 2023 01:09:58,159 --> 01:10:01,060 It's an epic new adventure 2024 01:09:58,159 --> 01:10:01,060 in the wizarding world, 2025 01:10:01,060 --> 01:10:04,100 created exclusively 2026 01:10:01,060 --> 01:10:04,100 to be performed live onstage. 2027 01:10:04,100 --> 01:10:07,170 And truly, it's like nothing 2028 01:10:04,100 --> 01:10:07,170 else you'll see on Broadway. 2029 01:10:07,170 --> 01:10:08,260 And since it's a new story, 2030 01:10:08,260 --> 01:10:10,220 you'll meet new characters 2031 01:10:08,260 --> 01:10:10,220 along the way, 2032 01:10:10,220 --> 01:10:12,159 like the three we play, 2033 01:10:12,159 --> 01:10:15,020 the next generation 2034 01:10:12,159 --> 01:10:15,020 of witches and wizards. 2035 01:10:15,020 --> 01:10:17,109 Being a part of the show 2036 01:10:15,020 --> 01:10:17,109 is absolutely thrilling. 2037 01:10:17,109 --> 01:10:20,090 I mean, okay, who else can say 2038 01:10:17,109 --> 01:10:20,090 that they can perform spells 2039 01:10:20,090 --> 01:10:24,079 like Wingardium Leviosa 2040 01:10:20,090 --> 01:10:24,079 or travel through time and space 2041 01:10:24,079 --> 01:10:27,060 from Kings Cross Station 2042 01:10:24,079 --> 01:10:27,060 to Platform 9 3/4 2043 01:10:27,060 --> 01:10:29,279 live onstage eight times a week? 2044 01:10:29,279 --> 01:10:32,090 Now, when the shutdown 2045 01:10:29,279 --> 01:10:32,090 happened in March, 2046 01:10:32,090 --> 01:10:35,010 we were all together 2047 01:10:32,090 --> 01:10:35,010 at the Lyric Theatre 2048 01:10:35,010 --> 01:10:37,000 in our final rehearsals, 2049 01:10:37,000 --> 01:10:38,250 but days away 2050 01:10:38,250 --> 01:10:41,109 from our year-three company 2051 01:10:38,250 --> 01:10:41,109 taking their launch. 2052 01:10:41,109 --> 01:10:43,180 Now, these guys have been 2053 01:10:41,109 --> 01:10:43,180 on the show for a while, 2054 01:10:43,180 --> 01:10:45,210 and I was set 2055 01:10:43,180 --> 01:10:45,210 to make my Broadway debut. 2056 01:10:45,210 --> 01:10:48,060 So this is 2057 01:10:45,210 --> 01:10:48,060 a bit bittersweet, 2058 01:10:48,060 --> 01:10:51,130 but amazing to be back here 2059 01:10:48,060 --> 01:10:51,130 tonight in the Theater District 2060 01:10:51,130 --> 01:10:53,159 celebrating with 2061 01:10:51,130 --> 01:10:53,159 this incredible community. 2062 01:10:53,159 --> 01:10:56,140 We cannot wait to welcome you 2063 01:10:53,159 --> 01:10:56,140 back to Broadway 2064 01:10:56,140 --> 01:10:58,090 and to "Harry Potter 2065 01:10:56,140 --> 01:10:58,090 in the Cursed Child" 2066 01:10:58,090 --> 01:11:02,010 when performances 2067 01:10:58,090 --> 01:11:02,010 can finally resume. 2068 01:11:02,010 --> 01:11:05,229 I think theater actually 2069 01:11:05,229 --> 01:11:10,069 became more valuable 2070 01:11:05,229 --> 01:11:10,069 in our times. 2071 01:11:10,069 --> 01:11:11,130 It seems in our times 2072 01:11:11,130 --> 01:11:15,239 that things that are 2073 01:11:11,130 --> 01:11:15,239 not recorded don't exist. 2074 01:11:15,239 --> 01:11:18,170 But theater is something 2075 01:11:15,239 --> 01:11:18,170 that is present, is very alive. 2076 01:11:18,170 --> 01:11:22,109 You come, and you have to 2077 01:11:18,170 --> 01:11:22,109 see it live here. 2078 01:11:22,109 --> 01:11:25,000 Theater is something 2079 01:11:22,109 --> 01:11:25,000 that is unique. 2080 01:11:25,000 --> 01:11:26,069 It's a unique experience, 2081 01:11:26,069 --> 01:11:29,109 and it's almost 2082 01:11:26,069 --> 01:11:29,109 personalized for you. 2083 01:11:29,109 --> 01:11:32,149 In the moment that you're here, 2084 01:11:29,109 --> 01:11:32,149 you're watching, it is for you. 2085 01:11:32,149 --> 01:11:36,039 ♪ One singular sensation ♪ 2086 01:11:32,149 --> 01:11:36,039 ♪ She walks into a room, and 2087 01:11:32,149 --> 01:11:36,039 you know she's uncommonly rare ♪ 2088 01:11:36,039 --> 01:11:39,170 ♪ Every little step she takes ♪ 2089 01:11:36,039 --> 01:11:39,170 ♪ Very unique, peripatetic, 2090 01:11:36,039 --> 01:11:39,170 poetic, and chic ♪ 2091 01:11:39,170 --> 01:11:43,029 ♪ One thrilling combination ♪ 2092 01:11:39,170 --> 01:11:43,029 ♪ She walks into a room, 2093 01:11:39,170 --> 01:11:43,029 and you know from her ♪ 2094 01:11:43,029 --> 01:11:46,220 ♪ Every move that she makes ♪ 2095 01:11:43,029 --> 01:11:46,220 ♪ Maddening poise, effortless 2096 01:11:43,029 --> 01:11:46,220 whirl, she's a special girl ♪ 2097 01:11:46,220 --> 01:11:49,090 ♪ Strolling ♪ 2098 01:11:46,220 --> 01:11:49,090 ♪ One smile and suddenly ♪ 2099 01:11:49,090 --> 01:11:54,140 ♪ Nobody else will do ♪ 2100 01:11:49,090 --> 01:11:54,140 ♪ Can't help all of her 2101 01:11:49,090 --> 01:11:54,140 qualities extolling ♪ 2102 01:11:54,140 --> 01:11:57,020 ♪ You know 2103 01:11:54,140 --> 01:11:57,020 you'll never be lonely ♪ 2104 01:11:57,020 --> 01:12:01,010 ♪ With you-know-who ♪ 2105 01:11:57,020 --> 01:12:01,010 ♪ Loaded with charisma ♪ 2106 01:12:01,010 --> 01:12:04,149 Banderas: "A Chorus Line," 2107 01:12:01,010 --> 01:12:04,149 it was performed once in Spain, 2108 01:12:04,149 --> 01:12:06,130 but it was -- You know, 2109 01:12:04,149 --> 01:12:06,130 the music was in playback. 2110 01:12:06,130 --> 01:12:09,180 It was not entirely produced 2111 01:12:09,180 --> 01:12:11,140 as I thought that it should be. 2112 01:12:11,140 --> 01:12:13,149 When we sang at the end, 2113 01:12:13,149 --> 01:12:16,020 with the golden suits and hats 2114 01:12:13,149 --> 01:12:16,020 and everything, 2115 01:12:16,020 --> 01:12:19,100 I wanted to create the illusion 2116 01:12:16,020 --> 01:12:19,100 that, for a moment, 2117 01:12:19,100 --> 01:12:21,130 that we are actually 2118 01:12:19,100 --> 01:12:21,130 on Broadway. 2119 01:12:21,130 --> 01:12:26,260 And if it's possible and 2120 01:12:21,130 --> 01:12:26,260 when all of this is finished, 2121 01:12:26,260 --> 01:12:30,060 we will be there. 2122 01:12:30,060 --> 01:12:35,180 ♪♪♪ 2123 01:12:35,180 --> 01:12:41,010 ♪♪♪ 2124 01:12:41,010 --> 01:12:44,159 ♪ One singular sensation ♪ 2125 01:12:44,159 --> 01:12:48,050 ♪ Every little step she takes ♪ 2126 01:12:48,050 --> 01:12:51,220 ♪ One thrilling combination ♪ 2127 01:12:51,220 --> 01:12:55,229 ♪ Every move that she makes ♪ 2128 01:12:55,229 --> 01:12:57,270 ♪ One smile and suddenly ♪ 2129 01:12:57,270 --> 01:13:03,010 ♪ Nobody else will do ♪ 2130 01:13:03,010 --> 01:13:05,229 ♪ You know 2131 01:13:03,010 --> 01:13:05,229 you'll never be lonely ♪ 2132 01:13:05,229 --> 01:13:09,289 ♪ With you-know-who ♪ 2133 01:13:09,289 --> 01:13:13,189 ♪ One moment in her presence ♪ 2134 01:13:13,189 --> 01:13:17,090 ♪ And you can forget the rest ♪ 2135 01:13:17,090 --> 01:13:20,020 ♪ For the girl is second best ♪ 2136 01:13:20,020 --> 01:13:24,210 ♪ To none, son ♪ 2137 01:13:24,210 --> 01:13:28,119 ♪ Ooh! Sigh! 2138 01:13:24,210 --> 01:13:28,119 Give her your attention ♪ 2139 01:13:28,119 --> 01:13:32,010 ♪ Do I really have to mention ♪ 2140 01:13:32,010 --> 01:13:35,239 ♪ She's the ♪ 2141 01:13:35,239 --> 01:13:39,149 ♪ She's the ♪ 2142 01:13:39,149 --> 01:13:43,029 ♪ She's the ♪ 2143 01:13:43,029 --> 01:13:47,119 ♪ One ♪ 2144 01:13:47,119 --> 01:13:54,029 ♪♪♪ 2145 01:13:54,029 --> 01:14:00,250 ♪♪♪ 2146 01:14:00,250 --> 01:14:02,260 Announcer: 2147 01:14:00,250 --> 01:14:02,260 R&B legend Patti LaBelle, 2148 01:14:02,260 --> 01:14:04,279 superstar Vanessa Williams, 2149 01:14:04,279 --> 01:14:07,090 and more 2150 01:14:04,279 --> 01:14:07,090 from "Jagged Little Pill," 2151 01:14:07,090 --> 01:14:10,229 when "One Night Only: 2152 01:14:07,090 --> 01:14:10,229 The Best of Broadway" continues. 2153 01:14:10,229 --> 01:14:12,159 ♪ On the nights on Broadway ♪ 2154 01:14:12,159 --> 01:14:14,079 ♪ Blame it 2155 01:14:12,159 --> 01:14:14,079 on the nights on Broadway ♪ 2156 01:14:17,050 --> 01:14:17,069 . 2157 01:14:18,079 --> 01:14:18,109 ♪♪♪ 2158 01:14:21,210 --> 01:14:25,039 Hi, I'm Vanessa Williams, 2159 01:14:21,210 --> 01:14:25,039 and I am one of the lucky ones. 2160 01:14:25,039 --> 01:14:28,100 My childhood dream 2161 01:14:25,039 --> 01:14:28,100 came true to star on Broadway 2162 01:14:28,100 --> 01:14:31,020 with my name in lights 2163 01:14:28,100 --> 01:14:31,020 on the marquee. 2164 01:14:31,020 --> 01:14:33,039 There's nothing like the sound 2165 01:14:31,020 --> 01:14:33,039 of a full orchestra 2166 01:14:33,039 --> 01:14:35,119 anxiously awaiting 2167 01:14:33,039 --> 01:14:35,119 the downbeat of a score 2168 01:14:35,119 --> 01:14:37,159 they've been dying to play live 2169 01:14:37,159 --> 01:14:38,210 or the roar of laughter 2170 01:14:38,210 --> 01:14:41,109 when you say the perfect line 2171 01:14:38,210 --> 01:14:41,109 the perfect way. 2172 01:14:41,109 --> 01:14:44,220 That privilege and excitement 2173 01:14:41,109 --> 01:14:44,220 is on hold at the moment. 2174 01:14:44,220 --> 01:14:48,130 But we on Broadway are ready 2175 01:14:44,220 --> 01:14:48,130 to return to the stage. 2176 01:14:48,130 --> 01:14:50,159 Rooted deep in the history 2177 01:14:48,130 --> 01:14:50,159 and identity 2178 01:14:50,159 --> 01:14:53,000 of Broadway Cares/Equity 2179 01:14:50,159 --> 01:14:53,000 Fights AIDS 2180 01:14:53,000 --> 01:14:55,020 is a commitment to being a voice 2181 01:14:55,020 --> 01:14:59,140 for those who've been silenced, 2182 01:14:55,020 --> 01:14:59,140 marginalized, and oppressed. 2183 01:14:59,140 --> 01:15:01,210 Whether it's facing 2184 01:14:59,140 --> 01:15:01,210 the AIDS epidemic 2185 01:15:01,210 --> 01:15:04,170 or today's COVID-19 challenges, 2186 01:15:04,170 --> 01:15:08,079 Broadway Cares has never been 2187 01:15:04,170 --> 01:15:08,079 more committed in our fight. 2188 01:15:08,079 --> 01:15:10,000 And this red bucket, 2189 01:15:10,000 --> 01:15:13,069 it's the beacon 2190 01:15:10,000 --> 01:15:13,069 and the symbol of that fight, 2191 01:15:13,069 --> 01:15:15,050 the beacon people 2192 01:15:13,069 --> 01:15:15,050 see in the theaters, 2193 01:15:15,050 --> 01:15:16,100 the place where they know 2194 01:15:16,100 --> 01:15:19,079 their donation 2195 01:15:16,100 --> 01:15:19,079 can end up saving a life. 2196 01:15:19,079 --> 01:15:22,069 But right now, the entire 2197 01:15:19,079 --> 01:15:22,069 theater industry is shut down, 2198 01:15:22,069 --> 01:15:24,130 closed until further notice. 2199 01:15:24,130 --> 01:15:25,239 We need your help. 2200 01:15:25,239 --> 01:15:27,039 Please join me in making sure 2201 01:15:27,039 --> 01:15:29,229 those who devote their lives 2202 01:15:27,039 --> 01:15:29,229 to Broadway 2203 01:15:29,229 --> 01:15:33,100 have meals on the table, 2204 01:15:29,229 --> 01:15:33,100 heat for this winter, 2205 01:15:33,100 --> 01:15:36,039 and access to a doctor 2206 01:15:33,100 --> 01:15:36,039 when they're sick. 2207 01:15:36,039 --> 01:15:38,149 It's your turn 2208 01:15:36,039 --> 01:15:38,149 to be center stage. 2209 01:15:38,149 --> 01:15:39,210 You're the one 2210 01:15:39,210 --> 01:15:43,020 that can make this bucket 2211 01:15:39,210 --> 01:15:43,020 mean something today. 2212 01:15:43,020 --> 01:15:45,069 Lives truly depend on it. 2213 01:15:45,069 --> 01:15:49,199 Please visit 2214 01:15:45,069 --> 01:15:49,199 broadwaycares.org/help2020 2215 01:15:49,199 --> 01:15:51,229 to make a difference. 2216 01:15:51,229 --> 01:15:56,100 ♪♪♪ 2217 01:15:56,100 --> 01:16:00,039 Announcer: Ladies and gentlemen, 2218 01:15:56,100 --> 01:16:00,039 R&B legend Patti LaBelle. 2219 01:16:00,039 --> 01:16:03,020 There are so many songs 2220 01:16:00,039 --> 01:16:03,020 that inspire 2221 01:16:03,020 --> 01:16:06,250 and remind us 2222 01:16:03,020 --> 01:16:06,250 of the promise of America. 2223 01:16:06,250 --> 01:16:10,279 "The House I Live In" from 2224 01:16:06,250 --> 01:16:10,279 the musical "Let Freedom Sing" 2225 01:16:10,279 --> 01:16:12,260 does exactly that. 2226 01:16:12,260 --> 01:16:17,279 And 78 years after it made 2227 01:16:12,260 --> 01:16:17,279 its Broadway debut, 2228 01:16:17,279 --> 01:16:20,130 it still lifts us all up. 2229 01:16:20,130 --> 01:16:22,239 It's a fabulous song. 2230 01:16:22,239 --> 01:16:24,239 ♪♪♪ 2231 01:16:24,239 --> 01:16:32,010 ♪ What is America to me? ♪ 2232 01:16:32,010 --> 01:16:36,149 ♪ A name, a map ♪ 2233 01:16:36,149 --> 01:16:42,250 ♪ Or a flag I see? ♪ 2234 01:16:42,250 --> 01:16:47,060 ♪ A certain word ♪ 2235 01:16:47,060 --> 01:16:53,100 ♪ Ooh, "democracy," yes ♪ 2236 01:16:53,100 --> 01:16:59,180 ♪ What is America to me? ♪ 2237 01:16:59,180 --> 01:17:02,260 ♪♪♪ 2238 01:17:02,260 --> 01:17:10,289 ♪ The house I live in, 2239 01:17:02,260 --> 01:17:10,289 a plot of earth, a street ♪ 2240 01:17:10,289 --> 01:17:19,180 ♪ The grocer and the butcher, 2241 01:17:10,289 --> 01:17:19,180 and all people that I meet ♪ 2242 01:17:19,180 --> 01:17:24,140 ♪ The children 2243 01:17:19,180 --> 01:17:24,140 in the playground ♪ 2244 01:17:24,140 --> 01:17:28,229 ♪ Oh, the faces that I see ♪ 2245 01:17:28,229 --> 01:17:34,180 ♪ All races, all religions ♪ 2246 01:17:34,180 --> 01:17:39,130 ♪ That's America to me ♪ 2247 01:17:39,130 --> 01:17:44,050 ♪ The things I see about me ♪ 2248 01:17:44,050 --> 01:17:49,000 ♪ The big things and the small ♪ 2249 01:17:49,000 --> 01:17:53,229 ♪ The little corner newsstand ♪ 2250 01:17:53,229 --> 01:17:57,250 ♪ Or a house a mile tall ♪ 2251 01:17:57,250 --> 01:18:03,109 ♪ Oh, the wedding 2252 01:17:57,250 --> 01:18:03,109 in the churchyard ♪ 2253 01:18:03,109 --> 01:18:08,029 ♪ The laughter and the tears ♪ 2254 01:18:08,029 --> 01:18:12,239 ♪ And the dream 2255 01:18:08,029 --> 01:18:12,239 that we've been growin' ♪ 2256 01:18:12,239 --> 01:18:20,279 ♪ For a hundred 2257 01:18:12,239 --> 01:18:20,279 to two hundred years ♪ 2258 01:18:20,279 --> 01:18:24,130 ♪ Oh, mm ♪ 2259 01:18:24,130 --> 01:18:27,000 ♪ Oh ♪ 2260 01:18:27,000 --> 01:18:34,229 ♪ The town I live in, the 2261 01:18:27,000 --> 01:18:34,229 street, the house, the room ♪ 2262 01:18:34,229 --> 01:18:44,010 ♪ Oh, the pavement of the city, 2263 01:18:34,229 --> 01:18:44,010 or a garden all in bloom ♪ 2264 01:18:44,010 --> 01:18:48,289 ♪ The church, the school, 2265 01:18:44,010 --> 01:18:48,289 the clubhouse ♪ 2266 01:18:48,289 --> 01:18:54,170 ♪ A millions lights I see, oh ♪ 2267 01:18:54,170 --> 01:18:57,159 ♪ Especially the people ♪ 2268 01:18:57,159 --> 01:19:02,000 ♪ Oh, that's America, 2269 01:18:57,159 --> 01:19:02,000 that's America to me ♪ 2270 01:19:02,000 --> 01:19:09,130 ♪ Oh, especially 2271 01:19:02,000 --> 01:19:09,130 the good, old people ♪ 2272 01:19:09,130 --> 01:19:15,279 ♪ That's America, America ♪ 2273 01:19:15,279 --> 01:19:21,159 ♪ To ♪ 2274 01:19:21,159 --> 01:19:24,279 ♪ Me, yes! ♪ 2275 01:19:27,210 --> 01:19:30,100 ♪♪♪ 2276 01:19:30,100 --> 01:19:31,220 Announcer: 2277 01:19:30,100 --> 01:19:31,220 The Tony-nominated cast 2278 01:19:31,220 --> 01:19:33,260 of Broadway's 2279 01:19:31,220 --> 01:19:33,260 "Jagged Little Pill," 2280 01:19:33,260 --> 01:19:36,220 when "One Night Only: 2281 01:19:33,260 --> 01:19:36,220 The Best of Broadway" returns. 2282 01:19:36,220 --> 01:19:37,279 ♪ Blame it 2283 01:19:36,220 --> 01:19:37,279 on the nights on Broadway ♪ 2284 01:19:37,279 --> 01:19:40,170 ♪ Singin' them love songs ♪ 2285 01:19:40,170 --> 01:19:43,020 ♪ Singin' them 2286 01:19:40,170 --> 01:19:43,020 straight to the heart songs ♪ 2287 01:19:46,069 --> 01:19:46,090 . 2288 01:19:47,119 --> 01:19:50,220 ♪♪♪ 2289 01:19:54,250 --> 01:19:57,140 Ferguson: The Broadway community 2290 01:19:54,250 --> 01:19:57,140 is extremely resilient. 2291 01:19:57,140 --> 01:19:59,180 I mean, our motto is, 2292 01:19:57,140 --> 01:19:59,180 "The show must go on," 2293 01:19:59,180 --> 01:20:01,060 and that has always 2294 01:19:59,180 --> 01:20:01,060 been our motto, 2295 01:20:01,060 --> 01:20:02,260 and that will always 2296 01:20:01,060 --> 01:20:02,260 be our motto. 2297 01:20:02,260 --> 01:20:04,239 Bass: 2298 01:20:02,260 --> 01:20:04,239 Everyone that's on that stage, 2299 01:20:04,239 --> 01:20:07,029 they've gone through hell 2300 01:20:04,239 --> 01:20:07,029 just to even get there. 2301 01:20:07,029 --> 01:20:10,060 [ Chuckles ] 2302 01:20:07,029 --> 01:20:10,060 You're told no 99% of the time. 2303 01:20:10,060 --> 01:20:14,210 To audition and not get it, 2304 01:20:10,060 --> 01:20:14,210 you know, and can still go back, 2305 01:20:14,210 --> 01:20:16,039 there's a certain 2306 01:20:14,210 --> 01:20:16,039 resilience there. 2307 01:20:16,039 --> 01:20:18,090 Because a live performance 2308 01:20:16,039 --> 01:20:18,090 cannot exist 2309 01:20:18,090 --> 01:20:19,260 without everyone 2310 01:20:18,090 --> 01:20:19,260 working together, 2311 01:20:19,260 --> 01:20:23,029 it is no surprise to me 2312 01:20:19,260 --> 01:20:23,029 in moments of crisis 2313 01:20:23,029 --> 01:20:26,079 where people need the most help, 2314 01:20:23,029 --> 01:20:26,079 we are all together in it. 2315 01:20:26,079 --> 01:20:27,270 We will come back, 2316 01:20:27,270 --> 01:20:29,159 and we will be 2317 01:20:27,270 --> 01:20:29,159 stronger than ever. 2318 01:20:29,159 --> 01:20:30,270 I cannot wait to be on a stage, 2319 01:20:30,270 --> 01:20:33,100 and I cannot wait 2320 01:20:30,270 --> 01:20:33,100 to be in the audience. 2321 01:20:33,100 --> 01:20:35,109 Broadway will be back. 2322 01:20:33,100 --> 01:20:35,109 It just has to be back. 2323 01:20:35,109 --> 01:20:37,239 There's no experience like it. 2324 01:20:37,239 --> 01:20:41,079 We just have to get through 2325 01:20:37,239 --> 01:20:41,079 this, and...we will. 2326 01:20:41,079 --> 01:20:45,079 We will get back 2327 01:20:41,079 --> 01:20:45,079 up on the stage. 2328 01:20:45,079 --> 01:20:48,149 There's no doubt. We don't know 2329 01:20:45,079 --> 01:20:48,149 when. We don't know how, 2330 01:20:48,149 --> 01:20:51,010 but it will happen, 2331 01:20:48,149 --> 01:20:51,010 because we are a community 2332 01:20:51,010 --> 01:20:53,029 that makes it happen 2333 01:20:51,010 --> 01:20:53,029 no matter what. 2334 01:20:53,029 --> 01:20:55,090 Manheim: I have every faith 2335 01:20:55,090 --> 01:20:57,270 that Broadway will be back 2336 01:20:55,090 --> 01:20:57,270 in no time, 2337 01:20:57,270 --> 01:21:00,289 as soon as David slays Goliath, 2338 01:20:57,270 --> 01:21:00,289 and that's going to happen. 2339 01:21:00,289 --> 01:21:03,289 We know how that story ends, 2340 01:21:00,289 --> 01:21:03,289 so let's do this. 2341 01:21:03,289 --> 01:21:06,090 Bass: I feel like we're about 2342 01:21:03,289 --> 01:21:06,090 to enter our roaring '20s, 2343 01:21:06,090 --> 01:21:08,079 which was what happened 2344 01:21:06,090 --> 01:21:08,079 after the Spanish flu. 2345 01:21:08,079 --> 01:21:10,100 Like, everyone was so down 2346 01:21:08,079 --> 01:21:10,100 and pandemic, 2347 01:21:10,100 --> 01:21:11,109 and then all of a sudden, 2348 01:21:11,109 --> 01:21:13,079 everyone just wanted 2349 01:21:11,109 --> 01:21:13,079 to celebrate. 2350 01:21:13,079 --> 01:21:16,270 When "Moulin Rouge" 2351 01:21:13,079 --> 01:21:16,270 returns to the stage, 2352 01:21:16,270 --> 01:21:20,069 and all the other Broadway 2353 01:21:16,270 --> 01:21:20,069 shows, it's going to be -- 2354 01:21:20,069 --> 01:21:23,140 It's going to be a -- It's going 2355 01:21:20,069 --> 01:21:23,140 to be a big party that night. 2356 01:21:23,140 --> 01:21:26,029 Thanks for coming to our play! 2357 01:21:23,140 --> 01:21:26,029 I'll see you at the party! 2358 01:21:26,029 --> 01:21:28,039 [ Cheers and applause ] 2359 01:21:28,039 --> 01:21:30,159 ♪♪♪ 2360 01:21:30,159 --> 01:21:33,010 When it is safe to go 2361 01:21:30,159 --> 01:21:33,010 to the theater again, 2362 01:21:33,010 --> 01:21:35,170 it's going to be 2363 01:21:33,010 --> 01:21:35,170 exactly what we need, 2364 01:21:35,170 --> 01:21:38,149 because when theater works, 2365 01:21:38,149 --> 01:21:40,159 for a moment, 2366 01:21:38,149 --> 01:21:40,159 none of us feel alone. 2367 01:21:40,159 --> 01:21:44,279 For a moment, we're all members 2368 01:21:40,159 --> 01:21:44,279 of the same family. 2369 01:21:44,279 --> 01:21:49,289 After a time of having 2370 01:21:44,279 --> 01:21:49,289 so much separation, 2371 01:21:49,289 --> 01:21:55,060 when it's safe again, 2372 01:21:49,289 --> 01:21:55,060 the best thing for all people 2373 01:21:55,060 --> 01:21:57,149 would be to have 2374 01:21:55,060 --> 01:21:57,149 some community activities, 2375 01:21:57,149 --> 01:21:59,250 to be reminded 2376 01:21:57,149 --> 01:21:59,250 why we do things together. 2377 01:21:59,250 --> 01:22:05,180 And going to the theater is -- 2378 01:21:59,250 --> 01:22:05,180 is a perfect experience. 2379 01:22:05,180 --> 01:22:07,109 Well, we're almost at the end 2380 01:22:05,180 --> 01:22:07,109 of tonight's show. 2381 01:22:07,109 --> 01:22:08,239 We want to thank 2382 01:22:07,109 --> 01:22:08,239 all of our casts 2383 01:22:08,239 --> 01:22:10,039 and our guests for joining us. 2384 01:22:10,039 --> 01:22:12,270 And remember, Broadway 2385 01:22:10,039 --> 01:22:12,270 will be back better than ever, 2386 01:22:12,270 --> 01:22:14,180 and we'll see you here soon. 2387 01:22:14,180 --> 01:22:15,220 Before our curtain comes down, 2388 01:22:15,220 --> 01:22:17,100 we want to share 2389 01:22:15,220 --> 01:22:17,100 one more performance. 2390 01:22:17,100 --> 01:22:20,140 Here is the cast 2391 01:22:17,100 --> 01:22:20,140 of "Jagged Little Pill." 2392 01:22:20,140 --> 01:22:25,069 ♪ I recommend getting your heart 2393 01:22:20,140 --> 01:22:25,069 trampled on ♪ 2394 01:22:25,069 --> 01:22:29,050 ♪ To anyone ♪ 2395 01:22:29,050 --> 01:22:31,130 Yeah. 2396 01:22:31,130 --> 01:22:40,050 ♪ I recommend walking around 2397 01:22:31,130 --> 01:22:40,050 naked in your living room ♪ 2398 01:22:40,050 --> 01:22:41,119 Yeah. 2399 01:22:40,050 --> 01:22:41,119 Yeah. 2400 01:22:41,119 --> 01:22:42,149 [ Both laugh ] 2401 01:22:42,149 --> 01:22:45,159 ♪ Swallow it down ♪ 2402 01:22:45,159 --> 01:22:48,000 ♪ What a jagged 2403 01:22:45,159 --> 01:22:48,000 little pill ♪ 2404 01:22:48,000 --> 01:22:51,060 ♪ It feels so good ♪ 2405 01:22:51,060 --> 01:22:53,130 ♪ Swimming in your stomach ♪ 2406 01:22:53,130 --> 01:22:58,270 ♪ Wait until 2407 01:22:53,130 --> 01:22:58,270 the dust settles ♪ 2408 01:22:58,270 --> 01:23:04,180 ♪ You live, you learn, 2409 01:22:58,270 --> 01:23:04,180 you love, you learn ♪ 2410 01:23:04,180 --> 01:23:10,010 ♪ You cry, you learn, 2411 01:23:04,180 --> 01:23:10,010 you lose, you learn ♪ 2412 01:23:10,010 --> 01:23:14,050 ♪ You bleed, you learn, 2413 01:23:10,010 --> 01:23:14,050 you scream ♪ 2414 01:23:14,050 --> 01:23:21,039 ♪ You learn ♪ 2415 01:23:21,039 --> 01:23:27,279 ♪ I recommend biting off more 2416 01:23:21,039 --> 01:23:27,279 than you can chew to anyone ♪ 2417 01:23:27,279 --> 01:23:32,050 ♪ I certainly do ♪ 2418 01:23:32,050 --> 01:23:40,220 ♪ I recommend sticking your foot 2419 01:23:32,050 --> 01:23:40,220 in your mouth at any time ♪ 2420 01:23:40,220 --> 01:23:43,050 ♪ Feel free ♪ 2421 01:23:43,050 --> 01:23:45,239 ♪ Throw it down ♪ 2422 01:23:45,239 --> 01:23:48,189 ♪ The caution blocks you 2423 01:23:45,239 --> 01:23:48,189 from the wind ♪ 2424 01:23:48,189 --> 01:23:51,189 ♪ Hold it up ♪ 2425 01:23:51,189 --> 01:23:54,039 ♪ To the rays ♪ 2426 01:23:54,039 --> 01:23:59,220 ♪ You wait and see 2427 01:23:54,039 --> 01:23:59,220 when the smoke clears ♪ 2428 01:23:59,220 --> 01:24:01,010 ♪ You live ♪ 2429 01:24:01,010 --> 01:24:02,119 ♪ You learn ♪ 2430 01:24:02,119 --> 01:24:03,229 ♪ You scream ♪ 2431 01:24:03,229 --> 01:24:09,140 ♪ You learn ♪ 2432 01:24:09,140 --> 01:24:11,270 ♪♪♪ 2433 01:24:11,270 --> 01:24:13,180 [ All vocalize ] 2434 01:24:13,180 --> 01:24:20,140 ♪♪♪ 2435 01:24:20,140 --> 01:24:27,090 ♪♪♪ 2436 01:24:27,090 --> 01:24:29,260 ♪ Wear it out ♪ 2437 01:24:29,260 --> 01:24:32,239 ♪ The way 2438 01:24:29,260 --> 01:24:32,239 a three-year-old would do ♪ 2439 01:24:32,239 --> 01:24:35,140 ♪ Melt it down ♪ 2440 01:24:35,140 --> 01:24:38,100 ♪ You're gonna have to 2441 01:24:35,140 --> 01:24:38,100 eventually, anyway ♪ 2442 01:24:38,100 --> 01:24:43,239 ♪ The fire trucks are coming up 2443 01:24:38,100 --> 01:24:43,239 around the bend ♪ 2444 01:24:43,239 --> 01:24:49,109 ♪ You live, you learn, 2445 01:24:43,239 --> 01:24:49,109 you love, you learn ♪ 2446 01:24:49,109 --> 01:24:54,260 ♪ You cry, you learn, 2447 01:24:49,109 --> 01:24:54,260 you lose, you learn ♪ 2448 01:24:54,260 --> 01:24:59,000 ♪ You bleed, you learn, 2449 01:24:54,260 --> 01:24:59,000 you scream ♪ 2450 01:24:59,000 --> 01:25:04,050 ♪ You learn ♪ 2451 01:25:04,050 --> 01:25:05,260 ♪ Thank you, India ♪ 2452 01:25:04,050 --> 01:25:05,260 ♪ You learn ♪ 2453 01:25:05,260 --> 01:25:08,210 ♪ You grieve, you learn ♪ 2454 01:25:05,260 --> 01:25:08,210 ♪ Thank you, providence ♪ 2455 01:25:08,210 --> 01:25:11,140 ♪ You choke, you learn ♪ 2456 01:25:08,210 --> 01:25:11,140 ♪ Thank you, disillusionment ♪ 2457 01:25:11,140 --> 01:25:15,079 ♪ You laugh, you learn, 2458 01:25:11,140 --> 01:25:15,079 you choose ♪ 2459 01:25:15,079 --> 01:25:16,289 ♪ Thank you, clarity ♪ 2460 01:25:15,079 --> 01:25:16,289 ♪ You learn ♪ 2461 01:25:16,289 --> 01:25:19,220 ♪ You pray, you learn ♪ 2462 01:25:16,289 --> 01:25:19,220 ♪ Thank you, consequence ♪ 2463 01:25:19,220 --> 01:25:24,199 ♪ You ask, you learn, you live ♪ 2464 01:25:19,220 --> 01:25:24,199 ♪ Thank you, 2465 01:25:19,220 --> 01:25:24,199 thank you, silence ♪ 2466 01:25:24,199 --> 01:25:30,159 ♪ You learn ♪ 2467 01:25:30,159 --> 01:25:32,149 [ Vocalizing ] 2468 01:25:32,149 --> 01:25:42,159 ♪♪♪ 2469 01:26:05,260 --> 01:26:14,229 ♪♪♪ 2470 01:26:14,229 --> 01:26:23,199 ♪♪♪ 2471 01:26:23,199 --> 01:26:32,180 ♪♪♪