1 00:00:06,882 --> 00:00:08,109 {\an8}- This is "Today." - In the '90s... 2 00:00:08,133 --> 00:00:09,903 {\an8}-Good morning, America! 3 00:00:09,927 --> 00:00:11,613 {\an8}-...Americans wake up to a war 4 00:00:11,637 --> 00:00:14,199 {\an8}being fought for their hearts and minds. 5 00:00:14,223 --> 00:00:17,952 {\an8}-People ID the '90s as one of the fiercest times 6 00:00:17,976 --> 00:00:20,330 in morning television ratings wars. 7 00:00:20,354 --> 00:00:23,249 -TV networks battle over morning show treasure. 8 00:00:23,273 --> 00:00:25,376 -One of the network morning shows brings in 9 00:00:25,400 --> 00:00:27,420 about $500 million a year. 10 00:00:27,444 --> 00:00:29,506 That is an enormous amount of money. 11 00:00:29,530 --> 00:00:31,216 -Heroes will rise. 12 00:00:31,240 --> 00:00:33,134 -And I still can't decide whether I'm Katherine or Katie. 13 00:00:33,158 --> 00:00:34,469 -Others will fall. 14 00:00:34,493 --> 00:00:35,929 -Good Morning, America. I'm Joan Lunden. 15 00:00:35,953 --> 00:00:38,890 -I remember being very upset when I learned 16 00:00:38,914 --> 00:00:41,893 that "Good Morning America" was going to replace Joan Lunden 17 00:00:41,917 --> 00:00:43,311 with Diane Sawyer. 18 00:00:43,335 --> 00:00:45,813 -The onscreen fun and games 19 00:00:45,837 --> 00:00:48,316 {\an8}makes a hyper-competitive world of pirates... 20 00:00:48,340 --> 00:00:50,610 -"I fully am aware that a tornado came to your town 21 00:00:50,634 --> 00:00:52,237 and killed everyone in your family, 22 00:00:52,261 --> 00:00:54,280 but it's so important that you come on our show." 23 00:00:54,304 --> 00:00:55,615 - and predators. 24 00:00:55,639 --> 00:00:57,700 -Where in the world is Matt Lauer? 25 00:00:57,724 --> 00:00:59,035 -[ Laughs ] 26 00:00:59,059 --> 00:01:01,162 -Yeah, I think it left a bad taste 27 00:01:01,186 --> 00:01:03,831 in a lot of people's mouths. 28 00:01:03,855 --> 00:01:05,750 No question. 29 00:01:05,774 --> 00:01:13,774 {\an8}♪♪ 30 00:01:13,865 --> 00:01:15,718 [ Dial-up modems screeching ] 31 00:01:15,742 --> 00:01:23,742 {\an8}♪♪ 32 00:01:28,880 --> 00:01:32,944 {\an8}-For decades, America starts its day with two things... 33 00:01:32,968 --> 00:01:35,113 Coffee... 34 00:01:35,137 --> 00:01:37,949 - And good morning, everyone. - And morning TV news. 35 00:01:37,973 --> 00:01:39,450 -Amidst all that, uh... 36 00:01:39,474 --> 00:01:40,702 - Furniture. - Furniture. 37 00:01:40,726 --> 00:01:42,704 -By the late '80s, these programs 38 00:01:42,728 --> 00:01:44,998 will have the largest audiences and generate 39 00:01:45,022 --> 00:01:48,334 the most profits of any show on network TV. 40 00:01:48,358 --> 00:01:50,628 -This is the new day we've been talking about for so long. 41 00:01:50,652 --> 00:01:52,046 -Thank you, darling. I appreciate it. 42 00:01:52,070 --> 00:01:54,007 Some of us already have worked the weekend. 43 00:01:54,031 --> 00:01:57,385 -But behind the happy talk is a serious, cutthroat competition. 44 00:01:57,409 --> 00:01:59,053 -Oh, isn't that nice? 45 00:01:59,077 --> 00:02:02,348 {\an8}-At stake... a billion dollars in annual ad revenue. 46 00:02:02,372 --> 00:02:05,643 [ Crowd cheering ] That's billion with a "B." 47 00:02:05,667 --> 00:02:07,854 - "Good Morning America" is brought to you by 48 00:02:07,878 --> 00:02:09,355 Outback Steakhouse. 49 00:02:09,379 --> 00:02:12,108 -Morning shows are the cash cow of networks. 50 00:02:12,132 --> 00:02:15,653 -With a sizable premium paid for being number one. 51 00:02:15,677 --> 00:02:17,405 -Uh-oh. Really hot, huh? 52 00:02:17,429 --> 00:02:19,240 -Whether it's "Good Morning America" 53 00:02:19,264 --> 00:02:22,076 or the "Today" show, it brings in about $500 million a year. 54 00:02:22,100 --> 00:02:24,203 That is an enormous amount of money. 55 00:02:24,227 --> 00:02:26,414 {\an8}And you're gonna fight tooth and nail to be number one. 56 00:02:26,438 --> 00:02:29,000 {\an8}-This is opening day, today on NBC. 57 00:02:29,024 --> 00:02:31,336 {\an8}-As these shows battle to attract viewers, 58 00:02:31,360 --> 00:02:34,505 {\an8}it will make pawns out of the guests and their hosts... 59 00:02:34,529 --> 00:02:37,759 {\an8}-Well, it seems like every day, it gets worse and worse. 60 00:02:37,783 --> 00:02:40,053 - with the networks pulling out all the stops 61 00:02:40,077 --> 00:02:42,180 in pursuit of the top spot. 62 00:02:42,204 --> 00:02:44,140 -Let's put it this way... It's war. 63 00:02:44,164 --> 00:02:46,017 And however you're gonna do it, you're gonna do it. 64 00:02:46,041 --> 00:02:48,978 -Here's the news and weather now from Lew Wood. Lew? 65 00:02:49,002 --> 00:02:51,814 -But morning TV wasn't always a battlefield. 66 00:02:51,838 --> 00:02:53,232 Up until the mid-'80s, 67 00:02:53,256 --> 00:02:56,069 the two shows maintained a peaceful co-existence, 68 00:02:56,093 --> 00:02:59,906 each occupying its own territory in the cultural landscape. 69 00:02:59,930 --> 00:03:02,241 - "Today" show was the first out of the gate, 70 00:03:02,265 --> 00:03:05,578 and they kind of set the format for morning news. 71 00:03:05,602 --> 00:03:07,288 -The "Today" show is the granddaddy of all 72 00:03:07,312 --> 00:03:09,248 morning news programs. 73 00:03:09,272 --> 00:03:11,751 NBC launched it in 1952. 74 00:03:11,775 --> 00:03:14,128 -Hosted by Dave Garroway and his sidekick, 75 00:03:14,152 --> 00:03:18,091 chimpanzee J. Fred Muggs, "Today" spends 25 years 76 00:03:18,115 --> 00:03:21,260 as America's go-to for early-morning information. 77 00:03:21,284 --> 00:03:24,138 -There is today in capsule form, just about this big, 78 00:03:24,162 --> 00:03:26,140 so as you leave the house, you know where you are 79 00:03:26,164 --> 00:03:27,767 and what's gonna happen to it. 80 00:03:27,791 --> 00:03:30,228 -It was an accidental experiment 81 00:03:30,252 --> 00:03:32,063 that ended up being very popular. 82 00:03:32,087 --> 00:03:34,774 It was just a camera turned on live at 7:00 in the morning. 83 00:03:34,798 --> 00:03:36,150 And the idea was to just tell the people 84 00:03:36,174 --> 00:03:38,027 what the stories of the news was. 85 00:03:38,051 --> 00:03:40,113 -From the '50s through the '70s, 86 00:03:40,137 --> 00:03:43,950 the "Today" show mirrors back changes in American society, 87 00:03:43,974 --> 00:03:46,452 with Barbara Walters evolving from a "Today" girl 88 00:03:46,476 --> 00:03:48,329 reporting from the Playboy Club... 89 00:03:48,353 --> 00:03:50,123 -I enjoyed seeing you as a bunny. 90 00:03:50,147 --> 00:03:51,749 - Thank you. - We have a station break now. 91 00:03:51,773 --> 00:03:53,626 And thank you, Barbara Walters. - Thank you. 92 00:03:53,650 --> 00:03:56,462 - to the first woman to co-host a morning show. 93 00:03:56,486 --> 00:03:59,257 - for the details of a story that many of us are 94 00:03:59,281 --> 00:04:01,676 still having trouble believing actually occurred. 95 00:04:01,700 --> 00:04:04,804 {\an8}-Walters helps boost the "Today" show's appeal to the people 96 00:04:04,828 --> 00:04:07,390 making up the majority of morning-show viewers. 97 00:04:07,414 --> 00:04:10,101 -The homemaker or the woman who, if you're not a homemaker, 98 00:04:10,125 --> 00:04:13,104 she certainly has a big say in how the family's being run. 99 00:04:13,128 --> 00:04:15,440 {\an8}That's the viewer, they kind of think about when they are 100 00:04:15,464 --> 00:04:17,567 {\an8}coming up with all their different permutations 101 00:04:17,591 --> 00:04:20,319 {\an8}of news, programming, and strategy. 102 00:04:20,343 --> 00:04:25,199 - "Today" 's status as the sole morning news show ends in 1975, 103 00:04:25,223 --> 00:04:27,660 when another network climbs into the ring. 104 00:04:27,684 --> 00:04:29,328 -ABC wants to get into the morning game itself, 105 00:04:29,352 --> 00:04:32,498 sees the "Today" show has been on the air for 20 years. 106 00:04:32,522 --> 00:04:34,333 You know, "Why don't we have one of these? 107 00:04:34,357 --> 00:04:37,044 And ABC decides to start trying something else. 108 00:04:37,068 --> 00:04:38,463 -Monday, in this hour... 109 00:04:38,487 --> 00:04:40,798 Jonathan Winters, our critic on the loose, 110 00:04:40,822 --> 00:04:42,633 Rona Barrett's "Hollywood Worldwide," 111 00:04:42,657 --> 00:04:46,304 and in our family-living feature, Dr. Vivienne Tenney... 112 00:04:46,328 --> 00:04:49,223 -Turning on "Good Morning America," or "GMA," 113 00:04:49,247 --> 00:04:52,602 viewers were immediately struck by how different it looked. 114 00:04:52,626 --> 00:04:54,812 -It was sit in the living room on a couch, 115 00:04:54,836 --> 00:04:56,898 and it was less about a news show, 116 00:04:56,922 --> 00:04:59,192 more about a show in the morning. 117 00:04:59,216 --> 00:05:01,694 -When "Good Morning America" started in the 1970s, 118 00:05:01,718 --> 00:05:04,197 It turned out to be a successful hit because what it did 119 00:05:04,221 --> 00:05:06,949 is it took on the "Today" show by doing something different, 120 00:05:06,973 --> 00:05:10,953 by being more folksy, by being more America. 121 00:05:10,977 --> 00:05:12,789 I'm Albert Lewitinn, and in the mid-'90s, 122 00:05:12,813 --> 00:05:15,458 {\an8}I was a snot-nosed producer who thought he knew everything. 123 00:05:15,482 --> 00:05:17,376 {\an8}So I went into morning TV. 124 00:05:17,400 --> 00:05:19,545 -I guess if you really want to get to the heart of a town, 125 00:05:19,569 --> 00:05:22,381 you'll let the people who live here tell the story themselves. 126 00:05:22,405 --> 00:05:26,052 -It's all about mom and pop and their fun little shop 127 00:05:26,076 --> 00:05:29,138 downtown in Springfield, and, like, isn't this great? 128 00:05:29,162 --> 00:05:31,474 And that was the idea. "I'm so-and-so. 129 00:05:31,498 --> 00:05:33,142 Good Morning, America." 130 00:05:33,166 --> 00:05:34,977 -Hi, I'm Amy Redman from Gloucester. 131 00:05:35,001 --> 00:05:36,938 -I'm Gladys Fiddle from Rockport. 132 00:05:36,962 --> 00:05:38,856 -Good morning, America! 133 00:05:38,880 --> 00:05:40,733 - ♪ Scooby-doo-bee-doo-bee ♪ - Or, or... 134 00:05:40,757 --> 00:05:43,402 -Where today is produced by NBC News, 135 00:05:43,426 --> 00:05:46,405 GMA is part of ABC's Entertainment division, 136 00:05:46,429 --> 00:05:48,199 the same folks making "The Love Boat" 137 00:05:48,223 --> 00:05:50,409 and "Fantasy Island." 138 00:05:50,433 --> 00:05:53,120 But like a dog and their owner, "GMA" and "Today" 139 00:05:53,144 --> 00:05:56,582 soon start to resemble each other and, by the mid-'80s, 140 00:05:56,606 --> 00:05:59,335 share more similarities and differences. 141 00:05:59,359 --> 00:06:01,254 -Everybody had to kind of figure out, 142 00:06:01,278 --> 00:06:02,922 "How do we maybe do it better 143 00:06:02,946 --> 00:06:05,424 or maybe just do it differently?" 144 00:06:05,448 --> 00:06:07,343 {\an8}I'm Jane Robelot, and in the '90s, 145 00:06:07,367 --> 00:06:10,245 {\an8}I was waking up when you were going to bed. 146 00:06:12,289 --> 00:06:14,767 -By the late '80s, CBS will join the fray 147 00:06:14,791 --> 00:06:17,436 with their own morning show called "This Morning." 148 00:06:17,460 --> 00:06:19,438 But the self-titled Tiffany Network, 149 00:06:19,462 --> 00:06:22,608 once home to Edward R. Murrow and Walter Cronkite, 150 00:06:22,632 --> 00:06:24,944 will approach morning news quite differently 151 00:06:24,968 --> 00:06:27,738 than NBC and ABC. 152 00:06:27,762 --> 00:06:30,283 -CBS, at the time, in the '70s and '80s 153 00:06:30,307 --> 00:06:33,160 was an older audience, really wasn't into like, 154 00:06:33,184 --> 00:06:36,539 the entertainment stuff that the morning shows did. 155 00:06:36,563 --> 00:06:40,501 -CBS was hard news all the way through, 156 00:06:40,525 --> 00:06:44,130 but with news-oriented interviews. 157 00:06:44,154 --> 00:06:46,299 - that says that housing is not the problem 158 00:06:46,323 --> 00:06:47,883 with the homeless, 159 00:06:47,907 --> 00:06:51,387 but that they are disabled by severe mental illness. 160 00:06:51,411 --> 00:06:55,600 -It was really slow, and while the "Today" show and "GMA" 161 00:06:55,624 --> 00:06:59,562 were fighting it, CBS was like, "Eh, we're on the air." 162 00:06:59,586 --> 00:07:02,231 Like, "You're lucky we're here." Like, "We're here." 163 00:07:02,255 --> 00:07:03,816 -What do you. Think this means? 164 00:07:03,840 --> 00:07:05,192 -Morning, Harry. 165 00:07:05,216 --> 00:07:07,653 -It means CBS's commitment to hard news 166 00:07:07,677 --> 00:07:12,283 will put the network firmly in third place for, well, ever. 167 00:07:12,307 --> 00:07:13,951 - professionally. 168 00:07:13,975 --> 00:07:16,621 -Meanwhile, with the sets on "GMA" and "Today" 169 00:07:16,645 --> 00:07:18,456 looking more and more alike, 170 00:07:18,480 --> 00:07:21,292 what sets the shows apart are the hosts. 171 00:07:21,316 --> 00:07:23,294 -He's going to take a walk on a California beach 172 00:07:23,318 --> 00:07:26,297 with a "Sports Illustrated" swimsuit cover girl. 173 00:07:26,321 --> 00:07:27,757 -I didn't get to go. 174 00:07:27,781 --> 00:07:29,717 -Yeah, we knew better than to send to you. 175 00:07:29,741 --> 00:07:31,344 Also, Whoopi Goldberg. 176 00:07:31,368 --> 00:07:35,681 -People watch morning television because of the host. 177 00:07:35,705 --> 00:07:37,933 They either feel comfortable with that personality, 178 00:07:37,957 --> 00:07:40,478 they like them, or they don't. 179 00:07:40,502 --> 00:07:43,564 -You're inviting somebody into your home 180 00:07:43,588 --> 00:07:47,193 when you haven't really started your day yet, 181 00:07:47,217 --> 00:07:48,778 you've still got on your pajamas, 182 00:07:48,802 --> 00:07:50,905 you're just kind of thinking about what's ahead, 183 00:07:50,929 --> 00:07:53,199 and you really want somebody who's going to be 184 00:07:53,223 --> 00:07:55,701 warm and credible 185 00:07:55,725 --> 00:07:58,454 and take you gently through this morning. 186 00:07:58,478 --> 00:08:02,833 {\an8}-In 1987, after a decade of finishing behind "Today," 187 00:08:02,857 --> 00:08:05,002 "GMA" trades in David Hartman 188 00:08:05,026 --> 00:08:06,879 for a young White House correspondent. 189 00:08:06,903 --> 00:08:09,924 -Charlie Gibson joins us to continue our daily adventure. 190 00:08:09,948 --> 00:08:11,759 -Adventure. [ Laughs ] 191 00:08:11,783 --> 00:08:13,386 -Gibson will work alongside 192 00:08:13,410 --> 00:08:15,805 the show's veteran co-host, Joan Lunden. 193 00:08:15,829 --> 00:08:18,724 And together, they will go head-to-head against "Today" 's 194 00:08:18,748 --> 00:08:22,436 power couple... Bryant Gumbel and Jane Pauley. 195 00:08:22,460 --> 00:08:24,397 -When Jane Pauley was the host of the "Today" show, 196 00:08:24,421 --> 00:08:26,482 she was America's girl. 197 00:08:26,506 --> 00:08:28,651 America's girl. 198 00:08:28,675 --> 00:08:32,321 Jane Pauley, Bryant Gumbel... Fantastic team. 199 00:08:32,345 --> 00:08:35,032 Bryant Gumbel was a fantastic host. 200 00:08:35,056 --> 00:08:36,742 -Bryant Gumbel is a master of the form. 201 00:08:36,766 --> 00:08:38,536 -You, I saw New Year's Day. Good seeing you. 202 00:08:38,560 --> 00:08:40,705 -What a way to start the year, with you. That was terrific. 203 00:08:40,729 --> 00:08:42,081 -Well, thank you, sir. 204 00:08:42,105 --> 00:08:44,542 -He is also a dominating alpha male who, 205 00:08:44,566 --> 00:08:47,628 when first hired, demands to be named head anchor, 206 00:08:47,652 --> 00:08:50,923 despite Jane Pauley having already been co-hosting the show 207 00:08:50,947 --> 00:08:52,550 for six years. 208 00:08:52,574 --> 00:08:55,010 -The budget negotiations and the game of Beat the Clock 209 00:08:55,034 --> 00:08:56,846 that's being played in Washington 210 00:08:56,870 --> 00:08:58,597 is our top story of this morning. 211 00:08:58,621 --> 00:09:00,182 John Palmer is gonna give us an update in just a moment. 212 00:09:00,206 --> 00:09:01,475 -He was a great interviewer, 213 00:09:01,499 --> 00:09:03,060 always very well-studied on everything, 214 00:09:03,084 --> 00:09:05,771 ready to go, great improv, right down to the second. 215 00:09:05,795 --> 00:09:08,607 -The battle for morning TV supremacy is on 216 00:09:08,631 --> 00:09:11,027 with both shows featuring a male anchor 217 00:09:11,051 --> 00:09:13,154 paired up with a female co-anchor 218 00:09:13,178 --> 00:09:16,991 who is smart, warm, beautiful, and blonde. 219 00:09:17,015 --> 00:09:18,659 -It's a certain look that all of a sudden 220 00:09:18,683 --> 00:09:20,286 becomes the look, the archetype. 221 00:09:20,310 --> 00:09:22,997 It's a family atmosphere. 222 00:09:23,021 --> 00:09:25,458 It's fun. 223 00:09:25,482 --> 00:09:28,711 -It felt very much like a family. 224 00:09:28,735 --> 00:09:31,505 That's how the show was structured. 225 00:09:31,529 --> 00:09:33,049 {\an8}I'm Rita Barry-Corke. 226 00:09:33,073 --> 00:09:35,259 {\an8}When I went to work at "Good Morning America," 227 00:09:35,283 --> 00:09:38,804 {\an8}the hosts were Charlie Gibson and Joan Lunden, 228 00:09:38,828 --> 00:09:41,140 {\an8}the dynamic duo of morning television. 229 00:09:41,164 --> 00:09:42,641 -We will look back at "Sergeant Pepper's 230 00:09:42,665 --> 00:09:44,018 Lonely Hearts Club Band" 231 00:09:44,042 --> 00:09:46,103 two decades later, if you can believe that. 232 00:09:46,127 --> 00:09:47,897 - Got a free album here? - No, there's nothing in it. 233 00:09:47,921 --> 00:09:49,815 See this? [Laughs] Just a prop. 234 00:09:49,839 --> 00:09:51,275 -That's the way it works in television. 235 00:09:51,299 --> 00:09:53,319 -How could you not fall in love with them? 236 00:09:53,343 --> 00:09:57,239 People did. Charlie was always such a total gentleman. 237 00:09:57,263 --> 00:10:00,326 And Joan... she was your sister, 238 00:10:00,350 --> 00:10:04,246 your mother, your girlfriend, your daughter. 239 00:10:04,270 --> 00:10:06,123 And that formula worked. 240 00:10:06,147 --> 00:10:10,002 You know, we took over in the first slot for quite some time. 241 00:10:10,026 --> 00:10:11,754 -With weatherman Spencer Christian, 242 00:10:11,778 --> 00:10:14,131 Charlie and Joan's onscreen chemistry 243 00:10:14,155 --> 00:10:17,301 leaves "Today" show executives in unfamiliar territory... 244 00:10:17,325 --> 00:10:18,969 Second place, 245 00:10:18,993 --> 00:10:22,681 and with the gap widening between their show and "GMA." 246 00:10:22,705 --> 00:10:24,350 -Over at "Today," there's some concern. 247 00:10:24,374 --> 00:10:26,227 "What's going on here? Why is this happening?" 248 00:10:26,251 --> 00:10:28,270 And producers asked Bryant Gumbel, 249 00:10:28,294 --> 00:10:31,607 then the kind of lead anchor, to offer his own diagnosis 250 00:10:31,631 --> 00:10:33,317 of what's going on with the show. 251 00:10:33,341 --> 00:10:34,735 He lets loose. 252 00:10:34,759 --> 00:10:36,737 He says that Willard Scott, the weather man, 253 00:10:36,761 --> 00:10:38,280 the guy who is always, you know, 254 00:10:38,304 --> 00:10:40,407 honoring people who are turning 100 years old, 255 00:10:40,431 --> 00:10:41,951 is dumbing down the show and ruining it. 256 00:10:41,975 --> 00:10:43,577 -Aren't they fantastic? 257 00:10:43,601 --> 00:10:45,871 These are a special breed of onions... a cheese onion. 258 00:10:45,895 --> 00:10:47,998 -He thinks Gene Shalit is causing problems. 259 00:10:48,022 --> 00:10:50,459 He's very blunt about what he thinks the problems are. 260 00:10:50,483 --> 00:10:52,837 - No New Year's resolutions? - Yeah, to be a good boy. 261 00:10:52,861 --> 00:10:54,588 I always said once I get away from you. 262 00:10:54,612 --> 00:10:56,298 -You got your problems. 263 00:10:56,322 --> 00:10:58,884 -Suddenly, the private dysfunction at the "Today" show 264 00:10:58,908 --> 00:11:02,721 goes public when someone leaks Gumbel's memo to the press. 265 00:11:02,745 --> 00:11:04,640 -Gumbel was critical of his colleagues, 266 00:11:04,664 --> 00:11:06,350 including weatherman Willard Scott. 267 00:11:06,374 --> 00:11:07,852 -The audience loves the family, 268 00:11:07,876 --> 00:11:10,020 and now, all of a sudden, the family is squabbling. 269 00:11:10,044 --> 00:11:11,564 Dad doesn't like the weatherman. 270 00:11:11,588 --> 00:11:14,525 Dad doesn't like what his assignment is every day. 271 00:11:14,549 --> 00:11:17,528 This creates the perception that the family is fighting. 272 00:11:17,552 --> 00:11:19,238 -Gumbel tried to reassure his viewers 273 00:11:19,262 --> 00:11:21,907 that the "Today" staff is a happy family. 274 00:11:21,931 --> 00:11:24,702 -But rest assured that our "Today" family is intact 275 00:11:24,726 --> 00:11:27,496 and still smiling, albeit through some pain. 276 00:11:27,520 --> 00:11:28,956 We'll still be here 277 00:11:28,980 --> 00:11:31,250 long after the recent headlines are forgotten. 278 00:11:31,274 --> 00:11:33,711 Enough said. 279 00:11:33,735 --> 00:11:35,921 -But not everyone will still be there. 280 00:11:35,945 --> 00:11:38,507 With its morning show still trailing "GMA," 281 00:11:38,531 --> 00:11:40,217 NBC decides to break up 282 00:11:40,241 --> 00:11:43,637 the "Today" family by engineering a divorce. 283 00:11:43,661 --> 00:11:45,806 -All of a sudden, they bring in Deborah Norville 284 00:11:45,830 --> 00:11:48,017 to kind of bring us a new presence to the show. 285 00:11:48,041 --> 00:11:49,435 And this creates the perception 286 00:11:49,459 --> 00:11:50,895 that they're trying to get Mom off the show, 287 00:11:50,919 --> 00:11:52,771 that Jane Pauley is being pushed off by executives 288 00:11:52,795 --> 00:11:54,565 and by Bryant Gumbel. 289 00:11:54,589 --> 00:11:57,860 -You're a tough act to repeat, and I'm not even gonna try. 290 00:11:57,884 --> 00:12:00,613 -And it creates bad perception on the program. 291 00:12:00,637 --> 00:12:02,448 And viewers don't like that. 292 00:12:02,472 --> 00:12:04,366 -There is evidence that women journalists 293 00:12:04,390 --> 00:12:06,785 are now getting fairer treatment, but are they given 294 00:12:06,809 --> 00:12:09,163 the same credibility as their male counterparts? 295 00:12:09,187 --> 00:12:10,497 -Of course not. 296 00:12:10,521 --> 00:12:12,207 We haven't come to a point 297 00:12:12,231 --> 00:12:15,669 where two women can be treated in a professional context 298 00:12:15,693 --> 00:12:17,630 without the word "jealousy" coming up. 299 00:12:17,654 --> 00:12:19,798 "Jealousy" is a gender-specific word. 300 00:12:19,822 --> 00:12:21,258 -It's hard to recover from that 301 00:12:21,282 --> 00:12:23,052 when people already feel you put the knife in. 302 00:12:23,076 --> 00:12:24,803 Whether this is all true or not, 303 00:12:24,827 --> 00:12:27,723 Jane was a beloved presence there before Bryant Gumbel, 304 00:12:27,747 --> 00:12:29,183 and viewers just could not take that, 305 00:12:29,207 --> 00:12:30,935 and they would not accept her. 306 00:12:30,959 --> 00:12:32,770 - You're feeling better, I trust? - I'm over the weather today. 307 00:12:32,794 --> 00:12:35,064 Since I've been under the weather now for a couple days. 308 00:12:35,088 --> 00:12:37,566 -As a war continues to simmer at "Today," 309 00:12:37,590 --> 00:12:40,569 another boils over on TV screens across America. 310 00:12:40,593 --> 00:12:43,030 {\an8}-Iraqis also claim to have downed 33 missiles 311 00:12:43,054 --> 00:12:44,782 {\an8}like these Tomahawks on the battleship... 312 00:12:44,806 --> 00:12:48,160 -During the Gulf War, CNN's 24-hour news cycle 313 00:12:48,184 --> 00:12:50,246 makes it the home for news junkies 314 00:12:50,270 --> 00:12:52,498 looking to keep up on the fighting. 315 00:12:52,522 --> 00:12:55,250 Morning shows can't compete, so they begin to offer 316 00:12:55,274 --> 00:12:59,004 an alternative to CNN's round-the-clock Iraq coverage. 317 00:12:59,028 --> 00:13:02,341 -Don't be afraid. Keep with us! [ Laughs ] 318 00:13:02,365 --> 00:13:04,176 -The advent of cable news in the '90s 319 00:13:04,200 --> 00:13:08,305 was an absolute tectonic shift 320 00:13:08,329 --> 00:13:10,307 in how morning shows got produced, 321 00:13:10,331 --> 00:13:12,268 because they saw the news cycle was changing. 322 00:13:12,292 --> 00:13:13,852 Networks got smart. 323 00:13:13,876 --> 00:13:16,438 They realized that morning TV was entertainment, 324 00:13:16,462 --> 00:13:19,775 and so they adapted their programs 325 00:13:19,799 --> 00:13:21,485 to make it more entertainment. 326 00:13:21,509 --> 00:13:24,822 -ABC's "Good Morning America" becomes a surreal oasis 327 00:13:24,846 --> 00:13:26,365 of positive vibes. 328 00:13:26,389 --> 00:13:28,367 -The Army is out scouting for chocolate 329 00:13:28,391 --> 00:13:30,119 that melts in the mouth, not in the sand. 330 00:13:30,143 --> 00:13:32,371 That is to say, chocolate bars that can survive 331 00:13:32,395 --> 00:13:34,873 the 100-plus-degree heat of Saudi Arabia. 332 00:13:34,897 --> 00:13:37,418 -Sample you just ate came out of 140 degrees 333 00:13:37,442 --> 00:13:38,877 before you arrived here. 334 00:13:38,901 --> 00:13:40,170 -It's good. 335 00:13:40,194 --> 00:13:42,006 -While Life Is Sweet at "GMA," 336 00:13:42,030 --> 00:13:44,717 "Today" quickly sours on its newest co-host. 337 00:13:44,741 --> 00:13:47,553 - "Today" show is sinking, and the hot rumor 338 00:13:47,577 --> 00:13:50,431 is that they may drop anchor again. 339 00:13:50,455 --> 00:13:53,559 -In February 1991, a pregnant Deborah Norville 340 00:13:53,583 --> 00:13:55,394 takes a break from the show. 341 00:13:55,418 --> 00:13:59,690 Her fill-in is a plucky reporter who got her start in cable news 342 00:13:59,714 --> 00:14:02,818 and who will go on to become one of the most celebrated hosts 343 00:14:02,842 --> 00:14:04,218 in morning TV history. 344 00:14:08,014 --> 00:14:09,241 {\an8}-Today, Friday, February 22, 1991. 345 00:14:09,265 --> 00:14:10,659 {\an8}-By the start of the '90s, 346 00:14:10,683 --> 00:14:12,995 {\an8}morning television is an American staple. 347 00:14:13,019 --> 00:14:16,165 {\an8}But for those who make it, it comes at a cost. 348 00:14:16,189 --> 00:14:19,209 {\an8}-The only thing wrong with morning TV 349 00:14:19,233 --> 00:14:22,171 {\an8}is that it happens in the morning. 350 00:14:22,195 --> 00:14:23,756 Welcome to "This Morning." I'm Jane Robillard. 351 00:14:23,780 --> 00:14:25,049 -And I'm Jose Diaz-Balart. 352 00:14:25,073 --> 00:14:27,092 It is Friday, the 23rd of August. 353 00:14:27,116 --> 00:14:29,553 -You can't wait to find out about that alien life form. 354 00:14:29,577 --> 00:14:31,055 -I've met a few of them, I think. 355 00:14:31,079 --> 00:14:33,015 -It was brutal. 356 00:14:33,039 --> 00:14:35,893 I was suddenly waking up at the time of day 357 00:14:35,917 --> 00:14:38,437 that I used to actually go to sleep. 358 00:14:38,461 --> 00:14:40,439 -For anyone working in morning TV, 359 00:14:40,463 --> 00:14:45,277 the early hours are the price you have to pay to stay on top. 360 00:14:45,301 --> 00:14:47,613 -I got up at 4:00, 361 00:14:47,637 --> 00:14:52,242 and I had to be on the set every day at 5:15. 362 00:14:52,266 --> 00:14:55,287 {\an8}I'm Gary Stein, and in the '90s, 363 00:14:55,311 --> 00:14:57,331 {\an8}I was a producer of "Good Morning America". 364 00:14:57,355 --> 00:14:59,500 {\an8}And I lead with that no matter where I am. 365 00:14:59,524 --> 00:15:02,628 That's the first thing I say. 366 00:15:02,652 --> 00:15:06,173 I never thought, when the alarm went off, that it was for me. 367 00:15:06,197 --> 00:15:07,883 Not in seven years. 368 00:15:07,907 --> 00:15:10,010 [ Alarm clock beeping ] 369 00:15:10,034 --> 00:15:13,514 I was thinking, "My poor wife. You must have to go somewhere. 370 00:15:13,538 --> 00:15:16,392 What a terrible thing. Oh, my God, it's me." 371 00:15:16,416 --> 00:15:19,019 I had my briefcase in the bathroom, 372 00:15:19,043 --> 00:15:20,521 my clothes in the bathroom, 373 00:15:20,545 --> 00:15:22,272 and I would try not to wake my wife up 374 00:15:22,296 --> 00:15:24,983 and then go downstairs and get out. 375 00:15:25,007 --> 00:15:29,154 We had to figure out how to get through a day in a coma 376 00:15:29,178 --> 00:15:31,073 but behaving like an awake human. 377 00:15:31,097 --> 00:15:32,991 -This is a very interesting pair of shoes 378 00:15:33,015 --> 00:15:34,660 that we have on this morning. 379 00:15:34,684 --> 00:15:36,620 -You get dressed in the dark, you try not to wake up 380 00:15:36,644 --> 00:15:39,623 the family, and sometimes you slip up. 381 00:15:39,647 --> 00:15:43,168 -Let's talk about brain cells in the morning shows, shall we? 382 00:15:43,192 --> 00:15:46,630 {\an8}You'd get up at 1:30, you'd have to come into the office at 3:00. 383 00:15:46,654 --> 00:15:48,215 Review wires, 384 00:15:48,239 --> 00:15:49,716 look over the script, make sure it was all fine. 385 00:15:49,740 --> 00:15:52,302 That was done by the staff previously. 386 00:15:52,326 --> 00:15:56,515 And then you had to present the show to the anchors at 5:30. 387 00:15:56,539 --> 00:15:58,183 And boy, that better be perfect. 388 00:15:58,207 --> 00:16:00,727 And if not, you would sit there for the next hour 389 00:16:00,751 --> 00:16:04,148 and rewrite the entire show in time for air. 390 00:16:04,172 --> 00:16:06,567 -Two hours of live TV a day. 391 00:16:06,591 --> 00:16:09,403 You're shoveling coal into that furnace 392 00:16:09,427 --> 00:16:12,156 that burns up and it's gone. 393 00:16:12,180 --> 00:16:14,158 The only time people are gonna talk to you 394 00:16:14,182 --> 00:16:16,285 is when something goes wrong. 395 00:16:16,309 --> 00:16:20,080 -And everything goes wrong for "Today" co-host Debra Norville, 396 00:16:20,104 --> 00:16:23,250 who, while away on mat leave, gets replaced by someone 397 00:16:23,274 --> 00:16:26,587 the executives believe will be better for ratings. 398 00:16:26,611 --> 00:16:29,923 {\an8}-This is "Today" with Bryant Gumbel, 399 00:16:29,947 --> 00:16:33,594 {\an8}Katherine Couric, and Joe Garagiola. 400 00:16:33,618 --> 00:16:36,013 {\an8}-Katherine Couric... Called Katherine at the time... 401 00:16:36,037 --> 00:16:40,601 {\an8}a former CNN Washington correspondent and producer, 402 00:16:40,625 --> 00:16:43,854 {\an8}is brought up to New York and does very well opposite Brian. 403 00:16:43,878 --> 00:16:46,815 -I still can't decide whether I'm Katherine or Katie. 404 00:16:46,839 --> 00:16:48,984 Alex, re-rack it for us. - Katherine Couric. 405 00:16:49,008 --> 00:16:51,320 - Thank you. - One more time, Alex. 406 00:16:51,344 --> 00:16:52,946 - Katherine Couric. - Thank you very much. 407 00:16:52,970 --> 00:16:55,532 -When Couric starts to attract higher ratings, 408 00:16:55,556 --> 00:16:57,326 Norville's five-month maternity leave 409 00:16:57,350 --> 00:16:58,744 becomes never-ending. 410 00:16:58,768 --> 00:17:00,329 -In case you haven't gotten the message, 411 00:17:00,353 --> 00:17:02,581 Katie is now a permanent fixture up here, 412 00:17:02,605 --> 00:17:05,584 a member of our family, and an especially welcome one. 413 00:17:05,608 --> 00:17:07,252 Deborah Norville is not. 414 00:17:07,276 --> 00:17:09,838 We had some good times here. 415 00:17:09,862 --> 00:17:11,924 -Katie Couric was America's sweetheart. 416 00:17:11,948 --> 00:17:14,676 She was the girl in high school that you had a crush on, 417 00:17:14,700 --> 00:17:16,720 that you enjoyed, that you had fun with. 418 00:17:16,744 --> 00:17:20,599 She was good girl, cheerleader, "life is good" America. 419 00:17:20,623 --> 00:17:22,267 And that's why she did so well. 420 00:17:22,291 --> 00:17:24,728 -Couric will quickly prove to be a better foil 421 00:17:24,752 --> 00:17:27,564 to Brian Gumbel's masculine jocularity. 422 00:17:27,588 --> 00:17:30,651 - How long are you gone? - I'm gone for nine weeks. 423 00:17:30,675 --> 00:17:33,153 - Why so long? - [ Sighs ] 424 00:17:33,177 --> 00:17:36,240 -Her first test comes just a few months into the gig, 425 00:17:36,264 --> 00:17:39,993 when the head anchor puts the rookie on the spot for, 426 00:17:40,017 --> 00:17:43,247 like Norville before her, taking maternity leave. 427 00:17:43,271 --> 00:17:44,998 -Not to sound like a martyr, but it has... 428 00:17:45,022 --> 00:17:47,459 -Uh-oh! [ Imitates whip snapping ] 429 00:17:47,483 --> 00:17:51,421 -It has been quite a while since I've had any time off. 430 00:17:51,445 --> 00:17:53,131 -Couric proves she can hold her own 431 00:17:53,155 --> 00:17:56,093 by giving it back to Gumbel as good as she gets it. 432 00:17:56,117 --> 00:17:58,679 -How many vacation weeks do you get a year, Brian? 433 00:17:58,703 --> 00:18:01,640 - What is this? - And you don't even have a baby. 434 00:18:01,664 --> 00:18:03,058 -I got two of them at home. 435 00:18:03,082 --> 00:18:04,518 -Well, you know, you don't have to... 436 00:18:04,542 --> 00:18:06,436 - I don't have to what? - Forget it. 437 00:18:06,460 --> 00:18:07,813 [Whispers] We'll talk about it during a commercial. 438 00:18:07,837 --> 00:18:09,606 - The guys have the harder part. - They do? 439 00:18:09,630 --> 00:18:11,191 -Sure. 440 00:18:11,215 --> 00:18:14,528 8:29. We're gonna... 441 00:18:14,552 --> 00:18:16,363 - "Today" now has a female co-anchor 442 00:18:16,387 --> 00:18:19,908 whose charms can diffuse the often overbearing Gumbel. 443 00:18:19,932 --> 00:18:23,328 But the show still has a behind-the-camera move to make 444 00:18:23,352 --> 00:18:24,746 before it can once again challenge 445 00:18:24,770 --> 00:18:26,957 "Good Morning America" in the ratings. 446 00:18:26,981 --> 00:18:29,209 -Dick Ebersol, the man behind the Jane Pauley, 447 00:18:29,233 --> 00:18:31,628 Deborah Norville switch, stepped down from his job 448 00:18:31,652 --> 00:18:33,338 as overseer of the program. 449 00:18:33,362 --> 00:18:34,881 -His replacement... 450 00:18:34,905 --> 00:18:37,968 An ambitious young producer named Jeff Zucker. 451 00:18:37,992 --> 00:18:40,554 Every time I see your name, it is "26-year-old Jeff Zucker, 452 00:18:40,578 --> 00:18:42,014 26-year-old Jeff Zucker." 453 00:18:42,038 --> 00:18:43,682 It's almost like... - Have it legally changed? 454 00:18:43,706 --> 00:18:46,184 - if people start calling you 26-Year-Old Zucker. 455 00:18:46,208 --> 00:18:49,646 -It's part of the territory now. 456 00:18:49,670 --> 00:18:51,940 -Hired just four years earlier by NBC 457 00:18:51,964 --> 00:18:54,067 to intern at the Seoul Olympics, 458 00:18:54,091 --> 00:18:56,069 Zucker is promoted to the top spot 459 00:18:56,093 --> 00:18:58,739 on the network's most profitable show. 460 00:18:58,763 --> 00:19:02,451 {\an8}-When he was named the executive producer, 461 00:19:02,475 --> 00:19:04,911 {\an8}we were kind of surprised, you know. 462 00:19:04,935 --> 00:19:08,749 {\an8}But Jeff had a vision, as well, 463 00:19:08,773 --> 00:19:13,587 and he was able to address a younger audience. 464 00:19:13,611 --> 00:19:15,088 -He wants to be a news guy. 465 00:19:15,112 --> 00:19:17,883 And I think you see this kind of first half hour 466 00:19:17,907 --> 00:19:19,760 of "Today" gets very intense 467 00:19:19,784 --> 00:19:22,721 on breaking news being on the story of the day. 468 00:19:22,745 --> 00:19:24,598 Whether it be O.J. Simpson 469 00:19:24,622 --> 00:19:26,475 or something happening at the White House, 470 00:19:26,499 --> 00:19:27,934 Jeff wants "Today" to be there 471 00:19:27,958 --> 00:19:30,270 and to be there ahead of his competitors. 472 00:19:30,294 --> 00:19:33,774 -And he finds a willing accomplice in Katie Couric. 473 00:19:33,798 --> 00:19:35,734 -Look who wandered in... President Bush. 474 00:19:35,758 --> 00:19:38,362 Can you stick around and talk with us? 475 00:19:38,386 --> 00:19:40,030 -While in the White House interviewing 476 00:19:40,054 --> 00:19:43,116 First Lady Barbara Bush, Couric is prompted by Zucker 477 00:19:43,140 --> 00:19:45,952 to switch her focus to the nearby president. 478 00:19:45,976 --> 00:19:48,288 Couric then challenges Bush on the role he played 479 00:19:48,312 --> 00:19:51,416 in America's unlawful sale of weapons to Iran. 480 00:19:51,440 --> 00:19:53,210 -Do you have any knowledge 481 00:19:53,234 --> 00:19:56,338 of the Iran-Contra arms for hostages deal? 482 00:19:56,362 --> 00:19:59,424 -Absolutely not. And no one has suggested I did. 483 00:19:59,448 --> 00:20:03,220 -Couric's "Today" show exclusive traps the president in a lie, 484 00:20:03,244 --> 00:20:06,056 and she's celebrated as a journalistic hero. 485 00:20:06,080 --> 00:20:08,016 Coming just weeks before the election, 486 00:20:08,040 --> 00:20:10,685 her interview with Bush contributes to him losing. 487 00:20:10,709 --> 00:20:13,146 -It looks to me like what George Bush thinks 488 00:20:13,170 --> 00:20:16,483 he can do is kind of breeze in and say hello to you 489 00:20:16,507 --> 00:20:18,777 and be very gracious and very cordial and supportive 490 00:20:18,801 --> 00:20:21,822 to and for his wife Barbara and breeze on out. 491 00:20:21,846 --> 00:20:25,200 And then you dropped him, just like boom, boom, boom. 492 00:20:25,224 --> 00:20:27,160 -Zucker's plan is to own morning news 493 00:20:27,184 --> 00:20:29,287 by beating out his "GMA" competition 494 00:20:29,311 --> 00:20:31,331 on the biggest stories of the day, 495 00:20:31,355 --> 00:20:33,667 making "Today" the must-see morning show 496 00:20:33,691 --> 00:20:36,336 for an information-hungry audience. 497 00:20:36,360 --> 00:20:38,046 -Start by saying "Exclusive on 'Today, ' 498 00:20:38,070 --> 00:20:40,298 first on 'Good Morning America, ' first on the 'Today' show, 499 00:20:40,322 --> 00:20:41,883 nowhere else but..." 500 00:20:41,907 --> 00:20:43,760 These are important parts of their morning preamble. 501 00:20:43,784 --> 00:20:45,429 They're kind of set-ups every morning. 502 00:20:45,453 --> 00:20:48,473 -For the bookers and the producers, it's life and death. 503 00:20:48,497 --> 00:20:49,975 It's life and death 504 00:20:49,999 --> 00:20:53,728 to be the TV morning show that got whoever. 505 00:20:53,752 --> 00:20:56,481 -We ripped and read all the stories 506 00:20:56,505 --> 00:20:59,192 from AP Newswire's service. 507 00:20:59,216 --> 00:21:03,697 We'd run down the hall, pitch them to our line producer, 508 00:21:03,721 --> 00:21:05,866 senior producer, executive producer, 509 00:21:05,890 --> 00:21:08,660 and they would say yay or nay. 510 00:21:08,684 --> 00:21:12,080 One of the prerequisites for the job 511 00:21:12,104 --> 00:21:14,708 was to have a suitcase under your desk, 512 00:21:14,732 --> 00:21:16,751 because if the news was in Albuquerque, 513 00:21:16,775 --> 00:21:18,420 that's where we went. 514 00:21:18,444 --> 00:21:20,464 If the news was in Florida, that's where we went. 515 00:21:20,488 --> 00:21:25,552 So the object of the game was to get the story first, 516 00:21:25,576 --> 00:21:27,929 find the principles that you wanted to talk to 517 00:21:27,953 --> 00:21:32,225 who could tell that story, and get there. 518 00:21:32,249 --> 00:21:35,437 -Jeff Zucker's news-first approach quickly starts eating 519 00:21:35,461 --> 00:21:37,564 into "GMA" 's ratings lead. 520 00:21:37,588 --> 00:21:39,149 -He was competitive to no end 521 00:21:39,173 --> 00:21:41,485 and not only had to be first but had to be best. 522 00:21:41,509 --> 00:21:44,905 And I don't care how much money we spend, it's got to get done. 523 00:21:44,929 --> 00:21:48,492 There was no fighting it. What he wants happened. 524 00:21:48,516 --> 00:21:50,118 Benevolent dictator. 525 00:21:50,142 --> 00:21:51,495 Um... [ Chuckles ] 526 00:21:51,519 --> 00:21:52,996 There is a skill to that. 527 00:21:53,020 --> 00:21:55,248 {\an8}-Zucker doesn't just demand good news stories. 528 00:21:55,272 --> 00:21:58,460 {\an8}He always wants to upgrade how they're packaged and presented. 529 00:21:58,484 --> 00:22:02,923 He leans on NBC brass to let him turn "Today" into a spectacle. 530 00:22:02,947 --> 00:22:04,633 Literally. - Christening a new studio. 531 00:22:04,657 --> 00:22:07,803 Studio 1A on this 20th morning of June, 1994. 532 00:22:07,827 --> 00:22:11,473 Day one of our studio on the windows... Studio 1A. 533 00:22:11,497 --> 00:22:15,143 -The live-audience concept with "Today" was so brilliant. 534 00:22:15,167 --> 00:22:17,687 -So, we're test-driving this as everyone's watching. 535 00:22:17,711 --> 00:22:20,023 -People who already knew these folks 536 00:22:20,047 --> 00:22:22,734 because they invite them into their home every day... 537 00:22:22,758 --> 00:22:25,570 Now they can see them face-to-face. 538 00:22:25,594 --> 00:22:30,116 What better connection with viewers is there than that? 539 00:22:30,140 --> 00:22:32,452 - "Today" 's, you know, on-the-street studio 540 00:22:32,476 --> 00:22:34,955 is a seismic change in the world of morning TV. 541 00:22:34,979 --> 00:22:37,499 {\an8}This is a big deal, adds a whole new element to the show. 542 00:22:37,523 --> 00:22:40,335 {\an8}It creates all kinds of interaction with live audiences. 543 00:22:40,359 --> 00:22:44,422 {\an8}It adds a certain burst of energy to the "Today" show. 544 00:22:44,446 --> 00:22:46,007 {\an8}-Along with the Plaza Studio, 545 00:22:46,031 --> 00:22:49,219 {\an8}Zucker starts to redefine what constitutes news, 546 00:22:49,243 --> 00:22:52,848 {\an8}doubling and tripling down on uncovering tantalizing stories 547 00:22:52,872 --> 00:22:55,892 {\an8}that once lived mostly in supermarket tabloids. 548 00:22:55,916 --> 00:22:57,727 And he does so just in time to help 549 00:22:57,751 --> 00:23:01,857 transform a C-list celebrity and former professional athlete 550 00:23:01,881 --> 00:23:04,484 into the decade's biggest newsmaker. 551 00:23:04,508 --> 00:23:06,570 -Later today in Los Angeles, O.J. Simpson 552 00:23:06,594 --> 00:23:09,030 is expected to make his first court appearance. 553 00:23:09,054 --> 00:23:11,741 -Jeff Zucker aggressively covers the so-called trial 554 00:23:11,765 --> 00:23:14,411 of the century, packaging it as an exposé 555 00:23:14,435 --> 00:23:17,330 on race, crime, and status in America. 556 00:23:17,354 --> 00:23:18,957 -You talk about a gamble that backfired. 557 00:23:18,981 --> 00:23:20,667 -I was gonna say, that was quite a risk. 558 00:23:20,691 --> 00:23:24,296 {\an8}-And with "GMA" purposely avoiding daily O.J. coverage, 559 00:23:24,320 --> 00:23:26,423 {\an8}the "Today" show's ratings soar. 560 00:23:26,447 --> 00:23:28,258 -We've been speculating on what we might hear. 561 00:23:28,282 --> 00:23:31,177 {\an8}-When NBC executives see the success Zucker is having 562 00:23:31,201 --> 00:23:34,180 {\an8}with his expanded interpretation of news coverage... 563 00:23:34,204 --> 00:23:36,725 -Rachel, you've gone to some of the real puppy mills. 564 00:23:36,749 --> 00:23:38,393 What do you see? 565 00:23:38,417 --> 00:23:40,812 - they make a decision that will change "GMA" forever. 566 00:23:40,836 --> 00:23:43,231 -When "Good Morning America" first started in the 1970s, 567 00:23:43,255 --> 00:23:44,858 it was run by the Entertainment division, 568 00:23:44,882 --> 00:23:47,360 and rightfully so, as an entertainment program. 569 00:23:47,384 --> 00:23:50,155 But as more and more stories kept creeping into the show, 570 00:23:50,179 --> 00:23:52,282 at some point, it became more news than entertainment. 571 00:23:52,306 --> 00:23:54,075 And at some point the News division said, 572 00:23:54,099 --> 00:23:56,453 "Wait a minute, that's got to be ours. 573 00:23:56,477 --> 00:23:58,288 That can't be the Entertainment division. 574 00:23:58,312 --> 00:24:00,081 That... we need to run that." 575 00:24:00,105 --> 00:24:02,083 - "GMA" goes from being part of the Entertainment division 576 00:24:02,107 --> 00:24:03,877 the News division... It doesn't go well. 577 00:24:03,901 --> 00:24:07,255 News division doesn't know how to get out of their own way 578 00:24:07,279 --> 00:24:10,133 and make a lifestyle show that has some news, 579 00:24:10,157 --> 00:24:13,470 rather than a news show that may nod to lifestyle. 580 00:24:13,494 --> 00:24:15,138 And viewers start leaving. 581 00:24:15,162 --> 00:24:18,350 -With Zucker behind the wheel and Katie riding shotgun, 582 00:24:18,374 --> 00:24:21,561 "Today" motors to the top spot in the morning-show ratings. 583 00:24:21,585 --> 00:24:24,230 -The suddenness with which it went down was just stunning. 584 00:24:24,254 --> 00:24:26,441 -I guess we're gonna try to make some sense of it all 585 00:24:26,465 --> 00:24:28,276 this morning, if that's possible. 586 00:24:28,300 --> 00:24:30,320 -So when Bryant Gumbel's contract comes up 587 00:24:30,344 --> 00:24:31,946 for re-negotiation 588 00:24:31,970 --> 00:24:34,783 and he balks at a 50/50 split of screen time 589 00:24:34,807 --> 00:24:36,826 with his more popular co-host, 590 00:24:36,850 --> 00:24:39,579 Zucker chooses not to re-sign him. 591 00:24:39,603 --> 00:24:42,582 But in a case of "Be careful what you wish for," 592 00:24:42,606 --> 00:24:44,084 Gumbel is replaced by a man 593 00:24:44,108 --> 00:24:46,586 who will forever cast a shadow over the show. 594 00:24:46,610 --> 00:24:48,237 [ Crowd cheering ] 595 00:24:51,865 --> 00:24:53,843 -This is "Today" with Katie Couric 596 00:24:53,867 --> 00:24:56,179 and Matt Lauer [Echoes] and Matt Lauer. 597 00:24:56,203 --> 00:24:57,764 [ Laughter ] 598 00:24:57,788 --> 00:24:59,557 -That's your version. 599 00:24:59,581 --> 00:25:02,185 {\an8}-Matt Lauer is already the newsreader on the "Today" show. 600 00:25:02,209 --> 00:25:04,729 {\an8}People like him. He's got great energy on set. 601 00:25:04,753 --> 00:25:07,649 {\an8}It's one of those examples of the person you think 602 00:25:07,673 --> 00:25:10,694 {\an8}is already there just gets more of a role in the job. 603 00:25:10,718 --> 00:25:12,237 {\an8}-He's a handsome guy. 604 00:25:12,261 --> 00:25:13,947 {\an8}I mean, you have to admit he's a handsome guy. 605 00:25:13,971 --> 00:25:16,408 {\an8}So they said, "Okay, how do we play that up? 606 00:25:16,432 --> 00:25:20,662 He's the cool guy, but he's also kind of sexy and he's smart. 607 00:25:20,686 --> 00:25:23,581 And so what do we do to kind of, like, play off on that?" 608 00:25:23,605 --> 00:25:25,250 -Has anybody seen Katie? 609 00:25:25,274 --> 00:25:27,585 -Yeah! 610 00:25:27,609 --> 00:25:29,587 -Matt and Katie really took off. 611 00:25:29,611 --> 00:25:32,132 [ Crowd cheering ] 612 00:25:32,156 --> 00:25:34,050 -Two American kids doing the best they can. 613 00:25:34,074 --> 00:25:35,802 Like, that's... that's them. 614 00:25:35,826 --> 00:25:38,888 So they played off on that. Why not? Why wouldn't you? 615 00:25:38,912 --> 00:25:41,641 -There is this thing called chemistry. 616 00:25:41,665 --> 00:25:42,934 You two have it. 617 00:25:42,958 --> 00:25:44,686 Why did it happen for the two of you? 618 00:25:44,710 --> 00:25:47,105 -You know, I like this guy. There's something about him. 619 00:25:47,129 --> 00:25:51,776 I knew he had that SQ that my dad says... star quality, 620 00:25:51,800 --> 00:25:53,445 and I just thought he was fun. 621 00:25:53,469 --> 00:25:55,113 -We're gonna meet a couple of wrestlers this morning. 622 00:25:55,137 --> 00:25:56,656 We're gonna have a safety program 623 00:25:56,680 --> 00:25:59,659 to help kids stay safe when they try wrestling. 624 00:25:59,683 --> 00:26:01,202 -But before we get to all that... That's good. 625 00:26:01,226 --> 00:26:02,954 A safety program that helps them stay safe. 626 00:26:02,978 --> 00:26:04,831 -Otherwise it would be ridiculous, wouldn't it? 627 00:26:04,855 --> 00:26:06,166 -Right, exactly. 628 00:26:06,190 --> 00:26:08,168 -With success riding on the audience 629 00:26:08,192 --> 00:26:10,044 feeling connected to the hosts, 630 00:26:10,068 --> 00:26:12,297 "Today" 's executive producer, Jeff Zucker, 631 00:26:12,321 --> 00:26:15,008 creates gimmicks to strengthen those bonds. 632 00:26:15,032 --> 00:26:17,594 -♪ Where in the world is... Huh! ♪ 633 00:26:17,618 --> 00:26:19,596 ♪ Matt Lauer? ♪ 634 00:26:19,620 --> 00:26:22,098 [ Laughter ] 635 00:26:22,122 --> 00:26:24,184 -Katie, it's kind of a catchy tune, isn't it? 636 00:26:24,208 --> 00:26:26,728 {\an8}Where in the world am I? Well, before I get to that, 637 00:26:26,752 --> 00:26:28,605 let me give you a couple of hints. 638 00:26:28,629 --> 00:26:31,816 -You want to see your anchor... Your friend in the morning... 639 00:26:31,840 --> 00:26:33,193 Going on adventures. 640 00:26:33,217 --> 00:26:34,944 You want to see them trying new things. 641 00:26:34,968 --> 00:26:36,863 -On "Today," the games and stunts 642 00:26:36,887 --> 00:26:38,782 take over more of the show... 643 00:26:38,806 --> 00:26:40,366 -Smooth landing! 644 00:26:40,390 --> 00:26:41,910 - leading critics to question 645 00:26:41,934 --> 00:26:45,455 what the antics have to do with reporting the news. 646 00:26:45,479 --> 00:26:49,250 {\an8}-At "CBS This Morning," we were paying attention to the fun 647 00:26:49,274 --> 00:26:53,171 {\an8}and the stunts that they were enjoying on the "Today" show, 648 00:26:53,195 --> 00:26:55,465 whether it was getting dressed up in full makeup 649 00:26:55,489 --> 00:26:57,091 with all kinds of crazy costumes 650 00:26:57,115 --> 00:26:58,384 that you couldn't even really recognize 651 00:26:58,408 --> 00:27:00,512 who the anchors were on Halloween, 652 00:27:00,536 --> 00:27:04,015 or "Where in the World is Matt Lauer?" or Katie Couric 653 00:27:04,039 --> 00:27:06,726 dressed as Peter Pan, flying across the stage. 654 00:27:06,750 --> 00:27:10,563 I don't remember ever wanting to be that. 655 00:27:10,587 --> 00:27:14,651 I think it was fun for their audience. 656 00:27:14,675 --> 00:27:18,279 But we're news. 657 00:27:18,303 --> 00:27:21,741 -Yet being relatable hosts isn't all fun and games. 658 00:27:21,765 --> 00:27:23,451 When Katie's husband, Jay Monahan, 659 00:27:23,475 --> 00:27:25,787 is diagnosed with advanced colon cancer, 660 00:27:25,811 --> 00:27:28,248 Zucker asks her to share her family's ordeal 661 00:27:28,272 --> 00:27:29,749 with the audience. 662 00:27:29,773 --> 00:27:31,376 -Words, of course, will never describe 663 00:27:31,400 --> 00:27:33,294 how devastating this loss has been for me 664 00:27:33,318 --> 00:27:37,715 and my daughters and all of Jay's family, as well. 665 00:27:37,739 --> 00:27:39,384 -Katie was in mourning for a while. 666 00:27:39,408 --> 00:27:40,885 I think she was actually... Was off the show for... 667 00:27:40,909 --> 00:27:43,638 For several weeks at a time. 668 00:27:43,662 --> 00:27:47,142 These things become part of the audience's daily story. 669 00:27:47,166 --> 00:27:49,602 "How is my friend doing? How are they feeling? 670 00:27:49,626 --> 00:27:51,437 What's going on with them? Are they feeling better? 671 00:27:51,461 --> 00:27:53,273 How are they getting through this?" 672 00:27:53,297 --> 00:27:57,443 This becomes part of the the daily saga of the "Today" show. 673 00:27:57,467 --> 00:27:58,987 -I speak for everyone in this building 674 00:27:59,011 --> 00:28:00,780 and I'm sure everyone at home when I say 675 00:28:00,804 --> 00:28:03,074 it's great to see you and great to have you back. 676 00:28:03,098 --> 00:28:05,160 - Thank you. - Thanks. 677 00:28:05,184 --> 00:28:08,246 -Katie and Matt's onscreen authenticity helps keep "Today" 678 00:28:08,270 --> 00:28:09,914 solidly number one. 679 00:28:09,938 --> 00:28:12,959 And that success makes it the first stop for newsmakers. 680 00:28:12,983 --> 00:28:14,669 {\an8}-From NBC News... 681 00:28:14,693 --> 00:28:18,423 {\an8}-If an American president had an adulterous liaison 682 00:28:18,447 --> 00:28:20,550 {\an8}in the White House and lied to cover it up, 683 00:28:20,574 --> 00:28:23,720 {\an8}should the American people ask for his resignation? 684 00:28:23,744 --> 00:28:25,263 {\an8}-If all that were proven true, 685 00:28:25,287 --> 00:28:27,140 {\an8}I think that would be a very serious offense. 686 00:28:27,164 --> 00:28:28,892 {\an8}That is not gonna be proven true. 687 00:28:28,916 --> 00:28:30,935 -What is true is that the "Today" show 688 00:28:30,959 --> 00:28:33,813 is now beating "GMA" by its biggest margin 689 00:28:33,837 --> 00:28:35,315 since the 1970s. 690 00:28:35,339 --> 00:28:36,649 -At one point, the "Today" 691 00:28:36,673 --> 00:28:38,818 had 6 million versus "GMA" 's 3 million. 692 00:28:38,842 --> 00:28:41,112 But at one point, "Good Morning America" saw CBS 693 00:28:41,136 --> 00:28:44,449 beat it very, very, very briefly. 694 00:28:44,473 --> 00:28:46,868 That means a loss of ad revenue very quickly. 695 00:28:46,892 --> 00:28:49,078 You can't sit around and wait for things to get better. 696 00:28:49,102 --> 00:28:50,496 You need to take action right away. 697 00:28:50,520 --> 00:28:52,498 -ABC said, "Okay, we've got to fix this. 698 00:28:52,522 --> 00:28:54,250 We've got to do something." 699 00:28:54,274 --> 00:28:56,544 So, what "Good Morning America" did in the '90s 700 00:28:56,568 --> 00:28:58,671 was tweak and fix. 701 00:28:58,695 --> 00:29:01,674 -Joan Lunden's 17 years as co-host ends. 702 00:29:01,698 --> 00:29:04,010 Charlie Gibson soon follows her out the door. 703 00:29:04,034 --> 00:29:06,137 -They went through anchor team after anchor team 704 00:29:06,161 --> 00:29:07,639 after anchor team because they were trying 705 00:29:07,663 --> 00:29:09,849 to figure out what is the new magic. 706 00:29:09,873 --> 00:29:11,309 And so year after year, 707 00:29:11,333 --> 00:29:13,895 it was trying to chase an elusive audience. 708 00:29:13,919 --> 00:29:16,522 -In the '90s, every problem at ABC News 709 00:29:16,546 --> 00:29:18,816 was solved with one of two words... 710 00:29:18,840 --> 00:29:20,860 Diane or Barbara. 711 00:29:20,884 --> 00:29:22,987 For the "GMA" ratings problems, 712 00:29:23,011 --> 00:29:25,531 they pick "Primetime Live" 's Diane. 713 00:29:25,555 --> 00:29:27,325 -Good evening and welcome to "Primetime." 714 00:29:27,349 --> 00:29:29,702 Ellen DeGeneres will leave ABC. 715 00:29:29,726 --> 00:29:32,497 Her show canceled, her feelings bruised. 716 00:29:32,521 --> 00:29:34,707 -This is the former Nixon speech writer, 717 00:29:34,731 --> 00:29:39,212 seen as a very elegant, cool under pressure newscaster 718 00:29:39,236 --> 00:29:42,548 and the combination they feel is gonna move things forward. 719 00:29:42,572 --> 00:29:44,342 -Again, we're making a judgment 720 00:29:44,366 --> 00:29:46,803 about what our society is comfortable with 721 00:29:46,827 --> 00:29:48,846 and what they might not be comfortable with. 722 00:29:48,870 --> 00:29:52,684 -Aren't we then just enabling a prejudice in the audience? 723 00:29:52,708 --> 00:29:54,978 -Well, I was going up against Katie Couric 724 00:29:55,002 --> 00:29:56,771 and Diane Sawyer, really. 725 00:29:56,795 --> 00:30:00,525 I mean, yeah, I was up against some pretty big star power. 726 00:30:00,549 --> 00:30:03,695 -ABC News also needs someone tough enough to compete 727 00:30:03,719 --> 00:30:06,364 against the men running the "Today" show. 728 00:30:06,388 --> 00:30:10,243 They settle on Diane's friend and news producer Shelley Ross 729 00:30:10,267 --> 00:30:12,829 to be "GMA" 's new executive producer. 730 00:30:12,853 --> 00:30:15,081 -This is a woman who's probably as much of a 731 00:30:15,105 --> 00:30:18,418 behind-the-scenes maverick as Jeff Zucker. 732 00:30:18,442 --> 00:30:20,878 -She was an investigative producer who did fantastic 733 00:30:20,902 --> 00:30:22,463 for O.J. Simpson's story, 734 00:30:22,487 --> 00:30:25,466 and she pitched the idea that she would run the show. 735 00:30:25,490 --> 00:30:27,635 Frankly, you have to have a little bit of balls to be like, 736 00:30:27,659 --> 00:30:30,430 "I'm gonna run this show. I'm gonna run this show." 737 00:30:30,454 --> 00:30:33,433 -Her first order of business is run across the country 738 00:30:33,457 --> 00:30:36,310 to personally convince Charlie Gibson to come back. 739 00:30:36,334 --> 00:30:38,604 -She had the vision of what the show should be. 740 00:30:38,628 --> 00:30:41,274 She was able to take relatable, news-oriented concepts 741 00:30:41,298 --> 00:30:44,110 in everybody's daily life and put that on television. 742 00:30:44,134 --> 00:30:45,737 -Melody has a little battle plan 743 00:30:45,761 --> 00:30:48,489 if you're one of those who do get laid off. 744 00:30:48,513 --> 00:30:51,451 -So, whether it was problems with money, finance, family. 745 00:30:51,475 --> 00:30:53,703 -Three sisters on the same police force 746 00:30:53,727 --> 00:30:55,413 at the same time. 747 00:30:55,437 --> 00:30:57,457 -Education. Child raising. 748 00:30:57,481 --> 00:30:59,959 -Did you know there is an epidemic of ecstasy use 749 00:30:59,983 --> 00:31:01,627 among eighth graders? 750 00:31:01,651 --> 00:31:03,838 -All of those issues that people have in their hearts, 751 00:31:03,862 --> 00:31:06,716 she said, "Wait a minute. That's... That's the show." 752 00:31:06,740 --> 00:31:10,303 And that's what made the difference. 753 00:31:10,327 --> 00:31:11,971 -Diane Sawyer and Charles Gibson 754 00:31:11,995 --> 00:31:13,931 are a breath of fresh air for "Good Morning America." 755 00:31:13,955 --> 00:31:15,892 Plus, Shelley Ross behind the scenes, 756 00:31:15,916 --> 00:31:17,352 pushing, pushing, pushing. 757 00:31:17,376 --> 00:31:19,145 This combination 758 00:31:19,169 --> 00:31:21,606 starts eating into "Today" 's lead with with Katie and Matt 759 00:31:21,630 --> 00:31:23,483 and puts things on more of an even keel. 760 00:31:23,507 --> 00:31:25,151 -But Shelley Ross and Diane Sawyer 761 00:31:25,175 --> 00:31:27,945 aren't content to being a closer second. 762 00:31:27,969 --> 00:31:31,282 They want to win and strategize how to end Jeff Zucker 763 00:31:31,306 --> 00:31:34,327 and Katie Couric's dominance of morning television. 764 00:31:34,351 --> 00:31:36,120 -We sat in meetings at "Good Morning America" 765 00:31:36,144 --> 00:31:38,289 and we said, "Holy crap, they did that? 766 00:31:38,313 --> 00:31:39,582 How did they do that? We got to do that. 767 00:31:39,606 --> 00:31:40,917 I don't care how much money it is. 768 00:31:40,941 --> 00:31:42,376 We have to go figure out how to do that. 769 00:31:42,400 --> 00:31:44,087 We have to better them at their game." 770 00:31:44,111 --> 00:31:46,756 -Shelley Ross's commitment to toppling the "Today" show 771 00:31:46,780 --> 00:31:49,634 from its reign at number one will transform 772 00:31:49,658 --> 00:31:52,494 the morning show battles into an all-out shooting war. 773 00:31:56,081 --> 00:31:57,642 -Good morning, America. 774 00:31:57,666 --> 00:31:59,936 -We're here again. It's Wednesday, June 16, 1999. 775 00:31:59,960 --> 00:32:03,523 -In the summer of 1999, with ratings on the rise, 776 00:32:03,547 --> 00:32:05,650 "GMA" executive producer Shelley Ross 777 00:32:05,674 --> 00:32:09,737 singles out one of "Today" 's huge advantages... 778 00:32:09,761 --> 00:32:11,572 Direct access to their audience 779 00:32:11,596 --> 00:32:14,158 with its Rockefeller Plaza studio. 780 00:32:14,182 --> 00:32:15,701 - "Good Morning America" looked at that and said, 781 00:32:15,725 --> 00:32:17,495 "Wait a minute, we can do the same. 782 00:32:17,519 --> 00:32:19,747 Where are we gonna do that?" 783 00:32:19,771 --> 00:32:22,208 Disney owned a building in Times Square, 784 00:32:22,232 --> 00:32:24,252 so let's just do it there. 785 00:32:24,276 --> 00:32:26,254 Created a duplex street-front studio, 786 00:32:26,278 --> 00:32:28,798 so it was was twice the size of the "Today" show. 787 00:32:28,822 --> 00:32:31,968 {\an8}-It was amazing. I mean, we had an upstairs studio, 788 00:32:31,992 --> 00:32:35,680 {\an8}state-of-the-art control room, the audience was downstairs. 789 00:32:35,704 --> 00:32:37,890 It was great. It was a... It was a playground. 790 00:32:37,914 --> 00:32:41,769 -They had a beautiful panoramic shot of Times Square 791 00:32:41,793 --> 00:32:45,022 in every opening of the show. 792 00:32:45,046 --> 00:32:48,067 So, being competitive, being Jeff Zucker, 793 00:32:48,091 --> 00:32:50,027 he was like, "Okay, let me see how I'm gonna... with them, 794 00:32:50,051 --> 00:32:51,737 and here's how we're gonna do. 795 00:32:51,761 --> 00:32:53,781 I'm gonna go buy that billboard across from them. 796 00:32:53,805 --> 00:32:56,033 So anytime they take a pan shot, 797 00:32:56,057 --> 00:32:58,977 they have no choice but to hit my billboard." 798 00:33:00,812 --> 00:33:03,916 -That's a real... That's a real poke in the ribs. 799 00:33:03,940 --> 00:33:06,210 Suddenly, cameras that may have "Good Morning America" 800 00:33:06,234 --> 00:33:10,590 on the air have Katie and Matt on the background outside. 801 00:33:10,614 --> 00:33:12,175 -Yeah, it was a bit of a "...you" 802 00:33:12,199 --> 00:33:13,593 to "Good Morning America", but it was also, 803 00:33:13,617 --> 00:33:15,136 like, a way of saying, 804 00:33:15,160 --> 00:33:17,180 "Okay, you want to play our game? 805 00:33:17,204 --> 00:33:19,456 Here's how we're gonna play the game." 806 00:33:21,541 --> 00:33:23,436 -Despite Zucker's billboard stunt, 807 00:33:23,460 --> 00:33:25,688 there are signs "Today" is losing ground. 808 00:33:25,712 --> 00:33:29,400 In just over a year from Diane and Shelley taking over "GMA," 809 00:33:29,424 --> 00:33:32,445 The show gains an additional 1 million viewers, 810 00:33:32,469 --> 00:33:35,907 cutting into "Today" 's lead and revenue. 811 00:33:35,931 --> 00:33:37,742 - We thank them. - We do. 812 00:33:37,766 --> 00:33:40,578 We love you for coming out in the middle of this soup. 813 00:33:40,602 --> 00:33:43,623 Now that Ross has leveled the playing fields logistically, 814 00:33:43,647 --> 00:33:45,249 the war between her and Zucker 815 00:33:45,273 --> 00:33:47,877 comes down to the number-one rule in the mornings. 816 00:33:47,901 --> 00:33:50,880 -When we come back, the renowned scientist Jane Goodall. 817 00:33:50,904 --> 00:33:52,465 -Be first. 818 00:33:52,489 --> 00:33:55,676 -Rosie O'Donnell breaks her silence to Diane Sawyer. 819 00:33:55,700 --> 00:33:58,304 A "Good Morning America" exclusive Thursday. 820 00:33:58,328 --> 00:34:03,267 {\an8}-We would persuade them to come on "Good Morning America" 821 00:34:03,291 --> 00:34:09,190 {\an8}to tell their story and give us their story exclusively. 822 00:34:09,214 --> 00:34:15,154 We would always ask if they would go on "GMA" first 823 00:34:15,178 --> 00:34:16,656 and only first. 824 00:34:16,680 --> 00:34:18,074 -Under standards and practices, 825 00:34:18,098 --> 00:34:20,576 you weren't allowed to pay for stories. 826 00:34:20,600 --> 00:34:24,163 So what you would have to do is figure out a way 827 00:34:24,187 --> 00:34:27,375 to kind of convince the guests to come on the program 828 00:34:27,399 --> 00:34:30,002 without actually paying them. 829 00:34:30,026 --> 00:34:32,338 There's a skill to walk up to somebody and say, 830 00:34:32,362 --> 00:34:34,715 "I fully am aware that a tornado came to your town 831 00:34:34,739 --> 00:34:36,342 and killed everyone in your family, 832 00:34:36,366 --> 00:34:38,261 but please, it's so important that you come on our air 833 00:34:38,285 --> 00:34:41,472 and tell us why it's important that people need to hide 834 00:34:41,496 --> 00:34:43,849 when the alarms go off." 835 00:34:43,873 --> 00:34:46,185 The way to get the guests to come on sometimes is to say, 836 00:34:46,209 --> 00:34:49,105 "Oh, is that Grandma's picture of the entire family? 837 00:34:49,129 --> 00:34:50,439 And wait, two of those members 838 00:34:50,463 --> 00:34:52,024 of the family aren't around anymore 839 00:34:52,048 --> 00:34:53,484 because the tornado came in through your house 840 00:34:53,508 --> 00:34:56,737 and destroyed your house? 841 00:34:56,761 --> 00:34:59,699 {\an8}Can we buy that picture from you for like $10,000? 842 00:34:59,723 --> 00:35:01,725 {\an8}It'll pay for a new house." 843 00:35:03,935 --> 00:35:06,163 {\an8}-Some of these bookers stop at nothing to get their guest. 844 00:35:06,187 --> 00:35:07,873 {\an8}And that means even when you say you're going to 845 00:35:07,897 --> 00:35:10,084 {\an8}"Good Morning America" or the "Today" show, that's not... 846 00:35:10,108 --> 00:35:11,877 {\an8}They don't take no for an answer... they'll keep trying 847 00:35:11,901 --> 00:35:13,629 till you're added... Till you're on the set 848 00:35:13,653 --> 00:35:15,881 of the competitor, onscreen, making the first appearance. 849 00:35:15,905 --> 00:35:18,551 These are intense things that people will not give up on. 850 00:35:18,575 --> 00:35:20,011 And I think they felt that ratings, 851 00:35:20,035 --> 00:35:21,804 and therefore millions of dollars, 852 00:35:21,828 --> 00:35:25,057 can go up or down based on who you can book first. 853 00:35:25,081 --> 00:35:26,892 [ Horn honks ] 854 00:35:26,916 --> 00:35:30,545 -The two shows even resort to espionage. 855 00:35:32,422 --> 00:35:35,526 -There were some times when you'd arrive at that hotel 856 00:35:35,550 --> 00:35:38,112 with your guest to check them in, 857 00:35:38,136 --> 00:35:40,865 and standing right there in the lobby of the hotel, 858 00:35:40,889 --> 00:35:45,703 you would recognize a booker from another program. 859 00:35:45,727 --> 00:35:50,291 It was always amusing, but it was also a hint 860 00:35:50,315 --> 00:35:55,004 that it was time to make sure that you watched that guest 861 00:35:55,028 --> 00:35:56,964 really carefully. 862 00:35:56,988 --> 00:35:59,592 -I would put you in a hotel by the airport 863 00:35:59,616 --> 00:36:03,387 under my mother's maiden name so that nobody would know. 864 00:36:03,411 --> 00:36:05,431 And then I would post a security guard on the floor 865 00:36:05,455 --> 00:36:06,849 because I didn't want anyone 866 00:36:06,873 --> 00:36:08,601 coming in and stealing my guests. 867 00:36:08,625 --> 00:36:10,102 I don't care who the... you were, 868 00:36:10,126 --> 00:36:12,104 you were not coming anywhere near my guests. 869 00:36:12,128 --> 00:36:14,940 -A guest would be waiting at a hotel for a car 870 00:36:14,964 --> 00:36:16,859 to pick them up to bring to the studio. 871 00:36:16,883 --> 00:36:21,989 And another show would show up with a car and say, 872 00:36:22,013 --> 00:36:23,741 "Come on, get in." Before you know it, 873 00:36:23,765 --> 00:36:27,286 they'd be in the chair giving the interview. 874 00:36:27,310 --> 00:36:30,039 -I would hire a PA to do nothing but show them around New York. 875 00:36:30,063 --> 00:36:31,749 I'd be like, "Okay, get them on one of those 876 00:36:31,773 --> 00:36:34,919 double-decker buses," 877 00:36:34,943 --> 00:36:36,629 because if I see them on the 'Today' show, 878 00:36:36,653 --> 00:36:39,090 I'm gonna... kill you and I'm gonna fire you. 879 00:36:39,114 --> 00:36:41,592 Probably... kill you and then fire you." 880 00:36:41,616 --> 00:36:43,678 -As the war between Zucker's "Today" show 881 00:36:43,702 --> 00:36:46,430 and Ross's "Good Morning America" intensifies, 882 00:36:46,454 --> 00:36:48,557 so do the lengths the producers will go 883 00:36:48,581 --> 00:36:50,518 to sabotage their rivals. 884 00:36:50,542 --> 00:36:54,188 When "GMA" puts on an early morning concert in Bryant Park, 885 00:36:54,212 --> 00:36:57,108 Zucker orders a helicopter to buzz the crowd. 886 00:36:57,132 --> 00:36:58,818 And when "Today" books a bride from 887 00:36:58,842 --> 00:37:01,362 "Who Wants to Marry a Multi-Millionaire?" 888 00:37:01,386 --> 00:37:03,239 "GMA" swoops in, pre-taping 889 00:37:03,263 --> 00:37:05,908 an earlier interview with the coveted guest. 890 00:37:05,932 --> 00:37:07,243 -What we would do is say, 891 00:37:07,267 --> 00:37:09,078 "Oh, you should come do our newscast 892 00:37:09,102 --> 00:37:10,830 and then we'll take you to the other one. It's fine. 893 00:37:10,854 --> 00:37:12,540 We'll take... We'll take you to the other one. 894 00:37:12,564 --> 00:37:14,959 I promise you, we will. It'll be fine. It's not live TV. 895 00:37:14,983 --> 00:37:17,211 It's just you and I talking on camera." 896 00:37:17,235 --> 00:37:21,382 -How many nights have you cried yourself to sleep since this? 897 00:37:21,406 --> 00:37:24,009 -How many nights has it been since the show? 898 00:37:24,033 --> 00:37:26,262 -We would do that. We would do a 6:15 pre-tape. 899 00:37:26,286 --> 00:37:29,014 And then, "So you didn't make it in time for the other newscast? 900 00:37:29,038 --> 00:37:32,518 Oh. Well, that's too bad." [ Chuckles ] 901 00:37:32,542 --> 00:37:36,021 -Eventually, the antics between the two shows get so heated 902 00:37:36,045 --> 00:37:40,067 that EPs Zucker and Ross connect to hash things out. 903 00:37:40,091 --> 00:37:42,987 -What I've heard is that Shelley and Jeff would get on the phone, 904 00:37:43,011 --> 00:37:45,030 basically Reagan/Gorbachev style, 905 00:37:45,054 --> 00:37:48,075 and say, "Okay, all right, 906 00:37:48,099 --> 00:37:50,536 let's figure out how we're gonna do this, 907 00:37:50,560 --> 00:37:54,206 properly and civilly." 908 00:37:54,230 --> 00:37:56,834 She was on the phone with Jeff a good chunk of the time saying, 909 00:37:56,858 --> 00:37:58,919 "No, you can't do that," or "Yes, okay. 910 00:37:58,943 --> 00:38:00,212 You know what? I'll do it this way. 911 00:38:00,236 --> 00:38:03,132 Just you got to back your people off." 912 00:38:03,156 --> 00:38:06,010 -Despite her ruthless passion to win, Shelley Ross 913 00:38:06,034 --> 00:38:09,138 is never able to fully close the gap on her rival. 914 00:38:09,162 --> 00:38:13,225 In October of 2000, NBC adds a third hour of "Today," 915 00:38:13,249 --> 00:38:17,021 banking an additional 70 million in annual profits. 916 00:38:17,045 --> 00:38:19,899 Two months later, Zucker caps off his six-year 917 00:38:19,923 --> 00:38:22,359 winning streak on "Today" with a promotion 918 00:38:22,383 --> 00:38:24,653 to head of the network, ending the biggest 919 00:38:24,677 --> 00:38:28,073 producer-on-producer grudge match in TV history. 920 00:38:28,097 --> 00:38:31,285 Leaving the "Today" show, he became the CEO of NBC Universal. 921 00:38:31,309 --> 00:38:33,787 He has changed TV as a genre 922 00:38:33,811 --> 00:38:36,707 many times in his career by trying new things 923 00:38:36,731 --> 00:38:38,584 and never being willing to kind of end the games. 924 00:38:38,608 --> 00:38:40,419 He never, never lets it go. 925 00:38:40,443 --> 00:38:42,505 -As the country enters the new millennium, 926 00:38:42,529 --> 00:38:45,758 the future of morning TV remains with Katie Couric, 927 00:38:45,782 --> 00:38:48,219 Diane Sawyer, and Shelley Ross. 928 00:38:48,243 --> 00:38:51,013 But behind the scenes, there's a male toxicity 929 00:38:51,037 --> 00:38:53,140 that's been brewing for some time, 930 00:38:53,164 --> 00:38:54,707 and it's about to boil over. 931 00:38:58,670 --> 00:38:59,980 -Absolutely the most amazing man 932 00:39:00,004 --> 00:39:01,690 that America has ever created, ever. 933 00:39:01,714 --> 00:39:04,068 -Okay. I have got to interrupt you right now. 934 00:39:04,092 --> 00:39:06,403 We want to go live right now and show you a picture 935 00:39:06,427 --> 00:39:10,241 of the World Trade Center, where I understand... 936 00:39:10,265 --> 00:39:12,451 Do we have it? No, we do not. 937 00:39:12,475 --> 00:39:13,994 -We just got a report in 938 00:39:14,018 --> 00:39:16,247 that there has been some sort of explosion. 939 00:39:16,271 --> 00:39:20,417 -At 8:46 a.m. on September 11, 2001, 940 00:39:20,441 --> 00:39:22,169 the morning shows find themselves 941 00:39:22,193 --> 00:39:24,880 {\an8}in the middle of an unprecedented American tragedy. 942 00:39:24,904 --> 00:39:26,549 {\an8}-As Matt just mentioned, 943 00:39:26,573 --> 00:39:28,133 {\an8}we have a breaking news story to tell you about. 944 00:39:28,157 --> 00:39:30,344 -9/11... one of the nation's biggest tragedies. 945 00:39:30,368 --> 00:39:32,930 You're in unchartered territory on both morning shows. 946 00:39:32,954 --> 00:39:34,390 Never before has a crisis 947 00:39:34,414 --> 00:39:37,852 of this magnitude happened during broadcast hours. 948 00:39:37,876 --> 00:39:40,437 {\an8}-Oh, another one just hit! Something else just hit. 949 00:39:40,461 --> 00:39:43,691 {\an8}A very large plane just flew directly over my building. 950 00:39:43,715 --> 00:39:45,568 -To see two planes hit the Twin Towers at 8:45 951 00:39:45,592 --> 00:39:47,111 in the middle of a cooking segment? 952 00:39:47,135 --> 00:39:48,946 Wait, what? 953 00:39:48,970 --> 00:39:51,115 -In the days and weeks following 9/11, 954 00:39:51,139 --> 00:39:55,494 the Today show is consumed by the story, and ratings lag. 955 00:39:55,518 --> 00:39:59,790 -I think it impacted our show even more than our competition. 956 00:39:59,814 --> 00:40:01,667 We didn't have that chemistry 957 00:40:01,691 --> 00:40:04,295 because all we were talking about was death and heartache. 958 00:40:04,319 --> 00:40:06,046 We didn't then turn to each other and say, 959 00:40:06,070 --> 00:40:07,673 "Wasn't that fun?" Or, "What did you do this weekend?" 960 00:40:07,697 --> 00:40:09,133 -And at "GMA", 961 00:40:09,157 --> 00:40:12,303 audiences are eased into a more prosaic future. 962 00:40:12,327 --> 00:40:14,638 -So, you think forward a little bit and off you go. 963 00:40:14,662 --> 00:40:16,390 And then you turn to the left. You just come back around. 964 00:40:16,414 --> 00:40:18,392 Oh, I'm sorry. Gonna run into you. 965 00:40:18,416 --> 00:40:20,019 -Worried about losing Katie Couric 966 00:40:20,043 --> 00:40:23,063 during the ratings slump, the now president of NBC, 967 00:40:23,087 --> 00:40:26,775 Jeff Zucker, signs her to a record-breaking contract. 968 00:40:26,799 --> 00:40:28,694 -Katie Couric signed a five-year deal 969 00:40:28,718 --> 00:40:30,654 at more than $16 million in total. 970 00:40:30,678 --> 00:40:32,531 Hosts can become really entrenched in their positions. 971 00:40:32,555 --> 00:40:34,658 They need to have them. They're the center of the show. 972 00:40:34,682 --> 00:40:36,535 Their salaries go... Get quite high. 973 00:40:36,559 --> 00:40:38,454 I believe, at one point, Diane Sawyer is making 974 00:40:38,478 --> 00:40:40,122 about $12 million per year. 975 00:40:40,146 --> 00:40:42,041 Those are big numbers. 976 00:40:42,065 --> 00:40:44,126 -But the numbers that count are the ratings. 977 00:40:44,150 --> 00:40:45,794 And while Shelley Ross and "GMA" 978 00:40:45,818 --> 00:40:47,880 continue to close the gap on "Today," 979 00:40:47,904 --> 00:40:50,924 she never quite manages to win the top spot. 980 00:40:50,948 --> 00:40:53,010 Her brash management style 981 00:40:53,034 --> 00:40:56,055 leads some to celebrate her departure in 2006. 982 00:40:56,079 --> 00:40:58,057 -Shelley Ross did shake up the culture quite a bit, 983 00:40:58,081 --> 00:40:59,892 and I think, by the end of her tenure, 984 00:40:59,916 --> 00:41:01,852 was seen as maybe pushing too hard, 985 00:41:01,876 --> 00:41:03,729 being too much of a tough boss to take. 986 00:41:03,753 --> 00:41:06,273 The culture was getting a little too rough-and-tumble, 987 00:41:06,297 --> 00:41:09,610 and it was not where they wanted to be. 988 00:41:09,634 --> 00:41:12,946 -Ironically, in Shelley Ross's time at "GMA," 989 00:41:12,970 --> 00:41:16,033 we did not become the number-one show. 990 00:41:16,057 --> 00:41:18,160 But I think because of a lot of things 991 00:41:18,184 --> 00:41:20,120 that she brought into the show, 992 00:41:20,144 --> 00:41:24,500 it ultimately led to us going back to being number one. 993 00:41:24,524 --> 00:41:28,629 -Finally, in the spring of 2012, "GMA" earns its first one-week 994 00:41:28,653 --> 00:41:32,633 ratings win over the "Today" show in over 17 years. 995 00:41:32,657 --> 00:41:36,178 Katie Couric has long since retired from morning TV, 996 00:41:36,202 --> 00:41:38,597 leaving the show in the hands of her long-time 997 00:41:38,621 --> 00:41:41,934 headline-grabbing co-anchor, Matt Lauer. 998 00:41:41,958 --> 00:41:43,852 -There have long been whispers of Lauer 999 00:41:43,876 --> 00:41:45,813 not having a happy marriage. 1000 00:41:45,837 --> 00:41:47,356 Tabloids are always on him about, 1001 00:41:47,380 --> 00:41:48,982 you know, was he seeing somebody or not? 1002 00:41:49,006 --> 00:41:50,776 Was he... Was he dating someone on the side? 1003 00:41:50,800 --> 00:41:53,195 It's documented now that Lauer was perhaps having relations 1004 00:41:53,219 --> 00:41:55,864 with people on staff at "Today" show. 1005 00:41:55,888 --> 00:41:57,574 -Despite the off-screen drama, 1006 00:41:57,598 --> 00:42:00,202 the show's troubles are blamed on long-time newsreader 1007 00:42:00,226 --> 00:42:02,955 and recently promoted co-host, Ann Curry, 1008 00:42:02,979 --> 00:42:05,958 who's abruptly shuffled off the anchor desk. 1009 00:42:05,982 --> 00:42:07,960 -This is not easy to say, but today is going to be 1010 00:42:07,984 --> 00:42:10,754 my last morning as a regular co-host of "Today." 1011 00:42:10,778 --> 00:42:13,465 -It's a move that shocks not only the audience, 1012 00:42:13,489 --> 00:42:15,008 but Curry, as well. 1013 00:42:15,032 --> 00:42:17,344 -This is not expe... as I expected to ever leave 1014 00:42:17,368 --> 00:42:20,973 this couch after 15 years, but I am so grateful. 1015 00:42:20,997 --> 00:42:22,641 -Around the time of her departure, 1016 00:42:22,665 --> 00:42:25,978 Curry says she warned NBC executives about Matt Lauer, 1017 00:42:26,002 --> 00:42:28,981 saying, "I told management they had a problem 1018 00:42:29,005 --> 00:42:30,691 and they needed to keep an eye on him 1019 00:42:30,715 --> 00:42:32,484 and how he deals with women." 1020 00:42:32,508 --> 00:42:35,863 Five years later, Matt Lauer would be fired from the show 1021 00:42:35,887 --> 00:42:38,866 following allegations of sexual misconduct. 1022 00:42:38,890 --> 00:42:41,326 -I think the idea that you had a morning show host 1023 00:42:41,350 --> 00:42:45,330 whose off-screen behavior was unpleasant, 1024 00:42:45,354 --> 00:42:48,584 unsavory, hard to hear about, hard to listen about... 1025 00:42:48,608 --> 00:42:50,627 Yeah, I think it left a bad taste 1026 00:42:50,651 --> 00:42:52,296 in a lot of people's mouths. 1027 00:42:52,320 --> 00:42:53,922 No question. 1028 00:42:53,946 --> 00:42:56,008 -Shelley Ross finds herself at the center of 1029 00:42:56,032 --> 00:42:59,052 the MeToo movement reckoning when she accuses 1030 00:42:59,076 --> 00:43:02,181 Fox News icon Roger Ailes of sexual harassment. 1031 00:43:02,205 --> 00:43:03,724 -It's everywhere. 1032 00:43:03,748 --> 00:43:08,020 It's everywhere I worked, and it has many levels. 1033 00:43:08,044 --> 00:43:11,273 You think, since we report on it, 1034 00:43:11,297 --> 00:43:13,817 {\an8}that our colleagues should know better, 1035 00:43:13,841 --> 00:43:17,279 {\an8}that they should be a little more elevated, 1036 00:43:17,303 --> 00:43:18,947 {\an8}and they're not. 1037 00:43:18,971 --> 00:43:22,576 -Yet despite all the turmoil, morning TV marches on. 1038 00:43:22,600 --> 00:43:24,119 -These days, it's neck-and-neck. 1039 00:43:24,143 --> 00:43:25,829 I mean, "Good Morning America" and "Today." 1040 00:43:25,853 --> 00:43:27,581 -And it is a back-and-forth 1041 00:43:27,605 --> 00:43:30,876 now between the "Today" show and "Good Morning America". 1042 00:43:30,900 --> 00:43:32,669 It's still a constant fight. 1043 00:43:32,693 --> 00:43:37,049 -Albeit in a somewhat reduced capacity. 1044 00:43:37,073 --> 00:43:40,594 -Everything changed when the smartphone came into the game. 1045 00:43:40,618 --> 00:43:42,763 {\an8}No longer needed morning TV. 1046 00:43:42,787 --> 00:43:45,182 {\an8}I no longer need to turn over 1047 00:43:45,206 --> 00:43:47,100 {\an8}when I wake up in the morning and turn the TV on. 1048 00:43:47,124 --> 00:43:48,769 {\an8}I turn over and look at my phone. 1049 00:43:48,793 --> 00:43:50,395 {\an8}"Did the world explode? Oh, good, it didn't explode. 1050 00:43:50,419 --> 00:43:52,314 {\an8}That's fine. That's good. Thank you." 1051 00:43:52,338 --> 00:43:53,899 {\an8}That's the difference. 1052 00:43:53,923 --> 00:43:55,776 {\an8}"Today" show and "GMA" have gone into the streaming world 1053 00:43:55,800 --> 00:43:57,694 {\an8}because they see that people are cutting the cord. 1054 00:43:57,718 --> 00:43:59,863 {\an8}The future is on the phone, the future is mobile, 1055 00:43:59,887 --> 00:44:01,240 {\an8}the future is digital. 1056 00:44:01,264 --> 00:44:02,908 {\an8}"Oh, did so-and-so die? That's terrible. 1057 00:44:02,932 --> 00:44:04,535 {\an8}Okay, fine. Great. Thank you." Slide. 1058 00:44:04,559 --> 00:44:06,078 {\an8}"Oh, did that fire happen? 1059 00:44:06,102 --> 00:44:07,955 {\an8}Oh, my God, I didn't know that. All right, good." 1060 00:44:07,979 --> 00:44:09,605 {\an8}That's morning show.