1
00:00:08,751 --> 00:00:09,751
(SKULLY SPEAKING)

2
00:00:09,751 --> 00:00:13,251
Your grandmother could trace your roots to

3
00:00:13,251 --> 00:00:14,918
(IN CHOCTAW) the first Choctaw.

4
00:00:18,126 --> 00:00:19,126
(WILLIAM SPEAKING)

5
00:00:19,126 --> 00:00:20,209
You have to learn

6
00:00:20,209 --> 00:00:21,293
to jump

7
00:00:21,293 --> 00:00:22,959
between two worlds.

8
00:00:28,043 --> 00:00:30,084
You're my family.

9
00:00:31,209 --> 00:00:32,209
(MOTORCYCLE ROARS)

10
00:00:32,209 --> 00:00:33,584
BONNIE: <i>Maya is here?</i>

11
00:00:33,584 --> 00:00:35,126
Biscuits, where is she?

12
00:00:35,959 --> 00:00:37,584
<i>You look familiar. How come?</i>

13
00:00:38,126 --> 00:00:39,209
(PHONE KEYS CLICKING)

14
00:00:41,209 --> 00:00:42,334
Maya's back.

15
00:00:42,334 --> 00:00:45,626
<i>Encourage her to pass through town
without causing any trouble.</i>

16
00:00:45,626 --> 00:00:46,709
(TRAIN HORN)

17
00:00:49,168 --> 00:00:50,418
(RAPID BEEPING)

18
00:00:50,418 --> 00:00:52,876
(EXPLOSION)

19
00:00:56,501 --> 00:00:58,126
You're starting a war.

20
00:00:58,126 --> 00:00:59,709
There's already a war.

21
00:00:59,709 --> 00:01:00,793
(GUN SHOTS)

22
00:01:10,501 --> 00:01:11,959
(FILM PROJECTOR SPINNING)

23
00:01:33,043 --> 00:01:35,043
(ROUSING MUSIC PLAYING)

24
00:01:35,043 --> 00:01:37,584
(HORSE HOOVES CLOPPING)

25
00:02:26,376 --> 00:02:27,376
(SAD MUSIC PLAYING)

26
00:02:56,501 --> 00:02:58,543
(RUNNING WATER)

27
00:03:00,918 --> 00:03:02,751
(PENSIVE MUSIC PLAYING)

28
00:03:26,376 --> 00:03:28,668
(ROUSING MUSIC SWELLING)

29
00:03:52,418 --> 00:03:54,959
(SUSPENSEFUL MUSIC PLAYING)

30
00:04:06,376 --> 00:04:07,543
(SUSPENSEFUL MUSIC INTENSIFIES)

31
00:04:24,084 --> 00:04:25,168
(RUNNING WATER)

32
00:04:26,293 --> 00:04:28,876
(SOUND AND MUSIC SLOWLY INTENSIFY)

33
00:04:33,334 --> 00:04:38,209
(DISCORDANT SOUNDS AND MUSIC)

34
00:04:44,668 --> 00:04:45,959
(GUN SHOTS)

35
00:04:48,126 --> 00:04:49,418
(WAR CRY)

36
00:04:51,543 --> 00:04:53,626
(MEN GRUNTING)

37
00:04:55,584 --> 00:04:57,251
(HEROIC MUSIC PLAYING)

38
00:05:02,168 --> 00:05:03,543
(BODY THUDS)

39
00:05:03,543 --> 00:05:05,626
- (WAR CRIES)
- (MAN GRUNTS)

40
00:05:07,084 --> 00:05:08,626
(GUN FIRES)

41
00:05:14,459 --> 00:05:15,501
(GROANS)

42
00:05:18,418 --> 00:05:20,751
(WAR CRY)

43
00:05:25,709 --> 00:05:26,959
(FILM FLUTTERING OUT)

44
00:05:26,959 --> 00:05:28,959
<i>(BURNING</i>
BY YEAH YEAH YEAHS PLAYING)

45
00:05:33,168 --> 00:05:34,626
SINGER: <i>♪ Believer ♪</i>

46
00:05:36,084 --> 00:05:38,584
<i>♪ Took me over like a fever ♪</i>

47
00:05:40,251 --> 00:05:44,043
{\an8}<i>♪ Caught you hiding
in the smoke, smoke, smoke ♪</i>

48
00:05:44,043 --> 00:05:48,001
{\an8}<i>♪ Like a meteor
I glow, glow, glow ♪</i>

49
00:05:48,001 --> 00:05:49,584
{\an8}<i>♪ What you gonna do
when you get to the water? ♪</i>

50
00:05:49,584 --> 00:05:51,251
{\an8}<i>♪ Well, I'll release her ♪</i>

51
00:05:52,626 --> 00:05:55,459
{\an8}<i>♪ From the bindings
of her teachers ♪</i>

52
00:05:56,751 --> 00:06:00,626
{\an8}<i>♪ What they're hiding there
is broke, broke, broke ♪</i>

53
00:06:00,626 --> 00:06:05,293
{\an8}<i>♪ Like the River Styx
I flow, flow, flow ♪</i>

54
00:06:06,584 --> 00:06:09,543
{\an8}<i>♪ What you gonna do
when you get to the water? ♪</i>

55
00:06:10,709 --> 00:06:13,418
{\an8}<i>♪ What you gonna do
when you get to the water? ♪</i>

56
00:06:15,959 --> 00:06:19,834
{\an8}<i>♪ Into the sea, out of fire ♪</i>

57
00:06:19,834 --> 00:06:23,876
{\an8}<i>♪ All that burning ♪</i>

58
00:06:23,876 --> 00:06:28,334
{\an8}<i>♪ Into the sea, out of fire ♪</i>

59
00:06:28,334 --> 00:06:31,751
{\an8}<i>♪ All that burning ♪</i>

60
00:06:55,168 --> 00:06:56,584
<i>(BURNING</i> FADES)

61
00:06:59,293 --> 00:07:01,293
(DOORBELL RINGING)

62
00:07:03,876 --> 00:07:05,543
(BUZZER SOUNDS)

63
00:07:05,543 --> 00:07:06,626
<i>Yakoke.</i>

64
00:07:08,084 --> 00:07:09,793
(<i>DREAMER</i> BY JOYCE HARRIS
PLAYING ON STEREO)

65
00:07:23,834 --> 00:07:24,959
(SKULLY CLEARS THROAT)

66
00:07:29,501 --> 00:07:31,251
(SCOFFS, IN ENGLISH)
Don't give me that look.

67
00:07:31,251 --> 00:07:34,376
Well, <i>halito</i> to you too, Chula.

68
00:07:35,543 --> 00:07:36,959
(SPEAKING CHOCTAW)
How are you?

69
00:07:36,959 --> 00:07:38,543
(IN ENGLISH) I'm just fine.

70
00:07:38,543 --> 00:07:40,709
Well, you could do better than that.

71
00:07:42,834 --> 00:07:44,043
Why don't we, uh,

72
00:07:44,876 --> 00:07:46,126
go into my office?

73
00:07:47,209 --> 00:07:48,376
(SPEAKING CHOCTAW)
Do you want to eat?

74
00:07:48,376 --> 00:07:49,584
(IN ENGLISH) Cut the crap.

75
00:07:49,584 --> 00:07:52,918
I didn't come here to get leg-humped
by some old rez dog like you.

76
00:07:52,918 --> 00:07:56,751
Ah, you used to melt like butter
when I talked Indian to you.

77
00:07:57,876 --> 00:07:59,626
That was a long time ago.

78
00:08:00,043 --> 00:08:02,043
Doesn't have to be like that now.

79
00:08:05,959 --> 00:08:07,209
Maya's back.

80
00:08:10,084 --> 00:08:12,834
Yeah, I thought that might
have something to do with it.

81
00:08:14,584 --> 00:08:15,584
Come on in.

82
00:08:26,709 --> 00:08:28,334
Go sit over there.

83
00:08:29,834 --> 00:08:32,209
But that old chair hurts my back,
you know?

84
00:08:32,376 --> 00:08:34,584
(GROANS SOFTLY) What's this?

85
00:08:35,959 --> 00:08:38,751
{\an8}CHULA: Biscuits near totaled my truck
doing who knows what.

86
00:08:38,751 --> 00:08:40,334
He's covering for Maya.

87
00:08:42,043 --> 00:08:43,834
She's bringing trouble with her.

88
00:08:44,793 --> 00:08:46,751
And now Biscuits is caught up in it.

89
00:08:50,543 --> 00:08:51,959
She's too much like her father.

90
00:08:52,334 --> 00:08:54,543
You don't know that.
You don't even know her.

91
00:08:54,543 --> 00:08:55,626
And you do?

92
00:08:56,168 --> 00:08:59,209
You haven't seen her any more
than I have in the last 20 years.

93
00:09:03,334 --> 00:09:05,168
(SCOFFS) Oh really?

94
00:09:05,709 --> 00:09:06,876
What's she up to, then?

95
00:09:08,001 --> 00:09:09,334
(CLEARS THROAT) Not for me to say.

96
00:09:09,876 --> 00:09:11,043
Why don't you ask her?

97
00:09:12,418 --> 00:09:13,459
Not likely.

98
00:09:14,293 --> 00:09:16,168
- (CLICKS)
- (MUSIC STOPS)

99
00:09:16,168 --> 00:09:19,126
You know, you two are exactly alike.

100
00:09:19,126 --> 00:09:21,376
We are not alike.

101
00:09:23,001 --> 00:09:25,918
Everything I've done
has been to protect my family,

102
00:09:25,918 --> 00:09:27,376
however much it hurt.

103
00:09:28,084 --> 00:09:29,543
You lost your daughter.

104
00:09:30,584 --> 00:09:34,126
Why don't you just swallow your pride
before you lose your granddaughter, too?

105
00:09:36,251 --> 00:09:37,668
I can't talk to her now.

106
00:09:39,209 --> 00:09:40,543
I got nothing to say.

107
00:09:42,209 --> 00:09:43,209
(SIGHS)

108
00:09:43,418 --> 00:09:47,084
Well, maybe you shouldn't talk to her.
Maybe you should just listen for once.

109
00:09:47,084 --> 00:09:49,834
(EMOTIONAL MUSIC PLAYING)

110
00:09:59,001 --> 00:10:02,043
- (DOOR OPENS AND CLOSES)
- (SIGHS)

111
00:10:05,043 --> 00:10:06,918
ZANE: (OVER PHONE)
<i>Don't disappoint me, Vickie.</i>

112
00:10:06,918 --> 00:10:10,251
<i>Your intel won't be worth
jack shit if she's gone.</i>

113
00:10:10,251 --> 00:10:12,959
Zane, I promise you, man. Maya's here.

114
00:10:12,959 --> 00:10:14,584
<i>We're still a few hours out.</i>

115
00:10:14,584 --> 00:10:17,251
<i>Tonight, have her ready. Wait for my call.</i>

116
00:10:17,251 --> 00:10:18,334
(CALL DISCONNECTS)

117
00:10:20,918 --> 00:10:23,168
(OMINOUS MUSIC PLAYING)

118
00:10:31,959 --> 00:10:33,293
(BIRDS CHIRPING)

119
00:10:43,043 --> 00:10:44,043
(FOOTSTEPS)

120
00:10:46,001 --> 00:10:47,001
(GASPS)

121
00:10:48,543 --> 00:10:50,834
- (DISCORDANT MUSIC)
- (MYSTERIOUS SOUNDS)

122
00:10:58,293 --> 00:10:59,334
(INDISTINCT SOUND)

123
00:11:00,709 --> 00:11:02,876
(GRUNTING)

124
00:11:11,168 --> 00:11:13,251
(MYSTERIOUS MUSIC PLAYING)

125
00:11:21,501 --> 00:11:23,626
(RATTLING)

126
00:11:30,168 --> 00:11:31,334
(GRUNTS)

127
00:11:35,334 --> 00:11:37,459
(SOUNDS AND MUSIC SLOWLY FADE)

128
00:11:41,209 --> 00:11:43,209
(SINGLE HEART BEATING)

129
00:11:50,459 --> 00:11:52,334
- (SINGLE HEART BEAT CONTINUES)
- (INAUDIBLE CONVERSATION)

130
00:12:04,376 --> 00:12:06,168
VICKIE: One, two, three.

131
00:12:06,168 --> 00:12:08,668
- GRACE: God, give me a hand.
- VICKIE: I am.

132
00:12:17,251 --> 00:12:18,459
(SCOFFS)

133
00:12:21,793 --> 00:12:24,501
- VICKIE: One of youse gotta babysit her.
- GRACE: Or you could.

134
00:12:24,501 --> 00:12:27,251
No. I gotta be out front
when he gets here.

135
00:12:27,251 --> 00:12:28,709
I'm the man on the inside.

136
00:12:28,709 --> 00:12:31,251
All you gotta do is sit outside that door.
What are you, scared?

137
00:12:31,251 --> 00:12:34,293
BRIGITTE: I will babysit her
since you two are too chickenshit.

138
00:12:34,293 --> 00:12:36,251
GRACE: Fine. Have fun.

139
00:12:43,793 --> 00:12:47,251
(TENSE MUSIC BUILDING)

140
00:12:50,709 --> 00:12:52,084
(CRICKETS CHIRPING)

141
00:12:59,876 --> 00:13:01,709
(DOOR RATTLES)

142
00:13:01,709 --> 00:13:02,793
(KNOCKING)

143
00:13:04,626 --> 00:13:06,334
(KNOCKING CONTINUES)

144
00:13:08,876 --> 00:13:09,876
Hello?

145
00:13:09,876 --> 00:13:12,418
- (MUFFLED SCREAM)
- Shut up. Shut up.

146
00:13:36,876 --> 00:13:38,376
(DOOR GROANS)

147
00:13:38,376 --> 00:13:39,459
Uncle Henry?

148
00:13:44,876 --> 00:13:46,001
Uncle Henry?

149
00:13:57,918 --> 00:14:00,209
- Hey.
- Hey. I tried the front.

150
00:14:00,584 --> 00:14:01,584
Yeah. Sorry.

151
00:14:02,001 --> 00:14:05,376
Um, not a good time. Pretty busy.

152
00:14:06,543 --> 00:14:08,959
I won't take very long. I...

153
00:14:08,959 --> 00:14:11,084
I just have some questions I wanna ask.

154
00:14:11,084 --> 00:14:14,209
- Uh, privately.
- How about you call me tomorrow?

155
00:14:14,209 --> 00:14:18,751
The rink's being audited by the IRS,
and I'm just swimming in paperwork.

156
00:14:18,751 --> 00:14:19,959
LEAVE NOW.

157
00:14:21,709 --> 00:14:24,668
Yikes, the IRS?
Is there anything I can do?

158
00:14:24,876 --> 00:14:25,876
GO.

159
00:14:25,876 --> 00:14:27,043
No no no. I'm good.

160
00:14:28,459 --> 00:14:32,001
Probably shouldn't have deducted all
that mileage on all those pairs of skates.

161
00:14:32,001 --> 00:14:33,376
(BONNIE CHUCKLES)

162
00:14:33,376 --> 00:14:35,876
I'll, uh... I'll leave you to it.

163
00:14:36,751 --> 00:14:39,209
Appreciate it. Night, Bonnie.

164
00:14:44,168 --> 00:14:45,793
(DOOR OPENS AND CLOSES)

165
00:14:46,626 --> 00:14:49,376
What the hell was that? Huh?
Did you know she was coming around?

166
00:14:49,376 --> 00:14:51,793
- Uh-uh.
- Are more people coming around here? Go.

167
00:14:55,834 --> 00:14:57,293
(SUSPENSEFUL MUSIC PLAYING)

168
00:15:03,251 --> 00:15:04,251
(WALKIE TALKIE BEEP)

169
00:15:04,376 --> 00:15:06,459
Dispatch? Dispatch, this... (GASPS)

170
00:15:06,459 --> 00:15:07,918
(CHAINS RATTLE)

171
00:15:10,793 --> 00:15:12,168
(TENSE MUSIC PLAYING)

172
00:15:20,543 --> 00:15:21,793
(DOOR OPENING)

173
00:15:22,543 --> 00:15:24,209
VICKIE: Get in here.

174
00:15:24,209 --> 00:15:25,293
(BONNIE GROANS)

175
00:15:33,584 --> 00:15:34,626
(DOOR SHUTTING)

176
00:15:51,959 --> 00:15:53,793
(SIGHS)

177
00:15:55,543 --> 00:15:56,543
(SCOFFS)

178
00:16:05,876 --> 00:16:06,959
(HIDDEN BLADE OPENING)

179
00:16:06,959 --> 00:16:08,834
(DETERMINED MUSIC PLAYING)

180
00:16:32,834 --> 00:16:34,043
You okay?

181
00:16:34,043 --> 00:16:35,251
I will be.

182
00:16:44,001 --> 00:16:46,043
BRIGITTE: I'm doin' it.
I'm doin' it. Whoa.

183
00:16:47,418 --> 00:16:48,626
Looks like they're in no hurry.

184
00:16:48,626 --> 00:16:49,959
What are they waiting for?

185
00:17:01,293 --> 00:17:02,293
Stop.

186
00:17:02,293 --> 00:17:03,751
Stop looking for a way out of here?

187
00:17:03,959 --> 00:17:04,959
You know

188
00:17:04,959 --> 00:17:06,043
what I mean.

189
00:17:06,043 --> 00:17:07,126
Look.

190
00:17:07,126 --> 00:17:08,459
I'm just here for work stuff.

191
00:17:08,459 --> 00:17:10,168
No sense disrupting your life

192
00:17:10,168 --> 00:17:11,668
if I'm not going to be here long.

193
00:17:12,626 --> 00:17:13,709
Bullshit.

194
00:17:13,709 --> 00:17:16,251
You can't even

195
00:17:16,251 --> 00:17:17,876
look me in the eye.

196
00:17:21,168 --> 00:17:23,001
I waited for you.

197
00:17:23,001 --> 00:17:24,168
Every night

198
00:17:24,168 --> 00:17:25,668
for years.

199
00:17:26,501 --> 00:17:28,418
And you still couldn't be bothered

200
00:17:28,418 --> 00:17:30,084
to send one message.

201
00:17:30,793 --> 00:17:31,793
We drifted apart.

202
00:17:32,293 --> 00:17:33,293
It happens.

203
00:17:33,626 --> 00:17:35,126
We didn't drift.

204
00:17:36,168 --> 00:17:38,043
All those emails, texts.

205
00:17:38,043 --> 00:17:41,459
Nothing ever came back.

206
00:17:43,209 --> 00:17:44,418
You didn't text

207
00:17:44,418 --> 00:17:45,959
me back after

208
00:17:45,959 --> 00:17:48,709
your dad died.

209
00:17:49,876 --> 00:17:51,834
I would have been there.

210
00:17:56,709 --> 00:17:59,543
Come on, Vickie.
Let me smooth things out with Maya.

211
00:18:00,084 --> 00:18:01,834
Tell her it was a misunderstanding.

212
00:18:01,834 --> 00:18:04,001
That way, if you leave now,

213
00:18:05,293 --> 00:18:06,876
you got nothing to worry about.

214
00:18:10,084 --> 00:18:12,376
Only person
with anything to worry about is her.

215
00:18:14,126 --> 00:18:15,209
What did you do?

216
00:18:15,668 --> 00:18:18,293
No. Maya brought this on herself,
coming home.

217
00:18:18,293 --> 00:18:20,334
Alls I did was accelerate the process.

218
00:18:20,334 --> 00:18:21,668
You called someone?

219
00:18:22,293 --> 00:18:24,209
Yeah, well, here's the thing, Henry.

220
00:18:24,209 --> 00:18:26,918
I ain't taking orders no more.
Not from you.

221
00:18:27,543 --> 00:18:30,043
There's still a chance
for you to get out of this alive.

222
00:18:30,043 --> 00:18:33,584
You really think he's gonna pay you
and then just let you walk out of here?

223
00:18:36,376 --> 00:18:37,501
If I was you, Henry,

224
00:18:37,501 --> 00:18:40,459
I would have turned her in myself,
collect that bounty.

225
00:18:40,959 --> 00:18:43,293
You left it up for grabs and I'm grabbing.

226
00:18:44,959 --> 00:18:46,043
GRACE: Vickie!

227
00:18:46,793 --> 00:18:48,626
Come on, Vickie.
I swear I heard something.

228
00:18:48,626 --> 00:18:49,751
They might be loose.

229
00:18:49,751 --> 00:18:52,043
VICKIE: Alright. Quickly, though.
He's almost here.

230
00:18:55,501 --> 00:18:58,918
(SOUNDS AND MUSIC SLOWLY FADE)

231
00:18:58,918 --> 00:19:01,959
(SINGLE HEART BEATING)

232
00:19:08,251 --> 00:19:09,251
(SOUND RETURNS)

233
00:19:09,251 --> 00:19:11,376
GRACE: Her zip ties.
Told you I heard something.

234
00:19:11,376 --> 00:19:13,293
VICKIE: Whoa, whoa whoa whoa.
Don't shoot her.

235
00:19:13,293 --> 00:19:16,209
If she's dead when they get here,
we ain't getting paid.

236
00:19:16,209 --> 00:19:17,793
Hey. Guns down.

237
00:19:17,793 --> 00:19:18,876
I can talk to her.

238
00:19:20,001 --> 00:19:21,001
Please.

239
00:19:21,001 --> 00:19:22,501
Gun down, Grace!

240
00:19:24,626 --> 00:19:25,626
Come on.

241
00:19:26,376 --> 00:19:28,834
GRACE: Tell your gimpy friend
to put her zip ties back on.

242
00:19:28,959 --> 00:19:30,043
Someone is coming

243
00:19:30,043 --> 00:19:31,251
to pay them for you.

244
00:19:31,251 --> 00:19:32,334
VICKIE: Hey, hey!

245
00:19:32,334 --> 00:19:33,626
BRIGITTE: Do not assume incompetence...

246
00:19:33,626 --> 00:19:34,959
What do we do?

247
00:19:35,126 --> 00:19:36,459
VICKIE: Wh-What is she saying to her?

248
00:19:36,459 --> 00:19:37,668
I'm going to punch you.

249
00:19:38,709 --> 00:19:40,834
VICKIE: They weren't supposed
to be fighting each other.

250
00:19:41,793 --> 00:19:44,084
GRACE: Hurry up, go.
VICKIE: No, we need her alive.

251
00:19:44,084 --> 00:19:46,293
Let's get out of here. Come on.

252
00:19:52,876 --> 00:19:55,043
(GASPING)

253
00:19:57,751 --> 00:20:00,293
(BREATHING HEAVILY) I think we gotta
go back in and hog-tie her.

254
00:20:00,293 --> 00:20:02,251
No, it's not worth the trouble.

255
00:20:02,251 --> 00:20:03,876
- (PHONE VIBRATES)
- BRIDGETTE: The door's locked anyway.

256
00:20:05,376 --> 00:20:06,376
They're here.

257
00:20:07,584 --> 00:20:08,584
Okay...

258
00:20:08,584 --> 00:20:11,626
- Throw her back in there, too?
- No. She's coming with us.

259
00:20:13,251 --> 00:20:14,418
Come on.

260
00:20:14,418 --> 00:20:17,501
- Alright. Have fun.
- Let's go. I got her. I got her.

261
00:20:23,584 --> 00:20:27,043
(PANTING)

262
00:20:27,043 --> 00:20:30,334
(ROUSING MUSIC PLAYING)

263
00:20:51,043 --> 00:20:52,543
You're the guy, then?

264
00:20:52,543 --> 00:20:54,793
Yeah, I'm the guy. Vickie.

265
00:20:55,251 --> 00:20:58,376
Vickie? Nice to see your face
at last, I guess.

266
00:20:58,876 --> 00:21:00,501
We come a very long way.

267
00:21:00,501 --> 00:21:05,668
So, for your sake, I hope the information
you've been texting is legit.

268
00:21:06,626 --> 00:21:07,793
See, uh...

269
00:21:08,584 --> 00:21:11,709
I don't like being played with, Vickie.

270
00:21:13,168 --> 00:21:14,834
Guaranteed, it's the real deal.

271
00:21:16,126 --> 00:21:17,543
Assuming you brought that money.

272
00:21:17,543 --> 00:21:21,626
Oh. No. We got protocols, right?

273
00:21:22,709 --> 00:21:26,918
I keeps the money safe
while I assesses the situation.

274
00:21:28,209 --> 00:21:30,709
You don't think I'd walk in
with the money, do you?

275
00:21:32,543 --> 00:21:33,543
'Course not.

276
00:21:35,876 --> 00:21:37,001
You work here?

277
00:21:38,043 --> 00:21:39,209
VICKIE: Yeah.

278
00:21:40,376 --> 00:21:42,834
Wow. It's lush.

279
00:21:45,251 --> 00:21:46,959
You are a lucky bastard.

280
00:21:47,584 --> 00:21:52,834
I tell you what, boys,
when the gig's done, Ring Pops on me.

281
00:21:54,293 --> 00:21:55,918
You can hook us up, right, brah?

282
00:21:58,001 --> 00:22:00,084
Fan out, boys. She's here somewhere.

283
00:22:00,084 --> 00:22:02,459
See, I was thinking,
you show me that money first

284
00:22:02,459 --> 00:22:04,043
and make sure it's all there.

285
00:22:04,043 --> 00:22:06,959
- Like, I need to know that you have it.
- (INDISTINCT CHATTER)

286
00:22:09,334 --> 00:22:10,959
(ROUSING MUSIC RESUMES)

287
00:22:25,001 --> 00:22:26,584
(LASER TRILLS)

288
00:22:28,626 --> 00:22:30,043
(WHIRS)

289
00:22:30,709 --> 00:22:34,251
WOMAN: (ON VIDEO) <i>...for their own safety
and self-defense in an uncertain America.</i>

290
00:22:34,251 --> 00:22:38,418
<i>Today, hostage negotiations.
I'll jump right in.</i>

291
00:22:38,418 --> 00:22:41,668
<i>You need to keep yourself alert
and aware of your surroundings</i>

292
00:22:41,668 --> 00:22:44,418
<i>and any
and all potential threats at all times.</i>

293
00:22:44,418 --> 00:22:48,584
<i>And remember, do not assume incompetence
when dealing with an unknown kidnapper.</i>

294
00:22:48,584 --> 00:22:52,001
<i>Instead, take precautions on a number
of levels to protect yourself</i>

295
00:22:52,001 --> 00:22:53,084
(CHAIR SQUEAKS)

296
00:22:53,084 --> 00:22:57,043
<i>and any bystanders
from a multitude of deadly possibilities.</i>

297
00:22:57,043 --> 00:22:58,376
<i>What does your kidnapper...</i>

298
00:22:58,376 --> 00:22:59,918
- (GLASS SHATTERING)
- (GASPING)

299
00:23:01,626 --> 00:23:04,418
<i>...or her path without doing further harm.</i>

300
00:23:04,418 --> 00:23:05,584
<i>Signing off.</i>

301
00:23:05,584 --> 00:23:07,168
<i>This is Esther of Militia Mommies.</i>

302
00:23:07,168 --> 00:23:09,376
<i>Please smash "like" and "subscribe" below.</i>

303
00:23:14,584 --> 00:23:15,584
Where you at?

304
00:23:22,209 --> 00:23:24,668
Come on, now. Don't make...

305
00:23:26,084 --> 00:23:27,251
What the...

306
00:23:27,251 --> 00:23:28,584
- (WHOOSHING)
- (GRUNTS AND YELLS)

307
00:23:30,168 --> 00:23:32,043
(THUDS)

308
00:23:34,376 --> 00:23:36,334
Okay, so, here's what I'm thinking.

309
00:23:36,334 --> 00:23:38,584
Um, so, you grab the money, and then...

310
00:23:38,584 --> 00:23:41,459
Vickie. What the hell, man?

311
00:23:42,501 --> 00:23:45,251
We're supposed to be makin' a deal,
not giving them the grand tour.

312
00:23:45,251 --> 00:23:47,376
Can you let me handle this, Grace?

313
00:23:47,376 --> 00:23:49,876
Looks like you're lettin'
this guy handle it.

314
00:23:50,334 --> 00:23:51,501
What's up, kitty cat?

315
00:23:55,418 --> 00:24:00,168
Ah, looky, looky.
Is that Henry Black Crow Lopez?

316
00:24:00,168 --> 00:24:02,584
Surprised to see me?
Look at you all tied up.

317
00:24:02,584 --> 00:24:04,293
Let me talk. It'll be okay.

318
00:24:05,251 --> 00:24:06,959
How'd you get jammed up like this?

319
00:24:09,084 --> 00:24:11,251
You got something to spill? Huh?

320
00:24:12,084 --> 00:24:13,584
Where's that niece of yours, huh?

321
00:24:15,251 --> 00:24:18,418
Maya Lopez. Lopez who blew up the armory.

322
00:24:21,209 --> 00:24:24,584
We're actually not at liberty to say
until we get our money.

323
00:24:25,459 --> 00:24:27,126
(GROWLS)

324
00:24:27,126 --> 00:24:29,834
I'm so tired of all this yappin'.

325
00:24:30,293 --> 00:24:31,501
(CELL PHONE VIBRATES)

326
00:24:37,918 --> 00:24:40,293
- I'm gonna go check on somethin'.
- Yeah.

327
00:24:41,043 --> 00:24:43,209
Matter of fact, she probably needs
a hand with that,

328
00:24:43,209 --> 00:24:45,418
so I'm gonna head out,
and then I'll be right...

329
00:24:46,459 --> 00:24:47,626
ZANE: Is something wrong?

330
00:24:48,668 --> 00:24:50,584
No. What?

331
00:24:51,501 --> 00:24:52,793
We still got a deal.

332
00:24:52,793 --> 00:24:55,751
So how about let's all go out
and you show me that money?

333
00:24:56,793 --> 00:24:58,168
You catch that, brothers?

334
00:24:59,834 --> 00:25:01,459
What? Look, there's no problem.

335
00:25:02,709 --> 00:25:04,168
Vickie wants to go out.

336
00:25:06,043 --> 00:25:07,084
So, take him out.

337
00:25:09,501 --> 00:25:10,834
No. Oh no, no, no. No.

338
00:25:10,834 --> 00:25:12,126
(GUN FIRES)

339
00:25:18,209 --> 00:25:19,209
- (GROANS)
- ZANE: Oh!

340
00:25:19,709 --> 00:25:21,626
Thanks again, Vickie,
for the hot tip.

341
00:25:24,334 --> 00:25:26,793
Would have been nice if she were,
you know, here.

342
00:25:34,043 --> 00:25:35,501
(DOOR CLOSES)

343
00:25:35,501 --> 00:25:37,334
The sister's headed for the parking lot.

344
00:25:38,418 --> 00:25:39,418
Let her go.

345
00:25:40,834 --> 00:25:42,293
I got who I wants here.

346
00:25:42,293 --> 00:25:45,334
You's the one who's gonna give me
the answers to my question.

347
00:25:46,209 --> 00:25:49,501
Where is Maya Lopez?

348
00:25:51,876 --> 00:25:55,209
(<i>DRAGULA</i> BY ROB ZOMBIE PLAYING LOUDLY)

349
00:25:55,209 --> 00:25:59,168
<i>♪ I slam in the back of my Dragula ♪</i>

350
00:25:59,168 --> 00:26:00,251
<i>♪ Dig through the ditches ♪</i>

351
00:26:00,251 --> 00:26:02,543
Circuit breaker's in the laser tag area.

352
00:26:03,709 --> 00:26:06,584
ZANE: What are you waiting for?
Go find her!

353
00:26:06,584 --> 00:26:07,793
(INDISTINCT SHOUTING)

354
00:26:07,793 --> 00:26:09,959
Where is she? Get in the circuit!

355
00:26:10,793 --> 00:26:12,418
Boys, pivot!

356
00:26:15,126 --> 00:26:17,209
ZANE: Lopez!

357
00:26:17,209 --> 00:26:18,668
(<i>DRAGULA</i> CONTINUES MUFFLED)

358
00:26:30,001 --> 00:26:31,543
(GRUNTS)

359
00:26:34,043 --> 00:26:35,126
(SWITCHES CLICKING)

360
00:26:36,084 --> 00:26:37,876
(ELECTRICAL ZAP)

361
00:26:37,876 --> 00:26:39,043
- (CHUCKLES)
- CARTER: Shut up!

362
00:26:39,043 --> 00:26:40,543
(<i>DRAGULA</i> CONTINUES)

363
00:26:40,543 --> 00:26:44,334
She's got the place rigged.
Everyone, eyes up! Lopez is here!

364
00:26:46,168 --> 00:26:47,334
(SCREAMS)

365
00:26:47,334 --> 00:26:49,543
<i>♪ ...and burn through the witches ♪</i>

366
00:26:49,543 --> 00:26:53,959
<i>♪ I slam in the back of my Dragula ♪</i>

367
00:26:54,584 --> 00:26:56,584
Be on the lookout.
She's around here somewhere.

368
00:27:01,626 --> 00:27:02,751
(THUD)

369
00:27:02,751 --> 00:27:05,584
<i>♪ Do it, baby
Do it, baby ♪</i>

370
00:27:05,751 --> 00:27:09,751
<i>♪ Burn like an animal ♪</i>

371
00:27:09,751 --> 00:27:12,876
(THUDDING)

372
00:27:12,876 --> 00:27:15,751
- (CRASHING)
- (MAN GRUNTS)

373
00:27:15,751 --> 00:27:17,376
(<i>DRAGULA</i> FADES)

374
00:27:17,376 --> 00:27:18,501
(MAN GRUNTS)

375
00:27:20,834 --> 00:27:22,001
- (GUNSHOT)
- (MAN GRUNTS)

376
00:27:27,626 --> 00:27:30,793
(SOUNDS AND MUSIC SLOWLY FADE)

377
00:27:30,793 --> 00:27:33,168
(SINGLE HEART BEATING)

378
00:27:34,459 --> 00:27:35,876
(ROUSING MUSIC PLAYING)

379
00:27:44,293 --> 00:27:45,376
(GUN CLICKS)

380
00:27:47,168 --> 00:27:48,251
(GLASS SHATTERING)

381
00:27:53,543 --> 00:27:54,668
(GLASS SHATTERING)

382
00:28:09,376 --> 00:28:10,543
(GUNFIRE)

383
00:28:24,418 --> 00:28:25,418
(MEN GRUNTING)

384
00:28:30,751 --> 00:28:32,459
(WHIP CRACKS)

385
00:28:38,626 --> 00:28:40,334
(INDISTINCT YELLING)

386
00:28:46,626 --> 00:28:47,626
PAH!

387
00:29:01,168 --> 00:29:02,918
Oh.

388
00:29:05,084 --> 00:29:06,959
(CHUCKLING)

389
00:29:07,751 --> 00:29:08,959
(BALL HITTING THE FLOOR)

390
00:29:12,418 --> 00:29:15,168
(VIDEO GAME LOSING SOUNDS)

391
00:29:19,543 --> 00:29:22,418
(DANGEROUS MUSIC PLAYING)

392
00:29:29,834 --> 00:29:30,834
(GRUNTS)

393
00:29:34,459 --> 00:29:35,459
No!

394
00:29:38,959 --> 00:29:40,584
(CELL PHONE VIBRATES)

395
00:29:40,584 --> 00:29:42,668
<i>(NEW YORK MINUTE</i> BY DON HENLEY PLAYING)

396
00:29:45,043 --> 00:29:48,584
<i>♪ Everything can change
In a New York Minute ♪</i>

397
00:29:51,918 --> 00:29:52,918
<i>♪ Things can get... ♪</i>

398
00:29:54,418 --> 00:29:55,418
Aye?

399
00:29:57,584 --> 00:29:58,584
Well, I thought...

400
00:29:59,543 --> 00:30:01,709
Yeah. I understand.

401
00:30:02,293 --> 00:30:04,668
I'm sorry, I... Let me just...

402
00:30:08,084 --> 00:30:09,459
(CALL DISCONNECTS)

403
00:30:09,793 --> 00:30:11,918
(FOREBODING MUSIC PLAYING)

404
00:30:14,876 --> 00:30:15,876
(EXHALES)

405
00:30:21,876 --> 00:30:22,918
Let's go.

406
00:30:30,168 --> 00:30:31,543
(GASPS)

407
00:30:31,543 --> 00:30:34,084
(FOREBODING MUSIC INTENSIFIES)

408
00:30:45,709 --> 00:30:46,751
(DOOR SLAMMING SHUT)

409
00:30:49,209 --> 00:30:50,209
Does it hurt?

410
00:30:50,501 --> 00:30:52,001
You could have broken something.

411
00:30:55,251 --> 00:30:56,959
Sorry. Had to look real.

412
00:30:57,543 --> 00:30:58,751
Listen.

413
00:30:58,751 --> 00:30:59,834
You need to go.

414
00:30:59,834 --> 00:31:01,001
(CAR DOOR OPENING AND SLAMMED SHUT)

415
00:31:01,001 --> 00:31:02,084
Go?

416
00:31:02,084 --> 00:31:03,959
We have to wait for the police.

417
00:31:03,959 --> 00:31:05,084
(CAR DOOR SLAMMED SHUT)

418
00:31:05,084 --> 00:31:06,584
No police. I can't have police.

419
00:31:06,834 --> 00:31:07,834
Please.

420
00:31:12,043 --> 00:31:13,751
Do you think they'll come back?

421
00:31:16,209 --> 00:31:18,584
I won't let anyone hurt you.

422
00:31:18,584 --> 00:31:20,084
I promise.

423
00:31:21,834 --> 00:31:23,501
They were here for me.

424
00:31:23,918 --> 00:31:25,209
Not you.

425
00:31:27,918 --> 00:31:29,876
I need you to go home, Bonnie.

426
00:31:29,876 --> 00:31:32,334
We'll talk soon, I promise.

427
00:31:32,793 --> 00:31:33,876
You promise?

428
00:31:40,876 --> 00:31:42,043
(CAR DOOR OPENING)

429
00:31:45,043 --> 00:31:46,043
(SIGHS)

430
00:31:49,918 --> 00:31:51,084
(CAR DOOR SLAMMING SHUT)

431
00:31:52,001 --> 00:31:53,793
(TRUCK ENGINE STARTS)

432
00:32:04,876 --> 00:32:07,376
What the hell just happened?

433
00:32:07,834 --> 00:32:08,834
Which part?

434
00:32:10,001 --> 00:32:11,001
The part

435
00:32:11,001 --> 00:32:12,501
where we

436
00:32:12,501 --> 00:32:14,709
were kidnapped by the guy

437
00:32:14,709 --> 00:32:16,293
who cleans my skates?

438
00:32:16,918 --> 00:32:17,918
Or

439
00:32:17,918 --> 00:32:19,918
the part where we

440
00:32:20,501 --> 00:32:21,959
almost die

441
00:32:22,543 --> 00:32:23,751
because there's a price

442
00:32:23,751 --> 00:32:25,376
on your head?

443
00:32:26,376 --> 00:32:27,584
We wouldn't be here

444
00:32:27,584 --> 00:32:31,418
if someone hadn't called off
Zane and his dogs.

445
00:32:34,334 --> 00:32:35,459
There's

446
00:32:36,209 --> 00:32:37,501
only one

447
00:32:37,501 --> 00:32:38,584
person who

448
00:32:38,584 --> 00:32:39,668
could have.

449
00:32:44,168 --> 00:32:46,376
I shot him in the face.

450
00:32:59,251 --> 00:33:00,334
Look...

451
00:33:00,709 --> 00:33:01,793
tonight...

452
00:33:03,168 --> 00:33:04,209
things...

453
00:33:05,251 --> 00:33:07,168
caught up to us both.

454
00:33:07,668 --> 00:33:08,668
If...

455
00:33:09,043 --> 00:33:10,043
the offer

456
00:33:10,043 --> 00:33:11,126
still stands...

457
00:33:14,334 --> 00:33:15,959
I'm helping you.

458
00:33:20,084 --> 00:33:22,084
<i>(WHEN WE REMAIN</i>
BY SAMANTHA CRAIN PLAYING)

459
00:33:28,043 --> 00:33:31,751
<i>♪ Tamaha chito okla imihaksi tuko ♪</i>

460
00:33:31,876 --> 00:33:36,793
<i>♪ I foni aiyokli ahoba
hapiachi kiyo ♪</i>

461
00:33:40,043 --> 00:33:43,668
<i>♪ Vpi ahoba osh ohmi tamaha ♪</i>

462
00:33:44,834 --> 00:33:46,543
- (GUN CLICKS)
- (DOOR OPENS)

463
00:33:46,959 --> 00:33:48,668
<i>♪ Okla il vbachike ♪</i>

464
00:33:51,918 --> 00:33:57,001
<i>♪ Okla e maya momakma ♪</i>

465
00:34:00,001 --> 00:34:03,584
<i>♪ Tamaha chito okla imihaksi tuko ♪</i>

466
00:34:03,584 --> 00:34:08,126
<i>♪ I foni aiyokli ahoba
hapiachi kiyo ♪</i>

467
00:34:08,126 --> 00:34:10,459
(<i>WHEN WE REMAIN</i> FADES)

468
00:34:18,918 --> 00:34:20,168
You

469
00:34:20,168 --> 00:34:21,959
don't

470
00:34:21,959 --> 00:34:23,168
like it.

471
00:34:25,043 --> 00:34:26,251
I just prefer

472
00:34:26,251 --> 00:34:27,876
a simpler look.

473
00:34:28,209 --> 00:34:29,501
That's all.

474
00:34:30,043 --> 00:34:31,084
Hello!

475
00:34:32,126 --> 00:34:34,876
You live in

476
00:34:34,876 --> 00:34:36,209
New York.

477
00:34:36,584 --> 00:34:38,209
You represent

478
00:34:38,209 --> 00:34:40,251
your people.

479
00:34:43,001 --> 00:34:45,084
That means...

480
00:34:45,543 --> 00:34:47,876
(SPEAKING CHOCTAW)
a Choctaw Warrior

481
00:34:47,876 --> 00:34:51,834
(IN ENGLISH) is on the scene.

482
00:34:52,751 --> 00:34:53,751
But...

483
00:34:54,126 --> 00:34:55,126
if you...

484
00:34:55,543 --> 00:34:57,876
don't like it,

485
00:34:58,584 --> 00:34:59,918
I could...

486
00:35:01,168 --> 00:35:02,168
paint it

487
00:35:02,168 --> 00:35:03,668
matte black.

488
00:35:05,293 --> 00:35:06,459
Leave it as is.

489
00:35:06,459 --> 00:35:07,793
I'll just wear

490
00:35:07,793 --> 00:35:09,418
my pants over it.

491
00:35:11,501 --> 00:35:12,834
I'm just teasing.

492
00:35:38,043 --> 00:35:39,501
Now, you know

493
00:35:40,001 --> 00:35:41,626
I don't

494
00:35:42,793 --> 00:35:44,043
get in

495
00:35:44,043 --> 00:35:45,293
family business.

496
00:35:47,626 --> 00:35:50,084
Since your

497
00:35:50,084 --> 00:35:51,834
grandmother

498
00:35:51,834 --> 00:35:52,918
and I

499
00:35:53,751 --> 00:35:54,959
not together

500
00:35:55,459 --> 00:35:56,459
no more.

501
00:35:57,751 --> 00:35:58,751
But...

502
00:35:59,918 --> 00:36:02,334
you won't

503
00:36:02,334 --> 00:36:03,751
go see her?

504
00:36:05,043 --> 00:36:07,293
She doesn't wanna see me.

505
00:36:08,251 --> 00:36:10,168
Her heart was broken

506
00:36:10,168 --> 00:36:11,501
when you left.

507
00:36:12,459 --> 00:36:14,293
She left

508
00:36:14,293 --> 00:36:15,959
this place

509
00:36:15,959 --> 00:36:17,626
like it was.

510
00:36:18,126 --> 00:36:20,418
Like a museum.

511
00:36:21,918 --> 00:36:24,251
She could've reached out any time.

512
00:36:24,251 --> 00:36:26,043
She never did.

513
00:36:33,709 --> 00:36:34,959
I guess...

514
00:36:35,501 --> 00:36:37,543
we all

515
00:36:38,626 --> 00:36:40,376
do things

516
00:36:40,834 --> 00:36:42,334
we wish

517
00:36:42,334 --> 00:36:43,751
were different.

518
00:36:51,668 --> 00:36:53,168
(CLICKS)

519
00:37:04,168 --> 00:37:06,709
(DOOR OPENS AND CLOSES)

520
00:37:07,293 --> 00:37:10,751
(EMOTIONAL MUSIC SWELLS)

521
00:37:15,376 --> 00:37:18,334
(CHOIR SINGING <i>VBA ISHT TALOA #121</i>
IN CHOCTAW)

522
00:37:18,334 --> 00:37:24,668
<i>♪ Chihowa ushi mak hosh ♪</i>

523
00:37:24,834 --> 00:37:28,751
<i>♪ Vba ya ♪</i>

524
00:37:28,751 --> 00:37:35,668
<i>♪ Mihintishke ♪</i>

525
00:37:35,668 --> 00:37:39,334
<i>♪ Nan isht a ♪</i>

526
00:37:39,334 --> 00:37:45,251
<i>♪ Holitopa ♪</i>

527
00:37:46,126 --> 00:37:51,584
<i>♪ Moma ilia ♪</i>

528
00:37:51,584 --> 00:37:56,501
<i>♪ Eshi hosh ♪</i>

529
00:37:56,501 --> 00:38:00,001
<i>♪ Vba ya ♪</i>

530
00:38:00,001 --> 00:38:06,084
<i>♪ Mihintishke ♪</i>

531
00:38:06,834 --> 00:38:10,334
<i>♪ Nan uha ♪</i>

532
00:38:10,334 --> 00:38:15,876
<i>♪ Im vlhtaha ♪</i>

533
00:38:17,334 --> 00:38:22,834
<i>♪ Holitopa ♪</i>

534
00:38:22,834 --> 00:38:27,501
<i>♪ Ai ahlit ♪</i>

535
00:38:27,501 --> 00:38:31,543
<i>♪ Vba ya ♪</i>

536
00:38:31,543 --> 00:38:37,709
<i>♪ Mihintishke ♪</i>

537
00:38:37,709 --> 00:38:40,793
(<i>VBA ISHT TALOA #121</i> FADES)

538
00:38:59,126 --> 00:39:02,918
(GENTLE WIND CHIMES)

539
00:39:11,751 --> 00:39:12,751
(GASPS)

540
00:39:12,751 --> 00:39:14,834
(OMINOUS MUSIC PLAYING)

541
00:39:38,376 --> 00:39:40,668
(OMINOUS MUSIC BUILDING)

542
00:39:49,751 --> 00:39:51,751
{\an8}<i>(FERAL LOVE</i> BY CHELSEA WOLFE PLAYING)