1
00:00:07,958 --> 00:00:09,583
FISK: <i>None of my men</i>
<i>have ever held their own</i>

2
00:00:09,666 --> 00:00:10,666
<i>with him like that.</i>

3
00:00:10,750 --> 00:00:12,875
- (BOTH GRUNTING)
- (DAREDEVIL GRUNTS)

4
00:00:12,958 --> 00:00:14,791
You did better than
even I expected.

5
00:00:14,875 --> 00:00:17,333
<i>And I've dedicated</i>
<i>all my resources</i>

6
00:00:17,416 --> 00:00:19,708
<i>into bringing your</i>
<i>father's killer to justice.</i>

7
00:00:19,791 --> 00:00:22,125
When you find him, he's mine.

8
00:00:24,458 --> 00:00:25,458
FISK: <i>You and I,</i>

9
00:00:26,000 --> 00:00:27,000
we're family.

10
00:00:31,500 --> 00:00:32,875
(MOTORCYCLE REVVING)

11
00:00:33,916 --> 00:00:35,458
BISCUITS: Maya Lopez is back.

12
00:00:35,541 --> 00:00:36,625
HENRY: If she

13
00:00:36,708 --> 00:00:38,083
finds out you were here

14
00:00:38,166 --> 00:00:39,416
<i>and you didn't see her</i>

15
00:00:39,541 --> 00:00:41,791
<i>you will break her heart.</i>

16
00:00:41,875 --> 00:00:43,541
<i>(ELECTRIC POW WOW DRUM</i>
BY THE HALLUCI NATION PLAYING)

17
00:00:43,625 --> 00:00:45,125
SKULLY: Ancestors whispering
in your ear again?

18
00:00:46,875 --> 00:00:48,916
- (GLASS SHATTERING)
- (HORN HONKING)

19
00:00:49,000 --> 00:00:51,750
I will never forgive you
for this.

20
00:00:52,583 --> 00:00:53,791
WILLIAM: You're going to have a

21
00:00:53,875 --> 00:00:54,958
different life

22
00:00:55,083 --> 00:00:56,166
than me.

23
00:00:56,250 --> 00:00:58,416
- (MAN YELLING)
- (MAYA GRUNTS)

24
00:00:58,500 --> 00:00:59,833
CLINT:
<i>When you're filled with rage,</i>

25
00:00:59,916 --> 00:01:00,916
<i>it makes you blind.</i>

26
00:01:02,000 --> 00:01:03,000
You can be used.

27
00:01:05,166 --> 00:01:06,500
(GRUNTS IN PAIN)

28
00:01:06,583 --> 00:01:07,916
HENRY: <i>So they finally</i>
<i>caught up to you.</i>

29
00:01:09,166 --> 00:01:10,625
BISCUITS: <i>You see Uncle Henry?</i>

30
00:01:10,708 --> 00:01:12,750
I need just one train car.

31
00:01:12,833 --> 00:01:15,291
HENRY: I won't bring
a war here.

32
00:01:15,708 --> 00:01:18,458
- (LABORED BREATHING)
- (MONITOR BEEPING)

33
00:01:28,791 --> 00:01:30,791
<i>(MARVEL SPOTLIGHT FANFARE</i>
BY MICHAEL GIACCHINO)

34
00:01:42,333 --> 00:01:44,333
(UNDERWATER RUMBLING)

35
00:01:59,500 --> 00:02:01,500
(TENSE MUSIC PLAYING)

36
00:02:09,458 --> 00:02:12,083
(PEOPLE ULULATING)

37
00:02:13,000 --> 00:02:15,333
(PLAYERS YELLING INDISTINCTLY)

38
00:02:15,416 --> 00:02:17,458
(WAR CRIES)

39
00:02:18,250 --> 00:02:20,625
(CROWD ULULATING)

40
00:02:22,375 --> 00:02:23,541
(PEOPLE SHOUTING INDISTINCTLY)

41
00:02:23,625 --> 00:02:24,625
(LOWAK GRUNTS)

42
00:02:27,166 --> 00:02:28,625
(PEOPLE SHOUTING INDISTINCTLY)

43
00:02:28,708 --> 00:02:29,791
(LOWAK GRUNTING)

44
00:02:29,875 --> 00:02:32,208
- (MAN SHOUTS)
- (PEOPLE CHEERING)

45
00:02:35,625 --> 00:02:38,625
- (CHEERING)
- (WAR CRIES)

46
00:02:38,708 --> 00:02:40,291
(HORN BLOWING)

47
00:02:44,791 --> 00:02:46,625
(SPEAKING CHOCTAW)
All we need is ten.

48
00:02:46,708 --> 00:02:48,666
(CHEERING CONTINUES)

49
00:02:51,291 --> 00:02:53,375
CHIEF'S MINION: (SPEAKING
CHEROKEE) You are needed.

50
00:02:59,875 --> 00:03:01,750
(PEOPLE CHEERING)

51
00:03:05,291 --> 00:03:07,708
(WAR CRIES)

52
00:03:07,791 --> 00:03:09,666
(WAR CRIES)

53
00:03:11,416 --> 00:03:13,291
(WAR CRIES)

54
00:03:13,375 --> 00:03:14,583
(PEOPLE CHEERING)

55
00:03:17,041 --> 00:03:19,250
(TENSE MUSIC CONTINUES)

56
00:03:22,791 --> 00:03:23,833
(WAR CRIES)

57
00:03:27,833 --> 00:03:30,041
(SPEAKING CHOCTAW)
We will defeat you.

58
00:03:30,208 --> 00:03:31,208
(SPITS)

59
00:03:36,250 --> 00:03:37,875
- (CROWD CHEERING)
- (REFEREE GRUNTS)

60
00:03:37,958 --> 00:03:40,291
- (PLAYER SPEAKS INDISTINCTLY)
- (CHEERING CONTINUES)

61
00:03:41,083 --> 00:03:42,916
(PLAYERS SPEAKING
INDISTINCTLY)

62
00:03:46,625 --> 00:03:48,458
(PLAYERS GRUNTING)

63
00:03:50,750 --> 00:03:52,750
(WAR CRIES)

64
00:03:55,666 --> 00:03:58,125
(CHEERING INTENSIFIES)

65
00:03:58,875 --> 00:04:01,208
(HORN BLOWING)

66
00:04:02,541 --> 00:04:04,250
- The crowd is fickle.
- Lowak!

67
00:04:04,416 --> 00:04:06,250
Whichever team
loses this game...

68
00:04:06,333 --> 00:04:08,750
...will be banished
from these lands forever.

69
00:04:09,625 --> 00:04:11,625
You cannot lose focus now!

70
00:04:15,916 --> 00:04:16,958
(SIGHS)

71
00:04:17,041 --> 00:04:18,375
(CROWD CHEERING IN DISTANCE)

72
00:04:20,625 --> 00:04:22,708
(PLAYERS SHOUTING
INDISTINCTLY)

73
00:04:24,208 --> 00:04:25,208
(PLAYERS GRUNTING)

74
00:04:25,291 --> 00:04:27,041
(HORN BLOWING)

75
00:04:27,125 --> 00:04:29,166
(PLAYERS SHOUTING
INDISTINCTLY)

76
00:04:30,291 --> 00:04:31,291
(PLAYER GRUNTS)

77
00:04:32,625 --> 00:04:33,625
(GRUNTS IN FRUSTRATION)

78
00:04:33,708 --> 00:04:36,291
- (HORN BLOWING)
- (PLAYERS GRUNTING)

79
00:04:36,375 --> 00:04:38,208
(PLAYERS SHOUTING
INDISTINCTLY)

80
00:04:38,291 --> 00:04:40,791
(CROWD CHEERING)

81
00:04:40,875 --> 00:04:43,625
(HORN BLOWING)

82
00:04:44,375 --> 00:04:46,250
(LOWAK GRUNTING)

83
00:04:46,333 --> 00:04:48,333
(HORN BLOWS)

84
00:04:53,125 --> 00:04:55,875
(PLAYERS CLAMORING)

85
00:04:56,625 --> 00:04:57,916
(PLAYER GRUNTS)

86
00:04:58,000 --> 00:04:59,375
(LOWAK GRUNTS IN FRUSTRATION)

87
00:04:59,458 --> 00:05:00,458
(GROWLS ANGRILY)

88
00:05:02,041 --> 00:05:04,083
(BREATHING HEAVILY)

89
00:05:04,166 --> 00:05:05,958
(PLAYERS SHOUTING
INDISTINCTLY)

90
00:05:09,291 --> 00:05:11,166
- (LOWAK GRUNTS)
- (PLAYERS SHOUTING)

91
00:05:14,416 --> 00:05:16,208
- (CHEERING)
- (WAR CRIES)

92
00:05:24,166 --> 00:05:26,166
(PLAYERS YELLING)

93
00:05:31,041 --> 00:05:32,250
(PLAYERS GRUNTING)

94
00:05:32,541 --> 00:05:34,625
(YELLING FADES)

95
00:05:34,708 --> 00:05:35,750
(LOWAK BREATHES HEAVILY)

96
00:05:37,125 --> 00:05:39,333
(CHOCTAW MUSIC PLAYING)

97
00:05:44,458 --> 00:05:46,625
(PLAYERS SCREAMING)

98
00:05:46,708 --> 00:05:48,458
(TENSE MUSIC INTENSIFIES)

99
00:05:50,958 --> 00:05:53,083
(CROWD CHEERING)

100
00:05:55,291 --> 00:05:57,833
(HORN BLOWS)

101
00:05:58,041 --> 00:05:59,250
(GROWLS ANGRILY)

102
00:05:59,333 --> 00:06:00,458
(PANTING)

103
00:06:00,541 --> 00:06:02,125
(WOMAN ULULATING)

104
00:06:02,208 --> 00:06:03,500
(WAR CRIES)

105
00:06:11,958 --> 00:06:13,958
<i>(BURNING</i>
BY YEAH YEAH YEAHS PLAYING)

106
00:06:17,875 --> 00:06:19,291
SINGER: <i>♪ Believer ♪</i>

107
00:06:20,791 --> 00:06:23,375
<i>♪ Took me over like a fever </i>♪

108
00:06:24,791 --> 00:06:28,750
{\an8}<i>♪ Caught you hiding</i>
<i>in the smoke, smoke, smoke ♪</i>

109
00:06:28,833 --> 00:06:32,416
{\an8}♪ <i>Like a meteor</i>
<i>I glow, glow, glow </i>♪

110
00:06:32,500 --> 00:06:33,958
{\an8}<i>♪ What you gonna do</i>
<i>when you get to the water? </i>♪

111
00:06:34,041 --> 00:06:35,625
{\an8}<i>♪ Well, I'll release her ♪</i>

112
00:06:37,291 --> 00:06:40,208
{\an8}<i>♪ From the bindings</i>
<i>of her teachers ♪</i>

113
00:06:41,250 --> 00:06:45,375
{\an8}<i>♪ What they're hiding there</i>
<i>is broke, broke, broke ♪</i>

114
00:06:45,458 --> 00:06:50,000
{\an8}<i>♪ Like the River Styx</i>
<i>I flow, flow, flow </i>♪

115
00:06:51,291 --> 00:06:53,916
{\an8}<i>♪ What you gonna do</i>
<i>when you get to the water? </i>♪

116
00:06:55,416 --> 00:06:58,250
{\an8}<i>♪ What you gonna do</i>
<i>when you get to the water? </i>♪

117
00:07:00,458 --> 00:07:03,958
{\an8}<i>♪ Into the sea, out of fire ♪</i>

118
00:07:04,583 --> 00:07:08,583
{\an8}<i>♪ All that burning </i>♪

119
00:07:08,666 --> 00:07:12,666
{\an8}<i>♪ Into the sea, out of fire </i>♪

120
00:07:12,750 --> 00:07:16,541
{\an8}<i>♪ All that burning ♪</i>

121
00:07:39,875 --> 00:07:41,375
{\an8}<i>(BURNING</i> FADES)

122
00:07:44,791 --> 00:07:46,791
(BIRDS CHIRPING)

123
00:07:52,083 --> 00:07:54,083
(BREATHING HEAVILY)

124
00:07:54,166 --> 00:07:55,875
(MELLOW MUSIC PLAYING)

125
00:07:59,708 --> 00:08:00,750
{\an8}(CELL PHONE VIBRATES)

126
00:08:07,375 --> 00:08:09,375
(BIRDS CHIRPING)

127
00:08:28,833 --> 00:08:30,625
Ever take this off-roading?

128
00:08:31,041 --> 00:08:32,041
Never.

129
00:08:32,458 --> 00:08:35,291
Grandma would kill me.

130
00:08:37,166 --> 00:08:38,166
I'm not good.

131
00:08:38,250 --> 00:08:40,375
with the steering wheel
on the wrong side.

132
00:08:41,625 --> 00:08:42,833
Think I could bother you

133
00:08:42,916 --> 00:08:45,625
to get a few more things
I need from town?

134
00:08:45,875 --> 00:08:47,250
A shopping list?

135
00:08:49,750 --> 00:08:50,750
(CRATE THUDS)

136
00:08:52,416 --> 00:08:53,875
(SUSPENSEFUL MUSIC PLAYING)

137
00:08:56,083 --> 00:08:57,291
It's not illegal

138
00:08:57,375 --> 00:08:58,375
is it?

139
00:09:14,125 --> 00:09:16,250
- (SOFT MUSIC PLAYS ON RADIO)
- Aho, aho!

140
00:09:16,333 --> 00:09:19,041
Many moon come Choctaw. Hmm.

141
00:09:19,666 --> 00:09:24,041
Now this depicts the animals
talking to the wind,

142
00:09:24,125 --> 00:09:27,958
symbolizing the harmony
with (INHALES) Mother Earth.

143
00:09:28,041 --> 00:09:29,166
(SNIFFING)

144
00:09:31,708 --> 00:09:34,958
(CHANTING) Buy the damn thing,
buy the damn thing,

145
00:09:35,041 --> 00:09:37,416
buy the damn thing,
buy the damn thing.

146
00:09:37,500 --> 00:09:38,625
- (METAL CLANGS)
- (WOMAN GASPS)

147
00:09:38,708 --> 00:09:40,250
Aho! All my relations...

148
00:09:42,750 --> 00:09:44,416
(SKULLY SIGHS)

149
00:09:45,875 --> 00:09:46,875
(MAN CHUCKLES)

150
00:09:46,958 --> 00:09:47,958
It's nice.

151
00:09:48,666 --> 00:09:51,458
But the aesthetic of our
<i>casita</i> is a little more...

152
00:09:51,541 --> 00:09:52,708
How would you describe it?

153
00:09:52,791 --> 00:09:54,541
(INHALES) Uh, southwesty?

154
00:09:54,625 --> 00:09:55,916
WOMAN: Yes, southwesty.

155
00:09:56,000 --> 00:09:57,958
Do you have
any of those Navajo rugs?

156
00:09:58,041 --> 00:09:59,666
SKULLY: Oh, you might
try Anthropologie.

157
00:09:59,750 --> 00:10:02,250
They have all the, uh,
ethnically ambiguous <i>schmatta</i>

158
00:10:02,333 --> 00:10:03,750
you could possibly use.

159
00:10:03,833 --> 00:10:07,250
Oh, hey, hey. Uh, sure,
you guys can drive over

160
00:10:07,333 --> 00:10:10,875
to, uh, Anthropologie
and get your "Navajo rug,"

161
00:10:10,958 --> 00:10:13,875
but that's all stuff
from Madripoor. (CHUCKLES)

162
00:10:13,958 --> 00:10:17,875
But if you buy from
Grandfather Skully Ick-Sho,

163
00:10:17,958 --> 00:10:21,458
you're getting
authentic handmade art

164
00:10:21,541 --> 00:10:23,875
from humble
Native American artisans.

165
00:10:23,958 --> 00:10:25,208
Go away.

166
00:10:26,833 --> 00:10:27,875
(MAN GASPS)

167
00:10:27,958 --> 00:10:29,083
We'll take it.

168
00:10:29,166 --> 00:10:31,458
Ah, good.
Good, good, good, good.

169
00:10:31,541 --> 00:10:33,250
Uh, do you have
any of those, um,

170
00:10:33,333 --> 00:10:34,333
- bolo ties?
- WOMAN: Mmm-hmm.

171
00:10:34,416 --> 00:10:35,583
- Bolo ties?
- MAN AND WOMAN: Mmm-hmm.

172
00:10:35,666 --> 00:10:38,000
SKULLY: Does a chicken
have lips? I got two left.

173
00:10:38,083 --> 00:10:39,208
- (DRILL WHIRRING)
- (MAN AND WOMAN CHUCKLE)

174
00:10:39,291 --> 00:10:40,666
Step into the parlor. Step in.

175
00:10:40,750 --> 00:10:42,416
(CHUCKLES) They have a parlor.

176
00:10:43,458 --> 00:10:44,583
(METAL CLANGS)

177
00:10:52,416 --> 00:10:53,416
MAN: Thank you.

178
00:10:53,500 --> 00:10:55,541
<i>- Yakoke.</i>
<i>- </i>(MAN CHUCKLES)

179
00:10:55,708 --> 00:10:56,916
(SKULLY CHUCKLING)

180
00:10:57,000 --> 00:10:58,125
What'd she say?

181
00:10:58,208 --> 00:10:59,291
- (DOOR CLOSES)
- (SHOP BELL RINGS)

182
00:10:59,375 --> 00:11:00,583
Oh, what's all this?

183
00:11:00,666 --> 00:11:03,166
You get your income tax check
back or what?

184
00:11:03,250 --> 00:11:05,000
I don't know why
you gotta be all somehow.

185
00:11:05,083 --> 00:11:07,333
I just helped you with
that sale with the <i>na hullos.</i>

186
00:11:07,416 --> 00:11:09,791
You know, I got better cameras
than that piece of shit.

187
00:11:11,250 --> 00:11:12,458
No, I... I don't need better.

188
00:11:12,541 --> 00:11:14,208
- Uh, I need smaller.
- (TOOLS CLATTERING)

189
00:11:17,833 --> 00:11:19,791
No, no. I need way smaller.

190
00:11:21,250 --> 00:11:22,458
- How about that?
- Nope.

191
00:11:22,916 --> 00:11:25,041
I need teeny tiny, like...

192
00:11:25,125 --> 00:11:27,083
Like a little
hummingbird's tongue, tiny.

193
00:11:28,250 --> 00:11:29,375
Hummingbird tongue?

194
00:11:31,375 --> 00:11:33,083
(TOOLS CLATTERING)

195
00:11:35,458 --> 00:11:36,666
Yeah, that's it.

196
00:11:37,958 --> 00:11:39,041
That's the one.

197
00:11:39,125 --> 00:11:41,708
You know, this is militia-type
shit you're buying.

198
00:11:42,375 --> 00:11:43,791
You're welcome.

199
00:11:43,875 --> 00:11:45,000
{\an8}SHIKOBA: Now, where's
the frybread stand?

200
00:11:45,083 --> 00:11:46,291
{\an8}RAMONA: It wafts grease everywhere.

201
00:11:46,375 --> 00:11:47,541
{\an8}CHULA: Where should
we set the speakers

202
00:11:47,625 --> 00:11:50,250
{\an8}to get the best sound
of the drums projected?

203
00:11:50,333 --> 00:11:51,333
Yeah, right here.

204
00:11:51,416 --> 00:11:52,708
RAMONA: (SCOFFS)
By the 4H barn?

205
00:11:52,791 --> 00:11:55,958
Now I don't see
a booth for your art, Chula.

206
00:11:56,041 --> 00:11:57,666
- RAMONA: Nita.
- Now Nita, you know

207
00:11:57,750 --> 00:11:59,625
Chula's store's been
closed down for a while now.

208
00:11:59,708 --> 00:12:00,875
Oh, that's right.

209
00:12:00,958 --> 00:12:02,375
SHIKOBA: She ain't had
a booth in years.

210
00:12:02,458 --> 00:12:05,625
Now this booth here.
It's the prime spot.

211
00:12:05,708 --> 00:12:07,875
Nita, you have it
for your beads.

212
00:12:07,958 --> 00:12:09,375
(CHUCKLES) Oh.

213
00:12:09,458 --> 00:12:10,458
Thank you.

214
00:12:10,541 --> 00:12:12,791
SHIKOBA: <i>Yakoke</i>
for all your hard work.

215
00:12:12,875 --> 00:12:15,666
Probably extra busy with
Maya back in town and all.

216
00:12:15,750 --> 00:12:18,125
- (SMACKS LIPS) Oh, yeah.
- RAMONA: I was so excited.

217
00:12:18,208 --> 00:12:20,208
When I took Chris
to the rink yesterday,

218
00:12:20,291 --> 00:12:22,458
I saw Maya there
talking to Henry.

219
00:12:22,541 --> 00:12:24,833
She looks so much like Taloa.

220
00:12:24,916 --> 00:12:27,250
<i>(WAVY</i> BY BIGBREEZE & JUDE
BARCLAY & SCOOTIE WOP PLAYING)

221
00:12:31,083 --> 00:12:32,250
Let's take a ride.

222
00:12:34,791 --> 00:12:35,791
Okay.

223
00:12:36,541 --> 00:12:37,541
I got

224
00:12:37,625 --> 00:12:38,666
supper

225
00:12:38,750 --> 00:12:39,791
at seven.

226
00:12:39,875 --> 00:12:40,875
Uh...

227
00:12:40,958 --> 00:12:42,500
I'm not supposed to

228
00:12:42,583 --> 00:12:43,666
have the truck...

229
00:12:43,750 --> 00:12:46,083
You can have supper with Chula

230
00:12:46,333 --> 00:12:47,791
'til you're 60.

231
00:12:50,333 --> 00:12:51,625
(BISCUITS SIGHS)

232
00:12:52,666 --> 00:12:53,916
(CAR DOOR OPENS)

233
00:13:00,708 --> 00:13:01,708
Okay.

234
00:13:04,125 --> 00:13:05,208
(SIGHS)

235
00:13:06,375 --> 00:13:09,125
I'm telling you, Henry,
I can handle the big stuff.

236
00:13:09,625 --> 00:13:10,708
But you gotta trust me.

237
00:13:11,416 --> 00:13:12,416
Chula.

238
00:13:13,958 --> 00:13:15,125
What a surprise.

239
00:13:16,041 --> 00:13:17,916
Somebody's grandbaby
having a birthday bash

240
00:13:18,000 --> 00:13:19,000
I don't know about?

241
00:13:19,541 --> 00:13:20,625
We need to talk.

242
00:13:20,708 --> 00:13:22,416
<i>(ALL MY LIFE </i>BY K-CI & JOJO
PLAYING ON SPEAKERS)

243
00:13:23,000 --> 00:13:25,041
<i>♪ I will never find another lover ♪</i>

244
00:13:25,125 --> 00:13:26,833
<i>♪ More precious than you ♪</i>

245
00:13:26,916 --> 00:13:28,458
<i>♪ Precious than you ♪</i>

246
00:13:28,541 --> 00:13:31,625
<i>♪ Girl, you are close to me</i>
<i>you're like my mother ♪</i>

247
00:13:31,708 --> 00:13:33,583
<i>♪ Close to me,</i>
<i>you're like my father ♪</i>

248
00:13:33,666 --> 00:13:35,333
<i>♪ Close to me,</i>
<i>you're like my sister ♪</i>

249
00:13:35,416 --> 00:13:36,416
You okay?

250
00:13:37,541 --> 00:13:38,750
Maya's back.

251
00:13:39,416 --> 00:13:40,750
HENRY: She came by to see you?

252
00:13:41,875 --> 00:13:43,291
(LAUGHS) Not likely.

253
00:13:46,166 --> 00:13:47,166
What's she after?

254
00:13:48,416 --> 00:13:49,416
You don't wanna know.

255
00:13:50,333 --> 00:13:51,625
It's nothing
I can help her with.

256
00:13:55,458 --> 00:13:56,750
Maya's influence...

257
00:13:58,208 --> 00:14:00,041
I think we can both agree.

258
00:14:00,125 --> 00:14:02,250
Biscuits is impressionable.

259
00:14:02,833 --> 00:14:04,291
It's the last thing he needs.

260
00:14:05,208 --> 00:14:06,791
She's got a life in New York.

261
00:14:08,833 --> 00:14:09,833
She's grown.

262
00:14:11,875 --> 00:14:13,916
And it's my understanding
that she's just

263
00:14:14,458 --> 00:14:15,791
passing through town.

264
00:14:17,125 --> 00:14:18,458
Let's hope that's it then.

265
00:14:19,000 --> 00:14:21,625
And that Bonnie doesn't
find out she's back.

266
00:14:22,916 --> 00:14:24,875
She's already had
her heart chopped in two...

267
00:14:24,958 --> 00:14:26,166
They were both grieving.

268
00:14:27,958 --> 00:14:29,250
That was a long time ago.

269
00:14:37,916 --> 00:14:38,916
Yeah.

270
00:14:39,541 --> 00:14:41,416
I'll let you get back
to work then.

271
00:14:44,541 --> 00:14:45,791
Just if you can,

272
00:14:46,583 --> 00:14:49,166
encourage her
to stick to her plan.

273
00:14:49,666 --> 00:14:51,958
Pass through town
without causing any trouble.

274
00:14:54,916 --> 00:14:56,833
<i>(ALL MY LIFE</i>
CONTINUES PLAYING)

275
00:14:59,250 --> 00:15:01,291
(EXHALES)

276
00:15:02,333 --> 00:15:04,583
(PANTING)

277
00:15:08,666 --> 00:15:10,166
(TAPE RIPPING)

278
00:15:17,958 --> 00:15:19,375
(BRAKES SQUEAL)

279
00:15:20,416 --> 00:15:21,500
(CAR KEYS CLICK)

280
00:15:21,583 --> 00:15:23,333
(TRAIN HORN BLOWING FAINTLY)

281
00:15:26,958 --> 00:15:29,083
What are we doing here?

282
00:15:29,375 --> 00:15:30,875
I need one more thing.

283
00:15:32,875 --> 00:15:35,125
(INTRIGUING MUSIC PLAYING)

284
00:15:43,000 --> 00:15:45,291
(TRAIN HORN BLOWING)

285
00:15:45,583 --> 00:15:47,750
Am I missing something?

286
00:15:48,333 --> 00:15:49,708
Your phone, please.

287
00:15:50,958 --> 00:15:52,041
(SIGHS)

288
00:15:57,750 --> 00:15:58,750
(PHONE CLICKS OPEN)

289
00:16:00,083 --> 00:16:02,000
(TRAIN HORN BLOWING)

290
00:16:02,500 --> 00:16:03,750
(CELL PHONE BEEPS)

291
00:16:06,333 --> 00:16:08,083
Follow the tracker.

292
00:16:16,250 --> 00:16:17,750
Almost a full moon.

293
00:16:17,958 --> 00:16:20,083
That'll help you see.

294
00:16:20,458 --> 00:16:22,416
Help me see what?

295
00:16:22,875 --> 00:16:23,875
Me.

296
00:16:30,416 --> 00:16:31,750
(TRAIN APPROACHES)

297
00:16:31,833 --> 00:16:33,625
Whoa, whoa, whoa, whoa, whoa!

298
00:16:37,083 --> 00:16:38,166
(YELPS)

299
00:16:40,875 --> 00:16:42,875
(PANTING)

300
00:16:46,208 --> 00:16:47,541
(ROUSING MUSIC PLAYING)

301
00:16:52,958 --> 00:16:55,875
(PHONE TRACKER BEEPS)

302
00:16:55,958 --> 00:16:58,208
Come on, Billy Jack,
we got a train to follow.

303
00:16:58,291 --> 00:17:00,333
(PANTING)

304
00:17:02,875 --> 00:17:04,083
(GRUNTS)

305
00:17:09,833 --> 00:17:10,958
(INHALES SHARPLY)

306
00:17:11,041 --> 00:17:12,708
(SOUND SLOWLY FADES)

307
00:17:12,791 --> 00:17:14,541
(HEART BEATING)

308
00:17:27,125 --> 00:17:28,708
(THRILLING MUSIC PLAYING)

309
00:17:28,791 --> 00:17:31,041
(TRAIN RATTLING)

310
00:17:40,166 --> 00:17:41,625
(TRAIN BELL RINGS)

311
00:17:41,708 --> 00:17:42,833
MAN: (ON RADIO) <i>We got</i>
<i>another bend coming up.</i>

312
00:17:42,916 --> 00:17:43,916
<i>You better tuck in.</i>

313
00:17:55,000 --> 00:17:56,291
- (THUDS)
- (EXHALES)

314
00:18:03,791 --> 00:18:05,416
(THUDS)

315
00:18:19,458 --> 00:18:20,541
(GRUNTS)

316
00:18:21,125 --> 00:18:22,750
(PANTING)

317
00:18:34,875 --> 00:18:36,750
(SUSPENSEFUL MUSIC PLAYING)

318
00:18:38,125 --> 00:18:40,250
(DRILLING)

319
00:18:57,583 --> 00:18:59,583
(THRILLING MUSIC PLAYING)

320
00:19:05,875 --> 00:19:07,125
{\an8}(CELL PHONE RINGING)

321
00:19:08,416 --> 00:19:10,625
{\an8}BISCUITS: Of course, why does
<i>Pokni </i>have to call right now?

322
00:19:10,708 --> 00:19:11,875
I'm in the middle
of a mission.

323
00:19:12,583 --> 00:19:13,833
Sorry, Grandma.

324
00:19:16,666 --> 00:19:18,666
(METAL CREAKING)

325
00:19:22,833 --> 00:19:23,833
(PANTS TEARING)

326
00:19:43,583 --> 00:19:44,583
(TRACKER BEEPING)

327
00:19:44,666 --> 00:19:46,625
BISCUITS: Ho! Looks like
we're going off-roading.

328
00:19:46,708 --> 00:19:48,625
Billy Jack, come on.
Get in the back.

329
00:19:51,041 --> 00:19:53,375
Hold on!

330
00:19:53,458 --> 00:19:54,916
Whoo-hoo!

331
00:20:03,416 --> 00:20:04,416
Whoo!

332
00:20:04,500 --> 00:20:05,583
Ho!

333
00:20:07,625 --> 00:20:09,625
(SEALANT SPRAYING)

334
00:20:13,583 --> 00:20:15,625
(GRUNTS, PANTS)

335
00:20:22,708 --> 00:20:24,708
- (TRIUMPHANT MUSIC PLAYING)
- (PANTING)

336
00:20:29,500 --> 00:20:31,125
(TRAIN RUMBLING)

337
00:20:32,125 --> 00:20:34,125
(TENSE MUSIC PLAYING)

338
00:20:38,958 --> 00:20:40,750
(GRUNTING)

339
00:20:41,958 --> 00:20:42,958
- (METAL CRUNCHING)
- (GRUNTS)

340
00:20:46,375 --> 00:20:47,708
(DISTRESSED CRY)

341
00:20:50,083 --> 00:20:51,833
(BREATHING HEAVILY)

342
00:20:54,333 --> 00:20:55,708
(EXHALES)

343
00:20:55,791 --> 00:20:57,541
(DISCORDANT MUSIC PLAYING)

344
00:21:03,958 --> 00:21:06,125
(CHOCTAW MUSIC PLAYING)

345
00:21:15,250 --> 00:21:18,083
- (ENERGY HUMMING)
- (GRUNTS, GASPS)

346
00:21:22,125 --> 00:21:24,291
(BREATHING HEAVILY)

347
00:21:25,916 --> 00:21:27,916
(THRILLING MUSIC PLAYING)

348
00:21:28,000 --> 00:21:29,125
(BEEPING)

349
00:21:29,208 --> 00:21:31,708
BISCUITS: Dang it!
Well, hold on, Billy Jack.

350
00:21:33,000 --> 00:21:34,000
(HAPTIC VIBRATION)

351
00:21:38,708 --> 00:21:40,458
(MAYA BREATHING HEAVILY)

352
00:21:45,166 --> 00:21:46,666
Come on. Come on.

353
00:21:47,250 --> 00:21:48,625
Where is she?

354
00:21:49,958 --> 00:21:51,916
(PANTING)

355
00:22:04,416 --> 00:22:05,500
(METAL CLANGS)

356
00:22:11,666 --> 00:22:13,125
- (GRUNTS)
- (METAL CLANGS)

357
00:22:16,791 --> 00:22:18,875
Ho! Jesus Christ!

358
00:22:18,958 --> 00:22:20,375
She's way over there.

359
00:22:21,458 --> 00:22:23,041
(PANTING)

360
00:22:32,750 --> 00:22:34,666
BISCUITS: Tunnel! Tunnel!

361
00:22:44,000 --> 00:22:45,416
(MAYA PANTING)

362
00:22:45,500 --> 00:22:47,083
This is crazy.

363
00:22:47,166 --> 00:22:49,000
This is crazy!

364
00:22:50,625 --> 00:22:52,083
(MUSIC INTENSIFIES)

365
00:22:52,166 --> 00:22:53,666
(BREATHING HEAVILY)

366
00:23:02,708 --> 00:23:04,333
(MAYA GRUNTING)

367
00:23:07,625 --> 00:23:09,875
(BISCUITS GRUNTS,
EXHALES SHARPLY)

368
00:23:09,958 --> 00:23:11,583
(PANTING)

369
00:23:12,416 --> 00:23:13,458
(BILLY JACK WHINING)

370
00:23:19,625 --> 00:23:21,000
(MAYA GRUNTS)

371
00:23:21,083 --> 00:23:22,208
You almost died!

372
00:23:23,958 --> 00:23:25,208
You almost died!

373
00:23:27,583 --> 00:23:29,833
Oh, my God, Billy Jack.
You okay, boy?

374
00:23:30,458 --> 00:23:32,750
- Grandma's gonna kill me.
- (MAYA PANTS)

375
00:23:32,916 --> 00:23:34,250
Whatever you stole,

376
00:23:34,666 --> 00:23:36,083
it better be worth it.

377
00:23:36,583 --> 00:23:37,875
Steal?

378
00:23:38,041 --> 00:23:39,375
I didn't steal anything.

379
00:23:40,416 --> 00:23:41,541
(BILLY JACK WHINES)

380
00:23:42,458 --> 00:23:44,625
BISCUITS: Bumper's damn near
dragging off the ground.

381
00:23:45,250 --> 00:23:46,291
Damn it, Maya.

382
00:23:50,583 --> 00:23:52,583
(TRAIN HORN BLOWS)

383
00:23:54,416 --> 00:23:57,541
ZANE: ♪ <i>Beautiful day</i>
<i>in the Apple, boys </i>♪

384
00:23:57,625 --> 00:24:00,333
<i>♪ We's gonna be unstoppable ♪</i>

385
00:24:00,916 --> 00:24:01,916
(INDISTINCT CHATTER)

386
00:24:03,083 --> 00:24:04,083
ZANE: Look alive.

387
00:24:05,041 --> 00:24:07,333
MAN: Zane, new shipment's in.

388
00:24:07,791 --> 00:24:08,791
Oi, oi.

389
00:24:09,958 --> 00:24:11,083
How we lookin'?

390
00:24:11,166 --> 00:24:12,333
MAN: Munitions just came in.

391
00:24:12,833 --> 00:24:13,833
ZANE: We good?

392
00:24:14,541 --> 00:24:15,833
Top stuff.

393
00:24:15,916 --> 00:24:17,708
- Good times, Cart.
- CARTER: Yeah.

394
00:24:19,416 --> 00:24:20,416
Oi, you.

395
00:24:20,916 --> 00:24:21,916
Unpack this.

396
00:24:22,541 --> 00:24:23,833
(INDISTINCT CHATTER)

397
00:24:25,000 --> 00:24:26,208
ZANE: Tickety-boo, baby.

398
00:24:28,125 --> 00:24:29,500
MAN: Alright, here we go.

399
00:24:29,583 --> 00:24:31,208
(MENACING MUSIC PLAYING)

400
00:24:38,791 --> 00:24:40,291
(BEEPING)

401
00:24:42,166 --> 00:24:44,208
(EXPLOSION)

402
00:24:47,375 --> 00:24:48,625
(EXPLOSIONS CONTINUE)

403
00:24:49,375 --> 00:24:51,375
(ZANE GRUNTS, WHEEZES)

404
00:24:51,458 --> 00:24:53,458
(DEBRIS THUDDING)

405
00:24:53,541 --> 00:24:55,375
(BOTH GRUNTING)

406
00:24:56,666 --> 00:24:57,958
(CARTER WHEEZING)

407
00:24:58,708 --> 00:25:00,708
(DEBRIS CLANGING,
EXPLOSION CONTINUING)

408
00:25:00,791 --> 00:25:02,875
(DRAMATIC MUSIC PLAYING)

409
00:25:07,750 --> 00:25:09,458
(SHOWER WATER FALLING)

410
00:25:09,541 --> 00:25:10,916
(CELL PHONE VIBRATING)

411
00:25:12,875 --> 00:25:15,083
- (VIBRATING CONTINUES)
- (TELEPHONE RINGING)

412
00:25:15,166 --> 00:25:17,041
(LANDLINE RINGS)

413
00:25:25,125 --> 00:25:26,125
Hello.

414
00:25:26,208 --> 00:25:27,750
- (INDISTINCT SPEAKING)
- Uh-huh.

415
00:25:27,833 --> 00:25:29,250
(INDISTINCT SPEAKING)

416
00:25:29,333 --> 00:25:30,333
Uh-huh.

417
00:25:30,416 --> 00:25:31,916
(INDISTINCT SPEAKING)

418
00:25:32,000 --> 00:25:33,166
HENRY: Mmm-hmm.

419
00:25:34,875 --> 00:25:36,083
(INDISTINCT CHATTER)

420
00:25:39,916 --> 00:25:40,958
(HENRY GRUNTS)

421
00:25:42,125 --> 00:25:44,333
- When'd you get the call?
- Just before I called you

422
00:25:44,416 --> 00:25:46,541
fifteen minutes ago,
nineteen minutes.

423
00:25:46,625 --> 00:25:48,625
Alright. Have the boys
check our paperwork,

424
00:25:48,708 --> 00:25:49,791
and all the transport
to make sure...

425
00:25:49,875 --> 00:25:51,000
Sir, I've been over
all our paperwork,

426
00:25:51,083 --> 00:25:52,250
and it's all done the same
as always.

427
00:25:52,333 --> 00:25:54,333
Never doubted that.
I trust my team.

428
00:25:54,416 --> 00:25:55,416
Heard from the other stops.

429
00:25:55,500 --> 00:25:56,750
Transfers up and down
that whole line.

430
00:25:56,833 --> 00:25:59,458
Everyone did 'em
exactly as usual.

431
00:25:59,541 --> 00:26:00,666
D9-X was no different.

432
00:26:02,833 --> 00:26:04,083
D9-X?

433
00:26:04,916 --> 00:26:06,166
That's the one that blew.

434
00:26:07,541 --> 00:26:08,541
You sure?

435
00:26:09,666 --> 00:26:10,791
Our house is in order.

436
00:26:12,750 --> 00:26:13,875
We had nothing
to do with this.

437
00:26:13,958 --> 00:26:16,458
We keep our heads down
and our mouths shut.

438
00:26:17,875 --> 00:26:19,875
And you think
they'll just give up?

439
00:26:20,916 --> 00:26:21,916
Don't worry about it.

440
00:26:22,875 --> 00:26:25,208
Any crap rolls downhill,
it won't land on you.

441
00:26:26,250 --> 00:26:27,458
It'll land on me.

442
00:26:30,625 --> 00:26:32,291
(PEOPLE CHATTING INDISTINCTLY)

443
00:26:35,291 --> 00:26:36,458
(THUD)

444
00:26:38,791 --> 00:26:39,791
Now...

445
00:26:39,875 --> 00:26:40,958
you say...

446
00:26:41,625 --> 00:26:42,625
you

447
00:26:42,708 --> 00:26:44,083
got that...

448
00:26:44,333 --> 00:26:46,041
caught in something?

449
00:26:46,500 --> 00:26:48,791
Think you can fix it?

450
00:26:51,875 --> 00:26:54,416
I want something like this.

451
00:26:54,583 --> 00:26:56,708
(BLUESY SONG PLAYING FAINTLY
IN BACKGROUND)

452
00:27:01,291 --> 00:27:02,708
Oh, uh...

453
00:27:03,583 --> 00:27:05,666
Where's my...

454
00:27:06,958 --> 00:27:09,583
slip-joint pliers?

455
00:27:12,333 --> 00:27:14,750
(SKULLY RUMMAGING)

456
00:27:18,375 --> 00:27:19,541
Ah.

457
00:27:19,833 --> 00:27:20,833
Thank you.

458
00:27:21,291 --> 00:27:22,583
(PLIERS CLATTER)

459
00:27:22,666 --> 00:27:23,708
SKULLY: Yeah, well, uh...

460
00:27:25,416 --> 00:27:26,791
I really

461
00:27:27,416 --> 00:27:28,750
miss you

462
00:27:28,833 --> 00:27:29,833
around here.

463
00:27:30,708 --> 00:27:33,708
20 years is... way too long.

464
00:27:34,583 --> 00:27:36,666
It wasn't my choice.

465
00:27:37,250 --> 00:27:39,166
SKULLY: (SIGHS) Well...

466
00:27:40,208 --> 00:27:41,291
I go...

467
00:27:41,875 --> 00:27:43,625
get things.

468
00:27:46,708 --> 00:27:47,708
If, uh...

469
00:27:48,208 --> 00:27:49,375
somebody comes in...

470
00:27:50,125 --> 00:27:51,375
just, uhh...

471
00:27:52,166 --> 00:27:54,208
...holler. (YELLS, CHUCKLES)

472
00:28:02,083 --> 00:28:04,083
(PENSIVE MUSIC PLAYING)

473
00:28:08,541 --> 00:28:09,541
(SKULLY WHISTLES)

474
00:28:14,125 --> 00:28:15,166
(MAYA EXHALES)

475
00:28:32,291 --> 00:28:34,000
- (GRUNTS)
- (METAL SCRATCHING)

476
00:28:51,875 --> 00:28:53,916
(UPBEAT MUSIC
PLAYING ON RADIO)

477
00:28:55,250 --> 00:28:56,458
Thank you.

478
00:28:56,666 --> 00:28:58,833
The real one

479
00:28:59,583 --> 00:29:02,000
take time

480
00:29:02,666 --> 00:29:04,791
for me to build.

481
00:29:05,583 --> 00:29:06,833
That's temporary.

482
00:29:06,916 --> 00:29:10,541
Don't you run off with it.

483
00:29:12,166 --> 00:29:14,541
I doubt I could run with this
if I wanted to.

484
00:29:14,666 --> 00:29:16,875
(LAUGHING) Okay.

485
00:29:17,541 --> 00:29:18,708
(METAL CREAKING)

486
00:29:24,833 --> 00:29:25,833
(METAL CLANGS)

487
00:29:28,041 --> 00:29:29,041
(MAYA EXHALES)

488
00:29:31,291 --> 00:29:33,583
(INTRIGUING MUSIC PLAYING)

489
00:29:45,000 --> 00:29:46,291
SKULLY: Ah... You know her.

490
00:29:47,333 --> 00:29:48,333
That's...

491
00:29:48,541 --> 00:29:50,041
(SPEAKING CHOCTAW)
the first Choctaw.

492
00:29:50,333 --> 00:29:53,333
The one who saved everyone
from the cave.

493
00:29:53,416 --> 00:29:54,500
SKULLY: Oh yeah.

494
00:29:54,875 --> 00:29:58,333
And when they emerged,

495
00:29:58,625 --> 00:30:02,125
they turned into human beings.

496
00:30:02,208 --> 00:30:04,541
Your grandmother

497
00:30:05,083 --> 00:30:06,625
could trace

498
00:30:06,708 --> 00:30:07,958
your roots

499
00:30:08,333 --> 00:30:10,000
back to

500
00:30:11,375 --> 00:30:13,291
(SPEAKING CHOCTAW)
the first Choctaw.

501
00:30:15,583 --> 00:30:16,625
(IN ENGLISH) Chafa and

502
00:30:16,875 --> 00:30:18,625
the ancestors would

503
00:30:18,708 --> 00:30:20,541
watch out for

504
00:30:20,625 --> 00:30:21,791
family

505
00:30:22,333 --> 00:30:25,000
in times of need.

506
00:30:27,458 --> 00:30:28,666
They're tricky.

507
00:30:29,416 --> 00:30:31,083
You can never predict...

508
00:30:31,166 --> 00:30:33,416
...when they might come calling.

509
00:30:33,500 --> 00:30:34,666
(SKULLY CHUCKLES)

510
00:30:35,125 --> 00:30:36,625
Your grandmother

511
00:30:36,708 --> 00:30:38,583
knows all that.

512
00:30:40,250 --> 00:30:41,541
Maybe you

513
00:30:41,625 --> 00:30:42,958
ask her?

514
00:30:45,000 --> 00:30:46,875
Let me know when

515
00:30:46,958 --> 00:30:48,916
my leg is ready?

516
00:30:49,333 --> 00:30:50,666
Thank you.

517
00:30:52,083 --> 00:30:53,500
(CAR CREAKING)

518
00:30:53,583 --> 00:30:55,708
(EXHAUST SPUTTERING)

519
00:30:58,458 --> 00:30:59,458
(CAR DOOR OPENS)

520
00:31:03,583 --> 00:31:04,666
New car, Chula?

521
00:31:05,875 --> 00:31:07,583
(CHUCKLING)
Biscuits borrowed mine.

522
00:31:07,666 --> 00:31:09,000
(VEHICLE APPROACHING)

523
00:31:09,958 --> 00:31:11,750
(METAL SCRAPING)

524
00:31:11,833 --> 00:31:14,125
<i>(WATCH YOUR BACK</i> BY ZEAZY Z
PLAYING ON RADIO)

525
00:31:28,541 --> 00:31:30,416
So generous to that boy.

526
00:31:31,375 --> 00:31:33,125
I just admire it, you know.

527
00:31:34,958 --> 00:31:36,916
(CHUCKLES) Have a good one.

528
00:31:38,083 --> 00:31:40,125
BISCUITS: Howdy, y'all
fellow gamers of Tamaha.

529
00:31:40,208 --> 00:31:41,416
Today's your lucky day

530
00:31:41,500 --> 00:31:43,916
as I'm in need
of some vehicular funding.

531
00:31:44,000 --> 00:31:47,416
Nothing puts the fun in
funding like a PlayStation 4.

532
00:31:47,500 --> 00:31:49,333
That's right,
I'm selling my baby.

533
00:31:49,416 --> 00:31:51,375
One hundred
and twenty-five bones.

534
00:31:51,458 --> 00:31:52,458
(RADIO CLICKS)

535
00:31:53,375 --> 00:31:55,625
OBO. That means
"or best offer,"

536
00:31:55,708 --> 00:31:57,083
for those that don't know,
thanks.

537
00:31:57,666 --> 00:31:58,958
- Over and out.
- (WALKIE-TALKIE CLICKS OFF)

538
00:31:59,041 --> 00:32:00,541
- (WALKIE-TALKIE THUDS)
- (BISCUITS SIGHS)

539
00:32:01,125 --> 00:32:02,125
(SIGHS)

540
00:32:02,208 --> 00:32:04,333
Man, it's been, like, 18 hours.

541
00:32:04,416 --> 00:32:05,833
<i>Pokni's</i> gonna kill me.

542
00:32:05,916 --> 00:32:06,916
I love you, man.

543
00:32:07,833 --> 00:32:09,208
But you really messed up.

544
00:32:14,833 --> 00:32:16,291
Biscuits here again, um...

545
00:32:16,375 --> 00:32:17,750
(OVER RADIO)
<i>So, yeah, it's, like,</i>

546
00:32:17,833 --> 00:32:19,250
<i>a pretty new PlayStation,</i>

547
00:32:19,333 --> 00:32:21,125
<i>and I'm not trying</i>
<i>to brag or nothing,</i>

548
00:32:21,208 --> 00:32:22,875
<i>but you know, I...</i>
<i>I wouldn't be doing this</i>

549
00:32:22,958 --> 00:32:25,166
<i>if I didn't need the money</i>
<i>to fix my grandma's truck.</i>

550
00:32:25,250 --> 00:32:27,041
<i>So please, help Biscuits out.</i>

551
00:32:27,125 --> 00:32:28,500
<i>It's in mint condition,</i>

552
00:32:28,583 --> 00:32:31,458
and it's now at a low,
low price of 100 bucks.

553
00:32:32,333 --> 00:32:33,333
(RADIO CLICKS)

554
00:32:36,750 --> 00:32:38,166
BONNIE: (OVER RADIO)
<i>Hey, Biscuits?</i>

555
00:32:39,416 --> 00:32:41,041
<i>Biscuits, are you there?</i>

556
00:32:41,625 --> 00:32:42,833
Bonnie?

557
00:32:43,625 --> 00:32:45,208
What happened to the truck?

558
00:32:47,958 --> 00:32:49,375
Yeah, um...

559
00:32:49,458 --> 00:32:50,541
I was driving them back roads

560
00:32:50,625 --> 00:32:52,833
and I might have been
a little distracted,

561
00:32:52,916 --> 00:32:56,083
and, uh, there might have been
a little bit of trouble

562
00:32:56,166 --> 00:32:57,166
with <i>Pokni's</i> truck,

563
00:32:57,250 --> 00:32:59,458
<i>and I'm trying to raise</i>
<i>some money for repairs</i>

564
00:32:59,541 --> 00:33:01,583
<i>before she puts me</i>
<i>in an early grave.</i> (LAUGHS)

565
00:33:01,666 --> 00:33:02,833
Jeez, are you okay?

566
00:33:02,916 --> 00:33:04,375
And what...
What was the trouble?

567
00:33:04,458 --> 00:33:06,416
BISCUITS: <i>No trouble.</i>
<i>No trouble at all.</i>

568
00:33:06,500 --> 00:33:09,333
<i>I'm okay, Billy Jack's okay,</i>
<i>Maya's okay.</i>

569
00:33:09,416 --> 00:33:11,208
<i>But the truck, it's, well...</i>
(EXHALES)

570
00:33:12,583 --> 00:33:13,833
BONNIE: <i>Maya?</i>

571
00:33:14,916 --> 00:33:16,916
(MISCHIEVOUS MUSIC PLAYING)

572
00:33:19,041 --> 00:33:21,625
- What?
- BONNIE: <i>Maya is here?</i>

573
00:33:22,291 --> 00:33:23,583
<i>She's in Tamaha?</i>

574
00:33:27,958 --> 00:33:29,041
Uh, sorry, I'm losing you.

575
00:33:29,125 --> 00:33:30,375
Please, uh, call the tip line

576
00:33:30,458 --> 00:33:32,375
<i>if you want to buy</i>
<i>a PlayStation, thank you.</i>

577
00:33:32,458 --> 00:33:33,625
Biscuits, where is she?

578
00:33:34,208 --> 00:33:35,375
Is she at the house?

579
00:33:35,458 --> 00:33:36,458
<i>Is she going to Henry's?</i>

580
00:33:36,541 --> 00:33:37,541
Over and out.

581
00:33:37,625 --> 00:33:40,000
Biscuits, don't you dare
do this to me.

582
00:33:40,958 --> 00:33:41,958
<i>Biscuits.</i>

583
00:33:43,458 --> 00:33:44,833
<i>- Biscuits!</i>
- (WOODY GRUNTS SOFTLY)

584
00:33:48,708 --> 00:33:49,708
(SIGHS)

585
00:33:50,416 --> 00:33:52,250
(SIRENS IN THE DISTANCE)

586
00:33:55,416 --> 00:33:57,541
(CAR DRIVING UP)

587
00:33:59,166 --> 00:34:00,208
(ENGINE TURNING OFF)

588
00:34:00,291 --> 00:34:01,291
(CAR DOOR CLOSES)

589
00:34:01,375 --> 00:34:02,875
(FOOTSTEPS APPROACHING)

590
00:34:07,666 --> 00:34:10,041
I expected you here a while ago.

591
00:34:10,791 --> 00:34:12,708
What the hell
do you think you're doing?

592
00:34:13,833 --> 00:34:14,833
Breakfast.

593
00:34:14,916 --> 00:34:17,125
Most important meal
of the day.

594
00:34:17,250 --> 00:34:18,291
You want some?

595
00:34:18,708 --> 00:34:19,791
You

596
00:34:19,875 --> 00:34:21,833
have no idea

597
00:34:21,916 --> 00:34:24,125
what you're messing with.

598
00:34:24,333 --> 00:34:25,458
(LANDS LOUDLY)

599
00:34:25,541 --> 00:34:27,000
(INTENSE MUSIC PLAYING)

600
00:34:27,083 --> 00:34:28,958
I gave you a chance
to know what's coming.

601
00:34:29,375 --> 00:34:30,958
I wanted you with me.

602
00:34:31,166 --> 00:34:33,625
Meaning, you're starting a war.

603
00:34:34,000 --> 00:34:35,250
There's already a war.

604
00:34:35,708 --> 00:34:37,833
And I don't want

605
00:34:37,958 --> 00:34:40,458
New York problems coming here.

606
00:34:45,166 --> 00:34:46,916
(DRAMATIC MUSIC PLAYING)

607
00:34:47,000 --> 00:34:48,541
I have a strategy.

608
00:34:48,625 --> 00:34:50,250
It's playing out
the way I planned.

609
00:34:50,333 --> 00:34:52,416
No. This is chaos.

610
00:34:53,000 --> 00:34:54,708
People will die.

611
00:34:54,958 --> 00:34:56,958
I say when it starts.

612
00:34:57,208 --> 00:34:58,458
I say when it stops.

613
00:34:58,541 --> 00:34:59,625
That's not chaos.

614
00:34:59,708 --> 00:35:00,916
That's power.

615
00:35:03,291 --> 00:35:05,333
You sound like

616
00:35:05,875 --> 00:35:07,541
Fisk.

617
00:35:09,666 --> 00:35:10,916
So, are you with me

618
00:35:11,000 --> 00:35:12,375
or against me?

619
00:35:13,041 --> 00:35:14,833
All I know, is I...

620
00:35:15,375 --> 00:35:16,916
...gotta figure out

621
00:35:17,000 --> 00:35:18,583
how to clean your mess.

622
00:35:19,833 --> 00:35:22,458
Just lay low.

623
00:35:25,416 --> 00:35:26,958
(FOOTSTEPS RECEDING)

624
00:35:33,041 --> 00:35:35,708
You seem to have forgotten

625
00:35:36,208 --> 00:35:38,041
that people close to you

626
00:35:38,291 --> 00:35:40,375
are the ones that get hurt.

627
00:35:41,291 --> 00:35:43,416
And who's that, exactly?

628
00:35:46,625 --> 00:35:48,625
(ENGINE STARTING)

629
00:35:52,583 --> 00:35:54,208
(CAR DRIVES AWAY)

630
00:35:58,916 --> 00:36:00,791
(BREATHING HEAVILY)

631
00:36:00,875 --> 00:36:02,875
(DRAMATIC MUSIC INTENSIFIES)

632
00:36:07,708 --> 00:36:09,875
(CELL PHONE VIBRATES)

633
00:36:15,083 --> 00:36:16,083
(SIGHS)

634
00:36:26,250 --> 00:36:27,625
(BREATHING HEAVILY)

635
00:36:32,166 --> 00:36:34,166
(PANTING)

636
00:36:36,958 --> 00:36:38,250
(MUSIC FADES)

637
00:36:38,333 --> 00:36:40,333
{\an8}(FOREBODING MUSIC PLAYING)

638
00:37:20,291 --> 00:37:22,166
(THRILLING MUSIC PLAYING)