1
00:00:08,708 --> 00:00:09,708
(SKULLY SPEAKING)

2
00:00:09,791 --> 00:00:13,208
Your grandmother could trace your roots to

3
00:00:13,291 --> 00:00:14,875
(IN CHOCTAW) the first Choctaw.

4
00:00:18,083 --> 00:00:19,083
(WILLIAM SPEAKING)

5
00:00:19,166 --> 00:00:20,166
You have to learn

6
00:00:20,250 --> 00:00:21,250
to jump

7
00:00:21,333 --> 00:00:22,916
between two worlds.

8
00:00:28,000 --> 00:00:30,041
You're my family.

9
00:00:31,166 --> 00:00:32,166
(MOTORCYCLE ROARS)

10
00:00:32,250 --> 00:00:33,541
BONNIE: <i>Maya is here?</i>

11
00:00:33,625 --> 00:00:35,083
Biscuits, where is she?

12
00:00:35,916 --> 00:00:37,541
<i>You look familiar. How come?</i>

13
00:00:38,083 --> 00:00:39,166
(PHONE KEYS CLICKING)

14
00:00:41,166 --> 00:00:42,291
Maya's back.

15
00:00:42,375 --> 00:00:45,583
<i>Encourage her to pass through town</i>
<i>without causing any trouble.</i>

16
00:00:45,666 --> 00:00:46,666
(TRAIN HORN)

17
00:00:49,125 --> 00:00:50,375
(RAPID BEEPING)

18
00:00:50,458 --> 00:00:52,833
(EXPLOSION)

19
00:00:56,458 --> 00:00:58,083
You're starting a war.

20
00:00:58,166 --> 00:00:59,666
There's already a war.

21
00:00:59,750 --> 00:01:00,750
(GUN SHOTS)

22
00:01:07,416 --> 00:01:09,333
(VINTAGE STYLE MUSIC PLAYING)

23
00:01:10,458 --> 00:01:11,916
(FILM PROJECTOR SPINNING)

24
00:01:33,000 --> 00:01:35,000
(ROUSING MUSIC PLAYING)

25
00:01:35,083 --> 00:01:37,541
(HORSE HOOVES CLOPPING)

26
00:02:26,333 --> 00:02:27,333
(SAD MUSIC PLAYING)

27
00:02:56,458 --> 00:02:58,500
(RUNNING WATER)

28
00:03:00,875 --> 00:03:02,708
(PENSIVE MUSIC PLAYING)

29
00:03:26,333 --> 00:03:28,625
(ROUSING MUSIC SWELLING)

30
00:03:52,375 --> 00:03:54,916
(SUSPENSEFUL MUSIC PLAYING)

31
00:04:06,333 --> 00:04:07,500
(SUSPENSEFUL MUSIC INTENSIFIES)

32
00:04:24,041 --> 00:04:25,125
(RUNNING WATER)

33
00:04:26,250 --> 00:04:28,833
(SOUND AND MUSIC SLOWLY INTENSIFY)

34
00:04:33,291 --> 00:04:38,166
(DISCORDANT SOUNDS AND MUSIC)

35
00:04:44,625 --> 00:04:45,916
(GUN SHOTS)

36
00:04:48,083 --> 00:04:49,375
(WAR CRY)

37
00:04:51,500 --> 00:04:53,583
(MEN GRUNTING)

38
00:04:55,541 --> 00:04:57,208
(HEROIC MUSIC PLAYING)

39
00:05:02,125 --> 00:05:03,500
(BODY THUDS)

40
00:05:03,583 --> 00:05:05,583
- (WAR CRIES)
- (MAN GRUNTS)

41
00:05:07,041 --> 00:05:08,583
(GUN FIRES)

42
00:05:14,416 --> 00:05:15,458
(GROANS)

43
00:05:18,375 --> 00:05:20,708
(WAR CRY)

44
00:05:25,666 --> 00:05:26,916
(FILM FLUTTERING OUT)

45
00:05:27,000 --> 00:05:28,916
<i>(BURNING</i>
BY YEAH YEAH YEAHS PLAYING)

46
00:05:33,125 --> 00:05:34,583
SINGER: <i>♪ Believer ♪</i>

47
00:05:36,041 --> 00:05:38,541
<i>♪ Took me over like a fever ♪</i>

48
00:05:40,208 --> 00:05:44,000
{\an8}<i>♪ Caught you hiding</i>
<i>in the smoke, smoke, smoke ♪</i>

49
00:05:44,083 --> 00:05:47,958
{\an8}<i>♪ Like a meteor</i>
<i>I glow, glow, glow ♪</i>

50
00:05:48,041 --> 00:05:49,541
{\an8}<i>♪ What you gonna do</i>
<i>when you get to the water? ♪</i>

51
00:05:49,625 --> 00:05:51,208
{\an8}<i>♪ Well, I'll release her ♪</i>

52
00:05:52,583 --> 00:05:55,416
{\an8}<i>♪ From the bindings</i>
<i>of her teachers ♪</i>

53
00:05:56,708 --> 00:06:00,583
{\an8}<i>♪ What they're hiding there</i>
<i>is broke, broke, broke ♪</i>

54
00:06:00,666 --> 00:06:05,250
{\an8}<i>♪ Like the River Styx</i>
<i>I flow, flow, flow ♪</i>

55
00:06:06,541 --> 00:06:09,500
{\an8}<i>♪ What you gonna do</i>
<i>when you get to the water? ♪</i>

56
00:06:10,666 --> 00:06:13,375
{\an8}<i>♪ What you gonna do</i>
<i>when you get to the water? ♪</i>

57
00:06:15,916 --> 00:06:19,791
{\an8}<i>♪ Into the sea, out of fire ♪</i>

58
00:06:19,875 --> 00:06:23,833
{\an8}<i>♪ All that burning ♪</i>

59
00:06:23,916 --> 00:06:28,291
{\an8}<i>♪ Into the sea, out of fire ♪</i>

60
00:06:28,375 --> 00:06:31,708
{\an8}<i>♪ All that burning ♪</i>

61
00:06:55,125 --> 00:06:56,541
<i>(BURNING</i> FADES)

62
00:06:59,250 --> 00:07:01,250
(DOORBELL RINGING)

63
00:07:03,833 --> 00:07:05,500
(BUZZER SOUNDS)

64
00:07:05,583 --> 00:07:06,583
<i>Yakoke.</i>

65
00:07:08,041 --> 00:07:09,750
(<i>DREAMER </i>BY JOYCE HARRIS
PLAYING ON STEREO)

66
00:07:23,791 --> 00:07:24,916
(SKULLY CLEARS THROAT)

67
00:07:29,458 --> 00:07:31,208
(SCOFFS, IN ENGLISH)
Don't give me that look.

68
00:07:31,291 --> 00:07:34,333
Well, <i>halito</i> to you too, Chula.

69
00:07:35,500 --> 00:07:36,916
(SPEAKING CHOCTAW)
How are you?

70
00:07:37,000 --> 00:07:38,500
(IN ENGLISH) I'm just fine.

71
00:07:38,583 --> 00:07:40,666
Well, you could do better than that.

72
00:07:42,791 --> 00:07:44,000
Why don't we, uh,

73
00:07:44,833 --> 00:07:46,083
go into my office?

74
00:07:47,166 --> 00:07:48,333
(SPEAKING CHOCTAW)
Do you want to eat?

75
00:07:48,416 --> 00:07:49,541
(IN ENGLISH) Cut the crap.

76
00:07:49,625 --> 00:07:52,875
I didn't come here to get leg-humped
by some old rez dog like you.

77
00:07:52,958 --> 00:07:56,708
Ah, you used to melt like butter
when I talked Indian to you.

78
00:07:57,833 --> 00:07:59,583
That was a long time ago.

79
00:08:00,000 --> 00:08:02,000
Doesn't have to be like that now.

80
00:08:05,916 --> 00:08:07,166
Maya's back.

81
00:08:10,041 --> 00:08:12,791
Yeah, I thought that might
have something to do with it.

82
00:08:14,541 --> 00:08:15,541
Come on in.

83
00:08:26,666 --> 00:08:28,291
Go sit over there.

84
00:08:29,791 --> 00:08:32,166
But that old chair hurts my back,
you know?

85
00:08:32,333 --> 00:08:34,541
(GROANS SOFTLY) What's this?

86
00:08:35,916 --> 00:08:38,708
{\an8}CHULA: Biscuits near totaled my truck
doing who knows what.

87
00:08:38,791 --> 00:08:40,291
He's covering for Maya.

88
00:08:42,000 --> 00:08:43,791
She's bringing trouble with her.

89
00:08:44,750 --> 00:08:46,708
And now Biscuits is caught up in it.

90
00:08:50,500 --> 00:08:51,916
She's too much like her father.

91
00:08:52,291 --> 00:08:54,500
You don't know that.
You don't even know her.

92
00:08:54,583 --> 00:08:55,583
And you do?

93
00:08:56,125 --> 00:08:59,166
You haven't seen her any more
than I have in the last 20 years.

94
00:09:03,291 --> 00:09:05,125
(SCOFFS) Oh really?

95
00:09:05,666 --> 00:09:06,833
What's she up to, then?

96
00:09:07,958 --> 00:09:09,291
(CLEARS THROAT) Not for me to say.

97
00:09:09,833 --> 00:09:11,000
Why don't you ask her?

98
00:09:12,375 --> 00:09:13,416
Not likely.

99
00:09:14,250 --> 00:09:16,125
- (CLICKS)
- (MUSIC STOPS)

100
00:09:16,208 --> 00:09:19,083
You know, you two are exactly alike.

101
00:09:19,166 --> 00:09:21,333
We are not alike.

102
00:09:22,958 --> 00:09:25,875
Everything I've done
has been to protect my family,

103
00:09:25,958 --> 00:09:27,333
however much it hurt.

104
00:09:28,041 --> 00:09:29,500
You lost your daughter.

105
00:09:30,541 --> 00:09:34,083
Why don't you just swallow your pride
before you lose your granddaughter, too?

106
00:09:36,208 --> 00:09:37,625
I can't talk to her now.

107
00:09:39,166 --> 00:09:40,500
I got nothing to say.

108
00:09:42,166 --> 00:09:43,166
(SIGHS)

109
00:09:43,375 --> 00:09:47,041
Well, maybe you shouldn't talk to her.
Maybe you should just listen for once.

110
00:09:47,125 --> 00:09:49,791
(EMOTIONAL MUSIC PLAYING)

111
00:09:58,958 --> 00:10:02,000
- (DOOR OPENS AND CLOSES)
- (SIGHS)

112
00:10:05,000 --> 00:10:06,875
ZANE: (OVER PHONE)
<i>Don't disappoint me, Vickie.</i>

113
00:10:06,958 --> 00:10:10,208
<i>Your intel won't be worth</i>
<i>jack shit if she's gone.</i>

114
00:10:10,291 --> 00:10:12,916
Zane, I promise you, man. Maya's here.

115
00:10:13,000 --> 00:10:14,541
<i>We're still a few hours out.</i>

116
00:10:14,625 --> 00:10:17,208
<i>Tonight, have her ready. Wait for my call.</i>

117
00:10:17,291 --> 00:10:18,291
(CALL DISCONNECTS)

118
00:10:20,875 --> 00:10:23,125
(OMINOUS MUSIC PLAYING)

119
00:10:31,916 --> 00:10:33,250
(BIRDS CHIRPING)

120
00:10:43,000 --> 00:10:44,000
(FOOTSTEPS)

121
00:10:45,958 --> 00:10:46,958
(GASPS)

122
00:10:48,500 --> 00:10:50,791
- (DISCORDANT MUSIC)
- (MYSTERIOUS SOUNDS)

123
00:10:58,250 --> 00:10:59,291
(INDISTINCT SOUND)

124
00:11:00,666 --> 00:11:02,833
(GRUNTING)

125
00:11:11,125 --> 00:11:13,208
(MYSTERIOUS MUSIC PLAYING)

126
00:11:21,458 --> 00:11:23,583
(RATTLING)

127
00:11:30,125 --> 00:11:31,291
(GRUNTS)

128
00:11:35,291 --> 00:11:37,416
(SOUNDS AND MUSIC SLOWLY FADE)

129
00:11:41,166 --> 00:11:43,166
(SINGLE HEART BEATING)

130
00:11:50,416 --> 00:11:52,291
- (SINGLE HEART BEAT CONTINUES)
- (INAUDIBLE CONVERSATION)

131
00:12:04,333 --> 00:12:06,125
VICKIE: One, two, three.

132
00:12:06,208 --> 00:12:08,625
- GRACE: God, give me a hand.
- VICKIE: I am.

133
00:12:17,208 --> 00:12:18,416
(SCOFFS)

134
00:12:21,750 --> 00:12:24,458
- VICKIE: One of youse gotta babysit her.
- GRACE: Or you could.

135
00:12:24,541 --> 00:12:27,208
No. I gotta be out front
when he gets here.

136
00:12:27,291 --> 00:12:28,666
I'm the man on the inside.

137
00:12:28,750 --> 00:12:31,208
All you gotta do is sit outside that door.
What are you, scared?

138
00:12:31,291 --> 00:12:34,250
BRIGITTE: I will babysit her
since you two are too chickenshit.

139
00:12:34,333 --> 00:12:36,208
GRACE: Fine. Have fun.

140
00:12:43,750 --> 00:12:47,208
(TENSE MUSIC BUILDING)

141
00:12:50,666 --> 00:12:52,041
(CRICKETS CHIRPING)

142
00:12:59,833 --> 00:13:01,666
(DOOR RATTLES)

143
00:13:01,750 --> 00:13:02,750
(KNOCKING)

144
00:13:04,583 --> 00:13:06,291
(KNOCKING CONTINUES)

145
00:13:08,833 --> 00:13:09,833
Hello?

146
00:13:09,916 --> 00:13:12,375
- (MUFFLED SCREAM)
- Shut up. Shut up.

147
00:13:36,833 --> 00:13:38,333
(DOOR GROANS)

148
00:13:38,416 --> 00:13:39,416
Uncle Henry?

149
00:13:44,833 --> 00:13:45,958
Uncle Henry?

150
00:13:57,875 --> 00:14:00,166
- Hey.
- Hey. I tried the front.

151
00:14:00,541 --> 00:14:01,541
Yeah. Sorry.

152
00:14:01,958 --> 00:14:05,333
Um, not a good time. Pretty busy.

153
00:14:06,500 --> 00:14:08,916
I won't take very long. I...

154
00:14:09,000 --> 00:14:11,041
I just have some questions I wanna ask.

155
00:14:11,125 --> 00:14:14,166
- Uh, privately.
- How about you call me tomorrow?

156
00:14:14,250 --> 00:14:18,708
The rink's being audited by the IRS,
and I'm just swimming in paperwork.

157
00:14:18,791 --> 00:14:19,916
LEAVE NOW.

158
00:14:21,666 --> 00:14:24,625
Yikes, the IRS?
Is there anything I can do?

159
00:14:24,833 --> 00:14:25,833
GO.

160
00:14:25,916 --> 00:14:27,000
No no no. I'm good.

161
00:14:28,416 --> 00:14:31,958
Probably shouldn't have deducted all
that mileage on all those pairs of skates.

162
00:14:32,041 --> 00:14:33,333
(BONNIE CHUCKLES)

163
00:14:33,416 --> 00:14:35,833
I'll, uh... I'll leave you to it.

164
00:14:36,708 --> 00:14:39,166
Appreciate it. Night, Bonnie.

165
00:14:44,125 --> 00:14:45,750
(DOOR OPENS AND CLOSES)

166
00:14:46,583 --> 00:14:49,333
What the hell was that? Huh?
Did you know she was coming around?

167
00:14:49,416 --> 00:14:51,750
- Uh-uh.
- Are more people coming around here? Go.

168
00:14:55,791 --> 00:14:57,250
(SUSPENSEFUL MUSIC PLAYING)

169
00:15:03,208 --> 00:15:04,208
(WALKIE TALKIE BEEP)

170
00:15:04,333 --> 00:15:06,416
Dispatch? Dispatch, this... (GASPS)

171
00:15:06,500 --> 00:15:07,875
(CHAINS RATTLE)

172
00:15:10,750 --> 00:15:12,125
(TENSE MUSIC PLAYING)

173
00:15:20,500 --> 00:15:21,750
(DOOR OPENING)

174
00:15:22,500 --> 00:15:24,166
VICKIE: Get in here.

175
00:15:24,250 --> 00:15:25,250
(BONNIE GROANS)

176
00:15:33,541 --> 00:15:34,583
(DOOR SHUTTING)

177
00:15:51,916 --> 00:15:53,750
(SIGHS)

178
00:15:55,500 --> 00:15:56,500
(SCOFFS)

179
00:16:05,833 --> 00:16:06,916
(HIDDEN BLADE OPENING)

180
00:16:07,000 --> 00:16:08,791
(DETERMINED MUSIC PLAYING)

181
00:16:32,791 --> 00:16:34,000
You okay?

182
00:16:34,083 --> 00:16:35,208
I will be.

183
00:16:43,958 --> 00:16:46,000
BRIGITTE: I'm doin' it.
I'm doin' it. Whoa.

184
00:16:47,375 --> 00:16:48,583
Looks like they're in no hurry.

185
00:16:48,666 --> 00:16:49,916
What are they waiting for?

186
00:17:01,250 --> 00:17:02,250
Stop.

187
00:17:02,333 --> 00:17:03,708
Stop looking for a way out of here?

188
00:17:03,916 --> 00:17:04,916
You know

189
00:17:05,000 --> 00:17:06,000
what I mean.

190
00:17:06,083 --> 00:17:07,083
Look.

191
00:17:07,166 --> 00:17:08,416
I'm just here for work stuff.

192
00:17:08,500 --> 00:17:10,125
No sense disrupting your life

193
00:17:10,208 --> 00:17:11,625
if I'm not going to be here long.

194
00:17:12,583 --> 00:17:13,666
Bullshit.

195
00:17:13,750 --> 00:17:16,208
You can't even

196
00:17:16,291 --> 00:17:17,833
look me in the eye.

197
00:17:21,125 --> 00:17:22,958
I waited for you.

198
00:17:23,041 --> 00:17:24,125
Every night

199
00:17:24,208 --> 00:17:25,625
for years.

200
00:17:26,458 --> 00:17:28,375
And you still couldn't be bothered

201
00:17:28,458 --> 00:17:30,041
to send one message.

202
00:17:30,750 --> 00:17:31,750
We drifted apart.

203
00:17:32,250 --> 00:17:33,250
It happens.

204
00:17:33,583 --> 00:17:35,083
We didn't drift.

205
00:17:36,125 --> 00:17:38,000
All those emails, texts.

206
00:17:38,083 --> 00:17:41,416
Nothing ever came back.

207
00:17:43,166 --> 00:17:44,375
You didn't text

208
00:17:44,458 --> 00:17:45,916
me back after

209
00:17:46,000 --> 00:17:48,666
your dad died.

210
00:17:49,833 --> 00:17:51,791
I would have been there.

211
00:17:56,666 --> 00:17:59,500
Come on, Vickie.
Let me smooth things out with Maya.

212
00:18:00,041 --> 00:18:01,791
Tell her it was a misunderstanding.

213
00:18:01,875 --> 00:18:03,958
That way, if you leave now,

214
00:18:05,250 --> 00:18:06,833
you got nothing to worry about.

215
00:18:10,041 --> 00:18:12,333
Only person
with anything to worry about is her.

216
00:18:14,083 --> 00:18:15,166
What did you do?

217
00:18:15,625 --> 00:18:18,250
No. Maya brought this on herself,
coming home.

218
00:18:18,333 --> 00:18:20,291
Alls I did was accelerate the process.

219
00:18:20,375 --> 00:18:21,625
You called someone?

220
00:18:22,250 --> 00:18:24,166
Yeah, well, here's the thing, Henry.

221
00:18:24,250 --> 00:18:26,875
I ain't taking orders no more.
Not from you.

222
00:18:27,500 --> 00:18:30,000
There's still a chance
for you to get out of this alive.

223
00:18:30,083 --> 00:18:33,541
You really think he's gonna pay you
and then just let you walk out of here?

224
00:18:36,333 --> 00:18:37,458
If I was you, Henry,

225
00:18:37,541 --> 00:18:40,416
I would have turned her in myself,
collect that bounty.

226
00:18:40,916 --> 00:18:43,250
You left it up for grabs and I'm grabbing.

227
00:18:44,916 --> 00:18:46,000
GRACE: Vickie!

228
00:18:46,750 --> 00:18:48,583
Come on, Vickie.
I swear I heard something.

229
00:18:48,666 --> 00:18:49,708
They might be loose.

230
00:18:49,791 --> 00:18:52,000
VICKIE: Alright. Quickly, though.
He's almost here.

231
00:18:55,458 --> 00:18:58,875
(SOUNDS AND MUSIC SLOWLY FADE)

232
00:18:58,958 --> 00:19:01,916
(SINGLE HEART BEATING)

233
00:19:08,208 --> 00:19:09,208
(SOUND RETURNS)

234
00:19:09,291 --> 00:19:11,333
GRACE: Her zip ties.
Told you I heard something.

235
00:19:11,416 --> 00:19:13,250
VICKIE: Whoa, whoa whoa whoa.
Don't shoot her.

236
00:19:13,333 --> 00:19:16,166
If she's dead when they get here,
we ain't getting paid.

237
00:19:16,250 --> 00:19:17,750
Hey. Guns down.

238
00:19:17,833 --> 00:19:18,833
I can talk to her.

239
00:19:19,958 --> 00:19:20,958
Please.

240
00:19:21,041 --> 00:19:22,458
Gun down, Grace!

241
00:19:24,583 --> 00:19:25,583
Come on.

242
00:19:26,333 --> 00:19:28,791
GRACE: Tell your gimpy friend
to put her zip ties back on.

243
00:19:28,916 --> 00:19:30,000
Someone is coming

244
00:19:30,083 --> 00:19:31,208
to pay them for you.

245
00:19:31,291 --> 00:19:32,291
VICKIE: Hey, hey!

246
00:19:32,375 --> 00:19:33,583
BRIGITTE: Do not assume incompetence...

247
00:19:33,666 --> 00:19:34,916
What do we do?

248
00:19:35,083 --> 00:19:36,416
VICKIE: Wh-What is she saying to her?

249
00:19:36,500 --> 00:19:37,625
I'm going to punch you.

250
00:19:38,666 --> 00:19:40,791
VICKIE: They weren't supposed
to be fighting each other.

251
00:19:41,750 --> 00:19:44,041
GRACE: Hurry up, go.
VICKIE: No, we need her alive.

252
00:19:44,125 --> 00:19:46,250
Let's get out of here. Come on.

253
00:19:52,833 --> 00:19:55,000
(GASPING)

254
00:19:57,708 --> 00:20:00,250
(BREATHING HEAVILY) I think we gotta
go back in and hog-tie her.

255
00:20:00,333 --> 00:20:02,208
No, it's not worth the trouble.

256
00:20:02,291 --> 00:20:03,833
- (PHONE VIBRATES)
- BRIDGETTE: The door's locked anyway.

257
00:20:05,333 --> 00:20:06,333
They're here.

258
00:20:07,541 --> 00:20:08,541
Okay...

259
00:20:08,625 --> 00:20:11,583
- Throw her back in there, too?
- No. She's coming with us.

260
00:20:13,208 --> 00:20:14,375
Come on.

261
00:20:14,458 --> 00:20:17,458
- Alright. Have fun.
- Let's go. I got her. I got her.

262
00:20:23,541 --> 00:20:27,000
(PANTING)

263
00:20:27,083 --> 00:20:30,291
(ROUSING MUSIC PLAYING)

264
00:20:51,000 --> 00:20:52,500
You're the guy, then?

265
00:20:52,583 --> 00:20:54,750
Yeah, I'm the guy. Vickie.

266
00:20:55,208 --> 00:20:58,333
Vickie? Nice to see your face
at last, I guess.

267
00:20:58,833 --> 00:21:00,458
We come a very long way.

268
00:21:00,541 --> 00:21:05,625
So, for your sake, I hope the information
you've been texting is legit.

269
00:21:06,583 --> 00:21:07,750
See, uh...

270
00:21:08,541 --> 00:21:11,666
I don't like being played with, Vickie.

271
00:21:13,125 --> 00:21:14,791
Guaranteed, it's the real deal.

272
00:21:16,083 --> 00:21:17,500
Assuming you brought that money.

273
00:21:17,583 --> 00:21:21,583
Oh. No. We got protocols, right?

274
00:21:22,666 --> 00:21:26,875
I keeps the money safe
while I assesses the situation.

275
00:21:28,166 --> 00:21:30,666
You don't think I'd walk in
with the money, do you?

276
00:21:32,500 --> 00:21:33,500
'Course not.

277
00:21:35,833 --> 00:21:36,958
You work here?

278
00:21:38,000 --> 00:21:39,166
VICKIE: Yeah.

279
00:21:40,333 --> 00:21:42,791
Wow. It's lush.

280
00:21:45,208 --> 00:21:46,916
You are a lucky bastard.

281
00:21:47,541 --> 00:21:52,791
I tell you what, boys,
when the gig's done, Ring Pops on me.

282
00:21:54,250 --> 00:21:55,875
You can hook us up, right, brah?

283
00:21:57,958 --> 00:22:00,041
Fan out, boys. She's here somewhere.

284
00:22:00,125 --> 00:22:02,416
See, I was thinking,
you show me that money first

285
00:22:02,500 --> 00:22:04,000
and make sure it's all there.

286
00:22:04,083 --> 00:22:06,916
- Like, I need to know that you have it.
- (INDISTINCT CHATTER)

287
00:22:09,291 --> 00:22:10,916
(ROUSING MUSIC RESUMES)

288
00:22:24,958 --> 00:22:26,541
(LASER TRILLS)

289
00:22:28,583 --> 00:22:30,000
(WHIRS)

290
00:22:30,666 --> 00:22:34,208
WOMAN: (ON VIDEO) <i>...for their own safety</i>
<i>and self-defense in an uncertain America.</i>

291
00:22:34,291 --> 00:22:38,375
<i>Today, hostage negotiations.</i>
<i>I'll jump right in.</i>

292
00:22:38,458 --> 00:22:41,625
<i>You need to keep yourself alert</i>
<i>and aware of your surroundings</i>

293
00:22:41,708 --> 00:22:44,375
<i>and any</i>
<i>and all potential threats at all times.</i>

294
00:22:44,458 --> 00:22:48,541
<i>And remember, do not assume incompetence</i>
<i>when dealing with an unknown kidnapper.</i>

295
00:22:48,625 --> 00:22:51,958
<i>Instead, take precautions on a number</i>
<i>of levels to protect yourself</i>

296
00:22:52,041 --> 00:22:53,041
(CHAIR SQUEAKS)

297
00:22:53,125 --> 00:22:57,000
<i>and any bystanders</i>
<i>from a multitude of deadly possibilities.</i>

298
00:22:57,083 --> 00:22:58,333
<i>What does your kidnapper...</i>

299
00:22:58,416 --> 00:22:59,875
- (GLASS SHATTERING)
- (GASPING)

300
00:23:01,583 --> 00:23:04,375
<i>...or her path without doing further harm.</i>

301
00:23:04,458 --> 00:23:05,541
<i>Signing off.</i>

302
00:23:05,625 --> 00:23:07,125
<i>This is Esther of Militia Mommies.</i>

303
00:23:07,208 --> 00:23:09,333
<i>Please smash "like" and "subscribe" below.</i>

304
00:23:14,541 --> 00:23:15,541
Where you at?

305
00:23:22,166 --> 00:23:24,625
Come on, now. Don't make...

306
00:23:26,041 --> 00:23:27,208
What the...

307
00:23:27,291 --> 00:23:28,541
- (WHOOSHING)
- (GRUNTS AND YELLS)

308
00:23:30,125 --> 00:23:32,000
(THUDS)

309
00:23:34,333 --> 00:23:36,291
Okay, so, here's what I'm thinking.

310
00:23:36,375 --> 00:23:38,541
Um, so, you grab the money, and then...

311
00:23:38,625 --> 00:23:41,416
Vickie. What the hell, man?

312
00:23:42,458 --> 00:23:45,208
We're supposed to be makin' a deal,
not giving them the grand tour.

313
00:23:45,291 --> 00:23:47,333
Can you let me handle this, Grace?

314
00:23:47,416 --> 00:23:49,833
Looks like you're lettin'
this guy handle it.

315
00:23:50,291 --> 00:23:51,458
What's up, kitty cat?

316
00:23:55,375 --> 00:24:00,125
Ah, looky, looky.
Is that Henry Black Crow Lopez?

317
00:24:00,208 --> 00:24:02,541
Surprised to see me?
Look at you all tied up.

318
00:24:02,625 --> 00:24:04,250
Let me talk. It'll be okay.

319
00:24:05,208 --> 00:24:06,916
How'd you get jammed up like this?

320
00:24:09,041 --> 00:24:11,208
You got something to spill? Huh?

321
00:24:12,041 --> 00:24:13,541
Where's that niece of yours, huh?

322
00:24:15,208 --> 00:24:18,375
Maya Lopez. Lopez who blew up the armory.

323
00:24:21,166 --> 00:24:24,541
We're actually not at liberty to say
until we get our money.

324
00:24:25,416 --> 00:24:27,083
(GROWLS)

325
00:24:27,166 --> 00:24:29,791
I'm so tired of all this yappin'.

326
00:24:30,250 --> 00:24:31,458
(CELL PHONE VIBRATES)

327
00:24:37,875 --> 00:24:40,250
- I'm gonna go check on somethin'.
- Yeah.

328
00:24:41,000 --> 00:24:43,166
Matter of fact, she probably needs
a hand with that,

329
00:24:43,250 --> 00:24:45,375
so I'm gonna head out,
and then I'll be right...

330
00:24:46,416 --> 00:24:47,583
ZANE: Is something wrong?

331
00:24:48,625 --> 00:24:50,541
No. What?

332
00:24:51,458 --> 00:24:52,750
We still got a deal.

333
00:24:52,833 --> 00:24:55,708
So how about let's all go out
and you show me that money?

334
00:24:56,750 --> 00:24:58,125
You catch that, brothers?

335
00:24:59,791 --> 00:25:01,416
What? Look, there's no problem.

336
00:25:02,666 --> 00:25:04,125
Vickie wants to go out.

337
00:25:06,000 --> 00:25:07,041
So, take him out.

338
00:25:09,458 --> 00:25:10,791
No. Oh no, no, no. No.

339
00:25:10,875 --> 00:25:12,083
(GUN FIRES)

340
00:25:18,166 --> 00:25:19,166
- (GROANS)
- ZANE: Oh!

341
00:25:19,666 --> 00:25:21,583
Thanks again, Vickie,
for the hot tip.

342
00:25:24,291 --> 00:25:26,750
Would have been nice if she were,
you know, here.

343
00:25:34,000 --> 00:25:35,458
(DOOR CLOSES)

344
00:25:35,541 --> 00:25:37,291
The sister's headed for the parking lot.

345
00:25:38,375 --> 00:25:39,375
Let her go.

346
00:25:40,791 --> 00:25:42,250
I got who I wants here.

347
00:25:42,333 --> 00:25:45,291
You's the one who's gonna give me
the answers to my question.

348
00:25:46,166 --> 00:25:49,458
Where is Maya Lopez?

349
00:25:51,833 --> 00:25:55,166
(<i>DRAGULA </i>BY ROB ZOMBIE PLAYING LOUDLY)

350
00:25:55,250 --> 00:25:59,125
<i>♪ I slam in the back of my Dragula ♪</i>

351
00:25:59,208 --> 00:26:00,208
<i>♪ Dig through the ditches ♪</i>

352
00:26:00,291 --> 00:26:02,500
Circuit breaker's in the laser tag area.

353
00:26:03,666 --> 00:26:06,541
ZANE: What are you waiting for?
Go find her!

354
00:26:06,625 --> 00:26:07,750
(INDISTINCT SHOUTING)

355
00:26:07,833 --> 00:26:09,916
Where is she? Get in the circuit!

356
00:26:10,750 --> 00:26:12,375
Boys, pivot!

357
00:26:15,083 --> 00:26:17,166
ZANE: Lopez!

358
00:26:17,250 --> 00:26:18,625
(<i>DRAGULA </i>CONTINUES MUFFLED)

359
00:26:29,958 --> 00:26:31,500
(GRUNTS)

360
00:26:34,000 --> 00:26:35,083
(SWITCHES CLICKING)

361
00:26:36,041 --> 00:26:37,833
(ELECTRICAL ZAP)

362
00:26:37,916 --> 00:26:39,000
- (CHUCKLES)
- CARTER: Shut up!

363
00:26:39,083 --> 00:26:40,500
(<i>DRAGULA</i> CONTINUES)

364
00:26:40,583 --> 00:26:44,291
She's got the place rigged.
Everyone, eyes up! Lopez is here!

365
00:26:46,125 --> 00:26:47,291
(SCREAMS)

366
00:26:47,375 --> 00:26:49,500
<i>♪ ...and burn through the witches ♪</i>

367
00:26:49,583 --> 00:26:53,916
<i>♪ I slam in the back of my Dragula ♪</i>

368
00:26:54,541 --> 00:26:56,541
Be on the lookout.
She's around here somewhere.

369
00:27:01,583 --> 00:27:02,708
(THUD)

370
00:27:02,791 --> 00:27:05,541
<i>♪ Do it, baby</i>
<i>Do it, baby ♪</i>

371
00:27:05,708 --> 00:27:09,708
<i>♪ Burn like an animal ♪</i>

372
00:27:09,791 --> 00:27:12,833
(THUDDING)

373
00:27:12,916 --> 00:27:15,708
- (CRASHING)
- (MAN GRUNTS)

374
00:27:15,791 --> 00:27:17,333
(<i>DRAGULA </i>FADES)

375
00:27:17,416 --> 00:27:18,458
(MAN GRUNTS)

376
00:27:20,791 --> 00:27:21,958
- (GUNSHOT)
- (MAN GRUNTS)

377
00:27:27,583 --> 00:27:30,750
(SOUNDS AND MUSIC SLOWLY FADE)

378
00:27:30,833 --> 00:27:33,125
(SINGLE HEART BEATING)

379
00:27:34,416 --> 00:27:35,833
(ROUSING MUSIC PLAYING)

380
00:27:44,250 --> 00:27:45,333
(GUN CLICKS)

381
00:27:47,125 --> 00:27:48,208
(GLASS SHATTERING)

382
00:27:53,500 --> 00:27:54,625
(GLASS SHATTERING)

383
00:28:09,333 --> 00:28:10,500
(GUNFIRE)

384
00:28:24,375 --> 00:28:25,375
(MEN GRUNTING)

385
00:28:30,708 --> 00:28:32,416
(WHIP CRACKS)

386
00:28:38,583 --> 00:28:40,291
(INDISTINCT YELLING)

387
00:28:46,583 --> 00:28:47,583
PAH!

388
00:29:01,125 --> 00:29:02,875
Oh.

389
00:29:05,041 --> 00:29:06,916
(CHUCKLING)

390
00:29:07,708 --> 00:29:08,916
(BALL HITTING THE FLOOR)

391
00:29:12,375 --> 00:29:15,125
(VIDEO GAME LOSING SOUNDS)

392
00:29:19,500 --> 00:29:22,375
(DANGEROUS MUSIC PLAYING)

393
00:29:29,791 --> 00:29:30,791
(GRUNTS)

394
00:29:34,416 --> 00:29:35,416
No!

395
00:29:38,916 --> 00:29:40,541
(CELL PHONE VIBRATES)

396
00:29:40,625 --> 00:29:42,625
<i>(NEW YORK MINUTE</i> BY DON HENLEY PLAYING)

397
00:29:45,000 --> 00:29:48,541
<i>♪ Everything can change</i>
<i>In a New York Minute ♪</i>

398
00:29:51,875 --> 00:29:52,875
<i>♪ Things can get... ♪</i>

399
00:29:54,375 --> 00:29:55,375
Aye?

400
00:29:57,541 --> 00:29:58,541
Well, I thought...

401
00:29:59,500 --> 00:30:01,666
Yeah. I understand.

402
00:30:02,250 --> 00:30:04,625
I'm sorry, I... Let me just...

403
00:30:08,041 --> 00:30:09,416
(CALL DISCONNECTS)

404
00:30:09,750 --> 00:30:11,875
(FOREBODING MUSIC PLAYING)

405
00:30:14,833 --> 00:30:15,833
(EXHALES)

406
00:30:21,833 --> 00:30:22,875
Let's go.

407
00:30:30,125 --> 00:30:31,500
(GASPS)

408
00:30:31,583 --> 00:30:34,041
(FOREBODING MUSIC INTENSIFIES)

409
00:30:45,666 --> 00:30:46,708
(DOOR SLAMMING SHUT)

410
00:30:49,166 --> 00:30:50,166
Does it hurt?

411
00:30:50,458 --> 00:30:51,958
You could have broken something.

412
00:30:55,208 --> 00:30:56,916
Sorry. Had to look real.

413
00:30:57,500 --> 00:30:58,708
Listen.

414
00:30:58,791 --> 00:30:59,791
You need to go.

415
00:30:59,875 --> 00:31:00,958
(CAR DOOR OPENING AND SLAMMED SHUT)

416
00:31:01,041 --> 00:31:02,041
Go?

417
00:31:02,125 --> 00:31:03,916
We have to wait for the police.

418
00:31:04,000 --> 00:31:05,041
(CAR DOOR SLAMMED SHUT)

419
00:31:05,125 --> 00:31:06,541
No police. I can't have police.

420
00:31:06,791 --> 00:31:07,791
Please.

421
00:31:12,000 --> 00:31:13,708
Do you think they'll come back?

422
00:31:16,166 --> 00:31:18,541
I won't let anyone hurt you.

423
00:31:18,625 --> 00:31:20,041
I promise.

424
00:31:21,791 --> 00:31:23,458
They were here for me.

425
00:31:23,875 --> 00:31:25,166
Not you.

426
00:31:27,875 --> 00:31:29,833
I need you to go home, Bonnie.

427
00:31:29,916 --> 00:31:32,291
We'll talk soon, I promise.

428
00:31:32,750 --> 00:31:33,833
You promise?

429
00:31:40,833 --> 00:31:42,000
(CAR DOOR OPENING)

430
00:31:45,000 --> 00:31:46,000
(SIGHS)

431
00:31:49,875 --> 00:31:51,041
(CAR DOOR SLAMMING SHUT)

432
00:31:51,958 --> 00:31:53,750
(TRUCK ENGINE STARTS)

433
00:32:04,833 --> 00:32:07,333
What the hell just happened?

434
00:32:07,791 --> 00:32:08,791
Which part?

435
00:32:09,958 --> 00:32:10,958
The part

436
00:32:11,041 --> 00:32:12,458
where we

437
00:32:12,541 --> 00:32:14,666
were kidnapped by the guy

438
00:32:14,750 --> 00:32:16,250
who cleans my skates?

439
00:32:16,875 --> 00:32:17,875
Or

440
00:32:17,958 --> 00:32:19,875
the part where we

441
00:32:20,458 --> 00:32:21,916
almost die

442
00:32:22,500 --> 00:32:23,708
because there's a price

443
00:32:23,791 --> 00:32:25,333
on your head?

444
00:32:26,333 --> 00:32:27,541
We wouldn't be here

445
00:32:27,625 --> 00:32:31,375
if someone hadn't called off
Zane and his dogs.

446
00:32:34,291 --> 00:32:35,416
There's

447
00:32:36,166 --> 00:32:37,458
only one

448
00:32:37,541 --> 00:32:38,541
person who

449
00:32:38,625 --> 00:32:39,625
could have.

450
00:32:44,125 --> 00:32:46,333
I shot him in the face.

451
00:32:59,208 --> 00:33:00,291
Look...

452
00:33:00,666 --> 00:33:01,750
tonight...

453
00:33:03,125 --> 00:33:04,166
things...

454
00:33:05,208 --> 00:33:07,125
caught up to us both.

455
00:33:07,625 --> 00:33:08,625
If...

456
00:33:09,000 --> 00:33:10,000
the offer

457
00:33:10,083 --> 00:33:11,083
still stands...

458
00:33:14,291 --> 00:33:15,916
I'm helping you.

459
00:33:20,041 --> 00:33:22,041
<i>(WHEN WE REMAIN</i>
BY SAMANTHA CRAIN PLAYING)

460
00:33:28,000 --> 00:33:31,708
<i>♪ Tamaha chito okla imihaksi tuko ♪</i>

461
00:33:31,833 --> 00:33:36,750
<i>♪ I foni aiyokli ahoba</i>
<i>hapiachi kiyo ♪</i>

462
00:33:40,000 --> 00:33:43,625
<i>♪ Vpi ahoba osh ohmi tamaha ♪</i>

463
00:33:44,791 --> 00:33:46,500
- (GUN CLICKS)
- (DOOR OPENS)

464
00:33:46,916 --> 00:33:48,625
<i>♪ Okla il vbachike ♪</i>

465
00:33:51,875 --> 00:33:56,958
<i>♪ Okla e maya momakma ♪</i>

466
00:33:59,958 --> 00:34:03,541
<i>♪ Tamaha chito okla imihaksi tuko ♪</i>

467
00:34:03,625 --> 00:34:08,083
<i>♪ I foni aiyokli ahoba</i>
<i>hapiachi kiyo ♪</i>

468
00:34:08,166 --> 00:34:10,416
(<i>WHEN WE REMAIN</i> FADES)

469
00:34:18,875 --> 00:34:20,125
You

470
00:34:20,208 --> 00:34:21,916
don't

471
00:34:22,000 --> 00:34:23,125
like it.

472
00:34:25,000 --> 00:34:26,208
I just prefer

473
00:34:26,291 --> 00:34:27,833
a simpler look.

474
00:34:28,166 --> 00:34:29,458
That's all.

475
00:34:30,000 --> 00:34:31,041
Hello!

476
00:34:32,083 --> 00:34:34,833
You live in

477
00:34:34,916 --> 00:34:36,166
New York.

478
00:34:36,541 --> 00:34:38,166
You represent

479
00:34:38,250 --> 00:34:40,208
your people.

480
00:34:42,958 --> 00:34:45,041
That means...

481
00:34:45,500 --> 00:34:47,833
(SPEAKING CHOCTAW)
a Choctaw Warrior

482
00:34:47,916 --> 00:34:51,791
(IN ENGLISH) is on the scene.

483
00:34:52,708 --> 00:34:53,708
But...

484
00:34:54,083 --> 00:34:55,083
if you...

485
00:34:55,500 --> 00:34:57,833
don't like it,

486
00:34:58,541 --> 00:34:59,875
I could...

487
00:35:01,125 --> 00:35:02,125
paint it

488
00:35:02,208 --> 00:35:03,625
matte black.

489
00:35:05,250 --> 00:35:06,416
Leave it as is.

490
00:35:06,500 --> 00:35:07,750
I'll just wear

491
00:35:07,833 --> 00:35:09,375
my pants over it.

492
00:35:11,458 --> 00:35:12,791
I'm just teasing.

493
00:35:38,000 --> 00:35:39,458
Now, you know

494
00:35:39,958 --> 00:35:41,583
I don't

495
00:35:42,750 --> 00:35:44,000
get in

496
00:35:44,083 --> 00:35:45,250
family business.

497
00:35:47,583 --> 00:35:50,041
Since your

498
00:35:50,125 --> 00:35:51,791
grandmother

499
00:35:51,875 --> 00:35:52,875
and I

500
00:35:53,708 --> 00:35:54,916
not together

501
00:35:55,416 --> 00:35:56,416
no more.

502
00:35:57,708 --> 00:35:58,708
But...

503
00:35:59,875 --> 00:36:02,291
you won't

504
00:36:02,375 --> 00:36:03,708
go see her?

505
00:36:05,000 --> 00:36:07,250
She doesn't wanna see me.

506
00:36:08,208 --> 00:36:10,125
Her heart was broken

507
00:36:10,208 --> 00:36:11,458
when you left.

508
00:36:12,416 --> 00:36:14,250
She left

509
00:36:14,333 --> 00:36:15,916
this place

510
00:36:16,000 --> 00:36:17,583
like it was.

511
00:36:18,083 --> 00:36:20,375
Like a museum.

512
00:36:21,875 --> 00:36:24,208
She could've reached out any time.

513
00:36:24,291 --> 00:36:26,000
She never did.

514
00:36:33,666 --> 00:36:34,916
I guess...

515
00:36:35,458 --> 00:36:37,500
we all

516
00:36:38,583 --> 00:36:40,333
do things

517
00:36:40,791 --> 00:36:42,291
we wish

518
00:36:42,375 --> 00:36:43,708
were different.

519
00:36:51,625 --> 00:36:53,125
(CLICKS)

520
00:37:04,125 --> 00:37:06,666
(DOOR OPENS AND CLOSES)

521
00:37:07,250 --> 00:37:10,708
(EMOTIONAL MUSIC SWELLS)

522
00:37:15,333 --> 00:37:18,291
(CHOIR SINGING <i>VBA ISHT TALOA #121</i>
IN CHOCTAW)

523
00:37:18,375 --> 00:37:24,625
<i>♪ Chihowa ushi mak hosh ♪</i>

524
00:37:24,791 --> 00:37:28,708
<i>♪ Vba ya ♪</i>

525
00:37:28,791 --> 00:37:35,625
<i>♪ Mihintishke ♪</i>

526
00:37:35,708 --> 00:37:39,291
<i>♪ Nan isht a </i>♪

527
00:37:39,375 --> 00:37:45,208
<i>♪ Holitopa ♪</i>

528
00:37:46,083 --> 00:37:51,541
<i>♪ Moma ilia ♪</i>

529
00:37:51,625 --> 00:37:56,458
<i>♪ Eshi hosh ♪</i>

530
00:37:56,541 --> 00:37:59,958
<i>♪ Vba ya ♪</i>

531
00:38:00,041 --> 00:38:06,041
<i>♪ Mihintishke ♪</i>

532
00:38:06,791 --> 00:38:10,291
<i>♪ Nan uha ♪</i>

533
00:38:10,375 --> 00:38:15,833
<i>♪ Im vlhtaha ♪</i>

534
00:38:17,291 --> 00:38:22,791
<i>♪ Holitopa ♪</i>

535
00:38:22,875 --> 00:38:27,458
<i>♪ Ai ahlit ♪</i>

536
00:38:27,541 --> 00:38:31,500
<i>♪ Vba ya ♪</i>

537
00:38:31,583 --> 00:38:37,666
<i>♪ Mihintishke ♪</i>

538
00:38:37,750 --> 00:38:40,750
(<i>VBA ISHT TALOA #121 </i>FADES)

539
00:38:59,083 --> 00:39:02,875
(GENTLE WIND CHIMES)

540
00:39:11,708 --> 00:39:12,708
(GASPS)

541
00:39:12,791 --> 00:39:14,791
(OMINOUS MUSIC PLAYING)

542
00:39:38,333 --> 00:39:40,625
(OMINOUS MUSIC BUILDING)

543
00:39:49,708 --> 00:39:51,708
{\an8}<i>(FERAL LOVE</i> BY CHELSEA WOLFE PLAYING)