1 00:00:03,169 --> 00:00:04,170 FURY: There was an idea. 2 00:00:04,754 --> 00:00:06,464 (THUNDERCLAP) 3 00:00:06,548 --> 00:00:10,760 The idea was to bring together a group of remarkable people 4 00:00:12,303 --> 00:00:14,305 to see if they could become something more. 5 00:00:16,683 --> 00:00:18,727 I never put all my chips on that number, though 6 00:00:18,810 --> 00:00:21,021 because I was playing something even riskier. 7 00:00:24,441 --> 00:00:27,610 Back in the day, I had eyes everywhere. Ears, everywhere else. 8 00:00:29,279 --> 00:00:31,114 All the tech you could dream up. 9 00:00:34,784 --> 00:00:36,411 Here we all are, back on Earth... 10 00:00:37,328 --> 00:00:40,665 with nothing but our wit and our will to save the world. 11 00:00:43,293 --> 00:00:47,172 We have no idea what other intergalactic threats are out there. 12 00:00:55,096 --> 00:00:56,765 I was ten toes in this thing 13 00:00:57,348 --> 00:00:59,225 when you were still singing nursery rhymes. 14 00:00:59,309 --> 00:01:00,435 (LAUGHS) 15 00:01:01,269 --> 00:01:02,645 I've been having conversations 16 00:01:02,729 --> 00:01:04,731 about a Nick Fury series for a long time. 17 00:01:04,814 --> 00:01:07,525 So, when it came up or came about 18 00:01:07,609 --> 00:01:09,861 that they were going to do Secret Invasion, 19 00:01:09,944 --> 00:01:11,237 I was chuffed about it 20 00:01:11,321 --> 00:01:15,408 and not knowing what the story was, I had to go back and find 21 00:01:15,492 --> 00:01:18,745 that particular story line in the comic books. 22 00:01:18,828 --> 00:01:21,206 This doesn't necessarily follow that, 23 00:01:21,289 --> 00:01:24,417 but once, you know, we started dealing with the Skrulls 24 00:01:24,501 --> 00:01:27,128 and the Kree in Captain Marvel, 25 00:01:27,212 --> 00:01:30,381 that's when things started to kind of bubble in that particular way. 26 00:01:30,465 --> 00:01:31,841 Don't kill me. 27 00:01:31,966 --> 00:01:34,010 That would really complicate the situation 28 00:01:34,094 --> 00:01:36,596 I'm about five seconds from complicating that wall 29 00:01:36,679 --> 00:01:38,264 with some ugly-ass Skrull brain. 30 00:01:38,348 --> 00:01:39,974 TALOS: I'm sorry I simmed your boss, 31 00:01:40,058 --> 00:01:43,144 but now I stand before you as my true self. 32 00:01:43,645 --> 00:01:44,687 Without deception. 33 00:01:44,771 --> 00:01:47,398 In Captain Marvel, what we learn about the Skrulls 34 00:01:47,482 --> 00:01:50,860 is that they have been persecuted by the Kree 35 00:01:50,944 --> 00:01:53,655 for many generations, that their home world has been blown up 36 00:01:53,738 --> 00:01:57,909 and they are scattered across the cosmos as refugees in search of a home planet. 37 00:01:57,992 --> 00:02:00,286 You're good to go here until you recover, 38 00:02:00,370 --> 00:02:02,664 but you and your family are going to need a new look. 39 00:02:02,747 --> 00:02:04,415 I could go back to being your boss. 40 00:02:04,499 --> 00:02:05,542 Uh, please don't. 41 00:02:06,042 --> 00:02:09,254 It felt like there was more story there, and what we sort of came to was, 42 00:02:09,337 --> 00:02:10,713 what if the end of Captain Marvel 43 00:02:10,797 --> 00:02:13,174 is Captain Marvel leading the Skrulls into the galaxy 44 00:02:13,258 --> 00:02:14,509 to find a new home world? 45 00:02:14,592 --> 00:02:16,427 And what if she just failed? 46 00:02:16,511 --> 00:02:18,179 What if there was no new home world? 47 00:02:18,263 --> 00:02:20,640 And that felt like a starting point for sort of the... 48 00:02:20,723 --> 00:02:23,768 The turning of trust into anger and hatred. 49 00:02:24,310 --> 00:02:29,941 We've been helping you for all these years to ensure that you kept your promise. 50 00:02:30,525 --> 00:02:32,318 But after The Blip, 51 00:02:33,903 --> 00:02:35,613 you were different. 52 00:02:36,739 --> 00:02:38,032 And then you disappeared. 53 00:02:41,161 --> 00:02:42,704 BRIAN TUCKER: Talos is a Skrull. 54 00:02:42,787 --> 00:02:45,582 Nick Fury is obviously a human, 55 00:02:45,665 --> 00:02:50,044 and he's tasked with preventing this Skrull invasion. 56 00:02:50,128 --> 00:02:51,629 Can he trust his... 57 00:02:51,713 --> 00:02:53,882 One of his dearest friends in that process? 58 00:02:53,965 --> 00:02:56,092 Can Talos trust Nick Fury? 59 00:02:56,176 --> 00:02:59,596 So trust and, you know, 60 00:02:59,679 --> 00:03:02,140 the flip side of that, having faith in people, 61 00:03:02,223 --> 00:03:06,519 having faith in your friends, even when it's very tough to do so 62 00:03:06,603 --> 00:03:08,855 is at the heart of the story. 63 00:03:08,938 --> 00:03:12,984 You've got nine minutes and counting to figure out which side you're on! 64 00:03:15,028 --> 00:03:17,197 SCHWARTZ: We wanted to take Nick Fury 65 00:03:17,280 --> 00:03:20,575 and put him in a genre, in a structure in which he would shine. 66 00:03:21,117 --> 00:03:23,161 And Nick doesn't have superpowers. 67 00:03:23,244 --> 00:03:26,456 His superpower is his brain and his force of will. 68 00:03:26,956 --> 00:03:29,959 And those are things that come through really well 69 00:03:30,043 --> 00:03:31,252 in a spy thriller. 70 00:03:32,045 --> 00:03:36,716 TUCKER: We talked about it being a kind of a non-Marvel Marvel show. 71 00:03:36,799 --> 00:03:40,845 We wanted to really dial into Fury, the man. 72 00:03:40,929 --> 00:03:44,807 You know, I may not know when a Skrull is pretending to be a human, 73 00:03:45,433 --> 00:03:48,186 but I sure as hell know when a human is lying. 74 00:03:48,853 --> 00:03:52,649 Whatever we think about his trench coat and his eye patch, 75 00:03:52,732 --> 00:03:56,986 and how cool Sam Jackson is, Nick Fury is a human, 76 00:03:57,070 --> 00:04:01,199 a human with a certain kind of power, but not a superpower like Captain Marvel. 77 00:04:01,532 --> 00:04:03,117 Making friends with the locals? 78 00:04:03,201 --> 00:04:10,208 (CHUCKLES) How do you think we kept the Cold War from going hot? 79 00:04:10,291 --> 00:04:11,918 I, as an individual, 80 00:04:12,669 --> 00:04:14,837 I'm sort of charismatic, I think. 81 00:04:14,921 --> 00:04:15,922 I can be fun. 82 00:04:16,005 --> 00:04:17,757 I can be intimidating. 83 00:04:17,840 --> 00:04:20,301 I can be all the things that Nick Fury needs to be. 84 00:04:20,385 --> 00:04:23,596 His superpower is his persuasiveness 85 00:04:23,680 --> 00:04:25,181 and his fearlessness. 86 00:04:25,265 --> 00:04:27,684 I'm Nick Fury. 87 00:04:28,893 --> 00:04:31,562 Even when I'm out, I'm in. 88 00:04:32,689 --> 00:04:35,441 The thing that excites me about this project, Secret Invasion, 89 00:04:35,525 --> 00:04:37,485 is that you get to see another side of him. 90 00:04:38,611 --> 00:04:41,030 TUCKER: He's gotten older since we last saw him. 91 00:04:41,447 --> 00:04:47,453 He's been living up on S.A.B.E.R., his specially made space station. 92 00:04:47,537 --> 00:04:50,540 So he's been detached as well, 93 00:04:50,623 --> 00:04:53,626 and we wanted to show what it looked like 94 00:04:53,710 --> 00:04:56,170 for Fury a few years older, 95 00:04:56,254 --> 00:04:59,048 to come down and to have to re-acclimate. 96 00:04:59,132 --> 00:05:01,301 Let's just say I had a crisis of faith. 97 00:05:02,844 --> 00:05:04,053 So why'd you come back? 98 00:05:04,137 --> 00:05:05,555 It followed me up there, 99 00:05:07,056 --> 00:05:09,434 and I owe it to Talos. 100 00:05:10,476 --> 00:05:12,395 CLAIRE ANDERSON: At the start of Episode 1, 101 00:05:12,478 --> 00:05:15,523 I think he arrives back on Earth not sure quite what to expect, 102 00:05:15,606 --> 00:05:17,150 and what his role will be. 103 00:05:17,233 --> 00:05:20,528 And we wanted to use something that made him look softer. 104 00:05:20,611 --> 00:05:23,281 We used a cut of tailoring in a coat 105 00:05:23,364 --> 00:05:27,327 that had a softer shoulder to give him a more broken look. 106 00:05:27,410 --> 00:05:30,580 Although we kept elements of Fury's original style, 107 00:05:30,663 --> 00:05:32,665 the collar is always popped. 108 00:05:32,749 --> 00:05:35,835 But using a wool meant that it's more sympathetic to camera. 109 00:05:35,918 --> 00:05:37,795 Wool absorbs light differently to leather, 110 00:05:37,879 --> 00:05:40,882 so everything about him was a bit less commanding. 111 00:05:40,965 --> 00:05:44,218 The gravitas of Nick's journey is such that 112 00:05:44,302 --> 00:05:47,388 when we get towards the penultimate episode, 113 00:05:47,472 --> 00:05:51,351 we need him to gather all his strength and go forward to save the world 114 00:05:51,434 --> 00:05:52,894 and so that's what he does. 115 00:05:52,977 --> 00:05:55,480 And he moves from a dark, heavy coat 116 00:05:55,563 --> 00:05:57,857 to the black leather coat and the eye patch, 117 00:05:57,940 --> 00:06:01,110 something that represents the Fury of old that we know. 118 00:06:03,029 --> 00:06:05,406 So in working in Secret Invasion, 119 00:06:05,490 --> 00:06:10,036 we really wanted to bring back a lot of our familiar faces within the MCU. 120 00:06:10,119 --> 00:06:12,872 Listen to me. I am here to help you. 121 00:06:12,955 --> 00:06:15,166 You know, I had to pinch myself many mornings 122 00:06:15,249 --> 00:06:17,877 when I would step on set with Sam Jackson, 123 00:06:17,960 --> 00:06:19,837 Don Cheadle, Ben Mendelsohn. 124 00:06:19,921 --> 00:06:21,756 Some of my favorite actors in the world. 125 00:06:21,839 --> 00:06:24,050 How's that? You loved that, didn't ya? 126 00:06:24,133 --> 00:06:28,262 Ben, I got to know a little bit when he was Talos in Captain Marvel. 127 00:06:28,346 --> 00:06:31,474 It was such a fun, cool, amazing emotional character 128 00:06:31,557 --> 00:06:34,352 that it was a no-brainer to bring him back for Secret Invasion. 129 00:06:34,435 --> 00:06:35,520 She's cheeky. 130 00:06:35,603 --> 00:06:38,022 Yeah, 'till she sees an ugly-ass Skrull like you. 131 00:06:38,106 --> 00:06:39,607 Then she goes into hunting mode. 132 00:06:39,690 --> 00:06:42,485 I'm considered good-looking amongst my kind there. 133 00:06:42,568 --> 00:06:45,613 BEN MENDELSOHN: In Captain Marvel, the original brief 134 00:06:45,696 --> 00:06:49,158 was that Talos died in about Page 64. 135 00:06:49,951 --> 00:06:53,246 Once we started working, the plan changed a little bit. 136 00:06:54,205 --> 00:06:55,790 Was it something I said? 137 00:06:55,873 --> 00:06:57,792 Once he was sticking around, 138 00:06:57,875 --> 00:07:00,545 there was a relationship which developed with Fury. 139 00:07:00,628 --> 00:07:02,505 Go on, talk to her. She's your type. 140 00:07:04,298 --> 00:07:06,801 All right, if you're done. 141 00:07:06,884 --> 00:07:08,636 You always know just what to say. 142 00:07:08,719 --> 00:07:10,680 (BOTH CHUCKLE) 143 00:07:11,305 --> 00:07:12,849 JACKSON: He was a lot of fun. 144 00:07:12,932 --> 00:07:15,101 And he brings this really... 145 00:07:15,184 --> 00:07:17,979 He brings this verve to this whole Skrull thing. 146 00:07:18,062 --> 00:07:20,189 Cut that. Let's reset. One more, please. 147 00:07:20,273 --> 00:07:22,483 One more? That was amazing. 148 00:07:22,567 --> 00:07:24,694 Again, again? You want it again? Cut. 149 00:07:24,777 --> 00:07:28,072 That was the best one. That was the best ending. We got it. 150 00:07:28,156 --> 00:07:31,826 MENDELSOHN: It is one of the great pleasures of my working life 151 00:07:31,909 --> 00:07:35,121 to have an onscreen banter relationship 152 00:07:35,204 --> 00:07:38,124 with a character that's being played by Samuel L. Jackson. 153 00:07:38,207 --> 00:07:40,293 -I'm working with Sam Jackson. -Break the window. 154 00:07:40,376 --> 00:07:43,379 -I'm working with Sam Jackson. -MAN: So, A-cam, we lost video. 155 00:07:43,463 --> 00:07:44,547 (SINGS) Every day 156 00:07:47,675 --> 00:07:52,847 SMULDERS: I started my journey with Marvel, gosh, probably a decade ago. 157 00:07:52,930 --> 00:07:54,891 It was on the first Avengers film. 158 00:07:54,974 --> 00:07:58,936 So I went in and read for "female agent." 159 00:07:59,437 --> 00:08:03,774 And I don't know how I weaseled my way into this role, 160 00:08:03,858 --> 00:08:06,319 but I can't believe ten years later, 161 00:08:06,402 --> 00:08:09,071 you know, she's still running around with Nick Fury. 162 00:08:09,155 --> 00:08:10,364 You gonna move? 163 00:08:12,492 --> 00:08:14,076 I haven't decided. 164 00:08:15,036 --> 00:08:16,871 See, that's what I'm worried about. 165 00:08:17,747 --> 00:08:19,832 The Fury I knew was always three steps ahead. 166 00:08:22,335 --> 00:08:24,795 I was excited when I read the scripts 167 00:08:24,879 --> 00:08:27,590 that we got to see Maria sort of more in action. 168 00:08:29,842 --> 00:08:31,802 -Drop the bags. -I can't do that. 169 00:08:31,886 --> 00:08:33,554 You don't have a choice, sweetheart. 170 00:08:33,638 --> 00:08:35,306 We shot in here yesterday. 171 00:08:35,389 --> 00:08:36,641 It was a pretty quick fight 172 00:08:36,724 --> 00:08:39,936 (CHUCKLES) as we had to, to make it 173 00:08:40,019 --> 00:08:43,022 because Maria Hill is no match for sweet Emilia Clarke. 174 00:08:49,320 --> 00:08:50,446 Where'd he go? 175 00:08:50,530 --> 00:08:51,572 She. 176 00:08:51,656 --> 00:08:54,408 Depending on how well you remember the events of Captain Marvel, 177 00:08:54,492 --> 00:08:57,203 you may remember Talos reconnecting with his daughter, 178 00:08:57,286 --> 00:08:59,080 who's been hidden from him for many years. 179 00:08:59,163 --> 00:09:02,208 That daughter, years later, has become G'iah. 180 00:09:03,251 --> 00:09:04,293 Last warning! 181 00:09:06,337 --> 00:09:08,965 It's what you always say but there's always another. 182 00:09:09,048 --> 00:09:10,091 G'iah. 183 00:09:10,174 --> 00:09:13,386 Working with Ben Mendelsohn is the joy of my life. 184 00:09:13,469 --> 00:09:15,596 I was so nervous about meeting him 185 00:09:15,680 --> 00:09:18,182 because me and my friends had a Ben Mendelsohn fan club. 186 00:09:18,266 --> 00:09:20,017 We're obsessed with him as an actor. 187 00:09:20,101 --> 00:09:23,437 There are certain actors that are actors' actors to watch, 188 00:09:23,521 --> 00:09:26,482 and he is 100%, like, top of the tree with that. 189 00:09:26,566 --> 00:09:28,859 I didn't know what to expect, but what I got 190 00:09:28,943 --> 00:09:32,863 was this magical human who just wants to play 191 00:09:32,947 --> 00:09:35,783 and is so intuitive and is so much fun. 192 00:09:35,992 --> 00:09:36,993 You know what? 193 00:09:37,076 --> 00:09:38,828 -It's all falling apart for me. -(LAUGHS) 194 00:09:38,911 --> 00:09:41,956 -Let me just check out on this. -They've always stopped coming. 195 00:09:42,039 --> 00:09:44,083 MENDELSOHN: You act with people, you get a... 196 00:09:44,166 --> 00:09:45,835 You get an idea of who they are. 197 00:09:45,918 --> 00:09:48,045 It's not always right, but you get an idea. 198 00:09:48,713 --> 00:09:51,215 And Emilia really blew me away. 199 00:09:51,299 --> 00:09:53,843 She's like fresh air. 200 00:09:53,926 --> 00:09:56,262 Just, you know, really knocked me over. 201 00:09:56,345 --> 00:09:58,556 -One and done. -There aren't many of those here, mate. 202 00:09:58,639 --> 00:10:00,308 -I'm telling you that. -It's beautiful. 203 00:10:00,391 --> 00:10:01,517 -No worries. -Respect. 204 00:10:01,601 --> 00:10:03,311 With G'iah, throughout the show, 205 00:10:03,394 --> 00:10:06,647 you sort of see her go on a journey of self-discovery as a woman, 206 00:10:06,731 --> 00:10:09,817 but also a journey of self-discovery as a person. 207 00:10:10,818 --> 00:10:13,613 What her beliefs really are, are tested. 208 00:10:14,405 --> 00:10:15,448 And... 209 00:10:16,574 --> 00:10:18,034 She's a general's daughter, 210 00:10:18,117 --> 00:10:20,745 so there's a responsibility there. 211 00:10:21,495 --> 00:10:23,998 And it's the kind of question of will she accept it or not? 212 00:10:24,373 --> 00:10:27,293 You don't see me because I'm not here. 213 00:10:27,376 --> 00:10:28,669 I understand you're taking a risk. 214 00:10:28,753 --> 00:10:29,754 A risk? 215 00:10:30,755 --> 00:10:34,216 Is that what you explained to Mum, that following you could get her killed? 216 00:10:34,300 --> 00:10:39,305 Your mother died while you were working for her killer. 217 00:10:40,389 --> 00:10:42,141 KINGSLEY BEN-ADIR: With someone like Gravik, 218 00:10:42,224 --> 00:10:45,770 what was most interesting about exploring him is that 219 00:10:45,853 --> 00:10:49,523 someone who has that impulse towards violence and destruction, 220 00:10:49,607 --> 00:10:51,901 who also has such a high IQ 221 00:10:51,984 --> 00:10:53,444 is the most dangerous. 222 00:10:54,195 --> 00:10:58,866 GRAVIK: You know the difference between statesmen and soldiers. 223 00:10:58,949 --> 00:11:02,244 One lot spends the war posing for pictures, 224 00:11:03,454 --> 00:11:05,456 while the other does all the killing 225 00:11:05,539 --> 00:11:06,624 and the dying. 226 00:11:06,707 --> 00:11:11,796 Krell made his decision when he signed on to your delusional war against the house. 227 00:11:11,879 --> 00:11:14,048 You know, I would be doing us both a favor 228 00:11:14,131 --> 00:11:15,758 if I just put you out of your misery. 229 00:11:15,841 --> 00:11:19,804 BEN-ADIR: For me, the key into that was the destruction of his planet 230 00:11:19,887 --> 00:11:22,765 and then coming to Earth and then trusting in Fury 231 00:11:22,848 --> 00:11:25,601 and then giving him 30 years and still nothing. 232 00:11:27,103 --> 00:11:30,106 Enough's enough. Now I teach. Now I'm the teacher. 233 00:11:30,481 --> 00:11:32,483 (SPEAKS SKRULL LANGUAGE) 234 00:11:49,709 --> 00:11:52,920 MENDELSOHN: Kingsley brings an incredible energy 235 00:11:53,003 --> 00:11:59,844 and a real interrogation of who Gravik is and why Gravik is, 236 00:11:59,927 --> 00:12:03,973 and he brings a great amount of power to it. 237 00:12:04,515 --> 00:12:06,517 And he's very heartfelt. 238 00:12:07,059 --> 00:12:08,394 GRAVIK: You ask me, Talos, 239 00:12:08,477 --> 00:12:12,773 choice between having my story told in ink and oil paint, 240 00:12:12,857 --> 00:12:14,442 or having it written in blood. 241 00:12:15,484 --> 00:12:19,780 I choose blood all day long. 242 00:12:19,864 --> 00:12:26,162 There's a hurt that has calcified into his madness and his rage, 243 00:12:26,245 --> 00:12:28,706 and I think he's playing those things wonderfully. 244 00:12:28,789 --> 00:12:32,626 He's absolutely the Gravik that I had in mind. 245 00:12:32,710 --> 00:12:34,545 That's what this is all about, isn't it? 246 00:12:34,628 --> 00:12:36,464 You're gonna take our people 247 00:12:36,547 --> 00:12:39,341 to the edge of extinction with the war with the humans. 248 00:12:39,425 --> 00:12:41,343 All these miscreants know 249 00:12:42,678 --> 00:12:43,804 is murder. 250 00:12:45,347 --> 00:12:46,724 Look how they treat each other. 251 00:12:48,225 --> 00:12:49,602 That's what's gonna happen. 252 00:12:50,644 --> 00:12:52,062 We're gonna murder them all. 253 00:12:56,233 --> 00:12:59,403 SCHWARTZ: Secret Invasion takes place in the real world and a real world. 254 00:12:59,487 --> 00:13:00,863 It's not alien planets. 255 00:13:00,946 --> 00:13:02,406 It's not starships far away. 256 00:13:02,490 --> 00:13:03,616 It's not other dimensions. 257 00:13:03,699 --> 00:13:05,493 It is Earth and Earth is the stakes. 258 00:13:05,576 --> 00:13:08,120 And that allows us to do a lot for real. 259 00:13:08,204 --> 00:13:10,080 Our production designer, Frank Walsh, 260 00:13:10,164 --> 00:13:12,958 has constructed some amazing real world sets. 261 00:13:13,042 --> 00:13:16,337 I do like to have very kind of tangible kind of sets 262 00:13:16,420 --> 00:13:18,464 that you feel you can see the dirt on. 263 00:13:18,547 --> 00:13:20,966 So you can touch something that feels very real. 264 00:13:21,050 --> 00:13:23,677 I definitely wanted to kind of create worlds in camera 265 00:13:23,761 --> 00:13:26,096 and not relying a lot on visual effects. 266 00:13:26,180 --> 00:13:29,308 The script was asking some amazing sets 267 00:13:29,391 --> 00:13:32,144 from the safe houses in Moscow, 268 00:13:32,228 --> 00:13:35,523 which kind of harks back to very kind of early thrillers, you know, 269 00:13:35,606 --> 00:13:37,942 up to reactor room in Skrull Town. 270 00:13:38,025 --> 00:13:41,946 So it was kind of a broad spectrum of sets to design 271 00:13:42,029 --> 00:13:45,115 from very gritty places to very high end. 272 00:13:45,199 --> 00:13:49,578 But probably the biggest set piece we will do is this Unity Day festival. 273 00:13:49,662 --> 00:13:53,040 We're in Piece Hall in Halifax, West Yorkshire. 274 00:13:53,707 --> 00:13:57,545 We have recreated a central square in Moscow 275 00:13:57,628 --> 00:14:00,339 that is celebrating Unity Day, 276 00:14:00,422 --> 00:14:04,760 which Gravik decided to attack or bomb 277 00:14:04,844 --> 00:14:07,513 during a time when there are more people here. 278 00:14:09,807 --> 00:14:13,310 It's enormous. We had 250 extras. 279 00:14:13,394 --> 00:14:17,940 The square could probably contain 5,000 people to make it look full. 280 00:14:18,023 --> 00:14:20,192 And so we used those 250 281 00:14:20,276 --> 00:14:21,819 and we tiled the floor with them, 282 00:14:21,902 --> 00:14:24,113 moved them around in different configurations, 283 00:14:24,196 --> 00:14:27,783 so when we get a wide shot of the square, it looks like it's really full 284 00:14:27,867 --> 00:14:29,743 like Times Square on New Year's Eve. 285 00:14:31,537 --> 00:14:33,497 There are explosions that go off 286 00:14:33,581 --> 00:14:36,375 and we've built, thanks to John Van Der Pool, 287 00:14:36,458 --> 00:14:38,294 the special effects guy, we've built 288 00:14:38,794 --> 00:14:43,799 bombs that explode with air and fire and throws debris out 289 00:14:43,883 --> 00:14:45,885 so it looks like buildings are breaking. 290 00:14:47,595 --> 00:14:49,096 VAN DER POOL: This was a busy week for us. 291 00:14:49,179 --> 00:14:52,349 It's quite involved because we're actually using compressed air, 292 00:14:52,433 --> 00:14:56,562 so as to keep the noise down with a lot of very ancient windows around us 293 00:14:56,645 --> 00:14:58,063 and confined space. 294 00:14:58,522 --> 00:15:01,483 So we're using high pressure air mortars 295 00:15:01,567 --> 00:15:05,195 and we're using small explosives linked with propane gas. 296 00:15:05,279 --> 00:15:08,657 We release propane gas and then ignite it to give us a fireball. 297 00:15:11,452 --> 00:15:14,830 Bit more labor intensive, but hopefully we'll get the right effect. 298 00:15:16,415 --> 00:15:19,251 I think we'll probably do ten explosions over the weeks, 299 00:15:19,335 --> 00:15:22,254 especially with an effect like this with so many variables, 300 00:15:22,338 --> 00:15:26,091 not just from our point of view but from actors, from cameras, 301 00:15:26,175 --> 00:15:28,719 we're always prepared to do more than one take. 302 00:15:28,802 --> 00:15:31,055 MAN: Three, two, one, action! 303 00:15:35,976 --> 00:15:37,937 Fury, Talos, what's your status? 304 00:15:39,563 --> 00:15:42,816 One of the kind of just important decisions 305 00:15:42,900 --> 00:15:45,235 that we had to make early on 306 00:15:45,319 --> 00:15:49,239 was how to really illustrate the scale 307 00:15:49,323 --> 00:15:51,700 and the reality of the danger 308 00:15:51,784 --> 00:15:54,620 that Gravik and his rebels pose to humans. 309 00:15:56,455 --> 00:15:59,625 And to do that, we couldn't allow 310 00:15:59,708 --> 00:16:03,545 all of our characters to make it out safely. 311 00:16:03,629 --> 00:16:06,632 This is a contest for the planet. 312 00:16:06,715 --> 00:16:09,593 It's being fought on the ground and it's gonna be bloody. 313 00:16:09,677 --> 00:16:12,846 There will be casualties in this conflict, 314 00:16:12,972 --> 00:16:17,184 and that means making, you know, those tough decisions 315 00:16:17,267 --> 00:16:19,353 to say goodbye to beloved characters. 316 00:16:21,689 --> 00:16:22,856 FURY: Hill! 317 00:16:25,067 --> 00:16:26,860 -(GUN FIRES) -(GROANS) 318 00:16:30,864 --> 00:16:33,450 It's a wrap. That's a wrap on... 319 00:16:33,867 --> 00:16:34,868 On this big day. 320 00:16:34,952 --> 00:16:38,664 We were out in the square and there was multiple explosions 321 00:16:38,747 --> 00:16:42,584 and there was chaos and madness and... 322 00:16:42,668 --> 00:16:46,463 And in all of that, Nick Fury was looking for Maria Hill, 323 00:16:46,547 --> 00:16:48,841 and Gravik got to her first 324 00:16:48,924 --> 00:16:52,928 and shape-shifted into the form of Fury and shot Maria Hill, 325 00:16:53,012 --> 00:16:54,555 in the... In the gut. 326 00:16:55,389 --> 00:16:56,807 In the gut right there. 327 00:16:59,852 --> 00:17:01,103 (FURY GRUNTING) 328 00:17:01,186 --> 00:17:04,940 SMULDERS: I've enjoyed my time with Sam immensely, and... 329 00:17:05,024 --> 00:17:07,317 And being his partner in all these adventures 330 00:17:07,401 --> 00:17:09,111 and it's somewhat poetic 331 00:17:09,194 --> 00:17:12,823 that he's the one who I think kills me, but isn't. It's... 332 00:17:12,906 --> 00:17:15,993 It's going to leave his character in a very dark place. 333 00:17:17,786 --> 00:17:21,331 TUCKER: With the death of Maria Hill, he now understands 334 00:17:21,415 --> 00:17:23,167 this is personal between him and Gravik. 335 00:17:23,250 --> 00:17:26,795 I think the real question is, is Fury capable? 336 00:17:26,879 --> 00:17:29,840 Like, is Fury still Fury, 337 00:17:29,923 --> 00:17:31,258 or has he lost it? 338 00:17:32,885 --> 00:17:35,179 SONYA: I think Thanos's snap changed you. 339 00:17:35,262 --> 00:17:38,015 Taught you that no matter how hard you fight for what's right, 340 00:17:38,098 --> 00:17:40,601 there's always someone stronger to undermine you. 341 00:17:48,734 --> 00:17:52,279 SELIM: We are at Hatfield House outside of London, 342 00:17:52,362 --> 00:17:55,657 and this is the location for 343 00:17:56,992 --> 00:18:00,621 the Russian townhouse of Sonya, 344 00:18:00,704 --> 00:18:04,541 who is the MI6 counterpart of Nick Fury. 345 00:18:04,625 --> 00:18:07,586 Back in the day, you would've seen my rather mediocre bag men 346 00:18:07,669 --> 00:18:08,921 coming a mile away. 347 00:18:09,505 --> 00:18:11,340 The fact that you didn't see them coming 348 00:18:11,423 --> 00:18:14,134 means you sure as hell won't see Gravik and his rebels coming. 349 00:18:14,218 --> 00:18:16,303 Which makes you as a partner rather pointless. 350 00:18:16,386 --> 00:18:19,264 I don't need to say anything about Olivia Colman as an actor 351 00:18:19,348 --> 00:18:21,016 because everybody already knows. 352 00:18:21,100 --> 00:18:23,435 She's one of the greatest living actors in the world 353 00:18:23,519 --> 00:18:26,021 who brings a sense of fun and adventure, 354 00:18:26,105 --> 00:18:28,190 and this amazing spirit to everything she does. 355 00:18:28,273 --> 00:18:29,316 Alone at last. 356 00:18:29,608 --> 00:18:32,027 Now, shall we do this the easy way or the other way? 357 00:18:33,112 --> 00:18:35,364 I know after every Marvel film released, 358 00:18:35,447 --> 00:18:39,868 I would phone my agent and say, "Please, can I be in a Marvel?" 359 00:18:40,285 --> 00:18:42,454 But I don't know if that actually is how it happened, 360 00:18:42,538 --> 00:18:44,790 but I got a call and said, "Yes." 361 00:18:44,873 --> 00:18:48,335 JACKSON: I just really, really, really love working with her after... 362 00:18:48,418 --> 00:18:50,754 after watching her in so many wonderful things 363 00:18:50,838 --> 00:18:53,257 and knowing what kind of actor she was. 364 00:18:53,340 --> 00:18:55,509 COLMAN: I was so excited and so nervous. 365 00:18:55,592 --> 00:18:59,054 Like proper kneecap jelly when I knew I was going to meet him. 366 00:18:59,471 --> 00:19:00,806 And he was just so lovely. 367 00:19:00,889 --> 00:19:04,268 I think we might have even both gone (LAUGHS) when we met. 368 00:19:04,476 --> 00:19:06,103 -Ooh! -JACKSON: That was amazing! 369 00:19:06,562 --> 00:19:08,480 He called my sneakers dope. 370 00:19:09,773 --> 00:19:11,650 I don't think I took them off for a year. 371 00:19:11,733 --> 00:19:14,027 JACKSON: It's one of those things where I've always known, 372 00:19:14,111 --> 00:19:16,321 you know, from watching her 373 00:19:16,405 --> 00:19:20,033 that as serious and as convincing 374 00:19:20,117 --> 00:19:23,370 and as honest as her work is when you see it, 375 00:19:24,079 --> 00:19:26,874 you can see the twinkle in her eye that's fun. 376 00:19:26,957 --> 00:19:31,336 She is a very fun, fun actor 377 00:19:31,420 --> 00:19:34,965 that, you know, like me, this is sort of a playground for her. 378 00:19:35,048 --> 00:19:38,844 She wants to come to work and do this thing that we do. 379 00:19:38,927 --> 00:19:43,265 And the better you are at it, the better she becomes at it, 380 00:19:43,348 --> 00:19:46,393 and the more you engage with her, 381 00:19:46,476 --> 00:19:49,855 the more, you know, we give each other and the scenes become even fuller. 382 00:19:49,938 --> 00:19:51,857 Well, they do say Darwin never sleeps. 383 00:19:53,150 --> 00:19:56,403 -Let's give our extinction a nice leg up. -(CHUCKLES) 384 00:19:57,029 --> 00:19:59,698 SCHWARTZ: While Nick is relatively sympathetic to the Skrulls 385 00:19:59,781 --> 00:20:01,742 and has been working with them for a long time, 386 00:20:02,159 --> 00:20:03,368 Sonya is not, 387 00:20:03,452 --> 00:20:06,538 and will go scorched-earth in order to protect Britain and the world. 388 00:20:06,622 --> 00:20:09,917 I've thrown everything at him and he hasn't said a word. 389 00:20:10,000 --> 00:20:12,002 What makes you think you can get him to speak? 390 00:20:12,085 --> 00:20:13,629 Oh, I can be quite persuasive. 391 00:20:14,129 --> 00:20:19,676 COLMAN: So, today, we've been shooting a scene where Sonya is torturing Brogan 392 00:20:19,760 --> 00:20:22,387 because he's a Skrull 393 00:20:23,222 --> 00:20:27,059 and there's some good ones, some bad ones, and she likes to find out who's who. 394 00:20:27,142 --> 00:20:29,603 -So she chops off his finger. -(SCREAMING IN PAIN) 395 00:20:29,686 --> 00:20:32,147 We watch the human finger turn to Skrull so she knows, 396 00:20:32,314 --> 00:20:34,483 "Okay, he's one of them." And then, 397 00:20:34,566 --> 00:20:37,653 tortures him with this injection, which makes his blood cook. 398 00:20:38,528 --> 00:20:43,533 And then she kicks him over off his chair so that she can get to the escape hatch. 399 00:20:43,617 --> 00:20:45,577 Sounds like your lift is here. 400 00:20:47,412 --> 00:20:50,624 So I had to kick Brogan over off his chair, 401 00:20:50,707 --> 00:20:53,168 and I'm quite ashamed at how much I enjoyed it. 402 00:20:53,252 --> 00:20:56,380 -I really enjoyed it. -(ALL LAUGHING) 403 00:20:56,463 --> 00:20:59,508 But it's just so exciting to come on set, on a Marvel set, 404 00:21:00,259 --> 00:21:03,178 and there's gadgets and torture things 405 00:21:03,262 --> 00:21:07,432 and liquids that make people bubble. Oh, I love it. It's really fun. 406 00:21:07,975 --> 00:21:09,101 What'd you tell 'em? 407 00:21:09,184 --> 00:21:11,061 Nothin', just lies. 408 00:21:11,395 --> 00:21:12,437 Nothin'? 409 00:21:12,813 --> 00:21:13,897 Just lies? 410 00:21:14,523 --> 00:21:15,941 That's all, I swear. 411 00:21:17,943 --> 00:21:21,530 SELIM: Gravik has come up with a version of the classic chaos theory, 412 00:21:21,613 --> 00:21:23,865 which comes from many types of warfare, 413 00:21:23,949 --> 00:21:25,575 specifically, Skrull warfare, 414 00:21:25,659 --> 00:21:28,787 where you get your enemies to fight against each other 415 00:21:28,870 --> 00:21:31,790 and reduce their numbers so that then you can come in 416 00:21:31,873 --> 00:21:33,625 and either finish them off 417 00:21:34,251 --> 00:21:36,211 or just turn them into refugees and take over. 418 00:21:36,295 --> 00:21:38,338 You've got all these European crybabies. 419 00:21:38,422 --> 00:21:40,841 They're all saying we had something to do with Moscow. 420 00:21:40,924 --> 00:21:42,759 Well, I call bull on that. 421 00:21:43,051 --> 00:21:44,177 I see no evidence. 422 00:21:44,261 --> 00:21:47,264 There's no way the Moscow attacks were committed by Americans. 423 00:21:47,347 --> 00:21:49,016 What are you hearing, Senator Byers? 424 00:21:49,099 --> 00:21:53,270 For us to feel like we could reasonably and believably, 425 00:21:53,353 --> 00:21:55,939 explore this idea of sowing world chaos, 426 00:21:56,023 --> 00:22:00,485 we really felt that the rebel Skrulls had to infiltrate on a global capacity. 427 00:22:00,569 --> 00:22:03,530 That means infiltrating different countries, 428 00:22:03,613 --> 00:22:06,158 governments, businesses, communities. 429 00:22:06,241 --> 00:22:09,453 Colonel, are you denying that two of your citizens, 430 00:22:09,536 --> 00:22:12,998 Mr. Nicholas Fury and Miss Maria Hill, 431 00:22:13,081 --> 00:22:16,543 were present in Moscow at the scene of the attacks? 432 00:22:16,626 --> 00:22:20,172 We are aware of allegations that Mr. Fury and Miss Hill 433 00:22:20,255 --> 00:22:22,007 may have traveled to Moscow. 434 00:22:22,090 --> 00:22:25,802 TUCKER: Another example of trust no one in our show 435 00:22:25,886 --> 00:22:30,432 that has kind of far-reaching implications for the MCU, 436 00:22:30,515 --> 00:22:34,436 looking backward and projecting forward, is that we find out that 437 00:22:34,519 --> 00:22:36,688 Colonel Rhodes is, in fact, a Skrull. 438 00:22:39,149 --> 00:22:41,193 It's been an interesting ride, 439 00:22:41,276 --> 00:22:44,863 and through all of the different iterations of Rhodey, 440 00:22:44,946 --> 00:22:47,991 and it's great to have an opportunity to keep exploring a character 441 00:22:48,075 --> 00:22:50,327 and finding new facets to him 442 00:22:50,410 --> 00:22:51,912 and new ways to play it. 443 00:22:51,995 --> 00:22:54,081 If Slovakia rolls its eyes at me one more time, 444 00:22:54,164 --> 00:22:56,208 I'm gonna put on the suit and carpet bomb it. 445 00:22:56,291 --> 00:22:59,920 I think that's always the exciting thing to me about these shows is... 446 00:23:00,003 --> 00:23:01,922 Is seeing the other colors of these characters 447 00:23:02,005 --> 00:23:03,924 and what they're having to deal with. 448 00:23:04,007 --> 00:23:07,803 While the country appreciates your service to the President tonight, 449 00:23:07,886 --> 00:23:09,346 I'm here now. You can go. 450 00:23:09,429 --> 00:23:11,390 You must be outta your Skrull-ass mind, 451 00:23:11,473 --> 00:23:14,434 you think I'm gonna let you get anywhere near the President. 452 00:23:15,310 --> 00:23:16,978 Don and I were like golf buddies, 453 00:23:17,062 --> 00:23:20,774 and we've known each other forever but never worked together. 454 00:23:20,857 --> 00:23:22,818 -Enticing offer. -Word. 455 00:23:23,735 --> 00:23:27,030 I would think that's what they call in this business a win-win. 456 00:23:27,823 --> 00:23:29,199 Can I make you a counteroffer? 457 00:23:30,492 --> 00:23:35,539 JACKSON: So, this has been, you know, a wonderful opportunity for Don and I 458 00:23:35,622 --> 00:23:38,291 to, you know, step in and do some stuff together 459 00:23:38,375 --> 00:23:41,837 and be able to, I'd say, joust 460 00:23:41,920 --> 00:23:46,007 in that way that good friends who respect each other's work 461 00:23:46,091 --> 00:23:50,303 and have been anxious to actually, you know, get in that space together 462 00:23:51,179 --> 00:23:52,264 and do it. 463 00:23:52,347 --> 00:23:54,057 This is a war I got to fight. 464 00:23:55,642 --> 00:23:57,978 When we finish, we can look at each other and kind of go, 465 00:23:58,061 --> 00:24:01,314 "Yeah, I think we did it. Yeah, we did it. We did it. Yeah." 466 00:24:12,993 --> 00:24:17,289 TUCKER: One of the special reveals that we thought was important 467 00:24:17,372 --> 00:24:20,459 in building out this series and building out a Nick Fury 468 00:24:20,542 --> 00:24:22,711 who was fuller than just his job 469 00:24:22,794 --> 00:24:24,588 is Mrs. Fury. 470 00:24:25,505 --> 00:24:27,299 -Good morning. -Morning! 471 00:24:27,382 --> 00:24:29,259 TUCKER: Her name's Priscilla Davis 472 00:24:29,342 --> 00:24:31,178 and they met 30 years ago. 473 00:24:31,261 --> 00:24:35,140 There's a rule that, you know, commander of station and operatives cannot be... 474 00:24:35,223 --> 00:24:37,517 Our unit doesn't exist, Fury. 475 00:24:38,768 --> 00:24:40,353 That means I don't work for you. 476 00:24:40,770 --> 00:24:44,191 -That's an intriguing possibility. -(CHUCKLES) 477 00:24:44,399 --> 00:24:49,738 TUCKER: And what we further reveal is that Priscilla's, in fact, a Skrull. 478 00:24:49,821 --> 00:24:51,781 WILLIAMS: She's very much a peer to Fury, 479 00:24:51,865 --> 00:24:54,117 which is something we don't see often in the MCU. 480 00:24:54,201 --> 00:24:55,869 He's the smartest guy in the room, 481 00:24:55,952 --> 00:24:58,330 and with Priscilla we had somebody who could match his wit 482 00:24:58,413 --> 00:25:01,708 and his intelligence, and that was really exciting. 483 00:25:02,459 --> 00:25:06,546 Charlayne Woodard, a friend of mine that I've known for a very long time 484 00:25:06,630 --> 00:25:08,173 back in the '70s and '80s, 485 00:25:08,256 --> 00:25:10,759 when all of us were, you know, pounding the pavement 486 00:25:11,259 --> 00:25:13,303 and doing plays and doing all this other stuff. 487 00:25:13,386 --> 00:25:15,430 She's, you know, fascinating to work with. 488 00:25:15,514 --> 00:25:18,517 I never had a chance to work with her. We've just been friends forever. 489 00:25:18,600 --> 00:25:20,685 So all of a sudden, we're working together, 490 00:25:20,769 --> 00:25:22,646 so that's an amazing kind of thing. 491 00:25:23,396 --> 00:25:26,816 -Fancy. -My old Moroccan pour. 492 00:25:27,609 --> 00:25:30,362 I thought she was something really special 493 00:25:30,445 --> 00:25:33,114 and she knew how to have fun with it. 494 00:25:33,657 --> 00:25:36,993 Thank you for the best time I've ever had on any project. 495 00:25:37,077 --> 00:25:38,620 -MAN: Yeah. -Why lie to them? (CHUCKLES) 496 00:25:38,703 --> 00:25:39,996 It's the truth. 497 00:25:40,080 --> 00:25:42,707 If it was Gravik, then why does he need me? 498 00:25:42,791 --> 00:25:45,335 What Gravik needs, what Gravik doesn't need, 499 00:25:45,418 --> 00:25:46,711 that's none of your concern. 500 00:25:47,462 --> 00:25:51,007 Gravik is, depending on your perspective, 501 00:25:51,132 --> 00:25:56,680 either a global terrorist or, you know, a freedom fighter. 502 00:25:57,514 --> 00:25:59,933 BEN-ADIR: Gravik doesn't trust anyone apart from himself. 503 00:26:00,016 --> 00:26:01,810 Skrulls, humans, they're all the same. 504 00:26:01,893 --> 00:26:03,895 I see you've kept the circle tight on this one. 505 00:26:04,688 --> 00:26:06,815 -We're the circle. No one else. -Oh, yeah? 506 00:26:06,898 --> 00:26:09,025 We're over 500 strong now. 507 00:26:09,776 --> 00:26:11,486 BETO: So, is everyone a part of... 508 00:26:11,570 --> 00:26:14,281 G'IAH: The resistance? No. Gravik provides refuge. 509 00:26:14,739 --> 00:26:17,784 But if you do choose to be a warrior, there is one advantage. 510 00:26:18,243 --> 00:26:19,452 Oh, yeah? What's that? 511 00:26:19,703 --> 00:26:20,912 You get to leave. 512 00:26:21,496 --> 00:26:22,998 Everyone else stays in the compound. 513 00:26:24,499 --> 00:26:28,712 SELIM: The idea was to have a place where the Skrulls could survive 514 00:26:28,795 --> 00:26:30,505 and the humans couldn't get to. 515 00:26:30,589 --> 00:26:31,923 So it was like a hideout, 516 00:26:32,007 --> 00:26:35,635 like a refugee camp that was undetectable. 517 00:26:36,136 --> 00:26:41,099 And the Skrulls realized, or knew, before the story started 518 00:26:41,182 --> 00:26:43,268 that they could withstand radiation. 519 00:26:44,185 --> 00:26:48,023 And there's a town very much like Chernobyl 520 00:26:48,106 --> 00:26:53,403 that has been the victim of a nuclear power plant meltdown some years before, 521 00:26:53,486 --> 00:26:57,907 and the humans stay away from it because the radiation levels are too high. 522 00:26:58,533 --> 00:27:00,535 And the Skrulls, it has no effect on them. 523 00:27:00,619 --> 00:27:03,288 WALSH: I always imagine it was like 20 years adrift, 524 00:27:03,371 --> 00:27:05,415 that it had been abandoned at least 20 years. 525 00:27:05,498 --> 00:27:09,169 The buildings there probably date from maybe 50 years ago? 526 00:27:09,252 --> 00:27:12,047 So I was trying to create that sort of sense of a place 527 00:27:12,130 --> 00:27:13,715 where it has a history. 528 00:27:13,798 --> 00:27:16,426 It looks derelict in a way that people have abandoned it. 529 00:27:16,509 --> 00:27:19,554 It needed to feel that it was kind of natural, degraded, 530 00:27:19,638 --> 00:27:22,098 you know, the way that nature takes over places. 531 00:27:23,808 --> 00:27:25,560 The Skrulls are not trying to make it home, 532 00:27:25,644 --> 00:27:28,813 so they're never fixing anything up. They're just existing there 533 00:27:28,897 --> 00:27:31,775 because this is just a stopping off place in their journey. 534 00:27:31,858 --> 00:27:34,235 The Skrull experience is a refugee experience. 535 00:27:34,319 --> 00:27:38,281 It's an experience that has required them to live in the shadows, 536 00:27:38,365 --> 00:27:40,909 and they want nothing more 537 00:27:40,992 --> 00:27:44,037 than to continue to be able to live in peace. 538 00:27:45,288 --> 00:27:46,706 Welcome to New Skrullos. 539 00:27:49,417 --> 00:27:52,379 ANDERSON: I looked back at the Secret Invasion comic, 540 00:27:52,462 --> 00:27:55,924 I looked at Captain Marvel where we see the Skrulls, 541 00:27:56,007 --> 00:27:58,760 I dug into Marvel Archive to see if there was anything else. 542 00:27:58,843 --> 00:28:01,304 We explored the Skrull language. 543 00:28:01,388 --> 00:28:03,014 We got Skrull text. 544 00:28:03,098 --> 00:28:05,392 We explored all of those elements, 545 00:28:05,475 --> 00:28:07,602 and what we decided was 546 00:28:07,686 --> 00:28:13,858 the Skrulls will have kept an element of who they were about themselves. 547 00:28:13,942 --> 00:28:17,362 So, we wanted to find a texture that represented their skin. 548 00:28:17,445 --> 00:28:21,366 So we have given all the Skrulls a waffle texture as a base layer, 549 00:28:21,491 --> 00:28:23,660 because that felt close to their skin. 550 00:28:23,743 --> 00:28:25,370 Now, the more military Skrulls 551 00:28:25,453 --> 00:28:28,998 have got map pockets and military pockets, 552 00:28:29,499 --> 00:28:31,584 I think, pockets for equipment 553 00:28:31,668 --> 00:28:34,003 because as they assimilate to humans, 554 00:28:34,087 --> 00:28:36,881 they gather information about what's useful 555 00:28:36,965 --> 00:28:38,299 and what the human does. 556 00:28:38,383 --> 00:28:39,718 So in a military sense, 557 00:28:39,801 --> 00:28:43,722 they adapted aspects of military clothing and militia look. 558 00:28:43,805 --> 00:28:48,977 And then the more civilian Skrulls that we see in Skrull Town 559 00:28:49,060 --> 00:28:52,856 are more, more utilitarianly dressed, 560 00:28:52,939 --> 00:28:54,858 and we looked at French work wear, we looked 561 00:28:54,941 --> 00:28:59,446 at what uniform does society give its civilians 562 00:28:59,529 --> 00:29:02,157 when they're in a politically transient situation. 563 00:29:02,240 --> 00:29:03,533 What is your name? 564 00:29:03,616 --> 00:29:04,701 BROGAN: Warrior. 565 00:29:04,784 --> 00:29:06,244 What is your fight? 566 00:29:06,327 --> 00:29:07,328 BROGAN: Skrullos. 567 00:29:07,662 --> 00:29:08,872 PAGON: What is your dream? 568 00:29:08,955 --> 00:29:09,956 BROGAN: Home. 569 00:29:10,457 --> 00:29:14,544 When we came to designing the makeup for the Skrull refugees, 570 00:29:14,627 --> 00:29:17,881 we were talking about the reality of that 571 00:29:17,964 --> 00:29:22,260 and how we were going to reflect that with our cast and our Skrulls. 572 00:29:22,343 --> 00:29:28,057 And, you know, they've all got to look, like, downtrodden and tired 573 00:29:28,141 --> 00:29:30,310 and world-weary. 574 00:29:30,393 --> 00:29:34,355 You may not notice, but they've all got quite grubby nails 575 00:29:34,439 --> 00:29:36,775 and the necks are all a bit grubby, 576 00:29:36,858 --> 00:29:40,361 and the pores on the... Across the noses of the children 577 00:29:40,445 --> 00:29:43,281 have got worn in dirt, little details like that 578 00:29:43,364 --> 00:29:48,077 which just bring that kind of reality of being constantly on the move. 579 00:29:57,712 --> 00:30:00,924 We're now in the finishing department of Cam Effects. 580 00:30:01,007 --> 00:30:03,218 This is where we do all the painting and the seaming 581 00:30:03,301 --> 00:30:05,929 and getting things all ready just before things go on set. 582 00:30:06,012 --> 00:30:09,808 This is kind of the final stage before we take the prosthetics on the set 583 00:30:09,891 --> 00:30:11,392 and stick them onto the actor. 584 00:30:15,688 --> 00:30:18,608 Some prosthetics we actually have done the ears separate. 585 00:30:18,691 --> 00:30:21,569 So the ears would go on first, then the chin, then the face. 586 00:30:22,862 --> 00:30:25,281 In some cowls, we've done the ears intact. 587 00:30:25,365 --> 00:30:28,535 The reason that we've done them slightly different for different people 588 00:30:28,618 --> 00:30:31,204 is because some people's ears are so close to their head 589 00:30:31,287 --> 00:30:34,666 that actually, we can get away with keeping the ears on the cowl 590 00:30:34,749 --> 00:30:36,709 and some they stick out, 591 00:30:36,793 --> 00:30:39,254 so it's actually easier for us to do the ears separately. 592 00:30:39,337 --> 00:30:41,005 It just depends on time as well. 593 00:30:41,089 --> 00:30:43,341 The good thing about doing it this way is 594 00:30:43,424 --> 00:30:45,927 the time in the makeup chair is vastly reduced 595 00:30:46,010 --> 00:30:49,639 because we can stick on this large piece in probably about 40 minutes 596 00:30:49,722 --> 00:30:51,975 and then that's half the makeup pretty much done, 597 00:30:52,058 --> 00:30:53,643 and then chin and face goes on 598 00:30:53,726 --> 00:30:55,103 and it's very, very fast. 599 00:30:58,940 --> 00:31:00,942 We have a lot of background Skrulls. 600 00:31:01,025 --> 00:31:04,404 The difference between the cast and the background is actually minimal. 601 00:31:04,487 --> 00:31:06,114 You know, the actual level of detail 602 00:31:06,197 --> 00:31:08,199 and the application is pretty much the same. 603 00:31:08,283 --> 00:31:11,452 But the very background is literally pull-on masks, 604 00:31:11,536 --> 00:31:14,414 and that's to save on time and labor, 605 00:31:14,497 --> 00:31:18,835 and you know, each Skrull actually has two prosthetic makeup artists on. 606 00:31:19,335 --> 00:31:22,755 So as soon as you have 20 Skrulls on set, which they will be in makeup, 607 00:31:22,839 --> 00:31:25,133 you know, that's 40 prosthetic makeup artists. 608 00:31:25,216 --> 00:31:27,010 And then we want another 15 people in masks, 609 00:31:27,093 --> 00:31:29,721 so we want to minimize that crew. 610 00:31:29,804 --> 00:31:32,181 One of the longest things that we have to deal with 611 00:31:32,265 --> 00:31:33,266 is painting hands. 612 00:31:33,349 --> 00:31:35,018 So you do these... These Skrull makeups, 613 00:31:35,101 --> 00:31:38,229 but it takes an hour to paint the arms up to here and put all the detail in 614 00:31:38,313 --> 00:31:40,148 and sometimes back-of-hand prosthetics. 615 00:31:40,231 --> 00:31:41,774 So we've actually avoided that 616 00:31:41,858 --> 00:31:45,486 with basically producing our Lycra pull-on Skrull gloves, 617 00:31:45,612 --> 00:31:46,821 and then it's... It's done. 618 00:31:46,905 --> 00:31:49,365 You know, you've got a Skrull hand very, very quickly, 619 00:31:49,449 --> 00:31:51,868 and it means that they can take the mask off, 620 00:31:51,951 --> 00:31:54,037 they can take the gloves off, have their lunch. 621 00:31:54,120 --> 00:31:55,580 Talos is the only character 622 00:31:55,663 --> 00:31:58,917 that we haven't sculpted bespoke ourselves. 623 00:31:59,000 --> 00:32:02,003 This is the character that is transferring from Captain Marvel. 624 00:32:02,086 --> 00:32:05,423 Ben Mendelsohn's makeup hasn't changed. Everything still fits okay. 625 00:32:06,466 --> 00:32:09,677 Prosthetics. They do a couple of things. 626 00:32:09,761 --> 00:32:12,138 They tend to make you better-looking in some ways. 627 00:32:12,221 --> 00:32:14,807 They'll tend to improve upon the shape of your head. 628 00:32:15,934 --> 00:32:18,102 They take a very long time. 629 00:32:19,020 --> 00:32:21,773 But there's a golden rule, I think. 630 00:32:22,815 --> 00:32:25,902 There's not... There's nothing to be gained from... 631 00:32:28,863 --> 00:32:33,409 From, you know, bitching about being inside the costume 632 00:32:33,493 --> 00:32:36,371 or complaining about its difficulties. 633 00:32:36,454 --> 00:32:38,998 You got to suck it up, roll with it 634 00:32:39,082 --> 00:32:43,127 and work inside a superhero prosthetics and the costumes. 635 00:32:44,587 --> 00:32:47,423 Did you feel that sort of scrolling pain? Right, look... 636 00:32:51,427 --> 00:32:56,307 SELIM: We are at Dunsfold, which is a decommissioned air base 637 00:32:56,391 --> 00:32:58,559 that's used for Top Gear. 638 00:32:58,935 --> 00:33:01,813 Top Gear is filmed here, and so people are very excited about that. 639 00:33:01,896 --> 00:33:04,899 And we're shooting the presidential motorcade ambush 640 00:33:04,983 --> 00:33:07,193 at the end of Episode 4. 641 00:33:07,276 --> 00:33:12,198 This scene has been in development for months, 642 00:33:12,281 --> 00:33:13,700 working closely with Rob Inch, 643 00:33:13,783 --> 00:33:16,035 the stunt coordinator and second unit director, 644 00:33:16,119 --> 00:33:19,038 who is really the hero of this sequence, 645 00:33:19,122 --> 00:33:23,042 which I think will end up being seven or eight minutes of screentime. 646 00:33:23,626 --> 00:33:26,087 And he's been working on it full-time 647 00:33:26,963 --> 00:33:31,217 since probably May, and it's now middle of November. 648 00:33:33,177 --> 00:33:37,432 I work with a storyboard artist, develop the shots, show them to Rob. 649 00:33:37,515 --> 00:33:38,683 Rob develops, 650 00:33:39,142 --> 00:33:41,019 sort of reverse engineers 651 00:33:41,102 --> 00:33:44,147 how to create the car flip that's been drawn, 652 00:33:44,230 --> 00:33:49,569 then the storyboards go into an animation sequence called pre-vis 653 00:33:49,652 --> 00:33:52,113 where we pre-visualize what's going to happen. 654 00:33:52,196 --> 00:33:55,199 The pre-vis people work, then the editor takes over, 655 00:33:55,283 --> 00:33:58,828 edits together the storyboards and the pre-vis animation 656 00:33:58,911 --> 00:34:02,707 and ultimately comes up with a sequence that is paced and timed 657 00:34:02,790 --> 00:34:04,292 as the final sequence will be. 658 00:34:04,751 --> 00:34:07,920 And that gives Rob Inch and myself a greater sense of 659 00:34:08,004 --> 00:34:10,798 how long the car flips need to take and how to achieve them. 660 00:34:11,466 --> 00:34:13,551 And we come here to Dunsfold 661 00:34:13,634 --> 00:34:17,263 and Rob basically works with the mechanics of all that 662 00:34:17,346 --> 00:34:20,141 and any time you see an actor's face 663 00:34:20,224 --> 00:34:23,394 emoting or delivering some information, 664 00:34:23,478 --> 00:34:24,562 that's my job. 665 00:34:24,645 --> 00:34:27,106 So, I'm the main unit, he's the second unit 666 00:34:27,190 --> 00:34:29,525 and we come together in this week 667 00:34:29,609 --> 00:34:31,235 to put together this sequence. 668 00:34:31,319 --> 00:34:36,365 Ready, and three, two, one, action! 669 00:34:38,910 --> 00:34:40,078 Cut that! 670 00:34:40,161 --> 00:34:43,539 So there's loads of elements to this. First of all, the... 671 00:34:43,623 --> 00:34:45,583 You know, we're doing two-car flip 672 00:34:45,666 --> 00:34:48,002 and with one of the cars, ultimately, what we do is 673 00:34:48,086 --> 00:34:49,545 we're gonna do a cannon roll, 674 00:34:50,088 --> 00:34:54,342 which is a charged cannon in the bottom of the car 675 00:34:54,425 --> 00:34:56,969 that throws out a piston which flips it 676 00:34:57,053 --> 00:35:00,389 and as that happens, we have the presidential car behind that, 677 00:35:00,473 --> 00:35:02,892 swerves out of the way of that one and he gets hit 678 00:35:02,975 --> 00:35:06,521 and we're going to do a more conventional pipe ramp with that 679 00:35:06,604 --> 00:35:08,564 which will roll that car over 680 00:35:08,648 --> 00:35:12,902 and disengage the two cars from the presidential cavalcade. 681 00:35:14,695 --> 00:35:16,906 We got hold of a couple of old cars, 682 00:35:17,949 --> 00:35:19,575 put roll cages in them 683 00:35:19,659 --> 00:35:23,204 and went to Dunsfold and tested it where we were going to film it. 684 00:35:23,287 --> 00:35:25,206 How's the distance, for this to go under? 685 00:35:25,289 --> 00:35:26,833 It looks... It looks pretty good. 686 00:35:26,916 --> 00:35:27,917 -Okay, good. -Yeah. 687 00:35:28,000 --> 00:35:30,795 VAN DER POOL: There's several stages before we actually get to do it. 688 00:35:30,878 --> 00:35:34,048 Certainly, each time we do it, it's a completely new car, 689 00:35:34,632 --> 00:35:37,927 and they're quite expensive, those Suburbans, so... (CHUCKLES) 690 00:35:38,636 --> 00:35:40,805 We didn't have too many to play with. 691 00:35:43,599 --> 00:35:46,394 The attack really happens then. We've got three vans 692 00:35:46,477 --> 00:35:48,104 coming from up in the woods here. 693 00:35:48,187 --> 00:35:49,939 We're doing a jump through some hedge 694 00:35:50,022 --> 00:35:53,109 to introduce the kind of Russian baddies 695 00:35:53,192 --> 00:35:55,361 and then the gun battle happens, 696 00:35:55,444 --> 00:35:58,489 and through that gun battle, we take down a couple of helicopters. 697 00:35:58,573 --> 00:36:01,993 They land left and right of the presidential car that's flipped up. 698 00:36:02,076 --> 00:36:05,329 We're going to be ratcheting a couple people away from that as that happens. 699 00:36:05,413 --> 00:36:09,417 But then the story is a navigation of getting Fury and Talos 700 00:36:09,500 --> 00:36:12,378 back to where the president is to... 701 00:36:12,461 --> 00:36:14,463 To break open the window, pull him out, 702 00:36:14,547 --> 00:36:16,174 and take him away. 703 00:36:18,259 --> 00:36:19,260 (GROANS) 704 00:36:23,306 --> 00:36:25,474 He's a bloody alien. He's trying to get to Ritson! 705 00:36:25,558 --> 00:36:28,227 No, no, no! Hold your fire! He's with me! 706 00:36:29,896 --> 00:36:32,732 The president cannot be got. 707 00:36:32,815 --> 00:36:34,066 He can't be got. 708 00:36:34,150 --> 00:36:37,361 If the president gets got, it's game over. 709 00:36:38,404 --> 00:36:41,407 So, Talos does the only thing that he... 710 00:36:41,490 --> 00:36:44,577 That he can. He's trying to get him out of that car. 711 00:36:44,660 --> 00:36:46,787 Talos, hang in there. I'll be back for you. 712 00:36:46,871 --> 00:36:49,916 And you know, it's a... It's a great move by Gravik. 713 00:36:52,627 --> 00:36:53,920 Put him down. 714 00:36:56,547 --> 00:36:59,800 I said put him down. 715 00:37:06,390 --> 00:37:09,435 TUCKER: I think Nick Fury is aware 716 00:37:09,518 --> 00:37:13,397 that his personal attachments to other people, 717 00:37:13,481 --> 00:37:17,568 other Skrulls opens him up to what's at stake. 718 00:37:18,236 --> 00:37:20,321 Not just for humans here on Earth, 719 00:37:20,404 --> 00:37:23,866 but for Skrulls here on Earth, that they do share the same values 720 00:37:24,367 --> 00:37:28,621 and that Talos has just paid the ultimate price to demonstrate that. 721 00:37:30,706 --> 00:37:32,541 MENDELSOHN: It's the Obi-Wan Kenobi thing. 722 00:37:32,625 --> 00:37:35,127 He is more powerful as an example 723 00:37:35,211 --> 00:37:39,048 when he's gone than I think he would be capable 724 00:37:39,674 --> 00:37:41,259 of living at that time. 725 00:37:41,342 --> 00:37:43,135 SELIM: On a surface level, the fact that 726 00:37:43,219 --> 00:37:46,973 Nick Fury has lost Maria Hill and lost Talos, 727 00:37:47,056 --> 00:37:49,600 both at the hands of Gravik, 728 00:37:49,684 --> 00:37:53,104 I think, is just a further extension 729 00:37:53,187 --> 00:37:57,650 of Gravik sinking the knife and twisting it into Nick Fury. 730 00:37:57,733 --> 00:38:01,696 But I also think it's good to take a character who has a lot of questions 731 00:38:02,196 --> 00:38:06,200 and needs to make a lot of decisions and isolate them 732 00:38:06,284 --> 00:38:11,205 so that the pressure becomes entirely on them 733 00:38:11,289 --> 00:38:15,042 and they are unable to point fingers anywhere. 734 00:38:15,543 --> 00:38:21,090 Nearly every Avenger spilled blood in the Battle of Earth. 735 00:38:22,133 --> 00:38:23,634 Even Carol Danvers. 736 00:38:25,136 --> 00:38:29,682 In the aftermath, some were sent in to collect that DNA. 737 00:38:32,018 --> 00:38:35,354 Some with the ability to blend in. 738 00:38:37,315 --> 00:38:41,527 Nobody knew about them but me and the collectors, 739 00:38:41,986 --> 00:38:43,279 -led by... -Gravik. 740 00:38:43,362 --> 00:38:44,572 Gravik, yes. 741 00:38:44,655 --> 00:38:48,617 Which is probably where he got the idea for the Super Skrull machine. 742 00:38:48,701 --> 00:38:51,746 -So you are responsible for all this? -Yeah. 743 00:38:53,956 --> 00:38:55,541 Why do you think I came back? 744 00:38:58,919 --> 00:39:03,174 We're developing this process of injecting ourselves with the DNA of, 745 00:39:04,216 --> 00:39:07,803 you know, other characters, very powerful characters from the MCU. 746 00:39:09,638 --> 00:39:11,098 It's all going towards the machine, 747 00:39:11,182 --> 00:39:15,644 which is the creation of this machine which is right behind us, 748 00:39:15,728 --> 00:39:17,480 which you go into and... 749 00:39:18,147 --> 00:39:20,733 It's kind of like a pick-and-mix. You can choose... 750 00:39:21,442 --> 00:39:25,529 I'll take the DNA of Abomination or Cull Obsidian, or whoever, 751 00:39:25,613 --> 00:39:27,365 and then you take on their powers. 752 00:39:29,283 --> 00:39:31,660 It's all leading towards basically turning 753 00:39:32,203 --> 00:39:34,080 the minimal Skrull population 754 00:39:34,580 --> 00:39:37,500 into a force of super soldiers. 755 00:39:41,128 --> 00:39:46,384 It was an ongoing conversation throughout pre-production and even into production, 756 00:39:46,467 --> 00:39:48,052 about which characters, 757 00:39:48,135 --> 00:39:51,764 which superpowered beings we would pull from for this DNA. 758 00:39:55,309 --> 00:39:58,354 You want to feel that the strength and the DNA they collect 759 00:39:58,437 --> 00:40:01,440 is powerful enough to make them a compelling 760 00:40:01,524 --> 00:40:04,360 and interesting and scary villain. 761 00:40:04,443 --> 00:40:09,365 So, we began our search with this hunt over Planet Earth and we're like, 762 00:40:09,448 --> 00:40:12,159 "Where could they have found Frost Giant DNA? 763 00:40:12,243 --> 00:40:15,287 "Where could they have found EXTREMIS DNA, or Groot DNA?" 764 00:40:15,371 --> 00:40:18,999 And so, we started to search through the movies and they're like, "Ha!" 765 00:40:19,083 --> 00:40:20,835 They found Groot DNA 766 00:40:20,918 --> 00:40:24,505 at the site in Wakanda where Groot put his arms into the ground 767 00:40:24,588 --> 00:40:25,714 to try to defeat Thanos. 768 00:40:25,798 --> 00:40:29,844 Cull Obsidian's arm gets chopped off in one of the battles in New York. 769 00:40:29,927 --> 00:40:32,513 So, it was... It was really fun to, like, 770 00:40:32,596 --> 00:40:35,433 pick these, like, seemingly random strands 771 00:40:35,516 --> 00:40:38,436 out of the MCU and find a new place for them 772 00:40:38,519 --> 00:40:40,438 within the context of Secret Invasion. 773 00:40:41,147 --> 00:40:43,065 And we no longer just change faces. 774 00:40:44,108 --> 00:40:45,317 We change powers. 775 00:40:46,444 --> 00:40:49,738 We're gonna be uniquely programmed weapons of mass destruction. 776 00:40:50,823 --> 00:40:51,866 All of us. 777 00:40:53,451 --> 00:40:54,618 Super Skrulls. 778 00:40:54,702 --> 00:40:57,997 SELIM: Gravik realizes that he needs to be stronger. 779 00:40:58,080 --> 00:40:59,623 He needs bigger weapons, 780 00:40:59,707 --> 00:41:03,210 and the biggest weapon you can have is Avenger DNA 781 00:41:03,294 --> 00:41:05,546 and become Carol Danvers. 782 00:41:07,840 --> 00:41:12,303 Carol's DNA represents the highest of the high 783 00:41:12,386 --> 00:41:15,014 in terms of the powers, even more than the Avengers, I think. 784 00:41:15,097 --> 00:41:17,558 Once he gets Captain Marvel's powers, 785 00:41:17,641 --> 00:41:20,811 everyone will then be able to experience his pain 786 00:41:20,895 --> 00:41:25,274 and absolute destruction and chaos or cleanse or whatever you want to call it 787 00:41:25,357 --> 00:41:26,984 will be inevitable. 788 00:41:29,028 --> 00:41:30,529 It's part of what I... 789 00:41:30,613 --> 00:41:32,490 I know it's a part of his mind game, 790 00:41:32,573 --> 00:41:34,867 but what part of a mind game is it? 791 00:41:34,950 --> 00:41:36,118 It's, um... 792 00:41:37,036 --> 00:41:38,245 I think this... 793 00:41:38,787 --> 00:41:40,873 This entire thing is a tribunal. 794 00:41:41,999 --> 00:41:44,585 To put you on trial, put Nick Fury, 795 00:41:45,294 --> 00:41:47,421 the man that made this promise, 796 00:41:47,505 --> 00:41:49,340 the guy who sacrificed 797 00:41:50,716 --> 00:41:52,635 his life, his relationships... 798 00:41:52,718 --> 00:41:54,553 Things he should have done, but he never did. 799 00:41:54,637 --> 00:41:56,931 All the relationships he's had have been tainted by it. 800 00:41:57,014 --> 00:41:58,516 Everything you've touched. 801 00:41:58,599 --> 00:42:00,643 -His commitment to something else. -Right. 802 00:42:00,726 --> 00:42:04,104 -...you've tainted in his estimation... -Yeah. 803 00:42:04,188 --> 00:42:06,398 ...put you on trial for that. 804 00:42:08,108 --> 00:42:10,110 (COUGHS) 805 00:42:10,236 --> 00:42:13,572 What we're sitting in at the moment is the core of the reactor control room. 806 00:42:14,031 --> 00:42:16,116 The assumption is there's still power here, 807 00:42:16,200 --> 00:42:19,495 that the Skrulls are using this as a power source for their own experiments. 808 00:42:21,539 --> 00:42:23,541 I was in Budapest last year 809 00:42:23,624 --> 00:42:26,544 and visited this power station this is based on 810 00:42:26,627 --> 00:42:28,879 and just thought, "What an amazing space." 811 00:42:28,963 --> 00:42:30,381 It was an Art Deco, 812 00:42:30,464 --> 00:42:33,259 it's period and there is a pattern in here. 813 00:42:33,342 --> 00:42:35,844 You've got an oval space with a sphere inside it. 814 00:42:35,928 --> 00:42:39,056 But I just thought the idea of it being an eye in some way was interesting. 815 00:42:40,057 --> 00:42:41,850 What is so interesting about the Skrulls 816 00:42:41,934 --> 00:42:44,645 is that they have this shape-shifting trick they do 817 00:42:44,728 --> 00:42:46,146 that fools the eye, 818 00:42:46,230 --> 00:42:48,232 and what you see and what you don't see 819 00:42:48,315 --> 00:42:50,067 is a constant theme all the way through, 820 00:42:50,150 --> 00:42:53,362 and it's something I have kind of exploited in subtle ways. 821 00:42:53,779 --> 00:42:56,365 I was interested in reflections, I was interested in mirrors, 822 00:42:56,490 --> 00:42:58,200 and sometimes you look into spaces 823 00:42:58,284 --> 00:43:00,703 and you see something but it's not really there. 824 00:43:00,786 --> 00:43:03,080 The Skrulls are like magpies. They take stuff away 825 00:43:03,163 --> 00:43:05,457 from what they find around and make their own things. 826 00:43:05,541 --> 00:43:08,460 So I just thought it was kind of great foil 827 00:43:08,544 --> 00:43:11,255 to have redundant technology and future technology 828 00:43:11,338 --> 00:43:12,506 existing in the same place. 829 00:43:12,590 --> 00:43:16,010 So I pitched it and I don't know, they seemed to like it. (CHUCKLES) 830 00:43:20,723 --> 00:43:22,975 Whoa! Colonel Rhodes, I've got you. 831 00:43:26,270 --> 00:43:29,023 You've been held hostage for a long time. 832 00:43:29,106 --> 00:43:30,107 (GROANS) 833 00:43:34,111 --> 00:43:38,741 CHEADLE: One of the big themes in the show is the theme of the other and... 834 00:43:38,824 --> 00:43:40,200 And feeling 835 00:43:40,951 --> 00:43:43,704 like you don't have a place that you... That you don't belong. 836 00:43:43,787 --> 00:43:48,500 And that gives us a feeling of what we are dealing with day-to-day in this world. 837 00:43:49,293 --> 00:43:52,796 This happens every once in a while where, you know, writers write a show, 838 00:43:52,880 --> 00:43:56,133 and by the time it comes out, it's the life we're living. 839 00:44:00,304 --> 00:44:03,807 It's dealing with some very real human issues 840 00:44:03,932 --> 00:44:06,143 and very real human struggles 841 00:44:06,226 --> 00:44:08,771 and to give that air time, to give that space, 842 00:44:08,854 --> 00:44:10,898 I think it's remarkable, 843 00:44:11,398 --> 00:44:14,026 and I feel utterly privileged to be a part of that conversation. 844 00:44:15,069 --> 00:44:19,823 I just wanted to tell you that I love you. 845 00:44:20,991 --> 00:44:22,076 As I am. 846 00:44:31,502 --> 00:44:34,421 Only as you are. 847 00:44:47,726 --> 00:44:50,104 -Oh, Lord. -(CHUCKLES) 848 00:44:50,187 --> 00:44:51,188 Well. 849 00:44:54,233 --> 00:44:57,069 Yeah. I'm gonna miss this one. I'm gonna miss it a lot. 850 00:44:59,363 --> 00:45:02,574 I will miss the degree to which this is in people's hearts. 851 00:45:02,658 --> 00:45:06,662 I'm gonna miss a lot of the people that the audience don't see 852 00:45:06,745 --> 00:45:10,541 who make up the real experience of what it is to do this... 853 00:45:10,624 --> 00:45:13,085 These things. The people I work with every day, 854 00:45:13,168 --> 00:45:15,671 and I'm going to miss being on set with Sam. 855 00:45:17,589 --> 00:45:21,260 JACKSON: I've been fortunate from the first time I showed up. 856 00:45:21,343 --> 00:45:23,095 I was making sure they didn't kill me. 857 00:45:23,178 --> 00:45:25,723 I'm here to talk to you about the Avenger Initiative. 858 00:45:26,640 --> 00:45:28,934 So I could be the next one and the next one 859 00:45:29,017 --> 00:45:31,562 and I kind of keep doing that in this, 860 00:45:31,645 --> 00:45:34,189 hoping, "Well, okay, are they gonna kill me this time? 861 00:45:34,273 --> 00:45:35,774 "They ain't kill me yet. 862 00:45:35,858 --> 00:45:37,985 "Are they gonna kill me in the series now?" 863 00:45:38,485 --> 00:45:40,946 But that's another story for another time. 864 00:45:41,697 --> 00:45:45,534 I think the luxury of doing a series within the Marvel Universe 865 00:45:45,617 --> 00:45:47,119 is you get to spend time. 866 00:45:47,661 --> 00:45:50,914 We get to jump into Nick Fury's world 867 00:45:50,998 --> 00:45:52,499 which is very Spy vs. Spy. 868 00:45:52,583 --> 00:45:56,503 Not bad. Not a bad plan for a washed-up old man. 869 00:45:56,587 --> 00:45:59,465 I am literally half your age. 870 00:45:59,548 --> 00:46:00,549 (CHUCKLES) 871 00:46:02,468 --> 00:46:05,262 SMULDERS: It's very dark alley conversations. 872 00:46:05,345 --> 00:46:06,972 It's very film noir, 873 00:46:07,055 --> 00:46:11,477 and you're able to sort of see him trying to navigate 874 00:46:11,560 --> 00:46:14,354 using his old techniques in these new waters. 875 00:46:14,897 --> 00:46:16,398 (ALL LAUGHING) 876 00:46:19,318 --> 00:46:22,988 I think that the thing that I'll take away from it is just like 877 00:46:23,697 --> 00:46:26,116 -the effect that these films have... -(CREW CHEERING) 878 00:46:26,200 --> 00:46:27,576 ...in people's lives. 879 00:46:28,911 --> 00:46:32,080 It's so cool being a part of Marvel history, 880 00:46:32,164 --> 00:46:35,417 and when you meet people and you see how much they love these movies 881 00:46:35,501 --> 00:46:37,878 and you see how... How excited they are 882 00:46:37,961 --> 00:46:40,923 about the characters and the story and the future of it, 883 00:46:41,006 --> 00:46:43,133 it's just like... It's entertaining. 884 00:46:43,842 --> 00:46:46,053 But I think, you know, when it started, 885 00:46:46,136 --> 00:46:48,722 I think we all knew that it was something special. 886 00:46:48,806 --> 00:46:50,140 JACKSON: There was an idea. 887 00:46:50,224 --> 00:46:53,477 SMULDERS: I think that there was so much excitement, 888 00:46:54,478 --> 00:46:57,898 but I didn't imagine that the scope of it would widen so much 889 00:46:57,981 --> 00:47:00,818 and this world would become so large.