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[Shawn Levy] Should we start
making the movie, y'all?
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Monday morning. Let's go.
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{\an8}I love Deadpool 1 and 2.
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{\an8}I've always been a fan of Marvel movies.
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And so, to get to kind of develop
certain muscles as a filmmaker in the MCU
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with this character
and this franchise I love so much,
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that was an opportunity I jumped at.
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{\an8}This movie has definitely
introduced me to subjects,
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{\an8}topics and all kinds of foul thoughts,
the likes of which I've never known.
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So thank you for that, Deadpool.
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It's a little bit like destiny,
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because it was a decade ago
on the set of Real Steel
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that Hugh Jackman said to me,
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"Hey, do you know Ryan Reynolds?"
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And I was like, "Nope.
I think he's Canadian like me."
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And he's like,
"If you ever work with Ryan,
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"you guys will never stop."
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- I'm glad that this is being captured.
- Yeah.
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- Strut lesson.
- [laughter]
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[Levy] Frankly, Hugh Jackman
might be part-time prophet,
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because from the day I started
working on Free Guy with Ryan,
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there was this brotherhood
and this really kind of shared sense
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that we want to make movies
that are entertaining
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and understand that they're in
the business of being entertaining,
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but that we also would like to believe
they can be fun and thematic
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and ultimately warm-hearted
in a way that, you know,
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allows us to leave
the theater feeling better
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and maybe more hopeful
than we did when we went in.
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{\an8}[Ryan Reynolds] I kind of think of Shawn
and I as, like, kelp underwater.
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{\an8}We're always kind of moving together.
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He's one of those, like,
creative soulmates
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that I wish I'd found
earlier in my career,
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and I know he feels the same
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and we kind of have this
similar work ethic and rhythm.
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We also are very lucky to have an ability
to cover for each other in certain ways.
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Movies like this are such an undertaking.
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[Levy] Ryan and I rolled from
the kind of amazing chemistry we had
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on Free Guy right into The Adam Project.
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And it was when we were
shooting The Adam Project
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that Ryan said, "Hey, you know,
I don't think I'll do a Deadpool 3
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"if you don't direct it.
Would you ever consider it?"
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And I was like, "Yeah."
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He goes, "I know I'm gonna
have to talk you into it."
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I'm like, "Nope,
you don't have to. It's a yes."
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Day one.
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{\an8}I think there are a lot of fans
who have been patiently waiting
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since long before the character
came back home to Marvel Studios.
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And then when it did,
we spent a long time working with Ryan
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to come up with the best idea.
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Ryan Reynolds is an idea machine.
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He is almost wholly responsible for
bringing that character to the big screen.
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He believed in it
back when very few other people did,
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in a very different time
for Marvel movies.
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And created something entirely unique.
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{\an8}It was a different tone.
I knew it would be something different.
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I'd never seen anything like it.
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His portrayal of Deadpool is so perfect.
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[sighs] This just feels right.
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[Wendy Jacobson]
Because of Deadpool 1 and 2,
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the expectations are just high,
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{\an8}and we just want to keep
one-upping everything we do.
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{\an8}I think that was proven
in part of the early development process.
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{\an8}I think Ryan had 19, 20 ideas,
throwing anything at the wall.
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Aah! Okay. Well...
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I'm all out of aces, peanut.
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I mean, I'd pitch them
as, like, a Sundance movie.
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I'm not kidding.
Like a $4 million budget Marvel movie
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with no action but a Deadpool suit.
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Um, I pitched them mid-sized,
big, small, all kinds of stuff,
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So, I kind of felt like
I'd maybe run the gamut,
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and I didn't blame them. I blamed myself.
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You know, 'cause I'm Canadian.
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Get my country's name out of your mouth.
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I was going through my notes
the other day, looking at stuff.
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We had some crazy ideas.
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{\an8}At one point, we talked about
a frame-for-frame remake of Thor 2
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{\an8}up until the midpoint with Deadpool in it,
and then it would go to another place.
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We had Deadpool's
Deleted Scenes Extravaganza.
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We were going to try and show
that he was in the MCU the whole time.
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You just didn't see his scenes.
They were all on the cutting room floor.
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We were really trying to figure out
what was the reason for this movie to be.
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[Zeb Wells] Hugh Jackman as Wolverine,
you could make a strong case
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{\an8}that the entire superhero movie industry
is built on that performance,
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because that performance
in X-Men showed everyone,
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if you take these characters seriously,
and get them on the screen
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as they're loved and written
in the comic book world, it works.
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I know you, bub?
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Nope. But I know you.
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[scoffs] Everybody knows me.
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I'm the Wolverine.
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I don't think I fully understood
what it meant to the wider world.
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I was not a comic book fan
in particular growing up.
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I had never heard of X-Men.
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And in some ways,
I'm really glad I didn't know.
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Because I really approached Logan
as I would any other character.
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Yes, he had claws coming out of him,
he could heal himself,
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and he had kind of crazy hair.
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But for me, it was just
another character to embody.
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I am wearing this suit.
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[breathing heavily] And that means
a lot of things, but most of all...
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it means I'm an X-Man.
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Wolverine is kind of
a Clint Eastwood archetype, you know.
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He's very economical with words,
kind of only speaks if he has to speak,
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really expresses himself through violence.
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Are you ready to be calm now?
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[grunting and groaning]
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[Reynolds] Because he's an actor
that is like a Swiss Army Knife,
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Hugh can really pivot
in strange and wonderful ways.
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This suit's all I got to remind me of
who they were.
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And what I did.
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{\an8}Very early on in the process
of the Deadpool's history,
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{\an8}we talked about, "Wouldn't it be great
to get him together with Wolverine?"
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But when it doesn't happen
through a couple of movies,
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and then they kill off Logan,
you start to lose faith in that idea
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and you don't really to think of it
as a real possibility anymore.
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I really thought when we finished Logan,
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I'm really proud of the film.
I'm proud of what we created.
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And I meant what I said when I was done.
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I just wanted...
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Get out everything that I had felt
in 20 years of the character.
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I wanted to be able to put that story
out there for the fans, for myself.
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And then, August 14th, 2022,
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I was driving to the beach,
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and in my head, I don't know why,
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"What you want to do, Hugh?"
That's the thought that came into my head.
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Not really work, just life.
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And like a bolt of lightning came,
"I want to do Wolverine-Deadpool."
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Sorry, Ryan.
That's how I see the title, by the way.
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Let's give the people what they came for.
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[grunts]
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[Jackman] And so,
I was desperate to call Ryan
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'cause I knew that he and Shawn
were working on something.
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I didn't know when they were shooting.
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There was just silence
on the end of the phone.
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I said, "If you'll have me,
I want to do this movie.
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"I know in my gut."
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[Reynolds] It was literally kismet.
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I mean, it felt like
the stars were aligning
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because I said,
"I'm about to go do my last pitch
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"for this character and this movie."
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And I pitched a movie with him
where I was winging it.
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I wasn't prepared.
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And the basic story was what is now made.
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Deadpool and Wolverine.
[chuckling] Can you imagine?
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Oh, the fun.
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The chaos.
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The residuals.
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I had always been very vocal with Hugh
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that he had one of the best endings
of any fictional character ever.
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And I told him that is so amazing,
what he was able to accomplish in Logan,
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that's what we were striving for
with Robert Downey Jr. in Endgame,
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is to give this incredible iconic
fictional character an amazing ending.
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Logan?
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The guy with forks for hands?
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That Wolverine?
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Obviously, I was throwing
a major spanner in the works, you know.
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But I just said, "I'm in."
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'Cause I know Ryan and Shawn.
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They also have such a reverence
for legacy and for the fans
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that I've never worked on something
where people have worked harder
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to protect the integrity of Wolverine.
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I have massive reverence
for Logan as a movie.
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In fact, it's one of the few times
in my life where I walked out of a movie,
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got the number of the director
and begged him to have lunch with me.
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And it was specifically
to ask James Mangold
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about what to me is
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top five, maybe top three
greatest final shots of any movie.
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When Laura takes that cross
and puts it on its side,
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and it becomes an "X,"
I thought it was just perfect.
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I literally get goose bumps
thinking about it now.
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And yet, we're making Deadpool.
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Deadpool is defined
by subversiveness and audacity.
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And so, what if you make
the first scene of Deadpool-Wolverine
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the last shot of Logan?
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We then started really riffing on,
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"Well, let's say we're there.
What would we do with that grave?"
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That was one of those moments
where I was like,
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"We really have to make sure
that this delivers."
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Like, how do we make
even those little throwaway things great?
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"G'day, mate.
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"There's nothing that'll
bring me back to life faster
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"than a big bag of Marvel cash."
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[laughs] Me too, Hugh.
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[Levy] Welcome to Logan's grave.
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We are here in something called Black Park
in the United Kingdom.
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June 2023.
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And today begins the cold open prologue.
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[yelling and screaming]
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We are on a Zoom,
Ryan and I are in my office in New York.
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We're on with Wernick and Reese in LA,
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our screenwriters who wrote
the first two Deadpool movies as well.
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And Ryan's like, "I hate myself
for the idea I'm about to pitch."
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[Reynolds] I could really use
your help right now.
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"I should use his body as a weapon."
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Yes.
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Once we had the concept for this sequence,
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the next step was, "Okay,
what is the physicality of that?
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"What are the moves?"
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One of the first people we hired
on this movie was Alex,
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and he was a Deadpool stunt double,
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the Deadpool stunt double,
the central one in Deadpool 1.
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We knew that he was
a choreographic genius.
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He can also do things physically
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that are stunningly graceful
and imaginative.
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And we felt like here was an opportunity
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to give a super-talented guy
a major break.
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- Peek-a-boo.
- [choking]
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Ready, and go.
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Do you want to describe the process?
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- Step one for this is called stunt-vis.
- Yes.
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{\an8}[Levy] That's where the stunt team
plays around with ideas,
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{\an8}- literally films it on an iPhone.
- [Alex] Yes, exactly.
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{\an8}And it's how we start to incubate
the creative on an action sequence.
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{\an8}So, what was the first step for you?
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{\an8}The first step for us was just, you know,
going to a little shop, buying a skeleton,
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{\an8}multiple of them,
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{\an8}peeling it apart,
looking at it on the ground.
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How do you kill people
with different parts of the skeleton?
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I tried doing
the full body skeleton first.
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- Okay.
- See how it breaks.
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- Okay.
- And then taking each bone
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and see how we can kill.
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And I'll grab a guy
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and we'll start choreographing
different moves.
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And this was early in prep.
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{\an8}So I'm sure right about now,
the editor of whatever you're watching
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{\an8}is going to cut
to Alex's earliest stunt-vis,
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{\an8}where he's wearing, like,
a rinky-dink Deadpool-esque red costume.
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{\an8}And it's where we started to get
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{\an8}a sense of the imaginative,
violent, gory but also comedic action.
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00:11:27,061 --> 00:11:28,104
[both] Whoa!
232
00:11:28,437 --> 00:11:29,897
- Cut.
- [man] Cut.
233
00:11:29,980 --> 00:11:33,150
{\an8}The M.O. from the beginning of this movie
was we want it in camera.
234
00:11:33,234 --> 00:11:35,111
We don't want to play with this in post.
235
00:11:35,194 --> 00:11:37,613
We want to bake this into the lens.
236
00:11:37,697 --> 00:11:41,826
So, if there's an ability
to get this for real, let's do it.
237
00:11:41,909 --> 00:11:44,912
The special effects department
snowed a whole forest,
238
00:11:44,995 --> 00:11:46,956
and we shot it practically.
239
00:11:47,415 --> 00:11:49,208
It's such an epic image, right?
240
00:11:49,291 --> 00:11:53,003
There's one shot in there
that we worked on for weeks
241
00:11:53,087 --> 00:11:56,340
to get it dialed in,
which was a high-speed 360 shot,
242
00:11:56,424 --> 00:11:58,592
which involved Alex in the middle
243
00:11:58,676 --> 00:12:04,056
fighting 14 other TVA agents
as they came in
244
00:12:04,140 --> 00:12:06,642
with the camera on a high-speed rig
going around.
245
00:12:06,726 --> 00:12:10,896
So, they dug a massive hole,
buried the camera in the ground,
246
00:12:10,980 --> 00:12:14,775
covered it all up, and then we worked
in and around this high-speed camera.
247
00:12:14,859 --> 00:12:17,570
The idea was that
we would shoot that as a oner.
248
00:12:17,653 --> 00:12:21,657
As the camera's going around,
all of the fights and the moves
249
00:12:21,741 --> 00:12:25,911
had to play to that camera
in those specific moments.
250
00:12:25,995 --> 00:12:28,539
So, it's a really tricky,
complicated shot.
251
00:12:29,540 --> 00:12:33,210
We had 25 stunt guys for two weeks.
252
00:12:33,878 --> 00:12:37,506
And we must have killed all of them
at least two or three times.
253
00:12:40,217 --> 00:12:41,302
I mean, it was just carnage.
254
00:12:41,385 --> 00:12:43,137
I don't think it needs
to be any more brutal.
255
00:12:43,220 --> 00:12:46,098
I wonder if, uh, we punt the head away.
256
00:12:46,182 --> 00:12:49,310
[Cottle] Ryan did this really great shot
where he got the skull,
257
00:12:49,393 --> 00:12:50,644
flipped it and kicked it.
258
00:12:50,728 --> 00:12:53,147
And we did this beautiful
wide in the forest,
259
00:12:53,230 --> 00:12:55,149
and there's just dead bodies
littered everywhere.
260
00:12:55,232 --> 00:12:58,402
{\an8}It's like the opening of Private Ryan
on the Omaha Beach.
261
00:12:58,486 --> 00:12:59,528
It's just crazy.
262
00:13:00,321 --> 00:13:02,490
It's gold! It's fucking gold!
263
00:13:02,573 --> 00:13:04,950
Okay, that's enough. Back to work.
264
00:13:06,994 --> 00:13:08,496
[Levy] Ryan had given me the heads-up
265
00:13:08,579 --> 00:13:11,415
that the standards
of doing this franchise,
266
00:13:11,499 --> 00:13:14,126
especially when you're
the third of the Deadpools,
267
00:13:14,210 --> 00:13:16,504
after two really, really good Deadpools,
268
00:13:16,587 --> 00:13:19,715
the bar is higher than it almost ever is
on any movie.
269
00:13:19,799 --> 00:13:23,302
He said, "I'm just going to warn you.
It's not like a regular movie.
270
00:13:23,385 --> 00:13:25,429
"It's not even like a regular huge movie."
271
00:13:26,096 --> 00:13:31,602
Because on a Deadpool movie,
you need to get a great, great take,
272
00:13:31,685 --> 00:13:36,023
and that take, after which
you normally move on, on any other movie,
273
00:13:36,106 --> 00:13:37,107
you don't move on.
274
00:13:37,191 --> 00:13:40,319
You push for funnier, you push for better.
275
00:13:40,402 --> 00:13:42,238
If it's a single in terms of funny...
276
00:13:42,321 --> 00:13:44,532
Like, we'd only want
triples or homers, right?
277
00:13:46,200 --> 00:13:47,827
We were relentless with it.
278
00:13:47,910 --> 00:13:50,454
We never let it go,
even right into the sound mix.
279
00:13:50,538 --> 00:13:53,374
You're going like,
"Maybe we can just change..."
280
00:13:53,457 --> 00:13:56,252
"Let's just stop
and think about this and..."
281
00:13:56,335 --> 00:13:59,755
And it's made the movie
the movie that it is, and I love it.
282
00:13:59,839 --> 00:14:02,174
The only thing I would say is that
when I go... [spitting]
283
00:14:02,258 --> 00:14:03,592
"Regenerate?" I would just...
284
00:14:03,676 --> 00:14:06,136
I know it's kind of weird.
Just let that hang in the air
285
00:14:06,220 --> 00:14:08,556
like the most uncomfortable
pause of all time.
286
00:14:08,639 --> 00:14:10,349
Yeah, like one, two...
287
00:14:10,432 --> 00:14:11,559
[Levy] It's relentless.
288
00:14:11,642 --> 00:14:14,812
He warned me it would be relentless,
and it's every day on set.
289
00:14:14,895 --> 00:14:16,647
It's every moment in the cutting room.
290
00:14:16,730 --> 00:14:21,235
It's every moment that I get
a musical score from Rob Simonsen
291
00:14:21,318 --> 00:14:26,156
and I give a round of notes
to change that French horn to a trombone.
292
00:14:26,240 --> 00:14:30,244
You're talking about micro adjustments,
a change in a joke,
293
00:14:30,327 --> 00:14:35,624
one word different that takes her
from being funny to shockingly funny.
294
00:14:35,708 --> 00:14:37,251
Maybe I'll just get her turning to me.
295
00:14:37,334 --> 00:14:39,879
Doesn't even matter the line,
where I'm just heavy eye contact...
296
00:14:39,962 --> 00:14:41,088
Do you want to go again?
297
00:14:41,171 --> 00:14:42,756
- I do. I don't, but I do.
- Okay, great.
298
00:14:42,840 --> 00:14:43,841
Okay, but you do.
299
00:14:44,258 --> 00:14:45,968
If you can't be a responsible pet owner,
300
00:14:46,051 --> 00:14:48,053
then maybe you don't deserve
this little unicorn.
301
00:14:48,137 --> 00:14:53,893
So, I picked up that gauntlet,
and I've loved wearing it,
302
00:14:53,976 --> 00:14:55,853
if that's what you do with a gauntlet.
303
00:14:55,936 --> 00:14:58,898
[laughter and applause]
304
00:14:58,981 --> 00:15:00,524
Yeah!
305
00:15:01,400 --> 00:15:03,527
Better than we ever dreamed!
306
00:15:06,113 --> 00:15:07,615
Maximum effort.
307
00:15:07,698 --> 00:15:12,953
I think there's certain cornerstones
of expectation to a Deadpool movie, right?
308
00:15:13,037 --> 00:15:16,790
Tone is the main one.
Brand of humor is another one.
309
00:15:16,874 --> 00:15:19,919
Pegging isn't new for me, friendo.
But it is for Disney.
310
00:15:20,586 --> 00:15:22,379
The occasional use of voice-over,
311
00:15:22,463 --> 00:15:26,383
the occasional use of fourth wall breaks,
direct to camera.
312
00:15:26,467 --> 00:15:28,052
Suck it, Fox!
313
00:15:28,135 --> 00:15:29,386
I'm going to Disneyland.
314
00:15:29,887 --> 00:15:31,388
- So good.
- Crazy fourth wall break.
315
00:15:31,472 --> 00:15:33,307
And I like where you put
the headbutt just now,
316
00:15:33,390 --> 00:15:34,433
not at the end.
317
00:15:34,516 --> 00:15:35,517
Yeah, I mean that...
318
00:15:35,601 --> 00:15:37,811
It's funny, there have been
moments where Ryan's like,
319
00:15:37,895 --> 00:15:39,647
"I don't know if we should do that again."
320
00:15:39,730 --> 00:15:42,483
I'm like, "No, no, I need to talk to you,
not only as your friend,
321
00:15:42,566 --> 00:15:45,611
"but as just Joe Audience,
fan of Deadpool movies.
322
00:15:46,320 --> 00:15:48,155
"Give me some of what I love, man."
323
00:15:48,238 --> 00:15:49,657
You're nasty.
324
00:15:49,740 --> 00:15:50,741
I love it.
325
00:15:50,824 --> 00:15:52,493
[Levy] "Make it different,
326
00:15:52,576 --> 00:15:55,788
"but don't throw me
into completely unfamiliar waters."
327
00:15:55,871 --> 00:16:00,000
So I'm trying to strike that balance
of the expected and the beloved
328
00:16:00,084 --> 00:16:01,585
with the invention of the new.
329
00:16:01,669 --> 00:16:03,712
I am about to give you
the thing you've always wanted.
330
00:16:03,796 --> 00:16:05,047
I smell what you're steppin' in.
331
00:16:05,130 --> 00:16:07,925
The power in the Marvel Universe
is about to change forever.
332
00:16:08,008 --> 00:16:10,344
And we're looking at Deadpool.
Things are getting tense.
333
00:16:10,427 --> 00:16:12,596
Three, two, one. Zap.
334
00:16:12,680 --> 00:16:14,515
[Matthew MacFadyen]
Working with Shawn and Ryan,
335
00:16:14,598 --> 00:16:17,726
{\an8}it's sort of lovely to watch
people you've sort of admired from afar
336
00:16:17,810 --> 00:16:19,520
and then you see them at work.
337
00:16:19,603 --> 00:16:22,272
And it's great that,
to see them being so nimble
338
00:16:22,356 --> 00:16:26,485
and sort of effortlessly funny
and quick and adaptable.
339
00:16:26,568 --> 00:16:30,572
Ryan knows Deadpool so well,
and so, if you pitch an idea,
340
00:16:30,656 --> 00:16:33,617
sometimes he'll just
start riffing as Deadpool.
341
00:16:33,701 --> 00:16:35,369
Adamantium katanas.
342
00:16:35,452 --> 00:16:36,662
You shouldn't have.
343
00:16:36,745 --> 00:16:38,664
Boom, boom, boom. Boom.
344
00:16:38,747 --> 00:16:41,250
- You know, landing here. There you go.
- [soft laughter]
345
00:16:41,667 --> 00:16:42,960
Let yourself release,
346
00:16:43,043 --> 00:16:44,670
just suckle that... That whole thing.
347
00:16:44,753 --> 00:16:48,465
You feel like Deadpool's
sort of got his hand on the wheel.
348
00:16:48,549 --> 00:16:50,968
And I'm just going to say,
"Why was Thor crying?"
349
00:16:51,885 --> 00:16:54,430
- Then you can ignore me and keep going.
- Okay
350
00:16:54,513 --> 00:16:55,889
{\an8}It's an amazing atmosphere.
351
00:16:55,973 --> 00:16:59,018
Everything is incredibly
planned out meticulously,
352
00:16:59,101 --> 00:17:01,478
and once you have
that secure framework in place,
353
00:17:01,562 --> 00:17:06,358
you do have the space to play
and to do, like, off-the-cuff jokes,
354
00:17:06,442 --> 00:17:08,652
which is what Ryan and Shawn
both do so well.
355
00:17:08,736 --> 00:17:11,780
The only thing that might just be
just so childish and stupid,
356
00:17:11,864 --> 00:17:15,409
you may not want to use it, is the
"Oh, my God, oh, my God, oh, my God..."
357
00:17:15,492 --> 00:17:17,578
- Oh, my God, he's gonna say it. Hah!
- Fuck.
358
00:17:17,661 --> 00:17:19,163
- He's gonna say it!
- Say what?
359
00:17:19,246 --> 00:17:20,247
Avengers, assemble...
360
00:17:20,330 --> 00:17:21,582
- Flame on!
- I'm sorry, what now?
361
00:17:21,665 --> 00:17:25,794
[Levy] Because Ryan and I are in
our fifth year of collaborating together,
362
00:17:25,878 --> 00:17:29,006
many times in the middle of a scene,
I'll be like, "Hey, Ry, could you..."
363
00:17:29,089 --> 00:17:32,426
He goes, "Yep. 'Cause with the... Yeah."
364
00:17:32,509 --> 00:17:34,428
And he knows what I was going to say.
365
00:17:34,511 --> 00:17:37,765
Ryan, just show me that gesture.
That body...
366
00:17:37,848 --> 00:17:39,516
Yep. Yeah. Thank you.
367
00:17:39,600 --> 00:17:42,061
They'll walk away for a minute
and kind of be like... [chatters]
368
00:17:42,144 --> 00:17:46,398
And then they'll come back
and it cracks me up.
369
00:17:46,482 --> 00:17:49,610
Like, just trying not to
crack up on set is hard
370
00:17:49,693 --> 00:17:51,528
because every time it's different.
371
00:17:51,612 --> 00:17:53,697
Canadians are supposed to be nice!
372
00:17:54,406 --> 00:17:57,409
One more outburst like that
and I will turn this car around!
373
00:17:57,493 --> 00:17:59,328
God, you are such a dick!
374
00:17:59,870 --> 00:18:02,581
Is it "gubernatorial"?
It's a confusing word.
375
00:18:03,123 --> 00:18:04,124
Cut.
376
00:18:04,208 --> 00:18:06,752
It's such a fun thing to be a part of,
but intimidating as well.
377
00:18:06,835 --> 00:18:10,923
I'm going to use your little contraption
to destroy this universe,
378
00:18:11,465 --> 00:18:15,344
and the next and the next and the next...
379
00:18:15,427 --> 00:18:17,346
until I lap up the Sacred Timeline
380
00:18:17,429 --> 00:18:19,807
like a cartoon puppy eating spaghetti.
381
00:18:19,890 --> 00:18:21,391
[slurping, munching]
382
00:18:21,475 --> 00:18:24,019
It'll be funny if she doesn't know
how to eat spaghetti.
383
00:18:24,103 --> 00:18:25,395
So, she's like...
384
00:18:25,479 --> 00:18:26,480
Or... [gnawing]
385
00:18:26,563 --> 00:18:29,358
[laughter]
386
00:18:29,441 --> 00:18:32,319
It's knowing what and part when.
387
00:18:32,402 --> 00:18:36,073
When to say like, "Okay, no.
Maybe let's not have that joke here."
388
00:18:36,156 --> 00:18:38,408
Or, "This needs to be
more of a sincere beat.
389
00:18:38,492 --> 00:18:41,495
"Let's work on what is this relationship
between these two people about."
390
00:18:41,578 --> 00:18:42,663
Logan...
391
00:18:44,289 --> 00:18:47,876
in The Void you can be what you are.
392
00:18:50,504 --> 00:18:51,922
I just wanna be free.
393
00:18:53,841 --> 00:18:56,093
[Levy] Ryan and I both think a lot about
394
00:18:56,176 --> 00:18:58,595
what makes the heart
underneath the laughs.
395
00:18:58,679 --> 00:19:01,306
I know I turn everything into a joke,
but I care.
396
00:19:03,183 --> 00:19:05,936
Just wanna matter.
I wanna show my girl that I matter.
397
00:19:06,019 --> 00:19:09,064
I... I need to matter.
398
00:19:09,148 --> 00:19:11,358
Wade has never been the world-saving type.
399
00:19:11,441 --> 00:19:14,862
As he says in his own words,
he messes people up for money.
400
00:19:14,945 --> 00:19:17,990
Sometimes he does the right thing
in spite of himself.
401
00:19:18,073 --> 00:19:21,743
But we wanted big stakes
for Deadpool & Wolverine,
402
00:19:22,661 --> 00:19:24,371
and world-saving stakes.
403
00:19:24,454 --> 00:19:27,207
And yet, Wade's world is nine people.
404
00:19:27,291 --> 00:19:28,625
It's been a challenging few years.
405
00:19:29,501 --> 00:19:30,794
Haven't seen you guys in a while.
406
00:19:30,878 --> 00:19:32,296
Been through a lot.
407
00:19:32,379 --> 00:19:33,380
But I'm happy.
408
00:19:34,006 --> 00:19:35,174
You know, and that's...
409
00:19:35,257 --> 00:19:37,843
because of each and every one of you.
410
00:19:38,385 --> 00:19:39,970
I guess, what I'm trying to say is...
411
00:19:40,053 --> 00:19:41,513
how proud I am, how grateful I am...
412
00:19:41,597 --> 00:19:42,931
to be standing in a room...
413
00:19:43,015 --> 00:19:45,851
with every single person I love.
414
00:19:45,934 --> 00:19:50,898
[Levy] We knew that the movie
needed to be anchored in stakes.
415
00:19:50,981 --> 00:19:52,858
You're gonna Old Yeller my universe?
416
00:19:54,359 --> 00:19:55,903
In your parlance, yes.
417
00:19:55,986 --> 00:19:57,321
And if you're Wade Wilson,
418
00:19:57,404 --> 00:20:00,616
the stakes are not, "I'm going to do
the noble thing and save the universe."
419
00:20:00,699 --> 00:20:03,160
It's, "I'm going to do
the thing I am compelled to do,
420
00:20:03,243 --> 00:20:07,456
"which is to save my friends,
because my friends are my world."
421
00:20:07,539 --> 00:20:11,627
Deadpool realizes he's got
to find some way to fix this.
422
00:20:11,710 --> 00:20:15,255
He thinks he can replace the Anchor Being
with another Wolverine.
423
00:20:15,714 --> 00:20:16,715
I'll do it.
424
00:20:16,798 --> 00:20:19,718
Wise choice.
The Sacred Timeline's happy to have you.
425
00:20:19,801 --> 00:20:21,470
I was talking about finding the Wolverine
426
00:20:21,553 --> 00:20:23,013
and breaking your fucking nose.
427
00:20:23,096 --> 00:20:24,306
[groans]
428
00:20:29,519 --> 00:20:30,812
[Wade] Logan.
429
00:20:30,896 --> 00:20:33,774
[Dean Zimmerman] In the script,
we find a few Wolverine variants.
430
00:20:34,274 --> 00:20:36,526
Oh, my God. The legends are true.
431
00:20:36,610 --> 00:20:39,863
{\an8}When we put it together,
it almost wanted to be this montage.
432
00:20:39,947 --> 00:20:42,032
But we didn't have enough pieces
to make it a montage.
433
00:20:42,115 --> 00:20:46,995
So it wasn't until we showed Shawn like,
"Here's what we're thinking."
434
00:20:47,079 --> 00:20:48,413
Then all of a sudden, it's like,
435
00:20:48,497 --> 00:20:51,458
"Well, let's get the John Byrne
brown and tan costume.
436
00:20:51,541 --> 00:20:53,752
"Let's get Wolverine on the cross.
437
00:20:53,835 --> 00:20:56,004
"Let's get Cavillrine."
438
00:20:56,088 --> 00:20:57,464
- [Reid] Old Man Logan.
- Old Man Logan.
439
00:20:57,547 --> 00:21:01,051
We hit some, like,
real deep-cut comic fans
440
00:21:01,134 --> 00:21:05,138
to start digging out these Logan variants
that existed over time.
441
00:21:05,222 --> 00:21:07,307
[Zimmerman] And we were listening,
paying attention.
442
00:21:07,391 --> 00:21:09,810
{\an8}The support from the studio is unwavering
443
00:21:09,893 --> 00:21:14,773
{\an8}'cause the John Byrne, the big classic,
iconic image of the comic book,
444
00:21:14,856 --> 00:21:16,316
is brown and tan costume, claws out,
445
00:21:16,400 --> 00:21:19,361
and you see Hulk in the reflection.
446
00:21:19,444 --> 00:21:20,946
"Okay, so can we have Hulk?"
447
00:21:21,697 --> 00:21:22,864
Marvel, "Sure."
448
00:21:23,490 --> 00:21:28,036
[Reynolds] So many late-game saves
and ideas and thoughts
449
00:21:28,120 --> 00:21:31,498
and collaborations
came from all over the place.
450
00:21:31,581 --> 00:21:34,334
I don't care whose idea it is.
451
00:21:34,418 --> 00:21:37,629
Let's make this the best thing
we could possibly do.
452
00:21:37,713 --> 00:21:39,548
Comic accurate short king.
453
00:21:39,631 --> 00:21:42,759
Beautiful. But, unfortunately,
a reluctant pass.
454
00:21:43,427 --> 00:21:46,638
{\an8}[Reid] Shawn and Ryan are also very aware
455
00:21:46,722 --> 00:21:49,808
{\an8}that what the fans really want
in these situations
456
00:21:49,891 --> 00:21:52,936
are recreations of things
that are iconic to them.
457
00:21:53,020 --> 00:21:57,566
So, let's make them look like
the cover that they saw.
458
00:21:57,649 --> 00:22:01,194
{\an8}So there's a respect there
to the material, the source material.
459
00:22:01,278 --> 00:22:02,988
{\an8}And then, at the same time, it's like
460
00:22:03,071 --> 00:22:05,449
we're contrasting it with Huey Lewis,
The Power of Love.
461
00:22:05,532 --> 00:22:08,327
- From Back to the Future.
- Yeah.
462
00:22:08,410 --> 00:22:09,953
Which they had to go through...
463
00:22:10,037 --> 00:22:13,415
- Incredibly.
- Their own mountain to secure, but...
464
00:22:13,498 --> 00:22:15,625
Yeah, Shawn called Spielberg and Zemeckis.
465
00:22:15,709 --> 00:22:18,295
And the ungettable get we're getting.
466
00:22:18,378 --> 00:22:20,464
It's just this beautiful marriage
of pop culture.
467
00:22:23,884 --> 00:22:24,926
This one looks promising.
468
00:22:27,929 --> 00:22:29,806
I need you to come with me right now.
469
00:22:30,891 --> 00:22:32,559
Look, lady, I'm not interested.
470
00:22:32,642 --> 00:22:38,273
The paradigms for Deadpool & Wolverine
were the great two-hander road trips.
471
00:22:38,774 --> 00:22:42,194
That's Midnight Run,
Planes, Trains & Automobiles.
472
00:22:42,277 --> 00:22:44,029
In some weird way, it's Rain Man.
473
00:22:44,112 --> 00:22:47,532
It's about two people stuck on a quest,
474
00:22:47,616 --> 00:22:51,828
who in no normal circumstances
would choose to spend a minute together.
475
00:22:51,912 --> 00:22:53,080
Now they've got to spend days.
476
00:22:53,163 --> 00:22:54,831
You mind putting your mask back on?
477
00:22:54,915 --> 00:22:56,583
It's super hard to eat while wearing it.
478
00:22:56,666 --> 00:22:58,168
It's super hard to eat when you're not.
479
00:22:58,251 --> 00:23:00,921
[Jackman] I'd always felt
that this is a dynamic
480
00:23:01,004 --> 00:23:02,881
that would be so much fun to play.
481
00:23:02,964 --> 00:23:04,925
They call me "The Merc with the Mouth."
482
00:23:05,008 --> 00:23:08,220
They don't call me "The Merc
with the Sage and Timely Counsel."
483
00:23:08,303 --> 00:23:09,346
[groans]
484
00:23:10,555 --> 00:23:11,556
One more word.
485
00:23:11,640 --> 00:23:15,060
And I know the fans would love it.
486
00:23:16,144 --> 00:23:17,229
Gubernatorial.
487
00:23:18,188 --> 00:23:20,232
[grunting and groaning]
488
00:23:20,315 --> 00:23:26,071
It's such a great opposing force,
you know, for Deadpool.
489
00:23:26,154 --> 00:23:27,697
[groans, gasps]
490
00:23:27,781 --> 00:23:28,782
What you thinkin'?
491
00:23:28,865 --> 00:23:31,993
[Wernick] We've always wanted,
you know, that perfect straight man.
492
00:23:32,077 --> 00:23:35,747
And yet, I wouldn't say
Wolverine is a straight man
493
00:23:35,831 --> 00:23:37,124
as much as he is...
494
00:23:37,207 --> 00:23:38,458
He's a lunatic.
495
00:23:38,542 --> 00:23:39,668
Hey.
496
00:23:40,961 --> 00:23:42,254
- Oh, Christ.
- [Levy] Cut.
497
00:23:42,337 --> 00:23:48,093
It has this innate potential
for something emotional.
498
00:23:48,176 --> 00:23:52,264
How do relationships evolve,
including ones that start with hatred?
499
00:23:52,347 --> 00:23:55,058
In my world, you're, um... [clears throat]
500
00:23:56,017 --> 00:23:57,269
You're well regarded.
501
00:23:57,352 --> 00:23:59,229
Yeah, well, not in mine.
502
00:24:00,105 --> 00:24:02,816
- They don't like me much in mine either.
- You don't say.
503
00:24:02,899 --> 00:24:05,902
The stress I had
as one of the writers of the movie
504
00:24:05,986 --> 00:24:08,155
was finding the access point
into Wolverine,
505
00:24:08,238 --> 00:24:11,408
that, one, allows audiences to connect
with a character
506
00:24:11,491 --> 00:24:13,785
that they've known
for more than two decades,
507
00:24:13,869 --> 00:24:16,288
but also does something different
with the character
508
00:24:16,371 --> 00:24:18,415
that hasn't yet been done.
509
00:24:18,498 --> 00:24:22,419
In the first script that we wrote,
Hugh sent us a 10-minute voice memo.
510
00:24:22,502 --> 00:24:26,089
Which I don't recommend,
sending a 10-minute voice memo to anyone.
511
00:24:26,173 --> 00:24:30,302
But the idea that
he was the worst Wolverine
512
00:24:30,385 --> 00:24:34,639
{\an8}is the thing that came
of Hugh's voice memo.
513
00:24:34,723 --> 00:24:36,558
It was such a great access point for us
514
00:24:36,641 --> 00:24:38,643
'cause you not only have
the worst Wolverine,
515
00:24:38,727 --> 00:24:42,856
but you have a Wolverine that is finally,
after 24 years, wearing the yellow suit,
516
00:24:42,939 --> 00:24:45,317
you know, wandering around set
like Admiral Banana.
517
00:24:45,942 --> 00:24:49,905
So what made you finally commit
to wearing an honest-to-God costume?
518
00:24:51,364 --> 00:24:53,325
Mine's red so they can't see me bleed.
519
00:24:54,784 --> 00:24:56,369
I see how yellow could be useful too.
520
00:25:02,876 --> 00:25:07,005
[Jackman] When I got in the yellow
and blue, I knew it would work.
521
00:25:07,088 --> 00:25:11,426
The thing that I'd been worried about
was unfounded.
522
00:25:11,510 --> 00:25:13,220
Anything about the suit
523
00:25:13,303 --> 00:25:16,556
somehow in real life,
as opposed to in the comic book,
524
00:25:16,640 --> 00:25:18,683
would make him look too cartoon-y
525
00:25:18,767 --> 00:25:22,187
or just garish or over-the-top
or something. No.
526
00:25:22,270 --> 00:25:27,651
[Reynolds] I remember that first day
that Hugh and I were both in the suits.
527
00:25:27,734 --> 00:25:30,862
We walked down this, like,
catwalk thing in the TVA,
528
00:25:30,946 --> 00:25:33,281
and a gentleman named Billy Lawless,
529
00:25:33,365 --> 00:25:38,453
who's in charge of helping me
get my suit on each and every day,
530
00:25:38,537 --> 00:25:40,789
'cause the suit
is its own feat of engineering,
531
00:25:40,872 --> 00:25:44,292
when he saw both Deadpool and Wolverine
walking down that catwalk,
532
00:25:44,376 --> 00:25:46,127
he said it was the best day of his life.
533
00:25:46,211 --> 00:25:47,462
[chuckling] And I was like...
534
00:25:47,546 --> 00:25:49,422
I was like,
"You have a son though, Billy."
535
00:25:49,506 --> 00:25:52,259
And he said, "Yes.
My son's name is Logan."
536
00:25:52,342 --> 00:25:54,302
Twenty-four years since I first did this.
537
00:25:54,386 --> 00:25:55,762
[man] It wasn't!
538
00:25:55,845 --> 00:25:58,306
But the fans have been asking for this
for 24 years.
539
00:25:58,390 --> 00:26:00,183
Oh, fuck it. Excuse me.
540
00:26:00,267 --> 00:26:01,518
- Oh, yeah.
- [laughter]
541
00:26:01,601 --> 00:26:02,978
[Jackman] It felt amazing.
542
00:26:03,061 --> 00:26:08,942
{\an8}I felt more grounded, deeper connected
than I ever had before in the 24 years.
543
00:26:09,025 --> 00:26:10,944
{\an8}And the suit had
a lot to do with that, I think.
544
00:26:11,027 --> 00:26:12,612
Trust me, kid, I'm no hero.
545
00:26:12,696 --> 00:26:14,281
Well, that suit says different.
546
00:26:15,156 --> 00:26:16,199
Do you like it?
547
00:26:16,283 --> 00:26:20,870
I was astonished at how
we never tried it, never looked at it.
548
00:26:21,413 --> 00:26:24,374
But when I see it and when I see it
particularly with that cowl...
549
00:26:24,457 --> 00:26:25,625
Holy shit.
550
00:26:26,126 --> 00:26:28,169
You save the good stuff
for special occasions?
551
00:26:28,253 --> 00:26:29,254
Killing mostly.
552
00:26:29,337 --> 00:26:34,551
I feel more than ever before
me, Hugh Jackman, is lost, gone.
553
00:26:34,634 --> 00:26:36,011
It's just Wolverine.
554
00:26:36,094 --> 00:26:38,096
Listen to me.
Now, this is Sabretooth, all right?
555
00:26:38,179 --> 00:26:39,556
Twenty years in the making.
556
00:26:39,639 --> 00:26:40,932
You cannot take this guy.
557
00:26:41,016 --> 00:26:42,142
Do not go for the head.
558
00:26:42,225 --> 00:26:43,518
You guys got no grappling game.
559
00:26:43,602 --> 00:26:45,270
Okay, good luck and Godspeed.
560
00:26:45,353 --> 00:26:47,731
[Jackman] The suit's tight,
it pulls you down.
561
00:26:47,814 --> 00:26:52,193
It's actually, weirdly, really good
in some ways for doing the action,
562
00:26:52,277 --> 00:26:53,987
makes you very coiled.
563
00:26:54,070 --> 00:26:57,073
But the motion, it's hard to move.
It's hard to get your elbow...
564
00:26:57,157 --> 00:27:00,327
like, literally getting
your arms above here.
565
00:27:01,161 --> 00:27:04,080
[Levy] That's impossible.
No, that's not graceful.
566
00:27:04,164 --> 00:27:06,249
What about... And the other hand's worse?
567
00:27:07,334 --> 00:27:09,461
That is very close.
568
00:27:09,544 --> 00:27:11,463
But we did some amazing
action sequences in this,
569
00:27:11,546 --> 00:27:13,590
one of which is the longest
I've ever done in my life.
570
00:27:18,553 --> 00:27:21,181
[Levy] So we are here
in the lovely Burnham Beeches.
571
00:27:21,264 --> 00:27:23,016
We're in the UK and we're shooting
572
00:27:23,099 --> 00:27:25,560
what we effectually refer to
as the van fight.
573
00:27:25,644 --> 00:27:29,814
This idea came out in the earliest,
as I recall,
574
00:27:29,898 --> 00:27:31,399
the first draft of the script.
575
00:27:31,483 --> 00:27:33,818
{\an8}The idea that audiences expect
the mother of all fights
576
00:27:33,902 --> 00:27:35,403
{\an8}between Wolverine and Deadpool,
577
00:27:35,487 --> 00:27:38,615
{\an8}But what if we do it in a way
that's unexpected?
578
00:27:38,698 --> 00:27:45,121
What if we do it inside the confines
of a lovely late model Honda Odyssey?
579
00:27:45,205 --> 00:27:47,040
I'm gonna fight you now.
580
00:27:47,123 --> 00:27:49,584
[laughing, snorting]
581
00:27:49,668 --> 00:27:50,960
Oh, are you?
582
00:27:51,044 --> 00:27:54,381
[Jackman] Shawn understands this thing
where you must be ahead of the audience.
583
00:27:54,464 --> 00:27:56,091
The ideas must keep elevating.
584
00:27:56,174 --> 00:27:57,676
They must keep changing and evolving.
585
00:27:57,759 --> 00:28:00,053
[Alex] This is what's really unique
about Shawn and Ryan.
586
00:28:00,136 --> 00:28:03,390
They're never married to an idea.
587
00:28:03,473 --> 00:28:06,935
If there is a way
of telling a better story,
588
00:28:07,018 --> 00:28:08,395
they are open for this idea.
589
00:28:08,478 --> 00:28:13,441
I don't know how any one director
or one producer or one writer or anyone
590
00:28:13,525 --> 00:28:18,196
does anything in the singular sense,
'cause you just need so much help.
591
00:28:18,279 --> 00:28:22,325
Is it too much just to fucking run into it
like you're tackling the car?
592
00:28:22,409 --> 00:28:23,493
Like you're ramming it.
593
00:28:23,576 --> 00:28:26,204
Either ramming it
or just head into it or something.
594
00:28:26,705 --> 00:28:28,707
There's a part of Wolverine
that loves a fight.
595
00:28:28,790 --> 00:28:31,418
Like, there's a part of him
never more alive than than in a fight.
596
00:28:31,501 --> 00:28:32,502
[Levy] Yes, yes.
597
00:28:32,585 --> 00:28:35,213
And doesn't mind a headbutt, like...
598
00:28:35,296 --> 00:28:38,007
Yeah. Maybe that's what this this is, too.
599
00:28:38,091 --> 00:28:39,926
It's like
when it gives that beat, you know,
600
00:28:40,009 --> 00:28:42,637
like the "Violence is our love language."
601
00:28:42,721 --> 00:28:43,763
Boom!
602
00:28:46,224 --> 00:28:49,269
{\an8}[Jackman] When I first was pitched
that scene, Shawn showed it to me,
603
00:28:49,352 --> 00:28:50,770
{\an8}we were on a plane together.
604
00:28:51,146 --> 00:28:52,772
{\an8}And he actually videoed me.
605
00:28:52,856 --> 00:28:55,650
There was a video of me
watching it for the first time.
606
00:28:55,734 --> 00:28:58,278
I'm literally crying hysterically.
607
00:28:58,361 --> 00:29:00,739
It was just the most genius thing
I'd ever seen.
608
00:29:00,822 --> 00:29:03,324
And I loved the scene as the lead-up.
609
00:29:03,408 --> 00:29:07,620
A road trip with the most
annoying person of your life.
610
00:29:07,704 --> 00:29:09,748
And finally, he snaps.
611
00:29:09,831 --> 00:29:11,040
[grunting]
612
00:29:12,250 --> 00:29:13,585
We are just getting started.
613
00:29:13,668 --> 00:29:15,712
[grunting and groaning]
614
00:29:15,795 --> 00:29:17,547
[Levy] By virtue of being R-rated,
615
00:29:17,630 --> 00:29:20,592
it's an opportunity to make an MCU movie
616
00:29:20,675 --> 00:29:22,594
with a degree of edge
617
00:29:22,677 --> 00:29:25,930
and comedic subversiveness.
618
00:29:26,014 --> 00:29:28,349
[Cottle] With regards to action,
any normal Marvel movie,
619
00:29:28,433 --> 00:29:29,768
you have to work out
620
00:29:29,851 --> 00:29:31,102
how many headbutts you can do
621
00:29:31,186 --> 00:29:32,520
or how much blood you can see.
622
00:29:32,604 --> 00:29:34,981
And then you walk onto this set
and it's just...
623
00:29:35,440 --> 00:29:36,691
It's just...
624
00:29:36,775 --> 00:29:39,027
[screams, shrieks]
625
00:29:39,110 --> 00:29:42,113
You are yanking this thing so hard,
you fucking jump back,
626
00:29:42,197 --> 00:29:44,282
- spin around and I'm holding it.
- [Levy] Ah, right.
627
00:29:44,365 --> 00:29:46,159
And then my feet go through the sunroof.
628
00:29:46,242 --> 00:29:47,494
All in one move.
629
00:29:47,577 --> 00:29:48,787
We slide back... Boom!
630
00:29:48,870 --> 00:29:51,080
[grunting, yelling]
631
00:29:53,166 --> 00:29:55,710
It's two people fighting who can't die.
632
00:29:55,794 --> 00:29:56,795
It's amazing.
633
00:29:57,337 --> 00:29:59,672
Once you get his head to the side...
634
00:29:59,756 --> 00:30:01,800
- Yeah.
- ...and you're doing these
635
00:30:01,883 --> 00:30:04,010
and I see the bumper sticker,
I'm gonna cut it sooner.
636
00:30:04,093 --> 00:30:06,763
You're gonna have to be
quite the jackhammer.
637
00:30:07,514 --> 00:30:09,307
[Reynolds] Ha-ha!
638
00:30:09,390 --> 00:30:14,020
[Jackman] Every bit of action
is so inventive and unique
639
00:30:14,103 --> 00:30:18,274
and funny and brutal
and stuff you've never seen before.
640
00:30:19,734 --> 00:30:20,777
[groaning]
641
00:30:20,860 --> 00:30:23,071
And it's so hard to do that.
642
00:30:23,154 --> 00:30:25,240
[Levy whooping and laughing]
643
00:30:25,323 --> 00:30:26,950
Yeah!
644
00:30:27,033 --> 00:30:28,034
[man] Amazing.
645
00:30:36,709 --> 00:30:39,796
We knew that we wanted
a really formidable villain,
646
00:30:39,879 --> 00:30:42,423
and we started talking about something
I had never heard about,
647
00:30:42,507 --> 00:30:43,716
an omega-level mutant.
648
00:30:43,800 --> 00:30:48,429
And this character of Cassandra Nova,
who is Charles Xavier's twin.
649
00:30:48,513 --> 00:30:50,390
And around that time
650
00:30:50,473 --> 00:30:53,101
I was watching The Crown with Emma Corrin,
651
00:30:53,184 --> 00:30:55,645
and I thought,
"Wow. This actor is incredible."
652
00:30:56,145 --> 00:30:58,857
And I went to England
and I saw Emma in a stage production.
653
00:30:59,357 --> 00:31:03,528
And we went out to dinner afterwards
and I knew that this was Cassandra Nova.
654
00:31:03,611 --> 00:31:07,240
So we literally never had a backup,
never even had a second idea.
655
00:31:07,448 --> 00:31:08,783
And thankfully, Emma said, "Yes."
656
00:31:08,867 --> 00:31:10,285
Not what I was expecting.
657
00:31:13,580 --> 00:31:15,039
Don't worry, I won't judge you.
658
00:31:16,583 --> 00:31:18,418
I'm not Charles.
659
00:31:18,501 --> 00:31:21,546
They said, "Forget everything
you've ever seen or heard about villains.
660
00:31:21,629 --> 00:31:23,298
"Don't treat this as a villain."
661
00:31:23,381 --> 00:31:25,466
And I remember
the first reference Ryan gave me
662
00:31:25,550 --> 00:31:28,344
was Christoph Waltz
in Inglourious Basterds.
663
00:31:28,469 --> 00:31:32,181
He doesn't have to act evil
because he's wearing that uniform.
664
00:31:32,265 --> 00:31:35,935
It says it for him,
and it's ten times more sinister.
665
00:31:36,144 --> 00:31:37,353
You're that scary, huh?
666
00:31:37,437 --> 00:31:39,230
The TVA certainly thought so.
667
00:31:39,898 --> 00:31:41,816
They sent me here before I could walk.
668
00:31:41,900 --> 00:31:44,152
So that's what we went for
because I've got the bald head
669
00:31:44,235 --> 00:31:49,073
and the collar and the villain
silhouette and these elongated fingers.
670
00:31:49,240 --> 00:31:52,577
That are just enough to kind of see
671
00:31:52,660 --> 00:31:53,870
and you kind of don't.
672
00:31:53,953 --> 00:31:56,581
What's going on in here?
673
00:31:57,457 --> 00:31:58,499
It's all saying "evil."
674
00:31:58,583 --> 00:32:01,669
So then it's really fun
to be unpredictable.
675
00:32:01,753 --> 00:32:04,130
There's something off-kilter
that makes you sort of lean in.
676
00:32:04,213 --> 00:32:07,383
Yeah, Johnny told us. You're a "psychotic,
megalomaniacal asshole."
677
00:32:07,467 --> 00:32:10,553
His words, not mine.
Hellbent on domination and pain.
678
00:32:12,055 --> 00:32:13,890
- You said all that about me?
- No!
679
00:32:13,973 --> 00:32:15,308
[Reynolds] Chris and I have a history
680
00:32:15,391 --> 00:32:18,895
of trading cameos in movies,
and he was just so in.
681
00:32:18,978 --> 00:32:20,104
Man, this is great. Come on.
682
00:32:20,188 --> 00:32:22,106
[Reynolds] Because I wrote
this setup for him,
683
00:32:22,190 --> 00:32:25,443
where Deadpool talks about him
as the ultimate trash talker.
684
00:32:25,526 --> 00:32:28,738
That it's not me. You know,
he's the shit talker, extreme,
685
00:32:28,821 --> 00:32:30,031
my hat's off to this guy.
686
00:32:30,114 --> 00:32:31,699
And in the movie, you're like, "Wait.
687
00:32:31,783 --> 00:32:33,034
"But he doesn't talk like that."
688
00:32:33,117 --> 00:32:36,204
Deadpool's just getting another guy
killed, which Deadpool is very good at.
689
00:32:36,329 --> 00:32:37,580
Not my favorite Chris.
690
00:32:37,664 --> 00:32:40,041
So I wrote this tag for Chris.
691
00:32:40,208 --> 00:32:43,419
Initially, I just wrote it
to trick and manipulate Chris
692
00:32:43,503 --> 00:32:44,671
into saying yes.
693
00:32:44,754 --> 00:32:47,298
"But there's also this scene."
694
00:32:47,423 --> 00:32:51,427
And then it became something
that was really funny, actually,
695
00:32:51,511 --> 00:32:53,054
I was, "This has to be in the movie."
696
00:32:53,137 --> 00:32:56,307
And Chris only agreed to do the movie
as long as that tag stays in the movie.
697
00:32:56,683 --> 00:32:58,226
Which I don't blame him at all.
698
00:32:58,309 --> 00:33:01,354
If the last thing I do in this godforsaken
cum-gutter existence...
699
00:33:01,437 --> 00:33:04,232
is light that fuck-box on fire,
I still won't die happy.
700
00:33:04,315 --> 00:33:06,067
[chuckling] Holy shit, girl. You crazy.
701
00:33:06,150 --> 00:33:07,986
That's right, Wade.
I won't be happy until...
702
00:33:08,069 --> 00:33:10,154
I've urinated
on her freshly barbecued corpse
703
00:33:10,238 --> 00:33:11,948
and husk-fucked the charred remains,
704
00:33:12,031 --> 00:33:13,825
while gargling Juggernaut's juggernuts.
705
00:33:13,908 --> 00:33:15,952
- Wow! 'Kay.
- And you can quote me.
706
00:33:27,046 --> 00:33:28,965
[Jacobson] Here we are
in the hero hideout.
707
00:33:29,048 --> 00:33:32,301
This hideout is comprised
of various variants
708
00:33:32,385 --> 00:33:34,387
and Easter eggs from the Marvel universe.
709
00:33:35,263 --> 00:33:36,597
Where are we?
710
00:33:37,432 --> 00:33:40,018
No clue, but... I like it here.
711
00:33:40,351 --> 00:33:43,938
Fans may recognize this amazing bed,
712
00:33:44,272 --> 00:33:47,942
which was where the Hulk
slept in Thor: Ragnarok in Sakaar.
713
00:33:48,026 --> 00:33:51,779
We've got this table
from Carol's spaceship from The Marvels,
714
00:33:51,863 --> 00:33:55,533
{\an8}and Ray Chan did an incredible job
with this space.
715
00:33:55,616 --> 00:33:57,952
{\an8}There are so many different details.
716
00:33:58,036 --> 00:33:59,829
{\an8}[Chan] So the brief from
Shawn and Wendy was,
717
00:33:59,996 --> 00:34:03,791
{\an8}"We'd like to put in some
Easter eggs for our fans."
718
00:34:03,875 --> 00:34:05,710
{\an8}One particular set caught my eye.
719
00:34:05,793 --> 00:34:09,839
{\an8}A 24-foot high sculpt of Wanda,
720
00:34:10,298 --> 00:34:13,468
which was used in Doctor Strange 2.
721
00:34:13,551 --> 00:34:17,847
And it was used in a temple,
and the temple was about 32 feet high,
722
00:34:17,930 --> 00:34:22,810
and I thought, "Well, I will take that
sculpt and lay it into the ceiling."
723
00:34:22,894 --> 00:34:26,647
So it became the ceiling of the hideout.
724
00:34:26,981 --> 00:34:29,901
It's really been thought out.
Where would each person sleep?
725
00:34:29,984 --> 00:34:31,360
What would their possessions be?
726
00:34:31,444 --> 00:34:33,696
They live in the Void.
What have they scavenged?
727
00:34:34,113 --> 00:34:38,367
Look at you... all.
You must be the others.
728
00:34:38,951 --> 00:34:40,369
[Chan] Just to see those heroes,
729
00:34:40,453 --> 00:34:43,873
and they are heroes, in the set
was just incredible.
730
00:34:46,918 --> 00:34:51,422
{\an8}I received a message from Ryan.
731
00:34:52,256 --> 00:34:53,800
And he said, "Give me a call."
732
00:34:54,467 --> 00:34:55,927
I thought it was kind of odd.
733
00:34:56,010 --> 00:34:58,179
I said, "What could this guy
be calling me for?"
734
00:34:58,262 --> 00:35:01,390
He revealed to me that he was thinking
735
00:35:01,474 --> 00:35:05,061
about me joining the team
for this Deadpool.
736
00:35:05,895 --> 00:35:09,023
I said, "Well, hey,
if you can work it out, yeah."
737
00:35:09,107 --> 00:35:14,737
Wesley is Blade to me
and ushered in a whole era.
738
00:35:14,821 --> 00:35:15,863
I was born ready.
739
00:35:15,947 --> 00:35:18,658
[Reynolds] This is a character
that Wesley, in large part, created.
740
00:35:18,741 --> 00:35:21,953
And took risks back then
that hadn't really been done.
741
00:35:22,036 --> 00:35:24,205
There's only ever been one Blade,
742
00:35:24,288 --> 00:35:26,040
and there's only ever gonna be one Blade.
743
00:35:26,124 --> 00:35:27,834
Yeah, dog. Let's go.
744
00:35:27,917 --> 00:35:30,128
{\an8}It really does feel I'm the radio winner
745
00:35:30,211 --> 00:35:32,421
{\an8}they let play background for a day.
746
00:35:32,505 --> 00:35:36,592
I've been dancing around Gambit
for close to 20 years now.
747
00:35:36,676 --> 00:35:38,886
You don't have to ask Channing Tatum
to play Gambit.
748
00:35:38,970 --> 00:35:41,180
I mean, Channing's been trying to get
a Gambit movie made
749
00:35:41,264 --> 00:35:43,307
for as long as I was trying
to get a Deadpool movie.
750
00:35:43,391 --> 00:35:46,018
I mean, we were at Comic Con
together in 2016
751
00:35:46,102 --> 00:35:47,854
when Fox was going to make that movie.
752
00:35:47,937 --> 00:35:52,024
If you don't know what it's like to see...
753
00:35:52,108 --> 00:35:54,986
Shawn I've met a couple of times
to possibly direct Gambit
754
00:35:55,069 --> 00:35:57,196
when I was attached to it at Fox.
755
00:35:57,280 --> 00:35:59,866
So they called me about this one,
and I couldn't even believe it.
756
00:35:59,949 --> 00:36:02,410
I thought they might have been
teasing me or joking me,
757
00:36:02,493 --> 00:36:03,828
it was like a practical joke.
758
00:36:03,911 --> 00:36:09,584
I'd have done truly anything to actually
walk onto the screen as Gambit
759
00:36:09,667 --> 00:36:10,835
just even one time.
760
00:36:14,589 --> 00:36:17,675
{\an8}It's actually really lovely
to step back into Elektra.
761
00:36:17,758 --> 00:36:21,012
{\an8}I played Elektra in 2004.
762
00:36:21,095 --> 00:36:23,055
So I had not picked up a sai
763
00:36:23,139 --> 00:36:26,017
other than to show off
for my kids' friends.
764
00:36:26,100 --> 00:36:27,602
Like, "I'm a ninja."
765
00:36:28,811 --> 00:36:31,814
I hadn't done anything like that
in years and years and years.
766
00:36:31,898 --> 00:36:36,444
Da, da, stab. And then when I do this,
I'm driving us back.
767
00:36:37,153 --> 00:36:41,991
Bringing Elektra into this
Deadpool world has been a total trip.
768
00:36:43,242 --> 00:36:44,619
[grunting]
769
00:36:46,120 --> 00:36:48,080
[Reynolds] It was wonderful
to see Dafne Keen
770
00:36:48,164 --> 00:36:49,957
as Laura a little bit older and wiser
771
00:36:50,041 --> 00:36:53,169
and now we get to really see
what the Logan character means to her.
772
00:36:53,252 --> 00:36:54,921
I got to grow up because of you.
773
00:36:55,004 --> 00:36:57,590
{\an8}Finding this new, more mature, older Laura
774
00:36:57,673 --> 00:37:01,135
{\an8}was very interesting because
she's still intrinsically, nature wise,
775
00:37:01,219 --> 00:37:04,305
she's still that wild, feral character,
776
00:37:04,388 --> 00:37:06,224
but also, at the same time,
she's now grown,
777
00:37:06,307 --> 00:37:09,101
and she's got more management
of her emotions in a way.
778
00:37:09,185 --> 00:37:10,311
Don't make me regret it.
779
00:37:10,394 --> 00:37:13,189
To me, it seems like
because I played her at such a young age,
780
00:37:13,272 --> 00:37:16,609
she's sort of embedded in me,
and she's been waiting to come out again.
781
00:37:16,692 --> 00:37:18,986
X-23, what's it gonna be?
782
00:37:19,070 --> 00:37:20,112
The name's Laura.
783
00:37:20,196 --> 00:37:23,074
- Let's fucking go.
- Let's fucking go!
784
00:37:33,125 --> 00:37:35,378
This is, by the way, the most mental shot
785
00:37:35,461 --> 00:37:36,796
in a comic book movie of all time.
786
00:37:36,879 --> 00:37:39,840
It's about to get more mental!
787
00:37:39,924 --> 00:37:41,300
I didn't want to stop yesterday.
788
00:37:41,384 --> 00:37:43,719
Everybody was tired.
I was, like, "Do we have to go home?
789
00:37:43,844 --> 00:37:45,054
"Do I have to take it off?"
790
00:37:45,137 --> 00:37:46,555
I didn't see this costume coming
791
00:37:46,639 --> 00:37:48,808
because when we were planning
to do the other Gambit,
792
00:37:48,891 --> 00:37:52,979
he wasn't in the X-Men yet,
so he wouldn't have had this full armor.
793
00:37:53,062 --> 00:37:55,314
And then this, we just basically decided
794
00:37:55,398 --> 00:37:58,276
we're just going to do exactly
what he looks like in the comics.
795
00:37:58,359 --> 00:38:03,781
{\an8}Picked the picture and the magicians that
work on this movie just figured it out.
796
00:38:10,746 --> 00:38:13,291
This costume is a little different
from the one we had before.
797
00:38:13,374 --> 00:38:14,625
It's less shiny.
798
00:38:15,418 --> 00:38:16,794
Yeah, it's less sparkly.
799
00:38:17,211 --> 00:38:20,131
I don't have the same drip
that I had in the other ones.
800
00:38:20,214 --> 00:38:22,008
Maybe these two are our chance.
801
00:38:22,091 --> 00:38:23,259
To be remembered.
802
00:38:23,342 --> 00:38:24,677
The way we deserve.
803
00:38:24,760 --> 00:38:25,803
An ending.
804
00:38:25,886 --> 00:38:27,096
Legacy.
805
00:38:27,888 --> 00:38:32,601
[Garner] A lot of superheroes wear red,
but, of course, Deadpool is in red.
806
00:38:32,685 --> 00:38:37,148
So Elektra's gone a bit more berry
like a gray berry, which I love.
807
00:38:37,565 --> 00:38:39,900
So it's a different costume,
a lot less skin.
808
00:38:40,234 --> 00:38:42,903
Elektra always had a lot more
midriff showing,
809
00:38:42,987 --> 00:38:45,239
which... we wouldn't need that now.
810
00:38:45,323 --> 00:38:47,742
That's not necessary.
Elektra's had three kids.
811
00:38:47,825 --> 00:38:50,328
Those characters are all
really, really important,
812
00:38:50,411 --> 00:38:52,872
and some of my favorite moments
in the movie
813
00:38:52,955 --> 00:38:55,166
are standing shoulder to shoulder
with those guys.
814
00:38:55,249 --> 00:38:57,793
And they were amazing
because we had six and a half usable hours
815
00:38:57,877 --> 00:38:59,253
of daylight each and every day.
816
00:38:59,337 --> 00:39:02,465
And I remember sitting with them
in my trailer before we shot,
817
00:39:02,548 --> 00:39:05,384
and I said, "I'm gonna ask you guys
something that I would...
818
00:39:05,468 --> 00:39:06,886
"I feel sheepish asking you,
819
00:39:06,969 --> 00:39:09,430
"but unless
you have to go to the bathroom,
820
00:39:09,513 --> 00:39:11,098
"can everyone just stay on set?
821
00:39:11,182 --> 00:39:14,435
"Because, man, we need to
go, go, go and not stop!"
822
00:39:14,518 --> 00:39:16,854
And every one of them
was just incredible about that.
823
00:39:16,937 --> 00:39:20,316
They stayed on set and were just ready
to go and stretched out
824
00:39:20,399 --> 00:39:23,402
and primed to do the action
at a moment's notice.
825
00:39:24,612 --> 00:39:27,406
Shawn and Ryan have dreamed of this moment
826
00:39:27,490 --> 00:39:30,201
of all of us coming together
to fight for them
827
00:39:30,284 --> 00:39:32,495
and help them accomplish their goals.
828
00:39:32,578 --> 00:39:35,247
And to watch Shawn and Ryan
829
00:39:35,331 --> 00:39:40,211
get so excited about their dream
becoming a reality in front of their eyes
830
00:39:40,294 --> 00:39:41,962
is really awesome.
831
00:39:42,671 --> 00:39:44,340
- Cut.
- Yeah!
832
00:39:44,423 --> 00:39:47,635
We have waited so long for it
and I'm so grateful.
833
00:39:47,718 --> 00:39:49,220
And it was everything we dreamed of.
834
00:39:49,303 --> 00:39:51,180
It was more than everything we dreamed of,
835
00:39:51,263 --> 00:39:54,225
like, literally 50 times better
than I ever dreamed.
836
00:39:54,308 --> 00:39:57,228
- Well done, well done.
- [Garner] Oh, my goodness.
837
00:40:02,525 --> 00:40:04,235
[Levy] We are in Ant-Man Arena,
838
00:40:04,318 --> 00:40:09,115
as we affectionately call
Cassandra Nova's hideout.
839
00:40:09,532 --> 00:40:11,242
{\an8}Her fortress. Her compound.
840
00:40:11,367 --> 00:40:13,994
{\an8}This is a giant Ant-Man
841
00:40:14,078 --> 00:40:17,706
{\an8}that is half-buried
in the desert of the Void,
842
00:40:17,790 --> 00:40:22,878
{\an8}and within its skeletal arms,
Cassandra Nova has set up camp.
843
00:40:23,295 --> 00:40:25,256
[Corrin] They built the entire arena,
844
00:40:25,339 --> 00:40:27,550
and there were the vehicles
that actually worked
845
00:40:27,633 --> 00:40:30,636
and the ramp that turns into steps
that I first come down.
846
00:40:30,719 --> 00:40:33,264
It was all there and all functional.
It was mind-blowing.
847
00:40:33,347 --> 00:40:35,933
"Right there, in the amphitheater
of his arms."
848
00:40:36,058 --> 00:40:37,309
That's this set.
849
00:40:37,393 --> 00:40:38,436
- What?
- Yeah.
850
00:40:38,519 --> 00:40:41,230
[Levy] The very notion
that Cassandra's compound
851
00:40:41,313 --> 00:40:44,650
would be in a giant Ant-Man skeleton.
852
00:40:44,775 --> 00:40:50,614
That was in a first draft of this script,
and it was such a weird arbitrary, random,
853
00:40:50,698 --> 00:40:54,452
idiosyncratic, messed-up, cool idea,
854
00:40:54,535 --> 00:40:57,413
because it's so weird, that it stuck.
855
00:41:01,792 --> 00:41:05,463
Obviously, I start with giant Ant-Man
from the costume department.
856
00:41:05,546 --> 00:41:09,800
We scanned the costume,
and then we've magnified the armor.
857
00:41:09,884 --> 00:41:12,928
So we replicated his costume
exponentially.
858
00:41:16,474 --> 00:41:19,977
Just even, just to give
the arena some interest.
859
00:41:20,060 --> 00:41:22,271
I pitched this idea to Shawn
back in the day
860
00:41:22,354 --> 00:41:25,483
almost like when Mad Max first entered
Tina Turner's Thunderdome
861
00:41:25,566 --> 00:41:28,194
and you had
all of these henchmen screaming.
862
00:41:28,277 --> 00:41:29,778
We have the meats!
863
00:41:29,862 --> 00:41:33,240
[Chan] So we embraced
an internal structure within the arms
864
00:41:33,324 --> 00:41:35,618
so you could have multi levels
and framework
865
00:41:35,701 --> 00:41:37,077
for the camera to pass behind
866
00:41:37,161 --> 00:41:40,372
and make the third act final sequence
in there much more interesting.
867
00:41:40,456 --> 00:41:41,874
I mean, it's just powerful.
868
00:41:41,957 --> 00:41:43,042
One more.
869
00:41:43,751 --> 00:41:44,835
[Chan] Even the vehicles.
870
00:41:44,919 --> 00:41:47,505
The brief was to come up
with this caravan of vehicles.
871
00:41:47,588 --> 00:41:50,716
I sort of riffed off the idea
of things being jettisoned
872
00:41:50,799 --> 00:41:54,595
or dropped into the Void
that I could make a hybrid of
873
00:41:54,970 --> 00:41:57,890
Marvel established vehicles
and call them variants
874
00:41:57,973 --> 00:41:59,850
and then just changing them slightly.
875
00:42:03,938 --> 00:42:05,564
[Levy] When you're a director,
876
00:42:05,648 --> 00:42:08,609
shots come to you
one of two ways in my experience.
877
00:42:08,692 --> 00:42:10,528
Sometimes you walk on the set
878
00:42:10,611 --> 00:42:14,782
and the shots come hard
and you've got to kind of walk around
879
00:42:14,865 --> 00:42:16,242
and work to picture it.
880
00:42:16,325 --> 00:42:20,663
When a set is rich in detail,
depth, texture
881
00:42:21,163 --> 00:42:24,333
in the way that this is,
the shots come easy.
882
00:42:24,416 --> 00:42:30,965
And so my biggest stress today
is having the time to do all of the shots
883
00:42:31,048 --> 00:42:33,842
that are inspired by this incredible set.
884
00:42:33,926 --> 00:42:35,427
And the fact that we built it for real,
885
00:42:35,511 --> 00:42:38,430
because once again,
the whole approach with this movie
886
00:42:38,514 --> 00:42:42,560
is practical locations, real builds,
so that you, as an audience,
887
00:42:42,643 --> 00:42:44,937
feel like you're watching
and experiencing something real.
888
00:42:50,025 --> 00:42:51,735
- [groaning]
- [exclaiming]
889
00:42:51,819 --> 00:42:55,364
[Deadpool groaning] That feels like a Kia.
890
00:42:59,326 --> 00:43:01,870
[Jacobson] Today, we are on what we call
the New York Street.
891
00:43:01,954 --> 00:43:05,374
But neither Deadpool movie ever declares
whether Deadpool lives in New York
892
00:43:05,457 --> 00:43:07,084
and there are a lot of shots of Vancouver.
893
00:43:07,167 --> 00:43:11,422
So this is kind of an ND urban street
where Deadpool lives.
894
00:43:11,797 --> 00:43:18,262
We have built this city street here
on the back lot of Pinewood in London,
895
00:43:18,345 --> 00:43:23,225
{\an8}and I'm kind of astonished by the level
of authenticity and the details.
896
00:43:23,309 --> 00:43:28,439
For instance,
putting in metal plates into the street.
897
00:43:28,814 --> 00:43:32,610
There's no reason for that,
other than the fact that those details,
898
00:43:32,693 --> 00:43:37,615
the filth that accumulates on the curb...
all these little details
899
00:43:37,698 --> 00:43:42,328
all these little details that allow us
to feel like we're in that world.
900
00:43:43,787 --> 00:43:45,873
Why did we build this world?
You might ask.
901
00:43:45,956 --> 00:43:50,127
Because Wade lives
in a nondescript North American city
902
00:43:50,210 --> 00:43:51,837
and we're filming in the UK,
903
00:43:51,920 --> 00:43:53,464
but also because this sequence
904
00:43:53,547 --> 00:43:55,633
that we're filming over
the next couple of weeks,
905
00:43:55,716 --> 00:44:01,430
{\an8}has some of the most spoilery
confidential plot twists
906
00:44:01,513 --> 00:44:02,848
{\an8}in Deadpool 3.
907
00:44:02,931 --> 00:44:06,935
{\an8}And we figured that if we go out
when we do it on a real city street,
908
00:44:07,019 --> 00:44:08,604
{\an8}we'll definitely be photographed.
909
00:44:08,687 --> 00:44:09,938
So here we are.
910
00:44:10,230 --> 00:44:14,526
We're set and background... Action!
911
00:44:17,321 --> 00:44:22,826
On this backlot set, we were sort of
shoehorned into the only available space.
912
00:44:22,910 --> 00:44:26,455
That dictated
the square footage of our set build,
913
00:44:26,538 --> 00:44:28,290
which informed the layout, ultimately,
914
00:44:28,374 --> 00:44:32,711
because George, the DP, had an opinion
on the sun direction and the sun path.
915
00:44:32,795 --> 00:44:37,049
So we were already working
with an existing space,
916
00:44:37,132 --> 00:44:41,011
plus the sun path
dictated the skeleton of the set.
917
00:44:41,095 --> 00:44:42,638
But then I decided, "Right, okay,
918
00:44:42,721 --> 00:44:45,432
"Let's make one end more interesting."
919
00:44:45,516 --> 00:44:49,478
And I look back at The Warriors,
and I imagine this whole scene
920
00:44:49,561 --> 00:44:53,273
where the Deadpool Corps
were coming from every single street.
921
00:44:53,357 --> 00:44:56,777
And so that's hence Five Points,
what we call Five Points,
922
00:44:56,860 --> 00:44:58,696
that's how Five Points was born.
923
00:44:59,530 --> 00:45:02,491
[Reynolds] Hey, guys, looking good.
924
00:45:03,409 --> 00:45:05,119
Deadpool Prime here.
925
00:45:06,286 --> 00:45:07,788
Can we just be done?
926
00:45:16,004 --> 00:45:21,093
When Ryan first asked me
to direct this Deadpool,
927
00:45:21,176 --> 00:45:25,055
I started by reading
a shitload of the comics.
928
00:45:25,139 --> 00:45:27,307
And the Corps, the Deadpool Corps
929
00:45:27,391 --> 00:45:30,394
was such an early
and compelling idea to me.
930
00:45:30,477 --> 00:45:33,105
And I really wanted to find
a way to integrate them
931
00:45:33,188 --> 00:45:37,109
into what would become
this and my Deadpool movie.
932
00:45:37,484 --> 00:45:41,405
So they're walking, walking,
and when we hear, "Hold!" they all stop.
933
00:45:41,488 --> 00:45:43,365
Hold!
934
00:45:43,449 --> 00:45:45,701
Told you there were
a lot of Deadpools over there.
935
00:45:45,784 --> 00:45:50,164
{\an8}We started off with Nicepool,
which was Ryan's alter ego.
936
00:45:50,247 --> 00:45:52,166
{\an8}That's the first thing that we worked on.
937
00:45:53,083 --> 00:45:56,754
{\an8}He is just this sort of
more bucked-up version.
938
00:45:57,463 --> 00:45:59,840
A more beautiful version of Deadpool.
939
00:45:59,923 --> 00:46:01,049
Where's your mask?
940
00:46:01,133 --> 00:46:02,634
You guys are seeing this, right?
941
00:46:02,718 --> 00:46:06,346
And he's got these long flowing locks,
and he's sort of a Zen character.
942
00:46:06,430 --> 00:46:09,600
I'm so sorry about that.
This place is beautiful.
943
00:46:09,975 --> 00:46:12,102
Boy, do I love playing Nicepool.
944
00:46:12,186 --> 00:46:15,856
He's just so manufactured and so nice
945
00:46:15,939 --> 00:46:20,027
that by the time his head
is just blown clean off of his body,
946
00:46:20,110 --> 00:46:22,196
you're breathing a slight sigh of relief.
947
00:46:22,279 --> 00:46:24,948
I have low bone density,
and I have to keep my face safe.
948
00:46:25,032 --> 00:46:30,579
{\an8}He's like the box fresh,
"20% better than normal" Deadpool.
949
00:46:30,662 --> 00:46:35,542
So he's got all the full chrome,
gold-plated everything. Shiny inserts.
950
00:46:35,626 --> 00:46:39,046
Are those gold-plated,
.50 caliber Desert Eagle pistoleros?
951
00:46:39,129 --> 00:46:40,214
[Nicepool] 'Course.
952
00:46:41,507 --> 00:46:42,674
To match my ear huggie.
953
00:46:42,758 --> 00:46:43,842
Everything is bespoke.
954
00:46:43,967 --> 00:46:47,012
There's nothing on his suit
that did exist before this.
955
00:46:47,095 --> 00:46:50,516
Even the material is screen-printed.
956
00:46:50,599 --> 00:46:54,937
Everything's painted, covered,
made from scratch.
957
00:46:55,020 --> 00:46:58,398
Within the costume department,
we've made 30 variants,
958
00:46:58,482 --> 00:47:02,444
and then we've made
lots of specialist variants like 2099.
959
00:47:02,528 --> 00:47:05,739
We made Ladypool, Zenpool, Cowboypool.
960
00:47:05,823 --> 00:47:08,158
[Jacobson] Kidpool, Headpool and Dogpool.
961
00:47:08,242 --> 00:47:11,662
And then from there, we just let
everyone's imagination run wild.
962
00:47:11,745 --> 00:47:12,955
Dogpool is one of my favorites.
963
00:47:13,038 --> 00:47:15,874
We did a search for the ugliest dog
in the world, and sure enough,
964
00:47:15,958 --> 00:47:18,252
there was Peggy, in the UK,
where we were shooting.
965
00:47:18,335 --> 00:47:20,295
I love where inspiration
can come out of nowhere.
966
00:47:20,379 --> 00:47:24,967
I was watching some horrible show
about fairies with my 6-year-old,
967
00:47:25,050 --> 00:47:28,720
and there was a character with these
goggles, a fairy with these googles,
968
00:47:28,804 --> 00:47:32,224
and these huge magnified eyes
inside the goggles.
969
00:47:32,307 --> 00:47:36,019
So I remember seeing it and freaking out
and taking a video of it,
970
00:47:36,103 --> 00:47:38,146
sending it to our
visual effects supervisors,
971
00:47:38,230 --> 00:47:40,315
Swen Gillberg and Lisa Marra, and saying,
972
00:47:40,399 --> 00:47:42,526
"In the third act when Dogpool comes back,
973
00:47:42,609 --> 00:47:45,279
"can we put goggles on Dogpool
974
00:47:45,362 --> 00:47:49,950
"but make them look like they are
the most intense prescription ever?"
975
00:47:50,033 --> 00:47:52,828
And they said, "Yes, we could,
but it's going to cost a lot of money."
976
00:47:52,911 --> 00:47:54,997
I did mention this is our Baby Yoda.
977
00:47:57,624 --> 00:47:58,834
Sweet little puppy.
978
00:48:01,587 --> 00:48:03,213
[Levy] What's so fun about today is,
979
00:48:03,297 --> 00:48:06,550
because I've been working for
the last two months with Rob Simonsen
980
00:48:06,633 --> 00:48:08,844
on the score to this movie,
981
00:48:08,927 --> 00:48:14,683
I'm playing the score and the Deadpool
theme that's been written for this movie
982
00:48:14,766 --> 00:48:16,226
while we're shooting this movie,
983
00:48:17,019 --> 00:48:19,605
and in turn, it's giving the actors
and the performers
984
00:48:19,688 --> 00:48:21,815
a visceral sense of the vibe
985
00:48:21,899 --> 00:48:25,235
and just the bad-ass attitude
of this Deadpool Corps.
986
00:48:26,278 --> 00:48:30,115
{\an8}Deadpool, musically, can be
the most irreverent,
987
00:48:30,198 --> 00:48:32,159
{\an8}and you can lean into superhero moments
988
00:48:32,242 --> 00:48:33,952
but you can also have
a lot of fun with it.
989
00:48:35,203 --> 00:48:39,374
I wanted to give some new looks
with being pretty beat-driven
990
00:48:39,458 --> 00:48:43,211
in some ways, not just using electronics,
991
00:48:43,295 --> 00:48:46,173
but really having big beats
that could really drive it.
992
00:48:51,011 --> 00:48:55,515
Also, orchestral flavors for superhero
stuff that needs to feel like
993
00:48:55,599 --> 00:48:59,937
this is classic Marvel
orchestral superhero fare,
994
00:49:00,020 --> 00:49:04,900
because a lot of it is Deadpool's
imagining of himself
995
00:49:04,983 --> 00:49:06,401
in the Marvel Universe.
996
00:49:06,485 --> 00:49:11,031
So the perspective of the score
is often from Deadpool's perspective
997
00:49:11,114 --> 00:49:14,493
of how he feels as he's getting
into the Marvel Universe.
998
00:49:14,576 --> 00:49:15,744
Are you ready?
999
00:49:16,453 --> 00:49:17,955
I get to kill a hundred yous?
1000
00:49:18,038 --> 00:49:19,331
Fuck yeah, I'm ready.
1001
00:49:23,001 --> 00:49:24,670
[Cottle] The oner, as we call it,
1002
00:49:24,753 --> 00:49:27,381
is something that's been discussed
from very, very early on.
1003
00:49:27,464 --> 00:49:30,300
It shouldn't be elemental and sharp.
1004
00:49:30,384 --> 00:49:32,386
It should have dancer flow.
1005
00:49:32,469 --> 00:49:34,930
I think you can do brutal and flow
at the same time.
1006
00:49:35,013 --> 00:49:37,849
- Yeah, I'd love the kills to be brutal.
- Yeah.
1007
00:49:37,933 --> 00:49:42,229
Ryan said to me, "I have been
dreaming about this shot for..."
1008
00:49:42,312 --> 00:49:44,690
I think he said seven or nine years.
1009
00:49:44,773 --> 00:49:49,695
He's like, from the shot, to the framing,
to the song, to the action.
1010
00:49:49,778 --> 00:49:52,364
He's like, "We are doing it."
I was, like, "Okay."
1011
00:49:52,447 --> 00:49:57,160
{\an8}We're just gonna shoot and go for it.
So lots of energy. Enjoy it.
1012
00:49:59,663 --> 00:50:04,835
[Cottle] When you commit to a oner,
you are committing to what that shot is.
1013
00:50:04,918 --> 00:50:07,379
So whenever you shoot
big action sequences,
1014
00:50:07,462 --> 00:50:09,256
you're always running a couple of cameras.
1015
00:50:09,339 --> 00:50:13,301
You can cut somewhere else
or if a punch misses or if a kick misses,
1016
00:50:13,385 --> 00:50:15,345
it's like, "We'll jump
to this camera for that,
1017
00:50:15,429 --> 00:50:17,848
"or we'll look at this explosion
for that moment."
1018
00:50:17,973 --> 00:50:20,684
But when you do a oner
and you're just there for,
1019
00:50:20,767 --> 00:50:23,061
I think it's just over two minutes,
1020
00:50:23,145 --> 00:50:24,271
there's nowhere to go.
1021
00:50:24,354 --> 00:50:25,689
It was daunting.
1022
00:50:25,772 --> 00:50:29,359
[grunting]
1023
00:50:29,443 --> 00:50:33,947
One of the stunt guys showed me
a version of the video game from 1995.
1024
00:50:34,031 --> 00:50:36,158
He goes, "Look," and it's literally like
1025
00:50:36,241 --> 00:50:39,828
Wolverine fighting hundreds of people
and going along in a oner shot,
1026
00:50:39,911 --> 00:50:41,413
and I was like, "Who'd have thought?"
1027
00:50:43,790 --> 00:50:46,543
[Cottle] The idea behind it
was we were going to shoot it
1028
00:50:46,626 --> 00:50:51,423
on a motion-controlled rig,
so we would lock the camera off
1029
00:50:51,506 --> 00:50:54,217
and we would do a couple of passes,
1030
00:50:54,301 --> 00:50:57,554
and then we would bake
the action into the passes
1031
00:50:57,637 --> 00:51:00,015
and then overlay them in passes.
1032
00:51:00,098 --> 00:51:04,811
But all the action would be practical
in camera
1033
00:51:04,895 --> 00:51:08,315
and then we would just
have to work out how we would layer in
1034
00:51:08,398 --> 00:51:10,358
the next layer of stunt people.
1035
00:51:10,442 --> 00:51:15,322
Can you now mix what we just shot
with our hero from Section 3, please?
1036
00:51:15,405 --> 00:51:21,536
The only thing was that
we only had a three-hour window a day
1037
00:51:21,620 --> 00:51:24,915
where the light would be
in the correct position to make it work.
1038
00:51:24,998 --> 00:51:28,752
So our gameplan was to turn up
at 7:00 a.m. Still pitch black.
1039
00:51:28,835 --> 00:51:31,129
We would rehearse from 7:00 till 10:00.
1040
00:51:31,213 --> 00:51:32,547
We would take an early lunch,
1041
00:51:32,631 --> 00:51:37,219
we'd then take an hour to get
all the stunties ready as Deadpools.
1042
00:51:37,302 --> 00:51:41,431
And then we would shoot
from 11:30 till 2:30, I think,
1043
00:51:41,515 --> 00:51:43,934
and we would just get Section 1 one day.
1044
00:51:44,017 --> 00:51:45,769
And then once we'd got that section,
1045
00:51:45,852 --> 00:51:48,313
we'd spend the rest of the day
rehearsing for the next day,
1046
00:51:48,772 --> 00:51:50,649
come in, and then it just went on
like that.
1047
00:51:50,732 --> 00:51:53,318
Oh, there you go. Wow!
1048
00:51:53,401 --> 00:51:55,904
Yes! Yes, we got it.
1049
00:51:55,987 --> 00:51:57,864
I've been doing this for a long time.
1050
00:51:57,948 --> 00:51:59,616
I enjoy the challenge.
1051
00:51:59,699 --> 00:52:01,118
I enjoy the mental challenge
1052
00:52:01,952 --> 00:52:05,413
of working with so many
different stunt performers,
1053
00:52:05,497 --> 00:52:08,416
doing choreography,
having the camera there
1054
00:52:08,500 --> 00:52:11,419
and trying to do a shot
that I'd never done before.
1055
00:52:11,503 --> 00:52:13,130
And it was a challenge that I loved.
1056
00:52:13,213 --> 00:52:14,339
- Yeah!
- [cheers and applause]
1057
00:52:14,422 --> 00:52:16,174
Really well done.
1058
00:52:17,634 --> 00:52:19,678
I feel really good about that.
1059
00:52:20,137 --> 00:52:23,431
Zombies, get up!
1060
00:52:23,515 --> 00:52:25,100
- [baby giggling]
- [groaning]
1061
00:52:25,183 --> 00:52:26,768
I guess these ones regenerate.
1062
00:52:26,852 --> 00:52:28,019
[Peter] Deadpools!
1063
00:52:28,103 --> 00:52:29,271
Stand down.
1064
00:52:30,188 --> 00:52:31,940
I loved Peter in Deadpool 2,
1065
00:52:32,023 --> 00:52:35,819
so the idea was not just
having him in our movie,
1066
00:52:35,902 --> 00:52:39,197
but we knew we wanted him
to play a critical role.
1067
00:52:40,115 --> 00:52:42,784
[Delaney] Peter in the suit is insane,
1068
00:52:42,868 --> 00:52:47,497
and it's as insane
as me trying to literally put on a suit
1069
00:52:47,581 --> 00:52:50,041
{\an8}that had previously
been worn by Ryan Reynolds.
1070
00:52:50,125 --> 00:52:54,045
{\an8}Because... [chuckles]
our bodies are different shapes.
1071
00:52:54,129 --> 00:52:58,175
One thing that was nice is that
when I first met Shawn, the director,
1072
00:52:58,258 --> 00:53:01,511
he was, like,
"Oh, no. I thought you were fatter."
1073
00:53:01,595 --> 00:53:03,346
And so that was nice to hear.
1074
00:53:03,430 --> 00:53:05,849
So they did have to make a fat suit.
1075
00:53:05,932 --> 00:53:07,767
And at first they overdid it.
1076
00:53:07,851 --> 00:53:10,770
And people were like, "No, God, no,
it's not absurd." You know?
1077
00:53:10,854 --> 00:53:13,398
And so they had to shave it down.
1078
00:53:13,481 --> 00:53:15,817
I'm the pudgy, middle-aged guy
in orthopedic sandals
1079
00:53:15,901 --> 00:53:18,361
who looks in the mirror
and sees something more.
1080
00:53:19,738 --> 00:53:23,033
I see a guy who shows up
for a mother-fudging friend.
1081
00:53:23,116 --> 00:53:25,368
[Reynolds] He just embodies just this
1082
00:53:25,452 --> 00:53:28,371
sort of Ned Flanders
everyman kind of thing.
1083
00:53:28,455 --> 00:53:34,294
But Rob himself is actually
incredibly subversive and dark as fuck.
1084
00:53:34,377 --> 00:53:37,714
So he's kind of always
a fun character to play with
1085
00:53:37,797 --> 00:53:39,424
and a fun character to write
1086
00:53:39,507 --> 00:53:42,010
because he embraces those weird,
subversive things.
1087
00:53:42,636 --> 00:53:45,889
Peter isn't somebody
that was born in the comic books
1088
00:53:45,972 --> 00:53:48,892
that people have been saying,
"Hey, I wonder when we'll see Peter."
1089
00:53:48,975 --> 00:53:50,894
He's just sort of an original thing,
1090
00:53:50,977 --> 00:53:55,523
but now he's kind of, I don't know,
backed up into the Marvel Universe.
1091
00:53:55,607 --> 00:53:58,735
Sort of reverse-engineered,
so that's pretty cool.
1092
00:53:58,818 --> 00:54:00,737
[all chanting] Peter. Peter. Peter.
1093
00:54:03,490 --> 00:54:06,034
[Delaney] So when you say he's part of
the Marvel Cinematic Universe,
1094
00:54:06,117 --> 00:54:09,246
you're not lying, which is really strange.
1095
00:54:09,329 --> 00:54:10,705
Enjoy my Peter.
1096
00:54:15,252 --> 00:54:17,921
So the power room is where
the big finale happens.
1097
00:54:18,964 --> 00:54:22,384
[Reynolds] Ray created a world
unlike anything I've ever seen.
1098
00:54:22,467 --> 00:54:25,679
He just kind of invented things
that were just second to none.
1099
00:54:25,762 --> 00:54:30,475
The set is shot mostly practically
with all the effects built in.
1100
00:54:30,558 --> 00:54:35,814
There's water involved.
There's vortexes and electricity and fire.
1101
00:54:35,897 --> 00:54:40,151
Third act Marvel money splooge, activate!
1102
00:54:40,235 --> 00:54:43,655
The power room
was a 1905 ventilation shaft,
1103
00:54:44,114 --> 00:54:48,368
an abandoned condemned space,
which the TVA then commandeered
1104
00:54:48,451 --> 00:54:52,998
and retrofitted
the power source, the plasma core
1105
00:54:53,081 --> 00:54:54,165
and the anti-plasma.
1106
00:54:56,084 --> 00:54:58,336
The Time Ripper, I was speechless.
1107
00:54:58,837 --> 00:55:00,714
They've made these arm gauntlets.
1108
00:55:00,797 --> 00:55:05,844
I put my arms in and they're
properly heavy and they've, everything,
1109
00:55:05,927 --> 00:55:08,346
every bit of light and wiring
1110
00:55:08,430 --> 00:55:10,098
and nut and bolt and screw is like...
1111
00:55:10,181 --> 00:55:11,182
Yeah, it's incredible.
1112
00:55:12,058 --> 00:55:15,645
{\an8}[Chan] I probably had about 20 different
concept designs for this.
1113
00:55:15,729 --> 00:55:20,567
In my head, the Ripper combines the two
plasmas into this huge atomic bomb.
1114
00:55:24,946 --> 00:55:26,406
I don't understand.
1115
00:55:26,489 --> 00:55:27,782
How are you two still alive?
1116
00:55:27,866 --> 00:55:29,909
You were right.
One of us would have been killed.
1117
00:55:30,285 --> 00:55:33,121
But you put
a Deadpool and a Wolverine together...
1118
00:55:33,204 --> 00:55:35,582
make 'em hold hands
while listening to Madonna...
1119
00:55:35,665 --> 00:55:37,667
indestructible, motherfucker.
1120
00:55:39,669 --> 00:55:41,963
When you approach the end
of a long movie shoot,
1121
00:55:42,047 --> 00:55:43,381
you're so tired.
1122
00:55:43,465 --> 00:55:44,841
You're so tired.
1123
00:55:44,924 --> 00:55:46,593
Your body is so unhealthy.
1124
00:55:46,676 --> 00:55:50,972
Your brain is so exhausted
that, quite frankly,
1125
00:55:51,056 --> 00:55:54,100
you're kind of looking forward
to getting back to your regular life.
1126
00:55:54,184 --> 00:55:57,645
But on this movie,
it's a really ambivalent ending
1127
00:55:58,271 --> 00:56:00,899
because I've gotten to come to work,
1128
00:56:01,566 --> 00:56:06,738
be around and collaborate with
my two actual best buddies for months.
1129
00:56:06,821 --> 00:56:10,992
This is a sign of true love,
that I'm letting someone other than me
1130
00:56:11,076 --> 00:56:14,371
cross off the storyboard panels
that we've completed.
1131
00:56:15,205 --> 00:56:17,040
This is real brotherhood right here.
1132
00:56:17,123 --> 00:56:19,167
I've been making this movie
for almost a year.
1133
00:56:19,250 --> 00:56:23,171
I've been developing this movie with Ryan
for two years.
1134
00:56:23,880 --> 00:56:25,215
It's a long road to walk
1135
00:56:25,298 --> 00:56:28,718
and I never take for granted
that I'm walking it alongside brothers.
1136
00:56:30,178 --> 00:56:32,472
Quite often you look back on a job.
1137
00:56:33,098 --> 00:56:35,975
It may even be years after,
and you realize how lucky you were.
1138
00:56:36,726 --> 00:56:38,228
I knew this before we went in.
1139
00:56:38,812 --> 00:56:40,230
I knew it on day one.
1140
00:56:41,231 --> 00:56:44,567
There's a photo of the three of us
together taken on the very first day.
1141
00:56:44,651 --> 00:56:46,361
That was my wrap gift to both of them.
1142
00:56:46,444 --> 00:56:49,948
We knew that
for the next 70 days of filming,
1143
00:56:50,031 --> 00:56:51,282
or however many months,
1144
00:56:51,366 --> 00:56:54,869
that we were getting
to do our dream characters
1145
00:56:55,453 --> 00:56:57,205
with our dream collaborators,
1146
00:56:57,288 --> 00:57:00,792
{\an8}dream crew with a dream story and film.
1147
00:57:01,501 --> 00:57:03,253
It felt like there was a destiny to it.
1148
00:57:03,628 --> 00:57:07,882
It felt like it was always meant to be,
and we savored it.
1149
00:57:07,966 --> 00:57:12,929
And I have never been so happy to wake up
in the morning and go to a set in my life.
1150
00:57:13,012 --> 00:57:15,557
- We have SAG cards now.
- [laughter]
1151
00:57:15,640 --> 00:57:16,641
Thank you.
1152
00:57:17,600 --> 00:57:20,520
[Reynolds] Any movie where you, you know,
you get friends together
1153
00:57:20,603 --> 00:57:22,272
that know each other very well,
1154
00:57:22,355 --> 00:57:24,441
you're kind of born on third base.
1155
00:57:24,524 --> 00:57:28,486
No movie's ever exemplified that for me
more than Deadpool & Wolverine.
1156
00:57:28,570 --> 00:57:29,612
And it was beautiful.
1157
00:57:29,696 --> 00:57:32,073
I get why he did
10 of these fucking movies.
1158
00:57:32,699 --> 00:57:36,453
[Levy] There's this line
that Ryan and I wrote,
1159
00:57:36,536 --> 00:57:39,706
in one of the final scenes
between Wolverine and Deadpool.
1160
00:57:39,789 --> 00:57:42,208
And Deadpool says to Wolvie,
1161
00:57:42,292 --> 00:57:45,253
"Hey, I waited a long time
for this team-up.
1162
00:57:46,671 --> 00:57:49,299
"And I'll tell you something.
It was worth the wait."