[dramatic music]
[keyboard clicking] [dramatic music]
- [Sammy] "I Love Us."
When I first heard those words,
I thought they were the corniest three little words
I ever heard in my life.
- You like it?
- I love it.
- [Sammy] I love us, who says that?
- I know it's not much, but--
- I don't need a ring to know how you feel.
I don't need anything.
That look in your eyes says it all.
- Deposit's non-refundable.
- We'll take it.
- If you would have told me five years ago,
those three little words would be the most important words
in my life one day, I would have told you
three other little words.
Shut the fuck up!
Well, technically four.
- What? I'm just saying, Sammy.
This fucking guy should've been closed an hour ago.
We're sitting here like a bunch of yutzes
waiting for these fucking love birds to split.
Gotta piss so bad I can taste it.
- Are you finished?
- I'm just saying, we could've been in and out already.
- Waiting is part of the business, Richie.
- Yeah, waiting.
Waiting, I mean, one minute we're cocked and loaded
and the next minute we're watching
some fucking asshole overcompensating
with his sidepiece for an hour?
- One minute can change everything.
Just so we're clear, this mook is not my partner.
We're not even friends. He's an associate.
An over-glorified co-worker.
Okay, here he goes.
Bring the car around.
All right, five minutes.
Right out front and five minutes.
- I heard you, five minutes.
[dramatic music]
[car door clunking] [dramatic music]
- [Sammy] I don't like blood and for a job like this,
there's no need for any.
[car engine roaring] [dramatic music]
So I bring this box.
[dramatic music]
[glass door clunking]
[dramatic music]
- We're closed!
[dramatic music]
Leave it at the door!
- [Sammy] Nobody pisses their pants at the sight of a box.
Everybody loves boxes.
It reminds them of their birthdays or Christmas.
Everybody loves Christmas.
- You're lucky I'm still here.
- [Sammy] A gun, though, has a very different
and specific effect on people.
Nobody likes guns, especially when they're pointed
at their fat belly.
[dramatic music]
The difference between a good thief and a hack
is simple--greed.
You get greedy, you get sloppy.
[dramatic music]
[zip whooshing]
We could've cleaned this guy out and kept the change,
but the job is the safe, so that's all we're taking.
[dramatic music]
[zip whooshes]
[dramatic music]
And what's the difference between a good thief
and a great one?
The getaway.
[dramatic music]
[tires screeching]
[suspenseful dramatic music]
[sirens wailing]
[wailing continues, brakes squeal]
[bell chimes]
[bus engine roaring]
I wasn't kidding when I said that one minute
could change everything,
but I was wrong.
It only took a second.
Hey.
- Hey.
- She could have trademarked that smile.
Wanna get off?
- No, uh...
I'm not that type of girl, sorry.
- No, no, not get off. You wanna get off the bus?
Maybe we can get some dinner?
- Can't.
Girl's gotta work.
- Work, now?
- Yeah.
You?
- I just got off work.
- Lucky you.
- Lucky was an understatement.
Where do you work?
- Vincent's. - Vincent's?
Waitress?
- Yeah.
[bus engine roaring]
- What time are you getting off?
- [laughs] 10.
- 10?
Maybe I'll come after dinner. I love Vincent's.
I hate Vincent's.
An Italian restaurant with nothing but non Italians.
They can cook some pretty incredible shit,
but nobody messes up a plate of pasta like Vincent's.
- Hi. What can I get you?
Ooh, the caprese. Great choice.
Fettuccine, no problem. And for you?
- The food might be a nightmare,
but the service is an absolute dream.
Hey!
- [whispers] I said 10.
- [whispers] 10?
Okay.
[smooth jazz music]
- Hi.
So tell me, what is it that you do, Sammy?
- Me? - Mm-hmm.
- I'm a thief.
I'm a diamond dealer.
- Ooh.
Girl's best friend.
- That's right. - [chuckles]
- Well, looks like you enjoy the finer things in life.
- That's also right.
- But why did you take the bus?
Too many DUIs?
- No, no, no, no, nothing serious like that, no.
Having to lie to her tore me apart even then.
Car's in the shop, engine trouble.
- Really? - [Sammy] Yeah.
- Me too, suspension.
- Look at that.
- You know what they call that?
- [Sammy] What?
- Serendipity.
Well, here's to serendipity.
- Cheers.
- Cheers, Laura.
Fenton, right?
- That's right. [laughs] Whoo, what a day.
- Need some money?
- Yeah, I mean, a little bit.
- Okay, well, you look good doing it.
"I Love Us."
[upbeat music]
I didn't know it then,
but that was the beginning of my life.
♪ Speak of yourself ♪
♪ All over me, will you, please? ♪
♪ Keep doing your thing ♪
♪ It's fascinating to me ♪
♪ Lost in your eyes ♪
♪ You are the spark to my flame ♪
♪ In this moment like now ♪
♪ We are like one and the same ♪
In the next few months, I showed her
where to get real Italian food.
[upbeat music]
- [Laura] Thank you.
- And she showed me how to stop looking over my shoulder.
♪ I know where ♪
- But just like anything else worthwhile in this world,
a new life wasn't gonna come easy.
[upbeat music]
[Laura laughs] [upbeat music]
- Ticklish.
- I love it.
♪ You know me ♪
♪ It won't be long ♪
♪ On the dance floor ♪
- You okay?
- [sighs]
Um...
- You remember I told you about my husband?
- Yeah.
Pancreatic cancer, what a shitshow.
She said he didn't go without a fight,
and they fought it right through the end.
That was nine years ago,
but I could tell she was still fighting.
- There's something that I haven't told you.
[dramatic music]
- You don't have to do that, Laura.
- No. Here.
[dramatic music]
If you wanna see how this goes, it's in those photos.
[dramatic music]
Listen, I...
This has been great.
I've had an amazing time,
I don't remember the last time I've laughed so much,
but I'm not interested in wasting anyone's time
and...if this is, um...
if this is a problem for you...
[inhales and exhales deeply]
um, I understand.
[dramatic music]
- No.
They're beautiful.
I wanna see where this goes.
Really do.
[dramatic music]
I love you.
You're so beautiful. - Thank you.
- [Sammy] Who is this one?
- This is Rachel.
- She looks like you.
- [Laura] And that's Audrey.
[dramatic music]
- I'm here.
For the long run.
- Thank you.
- [Sammy] Love makes you say some stupid shit, right?
But at least I wasn't lying to her.
- [Sammy] Thank you.
- So, are you Italian?
- No, everyone asks me that.
I'm actually Israeli.
- Sammy, he's actually from Brooklyn.
- New York?
- Yeah, have you guys ever been?
- No.
- Dad always wanted to go to New York.
- Yes, yes, he did.
- You're a lot shorter than dad.
- Rachel! - [Rachel] What?
- No, no, no, it's totally fine.
Yeah, uh, I'm a lot shorter than a lot of people.
- Go set the dinner table, please.
Now!
[Rachel sighs]
I'm so sorry.
- No, Laura, it's fine, no.
I'm sure it's not easy on them.
- You're sweet.
I'm gonna go check on dinner.
Rachel!
- This is delicious.
Really is.
- Well, I'm so glad you like it.
- Like it? I love it.
- It's just meatloaf.
- This meatloaf, it's a masterpiece.
- Mom's meatloaf is lit.
- Meatloaf can't be lit.
- Yes, it can.
- No it can't. That doesn't make sense.
- It means it's really good.
- I know what it means. - There's no competition.
It's the best meatloaf I've ever had in my life.
- The best. - Mm.
- And so are you. - Mm.
- Well, wait till you taste dessert. We made cupcakes.
- That's exactly what you need, Audrey, more cupcakes.
- [Audrey] Shut up. - [Laura] Girls.
- Make sure not to get too many crumbs on mom
while you're kissing her ass.
- Rachel!
I'm sorry.
- No, no, no, that's fine.
It's fine.
Cheers, guys. Thank you for having me.
- Thank you.
Cheers.
- Nice meeting you, Audrey.
- You, too.
- You're really brave, you know that?
[insects chirping]
- Really? - Mm-hmm.
- I guess.
- I'm serious.
It can't be easy for you either.
[insects chirping]
- I mean, I must seem like an intruder
to these girls, right?
- Well...
they'll be fine.
It's just gonna take some time.
[insects chirping]
- I thought they were gonna fall in love with me
in first sight, just like you did.
[Audrey and Rachel laughing]
- You know, on the bus, when I first saw you,
I kind of thought you were a creep.
- A creep? - [laughs]
- Really? - I did.
You're lucky I didn't have my other purse
with my pepper spray and taser.
- Ooh, pepper spray.
- Yeah.
- Yeah, you're right, I am.
- You are what?
- Lucky.
- Yeah, you are. [laughs]
I love them so much.
[Rachel and Audrey laughing]
- And I love you.
- [Sammy] I could've married her right then and there.
[upbeat music]
But I married her a year later.
Her mother, who we barely got up the stairs,
even her junkie brother was there.
Nice guy, but a hot mess.
In front of her girls.
[upbeat music]
All these people showed up to see us.
- [Laura] I love us.
- And all I can think about is that one person who didn't.
[upbeat music]
[knock on door]
[upbeat music]
Hey, Pops, what are you doing?
- That's for the job
and here...
from me.
Wedding gift.
You know, showing up to the wedding
would have been a good gift, you know that, right, Pop?
- Uh, don't be so sure.
You haven't seen what's inside the envelope.
[chuckles] Thank you, Pop. I appreciate it.
- So...
You're married, huh?
- Look at this.
- I don't know what your mother would've felt
about you marrying a goya, but I'm sure the food was good.
The food was great. Mom would've loved her.
- Maybe. I mean, you know your mother better than I did.
- You gonna love her too, Pops.
She's awesome. She really is.
- How are the kids?
Ooh. Kids, tough.
Big one, Rachel, hates my guts.
It's like I killed her dad myself.
The little one, Audrey, is really sweet,
but, you know, it's just tough.
New guy coming in.
At that age, it's not easy.
- Do you want some advice? - No, no, no, no, no.
- Don't be their friend. They got friends.
- What part of "I don't want any advice" don't you understand?
- They don't need a friend. They need a father.
- Yeah, I guess. - Here.
This is a good lead. Take a lock.
Stake it out, take Richie with you.
- No, no, no, no, I don't like Richie.
- What's with you and liking all of a sudden, huh?
You don't have to like him, all right?
You don't have to go camping with the guy.
You sit in the back seat, I told you.
- I do. He doesn't stop asking questions.
- Well then, stop answering them then, huh?
- It's very easy to say. The guy is unbelievable.
- Look, I told you that I'm gonna look out for you, right?
You bang out a few more jobs,
you'll be square with Ira before you know it.
- I know, Pops. I appreciate it. I really do.
It's just, I can't lie to Laura anymore.
- Lying?
You tell her you work here, right?
- Yeah, I tell her I work here, but...
- Well, then... [laughs] get to work.
- I can't lie to her.
I can't lie to those girls. I mean, it's...
It's my life now, you know?
- Sammy, I know that we throw the word job
around here a lot, okay?
But this isn't what you do. It's who you are.
You want some more advice?
- No, please.
- Just tell her.
You want that life?
You got to come clean.
You build it on a foundation of bullshit,
that life will come tumbling down one day,
right on top of your head,
and you won't be able to do a damn thing about it
except try to take the hit.
- I guess, I don't know.
[Sammy sighing]
I don't know, Pops.
Growing up, I didn't need a friend either,
but as far as fathers go,
mine definitely made a better boss.
The name he just dropped,
is why my posture is so fucked up these days.
[techno music]
Ira Prince.
Great guy,
but Ira always had one hand in someone's pocket
and another wrapped gently around their throats
and his grip never felt tighter.
I was a gambler. Yes!
A good one. Yes! Yes!
Which means I was also a bad one.
When I would hit, I would live it up like a goddamn king.
[upbeat music] [ladies giggling]
But when I got hit, you've never seen a sorer loser.
I hate this... [indistinct].
One day I got hit really bad
and I not only lost my money, I lost my friends' money
and I lost Ira's money.
Ira and my dad go way back, so as a favor to him,
he took it easy on me.
He agreed to let me pay him back in installments.
They say that if you do something for 10,000 hours,
you become a professional, right?
Well, I became a fucking professional.
[upbeat music]
[car door clunking]
What do we got?
- Now, why do you have to seat in the back seat
like I'm your fucking chauffeur?
- Technically, that's what you are now.
- Technically an asshole is what you are.
What do we have Richie? What's going on over here?
Explain to me, please.
I never liked pawn shops.
There's always one idiot that wants to play the hero.
- That chubby over there, he comes out for a smoke break
about every 15 minutes. He's got a partner inside.
That guy comes out at the end of the day though, all right?
- If I want to put this life behind me,
I gotta stop thinking small time and start thinking big time.
- [cellphone buzzes] - Hey, sweetie.
- [Laura] Um, did you forget that we have dinner tonight?
- Oh, shit. No, no, no, uh, I didn't forget.
[Laura] You know that I said dinner at seven
with the girls, right? - [Sammy] Laura, I promise.
- [Laura] Okay, I love you. - I love you too, sweetie.
- [Laura] I'll see you soon. - Okay.
- I'll be there in a little bit. - [Laura] Okay, bye.
- Okay, bye. Yo, I gotta go.
Listen, you're doing a great job.
Keep an eye on them, and I'll see you tomorrow.
- I thought I was just a driver.
- You are just a driver, Richie.
[car door clunking]
[insects chirping]
This was it.
Time to decide if I play the friend card or the dad card.
As long as I didn't play the vomit card.
[insects chirping]
- We're, like, really mean to him and that's why--
- Dude, how old are you?
- Hey. - Hey.
- Hi. - Hi.
- How was your day? - Good.
- Hi, girls. - Hi.
- What's with the teddy bear?
- We're having a Teddy talk.
- Shit, I was playing with the wrong fucking deck.
A Teddy talk?
- Yeah, Teddy.
He helps us get things off our chests in a safe
and controlled manner.
Also helps us, you know, with big family announcements.
- Are we gonna go to Disneyland?
- Audrey, shut up.
- No, we're not going to Disneyland.
Um...
[sighs]
Listen, um...
I know the last few years, uh, have been tough.
Well, I've been thinking, and I've--
- What your mom is trying to say is--
- Shh! - This is so dumb.
- Shh!
- You're not allowed to talk unless you have Teddy.
I'm so sorry. That will never happen again, please.
- That way everyone is heard, right?
Without being interrupted.
Anyways, um, Sammy and I, we have been talking and...
He's my husband now, so--
- Why are you being so weird?
- I'm not being weird.
- [Rachel] You're being really weird.
- No.
I'm not. I'm... What I'm trying to say is Sammy and I,
we've been talking, and, well, I...
he's a part of our family now,
and he's an important part, and we want... we wanna know
what you feel about him, um, becoming your father.
[dramatic music]
- Is this a joke?
- No, it's not a joke, actually, Rach.
- Mom, tell me you're joking.
I wasn't either. I'm not.
[gentle guitar music]
- This is bullshit.
- Sorry. Rachel, Rachel!
[gentle guitar music]
[door slams]
- Shit.
- [giggles]
[gentle guitar music]
You okay?
- I don't know.
Maybe we should've waited until we moved in together.
You know? Ease them into it?
- Yeah.
I mean, she misses her dad.
They both do. I get it.
I'm not him.
The application still need to come in, so...
we'll see what happens.
Well, I made it through that long ones.
What?
- Yeah, you are.
[giggles]
- Times didn't always suck.
[family cheering]
Sometimes they started to look up.
- Ah, thank you. - Well, I'll take it.
- And we started to feel like a family.
[dramatic music]
[car door clunks]
[dramatic music]
I loved surprising her.
And nothing felt better than to see her get a new car.
- One more step. - Okay, okay, okay.
- Step. - Okay, okay.
- One more. - Okay, okay.
- Are you ready? - I think so.
[dramatic music]
Oh, my gosh!
Oh my gosh! - You like it?
- Sammy, mm! Oh, my gosh, it's beautiful.
- It's yours.
- Girls, girls, come here!
Oh, my gosh! - [Sammy] She was so happy.
- Girls, girls, come here!
- Are you serious? - Oh, my God, Mom!
- And we finally felt like a family.
You like it? - Yes!
- Go, go. Go get your shoes on, go get your shoes on.
- All right, get in, get in. - Oh, my gosh, oh, my gosh.
- [Sammy] You like it? - It's beautiful, so beautiful!
- [Sammy] Get in. - [Audrey] Thank you.
- [Laura] Okay, ladies.
- [Rachel] Where are we going?
- Where to? - [Sammy] Malibu!
- Ahh!
[car engine roaring]
What a view, and I don't mean the landscape.
- This is the most amazing car that I've ever been in.
[upbeat music]
- When are you guys gonna get your license?
She looked so beautiful in that car.
Would you let them drive your car?
[Laura gasps]
- No.
- Wait, why not?
[upbeat music]
- [Sammy] Good night, Audrey.
- Good night, Sammy.
- Sweet dreams, honey.
- He really cares about you, though.
[knock on door]
- [Sammy] Good night, Rachel.
- [Laura] He's trying to.
- [Rachel] Good night, Mom.
- Good night, sweetheart.
She said to say good night.
- No, she didn't.
- She did. - No, she didn't.
- [laughs] Okay, no, she didn't,
but maybe you, um, maybe you wanna tuck me in.
- Mmh, I'll tuck you in. - Mm-hmm.
- All day, every day. - [laughs]
[dramatic music]
[car door clicking]
[suspenseful dramatic music]
[car door clunking]
[dramatic music]
- Here.
No mustard.
- Thanks.
Richie, you sure there's only two guys in there?
- Yeah.
- [Sammy] The fat guy looks like trouble.
You think you can handle him? - What's there to handle?
I put my gun in his mouth and tell the fat fuck what's what.
He's gonna understand.
- What are you gonna do if he tries something stupid?
- Well, then I try something stupid first.
- Listen, I don't want any shooting on this this, okay?
Serious.
If he gets out of line, if he says something stupid,
you talk loud and you hit him with a fucking gun
over the head.
I heard about what happened in Atlanta.
I should've had my head examined sitting in a car
with this guy, let alone do a job with him.
- [Richie] What'd you hear?
- Enough to know I don't want any fucking shooting this week.
- It was an accident.
- That's even fucking worse. I'm actually doing it on purpose.
- You know what? Fuck you, Sammy, 'cause you weren't there.
- A bad feeling before a job is never good,
but a full blown sign from God himself--
- [Richie] What the fuck you doing?
- That's something else entirely.
[whispers] Oh, fuck.
Holy shit, go, go, go, go, go, go!
- What? Why? - Start the car! Go, go!
Oh, my God. - And what about your car?
- Go, go, go, go, go. I'll pick it up later.
- All right, give me a second. - Go, go.
[car revving]
[dramatic music]
I don't care what the fuck he said. To me it doesn't matter.
- What's the problem?
- Job's off. I'm not doing it.
- Why not? - It doesn't feel right.
Something in my gut tells me not to do this one, Pops.
- Richie, put the napkin down, please.
- Oh.
- And what does your gut tell you?
- My gut?
Looks like a piece of cake to me.
What do I know, right?
- Sammy, do the job.
- I'm not doing the job, Pops, seriously.
Gotta get me something bigger.
- Bigger?
- Yeah, big enough. - Ah. Big enough for what?
- Big enough so I don't have to do this shit anymore,
penny dime shit.
I can't do this. I can't... I can't lie to Laura anymore.
- So tell her the truth.
- I can't do that.
- Sammy, you're trying to be a better man, okay?
She can't hate you for that.
- Hold on. Hello?
[Dr. Bule] Sammy Silver,
this is Dr. Bule from the Medical Center.
There's been an accident.
- And just like that, the world dropped away from me.
[dramatic music]
[car engine starts]
[dramatic music]
They said the driver was drunk.
She didn't see it coming.
[dramatic music]
For the first time in my life, I had nothing to say.
[dramatic music]
These girls were the only thing I had left.
They reminded me of her.
[guitar music]
♪ There's a secret we don't know ♪
♪ Fireflies ♪
♪ Virgin snow ♪
♪ How the wind knows when to blow ♪
♪ Know the lights ♪
♪ Coming home ♪
♪ We're all getting older ♪
♪ Rivers carving borders ♪
♪ We can't turn this thing around ♪
♪ Take me to your leader ♪
- Aah! - ♪ I do love to meet her ♪
♪ Maybe slow this whole thing down ♪
♪ Signs, if you read between the lines ♪
♪ Hold them close inside, they're everywhere you go ♪
♪ Oh, everywhere you go ♪
♪ Signs, you can see them or be blind ♪
♪ They are yours to find, all where we ever know ♪
♪ Call me where we ever know ♪
[Sammy sobbing] [guitar music]
♪ How the seabird knows the way ♪
♪ Baby cry ♪
♪ Saturday ♪
♪ We're all getting older ♪
♪ Rivers carving borders ♪
♪ We can't turn this thing around ♪
♪ Take me to your leader ♪
♪ Thought you'd love to meet her ♪
♪ Maybe slow this whole thing down ♪
♪ Signs, if you read between the lines ♪
♪ Hold them close inside, they're everywhere you go ♪
♪ They're everywhere you go ♪
♪ Signs, you can see that I'm only right ♪
I'm trying.
I'm trying to take care of... I don't know.
♪ Will we ever know? Tell me, will we, will we ever know? ♪
I'm sorry. I'm so sorry.
[guitar music]
[sighs]
- Sammy?
Sammy.
- Good morning. - Hi.
Breakfast?
- Mm-hmm.
- All right, sit down, I'm coming.
- Okay.
[sighing]
How'd you sleep?
- [Audrey] It was okay.
- Eggs?
- Sure.
- Where's your sister?
- She's still asleep.
- Scrambled okay?
- Sure.
Thank you.
- Breakfast?
- Sure.
So, I took the day off from work.
We can do anything you guys want.
[cellphone buzzing]
- [Audrey] Can we go to Disneyland?
- Okay, we got one for Disneyland.
What are you thinking?
- How about the beach? - Beach?
- Yeah, mom loved the beach.
- She did? - Yeah.
- Audrey, can we take a rain check on Disneyland?
- Can I make the sandwiches?
- Yeah.
Please make the sandwiches.
- Okay.
[buzzing continues] - All right, you guys...
you guys eat up and, um... [buzzing stops]
Eat up, and I'm gonna shower. I'll just wash up.
I went to bed so late. All right, enjoy it.
- [Audrey] You like my bear?
- [Rachel] It's cute.
- I told her that I hated the beach.
Couldn't stand the heat, but I can see why she loved it.
[ocean waves crushing] [sea gulls cawing]
How was it?
- [Rachel] It's good, it was cold.
- [Audrey] Today, the water's really cold.
- It is? - Yeah.
- You guys hungry? - [Rachel] Yeah.
- Why don't you guys eat something?
- [Audrey] Thank you.
- Thanks for making these. - [Audrey] Yeah, of course.
- They're really good. I just had them.
- [Audrey] Yeah?
- [Rachel] Mom always said you made the best sandwiches.
- Ah, we should head back in a little bit, right?
[birds chirping]
[car engine roaring]
Guys, get in the house.
- [Rachel] Who is that?
- It's just a work thing. Get in the house.
Go straight to your room.
Go ahead.
[dramatic music]
- Boss wants to see you.
[dramatic music]
- You know how long I've been waiting here?
A long fucking time, that's how long.
[car door closes]
- I'm sorry.
- Just, uh, busting your balls, kid.
I'm sorry for your loss.
I really am.
If anything you need, I, uh...
- I'm okay, thank you.
[dramatic music]
Cried yet?
- Cry?
- You should find a spot.
Just let it all out.
Maybe in your car, maybe in....
in the shower.
Showers are great for crying.
[inhales sharply]
Um...I asked, uh, Harvey, uh,
for an update, and he told me that he couldn't reach you.
- Sorry about that. It's...
I took the girls to the beach to get some food,
get some fresh air,
so I didn't pick up my phone.
- Uh...
listen...
You take some time, get your head straight,
do what you need to do and when you're ready,
you'll get...
Back to work.
[dramatic music]
- Thank you.
- And, uh...
[dramatic music]
- No, no, I can't. I can't take that.
- Oh, come on. Come on.
Get those kids some pizza or something.
- Okay.
Gangsters are a funny breed.
Some of the nicest guys you'll ever meet.
You almost forget that they're stone cold killers.
- And, uh, Sammy...
you stay reachable.
- Yes, sir.
Almost.
[car door clunking]
- Go.
- Shut up! This is my bear.
- So what if I cry? - Shut up!
- Whoa, whoa, whoa, whoa! What's going on?!
- She killed Teddy! - What?
- It's a fucking toy, Audrey! Grow up!
- Give it to me. Give me the teddy bear.
What happened?
- She's acting like a fucking little kid!
Why are you taking her side?!
- Watch your mouth! You're acting like it's your--
Are you serious right now?! What are you doing?!
- I'm the one holding the fucking bear!
Both of you shut the fuck up!
- Watch your language. You're scaring your sister.
Give me the teddy bear. - She's my sister,
not your daughter, and you're not my father!
You'll never be my father!
Did you really think one picnic and one ice cream
was gonna fucking fix everything?!
[dramatic music]
- Give me the teddy bear, Rach.
- You're the reason my mom's dead.
- Rachel!
[dramatic music]
[door slams]
- Can you fix him?
[slow piano music]
- It's okay.
[slow piano music]
It's so crazy when someone's gone, just like that,
right off the face of the earth,
and all that's left are a bunch of pictures in your phone
and some shaky video footage.
[slow piano music]
[laughter]
God, I missed her.
[slow piano music]
[doorbell chimes]
The doorbell ringing this early is either a delivery,
Jehovah's Witness, or bad news.
[doorbell chimes]
Yeah, I'm coming!
This looked like bad news.
- Mr. Silverman?
- Yeah.
- Maria Campos, Child Protective Services.
Oh, that's my guy out there, just in case.
- In case of what?
- Just in case.
- This is a joke, right?
- This is not a joke, Mr. Silverman.
- The girls need to come with us.
I'll give you a minute to get their things together
and say your goodbyes.
- No, no, no, it's not happening.
Those are my girls in there.
- Actually, they're not. Until your case is finalized,
the girls need to stay with family.
This is happening.
We'll schedule the evaluations as soon as possible
and get all of the paperwork in order.
Look, the best case scenario, this is temporary.
- And the worst case scenario?
- Let's just see what happens. - What happens?
This woman coming into my house talking about family, family.
I'm their family. What other family do they have?
I mean, where are they gonna stay?
Their grandmother lives in a home.
- I am not at liberty to say.
- There was only one other family member
I can think of at that moment.
I mean, I was still a bit drunk, but right in that moment,
I had an idea.
What if they-- What if they lived with family?
- That's what I just said. [laughs]
- No, no. What if they lived
with family here in the house, with me?
[dramatic music]
- Um... Well, I mean, I guess technically that--
- Technically is good then. Technically is good.
I gotta make a phone call. Would you come in for a minute?
- [Maria] Uh, okay.
- Can he stay out here? - [Maria] Sure.
- Okay, please, come. Five minutes.
I just gotta call somebody.
Is there anything I can get you?
- No, please don't worry about me. I'm good, thank you.
- You sure? Okay, thank you. - Yes.
-[doorbell rings] There he is.
- Hey. - There's a huge guy on your--
- I know, I know. Come inside.
I gotta introduce you to someone.
- Is this grass real? - Yeah, yeah, yeah. Come on.
Come, come, come.
Ah, Maria, this is Rob Fenton.
This is Maria Campos from, uh, CPS.
I was telling you on the phone. - Hi, Mr. Fenton.
- Would you like something to drink? Uh...
Want some orange juice? I'll get you some orange juice.
- Oh, God, it looks different here.
- Freshly squeezed.
[juice pouring]
There you go.
Rob, listen, Missus, uh, Miss--
- Miss. - Miss Campos is here.
She's helping me with the adoption papers.
The only way the girls can actually live here with me
is if there's a family member living here.
- [Maria] That's correct.
- Correct? - Yes.
- I mean, everyone's been through so much,
especially the girls.
- Wow, that's really good juice.
- You like that orange juice?
You can have as much orange juice as you want.
- But I already have a place.
- Yeah, but this is just a couple of weeks.
- Yeah, maybe more,
and if the papers go through, you know, it's a process.
- If the paperwork goes through.
Well, I'm sure it's gonna go through, right?
- We'll see. We just take it one day at a time.
- So it's temporary?
- It's definitely temporary.
[door knob clicking]
- [Audrey] Uncle Rob?
- [Rob] Hey, look at you.
How you doing? Oh, my God!
- [Audrey] What are you doing here?
- I invited your uncle for breakfast.
- Yeah, I'm having orange juice.
- Teddy's dead.
- [Maria] What? - Teddy's dead.
- Who's Teddy? - It's just...
- It's nothing, it's a teddy bear.
- Ah, honey, can you do me a favor?
Can you give please give us a minute?
- We'll hang out, okay? See you.
[whispers] She's so big.
- Uh, so we're good?
- Yeah, we're good.
- Well, I just have to update your paperwork,
but we should be good,
and I'll have to run a quick background check on Mr. Fenton.
- Background check? - Yes.
We'll keep in touch, Mr. Silverman.
- [Sammy] Uh, Silver.
- Right.
- Okay, thank you. So, you'll call me?
- I will.
- Okay, great.
I worked very hard to stay clean on paper.
You look me up anywhere and I'm basically squeaky clean,
but this guy...
You're clean?
- Yeah. I got allergies.
- Allergies? - That's why I'm sniffing.
- Okay, good. - Yeah.
- Rachel! Your uncle's here! - Rachel's here?
- Yeah, sit, I'll tell you everything.
- Uncle Rob. - [laughs]
- What are you doing here?
- [Rob] I'm hanging.
- [both] Brr! [laughing]
You'll get it next time.
- What are you doing here?
- Hanging out, yeah.
- [Sammy] Your uncle's gonna live with us.
- Really? - For a little bit, yeah.
- Oh, that's awesome. I'm gonna go brush my teeth.
- Okay. I wasn't gonna say anything.
- [Sammy] All right.
- [Rachel] Shut up.
- It's crazy how much she looks like her.
- It's crazy. Hey...
I really appreciate you doing this.
It means a lot.
- I'd do anything for them. - I know.
I'll get you set up.
If you need anything, just let me know.
- [Rob] Okay. - All right?
- Mm-hmm. - Thank you. Appreciate it.
All I knew about Rob is that he loved his sister,
and she loved him.
Now I gotta go hide all my valuables.
- You guys got any coffee?
What? No?
- Yeah, black okay?
- Please.
[coffee pouring]
You guys don't eat ever?
[mug clunks]
[dramatic music]
God, Rachel.
It's crazy how much you look like her.
Sammy, right?
[dramatic music]
- Yeah, you really do.
- I'm not her.
- I know, I didn't... I didn't mean it like that.
- I know what you meant.
Audrey looks like Dad.
It's hard to forget someone when you see them every day.
- Well, you're not supposed to forget.
You're supposed to remember. - Yeah, well, remembering sucks.
[dramatic music]
- I'm gonna make some coffee.
You guys want some, Rachel?
- No, I'm good.
- All right, movie marathon tonight, yeah?
We stay up late, popcorn, burping, farting.
She's been farting all night, so--
- No, that was Teddy's corpse.
- Teddy's? - It's his ghost, yeah.
- Excuses. - Mm-hmm.
- It's a school night
- School?
Don't you guys get, like, time to grieve and stuff?
- No.
- [Sammy] They missed enough school already.
- It's one more day, Sammy.
What's the difference?
- Can we, please?
- What a nightmare.
I was trying to move a few steps forward with these kids,
and he was knocking me 10 steps back
every time he opened his mouth.
You guys can do marathon night on the weekend.
- How about that? - This weekend?
It's like Tuesday. - Whatever.
- But I had an Ace up my sleeve.
This should definitely work.
I really gotta stop drinking.
All right, here we are.
- You guys all set? - Yeah.
All right, I'll pick you guys up later,
and we'll go have dinner wherever you want.
- Okay. - Okay.
- Bye, Sammy.
- Bye, Audrey.
- You know, next time you take us to school,
how about you drop us off on time?
- [Sammy] Sorry. - It's okay.
[cellphone buzzing] - Yo.
- I've been calling you for two days,
and this is how you answer, eh?
- I'm sorry. I'm just so busy with these girls.
- No, no, I understand that, son, all right?
But this is important, all right?
We need to talk. - About what?
- Something big, Sammy.
- Okay.
All right, give me like 30 minutes.
[sighs]
- [Harvey] Hey. - Hey.
How you doing?
You got me rushing over here.
- You know how you make the perfect cup of tea?
- [Sammy] What?
- Timing.
Go ahead and open it.
- What is it?
- [Harvey] You'll see.
Omar Al Said.
- I don't know who that is.
- You're not supposed to know who he is.
What you need to know is what he has
hanging on his walls.
That piece sold to an anonymous buyer last year
for a little over $50 mil, all right?
The art world is crawling with rich lunatics,
and I got one ready to take that off our hands
once it is in our hands.
- $50 million. What's our take?
- I haven't figured it all out yet, but it's gonna be big.
- I'm sure a guy like that has a lot of security with him.
- Mm. Well, stake it out, all right?
See what your balls say.
There's always a way around them, you know?
Always is.
- I hated to admit it, but the old man was right.
This could be the job to end all jobs.
The take could be $5 million easy,
but bigger paydays come with bigger risks.
- Oh, it's terrible.
- Yeah, of course. You waited too long, huh?
You now, your mother got me into tea.
I was a pure coffee guy when we met.
Black, no fucking around.
Yeah, she changed me in many ways,
and some things she couldn't change.
- Pop, let me ask you,
how did you ever tell her about the business?
- I didn't. She found out.
- Wait, I thought you told her. That's why she left.
- No, she found out.
She was more hurt that I didn't tell her
what I was doing than she was about what I was doing.
You know, Sammy, once trust goes out the door,
everything else follows.
- You never thought about walking away?
- Oh, no.
This is all I know.
I never wanted you to be part of this life,
but I didn't want to hide it from you either,
and now this is all you know.
But you know you have a choice to make now, son.
- I think I know.
This looks great, Dad.
- This, we pull off...
you don't have to worry.
We take care of those kids, take care of Ira,
have the life you want.
- That's exactly what I've been looking for.
I appreciate it, Pop. You always look out for me, you really do.
Love you, Pop. Bye.
I'll take a look at this, and I'll call you.
[dramatic music]
[car engine roaring] [dramatic music]
A gate is usually a good sign.
It means big house with big money,
but it also means big trouble.
Getting on the other side of that gate,
it's gonna be a fucking nightmare.
[dramatic music]
Hello? - [Principal] Mr. Silverman.
- What?
- [Principal] I need you to come to the school right now.
- Okay, I'm coming.
[dramatic music]
[car engine roaring] [dramatic music]
- Follow me.
[dramatic music]
- What exactly did she do?
- She vandalized school property.
She broke into the gym's equipment locker
and then punctured every single one of the school's basketballs
with this.
Is this from your home, Mr. Silverman?
- Yeah, that's mine.
- Normally, I would push for immediate suspension
or even expulsion,
but considering the recent tragic circumstances
and the fact that, Rachel,
you've always been a fine student,
I'm gonna show some leniency here.
- Thank you.
- You'll be getting a bill for all the damages.
It'll do some good for Rachel to stay home
for a couple more days, and her sister, too.
- What does Audrey have to do with this?
- They're hurting. They need to stay home.
They need to take this all in.
- I know she knows better than this,
but, um, just send me the bill,
and I'll take care of it, and I really appreciate it.
- Can we please go home now?
- Yeah.
Thank you. I'm sorry.
It won't happen again.
Rach, why the basketballs?
- Yeah, why did you do that? I thought you loved basketball.
- She does? - Yeah.
- You do? - Not anymore.
- You know how much trouble you're in?
You know how much money this is gonna cost me?
Do you have any idea how much money it's gonna cost me?
- I honestly don't care.
[door slams]
- Straight to your room.
[ice cube clunking]
Rob!
The thing about ex junkies is a nine out of 10,
their old habits never die.
Rob?
It's just a matter of opportunity and a matter of time
before history starts repeating itself.
Hey, put your feet down.
What are you doing?
- Just, uh, I'm just regrouping.
- You high?
Are you high?
- [exhaling]
I think I'm sunstroke.
I've been out here for hours.
- Sunstroke? - Yeah.
- Maybe it's your allergies, huh?
- Yeah, I mean, these trees, the flowers,
the pollens in the pool. You know?
Could be it.
- CPS shows up, and they see you high as a fucking kite,
what do you think they're gonna do?
The only reason these girls get to live here
is because you're here.
What are you thinking?
- I didn't take that much.
- You didn't take much.
Well, I'm sorry I'm overreacting here.
You want these girls to see you like this?
Cool Uncle Rob?
High as a fucking kite?
I don't want drugs in this house, do you hear me?
I'm gonna fucking fix up your nose and your pocket
and the living room.
This is a no drug zone. You can't follow those rules,
you need to get the fuck out.
Wake up.
Rachel!
- [Audrey] Good night. - [Rachel] Good night.
Are we going to the movies tomorrow like you promised?
- [Sammy] Yeah, yeah, I swear, tomorrow.
- [Rachel] Promise? - [Sammy] I promise.
- [Rachel] Okay. - [Sammy] We'll do it tomorrow.
- [Audrey] All right. - [Rachel] Good night.
- [Sammy] Goodnight. - [Rachel] Good night.
- It's all gone.
I'm off it.
- Mazel Tov.
- You know, alcohol is a pretty big vice, just saying.
- It's better than crack.
- Yeah, it's not crack.
Mind if I...
- Knock yourself out.
- Just a little.
[alcohol pouring]
Ooh. God, I think I'll stick to crack.
[chuckles]
You know, my sister always knew what to say.
She always knew what to do to get me off that shit.
With just a few words, I'd be off it, cold turkey.
Till I wasn't, of course, but she never gave up on me.
She always stood by me,
and she'd say a few things and I'd be off of it again.
- Your sister was tired, Rob.
- Yeah, I know.
- I mean...
She tried everything. You always came back.
You always went back.
- She was stronger than all of us, right?
- Yeah.
Yes, she was.
- To Laura.
[clink]
[inhales, exhales]
I fucking miss her, man.
- Me too.
Those girls miss her.
- [Rob] Yeah, but you're doing a good job with them.
You really are.
[dramatic music]
- I'm trying.
[dramatic music]
[car engine roaring] [dramatic music]
After very little thought,
I decided to take the painting job.
"Decided" was an understatement.
[dramatic music]
[camera shutters]
[dramatic music]
- [Richie] How many you see? - Two.
- Look again.
[dramatic music]
Still? - Yeah.
- All right.
It's gonna be easier to go over the wall
than go over that fence. Just saying.
- All right, let's get outta here.
I brought the genius with me for the first stakeout
and quickly realized that if this was gonna work,
I was gonna need a proper crew.
Harvey hooked me up with lunch and a lead.
- There's David Dallas from Milwaukee.
He's in town for a little business,
but he's always up for a little something on the side.
- [Sammy] David Dallas. You wouldn't know it
by looking at this guy, but Dallas was military,
trained killer.
If anyone can help us with our security problems,
it was Dallas.
- Excusez-moi, mademoiselle.
When you have a moment, no rush, I would like another espresso.
Merci.
- [Sammy] Great guy, amazing manners,
but if you were on his shit list,
his sweet disposition went out the window.
[dramatic music]
With all fairness, if Dallas showed up at your door
unannounced, you had it coming.
[dramatic music]
- No, you don't need a big crew,
'cause you've got Dallas taking care of security,
Richie is keeping the car running,
and you need one more thing.
- What's that?
- A decoy.
- [Sammy] Ruby Ellis. A working girl.
- 30 minutes--
- [Sammy] And our mark's favorite flavor.
Ruby was our decoy.
Ruby was gonna get Omar out of the house
and give us enough time to make the grab.
The only thing is she wanted a fee and a cut,
and she wanted that fee upfront.
I hate that place. Come on.
[knock on door]
- Speak of the devil.
Come in.
[dramatic music]
- Hi, Daddy.
[sighs]
- [chuckles] You want something to eat?
- I'm good.
- [Harvey] You sure?
- You know what I like.
- Al Said has a classic weakness
and one that we can fully exploit.
She's gonna keep Omar very busy, okay?
So we'll have enough time to make the grab.
- But you think he'll be up for a date?
- Oh, yes. Omar? [laughs]
He's always up for me.
[Sammy and Harvey giggles]
- I like her. - Right?
- How much?
- Small fee and small cut.
- Upfront, right?
- Always.
- The America dream.
[dramatic music]
Sounds about right.
Well, it was so nice to meet you, Sammy.
- Nice to meet you. - [Ruby] See you later, Daddy.
- [Harvey] All right, baby, take care.
- I felt like I was getting five different diseases
just sitting there.
[dramatic music]
Now I had a crew and a timeline,
and all I needed was a babysitter.
[dramatic music]
Where's your uncle?
- Outside.
- What are you guys doing?
- What does it look like?
- You don't have to be so mean. - He's annoying.
- Hey. - Hey.
- Look at me.
- I'm clean as a whistle.
I promise.
- Serious? - Yeah.
My head feels like it got cracked open like a coconut,
but I'm good.
It's O.J.
Straight up, just the way I like it.
- It is O.J. Proud of you.
- Yeah, well, I'm not doing it for you.
I'm doing it for those girls in there.
- I know. That's what I wanna talk to you about.
- What's up?
- I got this job I gotta do.
- You got this job you gotta do.
- And I wanna make sure you can take care of the girls for me.
- Do you really feel good about leaving those girls
with their degenerate uncle?
- No.
- When you put it like that, no.
- No, I'm serious. Yes or no?
- Yes, I can do it.
- [cellphone buzzing] - Beautiful, thank you.
Hold on.
Hello.
Yeah.
Okay, I'll be there in 30 minutes.
- Duty calls?
- You're a real asshole when you're sober,
but I'm proud of you. Give me one.
- [Rob] Thanks.
- Thank you. I'll let you know exactly what day.
Keep it up.
Rob didn't know exactly what I did,
but he definitely knew I was in the shade,
but as long as he didn't ask any tough questions,
I didn't have to come up with some tough answers.
Audrey, I gotta run for a little bit,
can you do me a favor and hold down the court?
- Yeah, sure. - Wait, are you serious?
- Great, so you're the boss.
- Oh, you're putting her in charge?
- What about Uncle Rob? - Keep an eye on him too.
- [Rachel] Wait, I don't need a babysitter.
- [Sammy] I think you do.
- This is bullshit. - Language.
[dramatic music]
- Richie. - Yeah.
- You see the street?
- Yeah.
- Already, you can see it by that.
There's a red barn-looking thing.
- [Sammy] Right.
- All right, that's a good spot to hide.
You understand?
Make sure you get all the entrance and exits,
those guys there.
[camera shutter clicking]
- You see any street lights?
- Not right now, no. There's none there.
You know, David, go up there.
Go up there with him. Show him this and take some pictures
of that, all right? Because you have to be there.
That takes about a minute and a half, I timed it the other--
- I can work with this still, guys.
- Yeah? - Yeah.
- We'll take more pictures. - It's very doable.
Where are they going?
- I want him to take some pictures of there.
I spoke to my guy, I got a figure.
- And?
What, $5, 6 million?
[dramatic music]
[speaking in foreign language]
$30 million?
- Shh!
They shouldn't hear a thing.
30.
- $30 million.
He wasn't kidding about keeping it between us.
The others would get a nice, decent cut,
and I can pay Ira in full
and still walk away with a stupid amount.
[dramatic music]
- You know, it's time for both of us to give up this life.
I'm gonna throw in the towel as well.
- Throwing in the towel? - Mm-hmm.
Whatever happened to all the speeches
you used to tell me in the office?
"This is all I know. This is my life."
- I know, I know, but you know, it's never been $30 million.
You can be whoever you want to be, right?
- Absolutely. - I'm happy for you, Pops.
- You know, Sammy, when your mother left me, I got angry.
I kept busy non-stop, and then when she got sick and died,
I feel guilt.
- I know.
- Keep going.
[dramatic music]
It's time that we don't go anymore.
You understand? Both of us.
[dramatic music]
All right.
[camera shutter clicking]
- What a fucking crock of shit. They want more pictures?
- Relax. - Don't tell me to relax.
- Well, you're not relaxing.
- Yeah, something's not right, okay?
We're supposed to be crew,
and they're keeping us out of the loop.
- What loop?
You're the fucking driver. What more do you need to know?
Make sure there's gas in the fucking car and relax, okay?
Don't worry about the fucking loop.
Fucking loop, what the hell is that?
[camera shutter clicks]
I'm gonna say it again. - Don't you say it.
- I'm fucking saying it. - Don't you fucking say it!
- Relax. - Fuck off, come on.
I'll show you relax. Let's go.
- Where you going?
[car door slams] [car engine starts]
Jesus Christ.
[car engine roaring]
Let's go around to the other side, all right?
See if we can get some shots over there.
[car door closes]
- Whoa, whoa, whoa, what happened? What? What?
- Rachel ran away. - What? Oh, okay, okay.
Calm down. Don't worry about it. I'm gonna find her.
- I don't know what happened. She just freaked.
- She was upset. I asked her what was going on,
and she freaked out. She just left.
Don't worry about it. Everything's gonna be fine.
Oh, shit. Audrey, you need to calm down
until this woman leaves, okay? Hi!
- Hi, Mr. Silverman, did I catch you guys at a bad time?
- Uh, no, just, um, there-- there's a spider in the house.
- Yeah. - A spider?
- Yeah, like a big spider. - Huge.
- I'm afraid of spiders, too. - [Sammy] Yeah.
- She hates 'em.
- So how are you liking living with your uncle and Sammy?
- Um...it's been fine.
- It's fine? - Uh, fun.
It's been fun, great.
- Where's your sister? - Rach is, uh...
Rach was in the... She's...
- She's in the shower. She's taking a shower right now.
- Would you like to go get her from me?
I'd like to speak with her, too.
- I don't know, teenage girls, you know, with the creams
and the shaving, I don't know what
she's doing in there, really. It's gonna be a while.
- Okay, well, I won't keep you much longer.
I was just checking in. - Thank you.
Uh, any news?
- Not yet, but soon, I hope. - Me too.
- Okay then, have a good night. - Thank you.
- You too. - It was good to see you.
[mouths words]
All right, listen, calm down. I'm gonna go find her.
Everything's gonna be fine, okay?
- [Rob] Yeah, yeah. - All right, good save.
- Thanks. Hey, uh, I think I know where she might be.
- What I'm thinking? - [Rob] Yeah.
- All right, go back in the house. I'm gonna call you.
- I got you. Let's go. - All right.
- [basketball thuds] - [Rachel] Oh, fuck.
- Hey.
How come this ball doesn't have a puncture?
- Give it back.
Come and take it.
No?
You know, when I was your age, basketball saved my life.
I was a bad kid, hung out with really bad people.
And basketball was the only thing that kept me on track.
[gentle guitar music]
You can't run away anymore, Rach.
- This was his ball.
We'd come out here and shoot for hours.
Just the two of us.
It was our thing, and I could talk to him
about anything, and he'd always listen to me.
Not fake listen, you know?
- I know you're hurting,
and I know I'm probably not your favorite person
in the world right now,
and I'll never be your dad, but I can promise you one thing,
that you don't have to go
through anything alone ever again.
I'll always be here with you.
If you wanna come out here and play basketball,
if that makes you feel better, do it.
If you wanna puncture every one of those balls, go ahead.
I'll even hold that ball for you,
and you do it at the house.
But...
You gotta come home at some point.
Your sister misses you like crazy.
She's crying.
[dramatic music]
- Can you show me how to do that two shot?
- Really? - [Rachel] Yeah.
- I'll show you my favorite move.
- All right, do it.
- Okay! - Let's see it.
- Up the middle, bam!
- [Rachel giggles]
- Come here.
[dramatic music]
I love you.
- [Rachel] I love you, too.
- Hold this. Let me get my jacket.
- All right.
[sighs]
[dramatic music]
This was it, game day.
I'm not gonna lie, this was always my favorite part.
All right, guys, listen up.
He's got two guys with him all the time.
A date night's not gonna change anything.
- Where is he taking you for dinner?
- Somewhere with room service, original.
- Classy.
- Dinner's gonna last longer than him, so...
- All right, so there's not gonna be a lot of time.
All right? So make sure, Ruby, that you text me
the minute the fun time is over.
- You got it. - Okay.
- He's got two guys with him at all times, like I said.
One's on the inside, one's on the outside.
- And they never stray too far from one another.
So when they get close enough, I'll take them both out.
- Hey, wait, what do you mean take out? Take out what?
- Take 'em out.
What did you hire me for? Teach 'em a magic trick?
- Oh, no, no. This is clean, Dallas. I want this clean.
- Yeah, no guns on this, please.
- These guys are packing heavy, no doubt about it.
- Richie, we're going light on this.
- All right, it's okay.
We'll use tasers and zip ties, then, all right?
it won't be a problem. - All right.
Now, what about the guy on the inside?
- We don't have any guns.
I guess we gotta go with a ding-dong ditch.
- What's that?
- You know, it's the same thing as a ring and run kind of thing.
- You knock on the door. When he answers, boom!
Zip goes the weasel.
- It's pop. Pop goes the weasel.
- [Harvey] Clean, perfect.
- All right, cameras inside, outside, all over the property.
- What are we doing about that?
- I know a guy who knows a guy.
- Of course you do.
- Look, you're gonna have 30 minutes
from the time the lights go out,
but that's our window.
So make sure you have watch and synchronize.
You understand?
- All right, Richie, listen,
you sit in the car, engine running, right?
Once the lights go down, Dallas is gonna go in,
knock the guards out.
I come in, steal the painting,
and we'll meet back at the house.
- [Harvey] Easy peasy. - All right.
- Any questions? - Is that everything?
'Cause, like, I kind of have to go get ready.
- Yeah, we should all go.
- No, I got a question, just one.
So, uh, I took the time to do a little research
about these paintings, what they might go for
and, oh, fuck me, I mean, these things are worth a lot.
- So what's the question?
- Oh, what I'm saying is
that maybe we're being a little shortchanged.
I mean, what if one of our paintings
are worth that much, right?
And if I get 5% and when I do the math, bang, bang, bang,
it just, you know, doesn't really add up,
so what I'm trying to say is you got me on a fucking discount.
- You know, Richie, bang, bang, bang.
This is no time to be negotiating salaries, okay?
You're gonna do very well, please.
- Pops, the guy is getting 5% for sitting in a car.
- For God's sakes, I do less on my knees.
- How about you, Dallas? What do you feel about 5%, huh?
- You gotta be fucking kidding me right now.
- Listen, what he's making
is none of your business, all right?
He's bringing much more to the table, Richie.
You're gonna be very well taken care of.
So just calm down.
- Do you need a ride, honey?
- Yo, Richie, hold on one second.
We're good, right? - Yeah, we're good, man.
- We're good. - No, no, calm down, Richie.
- Calm down. - We're good, we're good.
- Dallas, are we good? - We're good. Hey, Richie,
let me catch a lift, too, huh?
[dramatic music]
- All right then.
This son of a bitch, I should have listened to you.
- What did I tell you? He's tearing up the whole thing.
- Ah, boy, oh boy. You were right.
- I had a bad feeling now, a bad taste in my mouth,
and it wasn't tea.
I kept waiting for Laura to appear and tell me to walk away,
but it wasn't just me and my gut.
[dramatic music]
Getting ready for a job always made me nervous,
especially a job I've never done before.
I don't know a thing about art, except that it's overpriced,
and it's much easier to move around when it's rolled up.
I do know a few things about robberies, though.
[gun cocks]
If you bring a gun, there's a good chance
you're gonna use it.
[dramatic music]
- That's crazy.
- Hey, guys, don't wait up for me,
I gotta go do some work thing, okay?
- Where are you going? - I got a work thing I gotta do,
but, uh, the good news is when it's done...
we're gonna spend a lot of time together.
- What thing?
- It's just a work thing.
- Hey, can I get another beer while you're up?
- I got you. - Sammy.
Get out of here. I got this. Don't worry about it.
- I just wanted to say goodbye, you know?
- Don't you think those girls have had enough goodbyes
for a while?
- [whispers] Yeah, I guess you're right.
- You can tell them when you get back.
- Okay.
- Hey, uh...
I wanted to thank you.
- For what?
- Just felt like the right thing to say.
- When you think about something to tell me,
you tell me what I'm back, okay?
- Yeah.
- I love you girls.
- Bye. Love you. - Bye.
- Take care of them for me, okay?
- I got you.
- Take care of them.
[TV playing indistinctly]
[bottle cap clatters]
- Let's go! - [Rachel giggles]
[dramatic music]
[radio static and chatter]
[engine idling]
[dramatic music]
[car engine roars, turns off]
[dramatic music]
- Yeah, Harvey, I'm here.
- [Harvey] All right, good.
[dramatic music]
-[rustle in distance] - Did you hear that?
- I didn't hear anything.
[dramatic music]
- Check the back. - All right.
[dramatic music]
- [Security] It's probably just the circuit breaker again.
I'm gonna go check it out. Over.
[dramatic music]
[taser buzzing]
[thud]
[cellphone buzzing]
- Ruby, what's up?
It's over, Papi. - [Harvey] What?
- I mean, over, done, he couldn't get it up.
- When? - I don't know,
like 10 minutes ago or something, maybe.
10 minutes ago? You should've--
You should've texted. Why didn't you text?
I ain't your fucking secretary. The fuck? I did my job.
- Dammit.
[dramatic music]
[lock clicks, door squeaking]
[dramatic music]
- [cellphone buzzes] - Yeah.
- Richie, the mark is on his way.
How long I got?
- Five minutes tops.
- All right, no, I'm on it, I'm on it, I'm on it.
[dramatic music]
- [whispers] Hey, hey. Shh, shh. It's okay.
Shh, come, quiet.
Shh, don't scream, don't scream.
What are you doing here? You're scaring the kid.
Put the gun away.
- No, no, the only thing scaring this kid
is the two scary men in the living room.
Three scary men.
- Dallas, talk some sense into him.
He's got a gun with him.
- I think he's making perfect sense, Sammy.
- That's right. Now his father's gonna be here any minute,
and we were gonna do this the hard way, right?
But I think Omar will give us anything we want
in exchange for junior over here.
- What are you guys doing? Why are you doing this?
Listen to me very carefully.
I'm gonna take this painting.
I'm gonna go home, and I'll meet you there.
- [Richie] Just like we said, just like we said.
- We're taking all the paintings and we're taking the kid too.
- That's right, we're emptying Omar's whole fucking place,
then you and your dad could go home
and have your fucking circle jerk.
- Okay. Okay.
Don't hurt the kid, okay?
- We're not gonna hurt the kid Sammy. We're not animals.
This isn't personal. What can I say?
Money talks.
[gunshot]
[gunshots]
- [thud] - Pop!
- Yeah, Sammy, the painting.
- Okay.
[dramatic music]
- Come on, hurry!
[dramatic music]
- Mama.
Dad, stop them!
[child screams]
- What's wrong? - [child screams]
- Baby, talk to me. What's wrong?
- [child crying]
- What's wrong? Is somebody inside?
- [child screaming] - Okay, okay, okay, okay.
- All right, you got the painting?
- I've got the painting. I got the painting.
- [child] No! - Wait right here.
Wait here for one second.
[dramatic music]
- Go. Drive, drive. - [car engine starts]
[dramatic music]
- What the fuck?
- [Sammy] Difference between a good thief and a hack
is simple--greed.
- Christ Almighty, what the fuck?
- [Sammy] Get greedy, you get sloppy.
- Junior!
Jamal, go get my kid.
[dramatic music]
Junior!
[dramatic music]
- Dunbar.
[dramatic music]
- What?
- Michael Dunbar is the buyer. Number's in my...my phone.
- [Sammy] Okay, Pops. - [Harvey] We have to call him.
- [Sammy] You call him when we get there.
- My code is 0809. You have to call.
- Wait, Pops, are you okay? - [Harvey] [weakly] Yes.
- Fuck me, you got hit? Oh my, God.
Oh, my God, okay, okay, Pops.
Fuck, hold on, hold on! Put your--Put some pressure on it.
- I love you, son. - Stay with me, stay with me!
Fuck! Fuck! Move!
[car horn honking]
Fuck me!
[honking continues]
Harvey! Fuck!
Harvey! Don't do this to me, Harvey!
Harvey!
[dramatic music]
Harv, Harv, Harv, Harv, Harv.
[dramatic music]
[ocean waves crushing]
"I Love Us."
If you told me five years ago, those three little
corny words would be the most important words
in my life one day,
I would say I can't wait.
Now you know everything.
[ocean waves crashing]
I don't wanna lie to you guys anymore.
Can't lie to myself.
Can't lie to anybody.
As you know, the adoption got approved.
You guys can be my kids now,
and we can be a family,
but only on one condition.
You guys have to want me to be your dad.
- You're wrong, you know?
- [Sammy] About what?
- About that being the whole story.
- It's everything, I swear.
- What she means is that this isn't the end.
- It's where it starts.
[dramatic music]
- I vote yes.
- Yes. - Yes.
[pats envelope]
- I love you guys.
- [Audrey] I love you, too. - [Rachel] I love you.
- Come here.
[dramatic music]
[Audrey and Rachel giggling]
Guys, this is my dad, Harvey.
- You must be Audrey. - Yeah.
- Rachel? - [Rachel] Yeah.
- And you're the troublemaker. - [Rob] No.
- I heard a lot about you, Rob. Come. Come.
Beautiful girls.
You want hug? - I want a hug.
- Come here. - Papa Silver.
- Pops, these are the girls.
- So beautiful. We have to teach them some--
- [Sammy] Omar never came after us.
Turns out his son was worth a lot more to him
than he thought. - I love you, baby.
[dramatic music]
- Harvey always loved giving me advice.
- [Rachel] Sammy!
Sammy, come on!
- [Audrey] Come on!
- [Sammy] But the best thing he ever told me was
that it was time to let go.
[upbeat music]
"I...
Love...
Us."
- [Sammy] Coming!
[dramatic music]
♪ After all these years with you ♪
♪ I just got to say ♪
♪ I love you so much more with each and every single day ♪
♪ Just look into my eyes and you will see ♪
♪ I swear, I love you and beyond compare ♪
♪ From you I learn to rise and be forgiving ♪
♪ Taught me how to stand my ground ♪
♪ Open to just keep giving ♪
♪ And through my darkest times when I was broken ♪
♪ I swear ♪
♪ Every time you were always there ♪
♪ I look into your eyes with every sunrise ♪
♪ I'm never alone ♪
♪ It suddenly hits me ♪
♪ Baby, you made me just stand on my own ♪
♪ After all these years with you ♪
♪ I finally understand ♪
♪ Together, baby, we'll never fall ♪
♪ With gratitude for all you've done ♪
♪ You always be my number one ♪
♪ Forever I will give you my all ♪
♪ I'm gonna give you my all ♪
[guitar music]
♪ After all these years with you ♪
♪ I'm going through the fighting ♪
♪ I listen and I hear your dreams and all that you desire ♪
♪ Your love and warm embraces, my true comfort ♪
♪ I swear ♪
♪ You're the answer to my every prayer ♪
♪ Oh ♪
♪ I look into your eyes ♪
♪ With every sunrise, I'm never alone ♪
♪ It suddenly hits me ♪
♪ Baby, you made me just stand on my own ♪
♪ After all these years with you ♪
♪ I finally understand ♪
♪ Together, baby, we'll never fall ♪
♪ With gratitude for all you've done ♪
♪ You'll always be my number one ♪
♪ Forever I will give you my all ♪
♪ Wanna give you my ♪
[guitar solo]