1 00:00:01,700 --> 00:00:04,000 [man 1] Yeah, I mean... [continues indistinctly] 2 00:00:04,000 --> 00:00:05,430 -[indistinct conversation] -So? 3 00:00:06,170 --> 00:00:08,870 -Phew. -[man chuckles] 4 00:00:08,870 --> 00:00:09,900 Bro. 5 00:00:09,900 --> 00:00:11,970 I feel the [mimics energy] 6 00:00:11,970 --> 00:00:13,970 Bro! That energy. 7 00:00:13,970 --> 00:00:15,870 I feel it, in a good way. 8 00:00:17,200 --> 00:00:20,070 This'll be next, so that way it's next to that one. 9 00:00:20,070 --> 00:00:22,030 I think this is probably the better way to go. 10 00:00:22,470 --> 00:00:24,170 Oh, my God. 11 00:00:24,170 --> 00:00:26,770 Not gonna lie to you guys, I'm pretty fucking nervous. 12 00:00:26,770 --> 00:00:28,330 [people laughing] 13 00:00:28,330 --> 00:00:30,300 You know, I'm not known for my... 14 00:00:31,100 --> 00:00:32,570 uh... 15 00:00:32,570 --> 00:00:34,030 ...even enunciating. 16 00:00:34,030 --> 00:00:35,130 [people laughing] 17 00:00:35,130 --> 00:00:36,100 Bit of a mumbler. 18 00:00:36,100 --> 00:00:37,270 I don't even like doing interviews. 19 00:00:37,270 --> 00:00:38,930 Now, I'm fucking interviewing one of my heroes. 20 00:00:38,930 --> 00:00:40,570 -I'm like this-- -[man laughs] 21 00:00:40,570 --> 00:00:41,870 I'm, like, "Acting? Sure. 22 00:00:41,870 --> 00:00:43,200 I don't have to look at that fucking thing." 23 00:00:43,200 --> 00:00:45,300 ["Wherever I may roam" playing] 24 00:01:06,070 --> 00:01:10,330 ♪ And the road becomes My bride ♪ 25 00:01:10,330 --> 00:01:13,370 ♪ I have stripped Of all but pride ♪ 26 00:01:13,370 --> 00:01:17,200 ♪ So in her I do confide ♪ 27 00:01:17,200 --> 00:01:20,570 ♪ Off the beaten path I reign ♪ 28 00:01:21,430 --> 00:01:23,070 ♪ Rover, wanderer ♪ 29 00:01:23,070 --> 00:01:28,500 ♪ Nomad, vagabond Call me what you will ♪ 30 00:01:30,370 --> 00:01:34,800 ♪ Wherever I may roam ♪ 31 00:01:34,800 --> 00:01:36,230 [inaudible] 32 00:01:37,630 --> 00:01:42,330 ♪ Wherever I may roam, yeah ♪ 33 00:01:52,970 --> 00:01:55,170 Appetite. Appetite. 34 00:01:56,730 --> 00:01:58,270 Firebird. 35 00:01:59,630 --> 00:02:01,700 Phew. '58. 36 00:02:01,700 --> 00:02:04,230 There's not one type of music I just don't like. 37 00:02:04,230 --> 00:02:06,030 [Jason laughs] 38 00:02:06,030 --> 00:02:08,070 To me it's the most powerful art form 39 00:02:08,070 --> 00:02:09,830 that humans can create. 40 00:02:11,000 --> 00:02:12,200 It sings to our souls, it talks to us, 41 00:02:12,200 --> 00:02:14,230 it instantly puts us into a time and a place 42 00:02:14,230 --> 00:02:16,100 and a feeling and a memory. 43 00:02:17,470 --> 00:02:19,630 When you hear a legendary guitar sing, 44 00:02:19,630 --> 00:02:22,670 you can hear the stories bound into the wood, 45 00:02:22,670 --> 00:02:25,000 the memories that remain from years on the road. 46 00:02:25,870 --> 00:02:28,000 These guitars become time capsules, 47 00:02:28,000 --> 00:02:29,930 and they'll bring you back like nothing else can. 48 00:02:29,930 --> 00:02:31,800 [rock music playing] 49 00:02:34,130 --> 00:02:38,070 For me, nobody embodies this more than Slash 50 00:02:38,070 --> 00:02:39,670 and the Gibson Les Paul. 51 00:02:40,230 --> 00:02:41,330 That's my childhood. 52 00:02:41,330 --> 00:02:43,530 That shape, that look, 53 00:02:43,530 --> 00:02:46,300 Slash, just shirt off, leather pants, 54 00:02:46,770 --> 00:02:47,900 hair everywhere, 55 00:02:47,900 --> 00:02:49,800 top hat and just leaning back. 56 00:02:51,000 --> 00:02:52,830 And the cigarette and just being like... 57 00:02:52,830 --> 00:02:54,130 That guy's cool as hell. 58 00:02:56,670 --> 00:02:59,070 -[indistinct conversation] -[Slash] What's up, bro? 59 00:03:03,870 --> 00:03:05,500 I have one of the most embarrassing stories, 60 00:03:05,500 --> 00:03:07,100 but-- I was-- you know-- 61 00:03:07,100 --> 00:03:09,230 I wasn't supposed to watch MTV and all that stuff, 62 00:03:09,230 --> 00:03:10,400 but I'd go to the babysitters 63 00:03:10,400 --> 00:03:11,900 and be watching, like, Paradise City 64 00:03:11,900 --> 00:03:13,400 and Motley Crue and all these things 65 00:03:13,400 --> 00:03:15,300 that my mom didn't want me watching. 66 00:03:15,300 --> 00:03:16,730 I'm just doing circles, 67 00:03:16,730 --> 00:03:17,800 and it's the part where, like, 68 00:03:17,800 --> 00:03:19,130 Slash is about ready to kick off, 69 00:03:19,130 --> 00:03:20,530 and it's, like, hitting the high note, 70 00:03:20,530 --> 00:03:21,630 and then he's just going around, 71 00:03:21,630 --> 00:03:23,100 just the whole stadium, just killing it. 72 00:03:23,100 --> 00:03:24,730 ["Paradise City" playing] 73 00:03:29,730 --> 00:03:31,430 [Jason] And I'm jamming, I'm jamming, and all of a sudden, 74 00:03:31,430 --> 00:03:33,800 my pants fall down. [laughs] 75 00:03:33,800 --> 00:03:36,600 My sweatpants fall down, and I trip over them. 76 00:03:36,600 --> 00:03:38,100 [chuckles] My ass is out, 77 00:03:38,100 --> 00:03:39,400 and these girls are staring at me, 78 00:03:39,400 --> 00:03:40,630 and I'm was, like, hitting the high note like Slash, 79 00:03:40,630 --> 00:03:41,700 like, "Yeah!" 80 00:03:41,700 --> 00:03:43,630 And I fucking still love this video. 81 00:03:44,830 --> 00:03:48,030 ♪ Oh, won't you Please take me home? ♪ 82 00:03:49,400 --> 00:03:51,300 This is the part that, uh... 83 00:03:51,300 --> 00:03:54,100 -Okay, so... -...I've really been waiting for. Here we go. 84 00:03:54,100 --> 00:03:55,630 -You good on light? You good on light? -[man] Mm-hmm. 85 00:03:55,630 --> 00:03:56,570 Getting us all? 86 00:03:56,570 --> 00:03:58,570 [Slash] Let's do that one first. 87 00:03:58,570 --> 00:03:59,530 Okay. 88 00:04:00,800 --> 00:04:01,700 Yeah, bro. 89 00:04:02,830 --> 00:04:06,070 -So that's the original number 250F. -[Jason exclaims] 90 00:04:06,070 --> 00:04:07,670 -So this guitar was the second-- -Oh, my God! 91 00:04:07,670 --> 00:04:10,330 ...second Sunburst Gibson ever made. 92 00:04:10,330 --> 00:04:11,500 I mean, you know how the Sunburst is 93 00:04:11,500 --> 00:04:12,600 such a popular finish 94 00:04:12,600 --> 00:04:15,170 -Bro! Hold up. Hold up. -...so it's just incredible. 95 00:04:15,170 --> 00:04:16,770 [Jason] One of you guys, 96 00:04:16,770 --> 00:04:18,300 get in here and look at this thing. 97 00:04:19,030 --> 00:04:20,830 It is so beautiful. 98 00:04:20,830 --> 00:04:23,300 [Slash] That was a sticker. I have no-- It's still-- 99 00:04:23,300 --> 00:04:24,200 [Jason] Don't pick it. 100 00:04:24,200 --> 00:04:26,100 [laughing] I was like... 101 00:04:26,100 --> 00:04:28,570 You're just picking it like it's another... 102 00:04:28,570 --> 00:04:30,030 So-- oh, my gosh, dude. 103 00:04:30,030 --> 00:04:31,530 It is unbelievable. 104 00:04:31,530 --> 00:04:33,200 [playing unplugged] 105 00:04:36,230 --> 00:04:39,200 Each guitar, they all have their own magic. 106 00:04:39,200 --> 00:04:40,370 They all have their own mojo. 107 00:04:40,370 --> 00:04:43,370 There's, like, little odd things or hums 108 00:04:43,370 --> 00:04:44,430 or different feelings to them, 109 00:04:44,430 --> 00:04:45,630 and they all have their different sounds. 110 00:04:45,630 --> 00:04:47,730 Like, you can play a hundred guitars, 111 00:04:47,730 --> 00:04:48,770 and not one of them are alike. 112 00:04:50,300 --> 00:04:51,370 So, I think when you have something 113 00:04:51,370 --> 00:04:52,370 that's been on the road, 114 00:04:52,370 --> 00:04:54,170 that's lived through it, that's taken the smoke 115 00:04:54,170 --> 00:04:57,130 and the feeling and the energy from these rooms 116 00:04:57,130 --> 00:04:58,670 and going to these shows, 117 00:04:58,670 --> 00:05:00,870 they have their own soul. 118 00:05:00,870 --> 00:05:02,870 It takes form with these musicians, 119 00:05:02,870 --> 00:05:04,370 who puts that magic in there, 120 00:05:04,370 --> 00:05:05,900 and so I want to just highlight 121 00:05:05,900 --> 00:05:07,370 and celebrate the artist... 122 00:05:08,300 --> 00:05:10,330 and his tool. 123 00:05:13,630 --> 00:05:14,800 This is... 124 00:05:15,530 --> 00:05:18,770 my main live guitar with-- Yeah. 125 00:05:18,770 --> 00:05:21,400 -[Jason scoffs] Bro! -So, I've had this since-- 126 00:05:21,400 --> 00:05:25,570 I got it for-- It's a 1987 Les Paul Standard. 127 00:05:25,570 --> 00:05:27,600 -[Jason] This is the one with the cigarette burn. -Yeah. 128 00:05:27,600 --> 00:05:29,130 Her name's Jessica. 129 00:05:29,130 --> 00:05:30,100 This is one of the few guitars 130 00:05:30,100 --> 00:05:31,830 that actually has a name, but... 131 00:05:31,830 --> 00:05:34,070 [Jason] I can't believe this is an '87. 132 00:05:34,070 --> 00:05:36,470 [Slash] Yeah. Well, it's just seen a lot of travel. 133 00:05:37,230 --> 00:05:39,070 -This-- -I don't even know the story 134 00:05:39,070 --> 00:05:40,230 about the cigarette burn. 135 00:05:40,230 --> 00:05:43,170 My guitar tech could tell you. He knows exactly. 136 00:05:43,170 --> 00:05:44,570 I asked him. I said, "How did that happen?" 137 00:05:44,570 --> 00:05:46,600 I was playing with Alice Cooper, apparently, 138 00:05:46,600 --> 00:05:47,930 when that happened. 139 00:05:47,930 --> 00:05:49,230 And I guess the cherry just-- 140 00:05:49,230 --> 00:05:51,000 or the cigarette fell. 141 00:05:51,000 --> 00:05:52,730 And I guess I was so toxic at that point, 142 00:05:52,730 --> 00:05:55,530 it just stuck to the fucking... guitar. [chuckles] 143 00:05:55,530 --> 00:05:58,100 -It just burned. -[both chuckle] 144 00:05:58,100 --> 00:05:59,130 [Jason] That's amazing. 145 00:05:59,130 --> 00:06:00,400 [Slash] Yeah. 146 00:06:00,400 --> 00:06:02,170 [Jason narrating] When I get to see these guitars, 147 00:06:03,100 --> 00:06:04,600 it's so very special. 148 00:06:04,600 --> 00:06:05,770 And I didn't think they were going to be 149 00:06:05,770 --> 00:06:07,530 that impactful on me. 150 00:06:08,030 --> 00:06:08,930 But it is. 151 00:06:10,500 --> 00:06:11,370 All right. 152 00:06:11,370 --> 00:06:12,770 These are literally the guitars 153 00:06:12,770 --> 00:06:15,430 that created the sound of my childhood. 154 00:06:15,430 --> 00:06:17,930 I cannot believe that I get to see them, 155 00:06:17,930 --> 00:06:19,770 much less hold them. 156 00:06:19,770 --> 00:06:23,570 -[Slash] So, this is the actual original AFD. -[gasps] 157 00:06:23,570 --> 00:06:25,370 [Slash] It's still got a pick in it 'cause I was just in the studio. 158 00:06:26,800 --> 00:06:29,030 So, funny story about this guitar. 159 00:06:29,030 --> 00:06:30,170 When Guns first started out, 160 00:06:30,170 --> 00:06:31,670 I went through a lot of different guitars. 161 00:06:31,670 --> 00:06:32,930 But there-- 162 00:06:32,930 --> 00:06:37,500 from 1985 through '86, 163 00:06:37,500 --> 00:06:40,100 I had a really cool Steve Hunter-- 164 00:06:40,100 --> 00:06:42,130 pre-owned Steve Hunter Les Paul. 165 00:06:42,130 --> 00:06:44,570 -[Jason] Yeah. -And then during a sort of... 166 00:06:44,570 --> 00:06:47,100 bad period of mine, I sold it. 167 00:06:47,100 --> 00:06:48,770 And I didn't really have any guitars. 168 00:06:48,770 --> 00:06:52,270 So when we were doing the Appetite for Destruction record, 169 00:06:52,270 --> 00:06:54,400 um, I was using a couple of guitars 170 00:06:54,400 --> 00:06:56,430 that I had that didn't sound very good. 171 00:06:56,430 --> 00:06:57,730 So I was sort of freaking out 172 00:06:57,730 --> 00:06:59,030 'cause we were doing basic tracks 173 00:06:59,030 --> 00:07:00,930 and I was like, "These guitars sound like shit." 174 00:07:00,930 --> 00:07:03,600 And our manager at the time 175 00:07:03,600 --> 00:07:06,500 came up when I was going in to do the guitar overdubs 176 00:07:06,500 --> 00:07:09,600 and showed up at the studio with this particular guitar. 177 00:07:09,600 --> 00:07:12,430 So this was, you know, my main recording guitar, obviously, 178 00:07:12,430 --> 00:07:13,770 and then I took it on the road for a while 179 00:07:13,770 --> 00:07:17,000 and I thought I should retire this from touring. 180 00:07:17,000 --> 00:07:18,400 So, it's still pretty beat up 181 00:07:18,400 --> 00:07:20,070 just from that, and-- 182 00:07:20,070 --> 00:07:21,730 But you keep it in the studio. That's what you-- 183 00:07:21,730 --> 00:07:23,370 So I still use this in the studio. 184 00:07:23,370 --> 00:07:24,670 It sounds great. It's got a really raw-- 185 00:07:24,670 --> 00:07:26,500 Proud, look at you. That thing is... 186 00:07:26,500 --> 00:07:28,230 -...unique sound to this. -Jeez! 187 00:07:28,230 --> 00:07:30,400 I mean, I had it in the studio a couple of days ago 188 00:07:30,400 --> 00:07:32,170 and I've got a bunch of guitars in there, 189 00:07:32,170 --> 00:07:33,330 they're all Les Pauls, 190 00:07:33,330 --> 00:07:35,900 but this one just has this unique thing to it. 191 00:07:39,270 --> 00:07:40,430 Wow. 192 00:07:42,230 --> 00:07:43,570 So you've just been in the studio, 193 00:07:43,570 --> 00:07:45,230 -and so, this is definitely-- -Yeah. That's why it's in tune. 194 00:07:45,230 --> 00:07:47,030 -That's why-- You definitely-- -The other ones have been sitting around. 195 00:07:47,030 --> 00:07:48,230 And it's funny 'cause you said 196 00:07:48,230 --> 00:07:49,630 you retired this one too, right? 197 00:07:49,630 --> 00:07:51,400 Well, I mean, I just don't take it on the road anymore. 198 00:07:52,400 --> 00:07:55,470 Yeah. I mean, that's just from 1987 to 1988. 199 00:07:55,470 --> 00:07:57,130 That's just a year on the road. 200 00:07:57,130 --> 00:07:58,670 -So-- -That's just a year. 201 00:07:58,670 --> 00:08:01,030 I mean, it was brand new when I got it. 202 00:08:01,030 --> 00:08:02,230 So that's why I just said, "You know what? 203 00:08:02,230 --> 00:08:03,370 I'm going to put this one away 204 00:08:03,370 --> 00:08:05,030 and just get something." And I still do that. 205 00:08:05,030 --> 00:08:06,900 I like to work with new guitars on the road. 206 00:08:06,900 --> 00:08:09,100 I don't like to take vintage guitars out 207 00:08:09,100 --> 00:08:10,070 'cause they just kept banged-- 208 00:08:10,070 --> 00:08:11,470 I'm really rough on them. 209 00:08:12,330 --> 00:08:13,300 So... 210 00:08:13,300 --> 00:08:14,600 So you've seen the gigs, you know. 211 00:08:14,600 --> 00:08:15,800 -Yeah, bro. -[Slash chuckles] 212 00:08:15,800 --> 00:08:18,330 I mean, just to think about going to your childhood hero-- 213 00:08:18,330 --> 00:08:20,370 Like, I mean, I love Slash. 214 00:08:20,370 --> 00:08:22,470 Like his music, like, it blew my mind. 215 00:08:22,470 --> 00:08:24,700 It just changed everything for me. So to be able to... 216 00:08:25,330 --> 00:08:26,930 ...first off, meet him, 217 00:08:26,930 --> 00:08:28,900 and then I was just like, "I have this idea." 218 00:08:28,900 --> 00:08:30,300 You know, he was just talking about his guitar. 219 00:08:30,300 --> 00:08:32,400 He has the Appetite for Destruction guitar, 220 00:08:32,400 --> 00:08:33,970 but he's only got one of them. He gave one to Axl. 221 00:08:33,970 --> 00:08:36,270 So, he doesn't like to take that one on the road 222 00:08:36,270 --> 00:08:38,700 'cause they love them and then they retire them. 223 00:08:38,700 --> 00:08:40,470 But he still wants to have that feeling and that look. 224 00:08:40,470 --> 00:08:41,670 And... I was like, 225 00:08:41,670 --> 00:08:43,270 "Oh, my God, let's duplicate it." 226 00:08:43,270 --> 00:08:46,170 What is your guitar that you that you have 227 00:08:46,170 --> 00:08:47,770 that would you like to have 228 00:08:47,770 --> 00:08:50,400 a... replica so you had another one? 229 00:08:50,400 --> 00:08:52,070 So I think Jessica would be the one. 230 00:08:52,070 --> 00:08:53,130 -You said that. -Yeah. 231 00:08:53,130 --> 00:08:55,200 That would be the coolest one to make it of. 232 00:08:55,200 --> 00:08:56,300 -Jessica would be the coolest one to make. -Yeah. 233 00:08:56,300 --> 00:08:57,770 'Cause it's got so much detail. 234 00:08:57,770 --> 00:09:00,100 Yeah! I'll see Cesar next week. 235 00:09:00,100 --> 00:09:01,700 I'll tell him. We'll show him this footage. 236 00:09:01,700 --> 00:09:03,200 [Jason] That's a wrap, guys. 237 00:09:03,630 --> 00:09:05,330 Woohoo! 238 00:09:05,330 --> 00:09:06,870 [Jason exclaims] 239 00:09:06,870 --> 00:09:09,630 [train horn blaring] 240 00:09:13,900 --> 00:09:15,830 [Jason] Mike Hayes is 241 00:09:15,830 --> 00:09:17,530 possibly the greatest musician 242 00:09:17,530 --> 00:09:19,130 that nobody's heard of. 243 00:09:19,130 --> 00:09:22,830 He is my dear, dear friend 244 00:09:22,830 --> 00:09:25,930 and... my guitar coach. 245 00:09:25,930 --> 00:09:27,630 -[Jason] Let me just... -[man 2] He's here? 246 00:09:27,630 --> 00:09:28,570 He's coming. 247 00:09:30,200 --> 00:09:31,230 All right. So... 248 00:09:31,230 --> 00:09:32,300 It's been... 249 00:09:33,170 --> 00:09:34,870 How long has it been since you've seen him? 250 00:09:34,870 --> 00:09:36,870 -At my wedding? -Yeah-- No. 251 00:09:36,870 --> 00:09:37,970 Yeah-- Uh, yeah. 252 00:09:38,530 --> 00:09:39,570 There he is. 253 00:09:41,330 --> 00:09:43,130 -[Jason exclaims] -[Mike screams] 254 00:09:43,130 --> 00:09:44,500 [all laughing] 255 00:09:44,500 --> 00:09:46,330 [Jason grunts] 256 00:09:46,330 --> 00:09:48,770 [Jason] You are still dick and ribs. Look at you. 257 00:09:49,530 --> 00:09:51,100 -Huh, baby! -How you doing, brother? 258 00:09:51,100 --> 00:09:52,630 -[man 1 whoops] -[Jason] Mike Hayes in the house. 259 00:09:52,630 --> 00:09:54,370 [man 1] Oh, man. [chuckles] 260 00:09:54,370 --> 00:09:55,470 [man 1] He is all dick and ribs. 261 00:09:55,470 --> 00:09:56,800 He's so skinny, man. 262 00:09:56,800 --> 00:09:58,200 -Hey, baby. -What up, man? 263 00:09:58,200 --> 00:09:59,370 -How are you? You look good! -I asked about-- 264 00:09:59,370 --> 00:10:00,530 I asked about the, uh... 265 00:10:01,000 --> 00:10:02,000 that's gone. 266 00:10:02,000 --> 00:10:03,500 -Yeah. Yeah. -It's gone. It's gone. 267 00:10:03,500 --> 00:10:04,870 -Come on, now. -Oh. 268 00:10:04,870 --> 00:10:06,070 [speaks indistinctly] 269 00:10:06,070 --> 00:10:08,170 But I found a cool room. 270 00:10:08,170 --> 00:10:10,670 Hayes had moved out to Nashville and... 271 00:10:10,670 --> 00:10:12,500 I was gonna go to Gibson 272 00:10:12,500 --> 00:10:14,600 and I stopped at Carter's Vintage, 273 00:10:14,600 --> 00:10:15,870 which was one of my favorite guitar shops, 274 00:10:15,870 --> 00:10:18,030 and so, when I was there 275 00:10:18,030 --> 00:10:21,530 I learned that Hayes had sold his Les Paul 276 00:10:21,530 --> 00:10:22,930 that his father gave him. 277 00:10:22,930 --> 00:10:24,330 Look at this, whole room to ourself. 278 00:10:24,330 --> 00:10:25,570 Oh, shut the door, man. 279 00:10:25,570 --> 00:10:27,770 Whole room to ourself. 280 00:10:27,770 --> 00:10:28,700 -[door closes] -[man 1] Okay. 281 00:10:29,670 --> 00:10:30,700 [Mike] Oh, man. 282 00:10:32,000 --> 00:10:32,900 [Jason] So... 283 00:10:34,570 --> 00:10:35,870 -All right. -Get killing, buddy. Get in it. 284 00:10:35,870 --> 00:10:39,100 All right. I'm glad I told the... 285 00:10:39,100 --> 00:10:41,300 -called the wife [chuckles]-- -[Jason] This is the best part-- 286 00:10:41,300 --> 00:10:42,600 [Jason] So, we called-- So, I called him, 287 00:10:42,600 --> 00:10:44,170 I'm like, "We're in town." He's like... 288 00:10:44,170 --> 00:10:47,300 "Come to Carter Vintage." "I can't. My wife's pregnant." 289 00:10:47,300 --> 00:10:48,600 And he's thinking... 290 00:10:48,600 --> 00:10:50,130 "So I gotta go to the hospital." I'm like... 291 00:10:50,130 --> 00:10:51,900 And then I got off the phone, 292 00:10:51,900 --> 00:10:52,970 and she looked at me. 293 00:10:52,970 --> 00:10:54,170 I was like-- And she looked at me, 294 00:10:54,170 --> 00:10:56,000 and she's like, "What are you, stupid? 295 00:10:56,000 --> 00:10:57,470 -Go." [chuckles] -[Jason chuckles] 296 00:10:57,470 --> 00:10:58,900 Jason and I met... 297 00:10:59,800 --> 00:11:01,930 I gotta think about this for a second. 298 00:11:01,930 --> 00:11:03,630 We met in Guitar Center Hollywood. 299 00:11:05,700 --> 00:11:07,270 I used to close a lot of deals by-- 300 00:11:07,270 --> 00:11:08,270 'cause they would come in 301 00:11:08,270 --> 00:11:11,230 and have me play the guitar for the client. 302 00:11:11,230 --> 00:11:12,800 He wanted to learn the delta blues. 303 00:11:12,800 --> 00:11:14,330 He didn't want to start with, like, you know, 304 00:11:14,330 --> 00:11:15,830 "Mary Had a Little Lamb." 305 00:11:15,830 --> 00:11:18,230 And so he invited me up to his house. 306 00:11:18,230 --> 00:11:19,730 We started playing 307 00:11:19,730 --> 00:11:22,630 some basic, basic Muddy Waters songs. 308 00:11:22,630 --> 00:11:24,500 And, you know, when you're into music like that 309 00:11:24,500 --> 00:11:25,870 something that's so deep, 310 00:11:25,870 --> 00:11:28,000 you really form a connection that is, uh, 311 00:11:28,000 --> 00:11:30,470 it's not just teacher and student at that point. 312 00:11:30,470 --> 00:11:32,270 You become, um... 313 00:11:33,330 --> 00:11:34,700 You become like blood brothers. 314 00:11:36,230 --> 00:11:38,330 It's pretty special, because Mike Hayes is 315 00:11:38,330 --> 00:11:41,230 the reason why I met him just before I met my wife, 316 00:11:41,230 --> 00:11:42,930 about 15 years ago. 317 00:11:42,930 --> 00:11:45,430 Hayes is the reason why I picked up the guitar. 318 00:11:45,430 --> 00:11:46,670 Taught him everything he knows. 319 00:11:46,670 --> 00:11:49,700 He's the reason-- he taught me everything I know, um, 320 00:11:49,700 --> 00:11:52,370 and I fell in love with music, with guitars. 321 00:11:52,370 --> 00:11:55,930 And, so you moved out here, 322 00:11:55,930 --> 00:11:57,930 and, in so doing, got a, now, 323 00:11:57,930 --> 00:11:59,330 almost your third baby on the way. 324 00:11:59,330 --> 00:12:01,730 -Yes. Any day now. -And-- 325 00:12:01,730 --> 00:12:03,930 Any day now, which I'm excited to see and your wife. 326 00:12:03,930 --> 00:12:05,270 -Boy child. -Boy child. 327 00:12:05,270 --> 00:12:07,000 -He's finally got a man child. -Yeah. 328 00:12:07,000 --> 00:12:08,970 But, you brought your guitars here. 329 00:12:08,970 --> 00:12:11,330 -And you had to-- you had to hawk 'em off-- -Oh, yeah. 330 00:12:11,330 --> 00:12:13,270 I was in a tight spot when I got here after a while, 331 00:12:13,270 --> 00:12:14,930 'cause things didn't work out, 332 00:12:14,930 --> 00:12:18,200 but I had to sell Carter's all my guitars 333 00:12:18,200 --> 00:12:19,300 at a certain point. 334 00:12:19,300 --> 00:12:21,400 But I'm glad to see some of them are gone. 335 00:12:22,500 --> 00:12:25,070 You know, sometimes in life, you got to... 336 00:12:26,630 --> 00:12:28,670 You have to do what you have to do. 337 00:12:28,670 --> 00:12:31,270 And it's not pretty sometimes. 338 00:12:32,370 --> 00:12:33,570 And I had a Les Paul. 339 00:12:34,470 --> 00:12:36,000 It was a '99 Standard, 340 00:12:36,000 --> 00:12:37,200 which they don't make anymore. 341 00:12:37,200 --> 00:12:38,330 Not like that anyways. 342 00:12:39,000 --> 00:12:40,270 Yeah, my dad bought it 343 00:12:40,270 --> 00:12:41,830 for me when I started to play. 344 00:12:42,370 --> 00:12:44,500 So I had it everywhere 345 00:12:44,500 --> 00:12:46,430 with me, my whole life. 346 00:12:46,430 --> 00:12:49,700 And then at a certain point in my life, 347 00:12:49,700 --> 00:12:50,800 I wasn't doing so well, 348 00:12:50,800 --> 00:12:52,200 and I had to... 349 00:12:52,200 --> 00:12:54,600 I had rent to pay, kids to feed. 350 00:12:54,600 --> 00:12:56,330 And so, unfortunately, 351 00:12:56,830 --> 00:12:57,930 I had to sell it. 352 00:12:59,000 --> 00:13:01,970 It was the toughest thing I ever had to do. 353 00:13:01,970 --> 00:13:04,370 Um, I can't remember anything that was tougher than that. 354 00:13:04,370 --> 00:13:06,970 -[Mike] Yeah. -We got to find it, the '99, 355 00:13:06,970 --> 00:13:08,670 -so they're on the lookout for it. -Hey-- 356 00:13:08,670 --> 00:13:10,030 Well, like all musicians, 357 00:13:10,030 --> 00:13:12,070 I'm a prideful kind of guy. 358 00:13:12,070 --> 00:13:14,300 So I don't ask for a lot of help, you know. 359 00:13:14,300 --> 00:13:16,330 Even when I got friends that are doing very well-- 360 00:13:16,330 --> 00:13:17,670 very well, you know. 361 00:13:17,670 --> 00:13:21,270 I never called Jay to ask for anything. [chuckling] You know? 362 00:13:21,930 --> 00:13:22,830 Um, 363 00:13:23,400 --> 00:13:24,930 and, uh, 364 00:13:24,930 --> 00:13:27,300 I didn't. I guess I just didn't want to tell him what I did. 365 00:13:28,270 --> 00:13:29,700 Or what I had to do. 366 00:13:29,700 --> 00:13:31,400 [alternative rock music playing] 367 00:13:33,570 --> 00:13:35,270 [Jason] I wish you would have asked me. 368 00:13:35,270 --> 00:13:36,530 Well, I mean, you get a little heartbroken. 369 00:13:36,530 --> 00:13:38,230 You know, I've been in this position 370 00:13:38,230 --> 00:13:40,830 where I've sold some crazy things to friends 371 00:13:40,830 --> 00:13:42,600 who were just-- they took pity on me. 372 00:13:42,600 --> 00:13:44,570 'Cause I was like, "I just need to put food on the table." 373 00:13:44,570 --> 00:13:46,570 So there was a lot of hard moments in my life, 374 00:13:46,570 --> 00:13:47,870 and sometimes that's what 375 00:13:47,870 --> 00:13:49,400 you got to lean on your friends for. 376 00:13:50,870 --> 00:13:52,630 But this is the way it was meant to happen. 377 00:13:52,630 --> 00:13:54,930 And maybe we'll find that one again, you know. 378 00:13:54,930 --> 00:13:57,230 Or maybe someone has it out there in the world and they love it, 379 00:13:57,230 --> 00:13:59,500 and that's something they always were looking for. So... 380 00:14:00,530 --> 00:14:02,170 they've got something good out there. 381 00:14:05,230 --> 00:14:06,630 [people exclaiming] 382 00:14:06,630 --> 00:14:08,630 -[Jason] Mike Hayes what's happening? -What's crackin', babies? 383 00:14:08,630 --> 00:14:09,630 [Jason] It's live, baby. 384 00:14:09,630 --> 00:14:11,000 -Oh, are we live right now? -Yep. 385 00:14:11,000 --> 00:14:14,370 Welcome everybody, all 15.5 million viewers. 386 00:14:14,370 --> 00:14:16,130 -[all laughing] -My name is Mike Hayes. 387 00:14:16,130 --> 00:14:17,970 We are down here in Carter, Houston. 388 00:14:17,970 --> 00:14:20,430 -My best friend, Kenny Dale. -What's up, guys? 389 00:14:20,430 --> 00:14:22,800 -[Jason] From the swamps. -What's up, baby? 390 00:14:22,800 --> 00:14:24,430 And my best friend behind you, ladies and gentlemen, 391 00:14:24,430 --> 00:14:26,100 -Mr. Jason Momoa. -[Jason] How are you doing? 392 00:14:26,100 --> 00:14:28,400 -Yes. Blessed to be here. -[Jason] So, listen, where are we going? 393 00:14:28,400 --> 00:14:30,270 -Thursday? -Thursday night on the 24th, 394 00:14:30,270 --> 00:14:31,330 everyone-- we're all going 395 00:14:31,330 --> 00:14:34,200 to B.B. King's, Nashville, Tennessee, about 6 p.m. 396 00:14:34,200 --> 00:14:35,930 and we're gonna watch-- [speaks indistinctly] 397 00:14:35,930 --> 00:14:37,030 [all laughing] 398 00:14:37,030 --> 00:14:39,230 And we're gonna watch me and the Mike Hayes' band play 399 00:14:39,230 --> 00:14:41,100 at B.B. King's, Nashville, Tennessee. 400 00:14:41,100 --> 00:14:44,270 6 p.m. on Thursday night, ladies and gentlemen. 401 00:14:44,270 --> 00:14:45,830 -Peace out, guys. -Peace and love. 402 00:14:45,830 --> 00:14:47,900 We're here. Come see us. 403 00:14:47,900 --> 00:14:48,930 Ah. 404 00:14:48,930 --> 00:14:49,830 [man laughing] 405 00:14:52,630 --> 00:14:53,970 [woman] How was your camping? 406 00:14:55,130 --> 00:14:56,030 I froze. 407 00:14:56,630 --> 00:14:57,600 I was so wet. 408 00:14:57,600 --> 00:14:58,730 [women laughing] 409 00:14:58,730 --> 00:15:00,130 It's so humid here that-- 410 00:15:00,130 --> 00:15:01,700 it was-- I woke up-- 411 00:15:01,700 --> 00:15:02,630 -[woman 1] Yeah. -...wet. 412 00:15:02,630 --> 00:15:04,030 [woman 1] Yeah, not great. 413 00:15:04,030 --> 00:15:04,970 Not a good morning. 414 00:15:06,700 --> 00:15:08,300 [alternative rock music playing] 415 00:15:25,300 --> 00:15:27,900 Hey! Yeah. [laughs] 416 00:15:27,900 --> 00:15:29,900 [guitar feedback] 417 00:15:30,470 --> 00:15:31,630 [Jason] Yeah, buddy. 418 00:15:31,630 --> 00:15:33,000 [Cesar] What's up, man? 419 00:15:33,000 --> 00:15:34,870 Cesar! Come here, man. 420 00:15:38,200 --> 00:15:40,130 -So we went to this showroom in Hollywood. -Yeah, yeah, man. 421 00:15:40,130 --> 00:15:41,530 Super, super nervous moment for me 422 00:15:41,530 --> 00:15:43,230 'cause I'm-- you know, I know Slash, 423 00:15:43,230 --> 00:15:45,770 but, like, I don't interview anyone. 424 00:15:45,770 --> 00:15:47,670 -I don't even normally like interviews-- -Yeah, yeah. 425 00:15:47,670 --> 00:15:49,300 ...let alone, like, interviewing him. 426 00:15:49,300 --> 00:15:51,230 But, because I'm super passionate about this 427 00:15:51,230 --> 00:15:52,330 and, you know, I'm... 428 00:15:52,330 --> 00:15:53,370 It was an honor. 429 00:15:53,370 --> 00:15:55,230 Anyways, we edited this together. 430 00:15:55,230 --> 00:15:57,330 -Well, this is-- I'll just play it. -Okay. 431 00:15:57,330 --> 00:15:58,530 Hold on. All right. 432 00:15:58,530 --> 00:16:01,330 What is your guitar that you have 433 00:16:01,330 --> 00:16:03,570 that would you like to have a... 434 00:16:03,570 --> 00:16:05,530 a replica so you have another one? 435 00:16:05,530 --> 00:16:07,230 I think Jessica would be the one. You said that-- 436 00:16:07,230 --> 00:16:10,000 -[Jason] Yeah. -[Slash] That would be the coolest one to make. 437 00:16:10,000 --> 00:16:11,000 You can't bring that one on the road, 438 00:16:11,000 --> 00:16:12,770 but it'd be nice to take up a new one. 439 00:16:12,770 --> 00:16:14,970 Yeah, well, now that-- since you put it that way, 440 00:16:14,970 --> 00:16:17,000 maybe I should get another AFD. 441 00:16:17,000 --> 00:16:18,670 I think you should get another AFD, too. 442 00:16:18,670 --> 00:16:20,500 You know what I mean? He's only got two. 443 00:16:20,500 --> 00:16:22,230 Yeah, 'cause I only have two of them, 444 00:16:22,230 --> 00:16:25,130 and I could definitely use another one. So let's do that. 445 00:16:25,670 --> 00:16:26,630 "Let's do that." 446 00:16:26,630 --> 00:16:28,400 [conversation continues indistinctly on phone] 447 00:16:28,400 --> 00:16:30,300 Okay. Okay. [chuckles] 448 00:16:32,200 --> 00:16:33,530 Okay. 449 00:16:33,530 --> 00:16:34,630 Okay, we have to make 'em. 450 00:16:34,630 --> 00:16:35,570 [Jason laughs] 451 00:16:35,570 --> 00:16:37,200 "We're gonna make 'em." 452 00:16:37,200 --> 00:16:38,930 -Awesome! -If you guys say so. 453 00:16:38,930 --> 00:16:39,900 I mean-- 454 00:16:39,900 --> 00:16:41,500 No, but it's-- What a beautiful thing. 455 00:16:41,500 --> 00:16:43,830 It's like, you know, that's my childhood, 456 00:16:43,830 --> 00:16:45,630 seeing Paradise City and Welcome to the Jungle. 457 00:16:45,630 --> 00:16:47,370 -Yeah, yeah. -And that was the guitar. 458 00:16:47,370 --> 00:16:49,700 We'll go to the custom shop and go inside the Murphy Lab 459 00:16:49,700 --> 00:16:51,470 where those guitars are gonna be made. 460 00:16:51,470 --> 00:16:52,400 That's just blows my mind, 461 00:16:52,400 --> 00:16:54,200 -the Murphy Lab. -Yeah. 462 00:16:54,200 --> 00:16:56,370 You're gonna be the first one in the Murphy Lab. 463 00:16:56,370 --> 00:16:57,730 We just opened it. 464 00:16:57,730 --> 00:17:00,100 First of all, no outsider will ever be able to come in 465 00:17:00,100 --> 00:17:02,400 -unless it's Slash or somebody like that. -Yeah. 466 00:17:02,400 --> 00:17:04,500 But you're gonna be the first one to be allowed 467 00:17:04,500 --> 00:17:06,530 into the Murphy Lab other than staff. 468 00:17:06,530 --> 00:17:07,570 Wow. 469 00:17:08,800 --> 00:17:10,330 I'm so excited. Today's gonna be a good day. 470 00:17:10,330 --> 00:17:11,270 [inaudible] 471 00:17:11,270 --> 00:17:12,370 [rock music playing] 472 00:17:19,430 --> 00:17:20,830 Dude! 473 00:17:20,830 --> 00:17:22,030 [Cesar] Okay, where you going, bro? 474 00:17:22,030 --> 00:17:23,630 [Tom speaks indistinctly] 475 00:17:23,630 --> 00:17:25,870 -What's up? -Oh, man! 476 00:17:26,900 --> 00:17:28,870 -Pleasure to meet you. -You too, man. 477 00:17:28,870 --> 00:17:30,870 Pleasure to meet you. Holy sh-- 478 00:17:31,200 --> 00:17:32,530 I made it! 479 00:17:35,970 --> 00:17:37,330 Oh, man. 480 00:17:37,330 --> 00:17:38,300 [Tom] Don't scratch anything. 481 00:17:38,300 --> 00:17:40,470 Yeah. "Don't scratch anything." 482 00:17:40,470 --> 00:17:41,930 -Check it out. -[Jason] Wow! 483 00:17:42,470 --> 00:17:45,670 Bro. [vocalizing] Bro. 484 00:17:46,970 --> 00:17:48,100 Look at that. 485 00:17:52,070 --> 00:17:54,000 [Jason] Murphy's Lab is based around Tom Murphy, 486 00:17:54,000 --> 00:17:55,830 an amazing craftsman, 487 00:17:55,830 --> 00:17:58,570 who has mastered the art 488 00:17:58,570 --> 00:18:00,900 of basically, distressing these guitars 489 00:18:00,900 --> 00:18:01,800 to make them look worn. 490 00:18:03,570 --> 00:18:04,900 [Tom] The way I describe it, 491 00:18:04,900 --> 00:18:06,600 the Murphy Lab is a place 492 00:18:06,600 --> 00:18:09,670 where the concept of adding age to a guitar happens. 493 00:18:09,670 --> 00:18:11,470 -[Jason] Bro, this is amazing. -[Tom] Yes. 494 00:18:11,470 --> 00:18:14,670 So, we all know what that stands for, right? 495 00:18:14,670 --> 00:18:15,930 That's a lot of rock and roll. 496 00:18:16,730 --> 00:18:18,530 A lot of years of rock and roll. 497 00:18:18,530 --> 00:18:19,570 [Jason] Lots of years, bro. 498 00:18:19,570 --> 00:18:21,170 It's not for everybody, 499 00:18:21,670 --> 00:18:22,600 but it's for somebody. 500 00:18:23,200 --> 00:18:24,800 [Tom] I always just go back 501 00:18:24,800 --> 00:18:27,970 to the Blue Jean analogy. 502 00:18:27,970 --> 00:18:30,200 It's just, "Can I just buy blue jeans 503 00:18:30,200 --> 00:18:32,730 that feel like they're broken in 504 00:18:32,730 --> 00:18:34,330 and really soft?" 505 00:18:34,870 --> 00:18:36,130 When I was a kid, 506 00:18:36,130 --> 00:18:39,130 your mother had to wash your Levi's many times 507 00:18:39,130 --> 00:18:41,070 to even get close to feeling 508 00:18:41,070 --> 00:18:42,400 like you wanted them to feel. 509 00:18:42,400 --> 00:18:43,670 And, actually back then, 510 00:18:43,670 --> 00:18:44,830 when they got just right 511 00:18:44,830 --> 00:18:46,470 is when they blew out 512 00:18:46,470 --> 00:18:47,730 and you had to get new ones. 513 00:18:49,670 --> 00:18:51,430 That was my offering to the consumer 514 00:18:51,430 --> 00:18:53,330 that I could take your historic instrument 515 00:18:53,330 --> 00:18:54,530 and add the aging. 516 00:18:54,530 --> 00:18:57,800 And of course, it caught on [chuckling] big time. 517 00:18:57,800 --> 00:18:59,130 You know, I've never heard about-- 518 00:18:59,130 --> 00:19:00,770 where they actually, like, smoked a-- 519 00:19:00,770 --> 00:19:01,730 if that even works, 520 00:19:01,730 --> 00:19:03,030 to, like, sit in there with the paint-- 521 00:19:03,030 --> 00:19:06,900 Oh, I've heard of guys who take a guitar box 522 00:19:06,900 --> 00:19:08,070 upside down 523 00:19:08,070 --> 00:19:10,230 and light a carton of cigarettes. 524 00:19:10,230 --> 00:19:12,370 That just bakes it in nicotine. 525 00:19:12,370 --> 00:19:13,500 -We don't do that. -Yeah. 526 00:19:13,500 --> 00:19:14,400 We have ways to make 527 00:19:14,400 --> 00:19:16,530 the lacquers turn those colors. 528 00:19:16,530 --> 00:19:18,530 -But yeah, I mean-- -[Jason] It's crazy. 529 00:19:18,530 --> 00:19:21,930 I've had amps that the whole grille cloth that turns brown. 530 00:19:21,930 --> 00:19:22,830 Wow. 531 00:19:23,930 --> 00:19:26,200 [Tom] I have aged so many guitars 532 00:19:26,200 --> 00:19:28,870 based on a pattern of a celebrity guitar 533 00:19:28,870 --> 00:19:30,330 or a collector's guitar. 534 00:19:30,330 --> 00:19:31,900 So I've seen all sizes 535 00:19:31,900 --> 00:19:33,930 of belt buckle wear on the back, 536 00:19:33,930 --> 00:19:35,170 arm wear on the front, 537 00:19:35,170 --> 00:19:37,170 dents, cigarette burns. 538 00:19:42,130 --> 00:19:43,430 You know, 539 00:19:43,430 --> 00:19:45,070 a lot of the rock stars don't 540 00:19:45,070 --> 00:19:47,270 play their original guitars anymore. 541 00:19:47,270 --> 00:19:49,270 I mean-- 'cause now there are so many alternatives. 542 00:19:49,270 --> 00:19:51,030 We make guitars for rock stars 543 00:19:51,030 --> 00:19:53,570 that they play in place of their original instrument 544 00:19:53,570 --> 00:19:56,030 that they don't have to take out on the road anymore. 545 00:19:57,870 --> 00:20:00,730 We, originally, sort of kept all this secret 546 00:20:00,730 --> 00:20:03,970 like, you didn't want people to see how you could do it 547 00:20:03,970 --> 00:20:05,070 so they wouldn't like, 548 00:20:05,070 --> 00:20:06,730 -try to do it themselves. -[Jason] Yeah. 549 00:20:06,730 --> 00:20:08,800 After a while-- [chuckles] I'll show them. 550 00:20:08,800 --> 00:20:10,570 -Yeah. -Knock yourself out. 551 00:20:10,570 --> 00:20:11,430 Yeah, that's what I love about it. 552 00:20:11,430 --> 00:20:12,400 It's like showing other the artists. 553 00:20:12,400 --> 00:20:14,400 Yeah. You know, knock yourself out. 554 00:20:14,400 --> 00:20:15,900 Take all this stuff 555 00:20:15,900 --> 00:20:16,870 and do what I do. 556 00:20:18,300 --> 00:20:20,000 That's how you age a guitar right there. 557 00:20:21,270 --> 00:20:22,900 Most everybody who knows me 558 00:20:22,900 --> 00:20:24,400 and knows about the aging 559 00:20:24,400 --> 00:20:27,000 knows that I have a big ring of car keys 560 00:20:27,000 --> 00:20:29,730 to create what would appear to be natural dents 561 00:20:30,400 --> 00:20:32,130 and scratches. 562 00:20:32,130 --> 00:20:35,470 I used one belt buckle many, many, many years 563 00:20:35,470 --> 00:20:37,470 until the actual cowboy 564 00:20:37,470 --> 00:20:40,370 and the horse and the cow broke out of the buckle 565 00:20:40,370 --> 00:20:42,430 from me pounding on it so much. 566 00:20:42,430 --> 00:20:44,630 I'm thinking this may go on eBay at some point. 567 00:20:44,630 --> 00:20:45,800 [Jason and Tom laugh] 568 00:20:45,800 --> 00:20:48,900 [Tom] We have to make it look realistic 569 00:20:48,900 --> 00:20:51,070 and if it has a dent or a chip, 570 00:20:51,070 --> 00:20:53,500 it has to be in a place where that would happen. 571 00:20:54,170 --> 00:20:56,430 You can't just take a gouge 572 00:20:56,430 --> 00:20:58,930 out of the front of a guitar and make it look real. 573 00:20:58,930 --> 00:21:00,200 This is a railroad spike. 574 00:21:00,200 --> 00:21:02,200 Every guitar you see will have had 575 00:21:02,200 --> 00:21:03,500 something done with this. 576 00:21:03,500 --> 00:21:04,970 Every single one. 577 00:21:04,970 --> 00:21:05,930 [Jason] Wow. 578 00:21:09,570 --> 00:21:12,230 That's a hinge pin off-- out of my pickup truck, 579 00:21:12,230 --> 00:21:14,730 rounded off, and that makes 580 00:21:14,730 --> 00:21:16,170 the little nick down there. 581 00:21:16,170 --> 00:21:17,800 Every one of those are done with this. 582 00:21:17,800 --> 00:21:19,500 [Jason] Oh, bang-bang-bang-bang. 583 00:21:19,500 --> 00:21:21,530 Like you hit a mic stand or something like that. 584 00:21:21,530 --> 00:21:22,570 Right. 585 00:21:23,070 --> 00:21:24,670 Wow. 586 00:21:24,670 --> 00:21:26,830 [Tom] When people say I'm an artist 587 00:21:26,830 --> 00:21:29,470 I've never considered it art. 588 00:21:29,470 --> 00:21:30,870 I didn't do it for art. 589 00:21:31,700 --> 00:21:33,970 I think Mother Nature is the real artist 590 00:21:33,970 --> 00:21:36,470 when the combination of the finishes on guitars 591 00:21:36,470 --> 00:21:39,070 and the wood and the people playing it, 592 00:21:39,070 --> 00:21:40,070 that's the art. 593 00:21:40,070 --> 00:21:43,230 And then recreating that is a craft. 594 00:21:43,700 --> 00:21:44,600 [man 1] "Murphy." 595 00:21:44,600 --> 00:21:46,600 [Tom] Hey! Murphy stain, and don't forget it. 596 00:21:50,830 --> 00:21:51,900 [Jason] Just being able to sit with him 597 00:21:51,900 --> 00:21:54,030 and watch him paint, he's just such a veteran. 598 00:21:56,030 --> 00:21:57,470 That was beautiful. Holy crap. 599 00:21:57,470 --> 00:21:58,470 [Tom] Yeah, it does. 600 00:21:59,300 --> 00:22:00,930 [mouthing explosion] 601 00:22:02,130 --> 00:22:04,000 [man 1] Murphy! Murphy! 602 00:22:04,000 --> 00:22:06,370 [Jason] He's studied so many different types of guitars 603 00:22:06,370 --> 00:22:07,700 through different players 604 00:22:07,700 --> 00:22:09,470 and really gets to understand 605 00:22:09,470 --> 00:22:11,600 the wear that goes into these guitars. 606 00:22:13,800 --> 00:22:15,000 [Jason] There you go. 607 00:22:16,070 --> 00:22:17,570 [Jason whoops] 608 00:22:17,570 --> 00:22:18,470 [Jason] Hey! 609 00:22:19,930 --> 00:22:22,300 I'm gonna have Jason put his initials 610 00:22:22,300 --> 00:22:24,770 inside of the pickup cavities. 611 00:22:25,300 --> 00:22:26,430 That way, 612 00:22:26,430 --> 00:22:28,470 those initials will be there forever. 613 00:22:29,630 --> 00:22:30,670 -[Tom] J. Momoa. -[Jason] Yeah. 614 00:22:32,000 --> 00:22:33,000 Awesome. 615 00:22:36,070 --> 00:22:37,430 [pleasant guitar music playing] 616 00:22:40,030 --> 00:22:42,170 [Jason] I had one thing to do before I left Gibson. 617 00:22:43,770 --> 00:22:46,070 So I introduced two of my good friends, 618 00:22:46,070 --> 00:22:47,330 Mike and Cesar. 619 00:22:48,870 --> 00:22:49,830 And this guy is like-- 620 00:22:49,830 --> 00:22:51,970 if you took Frusciante and Hendrix 621 00:22:52,570 --> 00:22:54,070 and did that, 622 00:22:54,070 --> 00:22:55,070 this guy is-- 623 00:22:55,070 --> 00:22:57,030 I'm really, really excited for you to see him. 624 00:22:57,030 --> 00:22:58,430 I've always been proud of him. 625 00:22:58,430 --> 00:23:00,530 And it's just been a hard ass road, 626 00:23:00,530 --> 00:23:01,730 you know, in 15 years. 627 00:23:03,100 --> 00:23:04,800 -This man right here. -Wow. 628 00:23:04,800 --> 00:23:06,230 We want you to have this-- 629 00:23:06,230 --> 00:23:09,200 -No. -...1959 custom shop reissue. 630 00:23:10,470 --> 00:23:11,500 Open up the case. 631 00:23:13,000 --> 00:23:14,770 [Jason] Open up the case. Open up the case. 632 00:23:14,770 --> 00:23:15,800 One of you guys on the face, 633 00:23:15,800 --> 00:23:17,500 one of you guys on the case. 634 00:23:22,330 --> 00:23:23,430 It's a beautiful guitar. 635 00:23:23,430 --> 00:23:24,370 [Jason] Yeah. 636 00:23:25,200 --> 00:23:27,070 Yeah. Yeah. 637 00:23:27,070 --> 00:23:28,830 -Love you, man. Thank you. -[Jason] I love you. 638 00:23:30,530 --> 00:23:33,970 Oh, that's the most beautiful Gibson I've ever seen. 639 00:23:33,970 --> 00:23:35,670 I appreciate you, man. Thank you so much. 640 00:23:36,330 --> 00:23:37,700 -My pleasure. -Yeah. 641 00:23:39,800 --> 00:23:42,970 [Mike] He presented me with a '59 Les Paul 642 00:23:42,970 --> 00:23:45,370 that was hand touched by Tom Murphy. 643 00:23:47,100 --> 00:23:48,430 It's the greatest guitar 644 00:23:48,430 --> 00:23:49,470 that I've ever owned. 645 00:23:49,470 --> 00:23:51,270 as far as-- I mean, it sounds-- 646 00:23:51,270 --> 00:23:52,700 It's the greatest sounding guitar 647 00:23:53,300 --> 00:23:55,430 I've ever played and, um, 648 00:23:56,300 --> 00:23:57,770 yeah, he just gave it to me. 649 00:23:57,770 --> 00:23:59,400 And it was just, uh... 650 00:24:03,570 --> 00:24:04,470 it was a... 651 00:24:05,070 --> 00:24:06,230 a big moment. 652 00:24:06,230 --> 00:24:07,230 It was a big moment for me. 653 00:24:07,230 --> 00:24:08,170 So... 654 00:24:08,770 --> 00:24:10,530 Jason is so free 655 00:24:10,530 --> 00:24:12,500 and having him as part of my family, 656 00:24:12,500 --> 00:24:13,800 he always reminds me 657 00:24:13,800 --> 00:24:16,530 that this world is not about material. 658 00:24:16,530 --> 00:24:17,830 You know, everything is going to be okay 659 00:24:17,830 --> 00:24:19,800 and let go. 660 00:24:21,070 --> 00:24:23,700 This is-- I am not playing well at all, guys. 661 00:24:23,700 --> 00:24:25,870 I'm, still-- I'm just like this. Sorry, guys. 662 00:24:25,870 --> 00:24:28,700 -[man 1] I bet. I can see it in your eyeballs. -You know. 663 00:24:28,700 --> 00:24:30,330 [plays clean guitar] 664 00:24:40,230 --> 00:24:41,830 [plays blues guitar] 665 00:24:43,700 --> 00:24:45,070 [plays distorted guitar] 666 00:24:52,730 --> 00:24:53,900 I don't know 667 00:24:53,900 --> 00:24:55,800 but I don't think I've ever played a Les Paul this good. 668 00:24:56,400 --> 00:24:57,300 I don't know. 669 00:25:05,330 --> 00:25:08,070 Lay it on in the band now. 670 00:25:08,770 --> 00:25:10,630 Lay it on in... 671 00:25:12,800 --> 00:25:14,070 [Jason] Look out, man! 672 00:25:17,730 --> 00:25:19,070 -I love you. -I love you. 673 00:25:19,070 --> 00:25:20,630 -How are you? -You're live with the world. 674 00:25:20,630 --> 00:25:22,430 -Hey, brothers. -Come on down. 675 00:25:22,430 --> 00:25:24,900 Come on down to BB King's, Nashville, Tennessee, see us do it. 676 00:25:24,900 --> 00:25:26,070 It's our first time. 677 00:25:28,970 --> 00:25:30,000 Holy shit, man, there I am! 678 00:25:30,000 --> 00:25:31,070 Hey! 679 00:25:31,830 --> 00:25:33,630 [speaking indistinctly] 680 00:25:36,070 --> 00:25:37,800 Look at it. There it is, Hayes. 681 00:25:37,800 --> 00:25:38,970 [Jason] Bro! 682 00:25:39,500 --> 00:25:40,730 You've been... 683 00:25:40,730 --> 00:25:42,230 Where did you get that coat, man? 684 00:25:42,230 --> 00:25:43,130 [Jason exclaims in disgust] 685 00:25:43,130 --> 00:25:45,000 Take a little spin, bro! 686 00:25:45,330 --> 00:25:47,930 Damn! 687 00:25:47,930 --> 00:25:49,930 -Fucking Hayes, ladies and gentlemen! -[Jason] Hayes, man! 688 00:25:49,930 --> 00:25:51,930 [Kenny] Fucking Hayes, ladies and gentlemen! 689 00:25:51,930 --> 00:25:53,130 [indistinct conversation] 690 00:25:53,130 --> 00:25:54,100 [Mike] Every time we get together, 691 00:25:54,100 --> 00:25:55,600 I try to get everybody to see him, 692 00:25:55,600 --> 00:25:58,070 and everyone that sees him is just blown away, 693 00:25:58,070 --> 00:26:00,530 'cause he's just a-- he's a powerhouse. 694 00:26:03,670 --> 00:26:05,330 -...the best performance I ever had. -[Mike] Oh, yeah. 695 00:26:05,330 --> 00:26:06,800 [Jason] All right, baby. Here we go. 696 00:26:06,800 --> 00:26:08,370 [crowd cheering] 697 00:26:11,670 --> 00:26:13,700 What's up, everybody? 698 00:26:13,700 --> 00:26:14,970 [crowd cheering] 699 00:26:17,400 --> 00:26:19,600 I'm not gonna lie to you, I'm nervous. 700 00:26:20,530 --> 00:26:23,000 It's gonna be an amazing performance tonight. 701 00:26:23,000 --> 00:26:26,530 It's a very, very, very special night for my best friend. 702 00:26:26,530 --> 00:26:27,670 I haven't seen him in a long time. 703 00:26:27,670 --> 00:26:29,400 He's the one that taught me how to play guitar. 704 00:26:29,970 --> 00:26:30,970 Michael Hayes. 705 00:26:30,970 --> 00:26:32,430 [crowd cheering] 706 00:26:35,030 --> 00:26:37,070 [Mike] I just got a new guitar, folks. 707 00:26:39,030 --> 00:26:40,130 How's it look, okay? 708 00:27:19,570 --> 00:27:21,270 [Mike] It's something you have to feel. 709 00:27:22,430 --> 00:27:24,270 You have to completely let go. 710 00:27:25,530 --> 00:27:27,830 And everything that you've learned, 711 00:27:27,830 --> 00:27:31,000 you have to unlearn it instantaneously. 712 00:27:31,000 --> 00:27:33,470 You're trying to tap into a different kind of consciousness. 713 00:27:35,070 --> 00:27:36,030 In that period of time, 714 00:27:36,030 --> 00:27:37,830 it could have lasted a half an hour for you, 715 00:27:37,830 --> 00:27:39,570 and it could have been in slow motion, 716 00:27:39,570 --> 00:27:42,200 but it's only like, you know, a 45 second solo. 717 00:27:42,200 --> 00:27:45,200 So that must be what it looks like when I'm in a trance, 718 00:27:45,200 --> 00:27:47,700 because in a-- it's a form of meditation. 719 00:28:11,170 --> 00:28:13,400 [man 1] Hey, Jay. What are you about to fucking do? 720 00:28:13,400 --> 00:28:15,170 Something stupid. I'm gonna get on stage 721 00:28:15,170 --> 00:28:16,930 and play bass. 722 00:28:16,930 --> 00:28:18,100 [crowd cheering] 723 00:28:18,100 --> 00:28:20,100 I'm absolutely terrified. 724 00:28:20,100 --> 00:28:21,030 Thank you. 725 00:28:21,030 --> 00:28:23,630 That was a very memorable experience for me, 726 00:28:23,630 --> 00:28:25,100 you know, to actually... 727 00:28:25,970 --> 00:28:27,300 be playing with him, 728 00:28:27,300 --> 00:28:28,530 like, making music. 729 00:28:31,030 --> 00:28:33,000 What's amazing with Jay is 730 00:28:33,000 --> 00:28:35,630 that he's such an artist in himself. 731 00:28:35,630 --> 00:28:38,400 He does that same thing. He just lets go, 732 00:28:38,400 --> 00:28:42,030 and he lets go of his own ego when he is doing anything. 733 00:28:43,430 --> 00:28:44,600 ♪ One more time ♪ 734 00:28:44,600 --> 00:28:50,130 ♪ When love comes over ♪ 735 00:28:50,130 --> 00:28:53,700 ♪ You ♪ 736 00:29:00,200 --> 00:29:01,800 The student has passed the test. 737 00:29:05,470 --> 00:29:08,270 This is the greatest guitar I've ever had in my hands, ladies and gentlemen. 738 00:29:14,070 --> 00:29:15,400 All right. Home sweet home. 739 00:29:17,330 --> 00:29:18,430 Let's do this. 740 00:29:21,570 --> 00:29:23,570 [chuckles excitedly] Looking good. 741 00:29:25,500 --> 00:29:26,830 [speaks indistinctly] 742 00:29:28,330 --> 00:29:29,730 [woman plays piano] 743 00:29:33,330 --> 00:29:34,230 Yes. 744 00:29:37,800 --> 00:29:40,570 Oh, God! 745 00:29:42,070 --> 00:29:43,970 Man, I love guitars. 746 00:29:45,330 --> 00:29:46,300 Ready to have my mind blown. 747 00:29:46,870 --> 00:29:47,900 [man] You ready? 748 00:29:47,900 --> 00:29:49,230 Not really, but yeah. 749 00:29:49,230 --> 00:29:50,470 [man laughs] 750 00:29:51,030 --> 00:29:52,570 Let's do this. Hey, kids. 751 00:29:52,570 --> 00:29:54,630 [Jason] Talk about a dream come true. 752 00:29:54,630 --> 00:29:57,070 We're finally getting a chance to look at the guitars 753 00:29:57,070 --> 00:29:58,030 that Murphy made. 754 00:29:58,030 --> 00:30:00,700 Holy moly. 755 00:30:00,700 --> 00:30:02,230 [woman] This is like Christmas for my dad. 756 00:30:02,230 --> 00:30:03,700 [man laughs] 757 00:30:03,700 --> 00:30:05,370 I don't know what's in here. 758 00:30:05,370 --> 00:30:07,830 -[man] Oh! -[Jason] Oh, bro! 759 00:30:07,830 --> 00:30:09,530 [chuckling] Ooh, boy! 760 00:30:09,530 --> 00:30:12,870 [chuckles deliberately] 761 00:30:12,870 --> 00:30:13,970 Oh, man. 762 00:30:18,170 --> 00:30:20,330 Oh, my God. 763 00:30:23,000 --> 00:30:23,970 Murphy! 764 00:30:26,370 --> 00:30:27,930 Oh, there you go. Appetite. 765 00:30:28,430 --> 00:30:29,600 Slash's Appetite. 766 00:30:33,100 --> 00:30:35,000 Oh, there's Jessica. 767 00:30:35,530 --> 00:30:38,000 [exclaims] 768 00:30:38,000 --> 00:30:40,100 There it is, dude. That's Slash's guitar. 769 00:30:41,600 --> 00:30:43,030 Oh, is that actually Slash's? 770 00:30:43,030 --> 00:30:44,470 -Yep. -He actually played it? 771 00:30:44,470 --> 00:30:47,930 -[Jason] This is built off of... -He actually played it? 772 00:30:47,930 --> 00:30:49,170 Bro! 773 00:30:50,270 --> 00:30:51,170 No, listen. 774 00:30:51,170 --> 00:30:53,900 They made the exact replica... 775 00:30:53,900 --> 00:30:56,030 -of... -Is, like, every dot the same? 776 00:30:56,030 --> 00:30:57,270 Look at that. It says "Jessica" right there. 777 00:30:57,270 --> 00:30:59,670 -Every mark? -It's the exact replica of his. 778 00:30:59,670 --> 00:31:03,230 It says "Slash, Jessica." There it is. 779 00:31:03,230 --> 00:31:04,370 [inaudible] 780 00:31:05,670 --> 00:31:06,900 -I love you, bro. -Cheers, mate. 781 00:31:06,900 --> 00:31:08,600 -Thanks. Thank you, man. -Take it easy. Be good. 782 00:31:08,600 --> 00:31:10,330 Yes, we didn't get enough, but here we go. 783 00:31:10,330 --> 00:31:11,500 We'll get it home. 784 00:31:12,800 --> 00:31:13,870 Look at that. 785 00:31:15,330 --> 00:31:16,230 [Jason grunts] 786 00:31:16,770 --> 00:31:18,030 [engine starts] 787 00:31:19,900 --> 00:31:21,200 [engine revs] 788 00:31:21,770 --> 00:31:22,730 All right, man. 789 00:31:35,630 --> 00:31:37,100 [Jason] The Viper Room is hallowed ground 790 00:31:37,100 --> 00:31:38,030 for rock and roll. 791 00:31:38,770 --> 00:31:40,270 So we figured, what better place 792 00:31:40,270 --> 00:31:42,030 to show Slash his new guitars. 793 00:31:42,730 --> 00:31:45,530 [guitar music playing] 794 00:31:51,430 --> 00:31:52,700 [Jason exclaims] 795 00:31:53,130 --> 00:31:54,400 Ta-da! 796 00:31:54,400 --> 00:31:56,230 [woman] That's pretty cool. 797 00:31:56,230 --> 00:31:58,530 -[Jason] Decorated it myself, bro. -[Slash] Wow, dude. 798 00:31:59,900 --> 00:32:01,800 All right. This is the moment of truth, yeah? 799 00:32:01,800 --> 00:32:03,030 -Moment of truth. -Okay. 800 00:32:03,030 --> 00:32:04,170 Very exciting for me. 801 00:32:04,170 --> 00:32:06,430 All right. [clears throat] 802 00:32:06,430 --> 00:32:08,730 -[Slash chuckles] This is awesome. -So, this is... 803 00:32:09,930 --> 00:32:11,300 -Here we go. -Okay. 804 00:32:11,300 --> 00:32:12,530 [Jason] After you, sir. 805 00:32:14,200 --> 00:32:15,570 [Slash] Drum roll, right? 806 00:32:15,570 --> 00:32:16,470 [Jason mimics drum roll] 807 00:32:17,030 --> 00:32:18,070 [Slash] Oh, wow. 808 00:32:18,630 --> 00:32:20,570 So, there's Appetite. 809 00:32:21,370 --> 00:32:22,400 And it's... 810 00:32:22,400 --> 00:32:23,330 Oh, it's nice 811 00:32:23,330 --> 00:32:25,100 -and rich looking, too. -It is, isn't it? 812 00:32:25,800 --> 00:32:27,000 [Slash playing guitar unplugged] 813 00:32:27,000 --> 00:32:28,300 [Jason chuckling] That's so rad. 814 00:32:31,630 --> 00:32:33,400 [Jason] He's got everything. I mean, he's got the first-- 815 00:32:33,400 --> 00:32:35,270 He's got all types of guitars, 816 00:32:35,270 --> 00:32:36,330 but what could I do that would just 817 00:32:36,330 --> 00:32:37,700 make it really, really personal. 818 00:32:37,700 --> 00:32:38,770 Something from my heart, 819 00:32:38,770 --> 00:32:40,430 something that I can say thank you 820 00:32:40,430 --> 00:32:41,530 for everything that you've done 821 00:32:41,530 --> 00:32:42,730 for my life 822 00:32:42,730 --> 00:32:44,370 and be a part of creating this, 823 00:32:44,370 --> 00:32:46,070 and then also donate it to charity. 824 00:32:48,530 --> 00:32:49,570 This is what I want to do, 825 00:32:49,570 --> 00:32:51,130 and this is what the show's about. 826 00:32:51,130 --> 00:32:52,930 We made one more, 827 00:32:52,930 --> 00:32:55,600 and this one, we're going to auction off. 828 00:32:56,030 --> 00:32:57,370 [Slash] Oh. 829 00:32:57,370 --> 00:32:59,970 And then some lucky person out there is 830 00:32:59,970 --> 00:33:01,700 -going to be able to-- Yeah. -That's rad. 831 00:33:03,300 --> 00:33:05,530 Especially 'cause these are so rare. 832 00:33:05,530 --> 00:33:07,230 This is really, really, really cool. 833 00:33:07,230 --> 00:33:09,000 Yeah, buddy. Yeah. 834 00:33:10,030 --> 00:33:11,730 -Oh. -You got a-- 835 00:33:11,730 --> 00:33:13,400 What's a charity that you might like to... 836 00:33:13,400 --> 00:33:14,370 Well, I thought about it, 837 00:33:14,370 --> 00:33:16,870 and I wanted to do it for MusiCares, 838 00:33:16,870 --> 00:33:20,230 'cause it's a charity that is near and dear to my heart. 839 00:33:20,230 --> 00:33:21,530 -Yeah. -Um, 840 00:33:21,530 --> 00:33:23,370 they basically take a lot of-- 841 00:33:23,370 --> 00:33:25,430 care of a lot of people from all walks of life, 842 00:33:25,430 --> 00:33:28,170 but a lot of them, mental illness, 843 00:33:28,170 --> 00:33:29,530 -drug addiction-- -Yeah. 844 00:33:29,530 --> 00:33:31,870 ...um, poverty, um... 845 00:33:31,870 --> 00:33:34,530 a lot of other different issues that befall us. 846 00:33:34,530 --> 00:33:36,730 And most of them are obviously musicians, 847 00:33:36,730 --> 00:33:38,000 -at MusiCares. -Yeah. 848 00:33:38,000 --> 00:33:40,930 So I figured that would be a good charity to-- 849 00:33:40,930 --> 00:33:42,230 Perfect. MusiCares. 850 00:33:42,230 --> 00:33:44,400 -Yeah. -I love it, man. 851 00:33:44,400 --> 00:33:46,800 -There it is. -I'm trying not to get too attached to it. 852 00:33:46,800 --> 00:33:47,900 Yeah. So... 853 00:33:47,900 --> 00:33:50,730 I'm just blown away at this. 854 00:33:50,730 --> 00:33:51,700 [Jason] It's not over, buddy. Ready? 855 00:33:51,700 --> 00:33:52,600 [Slash] What else you got? 856 00:33:53,070 --> 00:33:54,030 [Jason] All right. 857 00:33:56,430 --> 00:33:57,630 [Jason mutters gibberish] 858 00:33:58,500 --> 00:34:00,430 [Slash] Oh, no way! Shit. 859 00:34:01,700 --> 00:34:04,000 Are you serious? You didn't mention this. 860 00:34:04,000 --> 00:34:05,400 Wow. 861 00:34:06,800 --> 00:34:08,770 -Fuck. -Looks good, right? 862 00:34:10,600 --> 00:34:12,770 -Jessica. -Dude, this is like Christmas. 863 00:34:14,430 --> 00:34:15,630 They really got the details. 864 00:34:15,630 --> 00:34:17,000 It's just insane. 865 00:34:18,600 --> 00:34:20,270 They couldn't get the cigarette burn quite right 866 00:34:20,270 --> 00:34:21,630 'cause they didn't have the toxicity levels 867 00:34:21,630 --> 00:34:24,170 -of what you were dealing with. -[Slash chuckles] Oh. 868 00:34:24,170 --> 00:34:26,000 Sorry about that. It wasn't perfect, but-- 869 00:34:26,000 --> 00:34:28,770 [Slash] It's close enough. 870 00:34:28,770 --> 00:34:30,770 [Jason] I mean, hopefully I get to see you on tour 871 00:34:30,770 --> 00:34:33,270 -and watching you fucking jam on these. -Yeah, no-- 872 00:34:35,300 --> 00:34:37,630 [Jason] Honoring the people who have inspired me, 873 00:34:37,630 --> 00:34:40,070 whether that be teacher, whether that be mentor, 874 00:34:40,070 --> 00:34:42,100 idol, someone that you've always looked up to, 875 00:34:42,100 --> 00:34:44,070 it's a beautiful thing to just go, 876 00:34:45,170 --> 00:34:47,070 "Thank you for everything that you do." 877 00:34:47,070 --> 00:34:48,400 And that's a beautiful feeling. 878 00:35:00,670 --> 00:35:02,230 [Jason] Let us in, man. 879 00:35:04,000 --> 00:35:05,930 [Jason] We're in England. We just landed from Mallorca, 880 00:35:05,930 --> 00:35:07,230 and we're gonna go see Slash right now, 881 00:35:07,230 --> 00:35:08,730 watch Guns N' Roses, 882 00:35:08,730 --> 00:35:10,400 and I got a surprise for him. 883 00:35:10,400 --> 00:35:11,700 [woman] ...Slash is so cool. 884 00:35:11,700 --> 00:35:13,170 Yeah, yeah, I know. 885 00:35:13,170 --> 00:35:14,670 -He's so cool. -Yeah. Yeah. 886 00:35:14,670 --> 00:35:15,900 -[man] Yeah, yeah, we don't-- -He's the coolest. 887 00:35:15,900 --> 00:35:16,970 He's the king of cool. 888 00:35:20,500 --> 00:35:23,070 [Jason] My little brother, who has pretty much lived across the street, 889 00:35:23,070 --> 00:35:24,130 he-- [chuckles] 890 00:35:24,130 --> 00:35:25,370 he kind of ratted me out 891 00:35:25,370 --> 00:35:26,400 and said that I had 892 00:35:26,400 --> 00:35:28,370 some Guns N' Roses tapes and stuff like that, 893 00:35:28,370 --> 00:35:30,200 and so my mom listened to them, 894 00:35:30,200 --> 00:35:31,630 and she happened to put on, like, 895 00:35:31,630 --> 00:35:34,100 the "Patience" album, uh, Lies, Lies, Lies, 896 00:35:34,100 --> 00:35:35,270 and my mom was like, 897 00:35:35,270 --> 00:35:37,500 [high-pitched] "What the hell is my son listening to?" 898 00:35:37,500 --> 00:35:39,030 [in normal voice] And I was in so much trouble. She's like, 899 00:35:39,030 --> 00:35:40,800 "You can't have these back till you're married 900 00:35:40,800 --> 00:35:42,900 or you're bald and you got kids." 901 00:35:42,900 --> 00:35:43,900 And still, 902 00:35:45,070 --> 00:35:47,800 I ain't got the goddamn tapes, Ma. So what I do 903 00:35:47,800 --> 00:35:50,700 is [chuckles] my kids' first clothes, 904 00:35:50,700 --> 00:35:53,600 it's, like, "Forever Slash" and, like, "Guns N' Roses", 905 00:35:53,600 --> 00:35:54,530 "Sweet Child of Mine." 906 00:35:54,530 --> 00:35:56,000 And so, all this baby clothes, 907 00:35:56,000 --> 00:35:57,130 I take pictures of for my mom. 908 00:35:57,870 --> 00:35:58,900 This shit might fit. 909 00:35:59,330 --> 00:36:00,300 This shit fit? 910 00:36:00,970 --> 00:36:01,830 It does! 911 00:36:01,830 --> 00:36:03,030 She's just like, 912 00:36:03,500 --> 00:36:04,730 "Jason." And now, 913 00:36:05,470 --> 00:36:06,770 Slash and I are pals. 914 00:36:06,770 --> 00:36:08,630 [instrumental music playing] 915 00:36:20,670 --> 00:36:21,730 [Jason] Just being able to go 916 00:36:21,730 --> 00:36:23,730 to the show and then watch him play 917 00:36:23,730 --> 00:36:25,670 one of the guitars that we made 918 00:36:25,670 --> 00:36:26,770 and see him up on stage, 919 00:36:26,770 --> 00:36:28,030 you're just like, "He loved them." 920 00:36:29,100 --> 00:36:32,030 You know? And that's huge love and respect 921 00:36:32,030 --> 00:36:33,270 to all the artisans who made it, 922 00:36:33,270 --> 00:36:34,830 who were a part of making Slash's guitar. 923 00:36:34,830 --> 00:36:37,170 Like, really the hand quality and the craftsmanship 924 00:36:37,170 --> 00:36:38,500 for him to be like, "This is it. 925 00:36:38,500 --> 00:36:39,630 This is going on the road with me. 926 00:36:39,630 --> 00:36:40,800 This is gonna go on my album." 927 00:36:41,400 --> 00:36:42,670 Like... 928 00:36:43,430 --> 00:36:44,800 Done. Job done. 929 00:36:49,770 --> 00:36:52,300 Such a full circle moment for me and my kids. 930 00:36:54,070 --> 00:36:55,870 Music means so much to me. 931 00:36:55,870 --> 00:36:56,800 It's history. 932 00:36:56,800 --> 00:36:58,030 It's human experience. 933 00:36:58,030 --> 00:37:00,370 It's something that connects each and every one of us. 934 00:37:00,830 --> 00:37:02,070 It is everything. 935 00:37:03,830 --> 00:37:06,100 [indistinct conversation] 936 00:37:07,800 --> 00:37:09,770 -[woman] Look at how tall they are. -[man] I know, right? 937 00:37:11,700 --> 00:37:13,400 -Yeah. 'Cause-- -[Slash] Let's put it there. 938 00:37:13,400 --> 00:37:15,000 [Jason] Lola. Lola and Wolf. 939 00:37:15,000 --> 00:37:16,270 And they'll be stoked. 940 00:37:19,300 --> 00:37:20,330 For the baby somewhere. 941 00:37:20,330 --> 00:37:22,570 [Slash] Aww, you're a sweetheart. 942 00:37:22,570 --> 00:37:24,830 Yeah that's... I mean, I don't have any guitars 943 00:37:24,830 --> 00:37:27,400 that I dedicated... to my kids beforehand. 944 00:37:29,370 --> 00:37:30,700 Look, "Lola and Wolf." 945 00:37:30,700 --> 00:37:32,270 Oh, cool. 946 00:37:33,200 --> 00:37:35,200 Now, another thing for you guys to fight over. 947 00:37:35,200 --> 00:37:36,470 Oh, my God. 948 00:37:36,470 --> 00:37:38,600 [indistinct conversation] 949 00:37:38,600 --> 00:37:41,470 One of you... one of you does the fingering 950 00:37:41,470 --> 00:37:43,300 and the other one does the strumming. 951 00:37:43,830 --> 00:37:44,970 [Wolf] You kiddin' me? 952 00:37:46,530 --> 00:37:48,600 [inaudible] 953 00:37:48,600 --> 00:37:52,030 -[guitar sustaining] -[indistinct chatter] 954 00:37:58,670 --> 00:38:01,870 [Mike] Thank you very much, we love you. 955 00:38:02,570 --> 00:38:03,700 We love... 956 00:38:04,670 --> 00:38:06,700 [continues indistinctly] 957 00:38:08,530 --> 00:38:10,370 [speaking indistinctly] 958 00:38:10,370 --> 00:38:11,870 That was amazing! 959 00:38:13,870 --> 00:38:17,300 So, he asked me how he was, bro. 960 00:38:17,970 --> 00:38:19,570 Just ask the CEO of Gibson. 961 00:38:19,570 --> 00:38:20,730 How was he? 962 00:38:20,730 --> 00:38:22,430 It was all on stage. 963 00:38:22,430 --> 00:38:23,700 Yeah, I tried to. 964 00:38:23,700 --> 00:38:25,530 It was all on stage. 965 00:38:25,530 --> 00:38:26,600 You were all in. 966 00:38:26,600 --> 00:38:28,430 -You left it all there. -Yeah. 967 00:38:28,430 --> 00:38:30,270 Fuck it. That was amazing. 968 00:38:30,270 --> 00:38:31,500 Thank you. 969 00:38:31,500 --> 00:38:32,830 [Mike] He made me basically weep 970 00:38:33,530 --> 00:38:35,300 at the custom shop. 971 00:38:35,300 --> 00:38:37,100 So I was thinking to myself, 972 00:38:37,100 --> 00:38:38,800 "You know, I'm gonna get him back." 973 00:38:39,170 --> 00:38:40,930 You know. 974 00:38:40,930 --> 00:38:43,270 You know, we've been doing-- talking about all the past 975 00:38:43,270 --> 00:38:45,730 and all that kind of stuff, bringing up stuff 976 00:38:45,730 --> 00:38:48,500 and getting stuff together and life's about letting go. 977 00:38:49,800 --> 00:38:52,300 And you're one of the people in my life 978 00:38:52,300 --> 00:38:54,900 that has helped me let go 979 00:38:54,900 --> 00:38:56,600 of a lot of stuff that I needed to let go. 980 00:38:56,600 --> 00:38:58,700 And so-- and you've given me so much. 981 00:38:58,700 --> 00:38:59,800 And I want to give something back to you. 982 00:38:59,800 --> 00:39:01,930 And I don't really have anything I could think of, 983 00:39:01,930 --> 00:39:04,000 but there's something I really want you to have. 984 00:39:07,330 --> 00:39:09,000 [Jason] Jesus, dude. All right. 985 00:39:09,930 --> 00:39:11,270 That's for you now, all right? 986 00:39:17,170 --> 00:39:19,200 For you. I love you. 987 00:39:21,130 --> 00:39:22,200 I love you. 988 00:39:28,130 --> 00:39:29,030 Take it home. 989 00:39:29,030 --> 00:39:29,930 Take it home. 990 00:39:31,170 --> 00:39:32,270 Take it home. 991 00:39:32,270 --> 00:39:33,600 -I love you. -I love you. 992 00:39:34,270 --> 00:39:36,100 Bro. 993 00:39:36,100 --> 00:39:37,900 [Mike] And I told my wife I was gonna make him cry. 994 00:39:45,430 --> 00:39:46,670 Oh, man. Dude. 995 00:39:47,470 --> 00:39:48,670 This is, uh, 996 00:39:49,930 --> 00:39:51,270 that's a holy grail piece. 997 00:39:51,270 --> 00:39:52,730 And you're my teacher. 998 00:39:53,870 --> 00:39:55,400 [grunts] What a night. 999 00:39:55,400 --> 00:39:57,430 What a night, huh? What a night. 1000 00:39:58,630 --> 00:40:01,730 [Mike] I used this guitar all around the world. 1001 00:40:01,730 --> 00:40:03,700 The neck was from my first guitar. 1002 00:40:03,700 --> 00:40:05,770 That's when I got it, I was about 13 years old. 1003 00:40:05,770 --> 00:40:07,230 And it had a Mexican body. 1004 00:40:07,230 --> 00:40:09,100 And I had these pickups from the '60s, 1005 00:40:09,100 --> 00:40:10,530 and it had magic to it. 1006 00:40:11,770 --> 00:40:13,330 It was beautiful when I got it, 1007 00:40:13,330 --> 00:40:15,300 but it has been through everything with me, 1008 00:40:15,300 --> 00:40:17,470 so it go so torn up, 1009 00:40:17,470 --> 00:40:19,900 it was almost to the point of unplayable. 1010 00:40:21,970 --> 00:40:23,400 But it was time, you know. 1011 00:40:23,400 --> 00:40:26,270 And Jay, that whole experience with him 1012 00:40:26,270 --> 00:40:27,370 coming down and... 1013 00:40:27,870 --> 00:40:28,800 making me feel so good, 1014 00:40:28,800 --> 00:40:31,230 he's like, you know, part of my family, 1015 00:40:31,230 --> 00:40:35,430 reminded me that it's all right to let it go. 1016 00:40:35,430 --> 00:40:36,830 And I said, "I want you to have this, 1017 00:40:36,830 --> 00:40:39,400 because this is everything 1018 00:40:40,330 --> 00:40:41,430 that, you know, 1019 00:40:42,870 --> 00:40:43,770 to me." 1020 00:40:44,600 --> 00:40:45,830 And I got him to cry. 1021 00:40:46,330 --> 00:40:48,570 Just a little bit. 1022 00:40:48,570 --> 00:40:51,670 -You made me cry too, man. -[man speaking indistinctly] 1023 00:40:51,670 --> 00:40:52,970 You get a guitar! 1024 00:40:52,970 --> 00:40:54,470 You get a guitar! 1025 00:40:54,470 --> 00:40:56,600 You get a guitar! 1026 00:40:56,600 --> 00:40:58,500 -[Mike speaks indistinctly] -[Jason] Oh, man. 1027 00:40:58,500 --> 00:40:59,430 [man] Wow. 1028 00:40:59,430 --> 00:41:02,730 I mean, that's-- you guys saw it. 1029 00:41:02,730 --> 00:41:04,400 That's the real deal. 1030 00:41:04,400 --> 00:41:06,430 I mean, I know the story of this guitar. 1031 00:41:06,430 --> 00:41:07,600 I know everything about it. 1032 00:41:07,600 --> 00:41:09,400 I know everything he went through. 1033 00:41:09,400 --> 00:41:11,570 I was there through all the tough times, 1034 00:41:11,570 --> 00:41:14,030 all the good-- I mean, for all of it, man. 1035 00:41:14,030 --> 00:41:15,100 I left... 1036 00:41:15,100 --> 00:41:17,400 I left his concert 1037 00:41:18,630 --> 00:41:22,500 a month before my son was born. 1038 00:41:22,500 --> 00:41:25,230 My wife's-- a day before my wife's birthday. 1039 00:41:25,730 --> 00:41:26,930 And I left his-- 1040 00:41:26,930 --> 00:41:28,630 to go see him in Hollywood. 1041 00:41:28,630 --> 00:41:31,430 And I went to a bar to celebrate. 1042 00:41:32,200 --> 00:41:35,400 And this smash happened to my face. 1043 00:41:35,400 --> 00:41:37,030 And I took a pint glass to the face. 1044 00:41:37,030 --> 00:41:39,130 You know, he-- I called him to the hospital, 1045 00:41:39,130 --> 00:41:41,530 "I split my face open, 140 stitches." 1046 00:41:41,530 --> 00:41:42,730 Changed my world. 1047 00:41:43,570 --> 00:41:46,230 Like, I'll be that famous one-eyed actor. 1048 00:41:46,230 --> 00:41:47,400 [Mike] Oh, yeah. 1049 00:41:47,400 --> 00:41:49,570 'Cause like, it was a millimeter away from my eyeball. 1050 00:41:50,570 --> 00:41:52,000 Split my whole face open. 1051 00:41:52,000 --> 00:41:53,570 And, uh... 1052 00:41:53,570 --> 00:41:56,500 first audition back was Game of Thrones. 1053 00:41:57,670 --> 00:42:01,570 And, uh... I had a good scar going through my face. 1054 00:42:01,570 --> 00:42:03,970 -Thanks, Mike Hayes. -You got it, brother. Anytime. 1055 00:42:03,970 --> 00:42:06,230 And then everything changed. 1056 00:42:06,230 --> 00:42:09,500 but, man, we've been through the highs and lows, man. 1057 00:42:09,500 --> 00:42:11,470 And we get Kenny together 1058 00:42:11,470 --> 00:42:13,200 -and all of us together, I mean-- -[Mike] Yeah. 1059 00:42:15,770 --> 00:42:17,870 -Fuckin' love you. -I love you, brother. 1060 00:42:23,070 --> 00:42:24,330 Doesn't get any better than that. 1061 00:42:28,330 --> 00:42:30,470 [violin music playing]