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00:00:00,472 --> 00:00:02,670
{\an7}- ♪ MTV ♪
2
00:00:04,142 --> 00:00:08,273
{\an7}- [audience applauding]
\h-[audience cheering]
3
00:00:08,274 --> 00:00:14,109
{\an7}- ♪
4
00:00:29,439 --> 00:00:30,439
{\an7}- TONY: Thank you!
5
00:00:30,440 --> 00:00:37,207
{\an7}\h-[audience cheering]
- [audience applauding]
6
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{\an7}- Wow!
7
00:00:39,736 --> 00:00:42,240
{\an7}What a magic night.
8
00:00:42,241 --> 00:00:44,372
{\an7}- GAGA: Hey, Tony Bennett?
9
00:00:44,373 --> 00:00:45,274
{\an7}I'm Lady Gaga.
10
00:00:45,275 --> 00:00:48,471
{\an7}- [audience applauding]
\h-[audience cheering]
11
00:00:48,472 --> 00:00:53,372
{\an7}- GAGA: I came to surprise you.
\h\h\h\h\h\h-[audience laughs]
12
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{\an7}- Can I sing with you?
13
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{\an7}\h\h\h\h\h\h-Yes.
- [audience laughs]
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00:00:58,340 --> 00:01:03,141
{\an7}- ♪
15
00:01:03,142 --> 00:01:08,438
{\an7}- GAGA: Harold Jones, everybody!
Tony Bennett's favorite drummer!
16
00:01:08,439 --> 00:01:09,735
{\an7}Come on!
17
00:01:09,736 --> 00:01:13,801
{\an7}And Count Bassie's
\hfavorite drummer!
18
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{\an7}Let's go!
19
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{\an7}♪ Like the beat, beat,
\hbeat of the tom-tom ♪
20
00:01:16,670 --> 00:01:18,405
{\an7}♪ When the jungle shadows fall ♪
21
00:01:18,406 --> 00:01:20,768
{\an7}♪ Like the tick, tick-tock
\h\hof the stately clock ♪
22
00:01:20,769 --> 00:01:22,834
{\an7}\h\h♪ As it stands
against the wall ♪
23
00:01:22,835 --> 00:01:26,537
{\an7}- TONY: ♪ Like the drip, drip,
\h\h\h\hdrip of the raindrops ♪
24
00:01:26,538 --> 00:01:29,735
{\an7}♪ When the summer shower
\h\h\h\h\h\his through ♪
25
00:01:29,736 --> 00:01:32,735
{\an7}TONY & GAGA: ♪ So a voice
\h\h\h\h\h\h\hwithin me ♪
26
00:01:32,736 --> 00:01:36,339
{\an7}♪ Keeps repeating you, ♪
27
00:01:36,340 --> 00:01:39,405
{\an7}♪ You, you ♪
28
00:01:39,406 --> 00:01:46,175
{\an7}- TONY: ♪ Night and day,
\h\h\h\hyou are the one ♪
29
00:01:47,670 --> 00:01:53,208
{\an7}♪ Only you beneath the moon
\h\h\h\hand under the sun ♪
30
00:01:55,439 --> 00:01:59,405
{\an7}♪ Whether near to me or far ♪
31
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{\an7}♪ It's no matter, darling,
\h\h\h\h\h\hwhere you are ♪
32
00:02:03,637 --> 00:02:06,306
{\an7}♪ I think of you ♪
33
00:02:06,307 --> 00:02:09,702
{\an7}♪ Night and day ♪
34
00:02:09,703 --> 00:02:12,867
{\an7}- ♪ Day and night ♪
35
00:02:12,868 --> 00:02:16,339
{\an7}♪ Why is it so ♪
36
00:02:16,340 --> 00:02:22,604
{\an7}♪ That this longing for you
\hfollows wherever I go? ♪
37
00:02:23,736 --> 00:02:27,372
{\an7}♪ In the roaring
traffic's boom ♪
38
00:02:27,373 --> 00:02:31,669
{\an7}\h♪ In the silence
of my lonely room ♪
39
00:02:31,670 --> 00:02:34,537
{\an7}♪ I think of you ♪
40
00:02:34,538 --> 00:02:38,603
{\an7}♪ Night and day ♪
41
00:02:38,604 --> 00:02:41,834
{\an7}\h-GAGA & TONY:
♪ Night and day ♪
42
00:02:41,835 --> 00:02:45,570
{\an7}- GAGA: ♪ Under the hide of me ♪
43
00:02:45,571 --> 00:02:49,372
{\an7}\h\h\h-♪ There's an oh,
such a hungry yearning ♪
44
00:02:49,373 --> 00:02:52,933
{\an7}♪ Burning inside of me ♪
45
00:02:52,934 --> 00:02:56,867
{\an7}- ♪ And its torment
won't be through ♪
46
00:02:56,868 --> 00:03:01,768
{\an7}\h\h\h♪ 'Til you let me spend
my life making love to you ♪
47
00:03:01,769 --> 00:03:04,636
{\an7}♪ Day and night ♪
\h\h\h\h\h-Whoa!
48
00:03:04,637 --> 00:03:07,405
{\an7}- ♪ Night and day ♪
49
00:03:07,406 --> 00:03:09,405
{\an7}- Give it up for Tony Bennett!
50
00:03:09,406 --> 00:03:12,768
{\an7}- [audience applauds]
\h-[audience cheers]
51
00:03:12,769 --> 00:03:18,505
{\an7}- ♪
52
00:03:24,505 --> 00:03:27,372
{\an7}- ♪ And this torment
\hwon't be through ♪
53
00:03:27,373 --> 00:03:32,537
{\an7}♪ 'Til you let me spend my
\hlife making love to you ♪
54
00:03:32,538 --> 00:03:35,273
{\an7}♪ Day and night ♪
55
00:03:35,274 --> 00:03:38,933
{\an7}- ♪ Night and day ♪
56
00:03:38,934 --> 00:03:44,802
{\an7}- ♪ Day and night,
\h\hnight and day ♪
57
00:03:46,934 --> 00:03:50,669
{\an7}♪ Day and night ♪
58
00:03:50,670 --> 00:03:55,834
{\an7}♪ Night and day ♪
59
00:03:55,835 --> 00:04:02,703
{\an7}\h-[audience cheering]
- [audience applauding]
60
00:04:16,340 --> 00:04:21,439
{\an7}\h\h-Love for sale,
always sellin' love.
61
00:04:22,769 --> 00:04:24,735
{\an7}I remember when you called me
62
00:04:24,736 --> 00:04:27,537
{\an7}\h\h\h\h\h\hwhen we put out
Cheek to Cheek, our record.
63
00:04:27,538 --> 00:04:32,471
{\an7}And you said "Let's make a whole
album of Cole Porter songs."
64
00:04:32,472 --> 00:04:34,438
{\an7}\h-Wow!
- Uh-huh.
65
00:04:34,439 --> 00:04:36,702
{\an7}Same day that we went
\h\h\h\h\hnumber one,
66
00:04:36,703 --> 00:04:39,867
{\an7}you were already makin'
\h\h\hthe next record.
67
00:04:39,868 --> 00:04:40,835
{\an7}- [audience laughs]
68
00:04:40,836 --> 00:04:44,603
{\an7}- So, here we are. Would you
\h\htell everybody the story?
69
00:04:44,604 --> 00:04:47,867
{\an7}Love for Sale, would you
\hsing it for everybody?
70
00:04:47,868 --> 00:04:51,042
{\an7}\h-[audience cheers]
- [audience applauds]
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00:04:51,043 --> 00:04:56,504
{\an7}- GAGA: ♪ When the only sound
\h\h\h\hon the empty street ♪
72
00:04:56,505 --> 00:05:01,933
{\an7}♪ Is the heavy tread
\hof the heavy feet ♪
73
00:05:01,934 --> 00:05:06,966
{\an7}\h\h♪ That belongs
to a lonesome cop ♪
74
00:05:06,967 --> 00:05:10,769
{\an7}- ♪ She opens shop ♪
75
00:05:12,835 --> 00:05:16,372
{\an7}♪ When the moon so long
has been gazing down ♪
76
00:05:16,373 --> 00:05:20,669
{\an7}\h♪ On the wayward ways
of this wayward town ♪
77
00:05:20,670 --> 00:05:24,439
{\an7}♪ That her smile
becomes a smirk ♪
78
00:05:26,472 --> 00:05:30,075
{\an7}♪ She goes to work ♪
79
00:05:30,076 --> 00:05:34,769
{\an7}- GAGA: I'll work for you
\hany night of the week.
80
00:05:35,934 --> 00:05:38,768
{\an7}- TONY: ♪ Love for sale ♪
81
00:05:38,769 --> 00:05:42,834
{\an7}♪ Appetizing young love
\h\h\h\h\h\hfor sale ♪
82
00:05:42,835 --> 00:05:45,900
{\an7}\h♪ Love that's fresh
and still unspoiled ♪
83
00:05:45,901 --> 00:05:49,735
{\an7}♪ Love that's only
\hslightly soiled ♪
84
00:05:49,736 --> 00:05:51,075
{\an7}♪ Love for sale ♪
85
00:05:51,076 --> 00:05:53,504
{\an7}- GAGA: All right, Marshall.
86
00:05:53,505 --> 00:05:57,834
{\an7}♪ Who will buy? ♪
87
00:05:57,835 --> 00:06:02,933
{\an7}- TONY: ♪ Who would like
\hto sample her supply? ♪
88
00:06:02,934 --> 00:06:05,438
{\an7}\h♪ Who's prepared
to pay the price ♪
89
00:06:05,439 --> 00:06:09,108
{\an7}- TONY AND GAGA: ♪ For a trip
\h\h\h\h\h\h\hto paradise? ♪
90
00:06:09,109 --> 00:06:12,900
{\an7}♪ Love for sale ♪
91
00:06:12,901 --> 00:06:15,702
{\an7}- ♪ Let the poets
\hpipe of love ♪
92
00:06:15,703 --> 00:06:17,603
{\an7}♪ In their childish way ♪
93
00:06:17,604 --> 00:06:22,471
{\an7}♪ I know every type of love
\h\hbetter far than they ♪
94
00:06:22,472 --> 00:06:24,900
{\an7}- ♪ If you want the thrill
\h\h\h\h\h\h\h\h\hof love ♪
95
00:06:24,901 --> 00:06:27,834
{\an7}♪ She's been through
\hthe mill of love ♪
96
00:06:27,835 --> 00:06:29,999
{\an7}\h\h\h-♪ Old love ♪
- TONY: ♪ New love ♪
97
00:06:30,000 --> 00:06:36,637
{\an7}- TONY AND GAGA: ♪ Every love,
\h\hbut true love... for sale ♪
98
00:06:37,868 --> 00:06:42,603
{\an7}♪ Appetizing young love
\h\h\h\h\h\hfor sale ♪
99
00:06:42,604 --> 00:06:45,471
{\an7}- TONY: ♪ If you want to
\h\h\h\h\hbuy her wares ♪
100
00:06:45,472 --> 00:06:48,900
{\an7}\h\h-GAGA: ♪ Follow me
and climb the stairs ♪
101
00:06:48,901 --> 00:06:51,669
{\an7}- ♪ Love for sale ♪
102
00:06:51,670 --> 00:06:53,636
{\an7}- Take it, gentlemen!
103
00:06:53,637 --> 00:06:57,934
{\an7}- ♪
104
00:07:03,670 --> 00:07:07,570
{\an7}- [audience applauds]
105
00:07:07,571 --> 00:07:12,175
{\an7}- ♪
106
00:07:33,538 --> 00:07:36,075
{\an7}- ♪ Let the poets
\hpipe of love ♪
107
00:07:36,076 --> 00:07:38,537
{\an7}♪ In their childish way ♪
108
00:07:38,538 --> 00:07:40,999
{\an7}♪ I know every type of love ♪
109
00:07:41,000 --> 00:07:42,999
{\an7}♪ Better far than they ♪
110
00:07:43,000 --> 00:07:45,669
{\an7}\h\h\h-♪ If you want
the thrill of love ♪
111
00:07:45,670 --> 00:07:48,702
{\an7}♪ She's been through
\hthe mill of love ♪
112
00:07:48,703 --> 00:07:50,933
{\an7}\h\h\h\h♪ Old love ♪
- GAGA: ♪ New love ♪
113
00:07:50,934 --> 00:07:57,142
{\an7}\h\h\h\h\h\h-♪ Every love,
but true love... for sale ♪
114
00:07:58,637 --> 00:08:01,768
{\an7}♪ Appetizing young
\h\hlove for sale ♪
115
00:08:01,769 --> 00:08:03,735
{\an7}- ♪ Love for sale, Tony ♪
116
00:08:03,736 --> 00:08:06,141
{\an7}- ♪ If you want to buy
\h\h\h\h\h\hher wares ♪
117
00:08:06,142 --> 00:08:09,603
{\an7}\h\h\h\h\h-♪ Follow me
and climb the stairs ♪
118
00:08:09,604 --> 00:08:15,735
{\an7}- ♪ Love for sale ♪
119
00:08:15,736 --> 00:08:19,174
{\an7}- ♪
120
00:08:19,175 --> 00:08:23,636
{\an7}\h-[audience cheering]
- [audience applauding]
121
00:08:23,637 --> 00:08:24,768
{\an7}- Thank you!
122
00:08:24,769 --> 00:08:31,571
{\an7}\h-[audience cheering]
- [audience applauding]
123
00:08:39,161 --> 00:08:41,732
{\an7}- TONY: How nice.
124
00:08:42,996 --> 00:08:44,929
{\an7}- I love bein' Tony's baby.
125
00:08:44,930 --> 00:08:46,962
{\an7}\h\hl'll step out with you tonight.
126
00:08:46,963 --> 00:08:49,665
{\an7}\h\h\hSteppin' out?
Yeah, you sing it.
127
00:08:49,666 --> 00:08:50,666
{\an7}You got it.
128
00:08:50,667 --> 00:08:52,896
{\an7}- ♪ Steppin' out with my baby ♪
129
00:08:52,897 --> 00:08:55,797
{\an7}\h\h♪ Can't go wrong
'cause I'm in right ♪
130
00:08:55,798 --> 00:08:57,995
{\an7}♪ It's for sure,
\hnot for maybe ♪
131
00:08:57,996 --> 00:09:00,160
{\an7}\h\h\h♪ That I'm all
dressed up tonight ♪
132
00:09:00,161 --> 00:09:04,830
{\an7}\h♪ Steppin' out with my honey,
can't be bad to feel so good ♪
133
00:09:04,831 --> 00:09:09,028
{\an7}♪ Never felt quite so sunny,
and I keep on knockin' wood ♪
134
00:09:09,029 --> 00:09:13,797
{\an7}\h♪ There'll be smooth sailin'
'cause I'm trimmin' my sails ♪
135
00:09:13,798 --> 00:09:19,523
{\an7}\h\h\h\h\h\h\h♪ With my top hat
and my white tie and my tails ♪
136
00:09:19,524 --> 00:09:21,632
{\an7}♪ Steppin' out with my baby ♪
137
00:09:21,633 --> 00:09:24,556
{\an7}\h\h♪ Can't go wrong
'cause I'm in right ♪
138
00:09:24,557 --> 00:09:26,962
{\an7}♪ Ask me when will the day be ♪
139
00:09:26,963 --> 00:09:29,963
{\an7}♪ The big day may be tonight ♪
140
00:09:33,732 --> 00:09:36,028
{\an7}♪ If I seem to scintillate ♪
141
00:09:36,029 --> 00:09:38,698
{\an7}♪ It's because I've got a date ♪
142
00:09:38,699 --> 00:09:40,731
{\an7}♪ A date with a package of ♪
143
00:09:40,732 --> 00:09:43,764
{\an7}\h\h♪ The good things
that come with love ♪
144
00:09:43,765 --> 00:09:45,962
{\an7}♪ You don't have to ask me ♪
145
00:09:45,963 --> 00:09:48,193
{\an7}♪ I won't waste your time ♪
146
00:09:48,194 --> 00:09:50,764
{\an7}♪ But if you should ask me ♪
147
00:09:50,765 --> 00:09:53,665
{\an7}♪ Why I feel sublime ♪
148
00:09:53,666 --> 00:09:55,764
{\an7}♪ Go ♪
149
00:09:55,765 --> 00:09:58,698
{\an7}- Gray Sargent, everybody!
\h\h\h\h\hCome on! Take it!
150
00:09:58,699 --> 00:10:03,797
{\an7}- ♪
151
00:10:03,798 --> 00:10:05,996
{\an7}- GAGA: Marshall Wood.
152
00:10:08,864 --> 00:10:11,698
{\an7}And Harold Jones.
153
00:10:11,699 --> 00:10:16,962
{\an7}- ♪ There'll be smooth sailin'
'cause I'm trimmin' my sails ♪
154
00:10:16,963 --> 00:10:22,896
{\an7}\h\h\h\h\h\h\h♪ With my top hat
and my white tie and my tails ♪
155
00:10:22,897 --> 00:10:24,995
{\an7}♪ Steppin' out with my baby ♪
156
00:10:24,996 --> 00:10:27,929
{\an7}\h\h♪ Can't go wrong
'cause I'm in right ♪
157
00:10:27,930 --> 00:10:30,556
{\an7}♪ Ask me when will the day be ♪
158
00:10:30,557 --> 00:10:33,160
{\an7}♪ The big day may be tonight ♪
159
00:10:33,161 --> 00:10:37,698
{\an7}♪
160
00:10:37,699 --> 00:10:43,128
{\an7}\h\h\h\h\h-Tonight!
- [audience cheering]
161
00:10:48,765 --> 00:10:49,929
{\an7}- Thank you!
162
00:10:49,930 --> 00:10:55,325
{\an7}- [audience applauding]
\h-[audience cheering]
163
00:10:55,326 --> 00:10:59,830
{\an7}\h\h\h-So, I was gonna ask
permission to do this song.
164
00:10:59,831 --> 00:11:04,391
{\an7}I think it's important. You wife
Susan's sittin' right there.
165
00:11:04,392 --> 00:11:06,061
{\an7}- That's right.
\h\h\h\h-Yeah.
166
00:11:06,062 --> 00:11:08,391
{\an7}- TONY: I see her.
\h\h-GAGA: Right.
167
00:11:08,392 --> 00:11:09,995
{\an7}\hHey, Susan?
- SUSAN: Yes?
168
00:11:09,996 --> 00:11:13,292
{\an7}- GAGA: Can I sing I've Got
\h\h\h\h\hYou Under My Skin
169
00:11:13,293 --> 00:11:16,325
{\an7}with your husband?
I have permission?
170
00:11:16,326 --> 00:11:18,830
{\an7}\h\h\h\hOkay, good.
- [audience laughs]
171
00:11:18,831 --> 00:11:22,061
{\an7}- [audience applauds]
172
00:11:22,062 --> 00:11:26,929
{\an7}- TONY: ♪ I've got you
\h\h\h\hunder my skin ♪
173
00:11:26,930 --> 00:11:28,259
{\an7}- Thank you.
174
00:11:28,260 --> 00:11:34,765
{\an7}\h-TONY: ♪ I've got you
deep in the heart of me ♪
175
00:11:34,963 --> 00:11:38,731
{\an7}\h\h\h\h\h\h\h-GAGA AND TONY:
♪ You're so deep in my heart ♪
176
00:11:38,732 --> 00:11:42,259
{\an7}♪ You're really
a part of me ♪
177
00:11:42,260 --> 00:11:47,798
{\an7}♪ I've got you under my skin ♪
178
00:11:49,062 --> 00:11:54,699
{\an7}♪ I'd tried so not to give in ♪
179
00:11:55,996 --> 00:11:58,226
{\an7}- GAGA: ♪ I've said to myself ♪
180
00:11:58,227 --> 00:12:02,424
{\an7}♪ This affair never
\hwill go so well ♪
181
00:12:02,425 --> 00:12:05,830
{\an7}- TONY: ♪ But why should
\h\h\h\hl try to resist ♪
182
00:12:05,831 --> 00:12:09,193
{\an7}♪ When darling, I know so well ♪
183
00:12:09,194 --> 00:12:14,798
{\an7}\h\h\h\h\h\h\h-GAGA AND TONY:
♪ I've got you under my skin ♪
184
00:12:15,996 --> 00:12:19,457
{\an7}♪ I'd sacrifice anything,
\h\h\h\hcome what might ♪
185
00:12:19,458 --> 00:12:22,127
{\an7}\h\h\h♪ For the sake
of having you near ♪
186
00:12:22,128 --> 00:12:26,731
{\an7}♪ In spite of a warning voice
\h\hthat comes in the night ♪
187
00:12:26,732 --> 00:12:30,028
{\an7}♪ And repeats and repeats
\h\h\h\h\h\h\hin my ear ♪
188
00:12:30,029 --> 00:12:33,193
{\an7}- TONY: ♪ Don't you know,
\h\h\h\h\h\hlittle fool ♪
189
00:12:33,194 --> 00:12:36,929
{\an7}♪ You never can win ♪
190
00:12:36,930 --> 00:12:40,061
{\an7}♪ Use your mentality ♪
191
00:12:40,062 --> 00:12:42,424
{\an7}♪ Wake up to reality ♪
192
00:12:42,425 --> 00:12:45,391
{\an7}\h\h\h\h\h-TONY AND GAGA:
♪ But each time that I do ♪
193
00:12:45,392 --> 00:12:50,929
{\an7}\h\h\h♪ Just the thought of you
makes me stop before I begin ♪
194
00:12:50,930 --> 00:12:56,896
{\an7}♪ 'Cause I've got you
\h\h\hunder my skin ♪
195
00:12:56,897 --> 00:13:00,160
{\an7}- GAGA: Okay, let's hear it,
\h\h\h\h\h\h\h\h\hgentlemen.
196
00:13:00,161 --> 00:13:05,161
{\an7}- ♪
197
00:13:11,128 --> 00:13:14,797
{\an7}- TONY: ♪ Don't you know,
\h\h\h\h\h\hlittle fool ♪
198
00:13:14,798 --> 00:13:17,797
{\an7}♪ You never can win ♪
199
00:13:17,798 --> 00:13:21,325
{\an7}- ♪ Use your mentality ♪
200
00:13:21,326 --> 00:13:24,424
{\an7}♪ Wake up to reality ♪
201
00:13:24,425 --> 00:13:27,061
{\an7}\h\h\h-TONY AND GAGA:
♪ But each time I do ♪
202
00:13:27,062 --> 00:13:32,391
{\an7}\h\h\h♪ Just the thought of you
makes me stop before I begin ♪
203
00:13:32,392 --> 00:13:38,128
{\an7}♪ 'Cause I've got you
\h\h\hunder my skin ♪
204
00:13:39,831 --> 00:13:45,194
{\an7}♪ And I need you under my skin ♪
205
00:13:46,392 --> 00:13:49,556
{\an7}- TONY: ♪ And I love you ♪
- GAGA: ♪ And I love you ♪
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{\an7}\h-TONY AND GAGA:
♪ Under my skin ♪
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{\an7}- [audience applauding]
\h-[audience cheering]
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{\an7}- TONY: Thank you very much!
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- [audience applauding]
- [audience cheering]
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- I'd like to sing a song
for you, Tony.
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Cole Porter, Let's Do It.
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- ♪
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- ♪ When the little blue bird
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♪ Who has never said a word
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♪ Starts to sing
spring, spring ♪
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♪ When the little bluebell
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♪ In the bottom of the dell
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♪ Starts to ring, ding-ding
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♪ When the little blue clerk
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♪ In the middle of his work
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♪ Starts a tune
to the moon up above ♪
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♪ It is nature, that's all
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♪ Simply telling us
to fall in love ♪
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Let's swing it, boys!
For Tony B! Come on!
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♪ And that's why birds do it,
bees do it ♪
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♪ Even educated fleas do it
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♪ Let's do it,
let's fall in love ♪
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♪ In Spain,
the best upper sets do it ♪
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♪ Lithuanians and Letts do it
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♪ Let's do it,
let's fall in love ♪
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♪ The Dutch in
old Amsterdam do it ♪
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♪ Not to mention the Finns
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♪ Folks in Siam do it,
think of Siamese twins ♪
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♪ Some Argentines
without means do it ♪
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♪ People say in Boston
even beans do it ♪
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♪ Let's do it,
let's fall in love, oh ♪
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- ♪
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- GAGA: Brian Newman!
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- ♪
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- ♪ Electric eels,
I might add, do it ♪
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♪ Though it shocks 'em, I know
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♪ Why ask if shad do it,
waiter bring me shad roe ♪
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♪ In shallow shoals,
English soles do it ♪
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♪ Goldfish in the privacy
of bowls do it ♪
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- ♪ Let's do it,
let's fall in love ♪
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♪ Let's do it,
let's fall in love ♪
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- ♪♪
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- [audience applauding]
- [audience cheering]
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- Thank you!
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- Tony Bennett, everybody!
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- TONY: Thank you! Wow!
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- [audience applauding]
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- TONY: Thank you.
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- [audience applauding]
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- Wow! What a night!
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- What a night.
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Tony, would you sing
Fly Me to the Moon?
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- Okay.
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- Nobody in the world
sings it like you.
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Fly Me to the Moon.
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- ♪ Poets often use many words
to say a simple thing ♪
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♪ It takes thought
and time and rhyme ♪
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♪ To make a poem sing
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♪ With music and words
we've been playin' ♪
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♪ For you I have
written a song ♪
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♪ To be sure they you know
what one's sayin' ♪
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♪ I'll translate
as we go along ♪
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♪ Fly me to the moon
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♪ Let me play among the stars
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♪ Let me know what
spring is like ♪
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♪ On Jupiter and Mars
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♪ In other words
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♪ Hold my hand
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♪ In other words
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♪ Darling, kiss me
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♪ Fill my heart with song
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♪ Let me sing for evermore
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♪ You are all I long for,
all I worship and adore ♪
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♪ In other words
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♪ Please be true
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♪ In other words
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♪ I love you
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- ♪♪
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- [audience applauding]
- [audience cheering]
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- TONY: Beautiful!
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- [audience applauding]
- [audience cheering]
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- [instrumental "Love for Sale"]
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- Tony Bennett everybody!
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- [audience applauding]
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- ♪♪