1
00:00:00,840 --> 00:00:04,240
ROCK BAND
REHEARSING INSIDE

2
00:00:12,480 --> 00:00:14,760
MUSIC CONTINUES
UPSTAIRS

3
00:00:17,320 --> 00:00:21,080
When are they going to stop
making that awful noise?

4
00:00:21,120 --> 00:00:23,920
My head feels like
it's about to explode!

5
00:00:25,680 --> 00:00:27,320
Why are you dressed as Rod Stewart?

6
00:00:27,360 --> 00:00:30,040
Well, I thought
I'd make a special effort

7
00:00:30,080 --> 00:00:31,360
for our special guest.

8
00:00:31,400 --> 00:00:33,480
He looks amazing!
Hasn't changed at all.

9
00:00:33,520 --> 00:00:36,520
Must have an incredible surgeon.
MUSIC STOPS

10
00:00:36,560 --> 00:00:37,680
"Effort".

11
00:00:37,720 --> 00:00:41,080
Judith, today,
the musical legend Dura

12
00:00:41,120 --> 00:00:45,480
is starting to record
his comeback album in our millhouse.

13
00:00:45,520 --> 00:00:47,720
Do they not have recording studios
nowadays?

14
00:00:47,760 --> 00:00:49,880
Yes, of course.

15
00:00:49,920 --> 00:00:51,920
But Dura wants to use our millhouse

16
00:00:51,960 --> 00:00:53,600
because of the sonority
of the stone,

17
00:00:53,640 --> 00:00:56,720
a chamber that resonates
on a frequency

18
00:00:56,760 --> 00:00:58,480
that only Dura can create.

19
00:00:58,520 --> 00:01:01,080
Twaddle. And where are you going
with my nightie?

20
00:01:01,120 --> 00:01:03,720
Dura wants to borrow it.
It's a size six.

21
00:01:03,760 --> 00:01:07,320
Well, nearer a four, actually.
It'll never fit him.

22
00:01:07,360 --> 00:01:09,080
He doesn't want to wear it!

23
00:01:09,120 --> 00:01:10,600
He wants to stand on it.

24
00:01:11,680 --> 00:01:13,640
He wants to stand on my Dior silk?

25
00:01:13,680 --> 00:01:15,320
For the next track.

26
00:01:15,360 --> 00:01:16,840
Why on Earth?

27
00:01:16,880 --> 00:01:19,680
I'm not sure,
but I know it would be mind blowing!

28
00:01:19,720 --> 00:01:21,440
Oh, what utter claptrap.

29
00:01:21,480 --> 00:01:23,800
And what does the old fossil think
he's trying to achieve

30
00:01:23,840 --> 00:01:25,200
with a comeback album anyway?

31
00:01:25,240 --> 00:01:26,800
Nobody knew he went
in the first place.

32
00:01:26,840 --> 00:01:30,880
MUSIC STARTS AGAIN
Oh, will someone please shut him up?

33
00:01:30,920 --> 00:01:33,000
SHE GROANS

34
00:01:33,040 --> 00:01:35,400
MUSIC CONTINUES

35
00:01:38,840 --> 00:01:40,800
MUSIC STOPS

36
00:01:48,480 --> 00:01:50,800
Erm... I got you that silk.

37
00:01:53,960 --> 00:01:57,520
Erm, can I ask what you need it for?

38
00:01:57,560 --> 00:01:59,480
It's the silkworms.

39
00:01:59,520 --> 00:02:01,520
Part of their soul
remains in the threads.

40
00:02:03,680 --> 00:02:05,920
That's what creates the resonance.

41
00:02:17,600 --> 00:02:20,920
The vision of enveloping my voice...

42
00:02:20,960 --> 00:02:22,440
in the Mediterranean stone...

43
00:02:23,520 --> 00:02:25,960
..is closer than ever.
Oh.

44
00:02:27,240 --> 00:02:29,720
Can I have a selfie?

45
00:02:35,280 --> 00:02:36,680
CAMERA CLICKS

46
00:02:38,280 --> 00:02:39,560
Thank you! Oh!

47
00:02:40,960 --> 00:02:42,760
The key, please.

48
00:02:42,800 --> 00:02:45,320
Oh! Oh, yes, yes, yes, of course.

49
00:02:45,360 --> 00:02:48,440
You always lock yourself in,
don't you.

50
00:02:48,480 --> 00:02:50,960
It's important
my process is not interrupted...

51
00:02:52,600 --> 00:02:57,040
..or contaminated
by any other human being. Hmm.

52
00:02:58,720 --> 00:03:00,640
HE CHUCKLES NERVOUSLY

53
00:03:06,320 --> 00:03:09,160
DOOR CLOSING,
LOCKING

54
00:03:22,280 --> 00:03:26,120
I gave him the nightie
and he started channelling.

55
00:03:26,160 --> 00:03:29,880
Thanks, Jez.
This is Marco, our engineer.

56
00:03:29,920 --> 00:03:31,600
Hey, Jez.

57
00:03:31,640 --> 00:03:33,440
Jez owns this place.

58
00:03:33,480 --> 00:03:35,440
Cool. Quite the gaff.

59
00:03:35,480 --> 00:03:38,120
Cheers... dude.

60
00:03:38,160 --> 00:03:40,680
Marco has been with Dura
since the beginning.

61
00:03:40,720 --> 00:03:42,760
It's so cool
he's here for the comeback.

62
00:03:42,800 --> 00:03:47,480
Oh, so you were responsible
for the Butterfly Hair album?

63
00:03:47,520 --> 00:03:48,960
Guilty as charged.

64
00:03:49,000 --> 00:03:52,960
Oh, the vibraphone on that album,
it changed my life!

65
00:03:53,000 --> 00:03:55,840
All about the bounce.

66
00:03:57,080 --> 00:03:59,920
QUIETLY: Uh-huh.
Hmm.

67
00:04:01,200 --> 00:04:03,960
Ready when you are. Good luck, mate.

68
00:04:05,480 --> 00:04:06,920
Good luck, my darling.

69
00:04:06,960 --> 00:04:08,640
'What is all this good luck?

70
00:04:08,680 --> 00:04:11,440
'I am Dura, I am one.

71
00:04:11,480 --> 00:04:14,120
'I don't need luck - I am luck.'

72
00:04:14,160 --> 00:04:16,480
BELLS TOLL

73
00:04:18,360 --> 00:04:20,920
VOCALS START

74
00:04:20,960 --> 00:04:22,440
DRUMS BEGIN

75
00:04:22,480 --> 00:04:26,280
# Oh, yeah... #

76
00:04:26,320 --> 00:04:29,360
BELLS TOLL,
DURA SCREAMS

77
00:04:29,400 --> 00:04:30,920
Oh, my God!

78
00:04:33,200 --> 00:04:34,640
SCREAMING CONTINUES

79
00:04:34,680 --> 00:04:38,280
Come on, open the door! Come on!

80
00:04:38,320 --> 00:04:40,640
Come on! Hurry up!

81
00:04:40,680 --> 00:04:43,680
GRUNTING
Come on!

82
00:04:43,720 --> 00:04:45,600
Whatever is the matter, darling?

83
00:04:45,640 --> 00:04:47,080
We need to get inside.

84
00:04:47,120 --> 00:04:49,320
BANGING CONTINUES

85
00:04:53,920 --> 00:04:56,440
GASPING
Hurry up!

86
00:05:00,960 --> 00:05:03,600
GASPING
Oh, my darling!

87
00:05:03,640 --> 00:05:07,200
Oh, my darling! Oh!

88
00:05:11,120 --> 00:05:13,280
SHE SOBS

89
00:05:58,840 --> 00:06:02,440
Robert De Niro once got into my cab
when I was driving in New York.

90
00:06:02,480 --> 00:06:04,760
Did you drive
one of those big yellow cabs?

91
00:06:04,800 --> 00:06:07,640
Sure did. So he gets in and he says,

92
00:06:07,680 --> 00:06:10,440
"Hey, take me up the Guggenheim."

93
00:06:10,480 --> 00:06:12,800
GIGGLES
And I say,

94
00:06:12,840 --> 00:06:16,240
"Are you talking to me?"
SHE LAUGHS HYSTERICALLY

95
00:06:16,280 --> 00:06:18,960
More drinks?
Oh, go on, then.

96
00:06:19,000 --> 00:06:20,520
All right.

97
00:06:24,200 --> 00:06:25,760
What the 'eck's he doing here?

98
00:06:25,800 --> 00:06:28,640
Hiya, Dad!
Ah, there you are.

99
00:06:28,680 --> 00:06:31,600
I went to the garage.
Not like you to shut up shop early.

100
00:06:31,640 --> 00:06:33,280
It's a Sunday?

101
00:06:33,320 --> 00:06:36,200
Mm, then I thought, "I bet she's
frolicking with that new fella."

102
00:06:36,240 --> 00:06:39,000
You know, she's got a lot of making
up to do in that department.

103
00:06:39,040 --> 00:06:42,480
Ha-ha! I can't remember
last time she had a boyfriend.

104
00:06:42,520 --> 00:06:45,000
PIANO RIFF TEXT ALERT
Oh, it's just me.

105
00:06:45,040 --> 00:06:46,440
So where is he, then? The cowboy.

106
00:06:46,480 --> 00:06:49,680
You know, you said his legs
go on for... Dad!

107
00:06:49,720 --> 00:06:51,600
Legs that go on for miles?

108
00:06:51,640 --> 00:06:54,000
Hi, Trevor. I'm Cooper.

109
00:06:54,040 --> 00:06:56,680
Great to meet you.
Hey, you're right.

110
00:06:56,720 --> 00:06:59,000
He has got a cowboy look about him,
hasn't he.

111
00:06:59,040 --> 00:07:01,000
SHE CHUCKLES

112
00:07:01,040 --> 00:07:02,920
You all right?
Uh...

113
00:07:02,960 --> 00:07:05,200
There's been a murder.
What?

114
00:07:05,240 --> 00:07:06,760
That was Caron.

115
00:07:06,800 --> 00:07:09,720
Some old rock star's
been murdered up at the chateau.

116
00:07:09,760 --> 00:07:10,840
Rock star!

117
00:07:10,880 --> 00:07:12,760
What's a rock star
doing at the chateau?

118
00:07:12,800 --> 00:07:14,760
Recording a comeback album.

119
00:07:14,800 --> 00:07:18,080
Somebody called, erm,
Drury, or something.

120
00:07:19,160 --> 00:07:20,400
You don't mean Dura, do you?

121
00:07:20,440 --> 00:07:23,840
Yeah, that's the one.
Oh, my God.

122
00:07:23,880 --> 00:07:26,960
I'm, like... I'm a huge fan.
Me, too.

123
00:07:27,000 --> 00:07:30,000
I've never been the same
since after Butterfly Hair.

124
00:07:30,040 --> 00:07:32,000
So he's making a comeback album.

125
00:07:32,040 --> 00:07:33,720
Well, he's not any more.

126
00:07:33,760 --> 00:07:36,120
Erm... will you give me a lift
to the chateau?

127
00:07:36,160 --> 00:07:39,080
Yeah, yeah, of course, yeah.
Oh. Can I come? Can I come?

128
00:07:39,120 --> 00:07:40,480
Dad, for goodness sake!

129
00:07:40,520 --> 00:07:44,040
Erm, I'm afraid
we're gonna have to get off.

130
00:07:44,080 --> 00:07:46,720
Yeah.
This has been lovely.

131
00:07:46,760 --> 00:07:48,160
See you, Trev.

132
00:07:48,200 --> 00:07:50,560
And it's been lovely meeting you
properly, Cooper.

133
00:07:50,600 --> 00:07:52,160
You too.

134
00:07:55,120 --> 00:07:58,120
And, Dom, you're a really great guy.
Thanks.

135
00:07:59,720 --> 00:08:01,480
SHE MOUTHS: Thank you.

136
00:08:06,760 --> 00:08:09,720
Dura. Now, that takes me back.

137
00:08:09,760 --> 00:08:13,400
Now, talking of rock stars, Cooper,
answer me this...

138
00:08:13,440 --> 00:08:15,480
Elvis - alive or dead?

139
00:08:17,640 --> 00:08:19,120
What?

140
00:08:19,160 --> 00:08:21,040
Jean.

141
00:08:21,080 --> 00:08:23,640
Oh! Hello, love. You all right?

142
00:08:23,680 --> 00:08:25,520
Oui.
Hello.

143
00:08:28,280 --> 00:08:31,400
I have something to tell you.
I hope you can forgive me.

144
00:08:31,440 --> 00:08:33,040
I went to see Simone.

145
00:08:33,080 --> 00:08:35,600
Oh, it was like a weight was lifted
from my shoulders.

146
00:08:35,640 --> 00:08:37,560
Well done.

147
00:08:37,600 --> 00:08:40,120
Jean, she was so adorable.

148
00:08:40,160 --> 00:08:42,200
So interested in the shop,

149
00:08:42,240 --> 00:08:44,400
always asking if we have
a good enough alarm system

150
00:08:44,440 --> 00:08:46,320
so I would be safe.

151
00:08:46,360 --> 00:08:49,480
SHE SIGHS
She seems so different.

152
00:08:49,520 --> 00:08:52,880
I, however...
SHE MUMBLES IN FRENCH

153
00:08:52,920 --> 00:08:55,480
Sorry? Er, it means when you leave a
conversation

154
00:08:55,520 --> 00:08:58,000
and you think of all the things
you should've said.

155
00:08:58,040 --> 00:09:00,800
Tres bien.
Merci beaucoup.

156
00:09:00,840 --> 00:09:03,240
Look, love, erm,
I've got to be somewhere,

157
00:09:03,280 --> 00:09:05,120
but I'll pop by later
and we can talk it through?

158
00:09:05,160 --> 00:09:06,680
Thanks, Jean.

159
00:09:17,720 --> 00:09:19,240
How did your visit with Charlie go?

160
00:09:19,280 --> 00:09:20,800
Is she still madly in love with you?

161
00:09:22,200 --> 00:09:25,360
Oui.
Ha! I told you she would be.

162
00:09:25,400 --> 00:09:27,080
Did you get any information?

163
00:09:27,120 --> 00:09:31,560
Well, her Jean's shop
is going really well.

164
00:09:31,600 --> 00:09:33,840
So how do I get in there?

165
00:09:33,880 --> 00:09:36,080
I know she's had an alarm fitted.

166
00:09:36,120 --> 00:09:39,240
She always uses her date of birth.
The code.

167
00:09:39,280 --> 00:09:41,560
Unless she's changed
the habit of a lifetime.

168
00:09:41,600 --> 00:09:44,000
Some people are so stupid.

169
00:09:44,040 --> 00:09:46,640
What are you planning to do?

170
00:09:46,680 --> 00:09:49,160
Have you seen the film Misery?

171
00:09:49,200 --> 00:09:50,400
Yes.

172
00:09:50,440 --> 00:09:53,360
Well, in the film,
she breaks his feet.

173
00:09:53,400 --> 00:09:57,360
But in the book,
she cuts his foot off.

174
00:09:57,400 --> 00:09:58,680
And?

175
00:09:58,720 --> 00:10:01,160
Well, both of these things
are terrific ideas,

176
00:10:01,200 --> 00:10:04,080
but one of them
has a lasting effect.

177
00:10:05,960 --> 00:10:08,240
All I'm saying is,
that whatever I do to Jean

178
00:10:08,280 --> 00:10:10,320
will leave its mark, forever.

179
00:10:26,040 --> 00:10:30,240
Oh, Dominic,
it's absolutely dreadful!

180
00:10:30,280 --> 00:10:32,640
Thank you for coming, Gina.

181
00:10:32,680 --> 00:10:34,840
This year's Dura's wife,
Mandarina.

182
00:10:34,880 --> 00:10:38,320
And the man?
That's the sound engineer, Marco.

183
00:10:38,360 --> 00:10:39,680
So what happened?

184
00:10:39,720 --> 00:10:43,880
It looks like he died
from a severe head injury.

185
00:10:43,920 --> 00:10:48,000
It appears that his head was bashed
repeatedly against the studio.

186
00:10:48,040 --> 00:10:49,560
Studio?

187
00:10:49,600 --> 00:10:53,560
Jeremy has converted the stone
millhouse into a temporary studio.

188
00:10:53,600 --> 00:10:54,600
Oh.

189
00:10:54,640 --> 00:10:58,640
But the strange thing is,
Dura locked himself in.

190
00:10:58,680 --> 00:11:03,400
Now, the reason I called you
is this.

191
00:11:03,440 --> 00:11:06,200
This symbol was drawn
on the side of his head.

192
00:11:07,320 --> 00:11:09,920
Oh, that looks like a symbol
of a snake to me.

193
00:11:09,960 --> 00:11:11,480
Snake?
Yeah.

194
00:11:11,520 --> 00:11:14,440
The snake can symbolise
loads of things,

195
00:11:14,480 --> 00:11:18,200
erm, fertility to the Hopi tribes
in North America,

196
00:11:18,240 --> 00:11:23,400
erm, compassion to some
Abrahamic traditions, yeah.

197
00:11:23,440 --> 00:11:26,120
So, where was everyone else?

198
00:11:26,160 --> 00:11:27,680
In the sound van.

199
00:11:27,720 --> 00:11:30,440
They heard him screaming
over the playback.

200
00:11:30,480 --> 00:11:33,080
That's awful.

201
00:11:33,120 --> 00:11:34,880
OK...

202
00:11:34,920 --> 00:11:38,240
So we've got a man who's had
his head bashed against a wall,

203
00:11:38,280 --> 00:11:42,240
erm, a symbol of a snake
drawn on his face,

204
00:11:42,280 --> 00:11:44,680
and it all happened
in a locked room.

205
00:11:44,720 --> 00:11:48,320
Right.
Can I, erm... Can I keep this?

206
00:11:48,360 --> 00:11:50,360
Of course.
Right.

207
00:11:50,400 --> 00:11:53,240
I met him donkeys years ago...

208
00:11:53,280 --> 00:11:55,800
Oh, he'd never remember -
we were utterly smashed!

209
00:11:55,840 --> 00:11:57,080
Brilliant.

210
00:11:57,120 --> 00:11:59,200
I couldn't believe it
when his wife Mandarina

211
00:11:59,240 --> 00:12:00,280
phoned out of the blue

212
00:12:00,320 --> 00:12:02,440
and asked if they could use
the chateau millhouse.

213
00:12:02,480 --> 00:12:03,880
Mm.

214
00:12:05,280 --> 00:12:09,840
I met him years ago
at a little low key gig in Soho.

215
00:12:09,880 --> 00:12:12,080
Next thing I know, I'm backstage.

216
00:12:12,120 --> 00:12:13,640
And he says to me,

217
00:12:13,680 --> 00:12:16,360
"Hey, man, we ought to do a gig
together sometime soon."

218
00:12:16,400 --> 00:12:17,720
Erm...

219
00:12:17,760 --> 00:12:20,680
Oh, well, he thought I was
Brian Jones from The Rolling Stones.

220
00:12:20,720 --> 00:12:23,760
Oh, yeah.
Yeah, I can see that. Yeah.

221
00:12:23,800 --> 00:12:26,240
Did you put him right?
Absolutely not.

222
00:12:26,280 --> 00:12:28,440
He handed me a guitar
and we had a jam.

223
00:12:28,480 --> 00:12:30,120
Diddle-ling!

224
00:12:30,160 --> 00:12:32,760
This is Jean, my colleague.

225
00:12:32,800 --> 00:12:34,760
A few more questions.

226
00:12:34,800 --> 00:12:37,880
How long have you worked
with Monsieur Duran?

227
00:12:37,920 --> 00:12:40,120
There is no monsieur,

228
00:12:40,160 --> 00:12:42,440
it is just Dura.

229
00:12:42,480 --> 00:12:44,840
One name, one Dura.

230
00:12:44,880 --> 00:12:47,560
"As one, we can be one."

231
00:12:47,600 --> 00:12:49,120
Pardonnez-moi.

232
00:12:49,160 --> 00:12:51,880
40 years, on and off.

233
00:12:51,920 --> 00:12:54,680
I worked with him
on his very first album...

234
00:12:56,400 --> 00:12:58,560
..and now?

235
00:12:58,600 --> 00:13:01,000
Life is so unfair, isn't it?

236
00:13:01,040 --> 00:13:02,640
It really is.

237
00:13:02,680 --> 00:13:05,760
You've only just reconnected
and now he's dead.

238
00:13:05,800 --> 00:13:07,680
I know, darling,

239
00:13:07,720 --> 00:13:10,720
but we must find the positive
and do his memory justice.

240
00:13:10,760 --> 00:13:12,920
That chateau millhouse

241
00:13:12,960 --> 00:13:16,800
will become a destination
for all Dura devotees.

242
00:13:16,840 --> 00:13:18,920
That's right.

243
00:13:18,960 --> 00:13:22,720
Our very own Graceland!
How exciting!

244
00:13:23,760 --> 00:13:26,560
Forgive me
for asking the next question,

245
00:13:26,600 --> 00:13:30,040
but do you know anyone
who would want to kill Monsieur...

246
00:13:30,080 --> 00:13:32,360
ah, Dura?

247
00:13:39,160 --> 00:13:41,400
Erm, what brought you here?

248
00:13:41,440 --> 00:13:43,760
A three record deal.

249
00:13:43,800 --> 00:13:45,440
He chose San Victoire

250
00:13:45,480 --> 00:13:48,400
because of the sonority
of the Mediterranean stone.

251
00:13:48,440 --> 00:13:51,360
When the rhythm of the dance
changes,

252
00:13:51,400 --> 00:13:54,000
the sound it produces also changes.

253
00:13:54,040 --> 00:13:57,600
Each atom
perpetually sings its song.

254
00:13:57,640 --> 00:14:00,720
An Alexandra David-Neel quote.

255
00:14:00,760 --> 00:14:03,760
You've heard of her?
Yes.

256
00:14:03,800 --> 00:14:06,400
The first European woman
to enter Lhasa, Tibet,

257
00:14:06,440 --> 00:14:09,040
when it was closed
to the rest of the world.

258
00:14:09,080 --> 00:14:12,280
I, erm, sourced a first edition
of one of her books

259
00:14:12,320 --> 00:14:16,160
for a client once.
She was quite the trailblazer.

260
00:14:18,080 --> 00:14:20,800
That's what Dura used to call Chloe.

261
00:14:20,840 --> 00:14:23,280
Sorry. Who's Chloe?

262
00:14:23,320 --> 00:14:25,240
Chloe is our saviour.

263
00:14:26,720 --> 00:14:28,760
She works for the record company

264
00:14:28,800 --> 00:14:32,440
that offered Dura
the three album comeback deal.

265
00:14:32,480 --> 00:14:36,600
It took a bit of persuading
because he was such a recluse,

266
00:14:36,640 --> 00:14:42,280
but once Dura had found his concept,
he was really excited.

267
00:14:44,840 --> 00:14:47,080
What am I gonna do?

268
00:14:57,720 --> 00:14:59,520
How long do you think
he was planning to stay?

269
00:14:59,560 --> 00:15:00,840
What?

270
00:15:00,880 --> 00:15:05,120
Well, Dura is legendary
for his long studio sessions.

271
00:15:05,160 --> 00:15:07,720
He once spent three weeks
recording a triangle.

272
00:15:09,240 --> 00:15:11,400
Oh, wow.

273
00:15:11,440 --> 00:15:13,840
You know, when I first hear Dura,

274
00:15:13,880 --> 00:15:16,920
the way he used his Tamerlane
just blew my mind.

275
00:15:16,960 --> 00:15:19,080
I thought his wife was called
Mandarina.

276
00:15:19,120 --> 00:15:21,000
No, no, no.

277
00:15:21,040 --> 00:15:23,680
This is the Tamerlane speaker.

278
00:15:23,720 --> 00:15:26,320
The Doppler effect on that
is mind blowing.

279
00:15:26,360 --> 00:15:27,840
Pardon?

280
00:15:27,880 --> 00:15:30,800
Well, you know how the sound
of a train whistle

281
00:15:30,840 --> 00:15:32,640
goes down in pitch as it passes by?

282
00:15:32,680 --> 00:15:34,320
Yeah.

283
00:15:34,360 --> 00:15:36,800
That's the Doppler effect.

284
00:15:36,840 --> 00:15:39,720
A combined amplifier
and loudspeaker.

285
00:15:39,760 --> 00:15:42,000
Mm. So why is it so mind blowing?

286
00:15:42,040 --> 00:15:46,360
It made the notes make sounds
that no-one had ever heard before.

287
00:15:46,400 --> 00:15:47,520
Oh.

288
00:15:48,840 --> 00:15:51,240
I can't believe I'm actually
in the same room

289
00:15:51,280 --> 00:15:54,480
as some of the equipment
that produced a sonic serpent.

290
00:15:54,520 --> 00:15:58,000
I mean, that is the actual
Tamerlane speaker

291
00:15:58,040 --> 00:15:59,920
that is on that album cover.

292
00:15:59,960 --> 00:16:01,440
And I've just touched it.

293
00:16:01,480 --> 00:16:03,840
Just touched it again!

294
00:16:03,880 --> 00:16:06,240
The lock is intact.

295
00:16:06,280 --> 00:16:10,240
Yeah. No-one's getting through
these walls.

296
00:16:10,280 --> 00:16:13,840
So how do they get in?
C'est impossible.

297
00:16:21,000 --> 00:16:22,840
Are you actually crying?

298
00:16:22,880 --> 00:16:24,880
HE SCOFFS
No!

299
00:16:24,920 --> 00:16:26,760
What you talking about?

300
00:16:33,400 --> 00:16:35,880
There is a bell, you know.

301
00:16:35,920 --> 00:16:38,760
Hello. I think you need to get
your bell fixed.

302
00:16:38,800 --> 00:16:41,000
The bell does work, actually.

303
00:16:41,040 --> 00:16:43,840
DOORBELL RINGS

304
00:16:45,080 --> 00:16:46,240
How can I help you?

305
00:16:46,280 --> 00:16:48,440
I'm here to see Mandarina.

306
00:16:59,600 --> 00:17:02,040
Oh, Chloe. Thank God you're here.

307
00:17:02,080 --> 00:17:04,280
Oh, it's so good to meet you
in the flesh.

308
00:17:05,800 --> 00:17:08,720
Judith, Jeremy, this is Chloe
from the record company.

309
00:17:08,760 --> 00:17:10,880
She commissioned our album deal.

310
00:17:10,920 --> 00:17:14,600
How are you doing?
I'm OK.

311
00:17:14,640 --> 00:17:18,040
When did you get here?
I landed an hour ago.

312
00:17:18,080 --> 00:17:20,720
I'm so sorry for your loss.

313
00:17:20,760 --> 00:17:22,960
I was just really looking forward

314
00:17:23,000 --> 00:17:25,400
to being part
of the artistic process.

315
00:17:25,440 --> 00:17:27,160
Our FaceTime communications

316
00:17:27,200 --> 00:17:30,400
played an integral part
in the preparations. Yes.

317
00:17:30,440 --> 00:17:33,760
It's just a shame
Dura could never join us.

318
00:17:33,800 --> 00:17:37,040
Well, you know what he was like
about technology.

319
00:17:39,040 --> 00:17:42,720
Look, there's no easy way
to say this.

320
00:17:42,760 --> 00:17:45,480
There's bad news
from the record company.

321
00:17:45,520 --> 00:17:48,720
We'll be calling in our investment
in the next 24 hours.

322
00:17:48,760 --> 00:17:52,520
What?
MARCO: Are you actually serious?

323
00:17:52,560 --> 00:17:55,320
He's not even cold,

324
00:17:55,360 --> 00:17:57,480
and you're already talking money?

325
00:17:57,520 --> 00:18:01,120
As Dura is unable
to fulfil his commitments,

326
00:18:01,160 --> 00:18:03,520
we have no choice
but to call in our investment.

327
00:18:03,560 --> 00:18:05,840
How could he fulfil
his investment?!

328
00:18:05,880 --> 00:18:08,440
He is dead!

329
00:18:08,480 --> 00:18:11,120
Money needs to be in the account
today.

330
00:18:12,680 --> 00:18:14,840
I'm afraid business is business.

331
00:18:14,880 --> 00:18:18,840
He said that you were
his trailblazer.

332
00:18:18,880 --> 00:18:22,160
That you gave him a reason
to create again.

333
00:18:22,200 --> 00:18:25,200
How can you be so cold?

334
00:18:25,240 --> 00:18:27,160
Like I said...

335
00:18:27,200 --> 00:18:28,560
business is business.

336
00:18:28,600 --> 00:18:31,200
It's like
I don't recognise your face.

337
00:18:31,240 --> 00:18:34,120
Oh, the irony!

338
00:18:34,160 --> 00:18:36,560
The Masks We Have.

339
00:18:36,600 --> 00:18:40,080
WHISPERS: Dura's third album.
What?

340
00:18:40,120 --> 00:18:42,120
The Masks We Have.

341
00:18:42,160 --> 00:18:46,040
Recorded the whole thing
in a public lavatory in Hyde Park.

342
00:18:46,080 --> 00:18:49,120
Eurgh, that's disgusting.
Yeah.

343
00:18:49,160 --> 00:18:52,120
I'll give you 24 hours,
then I'll be calling our lawyers.

344
00:18:52,160 --> 00:18:53,920
I think you'd better leave.

345
00:18:53,960 --> 00:18:56,280
Oh! Hang on, lady...

346
00:18:56,320 --> 00:19:00,640
you are going out
of the tradesmen's entrance.

347
00:19:07,280 --> 00:19:08,960
That way.

348
00:19:13,720 --> 00:19:15,800
MOBILE RINGS

349
00:19:18,920 --> 00:19:21,000
John. I've sorted it.

350
00:19:21,040 --> 00:19:24,600
The money
will be in your account tomorrow.

351
00:19:24,640 --> 00:19:27,120
I'll pay you well for your silence.

352
00:19:28,400 --> 00:19:30,640
Please, John,
we have worked together for years.

353
00:19:30,680 --> 00:19:32,200
Please don't tell them.

354
00:19:44,400 --> 00:19:46,120
Erm, Judith...

355
00:19:47,440 --> 00:19:49,240
..who was that woman?

356
00:19:49,280 --> 00:19:52,160
Oh, she's from Dura's
record company.

357
00:19:52,200 --> 00:19:55,240
Frightful woman.
Only just got off the plane

358
00:19:55,280 --> 00:19:57,200
and she's demanding
their advance back.

359
00:19:57,240 --> 00:19:59,320
I had to physically remove her.
Oh.

360
00:19:59,360 --> 00:20:02,080
Gin and tonic?
Oh, er, no, thanks.

361
00:20:02,120 --> 00:20:04,160
We'll be off now.
Oh, shame!

362
00:20:20,200 --> 00:20:22,840
DURA'S MUSIC PLAYS

363
00:20:42,400 --> 00:20:43,600
Open your eyes.

364
00:20:47,640 --> 00:20:49,800
Well?

365
00:20:49,840 --> 00:20:52,360
Yeah. Yeah, it was good.

366
00:20:52,400 --> 00:20:54,240
Did you feel it?

367
00:20:54,280 --> 00:20:55,400
Er...

368
00:20:55,440 --> 00:20:57,720
The journey of the bell,
did you feel it?

369
00:20:57,760 --> 00:21:00,280
Er... I-I'm not sure.

370
00:21:00,320 --> 00:21:03,720
That's... That's why the album's
called Journey Of The Bells.

371
00:21:03,760 --> 00:21:06,080
Really?
Yeah.

372
00:21:06,120 --> 00:21:07,320
The resonance of the bell

373
00:21:07,360 --> 00:21:10,120
travels continuously
throughout the album...

374
00:21:11,560 --> 00:21:13,720
..and through you.

375
00:21:14,880 --> 00:21:17,720
So, what happens
when you turn the record over?

376
00:21:17,760 --> 00:21:20,880
Well, that's where Dura
was a maverick.

377
00:21:20,920 --> 00:21:22,200
He thought of everything

378
00:21:22,240 --> 00:21:24,960
to do with every musical journey
ever created.

379
00:21:25,000 --> 00:21:28,960
The album came with a free bell,

380
00:21:29,000 --> 00:21:32,400
which you rang
when you turned the record over.

381
00:21:33,800 --> 00:21:37,440
I lost the clapper years ago
at a house party in Leicester.

382
00:21:38,440 --> 00:21:41,080
Go on, then, play us another one.
Yeah?

383
00:21:41,120 --> 00:21:42,560
All right, er...

384
00:21:42,600 --> 00:21:47,800
Oh, now, now, now,
this is one of his absolute best.

385
00:21:47,840 --> 00:21:51,080
Dura was the first artist

386
00:21:51,120 --> 00:21:55,040
to use the lithophone
in a non-percussive way.

387
00:21:55,080 --> 00:21:57,920
The lithophone? Like a xylophone?
Yeah, yeah.

388
00:21:57,960 --> 00:21:59,800
But with rocks.

389
00:21:59,840 --> 00:22:02,240
He used water to strike the rocks

390
00:22:02,280 --> 00:22:05,560
and created notes and sounds
that no-one had ever heard before.

391
00:22:05,600 --> 00:22:07,600
Cor, he's a good looking fella,
wasn't he?

392
00:22:07,640 --> 00:22:10,440
Look at them eyes.
Oh, he was so beautiful.

393
00:22:10,480 --> 00:22:13,120
Mm. That's interesting...

394
00:22:13,160 --> 00:22:15,960
His tattoo. It's the chakana.

395
00:22:16,000 --> 00:22:20,720
Considered to be the most holy sign
of the Inca culture.

396
00:22:20,760 --> 00:22:22,520
It represents the tree of life

397
00:22:22,560 --> 00:22:24,760
and, er,
the four realms of the world.

398
00:22:26,360 --> 00:22:27,600
Hang on...

399
00:22:32,200 --> 00:22:36,760
This symbol was
drawn on Dura's face when he died.

400
00:22:36,800 --> 00:22:39,000
It's all about the Incas.

401
00:22:39,040 --> 00:22:40,440
Right.

402
00:22:40,480 --> 00:22:43,440
The chakana, and now the snake.

403
00:22:43,480 --> 00:22:44,640
No, I'm not with you.

404
00:22:44,680 --> 00:22:47,480
Well, the snake, in Inca symbolism,

405
00:22:47,520 --> 00:22:49,800
it means the passage
to the underworld.

406
00:22:49,840 --> 00:22:51,200
That's really interesting.

407
00:22:52,640 --> 00:22:55,600
Mandarina got snake tattoo
when they got married.

408
00:22:55,640 --> 00:22:58,560
SHE GASPS
No, no. No, it can't have been her.

409
00:22:58,600 --> 00:23:00,000
Yeah.

410
00:23:00,040 --> 00:23:02,360
And they would have made loads
with a comeback.

411
00:23:02,400 --> 00:23:05,280
And the record company
was set to make a killing, too.

412
00:23:05,320 --> 00:23:07,360
Yes.
You might wanna rephrase that.

413
00:23:07,400 --> 00:23:10,360
But then Chloe did want her money
back sharpish, didn't she?

414
00:23:10,400 --> 00:23:12,920
And then there's a phone call.
What phone call?

415
00:23:12,960 --> 00:23:15,680
I overheard her talking to someone
saying,

416
00:23:15,720 --> 00:23:18,840
"Don't tell anybody, and I'll put
the money back in your account."

417
00:23:18,880 --> 00:23:20,640
Sounded like blackmail to me.
Really?

418
00:23:20,680 --> 00:23:22,560
But how could she have murdered
Dura?

419
00:23:22,600 --> 00:23:25,080
She came straight from the airport.
Hmm.

420
00:23:25,120 --> 00:23:26,720
And how did she get through
a locked door,

421
00:23:26,760 --> 00:23:28,560
bash his head,
and draw a squiggle on his face?

422
00:23:28,600 --> 00:23:30,040
None of it makes any sense,
does it?

423
00:23:30,080 --> 00:23:32,000
Nothing about this case
makes any sense,

424
00:23:32,040 --> 00:23:33,800
but that's all we've got to go on.

425
00:23:33,840 --> 00:23:36,240
I think we need to find out
a little bit more

426
00:23:36,280 --> 00:23:39,440
about this Chloe character.
Hmm. Hey...

427
00:23:39,480 --> 00:23:43,720
the first track on this album
is called Keep My Eye On You.

428
00:23:43,760 --> 00:23:45,560
Well, that's very appropriate.

429
00:23:45,600 --> 00:23:47,600
This one is 28 minutes long,

430
00:23:47,640 --> 00:23:50,040
and in the middle,
it goes backwards.

431
00:23:50,080 --> 00:23:51,680
Oh, fantastic.

432
00:23:51,720 --> 00:23:53,520
ROCK INTRO PLAYS

433
00:23:55,120 --> 00:23:57,240
VOCALS START

434
00:24:04,640 --> 00:24:06,000
DRUMS BEGIN

435
00:24:13,560 --> 00:24:15,120
Is that really necessary?

436
00:24:15,160 --> 00:24:17,720
Yeah, you're right, I should've cut
eye holes in it, shouldn't I.

437
00:24:17,760 --> 00:24:20,080
Dom, she's never even seen us.

438
00:24:20,120 --> 00:24:22,120
Oh, wait, what's going on here?

439
00:24:22,160 --> 00:24:24,680
Stop it!
You're supposed to be incognito.

440
00:24:24,720 --> 00:24:26,760
Hey, they're a great band, them.

441
00:24:39,960 --> 00:24:42,360
Bonjour. Avez-vous un menu?
Oui. Bien su.

442
00:24:44,200 --> 00:24:49,080
I first met Dura
at a little low profile gig in Soho.

443
00:24:49,120 --> 00:24:52,000
So, is all Dura's stuff
still up at your millhouse?

444
00:24:52,040 --> 00:24:55,440
Dad, stop sniffing for merchandise.
He's not even cold.

445
00:24:55,480 --> 00:24:59,800
Yes, we're thinking of making it
into a shrine, like Graceland.

446
00:24:59,840 --> 00:25:01,680
Do you know,
they've never changed a thing

447
00:25:01,720 --> 00:25:03,360
in the bathroom where Elvis died.

448
00:25:03,400 --> 00:25:05,920
Even left his haemorrhoid cream
in place.

449
00:25:05,960 --> 00:25:08,120
Eurgh, that's awful.

450
00:25:08,160 --> 00:25:09,600
How do you know that?

451
00:25:09,640 --> 00:25:11,920
Mate of mine,
worked in the gift shop.

452
00:25:11,960 --> 00:25:14,320
Hey, is there any chance I could
come and have a look round?

453
00:25:14,360 --> 00:25:15,680
I'm a big fan.

454
00:25:15,720 --> 00:25:17,480
Well, his wife
is still in the chateau,

455
00:25:17,520 --> 00:25:19,360
so I suppose there's no harm
in asking.

456
00:25:19,400 --> 00:25:21,400
Maybe give it a couple of days,
'ey, Dad.

457
00:25:21,440 --> 00:25:25,000
As I was saying,
after the gig,

458
00:25:25,040 --> 00:25:29,080
Dura thought I was Brian Jones
of The Rolling Stones.

459
00:25:30,480 --> 00:25:32,680
You sit down,
I'll get the drinks in. All right.

460
00:25:42,840 --> 00:25:45,240
The money will be in your account
tonight.

461
00:25:45,280 --> 00:25:47,320
Don't get aggressive.

462
00:25:47,360 --> 00:25:50,800
Dura's death
has cleaned everything up.

463
00:25:52,120 --> 00:25:54,080
MUMBLING: I recorded it.

464
00:25:54,120 --> 00:25:55,520
I can't understand you.

465
00:25:55,560 --> 00:25:57,000
GRITTED TEETH: I recorded it.

466
00:26:04,040 --> 00:26:05,280
I'll be back in a minute.

467
00:26:14,160 --> 00:26:16,720
Charlie, erm, the peridot earrings

468
00:26:16,760 --> 00:26:18,360
I bought at auction
a couple of weeks ago,

469
00:26:18,400 --> 00:26:19,640
have we sold them?

470
00:26:19,680 --> 00:26:22,640
Uh... Ah, oui.
I sold them last week.

471
00:26:22,680 --> 00:26:26,040
The woman kept going on about
how peridot can combat stress.

472
00:26:26,080 --> 00:26:28,200
To be honest, pfft, I glazed over.

473
00:26:28,240 --> 00:26:30,000
Can you remember which day
last week?

474
00:26:30,040 --> 00:26:32,640
Uh... Pfft, je ne sais pas.

475
00:26:32,680 --> 00:26:35,200
Well, have you got
the customer details?

476
00:26:35,240 --> 00:26:38,320
Ah! Oui.
She wanted a written receipt.

477
00:26:41,440 --> 00:26:43,360
Mm. Voila.

478
00:26:48,560 --> 00:26:50,040
Thank you.

479
00:26:52,840 --> 00:26:55,280
LAUGHTER

480
00:26:55,320 --> 00:26:57,000
Sorry, there's somebody
sitting there.

481
00:26:57,040 --> 00:26:59,280
You've got to hear this, Dom.
Go on, Trev.

482
00:26:59,320 --> 00:27:04,520
I once sold some actual grass
off Jerry Lee Lewis' grave.

483
00:27:04,560 --> 00:27:08,240
What, grass, grass?
Oh, aye. Proper turf.

484
00:27:08,280 --> 00:27:12,440
I once went to a "green party"
in Chelsea back in the day.

485
00:27:12,480 --> 00:27:14,920
I ended up naked
in a giant fish tank!

486
00:27:14,960 --> 00:27:16,840
No!

487
00:27:16,880 --> 00:27:19,560
Thank God for an age
before camera phones.

488
00:27:19,600 --> 00:27:20,880
That sounds amazing.

489
00:27:20,920 --> 00:27:23,400
Golden days, Dominic, golden days.

490
00:27:23,440 --> 00:27:24,760
Yeah, I bet.

491
00:27:24,800 --> 00:27:28,680
My God,
Dura looked amazing for his age.

492
00:27:28,720 --> 00:27:30,600
Sort of Peter Pan of rock.

493
00:27:30,640 --> 00:27:33,960
Hmm. Well, he did always say
he wanted to die before he got old.

494
00:27:34,000 --> 00:27:37,400
You know, I've got the last picture
of him alive.

495
00:27:37,440 --> 00:27:40,280
No way.
Mm, I was, ah, helping, ah,

496
00:27:40,320 --> 00:27:42,280
with the album, you know.

497
00:27:42,320 --> 00:27:44,040
Come on, let's see it, then.

498
00:27:44,080 --> 00:27:46,480
No, really?
It's a bit grim, innit, guys?

499
00:27:46,520 --> 00:27:49,320
No, he wouldn't mind, would he.

500
00:27:49,360 --> 00:27:50,800
Here we go.

501
00:27:52,120 --> 00:27:54,640
Oh, wow. He looks great.

502
00:27:54,680 --> 00:27:56,320
That's not Dura.
That's not...

503
00:27:56,360 --> 00:27:58,960
Who is that, then, Cliff Richard?
Course it's Dura,

504
00:27:59,000 --> 00:28:01,720
it was taken yesterday
just before he was killed.

505
00:28:01,760 --> 00:28:05,720
Listen, I sold loads of his
merchandise back in the day.

506
00:28:05,760 --> 00:28:08,520
And unless plastic surgery
can make your forehead smaller...

507
00:28:09,680 --> 00:28:11,800
Then again,
how many of these have I had?

508
00:28:11,840 --> 00:28:13,920
JEAN: 'Dom!'

509
00:28:17,160 --> 00:28:19,680
Where have you been?
I have got a recording of her saying

510
00:28:19,720 --> 00:28:21,640
Dura's death
has cleaned everything up.

511
00:28:21,680 --> 00:28:24,280
Have you? Well done, Dom.

512
00:28:24,320 --> 00:28:27,680
All right, don't sound so surprised.
No, no, it's great.

513
00:28:27,720 --> 00:28:30,120
And she was lying
about arriving yesterday.

514
00:28:30,160 --> 00:28:31,920
See those earrings she's wearing?

515
00:28:31,960 --> 00:28:34,920
She bought them from my shop
last week.

516
00:28:34,960 --> 00:28:37,480
I think you need to call Caron.
Yeah.

517
00:28:37,520 --> 00:28:39,040
Send me that recording, Colombo.

518
00:28:46,600 --> 00:28:48,120
Am I under arrest?

519
00:28:48,160 --> 00:28:50,880
You are by no means under arrest.

520
00:28:50,920 --> 00:28:53,120
Thank you for coming in.

521
00:28:53,160 --> 00:28:56,000
We just need to clarify
your whereabouts

522
00:28:56,040 --> 00:28:57,440
at the time of Dura's death.

523
00:28:59,080 --> 00:29:03,240
You told everyone that you flew in
on the morning of the murder.

524
00:29:03,280 --> 00:29:06,160
And?
I like your earrings.

525
00:29:06,200 --> 00:29:09,200
Peridot stones.

526
00:29:09,240 --> 00:29:11,560
The ancient Egyptians believed

527
00:29:11,600 --> 00:29:14,560
they would protect them
from night terrors.

528
00:29:14,600 --> 00:29:19,040
Also known very well
for their healing qualities. Hmm.

529
00:29:19,080 --> 00:29:21,400
And you bought them from my shop
last week.

530
00:29:22,920 --> 00:29:25,600
May I?
Yes, sure.

531
00:29:25,640 --> 00:29:28,200
RECORDING: 'The money
will be in your account tonight.

532
00:29:28,240 --> 00:29:29,840
'Don't get aggressive,

533
00:29:29,880 --> 00:29:33,080
'Dura's death
has cleaned everything up.'

534
00:29:33,120 --> 00:29:35,680
DOM: 'I recorded it.'
JEAN: 'I can't understand you.'

535
00:29:35,720 --> 00:29:37,360
SHE TURNS IT OFF

536
00:29:37,400 --> 00:29:39,920
Can you elaborate?

537
00:29:39,960 --> 00:29:43,320
It would be easier for you
if you told the truth, Chloe.

538
00:29:45,920 --> 00:29:49,360
Look, I'm a woman
at a record company.

539
00:29:49,400 --> 00:29:53,120
For years, men had leapfrogged me
into better positions.

540
00:29:53,160 --> 00:29:56,640
I was still scrabbling around
in pubs, looking for major talent,

541
00:29:56,680 --> 00:29:59,280
finding it,
and having it taken away from me.

542
00:30:01,080 --> 00:30:02,680
I was always such a fan of Dura,

543
00:30:02,720 --> 00:30:06,400
and I worked out that a comeback
would make millions.

544
00:30:06,440 --> 00:30:09,240
But because he's been such a recluse
and no-one had seen him for years,

545
00:30:09,280 --> 00:30:11,720
no-one would trust me
with a budget.

546
00:30:11,760 --> 00:30:13,000
Go on.

547
00:30:14,120 --> 00:30:16,360
So I made contact with Mandarina...

548
00:30:17,600 --> 00:30:19,160
..and we came up with a deal.

549
00:30:20,760 --> 00:30:24,720
I was so looking forward
to meeting Dura in the flesh.

550
00:30:24,760 --> 00:30:29,080
What, you signed him up
to the record company

551
00:30:29,120 --> 00:30:30,520
without even meeting him?

552
00:30:30,560 --> 00:30:32,480
It all adds to the mystery.

553
00:30:32,520 --> 00:30:35,560
Besides, everyone knew
Mandarina deals with the business.

554
00:30:35,600 --> 00:30:39,200
So how did you afford the deal?

555
00:30:39,240 --> 00:30:42,360
I borrowed the money
from the record company's accounts.

556
00:30:42,400 --> 00:30:44,280
Illegally.
Of course, illegally.

557
00:30:44,320 --> 00:30:47,200
I was going to pay it back
before the next financial year.

558
00:30:47,240 --> 00:30:49,320
No-one would have known it was gone.

559
00:30:49,360 --> 00:30:51,240
Dura would have gone into profit.

560
00:30:51,280 --> 00:30:53,760
And I'd be able to prove
to those pig-headed misogynists

561
00:30:53,800 --> 00:30:55,560
that I was the best that they had.

562
00:30:55,600 --> 00:30:57,720
So what happened?

563
00:30:58,920 --> 00:31:02,240
Colleague found out
and started blackmailing me.

564
00:31:03,880 --> 00:31:07,720
I came out last week
to tell Mandarina and Dura,

565
00:31:07,760 --> 00:31:08,840
but when I turned up

566
00:31:08,880 --> 00:31:11,000
they weren't at the studio
that I'd booked,

567
00:31:11,040 --> 00:31:14,200
so I rang the sound engineer
to find out what was going on

568
00:31:14,240 --> 00:31:17,600
and he told me Mandarina
had cancelled him.

569
00:31:17,640 --> 00:31:19,200
Hang on...

570
00:31:19,240 --> 00:31:22,920
I thought Marco was Dura's
regular sound engineer.

571
00:31:22,960 --> 00:31:25,600
I'm sorry, I don't know
who you're talking about.

572
00:31:25,640 --> 00:31:28,040
I finally found out
they're at the chateau,

573
00:31:28,080 --> 00:31:30,360
when Mandarina called me
to tell me what happened.

574
00:31:31,920 --> 00:31:34,480
But I didn't kill him.

575
00:31:34,520 --> 00:31:37,040
I'm a record company exec.

576
00:31:37,080 --> 00:31:38,680
Not a murderer.

577
00:31:38,720 --> 00:31:40,240
TEXT ALERT

578
00:31:43,280 --> 00:31:44,600
Mon Dieu.

579
00:31:53,200 --> 00:31:54,480
What?

580
00:31:54,520 --> 00:31:56,200
The autopsy report has shown

581
00:31:56,240 --> 00:31:58,360
that he did not die
from the head injury.

582
00:31:58,400 --> 00:32:01,800
He had the most horrible death,
Jean.

583
00:32:01,840 --> 00:32:03,120
What?

584
00:32:03,160 --> 00:32:04,840
His lungs exploded.

585
00:32:06,840 --> 00:32:08,640
Oh!

586
00:32:11,840 --> 00:32:14,480
DOG BARKS
Douglas, no! No!

587
00:32:16,400 --> 00:32:18,840
DOG BARKS

588
00:32:22,400 --> 00:32:23,800
Humans can't hear it.

589
00:32:23,840 --> 00:32:26,800
It used to belong to
Barbara Woodhouse.

590
00:32:38,800 --> 00:32:42,480
Dom, could you give me a lift
to the chateau, please.

591
00:32:52,400 --> 00:32:55,040
Hi, guys. How's it hangin'?

592
00:32:55,080 --> 00:32:58,560
The Js are sunbathing out back,
if you want to join?

593
00:32:58,600 --> 00:33:01,600
Er, we're here to take a look
at the studio, actually.

594
00:33:01,640 --> 00:33:04,600
I think I might have
dropped something. Sure. Go through.

595
00:33:06,680 --> 00:33:09,520
I never know where to look
with an unbuttoned shirt.

596
00:33:13,760 --> 00:33:15,680
Trevor was well-oiled earlier.

597
00:33:15,720 --> 00:33:20,080
You know that selfie that Jeremy
says is the last photo of Dura?

598
00:33:20,120 --> 00:33:21,760
Well, Trevor says,
"That's not Dura."

599
00:33:21,800 --> 00:33:23,440
I said, "Who is it, then,
Cliff Richard?"

600
00:33:23,480 --> 00:33:25,400
He's having none of it, battered.

601
00:33:25,440 --> 00:33:29,560
Dom... This isn't the same speaker.

602
00:33:29,600 --> 00:33:32,520
What do you mean?
It's not walnut.

603
00:33:32,560 --> 00:33:34,600
'Ey?

604
00:33:34,640 --> 00:33:38,800
I have sold too many pieces
of 18th century furniture

605
00:33:38,840 --> 00:33:41,200
to know this is not walnut grain.

606
00:33:41,240 --> 00:33:43,120
Whoa, whoa, whoa, whoa,
what are you doing?

607
00:33:43,160 --> 00:33:45,080
Trust me.
Jean...

608
00:33:45,120 --> 00:33:46,560
CYMBALS CLATTER

609
00:33:46,600 --> 00:33:48,080
Jean, that speaker has produced

610
00:33:48,120 --> 00:33:51,440
some of the most
influential music ever written.

611
00:33:51,480 --> 00:33:54,520
Dom. Dom...

612
00:33:54,560 --> 00:33:59,360
This is not the same speaker
as the one on your album cover.

613
00:33:59,400 --> 00:34:00,680
Trust me.

614
00:34:07,200 --> 00:34:10,640
Ah! Exactly as I thought.

615
00:34:10,680 --> 00:34:12,120
False cover.

616
00:34:13,480 --> 00:34:16,400
I don't understand. I take it
that's not supposed to be there?

617
00:34:16,440 --> 00:34:19,240
No. That is a brand new subwoofer,
that's not supposed to be there.

618
00:34:19,280 --> 00:34:22,520
It was the dog whistle
that gave me the idea,

619
00:34:22,560 --> 00:34:24,360
but I'm not sure.

620
00:34:24,400 --> 00:34:27,280
I need to speak to someone who knows
what they're talking about.

621
00:34:27,320 --> 00:34:29,360
You know an expert in dog whistles.

622
00:34:29,400 --> 00:34:33,000
No. Professor Thomas.
Who's that?

623
00:34:33,040 --> 00:34:36,840
She's an expert in military warfare.
Loves her Air Medal.

624
00:34:41,880 --> 00:34:46,480
Oh, thank you so much for sparing me
your time, Professor Thomas.

625
00:34:46,520 --> 00:34:48,640
'Not at all. Good to hear from you.'
Oh!

626
00:34:48,680 --> 00:34:50,200
'Call me Penny.'

627
00:34:50,240 --> 00:34:52,880
Well, this might sound like
an odd question, Penny...

628
00:34:54,320 --> 00:34:56,360
..but can sound kill?

629
00:34:56,400 --> 00:34:58,960
'Now, that is a fascinating subject,
Jean.'

630
00:35:03,840 --> 00:35:07,640
Sound. Dura was killed with sound.

631
00:35:07,680 --> 00:35:08,680
What?

632
00:35:08,720 --> 00:35:11,600
In an enclosed space,
a certain sound frequency,

633
00:35:11,640 --> 00:35:12,960
well, can kill a human.

634
00:35:14,440 --> 00:35:18,120
Right. When we were listening
to your records,

635
00:35:18,160 --> 00:35:22,800
you said the resonance of the bells
travels through you continuously.

636
00:35:22,840 --> 00:35:24,200
Yeah.
Right.

637
00:35:24,240 --> 00:35:27,960
And when Trevor blew the dog whistle
for Douglas,

638
00:35:28,000 --> 00:35:29,960
no-one else could hear it.

639
00:35:30,000 --> 00:35:33,200
And that gave me the idea.
What idea?

640
00:35:33,240 --> 00:35:35,480
That's why I called
Professor Thomas.

641
00:35:35,520 --> 00:35:38,360
Part of her studies
are on sonic warfare.

642
00:35:38,400 --> 00:35:40,120
Oh, my God.

643
00:35:40,160 --> 00:35:44,280
Well, we know that Dura didn't die
from the bash on his head.

644
00:35:44,320 --> 00:35:46,280
He died from his lungs exploding.

645
00:35:46,320 --> 00:35:49,440
And that was done
with a huge sound wave.

646
00:35:49,480 --> 00:35:53,000
He must have hit his head
on the way down to the floor.

647
00:35:53,040 --> 00:35:54,920
Of course!

648
00:35:54,960 --> 00:35:57,360
Who you could get inside
a locked room.

649
00:35:57,400 --> 00:36:00,600
No-one, because no-one did.

650
00:36:00,640 --> 00:36:02,280
SHE EXHALES SHARPLY

651
00:36:08,240 --> 00:36:12,680
Dom, what did Trevor say about
Dura not being Dura?

652
00:36:12,720 --> 00:36:15,960
Well, when he saw the selfie
of Jeremy and Dura, he said,

653
00:36:16,000 --> 00:36:20,040
"Unless he's had plastic surgery."
Oh, my God.

654
00:36:20,080 --> 00:36:22,160
SHE GASPS
Come on.

655
00:36:33,000 --> 00:36:35,520
The police again.

656
00:36:35,560 --> 00:36:38,440
I thought they'd finished
all their forensics.

657
00:36:38,480 --> 00:36:40,280
I wonder what's going on?

658
00:36:55,000 --> 00:36:58,840
CHUCKLING
Oh, yes!

659
00:36:58,880 --> 00:37:03,360
And he thought I was Brian Jones
from the Rolling Stones!

660
00:37:04,520 --> 00:37:07,000
My colleague would like to ask you
a few questions.

661
00:37:15,440 --> 00:37:19,440
Some things
are just not adding up for me.

662
00:37:19,480 --> 00:37:20,840
So, Marco,

663
00:37:20,880 --> 00:37:24,120
How long have you worked with Dura?

664
00:37:24,160 --> 00:37:26,040
Donkey's years.

665
00:37:26,080 --> 00:37:28,160
I did his first album.

666
00:37:28,200 --> 00:37:31,840
It's funny that, because, erm,
when we interviewed Chloe,

667
00:37:31,880 --> 00:37:35,520
she had absolutely no idea
who you were.

668
00:37:36,760 --> 00:37:38,200
Is there anything you'd like to say?

669
00:37:39,560 --> 00:37:40,920
No?

670
00:37:42,680 --> 00:37:46,320
Marco, we have evidence

671
00:37:46,360 --> 00:37:49,200
that it was you who murdered Dura.

672
00:37:49,240 --> 00:37:52,560
Ridiculous.
I was in the van!

673
00:37:52,600 --> 00:37:54,720
Which is exactly
where you needed to be

674
00:37:54,760 --> 00:37:56,800
if you were gonna kill him
with sound.

675
00:37:56,840 --> 00:37:58,560
What?!
Sorry?!

676
00:37:58,600 --> 00:38:01,320
The Tamerlane speaker
had been replaced,

677
00:38:01,360 --> 00:38:06,440
and inside the casing,
I found a powerful subwoofer

678
00:38:06,480 --> 00:38:09,200
where the rotary system should be.

679
00:38:09,240 --> 00:38:12,840
And that was big enough
to kill any man.

680
00:38:12,880 --> 00:38:15,600
How can you kill someone with sound?

681
00:38:15,640 --> 00:38:20,160
A specific low frequency sound
inside an enclosed space

682
00:38:20,200 --> 00:38:22,960
can cause fatal physical damage.

683
00:38:23,000 --> 00:38:24,800
I have never heard of this before.

684
00:38:24,840 --> 00:38:27,480
Oh, I've had it confirmed
by an expert.

685
00:38:27,520 --> 00:38:29,560
Why would you kill your boss

686
00:38:29,600 --> 00:38:32,480
when you're about to set
the world on fire again?

687
00:38:36,680 --> 00:38:39,080
Do you want to explain, or...
or should I?

688
00:38:41,880 --> 00:38:43,640
He was blackmailing you.

689
00:38:44,960 --> 00:38:46,480
Wasn't he, Dura?

690
00:38:48,280 --> 00:38:51,320
Dura?!
What are you talking about?

691
00:38:51,360 --> 00:38:53,640
Dom, let me introduce to you,

692
00:38:53,680 --> 00:38:55,760
the great Dura.

693
00:38:55,800 --> 00:38:57,920
Here, in the flesh.

694
00:38:57,960 --> 00:39:00,000
That's ridiculous!

695
00:39:00,040 --> 00:39:02,000
This is how I see it.

696
00:39:02,040 --> 00:39:06,600
Mandarina and Chloe had sealed
a very lucrative record deal.

697
00:39:09,080 --> 00:39:11,200
But you got scared,

698
00:39:11,240 --> 00:39:13,440
because you don't exactly
look like you did

699
00:39:13,480 --> 00:39:16,200
on the cover of your albums
any more, do you, Dura?

700
00:39:18,320 --> 00:39:22,280
The world is so looks-obsessed
nowadays, isn't it?

701
00:39:23,920 --> 00:39:25,480
So you hired a lookalike.

702
00:39:25,520 --> 00:39:29,000
I'm guessing, erm,
some Dura tribute act.

703
00:39:32,840 --> 00:39:35,320
Dura. Loved your work.

704
00:39:35,360 --> 00:39:38,480
Someone who looked like you
back in the day, but looked younger,

705
00:39:38,520 --> 00:39:40,480
and he would be the face

706
00:39:40,520 --> 00:39:43,800
and then you would record
over the tracks after.

707
00:39:43,840 --> 00:39:46,760
But I assume he got greedy.

708
00:39:46,800 --> 00:39:48,960
And threatened to tell.

709
00:39:49,000 --> 00:39:51,240
What did you want, Dura?

710
00:39:51,280 --> 00:39:53,560
Obviously more
than you were willing to give.

711
00:39:54,880 --> 00:39:56,560
How did you know?

712
00:39:56,600 --> 00:40:00,680
I saw the tattoo round your
bellybutton when you open the door.

713
00:40:00,720 --> 00:40:04,200
The Js are sunbathing out back,
if you want to join.

714
00:40:04,240 --> 00:40:06,320
Oh, actually, I'm here
to take a look at the studio.

715
00:40:06,360 --> 00:40:08,000
I think I might have
dropped something.

716
00:40:08,040 --> 00:40:09,760
Sure. Go through.

717
00:40:09,800 --> 00:40:15,960
The same one on the cover
of the album, Sonic Serpent.

718
00:40:16,000 --> 00:40:18,800
So Trevor was actually right.

719
00:40:18,840 --> 00:40:21,080
Oh, God.

720
00:40:22,200 --> 00:40:25,160
Oh, and of course,
you were in on it, too.

721
00:40:25,200 --> 00:40:29,200
I mean,
who else would identify the body?

722
00:40:30,360 --> 00:40:34,560
The stooge, he got greedy
and was threatening to tell.

723
00:40:36,080 --> 00:40:38,640
I worked out that with our
life insurance

724
00:40:38,680 --> 00:40:40,080
and the back catalogue,

725
00:40:40,120 --> 00:40:43,960
Dura could make the same
amount of money if he was dead.

726
00:40:44,000 --> 00:40:45,880
It's true.

727
00:40:45,920 --> 00:40:50,840
I couldn't face today's press,
social media scrutiny.

728
00:40:50,880 --> 00:40:53,080
I mean, look at me.

729
00:40:53,120 --> 00:40:58,320
Do I look like
the Peter Pan of rock?

730
00:40:58,360 --> 00:41:01,400
I wanted to make music...

731
00:41:01,440 --> 00:41:04,440
..so much.
Oh, darling.

732
00:41:05,640 --> 00:41:08,040
we had to put a stop to it.

733
00:41:08,080 --> 00:41:11,240
We had to find a way of killing Dura

734
00:41:11,280 --> 00:41:13,520
without killing Dura.

735
00:41:14,760 --> 00:41:17,840
We thought doing it with sound
would be quite...

736
00:41:19,120 --> 00:41:20,320
..spiritual.

737
00:41:21,560 --> 00:41:23,920
Sorry?
Sort of...

738
00:41:25,400 --> 00:41:26,520
..prophetic.

739
00:41:26,560 --> 00:41:28,560
SHOUTING

740
00:41:31,480 --> 00:41:35,480
See, I wouldn't say
having your lungs explode

741
00:41:35,520 --> 00:41:37,040
is very prophetic.

742
00:41:38,800 --> 00:41:41,320
But who drew this symbol
on his face?

743
00:41:42,480 --> 00:41:44,240
I did.

744
00:41:45,760 --> 00:41:47,440
MANDARINA: Oh, darling!

745
00:41:57,960 --> 00:42:00,960
Why take the chance
of drawing a symbol?

746
00:42:01,000 --> 00:42:03,120
You see, that was my final clue,
Caron.

747
00:42:03,160 --> 00:42:04,320
Pardon?

748
00:42:05,960 --> 00:42:08,520
You thought you were doing him
a favour?

749
00:42:08,560 --> 00:42:11,840
The snake would help
guide him back to the underworld

750
00:42:11,880 --> 00:42:15,040
and to the start of a new life.

751
00:42:15,080 --> 00:42:17,840
Am I right, Dura?

752
00:42:17,880 --> 00:42:20,800
Indeed you are.

753
00:42:22,760 --> 00:42:24,440
It's time, my love.

754
00:42:26,360 --> 00:42:29,760
You both need to accompany me
to the station.

755
00:42:40,760 --> 00:42:42,240
Are you all right, Dom?

756
00:42:42,280 --> 00:42:44,360
Nothing will ever sound the same.

757
00:42:45,600 --> 00:42:49,680
Well... at least you can start
dressing like a grown up again.

758
00:42:50,840 --> 00:42:53,160
What are you wearing?

759
00:42:53,200 --> 00:42:54,640
HE SPLUTTERS

760
00:42:54,680 --> 00:42:57,160
WHIMSICAL
FRENCH MUSIC PLAYS

761
00:43:24,880 --> 00:43:27,480
INDISTINCT CHATTER

762
00:43:58,240 --> 00:44:00,240
CHUCKLES

763
00:44:08,040 --> 00:44:09,920
LOCK RATTLES

764
00:44:21,280 --> 00:44:23,240
BEEPS