1 00:00:02,794 --> 00:00:04,884 DID YOU GUYS SEE THE VIDEO? 2 00:00:04,963 --> 00:00:06,803 MOLINA WANTS US TO SING. 3 00:00:06,881 --> 00:00:09,301 WE CAN STILL GET THERE ON TIME. 4 00:00:09,384 --> 00:00:11,854 BRO, I DON'T UNDERSTAND. DIDN'T YOU LEAVE? 5 00:00:13,596 --> 00:00:17,176 ALMOST, UNLESS WE DECIDE OTHERWISE. 6 00:00:17,267 --> 00:00:19,477 (upbeat music) 7 00:00:26,735 --> 00:00:28,145 WHAT DO YOU SAY? ARE WE DOING THIS, YES OR NO? 8 00:00:28,236 --> 00:00:30,106 I'M IN. 9 00:00:30,196 --> 00:00:31,526 ME TOO. 10 00:00:33,033 --> 00:00:35,163 LET'S GO. 11 00:00:35,243 --> 00:00:36,873 WE MUST COMPLETE THE CIRCLE. 12 00:00:38,204 --> 00:00:41,584 MUSIC IS MADE TO BE LISTENED TO. 13 00:00:41,666 --> 00:00:44,086 -Perfect. -SEE YOU BACKSTAGE. 14 00:00:46,671 --> 00:00:48,671 (theme music) 15 00:00:54,220 --> 00:00:57,270 THE LOW TONE CLUB 16 00:00:57,807 --> 00:00:59,017 (inhales deeply) 17 00:00:59,601 --> 00:01:01,271 Something wrong, Romario? 18 00:01:03,229 --> 00:01:04,309 Yony, 19 00:01:05,190 --> 00:01:06,520 I can't leave. 20 00:01:08,193 --> 00:01:11,823 What if you were in a game 21 00:01:11,905 --> 00:01:13,615 and your team was losing 5-0, 22 00:01:13,698 --> 00:01:15,198 would you leave the game? 23 00:01:16,242 --> 00:01:19,042 Would you leave your teammates behind? 24 00:01:24,042 --> 00:01:27,252 MARTINA: Amalia, I'll see you as soon as you... 25 00:01:27,337 --> 00:01:28,837 No, don't turn it off. 26 00:01:28,922 --> 00:01:32,092 Play it again from the beginning. 27 00:01:32,634 --> 00:01:37,104 -No, principal. It's nothing. -Give me your phone. 28 00:01:37,180 --> 00:01:39,560 I'm confiscating it. 29 00:01:39,641 --> 00:01:42,101 Did you know that these devices are causing 30 00:01:42,185 --> 00:01:44,685 irreversible damage to young people? 31 00:01:44,771 --> 00:01:46,861 And from what I can see, it has already affected you 32 00:01:46,940 --> 00:01:50,240 because you seem unfocused, 33 00:01:50,318 --> 00:01:53,398 listening to audio messages. 34 00:01:53,488 --> 00:01:57,278 You'll get your phone back after the event. 35 00:01:58,368 --> 00:02:00,038 What's this? Let's see. 36 00:02:02,080 --> 00:02:03,120 Jose. 37 00:02:04,457 --> 00:02:06,957 -Is the owner of the record label here? -Yes, Mr. Peter, look. 38 00:02:07,043 --> 00:02:09,463 -He's right there. -That guy? 39 00:02:09,963 --> 00:02:14,383 KRAMER: Peter! Emergency. I repeat, emergency! 40 00:02:14,467 --> 00:02:16,507 Do you copy? Where are you? 41 00:02:16,594 --> 00:02:18,684 Yes, maestro, loud and clear. 42 00:02:18,763 --> 00:02:20,973 I'm in the parking lot, greeting the owner. 43 00:02:21,391 --> 00:02:23,181 -KRAMER: He's here? -Yes, he just got here. 44 00:02:23,268 --> 00:02:27,728 Pay attention and do exactly as I say. 45 00:02:27,814 --> 00:02:30,074 This is extremely important, I repeat, 46 00:02:30,150 --> 00:02:33,070 -extremely important. -Okay, understood. 47 00:02:33,153 --> 00:02:35,573 (quirky music) 48 00:02:38,449 --> 00:02:40,449 (birds chirping) 49 00:02:41,077 --> 00:02:44,157 PAPIYÓN: If it isn't Yohan himself! 50 00:02:44,247 --> 00:02:47,247 -OCAMPO: Get in. -ROMARIO: The show's about to start! 51 00:02:47,375 --> 00:02:49,375 (indistinct chatter) 52 00:02:50,128 --> 00:02:52,458 Gentlemen, these are two former students, 53 00:02:52,547 --> 00:02:54,967 two highly problematic individuals, 54 00:02:55,049 --> 00:02:59,469 so do not, for any reason, let them into the auditorium. 55 00:03:00,263 --> 00:03:01,603 Yes, sir. 56 00:03:03,308 --> 00:03:05,518 Did you hear that, Pereyra? 57 00:03:05,602 --> 00:03:08,152 (audience applause) 58 00:03:08,271 --> 00:03:09,691 (cheering) 59 00:03:11,941 --> 00:03:13,941 (upbeat music) 60 00:03:18,114 --> 00:03:19,954 Ladies and gentlemen, 61 00:03:20,033 --> 00:03:22,203 I am pleased to welcome you 62 00:03:22,285 --> 00:03:26,865 to the musical event of the year, such an important concert 63 00:03:26,956 --> 00:03:32,166 that we are honored with the presence of none other than the owner 64 00:03:32,253 --> 00:03:36,093 and founder of Ultranova Records, 65 00:03:36,174 --> 00:03:38,054 Mr. Santamaria. 66 00:03:38,134 --> 00:03:41,144 (applause, cheering) 67 00:03:43,848 --> 00:03:46,518 Now, I'll leave you in the company 68 00:03:46,601 --> 00:03:49,981 of the newest generation of Agudos. 69 00:03:50,063 --> 00:03:53,153 A generation that before making history 70 00:03:53,233 --> 00:03:55,283 is already making history. 71 00:03:55,360 --> 00:03:59,280 Meet the new Agudos. 72 00:03:59,364 --> 00:04:01,124 Give them a big round of applause! 73 00:04:01,199 --> 00:04:03,409 (applause, cheering) 74 00:04:05,536 --> 00:04:10,166 ♪ Breathe, there is sun, sand and sea ♪ 75 00:04:10,250 --> 00:04:14,130 ♪ In the midst of this solitude ♪ 76 00:04:15,505 --> 00:04:19,835 ♪ But on your camera lens ♪ 77 00:04:19,926 --> 00:04:23,966 ♪ You'll never see me again ♪ 78 00:04:24,722 --> 00:04:27,812 ♪ All smoke and mirrors ♪ 79 00:04:35,108 --> 00:04:36,228 (soft chuckle) 80 00:04:45,660 --> 00:04:50,750 ♪ I ran away, you clipped my wings ♪ 81 00:04:50,832 --> 00:04:55,502 ♪ You're still dreaming Of those glory days ♪ 82 00:04:55,586 --> 00:05:00,506 ♪ I won't blame you For the broken pieces anymore ♪ 83 00:05:00,591 --> 00:05:05,811 ♪ When a soul is free It always spreads its wings ♪ 84 00:05:06,639 --> 00:05:07,969 ♪ Woah ♪ 85 00:05:08,057 --> 00:05:11,387 ♪ It always spreads its wings ♪ 86 00:05:11,477 --> 00:05:14,107 ♪ Woah ♪ 87 00:05:18,276 --> 00:05:20,646 -Hello. -Hi. 88 00:05:20,737 --> 00:05:22,527 -All good? -Yes. 89 00:05:22,613 --> 00:05:24,783 -Any questions? -No. 90 00:05:24,866 --> 00:05:26,776 -Are you sure? -Yes. 91 00:05:26,868 --> 00:05:28,118 Okay. 92 00:05:28,202 --> 00:05:29,412 (soft chuckle) 93 00:05:29,495 --> 00:05:31,115 (exhales deeply) 94 00:05:33,291 --> 00:05:36,881 Look. This is the button for the glitter. 95 00:05:36,961 --> 00:05:39,841 But don't press it yet. Come. 96 00:05:43,760 --> 00:05:46,680 ♪ All smoke and mirrors ♪ 97 00:05:46,763 --> 00:05:48,013 How are you, guys? 98 00:05:48,765 --> 00:05:52,935 -What do you want? -I work here, I'm Kramer's right hand. 99 00:05:53,019 --> 00:05:57,519 -What do you need? -I brought water and something to eat. 100 00:05:57,607 --> 00:06:00,187 Okay, I'll take it from here. See you later. 101 00:06:00,276 --> 00:06:04,106 -♪ Comet wings ♪ -(gasps) 102 00:06:04,864 --> 00:06:07,084 ♪ I ran away, you clipped my wings ♪ 103 00:06:09,786 --> 00:06:12,956 PANCHITO: You're finally here, I sent you three messages. 104 00:06:13,039 --> 00:06:14,419 Didn't you see them? 105 00:06:14,499 --> 00:06:18,209 Kramer took my phone. I don't know if he knows something, but he's paranoid. 106 00:06:18,294 --> 00:06:19,964 We need to hurry. 107 00:06:20,046 --> 00:06:22,756 Let's set up the instruments. 108 00:06:22,840 --> 00:06:25,970 We need help. It's a lot of work and we can't do it on our own. 109 00:06:26,052 --> 00:06:28,852 Lala and Martina are already on their way and are bringing help. 110 00:06:29,555 --> 00:06:30,805 Come on. 111 00:06:30,890 --> 00:06:34,640 No, man, no. Why? 112 00:06:35,228 --> 00:06:39,108 (Romario laughs) He's excited because his brother's here. 113 00:06:39,190 --> 00:06:42,150 OCAMPO: Everybody get ready! You know what you have to do. 114 00:06:42,235 --> 00:06:44,235 YOHAN: Mr. Jose. 115 00:06:44,987 --> 00:06:47,277 Good afternoon, how are you? 116 00:06:47,365 --> 00:06:49,195 -Mr. Alegria? -Yes. 117 00:06:49,283 --> 00:06:51,543 -You know my name? -Yes, of course. 118 00:06:51,619 --> 00:06:52,909 How's the match going? 119 00:06:52,995 --> 00:06:54,035 (mumbles) 120 00:06:54,122 --> 00:06:56,002 What match? Only yours are worth watching! 121 00:06:56,082 --> 00:06:59,292 Mr. Jose, do you mind if we take a picture? 122 00:06:59,377 --> 00:07:00,627 Really? 123 00:07:00,711 --> 00:07:03,631 Wow, that's amazing! 124 00:07:03,714 --> 00:07:06,474 I was embarrassed to ask as we didn't know each other personally, 125 00:07:06,551 --> 00:07:08,261 and last time you were here, I was off. 126 00:07:08,886 --> 00:07:11,846 Here, fix your cap. 127 00:07:15,059 --> 00:07:16,189 Ready? 128 00:07:18,271 --> 00:07:20,151 -Perfect. -(laughs) 129 00:07:20,231 --> 00:07:22,281 I'll post it right away. 130 00:07:22,358 --> 00:07:26,148 I remember the last goal you scored: "Yohan has the ball, 131 00:07:26,237 --> 00:07:28,697 he dribbles and scores." You're amazing! 132 00:07:28,781 --> 00:07:32,831 ♪ I'll be the ogre in your fairy tale I don't want to hear another word ♪ 133 00:07:32,910 --> 00:07:35,460 ♪ I've had enough of your tricks ♪ 134 00:07:35,538 --> 00:07:38,248 ♪ Burnt toast on my plate ♪ 135 00:07:38,332 --> 00:07:42,382 ♪ Don't stop Youth, fame and fortune are ephemeral ♪ 136 00:07:42,462 --> 00:07:45,882 ♪ The journey's more pleasant When you're true to yourself ♪ 137 00:07:45,965 --> 00:07:50,385 ♪ It's just like a clear sunrise ♪ 138 00:07:51,304 --> 00:07:55,934 ♪ You didn't keep your promises ♪ 139 00:07:56,517 --> 00:07:59,977 ♪ All smoke and mirrors ♪ 140 00:08:01,522 --> 00:08:07,152 ♪ Like the tail of a comet ♪ 141 00:08:07,403 --> 00:08:09,703 (audience applause, cheer) 142 00:08:12,533 --> 00:08:14,743 (upbeat music) 143 00:08:16,871 --> 00:08:20,001 One moment. 144 00:08:22,001 --> 00:08:23,461 Hold on! 145 00:08:24,837 --> 00:08:27,667 Say it again. What? You want me to sing? 146 00:08:27,757 --> 00:08:31,507 No, but I didn't prepare anything. What? 147 00:08:31,594 --> 00:08:34,064 KRAMER: Well, if you insist. 148 00:08:34,138 --> 00:08:36,268 I can't stand her anymore, Camila. 149 00:08:36,349 --> 00:08:39,599 You saw what she did? She stole my solo. 150 00:08:39,685 --> 00:08:41,145 She tried to keep me in the back, 151 00:08:41,229 --> 00:08:45,479 so I got in her way and she stomped on my foot so hard that it still hurts. 152 00:08:46,025 --> 00:08:47,775 (clatters in distance) 153 00:08:52,740 --> 00:08:54,700 What are you doing here? 154 00:08:54,784 --> 00:08:58,504 Shouldn't you be parking cars or welcoming guests? 155 00:08:58,579 --> 00:09:01,169 And what's all this for? 156 00:09:01,249 --> 00:09:04,629 -Don't tell me you want to sing, darling. -(both laugh) 157 00:09:04,710 --> 00:09:06,420 That's right, we're going to sing. 158 00:09:06,504 --> 00:09:07,844 And you're going to help us. 159 00:09:09,131 --> 00:09:11,381 Let's face it, if we want this to end 160 00:09:11,467 --> 00:09:14,217 you have to help us prove to Kramer what we're capable of. 161 00:09:14,303 --> 00:09:16,223 Look what he did to you. 162 00:09:16,305 --> 00:09:18,345 Why did he include KJ in the Agudos? 163 00:09:19,016 --> 00:09:21,016 To make you the Graves of your group? 164 00:09:22,520 --> 00:09:23,850 How is that fair? 165 00:09:25,815 --> 00:09:30,815 ♪ You drive me crazy But only you have the cure ♪ 166 00:09:32,113 --> 00:09:34,323 (audience applause, cheer) 167 00:09:37,326 --> 00:09:41,036 If with my song, "Forever", my hit, 168 00:09:41,122 --> 00:09:42,672 I made you see the light, 169 00:09:42,748 --> 00:09:47,548 I'm sure that with the next song, I'll make you 170 00:09:47,628 --> 00:09:49,008 see the stars. 171 00:09:52,633 --> 00:09:54,263 (sighs) 172 00:09:58,431 --> 00:10:02,521 -Raphaelo, have you seen my shoes? -(Roxana laughs) 173 00:10:02,602 --> 00:10:06,062 I'm not going out there without my shoes. Not without my shoes. 174 00:10:06,439 --> 00:10:07,859 They were right here. 175 00:10:08,774 --> 00:10:11,444 No idea. Poor little thing. 176 00:10:11,527 --> 00:10:13,817 -I haven't seen them. -Yeah. 177 00:10:13,904 --> 00:10:17,834 -Where did you leave them? -They were here. Someone took them. 178 00:10:17,908 --> 00:10:20,578 So, here with you tonight... 179 00:10:20,661 --> 00:10:22,371 -RAPHAELO: Dad. -Huh? 180 00:10:22,455 --> 00:10:23,785 What is it? 181 00:10:23,873 --> 00:10:26,213 KJ can't find her shoes. 182 00:10:26,709 --> 00:10:27,789 Improvise. 183 00:10:29,629 --> 00:10:32,169 With you, ladies and gentlemen, 184 00:10:32,256 --> 00:10:35,046 with you, I am very excited. 185 00:10:35,676 --> 00:10:38,256 Hurry. I'll take this. 186 00:10:38,346 --> 00:10:40,056 -Lala. -What? 187 00:10:40,139 --> 00:10:41,469 What happened? 188 00:10:42,266 --> 00:10:43,676 I think I have an idea. 189 00:10:48,022 --> 00:10:49,022 Amalia. 190 00:10:58,449 --> 00:10:59,489 This one here. 191 00:11:03,704 --> 00:11:04,834 Look. 192 00:11:08,209 --> 00:11:09,419 Well done. 193 00:11:10,378 --> 00:11:12,458 -What was the chant? -(audience clapping) 194 00:11:12,546 --> 00:11:14,666 Agudos! 195 00:11:14,757 --> 00:11:16,837 ALL: Agudos! 196 00:11:16,926 --> 00:11:18,796 Agudos! 197 00:11:18,886 --> 00:11:20,676 Agudos! 198 00:11:20,763 --> 00:11:23,683 Keep chanting over there, don't stop. 199 00:11:23,766 --> 00:11:25,136 -Keep going. -Agudos. 200 00:11:25,226 --> 00:11:28,266 I want you out there now, with or without shoes. 201 00:11:28,354 --> 00:11:32,024 Agudos! Agudos! Agudos! 202 00:11:33,693 --> 00:11:37,323 Now, ladies and gentlemen, 203 00:11:37,405 --> 00:11:38,815 with you, 204 00:11:38,906 --> 00:11:43,576 the stars of the show! 205 00:11:43,661 --> 00:11:45,871 (audience cheer, applause) 206 00:12:02,012 --> 00:12:04,012 (lively music) 207 00:12:04,098 --> 00:12:06,928 (clarinet tooting) 208 00:12:13,899 --> 00:12:16,569 ♪ La, la, le, la, la, la ♪ 209 00:12:16,652 --> 00:12:19,662 ♪ La, la, le, la, le, la ♪ 210 00:12:19,739 --> 00:12:25,659 ♪ La, la, le, la, la, la La, la, le, la, le, la ♪ 211 00:12:25,745 --> 00:12:28,405 ♪ La, la, le, la, la, la ♪ 212 00:12:28,497 --> 00:12:31,247 ♪ La, la, le, la, le, la ♪ 213 00:12:31,333 --> 00:12:37,173 ♪ La, la, le, la, la, la La, la, le, la, le, la ♪ 214 00:12:37,256 --> 00:12:41,636 ♪ Ah, heaven and heart ♪ 215 00:12:42,303 --> 00:12:45,263 ♪ It's a love song ♪ 216 00:12:45,347 --> 00:12:48,517 ♪ A never-ending love song ♪ 217 00:12:48,976 --> 00:12:53,806 ♪ Ah, listen to your heart ♪ 218 00:12:53,898 --> 00:12:56,898 ♪ It's an ancient teacher ♪ 219 00:12:56,984 --> 00:13:00,574 ♪ Who stays with you ♪ 220 00:13:03,407 --> 00:13:06,237 (audience groan) 221 00:13:10,289 --> 00:13:15,289 Don't even think about turning that volume up again, understood? 222 00:13:15,377 --> 00:13:19,337 Peter, I need the Agudos back on stage right now. 223 00:13:19,423 --> 00:13:21,633 (suspenseful music) 224 00:13:23,511 --> 00:13:24,971 PAPIYÓN: Sound check, hello. 225 00:13:25,054 --> 00:13:27,974 PROF. MOLINA: ♪ When you can't find the answers ♪ 226 00:13:28,349 --> 00:13:31,559 ♪ When you can't find the way out ♪ 227 00:13:31,644 --> 00:13:35,194 ♪ And all the doubts haunt you ♪ 228 00:13:36,607 --> 00:13:37,777 ♪ Hmm ♪ 229 00:13:38,275 --> 00:13:41,485 ♪ When your friends aren't playing ♪ 230 00:13:41,570 --> 00:13:45,030 ♪ When you can't find The answers outside ♪ 231 00:13:45,115 --> 00:13:48,575 ♪ You'd better look on the inside ♪ 232 00:13:49,829 --> 00:13:50,829 LALA: Professor? 233 00:13:50,913 --> 00:13:54,043 ♪ And remember When you were a child in spring ♪ 234 00:13:54,124 --> 00:13:57,094 ♪ And reconnect with who you were ♪ 235 00:13:57,169 --> 00:14:01,009 ♪ The beating of your heart Had no brakes ♪ 236 00:14:01,090 --> 00:14:02,800 ♪ It had no time ♪ 237 00:14:03,342 --> 00:14:06,142 -♪ They say that love comes first ♪ -(audience cheer, applause) 238 00:14:06,220 --> 00:14:09,350 ♪ That the value of all of the gold In the world doesn't matter ♪ 239 00:14:09,431 --> 00:14:12,771 ♪ Because not everything is for sale So I am happy ♪ 240 00:14:12,852 --> 00:14:14,522 ♪ I'm sorry ♪ 241 00:14:14,603 --> 00:14:19,903 -♪ Ah, follow your heart ♪ -KRAMER: Peter! 242 00:14:19,984 --> 00:14:22,364 ♪ It's a love song ♪ 243 00:14:22,820 --> 00:14:25,990 ♪ A never-ending love song ♪ 244 00:14:26,490 --> 00:14:31,290 ♪ Ah, listen to your heart ♪ 245 00:14:31,370 --> 00:14:33,870 ♪ It's an ancient teacher ♪ 246 00:14:33,956 --> 00:14:35,116 KRAMER: What did I tell you? 247 00:14:36,917 --> 00:14:38,417 Peter? 248 00:14:38,502 --> 00:14:39,962 What are you doing? 249 00:14:40,045 --> 00:14:43,585 What you taught me, maestro. Following the king's orders. 250 00:14:44,216 --> 00:14:46,176 Even you, my so-called faithful squire. 251 00:14:47,845 --> 00:14:48,965 Turn down the volume. 252 00:14:49,054 --> 00:14:53,524 Hey, Kramer, don't you dare lay a finger on those buttons. 253 00:14:53,601 --> 00:14:55,811 This is all property of Ultranova Records. 254 00:14:55,895 --> 00:14:57,895 Can't you read? Get out. 255 00:14:57,980 --> 00:14:59,980 (ominous music) 256 00:15:04,278 --> 00:15:06,908 ♪ E, la, la, la, la, e ♪ 257 00:15:07,865 --> 00:15:10,275 (audience cheer, applause) 258 00:15:17,333 --> 00:15:18,923 Professor. 259 00:15:19,919 --> 00:15:21,499 Roma. 260 00:15:21,962 --> 00:15:25,382 -I knew you wouldn't let us down. -Thank you. 261 00:15:25,466 --> 00:15:27,426 Professor, I never doubted you. 262 00:15:27,509 --> 00:15:29,639 Thank you, Amalia. 263 00:15:31,931 --> 00:15:33,271 I had my doubts. 264 00:15:36,602 --> 00:15:38,522 -I'm sorry. -It's okay. 265 00:15:39,772 --> 00:15:42,402 (audience cheer, applause) 266 00:15:46,695 --> 00:15:48,065 Let's see. 267 00:15:49,031 --> 00:15:53,621 What are you doing here, playing your tribal music? 268 00:15:53,702 --> 00:15:55,412 You don't get it, do you? 269 00:15:55,496 --> 00:15:59,826 You've been declared persona non-grata in this school. 270 00:15:59,917 --> 00:16:03,747 So do me a favor and leave the auditorium immediately. 271 00:16:03,837 --> 00:16:05,757 Or I'll call the police. 272 00:16:05,839 --> 00:16:08,339 They seem to know you very well at the station. 273 00:16:09,134 --> 00:16:10,434 So... 274 00:16:10,928 --> 00:16:14,638 Mr. Santamaria, if I may, 275 00:16:14,723 --> 00:16:18,353 this performance of popular music, 276 00:16:18,435 --> 00:16:22,515 of "Verbena" music, wasn't part of tonight's program, 277 00:16:22,606 --> 00:16:25,936 so please, accept my apologies, Mr. Santamaria. 278 00:16:28,153 --> 00:16:30,913 Apologies accepted Mr. Kramer. 279 00:16:32,533 --> 00:16:33,953 Listen to this guy. 280 00:16:34,451 --> 00:16:36,411 Mr. Santa... 281 00:16:41,166 --> 00:16:42,326 No. 282 00:16:42,418 --> 00:16:45,588 -You are Mr. Santamaria? -Daniel Santamaría. 283 00:16:45,963 --> 00:16:48,093 (audience groan) 284 00:16:54,555 --> 00:16:56,555 This is not the end. 285 00:17:02,104 --> 00:17:03,984 (students laugh) 286 00:17:04,106 --> 00:17:05,146 LALA: What? 287 00:17:08,777 --> 00:17:10,357 Good evening, everyone. 288 00:17:11,697 --> 00:17:13,947 Many of you know me 289 00:17:14,033 --> 00:17:16,743 as professor Amaranto Molina, 290 00:17:16,827 --> 00:17:18,997 but today I must become who I once was. 291 00:17:20,414 --> 00:17:22,124 Today I can be the real me, 292 00:17:22,875 --> 00:17:24,665 thanks to all of you. 293 00:17:25,669 --> 00:17:26,999 Daniel Santamaría. 294 00:17:27,087 --> 00:17:31,337 My dad, Federico Santamaria, is the founder and owner 295 00:17:31,425 --> 00:17:33,755 of Ultranova Records. 296 00:17:34,261 --> 00:17:36,561 He loves you very much 297 00:17:36,638 --> 00:17:38,718 and has loved this school very much. 298 00:17:38,807 --> 00:17:40,807 So much 299 00:17:40,893 --> 00:17:45,113 that this was our family home, I was born here 300 00:17:45,189 --> 00:17:47,399 I grew up here. 301 00:17:47,483 --> 00:17:51,903 I know all the nooks and crannies of this house, 302 00:17:51,987 --> 00:17:55,027 including those invisible rooms. 303 00:17:56,658 --> 00:17:59,998 And these past months, you have reminded me 304 00:18:01,747 --> 00:18:04,577 that this house is still my home. 305 00:18:05,334 --> 00:18:06,844 Thank you very much. 306 00:18:06,919 --> 00:18:09,549 (audience cheer, applause) 307 00:18:11,507 --> 00:18:12,587 PROF. MOLINA: Thank you! 308 00:18:13,926 --> 00:18:18,096 I have to say, I've been blessed to hear, 309 00:18:18,180 --> 00:18:21,180 and to get to know the great talent 310 00:18:21,266 --> 00:18:22,976 that the students 311 00:18:23,060 --> 00:18:24,480 from this school have. 312 00:18:24,561 --> 00:18:26,561 See what they are capable of, 313 00:18:26,647 --> 00:18:30,607 watch and help grow some of them. 314 00:18:31,527 --> 00:18:35,947 And today, as a representative of Ultranova Records, I am here 315 00:18:36,448 --> 00:18:38,828 to make that long-awaited announcement 316 00:18:38,909 --> 00:18:43,159 because everyone wants to know who has been selected this year. 317 00:18:46,208 --> 00:18:51,878 Those of you who have been selected should be receiving right now 318 00:18:51,964 --> 00:18:55,844 an email with the notification. 319 00:19:00,931 --> 00:19:01,931 Yes. 320 00:19:02,015 --> 00:19:04,475 I've just received it. 321 00:19:06,353 --> 00:19:08,563 I received one too. 322 00:19:08,897 --> 00:19:11,017 Congratulations. 323 00:19:11,108 --> 00:19:13,608 I just received the email. 324 00:19:13,694 --> 00:19:15,324 TRIPLETS: Me too. 325 00:19:15,404 --> 00:19:17,454 (giggles) 326 00:19:18,240 --> 00:19:19,660 Woho-hohoho! 327 00:19:19,741 --> 00:19:23,041 -I received one too. -What I'm sending you 328 00:19:23,120 --> 00:19:27,790 it's not really a contract for one, two, three or even ten years. 329 00:19:28,458 --> 00:19:33,458 It's an agreement for creative development 330 00:19:33,547 --> 00:19:35,837 with no expiration date. 331 00:19:35,924 --> 00:19:38,554 (both giggles) 332 00:19:39,720 --> 00:19:42,350 (audience cheer, applause) 333 00:20:01,116 --> 00:20:06,206 It didn't make sense to have only one winner. 334 00:20:08,248 --> 00:20:10,208 Put that down and let's go. 335 00:20:10,292 --> 00:20:12,502 (suspenseful music) 336 00:20:16,048 --> 00:20:17,258 Raphaelo. 337 00:20:19,801 --> 00:20:23,061 But it's better to sing it than to say it. 338 00:20:23,555 --> 00:20:25,595 So, with you... 339 00:20:26,475 --> 00:20:28,185 I present you... 340 00:20:29,019 --> 00:20:32,309 The Graves Club. 341 00:20:32,397 --> 00:20:34,607 (audience applause, cheer) 342 00:20:38,070 --> 00:20:40,530 PROF. MOLINA: ♪ It's been a long time ♪ 343 00:20:40,614 --> 00:20:43,284 ♪ But I can't forget you ♪ 344 00:20:43,367 --> 00:20:45,907 ♪ If it weren't for those records ♪ 345 00:20:45,994 --> 00:20:48,124 ♪ What would have happened to me? ♪ 346 00:20:48,622 --> 00:20:51,252 ♪ Now I'm back at the beginning ♪ 347 00:20:51,333 --> 00:20:53,463 ♪ Learning how to breathe ♪ 348 00:20:53,961 --> 00:20:56,511 ♪ And that old man down the road ♪ 349 00:20:56,588 --> 00:20:58,718 ♪ Reminds me there's more to come ♪ 350 00:20:59,299 --> 00:21:04,389 ♪ And in her sleep she laughs ♪ 351 00:21:04,471 --> 00:21:09,521 ♪ But wakes up and starts to cry ♪ 352 00:21:10,018 --> 00:21:14,228 ♪ And tells us of a happy world ♪ 353 00:21:14,314 --> 00:21:21,324 ♪ That will return ♪ 354 00:21:21,405 --> 00:21:24,235 (band playing) 355 00:21:24,700 --> 00:21:26,660 ALL: Hey! Hey! 356 00:21:29,788 --> 00:21:31,458 ALL: Hey! Hey! 357 00:21:31,540 --> 00:21:36,920 ♪ I'm driving fast but I won't make it The streets are busy ♪ 358 00:21:37,004 --> 00:21:41,474 ♪ I try to get ahead And a cop sounds the siren ♪ 359 00:21:42,050 --> 00:21:46,810 ♪ He asks for my license and registration And tells me life is hard ♪ 360 00:21:47,639 --> 00:21:52,479 ♪ They took the van, I'd better walk My luck will change for sure ♪ 361 00:21:52,561 --> 00:21:55,151 ♪ And the sun rises ♪ 362 00:21:55,230 --> 00:21:59,650 ♪ Illuminating your face And brightening our day ♪ 363 00:21:59,735 --> 00:22:01,945 (clarinet tooting) 364 00:22:02,821 --> 00:22:05,491 ♪ And I ♪ 365 00:22:06,283 --> 00:22:10,293 ♪ I'm already over the moon Just by gazing into your eyes ♪ 366 00:22:14,291 --> 00:22:16,291 ♪ Knocking down walls ♪ 367 00:22:16,960 --> 00:22:19,300 ♪ And building bridges ♪ 368 00:22:19,713 --> 00:22:22,263 ♪ The students ♪ 369 00:22:22,341 --> 00:22:24,381 ♪ And the principal ♪ 370 00:22:24,968 --> 00:22:27,598 ♪ The forgotten ones ♪ 371 00:22:27,679 --> 00:22:30,269 ♪ And the careless ones ♪ 372 00:22:30,349 --> 00:22:32,429 ♪ Knocking down walls ♪ 373 00:22:32,976 --> 00:22:35,436 ♪ And building bridges ♪ 374 00:22:35,520 --> 00:22:37,190 (clarinet tooting) 375 00:22:37,272 --> 00:22:41,742 ♪ Ey, ey, ey, ey, ey, ey ♪ 376 00:22:41,818 --> 00:22:48,028 ♪ Ey, ey, ey, ey, ey, ey ♪ 377 00:22:48,116 --> 00:22:54,956 ♪ Ey, ey, ey, ey, ey, ey ♪ 378 00:22:55,040 --> 00:22:57,830 ♪ Ey, ey, ey, ey, ey, ey ♪ 379 00:22:57,918 --> 00:23:00,548 (audience cheer, applause) 380 00:23:16,603 --> 00:23:18,653 CREATIVE DEVELOPMENT AGREEMENT 381 00:23:18,730 --> 00:23:20,440 This is a bad joke. 382 00:23:21,191 --> 00:23:23,281 For the first time, I agree with you. 383 00:23:23,985 --> 00:23:26,655 You're all Ultranova Records artists. 384 00:23:27,364 --> 00:23:32,744 Roxy, Dardo, Cami, and of course you too, Raphaelo. 385 00:23:36,665 --> 00:23:39,915 This is our stage and this is our home. 386 00:23:40,001 --> 00:23:43,171 Do you realize how much can be done with music? 387 00:23:44,381 --> 00:23:45,841 Amalia. 388 00:23:48,593 --> 00:23:50,803 Come on. Let's go. 389 00:23:50,887 --> 00:23:53,097 (audience cheer, applause) 390 00:23:54,891 --> 00:24:01,401 ♪ I'm waiting for you, come to my house One can be happy on this land ♪ 391 00:24:02,524 --> 00:24:04,864 ♪ We're all different races ♪ 392 00:24:04,943 --> 00:24:09,663 ♪ But in every soul There's something meant for you ♪ 393 00:24:09,739 --> 00:24:13,489 ♪ The golden sun In the early morning hours ♪ 394 00:24:13,577 --> 00:24:17,247 ♪ The sea that brought A treasure from its depths ♪ 395 00:24:17,330 --> 00:24:21,290 ♪ Cumbia at sunset to break the silence ♪ 396 00:24:21,376 --> 00:24:25,706 ♪ And the water of a mountain stream ♪ 397 00:24:25,797 --> 00:24:27,917 ♪ Singing ♪ 398 00:24:28,008 --> 00:24:29,338 ♪ My heart fills with joy ♪ 399 00:24:29,426 --> 00:24:31,886 ♪ Singing ♪ 400 00:24:31,970 --> 00:24:33,180 ♪ I can be who I am ♪ 401 00:24:33,263 --> 00:24:35,683 ♪ Singing ♪ 402 00:24:35,765 --> 00:24:37,725 ♪ Sheds light on my existence ♪ 403 00:24:37,809 --> 00:24:39,519 ♪ Singing ♪ 404 00:24:39,603 --> 00:24:41,693 ♪ You'll never leave ♪ 405 00:24:41,771 --> 00:24:44,191 (lively music) 406 00:24:56,786 --> 00:25:00,616 ♪ We are all different But we stand on the same ground ♪ 407 00:25:00,707 --> 00:25:04,747 ♪ From Bogota to Palenque From Quito to Maniu ♪ 408 00:25:04,836 --> 00:25:08,376 ♪ We all belong in this house And under the same sky ♪ 409 00:25:08,465 --> 00:25:11,925 ♪ We have plenty of love To share with the world ♪ 410 00:25:12,010 --> 00:25:14,180 ♪ Singing ♪ 411 00:25:14,262 --> 00:25:15,762 ♪ My heart fills with joy ♪ 412 00:25:15,847 --> 00:25:18,307 ♪ Singing ♪ 413 00:25:18,391 --> 00:25:19,731 ♪ I can be who I am ♪ 414 00:25:19,809 --> 00:25:21,849 ♪ Singing ♪ 415 00:25:21,937 --> 00:25:23,727 ♪ Sheds light on my existence ♪ 416 00:25:23,813 --> 00:25:25,983 ♪ Singing ♪ 417 00:25:26,066 --> 00:25:27,976 ♪ You'll never leave ♪ 418 00:25:28,068 --> 00:25:30,698 (clarinet tooting) 419 00:25:42,874 --> 00:25:47,714 ♪ If sadness overtakes you Think of your home ♪ 420 00:25:47,796 --> 00:25:50,796 ♪ Think of the bright spring skies ♪ 421 00:25:50,882 --> 00:25:55,392 ♪ Everything passes And someone is waiting for you ♪ 422 00:25:55,470 --> 00:25:58,310 ♪ To have an endless party ♪ 423 00:25:58,390 --> 00:26:00,520 ♪ Singing ♪ 424 00:26:00,600 --> 00:26:02,350 ♪ My heart fills with joy ♪ 425 00:26:02,435 --> 00:26:04,845 ♪ Singing ♪ 426 00:26:04,938 --> 00:26:06,308 ♪ I can be who I am ♪ 427 00:26:06,398 --> 00:26:08,228 ♪ Singing ♪ 428 00:26:08,316 --> 00:26:10,606 ♪ Sheds light on my existence ♪ 429 00:26:10,694 --> 00:26:12,704 ♪ Singing ♪ 430 00:26:12,779 --> 00:26:13,989 ♪ You'll never leave ♪ 431 00:26:14,072 --> 00:26:16,122 ♪ Singing ♪ 432 00:26:16,199 --> 00:26:20,289 -♪ If it weren't for your love ♪ -♪ Singing ♪ 433 00:26:20,370 --> 00:26:23,710 -♪ My heart wouldn't be beating ♪ -♪ Singing ♪ 434 00:26:23,790 --> 00:26:25,420 ♪ Brings magic in my life ♪ 435 00:26:25,500 --> 00:26:27,790 ♪ Singing ♪ 436 00:26:27,877 --> 00:26:30,337 ♪ You'll never leave ♪ 437 00:26:30,422 --> 00:26:33,342 (yells) 438 00:26:33,425 --> 00:26:36,045 (lively music) 439 00:26:45,437 --> 00:26:49,317 ♪ Singing ♪ 440 00:26:52,944 --> 00:26:53,864 ULTRANOVA SCHOOL SUCCESS MANUAL 441 00:26:53,945 --> 00:26:56,105 "SUCCEED, SUCCEED, SUCCEED" 442 00:26:56,197 --> 00:26:58,237 "IF YOU DON'T FIND SUCCESS IT IS BECAUSE YOU ARE NOT LOOKING FOR IT" 443 00:26:58,325 --> 00:27:00,155 "EVERYTHING HAS AN END UNTIL IT FINISHES" 444 00:27:00,243 --> 00:27:02,543 "WHEN PATHS CLOSE, OPPORTUNITIES WILL OPEN" 445 00:27:04,623 --> 00:27:07,083 "BREAK YOUR LIMITS, BUT PICK UP THE PIECES" 446 00:27:07,167 --> 00:27:09,627 "PATIENCE BRINGS RESULTS BUT PERSEVERANCE BRINGS SUCCESS" 447 00:27:09,711 --> 00:27:12,171 {\an8}"SHOW BUSINESS DOESN'T WAIT, AND THE WAITING BUSINESS DOESN'T SHOW" 448 00:27:12,255 --> 00:27:14,795 {\an8}"IF YOU MISS A TRAIN, START BUILDING A TRAIN ENGINE" 449 00:27:14,883 --> 00:27:17,303 "OPEN UP YOUR HANDS AND YOU WILL FIND WHAT YOU NEED" 450 00:27:17,385 --> 00:27:19,385 (upbeat music) 451 00:27:32,776 --> 00:27:35,316 "IF I WANT IT, I CAN DO IT, AND IF I CAN DO IT, I WANT MORE" 452 00:27:57,175 --> 00:27:58,005 ALL CHARACTERS AND EVENTS IN THIS SERIES ARE FICTIONAL. 453 00:27:58,093 --> 00:27:58,933 ANY SIMILARITIES WITH PEOPLE DEAD OR ALIVE ARE COINCIDENCES.