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DID YOU GUYS SEE THE VIDEO?
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00:00:04,963 --> 00:00:06,803
MOLINA WANTS US TO SING.
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00:00:06,881 --> 00:00:09,301
WE CAN STILL GET THERE ON TIME.
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BRO, I DON'T UNDERSTAND. DIDN'T YOU LEAVE?
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ALMOST, UNLESS WE DECIDE OTHERWISE.
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(upbeat music)
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WHAT DO YOU SAY?
ARE WE DOING THIS, YES OR NO?
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I'M IN.
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ME TOO.
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LET'S GO.
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WE MUST COMPLETE THE CIRCLE.
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MUSIC IS MADE TO BE LISTENED TO.
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-Perfect.
-SEE YOU BACKSTAGE.
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(theme music)
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THE LOW TONE CLUB
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(inhales deeply)
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Something wrong, Romario?
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Yony,
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I can't leave.
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What if you were in a game
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and your team was losing 5-0,
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would you leave the game?
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Would you leave your teammates behind?
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MARTINA:
Amalia, I'll see you as soon as you...
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No, don't turn it off.
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Play it again from the beginning.
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-No, principal. It's nothing.
-Give me your phone.
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I'm confiscating it.
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Did you know
that these devices are causing
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irreversible damage to young people?
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And from what I can see,
it has already affected you
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because you seem unfocused,
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listening to audio messages.
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You'll get your phone back
after the event.
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What's this? Let's see.
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Jose.
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-Is the owner of the record label here?
-Yes, Mr. Peter, look.
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-He's right there.
-That guy?
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KRAMER:
Peter! Emergency. I repeat, emergency!
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Do you copy? Where are you?
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Yes, maestro, loud and clear.
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I'm in the parking lot,
greeting the owner.
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-KRAMER: He's here?
-Yes, he just got here.
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Pay attention and do exactly as I say.
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This is extremely important, I repeat,
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-extremely important.
-Okay, understood.
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(quirky music)
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(birds chirping)
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PAPIYÓN: If it isn't Yohan himself!
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-OCAMPO: Get in.
-ROMARIO: The show's about to start!
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(indistinct chatter)
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Gentlemen, these are two former students,
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two highly problematic individuals,
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so do not, for any reason,
let them into the auditorium.
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Yes, sir.
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Did you hear that, Pereyra?
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(audience applause)
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(cheering)
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(upbeat music)
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Ladies and gentlemen,
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I am pleased to welcome you
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to the musical event of the year,
such an important concert
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that we are honored with the presence
of none other than the owner
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and founder of Ultranova Records,
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Mr. Santamaria.
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(applause, cheering)
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Now, I'll leave you in the company
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of the newest generation of Agudos.
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A generation that before making history
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is already making history.
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Meet the new Agudos.
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Give them a big round of applause!
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(applause, cheering)
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♪ Breathe, there is sun, sand and sea ♪
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♪ In the midst of this solitude ♪
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♪ But on your camera lens ♪
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♪ You'll never see me again ♪
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♪ All smoke and mirrors ♪
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(soft chuckle)
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♪ I ran away, you clipped my wings ♪
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♪ You're still dreaming
Of those glory days ♪
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♪ I won't blame you
For the broken pieces anymore ♪
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♪ When a soul is free
It always spreads its wings ♪
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♪ Woah ♪
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♪ It always spreads its wings ♪
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♪ Woah ♪
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-Hello.
-Hi.
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-All good?
-Yes.
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-Any questions?
-No.
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-Are you sure?
-Yes.
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Okay.
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(soft chuckle)
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(exhales deeply)
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Look. This is the button for the glitter.
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But don't press it yet. Come.
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♪ All smoke and mirrors ♪
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How are you, guys?
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-What do you want?
-I work here, I'm Kramer's right hand.
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-What do you need?
-I brought water and something to eat.
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Okay, I'll take it from here.
See you later.
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-♪ Comet wings ♪
-(gasps)
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♪ I ran away, you clipped my wings ♪
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PANCHITO: You're finally here,
I sent you three messages.
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Didn't you see them?
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Kramer took my phone. I don't know
if he knows something, but he's paranoid.
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We need to hurry.
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Let's set up the instruments.
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We need help. It's a lot of work
and we can't do it on our own.
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Lala and Martina are already on their way
and are bringing help.
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Come on.
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No, man, no. Why?
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(Romario laughs)
He's excited because his brother's here.
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OCAMPO: Everybody get ready!
You know what you have to do.
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YOHAN: Mr. Jose.
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Good afternoon, how are you?
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-Mr. Alegria?
-Yes.
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-You know my name?
-Yes, of course.
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How's the match going?
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(mumbles)
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What match? Only yours are worth watching!
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Mr. Jose, do you mind
if we take a picture?
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Really?
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Wow, that's amazing!
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I was embarrassed to ask as
we didn't know each other personally,
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and last time you were here, I was off.
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Here, fix your cap.
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Ready?
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-Perfect.
-(laughs)
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I'll post it right away.
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I remember the last goal you scored:
"Yohan has the ball,
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he dribbles and scores." You're amazing!
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♪ I'll be the ogre in your fairy tale
I don't want to hear another word ♪
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♪ I've had enough of your tricks ♪
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♪ Burnt toast on my plate ♪
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♪ Don't stop
Youth, fame and fortune are ephemeral ♪
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♪ The journey's more pleasant
When you're true to yourself ♪
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♪ It's just like a clear sunrise ♪
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♪ You didn't keep your promises ♪
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♪ All smoke and mirrors ♪
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♪ Like the tail of a comet ♪
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(audience applause, cheer)
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(upbeat music)
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One moment.
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Hold on!
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Say it again. What? You want me to sing?
146
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No, but I didn't prepare anything. What?
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KRAMER: Well, if you insist.
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I can't stand her anymore, Camila.
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You saw what she did? She stole my solo.
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She tried to keep me in the back,
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so I got in her way and she stomped
on my foot so hard that it still hurts.
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(clatters in distance)
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What are you doing here?
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Shouldn't you be parking cars
or welcoming guests?
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And what's all this for?
156
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-Don't tell me you want to sing, darling.
-(both laugh)
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That's right, we're going to sing.
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And you're going to help us.
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Let's face it, if we want this to end
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you have to help us prove to Kramer
what we're capable of.
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Look what he did to you.
162
00:09:16,305 --> 00:09:18,345
Why did he include KJ in the Agudos?
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To make you the Graves of your group?
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How is that fair?
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♪ You drive me crazy
But only you have the cure ♪
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(audience applause, cheer)
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If with my song, "Forever", my hit,
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I made you see the light,
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I'm sure that with the next song,
I'll make you
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see the stars.
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(sighs)
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-Raphaelo, have you seen my shoes?
-(Roxana laughs)
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I'm not going out there without my shoes.
Not without my shoes.
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They were right here.
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No idea. Poor little thing.
176
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-I haven't seen them.
-Yeah.
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00:10:13,904 --> 00:10:17,834
-Where did you leave them?
-They were here. Someone took them.
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So, here with you tonight...
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-RAPHAELO: Dad.
-Huh?
180
00:10:22,455 --> 00:10:23,785
What is it?
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KJ can't find her shoes.
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Improvise.
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00:10:29,629 --> 00:10:32,169
With you, ladies and gentlemen,
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with you, I am very excited.
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00:10:35,676 --> 00:10:38,256
Hurry. I'll take this.
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-Lala.
-What?
187
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What happened?
188
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I think I have an idea.
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Amalia.
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This one here.
191
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Look.
192
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Well done.
193
00:11:10,378 --> 00:11:12,458
-What was the chant?
-(audience clapping)
194
00:11:12,546 --> 00:11:14,666
Agudos!
195
00:11:14,757 --> 00:11:16,837
ALL: Agudos!
196
00:11:16,926 --> 00:11:18,796
Agudos!
197
00:11:18,886 --> 00:11:20,676
Agudos!
198
00:11:20,763 --> 00:11:23,683
Keep chanting over there, don't stop.
199
00:11:23,766 --> 00:11:25,136
-Keep going.
-Agudos.
200
00:11:25,226 --> 00:11:28,266
I want you out there now,
with or without shoes.
201
00:11:28,354 --> 00:11:32,024
Agudos! Agudos! Agudos!
202
00:11:33,693 --> 00:11:37,323
Now, ladies and gentlemen,
203
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with you,
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00:11:38,906 --> 00:11:43,576
the stars of the show!
205
00:11:43,661 --> 00:11:45,871
(audience cheer, applause)
206
00:12:02,012 --> 00:12:04,012
(lively music)
207
00:12:04,098 --> 00:12:06,928
(clarinet tooting)
208
00:12:13,899 --> 00:12:16,569
♪ La, la, le, la, la, la ♪
209
00:12:16,652 --> 00:12:19,662
♪ La, la, le, la, le, la ♪
210
00:12:19,739 --> 00:12:25,659
♪ La, la, le, la, la, la
La, la, le, la, le, la ♪
211
00:12:25,745 --> 00:12:28,405
♪ La, la, le, la, la, la ♪
212
00:12:28,497 --> 00:12:31,247
♪ La, la, le, la, le, la ♪
213
00:12:31,333 --> 00:12:37,173
♪ La, la, le, la, la, la
La, la, le, la, le, la ♪
214
00:12:37,256 --> 00:12:41,636
♪ Ah, heaven and heart ♪
215
00:12:42,303 --> 00:12:45,263
♪ It's a love song ♪
216
00:12:45,347 --> 00:12:48,517
♪ A never-ending love song ♪
217
00:12:48,976 --> 00:12:53,806
♪ Ah, listen to your heart ♪
218
00:12:53,898 --> 00:12:56,898
♪ It's an ancient teacher ♪
219
00:12:56,984 --> 00:13:00,574
♪ Who stays with you ♪
220
00:13:03,407 --> 00:13:06,237
(audience groan)
221
00:13:10,289 --> 00:13:15,289
Don't even think about
turning that volume up again, understood?
222
00:13:15,377 --> 00:13:19,337
Peter, I need the Agudos
back on stage right now.
223
00:13:19,423 --> 00:13:21,633
(suspenseful music)
224
00:13:23,511 --> 00:13:24,971
PAPIYÓN: Sound check, hello.
225
00:13:25,054 --> 00:13:27,974
PROF. MOLINA:
♪ When you can't find the answers ♪
226
00:13:28,349 --> 00:13:31,559
♪ When you can't find the way out ♪
227
00:13:31,644 --> 00:13:35,194
♪ And all the doubts haunt you ♪
228
00:13:36,607 --> 00:13:37,777
♪ Hmm ♪
229
00:13:38,275 --> 00:13:41,485
♪ When your friends aren't playing ♪
230
00:13:41,570 --> 00:13:45,030
♪ When you can't find
The answers outside ♪
231
00:13:45,115 --> 00:13:48,575
♪ You'd better look on the inside ♪
232
00:13:49,829 --> 00:13:50,829
LALA: Professor?
233
00:13:50,913 --> 00:13:54,043
♪ And remember
When you were a child in spring ♪
234
00:13:54,124 --> 00:13:57,094
♪ And reconnect with who you were ♪
235
00:13:57,169 --> 00:14:01,009
♪ The beating of your heart
Had no brakes ♪
236
00:14:01,090 --> 00:14:02,800
♪ It had no time ♪
237
00:14:03,342 --> 00:14:06,142
-♪ They say that love comes first ♪
-(audience cheer, applause)
238
00:14:06,220 --> 00:14:09,350
♪ That the value of all of the gold
In the world doesn't matter ♪
239
00:14:09,431 --> 00:14:12,771
♪ Because not everything is for sale
So I am happy ♪
240
00:14:12,852 --> 00:14:14,522
♪ I'm sorry ♪
241
00:14:14,603 --> 00:14:19,903
-♪ Ah, follow your heart ♪
-KRAMER: Peter!
242
00:14:19,984 --> 00:14:22,364
♪ It's a love song ♪
243
00:14:22,820 --> 00:14:25,990
♪ A never-ending love song ♪
244
00:14:26,490 --> 00:14:31,290
♪ Ah, listen to your heart ♪
245
00:14:31,370 --> 00:14:33,870
♪ It's an ancient teacher ♪
246
00:14:33,956 --> 00:14:35,116
KRAMER: What did I tell you?
247
00:14:36,917 --> 00:14:38,417
Peter?
248
00:14:38,502 --> 00:14:39,962
What are you doing?
249
00:14:40,045 --> 00:14:43,585
What you taught me, maestro.
Following the king's orders.
250
00:14:44,216 --> 00:14:46,176
Even you, my so-called faithful squire.
251
00:14:47,845 --> 00:14:48,965
Turn down the volume.
252
00:14:49,054 --> 00:14:53,524
Hey, Kramer, don't you dare
lay a finger on those buttons.
253
00:14:53,601 --> 00:14:55,811
This is all property of Ultranova Records.
254
00:14:55,895 --> 00:14:57,895
Can't you read? Get out.
255
00:14:57,980 --> 00:14:59,980
(ominous music)
256
00:15:04,278 --> 00:15:06,908
♪ E, la, la, la, la, e ♪
257
00:15:07,865 --> 00:15:10,275
(audience cheer, applause)
258
00:15:17,333 --> 00:15:18,923
Professor.
259
00:15:19,919 --> 00:15:21,499
Roma.
260
00:15:21,962 --> 00:15:25,382
-I knew you wouldn't let us down.
-Thank you.
261
00:15:25,466 --> 00:15:27,426
Professor, I never doubted you.
262
00:15:27,509 --> 00:15:29,639
Thank you, Amalia.
263
00:15:31,931 --> 00:15:33,271
I had my doubts.
264
00:15:36,602 --> 00:15:38,522
-I'm sorry.
-It's okay.
265
00:15:39,772 --> 00:15:42,402
(audience cheer, applause)
266
00:15:46,695 --> 00:15:48,065
Let's see.
267
00:15:49,031 --> 00:15:53,621
What are you doing here,
playing your tribal music?
268
00:15:53,702 --> 00:15:55,412
You don't get it, do you?
269
00:15:55,496 --> 00:15:59,826
You've been declared
persona non-grata in this school.
270
00:15:59,917 --> 00:16:03,747
So do me a favor and leave
the auditorium immediately.
271
00:16:03,837 --> 00:16:05,757
Or I'll call the police.
272
00:16:05,839 --> 00:16:08,339
They seem to know you
very well at the station.
273
00:16:09,134 --> 00:16:10,434
So...
274
00:16:10,928 --> 00:16:14,638
Mr. Santamaria, if I may,
275
00:16:14,723 --> 00:16:18,353
this performance of popular music,
276
00:16:18,435 --> 00:16:22,515
of "Verbena" music,
wasn't part of tonight's program,
277
00:16:22,606 --> 00:16:25,936
so please, accept my apologies,
Mr. Santamaria.
278
00:16:28,153 --> 00:16:30,913
Apologies accepted Mr. Kramer.
279
00:16:32,533 --> 00:16:33,953
Listen to this guy.
280
00:16:34,451 --> 00:16:36,411
Mr. Santa...
281
00:16:41,166 --> 00:16:42,326
No.
282
00:16:42,418 --> 00:16:45,588
-You are Mr. Santamaria?
-Daniel Santamaría.
283
00:16:45,963 --> 00:16:48,093
(audience groan)
284
00:16:54,555 --> 00:16:56,555
This is not the end.
285
00:17:02,104 --> 00:17:03,984
(students laugh)
286
00:17:04,106 --> 00:17:05,146
LALA: What?
287
00:17:08,777 --> 00:17:10,357
Good evening, everyone.
288
00:17:11,697 --> 00:17:13,947
Many of you know me
289
00:17:14,033 --> 00:17:16,743
as professor Amaranto Molina,
290
00:17:16,827 --> 00:17:18,997
but today I must become who I once was.
291
00:17:20,414 --> 00:17:22,124
Today I can be the real me,
292
00:17:22,875 --> 00:17:24,665
thanks to all of you.
293
00:17:25,669 --> 00:17:26,999
Daniel Santamaría.
294
00:17:27,087 --> 00:17:31,337
My dad, Federico Santamaria,
is the founder and owner
295
00:17:31,425 --> 00:17:33,755
of Ultranova Records.
296
00:17:34,261 --> 00:17:36,561
He loves you very much
297
00:17:36,638 --> 00:17:38,718
and has loved this school very much.
298
00:17:38,807 --> 00:17:40,807
So much
299
00:17:40,893 --> 00:17:45,113
that this was our family home,
I was born here
300
00:17:45,189 --> 00:17:47,399
I grew up here.
301
00:17:47,483 --> 00:17:51,903
I know all the nooks
and crannies of this house,
302
00:17:51,987 --> 00:17:55,027
including those invisible rooms.
303
00:17:56,658 --> 00:17:59,998
And these past months,
you have reminded me
304
00:18:01,747 --> 00:18:04,577
that this house is still my home.
305
00:18:05,334 --> 00:18:06,844
Thank you very much.
306
00:18:06,919 --> 00:18:09,549
(audience cheer, applause)
307
00:18:11,507 --> 00:18:12,587
PROF. MOLINA: Thank you!
308
00:18:13,926 --> 00:18:18,096
I have to say, I've been blessed to hear,
309
00:18:18,180 --> 00:18:21,180
and to get to know the great talent
310
00:18:21,266 --> 00:18:22,976
that the students
311
00:18:23,060 --> 00:18:24,480
from this school have.
312
00:18:24,561 --> 00:18:26,561
See what they are capable of,
313
00:18:26,647 --> 00:18:30,607
watch and help grow some of them.
314
00:18:31,527 --> 00:18:35,947
And today, as a representative
of Ultranova Records, I am here
315
00:18:36,448 --> 00:18:38,828
to make that long-awaited announcement
316
00:18:38,909 --> 00:18:43,159
because everyone wants to know
who has been selected this year.
317
00:18:46,208 --> 00:18:51,878
Those of you who have been selected
should be receiving right now
318
00:18:51,964 --> 00:18:55,844
an email with the notification.
319
00:19:00,931 --> 00:19:01,931
Yes.
320
00:19:02,015 --> 00:19:04,475
I've just received it.
321
00:19:06,353 --> 00:19:08,563
I received one too.
322
00:19:08,897 --> 00:19:11,017
Congratulations.
323
00:19:11,108 --> 00:19:13,608
I just received the email.
324
00:19:13,694 --> 00:19:15,324
TRIPLETS: Me too.
325
00:19:15,404 --> 00:19:17,454
(giggles)
326
00:19:18,240 --> 00:19:19,660
Woho-hohoho!
327
00:19:19,741 --> 00:19:23,041
-I received one too.
-What I'm sending you
328
00:19:23,120 --> 00:19:27,790
it's not really a contract for one, two,
three or even ten years.
329
00:19:28,458 --> 00:19:33,458
It's an agreement for creative development
330
00:19:33,547 --> 00:19:35,837
with no expiration date.
331
00:19:35,924 --> 00:19:38,554
(both giggles)
332
00:19:39,720 --> 00:19:42,350
(audience cheer, applause)
333
00:20:01,116 --> 00:20:06,206
It didn't make sense
to have only one winner.
334
00:20:08,248 --> 00:20:10,208
Put that down and let's go.
335
00:20:10,292 --> 00:20:12,502
(suspenseful music)
336
00:20:16,048 --> 00:20:17,258
Raphaelo.
337
00:20:19,801 --> 00:20:23,061
But it's better to sing it than to say it.
338
00:20:23,555 --> 00:20:25,595
So, with you...
339
00:20:26,475 --> 00:20:28,185
I present you...
340
00:20:29,019 --> 00:20:32,309
The Graves Club.
341
00:20:32,397 --> 00:20:34,607
(audience applause, cheer)
342
00:20:38,070 --> 00:20:40,530
PROF. MOLINA: ♪ It's been a long time ♪
343
00:20:40,614 --> 00:20:43,284
♪ But I can't forget you ♪
344
00:20:43,367 --> 00:20:45,907
♪ If it weren't for those records ♪
345
00:20:45,994 --> 00:20:48,124
♪ What would have happened to me? ♪
346
00:20:48,622 --> 00:20:51,252
♪ Now I'm back at the beginning ♪
347
00:20:51,333 --> 00:20:53,463
♪ Learning how to breathe ♪
348
00:20:53,961 --> 00:20:56,511
♪ And that old man down the road ♪
349
00:20:56,588 --> 00:20:58,718
♪ Reminds me there's more to come ♪
350
00:20:59,299 --> 00:21:04,389
♪ And in her sleep she laughs ♪
351
00:21:04,471 --> 00:21:09,521
♪ But wakes up and starts to cry ♪
352
00:21:10,018 --> 00:21:14,228
♪ And tells us of a happy world ♪
353
00:21:14,314 --> 00:21:21,324
♪ That will return ♪
354
00:21:21,405 --> 00:21:24,235
(band playing)
355
00:21:24,700 --> 00:21:26,660
ALL: Hey! Hey!
356
00:21:29,788 --> 00:21:31,458
ALL: Hey! Hey!
357
00:21:31,540 --> 00:21:36,920
♪ I'm driving fast but I won't make it
The streets are busy ♪
358
00:21:37,004 --> 00:21:41,474
♪ I try to get ahead
And a cop sounds the siren ♪
359
00:21:42,050 --> 00:21:46,810
♪ He asks for my license and registration
And tells me life is hard ♪
360
00:21:47,639 --> 00:21:52,479
♪ They took the van, I'd better walk
My luck will change for sure ♪
361
00:21:52,561 --> 00:21:55,151
♪ And the sun rises ♪
362
00:21:55,230 --> 00:21:59,650
♪ Illuminating your face
And brightening our day ♪
363
00:21:59,735 --> 00:22:01,945
(clarinet tooting)
364
00:22:02,821 --> 00:22:05,491
♪ And I ♪
365
00:22:06,283 --> 00:22:10,293
♪ I'm already over the moon
Just by gazing into your eyes ♪
366
00:22:14,291 --> 00:22:16,291
♪ Knocking down walls ♪
367
00:22:16,960 --> 00:22:19,300
♪ And building bridges ♪
368
00:22:19,713 --> 00:22:22,263
♪ The students ♪
369
00:22:22,341 --> 00:22:24,381
♪ And the principal ♪
370
00:22:24,968 --> 00:22:27,598
♪ The forgotten ones ♪
371
00:22:27,679 --> 00:22:30,269
♪ And the careless ones ♪
372
00:22:30,349 --> 00:22:32,429
♪ Knocking down walls ♪
373
00:22:32,976 --> 00:22:35,436
♪ And building bridges ♪
374
00:22:35,520 --> 00:22:37,190
(clarinet tooting)
375
00:22:37,272 --> 00:22:41,742
♪ Ey, ey, ey, ey, ey, ey ♪
376
00:22:41,818 --> 00:22:48,028
♪ Ey, ey, ey, ey, ey, ey ♪
377
00:22:48,116 --> 00:22:54,956
♪ Ey, ey, ey, ey, ey, ey ♪
378
00:22:55,040 --> 00:22:57,830
♪ Ey, ey, ey, ey, ey, ey ♪
379
00:22:57,918 --> 00:23:00,548
(audience cheer, applause)
380
00:23:16,603 --> 00:23:18,653
CREATIVE DEVELOPMENT AGREEMENT
381
00:23:18,730 --> 00:23:20,440
This is a bad joke.
382
00:23:21,191 --> 00:23:23,281
For the first time, I agree with you.
383
00:23:23,985 --> 00:23:26,655
You're all Ultranova Records artists.
384
00:23:27,364 --> 00:23:32,744
Roxy, Dardo, Cami, and of course
you too, Raphaelo.
385
00:23:36,665 --> 00:23:39,915
This is our stage and this is our home.
386
00:23:40,001 --> 00:23:43,171
Do you realize how much
can be done with music?
387
00:23:44,381 --> 00:23:45,841
Amalia.
388
00:23:48,593 --> 00:23:50,803
Come on. Let's go.
389
00:23:50,887 --> 00:23:53,097
(audience cheer, applause)
390
00:23:54,891 --> 00:24:01,401
♪ I'm waiting for you, come to my house
One can be happy on this land ♪
391
00:24:02,524 --> 00:24:04,864
♪ We're all different races ♪
392
00:24:04,943 --> 00:24:09,663
♪ But in every soul
There's something meant for you ♪
393
00:24:09,739 --> 00:24:13,489
♪ The golden sun
In the early morning hours ♪
394
00:24:13,577 --> 00:24:17,247
♪ The sea that brought
A treasure from its depths ♪
395
00:24:17,330 --> 00:24:21,290
♪ Cumbia at sunset to break the silence ♪
396
00:24:21,376 --> 00:24:25,706
♪ And the water of a mountain stream ♪
397
00:24:25,797 --> 00:24:27,917
♪ Singing ♪
398
00:24:28,008 --> 00:24:29,338
♪ My heart fills with joy ♪
399
00:24:29,426 --> 00:24:31,886
♪ Singing ♪
400
00:24:31,970 --> 00:24:33,180
♪ I can be who I am ♪
401
00:24:33,263 --> 00:24:35,683
♪ Singing ♪
402
00:24:35,765 --> 00:24:37,725
♪ Sheds light on my existence ♪
403
00:24:37,809 --> 00:24:39,519
♪ Singing ♪
404
00:24:39,603 --> 00:24:41,693
♪ You'll never leave ♪
405
00:24:41,771 --> 00:24:44,191
(lively music)
406
00:24:56,786 --> 00:25:00,616
♪ We are all different
But we stand on the same ground ♪
407
00:25:00,707 --> 00:25:04,747
♪ From Bogota to Palenque
From Quito to Maniu ♪
408
00:25:04,836 --> 00:25:08,376
♪ We all belong in this house
And under the same sky ♪
409
00:25:08,465 --> 00:25:11,925
♪ We have plenty of love
To share with the world ♪
410
00:25:12,010 --> 00:25:14,180
♪ Singing ♪
411
00:25:14,262 --> 00:25:15,762
♪ My heart fills with joy ♪
412
00:25:15,847 --> 00:25:18,307
♪ Singing ♪
413
00:25:18,391 --> 00:25:19,731
♪ I can be who I am ♪
414
00:25:19,809 --> 00:25:21,849
♪ Singing ♪
415
00:25:21,937 --> 00:25:23,727
♪ Sheds light on my existence ♪
416
00:25:23,813 --> 00:25:25,983
♪ Singing ♪
417
00:25:26,066 --> 00:25:27,976
♪ You'll never leave ♪
418
00:25:28,068 --> 00:25:30,698
(clarinet tooting)
419
00:25:42,874 --> 00:25:47,714
♪ If sadness overtakes you
Think of your home ♪
420
00:25:47,796 --> 00:25:50,796
♪ Think of the bright spring skies ♪
421
00:25:50,882 --> 00:25:55,392
♪ Everything passes
And someone is waiting for you ♪
422
00:25:55,470 --> 00:25:58,310
♪ To have an endless party ♪
423
00:25:58,390 --> 00:26:00,520
♪ Singing ♪
424
00:26:00,600 --> 00:26:02,350
♪ My heart fills with joy ♪
425
00:26:02,435 --> 00:26:04,845
♪ Singing ♪
426
00:26:04,938 --> 00:26:06,308
♪ I can be who I am ♪
427
00:26:06,398 --> 00:26:08,228
♪ Singing ♪
428
00:26:08,316 --> 00:26:10,606
♪ Sheds light on my existence ♪
429
00:26:10,694 --> 00:26:12,704
♪ Singing ♪
430
00:26:12,779 --> 00:26:13,989
♪ You'll never leave ♪
431
00:26:14,072 --> 00:26:16,122
♪ Singing ♪
432
00:26:16,199 --> 00:26:20,289
-♪ If it weren't for your love ♪
-♪ Singing ♪
433
00:26:20,370 --> 00:26:23,710
-♪ My heart wouldn't be beating ♪
-♪ Singing ♪
434
00:26:23,790 --> 00:26:25,420
♪ Brings magic in my life ♪
435
00:26:25,500 --> 00:26:27,790
♪ Singing ♪
436
00:26:27,877 --> 00:26:30,337
♪ You'll never leave ♪
437
00:26:30,422 --> 00:26:33,342
(yells)
438
00:26:33,425 --> 00:26:36,045
(lively music)
439
00:26:45,437 --> 00:26:49,317
♪ Singing ♪
440
00:26:52,944 --> 00:26:53,864
ULTRANOVA SCHOOL SUCCESS MANUAL
441
00:26:53,945 --> 00:26:56,105
"SUCCEED, SUCCEED, SUCCEED"
442
00:26:56,197 --> 00:26:58,237
"IF YOU DON'T FIND SUCCESS
IT IS BECAUSE YOU ARE NOT LOOKING FOR IT"
443
00:26:58,325 --> 00:27:00,155
"EVERYTHING HAS AN END UNTIL IT FINISHES"
444
00:27:00,243 --> 00:27:02,543
"WHEN PATHS CLOSE,
OPPORTUNITIES WILL OPEN"
445
00:27:04,623 --> 00:27:07,083
"BREAK YOUR LIMITS,
BUT PICK UP THE PIECES"
446
00:27:07,167 --> 00:27:09,627
"PATIENCE BRINGS RESULTS
BUT PERSEVERANCE BRINGS SUCCESS"
447
00:27:09,711 --> 00:27:12,171
{\an8}"SHOW BUSINESS DOESN'T WAIT,
AND THE WAITING BUSINESS DOESN'T SHOW"
448
00:27:12,255 --> 00:27:14,795
{\an8}"IF YOU MISS A TRAIN,
START BUILDING A TRAIN ENGINE"
449
00:27:14,883 --> 00:27:17,303
"OPEN UP YOUR HANDS
AND YOU WILL FIND WHAT YOU NEED"
450
00:27:17,385 --> 00:27:19,385
(upbeat music)
451
00:27:32,776 --> 00:27:35,316
"IF I WANT IT, I CAN DO IT,
AND IF I CAN DO IT, I WANT MORE"
452
00:27:57,175 --> 00:27:58,005
ALL CHARACTERS AND EVENTS
IN THIS SERIES ARE FICTIONAL.
453
00:27:58,093 --> 00:27:58,933
ANY SIMILARITIES WITH PEOPLE DEAD
OR ALIVE ARE COINCIDENCES.