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- ♪ Back to life, back to reality ♪
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♪ Back to life ♪
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♪ Back to reality ♪
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♪ Back to the here and now... ♪
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Good morning, sunshine.
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♪ Show me how ♪
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♪ Decide what you want from me ♪
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♪ Tell me
Maybe I could be there for you... ♪
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How many people have you got in there?
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Well, uh, he likes a cup of tea
in the morning.
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Then a coffee,
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and then something juicy
to replenish lost fluids.
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See you later, señorita.
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Are you in tonight?
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No, I'm seeing Dex.
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Still chipping away
at that marble, are you?
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Incoming!
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Ready for blastoff, baby.
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♪ Back to life ♪
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♪ Back to the present time ♪
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"London," an epic poem
by Emma Morley.
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Oh, London
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With your complex
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But efficient transport system
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Oh London
With your six million... souls?
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Lost souls, worn souls
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Oh God, I'm punning.
That's horrible. Stop.
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Start again.
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"A City of Dreams."
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A sonnet by Emma Morley.
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So long I wandered, lonely
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Lost along your dusty, musty
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Streets and tunnels
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And wondered, where are you?
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Find the band.
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Two teams, two A to Zs,
and two hours to hunt for clues.
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Somewhere in these famous streets,
an even more famous band is hiding.
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And the first team to find them
wins all the swag.
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So that's it. Get to it.
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While I get an espresso.
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Cut!
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A haiku.
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Thoughts turn to the past
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Song of blackbirds and regret and--
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Late? Again?
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Sorry. Uh, the tube.
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The tube? The tube?
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Hola, everyone!
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Hola.
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Hola, everyone.
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Hola.
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Come on.
People don't just come for the food.
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It's the atmosphere as well.
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- Hola!
- Hola.
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Imagine coming for the food.
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A thought for those
who come for atmosphere.
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Before we open the doors,
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I'd like to go through today's specials,
if I may.
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So we've got a tuna enchilada
and a turkey chimichanga.
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Mm. Turkey. In July.
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Paddy, I've checked the rota.
You're on toilets.
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- What? It's Emma's turn.
- Not today.
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Emma, this is Ian. New boy.
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Yo, my people.
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Jesus. Where does she find them?
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Emma, I'd like you to show him the ropes
'cause you've been here the longest.
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Welcome to the graveyard of ambition.
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Loco Caliente means "crazy hot."
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"Hot," the air conditioning doesn't work.
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"Crazy" 'cause that's
what you'd have to be to eat here.
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Or work here, for that matter.
Twenty minutes for lunch.
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You can have anything from the menu,
but I strongly urge you don't.
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This is your locker. It doesn't lock,
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so don't put anything in it
that you're in any way attached to.
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And familiarize yourself
with the Heimlich maneuver.
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There's a surprising amount of choking.
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Oh. And once a shift,
someone tries to ride that donkey,
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so keep an eye out.
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- So, Ian, what brings you down Mexico way?
- Gotta pay the rent.
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Sorry?
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Uh, I... I need flexible hours.
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- Oh. Why's that?
- I'm a comedian.
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- Are you?
- Yeah.
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Stand-up, mainly.
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A bit of improv.
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- What about you?
- What about me?
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What's your stroke?
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Waiter stroke stand-up?
Barman stroke model?
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- Did Paddy tell you he's a model?
- Let me guess.
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Paddy is not a model.
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- Uh, you're a musician?
- Uh-uh.
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- Tone-deaf.
- Actress.
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Mercifully, no longer.
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Oh. I've got it.
You're a writer, aren't you?
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Not in any meaningful sense.
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If you write, you're a writer.
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Yeah. I'm not really sure
it works like that.
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So, do you like it here?
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Like it?
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I bloody love it. I'm not made of wood.
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Salsa, guacamole, sour cream.
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- Doesn't it need to be kept in the fridge?
- Oh. That's not real cream.
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- What is it?
- Some sort of hydrogenated fat, I think.
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Basically, what's left over
when they make petrol.
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- What's happening?
-"The Cucaracha."
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Four times an hour, 32 times a shift.
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Pa-pa-pa, ta-ta-da, cha-cha-cha!
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Well done, guys.
Come on, amigos. Shaky, shaky.
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Yeah. That's it, Ian.
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Now the turn.
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Round and round,
and pa-pa-pa, cha-cha-cha.
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Footwork.
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Ian, come on. Emma.
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- Turn, Ian. Turn. Please. Come on.
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There she is.
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Big hug.
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Don't hug me. I'm disgusting.
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Mm.
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- Am I not seeing you later?
- Can't stay away.
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Em, come and... meet Naomi.
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It's spelled Naomi, but pronounced "Nomi."
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Hi, Nom... i.
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And this is
my very dear friend, Emma.
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Hi.
125
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Dex, why are you here?
126
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We were just down the road, filming.
127
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Nonbroadcast pilot, not for TX.
128
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- More of a taster tape.
- No idea what that means.
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- Yeah, but you were good, though.
- Ah?
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You know you were good.
The camera loves you.
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- But do I love the camera?
- I'm guessing that you do.
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Can I get you guys something to eat?
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Oh no, we're not eating. We're not eating.
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This is Ian.
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Hi, Ian.
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Uh, may we have
three of the Day of the Dead margaritas?
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I can't, Dex. I'm working.
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Oh, come on. Five minutes.
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Take a tea break.
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- Do you get a tea break?
- She can't, Dex. She's working.
141
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Okay. Uh, in that case, we'll leave it.
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Just the bill. Thanks.
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Oh.
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- I don't know how to work the...
- Yeah. It's fine. I'll get it.
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- I'll be back in a minute.
- Yep.
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Em.
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Is there any way I could, you know...
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What?
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Give you the money for the drinks.
150
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What?
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I mean, is there any way
that I could tip you?
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Tip me?
153
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Yeah, why not? I really want to tip you.
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♪ These are the finest times of my life ♪
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♪ This is the greatest time of my life ♪
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♪ This is the greatest time of my life ♪
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♪ These are the biggest times of my life ♪
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Oh, sorry.
159
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No, it's fine.
160
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How do you know that guy from before?
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The one who looks
like he's wearing mascara.
162
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Oh. Uh, from university.
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- Is that his girlfriend?
- Yeah, seems so.
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But there's a quick turnover, so...
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And I have... I have a question.
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- Yep. Go on.
- What you doing tonight?
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You don't hang about,
do you, Ian?
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You've probably got a boyfriend anyway.
169
00:09:03,680 --> 00:09:06,000
It's just, I'm doing a gig tonight
at Ha Bloody Ha.
170
00:09:06,080 --> 00:09:07,120
At what?
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Ha Bloody Ha. It's a comedy night
at the Frog and Parrot in Cockfosters.
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Thought you might be interested
in my unique comedy stylings.
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- Mm.
- The food's good too.
174
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Just the usual mini burgers,
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curly fries sort of thing, so...
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Yeah, no. Uh, it sounds enchanting, Ian.
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Curly fries and all, but, um...
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No, I... I can't tonight. Sorry.
179
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- Really?
- Really.
180
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It's a nice offer,
but I'm meeting that mascara guy.
181
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So I'll have to give it a miss,
I'm afraid.
182
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Ah. Well, another time, then.
I've got upcoming gigs at The Bent Banana.
183
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And The Cheshire Cat in Colliers Wood.
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Maybe.
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00:10:21,880 --> 00:10:23,040
Hello, lovely.
186
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- What the fuck?
- Don't ever, ever do that again.
187
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Do what?
188
00:10:27,760 --> 00:10:29,880
Come to where I work
like you're on safari.
189
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Or bring your girlfriend for a tour.
"Look at the stupid menu
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and the horrible toilets
and the ridiculous drinks."
191
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You can have that back.
192
00:10:37,760 --> 00:10:39,520
No, no, no. That's yours.
193
00:10:40,440 --> 00:10:44,240
- Dex, listen to me. You don't tip friends.
- It's not a tip. It's a gift.
194
00:10:44,320 --> 00:10:46,280
Oh, cash is not a gift.
195
00:10:51,520 --> 00:10:52,520
Sorry.
196
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Now, do your shirt up
and pass me the bottle.
197
00:11:09,280 --> 00:11:10,200
So?
198
00:11:11,000 --> 00:11:12,160
How are ya?
199
00:11:13,840 --> 00:11:16,640
Oh, dreamy. Yeah, uh, let's see.
200
00:11:16,720 --> 00:11:21,200
Um, I got salsa on my shoe today,
and it burned right through.
201
00:11:22,360 --> 00:11:23,800
Why are you still there?
202
00:11:24,880 --> 00:11:27,240
Well, Dex, I don't know
how to tell you this, but, um,
203
00:11:27,320 --> 00:11:29,480
some people work in restaurants.
204
00:11:30,000 --> 00:11:34,200
And some people work in shops.
Not everyone works in the media.
205
00:11:36,920 --> 00:11:39,520
Sorry. That was really...
206
00:11:41,280 --> 00:11:43,040
Yeah, well, it doesn't matter anyway.
207
00:11:44,280 --> 00:11:45,520
I'm going home.
208
00:11:46,760 --> 00:11:48,400
Back up north, Leeds, home.
209
00:11:50,520 --> 00:11:51,600
To do what?
210
00:11:53,320 --> 00:11:55,080
Honestly, I don't even know.
211
00:11:57,560 --> 00:11:58,600
Okay.
212
00:11:59,600 --> 00:12:01,000
Yeah. I mean, why not?
213
00:12:01,880 --> 00:12:03,360
At least you can say that you tried.
214
00:12:03,440 --> 00:12:05,520
You know, you really pulled out
all the stops
215
00:12:05,600 --> 00:12:06,920
to make it in the big city.
216
00:12:07,960 --> 00:12:09,800
You wrote one play, Em.
217
00:12:10,320 --> 00:12:11,240
One.
218
00:12:11,320 --> 00:12:13,600
And I know. I know people didn't come, but
219
00:12:14,920 --> 00:12:16,080
so what?
220
00:12:16,680 --> 00:12:19,320
Did you write something else?
Did you keep going?
221
00:12:19,400 --> 00:12:22,920
No. You... you buried yourself
in quesadillas,
222
00:12:23,000 --> 00:12:24,400
and now you're fucking off home.
223
00:12:26,200 --> 00:12:28,920
You know, I used to think it was
a lack of confidence with you, Em, but
224
00:12:30,720 --> 00:12:31,760
maybe it's not.
225
00:12:32,400 --> 00:12:33,600
Maybe it's arrogance.
226
00:12:34,800 --> 00:12:35,720
What?
227
00:12:36,320 --> 00:12:39,920
"I wrote a play, and it didn't transfer
to the West End, so fuck this--"
228
00:12:40,000 --> 00:12:41,120
Fuck off, Dex.
229
00:12:41,200 --> 00:12:43,080
We don't all get
to meet someone on our gap year
230
00:12:43,160 --> 00:12:44,520
who gives us a job in TV.
231
00:12:44,600 --> 00:12:47,160
- It wasn't a job. It was work experience.
- Oh, work experience.
232
00:12:47,240 --> 00:12:50,200
And that might be how I started,
but the rest has been on my own.
233
00:12:50,280 --> 00:12:52,800
The point is,
you've got to stay on the ride.
234
00:12:52,880 --> 00:12:56,160
Ride? The ride?
Dex, you don't have a clue.
235
00:12:56,920 --> 00:12:59,760
Thank you, but I don't wanna work
in the media.
236
00:12:59,840 --> 00:13:03,400
I mean, if people treated, I don't know,
nursing or social work or teaching
237
00:13:03,480 --> 00:13:05,960
with the same reverence they do
people who work in bloody TV--
238
00:13:06,040 --> 00:13:07,200
- So teach.
- Oh my God.
239
00:13:07,280 --> 00:13:09,040
- Teach. You'd be a fantastic teacher.
- Stop.
240
00:13:09,120 --> 00:13:11,120
- Dex, just stop!
- The best teacher.
241
00:13:19,400 --> 00:13:20,240
I'm sorry.
242
00:13:22,040 --> 00:13:24,080
No, I'm sorry.
243
00:13:25,880 --> 00:13:27,280
What are you sorry for?
244
00:13:29,720 --> 00:13:31,120
For ranting on.
245
00:13:32,040 --> 00:13:34,320
For being so, so boring.
246
00:13:35,400 --> 00:13:37,040
You're not boring.
247
00:13:37,720 --> 00:13:39,080
No, I am.
248
00:13:40,080 --> 00:13:41,680
I am. I bore myself.
249
00:13:43,160 --> 00:13:44,720
Well, you don't bore me.
250
00:13:46,080 --> 00:13:47,680
You could never bore me.
251
00:13:47,760 --> 00:13:49,480
You're one in a million, Em.
252
00:13:50,760 --> 00:13:53,920
- I'm not even one in three, so...
- Em.
253
00:14:07,400 --> 00:14:08,920
Come lie down with me.
254
00:14:25,160 --> 00:14:27,680
I'm sorry
I smell like Crisp and Dry.
255
00:14:31,480 --> 00:14:32,520
You don't.
256
00:14:33,120 --> 00:14:34,320
- Much.
257
00:14:36,160 --> 00:14:37,880
I feel ridiculous.
258
00:14:40,240 --> 00:14:41,160
Why?
259
00:14:44,360 --> 00:14:47,680
I don't know what I thought would happen
if I moved here.
260
00:14:50,640 --> 00:14:52,800
You know what I can't understand?
261
00:14:53,800 --> 00:14:57,920
You have all these people telling you
all the time how great you are.
262
00:14:58,000 --> 00:15:01,440
You know, smart and funny
and talented and all that.
263
00:15:01,960 --> 00:15:03,240
I mean, endlessly.
264
00:15:03,960 --> 00:15:05,720
I've been telling you for years.
265
00:15:06,440 --> 00:15:08,000
So why don't you believe it?
266
00:15:09,560 --> 00:15:11,520
Why do you think people say that stuff?
267
00:15:13,600 --> 00:15:15,560
Do you think it's all a conspiracy?
268
00:15:16,200 --> 00:15:18,720
People secretly ganging up
to be nice about you?
269
00:15:18,800 --> 00:15:19,760
No.
270
00:15:24,360 --> 00:15:25,680
I better go.
271
00:15:28,240 --> 00:15:30,040
No.
272
00:15:30,120 --> 00:15:31,280
You're not going.
273
00:15:32,440 --> 00:15:35,040
You're staying,
and we are getting another bottle.
274
00:15:35,120 --> 00:15:37,000
- ♪ One, two, three ♪
275
00:15:37,080 --> 00:15:40,520
- ♪ If you close the door ♪
- Okay?
276
00:15:41,560 --> 00:15:45,000
♪ The night could last forever ♪
277
00:15:45,080 --> 00:15:47,640
♪ Leave the sunshine out... ♪
278
00:15:50,360 --> 00:15:51,480
One pound 39?
279
00:15:52,920 --> 00:15:54,920
♪ All the people are dancing ♪
280
00:15:55,000 --> 00:15:57,160
♪ And they're havin' such fun ♪
281
00:15:57,240 --> 00:16:01,080
♪ I wish it could happen to me ♪
282
00:16:01,160 --> 00:16:04,520
♪ But if you close the door ♪
283
00:16:05,760 --> 00:16:08,640
♪ I'd never have to see the day again ♪
284
00:16:09,440 --> 00:16:12,760
♪ If you close the door ♪
285
00:16:13,720 --> 00:16:17,240
♪ The night could last forever ♪
286
00:16:17,320 --> 00:16:20,360
♪ Leave the wineglass out ♪
287
00:16:21,520 --> 00:16:24,880
♪ And drink a toast to never ♪
288
00:16:25,520 --> 00:16:28,920
♪ Oh, someday, I know
Someone will look into my eyes ♪
289
00:16:29,000 --> 00:16:31,840
♪ And say, hello ♪
290
00:16:31,920 --> 00:16:34,160
♪ You're my very special one ♪
291
00:16:35,280 --> 00:16:38,840
- ♪ But if you close the door ♪
292
00:16:39,680 --> 00:16:42,520
♪ I'd never have to see the day again ♪
293
00:16:42,600 --> 00:16:45,080
- How's your mom?
294
00:16:47,280 --> 00:16:48,320
Not great.
295
00:16:49,120 --> 00:16:51,240
Another operation in September.
296
00:16:51,320 --> 00:16:53,480
Aw, Dex. I'm sorry.
297
00:16:56,120 --> 00:16:57,320
And Nomi?
298
00:16:58,800 --> 00:17:00,560
What does she see in you, do you think?
299
00:17:01,440 --> 00:17:02,520
Nomi.
300
00:17:07,520 --> 00:17:09,440
She says I'm complicated.
301
00:17:09,960 --> 00:17:12,080
Oh.
302
00:17:12,160 --> 00:17:14,080
- She did not.
- She did.
303
00:17:14,160 --> 00:17:16,200
No. Those words did not leave her mouth.
304
00:17:16,280 --> 00:17:17,600
They did.
305
00:17:18,960 --> 00:17:20,400
Complicated?
306
00:17:21,560 --> 00:17:23,840
You're as complicated
as a two-piece jigsaw puzzle.
307
00:17:23,920 --> 00:17:26,200
- In thick ply.
308
00:17:32,200 --> 00:17:33,200
Mm.
309
00:17:42,400 --> 00:17:44,200
- Dex?
- Hmm?
310
00:17:44,280 --> 00:17:46,520
Are people really having
that good a time?
311
00:17:47,280 --> 00:17:49,840
Look at them,
throwing their little Frisbee.
312
00:17:49,920 --> 00:17:51,000
What do you mean?
313
00:17:52,160 --> 00:17:55,120
Just, all that frolicking.
It feels forced.
314
00:17:55,760 --> 00:17:59,160
Ladies and gentlemen, welcome
to this evening's performance of youth.
315
00:18:06,360 --> 00:18:07,320
Okay.
316
00:18:07,400 --> 00:18:10,560
- Now I am actually gonna go.
- You could stay at mine if you wanted.
317
00:18:15,880 --> 00:18:16,720
No.
318
00:18:16,800 --> 00:18:19,640
Sleep on the couch. Borrow a toothbrush.
319
00:18:22,480 --> 00:18:24,880
No. No, I... No, I should... I should go.
320
00:18:26,080 --> 00:18:28,200
Okay.
I'll walk you to the tube.
321
00:18:28,280 --> 00:18:30,320
No, stay. Finish the wine.
322
00:18:30,960 --> 00:18:33,160
Yeah. I might just roll down the hill
in a carefree way,
323
00:18:33,240 --> 00:18:34,840
hoping to be watched and envied.
324
00:18:39,440 --> 00:18:40,360
Bye.
325
00:18:41,840 --> 00:18:42,720
Bye.
326
00:18:52,640 --> 00:18:55,320
♪ I'm seeming to be ♪
327
00:18:55,400 --> 00:19:00,200
♪ A little alive ♪
328
00:19:01,040 --> 00:19:04,440
♪ I'm happy again... ♪
329
00:19:04,520 --> 00:19:05,360
Bye.
330
00:19:05,960 --> 00:19:07,000
Bye.
331
00:19:11,440 --> 00:19:13,480
♪ Expose the daughter ♪
332
00:19:13,560 --> 00:19:18,640
♪ Of yourself well ♪
333
00:19:20,280 --> 00:19:23,520
♪ Me, I think ♪
334
00:19:23,600 --> 00:19:28,920
♪ That you're in her heart ♪
335
00:19:30,680 --> 00:19:34,640
♪ You're the march of Jericho ♪
336
00:19:34,720 --> 00:19:39,440
♪ That will burn
This whole madhouse down ♪
337
00:19:39,520 --> 00:19:43,560
♪ And I'll throw open
Like the walnut safe ♪
338
00:19:43,640 --> 00:19:47,760
♪ More like a love
That's a bottle of exquisite stuff ♪
339
00:19:47,840 --> 00:19:49,320
♪ Yes ♪
340
00:19:49,400 --> 00:19:50,880
♪ You, yourself ♪
341
00:19:50,960 --> 00:19:57,120
♪ And your father ♪
342
00:19:57,800 --> 00:19:58,680
♪ Don't know ♪
343
00:19:58,760 --> 00:20:01,280
♪ So ♪
344
00:20:01,360 --> 00:20:06,480
♪ Part in your own ways ♪
345
00:20:07,560 --> 00:20:09,520
♪ You're really both ♪
346
00:20:09,600 --> 00:20:15,600
- ♪ Bonesetters ♪