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[dramatic music]
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A real-life
"Phantom of the Opera"...
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We have a violin and a bow,
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and we don't know what
happened to that violinist.
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It was clear she was still
somewhere in the building.
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Thousands in the theater
and only one witness...
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"Oh, my God. Oh, my God.
I saw that woman."
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The crime that set all
of New York City on edge...
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I just literally fell
to the floor.
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Is this person
going after me next?
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A setting with an infinite
number of suspects...
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How do you begin interviewing
200 people?
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Stagehands, security,
set designers.
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Even the security guards
said,
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"We don't know
all of this place.
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We'll take you
as far as we can."
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The case that brought
the NYPD to its knees.
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He takes out his hammer
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and menaces her
with the hammer.
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She was a doorway away
from the thousands of people
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who could have saved her life.
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You couldn't write that
in a show.
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No one would believe it.
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♪
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When I was a young
police officer in 1980,
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there was a case
so bizarre and chilling
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that it shook the entire city:
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a musician vanishes
mid-performance,
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leaving behind all of her
belongings and no trail.
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It's a mystery that took place
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in the most
unimaginable locations:
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the high-culture world
of the Upper West Side,
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a neighborhood known for
the Museum of Natural History,
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Central Park, and turn
of the century grandeur.
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This heinous crime begins
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at the famed
Metropolitan Opera House.
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[tense music]
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♪
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In July of 1980,
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the Berlin Ballet
went to New York
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to perform at
the Metropolitan Opera House.
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The Berlin Ballet was
very, very popular,
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and it was a sold-out
performance,
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so you had 4,004 people
watching.
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[crowd chatter]
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We were performing
a mixed-repertoire evening,
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and I was only
in the first piece,
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which was "The Firebird,"
and then they were having--
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Valery and Galina Panov
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were performing
the "Don Quixote" pas de deux,
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and after that was a ballet
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that was done
to recorded music.
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At 9:30 p.m., the orchestra,
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made up of local freelance
musicians, takes a break.
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During the recorded
performances,
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none of the musicians
would be in the pit.
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They'd be out, you know,
maybe in the lounge
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having coffee,
maybe getting a snack.
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They returned 45 minutes
later, but as they settle in,
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the musicians notice
something strange.
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One of the seats in
the string section is empty.
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In a high-profile orchestra
at the Met,
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you get people
who don't miss their cues.
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The missing violinist
is 31-year-old Helen Mintiks,
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a talented, well-liked,
and responsible musician.
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It would have been
very alarming for the conductor
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and for anybody
in the orchestra
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who could see that empty chair.
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That must have sent chills
down a lot of spines.
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Maybe she got sick.
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Maybe she fell down,
broke an ankle.
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Maybe she got a phone call
from a sick relative,
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but the show must go on.
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[balletic orchestra music]
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♪
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They just played
the last ballet without her.
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♪
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[cheers and applause]
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After the curtain calls,
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the orchestra start
packing up and leaving...
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[dramatic music]
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And she didn't come
for her violin.
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We have a violin and a bow,
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and we don't know what happened
to that violinist.
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♪
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As the audience,
ballet company,
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and orchestra head home,
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a few of Helen's
concerned co-performers
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stick around to look for her.
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[phone ringing]
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They call the apartment
she shares with her husband
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and hope she simply went home.
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No one answers.
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[phone ringing]
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♪
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Now it's getting close
to midnight,
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and the assistant
house manager at the time
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initiated the call
to the police.
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[phone ringing]
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I recall receiving a call
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from one of the detectives
in the squad.
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He said, you know,
"You better get down there."
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The emphasis is, it was
the Metropolitan Opera House.
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Therefore, everything,
you know, started to get hot.
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When I got there, I got
teamed up with Jerry Giorgio.
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Jerry was in the task force.
I had never worked with him.
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The detectives immediately
began speaking
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with musicians
still at the opera house,
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trying to get a sense
of the missing violinist.
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[soft music]
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She was from
a humble background.
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Helen was from
British Columbia,
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from a town of maybe
300 people, Aldergrove,
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and her parents,
they had a poultry farm.
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She started in music
quite young.
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She was obviously talented,
and she told me that her father
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used to drive her
40 miles in a truck
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to take violin lessons
in Vancouver.
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We met in 1969 at Juilliard,
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and she was friendly.
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She talked to everyone.
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She was constantly making
cheesecakes for her friends,
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and she was fun,
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world-class giggler, as I am,
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and if we started to giggle,
there was no stopping.
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But I also saw
the serious side of her.
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She was hooked on music,
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and that was
going to be her life.
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[dramatic violin music]
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♪
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Helen Mintiks was
a professional
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at the apex of her career.
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She wouldn't risk everything
she had worked for,
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much less leave behind
a $20,000 violin.
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[dramatic music]
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Then they checked
her locker...
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And her street clothes
were in her locker,
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which meant she never got out
of her orchestra clothes.
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It was clear she was still
somewhere in the building.
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Helen could be injured,
lost, or trapped.
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The NYPD needs to work fast
to locate her,
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but it's not an easy endeavor.
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If you're standing
in the street
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and you look
at the opera house,
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it looks like a two
or three-story building,
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and it doesn't look that wide,
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but once you get inside,
it's like a city.
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They were warned
by some of the stagehands,
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"Do not go anywhere by yourself
because you can open a door,
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"go someplace, realize
you've made a wrong turn,
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and find yourself locked in."
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As search teams begin
scouring the monstrous maze
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that is the Met,
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Detective Giorgio heads a few
blocks north to 75th Street
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where Helen lives with
her husband, Janis Mintiks.
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Janis told them earlier
that night,
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he'd actually been at the Met,
waiting to walk Helen home.
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Helen's husband was waiting
for her
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outside of the stage door.
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If she had a job,
as she did that night
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at the Berlin Ballet,
he would always pick her up.
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Janis called the apartment,
got a busy signal,
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and that was a relief to him
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'cause he thought that Helen
had gone home some other way.
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It turned out
that the busy signal occurred
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because others in the Met
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were calling her apartment
to see if she was there,
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and when he got home
and she wasn't there,
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that's when it dawned on him
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that something was
really wrong.
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♪
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And then,
as the sun was rising,
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a possible discovery.
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It was on the roof
of the opera house.
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I believe it was
one of the engineers
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located a pair of shoes.
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They are clearly
women's shoes,
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possibly those
of Helen Mintiks.
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Logically, if you find
the shoes, this is something.
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Officers rush to the large
and sprawling roof.
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It's vast.
You have a couple of levels.
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You got to start looking
a little more precise
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in all areas of the roof.
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And then an officer peers
down a narrow opening
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that leads to an air shaft.
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NYPD has seen it all, but what
that officer saw down below
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would shock even the most
hardened of cops.
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Coming up...
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We knew that the person
who did this
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was very familiar
with the opera house.
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We learned that he came
to work with some scratches
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on his face,
and he shaved his head.
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It was likely that
this was an inside job.
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[tense music]
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♪
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While performing at the Met,
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31-year-old violinist
Helen Mintiks
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took a break for intermission
and never returned.
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NYPD searched
through the night,
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and as the Sun was rising,
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an officer on the roof
peered into a narrow air shaft
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Helen Mintiks lay face-up
and ma on a crossbeam,scovery.
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three stories down.
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The victim fell somewhere
between 30 and 45 feet.
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They went down three stories
to a door
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that would lead out
to the place where she was.
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She was bound, gagged,
and blindfolded,
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and obviously she was dead.
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Detectives now have
a homicide on their hands
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and the challenging job
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of breaking the news
to Helen's husband.
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Now, they spoke to Janis,
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and he was distraught
beyond description.
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As crime-scene investigators
begin processing the area,
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00:11:27,686 --> 00:11:30,384
medical examiner
Elliot Gross arrives.
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He did quite an extensive
examination,
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physical examination
of her body.
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There could have been an
indication of a sexual assault
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based on the fact that the
clothes were all cut off her,
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but without the autopsy report,
you know, you just don't know.
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Her purse and dress,
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which are found
lying next to her,
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are bagged for processing,
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and then CSI zeroes in
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on a potentially game-changing
piece of evidence.
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They found a palm print
very close to where
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the body was perceived
to have been thrown off.
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This is on a big pipe,
maybe 2 feet in diameter.
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So right away in my mind,
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I'm thinking that somebody
could have been up there
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eating a ham sandwich
the day before.
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00:12:24,177 --> 00:12:25,439
So the palm print, of course,
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was this mysterious
piece of evidence
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that may or may not have meant
anything at that point.
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[dramatic music]
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♪
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By late morning,
news of the murder
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spread through the city
like wildfire.
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Suddenly every newspaper
had headlines:
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"Phantom of the Opera."
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00:12:46,939 --> 00:12:53,946
♪
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I opened my front door
and picked up
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my "New York Times,"
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and I looked at the headline,
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and I just literally
fell to the floor.
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She was a wonderful,
wonderful, kind human being
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and something that senseless
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was just something
I just couldn't accept.
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Detectives immediately
sit down
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with Helen's husband, Janis.
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In all homicides, you always
consider the spouse.
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My questions to her husband,
you know, just basic things
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to help eliminate him or to see
based on her character,
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you know, why would somebody
want to kill her?
255
00:13:50,916 --> 00:13:52,831
Well, you know, whether
there was a jilted lover
256
00:13:52,875 --> 00:13:55,486
or a third party.
257
00:13:55,529 --> 00:13:58,532
They had to ask,
"Did she have an affair?"
258
00:13:58,576 --> 00:14:02,841
Of course, she didn't have
another man in her life.
259
00:14:05,104 --> 00:14:08,238
She just absolutely adored
her husband.
260
00:14:09,065 --> 00:14:12,895
Janis and Helen, they were just
gonna be together forever.
261
00:14:12,938 --> 00:14:14,809
[soft music]
262
00:14:14,853 --> 00:14:17,290
They met at some kind
of summer place
263
00:14:17,334 --> 00:14:19,205
where artists went in Canada.
264
00:14:19,249 --> 00:14:20,554
He was a sculptor,
265
00:14:20,598 --> 00:14:24,123
and it was pretty much
love at first sight.
266
00:14:24,994 --> 00:14:27,300
I remember that she wanted him
to come to New York
267
00:14:27,344 --> 00:14:30,913
and spend Christmas with her,
and he said,
268
00:14:30,956 --> 00:14:33,263
"I don't have the money.
I can't do it."
269
00:14:33,306 --> 00:14:35,265
And so she sent him the money,
and she said,
270
00:14:35,308 --> 00:14:36,788
"You have to come,"
271
00:14:36,831 --> 00:14:39,399
and from then on,
it was just--
272
00:14:39,443 --> 00:14:41,924
they were just inseparable.
273
00:14:44,230 --> 00:14:46,711
His grief was genuine,
274
00:14:46,754 --> 00:14:49,670
and he just didn't fit
at that point.
275
00:14:49,714 --> 00:14:51,890
For her husband living
several blocks away
276
00:14:51,934 --> 00:14:54,632
to infiltrate the building
and snatch her,
277
00:14:54,675 --> 00:14:57,461
then throw her off,
it didn't make any sense.
278
00:14:57,504 --> 00:15:00,290
Why would the husband
kill his wife,
279
00:15:00,333 --> 00:15:02,553
a violinist,
at the opera house?
280
00:15:02,596 --> 00:15:04,729
He'd have 200 other places
281
00:15:04,772 --> 00:15:07,340
where he can kill her
and get away with it.
282
00:15:07,384 --> 00:15:09,777
So we kind of moved off him
pretty quickly.
283
00:15:09,821 --> 00:15:11,823
[dramatic music]
284
00:15:11,866 --> 00:15:14,043
With Janis ruled out,
detectives begin
285
00:15:14,086 --> 00:15:17,655
the arduous task
of compiling a suspect list.
286
00:15:18,961 --> 00:15:21,137
There are thousands
of people in the audience,
287
00:15:21,180 --> 00:15:22,921
hundreds of people backstage,
288
00:15:22,965 --> 00:15:26,969
plus who could have just walked
in through the stage door.
289
00:15:27,012 --> 00:15:29,972
It could have been a wino
wandering in off the street.
290
00:15:30,973 --> 00:15:32,757
So, you know,
as quick as we could,
291
00:15:32,800 --> 00:15:36,717
we tried to organize
how we were gonna proceed.
292
00:15:36,761 --> 00:15:40,678
We pretty much set up
our on-site headquarters.
293
00:15:41,766 --> 00:15:43,986
In an operation like this,
you really have to come in
294
00:15:44,029 --> 00:15:46,162
and establish
a command center.
295
00:15:46,205 --> 00:15:48,729
You need a home base because
you're going to have to talk
296
00:15:48,773 --> 00:15:51,863
to every person who was
in the building that night.
297
00:15:51,906 --> 00:15:55,954
♪
298
00:15:55,998 --> 00:15:57,521
Later that day,
299
00:15:57,564 --> 00:16:00,089
as the dancers prepare
for the evening's performance,
300
00:16:00,132 --> 00:16:02,134
detectives probe for leads.
301
00:16:03,483 --> 00:16:05,050
The detectives were backstage
302
00:16:05,094 --> 00:16:08,053
showing pictures
of Helen Mintiks to everyone.
303
00:16:08,097 --> 00:16:12,014
"Have you seen this woman?
Did you see her last night?"
304
00:16:13,015 --> 00:16:16,757
I sort of glanced at it
and said no.
305
00:16:19,673 --> 00:16:21,284
[dramatic orchestra music]
306
00:16:21,327 --> 00:16:23,764
But then that evening,
307
00:16:23,808 --> 00:16:28,465
they were doing a ballet
of Dostoevsky's "The Idiot,"
308
00:16:28,508 --> 00:16:32,295
and I had a part I loved
in a gypsy dance,
309
00:16:32,338 --> 00:16:35,080
this wild dance onstage.
310
00:16:35,124 --> 00:16:38,127
My partner was very tall
and strong,
311
00:16:38,170 --> 00:16:41,521
and he had me
almost upside down.
312
00:16:41,565 --> 00:16:46,874
At that moment
is when it clicked in my mind.
313
00:16:46,918 --> 00:16:50,095
"Oh, my God. Oh, my God.
I saw that woman."
314
00:17:00,018 --> 00:17:03,630
♪
315
00:17:03,674 --> 00:17:12,639
In July of 1980,
NYPD found the bound
316
00:17:12,683 --> 00:17:14,902
and mangled body
of violinist Helen Mintiks
317
00:17:14,946 --> 00:17:17,818
police get their first lead.
318
00:17:17,862 --> 00:17:24,825
♪
319
00:17:24,869 --> 00:17:28,481
I went and found a detective
and told him
320
00:17:28,525 --> 00:17:32,137
that I had seen her
the night before.
321
00:17:34,183 --> 00:17:37,142
During the recorded music
ballet,
322
00:17:37,186 --> 00:17:40,624
I was waiting for an elevator
323
00:17:40,667 --> 00:17:43,061
that was near the stage...
324
00:17:44,280 --> 00:17:48,588
And there was this woman
and a man, and they came,
325
00:17:48,632 --> 00:17:51,548
and they started waiting
for the elevator, too,
326
00:17:51,591 --> 00:17:55,552
and then she spoke to me,
and that was Helen.
327
00:17:57,206 --> 00:18:01,688
She said Helen was interested
in finding Valery Panov,
328
00:18:01,732 --> 00:18:04,691
the Russian dancer
who was performing that night.
329
00:18:05,779 --> 00:18:09,305
She asked, "Oh, what floor
do I need to go to
330
00:18:09,348 --> 00:18:12,525
for Mr. Panov,
for his dressing room?"
331
00:18:12,569 --> 00:18:17,139
And the man who had gotten on
said, "Fourth floor."
332
00:18:17,182 --> 00:18:20,316
[tense music]
333
00:18:20,359 --> 00:18:21,708
♪
334
00:18:21,752 --> 00:18:25,190
The elevator went down
to the basement first...
335
00:18:27,105 --> 00:18:32,154
And I got off the elevator,
and they went on.
336
00:18:36,462 --> 00:18:39,552
We knew that the person
who did this murder
337
00:18:39,596 --> 00:18:41,859
was very familiar
with the opera house.
338
00:18:41,902 --> 00:18:43,469
Either had to be an employee
339
00:18:43,513 --> 00:18:46,733
or another musician
or dancer, whatever.
340
00:18:46,777 --> 00:18:49,736
♪
341
00:18:49,780 --> 00:18:52,130
Detective Giorgio
and Detective Struk
342
00:18:52,174 --> 00:18:53,566
went to Panov,
343
00:18:53,610 --> 00:18:56,003
and they spoke to him.
He told them,
344
00:18:56,047 --> 00:18:59,485
"I don't know her.
I had no contact with her."
345
00:18:59,529 --> 00:19:01,400
Police question if Panov
is telling the truth
346
00:19:01,444 --> 00:19:03,228
about never meeting Helen,
347
00:19:03,272 --> 00:19:05,187
but first,
they need to find out
348
00:19:05,230 --> 00:19:07,319
why she would have
sought him out.
349
00:19:09,060 --> 00:19:10,409
They spoke to a woman
named Alice,
350
00:19:10,453 --> 00:19:12,542
a friend of hers
from the opera,
351
00:19:12,585 --> 00:19:15,371
and Helen told Alice
that she was interested
352
00:19:15,414 --> 00:19:19,723
in finding Valery Panov,
and the reason for that desire
353
00:19:19,766 --> 00:19:24,641
was to perhaps interest him in
working with Helen's husband.
354
00:19:25,598 --> 00:19:28,166
She was gonna try
to get her husband a job
355
00:19:28,210 --> 00:19:31,996
doing some kind of odd work
or set design or something
356
00:19:32,039 --> 00:19:35,739
and thought that maybe Panov
could aid her in that.
357
00:19:36,609 --> 00:19:39,264
She did not go through
any sort of channels
358
00:19:39,308 --> 00:19:40,831
to make an appointment.
359
00:19:40,874 --> 00:19:44,138
She was just gonna kind of
pop in and maybe charm him
360
00:19:44,182 --> 00:19:46,184
and maybe bring him
a piece of cheesecake,
361
00:19:46,228 --> 00:19:48,665
or who knows what
she had up her sleeve.
362
00:19:52,321 --> 00:19:54,932
Panov's insistence
that he never saw her
363
00:19:54,975 --> 00:19:56,455
seems credible,
364
00:19:56,499 --> 00:19:59,458
but when detectives dig deeper
into his background,
365
00:19:59,502 --> 00:20:02,069
their findings
raise suspicion.
366
00:20:02,113 --> 00:20:03,636
Panov was
a Russian defector.
367
00:20:03,680 --> 00:20:06,900
He had come to the
United States 6 years earlier.
368
00:20:08,119 --> 00:20:10,817
They learned that Panov had
quite a complicated history
369
00:20:10,861 --> 00:20:13,211
that involved being in prison
in Russia
370
00:20:13,255 --> 00:20:15,474
and followed by the KGB,
371
00:20:15,518 --> 00:20:19,130
so that's something that needs
to be looked into further.
372
00:20:19,173 --> 00:20:21,611
If it turned out
that he was the killer,
373
00:20:21,654 --> 00:20:23,917
that would have
international consequences.
374
00:20:26,355 --> 00:20:30,184
What we have here was
a very serious crime
375
00:20:30,228 --> 00:20:33,013
that was committed
in high society
376
00:20:33,057 --> 00:20:35,407
at the Metropolitan
Opera House,
377
00:20:35,451 --> 00:20:39,846
which, of course, is famous
throughout the entire world.
378
00:20:39,890 --> 00:20:42,414
It became
a very, very big press case.
379
00:20:44,286 --> 00:20:47,201
The tabloids kept coming out
with these stories like,
380
00:20:47,245 --> 00:20:50,640
somebody saw Helen
get into a taxi
381
00:20:50,683 --> 00:20:52,250
with some strange man,
382
00:20:52,294 --> 00:20:54,600
and somebody else saw
a strange-looking guy
383
00:20:54,644 --> 00:20:56,341
walking into the Met
that night.
384
00:20:56,385 --> 00:20:59,649
There were all these stories.
385
00:20:59,692 --> 00:21:01,128
I'm ashamed to admit it,
386
00:21:01,172 --> 00:21:03,348
but I was afraid
for myself, too.
387
00:21:03,392 --> 00:21:06,003
I was avoiding the windows
of my apartment
388
00:21:06,046 --> 00:21:08,527
and afraid to go out,
389
00:21:08,571 --> 00:21:10,790
but I was also
in heavy grieving.
390
00:21:10,834 --> 00:21:15,708
I mean, I was in a--
something resembling a coma.
391
00:21:17,101 --> 00:21:19,451
And Janis was just destroyed.
392
00:21:19,495 --> 00:21:24,543
I mean, he got what little
strength he had from a bottle.
393
00:21:24,587 --> 00:21:26,153
He just didn't want
to live anymore.
394
00:21:26,197 --> 00:21:28,330
He wanted to be with Helen.
395
00:21:29,766 --> 00:21:32,769
[siren wailing]
396
00:21:32,812 --> 00:21:37,817
♪
397
00:21:37,861 --> 00:21:41,081
The medical examiner
got the autopsy
398
00:21:41,125 --> 00:21:42,300
back to us pretty quick.
399
00:21:42,996 --> 00:21:45,521
Helen's naked body
had detectives theorizing
400
00:21:45,564 --> 00:21:47,784
she had been
the victim of sexual assault.
401
00:21:49,046 --> 00:21:52,441
But the results of the autopsy
show otherwise.
402
00:21:52,484 --> 00:21:56,488
There was no evidence of
as you'd find from a rape kit,
403
00:21:56,532 --> 00:21:58,621
and there was no semen found.
404
00:22:01,058 --> 00:22:02,581
Nonetheless, it is clear
405
00:22:02,625 --> 00:22:05,410
that Helen suffered
a horrific death.
406
00:22:05,454 --> 00:22:09,109
I asked the medical examiner,
"Was she alive when she fell?"
407
00:22:09,153 --> 00:22:12,765
And he explained that the blood
in the brain plus other factors
408
00:22:12,809 --> 00:22:16,595
showed that she was breathing
when she was propelled
409
00:22:16,639 --> 00:22:20,643
and that she was alive
when she hit the steel plate.
410
00:22:22,862 --> 00:22:24,690
And based upon
the stomach content,
411
00:22:24,734 --> 00:22:28,564
they estimated she died
between 9:30 and 11:00 p.m.
412
00:22:32,524 --> 00:22:34,178
Armed with this new info,
413
00:22:34,221 --> 00:22:35,962
detectives look
into Panov's whereabouts
414
00:22:36,006 --> 00:22:37,399
during that time frame.
415
00:22:37,442 --> 00:22:39,836
They had several witnesses
who reported
416
00:22:39,879 --> 00:22:42,795
that his wife was dancing
at the precise time
417
00:22:42,839 --> 00:22:44,362
that Helen was missing.
418
00:22:44,406 --> 00:22:47,017
He was in the audience watching
her entire performance.
419
00:22:47,060 --> 00:22:53,850
♪
420
00:22:54,590 --> 00:22:57,419
In the NYPD, we feel
the need for justice
421
00:22:57,462 --> 00:22:58,811
for the family and loved ones.
422
00:22:58,855 --> 00:23:01,423
When we hit dead ends,
we don't stop.
423
00:23:01,466 --> 00:23:04,991
We go back over and over again
until something appears.
424
00:23:06,558 --> 00:23:11,258
Detectives revisit ballerina
Laura Cutler's elevator story
425
00:23:11,302 --> 00:23:13,260
and discover
a telling new detail.
426
00:23:14,044 --> 00:23:17,482
Helen was looking
for Panov's dressing room.
427
00:23:17,526 --> 00:23:20,485
The man in the elevator
immediately responded
428
00:23:20,529 --> 00:23:22,879
and said, "Four."
429
00:23:24,054 --> 00:23:25,838
Now, it turns out
that's significant
430
00:23:25,882 --> 00:23:29,015
because the stars' dressing
rooms are on stage level.
431
00:23:31,061 --> 00:23:33,890
For detectives,
it's a chilling revelation.
432
00:23:35,282 --> 00:23:38,155
It means that the man
in the elevator was mistaken
433
00:23:38,198 --> 00:23:41,767
or he purposely sent Helen
to the wrong floor.
434
00:23:43,290 --> 00:23:45,379
This guy we had to find.
435
00:23:45,423 --> 00:23:48,557
He was number one
at that point.
436
00:24:02,832 --> 00:24:05,530
[suspenseful music]
437
00:24:05,574 --> 00:24:07,010
♪
438
00:24:07,053 --> 00:24:08,794
In July of 1980,
439
00:24:08,838 --> 00:24:10,492
detectives are
under immense pressure
440
00:24:10,535 --> 00:24:13,407
to find the killer
of violinist Helen Mintiks.
441
00:24:14,583 --> 00:24:16,019
When ballerina Laura Cutler
442
00:24:16,062 --> 00:24:18,369
tells police she rode
in an elevator with Helen
443
00:24:18,412 --> 00:24:21,372
and a mystery man just before
she had gone missing,
444
00:24:21,415 --> 00:24:23,461
it becomes imperative
they find him.
445
00:24:23,505 --> 00:24:28,205
♪
446
00:24:28,248 --> 00:24:30,163
We brought Laura
to the department artist,
447
00:24:30,207 --> 00:24:33,036
of course,
and we did a composite drawing.
448
00:24:33,079 --> 00:24:36,518
She described flyaway hair,
said he was short,
449
00:24:36,561 --> 00:24:37,867
had a New York accent.
450
00:24:37,910 --> 00:24:39,912
Well, that's no surprise there.
451
00:24:41,000 --> 00:24:42,915
One part of Laura's
description piques
452
00:24:42,959 --> 00:24:45,265
the detectives' interest.
453
00:24:45,309 --> 00:24:48,268
He was wearing
sort of workman clothes.
454
00:24:48,312 --> 00:24:51,576
Stagehands are the people
who would be dressed like that.
455
00:24:51,620 --> 00:24:56,102
♪
456
00:24:56,146 --> 00:24:57,626
And when experts
examine the knots
457
00:24:57,669 --> 00:25:02,065
that had bound Helen's hands,
it furthers this lead.
458
00:25:04,284 --> 00:25:08,027
There was evidence
in the ties that bound her
459
00:25:08,071 --> 00:25:10,726
because they were tied
with a clove hitch,
460
00:25:10,769 --> 00:25:15,034
and that's a particular knot
used by stagehands regularly.
461
00:25:16,949 --> 00:25:20,779
[orchestra warming up]
462
00:25:20,823 --> 00:25:23,260
So now you have to go
to the supervisors,
463
00:25:23,303 --> 00:25:26,524
and you say,
"Who worked that night?"
464
00:25:26,568 --> 00:25:29,832
There's an awful lot of people
that make up a show.
465
00:25:29,875 --> 00:25:31,921
There had to be
at least 200 people
466
00:25:31,964 --> 00:25:34,010
working that night
as stagehands.
467
00:25:34,880 --> 00:25:37,317
So we created
a questionnaire:
468
00:25:37,361 --> 00:25:40,103
name, rank, serial number,
how tall, how old,
469
00:25:40,146 --> 00:25:43,106
date of birth,
and their assignments.
470
00:25:43,976 --> 00:25:47,589
And we gave a specific time
471
00:25:47,632 --> 00:25:49,547
from 9:00 to 11:00,
472
00:25:49,591 --> 00:25:52,376
"What were you doing?"
473
00:25:52,419 --> 00:25:55,379
And at that point,
someone said, "Well, hey,
474
00:25:55,422 --> 00:25:58,251
"if they're coming in,
let's do their palms
475
00:25:58,295 --> 00:26:01,167
"because we've got this
mystery, unknown palm print
476
00:26:01,211 --> 00:26:03,605
from on the upper roof
where she was thrown from."
477
00:26:03,648 --> 00:26:06,564
[dramatic music]
478
00:26:06,608 --> 00:26:08,435
♪
479
00:26:08,479 --> 00:26:10,960
Stagehands are brought
into the makeshift precinct
480
00:26:11,003 --> 00:26:12,744
two at a time.
481
00:26:12,788 --> 00:26:14,050
We'd say, "Look.
482
00:26:14,093 --> 00:26:15,965
"You know, we're only
asking you the truth,
483
00:26:16,008 --> 00:26:17,749
"and if you didn't have
anything to do
484
00:26:17,793 --> 00:26:19,969
"with this lady's demise,
485
00:26:20,012 --> 00:26:22,319
why not fill it out?"
486
00:26:22,362 --> 00:26:24,538
You refuse to fill it out
and whatnot, of course
487
00:26:24,582 --> 00:26:26,758
we're gonna look at you
in a different way.
488
00:26:28,499 --> 00:26:29,979
Detectives are also looking
to see
489
00:26:30,022 --> 00:26:32,895
if any bear a resemblance
to Laura Cutler's sketch.
490
00:26:34,113 --> 00:26:37,987
Worker after worker comes in,
but there's no obvious match.
491
00:26:38,030 --> 00:26:43,122
♪
492
00:26:43,166 --> 00:26:45,951
But then
detectives hear rumblings
493
00:26:45,995 --> 00:26:48,171
about one of the stagehands.
494
00:26:48,214 --> 00:26:51,043
We have many detectives
going out, doing interviews,
495
00:26:51,087 --> 00:26:54,046
seeing things, hearing things,
little gossip, whatever,
496
00:26:54,090 --> 00:26:56,701
and they're coming in,
and they're pitching it to you.
497
00:26:56,745 --> 00:26:59,182
Word is, this guy Vincent
showed up to work
498
00:26:59,225 --> 00:27:01,750
the day after the murder
with a shaved head.
499
00:27:03,099 --> 00:27:04,970
So that struck the police
as different
500
00:27:05,014 --> 00:27:06,537
because one of the things
they look for
501
00:27:06,580 --> 00:27:09,583
is whether anybody sought
to change physical appearance.
502
00:27:09,627 --> 00:27:11,194
But that wasn't
the only thing
503
00:27:11,237 --> 00:27:14,197
about his appearance
that caused people to talk.
504
00:27:14,240 --> 00:27:16,590
They said he had scratches
on his face.
505
00:27:16,634 --> 00:27:19,332
Certainly we've got to take
a good look at this guy.
506
00:27:20,986 --> 00:27:22,205
One of the first things
we look for
507
00:27:22,248 --> 00:27:24,294
in a suspect
are defensive wounds.
508
00:27:24,337 --> 00:27:26,644
Victims often attempt
to fight off their attacker,
509
00:27:26,688 --> 00:27:29,212
so if you see
any kind of scratches, bruises,
510
00:27:29,255 --> 00:27:33,042
that's a red flag and needs
to be looked at closer.
511
00:27:33,085 --> 00:27:34,521
So they asked him about it,
512
00:27:34,565 --> 00:27:37,742
and his story was that
that night, he went home,
513
00:27:37,786 --> 00:27:40,789
and he and his wife
got into a violent argument...
514
00:27:40,832 --> 00:27:41,920
[couple shouting]
515
00:27:41,964 --> 00:27:44,183
And she scratched him,
516
00:27:44,227 --> 00:27:48,622
and he said that he shaved
his head in revenge to her
517
00:27:48,666 --> 00:27:49,885
because she thought his hair
518
00:27:49,928 --> 00:27:51,843
was the most attractive part
of his body.
519
00:27:52,975 --> 00:27:55,194
They need to verify
Vincent's whereabouts
520
00:27:55,238 --> 00:27:58,110
on the night
of Helen's murder.
521
00:27:58,154 --> 00:28:00,722
Getting answers,
however, is tricky.
522
00:28:00,765 --> 00:28:03,463
The police learned it was
sort of a subculture
523
00:28:03,507 --> 00:28:06,292
of stagehands protecting
their own.
524
00:28:06,336 --> 00:28:09,252
To get them to cooperate
with us,
525
00:28:09,295 --> 00:28:12,559
to trust us, is not easy.
526
00:28:12,603 --> 00:28:13,865
[cheers and applause]
527
00:28:13,909 --> 00:28:15,475
They were union jobs,
528
00:28:15,519 --> 00:28:18,000
and people
really stuck together.
529
00:28:18,043 --> 00:28:21,481
Nepotism, it reigns very high
530
00:28:21,525 --> 00:28:23,570
at the Metropolitan
Opera House,
531
00:28:23,614 --> 00:28:25,137
so, you know, you always have,
you know,
532
00:28:25,181 --> 00:28:27,792
somebody gonna be
looking after your back.
533
00:28:30,055 --> 00:28:32,188
Despite their strong
support system,
534
00:28:32,231 --> 00:28:35,452
there's one thing
they won't tolerate.
535
00:28:35,495 --> 00:28:38,890
The stagehands' culture
is that
536
00:28:38,934 --> 00:28:41,240
there's one thing
they never do,
537
00:28:41,284 --> 00:28:43,416
and that is miss cues.
538
00:28:45,505 --> 00:28:47,812
And the reason
that's so seriously taken is,
539
00:28:47,856 --> 00:28:49,205
if they miss a cue,
540
00:28:49,248 --> 00:28:52,164
moving a piece
or setting the stage
541
00:28:52,208 --> 00:28:53,731
could fail.
542
00:28:53,775 --> 00:28:57,300
So as loose as they were about
drinking and other things,
543
00:28:57,343 --> 00:28:59,781
missing a cue was a taboo.
544
00:29:00,607 --> 00:29:03,306
And when investigators
speak with the superiors,
545
00:29:03,349 --> 00:29:05,177
they verify he was working
546
00:29:05,221 --> 00:29:07,397
during the time frame
in question.
547
00:29:07,440 --> 00:29:10,443
And Vincent did not miss
any cues that night.
548
00:29:11,967 --> 00:29:13,795
His whereabouts
were accounted for.
549
00:29:14,883 --> 00:29:17,842
♪
550
00:29:17,886 --> 00:29:21,237
Three weeks in
and another dead end.
551
00:29:21,280 --> 00:29:23,717
This was a very
high-profile case,
552
00:29:23,761 --> 00:29:28,026
and Mike and Jerry knew that
they would be out on a limb
553
00:29:28,070 --> 00:29:30,376
if they didn't find out
who did it.
554
00:29:31,203 --> 00:29:33,553
- Coming up...
- He was acting
555
00:29:33,597 --> 00:29:35,599
so strangely
during the process,
556
00:29:35,642 --> 00:29:39,342
they thought he was
hyperventilating at one point.
557
00:29:39,385 --> 00:29:41,344
We basically told him,
you know, "If you want to be
558
00:29:41,387 --> 00:29:42,998
"an accomplice to a murder,
559
00:29:43,041 --> 00:29:44,260
"then go right ahead.
560
00:29:44,303 --> 00:29:46,349
Jump right in with both feet."
561
00:29:46,392 --> 00:29:47,872
He takes out his hammer
562
00:29:47,916 --> 00:29:49,874
and menaces her
with the hammer.
563
00:30:00,972 --> 00:30:02,452
♪
564
00:30:02,495 --> 00:30:05,281
[siren wailing]
565
00:30:05,324 --> 00:30:07,674
Three weeks have passed
since the brutal murder
566
00:30:07,718 --> 00:30:09,198
of violinist Helen Mintiks
567
00:30:09,241 --> 00:30:12,723
during a performance at
the Metropolitan Opera House.
568
00:30:12,766 --> 00:30:14,594
With the killer
still on the loose,
569
00:30:14,638 --> 00:30:17,075
her loved ones struggle
to find closure.
570
00:30:17,119 --> 00:30:19,512
[solemn music]
571
00:30:19,556 --> 00:30:23,168
We had no idea when the body
would ever be released,
572
00:30:23,212 --> 00:30:26,737
so we couldn't just go ahead
and plan a funeral,
573
00:30:26,780 --> 00:30:30,132
but we said, "Let's plan
some kind of a memorial."
574
00:30:30,959 --> 00:30:33,962
Somehow I was elected
to give the eulogy.
575
00:30:34,919 --> 00:30:38,488
Janis was incapable
of uttering a word.
576
00:30:38,531 --> 00:30:42,361
The fact that he was able
to get there was amazing.
577
00:30:43,754 --> 00:30:45,190
I was very afraid.
578
00:30:45,234 --> 00:30:49,542
I would say I was nervous
about giving the eulogy,
579
00:30:49,586 --> 00:30:52,676
but I was more nervous
580
00:30:52,719 --> 00:30:56,071
about where the killer was
and who he was.
581
00:30:58,421 --> 00:31:00,771
[tense music]
582
00:31:00,814 --> 00:31:02,729
Unbeknownst to her friends,
583
00:31:02,773 --> 00:31:05,907
detectives have narrowed
their suspect list.
584
00:31:05,950 --> 00:31:08,083
They believe the culprit
is a stagehand
585
00:31:08,126 --> 00:31:10,868
and are in the process
of collecting photographs,
586
00:31:10,912 --> 00:31:12,217
questionnaires,
and palm prints
587
00:31:12,261 --> 00:31:14,437
from each one
of these workers.
588
00:31:16,091 --> 00:31:18,789
During that
processing period,
589
00:31:18,832 --> 00:31:20,617
there was one stagehand
590
00:31:20,660 --> 00:31:23,402
who was acting so strangely,
591
00:31:23,446 --> 00:31:26,797
they thought he was
hyperventilating at one point.
592
00:31:26,840 --> 00:31:29,887
The stagehand is 21-year-old
Craig Crimmins,
593
00:31:29,931 --> 00:31:31,497
and though he agrees
to give his prints,
594
00:31:31,541 --> 00:31:34,936
his behavior calls
for further investigation.
595
00:31:36,024 --> 00:31:38,243
The palm-print technician
noticed
596
00:31:38,287 --> 00:31:41,725
Crimmins was
very, very nervous
597
00:31:41,768 --> 00:31:44,032
and made a mark on his card.
598
00:31:45,816 --> 00:31:47,992
At the conclusion of the day,
599
00:31:48,036 --> 00:31:50,952
he did a comparison
for what was found on the roof.
600
00:31:53,519 --> 00:31:55,608
The palm print came back
as indicating
601
00:31:55,652 --> 00:31:57,915
it was Craig Crimmins,
602
00:31:57,959 --> 00:32:00,222
and that set off a bell
603
00:32:00,265 --> 00:32:04,400
which drew the police attention
squarely on him.
604
00:32:04,443 --> 00:32:06,793
Detectives take a look
at Crimmins' file,
605
00:32:06,837 --> 00:32:09,100
and his photo raises
more suspicion.
606
00:32:09,144 --> 00:32:11,624
Laura Cutler's description
of who was
607
00:32:11,668 --> 00:32:13,975
on the elevator matched him.
608
00:32:14,018 --> 00:32:16,325
Crimmins did resemble
that sketch.
609
00:32:18,501 --> 00:32:21,025
Detectives Mike Struk
and Jerry Giorgio
610
00:32:21,069 --> 00:32:23,810
immediately begin
asking around about him.
611
00:32:23,854 --> 00:32:28,076
We then learned
that he had not made cues
612
00:32:28,119 --> 00:32:31,340
and that he was missing
and they were looking for him.
613
00:32:33,385 --> 00:32:35,997
Though his coworkers can't
vouch for his whereabouts
614
00:32:36,040 --> 00:32:40,001
that fateful night,
615
00:32:40,044 --> 00:32:41,872
they insist he's a good kid.
616
00:32:43,091 --> 00:32:44,701
His stagehand friends said,
"Oh, you know,
617
00:32:44,744 --> 00:32:45,963
he's a sweet guy.
618
00:32:46,007 --> 00:32:48,487
He couldn't possibly
have done it."
619
00:32:48,531 --> 00:32:52,143
As the investigator, you are
the voice of the victim.
620
00:32:52,187 --> 00:32:55,538
You owe it to the victim
to do your absolute best
621
00:32:55,581 --> 00:33:00,760
to bring the person responsible
for their demise to justice.
622
00:33:00,804 --> 00:33:03,937
Now, on the other hand,
you have a suspect,
623
00:33:03,981 --> 00:33:06,636
you just can't conclude
and say, "Oh,
624
00:33:06,679 --> 00:33:09,160
"so we have a palm print.
We have a guy who's nervous.
625
00:33:09,204 --> 00:33:11,554
Yep, that's him.
Let's go to court with this."
626
00:33:11,597 --> 00:33:12,859
It doesn't work that way.
627
00:33:12,903 --> 00:33:15,253
Corroboration.
You got to have more.
628
00:33:15,297 --> 00:33:18,648
♪
629
00:33:18,691 --> 00:33:20,563
And when detectives speak
with a coworker
630
00:33:20,606 --> 00:33:23,218
who had been with Crimmins
the day of the murder,
631
00:33:23,261 --> 00:33:26,221
they learned
why he missed his cues.
632
00:33:26,264 --> 00:33:28,440
His friend said,
"Yeah, that's true.
633
00:33:28,484 --> 00:33:30,007
"He did miss cues.
634
00:33:30,051 --> 00:33:31,835
"He was in
the electrician's lounge.
635
00:33:31,878 --> 00:33:34,055
I saw him there, sleeping."
636
00:33:36,535 --> 00:33:38,885
We knew he was lying.
637
00:33:38,929 --> 00:33:40,191
So they asked him,
638
00:33:40,235 --> 00:33:42,933
"Would you make
that statement under oath?"
639
00:33:43,977 --> 00:33:46,067
We basically told him,
"If you want to be
640
00:33:46,110 --> 00:33:48,460
"an accomplice to a murder,
then jump right in
641
00:33:48,504 --> 00:33:51,420
with both feet if this is
what you want to do."
642
00:33:53,248 --> 00:33:57,034
He then owned up, and he told
how he was asked by Crimmins
643
00:33:57,078 --> 00:33:59,819
to say that he was in a certain
location where he wasn't.
644
00:33:59,863 --> 00:34:01,560
[dramatic music]
645
00:34:01,604 --> 00:34:03,519
Armed with this
incriminating statement,
646
00:34:03,562 --> 00:34:07,436
Detectives Struk and Giorgio
sat down with Craig Crimmins.
647
00:34:08,654 --> 00:34:11,831
And Crimmins, not knowing
what had just happened,
648
00:34:11,875 --> 00:34:14,660
tried to give
the same false excuses.
649
00:34:14,704 --> 00:34:18,011
That's when Detective
Jerry Giorgio informed him
650
00:34:18,055 --> 00:34:20,666
that his coworker
had ratted him out.
651
00:34:21,972 --> 00:34:24,061
And that's the point
Crimmins said,
652
00:34:24,105 --> 00:34:27,238
"I'd like to speak
to Jerry alone."
653
00:34:27,282 --> 00:34:29,240
And he said, "There's something
I didn't tell you."
654
00:34:29,284 --> 00:34:30,763
And he said, "What is it?"
And he says,
655
00:34:30,807 --> 00:34:33,592
"I'm the guy who was on
the elevator with that woman."
656
00:34:33,636 --> 00:34:37,596
♪
657
00:34:37,640 --> 00:34:40,425
But according to Crimmins,
that was the extent
658
00:34:40,469 --> 00:34:42,949
of his involvement
with Helen Mintiks.
659
00:34:42,993 --> 00:34:44,603
But, you know, she got off
on one floor,
660
00:34:44,647 --> 00:34:47,519
and he got off
on another floor.
661
00:34:47,563 --> 00:34:48,955
He left her and then
662
00:34:48,999 --> 00:34:51,480
went down to A level
and drank beer there.
663
00:34:53,177 --> 00:34:55,614
Crimmins insists it was then
he passed out
664
00:34:55,658 --> 00:34:57,703
in the electrician's lounge.
665
00:34:57,747 --> 00:35:00,576
He also justifies
his palm print on the roof.
666
00:35:02,012 --> 00:35:04,623
He said that they would
go up there sunbathing.
667
00:35:04,667 --> 00:35:10,977
♪
668
00:35:11,021 --> 00:35:12,631
At that point, on the 16th,
669
00:35:12,675 --> 00:35:15,460
we then brought Heffernan
in that night.
670
00:35:15,504 --> 00:35:17,245
That's when we had
the all-night session
671
00:35:17,288 --> 00:35:19,638
as to whether
to arrest him or not.
672
00:35:19,682 --> 00:35:21,553
Prosecutor
Charles Heffernan knows
673
00:35:21,597 --> 00:35:24,339
the city wants someone
in cuffs,
674
00:35:24,382 --> 00:35:25,905
but if they push
this case forward
675
00:35:25,949 --> 00:35:29,692
without enough evidence,
it could fall apart in court.
676
00:35:29,735 --> 00:35:32,521
It would be still
a circumstantial case,
677
00:35:32,564 --> 00:35:35,567
and the goal is to build
your best case possible.
678
00:35:35,611 --> 00:35:40,572
♪
679
00:35:40,616 --> 00:35:43,445
At 8:00 a.m. on the morning
of August 17th,
680
00:35:43,488 --> 00:35:47,013
Crimmins walks out of the Met
a free man.
681
00:35:47,057 --> 00:35:48,624
We didn't want to let
Mr. Crimmins think
682
00:35:48,667 --> 00:35:52,018
that we were really onto him
and looking at him that early
683
00:35:52,062 --> 00:35:54,543
because we didn't want him
to flee,
684
00:35:54,586 --> 00:35:57,241
so we kind of worked
as much on the periphery
685
00:35:57,285 --> 00:36:00,375
as we could to dismantle
any alibi
686
00:36:00,418 --> 00:36:02,812
as to where he said
he was that night.
687
00:36:07,817 --> 00:36:10,385
The investigation
of Crimmins is heating up.
688
00:36:10,428 --> 00:36:12,691
Alibis he's provided
to the detectives
689
00:36:12,735 --> 00:36:14,867
aren't checking out,
690
00:36:14,911 --> 00:36:18,349
but they won't stop
until the case is airtight.
691
00:36:18,393 --> 00:36:20,177
But then something happens.
692
00:36:20,221 --> 00:36:23,833
Because of the media frenzy,
a leak.
693
00:36:23,876 --> 00:36:27,140
[phone ringing]
694
00:36:27,184 --> 00:36:29,273
We received a tip
that the "Daily News"
695
00:36:29,317 --> 00:36:31,710
was going to release an edition
696
00:36:31,754 --> 00:36:34,887
called the Bulldog Edition
at 7:00 that night,
697
00:36:34,931 --> 00:36:37,890
simultaneous with a radio broadcast
698
00:36:37,934 --> 00:36:40,458
in which they name
the key suspect.
699
00:36:41,851 --> 00:36:45,333
And the minute that happened,
Craig or his family
700
00:36:45,376 --> 00:36:47,160
would immediately hire
a lawyer,
701
00:36:47,204 --> 00:36:49,728
and Craig would know
he was tops of the pops.
702
00:36:49,772 --> 00:36:51,600
[suspenseful music]
703
00:36:51,643 --> 00:36:55,038
NYPD detectives tell
the papers to stand down.
704
00:36:55,821 --> 00:36:58,563
There's not enough evidence
to say, "This is our guy,"
705
00:36:58,607 --> 00:37:01,262
and they're gonna blow it
if they go to print.
706
00:37:01,305 --> 00:37:02,698
And they said,
"We'd be willing to,
707
00:37:02,741 --> 00:37:04,917
"but we can't because
it's already gone to press.
708
00:37:04,961 --> 00:37:06,267
We can't stop it."
709
00:37:06,310 --> 00:37:07,833
At that point,
it was thought,
710
00:37:07,877 --> 00:37:09,487
"Hey, we got to jump now."
711
00:37:21,238 --> 00:37:23,849
♪
712
00:37:23,893 --> 00:37:27,244
NYPD detectives were
covertly gathering evidence
713
00:37:27,288 --> 00:37:30,378
to secure a conviction
of stagehand Craig Crimmins
714
00:37:30,421 --> 00:37:32,554
for the murder
of Helen Mintiks
715
00:37:32,597 --> 00:37:34,077
when they learn that the press
716
00:37:34,120 --> 00:37:37,080
was about to name him
as the lead suspect.
717
00:37:38,516 --> 00:37:41,432
The minute that occurred,
whether he would flee or not,
718
00:37:41,476 --> 00:37:43,826
he certainly was gonna
get a lawyer.
719
00:37:46,916 --> 00:37:50,136
Detective Giorgio went up
to Crimmins' apartment.
720
00:37:50,180 --> 00:37:53,357
This is almost something
that you'd see in a novel.
721
00:37:53,401 --> 00:37:54,880
At about ten minutes to 7:00,
722
00:37:54,924 --> 00:37:57,056
ten minutes
before the broadcast went,
723
00:37:57,100 --> 00:37:59,885
Crimmins comes out
of the building,
724
00:37:59,929 --> 00:38:04,194
and Giorgio sees him,
and they had a good rapport.
725
00:38:04,237 --> 00:38:07,240
Giorgio said, "Craig,
you mind coming down?
726
00:38:07,284 --> 00:38:09,373
"We have some other questions
to ask you.
727
00:38:09,417 --> 00:38:12,985
It won't take long."
And he agreed.
728
00:38:15,161 --> 00:38:16,902
With a case as big
as this one,
729
00:38:16,946 --> 00:38:19,383
our detectives knew they'd
already have plenty of journos
730
00:38:19,427 --> 00:38:20,906
swarming the precinct.
731
00:38:20,950 --> 00:38:23,344
If our guy got a whiff of this,
he'd know what was up,
732
00:38:23,387 --> 00:38:27,652
so we had to be one step ahead,
and our guys were.
733
00:38:27,696 --> 00:38:29,567
Instead of bringing Craig
to our home base
734
00:38:29,611 --> 00:38:31,177
at the 2-0 Precinct,
we took him
735
00:38:31,221 --> 00:38:33,876
to the 13th Precinct
and avoided the press.
736
00:38:35,530 --> 00:38:38,794
And I then met up
with Jerry later on,
737
00:38:38,837 --> 00:38:40,883
and we started the interview.
738
00:38:42,014 --> 00:38:44,277
He started
to tell them things
739
00:38:44,321 --> 00:38:46,671
that they knew were untrue,
740
00:38:46,715 --> 00:38:49,457
and after he saw
741
00:38:49,500 --> 00:38:51,763
that his excuses were
not being accepted,
742
00:38:51,807 --> 00:38:53,112
he again said,
743
00:38:53,156 --> 00:38:55,027
"Jerry, can I talk
to you alone?"
744
00:38:58,161 --> 00:38:59,292
We knew we were close
745
00:38:59,336 --> 00:39:02,121
and, you know,
this was our last shot.
746
00:39:02,165 --> 00:39:03,340
Jerry Giorgio,
747
00:39:03,384 --> 00:39:05,560
he was brilliant
at getting confessions.
748
00:39:05,603 --> 00:39:06,865
He said, "Most people,
749
00:39:06,909 --> 00:39:09,128
"unless they're sociopaths
or psychopaths,
750
00:39:09,172 --> 00:39:10,782
"want to confess,
751
00:39:10,826 --> 00:39:13,785
and all you have to do
is give them a chance."
752
00:39:13,829 --> 00:39:15,613
And Crimmins said,
753
00:39:15,657 --> 00:39:17,441
"There's something
I want to tell you."
754
00:39:17,485 --> 00:39:18,616
He said, "What's that?"
755
00:39:18,660 --> 00:39:21,314
He said, "About that lady,
756
00:39:21,358 --> 00:39:22,315
I killed her."
757
00:39:22,359 --> 00:39:27,277
♪
758
00:39:27,320 --> 00:39:31,716
I remember Jerry Giorgio
coming out and going like this.
759
00:39:33,370 --> 00:39:35,677
Home run, right?
760
00:39:36,721 --> 00:39:38,201
So Heffernan was brought in,
761
00:39:38,244 --> 00:39:42,727
and then the formal videotape
confession was then done.
762
00:39:42,771 --> 00:39:44,163
I went down
to the locker room
763
00:39:44,207 --> 00:39:45,948
and drank some beers.
764
00:39:47,210 --> 00:39:49,952
And on the way down there,
I met that lady.
765
00:39:53,216 --> 00:39:55,348
According to the defendant's
confession,
766
00:39:55,392 --> 00:39:57,046
during that elevator ride,
767
00:39:57,089 --> 00:39:59,701
Crimmins apparently made
a pass at her.
768
00:40:00,745 --> 00:40:03,618
And she reacted
by slapping him,
769
00:40:03,661 --> 00:40:05,446
and he became enraged.
770
00:40:08,057 --> 00:40:10,233
He takes out his hammer
and menaces her
771
00:40:10,276 --> 00:40:12,453
with the hammer.
772
00:40:12,496 --> 00:40:13,802
And then for a long time
773
00:40:13,845 --> 00:40:17,022
walked her around,
upstairs, downstairs,
774
00:40:17,066 --> 00:40:20,678
and then suddenly couldn't
figure out an exit ramp.
775
00:40:20,722 --> 00:40:22,941
"How do I get out of this?"
776
00:40:22,985 --> 00:40:26,902
So he has her captive,
and she knows it,
777
00:40:26,945 --> 00:40:30,558
and when they reached C level,
she ran for a door
778
00:40:30,601 --> 00:40:32,690
and tried to get it open.
779
00:40:32,734 --> 00:40:34,213
Then there was a struggle.
780
00:40:35,388 --> 00:40:38,000
He tried to, you know,
781
00:40:38,043 --> 00:40:40,132
have sex with her
at that point,
782
00:40:40,176 --> 00:40:42,874
and I don't think he was
able to accomplish that.
783
00:40:44,093 --> 00:40:47,879
He then took her all the way
up to the roof
784
00:40:47,923 --> 00:40:50,273
and laid her in one place.
785
00:40:51,056 --> 00:40:54,407
"She was talking to me
trying to be nice.
786
00:40:54,451 --> 00:40:56,235
"I decided to gag her
787
00:40:56,279 --> 00:40:59,325
"and laid her
flat on her stomach.
788
00:40:59,369 --> 00:41:00,762
"I know I gagged her,
789
00:41:00,805 --> 00:41:03,286
and I think
I put one around her eyes."
790
00:41:05,418 --> 00:41:07,812
He said to her
that he would call
791
00:41:07,856 --> 00:41:09,031
when he got away
from the building
792
00:41:09,074 --> 00:41:11,033
and let them know
where she was.
793
00:41:13,731 --> 00:41:15,646
"I decided to leave.
794
00:41:15,690 --> 00:41:17,518
"As I was walking away,
795
00:41:17,561 --> 00:41:20,695
"I heard her
bouncing up and down,
796
00:41:20,738 --> 00:41:22,566
and that's when it happened.
797
00:41:22,610 --> 00:41:24,437
I went back and picked her up."
798
00:41:24,481 --> 00:41:27,440
[solemn music]
799
00:41:27,484 --> 00:41:33,969
♪
800
00:41:34,752 --> 00:41:36,580
With a full confession
in hand,
801
00:41:36,624 --> 00:41:38,930
NYPD arrest Craig Crimmins
802
00:41:38,974 --> 00:41:41,933
for the murder
of Helen Mintiks.
803
00:41:41,977 --> 00:41:45,763
This case particularly
has remained memorable.
804
00:41:45,807 --> 00:41:48,766
For one reason,
the venue where it happened,
805
00:41:48,810 --> 00:41:53,945
and the fact that the victim
was a member of the orchestra
806
00:41:53,989 --> 00:41:56,557
who was abducted mid-opera
807
00:41:56,600 --> 00:41:58,863
and not found
until 12 hours later.
808
00:42:00,169 --> 00:42:03,825
The complexity of where
her body was found,
809
00:42:03,868 --> 00:42:05,304
the amount of people
810
00:42:05,348 --> 00:42:09,134
that we had to entertain
as possible suspects--
811
00:42:09,178 --> 00:42:11,615
we all worked real long hours.
812
00:42:11,659 --> 00:42:14,400
It was a lot
of sleep deprivation.
813
00:42:15,619 --> 00:42:19,144
So it's a good feeling
when you tell the family.
814
00:42:19,188 --> 00:42:21,016
At least it gave them
some closure.
815
00:42:21,059 --> 00:42:22,408
They're never gonna
forget it all,
816
00:42:22,452 --> 00:42:25,455
but at least some part of it
is behind them.
817
00:42:27,457 --> 00:42:30,591
One year later,
in September of 1981,
818
00:42:30,634 --> 00:42:34,290
Craig Crimmins is convicted
of felony murder.
819
00:42:34,333 --> 00:42:38,468
He was sentenced to a term
from 20 years to life.
820
00:42:38,511 --> 00:42:41,079
He's been denied
parole 11 times.
821
00:42:42,777 --> 00:42:46,171
It was definitely a relief
822
00:42:46,215 --> 00:42:48,260
to know that he's not out there
823
00:42:48,304 --> 00:42:51,176
and that he can't do it
to somebody else,
824
00:42:51,220 --> 00:42:55,398
but there is never closure
for this kind of thing.
825
00:42:55,441 --> 00:42:58,357
[somber violin music]
826
00:42:58,401 --> 00:42:59,924
♪
827
00:42:59,968 --> 00:43:02,840
Janis died a few years ago.
828
00:43:02,884 --> 00:43:05,756
I doubt that he could
ever possibly get over
829
00:43:05,800 --> 00:43:08,890
that traumatic event.
830
00:43:11,240 --> 00:43:14,896
I remember
very, very clearly her sound.
831
00:43:14,939 --> 00:43:18,421
You know,
I can call it to mind,
832
00:43:18,464 --> 00:43:19,596
and I can hear her playing.
833
00:43:19,640 --> 00:43:22,555
♪
834
00:43:22,599 --> 00:43:27,691
I know that it's always going
to be a real hole in my heart
835
00:43:27,735 --> 00:43:31,735
that's never going to heal.