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♪♪

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Jennings:
Welcome to "World News."

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Announcer: The "CBS Evening News
with Katie Couric."

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Good evening.

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Movie fans
around the world

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are mourning the death
of Paul Newman.

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Announcer #2: Lester Holt.

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Holt: Oscar winner,
philanthropist,

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racecar driver, family man,
Cool Hand.

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Auctioneer: Lot number 8,
ladies and gentlemen.

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Without exaggeration,

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the most iconic wristwatch
of the 20th century.

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Woman: His wife gave
her husband a watch

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inscribed with a hidden message.

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Auctioneer: I think we should
start right away.

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And I have a commissioned bid
at $1 million U.S.

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[ Cheers and applause ]

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$10 million.

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[ Cheers and applause ]

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Ethan: So what does CNN think
about the cut so far?

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Alright. "The great takeaway
is that it's clear

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we can really
build out a satisfying arc

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over the six episodes."

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Yay!

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The watch auction --
they didn't get.

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$12.5 million
for Liza Gorey.

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$13 million.

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Ethan: Why do you think
they don't get it?

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Like, see, to me,
it's, you know,

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the -- the -- the buzzards
feasting on the dead.

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You know, like...

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There's -- Like, I don't think
shaming the people

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that are bidding
on that watch

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is what you're trying
to accomplish.

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Oh, no, no.
That's not what I mean.

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Yeah, I mean,
I want the watch, too.

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I mean, I'd love to have it.
So what am I talking about?

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You're saying,
like,

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"This is how much people
value him."

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Auctioneer:
$14 million for Natalie.

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Ethan: You can't buy
Paul Newman's watch.

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It's his watch.
What makes it beautiful is him.

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The watch is nothing.

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$15 million.
It's a present from his wife.

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For the one and only
Paul Newman.

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I mean,
it's -- it's a private thing

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that's now made public in death.

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Going once,
going twice.

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But it was something real.

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And it just makes me think,
but I don't --

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I guess I don't know
what I think about it.

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So I can't make it clear
to the --

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It is history now!

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$15,500,000.

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Well, come on, Ryan,
you're my producer.

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What do you think?
How should it start?

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Like we're on a morning show
with pianos and violins,

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and everybody's happy?

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Interviewer:
In a business like this,

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it is so unusual

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to have relationships endure
on any level,

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and to have a marriage
like yours

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after all these years,
you've got to admit,

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pretty incredible.

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Melissa:
You know, this narrative,

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this really, you know,
they were beautiful,

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they loved each other,
it was simple and that's it.

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And, you know,
happily ever after.

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To a certain extent, I feel
guilty dismantling that story

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because I feel like everybody
needs those kinds of heroes,

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but at the same time,

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I think they deserve
more credit than that.

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Shalit: American people
think of Joanne Woodward

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and Paul Newman,

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and they think
of this perfect marriage.

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How far away from that
is reality?

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It wasn't easy,
and a lot of it was ugly

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and a lot of it was a slog.

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But I always think that,
you know, when my dad was --

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when my dad was dying,

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there were a lot of people
in that room,

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and they were all people
who loved him.

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But I always felt that my mom

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should have been the only one
in the room

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that maybe in the end,
you know, on the Lonely Island.

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I think she was really
the only one he wanted.

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♪♪

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Ethan: The end of their life
together is just beautiful.

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I mean, she was running
a theater company.

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She was producing
a lot of new work.

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She even got him back
on Broadway.

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This play is called "Our Town."

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It was written
by Thornton Wilder

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and is being produced here by
the Westport Country Playhouse.

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Name of the town --
Grover's Corner.

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Keefe: I picked up the phone
in the bedroom and she said,

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"Hey, Annie, it's Joanne."

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And I said, "Yep.
Hi, how's it going?"

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She said,
"Well, I'll tell you.

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Paul just walked in and he said,

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'What do you think
if I played the stage manager?'"

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The day is May 7, 1901,
just about dawn.

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[ Rooster crows ]

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Lissy: He was --
he was afraid --

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He was afraid he wasn't
gonna be able to remember

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his lines in a play anymore.

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And it had been a long time.

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Yes. She was Julia.

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She was Julia Percy
before she married Doc Gibbs

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in the Congregational Church.

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In our town,
we like to know the facts.

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Woodman: It was the first time
he had been on stage

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since we did a play called
"Baby Want a Kiss"

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in 1965, '64.

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Interviewer #2:
Which ran how long?

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Well, I don't know.
It was a limited run,

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but I mean, I think it may
have been more limited.

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Clooney:
"My problem is that I just

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remember an accumulation
of events."

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Man: Surrounding me here
are several of the members

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of the Actors
Studio Theater.

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"I don't really have
a sense of a beginning."

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Miss Geraldine Page,
Mr. Rip Torn...

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Another thing, I-I think
it gives me an opportunity

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to come back to this.

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Clooney: "There are people

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who have a sense of living
a whole life,

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but I just have a sense
of a series of events

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attached together
in random ways.

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Stick the middle
in the beginning

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or the beginning at the middle,

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really doesn't seem to make
either sense or difference."

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Emily: Do any human beings
ever realize life

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while they live it
every...every minute?

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No.

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Saints and poets
maybe...

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They do some.

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Letterman: What about it
drew you to the production?

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Why did you want to do it
after 35 years?

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Well, my wife
is the artistic director.

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And, uh...

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[ Laughter ]

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...and I have no idea
what she puts in my food.

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[ Laughter ]

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You can't be too careful.

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Woman #2: The Westport
production moved to Broadway,

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where Newman was nominated
for a Tony.

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But it wasn't the first time
he performed in the play.

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He starred with Frank Sinatra

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in a 1955 musical adaptation
for television.

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♪♪

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I've married 200 couples
in my day.

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Do I believe in it?

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I don't know.

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I suppose I do.

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M married M.

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Millions of them.

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The cottage, the go-cart,

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Sunday-afternoon drives
in the Ford,

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the first rheumatism,
grandchildren,

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the second rheumatism,
the death-bed,

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the reading of the will.

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Once in a thousand times...

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it's interesting.

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♪♪

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♪♪

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♪♪

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Here.

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There is friendship,
there's conjugality,

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and there is amativeness
right here.

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It's right --
right there.

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And they say it's all
in your head anyway.

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Let me feel that again.

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Jesus, you've got to be
a nymphomaniac

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to have a bump
like that.

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Charles:
"When I met Paul and Joanne,

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it was at the Actors Studio.

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They were high-living,
hard-living, young warriors.

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They were intoxicated
with this new liberty,

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this new freedom of emotion

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that they were not
only being allowed to use,

182
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but encouraged to use to
understand the kind of boldness

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that they brought to these roles
that electrified American acting

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and eventually changed
the technique

185
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of acting around the world.

186
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That's why we worked there.

187
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We were down there day after day
to talk and teach and act

188
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and make fools of ourselves
in an effort to keep alive

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this aspect that..."

190
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I think we'd better
go back.

191
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"...that was the valves
of our heart."

192
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Yes, I do mean that.

193
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I knew you were going
to kiss me today,

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but I didn't know
I was gonna kiss you back.

195
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And it isn't going
to happen again.

196
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So don't try to get me off
alone somewhere.

197
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I think you'd like that.

198
00:08:50,447 --> 00:08:52,116
"And that these good people,

199
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you know,
Newman and Woodward,

200
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have survived and gone on
to do good work

201
00:08:55,744 --> 00:09:00,040
despite the pressures
of the world and life.

202
00:09:00,124 --> 00:09:02,876
You know, the miracle
is that anybody survives."

203
00:09:05,170 --> 00:09:06,839
Are you going to row me
back to shore

204
00:09:06,922 --> 00:09:08,966
or am I going to have to
swim back?

205
00:09:09,049 --> 00:09:11,010
Swim.

206
00:09:11,093 --> 00:09:16,265
♪♪

207
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We -- We were in a meeting
once in the barn

208
00:09:19,184 --> 00:09:21,186
and Joanne excused herself
for a couple of minutes

209
00:09:21,270 --> 00:09:23,314
and -- and I didn't hear
the door open,

210
00:09:23,397 --> 00:09:25,941
but I turned around
and Paul had come in

211
00:09:26,025 --> 00:09:30,070
and the two of them were just
standing there holding hands.

212
00:09:30,154 --> 00:09:34,533
And I froze that image
in my mind and thought, "God,

213
00:09:34,616 --> 00:09:38,245
if you could ever love somebody
for that long that much,

214
00:09:38,329 --> 00:09:41,206
what must it be like?"

215
00:09:41,290 --> 00:09:43,751
It's...

216
00:09:43,834 --> 00:09:44,960
Sorry. It's just...

217
00:09:45,044 --> 00:09:46,962
Donahue: "The truth is
that I felt

218
00:09:47,046 --> 00:09:49,548
an enormous rivalry
with Paul.

219
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Although I wouldn't admit
it then, not even to myself.

220
00:09:53,469 --> 00:09:54,428
I was always uncomfortable

221
00:09:54,511 --> 00:09:57,056
that Paul was so much bigger
than I was."

222
00:09:57,139 --> 00:09:59,350
It's legitimate.

223
00:09:59,433 --> 00:10:01,268
I think that there was
a time when I wished

224
00:10:01,352 --> 00:10:03,604
that I didn't stay home
and take care of babies,

225
00:10:03,687 --> 00:10:05,439
and I wanted to be
a big movie star

226
00:10:05,522 --> 00:10:06,857
and all of that.

227
00:10:06,940 --> 00:10:07,149
But, you know, you change.

228
00:10:07,232 --> 00:10:09,860
Janey...

229
00:10:11,653 --> 00:10:14,656
...before, you know, you said
I always used to ask you

230
00:10:14,740 --> 00:10:16,116
how your day
of school went.

231
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You did.

232
00:10:17,659 --> 00:10:20,245
Do you know something?

233
00:10:20,329 --> 00:10:24,124
You've never asked me
how my day went.

234
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Not once.

235
00:10:26,293 --> 00:10:29,213
Woman #3: Joanne, is there
any one character

236
00:10:29,296 --> 00:10:33,759
that you feel that you can
really relate to personally?

237
00:10:33,842 --> 00:10:35,594
All of them.

238
00:10:35,677 --> 00:10:37,429
I have to, all of them,
because they're all parts of me.

239
00:10:37,513 --> 00:10:40,432
I mean, that's the all --
that's the --

240
00:10:40,516 --> 00:10:41,558
the joy and the trauma
about being an actor

241
00:10:41,642 --> 00:10:45,562
is that's all you've got is you,
you know.

242
00:10:45,646 --> 00:10:48,190
A pianist has a piano
and a drummer has the drums

243
00:10:48,273 --> 00:10:50,651
and even the ballet dancer
has their toe shoes.

244
00:10:50,734 --> 00:10:53,237
But we have what we are.

245
00:10:53,320 --> 00:10:56,615
And I can leap happily into
my coffin and call it a day.

246
00:10:56,698 --> 00:10:58,450
Lie down, close my eyes,
shut my mouth

247
00:10:58,534 --> 00:11:01,078
and disappear
into eternity.

248
00:11:01,161 --> 00:11:02,162
Easy as that?

249
00:11:02,246 --> 00:11:05,958
Like falling off a log.

250
00:11:06,041 --> 00:11:09,044
Ethan: What I admire in Joanne
is just the actor.

251
00:11:09,128 --> 00:11:11,839
When you're not getting
all these amazing offers,

252
00:11:11,922 --> 00:11:14,466
how do you build a career
through your own work

253
00:11:14,550 --> 00:11:16,260
and through your own energy

254
00:11:16,343 --> 00:11:18,887
and her passion
for these television movies

255
00:11:18,971 --> 00:11:20,639
and the way that she would
throw herself.

256
00:11:20,722 --> 00:11:24,977
[ Yelling indistinctly ]

257
00:11:25,060 --> 00:11:26,478
And she did a lot of them.

258
00:11:26,562 --> 00:11:28,480
And they're always
about serious subject matters,

259
00:11:28,564 --> 00:11:32,109
whether it's women's rights,
children and drugs,

260
00:11:32,192 --> 00:11:34,361
race relations.

261
00:11:34,445 --> 00:11:36,113
Oh, that's a shame.

262
00:11:36,196 --> 00:11:38,907
Oh, that's --
Daniel. Daniel.

263
00:11:38,991 --> 00:11:40,492
Woman #4:
And she would teach, you know,

264
00:11:40,576 --> 00:11:44,288
she taught an acting class
out of their apartment.

265
00:11:44,371 --> 00:11:45,873
And a lot of those actors
worked with her.

266
00:11:45,956 --> 00:11:49,501
Dylan McDermott worked with her,
Allison Janney.

267
00:11:49,585 --> 00:11:50,919
Janney: Joanne Woodward,
I want to thank you

268
00:11:51,003 --> 00:11:53,672
for your encouragement
that gave me the confidence

269
00:11:53,755 --> 00:11:56,675
to think I could pursue
a career in acting.

270
00:11:56,758 --> 00:11:58,552
Woman #4: She just adored them.
She just -- They were her --

271
00:11:58,635 --> 00:12:01,430
They were like,
you know, her children.

272
00:12:03,765 --> 00:12:06,810
Linney: I was right out of
school when I worked with her.

273
00:12:06,894 --> 00:12:07,478
I played some drug addict.

274
00:12:07,561 --> 00:12:11,023
It was a very overly dramatic,

275
00:12:11,106 --> 00:12:12,107
Hallmark Hall of Fame
sort of thing.

276
00:12:12,191 --> 00:12:14,526
But it was my first big job,
really, in many ways.

277
00:12:14,610 --> 00:12:17,863
Did you or didn't you?
No, I didn't!

278
00:12:17,946 --> 00:12:20,115
Charlie got me high --

279
00:12:20,199 --> 00:12:22,451
And Joanne, who
very carefully curated

280
00:12:22,534 --> 00:12:26,038
a group of young artists
around her.

281
00:12:26,121 --> 00:12:28,790
She played a politician
and in the office --

282
00:12:28,874 --> 00:12:30,542
Their scenes in the office --

283
00:12:30,626 --> 00:12:32,336
we're all of her young protégés.

284
00:12:32,419 --> 00:12:35,380
Allison Janney,
Mark Wade.

285
00:12:35,464 --> 00:12:39,343
You know, I was the new kid
on the block.

286
00:12:41,512 --> 00:12:42,221
Has it caught any fish?

287
00:12:42,304 --> 00:12:44,223
Not for 10 years.

288
00:12:44,306 --> 00:12:46,808
[ Chuckles ]
Well...

289
00:12:46,892 --> 00:12:48,936
We won't starve.

290
00:12:49,019 --> 00:12:51,939
Butter and sugar
from Fesco's.

291
00:12:52,022 --> 00:12:52,564
A national treasure.

292
00:12:52,648 --> 00:12:55,234
And I'm so -- I'm so lucky

293
00:12:55,317 --> 00:12:56,568
that I worked with her
so early

294
00:12:56,652 --> 00:13:00,155
because she instilled
in me things

295
00:13:00,239 --> 00:13:02,032
that I'm realizing even now.

296
00:13:02,115 --> 00:13:03,283
Is that
what I used to say?

297
00:13:03,367 --> 00:13:05,994
All the time.

298
00:13:06,078 --> 00:13:07,037
Well, that was
fairly pretentious of me.

299
00:13:07,120 --> 00:13:10,499
And I can remember having
a conversation with her

300
00:13:10,582 --> 00:13:14,670
that you -- you have
to love the arts

301
00:13:14,753 --> 00:13:16,296
more than any of it.

302
00:13:16,380 --> 00:13:18,590
You have to love the people.
You have to love the process.

303
00:13:18,674 --> 00:13:21,260
You have to love the ups
and the downs

304
00:13:21,343 --> 00:13:24,638
so that when it is really hard,
you still feel nourished.

305
00:13:24,721 --> 00:13:28,642
And that comes from your
investment outside of yourself

306
00:13:28,725 --> 00:13:31,436
into something bigger than you,

307
00:13:31,520 --> 00:13:34,189
into something
that has a long history.

308
00:13:34,273 --> 00:13:36,525
You are a small part
of the whole machine

309
00:13:36,608 --> 00:13:41,488
and that that perspective
is the starting point.

310
00:13:41,572 --> 00:13:46,785
♪♪

311
00:13:46,868 --> 00:13:51,873
♪♪

312
00:13:51,957 --> 00:13:53,542
Ethan: You know,
I did my first --

313
00:13:53,625 --> 00:13:54,334
I did my Broadway debut
with Laura.

314
00:13:54,418 --> 00:13:57,838
"The Seagull" in 1991.

315
00:13:57,921 --> 00:13:59,298
Wade: I saw it.

316
00:13:59,381 --> 00:14:01,008
Oh, my God. No.

317
00:14:03,760 --> 00:14:05,345
Really?

318
00:14:05,429 --> 00:14:06,638
Yes.

319
00:14:06,722 --> 00:14:09,808
Wow.
That's amazing.

320
00:14:11,101 --> 00:14:13,937
Linney: It was really troubled,
and I knew it was troubled

321
00:14:14,021 --> 00:14:18,025
and I knew I was in trouble,
and I called Joanne.

322
00:14:18,108 --> 00:14:22,070
And I was like, "Joanne,
I'm in this production.

323
00:14:22,154 --> 00:14:24,823
I really need help."

324
00:14:24,906 --> 00:14:29,828
So I was in my dressing room
and someone knocked on the door

325
00:14:29,911 --> 00:14:31,705
and, like, a face
leaned in and said,

326
00:14:31,788 --> 00:14:35,834
"Miss Woodward will meet you
in her car in 15 minutes."

327
00:14:38,086 --> 00:14:40,422
So I very quickly get dressed.
I got in her car.

328
00:14:40,505 --> 00:14:42,382
She's like, "Dearheart,
hello, come in."

329
00:14:42,466 --> 00:14:44,718
I went in the car.

330
00:14:44,801 --> 00:14:48,180
She went, "Well...

331
00:14:48,263 --> 00:14:49,890
there's nothing you can do."

332
00:14:49,973 --> 00:14:52,351
[ Chuckles ]

333
00:14:52,434 --> 00:14:53,727
And I...

334
00:14:53,810 --> 00:14:58,190
I-I looked at her,
I was like, "What?"

335
00:14:58,273 --> 00:15:01,693
She's like, "Dearheart,
there's nothing you can do."

336
00:15:01,777 --> 00:15:05,322
She's like, "You just have to
learn to get through it."

337
00:15:05,405 --> 00:15:08,659
And that was very valuable.

338
00:15:08,742 --> 00:15:10,994
Woodward:
Sandy always used to say,

339
00:15:11,078 --> 00:15:12,371
"You cannot --
you can't be an actor

340
00:15:12,454 --> 00:15:13,872
unless you are willing

341
00:15:13,955 --> 00:15:18,335
to make a fool of yourself
and fail," you know.

342
00:15:18,418 --> 00:15:20,712
And that's true,
of course, of anything.

343
00:15:20,796 --> 00:15:24,424
Joanne always found ways to do
things that excited her

344
00:15:24,508 --> 00:15:27,719
because what excited her

345
00:15:27,803 --> 00:15:31,014
wasn't where it was
or who it was with even.

346
00:15:31,098 --> 00:15:35,477
It was the work itself.
You know, it's the story.

347
00:15:35,560 --> 00:15:37,521
It was the craft,
it was the text.

348
00:15:37,604 --> 00:15:39,439
It was -- Whether it was
on television

349
00:15:39,523 --> 00:15:40,732
or, you know,
certainly on stage,

350
00:15:40,816 --> 00:15:44,903
because it is so purely about
the craft when you're on stage.

351
00:15:44,986 --> 00:15:48,740
Joanne Woodward keeps
busy on many fronts.

352
00:15:48,824 --> 00:15:49,533
She is an activist,
a supporter of dance,

353
00:15:49,616 --> 00:15:50,784
a director and a wife,

354
00:15:50,867 --> 00:15:53,912
and she is,
above all, an actress.

355
00:15:53,995 --> 00:15:55,539
And she is currently
starring

356
00:15:55,622 --> 00:15:57,457
at Toronto's
Royal Alexandra Theatre

357
00:15:57,541 --> 00:16:02,254
in Tennessee Williams'
classic "Sweet Bird of Youth."

358
00:16:02,337 --> 00:16:03,588
In "Sweet Bird of Youth,"

359
00:16:03,672 --> 00:16:05,716
Joanne Woodward plays
Princess...

360
00:16:05,799 --> 00:16:08,385
Wade: I was walking her home
from rehearsal one night

361
00:16:08,468 --> 00:16:09,177
and I was like,
"How do you do that?"

362
00:16:09,261 --> 00:16:12,514
And she said,
"What do you mean?"

363
00:16:12,597 --> 00:16:16,601
I was like, "Every time,
it was brilliant, connected,

364
00:16:16,685 --> 00:16:24,609
full, full emotionally,
and so effortless."

365
00:16:24,693 --> 00:16:26,486
And she looked at me
and she said,

366
00:16:26,570 --> 00:16:28,488
"It's just because
I know I can."

367
00:16:28,572 --> 00:16:32,659
That's like saying,
"I'm the shit."

368
00:16:34,911 --> 00:16:37,581
Linney:
"I've been working on a piece

369
00:16:37,664 --> 00:16:40,250
that I've wanted to do
for a long time.

370
00:16:40,333 --> 00:16:41,626
My mother is now
in a nursing home

371
00:16:41,710 --> 00:16:44,463
and she has
Alzheimer's disease.

372
00:16:44,546 --> 00:16:46,298
I keep trying to figure out
some way

373
00:16:46,381 --> 00:16:48,383
to create this
into a film piece.

374
00:16:48,467 --> 00:16:50,635
I haven't gotten it yet,
but someday.

375
00:16:50,719 --> 00:16:53,638
Anyway that's what
I'm working on now."

376
00:16:53,722 --> 00:16:56,349
-Where's your class?
-Um, lecture hall one.

377
00:16:56,433 --> 00:16:59,561
This way.
It's this way.

378
00:17:02,189 --> 00:17:03,982
[ Laughs ]
Well...

379
00:17:05,108 --> 00:17:07,694
Interviewer #3: Joanne,
I understand that this is

380
00:17:07,778 --> 00:17:09,613
a particularly painful role
for you to play,

381
00:17:09,696 --> 00:17:12,532
because I know that your mother
has Alzheimer's disease.

382
00:17:12,616 --> 00:17:14,534
Was this a difficult thing
for you to do?

383
00:17:14,618 --> 00:17:18,538
Yes. Yes, it was,
because it did...

384
00:17:18,622 --> 00:17:23,251
force me to examine
aspects of my own being

385
00:17:23,335 --> 00:17:26,213
that I don't like
to face.

386
00:17:26,296 --> 00:17:29,466
I guess because, you know,
there is some reason

387
00:17:29,549 --> 00:17:32,969
to believe that Alzheimer's
is hereditary.

388
00:17:33,053 --> 00:17:34,638
And, of course,
those of us

389
00:17:34,721 --> 00:17:36,848
who are children
of Alzheimer's victims,

390
00:17:36,932 --> 00:17:40,644
I suppose, have that
haunting us all the time.

391
00:17:40,727 --> 00:17:42,229
Ethan: You know, her mother
had Alzheimer's,

392
00:17:42,312 --> 00:17:44,856
and so she made a TV movie
about Alzheimer's

393
00:17:44,940 --> 00:17:46,358
and played her.

394
00:17:46,441 --> 00:17:48,819
It's a very powerful movie.

395
00:17:48,902 --> 00:17:51,863
♪♪

396
00:17:51,947 --> 00:17:55,534
Doctor: Would you like
a glass of water?

397
00:17:55,617 --> 00:17:58,203
No, thank you.

398
00:17:58,286 --> 00:18:01,581
Woodward: It's always therapy
to do something about something

399
00:18:01,665 --> 00:18:04,709
that you can't change
in any other way.

400
00:18:04,793 --> 00:18:07,379
There's surely no higher praise
for what television can offer

401
00:18:07,462 --> 00:18:08,713
than just to read the names

402
00:18:08,797 --> 00:18:10,131
of the artists
who were nominated...

403
00:18:10,215 --> 00:18:10,924
Nominees
for Outstanding Actress...

404
00:18:11,007 --> 00:18:12,884
Nominees for Outstanding
Lead Actress

405
00:18:12,968 --> 00:18:15,053
in a Miniseries
or a Special are...

406
00:18:15,136 --> 00:18:17,639
Alda: Joanne Woodward,
"See How She Runs."

407
00:18:17,722 --> 00:18:20,308
Woman #5: Joanne Woodward
for "Crisis at Central High."

408
00:18:20,392 --> 00:18:21,935
Woman #6: Joanne Woodward
for "Blind Spot."

409
00:18:22,018 --> 00:18:23,103
Man #2: Joanne Woodward
for "Do You Remember Love."

410
00:18:23,186 --> 00:18:26,898
Joanne Woodward, "Sybil."
And the winner is...

411
00:18:26,982 --> 00:18:31,236
Joanne Woodward,
"Do You Remember Love."

412
00:18:31,319 --> 00:18:33,446
Joanne Woodward,
"See How She Runs."

413
00:18:33,530 --> 00:18:37,742
Woman #7: Joanne Woodward
has had nine Emmy nominations.

414
00:18:37,826 --> 00:18:40,620
Woodward: This is such a nice
way to come back to television.

415
00:18:40,704 --> 00:18:41,997
I started out here
about 25 years ago.

416
00:18:42,080 --> 00:18:44,749
Linney: "I seem to be
the only person I know

417
00:18:44,833 --> 00:18:48,920
who enjoys getting older."

418
00:18:52,007 --> 00:18:53,216
Megan: Michael.

419
00:18:56,845 --> 00:18:59,890
You don't want
to come in here.

420
00:19:01,349 --> 00:19:02,809
Michael, if I could
just talk to you.

421
00:19:02,893 --> 00:19:04,477
Shut up!

422
00:19:04,561 --> 00:19:05,478
I don't want to hear it.
I don't want to hear any of it.

423
00:19:05,562 --> 00:19:07,772
[ Grunts ]

424
00:19:07,856 --> 00:19:08,815
What the hell are you
doing here?!

425
00:19:08,899 --> 00:19:11,443
Details?
Is that what you want?

426
00:19:11,526 --> 00:19:13,695
Clooney: "I suspect right around
the time of 'Absence of Malice,'

427
00:19:13,778 --> 00:19:16,531
I was starting to be
difficult to be around.

428
00:19:16,615 --> 00:19:18,033
I was an in-between person,

429
00:19:18,116 --> 00:19:21,328
not comfortable pretending to be
the college yokel anymore

430
00:19:21,411 --> 00:19:23,622
and I hadn't found
any comfort yet

431
00:19:23,705 --> 00:19:25,123
being inside my own skin.

432
00:19:25,206 --> 00:19:26,249
...for everybody
to look at her.

433
00:19:26,333 --> 00:19:27,626
She must have felt like...

434
00:19:27,709 --> 00:19:29,586
[ Screams ]
...just raped!

435
00:19:29,669 --> 00:19:31,087
[ Screaming ]

436
00:19:31,171 --> 00:19:33,298
Field:
He knew he was in transition.

437
00:19:33,381 --> 00:19:38,637
For actors, it's such
a difficult place, you know?

438
00:19:38,720 --> 00:19:41,640
What you do in that transition
is where you're going to --

439
00:19:41,723 --> 00:19:45,602
your career's gonna go...

440
00:19:45,685 --> 00:19:47,187
or not go.

441
00:19:47,270 --> 00:19:50,273
Charles: "I don't know
what happened to Paul

442
00:19:50,357 --> 00:19:51,524
in the middle years.

443
00:19:51,608 --> 00:19:53,944
I mean, I don't mean
to be judgmental,

444
00:19:54,027 --> 00:19:55,195
but I think for a time,

445
00:19:55,278 --> 00:19:59,407
he lost that youthful edge
of boldness

446
00:19:59,491 --> 00:20:01,868
and 'I don't care.'

447
00:20:01,952 --> 00:20:04,788
The larger the budget,
the more prominent one becomes,

448
00:20:04,871 --> 00:20:07,540
the less able
you are to be a rascal.

449
00:20:07,624 --> 00:20:11,169
That little lawbreaker,
that truant that you once were,

450
00:20:11,252 --> 00:20:14,005
you're becoming part
of the establishment

451
00:20:14,089 --> 00:20:15,674
whether you want to or not.

452
00:20:15,757 --> 00:20:19,219
And as an actor, to begin to
close down any of that ganglia,

453
00:20:19,302 --> 00:20:23,640
those wonderful sensory forces
that are out there

454
00:20:23,723 --> 00:20:26,184
to accommodate
some agreed-upon image

455
00:20:26,267 --> 00:20:28,895
of how you should look,

456
00:20:28,979 --> 00:20:33,024
I mean, it's the worst thing
that can happen to anyone.

457
00:20:33,108 --> 00:20:34,693
And it's what I sense was there

458
00:20:34,776 --> 00:20:36,069
in some
of those middle pictures."

459
00:20:36,152 --> 00:20:37,904
It's not over yet.

460
00:20:37,988 --> 00:20:39,698
Scorsese: It was something
Arthur Penn told me.

461
00:20:39,781 --> 00:20:40,699
He says, "Don't lose
your amateur status.

462
00:20:40,782 --> 00:20:44,786
You have a major machine
behind you and over you

463
00:20:44,869 --> 00:20:46,830
and it restricts your freedom."
He's right.

464
00:20:46,913 --> 00:20:49,207
Announcer #3: She writes
the story that sets him up.

465
00:20:49,290 --> 00:20:52,836
He writes the book
on getting even.

466
00:20:52,919 --> 00:20:55,630
McCarthy: "I, um, I remember
when we were talking

467
00:20:55,714 --> 00:20:57,632
before we began shooting,
and I told him that,

468
00:20:57,716 --> 00:21:00,051
what I thought,
that I, you know, that,

469
00:21:00,135 --> 00:21:01,511
that I thought he had walked

470
00:21:01,594 --> 00:21:02,470
through
the 'Absence of Malice.'

471
00:21:02,554 --> 00:21:06,933
And he looked at me
like I had slapped him.

472
00:21:07,017 --> 00:21:09,728
And I thought, 'Ooh,
Paul didn't really think

473
00:21:09,811 --> 00:21:11,813
he was working in that,
did he?'"

474
00:21:11,896 --> 00:21:12,731
Paul: He's not the cool,
collected type.

475
00:21:12,814 --> 00:21:16,067
He's frightened.
He's, uh, he's an alcoholic.

476
00:21:16,151 --> 00:21:17,861
McCarthy:
"By the end of the second week,

477
00:21:17,944 --> 00:21:19,362
I like to have a run-through,

478
00:21:19,446 --> 00:21:22,824
and I also like the book
to be out of your hands by then.

479
00:21:22,907 --> 00:21:24,743
But he -- he didn't have
the book out of his hands."

480
00:21:24,826 --> 00:21:27,454
There's -- there's a story
about Sidney Lumet

481
00:21:27,537 --> 00:21:29,497
saying to Paul Newman
at one of the rehearsals,

482
00:21:29,581 --> 00:21:30,915
like, "Everybody else,
go home."

483
00:21:30,999 --> 00:21:33,418
And he said --
Did you hear this story?

484
00:21:33,501 --> 00:21:35,962
It's --
He basically said to Paul,

485
00:21:36,046 --> 00:21:36,838
"Here's what's --"

486
00:21:36,921 --> 00:21:38,506
McCarthy: "It was
a regular performance.

487
00:21:38,590 --> 00:21:40,467
Very good,
but no real life in it.

488
00:21:40,550 --> 00:21:41,551
And I let everyone go.
And I asked Paul to stay.

489
00:21:41,634 --> 00:21:44,846
And I didn't say it flat out
because you don't want

490
00:21:44,929 --> 00:21:46,556
to discourage
an actor at that point.

491
00:21:46,639 --> 00:21:48,516
But in essence, what I said was,

492
00:21:48,600 --> 00:21:50,101
'What's the matter?
It's not working.'

493
00:21:50,185 --> 00:21:55,273
And he said,
'Oh, it's the lines, Sydney.

494
00:21:55,356 --> 00:21:57,317
I'm having such a goddamn
problem with the fucking lines.'

495
00:21:57,400 --> 00:22:02,030
And I said,
'No, Paul, it's not the lines.'

496
00:22:02,113 --> 00:22:04,074
And he blinked sort of
very rapidly and said,

497
00:22:04,157 --> 00:22:06,576
'What do you think
the problem is?'

498
00:22:06,659 --> 00:22:09,329
And I said, 'Well, I think
you have to make a decision.'

499
00:22:09,412 --> 00:22:13,917
And he said, 'Well, what
do you mean decision?'"

500
00:22:15,877 --> 00:22:16,795
Then I said, 'You have to decide

501
00:22:16,878 --> 00:22:19,589
how much of you
you're going to let us see,

502
00:22:19,672 --> 00:22:23,218
because it is you
that is missing.'"

503
00:22:25,178 --> 00:22:27,013
"He didn't say anything.

504
00:22:27,097 --> 00:22:28,765
And we broke for the weekend
and we came back in on Monday

505
00:22:28,848 --> 00:22:30,975
and it was like
a different actor."

506
00:22:31,059 --> 00:22:40,318
♪♪

507
00:22:40,401 --> 00:22:41,277
"He knows what good acting
is about

508
00:22:41,361 --> 00:22:44,322
and good acting
is about self-revelation.

509
00:22:44,405 --> 00:22:47,492
All good work is --
It's tough.

510
00:22:47,575 --> 00:22:49,285
It's hard."

511
00:22:49,369 --> 00:22:55,500
♪♪

512
00:22:55,583 --> 00:23:00,296
Paul: I realized that I still
had a long way to go,

513
00:23:00,380 --> 00:23:06,886
that I had just begun to tap
the complexity of that guy,

514
00:23:06,970 --> 00:23:10,765
the emotional bankruptcy
that he was facing.

515
00:23:10,849 --> 00:23:12,642
Frankie.

516
00:23:12,725 --> 00:23:15,103
Come on, get up.

517
00:23:15,186 --> 00:23:17,272
Get up, Frank.

518
00:23:17,355 --> 00:23:20,233
McCarthy: "The things
I didn't have to say.

519
00:23:20,316 --> 00:23:24,195
Binaca spraying, pan up
with the Binaca.

520
00:23:24,279 --> 00:23:27,115
He sprays his mouth
and walks into the funeral.

521
00:23:27,198 --> 00:23:30,368
Binaca -- Paul's,
the eye drops -- Paul's.

522
00:23:30,451 --> 00:23:31,536
The kind of selflessness
of an actor

523
00:23:31,619 --> 00:23:35,331
who's not afraid to expose
the unpleasant side.

524
00:23:35,415 --> 00:23:39,586
What's your image of someone
who needs Binaca?

525
00:23:47,927 --> 00:23:53,349
♪♪

526
00:23:53,433 --> 00:23:57,604
♪♪

527
00:23:57,687 --> 00:24:02,233
Ethan: You know, everything he
was hiding from the world...

528
00:24:02,317 --> 00:24:03,651
Rockwell: Wow.

529
00:24:03,735 --> 00:24:07,071
...he decided
to put on screen, right?

530
00:24:07,155 --> 00:24:07,906
Yeah. Wow.

531
00:24:07,989 --> 00:24:09,574
I didn't know that
it was that far.

532
00:24:09,657 --> 00:24:10,909
I knew he was a boozer,
but...

533
00:24:10,992 --> 00:24:13,077
Wow.

534
00:24:13,161 --> 00:24:16,372
McCarthy: "To stay sober,
he has to keep moving.

535
00:24:16,456 --> 00:24:19,250
That stillness means
he'll lift a glass.

536
00:24:19,334 --> 00:24:24,088
Stillness belongs to the bar,
telling funny stories.

537
00:24:24,172 --> 00:24:25,506
And that --
since everything is --

538
00:24:25,590 --> 00:24:27,258
If he's gonna do anything
at all,

539
00:24:27,342 --> 00:24:30,345
is 'I'm not going to drink,
I'm not going to drink.

540
00:24:30,428 --> 00:24:32,263
I'm not going to drink.'

541
00:24:32,347 --> 00:24:35,141
It's over, period.

542
00:24:35,225 --> 00:24:36,100
There'll be other cases.

543
00:24:36,184 --> 00:24:40,271
There are no other cases.
This is the case.

544
00:24:40,355 --> 00:24:42,440
There are no other cases.

545
00:24:42,523 --> 00:24:45,443
This is the case.

546
00:24:45,526 --> 00:24:47,779
There are no other cases.

547
00:24:47,862 --> 00:24:49,280
This is the case.

548
00:24:50,073 --> 00:24:52,784
Ashmanskas:
He figured it out.

549
00:24:52,867 --> 00:24:56,537
"The Verdict" from, you know,
as you know, especially,

550
00:24:56,621 --> 00:24:57,956
it's like he was just --

551
00:24:58,039 --> 00:25:01,125
It was just, "Ka, ka, ka,
ka, ka," the whole movie.

552
00:25:01,209 --> 00:25:03,211
The whole movie.

553
00:25:17,433 --> 00:25:19,060
Clooney: "We all have our demons
one way or the other.

554
00:25:19,143 --> 00:25:22,522
And I think we all have
great respect for those people

555
00:25:22,605 --> 00:25:25,483
who manage to do
something about them."

556
00:25:27,402 --> 00:25:28,778
'The Verdict.'

557
00:25:28,861 --> 00:25:31,155
I think that there
was a lot of emotional wreckage

558
00:25:31,239 --> 00:25:34,492
that he had to sort out."

559
00:25:37,036 --> 00:25:39,122
You see that?

560
00:25:41,082 --> 00:25:43,876
"A lot of transformations
that he had to go through."

561
00:25:43,960 --> 00:25:47,672
Judge:
Mr. Galvin, summation.

562
00:25:47,755 --> 00:25:51,801
"Lot of recognitions,
discoveries."

563
00:25:52,677 --> 00:25:55,388
"And even there
at the last moment

564
00:25:55,471 --> 00:25:59,475
when he prepared this
long harangue to give the jury,

565
00:25:59,559 --> 00:26:03,396
he had it in his hands
and he finally just chucked it

566
00:26:03,479 --> 00:26:04,856
and said..."

567
00:26:04,939 --> 00:26:09,360
[ Sighs ]

568
00:26:09,444 --> 00:26:13,156
You know, so much of the time,
we're just lost.

569
00:26:15,742 --> 00:26:19,829
Say, "Please, God,
tell us what is right.

570
00:26:19,912 --> 00:26:21,873
Tell us what is true.

571
00:26:24,625 --> 00:26:26,753
I mean, there is no justice.

572
00:26:29,088 --> 00:26:32,175
The rich win,
the poor are powerless.

573
00:26:37,555 --> 00:26:39,974
We become...

574
00:26:40,058 --> 00:26:42,769
tired of hearing people lie.

575
00:26:45,146 --> 00:26:47,732
And after a time,
we become dead.

576
00:26:50,568 --> 00:26:53,279
We think of ourselves...

577
00:26:55,323 --> 00:26:58,659
...as victims.

578
00:26:58,743 --> 00:27:00,661
And we become victims.

579
00:27:03,790 --> 00:27:06,292
We become...

580
00:27:09,003 --> 00:27:11,172
We become weak.

581
00:27:13,216 --> 00:27:15,968
We doubt ourselves.
We doubt our beliefs.

582
00:27:18,721 --> 00:27:21,432
We doubt our institutions.

583
00:27:24,352 --> 00:27:26,729
And we doubt the law.

584
00:27:26,813 --> 00:27:29,148
Today you are the law.

585
00:27:33,361 --> 00:27:36,447
You are the law.

586
00:27:39,200 --> 00:27:41,911
Not some book.

587
00:27:41,994 --> 00:27:43,996
not the lawyers.

588
00:27:46,374 --> 00:27:50,711
Not a marble statue

589
00:27:50,795 --> 00:27:52,630
or the trappings of the court.

590
00:27:54,674 --> 00:28:02,390
See, those are just symbols
of our desire...

591
00:28:02,473 --> 00:28:04,475
to be just.

592
00:28:07,812 --> 00:28:10,940
They are...

593
00:28:11,023 --> 00:28:13,568
They are, in fact, a prayer...

594
00:28:15,361 --> 00:28:18,489
...a fervent
and a frightening prayer.

595
00:28:18,573 --> 00:28:23,494
♪♪

596
00:28:23,578 --> 00:28:26,956
In my religion,

597
00:28:27,039 --> 00:28:29,834
they say act
as if you had faith.

598
00:28:31,419 --> 00:28:34,881
Faith will be given to you.

599
00:28:37,049 --> 00:28:39,760
If...

600
00:28:42,597 --> 00:28:47,185
...if we are to have
faith in justice...

601
00:28:49,312 --> 00:28:52,106
...we need only to believe
in ourselves.

602
00:28:54,692 --> 00:28:56,068
And act with justice.

603
00:28:56,152 --> 00:29:02,033
♪♪

604
00:29:02,116 --> 00:29:08,873
♪♪

605
00:29:08,956 --> 00:29:13,669
♪♪

606
00:29:13,753 --> 00:29:16,172
McCarthy: "There is,
for whatever reason --

607
00:29:16,255 --> 00:29:18,508
I wouldn't presume
to know the reason.

608
00:29:18,591 --> 00:29:23,804
I mean, Paul clearly feels
that redemption is necessary."

609
00:29:25,890 --> 00:29:27,350
Woman #8: Among the many causes

610
00:29:27,433 --> 00:29:30,061
to which Newman and Woodward
donate time and money,

611
00:29:30,144 --> 00:29:32,980
none is more poignant
than the Scott Newman Center,

612
00:29:33,064 --> 00:29:36,192
dedicated to the fight
against drug abuse.

613
00:29:36,275 --> 00:29:39,403
We had to do something
in his memory.

614
00:29:39,487 --> 00:29:41,948
The cost of a joint
laced with PCP

615
00:29:42,031 --> 00:29:43,574
is about the same
as a school lunch.

616
00:29:43,658 --> 00:29:46,577
But the effects
are unpredictable

617
00:29:46,661 --> 00:29:48,079
and they are uncontrollable.

618
00:29:48,162 --> 00:29:49,997
My biggest involvement is
with the Scott Newman Center,

619
00:29:50,081 --> 00:29:53,417
which is the center
we established for drug abuse

620
00:29:53,501 --> 00:29:54,418
in California,

621
00:29:54,502 --> 00:29:57,838
and also with the Hole
in the Wall Gang Camp.

622
00:29:57,922 --> 00:29:59,173
Woman #9: The camp is designed

623
00:29:59,257 --> 00:30:00,758
to offer
desperately ill children

624
00:30:00,841 --> 00:30:02,385
a camping experience.

625
00:30:02,468 --> 00:30:05,304
Stahl: After his son died,
Newman became philanthropic,

626
00:30:05,388 --> 00:30:08,432
one of the most
philanthropic actors ever.

627
00:30:08,516 --> 00:30:11,936
Among other things, he built
the Hole in the Wall Gang Camp

628
00:30:12,019 --> 00:30:14,855
in rural Connecticut,
where kids with leukemia

629
00:30:14,939 --> 00:30:17,108
and AIDS come free
in the summer.

630
00:30:17,191 --> 00:30:18,276
And it doesn't look
like a hospital.

631
00:30:18,359 --> 00:30:21,028
No, I'll say that.

632
00:30:21,112 --> 00:30:22,738
it doesn't look anything
like a hospital.

633
00:30:22,822 --> 00:30:25,783
Dickey: "I think this camp
is bound up with Scott.

634
00:30:25,866 --> 00:30:30,955
I mean, what do we have?
Kids whose lives are threatened.

635
00:30:31,038 --> 00:30:33,624
Now, Paul,
he's gonna save some.

636
00:30:33,708 --> 00:30:36,168
He's gonna help save some,

637
00:30:36,252 --> 00:30:39,380
build up their strength
and help them survive.

638
00:30:39,463 --> 00:30:40,840
Boy, you know, every time
I see a hole in the wall again,

639
00:30:40,923 --> 00:30:43,801
it's like seeing it fresh
for the first time.

640
00:30:43,884 --> 00:30:46,971
Woman #9: Half the $8 million
cost of the camp

641
00:30:47,054 --> 00:30:48,681
is coming from the profits

642
00:30:48,764 --> 00:30:51,017
of Newman's Own salad dressing,
popcorn and spaghetti sauce --

643
00:30:51,100 --> 00:30:54,520
a food line the actor says
he started on a whim.

644
00:30:54,604 --> 00:30:58,691
Just reminds me of just
the passage of time

645
00:30:58,774 --> 00:31:00,484
and all glory is fleeting.

646
00:31:00,568 --> 00:31:03,195
And when I go to the grocery

647
00:31:03,279 --> 00:31:08,492
and I see his face
on marinara sauce,

648
00:31:08,576 --> 00:31:11,120
there's something really
incredible about that.

649
00:31:11,203 --> 00:31:14,248
You, yourself, make no profit
from the salad dressing,

650
00:31:14,332 --> 00:31:16,667
the spaghetti sauce,
or from the popcorn?

651
00:31:16,751 --> 00:31:18,252
Is that true?
That's right.

652
00:31:18,336 --> 00:31:20,504
What do you do with all
the money that comes in?

653
00:31:20,588 --> 00:31:23,799
We've given money
to our founding hospitals

654
00:31:23,883 --> 00:31:26,510
and cancer
and cystic fibrosis.

655
00:31:26,594 --> 00:31:29,430
His agents and people around him
were like,

656
00:31:29,513 --> 00:31:32,850
"Don't put your face
on the product.

657
00:31:32,933 --> 00:31:34,852
You know, that'll
ruin your image."

658
00:31:34,935 --> 00:31:37,396
We have a new salsa,
which is wonderful with chips,

659
00:31:37,480 --> 00:31:38,481
coming out.

660
00:31:38,564 --> 00:31:41,359
Letterman: And in the beginning,

661
00:31:41,442 --> 00:31:44,820
you would see Paul Newman's face
on lemonade cartons.

662
00:31:44,904 --> 00:31:46,906
And it was sort of a punch line.

663
00:31:46,989 --> 00:31:49,367
"Oh, my God.
Paul Newman is missing."

664
00:31:49,450 --> 00:31:51,494
The top 10 least popular
Paul Newman products.

665
00:31:51,577 --> 00:31:53,537
Allen: I remember
being around people

666
00:31:53,621 --> 00:31:58,042
who liked to be derisive
about him doing this.

667
00:31:58,125 --> 00:32:00,044
And I found myself on many,
many occasions

668
00:32:00,127 --> 00:32:04,465
wanting to just shake them
and say, "Are you crazy?"

669
00:32:06,592 --> 00:32:10,554
Letterman: And least popular
Paul Newman product...

670
00:32:10,638 --> 00:32:11,514
There you go.

671
00:32:11,597 --> 00:32:14,392
When I got to realize
what Paul was up to,

672
00:32:14,475 --> 00:32:16,811
it embarrassed me.

673
00:32:16,894 --> 00:32:20,106
The introspection required
to make this decision

674
00:32:20,189 --> 00:32:21,399
I found remarkable.

675
00:32:21,482 --> 00:32:22,441
Now, you have two.
You have Newman's Own,

676
00:32:22,525 --> 00:32:24,777
and then you have
the Newman's Own organic line.

677
00:32:24,860 --> 00:32:26,737
That --
that's my daughter's,

678
00:32:26,821 --> 00:32:29,532
and it's --
it's going gangbusters.
Yeah.

679
00:32:29,615 --> 00:32:33,244
To think that through
and to put his ego aside,

680
00:32:33,327 --> 00:32:36,288
I thought was astounding.

681
00:32:36,372 --> 00:32:38,582
Man #3: The superstar,
racing-car driver

682
00:32:38,666 --> 00:32:40,251
and Mr. Salad Dressing
is planning

683
00:32:40,334 --> 00:32:42,378
to transform the property
in County Kildare

684
00:32:42,461 --> 00:32:44,338
into a holiday home
for sick children.

685
00:32:44,422 --> 00:32:47,550
Woman #10: He's decided
to create a company

686
00:32:47,633 --> 00:32:49,969
and sort of reformulate

687
00:32:50,052 --> 00:32:53,180
what a company
that makes money can be

688
00:32:53,264 --> 00:32:55,599
and channeled that
into helping people.

689
00:32:55,683 --> 00:32:56,600
Shalit: Salad dressing,
popcorn,

690
00:32:56,684 --> 00:32:59,937
lemonade
and spaghetti sauce.

691
00:33:00,020 --> 00:33:01,313
How are they doing?

692
00:33:01,397 --> 00:33:04,066
Well, they're
out-grossing my films,

693
00:33:04,150 --> 00:33:05,443
I'll tell you that.

694
00:33:05,526 --> 00:33:07,987
The realization is they
actually did that

695
00:33:08,070 --> 00:33:09,530
as a human being.

696
00:33:09,613 --> 00:33:11,157
They're not a god.

697
00:33:11,240 --> 00:33:13,117
They did that as a person.

698
00:33:13,200 --> 00:33:13,784
Letterman:
Close to $150 million?

699
00:33:13,868 --> 00:33:16,829
Paul:
About $125 million,

700
00:33:16,912 --> 00:33:18,205
give or take
a couple of bucks.

701
00:33:18,289 --> 00:33:19,665
That's remarkable.
That's something...

702
00:33:19,749 --> 00:33:21,375
Letterman: It's still going
strong, you know.

703
00:33:21,459 --> 00:33:23,627
I just thought the scope
of what this --

704
00:33:23,711 --> 00:33:25,463
I said, "This is --
This is --

705
00:33:25,546 --> 00:33:27,339
This is humanity.

706
00:33:27,423 --> 00:33:28,174
This -- this is what is required

707
00:33:28,257 --> 00:33:31,635
from the minute
we all draw breath."

708
00:33:31,719 --> 00:33:34,305
Here. Take it all.

709
00:33:38,601 --> 00:33:41,145
Think you used enough
dynamite there, bud?

710
00:33:43,063 --> 00:33:48,152
And it wasn't till later,
far too much later,

711
00:33:48,235 --> 00:33:54,158
I went to the Hole in the Wall
Gang Camp in Connecticut.

712
00:33:54,241 --> 00:33:57,453
And I don't recall
a circumstance in my life

713
00:33:57,536 --> 00:34:03,000
being as moved as I was
by that visit.

714
00:34:03,083 --> 00:34:04,877
And it was just being near
the kids and their family?

715
00:34:04,960 --> 00:34:06,962
What was pulling on you?

716
00:34:07,046 --> 00:34:10,716
The fact
that everything was great,

717
00:34:10,800 --> 00:34:14,053
in spite of the fact that
everything was far from great.

718
00:34:14,136 --> 00:34:18,349
But in that context,
everything was great.

719
00:34:18,432 --> 00:34:22,061
And now I began to see Paul
in a much different light.

720
00:34:22,144 --> 00:34:28,776
And I thought -- And I did.
I started to cry.

721
00:34:28,859 --> 00:34:31,403
It was powerful.

722
00:34:31,487 --> 00:34:34,990
Man #4: Only an actor as
confident as Paul Newman

723
00:34:35,074 --> 00:34:40,204
would take on a character with
as many flaws as this lawyer.

724
00:34:40,287 --> 00:34:43,249
Man #11: The loser in this case
is a broken-down Boston lawyer

725
00:34:43,332 --> 00:34:45,042
named Frank Galvin,

726
00:34:45,125 --> 00:34:47,294
and he's played in a great
performance by Paul Newman.

727
00:34:47,378 --> 00:34:49,004
Ebert: I thought it was
a great movie.

728
00:34:49,088 --> 00:34:50,965
I think Newman has a real chance
of winning the Oscar this year

729
00:34:51,048 --> 00:34:52,550
for this performance.

730
00:34:52,633 --> 00:34:55,219
Woman #11: Paul Newman
in "Cat on a Hot Tin Roof."

731
00:34:55,302 --> 00:34:58,472
David Niven
in "Separate Tables."

732
00:34:58,556 --> 00:35:00,266
Woman #12: Paul Newman
in "The Hustler."

733
00:35:00,349 --> 00:35:03,352
Maximilian Schell
in Judgment at Nuremberg."

734
00:35:03,435 --> 00:35:06,272
Woman #13:
Paul Newman in "Hud."

735
00:35:06,355 --> 00:35:07,731
Sidney Poitier
in "Lilies of the Field."

736
00:35:07,815 --> 00:35:10,484
Woman #14: Warren Beatty
in "Bonnie and Clyde,"

737
00:35:10,568 --> 00:35:13,279
Paul Newman in "Cool Hand Luke"

738
00:35:13,362 --> 00:35:16,699
and Rod Steiger,
"In the Heat of the Night."

739
00:35:16,782 --> 00:35:18,033
May I have the envelope?

740
00:35:18,117 --> 00:35:19,493
Thank you.

741
00:35:23,998 --> 00:35:26,250
Rod Steiger,
"In the Heat of the Night."

742
00:35:29,545 --> 00:35:31,630
The winner is Sidney Poitier.

743
00:35:31,714 --> 00:35:34,425
Maximilian Schell.

744
00:35:34,508 --> 00:35:36,760
[ Cheers and applause ]

745
00:35:36,844 --> 00:35:37,595
David Niven.

746
00:35:37,678 --> 00:35:42,099
[ Cheers and applause ]

747
00:35:42,182 --> 00:35:44,101
Cavett: You know, I didn't
realize something about you --

748
00:35:44,184 --> 00:35:45,895
that you have never won,
never won.

749
00:35:45,978 --> 00:35:48,772
Have you thought
of going into a business

750
00:35:48,856 --> 00:35:51,275
you might be better at?
No, but I...

751
00:35:51,358 --> 00:35:53,944
Ashmanskas: "I never even heard
Paul mention the Academy Award.

752
00:35:54,028 --> 00:35:55,821
Although everybody else
gets very overexcited

753
00:35:55,905 --> 00:35:58,532
each time he's passed over."

754
00:35:58,616 --> 00:36:00,868
There are many outstanding
performances by actors

755
00:36:00,951 --> 00:36:03,120
in leading roles in this year
of brilliant movies.

756
00:36:03,204 --> 00:36:07,207
The five nominees are
Dustin Hoffman in "Tootsie"...

757
00:36:07,291 --> 00:36:08,834
[ Cheers and applause ]

758
00:36:08,918 --> 00:36:11,921
...Ben Kingsley in "Gandhi"...

759
00:36:12,004 --> 00:36:14,882
[ Cheers and applause ]

760
00:36:16,717 --> 00:36:18,218
...Jack Lemmon in "Missing"...

761
00:36:18,302 --> 00:36:20,095
[ Cheers and applause ]

762
00:36:22,973 --> 00:36:25,392
...Paul Newman
in "The Verdict"...

763
00:36:25,476 --> 00:36:26,435
[ Cheers and applause ]

764
00:36:26,518 --> 00:36:33,525
♪♪

765
00:36:33,609 --> 00:36:34,818
...Peter O'Toole
in "My Favorite Year."

766
00:36:34,902 --> 00:36:37,780
[ Cheers and applause ]

767
00:36:40,532 --> 00:36:42,201
Five outstanding performances.

768
00:36:42,284 --> 00:36:44,620
And the winner is...

769
00:36:44,703 --> 00:36:46,163
Ben Kingsley in "Gandhi."

770
00:36:49,333 --> 00:36:54,171
♪♪

771
00:36:54,254 --> 00:36:59,093
♪♪

772
00:36:59,176 --> 00:37:04,098
♪♪

773
00:37:07,309 --> 00:37:11,397
Ladies and gentlemen,
members of the Academy,

774
00:37:11,480 --> 00:37:15,359
you have bereft me
of all words...

775
00:37:15,442 --> 00:37:17,361
Clooney: "When I lost the race
at Lime Rock

776
00:37:17,444 --> 00:37:22,825
after having led for 50,
64 laps against the best,

777
00:37:22,908 --> 00:37:28,831
on a non-power course,
it was heartbreaking.

778
00:37:28,914 --> 00:37:30,874
Not because I lost,

779
00:37:30,958 --> 00:37:35,879
but because I don't have
that many races left in me."

780
00:37:35,963 --> 00:37:38,257
This is an Oscar for vision,
for courage,

781
00:37:38,340 --> 00:37:41,427
and for acting and for peace.
Thank you.

782
00:37:41,510 --> 00:37:46,348
Clooney: "Losing that race
was like losing the year."

783
00:37:46,432 --> 00:37:52,896
♪♪

784
00:37:52,980 --> 00:37:54,898
Kazan:
I had one more question for you.

785
00:37:54,982 --> 00:37:56,442
Ethan: What is it?
What are you --

786
00:37:56,525 --> 00:38:01,030
What are you learning about
yourself making this?

787
00:38:01,113 --> 00:38:06,827
Like, how does this
make you reflect on -- on you?

788
00:38:10,331 --> 00:38:12,041
Um...

789
00:38:17,504 --> 00:38:19,423
It makes me...

790
00:38:23,135 --> 00:38:27,222
-Recording in progress.
-Perfect.

791
00:38:27,306 --> 00:38:28,932
Well, thanks for doing this.
I'm doing really well.

792
00:38:29,016 --> 00:38:30,768
Thanks for, you know,
thanks for signing on

793
00:38:30,851 --> 00:38:32,311
here with me.
I really appreciate it.

794
00:38:32,394 --> 00:38:33,604
I think
we live in a culture

795
00:38:33,687 --> 00:38:35,856
where we're kind of
reinforced daily

796
00:38:35,939 --> 00:38:37,733
that life
is accomplishment.

797
00:38:37,816 --> 00:38:40,152
And yet all of that
is fleeting.

798
00:38:40,235 --> 00:38:41,320
All of it is --

799
00:38:41,403 --> 00:38:42,863
I went into
your grandparents' barn,

800
00:38:42,946 --> 00:38:44,239
And, you know,
behind the movie theater,

801
00:38:44,323 --> 00:38:48,619
there's that screen
with all those awards.

802
00:38:48,702 --> 00:38:52,456
For me, they had two
of everything

803
00:38:52,539 --> 00:38:53,707
I ever coveted.

804
00:38:53,791 --> 00:38:56,502
There's four Oscars
on the shelf.

805
00:38:56,585 --> 00:38:59,004
There's her Cannes Film Festival
Best Actress.

806
00:38:59,088 --> 00:39:01,381
There's his Cannes Film
Festival Best Actor.

807
00:39:01,465 --> 00:39:03,801
There's his
Berlin Best Actor.

808
00:39:03,884 --> 00:39:07,888
There's, you know,
her 19 Emmys.
Henry: Right.

809
00:39:07,971 --> 00:39:11,558
And there they are,
just sitting in dust.

810
00:39:11,642 --> 00:39:14,520
I'm staring at it,
going, "Wow.

811
00:39:14,603 --> 00:39:16,980
At the final moment...

812
00:39:17,064 --> 00:39:19,441
none of this
means anything.

813
00:39:19,525 --> 00:39:22,528
What matters is you."

814
00:39:23,821 --> 00:39:27,741
So who's got a hug
for a lonely old man?

815
00:39:29,076 --> 00:39:30,869
Peter:
I understood he was famous.

816
00:39:30,953 --> 00:39:34,540
I knew about the movies and
I thought it was really cool.

817
00:39:34,623 --> 00:39:38,961
But it was more that
he was my grandfather.

818
00:39:40,629 --> 00:39:43,257
John:
Did you bring the necessary?

819
00:39:43,340 --> 00:39:44,424
Yes.

820
00:39:44,508 --> 00:39:45,926
If you'll excuse me,

821
00:39:46,009 --> 00:39:47,636
I have urgent business
with these young gentlemen.

822
00:39:47,719 --> 00:39:50,973
The movies
where he's older

823
00:39:51,056 --> 00:39:54,059
are the movies where I really
see him as my grandfather.

824
00:39:54,143 --> 00:39:57,020
Call the cops!
I know hustlers when I see them.

825
00:39:57,104 --> 00:39:59,648
Like "Road to Perdition"
or like --

826
00:39:59,731 --> 00:40:02,860
"Cars" came out
when I was...

827
00:40:02,943 --> 00:40:05,362
9 or 10 years old.

828
00:40:05,445 --> 00:40:07,781
Break it loose and just
drive it with the throttle.

829
00:40:07,865 --> 00:40:09,074
Did you ever see that movie
"Nobody's Fool"?

830
00:40:09,158 --> 00:40:12,661
I haven't.
I haven't seen it.

831
00:40:12,744 --> 00:40:13,537
You know
what I used to do

832
00:40:13,620 --> 00:40:17,958
when I was your age
and I got scared?

833
00:40:18,041 --> 00:40:22,713
I try to be brave
for exactly a minute.

834
00:40:22,796 --> 00:40:23,505
And the next time,

835
00:40:23,589 --> 00:40:26,049
I try to be brave
for two minutes.

836
00:40:26,133 --> 00:40:29,344
What were you
scared of?

837
00:40:31,138 --> 00:40:32,890
I don't remember.

838
00:40:32,973 --> 00:40:34,892
But, hey...

839
00:40:34,975 --> 00:40:37,895
When you get to be my age,
you won't remember either.

840
00:40:39,855 --> 00:40:41,607
Here.

841
00:40:43,400 --> 00:40:46,862
You can time yourself
with it.

842
00:40:46,945 --> 00:40:48,655
The big hand
goes around once,

843
00:40:48,739 --> 00:40:50,240
that'll be a minute.

844
00:40:50,324 --> 00:40:51,450
Goes around again,
that'll be two minutes.

845
00:40:51,533 --> 00:40:55,746
And you can tell how long
you've been brave.

846
00:40:55,829 --> 00:40:57,623
Here.

847
00:41:00,375 --> 00:41:02,586
Thank you.

848
00:41:04,254 --> 00:41:06,256
You're welcome.

849
00:41:06,340 --> 00:41:12,888
♪♪

850
00:41:12,971 --> 00:41:15,140
I really feel like it was such
an amazing do-over for them.

851
00:41:15,224 --> 00:41:18,101
And the fact that I had boys...

852
00:41:18,185 --> 00:41:20,562
What's taking you
so long?

853
00:41:20,646 --> 00:41:22,439
I have to pee.

854
00:41:22,523 --> 00:41:23,774
Henry:
What I remember is, like,

855
00:41:23,857 --> 00:41:26,235
him coming over
and flipping burgers.

856
00:41:26,318 --> 00:41:27,653
I saw them all the time.

857
00:41:27,736 --> 00:41:29,404
They lived next door,
so you couldn't avoid it.

858
00:41:29,488 --> 00:41:31,949
But I saw them
all the time.

859
00:41:32,032 --> 00:41:33,492
Woodward:
I have grandchildren now

860
00:41:33,575 --> 00:41:35,994
and we swim together
and we talk.

861
00:41:36,078 --> 00:41:39,456
They listen
and I listen to them.

862
00:41:39,539 --> 00:41:41,083
And it's a moment
in time.

863
00:41:41,166 --> 00:41:43,126
The most important thing
is at 72,

864
00:41:43,210 --> 00:41:44,169
you can take that time.

865
00:41:44,253 --> 00:41:47,839
You can say, "The most important
thing I can do now

866
00:41:47,923 --> 00:41:52,094
is listen to this child
and talk to this child.

867
00:41:52,177 --> 00:41:54,680
And there's nothing
I will do in this day

868
00:41:54,763 --> 00:41:58,058
that will be more important
than this hour

869
00:41:58,141 --> 00:41:59,142
I'm spending with Peter
or with Henry."

870
00:41:59,226 --> 00:42:02,813
Sully:
You want to drive?

871
00:42:05,315 --> 00:42:06,692
Come on over.

872
00:42:06,775 --> 00:42:09,653
Come on. Scoot over.

873
00:42:09,736 --> 00:42:11,154
There you go.

874
00:42:11,238 --> 00:42:14,283
Just be careful
of my bum leg, okay?

875
00:42:14,366 --> 00:42:16,243
Ahh.

876
00:42:16,326 --> 00:42:17,160
There you go.

877
00:42:17,244 --> 00:42:18,954
Put your hands
on the wheel right up here.

878
00:42:19,037 --> 00:42:20,914
Melissa: For my dad,
because he lost a son,

879
00:42:20,998 --> 00:42:24,501
it was really amazing for him
to have two boys.

880
00:42:24,584 --> 00:42:28,880
You know, he was -- he was
a really excellent grandfather.

881
00:42:28,964 --> 00:42:31,591
Okay.
You're on your own, kid.

882
00:42:33,635 --> 00:42:35,012
Whoo. Wait.
Oh, ho, ho, ho, ho!

883
00:42:35,095 --> 00:42:37,973
Back. There you go.

884
00:42:38,056 --> 00:42:39,308
There we go.

885
00:42:39,391 --> 00:42:41,143
Boy: It's jiggling.

886
00:42:41,226 --> 00:42:42,853
Nah, it's not jiggling.
It's wobbling.

887
00:42:42,936 --> 00:42:45,480
That's what old trucks do.
They wobble.

888
00:42:45,564 --> 00:42:48,734
I like it.
It's a nice truck.

889
00:42:50,360 --> 00:42:53,238
Yeah, it is.
It is kind of a nice truck.

890
00:42:53,322 --> 00:43:00,078
♪♪

891
00:43:00,162 --> 00:43:02,748
Peter: And it was really
difficult when he passed away

892
00:43:02,831 --> 00:43:05,709
because he was
such a big part of my life.

893
00:43:05,792 --> 00:43:09,671
What was it like
in those final months?

894
00:43:10,547 --> 00:43:14,092
I mean, I...
looked up to him so much

895
00:43:14,176 --> 00:43:16,511
and loved him so much

896
00:43:16,595 --> 00:43:20,390
that it was really hard to see
in the same way

897
00:43:20,474 --> 00:43:23,810
that it's hard
for anyone to see

898
00:43:23,894 --> 00:43:25,062
someone that they view
as really strong

899
00:43:25,145 --> 00:43:27,606
becoming so weak.

900
00:43:27,689 --> 00:43:30,150
[ Cheers and applause ]

901
00:43:38,658 --> 00:43:40,410
And it's been weird
to go through that

902
00:43:40,494 --> 00:43:47,334
with my grandmother now,
but so slowly

903
00:43:47,417 --> 00:43:51,213
because in one sense,
I lost her a long time ago,

904
00:43:51,296 --> 00:43:54,216
but in another sense,
I haven't lost her yet.

905
00:44:03,600 --> 00:44:05,227
Hi.

906
00:44:11,274 --> 00:44:12,943
I...

907
00:44:15,362 --> 00:44:19,616
I wrote something to read.

908
00:44:21,743 --> 00:44:30,877
♪♪

909
00:44:30,961 --> 00:44:32,754
When did the symptoms
of Alzheimer's

910
00:44:32,838 --> 00:44:33,880
start showing themselves?

911
00:44:33,964 --> 00:44:36,800
Wachtel: Yeah, I watched that
"Do You Remember Love,"

912
00:44:36,883 --> 00:44:37,926
by the way.
My God, I forgot she did that.

913
00:44:38,009 --> 00:44:42,472
But it's so powerful that
years before it happened,

914
00:44:42,556 --> 00:44:44,141
she actually played it.

915
00:44:44,224 --> 00:44:45,308
It's incredible.

916
00:44:45,392 --> 00:44:47,060
It's brave is what it is.

917
00:44:47,144 --> 00:44:49,938
It's like, "This is what
my future might look like.

918
00:44:50,021 --> 00:44:51,064
I'm gonna do this."

919
00:44:51,148 --> 00:44:53,775
Barbara has
Alzheimer's disease.

920
00:44:58,738 --> 00:45:02,367
So with your permission...

921
00:45:02,451 --> 00:45:05,036
Yeah?

922
00:45:05,120 --> 00:45:06,621
...our friend Dylan Thomas
once told us,

923
00:45:06,705 --> 00:45:11,835
"Do not go gentle
into that good night."

924
00:45:11,918 --> 00:45:13,962
And my friends,
I have tried to rage

925
00:45:14,045 --> 00:45:16,298
against the dying
of the light.

926
00:45:17,757 --> 00:45:21,178
"But now my rage
has long since spent.

927
00:45:21,261 --> 00:45:23,847
Not squandered,

928
00:45:23,930 --> 00:45:25,724
not even proudly
laid upon the bar,

929
00:45:25,807 --> 00:45:32,189
but given out grudgingly
to a dark, unseen creditor

930
00:45:32,272 --> 00:45:33,607
who drags me
into the darkness

931
00:45:33,690 --> 00:45:38,195
for debts
I do not remember."

932
00:45:38,278 --> 00:45:39,696
Clea:
And right after he had died,

933
00:45:39,779 --> 00:45:44,576
Mom went upstairs
to their old bedroom,

934
00:45:44,659 --> 00:45:48,497
and she sat in the wing chair.

935
00:45:48,580 --> 00:45:49,623
Um...

936
00:45:49,706 --> 00:45:54,044
And I just sat at her feet,
and I just held her hands.

937
00:45:54,127 --> 00:45:56,880
And we must have sat there
for three hours.

938
00:45:56,963 --> 00:46:02,052
Like, I think that loss
was more than she could bear.

939
00:46:11,394 --> 00:46:14,940
Linney: "It takes such an awful
long time to grow up.

940
00:46:15,023 --> 00:46:17,400
And by the time
you really get there,

941
00:46:17,484 --> 00:46:20,237
usually the people
you're growing up for

942
00:46:20,320 --> 00:46:21,530
are gone."

943
00:46:21,613 --> 00:46:23,573
Listen to the locusts.

944
00:46:23,657 --> 00:46:25,283
[ Locusts chirping ]

945
00:46:25,367 --> 00:46:28,537
I wonder where they go
when the summer's over.

946
00:46:28,620 --> 00:46:34,918
♪♪

947
00:46:35,001 --> 00:46:37,087
Scorsese: I go
from "Three Faces of Eve"

948
00:46:37,170 --> 00:46:38,547
to "Mr. and Mrs. Bridge."

949
00:46:38,630 --> 00:46:43,843
That's -- That for me is --
is the journey.

950
00:46:43,927 --> 00:46:45,178
James Ivory.

951
00:46:45,262 --> 00:46:48,098
It's a masterpiece film,
it really is.

952
00:46:48,181 --> 00:46:50,100
Man #5: According to my copy,
it says pronounced.

953
00:46:50,183 --> 00:46:53,270
Clooney: "Joanne read the book
'Mr. and Mrs. Bridge.'

954
00:46:53,353 --> 00:46:59,234
You could describe the story as
being about absolutely nothing.

955
00:46:59,317 --> 00:47:03,113
But it's really
about everything.

956
00:47:03,196 --> 00:47:03,780
Is there any more news?

957
00:47:03,863 --> 00:47:06,283
Mr. Bridge,
the club prefers

958
00:47:06,366 --> 00:47:08,118
that everyone
go to the basement immediately.

959
00:47:08,201 --> 00:47:09,202
Please.

960
00:47:09,286 --> 00:47:13,957
Wait! Oh.
Oh!

961
00:47:14,040 --> 00:47:15,333
He won't retreat.

962
00:47:15,417 --> 00:47:17,919
He doesn't know the meaning
of the word.

963
00:47:18,003 --> 00:47:20,463
[ Thunder crashes ]

964
00:47:21,214 --> 00:47:24,175
Poltermann: "Did they rehearse
together privately or...

965
00:47:24,259 --> 00:47:26,761
I mean, in a certain sense,
I guess they could have

966
00:47:26,845 --> 00:47:30,432
even directed themselves
at that point."

967
00:47:36,229 --> 00:47:37,981
McGregor:
"I'll tell you the sense

968
00:47:38,064 --> 00:47:39,858
in which
they directed themselves.

969
00:47:39,941 --> 00:47:40,859
Each of them was calling up,

970
00:47:40,942 --> 00:47:45,155
summoning up people
that I have never met,

971
00:47:45,238 --> 00:47:47,741
that I never knew
who were their models."

972
00:47:47,824 --> 00:47:50,994
There's some here.

973
00:47:51,077 --> 00:47:52,871
Well, thank you very much.

974
00:47:52,954 --> 00:47:55,540
Walter, don't you think
we might be better off

975
00:47:55,624 --> 00:47:58,335
downstairs
in the basement?

976
00:47:58,418 --> 00:47:59,628
India.
Now, look here.

977
00:47:59,711 --> 00:48:03,673
For 20 years,
I've been telling you

978
00:48:03,757 --> 00:48:07,135
when something will happen
and when it will not happen.

979
00:48:07,218 --> 00:48:09,679
Now, have I ever,

980
00:48:09,763 --> 00:48:14,017
on any significant occasion,
been proved wrong?

981
00:48:16,227 --> 00:48:18,355
"Paul was remembering
his father.

982
00:48:18,438 --> 00:48:21,107
Alright.

983
00:48:21,191 --> 00:48:22,233
Shalit: How would you
characterize Mr. Bridge

984
00:48:22,317 --> 00:48:24,361
in the movie?

985
00:48:24,444 --> 00:48:26,529
This coffee is cold.

986
00:48:26,613 --> 00:48:28,865
Paul:
As a very expensive violin

987
00:48:28,948 --> 00:48:32,077
with a lot
of broken strings.
That's very good.

988
00:48:32,160 --> 00:48:33,703
McGregor: "They were creating
their characters

989
00:48:33,787 --> 00:48:35,997
out of people they knew.

990
00:48:36,081 --> 00:48:39,084
These long-vanished people.

991
00:48:39,167 --> 00:48:40,377
Walter says that
Franklin Roosevelt

992
00:48:40,460 --> 00:48:43,338
is ruining this country.

993
00:48:43,421 --> 00:48:47,050
You always vote the way
Walter tells you to.

994
00:48:47,133 --> 00:48:48,301
I haven't --

995
00:48:48,385 --> 00:48:51,221
And it's only my own fault,
no one else

996
00:48:51,304 --> 00:48:52,972
that I haven't kept up.

997
00:48:53,056 --> 00:48:55,350
So I do have to depend
on him.

998
00:48:55,433 --> 00:48:57,477
[ Sighs ] We do depend on them,
don't we?

999
00:48:57,560 --> 00:48:59,396
Ethan: There's a great scene
where she just says,

1000
00:48:59,479 --> 00:49:00,897
"I don't even know
what to read."

1001
00:49:00,980 --> 00:49:04,317
I don't even know that.
Isn't that awful?

1002
00:49:04,401 --> 00:49:08,113
I mean, she's basically
showing the world

1003
00:49:08,196 --> 00:49:11,324
her mother
and her mother's generation.

1004
00:49:11,408 --> 00:49:14,411
Attention,
Air Corporal Bridge.

1005
00:49:14,494 --> 00:49:16,246
Attention,
Air Corporal Bridge.

1006
00:49:16,329 --> 00:49:16,955
Get up this very minute

1007
00:49:17,038 --> 00:49:20,333
and shave off
that silly mustache.

1008
00:49:29,092 --> 00:49:32,345
You are just
like your father!

1009
00:49:32,429 --> 00:49:33,555
Exactly!

1010
00:49:36,015 --> 00:49:41,104
Poltermann: "Joanne did
an interview and she said,

1011
00:49:41,187 --> 00:49:43,273
'There was a time
in my generation

1012
00:49:43,356 --> 00:49:45,275
when you formed
your home life

1013
00:49:45,358 --> 00:49:46,985
around your boyfriend
or your father or your husband.

1014
00:49:47,068 --> 00:49:50,405
It had always been that way
and it was very hard

1015
00:49:50,488 --> 00:49:53,950
for women of my generation
to let go of that.'"

1016
00:49:54,033 --> 00:49:55,535
What?

1017
00:49:55,618 --> 00:49:57,996
McGregor: "Yeah. And I found
that when the film came out,

1018
00:49:58,079 --> 00:49:59,247
younger members of the audience

1019
00:49:59,330 --> 00:50:03,418
could not imagine
such a situation.

1020
00:50:03,501 --> 00:50:07,130
It was simply beyond
their comprehension.

1021
00:50:07,213 --> 00:50:11,301
And for that reason, they could
not empathize with Mrs. Bridge.

1022
00:50:14,053 --> 00:50:17,348
Who else would I be like
if not my father?

1023
00:50:22,395 --> 00:50:23,521
"And I would say, 'Why don't you
ask your grandmothers

1024
00:50:23,605 --> 00:50:26,024
about Mrs. Bridge?'"

1025
00:50:26,107 --> 00:50:31,654
♪♪

1026
00:50:31,738 --> 00:50:36,284
♪♪

1027
00:50:36,367 --> 00:50:42,999
♪♪

1028
00:50:46,669 --> 00:50:49,506
You're going to
need someone

1029
00:50:49,589 --> 00:50:50,298
who can really
look after you.

1030
00:50:50,381 --> 00:50:52,509
I have someone
who looks after me.

1031
00:50:52,592 --> 00:50:54,177
No. Oh, no,
I don't think so.

1032
00:50:54,260 --> 00:50:56,346
I don't think
that's a good idea.

1033
00:50:57,347 --> 00:51:00,475
Do you still bet on that
horse race of yours?

1034
00:51:00,558 --> 00:51:03,186
What, the trifecta?

1035
00:51:03,269 --> 00:51:04,687
Yes.
Has it ever come in?

1036
00:51:04,771 --> 00:51:05,522
Not yet.

1037
00:51:05,605 --> 00:51:08,024
But you still bet on it.
Well, sure.

1038
00:51:08,107 --> 00:51:10,360
I mean, the odds have got
to kick in sooner or later.

1039
00:51:10,443 --> 00:51:12,821
Fine. That's exactly
the way I feel about you.

1040
00:51:12,904 --> 00:51:16,241
Now, will you please
drive me home?

1041
00:51:19,661 --> 00:51:20,870
Paul: I have been asked
on several occasions

1042
00:51:20,954 --> 00:51:24,040
to try to explain
what motivated me

1043
00:51:24,123 --> 00:51:29,003
to help build
the Hole in the Wall Gang Camp.

1044
00:51:30,630 --> 00:51:32,257
I wish I could claim
that it had come

1045
00:51:32,340 --> 00:51:34,008
from some extraordinary
religious experience,

1046
00:51:34,092 --> 00:51:37,595
an epiphany of some kind,
but it didn't.

1047
00:51:37,679 --> 00:51:41,182
I was trying to acknowledge,
I think, luck --

1048
00:51:41,266 --> 00:51:46,855
what an important part
it has played in my life.

1049
00:51:46,938 --> 00:51:48,439
the benevolence of it...

1050
00:51:48,523 --> 00:51:50,733
Ethan: When I first
went to that house

1051
00:51:50,817 --> 00:51:54,153
and I saw on the door
to their bedroom

1052
00:51:54,237 --> 00:51:55,488
that strange photograph,

1053
00:51:55,572 --> 00:51:59,075
and it says,
"Luck is an art!" you know?

1054
00:51:59,158 --> 00:52:00,451
Peter: Yeah.
You know, my --

1055
00:52:00,535 --> 00:52:02,203
Have you talked to my brother?
He's got that --

1056
00:52:02,287 --> 00:52:04,038
He's got that tattoo
on his arm, right?

1057
00:52:04,122 --> 00:52:05,081
Yeah. Yeah.

1058
00:52:05,164 --> 00:52:06,624
So it's in his handwriting.

1059
00:52:06,708 --> 00:52:08,334
In his handwriting,
which I think is super cool

1060
00:52:08,418 --> 00:52:09,752
and it's kind of
getting faded and...

1061
00:52:09,836 --> 00:52:12,338
Luck is an art
in the sense

1062
00:52:12,422 --> 00:52:14,132
that it matters
what you do with that luck.

1063
00:52:14,215 --> 00:52:18,469
How do I want to make myself
a more lucky person?

1064
00:52:18,553 --> 00:52:23,016
By putting in the work to be
ready for those opportunities

1065
00:52:23,099 --> 00:52:24,350
when I'm offered them.

1066
00:52:24,434 --> 00:52:26,603
So, like, luck
isn't really anything.

1067
00:52:26,686 --> 00:52:29,606
Luck is just practicing.

1068
00:52:29,689 --> 00:52:32,066
[ Man whistling ]

1069
00:52:32,150 --> 00:52:37,780
♪♪

1070
00:52:37,864 --> 00:52:40,366
Man #6:
Nine-ball is rotation pool.

1071
00:52:40,450 --> 00:52:43,620
The balls are pocketed
in numbered order.

1072
00:52:43,703 --> 00:52:46,039
The only ball
that means anything,

1073
00:52:46,122 --> 00:52:48,499
that wins it, is the 9.

1074
00:52:48,583 --> 00:52:52,754
Now, the player can shoot
eight trick shots in a row,

1075
00:52:52,837 --> 00:52:55,298
blow the 9 and lose.

1076
00:52:55,381 --> 00:53:00,094
On the other hand, the player
can get the 9 in on the break

1077
00:53:00,178 --> 00:53:03,640
if the balls spread right
and win.

1078
00:53:03,723 --> 00:53:08,811
Which is to say that luck
plays a part in Nine-ball.

1079
00:53:08,895 --> 00:53:11,648
But for some players...

1080
00:53:14,150 --> 00:53:17,153
...luck itself is an art.

1081
00:53:17,236 --> 00:53:23,034
♪♪

1082
00:53:23,117 --> 00:53:25,745
Ethan: Alright,
can I tell you why

1083
00:53:25,828 --> 00:53:28,623
I've asked you to do this?
Because I'm realizing

1084
00:53:28,706 --> 00:53:30,041
that inside
"Color of Money"

1085
00:53:30,124 --> 00:53:34,003
is kind of the point
of my film.
Wow.

1086
00:53:34,087 --> 00:53:36,381
I always found the character
of Eddie Felson

1087
00:53:36,464 --> 00:53:38,508
really interesting,
and it had a lot to do,

1088
00:53:38,591 --> 00:53:39,550
I think, with a lot of
characters in my other films

1089
00:53:39,634 --> 00:53:42,011
in a sense.

1090
00:53:42,095 --> 00:53:44,222
He was drawn and pulled by
the same forces in a way,

1091
00:53:44,305 --> 00:53:48,184
and Paul Newman called
and was interested

1092
00:53:48,267 --> 00:53:49,644
in doing a sequel to...

1093
00:53:49,727 --> 00:53:51,604
Paul calls up Marty
and says,

1094
00:53:51,688 --> 00:53:54,524
"I really want to do a sequel
to 'The Hustler.'

1095
00:53:54,607 --> 00:53:56,067
And Marty apparently says,
"Well, what do you have?"

1096
00:53:56,150 --> 00:54:00,947
He said, "I got me
and I got you."

1097
00:54:01,030 --> 00:54:01,698
You know?

1098
00:54:01,781 --> 00:54:03,616
Clooney:
"I sent Scorsese the book.

1099
00:54:03,700 --> 00:54:05,785
And he and Richard Price,
the novelist, got together

1100
00:54:05,868 --> 00:54:10,498
and they had the conclusion
that the premise was not right.

1101
00:54:10,581 --> 00:54:12,041
When at the end
of 'The Hustler,'

1102
00:54:12,125 --> 00:54:13,418
George C. Scott tells Eddie,

1103
00:54:13,501 --> 00:54:15,586
'Don't ever set foot
in a pool hall again.'"

1104
00:54:15,670 --> 00:54:17,839
You'll never walk in
a big-time pool hall again.

1105
00:54:17,922 --> 00:54:20,466
"Fast Eddie would have gone
into decline for a while.

1106
00:54:20,550 --> 00:54:23,219
Heavy drinking,
heavy fucking around.

1107
00:54:23,302 --> 00:54:26,097
But in the final analysis,
because he was a great hustler,

1108
00:54:26,180 --> 00:54:28,891
he was kept out
of the pool hall."

1109
00:54:28,975 --> 00:54:30,393
That's good stuff.

1110
00:54:30,476 --> 00:54:32,520
"He would have gone
into something else.

1111
00:54:32,603 --> 00:54:34,731
I thought he should
sell whiskey."

1112
00:54:34,814 --> 00:54:37,150
I can get you a case
of this

1113
00:54:37,233 --> 00:54:38,901
for less than wholesale.

1114
00:54:38,985 --> 00:54:41,237
"A whiskey salesman
who would become

1115
00:54:41,320 --> 00:54:43,448
George C. Scott
in his turn."

1116
00:54:45,408 --> 00:54:48,494
Kid's got
a sledgehammer break.

1117
00:54:48,578 --> 00:54:50,204
I love that movie.
I went opening weekend

1118
00:54:50,288 --> 00:54:53,416
and I saw it, you know,
once a week, you know,

1119
00:54:53,499 --> 00:54:54,709
while it was in the theaters.

1120
00:54:54,792 --> 00:54:57,503
And I've seen the movie
15, 20 times.

1121
00:54:57,587 --> 00:55:00,006
Forget it.
I know every line.

1122
00:55:00,089 --> 00:55:01,966
Are you a hustler, Amos?

1123
00:55:02,050 --> 00:55:03,342
Don't choke now, kid.

1124
00:55:03,426 --> 00:55:05,011
It ain't that tough a shot.

1125
00:55:05,094 --> 00:55:07,513
You know, just,
you know, the little hustle,

1126
00:55:07,597 --> 00:55:09,766
the little sleazy,
you know,

1127
00:55:09,849 --> 00:55:11,893
the naked girlfriend in there.
He looks at her

1128
00:55:11,976 --> 00:55:13,853
just a little too long.
A little too long.

1129
00:55:13,936 --> 00:55:15,730
He's a little --
It's a little pervy.

1130
00:55:15,813 --> 00:55:17,482
He's a little --
drinks too much.

1131
00:55:17,565 --> 00:55:20,443
He's a little --
He's a hustler, you know.

1132
00:55:20,526 --> 00:55:22,862
Two brothers
and a stranger. Okay?

1133
00:55:22,945 --> 00:55:25,698
You got two guys
that go to the bar.

1134
00:55:29,368 --> 00:55:30,536
Big money game.

1135
00:55:30,620 --> 00:55:32,288
Yeah, that's right.
A big money game.

1136
00:55:32,371 --> 00:55:33,998
So why don't you take your hands
off the girl and let us play?

1137
00:55:34,082 --> 00:55:34,791
Okay, guy?

1138
00:55:34,874 --> 00:55:37,335
What do you care
where I put my hand?

1139
00:55:37,418 --> 00:55:38,544
Why don't you
mind your own business?

1140
00:55:38,628 --> 00:55:40,296
Hey, Gramps,
put your teeth back in.

1141
00:55:40,379 --> 00:55:41,214
Get your hands off your daughter
there and pay attention.

1142
00:55:41,297 --> 00:55:43,674
You just might learn
something here today.

1143
00:55:43,758 --> 00:55:45,134
Ethan: Paul really related
to Eddie Felson.

1144
00:55:45,218 --> 00:55:48,596
The idea that to be good
at anything,

1145
00:55:48,679 --> 00:55:49,680
you are a little bit
of a hustler.

1146
00:55:49,764 --> 00:55:52,892
I put my hands on her,
I'm playing a part.
It's acting.

1147
00:55:52,975 --> 00:55:53,976
Your hands are all
over her, Eddie!

1148
00:55:54,060 --> 00:55:57,855
I'm acting!
It's acting!

1149
00:55:57,939 --> 00:55:58,981
Ethan: You know,
Marty says this great thing,

1150
00:55:59,065 --> 00:56:00,358
what he said
to Richard Price

1151
00:56:00,441 --> 00:56:03,778
when they were working
on the script, was,

1152
00:56:03,861 --> 00:56:06,739
"We're making
a well-tailored suit here."

1153
00:56:06,823 --> 00:56:08,157
You are
a natural character.

1154
00:56:08,241 --> 00:56:11,494
You're an incredible flake.

1155
00:56:11,577 --> 00:56:12,245
But that's a gift.

1156
00:56:12,328 --> 00:56:14,497
See, guys spend
half their life

1157
00:56:14,580 --> 00:56:17,667
trying to invent
something like that.

1158
00:56:17,750 --> 00:56:20,128
But I'll tell you
something, kiddo,

1159
00:56:20,211 --> 00:56:23,756
you couldn't find big time
if you had a roadmap.

1160
00:56:23,840 --> 00:56:24,382
Clooney:
"He says pool excellence

1161
00:56:24,465 --> 00:56:26,509
was not about playing pool.

1162
00:56:26,592 --> 00:56:28,177
It's about becoming something."

1163
00:56:28,261 --> 00:56:30,096
It's becoming something.

1164
00:56:30,179 --> 00:56:32,306
Like what?
A student.

1165
00:56:32,390 --> 00:56:35,017
"When you hustle,
you have to be a student

1166
00:56:35,101 --> 00:56:35,810
of human moves."

1167
00:56:35,893 --> 00:56:38,521
See, all the greats
that I know of

1168
00:56:38,604 --> 00:56:39,438
were students
of human...

1169
00:56:39,522 --> 00:56:42,066
"Wonderfully complicated
and contradictory.

1170
00:56:42,150 --> 00:56:45,444
You have to know
when to play above your game."

1171
00:56:45,528 --> 00:56:47,405
That's my area
of excellence.

1172
00:56:47,488 --> 00:56:50,867
"You have to know
when to play below your game."

1173
00:56:50,950 --> 00:56:52,869
Yeah.

1174
00:56:52,952 --> 00:56:54,871
"You got to be an actor."

1175
00:56:54,954 --> 00:56:57,707
Life is a game
and it is a hustle.

1176
00:56:57,790 --> 00:57:00,293
Everybody's got talent.
I got talent.

1177
00:57:00,376 --> 00:57:01,169
You think you can play
big money straight pool

1178
00:57:01,252 --> 00:57:04,297
or poker
for 40 straight hours

1179
00:57:04,380 --> 00:57:05,631
on nothing but talent?

1180
00:57:05,715 --> 00:57:07,675
Eddie: He's got the eye,
he's got the stroke,

1181
00:57:07,758 --> 00:57:09,093
he's got the flake.

1182
00:57:09,177 --> 00:57:10,845
He's got that down cold.

1183
00:57:10,928 --> 00:57:13,014
But can he play
flake on and flake off?

1184
00:57:13,097 --> 00:57:14,974
I don't know.

1185
00:57:15,057 --> 00:57:17,393
He's got to learn
how to be himself

1186
00:57:17,476 --> 00:57:19,812
with a purpose.

1187
00:57:20,813 --> 00:57:23,107
"The motivations are
just about as clear

1188
00:57:23,191 --> 00:57:24,108
as they are in life --

1189
00:57:24,192 --> 00:57:27,278
a lot of mistakes,
a lot of misinterpretations,

1190
00:57:27,361 --> 00:57:30,489
a lot of questions about what
constitutes reality..."

1191
00:57:30,573 --> 00:57:31,657
I got a hunch, fat man.

1192
00:57:31,741 --> 00:57:33,910
I got a hunch.
It's me from here on in.

1193
00:57:33,993 --> 00:57:34,869
"...a lot of contradictions.

1194
00:57:34,952 --> 00:57:36,078
I'm trying to teach the kid
at one minute

1195
00:57:36,162 --> 00:57:37,496
how to be his best self

1196
00:57:37,580 --> 00:57:41,584
and the next how to hustle
and be dishonest.

1197
00:57:41,667 --> 00:57:45,713
♪ Werewolves of London ♪

1198
00:57:45,796 --> 00:57:49,926
♪ Ah-hoo ♪

1199
00:57:50,009 --> 00:57:50,509
♪ Ah-hoo ♪

1200
00:57:50,593 --> 00:57:53,846
♪ Werewolves of London ♪

1201
00:57:53,930 --> 00:57:56,432
Clooney: "Showmanship.
Barnum and Bailey.

1202
00:57:56,515 --> 00:57:57,767
It's a carnival.

1203
00:57:57,850 --> 00:57:58,976
At its most dishonest,
at its most daring,

1204
00:57:59,060 --> 00:58:01,771
at its most corrupt,

1205
00:58:01,854 --> 00:58:04,065
it becomes closest
to the edge of falling off.

1206
00:58:04,148 --> 00:58:07,068
And that's the allure
of the hustle.

1207
00:58:07,151 --> 00:58:08,110
It's dangerous."

1208
00:58:08,194 --> 00:58:12,406
♪ I saw Lon Chaney Jr. walking
with the Queen ♪

1209
00:58:12,490 --> 00:58:13,783
Clooney:
"Very complicated arena.

1210
00:58:13,866 --> 00:58:15,910
Sometimes one set of rules
governs conduct."

1211
00:58:15,993 --> 00:58:17,078
I'm the best
you ever seen, Fats.

1212
00:58:17,161 --> 00:58:19,372
I'm the best there is.

1213
00:58:19,455 --> 00:58:22,250
"Next minute, another."

1214
00:58:22,333 --> 00:58:24,293
His hair was perfect.

1215
00:58:24,377 --> 00:58:25,670
[ Cheers and applause ]

1216
00:58:25,753 --> 00:58:28,631
Clooney: "That's why pool
is not a simple game."

1217
00:58:33,219 --> 00:58:35,888
Not bad, my man.
Not bad.

1218
00:58:35,972 --> 00:58:38,099
When you leaving town?
Now, right?

1219
00:58:38,182 --> 00:58:41,644
Woodward: I admire Paul
more than any man I know.

1220
00:58:41,727 --> 00:58:46,357
To see somebody translate
himself from what could be

1221
00:58:46,440 --> 00:58:51,112
loosely described
as a callow youth...

1222
00:58:51,195 --> 00:58:55,908
to a man of such intelligence,

1223
00:58:55,992 --> 00:59:00,830
such overwhelming involvement
with the world

1224
00:59:00,913 --> 00:59:06,210
and to see him grow up,
I guess that's the nicest thing.

1225
00:59:06,294 --> 00:59:09,005
We grew up together.

1226
00:59:09,088 --> 00:59:11,882
You know, we were kids
and we were idiots

1227
00:59:11,966 --> 00:59:16,679
and all of that,
and we grew up together.

1228
00:59:16,762 --> 00:59:19,181
How come you don't
play pool anymore?

1229
00:59:19,265 --> 00:59:22,393
I quit.

1230
00:59:22,476 --> 00:59:24,020
Actually,
somebody retired me.

1231
00:59:24,103 --> 00:59:24,937
Sometimes you get in

1232
00:59:25,021 --> 00:59:26,772
with the wrong kind of people,
you know?

1233
00:59:26,856 --> 00:59:28,357
But, hey,
that was a long time ago.

1234
00:59:28,441 --> 00:59:30,359
Clooney: "See,
at the end of 'The Hustler,'

1235
00:59:30,443 --> 00:59:31,652
he had to abandon his talent

1236
00:59:31,736 --> 00:59:33,779
or wind up
in a pair of concrete shoes.

1237
00:59:33,863 --> 00:59:36,574
So after a while,
it got to be a little bit

1238
00:59:36,657 --> 00:59:37,325
like anyone else
who has to quit.

1239
00:59:37,408 --> 00:59:40,619
Like racers and jockeys,
athletes.

1240
00:59:40,703 --> 00:59:42,288
Got to do something else.

1241
00:59:42,371 --> 00:59:45,791
Joe DiMaggio.

1242
00:59:45,875 --> 00:59:47,918
And they forget
what happened to Eddie

1243
00:59:48,002 --> 00:59:50,963
in 'The Color of Money'
is that he remembers.

1244
00:59:51,047 --> 00:59:54,050
He gets re-introduced
to excellence

1245
00:59:54,133 --> 00:59:55,718
through the boy, Vincent."

1246
00:59:55,801 --> 00:59:59,555
♪♪

1247
00:59:59,638 --> 01:00:02,016
Linklater: "Fast Eddie" has
become something he loathed.

1248
01:00:02,099 --> 01:00:05,227
You know, he's become
George C. Scott.

1249
01:00:05,311 --> 01:00:07,438
Gordon: You got
to be hard, Eddie.

1250
01:00:07,521 --> 01:00:08,814
Kind of leeching off others.

1251
01:00:08,898 --> 01:00:12,818
And then somehow
you see it well up in him.

1252
01:00:12,902 --> 01:00:15,363
And it's the emergence
of his true self.

1253
01:00:15,446 --> 01:00:21,911
♪♪

1254
01:00:21,994 --> 01:00:30,419
♪♪

1255
01:00:30,503 --> 01:00:31,420
He overreaches,

1256
01:00:31,504 --> 01:00:34,090
he comes back,
he retools himself.

1257
01:00:34,173 --> 01:00:35,091
He goes, you know,
it's the glasses.

1258
01:00:35,174 --> 01:00:39,428
He goes into training.
He's willing to work hard.

1259
01:00:39,512 --> 01:00:42,056
Joanne Woodward and Paul Newman
will receive

1260
01:00:42,139 --> 01:00:44,767
a Franklin Roosevelt
Four Freedoms Award

1261
01:00:44,850 --> 01:00:46,310
at the Roosevelt family...

1262
01:00:46,394 --> 01:00:50,940
Jean Hersholt Award to
my treasured friend Paul Newman.

1263
01:00:51,023 --> 01:00:52,483
Woodward: We're all
very self-involved.

1264
01:00:52,566 --> 01:00:54,944
Next honorees
have delivered a lot...

1265
01:00:55,027 --> 01:00:58,197
That's just this country
or maybe the world entirely,

1266
01:00:58,280 --> 01:01:01,826
since, as Paul says,
the individual...

1267
01:01:01,909 --> 01:01:03,869
Paul: And just because
she's had enough courage

1268
01:01:03,953 --> 01:01:07,331
to be there,
owns a big chunk of this.

1269
01:01:07,415 --> 01:01:11,335
Thanks for a lot of good films,
thanks for a lot of good times,

1270
01:01:11,419 --> 01:01:14,171
and thanks for the friendship.

1271
01:01:14,255 --> 01:01:19,885
♪♪

1272
01:01:19,969 --> 01:01:21,470
Ethan: It was always
fascinating to me

1273
01:01:21,554 --> 01:01:23,139
that Paul would always talk
about how lucky he was

1274
01:01:23,222 --> 01:01:26,142
when he had the most
tragic thing happen.

1275
01:01:26,225 --> 01:01:29,019
But he worked so hard not
to make that mistake again.

1276
01:01:29,103 --> 01:01:32,356
Man #7:<i> As anyone can tell you,</i>
<i>the greatest single secret</i>

1277
01:01:32,440 --> 01:01:35,067
<i>to success on the casino floor</i>

1278
01:01:35,151 --> 01:01:36,193
<i>is knowing how</i>
<i>to play the game.</i>

1279
01:01:36,277 --> 01:01:38,821
Clea: At 16, you know,

1280
01:01:38,904 --> 01:01:43,784
I kind of let loose
and we call them my ugly years.

1281
01:01:43,868 --> 01:01:48,330
It was 16 to about 25.

1282
01:01:48,414 --> 01:01:50,040
He was afraid for me.

1283
01:01:50,124 --> 01:01:53,002
<i>-Payout odds are...</i>
-You know, to be totally frank,

1284
01:01:53,085 --> 01:01:54,587
I mean, I think
he was afraid for me

1285
01:01:54,670 --> 01:01:57,882
and he had already lost one kid
and he was afraid.

1286
01:01:59,967 --> 01:02:03,471
I actually dragged Dad
to therapy with me.

1287
01:02:05,014 --> 01:02:07,683
He showed up there
once a week religiously.

1288
01:02:07,766 --> 01:02:11,187
He never missed an appointment
for nine months with me.

1289
01:02:11,270 --> 01:02:13,272
Never.

1290
01:02:13,355 --> 01:02:15,524
He would, like, drive
from sets.

1291
01:02:15,608 --> 01:02:16,984
I mean, it was amazing.

1292
01:02:17,067 --> 01:02:17,860
And they were
2-hour appointments

1293
01:02:17,943 --> 01:02:20,863
and we would cry
and we would throw things.

1294
01:02:20,946 --> 01:02:26,535
♪♪

1295
01:02:26,619 --> 01:02:29,538
You know,
it was an incredible gift.

1296
01:02:29,622 --> 01:02:32,041
And just to know
that I was loved that much...

1297
01:02:32,124 --> 01:02:40,257
♪♪

1298
01:02:40,341 --> 01:02:44,720
♪♪

1299
01:02:44,803 --> 01:02:46,096
I'll never forget the phone call

1300
01:02:46,180 --> 01:02:48,098
that Gunilla called me
after nine months

1301
01:02:48,182 --> 01:02:50,893
after we had kind of gone
through our process.

1302
01:02:50,976 --> 01:02:52,436
And she said,

1303
01:02:52,520 --> 01:02:55,606
"Your father would like to come
and see me separately.

1304
01:02:55,689 --> 01:02:58,817
Would you be okay with that?"

1305
01:02:58,901 --> 01:03:01,403
And I said, "Are you kidding?"

1306
01:03:01,487 --> 01:03:06,158
♪♪

1307
01:03:06,242 --> 01:03:09,954
Clooney: "The humanness of Eddie
is so clear.

1308
01:03:10,037 --> 01:03:14,375
He's fucked and his life
is so complicated."

1309
01:03:16,210 --> 01:03:19,630
"But nobody ever said anything
was gonna be a pushover."

1310
01:03:19,713 --> 01:03:22,258
Clea:
He had to go through so much.

1311
01:03:22,341 --> 01:03:25,928
I mean, you know, just with mom
and his relationship

1312
01:03:26,011 --> 01:03:29,598
and with Scott's death
and his drinking.

1313
01:03:29,682 --> 01:03:34,979
And I think he came
to a really good place.

1314
01:03:35,062 --> 01:03:38,274
Ethan: And he says --
Newman says in his journal

1315
01:03:38,357 --> 01:03:41,110
about that movie,
what he loves about it,

1316
01:03:41,193 --> 01:03:42,778
"I want you not to know
who to root for."

1317
01:03:42,861 --> 01:03:46,865
Clooney: "I mean,
who do you root for in life?"

1318
01:03:49,410 --> 01:03:51,370
"It was never a picture
where you wondered,

1319
01:03:51,453 --> 01:03:53,789
'Will they get
the cattle to Denver?'

1320
01:03:53,872 --> 01:03:56,959
It's not a big story
point picture.

1321
01:03:57,042 --> 01:03:58,335
Linklater:
In the way the film pulls

1322
01:03:58,419 --> 01:04:00,296
the rug out
from underneath his victory.

1323
01:04:00,379 --> 01:04:04,466
When he does beat Tom Cruise
and then later he comes in,

1324
01:04:04,550 --> 01:04:06,218
he's like, "I dumped."

1325
01:04:06,302 --> 01:04:07,469
Got a friend to lay
all $4,000 on you,

1326
01:04:07,553 --> 01:04:08,762
and then I dumped.

1327
01:04:08,846 --> 01:04:11,348
And so the victory
just, foom!

1328
01:04:11,432 --> 01:04:13,225
Disappears.

1329
01:04:13,309 --> 01:04:13,934
I want his best game.

1330
01:04:14,018 --> 01:04:15,519
Look,
if you want his best game,

1331
01:04:15,603 --> 01:04:19,940
then go talk
to him yourself.

1332
01:04:20,024 --> 01:04:21,150
Clooney: "Eddie was saying

1333
01:04:21,233 --> 01:04:23,027
you had the luxury
of fucking around

1334
01:04:23,110 --> 01:04:24,486
and living on the edge
and maybe being honest

1335
01:04:24,570 --> 01:04:27,448
and maybe not being honest.

1336
01:04:27,531 --> 01:04:30,909
I don't have time left
for that anymore.

1337
01:04:30,993 --> 01:04:32,244
It's finite."

1338
01:04:32,328 --> 01:04:33,829
Eddie, what are you gonna do
when I kick your ass?

1339
01:04:33,912 --> 01:04:37,583
Pick myself up
and let you kick me again.

1340
01:04:40,002 --> 01:04:41,587
Oh, yeah?

1341
01:04:41,670 --> 01:04:44,006
Yeah.

1342
01:04:44,089 --> 01:04:46,300
Just don't put the money
in the bank yet,

1343
01:04:46,383 --> 01:04:47,676
because if
I don't whoop you now,

1344
01:04:47,760 --> 01:04:49,386
I'm gonna whoop you
next month in Dallas.

1345
01:04:49,470 --> 01:04:52,473
In Houston, there's nothing
coming up in Dallas.

1346
01:04:52,556 --> 01:04:54,475
Houston, Dallas.
And if not then,

1347
01:04:54,558 --> 01:04:57,394
then the month
after that in New Orleans.

1348
01:04:57,478 --> 01:04:59,563
Oh, yeah?
What makes you so sure?

1349
01:05:05,444 --> 01:05:08,030
Hey. I'm back.

1350
01:05:08,113 --> 01:05:11,825
[ Balls clatter ]

1351
01:05:11,909 --> 01:05:12,534
Ethan: When I was a kid,
I watched it.

1352
01:05:12,618 --> 01:05:16,038
He says,
"I'm back" at the end.

1353
01:05:16,121 --> 01:05:17,331
But he didn't win.

1354
01:05:17,414 --> 01:05:19,333
No, no, he's back.
He's just in the game.

1355
01:05:19,416 --> 01:05:21,085
That's what --
It doesn't matter.

1356
01:05:21,168 --> 01:05:22,711
I'll see you in Dallas
next week.

1357
01:05:22,795 --> 01:05:24,713
I'll see you in Cleveland
the week after.

1358
01:05:24,797 --> 01:05:25,881
Doesn't matter.

1359
01:05:25,964 --> 01:05:28,175
And the winner is...

1360
01:05:31,303 --> 01:05:34,390
The winner is Paul Newman.

1361
01:05:34,473 --> 01:05:36,725
[ Cheers and applause ]

1362
01:05:40,437 --> 01:05:42,022
Announcer #4:
<i>Ladies and gentlemen,</i>

1363
01:05:42,106 --> 01:05:43,399
<i>accepting the award</i>
<i>for Paul Newman,</i>

1364
01:05:43,482 --> 01:05:44,316
<i>the president of the Academy</i>

1365
01:05:44,400 --> 01:05:46,110
<i>of Motion Picture Arts</i>
<i>and Sciences,</i>

1366
01:05:46,193 --> 01:05:47,986
<i>Mr. Robert Wise.</i>

1367
01:05:48,070 --> 01:05:50,239
Martin Scorsese
finally won

1368
01:05:50,322 --> 01:05:51,740
Paul Newman his Oscar.

1369
01:05:51,824 --> 01:05:53,784
He set out to make
a hand-tailored suit,

1370
01:05:53,867 --> 01:05:54,952
and he did it.

1371
01:05:55,035 --> 01:05:57,287
But the genius of
the whole hustle

1372
01:05:57,371 --> 01:06:02,292
is Paul didn't even go
and he didn't even care.

1373
01:06:02,376 --> 01:06:03,961
Paul -- I'm sure
he's listening --

1374
01:06:04,044 --> 01:06:05,921
is not here tonight.

1375
01:06:06,004 --> 01:06:10,217
And this award, Paul,
is long overdue.

1376
01:06:10,300 --> 01:06:14,596
The final play, he's not there.

1377
01:06:14,680 --> 01:06:15,305
He just dumped it.

1378
01:06:15,389 --> 01:06:17,099
Thank you, my dear.
That's right.

1379
01:06:17,182 --> 01:06:19,101
Linklater: I love that he wasn't
at the Oscars that year.

1380
01:06:19,184 --> 01:06:23,480
That really is him taking
the money out of his pocket

1381
01:06:23,564 --> 01:06:26,191
and putting it back
in Tom Cruise's pocket.

1382
01:06:26,275 --> 01:06:30,028
Like him saying,
"I didn't do it for that."

1383
01:06:31,697 --> 01:06:35,284
Ethan: This is something
from his -- in his transcript

1384
01:06:35,367 --> 01:06:36,577
that I really like.

1385
01:06:36,660 --> 01:06:39,538
He says,
"The best races I drive

1386
01:06:39,621 --> 01:06:43,792
are the ones where I spin out
early and lose position."

1387
01:06:43,876 --> 01:06:45,377
Clooney: "The best races I drive
are the ones

1388
01:06:45,461 --> 01:06:47,463
where I spin out early
and lose positions and go back

1389
01:06:47,546 --> 01:06:51,133
and I meticulously start
knocking them off one by one.

1390
01:06:51,216 --> 01:06:54,219
'Cause if you don't give a shit,
there's nothing at stake.

1391
01:06:54,303 --> 01:06:56,472
Nothing to take,
nothing to lose."

1392
01:06:56,555 --> 01:06:57,473
"Nothing to lose."
"You just go."

1393
01:06:57,556 --> 01:06:59,808
"Your mind is free."

1394
01:06:59,892 --> 01:07:01,685
"Your mind is free.
Everything is free."

1395
01:07:01,769 --> 01:07:02,352
"Muscles are loose."

1396
01:07:02,436 --> 01:07:04,938
And it all becomes
a lark."

1397
01:07:05,022 --> 01:07:07,483
And I love that.

1398
01:07:07,566 --> 01:07:07,983
I love that, too.

1399
01:07:08,066 --> 01:07:10,486
-Wow.
-Amazing.

1400
01:07:10,569 --> 01:07:11,487
D'Onofrio:
"Paul has a natural grace

1401
01:07:11,570 --> 01:07:14,490
that will put him at ease
on Skid Row or death row

1402
01:07:14,573 --> 01:07:15,699
or in the front row
in the Vatican.

1403
01:07:15,783 --> 01:07:20,204
I would like to have Paul for
President, Secretary of State,

1404
01:07:20,287 --> 01:07:24,166
any public office
that is sufficiently in court."

1405
01:07:24,249 --> 01:07:25,918
I was crazy then!

1406
01:07:26,001 --> 01:07:26,710
I am crazy now.

1407
01:07:26,794 --> 01:07:28,003
D'Onofrio: "This is a business

1408
01:07:28,086 --> 01:07:29,463
where others
of his accomplishment

1409
01:07:29,546 --> 01:07:31,673
cover themselves

1410
01:07:31,757 --> 01:07:33,509
with the honey
of self-importance,

1411
01:07:33,592 --> 01:07:36,845
as though they just come back
from the hive.

1412
01:07:36,929 --> 01:07:38,472
But never Paul.

1413
01:07:38,555 --> 01:07:42,392
He's a modest man,
a professional man."

1414
01:07:42,476 --> 01:07:46,396
I built bridges
and hospitals and roads.

1415
01:07:46,480 --> 01:07:48,649
Letterman: I remember when
he would be on the show.

1416
01:07:48,732 --> 01:07:52,361
You would think, "Oh, you know
who's on the show today?

1417
01:07:52,444 --> 01:07:55,322
Jesus Christ is coming."

1418
01:07:55,405 --> 01:07:57,407
"Did we send a car
to the hotel?"

1419
01:07:57,491 --> 01:08:00,202
"No.
He's getting here on his own."

1420
01:08:00,285 --> 01:08:02,162
It was honestly...

1421
01:08:02,246 --> 01:08:03,872
The renewing of the vows.

1422
01:08:03,956 --> 01:08:07,793
What prompted that and what
was that ceremony like?

1423
01:08:07,876 --> 01:08:09,545
Nell:
I don't know why they did it.

1424
01:08:09,628 --> 01:08:12,631
They were the first people
I ever heard of doing that.

1425
01:08:12,714 --> 01:08:16,134
I'd never known anybody
renew their vows.

1426
01:08:16,218 --> 01:08:17,553
Clooney:
"Happiness in marriage

1427
01:08:17,636 --> 01:08:20,347
is not something
that just happens.

1428
01:08:20,430 --> 01:08:22,099
A good marriage
must be created."

1429
01:08:22,182 --> 01:08:24,434
Linney: "A good marriage
must be created."

1430
01:08:24,518 --> 01:08:26,395
-"It is standing together."
-"It is standing together."

1431
01:08:26,478 --> 01:08:28,063
-"Facing the world."
-"Facing the world."

1432
01:08:28,146 --> 01:08:29,731
Linney: "It is not looking
for perfection in each other.

1433
01:08:29,815 --> 01:08:33,902
It is cultivating flexibility
and a sense of unity."

1434
01:08:33,986 --> 01:08:35,571
Clooney: "Cultivating
flexibility, patience...

1435
01:08:35,654 --> 01:08:37,322
Just doing things
for each other,

1436
01:08:37,406 --> 01:08:39,700
not in the attitude
of duty or sacrifice,

1437
01:08:39,783 --> 01:08:41,243
but in the spirit of joy."

1438
01:08:41,326 --> 01:08:45,247
Linney: "It is having the
capacity to forgive and forget.

1439
01:08:45,330 --> 01:08:49,209
It is finding room
for the things of the spirit.

1440
01:08:49,293 --> 01:08:50,919
It is a common search."

1441
01:08:51,003 --> 01:08:54,756
Clooney: "It is a common search
for the good and the beautiful.

1442
01:08:54,840 --> 01:08:57,259
It is not only marrying
the right partner,

1443
01:08:57,342 --> 01:08:58,844
it's being the right partner."

1444
01:08:58,927 --> 01:09:01,263
Linney:
"It is being the right partner."

1445
01:09:01,346 --> 01:09:04,600
Allen: "The renewal vows
was the sweetest thing.

1446
01:09:04,683 --> 01:09:05,350
I wept.

1447
01:09:05,434 --> 01:09:09,438
I made a complete fool
of myself.

1448
01:09:09,521 --> 01:09:14,234
But...they just looked
so happy.

1449
01:09:14,318 --> 01:09:17,487
They both did, really."

1450
01:09:17,571 --> 01:09:19,448
McCarthy: "All the girls got up
and Joanne

1451
01:09:19,531 --> 01:09:21,033
and they all sang to him.

1452
01:09:21,116 --> 01:09:22,451
It couldn't have been
more moving or more charming.

1453
01:09:22,534 --> 01:09:26,914
And I was sitting there next to
Paul and Joanne started to sing,

1454
01:09:26,997 --> 01:09:30,709
and I don't have to tell you
what his face is like about her.

1455
01:09:30,792 --> 01:09:36,256
And -- and he had his napkin
and he leaned forward like this,

1456
01:09:36,340 --> 01:09:36,924
watching her.

1457
01:09:37,007 --> 01:09:39,468
And when it all got too much,

1458
01:09:39,551 --> 01:09:44,139
he just sat back and draped
a napkin over his head.

1459
01:09:44,222 --> 01:09:46,099
That's Paul, isn't it?"

1460
01:09:48,018 --> 01:09:50,646
Walter: What is in this box
once belonged to my mother.

1461
01:09:50,729 --> 01:09:53,607
In time, you'll
give it to your daughter.

1462
01:09:53,690 --> 01:09:55,484
♪♪

1463
01:09:55,567 --> 01:09:58,779
Oh.

1464
01:09:58,862 --> 01:10:01,531
It's gorgeous.

1465
01:10:03,408 --> 01:10:05,911
Oh.

1466
01:10:05,994 --> 01:10:08,330
Thank you.

1467
01:10:08,413 --> 01:10:09,665
Thank you.

1468
01:10:09,748 --> 01:10:10,832
Clea: I was getting married,

1469
01:10:10,916 --> 01:10:14,336
and I remember having
a conversation with my parents.

1470
01:10:14,419 --> 01:10:20,175
I remember them looking at me
and, you know, saying

1471
01:10:20,258 --> 01:10:23,637
basically, like, "When
the relationship is right,

1472
01:10:23,720 --> 01:10:26,181
there will be a time where you
wake up in the morning one day

1473
01:10:26,264 --> 01:10:29,685
and you look at this person
sleeping next to you

1474
01:10:29,768 --> 01:10:32,896
and you realize that you are
committed, no matter what.

1475
01:10:32,980 --> 01:10:35,565
Like, this is your person."

1476
01:10:35,649 --> 01:10:41,530
♪♪

1477
01:10:41,613 --> 01:10:43,782
It doesn't mean
that you won't get angry,

1478
01:10:43,865 --> 01:10:45,784
that you won't storm off,
that you won't --

1479
01:10:45,867 --> 01:10:49,705
But ultimately you're in it
for the long haul and, you know,

1480
01:10:49,788 --> 01:10:53,750
you just have to be willing
to work really hard at it.

1481
01:10:58,088 --> 01:11:01,508
And there are gonna be times
when it's just frickin' awful.

1482
01:11:01,591 --> 01:11:05,429
But ultimately, it will be
your greatest success.

1483
01:11:08,974 --> 01:11:12,602
I mean, that's, like, one of the
greatest successes in your life

1484
01:11:12,686 --> 01:11:16,565
to have somebody
who goes through life with you

1485
01:11:16,648 --> 01:11:20,569
and understands all your foibles
and forgives you

1486
01:11:20,652 --> 01:11:22,279
and tolerates
all of your silliness

1487
01:11:22,362 --> 01:11:27,409
and then takes incredible joy
in your successes.

1488
01:11:27,492 --> 01:11:34,750
♪♪

1489
01:11:34,833 --> 01:11:38,211
♪♪

1490
01:11:38,295 --> 01:11:40,422
Poltermann: "Do you love Paul
now for the same reasons

1491
01:11:40,505 --> 01:11:43,008
that you did
when you first met him?"

1492
01:11:44,760 --> 01:11:48,305
Linney: "Oh, I don't think
I loved him.

1493
01:11:48,388 --> 01:11:52,476
I don't think I knew
what that word meant.

1494
01:11:52,559 --> 01:11:56,188
I was enamored of him.
I was in lust with him.

1495
01:11:56,271 --> 01:11:58,607
Loved him?

1496
01:11:58,690 --> 01:12:00,692
I don't know.

1497
01:12:00,776 --> 01:12:02,986
I don't think I understood
the use of that word,

1498
01:12:03,070 --> 01:12:05,781
nor did he.

1499
01:12:05,864 --> 01:12:11,453
I think we saw two entirely
different images of each other.

1500
01:12:11,536 --> 01:12:13,455
He thought I was very much
in control,

1501
01:12:13,538 --> 01:12:15,540
crazed but creative
and all those things,

1502
01:12:15,624 --> 01:12:17,793
none of which I felt
about myself.

1503
01:12:17,876 --> 01:12:21,963
And I thought of him
as being heroic, smart,

1504
01:12:22,047 --> 01:12:23,882
intelligent and handsome.

1505
01:12:23,965 --> 01:12:26,343
None of which
he thought about himself."

1506
01:12:26,426 --> 01:12:33,350
♪♪

1507
01:12:33,433 --> 01:12:40,148
♪♪

1508
01:12:40,232 --> 01:12:43,568
Allen: "This Christmas,
he said, 'You know,

1509
01:12:43,652 --> 01:12:46,571
I wish I had been a better...'

1510
01:12:46,655 --> 01:12:48,698
And then he stopped."

1511
01:12:50,659 --> 01:12:52,536
"He was putting the lights
on the tree.

1512
01:12:52,619 --> 01:12:56,206
And I said, 'Paul,
you were a good father.

1513
01:12:56,289 --> 01:12:59,626
We each do
what we think is best.'"

1514
01:12:59,709 --> 01:13:04,923
♪♪

1515
01:13:05,006 --> 01:13:08,927
"He seemed so relaxed
and dear this Christmas.

1516
01:13:09,010 --> 01:13:13,181
Easy to communicate with,
to talk to.

1517
01:13:13,265 --> 01:13:16,768
He seemed happy, very happy.

1518
01:13:16,852 --> 01:13:18,019
And there was
a vulnerability there

1519
01:13:18,103 --> 01:13:21,356
that I had never seen before.

1520
01:13:21,439 --> 01:13:29,865
♪♪

1521
01:13:29,948 --> 01:13:38,832
♪♪

1522
01:13:38,915 --> 01:13:47,382
♪♪

1523
01:13:47,465 --> 01:13:50,552
♪♪

1524
01:13:50,635 --> 01:13:52,679
[ Engine starts ]

1525
01:13:52,762 --> 01:14:01,938
♪♪

1526
01:14:02,022 --> 01:14:04,399
♪♪

1527
01:14:04,482 --> 01:14:05,692
[ Engine sputtering ]

1528
01:14:05,775 --> 01:14:11,907
♪♪

1529
01:14:11,990 --> 01:14:16,077
♪♪

1530
01:14:16,161 --> 01:14:21,082
♪ I may not always love you ♪

1531
01:14:21,166 --> 01:14:25,462
♪ But long as there
are stars above you ♪

1532
01:14:25,545 --> 01:14:29,591
♪ You never need to doubt it ♪

1533
01:14:29,674 --> 01:14:34,012
♪ I'll make you
so sure about it ♪

1534
01:14:34,095 --> 01:14:39,142
♪ God only knows what I'd be
without you ♪

1535
01:14:39,226 --> 01:14:41,603
Yoo-hoo! Hello!

1536
01:14:42,312 --> 01:14:46,399
Ha. Anybody there?
Yoo-hoo!

1537
01:14:46,483 --> 01:14:50,195
Ethan:
Tennessee Williams once said,

1538
01:14:50,278 --> 01:14:52,906
"The world is violent
and mercurial.

1539
01:14:52,989 --> 01:14:55,659
It will have its way with you.

1540
01:14:55,742 --> 01:14:57,244
We are saved only by love.

1541
01:14:57,327 --> 01:15:00,455
Being a parent,
being a friend."

1542
01:15:00,539 --> 01:15:05,627
♪ God only know what I'd be
without you ♪

1543
01:15:05,710 --> 01:15:09,297
♪♪

1544
01:15:09,381 --> 01:15:12,467
Ethan: We live in a perpetually
burning building.

1545
01:15:12,550 --> 01:15:14,177
Make it two dozen.

1546
01:15:14,261 --> 01:15:18,723
And what we must save from it
all the time is love.

1547
01:15:18,807 --> 01:15:22,978
♪ Ba-ba-ba ba-ba
ba-ba-ba-ba ♪

1548
01:15:23,061 --> 01:15:29,109
♪ Ba-ba-ba ba-ba
ba-ba-ba-ba ♪

1549
01:15:29,192 --> 01:15:34,114
♪ God only know what I'd be
without you ♪

1550
01:15:34,197 --> 01:15:35,991
Ethan: I was told when Paul
went to the hospital

1551
01:15:36,074 --> 01:15:38,910
for the last time,

1552
01:15:38,994 --> 01:15:41,746
he secretly went up
into the attic

1553
01:15:41,830 --> 01:15:46,543
and found a box of stockings,
Christmas stockings,

1554
01:15:46,626 --> 01:15:49,629
and, um, he slipped
his old compass

1555
01:15:49,713 --> 01:15:52,048
inside Joanne's stocking.

1556
01:15:52,132 --> 01:15:56,803
So that her first
Christmas without him,

1557
01:15:56,886 --> 01:15:59,723
she would have a present.

1558
01:16:02,017 --> 01:16:05,562
♪ God only knows what I'd be
without you ♪

1559
01:16:05,645 --> 01:16:07,230
Hello?

1560
01:16:07,314 --> 01:16:10,483
♪ God only knows what I'd be
without you ♪

1561
01:16:10,567 --> 01:16:11,943
Anybody there?

1562
01:16:12,027 --> 01:16:16,072
♪ God only knows what I'd be
without you ♪

1563
01:16:16,156 --> 01:16:20,368
♪ God only knows what I'd be
without you ♪

1564
01:16:20,452 --> 01:16:24,914
♪ God only knows what I'd be
without you ♪

1565
01:16:24,998 --> 01:16:29,044
♪ God only knows what I'd be
without you ♪

1566
01:16:29,127 --> 01:16:33,673
♪ God only knows what I'd be
without you ♪

1567
01:16:33,757 --> 01:16:35,050
♪ God only knows ♪

1568
01:16:35,133 --> 01:16:38,053
♪ God only knows ♪

1569
01:16:38,136 --> 01:16:39,471
Thank you.

1570
01:16:39,554 --> 01:16:40,764
[ Laughs ]

1571
01:17:03,203 --> 01:17:08,625
♪ Happy Bobby Rose ♪

1572
01:17:08,708 --> 01:17:11,461
♪♪

1573
01:17:11,544 --> 01:17:18,760
♪ Is drinking off
for yesterday ♪

1574
01:17:19,677 --> 01:17:27,769
♪ Are tomorrow's hours
on its way? ♪

1575
01:17:27,852 --> 01:17:29,979
♪ I'll always love you ♪

1576
01:17:30,063 --> 01:17:36,027
♪♪

1577
01:17:36,111 --> 01:17:39,489
♪ I'll always love you ♪

1578
01:17:39,572 --> 01:17:44,953
♪♪

1579
01:17:45,036 --> 01:17:48,123
♪ I'll always love you ♪

1580
01:17:48,206 --> 01:17:54,796
♪♪

1581
01:17:54,879 --> 01:18:01,928
♪ It's getting hard
to be realistic ♪

1582
01:18:03,388 --> 01:18:10,895
♪ With memories so sharp
and nostalgic ♪

1583
01:18:10,979 --> 01:18:13,982
♪ I'll always love you ♪

1584
01:18:16,067 --> 01:18:19,320
♪ While I can ♪

1585
01:18:19,404 --> 01:18:22,407
♪ I'll always love you ♪

1586
01:18:24,576 --> 01:18:28,163
♪ In our time ♪

1587
01:18:28,246 --> 01:18:31,291
♪ I'll always love you ♪

1588
01:18:32,917 --> 01:18:36,921
♪ Oh, hooo ♪

1589
01:18:37,005 --> 01:18:39,674
♪ I'll always love you ♪

1590
01:18:39,757 --> 01:18:45,180
♪♪

1591
01:18:45,263 --> 01:18:50,518
♪♪

1592
01:18:50,602 --> 01:18:59,527
♪ Today is a day
that we're starting again ♪

1593
01:18:59,611 --> 01:19:02,363
♪ I try to be good ♪

1594
01:19:02,447 --> 01:19:07,619
♪ Oh, whatever that may be ♪

1595
01:19:07,702 --> 01:19:12,415
♪ It's always the same ♪

1596
01:19:13,208 --> 01:19:16,377
♪ In our time ♪

1597
01:19:16,461 --> 01:19:22,050
♪ I'll always love you ♪

1598
01:19:22,133 --> 01:19:26,012
♪ While I can ♪

1599
01:19:26,095 --> 01:19:29,474
♪ I'll always love you ♪

1600
01:19:30,767 --> 01:19:34,729
♪ Oh, hooo ♪

1601
01:19:34,812 --> 01:19:37,732
♪ I'll always love you ♪

1602
01:19:42,820 --> 01:19:46,241
♪ I'll always love you ♪

1603
01:19:46,324 --> 01:19:54,707
♪♪

1604
01:19:54,791 --> 01:20:03,299
♪♪

1605
01:20:03,383 --> 01:20:09,472
♪♪

1606
01:20:09,556 --> 01:20:13,851
♪♪