Downloaded from YTS.MX
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- [vocalizing]
♪ ♪
[a capella harmonizing]
♪ ♪
- 24, yeah.
- This is cool.
- Um... - What is that?
- So I'm always in here by myself, and I got alone.
So I was just like, I need a man.
And then I said, I need a man that's gonna stay.
So I got a white man.
- [laughs]
- And he has a job.
You can tell by his shirt.
[laughter]
So yeah.
- I don't really dream.
It's crazy. I don't really dream.
And people say, like--
which I do believe, you dream every night,
but you just don't remember, you know?
And if I do dream, it's like--
what's the last dream I had?
I don't know. My dreams are like--
they end up coming true almost,
so it's like-- it's, like, weird.
Like, it's like...
My mom used to always holler at me, like,
for being too close to the TV
because I used to watch "MTV Jams" all day long.
I just was addicted to, like, seeing music videos.
I remember riding in the back seat of her car
blasting a bunch of rap music.
She always played Missy Elliott, Busta Rhymes,
Ludacris, Jay-Z.
Just like--like, my mom loved music so much.
We had this one assignment
where we had to write our own poem.
It was spoken word.
And I was, like, still really shy,
so like, I was so, so nervous.
So I went home, and I wrote the poem.
And I studied it.
And I read it, like, a million times.
I read it so much that I realized
that I, like, memorized it.
I was the only one that went up there
without, like, a paper or anything,
and I just, like, performed it.
Class went crazy. Teacher went crazy.
And people were coming up from other classes at lunch saying,
like, "Yo, we heard you be rapping.
Let me hear something."
So when I got that attention and that love,
I was like, wow, I like that feeling.
I went home.
I told my mom, "I think I want to do this.
I want to, like, start writing poems."
And then eventually, I had so many raps.
Then there was this specific day.
And my mom was like, "Yo, let's get up.
"Let's go see Grandma.
We haven't seen her in a while."
We were, like, about three blocks down
from my grandma's house in the middle of North Philly,
18th and Oxford.
And we seen a big group of guys on the corner.
And I seen a guy with a We Run the Streets hoodie.
And I knew that brand from watching rap battles,
cyphers, like, DVDs.
And I'm just a little girl with her mom.
And they like, "What's up, shorty?
What you--what you want to do?"
Y'all want to hear something?
- Oh, here we go. - I love it.
- So I'm like, "Oh, I want to rap."
- Let them know your name, ma.
- You gotta tell him who you is and all that.
- My name's Tierra.
So I jumped right in the cypher.
Hey, yo, look.
♪ They cop for me sloppily ♪
♪ Please approach me properly ♪
♪ Property used to be poverty ♪
♪ Now, I'm takin' all your money like robberies ♪
♪ You're damn wrong if you think you're hot as me ♪
Some slangers hitting lottery ♪
♪ But honestly, it's honestly pottery ♪
♪ You need to stop slippin' if you plan on stoppin' me ♪
♪ Solvency, my flow is all chocolaty ♪
♪ I'm guaranteed a record deal ♪
♪ On top near Lawrence Hill ♪
♪ You wet, so imagine how Tierra feel ♪
♪ Ill ♪
♪ Rapping is my destiny ♪
♪ Especially for these hysterectomies ♪
♪ That be testing me, you're deaf to me ♪
♪ You're not hearing what I'm sharing ♪
♪ I'm like a noncaring parent ♪
♪ I'm not kidding ♪
♪ Just whatever I'm spittin', written, is getting bitten ♪
♪ I'm still sickening ♪
♪ My flow is on dookie booties ♪
♪ The chocolate movies, they try to move me ♪
♪ Said, "Stella, I'm groovy" ♪
♪ Excuse me, I swear I'm so fine ♪
Two wives, they screaming, "Oh, ma"
♪ But you know why, I never go by, yo ♪
- Yeah. Yo, that was good.
- Hold up. Hold up. - Look. Look. Look.
- We rocking with it. Hold up.
- [vocalizing]
♪ ♪
- ♪ But let's cut to the chase ♪
♪ I ran fast because I'm in the race ♪
♪ But I pace myself ♪
♪ I'm so hot, every now and then, I melt ♪
- Super raw and super real.
You don't see a girl come into that environment
and then own that environment.
- ♪ Immature acts, in fact, I never hold back ♪
♪ I used to rap about bustin' gats ♪
♪ But now, we're off of that ♪
- It takes guts.
It's like doing ballet
in the middle of, like, a breakdancing routine.
- ♪ I tried, I try not to be the best ♪
♪ But when you try hard, you become success ♪
♪ I never stress, I press these ♪
♪ And whenever I'm depressed, I go in and I speak direct ♪
♪ I keep a hood for my projects ♪
♪ And so, on the next ♪
They put the video up the same night.
I think it was, like, a thousand, then 6,000.
Then the next day, 10,000.
Then it just kept going up. Like, it went viral.
- All I saw was, like, this young girl
with this pink thing on.
And I think by the time I finished watching it,
everybody was talking about it.
- ♪ I am down like a devil ♪
♪ They dig what I'm saying, my shows, they bring shovels ♪
♪ All I do is win all medals, moving like petals ♪
♪ And yeah, I can handle it ♪
♪ These clowns are scandalous ♪
♪ I have plenty advantages ♪
♪ But I ain't even want to explain, you know my name ♪
♪ I lay tracks down to watch them play ♪
♪ You know me ♪
♪ I kill beats and murder a capellas ♪
♪ Dizzle dookie drawers, everybody want to smell it ♪
And I was seeing all these people like Meek Mill,
Cosmic Kev, Diamond Cuts--
just all these big names from the city,
like, tweeting me, like, crazy.
♪ Jungle beats, these rhymes I produce on track ♪
♪ I got the deuce, flows is obtuse ♪
♪ They say I'm off the chain, and I say I broke loose ♪
- Yeah.
- So it went from YouTube to Twitter,
from Twitter to WorldStar.
And once it hit WorldStar, it was everywhere.
- ♪ Hip-hop without me, you're programmed ♪
♪ And a hostage, trapped in a closet ♪
♪ Getting teased by a fat guy eating a sausage ♪
♪ Lyrics, oh, so dope ♪
♪ Ghoste bust, soul chug, you used to be known logo ♪
♪ You're the type to crush dreams ♪
♪ Now you want a promo? ♪
♪ Unaware of who you dealin' with ♪
♪ Dealin' with the devil's dealership ♪
♪ Performin' diligence ♪
♪ Skillet with the frying pan ♪
Within, like, a few days, and then weeks, and then months,
it just kept spreading.
- Your debut album, "Whack World,"
it's quite a way to introduce yourself to the world.
- It just was like, OK, camera's on you.
It's your chance to prove your point.
♪ My dog had a name ♪
♪ I'm gon' sing his name ♪
♪ Keepin' his name alive ♪
♪ I'm the one to blame ♪
♪ If I had to leave, he would do the same ♪
- When Tierra Whack dropped her 15-minute, 15-song album,
"Whack World," on Instagram,
the internet's collective mind was blown.
Hands up! Hands up!
- Almost immediately, people--
"We want to work with her.
We want to reach out. We want to talk."
Her ideas had now actually come to life.
- Y'all about Tierra?
[cheering]
- Look! It's you!
- I know now!
- Tierra Whack, rapped they motherfucking ass off.
- You did that, sis.
- Tierra Whack, oh, my God.
- Our next guest is the Grammy-nominated rapper,
singer, and songwriter Tierra Whack.
- You are nominated in the best music video category.
- Philadelphia's own Tierra Whack.
- You're so right, it's scary. - Tierra Whack.
- So excited to talk to you. - Artist of the year.
- You're the best female rapper in the game.
- That's crazy.
all: [chanting] D-I-double Z-L-E!
- I think sometimes I just can't believe that,
like, this is all happening for me.
Just to think that that moment,
like, that was my shot.
I mean, even with life, like, you can plan for something,
and then it just doesn't happen.
And then you look fucking crazy,
and then you make yourself upset.
So, like, we're starting to shoot,
and I'm so happy 'cause, like, we're locked in finally.
But you could die, I could die,
and then we can't shoot anymore, you know?
- [laughs]
- Yeah, like, some people wouldn't laugh at that.
They'd be like, "What the fuck is wrong with her?"
But, like, yeah.
[laughs]
- Don't say that.
Wait, you're going too far.
Wait, don't say that.
Don't get specific.
- [vocalizing]
- Camille!
- What is she doing? She's probably...
Oh, yeah, she's probably doing that right now.
- What's that? - Pooping.
- [laughs]
- Camille is pooping.
[laughter]
- Oh, my God, can y'all leave me alone?
So I am Tierra's face painter.
I am her makeup artist.
I'm done complimenting you, 'cause now you being--
- Camille, no one cares about what you say.
- [laughs]
Get that dirty chair off my bed.
Look how bad she is.
She's sitting on my bed.
- Yo, if I--if I stayed with y'all one night,
y'all would hate me.
I wouldn't go to sleep at all.
- Freedom!
[laughter]
- My name is Jamilah Curry.
I am Tierra's hairstylist.
I just have this idea that all celebrities are, like, divas.
But Tierra is, like, the truth.
- If this ceiling wasn't so low, I could do a flip.
[laughs]
- I definitely think she could act,
but I even feel like if she had a script,
that character would develop into something else.
And I feel like the cast would have to adapt around her.
Obviously, she's great working in groups,
but I definitely feel like, even if they had a mold
of who she is,
she would outgrow that
and change the vibe of the whole film, whatever it is.
- Uh-huh.
- Yeah.
You're so bad!
She's so bad!
- Did you know that if you quiet enough,
you can hear yourself blink?
Shh.
- Ladies and gentlemen, please put your hands together
for Sister Mary Clarence, also known as Whoopi Goldberg.
That's right, folks. You guessed it.
OK, now, what the hell is these, honey?
Now, these must be called Uh-Uhs 'cause mm-mm.
You need to be whupped for wearing these, Whoopi.
[laughs]
Oh, 1928?
Sounds like you're about to expire.
Sure we'll be seeing you soon.
OK, little Cinco de Mayo.
I mean, whatever floats your boat, Whoop.
Just don't sink to the bottom, hon.
I see it's a little tag, that came with the wig.
Might have to return this,
depending on how many compliments I get.
I might not. [laughs]
OK, JoJo Siwa, I could see why she wore these.
Whoopi.
Who knew she had a shoe fetish?
[laughs]
- So how does it feel that you're playing today?
- It'll hit me when I'm on stage.
- Yeah.
- My mom's coming.
My sister is coming.
Um, yeah.
Since it's Philly, people are probably
actually buying tickets, like, to see me, like, you know?
- Yeah, because it's where--
- Yeah, like, so I'm gonna to really be looking
in that crowd, like who do I see?
You know, it's gonna be cool.
- When do you go on? - Around 7:00, I think.
- OK. - The title stage.
I think I'm the last person on the title stage.
- Tierra!
- I usually get put really early,
so I'm happy that they kind of gave me, like, a nice time.
I usually have to, like, open up the show...
[laughs]
When people are still walking in, filling in.
So it's kind of cool that things are, like, changing
and I have a little bit of a later show.
[classical music]
♪ ♪
- ♪ I hate my job, I do it every day ♪
♪ The boss thinks I'm stupid 'cause I do things my way ♪
[inaudible singing]
♪ ♪
- One, two, three! Let's go!
- ♪ Don't worry 'bout me ♪
♪ I'm doing good, I'm doing great, all right ♪
♪ It's about to get ugly ♪
♪ Flow so mean, I just can't be polite ♪
♪ I bet you ain't heard no flow like this ♪
♪ Make you say, "Yo, excuse me, miss" ♪
♪ Go against me, I'll beat like Swiss ♪
♪ I like my paper nice and crisp ♪
♪ Oh, crispy cling and crispy clean ♪
♪ For the dough, I go nuts like Krispy Kreme ♪
♪ Music is in my Billie genes ♪
♪ Can't no one ever come between ♪
♪ Don't worry about me ♪
♪ I'm doing good, I'm doing great, all right ♪
♪ It's about to get ugly ♪
♪ Flow so mean, I just can't be polite ♪
♪ Don't worry about me ♪
♪ I'm doing good, I'm doing great, all right ♪
♪ It's about to get-- ♪
[microphone feedback]
- Wow, I'm good.
I promise, I'm good.
It's super dark.
Shit.
Nick, take a picture.
[cheering]
Wait, like, if it's funny,
like, we can put it up and make it a meme.
But if it's not funny...
Did you see how hard I fell? - 28.
- Shit. - 29.
- Guys, I'm just fucking drunk tonight.
All right, come on. I'm back. Fuck it.
♪ You picked the wrong time to pick a fight ♪
♪ Your bitch a dyke, she think she Ike ♪
♪ You sippin' on a drink that's spiked ♪
♪ Enough for you to say good night ♪
♪ For the rest of your life ♪
♪ I know your sons won't miss ya ♪
♪ I did a favor for them niggas ♪
♪ Took a loss to a winner ♪
♪ The wait is over, I'm takin' over ♪
♪ You're overweight, you ate a soda ♪
I'm super sober, you doing coke ♪
- ♪ God damn, Coca-Cola ♪
- ♪ Got a job I gotta do ♪
♪ I get down and dirty too ♪
♪ What it is? What it do? ♪
♪ Same shit, nothin' new ♪
Chicago, my name is Tierra.
[cheering]
I love you guys so much.
Have a great night.
Bye, guys.
Was it bad, y'all? Like, how was it?
- It was just like, ooh! - It was so sudden.
- It was bad. It was, at least to me.
- It was, like, sore, but ice makes it feel better.
- Yeah.
- Thank you so much. Have a good night.
See you soon. Be safe, guys.
- [vocalizing]
♪ I know I'm busy and I gotta make time for you ♪
♪ ♪
- Yeah.
- Yeah, I know, but can you imagine it?
[laughter]
- Hi.
- Oh, you went to the show? - Yeah.
- Oh, shit. - Yeah.
- How are you? - I--I'm good.
- What's your name? - Tina.
- I really hope that you give us those pictures.
- Oh, you're getting some tonight.
- Yeah, right. You always say that.
- Nick, you never send me pictures.
- All right, listen.
I didn't like any of them enough to--
- All of them ever?
All of them ever?
- Just send them, bro.
- I'm always quiet when I meet people.
- Yeah.
- Jamilah? - Mm-hmm.
- Mm-mm.
[laughter]
Dr. Cameron believed
that sound could alter the way people think,
I mean, so much that it altered their thoughts
and their memories.
And he proved it.
If you repeat sounds over, and over, and over again,
it, like, got in their heads like a literal earworm
to influence people's behavior.
I mean, do you really know where your thoughts come from?
- Actually, I don't.
Yeah. - It's late for her.
She's, like, coming from another place.
- Right, right.
- And I took a hard fall tonight.
I've just been, like-- - I know.
But was that an accident?
- Yes, I did not plan to fall tonight.
Yeah. [laughs]
- I appreciate you, though.
Thank you. Get home safe.
- Thank you.
- Thank you, Tina.
Thank you.
- What is it?
- Oh, oh, and pointed at you. [laughter]
- What the fuck? She's still standing there.
- Oh, no, she's leaving now.
I mean, her clothes are, like, not--
- She was very fixated on telling Tierra
some story about something on the internet.
- How did she even know we were here?
- She was at the show. - How did she--
- And she said she, like, follows me, like--
- She followed the car.
- On foot, like, literally. - What?
- That's, like-- - That's not even funny.
That's, like, high-key, like-- - Yeah.
- We've had so much weird shit happen to us today.
- Weird. - Yeah, today's been weird.
- Mm, I rebuke that.
- I don't like that.
- I rebuke that. No, ma'am.
- Really? - Yeah.
- Well, we're leaving tomorrow, so yeah.
- [vocalizing]
♪ ♪
- Did you get a chance to watch the video?
- No, not yet.
- How long is it?
- It's, like, an hour, hour and 20.
Let me just show you a few minutes.
Yeah, she said she was a professor.
- No, not really.
I think people find what they want to find
when they're looking for something.
When they want something to be real,
then all they see are connections.
And they make it real for themselves.
[jazz music]
♪ ♪
- I mean, everybody talks about
"the music business is selling your soul,"
and Illuminati, and...
- There are secret societies in the industry--
the music industry-- absolutely.
- Gucci Mane first came home from his prison stint.
He lost a lot of weight and he looked very different,
so everyone was like, "Yo, Gucci Man is a clone.
It's not really him."
And when I saw him, I kind of was like,
oh, this dude is definitely a clone.
But no, I don't believe Gucci was cloned.
- It was a producer that was signed
to, like, a huge label at that time.
And they had went to this concert.
And there was a man that had been following them
from the parking lot.
And he had, like, this, like, all-black outfit on.
I don't know if it was, like, contacts or something,
but they said, like, his eyeballs
actually looked black too.
And they think that the people
that they were working with at that time
were involved in that type of stuff.
- Once you get to a certain level, you sell yourself.
You sell your soul.
- It's possible for artists
to participate in rituals that they're unaware of.
A lot of artists aren't always creating the concepts
for their music videos, et cetera.
And you're invited to an awards ceremony.
And of course, who doesn't want to be honored
or respected for a craft that they've put so much work in?
I'd show up. - It's kind of hard
to really, really get to where you want to be
without some type of compromise.
Now, if that's selling your soul,
I don't know, you tell me.
Like, you know. - Mm-hmm.
- Maybe, like, two months ago.
- Oh, recently? - Yeah.
- Mm-hmm.
- She would, like, you know, try to move us.
Like, she'd try to move up,
so we moved, like, further away from North Philly
just to, like, you know, get us, like...
For a long time, I didn't really see
any, like, white people.
Like, it was just like-- it was a Black community.
That was the good thing about the projects.
Like, everybody was in the same spot,
so you could, like, go to your aunt, your grandma's,
your cousins, everybody's house, like...
- Mm-hmm.
But you haven't had to go away--
- There's a fucking Target right here?
Oh, I knew that. I knew that.
I knew that.
- Really? - Yeah.
I want to see Trouble.
They don't make Trouble anymore?
- We're looking for trouble. I like that.
OK, where's this...
- Yeah.
- No. - I can do that.
- Oh.
- [vocalizing]
- This is Chris.
- What's up, Chris? - How are you?
- [laughs] He got the camera on us.
- You see? I'm like, what's up, Chris?
- You sure you want to leave us with your kid?
- Yeah.
- You got it?
♪ ♪
[dog barks]
Got my cards up for your own good.
That's me right there.
[cheering]
- Y'all are getting a little feisty over there.
- These wings hit, OK? - Uh-huh.
- She gave us options. Look, look, look, look, look.
- Mmm. - Two flavas.
- Mm-hmm.
- Twinkled the toes in there.
[laughter]
[machinery whirring]
- That's the thing.
I used to clean cars for a living,
so I don't let my car get too crazy.
All of my cars always remain super clean
because that's what I did for a living, so yeah.
But it feels good to have a balance.
[engine starts]
[distant yelling]
The block's hot now.
They're probably gonna circle the block a few times.
And there was a couple of those dudes,
so I don't want to take...
'Cause they like, "She over here by herself."
That's crazy.
When they pulled up,
they looked at me when I was going in.
And then they came in.
And I heard them saying, like, "Yo, that's her. That's her."
You know what I'm saying?
And he's, like, looking at them but looking at me.
Maybe I should stop at Wawa.
[chuckles]
- So you're recording right now?
- Uh, yeah.
- I'm recording too.
So I just want there to be, like, documentation
of what you just said to me, what you--
- Yeah.
You remember I was shooting with Tierra at Target
a couple of days ago?
So I get tagged in some Instagram
that are videos of somebody filming us.
The account is called Warren,
but maybe it's a guy named Warren.
It's all, like, these videos of Tierra
that looks like somebody filming her,
and she doesn't know she's being filmed.
All right, so here's the really fucked-up thing.
There's another video from our drive to the airport.
You know how sometimes they do that for security?
Like, they'll have a camera in the, like, cab or whatever?
- Right. - It's like that.
- This is weird, man.
I want to get in touch with the rental car company
just to get some facts.
- I'll mention it to Kenete
'cause I'm gonna see him day after tomorrow.
- OK.
- I'll see if he knows about it.
[classical music]
♪ ♪
[indistinct chatter]
- Do you guys feel like
there's a way to rise in this industry
and remain genuine?
- Yeah.
- You think so? - Yeah.
- So you can--you feel like you can be the number one
and still remain genuine?
- Yeah. - Yeah.
- What do you think?
- I don't--I don't know.
I think you, like, lose, like, a part of, like--
you start to lose, like--
you see your sanity attempting to, like, just...
I have a--not a hard time.
It is aggravating to, like, navigate in this industry.
- Right.
- The conversations I've-- like, I've had
and, like, things that I've heard,
like, kind of just, like, left a bad taste in my mouth.
- Can you hand me my phone?
Thanks.
Um, I don't know if you've seen this.
- What's this?
- It's some Instagram account
that tagged a video of me filming with Tierra.
The creepy thing is that Tierra doesn't look like
she knows she's being filmed.
- This is wild.
These two videos right here are from the accident.
Yeah. - When was that?
- That was, like, two years ago, coming from Pittsburgh.
- What happened? - I drove up...
Pittsburgh is five hours from here.
- Yeah. - So I drove up.
We went to a concert.
It was, like, a Thug concert-- Young Thug concert.
Stood all day.
Didn't leave until, like, 2:00 a.m.,
Just started driving back.
And I fell asleep and woke up.
And we had, like, hit the back of an 18-wheeler.
- Whoa. Bro-- - Yeah,
There was nothing but, like, front-end damage,
so, like, we were good, but this is why it's crazy.
It's like they were filming us up until that point.
[dramatic music]
♪ ♪
- It makes me realize
that we've been followed for a very long time.
And just thinking about it makes me cringe.
- She's starting to really,
truly get recognized all the time.
So when you see certain things on the internet,
like a comment from someone who says,
"Oh, I just saw you at, you know, this restaurant,"
and they might even have a photo
of you eating your dinner,
but that--you know, over time, that becomes common.
- I don't walk around with security or anything.
Like, I'm always-- I'm around.
When I'm outside, it's just me.
People come up and talk to me all the time.
- You never truly know who's watching you.
Seeing that page was kind of crazy
'cause it was just, like, super intimate moments.
It was moments in which, like, we knew no one was around us.
It was moments in which we felt safe.
- [beatboxing]
[a capella harmonizing]
♪ ♪
[singing in language]
♪ ♪
- And if you could just--yeah. - Tuck those in too.
[laughter]
- And then it became real.
- Damn. What's that?
What the hell is this? - Oh!
- Was this here when we got here?
- So annoying. - Yo, chill.
- It's a radio.
[radio chatter]
Oh, shit.
[radio chatter in Spanish]
Was this here before we got here?
- I have no idea.
- It's cool, though. I didn't expect it.
That was cool.
[radio chatter]
♪ I tried to reach the sun ♪
♪ But gum is stuck to... ♪
Got to get those last words.
[vocalizing]
♪ You got to be the one people lookin' up to ♪
- Yeah. - Yeah.
- [chuckles] ♪ Ew, ew, ew ♪
- ♪ You got to be the one that people lookin' up to ♪
♪ I tried to reach the sun, but I... ♪
[vocalizing]
- [vocalizing]
- ♪ I try, I try, I try ♪
♪ You got to be the one that people lookin' up to ♪
♪ Yeah, I tried to reach the sun ♪
♪ But gum is stuck to my shoes ♪
- Yeah! - Hey!
- ♪ You got to be the one that people lookin' up to ♪
♪ Yeah, I tried to reach the sun ♪
♪ But gum is stuck to my shoes ♪
- That's fire. I love that.
- ♪ I've got to pee, but I don't want to ♪
♪ 'Cause I don't want to... ♪
[vocalizing]
♪ You couldn't walk a mile in my shoes ♪
♪ I've got to pee, but I don't want to ♪
♪ You couldn't walk a mile in my shoes ♪
- ♪ My shoes ♪
That shit is hard. I like that.
- You like that? - Yeah.
That shit is dope. - Thank you.
- I like that a lot. - Y'all see how--
you see what I'm saying, Chris?
Just come off the top.
♪ You got to be the one that people lookin' up to ♪
♪ I tried to reach the sun ♪
♪ But gum is stuck to my shoes, yeah ♪
- I don't even know how to open this.
- Good Lord, let's eat.
- I ain't know how to open this.
- Oh, nigga, it's a box.
- It's getting fishy in here, man.
- You want to see it, or do you want to smell it?
♪ ♪
- I was--I was expecting a comic book film,
which I don't watch.
- For "Joker?" - Yeah.
- And you still went? - Except "Black Panther."
And I only went to see it 'cause it was Black.
And I thoroughly enjoyed it. - What, "Black Panther"?
- Yeah.
And I loved Shazam too. - Yeah.
- But if it ain't about the kids, if it wasn't Black,
I'm not fucking with comic book movies.
- "Shazam!" wasn't good. - I loved it.
- "Shazam!" [laughter]
- I loved it.
Maybe I loved it 'cause it was Philly.
- Oh, God.
- But with the "Joker,"
I think that the entire film is made up.
- No. - I think he made it up.
I think he's lying to the audience.
- Got you. - It's his own,
like, demented version of events
because remember, some of the things didn't add up.
- Fuck, name some. You gotta name some.
- All the dating shit, he made up.
- Right. - Oh, that's--
I got to watch that movie again.
- You got to watch it again.
- And you didn't catch none of that?
- There's this method to movies
that they call "unreliable narrator"
where the story is being conveyed to the audience
but the narrator is lying to the audience.
- ♪ Westbound, eastbound ♪.
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
♪ Heard I'm what they want to be now ♪
♪ Westbound, eastbound ♪
- Things right now with Tierra are on the up.
I think the world hasn't even seen 45%
of what Tierra is truly capable of doing.
- ♪ You got to be the one that people lookin' up to ♪
♪ Yeah, I tried to reach the sun ♪
♪ But gum was stuck to my shoes ♪
♪ I'm only human ♪
♪ I'm not perfect, just a person ♪
♪ I'm only human ♪
- To be able to display her potential talent long-term.
And what it did was it shifted key stakeholders.
- ♪ I just wanna make my dough ♪
♪ Gotta take care of my kids ♪
- These major corporations,
they're trying to put the money in the right places.
I mean, fucking Tierra did a Apple commercial
and an Adobe ad,
which, to me, is fucking huge.
- ♪ Walk like me now ♪
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
- The goal right now, for us,
is to create the true tipping point,
and we've been building that, like,
I don't know, that soda pop, so to speak,
so it could all just burst.
Then the world will really know who Tierra Whack is.
- ♪ Too short, can't pull me ♪
♪ Always actin' like Goldy ♪
♪ Feet white like Jordy ♪
♪ Teeth white like Joey ♪
♪ Ever since we lost Kobe ♪
♪ I've been ballin' all Maloney ♪
♪ Ginuwine, that's a pony ♪
♪ Do it big, Nick Foley ♪
♪ Phone dead if you phony ♪
♪ My phone dead, you can't phone me ♪
♪ Mm, 'cause I'm a threat ♪
- ♪ Mm, you wanna bet? ♪
♪ Mm, coming up next ♪
- [laughs]
- ♪ I work so hard ♪
- Yeah.
- Hey, guys.
- So we are--we are here.
- Nice.
Step one, great job. [laughter]
- Hey, there we go.
- So I sent an email.
I'll try to just, like, run through it a little bit.
What we have right now is liked a lot.
Tierra, you're--you're a very good rapper, so good job.
- Thank you. [laughter]
- And so, I'm not that concerned.
What are some small things that we can potentially do
to up the energy?
And maybe it's something
like drum fills or something like that.
I don't know.
I think keep that kind of stuff on the subtle side.
We're trying to please everybody,
which I mean, it's not always easy.
- All right, so we'll get a couple of different vibes.
And then me and Pop will do some production tweaks.
- Sounds amazing.
I'll talk to you tomorrow.
- Where are you at?
- I'm about to go to rehearsal.
How long are you here?
- I leave tomorrow.
- This idiot. - [laughs]
- Don't give nobody no warnings.
You just be like, "I'm here!" - Nope.
"Got to go!" - "Got to go!"
- [laughs] - No, I feel you.
- I love your new face, by the way.
- Thank you so much. - Love you.
- Thank you. Love you too. - Bye.
[laughter]
- Camille, is my face sliding?
- I think I was--
[laughter]
♪ Open the door ♪
♪ Tell them that you're ready to explore ♪
♪ When I go to sleep, Gucci sheets now ♪
♪ Going out to eat, don't eat no meat now ♪
♪ Shinin' like a diamond, fine dinin' ♪
- All righty. Tierra, you look so cute!
♪ Money piling, Rolex 'cause I put that time in ♪
- Then it's our time.
- ♪ Our time to party ♪
[vocalizing]
- What's that? What's that?
[cheering]
- It's a party!
Y'all playin' out here!
- ♪ Probably a gold digger, yes, of course ♪
♪ I'm in Dior ♪
♪ I think I just might buy me a horse ♪
♪ Basketball game, we on the floor ♪
♪ I need me new bags just to adore ♪
♪ I can't fuck with you no more ♪
[vocalizing]
Thank you so much. - You're welcome.
- She embodies strength and courage.
She learned to harness the power of her talent and wit
and channeled those strengths into her artistry.
She will not let anything stand in her way.
She's a talented songwriter,
Grammy-nominated lyricist, rapper, and performer,
a proud Philly native.
Tonight, it is with great pleasure
that we present the She is the Music Award
to the unstoppable talent that is Tierra Whack.
[cheers and applause]
- I'm so happy, y'all!
- [vocalizing]
♪ ♪
[indistinct chatter]
- She's saying her mom was kidnapped.
- No fucking way. - That's why she disappeared.
- This is too crazy. It's def not true.
- She was in the room.
- This is obviously just a coincidence.
[interposing voices]
[vocalizing]
♪ ♪
- Y'all are so quick to believe what is obviously BS.
[interposing voices]
- Kamari is the only one telling the truth.
[vocalizing]
♪ ♪
- I hope she's OK, though.
She was in the shot for a minute,
but, like, she was random.
She just came into the diner.
We were chilling. - Yeah.
- You know.
I mean, we don't have anything to hide, so I'm not worried.
It's just-- it was just weird, though.
- When my mom disappeared,
I found myself spending a lot of time in my head,
thinking about every possible scenario
that could have happened.
There's no possible way
she could have left of her own free will.
She could not, and she would not.
She became extremely distressed
after having an interaction with Tierra Whack
and her camera crew.
They interviewed my mother for their documentary film.
I don't know exactly what happened that night,
but she was visibly shaken afterwards.
And that's when things got scary.
I know you guys know about her work
and some recent developments in her research.
And she was building a strong thesis
around Tierra Whack, and her current status,
and the process of being vetted
by the most powerful secret societies
in the music industry.
As some of you guys pointed out, there's--
there's no way this is a coincidence.
My mom's work was on the verge of getting national attention
that it deserved.
[classical music]
♪ ♪
I'm working with the police
to work out every possible scenario
that could have taken place.
And I am requesting that the documentary team please...
There's a very important story here that needs to be told,
and I think we need to work together to get this out.
- [vocalizing]
♪ ♪
- Hello. - Hey.
Oh, you got the camera out already?
- Uh-huh. - All right.
OK.
- Ready? - I guess so.
- Yep, that's right.
We're handling that case.
Tina Banner has been missing.
It's been close to six weeks.
- I mean, I'm happy to send you the footage we shot,
but can you tell us what the connection is to our film?
- I can't really disclose too many details,
but you know, I can tell you
that there was a lot of overlap
between the missing person
and the young woman you're filming--
the artist, Tierra Whack.
- What do you mean? What kind of overlap?
- Well, the missing woman, Tina Johnson,
seemed to be part of a community
that is being surveilled and monitored.
There are members in her online groups
that have made threats,
and we take those very seriously at this stage.
Based on some of the chatter,
we're following up on anything that could create
a potentially dangerous situation.
And the daughter--
- Marigold Johnson? - Yeah.
That's right. - Is that the daughter?
- Yeah, that's her name. She's been very insistent
that we review any footage you have of her mother.
She feels strongly that there's a connection
between the film you're making
and her mother's disappearance.
And we just want to cover all the ground we can.
[cat meows]
- All right, so who do you think
is behind this Warren account?
Like, who is this character?
I don't know if it's our business to be like--
- It's totally our business 'cause we're--
[laughs]
Like, being behind the camera,
and I think the reason why people like you and I are--
gravitate to being behind the camera
is so that we can control the narrative.
Right? - Yeah.
- And it's, like, super unsettling
that there's somebody else behind the camera watching.
- Right. - So--
- 'Cause everybody has a camera now.
- Everybody has a fucking camera.
What if somebody's following us
to see if we're part of some organization
that, like, elected her
and is, like, propping her up, you know?
- You mean, like, that's who's been filming all this?
- Yeah, yeah, somebody that's just like--
- Yeah, because they think they're onto some scoop.
- Exactly. What if they're like,
"Here are these LA people
"who have connections to the Illuminati,
"and the lizard folks, and the tunnels, or whatever,
"and they're following Tierra around
to prop her up to her next level of superstardom."
Right? - Right, yeah.
- What if-- and, like, they think
that we're on to something, and we're like, yo.
That's the thing, though.
That's the beautiful thing about documenting something.
You have to let the story unfold.
- Yeah. - You know?
Like, yes, it's through your lens
and you get to mold the story, but sometimes the story takes
you to wherever it takes you. - Totally.
- The story's just unfolding.
Let's see where it goes.
[upbeat music]
- [singing in Japanese]
- Who's that?
- [laughs]
[cheering]
- I can't even believe that I'm standing here
meeting Tierra Whack.
- Don't look down! [laughter]
[cheering]
- Who are you guys here to see?
all: Tierra Whack!
- Oh, my goodness.
- [singing in Japanese]
♪ ♪
- We got that call about Dubai.
There was some hesitation.
But all in all, we were like, fuck it, it's Dubai.
♪ ♪
- [singing in Japanese]
♪ ♪
- Uno.
- So be scared now because I only have one card,
and you have, like, four.
- Oh, shit.
- Mm-mm.
Have you ever been on a cruise?
Don't, if you haven't. - No.
- I would never. - No, don't.
- Why?
- It's like a floating trough.
Like, there's just people... - Ooh, chile.
- Like, milling around, and then you, like,
pull in to, like, this extra touristy port
where there's, like, caricatures of the culture.
And, like, you're supposed to buy these trinkets.
And it's just--it's terrible.
It's terrible. - Mm, that sounds horrible.
And I love when they go to the island
and get they hair "cornrowed," "box braided" for $150.
Y'all better take they money, Caribbean women!
Take they money!
[laughter] - Ooh, chile.
- Literally, just like he stared me down
to the point I just got nervous.
I was like, he was fine.
- But how do you even holler at someone here?
- I'm not. - Like--
- Yes, my name is Jamila,
but that's as far as it's gonna go.
[upbeat music]
♪ ♪
[cheering]
♪ ♪
- What's up?
- Give me one second.
Here, take this. - No, I got it.
- [vocalizing]
♪ ♪
- We just asked just to, like, try to...
- We can't be a team.
- I'm not. I'm not, Kenete.
This has nothing to do with being a team.
- No, I know.
[indistinct chatter]
- Then tell her. Then she'll do it.
- OK, so yeah.
So then I don't know.
Think about damage control after.
I don't know.
[cheering]
[line trilling]
- Hi, leave a message.
- Hi, Chris. This is Jamila.
I'm just returning your call to let you know
that I won't be continuing on working with Tierra,
and I'd rather not participate in the documentary
going forward.
There's a lot of stuff that happened after Dubai,
and something was left on my doorstep
that was very upsetting.
I don't think you really know what's happening here.
Please don't contact me anymore.
Please don't show up at my door anymore.
It's not safe.
And yeah.
- OK?
- Yeah, sorry about that.
I thought it was gonna be cool, but--
- Yeah. Yeah, OK.
- OK.
- Sure.
...film this part.
- Sure. Yeah, no problem.
I'll just catch up with you guys.
- OK. - Yeah, Chris.
We'll make it up to you, all right?
We'll shoot it--
we're picking it back up at the next meeting.
I'm sorry.
- So you're recording? - Uh, yeah.
- Um, so I shouldn't even have this on my countertop.
This is so fucking disgusting.
When I got to my house, I saw this,
and it was wrapped in a bow.
And-- [exhales sharply]
Let me put this on the ground.
It had my name on a card.
And initially, I'm thinking,
you know, maybe I have an admirer or maybe--
maybe it was something nice.
And when I opened it-- I'm gonna show you.
Fucking eyes. - Whoa.
Are they-- are those real?
- Yeah, and it fucking stinks!
[classical music]
♪ ♪
- OK, guys, this is it, finally.
We made it, and I can't believe what I'm seeing.
Caves have always factored largely
in the history of secret societies,
especially the ones connected to the Freemason tradition--
something that the symbol of a cave
relates to the philosophical idea of Plato's cave.
That was a Greek allegory about how true knowledge
can't be derived from human perception.
There are layers of meaning
that exist beyond the surface of what we're seeing.
This is it.
It's incredible to finally see this
after reading about it for so long.
This is an actual ritual chamber.
And you can see,
it holds a lot of seating for a very large audience.
This is--this has Oculus ritual written all over it.
Our research has been leading to this location
for a while now,
and I know better why that is.
I recently got some intel
on the upcoming Oculus true vision ritual
that is centered around Tierra Whack.
So far, we know that it will be embedded
in one of her new music videos.
So far, we know the location is Los Angeles.
But we don't have an address yet.
[laughs]
Yes, people, this is--
this is the real deal, and it's happening in plain sight.
It's finally time
we get to meet the wizard behind the curtain.
- [vocalizing]
♪ ♪
[doorbell ringing]
- Hi.
- Hello. - Hey.
- What's up, guys?
- I'm Chris.
- Hi, Chris. You can call me Mari.
- Hey, Mari.
- Natalia? - Hey.
All right.
[chuckles nervously] Yeah. Nice to finally meet you.
- It's great to finally meet you guys.
Just the way I pictured y'all. - Yeah.
We really appreciate you making time for us
'cause I know this has got to be a stressful time right now.
We're all wearing masks.
You're comfortable with having us here and all of that?
- Hey, Mari, can we, uh... - Yeah?
- Put a mic on you?
- Yeah, of course.
Mask, you don't need them. - OK.
- You're not down with masks?
- No. - OK.
- Are you Jewish?
- Um, no, I'm not.
- Oh, you look Jewish.
- My parents are from Lebanon.
- Oh.
- Can I use your restroom?
- Yeah, so the restroom is through there,
to the back on the left.
- OK, cool. Thank you.
[laughter]
- Hey.
- You guys ready?
- Yeah. Yeah, she's all--
she's all mic'd up.
- OK.
Is this Bobby McFerrin? - Yeah.
- Oh, OK. - My mom really loved him.
- Yeah, I love him. He's great.
- But do you mind turning it off for the interview?
- Oh, for sure.
- By the way, I saw you have one of those owl radios.
I have seen one of those before.
All right, well...
- So this magazine featured my mom's findings.
Like, look at this. - Mm-hmm.
- This is the-- I don't know
if you can see it. - Mm-hmm.
- This is the 18th century manuscript that was found,
and no one could read it.
So my mom was part of this group online
that was finally able to decipher it.
It's from a secret society in Europe
called the Oculus,
which was, like, an offshoot of the Freemasons.
There was all these secret societies back then.
But because of the Catholic Church
being oppressive and hating freethinkers,
a lot of them had to put their communications into codes or--
or cyphers.
There was all these mind-control experiments
in the '50s.
There was MK Ultra, which the CIA was trying
to learn how to control the populations
through pop culture and broadcasting repeated sound.
And really, like, all pop culture
is a form of mind control.
Maybe it's not all evil, but it's definitely,
like, incepting someone's brain, like an earworm.
So she was following around different young artists.
And she was always trying to find one
that was vetted in the same ritual
that was deciphered in the manuscript.
And she discovered that they were circling Tierra for it.
So she wanted to help her.
- Help her with what?
- They try to convert you.
And if they can't, it could be bad,
'cause they can also replace you too.
- Like Avril Lavigne?
- Gucci Mane.
[laughter]
Oh, OK, can we guys--
can we go in my mom's workshop?
I mean, we can keep talking about it,
but I think we should go in there now.
- Um, sure.
- OK. - Yeah, OK.
- It's right out back, if you guys want to--
- OK.
- This is a replica of the ritual seat.
The original ritual,
it involved an audience circling the chair like this
as they ritualistically plucked,
like, a single eyebrow hair from the initiate.
The idea is that even the smallest gesture,
like plucking a single eyebrow hair,
becomes more powerful if it's amplified by an audience.
The smaller the gesture, the bigger the audience,
the more impactful.
Any ritual needs an audience.
There needs to be, you know, witnesses to make it real.
The more, the better.
That's why they use things like music, movies.
This is the ritual that they're gonna do on Tierra.
So are you guys gonna film Tierra's music video
next month in LA for your doc?
I mean, you should.
It's probably where it'll happen.
- Yeah, I think that's the plan.
How did you know about that?
- OK.
Are you the one that's been following Tierra?
Are you the one that's posting on Warren?
Are you--are you Warren?
- Warren isn't just me.
Warren's us.
There are a lot of us out there.
- OK. - Does that makes sense?
- Well, I think that is-- - Whoa, whoa, whoa.
So, like, music videos are rituals.
Award ceremonies are rituals.
It's about indoctrinating the public, right?
- I know--I know that, like, now is a stressful time.
- You guys--you guys,
you have to tell Tierra about this information.
- OK. - OK, OK.
- You have access to her. - Yeah.
- We're just making a documentary film.
- We're just doing a music doc. It's not--
- No, you have a responsibility
to bring this to them.
You have a responsibility to bring this to the public.
Chris. No, listen to me, Chris.
You guys have direct access to her.
Don't be sellouts.
Tell the fucking truth.
Tierra, listen to me. - Yeah, OK.
- Just pay attention to the music.
- We don't think that you're lying.
We just think that this is a bad time.
- Yeah. - Margo, hey, let's go.
Let's go. - I'm sorry.
Sorry. - Let's go.
- Just tell the truth.
You guys work for them.
- OK. - They're injecting her.
- Oh, no, we're just-- we're just simple people.
- You're working for them, aren't you?
- All right.
[radio static]
[line trilling]
- Hey, Natalia.
It's me, Mari.
I know you're probably over me calling again.
I'm sorry about the other day, but we need to talk ASAP.
It's me, Mari.
Please call me back.
I have some really interesting information
about the music video shoot that...
Hey, Chris, you have no fucking idea
what you're walking into right now.
You need me.
You don't even realize it, but you do.
You have no idea what tomorrow is about.
And it's incredibly important stuff.
So please call me back.
- So what did you think was gonna happen that day?
- Aren't you glad you didn't?
- ♪ I don't trust you when you're out of sight ♪
- ♪ You're no good ♪
- ♪ Everybody told me that you're no good ♪
- Yeah, I think the drone could be played by ear.
And A wherever we want.
What?
- Hey, hey, hey.
Whatever the doc wants to film, they can film.
They can go anywhere, all day, every day.
- Yeah.
- Yeah, let's-- we need to sort all this.
- Let's deal with that right now,
because it might be an issue.
- Hey, Tierra. - Hey, Chris.
I see you getting the goods.
[dramatic music]
♪ ♪
[indistinct chatter]
- OK, so listen,
I've been seeing the crew going in and out of that cave--
the fake cave--
and there's nothing about it on the call sheet.
- Let's go down there.
- No, no, no, I did. I already did.
Chris, listen, I saw a chair on the monitor...
- Yeah? - That looks really similar
to the one that Mari had in her house.
- I'm gonna try to film that.
- It's weird.
[indistinct chatter]
- Verse, chorus.
Just up there for a chorus.
Then she's gonna walk over here.
Push back.
- Let's go back to first position.
Thank you.
- And OK, playback.
Action.
- ♪ You got to be the one that people lookin' up to ♪
♪ Yeah, I tried to reach the sun ♪
♪ But gum was stuck to my shoes ♪
♪ New to this game, I ain't been here long ♪
♪ So forgive me if I get this wrong ♪
♪ I get lost sometimes, literally I roam ♪
♪ I had to figure certain things out on my own ♪
♪ Make a phone call home to the ones I love ♪
♪ Shit crazy out here, have you high off drugs ♪
♪ To be real, man, I thought about pulling the plug ♪
♪ So I can go fly high with the ones above ♪
♪ You got to be the one that people lookin' up to ♪
♪ Yeah, I tried to reach the sun ♪
♪ But gum was stuck to my shoes ♪
- OK, cut.
- That's a cut. Thank you.
- [whispers] I'm on set.
- [vocalizing]
♪ ♪
OK. This extra seems to be part of the ritual,
but...OK.
Well, that's definitely strange.
I hate to see minors implicated
in these type of productions.
The set is some kind of Middle Eastern town replica.
I think it's supposed to be Iraq.
They originally built this set
for the movie "American Sniper,"
which makes sense, I guess.
Everything has been leading up to this.
We know the ritual seat is here somewhere.
This feels like some sort of torture room.
Very bad vibes in here.
Are those blood stains on the wall?
Wow.
- And we're moving in this way?
- This way, and then up those stairs.
- ♪ I'm only human ♪
♪ I'm not perfect, just a person ♪
♪ I'm only human ♪
♪ Sometimes happy, sometimes nervous ♪
♪ I'm only human ♪
♪ I'm not perfect, just a person ♪
♪ I'm only human ♪
♪ Sometimes happy, sometimes nervous ♪
[whistling]
- Cut.
- [vocalizing]
♪ ♪
- It looks like there is some kind of pagan card game here.
I'm not sure what these images are supposed to represent,
but they're certainly occult-like in nature.
There are all these embedded codes
that only a handful of people will understand.
It's how this kind of stuff works.
[whistling]
♪ ♪
- Are you scared now?
♪ ♪
- Whoa.
- Chris.
[chanting]
- What's the boundary? - What's going on?
- It's those documentary people.
- Fuck!
I left, and I couldn't film anymore.
So what happened?
And why isn't the video getting released now?
- If there was ever a way to ruin a vibe,
it's somebody showing up with a metal pipe.
- Hey, guys, I'm going in.
Let's do this. - #Mari.
- I have to admit, I was really afraid to come in here.
If I didn't have you guys supporting me,
keeping me on track, I might have given up.
This is really the culmination
of so many years of my mother's hard work.
[interposing voices]
- Where is this? - Don't sleep on Mari.
She's low-key onto something.
- There's definitely so much more we don't know.
- I knew something was off about Tierra, but you know.
- Evil is real.
- I think that when someone like me moves up in the world,
especially through art and music,
it's a blessing.
But some people will ask themselves, "Why her?
Why her and not me?"
I'm still asking myself that question.
Why me?
Why was I chosen?
- It's like this.
I'm not better than anyone else.
No one is better than anyone else.
Some people just have their antennas up at the right time
and catch the right waves.
It's like a radio.
When you catch one of those waves,
you've got to learn how to ride it quick.
I don't know about the secret rituals hidden around us.
They're just like little doors
that only certain people have the key for,
but if you find one and can open it,
then it was meant for you.
- This is when courage takes the wheel.
[interposing voices]
You know how much has been leading up to this moment.
[interposing voices]
[tense music]
♪ ♪
[shattering]
[clattering]
- So what do you think that lady, Mari, really wanted?
- Well, didn't they, in the end?
- Take over the movie?
Use it as a way to make their story public?
- I had this strange feeling
that my story wasn't mine anymore.
It felt like I had lost, like, my hold on it
or, like, it just--
I just felt like I could be replaced.
I can't explain the feeling.
[knocking at door]
- No, Chris, it was just a music video.
I would need a different audience
for that kind of ritual.
- They are.
This is.
Thanks, Chris.
[Tierra Whack's "Body of Water"]
♪ ♪
♪ I never been to jail ♪
♪ Tell a nigga that I'm in here like gel ♪
♪ I just want the paper, can I read the mail? ♪
♪ Tell them it's a fee without the male ♪
♪ Do tell, do tell ♪
♪ Yeah, you dig it like a ditch ♪
♪ If I paid you some attention ♪
♪ You'll probably be rich ♪
♪ Sucks to be you, ol' gold-digging bitch ♪
♪ Shit, I'm running this shit like Drake with the six ♪
♪ Let's go, let's get it, I'm committed ♪
♪ It's survival of the fittest ♪
♪ And I'll only take a minute ♪
♪ Life is short, I compare it to a midget ♪
♪ Shovel in the trunk of the '06 Civic ♪
♪ I'm with it, I'm with it, there's no way out ♪
♪ You're stuck in the mud, snow, rain, drought ♪
♪ Like tits, no bra, you should go hang out ♪
♪ Body like a shotgun, just don't bang out ♪
♪ Whoo, whoo, let's start a fire, baby ♪
♪ I'm so inspired, maybe ♪
♪ We can get old together ♪
♪ It is our time like Brady ♪
♪ Let's start a fire, baby ♪
♪ I'm so inspired, maybe ♪
♪ We can get old together ♪
♪ It is our time like Brady ♪
♪ Don't try to fight it ♪
♪ I know you like it ♪
♪ Yeah, yeah, yeah ♪
♪ Taking over like a virus ♪
♪ Let's start a riot ♪
♪ Yeah, yeah, yeah ♪
♪ Don't try to fight it ♪
♪ I know you like it ♪
♪ Yeah, yeah, yeah ♪
♪ Taking over like a virus ♪
♪ Let's start a riot ♪
♪ Yeah, yeah, yeah ♪
♪ Black or white, you are my type ♪
♪ Like a keyboard, baby, you earned your stripes ♪
♪ I'm on your bike, we ride together ♪
♪ Soulmates, so we'll die together ♪
♪ Jungle fever, a firm believer ♪
♪ Lacking on rest, but I'm still a dreamer ♪
♪ We can show out like Martin, Gina ♪
♪ Offer a ring, and I'll say yes, eager ♪
♪ Let's start a fire, baby ♪
♪ I'm so inspired, maybe ♪
♪ We can't get old together ♪
♪ It is our time like Brady ♪
♪ Let's start a fire, baby ♪
♪ I'm so inspired, maybe ♪
♪ We can get old together ♪
♪ It is our time like Brady ♪
♪ Black or white, you are my type ♪
♪ Like a keyboard, baby, you earned your stripes ♪
♪ Yeah, Black or white, you are my type ♪
♪ Like a keyboard, baby, you earned your stripes, yeah ♪
♪ Don't try to fight it ♪
♪ I know you like it ♪
♪ Yeah, yeah, yeah ♪
♪ Taking over like a virus ♪
♪ Let's start a riot ♪
♪ Yeah, yeah, yeah ♪
♪ Don't try to fight it ♪
♪ I know you like it ♪
♪ Yeah, yeah, yeah ♪
♪ Taking over like a virus ♪
♪ Let's start a riot ♪
♪ Yeah, yeah, yeah ♪
♪ No, no, no ♪
♪ No, no, no, no ♪
♪ ♪
♪ I said, no matter what color, you are my lover ♪
♪ I will do whatever 'cause I love you ♪
♪ Yeah, yeah, yeah ♪
♪ No matter what color, you are my lover ♪
♪ I will do whatever 'cause I love you ♪
♪ Yeah ♪
♪ Shit, shit, shit, shit, shit, shit ♪
♪ Shit ♪
♪ ♪