1
00:00:09,880 --> 00:00:11,880
[gentle, instrumental music]

2
00:00:14,280 --> 00:00:19,600
-[muffled club music and cheering]
-[gentle, instrumental music continues]

3
00:00:33,440 --> 00:00:34,920
[distant laughter]

4
00:00:35,000 --> 00:00:37,000
[gentle, instrumental music continues]

5
00:01:11,280 --> 00:01:13,280
[loud metal clanking]

6
00:01:15,640 --> 00:01:17,440
[music intensifies]

7
00:01:17,520 --> 00:01:18,840
[music abruptly ends]

8
00:01:20,720 --> 00:01:22,040
[sighs] Dammit.

9
00:01:24,480 --> 00:01:25,760
BETRAYAL

10
00:01:32,520 --> 00:01:37,360
[upbeat, instrumental music]

11
00:01:40,160 --> 00:01:44,640
THE GREEN GLOVE GANG

12
00:01:44,720 --> 00:01:46,840
[Marian] I'll tell you the truth.

13
00:01:47,640 --> 00:01:52,400
Everything we do here… is just a cover.

14
00:01:53,480 --> 00:01:56,520
And this isn't actually
a moustache-care workshop.

15
00:01:57,400 --> 00:01:58,440
Gentlemen…

16
00:02:00,000 --> 00:02:03,280
Sex… and seduction!

17
00:02:03,360 --> 00:02:07,360
[quirky, guitar music]

18
00:02:36,440 --> 00:02:38,440
[beeping]

19
00:02:40,680 --> 00:02:43,200
Listen, with the right marketing,

20
00:02:44,040 --> 00:02:47,480
we can sell this painting
for quite some money.

21
00:02:47,560 --> 00:02:49,400
At an auction house?

22
00:02:49,480 --> 00:02:50,360
No.

23
00:02:50,440 --> 00:02:54,000
I've got a friend who's the director
at the National Gallery.

24
00:02:54,080 --> 00:02:55,000
[Krystyna] Mm-hmm.

25
00:02:55,080 --> 00:02:57,960
We always competed for the same guys.

26
00:02:58,040 --> 00:03:01,960
So, that's why you want
to sell her a female nude?

27
00:03:02,680 --> 00:03:05,840
That's why we'll send a marchant to her.

28
00:03:06,520 --> 00:03:10,360
A handsome charmer
who'll seduce her. [giggles]

29
00:03:10,440 --> 00:03:13,160
You know,
one who could sell honey to a bee.

30
00:03:13,240 --> 00:03:14,960
-[Krystyna giggles]
-Meaning me?

31
00:03:15,800 --> 00:03:17,160
No. Marian.

32
00:03:17,760 --> 00:03:19,000
Marian?

33
00:03:19,760 --> 00:03:20,600
What?

34
00:03:20,680 --> 00:03:24,320
Well, since you two have similar tastes…

35
00:03:26,200 --> 00:03:28,280
the choice would be obvious.

36
00:03:28,360 --> 00:03:29,560
[rock music playing]

37
00:03:29,640 --> 00:03:31,720
I've already talked to Henryk.

38
00:03:32,400 --> 00:03:33,920
He said yes.

39
00:03:34,000 --> 00:03:36,000
♪ I'm gonna make you crazy ♪

40
00:03:36,640 --> 00:03:39,240
♪ I'm gonna drive you out ♪

41
00:03:40,200 --> 00:03:42,080
♪ I gotta little something tonight ♪

42
00:03:42,160 --> 00:03:45,280
[Henryk] Art historians call this painting

43
00:03:45,360 --> 00:03:49,840
a true gem of the neo art déco movement.

44
00:03:50,640 --> 00:03:52,200
Including the frame,

45
00:03:52,280 --> 00:03:55,520
which is an integral part of the painting.

46
00:03:57,640 --> 00:03:59,720
And those historians…

47
00:04:00,680 --> 00:04:02,280
That's you, of course?

48
00:04:02,360 --> 00:04:06,080
[chuckles] I'm just a modest marchant.

49
00:04:06,160 --> 00:04:09,120
I don't consider myself an expert.

50
00:04:09,200 --> 00:04:10,400
[high-pitched noise]

51
00:04:10,480 --> 00:04:15,640
Ask her if she knows…
Kurt Schweier's essays.

52
00:04:15,720 --> 00:04:20,040
I assume you know
Kurt Schweier's essays, yes?

53
00:04:20,120 --> 00:04:22,120
[quirky music]

54
00:04:24,360 --> 00:04:25,480
Of course.

55
00:04:25,560 --> 00:04:28,720
Pity that there's no such author,
you stupid hussy.

56
00:04:28,800 --> 00:04:32,720
-Um, pity that… [high-pitched noise]
-[whispering] Don't say that.

57
00:04:33,320 --> 00:04:39,720
That there are no Polish translations…
of the author's best works.

58
00:04:39,800 --> 00:04:41,320
Like the collection…

59
00:04:41,920 --> 00:04:45,240
Nudity and oil paint.

60
00:04:45,320 --> 00:04:47,000
Schweier points out

61
00:04:47,080 --> 00:04:52,480
that this painting is emblematic
for all post-art movements in general.

62
00:04:53,360 --> 00:04:55,640
Everybody wants this painting.

63
00:04:56,680 --> 00:05:01,680
But I start my negotiations…
with the best.

64
00:05:01,760 --> 00:05:03,800
[giggles]

65
00:05:04,760 --> 00:05:05,680
Is that so?

66
00:05:06,320 --> 00:05:09,000
You've got the kind of smile

67
00:05:09,640 --> 00:05:14,560
that can melt a man's heart.

68
00:05:15,480 --> 00:05:16,400
You asshole!

69
00:05:16,480 --> 00:05:17,320
[noise]

70
00:05:17,400 --> 00:05:21,760
-What? He used to say that to me.
-He's an older man. He has his routine.

71
00:05:21,840 --> 00:05:24,200
[Henryk] What are you doing tonight?

72
00:05:24,280 --> 00:05:25,640
[giggles]

73
00:05:27,320 --> 00:05:29,280
I have to reconcile with Alicja.

74
00:05:30,360 --> 00:05:32,080
I need arsenic.

75
00:05:32,160 --> 00:05:33,480
And I need it now!

76
00:05:35,520 --> 00:05:39,320
[Lucjan plays "Ti Amo" by Umberto Tozzi]

77
00:05:39,400 --> 00:05:42,360
"SENIOR" SENIOR CITIZENS CLUB

78
00:05:42,440 --> 00:05:46,480
♪ Un soldo, ti amo ♪

79
00:05:47,080 --> 00:05:50,920
♪ In aria, ti amo ♪

80
00:05:51,000 --> 00:05:55,880
♪ Se viene testa vuol dire che basta
Lasciamoci ♪

81
00:05:55,960 --> 00:05:58,560
♪ Ti amo ♪

82
00:05:59,120 --> 00:06:02,760
♪ Io sono, ti amo ♪

83
00:06:03,280 --> 00:06:07,160
♪ In fondo un uomo ♪

84
00:06:07,240 --> 00:06:12,120
♪ Che non ha freddo nel cuore e nel letto
Comando io ♪

85
00:06:12,200 --> 00:06:17,760
♪ Ma tremo, davanti al tuo seno ♪

86
00:06:17,840 --> 00:06:19,360
[Gabriella laughs]

87
00:06:19,440 --> 00:06:23,200
♪ Ti odio e ti amo ♪

88
00:06:23,280 --> 00:06:28,000
♪ È una farfalla che muore
Sbattendo le ali ♪

89
00:06:28,080 --> 00:06:29,600
♪ L'amore che a letto-- ♪

90
00:06:29,680 --> 00:06:31,640
The fucker won't even look at me.

91
00:06:31,720 --> 00:06:32,720
[song muffled]

92
00:06:32,800 --> 00:06:37,520
-Maybe he wants to make you jealous?
-Looking at his feet like a hunchback.

93
00:06:37,600 --> 00:06:40,160
But you said you had no space for him.

94
00:06:40,240 --> 00:06:43,280
♪ Primo Maggio, su coraggio ♪

95
00:06:43,360 --> 00:06:50,000
♪ Io ti amo e chiedo perdono ♪

96
00:06:50,080 --> 00:06:53,640
-He should get jailed for this.
-Did someone say "jail"?

97
00:06:54,800 --> 00:06:57,560
The judge who sentenced you.
I need a smoke.

98
00:06:57,640 --> 00:06:59,640
♪ Di carta igienica ♪

99
00:06:59,720 --> 00:07:02,520
♪ E dammi il tuo vino leggero ♪

100
00:07:02,600 --> 00:07:05,280
[song muffled]

101
00:07:05,360 --> 00:07:06,320
What's her deal?

102
00:07:07,160 --> 00:07:10,080
It's her first serious relationship.
Teenagers.

103
00:07:10,160 --> 00:07:14,920
-How's your leg?
-I told you everything would be okay.

104
00:07:17,360 --> 00:07:18,240
Mom?

105
00:07:18,320 --> 00:07:19,880
I've been thinking.

106
00:07:21,000 --> 00:07:23,200
Maybe we shouldn't end this, huh?

107
00:07:23,880 --> 00:07:26,080
The seniors dig it. I kinda do, too.

108
00:07:27,440 --> 00:07:29,000
Why waste the potential?

109
00:07:29,080 --> 00:07:31,200
You want to run the club?

110
00:07:32,560 --> 00:07:35,600
You know. [sighs]
I think I'm doing rather well, no?

111
00:07:37,200 --> 00:07:39,800
It is a better idea than mephedrone.

112
00:07:41,440 --> 00:07:42,320
True.

113
00:07:44,280 --> 00:07:45,480
I'm glad.

114
00:07:45,560 --> 00:07:47,040
[chuckles]

115
00:07:49,920 --> 00:07:51,760
I'll go check things out.

116
00:07:51,840 --> 00:07:53,800
["Sadza" by Brodka playing]

117
00:07:59,800 --> 00:08:02,680
[bubbling]

118
00:08:04,120 --> 00:08:05,120
I like'em mature.

119
00:08:07,800 --> 00:08:09,280
Then it's your lucky day.

120
00:08:50,680 --> 00:08:52,280
[song ends]

121
00:08:53,240 --> 00:08:55,240
-[club music playing]
-[people cheering]

122
00:08:57,640 --> 00:08:59,400
♪ Dance ♪

123
00:09:01,560 --> 00:09:03,320
♪ Dance ♪

124
00:09:05,320 --> 00:09:06,160
♪ Dance ♪

125
00:09:09,800 --> 00:09:11,320
[Adaś] Thanks, Jan.

126
00:09:11,400 --> 00:09:12,880
I'm heading back to work.

127
00:09:20,680 --> 00:09:22,680
[club music continues]

128
00:09:32,560 --> 00:09:35,480
[people cheering]

129
00:09:35,560 --> 00:09:38,000
I'm going to the bar. You want anything?

130
00:09:38,080 --> 00:09:39,440
Sex on the Beach.

131
00:09:40,040 --> 00:09:40,920
I'm on it.

132
00:09:41,800 --> 00:09:42,960
Hey!

133
00:09:55,120 --> 00:09:57,120
[club music continues]

134
00:10:01,640 --> 00:10:02,960
♪ Dance ♪

135
00:10:08,360 --> 00:10:09,640
Not a word to Alfred.

136
00:10:10,440 --> 00:10:11,400
And vice versa.

137
00:10:13,560 --> 00:10:15,120
♪ Dance ♪

138
00:10:15,200 --> 00:10:18,320
-Any progress?
-I didn't come here for the mojito.

139
00:10:18,400 --> 00:10:21,240
[club music mixes with suspenseful tones]

140
00:10:21,320 --> 00:10:22,320
[Chief] Thanks.

141
00:10:22,400 --> 00:10:26,880
[indistinct conversation]

142
00:10:27,800 --> 00:10:29,280
[single shutter click]

143
00:10:29,360 --> 00:10:31,480
[Masarz and Chief giggling]

144
00:10:45,080 --> 00:10:47,720
[Tomek] Adam! Wait up!

145
00:10:52,280 --> 00:10:53,400
Is Mom downstairs?

146
00:10:53,480 --> 00:10:56,800
Yes, Cuckoo's in the tunnel.
Guineafowl went somewhere.

147
00:10:56,880 --> 00:11:00,680
-And I haven't seen Owl.
-Tell her I'm looking for her.

148
00:11:00,760 --> 00:11:01,680
Okay.

149
00:11:14,560 --> 00:11:17,400
-[sinister music]
-[Masarz and Chief laughing]

150
00:11:18,800 --> 00:11:21,440
[Masarz] Until next time, Chief.

151
00:11:21,520 --> 00:11:23,720
-Until next time.
-[Chief] Until next time!

152
00:11:23,800 --> 00:11:24,760
[both giggling]

153
00:11:24,840 --> 00:11:27,760
I haven't had so much fun
since the Militia.

154
00:11:27,840 --> 00:11:32,320
-Drop by more often, Mirek!
-[Chief] I will, Krzysiu. Thanks. Bye.

155
00:11:33,480 --> 00:11:34,560
Remember!

156
00:11:34,640 --> 00:11:36,720
You're always welcome here.

157
00:11:36,800 --> 00:11:38,800
[Chief] I do remember! Bye!

158
00:11:38,880 --> 00:11:40,200
[grunts]

159
00:11:41,760 --> 00:11:44,360
[grunts and pants]

160
00:11:48,880 --> 00:11:50,480
[foreman] Boss, we're ready.

161
00:11:50,560 --> 00:11:51,920
Waiting for the signal.

162
00:11:53,000 --> 00:11:53,960
Gentlemen.

163
00:11:54,880 --> 00:11:56,000
Three…

164
00:11:56,960 --> 00:11:57,880
two…

165
00:11:58,840 --> 00:12:00,000
one…

166
00:12:01,200 --> 00:12:02,160
now!

167
00:12:02,240 --> 00:12:04,240
[quirky music intensifying]

168
00:12:05,760 --> 00:12:07,760
[loud explosion]

169
00:12:12,960 --> 00:12:16,000
[foreman] Boss!
We're right under the museum.

170
00:12:16,080 --> 00:12:17,120
We did it!

171
00:12:17,200 --> 00:12:19,040
[sighs in relief]

172
00:12:19,120 --> 00:12:22,120
[upbeat, triumphant music]

173
00:12:44,360 --> 00:12:45,600
Under five minutes.

174
00:12:46,120 --> 00:12:47,920
[Alicja over radio] Where are you?

175
00:12:48,920 --> 00:12:53,160
-[Alicja in the room] Oh! We gotta talk.
-We can't have this hanging in the air.

176
00:12:53,240 --> 00:12:56,280
Alicja, we have thought about it
for a long time--

177
00:12:56,360 --> 00:12:58,880
Later. There are more urgent matters.

178
00:12:58,960 --> 00:13:01,360
The tarot still shows betrayal.

179
00:13:01,440 --> 00:13:02,800
[slow, instrumental music]

180
00:13:02,880 --> 00:13:04,440
It wasn't about you.

181
00:13:04,520 --> 00:13:07,080
-Someone's going to rat us out.
-Alicja…

182
00:13:07,160 --> 00:13:09,960
My dreams grow more and more oppressive.

183
00:13:10,040 --> 00:13:13,560
I don't know. Maria, Tomek.
Even… a black-haired Marzena.

184
00:13:13,640 --> 00:13:15,640
-Listen to me…
-Let me finish.

185
00:13:18,120 --> 00:13:19,520
I've prepared this.

186
00:13:19,600 --> 00:13:20,800
Arsenic for Henryk?

187
00:13:20,880 --> 00:13:22,080
A truth serum.

188
00:13:22,160 --> 00:13:24,680
Yup. And we'll start with your son.

189
00:13:25,360 --> 00:13:28,160
-Get off Tomek's back.
-[Alicja] I will not.

190
00:13:28,240 --> 00:13:32,760
-Because I've got a premonition that…
-It's not premonition, just prejudice.

191
00:13:32,840 --> 00:13:36,080
-You have it in for him.
-I just sense his bad energy.

192
00:13:36,160 --> 00:13:40,360
Or maybe you've lost your touch?
Or is this about something else?

193
00:13:41,720 --> 00:13:43,120
What else?

194
00:13:45,600 --> 00:13:48,880
Kinga's got Henryk, I've got Tomek.

195
00:13:48,960 --> 00:13:51,600
We both have a life outside the Gang.

196
00:13:52,200 --> 00:13:53,960
Nonsense! Nonsense!

197
00:13:54,520 --> 00:13:56,400
I always wish you the best.

198
00:13:56,480 --> 00:13:58,840
Emotions aren't that simple.

199
00:14:03,840 --> 00:14:06,320
[with anger] Whatever this is,

200
00:14:06,400 --> 00:14:10,320
stop projecting it onto my son.

201
00:14:13,840 --> 00:14:15,880
I can't trust you on that one.

202
00:14:17,520 --> 00:14:20,080
-[music fades]
-[lights flickering loudly]

203
00:14:31,720 --> 00:14:33,720
[machines beeping]

204
00:14:47,400 --> 00:14:48,240
[door shuts]

205
00:14:50,240 --> 00:14:52,040
Oh. Excuse me.

206
00:14:52,120 --> 00:14:53,000
Wrong room.

207
00:14:53,560 --> 00:14:54,480
It's not.

208
00:15:00,920 --> 00:15:01,760
Just don't.

209
00:15:04,360 --> 00:15:05,560
I brought groceries.

210
00:15:07,240 --> 00:15:10,160
The nurse said
you'll be staying here for a while.

211
00:15:12,320 --> 00:15:13,760
She had no right.

212
00:15:13,840 --> 00:15:15,280
I showed her my badge.

213
00:15:16,240 --> 00:15:17,760
Alfred! [sighs]

214
00:15:18,360 --> 00:15:21,080
-How are you feeling?
-How's the investigation?

215
00:15:22,200 --> 00:15:25,840
You know, I'm… oddly calm.

216
00:15:26,360 --> 00:15:27,960
I think we need some time

217
00:15:28,760 --> 00:15:33,360
for this chaotic pulp
to form into a beautiful meatloaf.

218
00:15:35,800 --> 00:15:37,680
I took the first flight. Oh.

219
00:15:39,080 --> 00:15:40,080
[Gujska screeches]

220
00:15:41,120 --> 00:15:41,960
Make-up?

221
00:15:42,560 --> 00:15:45,080
-You knew I was coming over?
-Come here.

222
00:15:52,200 --> 00:15:53,160
[clears throat]

223
00:15:55,320 --> 00:15:57,840
They let you leave the MI6 training?

224
00:15:58,400 --> 00:16:00,200
They had no other choice.

225
00:16:00,280 --> 00:16:02,480
[Alfred] And have you met James Bond yet?

226
00:16:03,120 --> 00:16:04,440
Of… Of course.

227
00:16:04,520 --> 00:16:06,680
[quirky music]

228
00:16:06,760 --> 00:16:10,160
I've always wanted to meet him.
Um, I'll leave you.

229
00:16:11,400 --> 00:16:14,840
Let this bloom. Like a good investigation.

230
00:16:18,960 --> 00:16:20,240
[door shuts]

231
00:16:20,320 --> 00:16:22,160
-Give me a pen and paper.
-What?

232
00:16:22,240 --> 00:16:24,040
Alfred needs a new letter.

233
00:16:26,440 --> 00:16:28,640
-I missed you, too.
-[giggles]

234
00:16:29,720 --> 00:16:31,000
Alicja!

235
00:16:31,080 --> 00:16:35,000
-You crossed the line this time.
-Because I told her the truth?

236
00:16:39,040 --> 00:16:42,000
Am I supposed to teach you
how to hold your tongue?

237
00:16:42,080 --> 00:16:43,560
The end is nigh.

238
00:16:45,280 --> 00:16:46,840
[metal clinking]

239
00:16:46,920 --> 00:16:48,920
[birds chirping]

240
00:16:49,000 --> 00:16:51,000
[gentle, instrumental music]

241
00:16:56,160 --> 00:16:57,240
[Slit] Oh!

242
00:16:57,320 --> 00:16:58,240
[door shuts]

243
00:17:00,840 --> 00:17:02,440
Perfect timing.

244
00:17:03,320 --> 00:17:04,640
We came for you.

245
00:17:05,680 --> 00:17:07,400
Masarz wants to punish me?

246
00:17:08,320 --> 00:17:10,320
[sinister music]

247
00:17:18,000 --> 00:17:19,680
[sinister music ends]

248
00:17:20,760 --> 00:17:21,840
[Slit] Get in.

249
00:17:27,840 --> 00:17:30,280
[footsteps approaching]

250
00:17:32,920 --> 00:17:34,160
Have you seen Alicja?

251
00:17:34,240 --> 00:17:35,760
-Indeed.
-[Zuza] Where?

252
00:17:36,640 --> 00:17:37,880
The window.

253
00:17:37,960 --> 00:17:38,880
What?

254
00:17:40,400 --> 00:17:41,440
The window.

255
00:17:42,080 --> 00:17:43,120
Never mind.

256
00:17:44,200 --> 00:17:45,880
[engine revving]

257
00:17:46,640 --> 00:17:50,640
[suspenseful music]

258
00:17:50,720 --> 00:17:52,240
Let's follow her.

259
00:17:59,240 --> 00:18:04,120
-[Zuza] What the hell is she up to?
-[Kinga] Don't wind yourself up.

260
00:18:04,200 --> 00:18:07,520
Sick visions, lack of sleep,
a month of work underground.

261
00:18:07,600 --> 00:18:08,840
She's lost it.

262
00:18:18,000 --> 00:18:20,160
-Have you known Kinga long?
-Quiet.

263
00:18:20,720 --> 00:18:22,360
The boss said not to talk.

264
00:18:24,400 --> 00:18:26,400
[blinker beeping]

265
00:18:33,000 --> 00:18:37,040
-Why are we going to the base?
-[Slit] No one's gonna see anything here.

266
00:18:44,680 --> 00:18:45,760
[trunk lock clicks]

267
00:18:45,840 --> 00:18:47,720
[suspenseful music]

268
00:19:14,320 --> 00:19:15,360
Oh, fuck.

269
00:19:16,560 --> 00:19:18,840
Got anything in the trunk? A crowbar?

270
00:19:36,800 --> 00:19:41,160
["Caprice No. 24" by Paganini playing]

271
00:19:57,640 --> 00:20:00,280
Please forgive
the urgency of the situation,

272
00:20:00,360 --> 00:20:04,360
but the full moon awoke the classic
and raging Taurus in me.

273
00:20:04,440 --> 00:20:06,720
And I sent for you immediately.

274
00:20:07,720 --> 00:20:11,000
I hope… you like scallops.

275
00:20:19,120 --> 00:20:21,920
Do you bury
all your victims in the garden?

276
00:20:22,000 --> 00:20:22,880
Ouch.

277
00:20:26,920 --> 00:20:29,960
[chuckles] Your tune is rather gloomy.

278
00:20:31,600 --> 00:20:33,600
[music continues]

279
00:20:43,960 --> 00:20:48,120
Why don't we… start anew?

280
00:20:49,160 --> 00:20:50,640
Krzysztof.

281
00:20:53,160 --> 00:20:55,680
-Alicja.
-[Zuza] Are you seeing what I'm seeing?

282
00:20:55,760 --> 00:21:00,840
If she mentions betrayal one more time,
I'll slice her artery with this scraper.

283
00:21:03,160 --> 00:21:04,000
[chuckles]

284
00:21:04,080 --> 00:21:09,400
You really thought I'd take revenge on you
for that little incident in the club?

285
00:21:11,400 --> 00:21:13,200
Why do you need that Venus?

286
00:21:14,160 --> 00:21:15,320
Alicja…

287
00:21:17,960 --> 00:21:19,120
[sighs]

288
00:21:19,200 --> 00:21:22,680
Even if I wanted to tell you that--

289
00:21:22,760 --> 00:21:23,880
[phone ringing]

290
00:21:23,960 --> 00:21:25,000
Oh, excuse me.

291
00:21:27,760 --> 00:21:28,800
It's urgent.

292
00:21:28,880 --> 00:21:30,880
[music continues]

293
00:21:41,200 --> 00:21:42,200
Hello?

294
00:21:43,480 --> 00:21:44,360
Relax.

295
00:21:44,440 --> 00:21:46,880
You know I'm good at covering my tracks.

296
00:21:57,760 --> 00:22:00,840
Chief, your hands are clean as always.

297
00:22:00,920 --> 00:22:03,000
I'll deal with the Gang myself.

298
00:22:20,240 --> 00:22:21,760
[gentle music playing]

299
00:22:21,840 --> 00:22:22,760
Good evening.

300
00:22:22,840 --> 00:22:25,040
[indistinct conversations around]

301
00:22:25,120 --> 00:22:28,640
Someone booked a table for two for 8 p.m.

302
00:22:30,880 --> 00:22:32,240
Of course. Tomasz?

303
00:22:33,160 --> 00:22:34,080
This way.

304
00:22:36,720 --> 00:22:37,560
Go ahead.

305
00:22:53,720 --> 00:22:55,400
Hello, Tomek.

306
00:22:57,880 --> 00:23:00,280
Haven't I seen you somewhere before…?

307
00:23:02,480 --> 00:23:03,640
Ah!

308
00:23:04,440 --> 00:23:05,280
Second Home.

309
00:23:06,840 --> 00:23:08,120
[chuckles]

310
00:23:09,880 --> 00:23:11,720
I won't beat around the bush.

311
00:23:11,800 --> 00:23:15,640
I know about you,
your mother, and the club.

312
00:23:17,000 --> 00:23:19,600
I have no idea what you're talking about.

313
00:23:21,360 --> 00:23:23,480
How's the work in the tunnel going?

314
00:23:28,000 --> 00:23:29,440
I have an offer.

315
00:23:37,160 --> 00:23:39,160
[classical music continues]

316
00:23:43,160 --> 00:23:44,160
A toast to…?

317
00:23:47,280 --> 00:23:50,120
Maybe an evening full of honesty?

318
00:24:02,640 --> 00:24:03,800
[whispering] Duck!

319
00:24:25,760 --> 00:24:27,160
A great vintage.

320
00:24:37,600 --> 00:24:40,360
[whispering] You want me
to sell out my mom?

321
00:24:41,320 --> 00:24:43,640
It's doable, knowing your situation.

322
00:24:48,080 --> 00:24:50,760
Does the name Krzysztof Masarz
ring a bell?

323
00:24:53,080 --> 00:24:54,760
He's an old friend of mine.

324
00:24:55,360 --> 00:24:56,240
Is he?

325
00:24:57,600 --> 00:24:58,480
Interesting.

326
00:24:59,840 --> 00:25:02,800
And he didn't tell you
he's the owner of the club?

327
00:25:04,160 --> 00:25:06,760
I think it's best not to get in his way.

328
00:25:07,800 --> 00:25:10,720
But, as you said,
you know him better, yes?

329
00:25:11,960 --> 00:25:12,960
That's true.

330
00:25:15,040 --> 00:25:17,760
And I bet he'll want
to turn the Gang in, too.

331
00:25:19,680 --> 00:25:22,760
The question is whether
he'll offer you as much as I.

332
00:25:32,720 --> 00:25:33,560
[Alicja] Well?

333
00:25:34,800 --> 00:25:37,640
We drank to honesty.

334
00:25:38,320 --> 00:25:40,320
What do you need the figurine for?

335
00:25:41,040 --> 00:25:45,440
[Masarz] Um, that's not the kind
of honesty I had in mind. [chuckles]

336
00:25:45,520 --> 00:25:48,320
Honesty about feelings, yes.

337
00:25:49,480 --> 00:25:53,080
But business… prefers silence.

338
00:25:53,160 --> 00:25:54,440
[giggles]

339
00:25:55,200 --> 00:25:57,000
Do you have a buyer for it?

340
00:25:57,560 --> 00:25:58,840
Alicja.

341
00:26:00,200 --> 00:26:03,640
Don't put me in an uncomfortable position.

342
00:26:03,720 --> 00:26:06,480
[chuckles] But… it's a simple question.

343
00:26:06,560 --> 00:26:08,160
Yes or no?

344
00:26:10,840 --> 00:26:14,600
[gentle, magical ringing]

345
00:26:21,240 --> 00:26:23,280
[with sad voice] I'm afraid of death.

346
00:26:25,080 --> 00:26:27,280
That figurine has a certain power.

347
00:26:27,960 --> 00:26:30,480
Not the figurine, actually, but its stand.

348
00:26:30,560 --> 00:26:33,000
It's made in a way that…

349
00:26:35,320 --> 00:26:37,040
You have a power too, right?

350
00:26:38,600 --> 00:26:40,400
You can foresee things?

351
00:26:43,160 --> 00:26:44,520
Have you always had it?

352
00:26:44,600 --> 00:26:47,280
[lights flickering loudly]

353
00:26:51,880 --> 00:26:55,920
That just… happens sometimes.

354
00:26:56,720 --> 00:26:59,760
When I lose control over strong emotions.

355
00:27:01,800 --> 00:27:05,120
All right, let's get back to that Venus.

356
00:27:05,200 --> 00:27:08,920
Living with a gift like that is tough,
isn't it?

357
00:27:10,640 --> 00:27:12,120
It must be…

358
00:27:14,040 --> 00:27:15,760
a lonely life.

359
00:27:15,840 --> 00:27:19,400
[slow, melancholic music]

360
00:27:21,760 --> 00:27:23,240
I have two friends.

361
00:27:29,840 --> 00:27:32,560
But they know that, just like a cat,

362
00:27:33,600 --> 00:27:35,600
I need to be alone sometimes.

363
00:27:37,760 --> 00:27:41,120
I need to go my own way sometimes.

364
00:27:48,440 --> 00:27:50,160
And not everyone likes cats.

365
00:27:52,800 --> 00:27:54,160
And apart from them?

366
00:27:55,840 --> 00:27:58,840
[slow, melancholic music continues]

367
00:28:00,880 --> 00:28:03,440
I've been in a few
tumultuous relationships.

368
00:28:09,040 --> 00:28:10,560
Men feared me.

369
00:28:13,040 --> 00:28:13,920
I…

370
00:28:22,360 --> 00:28:23,600
I like cats.

371
00:28:29,960 --> 00:28:31,240
[both chuckle]

372
00:28:31,320 --> 00:28:34,520
[Masarz] What's the dumbest thing
you've done lately?

373
00:28:34,600 --> 00:28:35,960
-[Alicja] Listen…
-[laughs]

374
00:28:36,040 --> 00:28:39,720
[Kinga] I've been watching them
horsing around for the last half hour.

375
00:28:39,800 --> 00:28:41,800
[whispering] What the fuck is this?

376
00:28:43,200 --> 00:28:44,840
A Mazurian cabaret night?

377
00:28:44,920 --> 00:28:47,800
[Alicja] I kept getting Our Town!
Can you imagine?

378
00:28:48,480 --> 00:28:52,600
[phone vibrating]

379
00:28:52,680 --> 00:28:54,680
-Zuza, turn that off!
-Okay.

380
00:28:55,280 --> 00:28:57,080
-Not now, Tomek!
-Turn it off!

381
00:28:57,160 --> 00:28:58,440
But it's urgent!

382
00:28:59,200 --> 00:29:00,040
[single beep]

383
00:29:00,120 --> 00:29:02,000
[busy tone]

384
00:29:02,080 --> 00:29:03,360
[smacks lips]

385
00:29:03,440 --> 00:29:05,440
-[door shuts]
-[engine revving]

386
00:29:06,800 --> 00:29:07,640
Hey!

387
00:29:09,080 --> 00:29:09,960
Taxi!

388
00:29:14,720 --> 00:29:19,280
[upbeat, cheerful song playing]

389
00:29:25,000 --> 00:29:27,440
[police sirens]

390
00:29:27,520 --> 00:29:28,800
[Alfred] "Son."

391
00:29:29,400 --> 00:29:32,680
"No metaphors today, just solid stuff."

392
00:29:34,040 --> 00:29:39,320
"There's some sort of shady renovation
going on in the back of the Senior club."

393
00:29:39,400 --> 00:29:41,720
[quirky, suspenseful music]

394
00:29:41,800 --> 00:29:44,880
"You have to ignore the chief's threats

395
00:29:45,920 --> 00:29:47,920
and raid the place."

396
00:29:50,120 --> 00:29:52,360
"Don't let yourself be pushed around."

397
00:29:56,080 --> 00:29:57,440
"Hugs, Mom."

398
00:30:00,480 --> 00:30:02,120
[music ends]

399
00:30:02,200 --> 00:30:05,120
[Masarz] I was a little off the mark
with those scallops.

400
00:30:06,400 --> 00:30:11,320
I'll remember that scallops
aren't your favorite culinary delicacy.

401
00:30:11,400 --> 00:30:12,840
[Masarz and Alicja chuckle]

402
00:30:14,200 --> 00:30:16,280
Our moon got a bit overcast.

403
00:30:16,360 --> 00:30:17,240
Mm-hmm.

404
00:30:18,640 --> 00:30:22,600
You know, I don't remember…
the last time I had this much fun.

405
00:30:22,680 --> 00:30:24,080
[crickets chirping]

406
00:30:24,160 --> 00:30:28,920
Maybe when I made fun of you
in front of your men. [chuckles]

407
00:30:29,000 --> 00:30:31,360
-So, the day before yesterday?
-Exactly.

408
00:30:31,440 --> 00:30:33,240
[both chuckle]

409
00:30:33,320 --> 00:30:35,680
But if you're not burying people,

410
00:30:35,760 --> 00:30:38,560
then what were they doing
with those shovels?

411
00:30:38,640 --> 00:30:41,240
I told them to plant roses.

412
00:30:42,120 --> 00:30:43,480
As an apology.

413
00:30:44,520 --> 00:30:46,360
I don't like cut flowers.

414
00:30:51,640 --> 00:30:52,720
I prefer heather.

415
00:30:57,680 --> 00:31:00,360
["Lisa Sawyer" by Leon Bridges playing]

416
00:31:11,080 --> 00:31:17,320
♪ She was born in New Orleans ♪

417
00:31:17,400 --> 00:31:21,960
♪ New Orleans, Louisiana ♪

418
00:31:24,560 --> 00:31:30,000
♪ Branded with the name, Lisa Sawyer ♪

419
00:31:31,000 --> 00:31:34,440
♪ Circa 1963 ♪

420
00:31:39,440 --> 00:31:44,800
♪ Grandmother was Indian, Indian ♪

421
00:31:44,880 --> 00:31:45,840
[engine starting]

422
00:31:45,920 --> 00:31:48,320
♪ Her mother's name is Eartha ♪

423
00:31:48,400 --> 00:31:52,480
♪ Swift as the wind, fierce as fire ♪

424
00:31:53,240 --> 00:31:57,880
♪ Father's name was Victor ♪

425
00:31:59,200 --> 00:32:02,720
Bruiser, order more of that wine.

426
00:32:04,560 --> 00:32:08,240
And dig up those roses and plant heather.

427
00:32:08,320 --> 00:32:12,000
♪ She was the youngest of seven ♪

428
00:32:12,080 --> 00:32:14,160
♪ Seven ♪

429
00:32:14,240 --> 00:32:17,640
She grew up on Luisa Street

430
00:32:17,720 --> 00:32:23,000
-[song fades]
-[music from the pedicab grows louder]

431
00:32:23,080 --> 00:32:28,280
[song and music fade and slow down]

432
00:32:35,920 --> 00:32:37,120
[Tomek] Stop!

433
00:32:39,640 --> 00:32:41,240
Faster! I'll pay you extra.

434
00:32:44,120 --> 00:32:47,160
[song continues dimly, echoing]

435
00:32:49,480 --> 00:32:51,000
Hi, this is Krzysztof.

436
00:32:52,400 --> 00:32:54,520
I'm withdrawing from the heist.

437
00:32:55,760 --> 00:32:57,400
Yes, withdrawing.

438
00:32:57,480 --> 00:32:59,520
And the Gang is withdrawing, too.

439
00:33:00,320 --> 00:33:02,640
That wasn't the deal.

440
00:33:02,720 --> 00:33:04,720
[suspenseful music]

441
00:33:09,200 --> 00:33:11,200
[classical music playing throughout]

442
00:35:01,200 --> 00:35:02,360
[classical music ends]

443
00:35:02,440 --> 00:35:05,320
[quirky, upbeat music playing throughout]

444
00:37:32,320 --> 00:37:37,320
SDH subtitle translation by:
Krzysiek Igielski