- ♪♪ MTV ♪♪
- I'm Tami Roman.
I have been cheated on before.
You [bleep] my man when I was married to him.
I even wrote a book about it.
And I've made it my mission to help suspicious lovers
catch their cheating partners in the act.
- You know what's been going on ever since--
- You're disrespectful as [bleep].
- What is this?
- Oh!
- Together with my relationship expert...
- She just slept with him last night.
Is that the kind of guy that you wanna be with?
- And stealthy investigation team...
- What do we have here? She's busted now.
- We won't stop until we find the truth.
Are you sure you wanna see this footage?
Once our investigation is complete,
the suspicious lover can team up
with the partner's other lover...
- I think we have a person in common.
- Or take down both of them in an undercover ambush.
- That's what the [bleep] we're doing, Katy?
- We're not together.
- So I'm not taking care of your kids at the crib?
- Cheaters, beware.
- Why do you have cameras? - Consider them my team.
- You put her in a position to act like it.
- Do you want him?
- Both of you are the victim of deception.
- Do you see him taking his [bleep] pic?
- He's taking what?
- Tami!
Tami!
- Nobody should think they're better than anybody else
because y'all all [bleep] been played.
And that's just the truth.
This is "Caught in the Act: Unfaithful."
- ♪♪ Got it like, got it like ♪♪
♪♪ Got it like, got it like this ♪♪
♪♪ Want to take a swing? ♪♪
♪♪ No, I never miss ♪♪
♪♪ Got it down bad ♪♪
♪♪ Yeah, you want a kiss ♪♪
♪♪ Because I'm that chick on everybody list ♪♪
♪♪ Got it in the bag ♪♪
♪♪ They wonder what it is ♪♪
♪♪ Everybody minds ♪♪
- Hello, Miniyah. - Hi.
- How are you? - I'm good. Hello, beautiful.
- It's a pleasure meeting you. - Pleasure meeting you as well.
- Thank you so much for coming.
So let's talk.
First, I want to get to know a little bit more about you.
- OK.
I'm a medical assistant.
I am a single mom of two boys.
They are Irish twins,
so they are the same age for eight days.
- I have Irish twins.
- Do you? - I do.
My daughters are the same age but a little further apart.
Yeah. - OK.
- So tell me about your-- your upbringing.
- I got some rough parts because my mom was rough,
you know?
So I had to be home by the streetlights
or it was a problem. [laughter]
That's what it was. - I come from that too.
- And you would think I would stay out of trouble.
[laughs]
- But you didn't, I'm getting the feeling.
- I was just sassy.
- Oh, yes, you know, I learned quick.
Yeah.
So now I want to know about your first relationship.
- So my mom moved me when I was 14.
- OK.
- And so I met my kids' father,
and I loved him because he was a good friend to me.
But I really have been a lesbian my entire life.
- Oh. - I knew I was different.
I just was afraid to be different.
- Wow.
Let's fast forward a little bit.
The relationship that you're here to talk to me about,
how did y'all meet, and what's that person's name?
- Her name's Jay.
- Jay.
- We met social media, actually,
through some friends. - OK.
So how long have you and Jay been together now?
- So we've been together since 2016.
- How long before you guys decide to make it official?
- Meh, lesbian relationships move really fast.
Um... - Baby, when you say quick--
- With her, it took maybe about six or seven months
before we decided to give a title.
- That's still a good length of time.
So before you tell me how it changed,
tell me how it was, how it started.
- Amazing.
Like I said, instantly charming
and very charismatic.
And she was a sweetheart.
It was just--we were--
we meshed very well.
Like, she understood me.
I'm the type of person where if I'm having a bad day,
I completely forget my bad day once I see her face.
- What does Jay do?
- She's a dancer, a stud dancer.
- I'm sorry?
- It's like a Magic Mike for--for--for gay women.
- Oh. - Yeah.
[laughs]
- It's a lane for everything.
- Yeah, I discovered it later on in life.
- You said a stud dance. - Yeah.
- So Jay is a stud?
- Yes. - OK.
- She dresses like a guy,
but she doesn't want to be a guy.
- Right. - Yeah.
- Understood.
See, I could never date a stripper.
Like, it wouldn't-- it wouldn't work for me.
- I'm not gonna say I'm jealous,
but I'm very possessive.
I'm not a sharer-er.
I didn't do Barney where sharing is caring.
- You don't play well in the sandbox.
- I don't know caring-- - With others.
- Right.
- And so what was that conversation,
like, when you guys finally talked
about what she does for a living?
- It was, why?
Is it something you just like,
or is it something you do because you need money?
Like, help me understand.
She was like, I like it. You know what I'm saying?
I feel like I'm an entrepreneur.
I feel like I bring in my own coins.
Once we did get into a relationship,
it was just like, be respectful.
- Yes. - Respect my feelings.
- And respect that you in a relationship.
- Yeah, and once we had that, we were good.
So I started to manage her.
That's how she tried to make me feel included.
- Oh, you were managing the stud dancing?
- Yeah, because I started to book her.
- Got it. - Pick the venue,
make sure the safety was in check.
- Got it. - I started to make sure
her wardrobe was already set,
things that I approved of because, you know--
- Yeah, just making sure your woman is
respecting the relationship.
And had she met your children?
- OK, so because I'm a at-home mom
and my kids live with me, you're gonna meet my children.
So it took about four months for her to meet my kids.
I think--
- Four months is not enough time to know
it's gonna be something.
- That's very true.
I think my mindset was, though,
a lot of lesbians go in,
and when they bring someone, it's like, oh,
you're gonna be the new parent to my child.
That was never my intention.
They have a relationship with their father.
You're here to be my companion, but you have to get along
with my kids as well.
- Right.
So six years have gone by now,
and you are here with me
to say something's wrong in this relationship.
- Mm-hmm.
It came to a point where I was asked
not to come to the gigs anymore like I used to.
"Ah, you just do too much for me."
Mind you, I'm sitting here watching.
You just feel like you under surveillance.
"Oh, I feel like you're my PO officer."
- And you felt a shift.
What else shifted?
- Birthdays, holidays, things that we spent together
that was important to us wasn't so important anymore.
Then it became a, "Oh, it's all about your kids.
I don't fit."
- Well, you know, some people feel like
when they get into relationships, right,
children, if they don't have children themselves,
they feel like the children are a distraction.
And that's unfortunate.
So have you had a conversation to ask Jay,
are you cheating?
- I've asked on many occasions.
- And what she say?
- I'm insecure.
"You too worried about what I do.
"Maybe that's what it is.
You can't take what I do."
This ain't got nothing to do--
- So she tries to flip it on you
and basically act like what you see,
what you feel you know is not happening.
- Correct.
- You guys live together? - Not anymore.
I was at work and got a text message
about how she need her space.
- How long has this been going on?
- It's been about 10 months.
- OK.
So you now are sitting here
wanting to get proof, validation,
you know, be armed with information
on something I think you know already.
- See, the problem that I have with Jay is,
if I come to you direct and just say, OK,
well, go ahead, do you and move on,
"Why is that the only thing with you?
You so quick to pack up and just say, no, I'm gone."
If I'm in my house and I don't answer her phone call,
I could be in the bathroom or in the kitchen,
baby, she at the door
or she's calling me a million and one times.
- OK.
- So here goes the pushing me out
and pulling me back in,
and it's like I'm being in limbo
because I'm constantly asking you,
and we constantly going in this circle of BS.
- Mm. OK.
Do you still want to be in the relationship with Jay?
- I do.
I love her very much because I adore her as a person.
I realize that when I weighed our pros and our cons,
you're good for me as a person.
This just might be a bad space in your life
where you don't know how to maneuver.
I feel like it's things that can be worked out.
- Is there somebody in particular that you think
she could be cheating with?
- No, but I know her line of work.
And again, she can be a flirtatious individual
during her work.
- Mm-hmm.
So--OK, so you want me to figure out
what's going on in your relationship.
I absolutely can do that.
- Mm-hmm.
- So what I would need for you to do
is send me a list of all of Jay's favorite places
so that we can put some surveillance on her
and see what's happening in her day to day.
In the meantime, you be normal,
and I will call you should I get anything.
- OK. - OK?
- ♪♪ Ay, ay, I'm just running with my crew ♪♪
♪♪ I'm just running with my crew ♪♪
♪♪ Steady working, making moves ♪♪
♪♪ Aw, yeah, you money ♪♪
- Day one.
We've got Jay and Miniyah.
Miniyah reports that Jay has moved out of the home
that they share and is staying with her cousin.
We couldn't put cameras in the home, so what we've done
is set up a private appointment with Jay.
So Jay will meet up with our decoy,
and hopefully, we can get an idea
of what's going on in these private dances.
[tense music]
♪♪ ♪♪
OK.
So she's taking off, which means I'm taking off too.
♪♪ ♪♪
It looks like she's pulled in to park
in front of a restaurant.
Looks like I'm going in,
so I'm gonna take in the glasses.
These little spy cams are always a good disguise.
It gives us a good view.
♪♪ ♪♪
Hold on a second, checks files, because nowhere
under place of employment was a restaurant listed.
This is like a secret job that her partner doesn't know about,
her business partner doesn't know about.
OK.
We've got movement.
♪♪ ♪♪
We have arrived at our destination.
Now I got a little spot here to tuck into and wait
for the magic to happen.
♪♪ ♪♪
So I've got Jay going in.
Perfect.
Now, I've already preset cameras at this location,
remembering that all three of these "customers"
are actually my decoys.
- Yeah.
- That's a--I don't know what you call it.
I do it at the gynecologist's office for my pap smear,
but she's doing it.
[chattering and cheering]
[upbeat music]
♪♪ ♪♪
So this is specifically set up
because Miniyah had some questions
about what went on at these appointments.
And in all honesty, she's just providing the service
I would expect for her to provide.
[tense music]
♪♪ ♪♪
All right, she's leaving.
♪♪ ♪♪
OK, she's into a driveway, not her cousin's house.
She let herself in.
This is not the cousin's house where she's staying
and I would expect her to have a key.
So where is this?
- ♪♪ Please tell me who gonna show me ♪♪
♪♪ Top tier chica ♪♪
♪♪ All these dudes gonna press me ♪♪
- Morning to ya.
Picking up where I left my girl.
She came to this house last night,
and this house was not in the briefing.
So now I'm back this morning waiting to see
if we can find out not only whose home this is
but who she's there with, if it's herself,
if it's a cousin
that she didn't cop out to staying with.
I don't know.
So waking up with Jay to see where she takes us today.
[tense music]
♪♪ ♪♪
Oh, perfect, perfect, perfect.
My girl is on the move,
and now she's leaving with somebody.
[shutter clicking]
♪♪ ♪♪
So I'm gonna have to get on some surveillance equipment
and get out on foot.
I'm gonna go with the glasses.
I think the glasses would be good for this one,
the glasses cam.
- Now we got something.
Now we know a little bit more.
They're talking about business loans.
I mean, that's more commitment than marriage.
Oh, [bleep].
And these young ladies are on the move again.
[dramatic music]
♪♪ ♪♪
I'm not pleased with how thick traffic's getting.
[exhales]
[bleep] me.
Hold on. [horn honks]
This isn't gonna work for me at all.
[horn honks] [bleep] me.
[bleep]. I need to...
[bleep].
Not be stuck behind orange cones and stupid trucks.
♪♪ ♪♪
So I lost them.
I'm gonna have to go back to one of the known locations.
[tense music]
Yahtzee.
They made it back to the mystery house.
♪♪ ♪♪
She may be in for the night.
I mean, I've been sitting here a while,
and I'm pretty confident that this is where
she's gonna be for the night.
- ♪♪ Going in, going in, going in, yeah ♪♪
♪♪ Where the back end? ♪♪
♪♪ Give it to a friend, yeah ♪♪
- So she's here this morning.
Unanswered questions.
There's a mystery house, a mystery woman.
Oh.
Let's see.
Loading up for somewhere.
Seat belt.
[tense music]
♪♪ ♪♪
They're turning into a park.
OK, not very crowded.
So I'm just here at the park to relax
and see what they're at the park to do.
And in the trunk, working out bags.
That might be a cooler.
So there's not a lot of people in the park today.
So we've got-- it's a water bottle cam.
I've got my camera here.
♪♪ ♪♪
- [laughs]
[both laughing]
♪♪ Can you blame us? ♪♪
♪♪ Dumb money, fast life, and famous ♪♪
♪♪ Can you blame us? ♪♪
- Well, look who I found.
Ms. Miniyah, this is Coach Ken.
- Hello. How are you?
- I'm good, and yourself? - Great to meet you.
- Have a seat for us. - I got you.
- So thank you for coming so quickly.
As I promised, my PI sent me the footage.
I've looked at it.
And so that's why I've called
Coach Ken here along with you
because he's our relationship expert.
He's here to help you process emotions.
- Gotcha. - OK?
So I have to ask you before we get started,
should I show you this footage?
Because it could change your relationship
with Jay going forward.
- It can't be any more stressful than it is right now.
- OK, so let's go.
This was our first day of surveillance.
So we follow her to this establishment.
We actually put surveillance inside.
And Jay is working.
- She works?
- Well, you didn't say anything about her
having a different job,
but she actually did a full shift.
- OK.
Mm.
- You're angry about this. - Very.
- Why are you angry?
- First of all, when I go to work
and my check come out, what's mines is yours.
- Right.
- So at what point was you gonna tell me?
- Ready to keep going? - Mm-hmm.
- Now, day did turn to night.
We had our decoy call you to set up the dancing
so that we could see what was going on inside.
So I was real into this part of the footage
because I was like, what happens
at the stud dancing event?
- So she pulled out the tricks and [bleep], OK?
- But they look like they having a great time.
She leaves the private event.
[tense music]
Do you know this location?
- No. - OK.
I was hoping you could give me clarity
because we didn't know.
She didn't go home.
So clearly, that's not your house.
- Definitely not with the tacky-ass front door.
- Girl, if you don't stop knocking on this damn table.
You making me nervous.
- My nerves is bad.
- [laughs]
And that was Jay's day.
So let's go to our next day of surveillance.
Stayed all night at the house you don't know.
- What the [bleep] is that?
- Well, that's whose house that is.
But you still don't know this person?
- No.
- So they end up here.
They're going shopping.
- Oh.
OK. Mm-hmm.
- Going into business with another person
when she has a business with you.
- She can't even manage her own [bleep] money.
- But they're talking about getting
a business loan together.
- Mm-hmm, and she gon' run right through it.
- We're gonna watch the next clip.
- Mm.
- So they end up at this park.
- [pops tongue] Cute.
Ooh.
A picnic.
- Uh-huh.
- [chuckles] Mm.
- As a mother, I'm putting aside my life
to still manage your business.
This ain't my business.
Meanwhile, you leaving me to play house with somebody.
- Because what you say to us, Coach?
- No, you talking about cushioning, in this case,
where you got somebody else
waiting for the fall of this relationship.
That's what cushioning is.
What she does is, she created this image with the assumption
that we're gonna be a couple committed in a relationship.
And so the other person in this is tied to that.
- I got more for you to see, for sure.
- So then it made sense.
She's giving that money to this woman.
- [gags] All right.
I'm already on to what's going on.
Now you opened the door.
What's so funny is, too, what makes me angry
is that you went out and got a job
to prove something to somebody you just met.
Meanwhile, I'm making sure you good,
but I'm the one putting in all the work.
- Yeah.
- I do want to offer you two options.
The first one is called a team-up,
which will allow you
to sit with the young lady, and any questions,
clarity you want to get, you know,
you can have that conversation with her,
and then the both of you can go to Jay together
and have a conversation and confront Jay.
Or the next one is called a takedown.
And that's where we continue surveillance.
Should we catch the two of them together,
I will pick up Ken,
we'll come pick up you,
and you can go catch them in the act
and have a conversation with the both of them
at the same time. - Mm-hmm.
- Those are the options.
- I would rather team up because I--
I do have some questions,
not that I want to be your bestie.
- I'm happy to hear you say that
because she's oblivious.
She don't know what's going on. - Mm-hmm.
I appreciate your help.
And I'm--I'm open to hear what she has to say.
- OK.
- Even if I got to scrape my teeth.
[upbeat music]
♪♪ ♪♪
- Here she comes. Come on in.
Hello. Come on up. - Hi, Miniyah.
- Have a seat right here.
- How are you? - I'm doing well.
So what happened was, my PI was able to find out
the name of the lady that Jay is seeing,
and her name is Brittany.
We were able to secure that information
because we already had her address.
And so we are headed there now
so that you can have that one-on-one conversation
with her.
We are hoping that both women
are able to keep it cute
so that we can get some answers to questions.
Who are you?
Did you know about me?
How long have y'all been together?
You know, Jay has a whole nother job.
- And I think that's the biggest thing for me.
You took your time to find a job
and literally hand your money over
to someone that you just met.
- OK, well, we are here.
My cameras are going to follow you.
And should I feel the need to step in,
Coach Ken and I will be there.
- OK. - Let's go.
- And it's the door with the wreath.
[tense music]
♪♪ ♪♪
- What the [bleep]?
Why are all these cameras around here?
- Brittany home? - What's up?
- How you doing? I'm Miniyah.
I think we have a person in common.
What's your relationship to Jay?
- Who are you?
- We need to have a conversation.
- Well, if you wanted to have a conversation as a woman,
you didn't have to do all of this.
We could have just had our conversation.
- OK, so do you know someone named Jay?
- Yeah, that's my woman. We together.
- Oh, yours too? - Not possible. How?
- Did you know about me?
Because-- - Obviously not. This is weird.
- I'm coming to you as calm as--please--
- All these people out here. There's all these cameras.
I'm not finna do that. No, I'm not.
You don't get to tell me how I can act.
- Oh, God, she's stretching her neck.
Let's go.
- This is weird.
- I'm coming to you as calm as--please keep--
- I'm not finna do that. No, I'm not.
- Oh, God, she's stretching her neck.
Let's go. - [bleep]
- So you the crazy manager?
- Ain't nothing--crazy?
- Oh, well, I stepped in right on time.
- Oh, appreciate it.
- So listen, Brittany, my name is Tami Roman,
and you're on a show called "MTV's Caught in the Act."
So Miniyah came to me because she thought
there was some infidelity in her relationship with Jay.
We put Jay under surveillance to find out
that Jay was engaging in certain activities with you.
So she wanted to come here
to have a conversation with you,
to find out what really is the extent
of your relationship with Jay.
That's all she wanted. I mean, can we come inside?
- I guess we can talk.
- Let's--let's all go. You ready, Ken?
- Yeah.
[tense music]
- Just so that you know, this is Coach Ken.
He's a relationship expert, and he assists me
when people come to me seeking answers.
- How did you get my address? How did y'all--
- That's my job. - Boop.
- That's me.
So go ahead, Miniyah.
- Like I said, I'm her girlfriend,
been her girlfriend for six years.
I thought I would come and ask the questions
that needed to be asked and give you a chance
to explain whether or not you knew about me
and what your relationship is with her.
- OK, so, well, me and Jay been together for about a year.
- Ooh. Yeah.
- I didn't know nothing about you.
- But you knew Jay had a manager.
- That's it. That's all I knew.
A crazy manager. - That was--a crazy manager?
Is that how Jay described Miniyah to you,
as the crazy manager? - As her crazy manager.
- Mm. - Well...
- That she's trying to get away from.
I don't understand, because how does Jay even have
time to spend time with you?
She's with me majority of the time.
Like, all the time, actually.
- So to be honest, the day that y'all spent together
going to the picnic and whatnot,
she came back to my home.
- Mm-hmm, she did.
- I just don't understand.
It really is locked in that, like, she--she--
she be here with me.
She gives me money. She take care of the household.
Like, she clearly left you. - Oh.
- You think you won't get your ass beat in my house?
- I will beat you. - Hit me.
- Bitch, I will--oh, girl!
You [bleep] ass bitch.
I will drag you.
- [bleep] fine-ass bitch just got yo' bitch.
Ha-ha. - Not my bitch.
She's your bitch.
See, the difference is, I know when to quit.
You don't. - Yeah, but--but you mad.
But you're mad.
- I'm mad 'cause you [bleep] crazy.
- 'Cause you're mad. - Over a bitch I gave you.
- We're gonna get on out. - You get the [bleep] out.
- How about you put me out? - We're actually gonna--
- [bleep].
- Pop that [bleep] so, bitch, you could beat.
- Brittany. - You could never.
- Brittany. Listen. - You could never.
- Listen. Look--look--look at me.
Don't pay attention.
So if you're absolutely sure that Jay is 100% with you,
you, for sure, are gonna be a part of this situation.
We're gonna have Miniyah contact Jay,
say that there is some type of event
that Jay has to come dance to.
And let's just get Jay in a room
where both of you can have a conversation with her, OK?
- OK. - OK?
And I'll reach back out to you.
[dramatic music]
- ♪♪ I'm ready for war ♪♪
♪♪ Uh-huh, look into my eyes ♪♪
♪♪ I'm ready for war ♪♪
♪♪ Never gonna stop me ♪♪
♪♪ I'm ready for war ♪♪
♪♪ Uh-huh, look into my eyes ♪♪
♪♪ I'm ready for war ♪♪
- Baby, you did that,
getting Jay to believe there's a booking.
We were able to get Brittany already at the location.
We've also been able to put cameras inside of the house
so that we can see what's going on inside.
I'm gonna turn on the monitor.
- I wonder what color chaps she got on today.
- Mm.
- A car's pulling up.
- Oh, Jesus, be with me.
There we go, chapped up.
- There's the chaps.
- My hands are shaking.
[tense music]
♪♪ ♪♪
- You ain't expect to see me, did you?
- What you even doing here?
- That stupid face.
- What you think I'm doing here?
Surprise, surprise, [bleep].
- I am surprised because this supposed to be a booking.
To see that you--
- Who the [bleep] is Miniyah?
And why she pop up at my house?
She seems to be a little bit more than just your manager.
Apparently, y'all are in a relationship?
Why am I just now finding out about this?
Why you got me out here looking stupid?
Why the [bleep]-- - The grin.
- That bitch came to my [bleep] house.
- I mean, I'm with you.
- Well, then she needs to know that
because clearly, she thinks otherwise.
- All right.
All right, let's go right in here.
- What?
She came to my house the other day.
- Well, let me be your manager, then.
[dramatic music]
Who that?
- Who am I? Because I need to know.
She needs to know right here, right now, who I am
and what we got going on.
- I mean, that's just a client.
- Oh, she's just a client? - She's just a client.
- I'm a client? - [laughs]
- She seems real [bleep] secure that you're in a relationship.
- I'm just a client? - Yeah, you just a client.
- I have a question.
All the [bleep] that I'm going through,
she said a year.
I don't give a [bleep] if it was 20 minutes.
What is it, and who is it?
- I mean, this on TV.
We couldn't talk outside?
- What is it, and who is it?
- I'ma dip out.
Y'all can have this [bleep], though.
- Oh, you gonna run in the chaps too?
- Yeah, [bleep] you, man.
- Oh, she's trying to leave.
- I thought you just dancing.
- Jay, where you going?
[dramatic music]
- Oh, you gonna run in the chaps too?
- Yeah, [bleep] you, man. - Oh, she's trying to leave.
- I thought you just dancing.
- Jay, where you going?
Where you going, Jay?
Hey.
My name is Tami Roman,
and you're on "MTV's Caught in the Act"
because Miniyah came to me
to find out what was going on in your relationship.
And we put you under surveillance--
- Caught ass out.
- And we saw you were in a relationship with Brittany.
So what's going on?
- You had Humpty Dumpty rolling all over you.
- I don't know--I don't know if we should let
the--the neighbors see all of this.
Let's go back and see what's going on.
Uh-uh, Jay, you ain't gonna escape this.
[tense music]
OK.
Jay, it seems like you've been lying
to both of these ladies, OK?
Do you want to explain that?
- I mean, we were going through some things.
You weren't really listening.
This hostility made me go towards her.
She a little bit softer. - OK, and then what happened?
- So I need you to tone that [bleep] down.
- And so because-- because you were having
issues at home,
you decided to start something rather than end what you had
so that you could move on?
- I mean, not necessarily.
She just got anger issues.
- Why do you think I'm angry? - I don't know.
- You ain't did [bleep]? - No, not--
- So not being present to what the [bleep]
you need to be present for would make a person angry.
Birthdays, you disappear Valentine's Day, you disappear.
- But it's always drama. It's always drama.
- You are the drama! - We can't even talk.
- I'm sitting here talking to you
in a pair of [bleep] chaps!
That's the drama!
- Well, what is it that you want
to get off your chest to Miniyah?
- I mean, I just miss the way we used to be
because [bleep] wasn't always like this.
- So what the [bleep] does that mean for me?
So this was just-- just some [bleep] for you?
Just some bull[bleep] for you? That's how we rockin'?
That's what it is? - It just is what it is.
- Oh, OK, all right. Bet.
- But you did give her money, though.
I mean, we saw it on surveillance
where you were giving her money.
- So-- - So she meant something.
- I mean--
- So but now I don't mean [bleep]?
- You got to play the part. It mean something.
- Oh, played the part? - Play the part.
[dramatic music]
I'm about to beat your ass.
I'm finna beat your ass. - Ken, why don't you--
- I'm gonna take her out.
Brittany, can we go out? So let's talk.
Let's talk.
I know you're upset right now.
- Upset is an understatement.
I feel naive.
I should have never went for that.
I should--should have done--
I should have known better.
- What did you think was gonna happen?
- I thought that we was just gonna be together.
I thought everything was gonna work itself out.
We was gonna get this money, start this business.
Money was gonna flow in.
We were gonna get a house.
We was gonna get married.
That's what I was thinking.
That's what she led me to believe.
- And then you were convinced
when she started giving you the money,
because we saw that she gave you money.
- Yes, I was very convinced because she put forth energy
and effort into us and into me.
- Have a seat.
Why--because I understand.
Like, I've been around Miniyah,
and I know that she's very strong in her opinion.
- A little toxic too.
- Well, I mean-- - Instead of talking--
- It's not the best form of communication, I will say that.
But you don't give up when you love a person.
You got to be able to explain to her,
"That's not the energy I want,"
rather than going out getting somebody else--
- I mean, I tried to talk.
- Because now this girl is hurt.
- Yeah, that's on me.
- Six years is a long time
to be invested in a relationship.
Why aren't y'all willing to put in the work to--
to compromise and communicate properly?
Jay, tell me a little bit about you and your upbringing.
- I mean, I grew up
in basically a two-parent household.
My grandparents, they were together
for, like, over 40 years.
So basically, that's the foundation
that I came from.
- That's what you grew up looking at.
- I feel like I'm doing it sometimes alone, by myself.
I feel like I don't got that partnership with her
a lot of the times.
Really, your main focus is the kids.
So what about us?
Like, it's a lack of love.
You still can set enough time aside,
just five minutes, two minutes, to make me feel loved.
- Are you receiving that?
- I received it.
But I also think it's a cop-out.
There is no way in [bleep] you gonna be able to lay with me,
kiss me, hug me, and I not see you in another bitch face
doing the same exact thing, promising her
the same [bleep] you promising me.
- It was a little different.
It was a little bit different promises.
- What was the difference? Because I heard marriage.
I heard kids. I heard financial.
I heard all that.
Yeah, mm-hmm. You played yourself.
♪♪ ♪♪
[tense music]
- Because I heard marriage. I heard kids.
I heard financial. I heard all that.
You played yourself.
- I do want to say one thing to you, Jay.
There is no place when a mother is really
a part of her children's lives that anybody comes before them.
- And I'm trying to understand that.
But the staying angry all the time,
that doesn't help. - Exactly.
Well, that--that's something you got to talk to her about.
- That's a part of communication.
Like, communicate with me better.
I am not your child.
- I hate this, that this has happened to you.
And I know it feels bad.
And I--but--but isn't it good that you know now?
- Yeah, I guess.
It is what it is. - We not going back, though.
We not-- we're not gonna go back.
Because here's what happens a lot of times.
When the cameras leave, what'll happen is,
she'll call you and say, hey, you know,
I just said all that for the camera.
I really want to be with you.
- If she really wanted to be with me,
she would have said that [bleep]
in front of all the cameras.
- So I'm gonna bring this other young lady
in here so we can see what everybody's decision is.
Let's come on back inside so we can figure out
how everybody's going to end this process.
- OK, all right.
- So, Miniyah, you came to me
because you wanted the truth about your relationship.
And I feel like I gave you that.
- Mm-hmm.
- But y'all's biggest issue is that
y'all don't know how to communicate.
The other side of communication and talking
is listening and then trying to make
adjustments for the betterment of the relationship.
And neither one of y'all are willing to do that.
But I've done my job.
The only thing I want to know
is how everybody wants to proceed.
So, Jay, who is it that you want to be with?
[tense music]
♪♪ ♪♪
- Miniyah.
I want to be with Miniyah. - OK.
- I want to work things out with Miniyah.
- Brittany, you don't want to be with Jay anymore, right?
- No. - Perfect.
- They deserve each other at this point.
- Miniyah, what do you want to do?
- I want to go home.
I want to live my life.
- So you do not want to be with Jay anymore?
- Absolutely the [bleep] not.
- She's still gonna be with me, though.
- Delusional at its finest. - OK.
So I'm gonna head on out
because there's nothing left for me to do.
- It sucks.
I didn't think that she was gonna choose her.
I thought she was gonna rock with me.
But it is what it is.
Scummy people deserve scummy people.
- I wanted us to walk off into the sunset
and have the fairy tale.
With that being said, I am over this.
I walk away with my dignity.
I walk away with my own bag and my own check.
And I no longer have to stress about getting her hers.
- I mean, I feel bad that I hurt
one of they feelings, both of they feelings.
But, I mean, I'm human.
Me and Miniyah, we gonna work this out.
We gonna--we been through too much.
- ♪♪ The whole world's gonna see I'm not fake ♪♪
♪♪ It's written all over my face ♪♪
[line trills]
- Hi, Miniyah.
- Hi, how are you?
- I'm doing well. How are you doing?
- I'm good.
It's been a while, but I am great.
- It has been a while.
And that's why I wanted to check in with you.
Are you and Jay still together?
- Absolutely not. - Mm!
- I had to stand on business. I had to.
Having the constant thoughts of,
are you still talking to this person?
Are you still doing this?
Are you still doing that?
I can't tell nobody how to be grown.
So I decided to just do what I need to do for me.
- Now, listen, that gal, Brittany,
was very upset that day that Jay didn't pick her.
Do you have any tea on if they stayed together?
- Nope, I can--
I literally cut everything dry.
I just was like, hot girl summer coming up,
and there's too many out here to be worried about one, so...
- I have to commend you
that you stood there, you looked out
at everything that was going on, and you said,
I don't need this in my life, and you actually let go.
- Mm-hmm.
- Well, then it looks like you're doing good.
And that makes me feel good.
- Thank you so much.
It was amazing meeting you.
You're an amazing person. Thank you.
- Ditto. All right, Miniyah, be blessed.
- Bye-bye. - Bye.
- ♪♪ Don't judge me, Judge Judy ♪♪
- Cheaters, beware.
- We're not together.
- What the [bleep] is you talking about?
- Next time you wanna be unfaithful, think again.
Where you going?
Because I just might...
This is a mess. Come on, Ken. - All right.
- Catch you in the act.
- But I'm not caught in the act!
- We've seen it all.