[gentle music]
- So you, you just show up here.
- I get that you're upset,
but if you'll be so kind as to let me explain
I think you'd understand.
[gentle music]
- Alright, well um-
- For you.
- Go ahead.
- Like I was trying to tell you before, I'm innocent.
When you left the room, Marissa,
she just went completely insane,
she started stabbing herself.
Like I tried to stop her,
but then she turned on me,
we struggled for a bit,
then she fell over and she landed on it,
that's when you came in.
I never would...
I gave her...
- Yeah, I know you did.
- Draya, I would never want it to end that way.
- Maxwell, I understand that,
but how does this look, you here?
Listen, I was connected to that case too.
- It was dismissed, it doesn't apply now.
- Okay, well, do my feelings apply?
- Marissa.
- Marissa?
- Draya, listen, I didn't know what to do,
so I tried reaching out to you,
I'm sorry.
What did you want me to do?
- You cheated on me with her,
then you got her pregnant
and you married her.
And when you guys started having problems
you came to me for therapy.
You know what, you don't even
fucking deserve to speak to me right now.
- That was a year ago, okay?
Come on, let's start over.
Can we just please start over?
- Do you even hear yourself right now?
- Yes, I hear myself,
but I'm also standing here looking at you.
Can you just please go out with me
so I can at least show you
that I mean what I'm saying?
[gentle music]
♪ You think you're ready ♪
♪ But how do you know ♪
♪ She holds the secrets ♪
♪ She runs the show ♪
♪ One false move and you're out ♪
♪ 'cause you got the right woman wrong ♪
♪ You tried to stop us ♪
♪ But it can't be done ♪
♪ You're trying to block us but we're not the ones ♪
♪ We're the queens of the game ♪
♪ And believe me hell ain't no fun ♪
♪ Ooh, ooh, ooh ♪
♪ It's in the way she moves ♪
♪ Ooh, ooh, ooh I wonder how they do ♪
♪ But can you keep a secret ♪
♪ She ain't afraid ♪
♪ Come and tell the world how to treat a lady ♪
♪ Classy, sexy, crazy ♪
♪ Shake it up, shake it up, shake it up ♪
[TV plays]
- Oh, come on, man,
pass the ball to Bron, man.
- [TV Announcer] Beautiful pass
for the big man underneath.
Puts it up off the glass,
and it's in for two.
He's surrounded by half court pressure.
[indistinct] corner, he dribbles around two guards
before passing to McCourt.
[indistinct] drive along the baseline.
- Hey, what you doing?
- What the fuck?
- Hey, bro, that's my phone.
[gentle music]
- Welcome back in Dr. Logan
and Miss Slider, please, have a seat.
- Thank you so much,
it is a pleasure to see you again Michael.
- This is Shannon Bridges,
your supervising producer.
- Oh, hey.
- How are you?
Been a fan of yours for a while, sis.
- Wow. [laughs]
Thanks so much, sis.
- I mean that situation, the book,
I mean your willingness to risk the extreme
to get the story,
I mean that's just the type of person
we want here at HDO.
- I think we're finally at a place
where we know we're moving forward with the show,
we just need to know what type of show we're making,
and wanted to talk to you about finalizing the template.
- And that's where I come into play.
I mean just think about it,
you could literally do anything you wanna do.
So my question is what we doing Draya?
- Oh. [laughs]
Wow, as you can see that question
is a bit foreign to me, yes.
So, let me see, my show,
um, you see I wanna have guests
who are willing to have the hard conversations
that they may not want to have
but they need to have.
I really wanna go there,
and I'm not afraid, you know what I'm saying?
- I do, I do,
and, you know, we want someone here
who's not afraid of the truth.
And not only that someone that could get the truth
from their guests, is that you?
- Absolutely.
I am your woman.
- And, um, what about the Penthouse ladies,
we got them signed on?
- That's completely confidential.
- Of coruse we do.
Um, you know, my research it never stopped,
however, I am looking to venture in a new way,
maybe even have some new ladies.
- I think sure, down the line, yes,
but if you're already in a mess
why would you get clean
just to get dirty again?
- Well, um-
- Yeah, look at the success of Wendy Williams.
- Yes, yes,
but I am not like her, no.
Although I understand what you're getting at, I do.
- I mean we want the raw truth,
and we feel like you would keep it real,
and tell it like it is.
- Oh she definitely can.
- But if possible I was thinking perhaps
maybe just a little bit less messy.
- Of course, of course,
you can make all the decisions,
we're just here for a little moral support
to, you know, help nudge you along a little bit.
- So if you're ready I say we strike while you're hot
off your Penthouse book.
- Well this has been a dream of mine for a long time,
and, ladies, I am more than ready.
- Great.
So we'll set up a few more meetings
to discuss and develop the show,
but I think it's safe to say-
- [Both] Welcome to HDO.
- Thank you. [laughs]
- Yay.
[gentle music]
[phone dings]
[gentle music]
- What the fuck are you doing here?
[dramatic music]
[indistinct yelling]
[gun fires]
[gentle music]
- Hi.
- Hey.
- How are you feeling?
- I'm good.
- You're lying, I know you.
- You used to know me.
- At one point in time I was the only person
who really knew you.
- Yeah and then you left.
- But I came back.
- Why?
I told you, 'cause I love you,
and I miss you.
You feel it too.
♪ I found out it was easier ♪
♪ To hold on too tight than to leave you ♪
♪ Forgive me if I run to you ♪
♪ For protection ♪
♪ [indistinct] ♪
♪ You make me wanna behave ♪
- What are you guys gonna learn today?
- Math or something.
- Math.
I know you guys love math.
[camera shutters]
- Yes.
Uh, uh, woo.
Yes.
That's it, baby, cum for me.
Uh-huh, tat's it.
Uh, oh yes.
You cuming?
- [Man] I'm cuming, I'm cuming.
- [moans] Uh-huh.
Damn.
[phone dings]
[gasps] Oh fuck, fuck.
[knocking on door]
Yes, what?
- [Draya] Hi, you mind if I come in?
- I mean you're here.
- [Draya] Well, thanks.
- What's up, another leak happen?
- Listen, Jordan, I realize that you and I,
we kind of got off on the wrong foot.
- You think?
- And I also know you aren't as innocent
as you pretend to be, okay,
because I have done my own research on you.
- Okay, whatever the fuck you think you know you don't.
- I know you have the same tattoo
as those other dancers from Club Assets.
I know that I met the owner of the club,
and that his son, Lavar, showed up at my Penthouse
to get drugs,
and he ended up dead,
which I fucking took the heat for.
Jordan, I just...
Tell me what's going on.
- I don't trust you.
- But you can.
I promise I won't say anything.
What is it?
What's going on?
Is it, is it Adrienne?
Jordan, I cannot help you or Adrienne
unless I know what the fuck is really going on.
- He, he has her.
- Adrienne?
- Yeah.
He's blackmailing me.
He says I owe him $100,000 in order to get her back,
well listen, I don't fucking have it.
- Let me help you.
- No.
- Yes.
- No, Draya, he's dangerous.
- I can help you, Jordan.
- No, no, you can't help me, all right?
He's already, he's blackmailing me,
sending me text messages with my kids, Keith.
I have to do this by myself.
- What if we got rid of him first?
- Draya.
- Jordan, listen, okay,
sooner or later he is gonna
put the pieces of the puzzle together,
and he's gonna realize we were all at the Penthouse,
and then he's going to come for revenge.
It's either him or us.
And you, you're closest to him.
We could do it.
[gentle music]
And you know I have the pull to get Adrienne back.
Think about it.
[gentle music]
[doorbell rings]
[knocking on door]
[doorbell rings]
- What the hell is this bitch doing here?
- [Concetta] Open the door, hija.
[knocking on door]
Please.
- What are you doing here, Concetta?
- It's been two weeks without money.
- I know.
- Oh, oh, you know?
Because I call and no answer.
- I've been busy.
- Oh, you know, I've been busy too.
You know why?
Being a madre to you hija.
- You agreed to keep her for me.
- And you promised that we would have.
I cannot do this for free.
She needs to eat.
- I know, I'm working on it.
I'm filming a pilot now.
The money doesn't clear until this all ends.
- What do you mean?
You live in a big house.
You're driving fancy cars,
but you don't have money to send your kid?
- It's not that easy.
This was all his.
- And I told you to be smarter,
because it shouldn't be.
You better figure out what you're doing
because if you don't keep your promise
she's going to come back and live with you.
- Mommy, por favor, just give me a little time.
- You do whatever it is
you need to do to get back in good graces with Julio
because if you don't keep your promise,
[speaking in foreign language]
[upbeat music]
[singer vocalizes]
- I had Terrell sign some papers for me,
move a couple bricks around,
see if somebody bite.
♪ I done came up [indistinct] hate ♪
♪ [indistinct] ♪
- Link, this shit ain't legal.
- What, you gonna fight it?
You gonna take it to the police?
What you gonna tell them,
my brother is taking half the business from me
that we use to wash drug money?
Get over yourself Mona,
it's only a matter of time
before I take all of this shit over,
and push your ass out.
- So much for my brother's people, huh?
Fuck you, nigga.
♪ Now they think that I'm lit ♪
♪ [indistinct] ♪
[phone ringing]
- Time flies when you're having fun.
- Link, I just need a little more time.
- Hey, I stopped caring about your needs
when you left me and played dead.
I gave you everything,
was willing to risk it all,
and you fucked that up.
- Link, just leave my family out of this,
I will pay you for Adrienne,
and we will be done.
- You don't call the fucking shots.
See, this is what I'm talking about
with stupid bitches like you,
you think you smarter than you are,
take a nigga's kindness for weakness.
You lie, steal your way into a nigga heart
just to hurt him.
- Link, baby, I never meant to hurt you.
- Don't fucking lie to me.
I'm tired of motherfucker's lying to me
like I'm ignorant.
Now give me my fucking money by five
or I'm gonna have a real good time
chopping your sister up like chop suey.
- Link, I'm gonna...
Don't...
Link, I'm gonna get you the money, I'm gonna...
Fuck.
♪ Fuck with designer drugs ♪
♪ Told her that I'm the plug ♪
- Shake bitch.
♪ I can't be stressing ♪
[gentle music]
[upbeat music]
- Hey.
- We need to talk.
- Keith, baby, I got a headache,
and I'm really not in the mood.
- I know what you've been doing.
- What are you talking about?
- You've been cyber fucking men
on the goddamn internet.
- Okay, hello, can you keep it down,
our daughters will hear.
- The kids are not even here,
they're at my mother's.
- Why?
[phone dings]
All right, Keith, you wanna talk,
let's talk, right here, right now.
- You need to stop.
- I can't stop.
- What you mean you can't stop?
Are you out of your mind?
- Stop talking to me like that.
- Oh, oh, I'm sorry, excuse me for reacting like a husband
who saw his wife on a random man's phone
in a fucking bar.
- All right, Keith, okay, I know you're upset.
- No, fuck that, I'm more than upset.
- Stop yelling at me, okay?
I'm doing it because I need the money.
- Baby, we don't need the money that bad.
Look at me, we don't need the money that bad.
- Really?
Oh yeah?
Why, 'cause you got money, right?
Let's not forget that I had to figure shit out
because you went and got your ass locked up.
- You know I had nothing to do with that, right?
- Well all I know is that you weren't here,
and that I suddenly had to make a decision.
- I get that, but baby-
- Do you?
- I'm out right here.
- Keith, we still got a shit load of fees to pay,
I got my mother's care to take care of,
we got the girls' afterschool program.
- But look, I can help you with all that, all right?
I'll figure it out.
- Really, you gonna figure it out?
- Yes.
- You left me out here hanging, Keith.
You left me out here hanging to figure this shit out.
I had to keep this house running.
- Fuck all of that.
This ain't got nothing to do with that, all right?
- It's got everything to do with that.
- You need to stop.
- You don't get it, I can't stop.
[gentle music]
- Wow.
Okay.
That's your choice,
but I'm taking the kids,
we're staying with my mother, okay?
- What?
- Because I refuse to have you on the goddamn internet
whoring the fuck around while my kids are here.
- Whoa, whoa, whoa, oh really, that's what we're doing?
- That's what we're gonna do. - Whoring?
You're gonna call me a fucking whore, you asshole?
Fuck you.
- Fuck you.
Guess I gotta get in line, huh?
Right baby, huh, huh?
[gentle music]
- That feels so good.
[phone dings]
[phone keys clack]
[phone ringing]
Hello.
- [Gina] Hey Draya, I got caught up filming,
but I'm on my way.
- Hey, listen, Gina, I'm sorry,
I am swamped at work,
do you think that we can reschedule?
- [Gina] Sure.
It's a lot of work being a TV star, huh?
I was shocked when Cameron told me
I got my own show.
- Yeah, well I guess trauma sells, right?
- [Gina] Yeah, but honestly we do need to talk.
- What is it, is everything okay?
- [Gina] No.
I think Julio killed Alejandro,
and I just fucking can't shake this feeling.
- All right, well when was the last time you saw him?
- [Gina] Alejandro?
- Yes.
- [Gina] When I told him to leave,
and to never reach out again.
- Okay, so basically you told him to fuck off,
and that you never wanted to talk to him again.
Gina, calm down, all right?
I'm sure everything's fine.
- [Gina] Julio said he was going to kill him,
you didn't see it in his eyes.
- Gina, listen to me,
Julio is a smart man, he's not gonna throw away his career,
and there's no way he's gonna
kill his own brother, all right?
You're overreacting.
- [Gina] Ay, Draya, please, I'm fucking desperate.
- Hmm, all right, well in that case
I guess I could ask Q to look into it.
- [Gina] Gracias.
- If you agree to be my first guest
on my new television show.
- [Gina] What?
- Oh come on, think about it, Gina,
you know you love the fucking publicity.
[gentle music]
With Julio.
- [Gina] Wait, fuck no.
You know Julio would never.
- Do you wanna find out if Alejandro is alive or not?
- [Gina] All right, whatever the fuck it takes.
- Good talk.
I'll be in touch.
[phone dial tone]
Oh my God, your hands are like fucking magical.
Well I can honestly say
I've never experienced private dinning like that before.
- I'm glad you enjoyed it,
best kind of dining.
- Yeah, you know,
I would say beautiful, unexpected evening.
- Just like you.
I'm really glad that you let me back in,
even if it is at a slow pace.
- You should be.
But honestly, Maxwell, I don't really know if I should,
okay, I mean my life is kind of complicated right now.
- Right.
When isn't it complicated, Draya?
- Don't forget we're both coming off of
something very traumatic.
- Yeah, we are,
it doesn't change the way I feel about you.
[upbeat music]
I had these feelings before.
- Yes, and we both know that they were wrong then, so...
- Why?
Can't help who I love.
I love you.
You love me.
- Do I?
[Maxwell laughs]
- You don't love me, Draya?
[singer vocalizes]
You love me.
♪ Oh yeah, yeah, yeah I'm sure ♪
♪ Yeah, I'm sure ♪
♪ Got a body like a hour glass ♪
♪ That [indistinct] is yours ♪
♪ So yeah I got you ♪
♪ Now I know who ♪
♪ [indistinct] to the room, bring your friends ♪
♪ And we gonna turn up, turn up ♪
♪ You like we can burn up ♪
- Yo, Draya.
- Q, yo, what's good man?
What's going on?
- Maxwell, what the fuck are you doing here?
- What am I doing here?
That's funny as shit,
what the fuck are you doing here?
- You fucking [indistinct]? - Yeah.
Look man, I don't know what you think
you got going on,
but you not about to drag Draya down again.
- I'm not dragging Draya anywhere,
unless of course she asked me.
- You left me to pick up the pieces that you left.
She went down a fucking rabbit hole
after that shit you pulled.
- Hey, come on, man, you know I ain't intend
for none of that shit to happen,
I was in love with Draya
before I even met Marissa.
- Yet you marry Marissa.
- And so what, that's none of your business.
- It is my business because she cried to me
when you fucked her over.
- You know what, Slim.
- What?
- Draya's a grown lady,
and Draya will let me know
if this is what she does not want,
and she hasn't, I'm here, you're not.
Please leave.
- What's going on?
- Hey.
- Who was that?
- Nobody, just Q.
- Shit.
- It's all good.
[gentle music]
Wait for me in the room.
[gentle music]
[horn honks]
- So, let's talk about some other things.
- Well, I already told you
there's nothing really to talk about.
- How's the sobriety going?
- Forced considering I just got out of lockup.
- Well since getting out
the string between sobriety
and intemperance is thread thin, Draya.
- A glass of wine here and there.
- You doing it to mask your feelings?
- No, no, no.
But when someone gives you a 1986 bottle
of Coasteron, you drink it.
- Okay, well you answered that.
So what about Maxwell?
I know you made the choice to see him,
how's that going?
- No.
No, no, no, no, I told you that I was unsure.
- Okay, but you two did go on a date.
♪ You got a body like a hour glass ♪
- Well yes, but, um, we didn't put any labels on it.
- Okay, so what are you feeling?
- I'm lost.
- And?
- Listen, Q, he was there for me,
you know, before Logan and Associates,
hell, he was even there before Maxwell.
- So we're talking about Q now, right?
- I guess we kind of co-exist.
- Do tell, continue.
- When I got out of lockup, Q, he picked me up,
and he kissed me.
[gentle music]
I mean, we had messed around before,
but it was nothing really serious,
but this kiss, it was different.
It was like he was never ever gonna see me again.
And I'm afraid I may have led him on
to believe something that would never ever happen.
- You think that's because of Maxwell?
- No.
I don't know, maybe.
Listen, I've always had strong feelings for Maxwell,
but now they're even stronger.
Maxwell, he, makes me feel like
I'm the only girl in the world.
He always has.
- Oh, I think always is an unfair statement
simply because I remember
when he decided to be with Marissa,
and how that impacted you Draya.
- And we talked about that, Maxwell and I,
and, you know what, I understood.
- Nuh-uh, nuh-uh, I don't think you did, Draya.
And further more the entire Marissa, Maxwell situation
should have never happened to begin with.
Now the old Draya crossed the lines
having them as patients,
so what you're doing right now is
you're simply healing from the aftermath of it all.
- So basically you don't think
that I should see Maxwell.
- Draya, this has absolutely nothing whatsoever
to do with what I think,
and everything to do with what you feel can handle.
- What if I don't know what I can handle?
I mean I'll only know if I try.
- You try, you jot down all your feelings
as you go along,
and just be real and honest with yourself.
And in doing so,
if for some reason you want out,
get out.
This is not just about Maxwell,
but about all of it, Draya.
[gentle music]
- Oh fuck.
[gentle music]
[gentle music continues]
What the...
What the fuck?
Oh my God.
Fuck.
Oh shit.
Okay, okay.
Send.
[phone dings]
Woo.
[Jordan laughs]
Shit.
♪ Nigga like ♪
♪ Watch your lady ♪
♪ She be shady ♪
♪ Kissing on my neck ♪
- Adrienne, it ain't looking good for you, shortie.
You should have taught the bitch how to be on time,
'cause time is money.
Nigga's always broke.
♪ Flex with the whip ♪
♪ And I can't deal with this trip ♪
- What's up, what's up?
- Well, thanks for stopping by again.
- Yeah whatever.
- What some wine?
- I'm assuming you need something from me.
- I heard that you came by earlier.
- And got a little surprise. Why didn't you tell me?
- Honestly, Q, I didn't even know that there was gonna be
anything to tell.
- I'm assuming you need me for something.
- Actually [laughs]
I was hoping you could find Alejandro for me.
Gina has it in her mind that Julio had him killed.
- I might know where he is.
[dramatic music]
[gentle music]
[phone buttons beep]
[dramatic music]
[phone ringing]
- [Voicemail] Please leave a message
at the sound of the tone.
[voicemail beeps]
[dial tone beeps]
[dramatic music]
- [Selena] So Mona, what's going on now?
- I got a proposition for y'all.
- I ain't trying to get stuck
in the middle of no more bullshit
between you and Link,
all y'all do is run around here
fucking shit up,
and I'm tried of dealing-
- Girl, you must have forgot who helped y'all
with them little businesses y'all was running over there
in them stupid ass parties.
There's an old saying, the Lord giveth
and the Lord can taketh away.
- Okay, well what do you have in mind exactly?
- I don't know,
but what I do know is that nigga Link
was trying to take all my fucking connects.
I wanna go out, get my own connects,
funnel my shit legitimately through businesses.
- [Terrell] But what kind of businesses?
- You cant figure that out.
- I don't know.
- What the fuck you mean you don't know?
- He means is we'll figure this shit out.
- How about we use that little boutique
you got down into the harbor?
- Mona, I'm flattered that you think
my boutique makes enough revenue
to funnel your drug money through,
but it doesn't.
- Girl, you better watch your-
- Look, Terrell and I will figure this out, all right?
- You better not let Link
find out about none of this,
'cause he still ain't over that Lavar shit.
- Wait, y'all ain't figured out who killed Lavar yet?
- No, we ain't figured out who killed him yet,
but there's a bounty out for the motherfucker that did it,
and when we find him there's gonna be hell to pay.
As a matter of fact, he might be coming to see your ass.
Wasn't you down there to the Penthouse?
- Now hold up, you know we ain't have shit to do with that.
- I don't know shit.
- We didn't have shit to do with that.
- Hold, hey, ladies, ladies, look, look.
Mona, me and Selena were visiting my family in Southeast.
- Look, we're sorry for your loss,
but that ain't got shit to do with us.
- And anything we can do to help we're there.
- You hate his ass.
- I know we didn't have the best relationship.
- He was a smart mouth little motherfucker,
got in trouble and all types of shit,
but I miss him.
I miss him.
- Like Terrell said,
if there's anything we can do to help, just...
- Y'all can start by going out there,
and getting me some more fucking money.
- Done.
[dramatic music]
[knocking on door]
[dramatic music]
- What?
- [Voice] Help me, help me.
[phone buttons beep]
[dramatic music]
- Where are you?
- [Link] With Adrienne.
- Why?
I've been here, I've been here since five.
- [Link] Why were you late
sending me my money?
- Link, what are you talking about?
It cleared at 5:01.
- [Link] It was due at five.
- You're playing fucking semantics, Link,
you're playing games dude.
If you weren't gonna bring her,
why'd you have me send the fucking money, huh?
- [Link] I'm sending you an address,
meet me there.
- What?
What?
Link, wait.
[gentle music]
Fuck.
[Jordan cries]
[car alarm beeping]
Shut the fuck up.
Shut up, shut up, shut up.
- [Alejandro] How the hell you find me?
- Nice little house you got here.
- Yeah, it's my mom's.
I ain't been here in a while, so...
You know, honestly it feels good to be back home.
- I hear that.
- What's going on?
- You don't know who I am?
- Yeah, sort of.
You one of them Penthouse owners.
- I mostly run errands for Draya.
[both laugh]
- Yeah, yeah, yeah, yeah, we got that in common.
Used to at least.
- That's why I'm here checking
because Gina's worried about you.
- Well tell her I'm fine.
- I could, but she'd rather hear it from you.
- Oh no, no, listen bro,
I ain't got time to get tangled up
in that shit again.
I shouldn't have even gone as far as I did.
- But you did,
and you can't go back now.
- But I can go forward.
- I can't make you do anything,
but if she's the woman who you say that she is,
you can't let her go,
you gotta fight for her,
at least that's what I would do.
[dramatic music]
[dramatic music continues]
[door buzzes]
- Oh my God.
- Whoa, whoa, whoa.
- Please, please, I will give you whatever you want.
- We already tried that.
[dramatic music]
- I gave you your money.
I gave you your money.
- It's still too late,
and all of this shit is a waste of fucking time.
- Link, look at me,
we can work this out, you and me.
- You know how this shit goes.
- We can work it out, we can work it out.
- You used to ride with me.
- Yes, yes, we can ride again.
- You used to do this shit all the time.
- I did, I used to do it,
I used to do it, we can do it again.
Please, it can be you and me.
Take me.
- I already got you.
[gun fires]
[Jordan screams]
♪ You think you're ready ♪
♪ But how do you know ♪
♪ She holds the secrets ♪
♪ She runs the show ♪
♪ One false move and you're out ♪
♪ 'cause you got the right woman wrong ♪
♪ You tried to stop us ♪
♪ But it can't be done ♪
♪ You'll find and block us ♪
♪ But we're not the ones ♪
♪ We're the queens of the game ♪
♪ And believe me hell ain't no fun ♪
♪ No fun ♪
♪ Ooh, ooh, ooh it's in the way she moves ♪
♪ Ooh, ooh, ooh, you wonder how they do it♪
♪ Can you keep a secret ♪
♪ Shake it up baby ♪
♪ Come and tell the world how to treat a lady ♪
♪ Classy, sexy, crazy ♪
♪ Shake it up, shake it up ♪
♪ She'll drive you crazy ♪
♪ Don't waste her time, no ♪
♪ Let her take the lead ♪
♪ She'll stand beside you ♪
♪ [indistinct] ♪
♪ She's the boss, she's the top ♪
♪ Listen closely before you proceed ♪
♪ Shake it up baby ♪
♪ Come and tell the world how to treat a lady ♪
♪ Classy, sexy, crazy ♪
♪ Shake it up, shake it up ♪
♪ She'll drive you crazy ♪
♪ Shake it up baby ♪
♪ Come and tell the world how to treat a lady ♪
♪ Classy, sexy, crazy ♪
♪ Shake it up, shake it up ♪
♪ She'll drive you crazy ♪