1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:06,528 --> 00:00:09,583 [cheers and applause] 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:13,278 --> 00:00:16,333 ["Travelin' Band" playing] 5 00:00:19,070 --> 00:00:21,610 ♪ Seven thirty seven Comin' out of the sky ♪ 6 00:00:21,611 --> 00:00:24,250 ♪ Won't you take me down To Memphis on a midnight ride ♪ 7 00:00:24,320 --> 00:00:26,041 ♪ I want to move ♪ 8 00:00:26,111 --> 00:00:28,791 ♪ Playin' in a travelin' band ♪ 9 00:00:28,861 --> 00:00:30,027 ♪ Yeah ♪ 10 00:00:30,028 --> 00:00:31,777 ♪ Well I'm flyin' 'Cross the land ♪ 11 00:00:31,778 --> 00:00:33,291 ♪ Tryin' to get a hand ♪ 12 00:00:33,361 --> 00:00:35,777 ♪ Playin' in A travelin' band… ♪ 13 00:00:35,778 --> 00:00:39,250 [narrator] 1969 had been a magical year for Creedence. 14 00:00:39,320 --> 00:00:43,527 In only 12 months, the band had achieved five top ten singles 15 00:00:43,528 --> 00:00:47,194 and three top ten albums on the American charts, 16 00:00:47,195 --> 00:00:49,277 outselling The Beatles. 17 00:00:49,278 --> 00:00:52,416 They had appeared on the legendary Ed Sullivan Show 18 00:00:52,486 --> 00:00:55,916 and played over a million people across America, 19 00:00:55,986 --> 00:00:57,875 including the hundreds of thousands 20 00:00:57,945 --> 00:00:59,500 gathered at Woodstock. 21 00:01:00,028 --> 00:01:02,152 John, Tom, Stu, and Doug 22 00:01:02,153 --> 00:01:04,125 may not have had the familiar ring to it 23 00:01:04,195 --> 00:01:06,500 of John, Paul, George, and Ringo, 24 00:01:06,570 --> 00:01:09,277 but Creedence were challenging The Beatles 25 00:01:09,278 --> 00:01:12,416 for the title of the biggest group in the world. 26 00:01:12,486 --> 00:01:13,652 [Dick Clark] This is Doug Clifford, 27 00:01:13,653 --> 00:01:15,500 who plays drums for Creedence Clearwater 28 00:01:15,570 --> 00:01:17,152 who's been there since the start, 29 00:01:17,153 --> 00:01:18,416 which was how long ago? 30 00:01:18,486 --> 00:01:19,610 Eleven years. 31 00:01:19,611 --> 00:01:21,902 [Dick Clark] Stu, have you ever run into a situation 32 00:01:21,903 --> 00:01:23,791 where you didn't like one another 33 00:01:23,861 --> 00:01:26,041 or you had a very, very bad argument? 34 00:01:26,111 --> 00:01:28,125 Yeah. We checked our equipment quite frequently. 35 00:01:28,195 --> 00:01:29,791 [laughter] 36 00:01:29,861 --> 00:01:30,985 [Dick Clark] John Fogerty, 37 00:01:30,986 --> 00:01:32,791 you write most of the material for the group. 38 00:01:32,861 --> 00:01:34,860 What was the first gold record you had? 39 00:01:34,861 --> 00:01:36,061 "Proud Mary." 40 00:01:37,070 --> 00:01:40,291 [Dick Clark] Tom, uh, how would you characterize this music? 41 00:01:40,361 --> 00:01:41,916 Rock and roll music. 42 00:01:42,528 --> 00:01:46,583 [playing intro to "Up Around The Bend"] 43 00:01:50,736 --> 00:01:52,833 [narrator] In April 1970, 44 00:01:53,236 --> 00:01:55,375 Creedence arrived at Heathrow Airport 45 00:01:55,445 --> 00:01:58,235 to begin their first ever European tour. 46 00:01:58,236 --> 00:02:01,000 The tour would include concerts in Berlin, 47 00:02:01,070 --> 00:02:06,027 Stockholm, Rotterdam, Paris, and London. 48 00:02:06,028 --> 00:02:08,375 The band's British debut was to take place 49 00:02:08,445 --> 00:02:11,610 at the most prestigious music venue in the UK, 50 00:02:11,611 --> 00:02:14,500 London's Royal Albert Hall, 51 00:02:14,570 --> 00:02:16,527 which had previously hosted concerts 52 00:02:16,528 --> 00:02:18,152 by The Beatles, 53 00:02:18,153 --> 00:02:20,875 The Rolling Stones, Led Zeppelin, 54 00:02:20,945 --> 00:02:24,041 Cream, and Jimi Hendrix. 55 00:02:24,111 --> 00:02:26,402 For Creedence Clearwater Revival, 56 00:02:26,403 --> 00:02:28,250 the Royal Albert Hall concert 57 00:02:28,320 --> 00:02:31,777 would be a high point of their tour of Europe. 58 00:02:31,778 --> 00:02:33,000 The concert was filmed, 59 00:02:33,070 --> 00:02:36,625 but never fully released until now. 60 00:02:36,695 --> 00:02:39,500 This is also the story of how they got there. 61 00:02:39,570 --> 00:02:41,625 [cheers and applause] 62 00:03:02,695 --> 00:03:04,791 [Stu] My impressions of Europe? 63 00:03:06,195 --> 00:03:09,000 Well, I like it. It's, uh-- it's my first time. 64 00:03:09,070 --> 00:03:12,125 And, uh, we're going through so damn fast. 65 00:03:12,195 --> 00:03:14,125 Each country is definitely each country, man. 66 00:03:14,195 --> 00:03:17,875 Like there's no, like, you know, Sweden and Denmark 67 00:03:17,945 --> 00:03:20,416 as close as they are in all their respects, 68 00:03:20,486 --> 00:03:22,000 there's really two different worlds. 69 00:03:22,070 --> 00:03:23,777 And I can see that just having been here 70 00:03:23,778 --> 00:03:25,319 just a day and a half. 71 00:03:25,320 --> 00:03:27,666 [Doug] The excitement, it's just-- it's like a dream. 72 00:03:27,736 --> 00:03:29,152 I don't wanna sleep. 73 00:03:29,153 --> 00:03:31,791 Uh, because number one, I can't, I'm so excited 74 00:03:31,861 --> 00:03:33,416 and it's just like living a dream 75 00:03:33,486 --> 00:03:35,916 because I've lived in America all my life, 76 00:03:35,986 --> 00:03:37,541 and now coming over here, 77 00:03:37,611 --> 00:03:39,041 things are, you know, physically different 78 00:03:39,111 --> 00:03:41,000 and the people are, you know, mentally different. 79 00:03:41,070 --> 00:03:43,291 It's a whole fantastic experience. 80 00:03:43,361 --> 00:03:48,250 [band playing "Commotion"] 81 00:03:48,320 --> 00:03:49,777 [Tom] It's total excitement when you walk out on the stage, 82 00:03:49,778 --> 00:03:52,652 you're thinking that these people don't understand English. 83 00:03:52,653 --> 00:03:53,985 They don't understand the words, 84 00:03:53,986 --> 00:03:56,194 but they are communicating with you 85 00:03:56,195 --> 00:03:57,819 because they feel the music, you know? 86 00:03:57,820 --> 00:03:59,250 You're gonna give some people something 87 00:03:59,320 --> 00:04:02,666 that, uh, they've never heard before, you know? 88 00:04:02,736 --> 00:04:06,166 ♪ Hurryin' to get there So you save some time ♪ 89 00:04:06,236 --> 00:04:09,541 ♪ Run, run, run, run, run ♪ 90 00:04:09,611 --> 00:04:11,527 ♪ Rushin' to the treadmill ♪ 91 00:04:11,528 --> 00:04:13,250 ♪ Rushin' to get home ♪ 92 00:04:13,320 --> 00:04:16,000 ♪ Worry 'bout the time You save, save ♪ 93 00:04:16,070 --> 00:04:17,750 ♪ Com, commotion ♪ 94 00:04:17,820 --> 00:04:19,402 ♪ Git, git, git, gone ♪ 95 00:04:19,403 --> 00:04:21,069 ♪ Com, commotion ♪ 96 00:04:21,070 --> 00:04:22,944 ♪ Git, git, git, gone ♪ 97 00:04:22,945 --> 00:04:24,610 ♪ Com, commotion ♪ 98 00:04:24,611 --> 00:04:26,458 ♪ Git, git, git, gone ♪ 99 00:04:34,070 --> 00:04:35,541 [Tom] We take great pride in the fact that 100 00:04:35,611 --> 00:04:37,652 we brought our own sound system. 101 00:04:37,653 --> 00:04:41,610 It's like, uh, starting all over again, you know? 102 00:04:41,611 --> 00:04:44,277 [playing "Bad Moon on the Rise"] ♪ Well, don't go around tonight ♪ 103 00:04:44,278 --> 00:04:47,277 ♪ Well it's bound To take your life ♪ 104 00:04:47,278 --> 00:04:52,416 ♪ There's a bad moon On the rise ♪ 105 00:04:52,486 --> 00:04:54,402 ♪ Don't come around tonight ♪ 106 00:04:54,403 --> 00:04:57,541 ♪ Well it's bound To take your life ♪ 107 00:04:57,611 --> 00:05:00,791 ♪ There's a bad moon On the rise ♪ 108 00:05:02,361 --> 00:05:05,416 [cheers and applause] 109 00:05:08,570 --> 00:05:09,777 What I did learn on this trip 110 00:05:09,778 --> 00:05:13,152 more than any other was to go out into the city 111 00:05:13,153 --> 00:05:16,791 and give it a chance to just be itself, you know? 112 00:05:16,861 --> 00:05:18,541 Not put on a show for me, you know, 113 00:05:18,611 --> 00:05:20,000 the people we always see. 114 00:05:20,070 --> 00:05:22,625 Europe is like shades of gray compared to America 115 00:05:22,695 --> 00:05:25,027 where things are really getting polar, you know, 116 00:05:25,028 --> 00:05:28,000 uh, black and white, uh, to use an example. 117 00:05:28,070 --> 00:05:30,625 Uh, people don't-- people don't get all pissed off 118 00:05:30,695 --> 00:05:31,860 about what you look like. 119 00:05:31,861 --> 00:05:34,152 You can get a job and you can like advance, 120 00:05:34,153 --> 00:05:35,777 you know, with long hair. 121 00:05:35,778 --> 00:05:39,569 In the States, man, you could-- to get a job, 122 00:05:39,570 --> 00:05:40,694 you have to cut your hair. 123 00:05:40,695 --> 00:05:42,125 You can't even have sideburns, you know? 124 00:05:42,195 --> 00:05:44,569 Like it doesn't make a difference how many degrees you have 125 00:05:44,570 --> 00:05:46,235 or what your trip is or any of that. 126 00:05:46,236 --> 00:05:47,902 ["The Midnight Special" playing] 127 00:05:47,903 --> 00:05:51,541 ♪ Let the Midnight Special ♪ 128 00:05:51,611 --> 00:05:53,541 ♪ Shine a light on me ♪ 129 00:05:55,528 --> 00:05:58,791 ♪ Let the Midnight Special ♪ 130 00:05:58,861 --> 00:06:02,500 ♪ Shine a light on me ♪ 131 00:06:02,570 --> 00:06:06,152 ♪ Let the Midnight Special ♪ 132 00:06:06,153 --> 00:06:08,125 ♪ Shine a light on me ♪ 133 00:06:10,111 --> 00:06:13,777 ♪ Let the Midnight Special ♪ 134 00:06:13,778 --> 00:06:17,666 ♪ shine an ever-lovin' Light on me ♪ 135 00:06:17,736 --> 00:06:21,291 ♪ Yonder come Miss Rosie ♪ 136 00:06:21,361 --> 00:06:25,069 ♪ How in the world Did you know? ♪ 137 00:06:25,070 --> 00:06:29,000 ♪ By the way She wears her apron ♪ 138 00:06:29,070 --> 00:06:31,666 ♪ And the clothes she wore… ♪ 139 00:06:35,361 --> 00:06:38,250 To the berlin wall? No, I would like to, though. 140 00:06:39,028 --> 00:06:42,652 It'd be great to-- is the wall-- is it, uh, 141 00:06:42,653 --> 00:06:45,360 is it barbed wire or is it thick? 142 00:06:45,361 --> 00:06:46,444 [man] Not a wall. 143 00:06:46,445 --> 00:06:47,569 [Tom] I was thinking about setting up there. 144 00:06:47,570 --> 00:06:48,791 You know, we could set up 145 00:06:48,861 --> 00:06:50,666 the equipment up on top of the wall-- 146 00:06:50,736 --> 00:06:52,444 [man] Well, at certain places they have a wall. 147 00:06:52,445 --> 00:06:54,027 [Tom] And aim it that direction, you know? 148 00:06:54,028 --> 00:06:55,319 We could aim it both directions. 149 00:06:55,320 --> 00:06:56,902 How about that? We'll bring everybody up on it 150 00:06:56,903 --> 00:06:59,125 and dance and maybe the wall will come down. 151 00:06:59,195 --> 00:07:01,360 [man] Maybe they'll object, they might object. 152 00:07:01,361 --> 00:07:05,277 ♪ Let the Midnight Special ♪ 153 00:07:05,278 --> 00:07:08,875 ♪ Shine a light on me ♪ 154 00:07:08,945 --> 00:07:12,416 ♪ Let the Midnight Special ♪ 155 00:07:12,486 --> 00:07:13,569 ♪ Shine an ever-lovin'… ♪ 156 00:07:13,570 --> 00:07:15,277 Wow. Paris, France. Okay. 157 00:07:15,278 --> 00:07:16,791 We're off to Paris, then. 158 00:07:18,695 --> 00:07:19,860 Three days. 159 00:07:19,861 --> 00:07:21,416 And Germany was pretty nice. 160 00:07:22,736 --> 00:07:24,708 Lead me on. Lead me on. 161 00:07:25,736 --> 00:07:27,458 -Have a good trip. -Thank you. 162 00:07:33,320 --> 00:07:34,916 Well, number one, I'm spending my birthday there, 163 00:07:34,986 --> 00:07:36,291 so it better be good. 164 00:07:36,361 --> 00:07:37,652 [man] Better be good. Here's to your birthday. 165 00:07:37,653 --> 00:07:39,166 Uh, thank you. Right, right. 166 00:07:39,236 --> 00:07:42,402 I just expect, um, uh… 167 00:07:42,403 --> 00:07:44,152 the American dream, I suppose. 168 00:07:44,153 --> 00:07:47,208 ["Side O' the Road" playing] 169 00:08:01,903 --> 00:08:03,291 Have you ever eaten one? 170 00:08:03,361 --> 00:08:05,125 -[man] Dandelion? -[man] No. 171 00:08:05,195 --> 00:08:07,500 Pick one up, eat it. I'm serious. I'm not kidding. 172 00:08:07,570 --> 00:08:09,152 [man] Really? 173 00:08:09,153 --> 00:08:10,875 [Doug] Today is the most impressed 174 00:08:10,945 --> 00:08:13,652 I've ever been in my life with, you know, 175 00:08:13,653 --> 00:08:16,333 just what I've seen, you know? 176 00:08:16,903 --> 00:08:18,625 It's pretty much of a mindblower. 177 00:08:18,695 --> 00:08:20,791 My 25th birthday has been 178 00:08:20,861 --> 00:08:22,916 the most insignificant thing of the whole day. 179 00:08:22,986 --> 00:08:25,277 I've been to the Louvre. 180 00:08:25,278 --> 00:08:28,666 I've been to, uh, Louis XIV's, uh, 181 00:08:28,736 --> 00:08:30,402 playground as it were. 182 00:08:30,403 --> 00:08:33,791 Probably most fantastic collection of art 183 00:08:33,861 --> 00:08:37,000 I've ever seen, between that and the Louvre. 184 00:08:38,986 --> 00:08:40,069 [woman laughs] 185 00:08:40,070 --> 00:08:41,750 Huh? 186 00:08:41,820 --> 00:08:44,666 Uh, I've only been in my room so far. 187 00:08:44,736 --> 00:08:46,500 It's just like the room in Berlin 188 00:08:46,570 --> 00:08:48,250 and the room in Stockholm 189 00:08:48,320 --> 00:08:49,708 and the room in… 190 00:08:52,028 --> 00:08:53,485 the water is good though. 191 00:08:53,486 --> 00:08:56,875 ♪ Love to kick my feet Way down the shallow water ♪ 192 00:08:56,945 --> 00:09:00,166 ♪ Shoo fly, dragon fly, Get back to your mother ♪ 193 00:09:00,236 --> 00:09:04,375 ♪ Pick up a flat rock, Skip it across Green River ♪ 194 00:09:07,320 --> 00:09:09,583 ♪ Well… ♪ 195 00:09:13,611 --> 00:09:14,811 Now the whole time we're in Rotterdam, 196 00:09:14,861 --> 00:09:17,708 it was like a blizzard, only it was just raining. 197 00:09:19,986 --> 00:09:22,250 [car horn honks] 198 00:09:22,320 --> 00:09:24,027 [chuckles] 199 00:09:24,028 --> 00:09:26,625 What do you mean about the friendly Europeans? 200 00:09:26,695 --> 00:09:27,777 Well, like in New York, 201 00:09:27,778 --> 00:09:29,541 they would've run us down, you know? 202 00:09:36,653 --> 00:09:37,875 [John] Me too. 203 00:09:39,778 --> 00:09:43,333 You know, I woke up around 2:00 one afternoon 204 00:09:43,945 --> 00:09:46,902 and just that's the-- when I saw you on the balcony. 205 00:09:46,903 --> 00:09:48,069 [man] Oh, that was fantastic. 206 00:09:48,070 --> 00:09:52,152 [John] And just, uh, you know, I was happy. Wow. 207 00:09:52,153 --> 00:09:54,027 ["Proud Mary" playing] 208 00:09:54,028 --> 00:09:57,375 ♪ Cleaned a lot of plates In Memphis ♪ 209 00:09:57,445 --> 00:10:01,277 ♪ Pumped a lot of 'pane Down in New Orleans ♪ 210 00:10:01,278 --> 00:10:05,027 ♪ But I never saw The good side of the city ♪ 211 00:10:05,028 --> 00:10:08,860 ♪ 'Til I hitched a ride On a river boat queen… ♪ 212 00:10:08,861 --> 00:10:12,152 I think that to me, this tour proves that, uh, 213 00:10:12,153 --> 00:10:14,750 that rock and roll music, uh, after 15 years 214 00:10:14,820 --> 00:10:17,541 should be somebody-- somebody's taking it serious somewhere. 215 00:10:17,611 --> 00:10:21,416 I mean, it's the same-- you get the same reaction in Rotterdam 216 00:10:21,486 --> 00:10:23,527 that you get in Oakland, that you get in LA, 217 00:10:23,528 --> 00:10:25,527 that you get in Omaha, 218 00:10:25,528 --> 00:10:27,569 like there's something happening. 219 00:10:27,570 --> 00:10:31,319 [band music playing] 220 00:10:31,320 --> 00:10:33,541 [narrator] The real test as to the success 221 00:10:33,611 --> 00:10:34,875 of their European tour 222 00:10:35,320 --> 00:10:37,235 would be measured by the reception 223 00:10:37,236 --> 00:10:40,166 they would receive at London's Royal Albert Hall. 224 00:10:41,820 --> 00:10:44,777 The journey that led to this landmark concert 225 00:10:44,778 --> 00:10:48,652 began 13 years earlier in El Cerrito, California 226 00:10:48,653 --> 00:10:50,791 near San Francisco. 227 00:10:50,861 --> 00:10:52,527 [Stu] It all happened one day. 228 00:10:52,528 --> 00:10:54,500 The first day in junior high school, 229 00:10:54,570 --> 00:10:56,777 there was this guy sitting in the back of the class, 230 00:10:56,778 --> 00:10:58,875 just screwing around. 231 00:10:58,945 --> 00:11:00,375 And, uh, all the seats were taken 232 00:11:00,445 --> 00:11:02,277 except the ones next to him. 233 00:11:02,278 --> 00:11:03,791 So I just fell down and sat next to him, 234 00:11:03,861 --> 00:11:05,291 it turned out to be Doug. 235 00:11:05,361 --> 00:11:06,944 Hello there. 236 00:11:06,945 --> 00:11:08,527 Like we were good friends for a couple years 237 00:11:08,528 --> 00:11:11,277 before we even, you know, got into a music thing at all. 238 00:11:11,278 --> 00:11:14,291 Then John… 239 00:11:14,361 --> 00:11:17,569 John was tinkling on the piano, then in the music room 240 00:11:17,570 --> 00:11:20,402 to like audition people who are interested. 241 00:11:20,403 --> 00:11:22,625 [John] Yeah. We started out as a-- like a-- 242 00:11:22,695 --> 00:11:25,944 as a trio with piano, drums, and guitar. 243 00:11:25,945 --> 00:11:27,027 You have to understand, 244 00:11:27,028 --> 00:11:29,027 like we were the only band in the school. 245 00:11:29,028 --> 00:11:31,416 It wasn't like how it was after The Beatles 246 00:11:31,486 --> 00:11:33,902 when it seemed like every school had 50 bands, 247 00:11:33,903 --> 00:11:36,041 we were the band of the school. 248 00:11:36,111 --> 00:11:38,402 [piano music playing] 249 00:11:38,403 --> 00:11:39,750 [narrator] The instrumental trio, 250 00:11:39,820 --> 00:11:43,041 John Fogerty, Stu Cook, and Doug Clifford 251 00:11:43,111 --> 00:11:46,652 initially went under the name, The Blue Velvets. 252 00:11:46,653 --> 00:11:49,416 They became a four piece when John's older brother, 253 00:11:49,486 --> 00:11:53,000 Tom joined on vocals under the name, 254 00:11:53,070 --> 00:11:55,375 Tommy Fogerty and The Blue Velvets, 255 00:11:55,445 --> 00:11:57,416 they released a handful of singles 256 00:11:57,486 --> 00:11:59,000 that helped build their reputation 257 00:11:59,070 --> 00:12:00,833 around the Bay Area. 258 00:12:02,320 --> 00:12:06,166 Then during February of 1964, 259 00:12:06,236 --> 00:12:08,166 their world was shaken by a hurricane 260 00:12:08,236 --> 00:12:11,402 that had blown in from across the Atlantic. 261 00:12:11,403 --> 00:12:13,152 ♪ Well, shake it up, baby ♪ 262 00:12:13,153 --> 00:12:15,166 ♪ Now, shake it up, baby ♪ 263 00:12:15,236 --> 00:12:17,041 ♪ Twist and shout ♪ 264 00:12:17,111 --> 00:12:19,777 ♪ Twist and shout… ♪ 265 00:12:19,778 --> 00:12:22,875 [Tom] So in '64, we'd already been together five years. 266 00:12:22,945 --> 00:12:24,985 And our listening experience, the kind of stuff we were into 267 00:12:24,986 --> 00:12:27,666 was pretty much similar to The Beatles. 268 00:12:27,736 --> 00:12:29,444 And when The Beatles hit, we said, wow, you know, 269 00:12:29,445 --> 00:12:30,527 the door is wide open again, 270 00:12:30,528 --> 00:12:32,041 'cause The Beatles really just changed 271 00:12:32,111 --> 00:12:34,194 the whole thing for all musicians. 272 00:12:34,195 --> 00:12:35,750 [cheers and applause] 273 00:12:35,820 --> 00:12:37,916 [narrator] The month after The Beatles heralded 274 00:12:37,986 --> 00:12:40,500 the start of the so-called British invasion, 275 00:12:40,570 --> 00:12:45,666 San Francisco's Channel 9 broadcast Anatomy of a Hit, 276 00:12:45,736 --> 00:12:47,902 a television program that told the story 277 00:12:47,903 --> 00:12:50,000 of "Cast Your Fate to the Wind" 278 00:12:50,070 --> 00:12:52,750 by jazz artist, Vince Guaraldi. 279 00:12:52,820 --> 00:12:55,500 This single had been a hit for Fantasy, 280 00:12:55,570 --> 00:12:58,527 the San Francisco based record label. 281 00:12:58,528 --> 00:13:00,375 Having watched the documentary, 282 00:13:00,445 --> 00:13:03,194 John and Tom Fogerty crossed the Bay Bridge 283 00:13:03,195 --> 00:13:06,027 and played their songs to Max Weiss, 284 00:13:06,028 --> 00:13:09,777 Fantasy's co-founder and resident hipster. 285 00:13:09,778 --> 00:13:13,777 [Max] I have perfect pitch and natural rhythm. 286 00:13:13,778 --> 00:13:15,875 And just by one listening 287 00:13:15,945 --> 00:13:18,541 of just a, maybe four or five bars, 288 00:13:18,611 --> 00:13:21,125 usually five bars, uh, 289 00:13:21,195 --> 00:13:24,194 I can spot whether a record's gonna make it or not. 290 00:13:24,195 --> 00:13:25,395 [country music playing] 291 00:13:25,445 --> 00:13:27,000 [narrator] Impressed by what he heard 292 00:13:27,070 --> 00:13:30,360 and no doubt aware of the tremendous success of The Beatles 293 00:13:30,361 --> 00:13:32,819 in the growing beat group phenomenon, 294 00:13:32,820 --> 00:13:35,083 Weiss signed the group to Fantasy. 295 00:13:36,486 --> 00:13:39,402 Wanting the band's name to sound more British, 296 00:13:39,403 --> 00:13:41,541 the label opted for a new one 297 00:13:41,611 --> 00:13:46,291 unaware of its offensive racial connotations. 298 00:13:46,361 --> 00:13:48,000 [man] Thought it sounded British, 299 00:13:48,070 --> 00:13:50,000 Beatle-ly and all the rest, 300 00:13:50,070 --> 00:13:51,291 and that was the reason 301 00:13:51,361 --> 00:13:54,777 trying to emulate the English thing. 302 00:13:54,778 --> 00:13:56,166 [narrator] As their sound evolved, 303 00:13:56,236 --> 00:13:59,416 Stu Cook switched from piano to bass, 304 00:13:59,486 --> 00:14:02,027 Tommy Fogerty to rhythm guitar, 305 00:14:02,028 --> 00:14:05,666 and John Fogerty assumed the role of lead vocalist. 306 00:14:05,736 --> 00:14:08,152 And by late 1966, 307 00:14:08,153 --> 00:14:10,152 it was beginning to look like the group 308 00:14:10,153 --> 00:14:12,000 was on the verge of a breakthrough. 309 00:14:12,070 --> 00:14:15,041 ♪ I got me A brown eyed girl ♪ 310 00:14:15,111 --> 00:14:16,235 ♪ Yeah ♪ 311 00:14:16,236 --> 00:14:19,250 -♪ Brown eyed girl ♪ -♪ Yeah ♪ 312 00:14:19,320 --> 00:14:21,875 [narrator] But with the escalation of the Vietnam War 313 00:14:21,945 --> 00:14:23,625 and the shadow of the draft 314 00:14:23,695 --> 00:14:26,235 hanging over young men across the States, 315 00:14:26,236 --> 00:14:29,194 the group's progress was brought to a halt. 316 00:14:29,195 --> 00:14:32,402 John Fogerty enlisted in the army reserve 317 00:14:32,403 --> 00:14:35,375 and Doug Clifford served in the coast guard. 318 00:14:35,445 --> 00:14:36,916 During this period, 319 00:14:36,986 --> 00:14:40,360 the musical spotlight had shifted to San Francisco, 320 00:14:40,361 --> 00:14:44,166 in what would soon explode into the Summer of Love. 321 00:14:44,236 --> 00:14:45,902 [John] It exploded while I was gone, 322 00:14:45,903 --> 00:14:47,777 San Francisco just broke wide open 323 00:14:47,778 --> 00:14:50,458 and everybody was talking about it and I was away. 324 00:14:50,861 --> 00:14:53,152 [woman] I like Country Joe and the Fish. 325 00:14:53,153 --> 00:14:57,277 And the Jefferson Airplane, Quicksilver Messenger Service. 326 00:14:57,278 --> 00:14:58,610 Well, like, uh, the local groups 327 00:14:58,611 --> 00:14:59,735 that have been playing around here, 328 00:14:59,736 --> 00:15:00,819 I've been seeing 'em for a long time 329 00:15:00,820 --> 00:15:02,277 and, uh, they're really making it, 330 00:15:02,278 --> 00:15:03,750 they're doing a real good thing, man. 331 00:15:04,570 --> 00:15:07,916 [Tom] I got out of the army in, uh, '67 332 00:15:07,986 --> 00:15:10,791 and we sort of resolved to really go for it. 333 00:15:10,861 --> 00:15:13,277 To either we were-- we were really gonna commit ourselves 334 00:15:13,278 --> 00:15:15,958 and everything we had or else we weren't gonna make it. 335 00:15:16,653 --> 00:15:18,416 [narrator] A major turning point 336 00:15:18,486 --> 00:15:21,152 was the release of their single Porterville. 337 00:15:21,153 --> 00:15:24,027 It didn't just sound like the work of a different group, 338 00:15:24,028 --> 00:15:25,985 it pointed the way forward. 339 00:15:25,986 --> 00:15:28,000 ["Porterville" playing] ♪ It's been an awful long time ♪ 340 00:15:28,070 --> 00:15:30,416 ♪ Since I been home ♪ 341 00:15:30,486 --> 00:15:34,916 ♪ But you won't catch me Goin' back down there alone ♪ 342 00:15:34,986 --> 00:15:37,277 ♪ Things they said When I was young ♪ 343 00:15:37,278 --> 00:15:41,166 ♪ Are quite enough To get me hung ♪ 344 00:15:41,236 --> 00:15:44,152 [narrator] "Porterville" showed John Fogerty's determination 345 00:15:44,153 --> 00:15:46,902 and growing confidence as a songwriter. 346 00:15:46,903 --> 00:15:48,750 And it was around this time 347 00:15:48,820 --> 00:15:51,152 that they were able to rid themselves of the name 348 00:15:51,153 --> 00:15:54,666 that had been originally suggested by the record label. 349 00:15:55,861 --> 00:15:59,777 They became Creedence Clearwater Revival. 350 00:15:59,778 --> 00:16:01,000 [John] We've been together all this time 351 00:16:01,070 --> 00:16:03,277 and nothing was happening with the group. 352 00:16:03,278 --> 00:16:04,791 So we decided we wanted 353 00:16:04,861 --> 00:16:08,152 to have a little revival among ourselves. 354 00:16:08,153 --> 00:16:09,902 That's what that part meant. 355 00:16:09,903 --> 00:16:13,000 It's just let's get back to the basics, you know. 356 00:16:13,070 --> 00:16:16,902 Let's get back to where we were 10 years ago. 357 00:16:16,903 --> 00:16:20,360 [narrator] When "Porterville" failed to make an impact on the charts, 358 00:16:20,361 --> 00:16:22,277 Creedence resorted to a formula 359 00:16:22,278 --> 00:16:25,527 that had provided many groups with breakthrough hits. 360 00:16:25,528 --> 00:16:27,902 They've recorded a cover version. 361 00:16:27,903 --> 00:16:30,652 The band decided on "Susie Q," 362 00:16:30,653 --> 00:16:34,625 a song that had been a hit for Dale Hawkins back in 1958. 363 00:16:34,695 --> 00:16:37,041 ♪ Oh, Susie Q ♪ 364 00:16:38,528 --> 00:16:39,777 [John] At first, it was just a demo tape 365 00:16:39,778 --> 00:16:42,166 that we took to a local FM station, 366 00:16:42,236 --> 00:16:44,250 and they started playing it a lot 367 00:16:44,570 --> 00:16:46,902 like four, five times a day, 368 00:16:46,903 --> 00:16:50,416 in exactly the same form that it appears on the record. 369 00:16:51,861 --> 00:16:53,527 [Stu] The excitement of actually 370 00:16:53,528 --> 00:16:56,944 really hearing your song on KYA, uh, 371 00:16:56,945 --> 00:16:59,916 after years and years, some nine and a half years, of trying, 372 00:17:00,320 --> 00:17:02,791 it took-- it took us pretty much by surprise when it happened, 373 00:17:02,861 --> 00:17:04,527 because it just took off. 374 00:17:04,528 --> 00:17:06,777 [John] And wisely, the man at the record company 375 00:17:06,778 --> 00:17:09,541 finally saw, "Oh, well, these guys are getting popular. 376 00:17:09,611 --> 00:17:11,458 Maybe they should make an album." 377 00:17:12,778 --> 00:17:16,527 So, um, we got to go in and with, um, 378 00:17:16,528 --> 00:17:19,777 something like seven or eight hours of studio time, 379 00:17:19,778 --> 00:17:21,416 uh, we made the first album. 380 00:17:21,486 --> 00:17:24,527 The budget was like less than $2,000. 381 00:17:24,528 --> 00:17:27,652 ["Get Down Woman" playing] 382 00:17:27,653 --> 00:17:30,875 [Stu] First album was released and we came to San Francisco 383 00:17:30,945 --> 00:17:32,291 and we started playing there 384 00:17:32,361 --> 00:17:34,250 and it's like it just fell together real fast, 385 00:17:34,320 --> 00:17:36,291 but we've been working on it for about nine years, 386 00:17:36,361 --> 00:17:38,000 you know, getting ourselves together 387 00:17:38,070 --> 00:17:40,027 so that when we-- when we had it together, 388 00:17:40,028 --> 00:17:42,416 like, all we needed was an audience. 389 00:17:42,486 --> 00:17:46,110 [narrator] Having broken on to the San Francisco ballroom circuit 390 00:17:46,111 --> 00:17:49,777 and with their album hovering just outside the top 50, 391 00:17:49,778 --> 00:17:52,277 they were hoping to take things to the next level 392 00:17:52,278 --> 00:17:55,416 with another cover of an R&B classic. 393 00:17:56,028 --> 00:17:58,875 ♪ I put a spell on you ♪ 394 00:18:02,236 --> 00:18:05,916 ♪ Because you're mine ♪ 395 00:18:10,445 --> 00:18:14,083 ♪ You better stop the thing That you're doin' ♪ 396 00:18:16,028 --> 00:18:20,041 ♪ I said watch out, I ain't lyin' ♪ 397 00:18:20,111 --> 00:18:24,041 [John] Screamin' Jay Hawkins did "I Put a Spell on You." 398 00:18:24,111 --> 00:18:27,625 And that's another great old R&B song that I loved. 399 00:18:27,695 --> 00:18:29,402 It happened to fit my vocal style. 400 00:18:29,403 --> 00:18:32,541 I could-- I could sing that well and that was the reason, uh, 401 00:18:32,611 --> 00:18:35,166 we decided to do that particular song. 402 00:18:38,278 --> 00:18:39,777 [Tom] It's kind of hard for me to talk about John 403 00:18:39,778 --> 00:18:42,250 and be unbiased, you know, 404 00:18:42,320 --> 00:18:46,416 because, uh, we're in the same band together, 405 00:18:46,486 --> 00:18:49,875 but I think that he had one of the most unique voices. 406 00:18:49,945 --> 00:18:52,319 I think it's right up there with Ray Charles and Van Morrison, 407 00:18:52,320 --> 00:18:54,708 you know, it's a voice that's distinct. 408 00:18:55,986 --> 00:18:58,000 [narrator] Despite showcasing his development 409 00:18:58,070 --> 00:19:01,500 into one of the era's most recognizable voices 410 00:19:01,570 --> 00:19:04,875 with a style rooted deep in the blues and R&B, 411 00:19:04,945 --> 00:19:08,375 the record failed to reach the top 50. 412 00:19:08,445 --> 00:19:10,916 John Fogerty had said that he wanted Creedence 413 00:19:10,986 --> 00:19:15,402 to make something for the ages, to be great like The Beatles. 414 00:19:15,403 --> 00:19:18,402 On the day that he received his honorable discharge papers 415 00:19:18,403 --> 00:19:19,875 from the army, 416 00:19:19,945 --> 00:19:23,250 he wrote his first genuine classic. 417 00:19:23,445 --> 00:19:27,235 ["Proud Mary" playing] ♪ Left a good job In the city ♪ 418 00:19:27,236 --> 00:19:31,402 ♪ Workin' for the man Ev'ry night and day ♪ 419 00:19:31,403 --> 00:19:35,375 ♪ And I never lost One minute of sleepin' ♪ 420 00:19:35,445 --> 00:19:39,500 ♪ Worryin' 'bout the way Things might have been ♪ 421 00:19:39,570 --> 00:19:43,125 ♪ Big wheel keep on turnin' ♪ 422 00:19:43,195 --> 00:19:47,152 ♪ Proud Mary keep on burnin' ♪ 423 00:19:47,153 --> 00:19:50,375 [narrator] "Proud Mary" reached number two on the US charts, 424 00:19:50,445 --> 00:19:52,625 and five years after watching The Beatles 425 00:19:52,695 --> 00:19:55,375 make their debut on American TV, 426 00:19:55,445 --> 00:19:57,235 they too appeared on The Ed Sullivan Show. 427 00:19:57,236 --> 00:20:00,041 ♪ Rollin' on the river ♪ 428 00:20:01,403 --> 00:20:05,402 ♪ Cleaned a lot of plates In Memphis ♪ 429 00:20:05,403 --> 00:20:09,500 ♪ Pumped a lot of 'pane Down in New Orleans ♪ 430 00:20:09,570 --> 00:20:13,541 ♪ But I never saw The good side of the city ♪ 431 00:20:13,611 --> 00:20:17,527 ♪ 'Til I hitched a ride On a river boat queen ♪ 432 00:20:17,528 --> 00:20:21,250 ♪ Big wheel keep on turnin' ♪ 433 00:20:21,320 --> 00:20:25,152 ♪ Proud Mary keep on burnin' ♪ 434 00:20:25,153 --> 00:20:29,041 ♪ Rollin', rollin' ♪ 435 00:20:29,111 --> 00:20:31,541 ♪ Rollin' on the river ♪ 436 00:20:34,278 --> 00:20:36,625 [John] You know, like "Proud Mary" I'm really happy about that, 437 00:20:36,695 --> 00:20:39,291 that it came off as well as it did. 438 00:20:39,361 --> 00:20:41,652 The way I write is a very loose thing. 439 00:20:41,653 --> 00:20:44,166 All I'm trying to do really is put down what I see, 440 00:20:44,236 --> 00:20:45,916 you know, the way I see it. 441 00:20:45,986 --> 00:20:48,500 Get something out of just hearing the notes and the rhythm. 442 00:20:49,111 --> 00:20:52,541 But if the words can convey the same meaning, 443 00:20:52,611 --> 00:20:54,860 it's like icing on the cake then, you know, 444 00:20:54,861 --> 00:20:57,000 because I try and match the music with the words. 445 00:20:57,070 --> 00:21:00,541 It was during that time that I completed, uh, 446 00:21:00,611 --> 00:21:03,777 all the stuff on Bayou Country 447 00:21:03,778 --> 00:21:06,500 and, uh, some of other songs, too. 448 00:21:06,570 --> 00:21:09,750 In other words, that didn't really reflect-- 449 00:21:09,820 --> 00:21:12,291 the songs didn't reflect my mood at the time, you know, 450 00:21:12,695 --> 00:21:15,402 I just switched off and went into something else. 451 00:21:15,403 --> 00:21:17,666 [narrator] If "Proud Mary" was about a riverboat 452 00:21:17,736 --> 00:21:19,541 rolling up the Mississippi, 453 00:21:19,611 --> 00:21:22,152 "Born on the Bayou" took you on a journey 454 00:21:22,153 --> 00:21:24,110 through the swamplands that stretched 455 00:21:24,111 --> 00:21:27,569 from New Orleans into rural Louisiana. 456 00:21:27,570 --> 00:21:30,875 ["Born on the Bayou" playing] ♪ When I was just a little boy ♪ 457 00:21:32,028 --> 00:21:34,875 ♪ Standin' to My daddy's knee… ♪ 458 00:21:34,945 --> 00:21:36,527 [narrator] At the time of the release 459 00:21:36,528 --> 00:21:38,902 of their second album, Bayou Country, 460 00:21:38,903 --> 00:21:40,902 none of the band members had yet set foot 461 00:21:40,903 --> 00:21:42,777 in the part of the American South 462 00:21:42,778 --> 00:21:45,902 that was so vividly captured in their songs, 463 00:21:45,903 --> 00:21:47,916 a great achievement for a songwriter 464 00:21:47,986 --> 00:21:52,625 whose roots lay 2000 miles away in Northern California. 465 00:21:52,695 --> 00:21:56,875 ♪ And I can remember The Fourth of July ♪ 466 00:21:56,945 --> 00:22:01,027 ♪ Runnin' through The backwood bay ♪ 467 00:22:01,028 --> 00:22:05,194 ♪ I can still hear My old hound dog barkin' ♪ 468 00:22:05,195 --> 00:22:09,000 ♪ Chasin' down a hoodoo there ♪ 469 00:22:09,070 --> 00:22:12,125 ♪ Chasin' down a hoodoo there ♪ 470 00:22:13,153 --> 00:22:15,610 [John] I, like, haven't lived there, uh, 471 00:22:15,611 --> 00:22:17,777 you know, in the south, 472 00:22:17,778 --> 00:22:21,027 it was purely that was all in my head really, 473 00:22:21,028 --> 00:22:23,875 like, that was where I wanted to go. 474 00:22:23,945 --> 00:22:25,916 And all the things I had heard before 475 00:22:25,986 --> 00:22:27,416 that I dug were from there. 476 00:22:27,486 --> 00:22:29,777 And it was like, I wanted to be like that, you know? 477 00:22:29,778 --> 00:22:32,833 ["Born on the Bayou" continues] 478 00:22:40,945 --> 00:22:42,902 [narrator] Creedence never bought into the idea 479 00:22:42,903 --> 00:22:45,777 of turning on, tuning in, and dropping out. 480 00:22:45,778 --> 00:22:48,750 For them, it was always about the work. 481 00:22:48,820 --> 00:22:50,500 And to reflect their identification 482 00:22:50,570 --> 00:22:52,125 with the working man, 483 00:22:52,195 --> 00:22:53,916 they called their rehearsal place 484 00:22:53,986 --> 00:22:55,333 The Factory. 485 00:22:56,903 --> 00:22:59,166 [John] Now, we come down here every day, 486 00:22:59,236 --> 00:23:02,250 we rehearse, talk about music or what's happening, 487 00:23:02,320 --> 00:23:05,458 you know, with other groups or other records. 488 00:23:07,278 --> 00:23:09,125 [narrator] As well as writing the songs, 489 00:23:09,195 --> 00:23:12,402 John Fogerty was also producing the records. 490 00:23:12,403 --> 00:23:15,527 The Factory was where the songs took shape. 491 00:23:15,528 --> 00:23:18,416 As they saw it, simplicity was best 492 00:23:18,486 --> 00:23:20,916 and less was usually more. 493 00:23:20,986 --> 00:23:22,375 [Tom] Like, when we make a record, I don't-- 494 00:23:22,445 --> 00:23:23,750 I don't maybe listen to the-- 495 00:23:23,820 --> 00:23:25,541 really listen and get into the words, 496 00:23:25,611 --> 00:23:28,485 until maybe a month after we're finished, you know. 497 00:23:28,486 --> 00:23:31,027 Like, I don't sit down and take it all apart, 498 00:23:31,028 --> 00:23:33,166 you know, I just, uh, 499 00:23:33,236 --> 00:23:35,541 you know, one line or one word does it for me. 500 00:23:35,611 --> 00:23:40,000 ♪ I see the bad moon a-risin' ♪ 501 00:23:41,111 --> 00:23:44,583 ♪ I see trouble on the way ♪ 502 00:23:46,445 --> 00:23:50,041 ♪ I see earthquakes And lightnin' ♪ 503 00:23:51,361 --> 00:23:54,000 [narrator] Three months after releasing "Proud Mary," 504 00:23:54,070 --> 00:23:55,916 Creedence were back on the charts 505 00:23:55,986 --> 00:23:57,902 with "Bad Moon Rising." 506 00:23:57,903 --> 00:23:59,791 This song would also give them 507 00:23:59,861 --> 00:24:02,402 their first UK number one. 508 00:24:02,403 --> 00:24:05,958 ♪ There's a bad moon On the rise ♪ 509 00:24:11,695 --> 00:24:14,375 Yes, but just not fast enough. 510 00:24:15,903 --> 00:24:17,208 Um… 511 00:24:20,236 --> 00:24:22,277 Yeah. There's really no other way to say it, you know. 512 00:24:22,278 --> 00:24:25,694 I would dig it if we all woke up tomorrow morning 513 00:24:25,695 --> 00:24:29,000 and we're just superb musicians, you know, who could play anything, 514 00:24:29,070 --> 00:24:31,152 but it never works out that way. 515 00:24:31,153 --> 00:24:33,875 ["Cross-Tie Walker" playing] 516 00:24:35,111 --> 00:24:37,291 [narrator] By mid-1969, 517 00:24:37,361 --> 00:24:40,166 Creedence was arguably the second biggest band 518 00:24:40,236 --> 00:24:42,750 in the world behind The Beatles. 519 00:24:42,820 --> 00:24:45,625 And that summer featured among the headlining acts 520 00:24:45,695 --> 00:24:47,777 at the Denver, Newport, 521 00:24:47,778 --> 00:24:49,875 and Atlanta music festivals. 522 00:24:49,945 --> 00:24:52,027 ♪ I went down to the station ♪ 523 00:24:52,028 --> 00:24:55,402 ♪ Just to take a ride ♪ 524 00:24:55,403 --> 00:24:57,527 [narrator] They were also approached to perform 525 00:24:57,528 --> 00:25:00,152 at the upcoming Woodstock Festival. 526 00:25:00,153 --> 00:25:01,777 [Stu] Creedence was one of the first, 527 00:25:01,778 --> 00:25:04,819 if not the first major act to sign. 528 00:25:04,820 --> 00:25:07,791 You know, they used us to entice other artists 529 00:25:07,861 --> 00:25:09,916 of our generation to get onboard. 530 00:25:09,986 --> 00:25:12,791 We were signed to headline Saturday night. 531 00:25:12,861 --> 00:25:15,958 [narrator] The day before their scheduled appearance at Woodstock, 532 00:25:16,236 --> 00:25:18,944 they were in a Los Angeles television studio 533 00:25:18,945 --> 00:25:21,277 recording a performance of "Green River" 534 00:25:21,278 --> 00:25:23,125 on The Andy Williams Show, 535 00:25:23,195 --> 00:25:25,166 a showbiz institution, 536 00:25:25,236 --> 00:25:27,666 a world away from outdoor festivals 537 00:25:27,736 --> 00:25:29,652 and the counterculture. 538 00:25:29,653 --> 00:25:32,625 ♪ Well, take me back down ♪ 539 00:25:32,695 --> 00:25:35,250 ♪ Where cool water flows, y'all ♪ 540 00:25:37,903 --> 00:25:41,500 ♪ Oh, let me remember Things I love ♪ 541 00:25:44,903 --> 00:25:48,250 ♪ Stoppin' at the log Where catfish bite ♪ 542 00:25:48,320 --> 00:25:51,750 ♪ Walkin' along The river road at night ♪ 543 00:25:51,820 --> 00:25:55,360 ♪ Barefoot girls Dancin' in the moonlight ♪ 544 00:25:55,361 --> 00:25:57,875 The song is, uh, like, uh, 545 00:25:57,945 --> 00:26:00,027 just a little segment of John's child-- 546 00:26:00,028 --> 00:26:02,291 John and Tom's childhood, 547 00:26:02,361 --> 00:26:04,750 uh, when their father used to take 'em up 548 00:26:04,820 --> 00:26:07,277 to the, uh, Cody's camp. 549 00:26:07,278 --> 00:26:09,500 I mean, it's, uh, part of the lyric. 550 00:26:09,570 --> 00:26:11,291 The place isn't there anymore. 551 00:26:11,361 --> 00:26:13,791 Like progress, they built a dam, 552 00:26:13,861 --> 00:26:16,166 flooded the-- you know, backed the river up 553 00:26:16,236 --> 00:26:17,527 and flooded out the whole place. 554 00:26:17,528 --> 00:26:18,902 I think that, you know, the camp, 555 00:26:18,903 --> 00:26:21,708 everything's gone except the song. 556 00:26:23,611 --> 00:26:25,791 [John] I like the place that that song 557 00:26:25,861 --> 00:26:27,527 is supposed to be coming from. 558 00:26:27,528 --> 00:26:29,277 "Green River," I always thought, was like 559 00:26:29,278 --> 00:26:32,125 the heart and soul of what Creedence is. 560 00:26:32,195 --> 00:26:35,416 Uh, musically and also just kind of what it's talking about. 561 00:26:36,945 --> 00:26:39,416 [narrator] Having honored their television commitments, 562 00:26:39,486 --> 00:26:41,791 they then traveled to Upstate New York 563 00:26:41,861 --> 00:26:44,291 to take part in what would turn out to be 564 00:26:44,361 --> 00:26:47,833 the most historic music festival of all time, 565 00:26:50,111 --> 00:26:51,527 Woodstock. 566 00:26:51,528 --> 00:26:54,583 [guitar solo from "I Put A Spell on You" playing] 567 00:27:03,195 --> 00:27:05,152 [Stu] We're just overwhelmed by, uh, 568 00:27:05,153 --> 00:27:07,777 the enormity of-- but we had no idea 569 00:27:07,778 --> 00:27:09,860 of what to expect. 570 00:27:09,861 --> 00:27:12,277 And the weather and technical problems 571 00:27:12,278 --> 00:27:14,291 pushed the show later and later. 572 00:27:14,361 --> 00:27:16,208 We finally got on about 3:00 in the morning. 573 00:27:32,861 --> 00:27:35,166 ♪ I put a spell on you ♪ 574 00:27:38,486 --> 00:27:41,500 ♪ Because you're mine ♪ 575 00:27:45,528 --> 00:27:48,916 ♪ You better stop the thing That you're doin' ♪ 576 00:27:50,445 --> 00:27:54,416 ♪ I said, watch out, I ain't lyin' ♪ 577 00:27:55,653 --> 00:27:57,250 [Tom] We didn't consciously go out of our way 578 00:27:57,320 --> 00:27:59,500 to try to sound like a Black band. 579 00:27:59,570 --> 00:28:01,166 You know, there was parts of country 580 00:28:01,236 --> 00:28:02,777 and it's just that… 581 00:28:02,778 --> 00:28:05,125 that was really that we liked Black music 582 00:28:05,195 --> 00:28:06,875 better than the kind of white music 583 00:28:06,945 --> 00:28:08,694 that was being presented to us at the time, 584 00:28:08,695 --> 00:28:11,166 but, um, our early heroes were definitely Black, 585 00:28:11,236 --> 00:28:14,444 so I think it kind of maybe just unconsciously came together. 586 00:28:14,445 --> 00:28:16,069 ["The Night Time is The Right Time" playing] 587 00:28:16,070 --> 00:28:19,027 -♪ You know, the night-time ♪ -♪ Night and day ♪ 588 00:28:19,028 --> 00:28:23,277 -♪ Oh, is the right time ♪ -♪ Night and day ♪ 589 00:28:23,278 --> 00:28:25,777 -♪ To be ♪ -♪ Night and day ♪ 590 00:28:25,778 --> 00:28:27,777 ♪ With the one you love, Oh, oh ♪ 591 00:28:27,778 --> 00:28:29,069 ♪ Night and day ♪ 592 00:28:29,070 --> 00:28:31,152 -♪ I said the night-time ♪ -♪ Night and day ♪ 593 00:28:31,153 --> 00:28:32,777 [narrator] "Night Time Is the Right Time" 594 00:28:32,778 --> 00:28:35,291 was originally recorded by Ray Charles 595 00:28:35,361 --> 00:28:37,250 and would feature on Creedence's 596 00:28:37,320 --> 00:28:41,125 first number one album in America, Green River. 597 00:28:41,486 --> 00:28:43,027 [man] I've heard it and I've experienced it, 598 00:28:43,028 --> 00:28:44,416 and it's real. 599 00:28:44,486 --> 00:28:46,416 And in fact, it's played on the Black station. 600 00:28:46,486 --> 00:28:48,291 It's being played on the Black station, 601 00:28:48,361 --> 00:28:51,902 and like the deejay there was really pushing the record 602 00:28:51,903 --> 00:28:54,041 and the people were digging. My old lady and myself, 603 00:28:54,111 --> 00:28:55,625 we were thinking of coming to work the other morning 604 00:28:55,695 --> 00:28:57,166 and I said, "Hey, wait a minute, you know, 605 00:28:57,236 --> 00:28:58,902 like those cats are for real." 606 00:28:58,903 --> 00:29:00,500 So, like, it doesn't matter, you know, 607 00:29:00,570 --> 00:29:02,277 whether they're a white group or not, like, 608 00:29:02,278 --> 00:29:04,125 they're really coming from within. 609 00:29:04,195 --> 00:29:05,902 You dig it. And when you come from within, 610 00:29:05,903 --> 00:29:07,916 you got to be for real no matter what you are. 611 00:29:07,986 --> 00:29:09,375 -[man] Yeah. -Yeah. 612 00:29:10,320 --> 00:29:12,569 [narrator] Green River occupied the top spot 613 00:29:12,570 --> 00:29:14,791 for three weeks before being replaced 614 00:29:14,861 --> 00:29:16,944 by The Beatles' Abbey Road. 615 00:29:16,945 --> 00:29:19,500 While the record was still on the charts, 616 00:29:19,570 --> 00:29:21,402 Creedence were back in the studio 617 00:29:21,403 --> 00:29:23,319 recording what would be their third album 618 00:29:23,320 --> 00:29:26,319 in less than a year, Willy and the Poor Boys. 619 00:29:26,320 --> 00:29:27,402 ["Down On The Corner" playing] 620 00:29:27,403 --> 00:29:30,500 ♪ Down on the corner, out in the street ♪ 621 00:29:30,570 --> 00:29:33,027 ♪ Willy and the Poor Boys Are playin' ♪ 622 00:29:33,028 --> 00:29:35,777 ♪ Bring a nickel, tap your feet ♪ 623 00:29:35,778 --> 00:29:37,791 ♪ Rooster hits the washboard ♪ 624 00:29:37,861 --> 00:29:39,916 ♪ And people just got to smile ♪ 625 00:29:39,986 --> 00:29:41,527 [narrator] What set Creedence apart 626 00:29:41,528 --> 00:29:43,375 from many of their contemporaries, 627 00:29:43,445 --> 00:29:46,375 was their ability to produce the sound of their records, 628 00:29:46,445 --> 00:29:48,916 on stage and the primal excitement 629 00:29:48,986 --> 00:29:50,791 and joy of their concerts, 630 00:29:50,861 --> 00:29:53,527 which came from their love of live performance. 631 00:29:53,528 --> 00:29:57,125 ♪ Down on the corner, out in the street ♪ 632 00:29:57,195 --> 00:29:59,152 ♪ Willy and the Poor Boys Are playin' ♪ 633 00:29:59,153 --> 00:30:01,416 ♪ Bring a nickel, tap your feet ♪ 634 00:30:07,528 --> 00:30:10,041 It has an elating effect on you. It makes you feel good. 635 00:30:10,111 --> 00:30:12,541 Therefore, you-- like, "I love music. 636 00:30:12,611 --> 00:30:14,416 I consider it a good thing. 637 00:30:14,486 --> 00:30:15,875 I don't love it because I think it's good. 638 00:30:15,945 --> 00:30:17,485 I just-- I just love it." 639 00:30:17,486 --> 00:30:21,000 Like it's the fear of, like, blowing it 640 00:30:21,070 --> 00:30:23,902 and the excitement of being able to do it at the same time. 641 00:30:23,903 --> 00:30:26,000 If we're all working together, boom. 642 00:30:26,070 --> 00:30:29,777 You know, it's just fabulous and everybody's turned on. 643 00:30:29,778 --> 00:30:32,375 [John] If you do turn them on, you really feel rewarded. 644 00:30:32,445 --> 00:30:34,277 And that's really the reward. 645 00:30:34,278 --> 00:30:36,777 That's the only reward that counts, I think. 646 00:30:36,778 --> 00:30:38,666 ♪ Just to hang around ♪ 647 00:30:38,736 --> 00:30:40,819 ♪ But if you've got a nickel… ♪ 648 00:30:40,820 --> 00:30:43,041 [John] Besides people looking for your music, 649 00:30:43,111 --> 00:30:44,777 they also-- well, 650 00:30:44,778 --> 00:30:48,527 they wanna know what you think, they wanna know what you wear, 651 00:30:48,528 --> 00:30:50,166 and, you know, what movies you like, 652 00:30:50,236 --> 00:30:51,791 and do you eat spaghetti for breakfast 653 00:30:51,861 --> 00:30:53,416 and junk like that. 654 00:30:53,486 --> 00:30:56,041 And they also wanna know how you accept 655 00:30:56,111 --> 00:30:58,777 the world you live in. Do you accept it, really? 656 00:30:58,778 --> 00:31:01,291 [Stu] John, he's got an expression 657 00:31:01,361 --> 00:31:03,902 that you can-- you can-- 658 00:31:03,903 --> 00:31:06,277 You can tell how a person is 659 00:31:06,278 --> 00:31:08,152 by, you know, looking in his eyes 660 00:31:08,153 --> 00:31:11,152 and just how far behind his eyes his brain is, 661 00:31:11,153 --> 00:31:12,777 is where he's at. 662 00:31:12,778 --> 00:31:14,902 You know, if his brain is right up there, 663 00:31:14,903 --> 00:31:17,375 you know, if his head's right up there behind his eyes 664 00:31:17,445 --> 00:31:20,277 and he's-- you know, John will talk to him. 665 00:31:20,278 --> 00:31:22,666 We go around talking about how we're communicating 666 00:31:22,736 --> 00:31:24,375 but no one ever does. 667 00:31:24,445 --> 00:31:28,902 It's like you look right into a guy's eyeballs and you're staring. 668 00:31:28,903 --> 00:31:33,152 You say, you know, "Are you in there, you know? Hello? Hello?" 669 00:31:33,153 --> 00:31:36,819 And most of the time, you don't get anything back. 670 00:31:36,820 --> 00:31:39,069 He really cuts through the bullshit. 671 00:31:39,070 --> 00:31:42,791 ["Who'll Stop the Rain" playing] ♪ Good men through the ages ♪ 672 00:31:42,861 --> 00:31:45,166 ♪ Tryin' to find the sun ♪ 673 00:31:46,736 --> 00:31:50,694 ♪ And I wonder, still I wonder ♪ 674 00:31:50,695 --> 00:31:54,083 ♪ Who'll stop the rain? ♪ 675 00:31:55,695 --> 00:31:57,777 [John] I want people to know when I'm really saying 676 00:31:57,778 --> 00:31:59,652 something seriously and when I'm… 677 00:31:59,653 --> 00:32:01,708 just being an entertainer, you know? 678 00:32:02,820 --> 00:32:05,250 But it's also important that I don't appeal 679 00:32:05,320 --> 00:32:07,902 the basic motivations and I don't start, 680 00:32:07,903 --> 00:32:10,500 you know, "Hey, all you hippies, 681 00:32:10,570 --> 00:32:12,750 join together and let's smoke dope," you know? 682 00:32:12,820 --> 00:32:14,777 I mean, people are gonna dig that. 683 00:32:14,778 --> 00:32:16,416 A certain element of society. 684 00:32:16,486 --> 00:32:17,875 But I don't want them digging it for that. 685 00:32:17,945 --> 00:32:19,750 I want them to look a little further than just, "Hey. 686 00:32:19,820 --> 00:32:21,402 Okay. We're all together, brother," 687 00:32:21,403 --> 00:32:22,569 you know, and that crap. 688 00:32:22,570 --> 00:32:24,916 "Who'll Stop the Rain," 689 00:32:24,986 --> 00:32:27,125 and some of the others too, especially that one, 690 00:32:27,195 --> 00:32:28,875 I tried to stay away from, 691 00:32:28,945 --> 00:32:31,166 "Hey, he's a left-wing radical crazy 692 00:32:31,236 --> 00:32:34,291 or he's a super Bircher," you know, 693 00:32:34,361 --> 00:32:36,250 because both sides can take it, you know, 694 00:32:36,320 --> 00:32:38,166 and use it as their own rallying cry. 695 00:32:38,236 --> 00:32:39,944 Same as "Fortunate Son," really. 696 00:32:39,945 --> 00:32:43,402 ["Fortunate Son" playing] ♪ It ain't me, it ain't me ♪ 697 00:32:43,403 --> 00:32:46,902 ♪ I ain't no senator's son, son ♪ 698 00:32:46,903 --> 00:32:50,569 ♪ It ain't me, it ain't me ♪ 699 00:32:50,570 --> 00:32:54,041 ♪ I ain't no fortunate one, no ♪ 700 00:32:54,111 --> 00:32:57,000 [narrator] As 1969 was drawing to a close, 701 00:32:57,070 --> 00:32:59,916 John Fogerty was considered one of America's 702 00:32:59,986 --> 00:33:03,166 most politically significant songwriters. 703 00:33:03,236 --> 00:33:05,902 And in this year alone, Creedence had accomplished 704 00:33:05,903 --> 00:33:08,750 more than most groups managed during a whole career, 705 00:33:08,820 --> 00:33:11,416 including four top ten singles 706 00:33:11,486 --> 00:33:13,875 and three top ten albums. 707 00:33:13,945 --> 00:33:16,194 To emphasize this success, 708 00:33:16,195 --> 00:33:20,958 Rolling Stone magazine declared them best American band. 709 00:33:21,278 --> 00:33:24,625 The outsiders from El Cerrito, had come a long way. 710 00:33:24,695 --> 00:33:28,166 And 1970 began with a celebratory concert 711 00:33:28,236 --> 00:33:32,277 on home turf, in front of 15,000 ecstatic fans 712 00:33:32,278 --> 00:33:34,652 at California's Oakland Coliseum. 713 00:33:34,653 --> 00:33:37,375 ["Keep On Chooglin'" playing] ♪ Keep on chooglin' ♪ 714 00:33:37,445 --> 00:33:40,250 ♪ Keep on chooglin' ♪ 715 00:33:40,320 --> 00:33:42,291 ♪ Keep on chooglin' ♪ 716 00:33:42,361 --> 00:33:44,485 ♪ Chooglin', chooglin' ♪ 717 00:33:44,486 --> 00:33:46,083 ♪ Chooglin', chooglin' ♪ 718 00:33:49,486 --> 00:33:51,527 ♪ Maybe you don't understand ♪ 719 00:33:51,528 --> 00:33:54,694 [narrator] In America, Creedence were flying high, 720 00:33:54,695 --> 00:33:58,110 and three months after their victorious Oakland concert, 721 00:33:58,111 --> 00:34:00,444 they took their show to Europe. 722 00:34:00,445 --> 00:34:03,500 ["Up Around the Bend" playing] 723 00:34:07,861 --> 00:34:10,916 [narrator] Their European campaign began on April 7th 724 00:34:10,986 --> 00:34:14,125 when they touched down at London's Heathrow Airport. 725 00:34:15,445 --> 00:34:19,527 ♪ There's a place Up ahead and I'm going ♪ 726 00:34:19,528 --> 00:34:22,125 ♪ Just as fast As my feet can fly ♪ 727 00:34:22,195 --> 00:34:24,485 [Stu] When we got to London, we were just destroyed. 728 00:34:24,486 --> 00:34:27,652 Eleven-hour flight and a nine-hour time difference. 729 00:34:27,653 --> 00:34:30,402 It was like when it was night, it was morning. 730 00:34:30,403 --> 00:34:33,735 You know, you get so tired that you just can't sleep. 731 00:34:33,736 --> 00:34:35,125 And then, just immediately went out 732 00:34:35,195 --> 00:34:37,360 and got on a double-decker bus 733 00:34:37,361 --> 00:34:39,527 and just started cruising through London. 734 00:34:39,528 --> 00:34:42,000 [song continues] 735 00:34:45,945 --> 00:34:48,027 [narrator] Creedence's highly anticipated 736 00:34:48,028 --> 00:34:51,041 sold-out concerts at London's Royal Albert Hall 737 00:34:51,111 --> 00:34:53,527 would take on even greater significance 738 00:34:53,528 --> 00:34:57,916 when just days before news broke that shook the world. 739 00:34:57,986 --> 00:35:00,625 The event is so momentous that historians 740 00:35:00,695 --> 00:35:03,402 may one day view it as a landmark 741 00:35:03,403 --> 00:35:05,902 in the decline of the British Empire. 742 00:35:05,903 --> 00:35:07,875 The Beatles are breaking up. 743 00:35:09,945 --> 00:35:11,666 [narrator] With the London audience 744 00:35:11,736 --> 00:35:13,833 reeling from the news of The Beatles' breakup, 745 00:35:14,445 --> 00:35:17,041 Creedence was now poised to take on the mantle 746 00:35:17,111 --> 00:35:19,250 of the biggest group in the world. 747 00:35:19,320 --> 00:35:21,277 [John] My biggest fear, man, if these people 748 00:35:21,278 --> 00:35:23,250 are gonna boo us off. You know, you're not sacred. 749 00:35:23,320 --> 00:35:26,291 If you ain't making it, you-- the first cat's gonna-- you know, 750 00:35:26,361 --> 00:35:29,125 everyone else think it's like The Emperor Wears No Clothes. 751 00:35:29,195 --> 00:35:31,791 Finally some cat'll go, "Boo," 752 00:35:31,861 --> 00:35:33,291 and pretty soon the whole place 753 00:35:33,361 --> 00:35:34,944 will just tear you to pieces, you know? 754 00:35:34,945 --> 00:35:36,902 [Doug] There's a lot of pressure on John 755 00:35:36,903 --> 00:35:38,500 and there's a lot of pressure, I guess, on all of us, 756 00:35:38,570 --> 00:35:42,125 because I wanna live up to what John expects of me. 757 00:35:43,361 --> 00:35:45,166 [Tom] And hopefully because we've practiced a lot 758 00:35:45,236 --> 00:35:47,041 and we have improved anyway, you know, just… 759 00:35:47,111 --> 00:35:49,360 evolving as musicians, we want that to happen. 760 00:35:49,361 --> 00:35:51,750 [John] You know, it's four parts that make up a whole. 761 00:35:51,820 --> 00:35:53,500 Every once in a while, you really-- 762 00:35:53,570 --> 00:35:55,652 you really know together, you know? 763 00:35:55,653 --> 00:35:57,750 It's like four people are one. 764 00:35:57,820 --> 00:36:01,166 In other words, if something-- if something goes wrong, 765 00:36:01,236 --> 00:36:02,750 hopefully, instead of getting uptight, 766 00:36:02,820 --> 00:36:05,041 we'll just remember that time in Omaha 767 00:36:05,111 --> 00:36:06,777 or that time in Lodi. 768 00:36:06,778 --> 00:36:08,902 You just remember all the little funny things 769 00:36:08,903 --> 00:36:10,458 that have happened in 11 years. 770 00:36:19,153 --> 00:36:22,208 [playing "Travelin' Band"] 771 00:36:24,945 --> 00:36:27,152 ♪ Seven thirty seven Comin' out of the sky ♪ 772 00:36:27,153 --> 00:36:29,916 ♪ Oh, won't you take me down To Memphis on a midnight ride ♪ 773 00:36:29,986 --> 00:36:31,666 ♪ I want to move ♪ 774 00:36:31,736 --> 00:36:34,291 ♪ Playin' in a travelin' band ♪ 775 00:36:34,361 --> 00:36:37,166 ♪ Yeah, and I'm flyin' 'Cross the land ♪ 776 00:36:37,236 --> 00:36:38,666 ♪ Tryin' to get a hand ♪ 777 00:36:38,736 --> 00:36:41,541 ♪ Playin' in a travelin' band ♪ 778 00:36:41,611 --> 00:36:44,375 ♪ Get me to the hotel Baggage gone, oh well ♪ 779 00:36:44,445 --> 00:36:46,902 ♪ Come on, come on Won't you get me to my room ♪ 780 00:36:46,903 --> 00:36:48,652 ♪ I want to move ♪ 781 00:36:48,653 --> 00:36:51,152 ♪ Playin' in a travelin' band ♪ 782 00:36:51,153 --> 00:36:52,527 ♪ Yeah ♪ 783 00:36:52,528 --> 00:36:54,125 ♪ Well, I'm flyin' 'Cross the land ♪ 784 00:36:54,195 --> 00:36:55,625 ♪ Tryin' to get a hand ♪ 785 00:36:55,695 --> 00:36:58,777 ♪ Playin' in a travelin' band ♪ 786 00:36:58,778 --> 00:37:01,666 ♪ Listen to the radio Talkin' 'bout the last show ♪ 787 00:37:01,736 --> 00:37:04,152 ♪ Someone got excited Had to call the state militia ♪ 788 00:37:04,153 --> 00:37:05,652 ♪ Want to move ♪ 789 00:37:05,653 --> 00:37:07,500 ♪ Playin' in a travelin' band ♪ 790 00:37:07,570 --> 00:37:09,250 ♪ Yeah ♪ 791 00:37:09,320 --> 00:37:11,000 ♪ And I'm flyin' 'Cross the land ♪ 792 00:37:11,070 --> 00:37:12,270 ♪ Tryin' to get a hand ♪ 793 00:37:12,320 --> 00:37:15,375 ♪ Playin' in a travelin' band ♪ 794 00:37:26,820 --> 00:37:29,250 ♪ Here we come again On a Saturday night ♪ 795 00:37:29,320 --> 00:37:30,875 ♪ With your fussin' And your fightin' ♪ 796 00:37:30,945 --> 00:37:33,416 ♪ Won't you get me to the rhyme I want to move ♪ 797 00:37:33,486 --> 00:37:36,166 ♪ Playin' in a travelin' band ♪ 798 00:37:36,236 --> 00:37:37,652 ♪ Yeah ♪ 799 00:37:37,653 --> 00:37:39,291 ♪ Well, I'm flyin' 'Cross the land ♪ 800 00:37:39,361 --> 00:37:40,791 ♪ Tryin' to get a hand ♪ 801 00:37:40,861 --> 00:37:42,500 ♪ Playin' in a travelin' band ♪ 802 00:37:42,570 --> 00:37:44,652 ♪ Woo! ♪ 803 00:37:44,653 --> 00:37:47,708 [guitar solo] 804 00:37:54,778 --> 00:37:57,416 ♪ Playin' in a travelin' band ♪ 805 00:37:57,486 --> 00:38:00,652 ♪ Playin' in a travelin' band ♪ 806 00:38:00,653 --> 00:38:02,791 ♪ Won't you give myself A hand? ♪ 807 00:38:02,861 --> 00:38:05,166 ♪ I'm playin' In a travelin' band ♪ 808 00:38:05,236 --> 00:38:07,652 ♪ Well, I'm flyin' 'Cross the land ♪ 809 00:38:07,653 --> 00:38:08,902 ♪ Tryin' to get a hand ♪ 810 00:38:08,903 --> 00:38:10,416 ♪ Playin' in a travelin' band ♪ 811 00:38:10,486 --> 00:38:11,916 ♪ Oh, now ♪ 812 00:38:11,986 --> 00:38:15,750 [song continues] 813 00:38:18,945 --> 00:38:22,791 [cheers and applause] 814 00:38:27,195 --> 00:38:30,250 [playing "Born on the Bayou"] 815 00:38:44,320 --> 00:38:48,250 ♪ When I was just a little boy ♪ 816 00:38:48,320 --> 00:38:51,250 ♪ Standin' to my daddy's knee ♪ 817 00:38:52,736 --> 00:38:56,375 ♪ My papa said, son, Don't let the man get you ♪ 818 00:38:56,445 --> 00:38:58,666 ♪ And do what he done to me ♪ 819 00:38:59,986 --> 00:39:01,541 ♪ 'Cause he'll get you, Lord ♪ 820 00:39:04,028 --> 00:39:08,625 ♪ Get right now, now ♪ 821 00:39:08,695 --> 00:39:12,777 ♪ Well, I can remember The Fourth of July ♪ 822 00:39:12,778 --> 00:39:15,500 ♪ Runnin' through The backwood bay ♪ 823 00:39:16,820 --> 00:39:20,027 ♪ And I can still hear My old hound dog ♪ 824 00:39:20,028 --> 00:39:23,541 ♪ Barkin' chasin' down A hoodoo there ♪ 825 00:39:25,153 --> 00:39:28,000 ♪ Chasin' down a hoodoo there ♪ 826 00:39:30,028 --> 00:39:32,875 ♪ Born on the bayou ♪ 827 00:39:34,195 --> 00:39:36,527 ♪ Born on the bayou ♪ 828 00:39:36,528 --> 00:39:38,000 ♪ All right, yeah ♪ 829 00:39:38,070 --> 00:39:41,500 ♪ Born on the bayou, do it, do it ♪ 830 00:39:41,570 --> 00:39:44,625 [song continues] 831 00:40:52,236 --> 00:40:56,250 ♪ I wish I were back On the bayou ♪ 832 00:40:56,320 --> 00:41:00,777 ♪ Rollin' with some Cajun Queen ♪ 833 00:41:00,778 --> 00:41:03,916 ♪ Wish I were A fast freight train ♪ 834 00:41:03,986 --> 00:41:07,666 ♪ A-just a-choogling on Down to New Orleans ♪ 835 00:41:09,403 --> 00:41:11,875 ♪ Born on the bayou ♪ 836 00:41:13,320 --> 00:41:15,791 ♪ Born on the bayou ♪ 837 00:41:15,861 --> 00:41:17,402 ♪ All right, yeah ♪ 838 00:41:17,403 --> 00:41:19,277 ♪ Born on the bayou ♪ 839 00:41:19,278 --> 00:41:20,666 ♪ Do it, do it ♪ 840 00:41:23,570 --> 00:41:26,625 [song continues] 841 00:42:20,486 --> 00:42:24,402 ♪ I can remember The Fourth of July ♪ 842 00:42:24,403 --> 00:42:28,291 ♪ Runnin' through The backwood bay ♪ 843 00:42:28,361 --> 00:42:32,250 ♪ And I can still hear My old hound dog barkin' ♪ 844 00:42:32,320 --> 00:42:36,277 ♪ Chasin' down a hoodoo there ♪ 845 00:42:36,278 --> 00:42:39,541 ♪ Chasin' down a hoodoo there ♪ 846 00:42:41,236 --> 00:42:43,750 ♪ Born on the bayou ♪ 847 00:42:45,195 --> 00:42:47,666 ♪ Born on the bayou ♪ 848 00:42:47,736 --> 00:42:49,125 ♪ All right, yeah ♪ 849 00:42:49,195 --> 00:42:51,000 ♪ Born on the bayou ♪ 850 00:42:51,070 --> 00:42:53,416 ♪ Do it, do it, do it, do it ♪ 851 00:42:56,195 --> 00:42:59,250 [song continues] 852 00:43:16,695 --> 00:43:19,750 [cheers and applause] 853 00:43:21,111 --> 00:43:22,375 [John] Thank you. 854 00:43:24,653 --> 00:43:26,541 Yeah. All right. 855 00:43:32,736 --> 00:43:35,791 [playing "Green River"] 856 00:43:44,445 --> 00:43:46,375 ♪ Well ♪ 857 00:43:46,445 --> 00:43:49,833 ♪ Take me back down Where cool water flows, y'all ♪ 858 00:43:53,028 --> 00:43:56,416 ♪ Oh, let me remember The things I love ♪ 859 00:43:59,570 --> 00:44:03,125 ♪ Stoppin' at the log Where catfish bite ♪ 860 00:44:03,195 --> 00:44:06,750 ♪ Walkin' along The river road at night ♪ 861 00:44:06,820 --> 00:44:10,708 ♪ Barefoot girls dancin' In the moonlight ♪ 862 00:44:13,153 --> 00:44:16,541 ♪ I can hear The bullfrog callin' me ♪ 863 00:44:19,903 --> 00:44:23,583 ♪ Wonder if my rope's Still hangin' to the tree ♪ 864 00:44:26,695 --> 00:44:30,250 ♪ Love to kick my feet Way down the shallow water ♪ 865 00:44:30,320 --> 00:44:33,652 ♪ Shoo fly, dragon fly Get back to your mother ♪ 866 00:44:33,653 --> 00:44:38,291 ♪ Pick up a flat rock, Skip it across Green River ♪ 867 00:44:40,528 --> 00:44:42,166 ♪ Well… ♪ 868 00:44:42,236 --> 00:44:45,291 [guitar solo] 869 00:45:03,903 --> 00:45:07,541 ♪ Up at Cody's camp I spent my days, Lord ♪ 870 00:45:10,445 --> 00:45:13,666 ♪ With flat car riders And cross-tie walkers ♪ 871 00:45:17,195 --> 00:45:20,652 ♪ Old Cody Junior took me over ♪ 872 00:45:20,653 --> 00:45:23,916 ♪ Said you're gonna find The world is smoldering ♪ 873 00:45:23,986 --> 00:45:28,375 ♪ And if you get lost, Come on home to Green River ♪ 874 00:45:30,778 --> 00:45:33,375 ♪ Well… ♪ 875 00:45:34,820 --> 00:45:37,875 [guitar solo] 876 00:46:20,528 --> 00:46:23,791 [cheers and applause] 877 00:46:23,861 --> 00:46:25,375 [John] Thank you. 878 00:46:35,111 --> 00:46:37,166 [playing "Tombstone Shadow"] 879 00:46:44,070 --> 00:46:47,625 ♪ Tombstone shadow ♪ 880 00:46:47,695 --> 00:46:50,750 ♪ Stretchin' across my path ♪ 881 00:46:52,570 --> 00:46:55,750 ♪ Tombstone shadow ♪ 882 00:46:58,445 --> 00:47:01,402 ♪ Stretchin' across my path ♪ 883 00:47:01,403 --> 00:47:04,416 ♪ Ev'ry time I get Some good news ♪ 884 00:47:04,486 --> 00:47:06,750 ♪ Ooh, there's a shadow On my back ♪ 885 00:47:10,111 --> 00:47:13,152 ♪ Saw the gypsy man ♪ 886 00:47:13,153 --> 00:47:15,750 ♪ 'Way down in San Berdoo ♪ 887 00:47:18,320 --> 00:47:21,000 ♪ Said, I saw the gypsy man ♪ 888 00:47:23,653 --> 00:47:26,625 ♪ 'Way down in San Berdoo ♪ 889 00:47:26,695 --> 00:47:29,527 ♪ Five dollars on the table ♪ 890 00:47:29,528 --> 00:47:32,416 ♪ Ooh, keep me 'way From my tomb ♪ 891 00:47:35,361 --> 00:47:38,416 [guitar solo] 892 00:47:59,986 --> 00:48:02,625 ♪ Said I got thirteen months of bad luck ♪ 893 00:48:02,695 --> 00:48:04,625 ♪ Bound to be some pain ♪ 894 00:48:04,695 --> 00:48:06,652 ♪ Don't you do no trav'lin' ♪ 895 00:48:06,653 --> 00:48:08,152 ♪ Fly in no machines ♪ 896 00:48:08,153 --> 00:48:11,541 ♪ Tombstone shadow ♪ 897 00:48:11,611 --> 00:48:14,583 ♪ Stretchin' across my path ♪ 898 00:48:16,820 --> 00:48:19,500 ♪ Ev'ry time I get Some good news ♪ 899 00:48:19,570 --> 00:48:22,666 ♪ Ooh, here come shadow On my back ♪ 900 00:48:25,278 --> 00:48:28,333 [guitar solo] 901 00:48:49,986 --> 00:48:53,027 ♪ The man gave me a luck charm ♪ 902 00:48:53,028 --> 00:48:55,666 ♪ Cost five dollars more, Lord ♪ 903 00:48:58,153 --> 00:49:01,416 ♪ Said, put some On your pillow ♪ 904 00:49:01,486 --> 00:49:04,083 ♪ And put some on your door ♪ 905 00:49:06,486 --> 00:49:09,277 ♪ He said, take a long vacation ♪ 906 00:49:09,278 --> 00:49:12,041 ♪ Ooh, for 13 months or more ♪ 907 00:49:14,486 --> 00:49:17,791 ♪ Tombstone shadow ♪ 908 00:49:17,861 --> 00:49:20,791 ♪ Stretchin' across my path ♪ 909 00:49:22,528 --> 00:49:25,500 ♪ Tombstone shadow ♪ 910 00:49:28,028 --> 00:49:30,916 ♪ Stretchin' across my path ♪ 911 00:49:30,986 --> 00:49:33,902 ♪ Ev'ry time I get Some good news ♪ 912 00:49:33,903 --> 00:49:36,791 ♪ Ooh, here come a shadow On my back ♪ 913 00:49:39,486 --> 00:49:42,541 [guitar solo] 914 00:50:04,611 --> 00:50:08,041 [cheers and applause] 915 00:50:08,111 --> 00:50:09,791 [Doug] Thank you. 916 00:50:19,403 --> 00:50:21,000 [Doug] Thank you. 917 00:51:11,153 --> 00:51:17,166 [playing "Fortunate Son"] 918 00:51:28,528 --> 00:51:31,902 ♪ Some folks are born Made to wave the flag ♪ 919 00:51:31,903 --> 00:51:35,152 ♪ Hoo, they're red, white and blue ♪ 920 00:51:35,153 --> 00:51:38,416 ♪ And when the band plays Hail to the chief ♪ 921 00:51:38,486 --> 00:51:41,666 ♪ Ooh they point The cannon at you, Lord ♪ 922 00:51:41,736 --> 00:51:44,791 ♪ It ain't me, it ain't me ♪ 923 00:51:44,861 --> 00:51:48,402 ♪ I ain't no senator's son ♪ 924 00:51:48,403 --> 00:51:51,402 ♪ It ain't me, it ain't me ♪ 925 00:51:51,403 --> 00:51:54,375 ♪ I ain't no fortunate one ♪ 926 00:51:54,445 --> 00:51:57,777 ♪ Some folks are born Silver spoon in hand ♪ 927 00:51:57,778 --> 00:52:00,916 ♪ Lord, don't They help themselves? ♪ 928 00:52:01,278 --> 00:52:04,291 ♪ But when the taxman Come to the door ♪ 929 00:52:04,361 --> 00:52:07,625 ♪ Lord the house lookin' Like a rummage sale ♪ 930 00:52:07,695 --> 00:52:10,777 ♪ It ain't me, it ain't me ♪ 931 00:52:10,778 --> 00:52:14,152 ♪ I ain't no millionaire's son ♪ 932 00:52:14,153 --> 00:52:17,277 ♪ It ain't me, it ain't me ♪ 933 00:52:17,278 --> 00:52:20,000 ♪ I ain't no fortunate one ♪ 934 00:52:32,861 --> 00:52:36,625 ♪ Yeah, some folks Inherit star-spangled eyes ♪ 935 00:52:36,695 --> 00:52:39,916 ♪ Hoo, they send you down To war ♪ 936 00:52:39,986 --> 00:52:43,152 ♪ And when you ask 'em, How much should we give? ♪ 937 00:52:43,153 --> 00:52:46,416 ♪ Hoo, they only answer, More, more, more ♪ 938 00:52:46,486 --> 00:52:49,541 ♪ It ain't me, it ain't me ♪ 939 00:52:49,611 --> 00:52:52,791 ♪ I ain't no military son ♪ 940 00:52:52,861 --> 00:52:55,902 ♪ It ain't me, it ain't me ♪ 941 00:52:55,903 --> 00:52:59,027 ♪ I ain't no Fortunate one, one ♪ 942 00:52:59,028 --> 00:53:02,277 ♪ It ain't me, it ain't me ♪ 943 00:53:02,278 --> 00:53:05,500 ♪ I ain't no senator's son, no ♪ 944 00:53:05,570 --> 00:53:08,375 ♪ It ain't me, it ain't me ♪ 945 00:53:08,445 --> 00:53:11,444 ♪ I ain't no fortunate one, one, one, no ♪ 946 00:53:11,445 --> 00:53:14,777 ♪ It ain't me, it ain't me ♪ 947 00:53:14,778 --> 00:53:18,125 ♪ I ain't no Fortunate son, son, no ♪ 948 00:53:18,195 --> 00:53:21,000 ♪ It ain't me, it ain't me ♪ 949 00:53:21,070 --> 00:53:24,333 ♪ I ain't no fortunate one ♪ 950 00:53:26,945 --> 00:53:30,000 [transitions to playing "Commotion"] 951 00:53:43,986 --> 00:53:47,416 ♪ Traffic in the city Turns my head around ♪ 952 00:53:47,486 --> 00:53:51,277 ♪ No, no, no, no, no ♪ 953 00:53:51,278 --> 00:53:54,777 ♪ Backed up on the freeway, Backed up in the church ♪ 954 00:53:54,778 --> 00:53:57,750 ♪ Ev'rywhere you look There's a frown, frown ♪ 955 00:53:57,820 --> 00:53:59,625 ♪ Com, commotion ♪ 956 00:53:59,695 --> 00:54:01,250 ♪ Git, git, git, gone ♪ 957 00:54:01,320 --> 00:54:03,152 ♪ Com, commotion ♪ 958 00:54:03,153 --> 00:54:05,333 ♪ Git, git, git, gone ♪ 959 00:54:12,945 --> 00:54:16,277 ♪ People keep a-talkin' They don't say a word ♪ 960 00:54:16,278 --> 00:54:20,027 ♪ Jaw, jaw, jaw, jaw, jaw ♪ 961 00:54:20,028 --> 00:54:23,527 ♪ Talk up in the White House Talk up to your door ♪ 962 00:54:23,528 --> 00:54:26,291 ♪ So much goin' on I just can't hear ♪ 963 00:54:26,361 --> 00:54:28,041 ♪ Com, commotion ♪ 964 00:54:28,111 --> 00:54:29,902 ♪ Git, git, git, gone ♪ 965 00:54:29,903 --> 00:54:31,625 ♪ Com, commotion ♪ 966 00:54:31,695 --> 00:54:33,652 ♪ Git, git, git, gone ♪ 967 00:54:33,653 --> 00:54:36,708 [guitar solo] 968 00:54:53,570 --> 00:54:56,791 ♪ Hurryin' to get there So you save some time ♪ 969 00:54:56,861 --> 00:55:00,527 ♪ Run, run, run, run, run ♪ 970 00:55:00,528 --> 00:55:03,902 ♪ Rushin' to the treadmill Rushin' to get home ♪ 971 00:55:03,903 --> 00:55:06,791 ♪ Worry 'bout the time You save, save ♪ 972 00:55:06,861 --> 00:55:08,527 ♪ Com, commotion ♪ 973 00:55:08,528 --> 00:55:10,291 ♪ Git, git, git, gone ♪ 974 00:55:10,361 --> 00:55:12,125 ♪ Com, commotion ♪ 975 00:55:12,195 --> 00:55:13,875 ♪ Git, git, git, gone ♪ 976 00:55:13,945 --> 00:55:15,625 ♪ Com, commotion ♪ 977 00:55:15,695 --> 00:55:18,000 ♪ Git, git, git, gone ♪ 978 00:55:18,070 --> 00:55:21,125 [guitar solo] 979 00:55:55,153 --> 00:55:58,208 [cheers and applause] 980 00:55:59,736 --> 00:56:01,291 [John] Thank you. 981 00:56:03,320 --> 00:56:05,083 Thank you very much. 982 00:56:11,653 --> 00:56:14,708 [indistinct chatter] 983 00:56:29,528 --> 00:56:31,541 [playing "The Midnight Special"] 984 00:56:32,611 --> 00:56:36,583 ♪ Well, you wake up In the mornin' ♪ 985 00:56:39,486 --> 00:56:42,791 ♪ You hear the work bell ring ♪ 986 00:56:44,528 --> 00:56:47,333 ♪ And they march you To the table ♪ 987 00:56:48,945 --> 00:56:52,416 ♪ You see the same old thing ♪ 988 00:56:53,778 --> 00:56:57,875 ♪ Ain't no food upon the table ♪ 989 00:56:57,945 --> 00:57:00,750 ♪ And no pork up in the pan ♪ 990 00:57:02,736 --> 00:57:07,791 ♪ But you better Not complain, boy ♪ 991 00:57:07,861 --> 00:57:10,750 ♪ You get in trouble With the man ♪ 992 00:57:13,403 --> 00:57:15,125 [drum fill] 993 00:57:15,195 --> 00:57:18,902 ♪ Let the Midnight Special ♪ 994 00:57:18,903 --> 00:57:21,125 ♪ Shine a light on me ♪ 995 00:57:22,820 --> 00:57:26,527 ♪ Let the Midnight Special ♪ 996 00:57:26,528 --> 00:57:29,000 ♪ Shine a light on me ♪ 997 00:57:29,070 --> 00:57:30,416 All right. 998 00:57:30,486 --> 00:57:34,152 ♪ Let the Midnight Special ♪ 999 00:57:34,153 --> 00:57:36,291 ♪ Shine a light on me ♪ 1000 00:57:38,028 --> 00:57:41,485 ♪ Let the Midnight Special ♪ 1001 00:57:41,486 --> 00:57:45,625 ♪ Shine an ever-lovin' Light on me ♪ 1002 00:57:45,695 --> 00:57:49,250 ♪ Yonder come Miss Rosie ♪ 1003 00:57:49,320 --> 00:57:51,916 ♪ How in the world Did you know? ♪ 1004 00:57:53,445 --> 00:57:56,902 ♪ By the way she wears Her apron ♪ 1005 00:57:56,903 --> 00:58:00,875 ♪ And the clothes she wore, no ♪ 1006 00:58:00,945 --> 00:58:04,902 ♪ Umbrella on her shoulder ♪ 1007 00:58:04,903 --> 00:58:07,583 ♪ Piece of paper in her hand ♪ 1008 00:58:08,903 --> 00:58:12,027 ♪ She come to see the gov'nor ♪ 1009 00:58:12,028 --> 00:58:15,083 ♪ She want to free her man, oh ♪ 1010 00:58:16,236 --> 00:58:19,902 ♪ Let the Midnight Special ♪ 1011 00:58:19,903 --> 00:58:23,694 ♪ Shine a light on me ♪ 1012 00:58:23,695 --> 00:58:27,291 ♪ Let the Midnight Special ♪ 1013 00:58:27,361 --> 00:58:31,166 ♪ Shine a light on me ♪ 1014 00:58:31,236 --> 00:58:34,916 ♪ Let the Midnight Special ♪ 1015 00:58:34,986 --> 00:58:38,777 ♪ Shine a light on me ♪ 1016 00:58:38,778 --> 00:58:42,819 ♪ Let the Midnight Special ♪ 1017 00:58:42,820 --> 00:58:46,152 ♪ Shine an ever-lovin' Light on me ♪ 1018 00:58:46,153 --> 00:58:50,027 ♪ If you're ever in Houston ♪ 1019 00:58:50,028 --> 00:58:52,416 ♪ Well, you better do it right ♪ 1020 00:58:54,320 --> 00:58:57,527 ♪ You better not gamble ♪ 1021 00:58:57,528 --> 00:59:01,291 ♪ And you better Not fight, Lord ♪ 1022 00:59:01,361 --> 00:59:05,041 ♪ Or the sheriff will grab ya ♪ 1023 00:59:05,111 --> 00:59:07,833 ♪ And the boys Will bring you down ♪ 1024 00:59:09,278 --> 00:59:12,625 ♪ The next thing you know, boy ♪ 1025 00:59:12,695 --> 00:59:16,625 ♪ Whoa, you're prison bound ♪ 1026 00:59:16,695 --> 00:59:20,291 ♪ Let the Midnight Special ♪ 1027 00:59:20,361 --> 00:59:22,708 ♪ Shine a light on me ♪ 1028 00:59:24,236 --> 00:59:28,027 ♪ Let the Midnight Special ♪ 1029 00:59:28,028 --> 00:59:31,625 ♪ Shine a light on me ♪ 1030 00:59:31,695 --> 00:59:35,402 ♪ Let the Midnight Special ♪ 1031 00:59:35,403 --> 00:59:37,666 ♪ Shine a light on me ♪ 1032 00:59:37,736 --> 00:59:39,250 All right, Lord! 1033 00:59:39,320 --> 00:59:43,000 ♪ Let the Midnight Special ♪ 1034 00:59:43,070 --> 00:59:47,125 ♪ Shine an ever-lovin' light ♪ 1035 00:59:47,195 --> 00:59:51,000 ♪ On me ♪ 1036 00:59:51,070 --> 00:59:54,125 [cheers and applause] 1037 01:00:06,986 --> 01:00:12,027 [playing "Bad Moon Rising"] 1038 01:00:12,028 --> 01:00:17,152 ♪ I see the bad moon a-risin' ♪ 1039 01:00:17,153 --> 01:00:20,666 ♪ I see trouble on the way ♪ 1040 01:00:22,278 --> 01:00:25,791 ♪ I see earthquakes And lightnin' ♪ 1041 01:00:27,236 --> 01:00:30,500 ♪ I see bad times today ♪ 1042 01:00:32,153 --> 01:00:34,402 ♪ Don't go around tonight ♪ 1043 01:00:34,403 --> 01:00:37,125 ♪ Well it's bound To take your life ♪ 1044 01:00:37,195 --> 01:00:41,083 ♪ There's a bad moon On the rise ♪ 1045 01:00:42,445 --> 01:00:46,041 ♪ I hear hurricanes a-blowin' ♪ 1046 01:00:47,403 --> 01:00:50,833 ♪ I know the end Is comin' soon ♪ 1047 01:00:52,611 --> 01:00:57,652 ♪ I fear rivers over flowin' ♪ 1048 01:00:57,653 --> 01:01:00,958 ♪ I hear the voice Of rage and ruin ♪ 1049 01:01:02,361 --> 01:01:04,375 ♪ Don't go around tonight ♪ 1050 01:01:04,445 --> 01:01:07,402 ♪ Well it's bound To take your life ♪ 1051 01:01:07,403 --> 01:01:10,750 ♪ There's a bad moon On the rise ♪ 1052 01:01:12,861 --> 01:01:15,916 [guitar solo] 1053 01:01:32,445 --> 01:01:35,833 ♪ Hope you got Your things together ♪ 1054 01:01:37,611 --> 01:01:40,666 ♪ Hope you are Quite prepared to die ♪ 1055 01:01:42,236 --> 01:01:45,750 ♪ Looks like we're in for nasty weather ♪ 1056 01:01:47,653 --> 01:01:50,458 ♪ One eye is taken for an eye ♪ 1057 01:01:51,820 --> 01:01:54,527 ♪ Well don't go around tonight ♪ 1058 01:01:54,528 --> 01:01:57,402 ♪ Well it's bound To take your life ♪ 1059 01:01:57,403 --> 01:02:00,666 ♪ There's a bad moon On the rise ♪ 1060 01:02:02,486 --> 01:02:04,625 ♪ Don't come around tonight ♪ 1061 01:02:04,695 --> 01:02:07,541 ♪ Well it's bound To take your life ♪ 1062 01:02:07,611 --> 01:02:11,000 ♪ There's a bad moon On the rise ♪ 1063 01:02:13,195 --> 01:02:17,916 [cheers and applause] 1064 01:02:17,986 --> 01:02:20,666 -[Doug] Thank you very much. -Thank you. 1065 01:02:26,070 --> 01:02:29,125 [playing "Proud Mary"] 1066 01:02:37,528 --> 01:02:41,250 ♪ Left a good job in the city ♪ 1067 01:02:41,320 --> 01:02:45,277 ♪ Workin' for the man Ev'ry night and day ♪ 1068 01:02:45,278 --> 01:02:49,000 ♪ And I never lost One minute of sleepin' ♪ 1069 01:02:49,070 --> 01:02:52,916 ♪ Worryin' 'bout the way Things might have been ♪ 1070 01:02:52,986 --> 01:02:56,500 ♪ Big wheel keep on turnin' ♪ 1071 01:02:56,570 --> 01:03:00,250 ♪ Proud Mary keep on burnin' ♪ 1072 01:03:00,320 --> 01:03:03,916 ♪ Rollin', rollin' ♪ 1073 01:03:03,986 --> 01:03:06,458 ♪ Rollin' on the river ♪ 1074 01:03:08,111 --> 01:03:11,652 ♪ Cleaned a lot of plates In Memphis ♪ 1075 01:03:11,653 --> 01:03:15,625 ♪ Pumped a lot of 'pane Down in New Orleans ♪ 1076 01:03:15,695 --> 01:03:19,777 ♪ But I never saw The good side of the city ♪ 1077 01:03:19,778 --> 01:03:23,166 ♪ 'Til I hitched a ride On a river boat queen ♪ 1078 01:03:23,236 --> 01:03:26,666 ♪ Big wheel keep on turnin' ♪ 1079 01:03:26,736 --> 01:03:29,500 ♪ Proud Mary keep on burnin' ♪ 1080 01:03:30,653 --> 01:03:32,291 ♪ Rollin', yeah ♪ 1081 01:03:32,361 --> 01:03:34,277 ♪ Rollin', all right ♪ 1082 01:03:34,278 --> 01:03:36,625 ♪ Rollin' on the river ♪ 1083 01:04:11,736 --> 01:04:13,625 ♪ Rollin' ♪ 1084 01:04:13,695 --> 01:04:15,375 ♪ Rollin', yeah ♪ 1085 01:04:15,445 --> 01:04:17,625 ♪ Rollin' on the river ♪ 1086 01:04:30,778 --> 01:04:33,625 ♪ If you come down To the river ♪ 1087 01:04:33,695 --> 01:04:38,125 ♪ Bet you gonna find Some people who live ♪ 1088 01:04:38,195 --> 01:04:42,027 ♪ You don't have to worry 'Cause you have no money ♪ 1089 01:04:42,028 --> 01:04:45,652 ♪ People on the river Are happy to give ♪ 1090 01:04:45,653 --> 01:04:49,125 ♪ Big wheel keep on turnin' ♪ 1091 01:04:49,195 --> 01:04:52,875 ♪ Proud Mary keep on burnin' ♪ 1092 01:04:52,945 --> 01:04:54,875 ♪ Rollin', yeah ♪ 1093 01:04:54,945 --> 01:04:56,777 ♪ Rollin', oh ♪ 1094 01:04:56,778 --> 01:04:59,166 ♪ Rollin' on the river ♪ 1095 01:05:00,611 --> 01:05:02,250 ♪ Rollin' ♪ 1096 01:05:02,320 --> 01:05:04,250 ♪ Rollin', yeah ♪ 1097 01:05:04,320 --> 01:05:06,666 ♪ Rollin' on the river ♪ 1098 01:05:07,986 --> 01:05:09,666 ♪ Rollin', oh ♪ 1099 01:05:09,736 --> 01:05:11,777 ♪ Rollin', yeah ♪ 1100 01:05:11,778 --> 01:05:14,208 ♪ Rollin' on the river ♪ 1101 01:05:17,486 --> 01:05:20,541 [cheers and applause] 1102 01:05:48,403 --> 01:05:51,458 [indistinct chatter] 1103 01:06:04,403 --> 01:06:07,458 [band music playing] 1104 01:06:28,028 --> 01:06:31,083 [playing "The Night Time Is the Right Time"] 1105 01:06:41,611 --> 01:06:44,291 ♪ You know the night time ♪ 1106 01:06:44,361 --> 01:06:46,958 ♪ Oh, is the right time ♪ 1107 01:06:48,653 --> 01:06:50,916 ♪ To be ♪ 1108 01:06:50,986 --> 01:06:53,000 ♪ With the one you love ♪ 1109 01:06:54,570 --> 01:06:57,625 ♪ I said the night time ♪ 1110 01:06:57,695 --> 01:07:01,902 ♪ Ooh, is the right time ♪ 1111 01:07:01,903 --> 01:07:03,777 ♪ To be ♪ 1112 01:07:03,778 --> 01:07:06,000 ♪ With the one you love ♪ 1113 01:07:08,070 --> 01:07:10,777 ♪ I said the night time, baby ♪ 1114 01:07:10,778 --> 01:07:13,527 ♪ Yeah, is the right time ♪ 1115 01:07:13,528 --> 01:07:15,875 ♪ To be with the one you love ♪ 1116 01:07:20,903 --> 01:07:23,527 ♪ Baby ♪ 1117 01:07:23,528 --> 01:07:25,833 ♪ I said a baby ♪ 1118 01:07:27,653 --> 01:07:30,250 ♪ Baby ♪ 1119 01:07:30,320 --> 01:07:32,833 ♪ Come on And drive me crazy, Lord ♪ 1120 01:07:34,111 --> 01:07:36,791 ♪ You know I love you ♪ 1121 01:07:36,861 --> 01:07:40,027 ♪ Always thinkin' of you ♪ 1122 01:07:40,028 --> 01:07:42,458 ♪ Hey, baby ♪ 1123 01:07:43,445 --> 01:07:45,708 ♪ Oh, I said a baby, oh ♪ 1124 01:07:47,486 --> 01:07:49,916 ♪ I said the night time ♪ 1125 01:07:49,986 --> 01:07:53,166 ♪ Is the right time ♪ 1126 01:07:53,236 --> 01:07:56,416 ♪ To be with the one you love ♪ 1127 01:07:56,486 --> 01:07:58,041 ♪ All I can say ♪ 1128 01:08:39,820 --> 01:08:42,541 ♪ I said the night time ♪ 1129 01:08:42,611 --> 01:08:44,791 ♪ Oh, is the right time ♪ 1130 01:08:47,028 --> 01:08:49,250 ♪ To be ♪ 1131 01:08:49,320 --> 01:08:51,333 ♪ With the one you love ♪ 1132 01:08:52,986 --> 01:08:54,833 ♪ I said the night time ♪ 1133 01:08:56,070 --> 01:08:58,375 ♪ Ooh, is the right time ♪ 1134 01:09:00,320 --> 01:09:02,500 ♪ To be ♪ 1135 01:09:02,570 --> 01:09:04,583 ♪ With the one you love ♪ 1136 01:09:06,570 --> 01:09:08,375 ♪ I said the night time, baby ♪ 1137 01:09:09,820 --> 01:09:12,375 ♪ Oh, is the right time ♪ 1138 01:09:12,445 --> 01:09:14,625 ♪ To be with the one you love ♪ 1139 01:09:24,320 --> 01:09:27,291 [cheers and applause] 1140 01:09:48,611 --> 01:09:51,666 [indistinct chatter] 1141 01:10:09,695 --> 01:10:12,750 [playing "Good Golly, Miss Molly" ] 1142 01:10:26,736 --> 01:10:28,916 ♪ Good golly, Miss Molly ♪ 1143 01:10:30,195 --> 01:10:31,750 ♪ Sure like a ball ♪ 1144 01:10:32,945 --> 01:10:35,000 ♪ Good golly, Miss Molly ♪ 1145 01:10:36,320 --> 01:10:37,708 ♪ Sure like a ball ♪ 1146 01:10:39,028 --> 01:10:41,083 ♪ When you're Rockin' 'n' rollin' ♪ 1147 01:10:42,236 --> 01:10:44,166 ♪ Can't hear your momma call ♪ 1148 01:10:45,903 --> 01:10:47,527 ♪ From the early Early mornin' ♪ 1149 01:10:47,528 --> 01:10:48,902 ♪ 'Til the early, early night ♪ 1150 01:10:48,903 --> 01:10:50,402 ♪ You can see Miss Molly rockin' ♪ 1151 01:10:50,403 --> 01:10:51,791 ♪ At the house of blue lights ♪ 1152 01:10:51,861 --> 01:10:53,791 ♪ Ah, good golly, Miss Molly ♪ 1153 01:10:55,028 --> 01:10:56,458 ♪ Sure like a ball ♪ 1154 01:10:57,736 --> 01:10:59,666 ♪ When you're Rockin' 'n' rollin' ♪ 1155 01:11:00,945 --> 01:11:02,833 ♪ Can't hear your momma call ♪ 1156 01:11:04,278 --> 01:11:06,041 ♪ Say, momma, poppa told me ♪ 1157 01:11:06,111 --> 01:11:07,652 ♪ Son, you better Watch your step ♪ 1158 01:11:07,653 --> 01:11:09,152 ♪ If I knew my momma, poppa ♪ 1159 01:11:09,153 --> 01:11:10,541 ♪ Have to watch my pop myself ♪ 1160 01:11:10,611 --> 01:11:12,416 ♪ Ah, good golly, Miss Molly ♪ 1161 01:11:13,695 --> 01:11:15,166 ♪ Sure like a ball ♪ 1162 01:11:16,361 --> 01:11:18,500 ♪ When you're Rockin' 'n' rollin' ♪ 1163 01:11:19,528 --> 01:11:21,125 ♪ Can't hear your momma call ♪ 1164 01:11:41,820 --> 01:11:44,166 ♪ I am goin' to the corner Gonna buy a diamond ring ♪ 1165 01:11:44,236 --> 01:11:45,625 ♪ Would you pardon me A kissin' ♪ 1166 01:11:45,695 --> 01:11:47,152 ♪ 'N' a ting-a-ling-a-ling? ♪ 1167 01:11:47,153 --> 01:11:49,041 ♪ Oh, good golly, Miss Molly ♪ 1168 01:11:50,361 --> 01:11:51,833 ♪ Sure like a ball ♪ 1169 01:11:53,153 --> 01:11:56,166 ♪ When you're Rockin' 'n' rollin' ♪ 1170 01:11:56,236 --> 01:11:58,291 ♪ Can't hear your momma call ♪ 1171 01:11:58,361 --> 01:11:59,902 ♪ Aaaah ♪ 1172 01:11:59,903 --> 01:12:05,625 [guitar solo] 1173 01:12:17,361 --> 01:12:19,416 ♪ Good golly, Miss Molly ♪ 1174 01:12:20,486 --> 01:12:21,791 ♪ Sure like a ball ♪ 1175 01:12:23,195 --> 01:12:25,416 ♪ Good golly, Miss Molly ♪ 1176 01:12:26,611 --> 01:12:28,375 ♪ Sure like a ball ♪ 1177 01:12:29,320 --> 01:12:32,277 ♪ When you're Rockin' 'n' rollin' ♪ 1178 01:12:32,278 --> 01:12:34,125 ♪ Can't hear your momma call ♪ 1179 01:12:39,278 --> 01:12:41,875 [cheers and applause] 1180 01:12:41,945 --> 01:12:43,145 Thank you. 1181 01:12:55,653 --> 01:12:59,708 [instruments tuning] 1182 01:13:15,611 --> 01:13:18,277 This will be our last song, 1183 01:13:18,278 --> 01:13:20,791 but we hope you all join in and listen. 1184 01:13:22,111 --> 01:13:23,875 Help us keep something going. 1185 01:13:23,945 --> 01:13:25,875 In advance, we wanna say 1186 01:13:25,945 --> 01:13:28,041 thank you very much for having us here in London. 1187 01:13:28,111 --> 01:13:29,500 Here's a song called… 1188 01:13:29,570 --> 01:13:31,000 [cheers and applause] 1189 01:13:31,070 --> 01:13:34,250 …"Keep On--" just "Keep On--" "Keep On Chooglin'." 1190 01:13:35,486 --> 01:13:38,541 [playing "Keep On Chooglin'"] 1191 01:13:58,320 --> 01:14:00,916 ♪ Keep on chooglin' ♪ 1192 01:14:00,986 --> 01:14:03,500 ♪ Keep on chooglin' ♪ 1193 01:14:03,570 --> 01:14:05,527 ♪ Keep on chooglin' ♪ 1194 01:14:05,528 --> 01:14:07,250 ♪ Chooglin' ♪ 1195 01:14:07,320 --> 01:14:09,458 ♪ Chooglin', chooglin' Chooglin' ♪ 1196 01:14:12,695 --> 01:14:15,402 ♪ Maybe you don't Understand it ♪ 1197 01:14:15,403 --> 01:14:17,916 ♪ But if you're a natural man ♪ 1198 01:14:17,986 --> 01:14:20,875 ♪ You got to ball And have a good time ♪ 1199 01:14:20,945 --> 01:14:24,083 ♪ And that's What I call chooglin' ♪ 1200 01:14:26,528 --> 01:14:29,166 ♪ Here comes Mary Lookin' for Harry ♪ 1201 01:14:29,236 --> 01:14:31,125 ♪ She gonna choogle tonight ♪ 1202 01:14:32,236 --> 01:14:34,875 ♪ Here comes Louie Works in the sewer, Lord ♪ 1203 01:14:34,945 --> 01:14:36,541 ♪ He gonna choogle tonight ♪ 1204 01:14:38,153 --> 01:14:39,875 ♪ Keep on chooglin' ♪ 1205 01:14:40,986 --> 01:14:42,625 ♪ Keep on chooglin' ♪ 1206 01:14:43,778 --> 01:14:45,375 ♪ Keep on chooglin' ♪ 1207 01:14:45,445 --> 01:14:47,166 ♪ Chooglin' ♪ 1208 01:14:47,236 --> 01:14:49,250 ♪ Chooglin', chooglin' Chooglin' ♪ 1209 01:14:49,320 --> 01:14:52,375 [guitar solo] 1210 01:16:00,736 --> 01:16:06,208 [harmonica solo] 1211 01:18:13,861 --> 01:18:16,041 [harmonica solo ends] 1212 01:19:37,695 --> 01:19:40,166 ♪ Keep on chooglin' ♪ 1213 01:19:40,236 --> 01:19:42,916 ♪ Keep on chooglin' ♪ 1214 01:19:42,986 --> 01:19:46,125 ♪ Keep on chooglin' Chooglin' ♪ 1215 01:19:46,195 --> 01:19:48,250 ♪ Chooglin' Chooglin', chooglin' ♪ 1216 01:19:51,236 --> 01:19:54,000 ♪ If you can choose it Who can refuse it ♪ 1217 01:19:54,070 --> 01:19:56,375 ♪ Y'all be chooglin' tonight ♪ 1218 01:19:56,445 --> 01:19:59,166 ♪ Go on, take your pick Right from the git go ♪ 1219 01:19:59,236 --> 01:20:01,083 ♪ You gotta choogle tonight ♪ 1220 01:20:02,486 --> 01:20:04,916 ♪ Keep on chooglin' ♪ 1221 01:20:04,986 --> 01:20:07,666 ♪ Keep on chooglin' ♪ 1222 01:20:07,736 --> 01:20:10,625 ♪ Keep on chooglin' Chooglin' ♪ 1223 01:20:10,695 --> 01:20:13,527 ♪ Chooglin' Chooglin', chooglin' ♪ 1224 01:20:13,528 --> 01:20:16,027 ♪ Chooglin', chooglin' ♪ 1225 01:20:16,028 --> 01:20:19,166 ♪ Chooglin', chooglin' Chooglin', chooglin' ♪ 1226 01:21:36,153 --> 01:21:38,777 Good night, y'all. We love you. 1227 01:21:38,778 --> 01:21:41,833 [cheers and applause] 1228 01:21:57,736 --> 01:22:00,916 [narrator] Creedence received a 15-minute standing ovation, 1229 01:22:00,986 --> 01:22:03,166 clearly winning over the London audience 1230 01:22:03,236 --> 01:22:05,166 and solidifying this performance 1231 01:22:05,236 --> 01:22:07,833 is a major highlight of their career. 1232 01:22:11,153 --> 01:22:14,819 Later that year, their fifth album, Cosmo's Factory, 1233 01:22:14,820 --> 01:22:17,166 topped the charts around the world, 1234 01:22:17,236 --> 01:22:19,708 including the US and UK. 1235 01:22:20,986 --> 01:22:23,791 Creedence could then rightfully lay claim to being 1236 01:22:23,861 --> 01:22:26,166 the biggest band in the world. 1237 01:22:34,445 --> 01:22:37,500 ["Lookin' Out My Back Door" playing] 1238 01:22:46,611 --> 01:22:48,875 ♪ Just got home from Illinois ♪ 1239 01:22:48,945 --> 01:22:51,041 ♪ Lock the front door, oh boy! ♪ 1240 01:22:51,111 --> 01:22:55,666 ♪ Got to sit down Take a rest on the porch ♪ 1241 01:22:55,736 --> 01:22:57,916 ♪ Imagination sets in ♪ 1242 01:22:57,986 --> 01:23:00,250 ♪ Pretty soon I'm singin' ♪ 1243 01:23:00,320 --> 01:23:04,402 ♪ Doo, doo, doo Lookin' out my back door ♪ 1244 01:23:04,403 --> 01:23:07,152 ♪ There's a giant Doin' cartwheels ♪ 1245 01:23:07,153 --> 01:23:09,416 ♪ A statue wearin' high heels ♪ 1246 01:23:09,486 --> 01:23:14,041 ♪ Look at all the happy Creatures dancin' on the lawn ♪ 1247 01:23:14,111 --> 01:23:16,402 ♪ Dinosaur Victrola ♪ 1248 01:23:16,403 --> 01:23:18,625 ♪ Listenin' to Buck Owens ♪ 1249 01:23:18,695 --> 01:23:23,125 ♪ Doo, doo, doo Lookin' out my back door ♪ 1250 01:23:23,195 --> 01:23:27,402 ♪ Tambourines and elephants Are playin' in the band ♪ 1251 01:23:27,403 --> 01:23:31,277 ♪ Won't you take a ride On the flyin' spoon? ♪ 1252 01:23:31,278 --> 01:23:32,541 ♪ Dood-n-doo-doo ♪ 1253 01:23:32,611 --> 01:23:34,250 ♪ Wondrous apparition ♪ 1254 01:23:34,320 --> 01:23:36,902 ♪ Provided by magician ♪ 1255 01:23:36,903 --> 01:23:41,027 ♪ Doo, doo, doo Lookin' out my back door ♪ 1256 01:23:41,028 --> 01:23:44,083 [guitar solo] 1257 01:23:59,653 --> 01:24:01,750 ♪ Tambourines and elephants ♪ 1258 01:24:01,820 --> 01:24:03,916 ♪ Are playin' in the band ♪ 1259 01:24:03,986 --> 01:24:07,625 ♪ Won't you take a ride On the flyin' spoon? ♪ 1260 01:24:07,695 --> 01:24:08,916 ♪ Dood-n-doo-doo ♪ 1261 01:24:08,986 --> 01:24:10,902 ♪ Bother me tomorrow ♪ 1262 01:24:10,903 --> 01:24:13,527 ♪ Today I'll buy no sorrows ♪ 1263 01:24:13,528 --> 01:24:17,958 ♪ Doo, doo, doo Lookin' out my back door ♪ 1264 01:24:31,611 --> 01:24:33,902 ♪ Forward troubles Illinois ♪ 1265 01:24:33,903 --> 01:24:36,152 ♪ Lock the front door, oh boy! ♪ 1266 01:24:36,153 --> 01:24:40,902 ♪ Look at all the happy Creatures dancin' on the lawn ♪ 1267 01:24:40,903 --> 01:24:43,416 ♪ Bother me tomorrow ♪ 1268 01:24:43,486 --> 01:24:46,791 ♪ Today I'll buy no sorrows ♪ 1269 01:24:46,861 --> 01:24:52,458 ♪ Doo, doo, doo Lookin' out my back door ♪ 1270 01:25:03,153 --> 01:25:07,666 ["Who'll Stop the Rain?" playing] 1271 01:25:13,445 --> 01:25:17,402 ♪ Long as I remember ♪ 1272 01:25:17,403 --> 01:25:21,166 ♪ The rain been comin' down ♪ 1273 01:25:21,236 --> 01:25:25,152 ♪ Clouds of mystery pourin' ♪ 1274 01:25:25,153 --> 01:25:29,000 ♪ Confusion on the ground ♪ 1275 01:25:29,070 --> 01:25:32,791 ♪ Good men through the ages ♪ 1276 01:25:32,861 --> 01:25:36,652 ♪ Tryin' to find the sun ♪ 1277 01:25:36,653 --> 01:25:38,652 ♪ And I wonder ♪ 1278 01:25:38,653 --> 01:25:43,541 ♪ Still I wonder Who'll stop the rain? ♪ 1279 01:25:46,361 --> 01:25:49,777 ♪ I went down Virginia ♪ 1280 01:25:49,778 --> 01:25:54,125 ♪ Seekin' shelter From the storm ♪ 1281 01:25:54,195 --> 01:25:58,000 ♪ Caught up in the fable ♪ 1282 01:25:58,070 --> 01:26:00,641 ♪ I watched the tower grow… ♪